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Speaker 1: Let's start off with Wicked because it's on our minds.

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Speaker 1: Donalds and I both loved it very much.

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Speaker 2: Joel, did you very much?

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Speaker 3: I did.

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Speaker 4: Zach text me and he was like, so, when are

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Speaker 4: you seeing Wicked? And I said, have tickets for the

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Speaker 4: singalong on Christmas? And he said that's too far away.

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Speaker 4: And so then I called my dad and I was like,

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Speaker 4: how did you like Gladiator? He's like, I took your

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Speaker 4: mom to see Wicked instead, and I was like, how.

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Speaker 3: Did you like it? He's like, Joelle, I loved it.

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Speaker 4: And my dad doesn't get he's a really medium guy,

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Speaker 4: so he says, loved it. I was like, let me

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Speaