WEBVTT - Wishbone: Death of a Working Dog | Reviving a Mobit

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<v Speaker 1>Because of your extraordinary bravery and intelligence, you have earned

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<v Speaker 1>the titles of Honorary Corporal Rusty and Honorary Private Rint Tintin.

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<v Speaker 1>Ever since Rin Tin Tin, the superstar German shepherd who

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<v Speaker 1>on screen rescued plenty of people and off screen, rescued

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<v Speaker 1>Warner Brothers from bankruptcy in the nineteen twenties, dogs have

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<v Speaker 1>played leading roles in Hollywood.

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<v Speaker 2>Look there's Tuto, where do you come from from?

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<v Speaker 1>Kansas's most courageous Cairn.

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<v Speaker 2>Terrier Who's come to take us to dog?

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<v Speaker 1>To the collie who seemed to save more people in

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<v Speaker 1>the nineteen fifties than the polio vaccine did. To the

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<v Speaker 1>Golden retriever who held court in the air Bud movies,

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<v Speaker 1>Doots Don't played basketball?

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<v Speaker 3>Was the matter?

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<v Speaker 1>Gentlemen?

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<v Speaker 3>Afraid your team might get beat by a dog?

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<v Speaker 1>But I'm not sure any dog has ever played a

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<v Speaker 1>role as multifaceted as the one played by the Jack

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<v Speaker 1>Russell terrier, who starred in the nineteen nineties PBS television

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<v Speaker 1>series Wishbone.

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<v Speaker 2>Believe me it was.

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<v Speaker 4>Nothing, Hey, whishbird, Let's have some meat.

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<v Speaker 5>Look?

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<v Speaker 6>Did I hear you say?

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<v Speaker 7>Me?

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<v Speaker 2>Love?

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<v Speaker 1>That dog's real name was soccer now as Wishbone, he

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<v Speaker 1>didn't just beg for treats.

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<v Speaker 6>Soccer was a total action hero dog. Soccer was winning

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<v Speaker 6>battles and getting knighted and solving mysteries.

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<v Speaker 2>Look closely, the clues could be anywhere.

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<v Speaker 1>No one is above suspicion. Wishbone, it turns out, had

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<v Speaker 1>a rich fantasy life. In each episode, he imagined himself

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<v Speaker 1>as the hero in a different work of classic literature.

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<v Speaker 1>Viewers at home saw him leading a merry band of

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<v Speaker 1>outlaws against the Sheriff of Nottingham.

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<v Speaker 6>Robin Hood actual of us.

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<v Speaker 1>So romancing like Shakespeare's Romeo.

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<v Speaker 8>With Love's like wings, did I or perch these walls?

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<v Speaker 1>And inspired by Jules Vern digging deep, going where no

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<v Speaker 1>dog or man had gone before, proof.

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<v Speaker 8>That we are on the right track, on one to

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<v Speaker 8>the Sun, God of the Eye.

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<v Speaker 1>For the show's target audience of six to eleven year olds,

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<v Speaker 1>Soccer became a tween idol.

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<v Speaker 3>I have pictures of people waiting in line two blocks

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<v Speaker 3>long just to see this dog.

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<v Speaker 2>What's the story, Wishbone? What's this?

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<v Speaker 1>Your dreaming?

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<v Speaker 9>Enough such?

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<v Speaker 1>Today there's a whole pack of grown ups out there

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<v Speaker 1>who were first winged on Mark Twain or the Legend

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<v Speaker 1>of Faust, or the Greek epics through Wishbone.

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<v Speaker 9>I remember, like on my tenth birthday, I think it

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<v Speaker 9>was we were gonna go mini golfing and I insisted,

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<v Speaker 9>but we had to stay home for Wishbone first, and as.

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<v Speaker 1>A twenty five year old a mere puff myself, I

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<v Speaker 1>got to write for Wishbone. I've told people that writing

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<v Speaker 1>for the show was like an assignment from an English

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<v Speaker 1>professor on assets.

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<v Speaker 6>It totally was.

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<v Speaker 1>So much went into this show to make it a hit,

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<v Speaker 1>but none of it would have worked without the top dog.

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<v Speaker 6>I think every movie star has eyes that tell stories,

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<v Speaker 6>and Soccer had the most amazing dog eyes.

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<v Speaker 7>He was a magic little creature man, he really was.

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<v Speaker 7>He looked so good on camera.

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<v Speaker 3>I shouldn't say this, so he wasn't the smartest dog

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<v Speaker 3>I've ever turned, but he was so devoted once he

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<v Speaker 3>learned it. He would walk on water for me. He

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<v Speaker 3>just loved to be out with me working. To him,

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<v Speaker 3>it wasn't work.

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<v Speaker 1>From CBS Sunday Morning and iHeart I'm Morocca and this

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<v Speaker 1>is mobituaries, This mobid Wishbone. June twenty sixth, two thousand

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<v Speaker 1>and one. Death of a working dog. All right, So

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<v Speaker 1>what was Wishbone about. Well, let's have some fans who

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<v Speaker 1>grew up with the show explain.

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<v Speaker 9>So it was called Wishbone, and it was this little dog,

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<v Speaker 9>Jack Russell Terrier.

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<v Speaker 8>Wishbone has a love for classic literature.

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<v Speaker 1>And then he would like magically transport himself into stories.

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<v Speaker 1>Wishbone is a children's television show that aired on PBS's

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<v Speaker 1>the nineteen nineties, and it is the only.

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<v Speaker 6>Reason why I ever passed in English class because I

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<v Speaker 6>did not do the reading.

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<v Speaker 1>Okay, now my turn. The show was about a dog

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<v Speaker 1>named Wishbone who lived in a town called Oakdale. Wishbone

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<v Speaker 1>would get into all sorts of adventures with his owner,

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<v Speaker 1>a boy named Joe, and the other neighbor hood kids,

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<v Speaker 1>and those adventures would remind Wishbone of stay with me

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<v Speaker 1>here stories from classic literature. It could be a novel

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<v Speaker 1>like Treasure Island, and epic poem like Homer's Odyssey in

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<v Speaker 1>African folk tale like Anansi the Spider.

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<v Speaker 2>Wishbone read a lot.

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<v Speaker 1>He didn't waste time watching TV, just go with it,

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<v Speaker 1>and so each episode alternated between Wishbone living his regular

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<v Speaker 1>life in Oakdale and his fantasy life as the hero

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<v Speaker 1>of classic literature. Twin plots thematically connected more about his

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<v Speaker 1>fantasy life later. Basically, Wishbone the show was all about story,

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<v Speaker 1>but the story of the dog who played Wishbone begins

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<v Speaker 1>with an animal trainer named Jackie Captain. Hello Jackie, Yes,

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<v Speaker 1>it's Moe.

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<v Speaker 3>Oh my goodnessistant so long.

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<v Speaker 2>It's been more than twenty five years.

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<v Speaker 1>Jackie's been living off the grid way up in Haynes, Alaska.

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<v Speaker 1>You're not easy to get a hold of.

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<v Speaker 3>Well, that's the reason I came up here. No, I

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<v Speaker 3>retired eight years ago. It's beautiful up here. Good fishing

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<v Speaker 3>bears walked through my property.

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<v Speaker 1>Do you think the bears know your background with animals

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<v Speaker 1>and that they kind of respect it?

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<v Speaker 3>Well, I've kind of told them, Look, we're on common

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<v Speaker 3>ground here. You leave me alone, I'll leave you alone.

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<v Speaker 1>Jackie actually began her career in motion pictures working with

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<v Speaker 1>wild animals, including bears, but she learned much of what

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<v Speaker 1>she knows about training dogs from famed Hollywood trainer Frank Ann.

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<v Speaker 3>I went to work for him, and that was probably

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<v Speaker 3>the best experience I had learning how to do dogs

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<v Speaker 3>for motion picture.

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<v Speaker 1>Frank Inn worked on Lassie, I Love Lucy. He trained

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<v Speaker 1>Audrey Hepburn's orange tabby cat in Breakfast to Tiffany's. He

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<v Speaker 1>wrangled all five hundred of the animals comprising LIMEE. Clampitt's

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<v Speaker 1>cast of critters on the Beverly Hillbillies. Critters will new

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<v Speaker 1>things for that girl, wouldn't do for nobody else. Here

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<v Speaker 1>he is training the lovable mutt who's starred in the

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<v Speaker 1>Benji movies.

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<v Speaker 8>Come on, nudget, Benji, Please, come on, come on, nudget, nudget.

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<v Speaker 1>Good kid, Look here, feet up, stay a spe And.

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<v Speaker 3>He just was this larger than life character, big man

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<v Speaker 3>with a big hand of our mustache and a captain's hat.

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<v Speaker 3>And you just couldn't forget him if he ever saw

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<v Speaker 3>him work a dog.

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<v Speaker 1>Frank Inn helped Jackie launch her own career. She worked

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<v Speaker 1>on the nineteen eighty three horror movie Kujojo about a

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<v Speaker 1>rabbit Saint Bernard Kuser, which manner, and she helped Ethan

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<v Speaker 1>Hawke bond with a surly wolfhound in White Fang.

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<v Speaker 2>Just wanted to pet him.

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<v Speaker 1>White Fang was shot up in Haines, Alaska. Jackie says

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<v Speaker 1>she you then that one day she'd retire. There have

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<v Speaker 1>you got any dogs up there.

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<v Speaker 3>I only have one dog left, which is really weird

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<v Speaker 3>for me. I have the Beverly Hills Chihuahua Rosa.

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<v Speaker 2>Oh my gosh, and remember Rosa. There's nothing wrong with

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<v Speaker 2>being different.

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<v Speaker 1>Different.

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<v Speaker 2>It is just a nice way of saying run.

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<v Speaker 3>Yeah. She's twelve now, she only weighs three pounds.

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<v Speaker 1>She's the Beverly Hills Chihuaba and she's living in Haines, Alaska,

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<v Speaker 1>surrounded by grizzlies.

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<v Speaker 2>How's that working out?

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<v Speaker 3>Well, she doesn't go out much, I mean, because everything

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<v Speaker 3>wants to get her, the eagles, I mean, you know,

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<v Speaker 3>so she pretty much just stays in the cabin.

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<v Speaker 2>Oh my god.

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<v Speaker 1>But Jackie, I know you're retired, but this just screams

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<v Speaker 1>out for a Beverly Hills Chihuaba sequel, I mean, escape

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<v Speaker 1>to Alaska.

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<v Speaker 3>I know it does, doesn't it. I like that idea.

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<v Speaker 1>Jackie met the dog who would one day play Wishbone

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<v Speaker 1>back in nineteen eighty eight in Connecticut when he was

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<v Speaker 1>just a week old, and.

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<v Speaker 3>I said, that is the cutest pubby I've ever seen.

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<v Speaker 1>Jackie took him home that very day and named him Soccer.

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<v Speaker 1>But because of Soccer's markings, brown patches around his left

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<v Speaker 1>eye and right ear. Casting directors thought he looked too

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<v Speaker 1>much like the Little Rascals dog Pete. Pretty soon it

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<v Speaker 1>seemed clear Soccer's acting career was going nowhere.

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<v Speaker 3>Yeah, he didn't do much at all until he did

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<v Speaker 3>Wishbone and he was six or seven.

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<v Speaker 1>I think six or seven in dog years.

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<v Speaker 2>You do the math.

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<v Speaker 1>He was getting up there has been without ever having.

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<v Speaker 3>Been my husband. And all my friends were like, really, Jaggy,

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<v Speaker 3>why do you spend so much time training on this dog.

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<v Speaker 3>I like this dog. He's my buddy. I don't care

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<v Speaker 3>if he ever works. I like this dog. And they'd

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<v Speaker 3>all laugh at man. I'm telling you, one day, this

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<v Speaker 3>dog is going to get what he deserves.

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<v Speaker 1>In nineteen ninety three, auditions for the lead role in

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<v Speaker 1>Wishbone were announced, Butackie was tied up on another project.

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<v Speaker 3>I was in Montana working on River Wild.

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<v Speaker 1>And she wasn't particularly interested.

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<v Speaker 3>I'm tied up on a feature movie.

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<v Speaker 1>Here, you know, sidebar. I loved the River Wild, an

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<v Speaker 1>action adventure starring a buff Meryl Streep opposite an evil

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<v Speaker 1>Kevin Bacon.

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<v Speaker 6>Woo woo woo.

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<v Speaker 2>You the dog expended who right, now who, I think I'll.

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<v Speaker 1>Go oh oo oo oo.

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<v Speaker 2>The dog who.

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<v Speaker 1>But the Wishbone team liked Soccer's look and prevailed on

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<v Speaker 1>Jackie to bring him in for an audition, and Soccer

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<v Speaker 1>wowed them.

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<v Speaker 2>He wasn't just charming, he.

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<v Speaker 5>Pulled off all of his tricks with the cool, confidence,

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<v Speaker 5>even cockiness of a jung Claude van Dam. He sealed

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<v Speaker 5>the deal with a backflip, which you can see in

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<v Speaker 5>the show's opening credits. Now, Jackie could get Soccer to

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<v Speaker 5>do a lot, but she couldn't make him.

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<v Speaker 7>Actually, when I first was asked to audition to be

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<v Speaker 7>the voice of Wishbone, I had no idea what the

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<v Speaker 7>show was.

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<v Speaker 1>That became the job of stand up comic and voiceover

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<v Speaker 1>actor Larry Brantley.

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<v Speaker 7>And I've done this my whole life with animals. I

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<v Speaker 7>watch an animal and I think I know what they're thinking.

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<v Speaker 7>I don't know why I think that, but I'm just

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<v Speaker 7>I'm convinced I know what's going on in that tiny

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<v Speaker 7>little head, and I'm pretty good at verbalizing it.

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<v Speaker 1>Wishbone had his voice, and so in the summer of

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<v Speaker 1>nineteen ninety four, trainer Jackie Captain packed her bags and

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<v Speaker 1>Soccer for the suburbs of Dallas, Texas, where Wishbone would

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<v Speaker 1>be filmed. I know, Texas in the summer. It's not pretty.

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<v Speaker 1>But any skepticism Jackie might have felt had melted away.

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<v Speaker 1>She was now sold on the idea of the show.

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<v Speaker 3>You know, this could be the last thing that I do,

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<v Speaker 3>and it seems like it's important. It's educationalal for children,

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<v Speaker 3>it'll get them to read again. And it would just

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<v Speaker 3>hit me, it drew me, and it was like this

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<v Speaker 3>little dog could really bring this alive. Of course, Soccer

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<v Speaker 3>would never go with anybody else. He'd always been.

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<v Speaker 2>With me, so you had to be there.

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<v Speaker 10>Well.

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<v Speaker 3>I mean, he was a great little dog, but he

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<v Speaker 3>had a soft side to him. And if I wasn't there,

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<v Speaker 3>I don't know that he would have danced the jig

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<v Speaker 3>like he did.

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<v Speaker 1>And in fact, he did dance jigs. I mean he

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<v Speaker 1>did kind of every behavior.

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<v Speaker 2>Really.

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<v Speaker 3>Oh, there was times when we do production meetings that

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<v Speaker 3>I'd take really, folks in my head, he doesn't have thumbs.

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<v Speaker 3>I don't know how he's going to shoot a bow

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<v Speaker 3>and arrow. It was like, oh, my goodness, who wrote this?

0:12:44.720 --> 0:12:45.080
<v Speaker 2>Well?

0:12:45.160 --> 0:12:47.400
<v Speaker 1>I was one of the people who wrote for Wishbone,

0:12:47.520 --> 0:12:49.959
<v Speaker 1>and writing for this dog would end up being one

0:12:50.000 --> 0:12:53.240
<v Speaker 1>of the most formative experiences of my life.

0:12:55.320 --> 0:12:57.559
<v Speaker 2>Did you ever think you'd end up writing for a dog?

0:12:58.600 --> 0:12:58.760
<v Speaker 7>No?

0:12:58.880 --> 0:13:01.839
<v Speaker 6>I didn't, No, I did not.

0:13:02.600 --> 0:13:07.600
<v Speaker 1>That's my friend Stephanie Simpson. She was Wishbone's supervising producer,

0:13:07.800 --> 0:13:09.439
<v Speaker 1>story editor, and head writer.

0:13:10.360 --> 0:13:13.520
<v Speaker 6>However, in the early days, when I was trying to

0:13:13.760 --> 0:13:17.960
<v Speaker 6>figure out how to do it, I remembered that I

0:13:18.000 --> 0:13:21.320
<v Speaker 6>had always made up dialogue and sort of monologues for

0:13:21.400 --> 0:13:25.080
<v Speaker 6>our cat, and so in thinking about Wishbone, I don't know,

0:13:25.120 --> 0:13:27.360
<v Speaker 6>it just seemed natural. Suddenly, I have to say, to

0:13:27.840 --> 0:13:33.760
<v Speaker 6>write Wishbone someone's pet as having this very rich inner

0:13:33.840 --> 0:13:36.520
<v Speaker 6>life that you were not aware of.

0:13:37.320 --> 0:13:39.920
<v Speaker 1>Over my career, I've been fortunate to work for a

0:13:39.920 --> 0:13:44.000
<v Speaker 1>few people who put everything they humanly could into making

0:13:44.040 --> 0:13:47.120
<v Speaker 1>something good, who wouldn't let up until it was as

0:13:47.200 --> 0:13:50.760
<v Speaker 1>right as it could be. But Stephanie has been singular

0:13:50.840 --> 0:13:54.360
<v Speaker 1>in my life. She taught me more than anyone how

0:13:54.360 --> 0:13:59.200
<v Speaker 1>to tell a story. If Soccer had Jackie, I had Stephanie.

0:14:00.000 --> 0:14:02.880
<v Speaker 1>Sephanie had majored in Russian literature at Yale and earned

0:14:02.880 --> 0:14:06.679
<v Speaker 1>a Masters in drama at Harvard. She was perfectly trained

0:14:06.720 --> 0:14:10.840
<v Speaker 1>for this bizarre task. Of course, she couldn't do it alone.

0:14:11.200 --> 0:14:15.520
<v Speaker 1>And that's when I got the call. At the time,

0:14:15.559 --> 0:14:18.080
<v Speaker 1>I was in a production of South Pacific at New

0:14:18.160 --> 0:14:19.800
<v Speaker 1>Jersey's paper Mill Playhouse.

0:14:20.120 --> 0:14:26.680
<v Speaker 4>We got volleyball, any games we got.

0:14:26.200 --> 0:14:34.080
<v Speaker 1>Stephanie brought me down to Dallas to interview with Wishbone

0:14:34.160 --> 0:14:38.240
<v Speaker 1>executive producer Rick Duffield, who hired me as a staff writer.

0:14:40.760 --> 0:14:43.280
<v Speaker 1>I began working with Stephanie in what felt like a

0:14:43.320 --> 0:14:48.000
<v Speaker 1>storytelling boot camp. Now, as I explained earlier, each episode

0:14:48.040 --> 0:14:50.920
<v Speaker 1>of the show connected a modern day storyline in the

0:14:50.960 --> 0:14:54.800
<v Speaker 1>fictional town of Oakdale to a different work of classic literature.

0:14:55.040 --> 0:14:58.720
<v Speaker 1>Here's Wishbone as Romeo in Shakespeare's Romeo and Juliet.

0:15:00.040 --> 0:15:00.800
<v Speaker 2>Who is her mother?

0:15:01.960 --> 0:15:03.920
<v Speaker 10>Her mother is the lady of the house?

0:15:04.480 --> 0:15:07.200
<v Speaker 6>Oh, Lady of the Ooh is she a capulate?

0:15:07.840 --> 0:15:10.920
<v Speaker 2>Who is that gentleman? His name is Romeo?

0:15:11.520 --> 0:15:14.800
<v Speaker 1>Now in the contemporary plot line for that episode, one

0:15:14.880 --> 0:15:17.960
<v Speaker 1>of the neighborhood kids, Samantha, falls in love with a

0:15:18.000 --> 0:15:21.200
<v Speaker 1>beagle named Rosie at the local pound and wants to

0:15:21.240 --> 0:15:23.760
<v Speaker 1>adopt her. Would you're dad that.

0:15:23.800 --> 0:15:25.920
<v Speaker 2>You have a go if you sell this dog?

0:15:26.000 --> 0:15:26.720
<v Speaker 4>He couldn't say no.

0:15:27.480 --> 0:15:30.360
<v Speaker 6>The contemporary world was a way to show that there

0:15:30.360 --> 0:15:33.400
<v Speaker 6>were themes and ideas in these in these great books

0:15:33.800 --> 0:15:37.440
<v Speaker 6>that could be translated into a kid's life. So you

0:15:37.520 --> 0:15:39.680
<v Speaker 6>could fall in love with the dog at the pound,

0:15:40.520 --> 0:15:44.280
<v Speaker 6>and suddenly that could be the story of Romeo and Juliet.

0:15:44.800 --> 0:15:47.680
<v Speaker 6>Now there wasn't going to be a suicide in the

0:15:47.680 --> 0:15:51.520
<v Speaker 6>contemporary story as there is in Shakespeare's Romeo and Juliet.

0:15:51.880 --> 0:15:54.880
<v Speaker 6>But there could be heartbreak. There could be a dog

0:15:55.000 --> 0:15:58.280
<v Speaker 6>is adopted before you are able to adopt it.

0:15:59.040 --> 0:16:03.280
<v Speaker 2>Sam. Sorry, I know how much you liked Rosie.

0:16:03.320 --> 0:16:05.680
<v Speaker 6>And so you have to deal with some kind of loss.

0:16:06.160 --> 0:16:07.160
<v Speaker 4>I'm glad she's okay.

0:16:07.720 --> 0:16:09.320
<v Speaker 2>I mean, she really needed to get home.

0:16:10.120 --> 0:16:10.440
<v Speaker 10>For me.

0:16:11.080 --> 0:16:15.400
<v Speaker 6>The exciting thing was trying to match the thread to

0:16:15.400 --> 0:16:18.600
<v Speaker 6>what I thought would capture a kid's imagination and also

0:16:18.680 --> 0:16:21.480
<v Speaker 6>their hearts. What would they care the most about?

0:16:22.200 --> 0:16:27.440
<v Speaker 1>And it never occurred to you that an episode should

0:16:27.960 --> 0:16:31.920
<v Speaker 1>with all due respect, because I have nothing against Cliff's notes,

0:16:32.280 --> 0:16:35.280
<v Speaker 1>and they pronounced Cliff's notes, and for somebody who has trouble.

0:16:35.040 --> 0:16:36.600
<v Speaker 2>With essays, it's a lot of essays.

0:16:36.640 --> 0:16:41.440
<v Speaker 1>But anyway, but because it could have been in other hands,

0:16:41.520 --> 0:16:43.000
<v Speaker 1>it would have been Okay, we're going to do the

0:16:43.040 --> 0:16:45.920
<v Speaker 1>totality of this book in the half hour.

0:16:46.640 --> 0:16:50.520
<v Speaker 6>No, that never Actually, I never felt pressure to do that.

0:16:50.560 --> 0:16:53.280
<v Speaker 6>What I felt pressure to do was to get someone

0:16:53.360 --> 0:16:56.200
<v Speaker 6>to fall in love with the idea.

0:16:55.800 --> 0:16:57.720
<v Speaker 2>Of the book. The idea of the book.

0:16:57.760 --> 0:17:00.200
<v Speaker 6>The idea of the book, not the plot, the lot

0:17:00.200 --> 0:17:02.760
<v Speaker 6>of the because there's only so many plots in the world.

0:17:03.120 --> 0:17:05.399
<v Speaker 6>Plot really, to me, in a book is not the point.

0:17:05.960 --> 0:17:09.320
<v Speaker 6>The point is how the author has taken a set

0:17:09.359 --> 0:17:13.560
<v Speaker 6>of events and made them mean something different than they've

0:17:13.600 --> 0:17:17.240
<v Speaker 6>ever met before because of who exactly is doing them

0:17:17.920 --> 0:17:19.320
<v Speaker 6>and why they're doing them.

0:17:19.720 --> 0:17:23.160
<v Speaker 1>If LeVar Burton's show Reading Rainbow was teaching kids how

0:17:23.200 --> 0:17:27.359
<v Speaker 1>to read, Wishbone was showing kids why great books matter.

0:17:28.119 --> 0:17:30.800
<v Speaker 6>And to me, it's not like the authors of these

0:17:30.840 --> 0:17:34.000
<v Speaker 6>books never wrote them so that the books themselves would

0:17:34.280 --> 0:17:40.480
<v Speaker 6>be kind of locked away from everyday people. I mean

0:17:40.520 --> 0:17:44.400
<v Speaker 6>no offense to literature majors, but I think it would

0:17:44.400 --> 0:17:47.840
<v Speaker 6>be very disappointing for Savantes to find out that only

0:17:48.119 --> 0:17:53.240
<v Speaker 6>a small group of select students at a university we're

0:17:53.280 --> 0:17:56.280
<v Speaker 6>reading don Quixote. That would be super sad for him.

0:17:56.800 --> 0:18:01.520
<v Speaker 1>That's a work that's so sprawling, many ideas there.

0:18:01.359 --> 0:18:04.200
<v Speaker 6>Its like so long to read it, mo, and I had,

0:18:04.240 --> 0:18:05.479
<v Speaker 6>you know, maybe three days.

0:18:08.359 --> 0:18:13.160
<v Speaker 1>Servante's's Don Quixote, considered the first modern novel, is about

0:18:13.160 --> 0:18:17.920
<v Speaker 1>an idealistic man chasing the impossible dream of becoming a knight.

0:18:18.560 --> 0:18:22.000
<v Speaker 1>In the Wishbone version, Joe chases a long shot of

0:18:22.040 --> 0:18:23.760
<v Speaker 1>his own eighty.

0:18:23.480 --> 0:18:27.080
<v Speaker 4>Six consecutive free throws in five minutes. That's all I

0:18:27.280 --> 0:18:30.440
<v Speaker 4>need to hold the record for any kid. N there's sixteen.

0:18:31.200 --> 0:18:35.080
<v Speaker 4>Then i'd be in the Encyclopedia of World Records.

0:18:35.320 --> 0:18:36.800
<v Speaker 2>Do you really think it's possible.

0:18:37.119 --> 0:18:42.199
<v Speaker 6>Sure, Joe was trying to make a certain number of

0:18:42.240 --> 0:18:46.120
<v Speaker 6>baskets and he was having trouble. He would get nervous

0:18:46.160 --> 0:18:50.400
<v Speaker 6>and choke. He imagined that his life would be amazing

0:18:50.520 --> 0:18:54.119
<v Speaker 6>if he could just achieve this one great thing, and

0:18:54.200 --> 0:18:55.840
<v Speaker 6>in the end he doesn't achieve it.

0:18:56.480 --> 0:18:59.960
<v Speaker 4>You were great, but I didn't do the impossible.

0:19:00.920 --> 0:19:03.160
<v Speaker 2>I'm not going down in history or anything.

0:19:04.600 --> 0:19:08.320
<v Speaker 4>I'm not extraordinary. Hey, you don't have to perform impossible

0:19:08.320 --> 0:19:09.680
<v Speaker 4>feats to be extraordinary.

0:19:11.080 --> 0:19:15.119
<v Speaker 2>Just live your life. Life is an ongoing adventure.

0:19:15.960 --> 0:19:19.720
<v Speaker 6>But it was the act of trying that matters.

0:19:20.520 --> 0:19:22.439
<v Speaker 1>I've told people that writing for the show was like

0:19:22.800 --> 0:19:25.200
<v Speaker 1>an assignment from an English professor on Assey.

0:19:25.320 --> 0:19:28.639
<v Speaker 6>It totally was Yes, you are so right, that's a

0:19:28.640 --> 0:19:31.840
<v Speaker 6>perfect way to describe it. And what's so funny mo

0:19:32.160 --> 0:19:34.520
<v Speaker 6>is looking back on it, I realized how crazy it was,

0:19:34.560 --> 0:19:37.239
<v Speaker 6>but at the time when we were doing it, I

0:19:37.280 --> 0:19:40.439
<v Speaker 6>didn't think it was that crazy, and it didn't seem

0:19:40.600 --> 0:19:41.600
<v Speaker 6>nuts until later.

0:19:42.280 --> 0:19:45.240
<v Speaker 1>To pull this nutty premise off, we had to stick

0:19:45.280 --> 0:19:49.320
<v Speaker 1>to some hard and fast rules. For example, yes, Wishbone talks,

0:19:49.440 --> 0:19:53.080
<v Speaker 1>thanks to Larry Brantley, but human characters in Wishbone's life

0:19:53.119 --> 0:19:56.400
<v Speaker 1>in Oakdale don't hear him. Only the lucky viewers hear

0:19:56.440 --> 0:19:59.840
<v Speaker 1>what he's thinking. But when Wishbone is imagining himself as

0:19:59.840 --> 0:20:03.240
<v Speaker 1>a character in a book, he's acting opposite human actors

0:20:03.240 --> 0:20:04.400
<v Speaker 1>who can hear him.

0:20:04.880 --> 0:20:07.560
<v Speaker 4>Mister Darcy, we should be a darling and escorted me

0:20:07.600 --> 0:20:08.280
<v Speaker 4>to the punch bow.

0:20:08.960 --> 0:20:12.280
<v Speaker 5>Yes, of course, excuse us, miss Mega the minute.

0:20:12.760 --> 0:20:13.119
<v Speaker 6>Sorry.

0:20:14.240 --> 0:20:17.800
<v Speaker 1>Part of what was so what was so well immediately

0:20:17.840 --> 0:20:21.439
<v Speaker 1>funny was that in the fantasy sequences that Wishbone was

0:20:21.480 --> 0:20:22.280
<v Speaker 1>treated as a human.

0:20:22.440 --> 0:20:25.240
<v Speaker 6>I imagine really that Wishbone was a kid. It was

0:20:25.240 --> 0:20:28.399
<v Speaker 6>a stand in for a kid who when they act

0:20:28.600 --> 0:20:31.720
<v Speaker 6>out stories and they're the star of the movie or

0:20:31.760 --> 0:20:36.120
<v Speaker 6>the comic book in their imaginations, or when they're playing

0:20:36.160 --> 0:20:38.920
<v Speaker 6>it out with their friends, nobody stops and goes, well,

0:20:38.920 --> 0:20:42.480
<v Speaker 6>you're a kid doing this. You're a kid, not a king.

0:20:43.040 --> 0:20:46.280
<v Speaker 6>It's funnier that the dog just takes it for granted

0:20:46.320 --> 0:20:50.879
<v Speaker 6>that he's doing it and this is his imagination, and

0:20:50.920 --> 0:20:53.439
<v Speaker 6>everyone will treat him in his imagination the way he

0:20:53.520 --> 0:20:55.480
<v Speaker 6>would expect to be treated.

0:20:55.680 --> 0:20:58.000
<v Speaker 2>People love the show so much, you know.

0:20:58.240 --> 0:21:01.600
<v Speaker 6>It makes me so happy. And one of my goals

0:21:01.600 --> 0:21:03.119
<v Speaker 6>and one of the things I think I said to

0:21:03.160 --> 0:21:05.440
<v Speaker 6>you and to the whole crew and we were starting,

0:21:05.600 --> 0:21:10.679
<v Speaker 6>is we have an opportunity to be the first people

0:21:10.760 --> 0:21:15.360
<v Speaker 6>to introduce these stories and images into a child's imagination.

0:21:16.080 --> 0:21:19.320
<v Speaker 1>And I had to tell you also, Stephanie. You know,

0:21:20.520 --> 0:21:25.000
<v Speaker 1>for all these years since the project, anything I've tried

0:21:25.040 --> 0:21:28.359
<v Speaker 1>to do, I end up going back to wish Phone

0:21:28.880 --> 0:21:32.680
<v Speaker 1>and what I learned from you and working on that,

0:21:32.800 --> 0:21:35.400
<v Speaker 1>and you know, jack to make me grow well now,

0:21:35.440 --> 0:21:40.359
<v Speaker 1>but Jackie, you know, talking about training wish Phone, I thought,

0:21:40.520 --> 0:21:42.080
<v Speaker 1>I know, this is a weird way to put it,

0:21:42.080 --> 0:21:46.120
<v Speaker 1>but it was like Stephanie trained me really because I

0:21:46.160 --> 0:21:49.439
<v Speaker 1>came into it and you know it was I realized

0:21:49.440 --> 0:21:51.640
<v Speaker 1>I didn't know what I was doing at first, and

0:21:51.760 --> 0:21:55.719
<v Speaker 1>I am so grateful to you for I'm getting emotional,

0:21:55.760 --> 0:21:56.720
<v Speaker 1>but I'm so grateful.

0:21:58.080 --> 0:21:58.480
<v Speaker 6>Thank you.

0:21:58.600 --> 0:21:58.639
<v Speaker 7>Mo.

0:21:58.880 --> 0:22:01.679
<v Speaker 6>Well, I'm I'm so grateful to hear you say that,

0:22:02.720 --> 0:22:06.239
<v Speaker 6>because I was under a lot of pressure and it

0:22:06.359 --> 0:22:07.240
<v Speaker 6>was difficult.

0:22:07.359 --> 0:22:11.760
<v Speaker 1>Sometimes it's scary, right, I don't think I don't know

0:22:11.800 --> 0:22:14.639
<v Speaker 1>that you were scared. I was scared at first, and

0:22:15.280 --> 0:22:18.600
<v Speaker 1>then you gave me, you gave me the courage to

0:22:18.680 --> 0:22:19.120
<v Speaker 1>do it.

0:22:19.600 --> 0:22:19.800
<v Speaker 4>Yeah.

0:22:19.840 --> 0:22:24.040
<v Speaker 6>I think also that for me, I loved each of

0:22:24.080 --> 0:22:28.680
<v Speaker 6>these books so much. This is going to sound corny,

0:22:28.720 --> 0:22:31.320
<v Speaker 6>but for me, the joy of it, even though it

0:22:31.359 --> 0:22:34.560
<v Speaker 6>was also scary. The thing that over helped me overcome

0:22:34.640 --> 0:22:40.080
<v Speaker 6>any fear that I had was once I actually now

0:22:40.160 --> 0:22:41.200
<v Speaker 6>I'm going to get emotional.

0:22:45.920 --> 0:22:49.080
<v Speaker 10>Once I actually read the book and fell in love

0:22:49.119 --> 0:22:54.520
<v Speaker 10>with it, it seemed like not an easy thing, but

0:22:54.640 --> 0:22:58.960
<v Speaker 10>an important thing to transmit that to someone else, to

0:22:59.080 --> 0:23:02.919
<v Speaker 10>share that with somebody else, And that was what helped

0:23:03.280 --> 0:23:07.359
<v Speaker 10>me overcome the fear of doing it. Was actually the

0:23:07.480 --> 0:23:10.840
<v Speaker 10>sheer love of the story and the belief that other

0:23:10.920 --> 0:23:12.720
<v Speaker 10>people needed to fall in love with it too.

0:23:13.359 --> 0:23:17.720
<v Speaker 1>There's that proverb it's always darkest before the dawn. That's

0:23:17.760 --> 0:23:22.639
<v Speaker 1>certainly my experience with writing the darkness part. Stephanie taught

0:23:22.680 --> 0:23:25.960
<v Speaker 1>me by example how important it is not to give

0:23:26.080 --> 0:23:28.879
<v Speaker 1>up and how satisfying it is to come out the

0:23:28.920 --> 0:23:29.720
<v Speaker 1>other side.

0:23:30.280 --> 0:23:30.879
<v Speaker 2>Wish Mode is.

0:23:30.840 --> 0:23:35.640
<v Speaker 1>Where I learned not to despair in creating something because

0:23:36.480 --> 0:23:39.560
<v Speaker 1>it's like, oh my god, it's really looking dire right now,

0:23:39.600 --> 0:23:41.840
<v Speaker 1>it's really looking dire. But this is the project where

0:23:41.840 --> 0:23:44.199
<v Speaker 1>I learned that it's at that point that you just

0:23:44.320 --> 0:23:46.080
<v Speaker 1>keep pushing through and.

0:23:46.000 --> 0:23:46.960
<v Speaker 2>You're going to get there.

0:23:47.119 --> 0:23:48.359
<v Speaker 6>That's where the leap will happen.

0:23:48.760 --> 0:23:48.920
<v Speaker 4>Right.

0:23:50.720 --> 0:23:53.800
<v Speaker 1>I still remember how I felt finishing the first episode

0:23:53.880 --> 0:23:58.119
<v Speaker 1>I wrote for Wishbone, based on HG. Wells's The Time.

0:23:57.920 --> 0:24:05.919
<v Speaker 8>Machine System destination on Time on New In case of emergency,

0:24:06.040 --> 0:24:10.159
<v Speaker 8>keep your heads and arms inside the vehicle, oh stop.

0:24:11.240 --> 0:24:14.600
<v Speaker 1>I remember finishing, and I stayed up all night on

0:24:14.720 --> 0:24:20.480
<v Speaker 1>New Year's Eve nineteen ninety four, and it was my

0:24:20.760 --> 0:24:25.119
<v Speaker 1>best New Year's Eve ever finishing that script, and it

0:24:25.200 --> 0:24:29.040
<v Speaker 1>kind of locking into place quite literally at dawn on

0:24:29.119 --> 0:24:32.000
<v Speaker 1>New Year's Day nineteen ninety five, and that felt so

0:24:32.440 --> 0:24:36.440
<v Speaker 1>and so I like my New Year's Eves to be

0:24:37.280 --> 0:24:39.400
<v Speaker 1>promising and not frivolous to be.

0:24:39.600 --> 0:24:43.160
<v Speaker 6>Epic creation moments of creations. I love it. I also

0:24:43.240 --> 0:24:45.360
<v Speaker 6>think it's so fitting that you were writing the time

0:24:45.400 --> 0:24:49.400
<v Speaker 6>Machine as the year turned over. That is kind of perfect.

0:24:50.119 --> 0:24:55.280
<v Speaker 2>How will you remember Soccer? Oh?

0:24:55.720 --> 0:25:01.399
<v Speaker 6>I will always remember Soccer as the dog who made

0:25:02.160 --> 0:25:05.800
<v Speaker 6>what I imagined in my head even better than I

0:25:05.840 --> 0:25:10.360
<v Speaker 6>had imagined it. I really will. I thought, how will

0:25:10.400 --> 0:25:13.880
<v Speaker 6>this ever actually happen? How will we ever actually do this?

0:25:14.480 --> 0:25:19.639
<v Speaker 6>And then once I saw Soccer on screen, I felt

0:25:19.640 --> 0:25:24.119
<v Speaker 6>this relief that this was going to work and it

0:25:24.200 --> 0:25:26.320
<v Speaker 6>was going to be even better than I thought it

0:25:26.359 --> 0:25:29.560
<v Speaker 6>could be. And that's how I will remember Soccer and

0:25:29.560 --> 0:25:31.359
<v Speaker 6>be grateful to Soccer always for that.

0:25:31.840 --> 0:25:32.840
<v Speaker 2>Be grateful to him.

0:25:33.240 --> 0:25:36.359
<v Speaker 6>I am grateful to him and his beautiful brown eyes.

0:25:38.520 --> 0:25:42.159
<v Speaker 1>Wishbone wasn't just the best red dog on TV. He

0:25:42.280 --> 0:25:45.480
<v Speaker 1>was also the best dressed. I mean, this dog was

0:25:45.520 --> 0:25:49.879
<v Speaker 1>a total clothes horse. Just his hats alone. There was

0:25:49.960 --> 0:25:52.640
<v Speaker 1>the top hat for when he played Doctor Jekyl and

0:25:52.840 --> 0:25:56.639
<v Speaker 1>mister Hyde. The adorable straw hat he wore is Tom

0:25:56.680 --> 0:25:59.880
<v Speaker 1>Sawyer the Bycocking. That's the name of that cute little

0:26:00.240 --> 0:26:05.760
<v Speaker 1>hattie sported as Robinhood Wishbone. Superfans like Claire Conley vividly

0:26:05.800 --> 0:26:09.679
<v Speaker 1>recall his costumes. There was an episode where it was

0:26:09.720 --> 0:26:13.200
<v Speaker 1>The Tempest and he was aerial and had this sort

0:26:13.200 --> 0:26:16.159
<v Speaker 1>of like flowy costume that was really cute that I

0:26:16.280 --> 0:26:18.800
<v Speaker 1>liked a lot. Trust me, you'll want to look up

0:26:18.840 --> 0:26:23.320
<v Speaker 1>Wishbone's Tempest to wardrobe. We're talking Liberachi level over the top.

0:26:23.960 --> 0:26:28.200
<v Speaker 1>Costume designer Stephen Chewedadge and his team dressed an entire

0:26:28.400 --> 0:26:32.840
<v Speaker 1>cast in a different period specific wardrobe each episode, head

0:26:32.880 --> 0:26:35.600
<v Speaker 1>to toe or head to tail in the case of

0:26:35.640 --> 0:26:39.560
<v Speaker 1>our star. Chewed Edge talked to Entertainment Tonight in nineteen

0:26:39.640 --> 0:26:40.280
<v Speaker 1>ninety five.

0:26:41.040 --> 0:26:45.320
<v Speaker 3>The challenge is sizing down human clothes and making them

0:26:45.359 --> 0:26:47.360
<v Speaker 3>actually fit a dog.

0:26:47.480 --> 0:26:52.280
<v Speaker 4>Dogs have a different anatomy than than humans, as is obvious, and.

0:26:53.560 --> 0:26:56.640
<v Speaker 2>Of course too, we have to we have to make

0:26:56.680 --> 0:26:58.560
<v Speaker 2>things that he will wear well.

0:26:58.600 --> 0:27:01.680
<v Speaker 1>For Ivanhoe, he was wearing chain mail. Dogs don't wear

0:27:01.760 --> 0:27:02.960
<v Speaker 1>chain mail ordinarily.

0:27:03.359 --> 0:27:05.160
<v Speaker 3>Well, they don't wear pants either.

0:27:05.720 --> 0:27:09.600
<v Speaker 1>That's soccer's trainer, Jackie Captain again, Mark Twain.

0:27:09.680 --> 0:27:13.720
<v Speaker 3>Remember he had pants and we'd all laugh, you know,

0:27:13.800 --> 0:27:17.840
<v Speaker 3>I'd never had him backflip with pants. Yeah, he kind

0:27:17.840 --> 0:27:21.120
<v Speaker 3>of looked at me like, really, yeah, you can do it,

0:27:21.119 --> 0:27:24.880
<v Speaker 3>It's okay. So that took a few days for him

0:27:24.920 --> 0:27:26.359
<v Speaker 3>to get used to the pants.

0:27:26.680 --> 0:27:28.840
<v Speaker 1>Of course, it wasn't just that backflip you saw on

0:27:28.880 --> 0:27:31.960
<v Speaker 1>the opening credits. Soccer had to learn all sorts of

0:27:32.040 --> 0:27:36.200
<v Speaker 1>new tricks and performed them in costume. Jackie trained him

0:27:36.240 --> 0:27:38.639
<v Speaker 1>to belly crawl through the fog of war in the

0:27:38.680 --> 0:27:41.840
<v Speaker 1>Red Patch of Courage episode, she trained him to pull

0:27:41.920 --> 0:27:43.879
<v Speaker 1>the lever on the time machine.

0:27:44.320 --> 0:27:48.240
<v Speaker 3>I think when we went there we had like fifteen behaviors,

0:27:48.640 --> 0:27:52.159
<v Speaker 3>different tricks, and by the time we finished Wishbone, he

0:27:52.200 --> 0:27:56.000
<v Speaker 3>had like forty tricks. I was like, how many tricks

0:27:56.040 --> 0:28:00.879
<v Speaker 3>can one little dog store in his little brain? But

0:28:00.960 --> 0:28:05.000
<v Speaker 3>he was so devoted once he learned it. He would

0:28:05.119 --> 0:28:06.359
<v Speaker 3>walk on water for me.

0:28:06.800 --> 0:28:08.760
<v Speaker 1>Well you say he'd walk on water for you. But

0:28:09.400 --> 0:28:11.600
<v Speaker 1>to be fair, he didn't really like water, did he.

0:28:12.040 --> 0:28:13.240
<v Speaker 3>No, he didn't.

0:28:13.680 --> 0:28:16.280
<v Speaker 1>Okay, it's a bit I don't like water.

0:28:18.880 --> 0:28:20.320
<v Speaker 2>Most of the water work.

0:28:20.320 --> 0:28:23.920
<v Speaker 1>Including an epic scene from the Odyssey episode, was handled

0:28:23.960 --> 0:28:30.640
<v Speaker 1>by a stunt dog named Phoebe Daily. Yes, there were

0:28:30.960 --> 0:28:32.720
<v Speaker 1>other dogs.

0:28:34.440 --> 0:28:38.240
<v Speaker 6>Phoebe was amazing, and Phoebe was fearless right, she was

0:28:38.680 --> 0:28:43.520
<v Speaker 6>Hammler to Linda Hamilton, Phoebe could leap off of things,

0:28:43.680 --> 0:28:48.000
<v Speaker 6>she could swim lap, she I think sat on a horse.

0:28:48.040 --> 0:28:51.600
<v Speaker 1>At one point there was another stunt double. And I

0:28:51.720 --> 0:28:56.760
<v Speaker 1>say this affectionately, but this dog had a face for radio.

0:28:57.160 --> 0:28:59.560
<v Speaker 1>I mean, this was a dog that I remember looking

0:28:59.600 --> 0:29:02.080
<v Speaker 1>a little Jimmy Duranty like. Is that a fair way

0:29:02.120 --> 0:29:04.520
<v Speaker 1>of characterizing Slugger or my being unfair?

0:29:05.000 --> 0:29:09.000
<v Speaker 3>Oh, Slugger, he was so cute. He's such a sweet dog.

0:29:09.120 --> 0:29:10.440
<v Speaker 3>I forgot about Slugger.

0:29:10.680 --> 0:29:16.000
<v Speaker 1>Sorry, Slugger, but rest assured. Soccer was in almost every scene.

0:29:16.400 --> 0:29:19.120
<v Speaker 6>But what's interesting about the other dogs is that none

0:29:19.120 --> 0:29:22.280
<v Speaker 6>of them were close up dogs. It was still Soccer

0:29:22.360 --> 0:29:28.440
<v Speaker 6>who was the star. The wishbone, those markings, those eyes,

0:29:28.760 --> 0:29:31.400
<v Speaker 6>and one other thing I can say about Soccer's acting

0:29:32.280 --> 0:29:37.520
<v Speaker 6>was his ability to look focused. Soccer's look at the

0:29:37.560 --> 0:29:41.320
<v Speaker 6>other actor appeared as if he really was taking in

0:29:41.640 --> 0:29:42.560
<v Speaker 6>what they were saying.

0:29:43.240 --> 0:29:46.720
<v Speaker 1>I remember on set after the director called action, often

0:29:46.760 --> 0:29:50.800
<v Speaker 1>the only other voice you'd hear was Jackie's speaking directly

0:29:50.960 --> 0:29:51.680
<v Speaker 1>to her dog.

0:29:52.400 --> 0:29:54.800
<v Speaker 3>When I was just working him on the set, my

0:29:54.960 --> 0:29:58.120
<v Speaker 3>voice would be just kind of normal. I rehearse him

0:29:58.160 --> 0:30:02.760
<v Speaker 3>to something Gomark day. Good. But then when we were

0:30:02.840 --> 0:30:05.840
<v Speaker 3>done and he did exactly what I wanted, I wanted

0:30:05.920 --> 0:30:08.600
<v Speaker 3>him to know that that was correct, and I'd go

0:30:08.600 --> 0:30:12.120
<v Speaker 3>good for you good, and you could see that he'd

0:30:12.160 --> 0:30:15.560
<v Speaker 3>be like, yes, I get it, and that means a

0:30:15.600 --> 0:30:19.160
<v Speaker 3>lot to them. Or when we were doing backflip, that's

0:30:19.160 --> 0:30:23.320
<v Speaker 3>a really hard behavior, and I'd always go ready, ready,

0:30:23.920 --> 0:30:26.120
<v Speaker 3>and that kind of geared him up to what we

0:30:26.120 --> 0:30:26.560
<v Speaker 3>were doing.

0:30:26.600 --> 0:30:31.920
<v Speaker 1>Ready flip. The show debuted on October ninth, nineteen ninety five,

0:30:32.280 --> 0:30:35.280
<v Speaker 1>and soon developed a with all due respect to Kujo

0:30:36.080 --> 0:30:37.040
<v Speaker 1>rapid following.

0:30:37.800 --> 0:30:40.520
<v Speaker 8>As you know, Wishbone is the star of the mega.

0:30:40.280 --> 0:30:43.880
<v Speaker 4>Popular, award winning children's show on PBS Design to introduce

0:30:43.960 --> 0:30:45.000
<v Speaker 4>kids to literature.

0:30:45.680 --> 0:30:48.880
<v Speaker 1>I give you once again the Wishbone super fans.

0:30:49.320 --> 0:30:50.320
<v Speaker 2>What more could you ask for?

0:30:50.400 --> 0:30:53.360
<v Speaker 1>It's the perfect kid show. You got a cute dog,

0:30:53.480 --> 0:30:54.600
<v Speaker 1>you got education.

0:30:55.400 --> 0:30:58.920
<v Speaker 9>I remember my first exposure to like William Shakespeare was

0:30:58.960 --> 0:31:02.479
<v Speaker 9>from this frickin' dog. We were just very wishbun obsessed

0:31:02.520 --> 0:31:03.320
<v Speaker 9>in my house.

0:31:03.520 --> 0:31:07.320
<v Speaker 1>Growing up outside Albany, New York. Aaron McDonough was a

0:31:07.400 --> 0:31:08.280
<v Speaker 1>loyal viewer.

0:31:08.800 --> 0:31:10.600
<v Speaker 9>I remember going to the library with my mom and

0:31:11.040 --> 0:31:13.960
<v Speaker 9>being big stack of books and Faust was in there,

0:31:13.960 --> 0:31:16.720
<v Speaker 9>which was one of my favorite episodes. And you know

0:31:16.760 --> 0:31:19.000
<v Speaker 9>in that one he sells his soul to the devil

0:31:19.040 --> 0:31:21.440
<v Speaker 9>for a woman, and the librarian looked at me like

0:31:21.640 --> 0:31:24.280
<v Speaker 9>dead in the faces. This is not appropriate for children.

0:31:24.320 --> 0:31:26.600
<v Speaker 9>You cannot take out this book. And I was like

0:31:26.680 --> 0:31:27.800
<v Speaker 9>it was on Wishbone.

0:31:28.200 --> 0:31:32.640
<v Speaker 1>Wishbone won several Daytime Emmys, including for those dazzling costumes.

0:31:32.960 --> 0:31:38.880
<v Speaker 1>The show also won a Peabody Award for Broadcast Storytelling Excellence. Wishbone,

0:31:39.240 --> 0:31:43.000
<v Speaker 1>presented here by Dan Rather, a diminutive canine with a

0:31:43.120 --> 0:31:47.000
<v Speaker 1>taste for classic literature, is the star of this next

0:31:47.080 --> 0:31:51.800
<v Speaker 1>imaginative series. Soccer was now a bona fide star.

0:31:52.600 --> 0:31:54.760
<v Speaker 3>Oh yeah, you couldn't take him anywhere. You couldn't take

0:31:54.800 --> 0:31:58.080
<v Speaker 3>him to a public park, no way. I'd be traveling

0:31:58.120 --> 0:32:01.600
<v Speaker 3>to an airport. I had to cover his credup for

0:32:01.720 --> 0:32:05.320
<v Speaker 3>the towel so people didn't see his face because we

0:32:05.360 --> 0:32:06.600
<v Speaker 3>wouldn't get through the airport.

0:32:07.200 --> 0:32:07.880
<v Speaker 2>You're kidding.

0:32:08.360 --> 0:32:11.600
<v Speaker 3>And I have pictures of people waiting in line two

0:32:11.640 --> 0:32:15.959
<v Speaker 3>blocks long just to see this dog. Geez. I mean,

0:32:16.360 --> 0:32:20.520
<v Speaker 3>it was just incredible just to see him.

0:32:21.080 --> 0:32:24.880
<v Speaker 1>Larry Brantley, the voice of Wishbone, remembers one incident at

0:32:24.920 --> 0:32:28.840
<v Speaker 1>the height of soccer celebrity. During a promotional trip to DC.

0:32:29.520 --> 0:32:32.080
<v Speaker 1>Soccer stayed in one night while Larry and the other

0:32:32.160 --> 0:32:35.080
<v Speaker 1>humans went out for dinner. When they came back, they

0:32:35.080 --> 0:32:37.160
<v Speaker 1>found their hotel suite in disarray.

0:32:37.800 --> 0:32:41.360
<v Speaker 7>He trashed it. He went after the comforter on the bed,

0:32:41.480 --> 0:32:45.920
<v Speaker 7>tore that both the pillowcases and pillows gone. He crawled

0:32:46.000 --> 0:32:48.720
<v Speaker 7>under the bed. You know that black matting that holds

0:32:48.760 --> 0:32:52.200
<v Speaker 7>the box bring in all that's out just cluttered around

0:32:52.200 --> 0:32:55.959
<v Speaker 7>the room like confetti. She was so upset, and I'm like, Jackie,

0:32:55.960 --> 0:32:57.240
<v Speaker 7>this was his rockstar moment.

0:32:57.800 --> 0:33:01.280
<v Speaker 1>So what happened after Wishbone ended? What did soccer do?

0:33:01.960 --> 0:33:04.440
<v Speaker 3>He just ran the ranch and hung out with me,

0:33:04.600 --> 0:33:07.840
<v Speaker 3>and you know, I just really felt like he gave

0:33:07.920 --> 0:33:10.960
<v Speaker 3>me his heart. And I also didn't want him on

0:33:11.120 --> 0:33:15.040
<v Speaker 3>film because he was so recognizable as Wishbone and everybody's

0:33:15.080 --> 0:33:17.480
<v Speaker 3>going to see him and go, that's Wishbob. What's he

0:33:17.560 --> 0:33:21.320
<v Speaker 3>doing that for? And I think he really deserved his

0:33:22.360 --> 0:33:26.520
<v Speaker 3>time to retire because he did his job. He never

0:33:26.600 --> 0:33:29.680
<v Speaker 3>let me down, he never quit me, And to me,

0:33:29.880 --> 0:33:31.440
<v Speaker 3>that's the ultimate.

0:33:31.680 --> 0:33:35.760
<v Speaker 1>Soccer died on June twenty sixth two thousand and one.

0:33:35.920 --> 0:33:36.880
<v Speaker 1>He was thirteen.

0:33:37.560 --> 0:33:39.560
<v Speaker 3>I don't think you ever get used to it. I've

0:33:39.560 --> 0:33:43.240
<v Speaker 3>had dogs my whole life, and you never get used

0:33:43.280 --> 0:33:47.840
<v Speaker 3>to losing one of them. People think, oh, she has

0:33:47.880 --> 0:33:50.400
<v Speaker 3>a lot of dogs, that it's not hard for her. No,

0:33:50.840 --> 0:33:54.360
<v Speaker 3>it's really hard. I missed him a lot. I still

0:33:54.360 --> 0:33:54.880
<v Speaker 3>miss him.

0:33:55.440 --> 0:33:57.800
<v Speaker 2>What kind of a reaction did his death get.

0:33:58.680 --> 0:34:02.200
<v Speaker 3>I didn't really tell anybody for a year or so.

0:34:04.440 --> 0:34:07.560
<v Speaker 3>I just you know, it's such a personal thing. He

0:34:07.760 --> 0:34:10.839
<v Speaker 3>was a public dog on video, but he was still

0:34:10.880 --> 0:34:14.760
<v Speaker 3>my private dog. He was my dog, and that's between

0:34:14.760 --> 0:34:17.040
<v Speaker 3>me and him. And I didn't want people to see

0:34:17.120 --> 0:34:19.840
<v Speaker 3>him when he got really old, and he couldn't hardly see.

0:34:20.320 --> 0:34:23.000
<v Speaker 3>You know, everybody's going to get old. I wanted him

0:34:23.000 --> 0:34:26.800
<v Speaker 3>to have dignity because he was such a pretty outgoing, happy,

0:34:26.840 --> 0:34:29.680
<v Speaker 3>go lucky kind of guy. Yeah. I was sorry to

0:34:29.719 --> 0:34:30.239
<v Speaker 3>see him go.

0:34:34.080 --> 0:34:34.319
<v Speaker 1>Well.

0:34:34.360 --> 0:34:37.000
<v Speaker 3>I apologize for being so hard to get a hold

0:34:37.040 --> 0:34:40.600
<v Speaker 3>of it. You know, when you retire, you become very irresponsible.

0:34:41.480 --> 0:34:42.080
<v Speaker 2>Good for you.

0:34:44.600 --> 0:34:46.880
<v Speaker 1>When I think of soccer now, I think of the

0:34:46.960 --> 0:34:49.799
<v Speaker 1>former kids who still get excited when I tell them

0:34:49.800 --> 0:34:52.320
<v Speaker 1>I wrote for the show. I think of the blazing

0:34:52.400 --> 0:34:55.719
<v Speaker 1>heat of the Texas summer when we shot outside, and

0:34:55.840 --> 0:34:58.560
<v Speaker 1>how jealous I was that Soccer had an air conditioned

0:34:58.640 --> 0:35:01.600
<v Speaker 1>too he could rest in between takes. I kind of

0:35:01.640 --> 0:35:03.840
<v Speaker 1>wanted to crawl in there with him. I think of

0:35:03.920 --> 0:35:07.040
<v Speaker 1>how fortunate I was that my very first job in

0:35:07.080 --> 0:35:10.440
<v Speaker 1>television was on a show where so much love went

0:35:10.480 --> 0:35:13.960
<v Speaker 1>into the final product. And I think of Soccer's gorgeous face.

0:35:14.400 --> 0:35:18.239
<v Speaker 1>Those eyes really did tell stories. Damn, he really was

0:35:18.320 --> 0:35:19.560
<v Speaker 1>a good looking dog.

0:35:20.239 --> 0:35:23.279
<v Speaker 4>It's this really cute show that I feel like too

0:35:23.400 --> 0:35:24.840
<v Speaker 4>few people know about.

0:35:24.920 --> 0:35:27.319
<v Speaker 1>At this point, the reason I have all these books

0:35:27.400 --> 0:35:28.240
<v Speaker 1>is in my fault.

0:35:28.480 --> 0:35:29.880
<v Speaker 3>It's this guy's fault.

0:35:30.160 --> 0:35:31.800
<v Speaker 8>Why all the books? What happened?

0:35:31.880 --> 0:35:33.360
<v Speaker 1>What's the story Wishbone?

0:35:34.120 --> 0:35:36.240
<v Speaker 9>When it comes up that one of your adult friends

0:35:36.239 --> 0:35:39.160
<v Speaker 9>also watched Wishbone, like, that's a conversation that can last

0:35:39.200 --> 0:35:39.960
<v Speaker 9>another hour, you know.

0:35:42.160 --> 0:35:45.520
<v Speaker 1>I certainly hope you enjoyed this Mobituary. May I ask

0:35:45.560 --> 0:35:48.239
<v Speaker 1>you to please rate and review our podcast. You can

0:35:48.280 --> 0:35:51.920
<v Speaker 1>also follow Mobituaries on Facebook and Instagram, and you can

0:35:51.960 --> 0:35:55.760
<v Speaker 1>follow me on Twitter at Morocca. Hear all new episodes

0:35:55.760 --> 0:35:59.759
<v Speaker 1>of Mobituaries every Wednesday. Wherever you get your podcasts and

0:36:00.040 --> 0:36:03.560
<v Speaker 1>check out Mobituary's Great Lives Worth Reliving the New York

0:36:03.600 --> 0:36:07.719
<v Speaker 1>Times best selling book, now available in paperback and audiobook.

0:36:07.920 --> 0:36:11.480
<v Speaker 1>It includes plenty of stories not in the podcast. This

0:36:11.640 --> 0:36:15.520
<v Speaker 1>episode of Mobituaries was produced by Aaron Schrank. Our team

0:36:15.560 --> 0:36:19.960
<v Speaker 1>of producers also includes Wilcom Martinez Caccero, and me Morocca.

0:36:20.320 --> 0:36:24.160
<v Speaker 1>It was edited by Mara Walls and engineered by Josh Hahn,

0:36:24.400 --> 0:36:27.840
<v Speaker 1>with fact checking by Naomi Barr. Our production company is

0:36:27.960 --> 0:36:32.760
<v Speaker 1>Neon hum Media. Our archival producer at CBS is Jamie Benson.

0:36:33.080 --> 0:36:37.120
<v Speaker 1>Our theme music is written by Daniel Hart. Indispensable support

0:36:37.160 --> 0:36:41.319
<v Speaker 1>from Craig Schwagler, Dustin Gervai, Alan Pang, Reggie Bazil and

0:36:41.440 --> 0:36:45.440
<v Speaker 1>everyone at CBS News Radio. Special thanks to Gideon Evans,

0:36:45.600 --> 0:36:49.360
<v Speaker 1>Kate mccauliffe and Alberto Robina. Our senior producer is the

0:36:49.400 --> 0:36:54.760
<v Speaker 1>Irrepressible Aaron Schrank. Executive producers for Mobituaries include Steve Razi's

0:36:54.840 --> 0:36:58.759
<v Speaker 1>and Morocca. The series is created by Yours Truly and

0:36:58.880 --> 0:37:02.600
<v Speaker 1>as always on dying gratitude to Rand Morrison and John

0:37:02.719 --> 0:37:06.720
<v Speaker 1>carp for helping breathe life into Mobituaries.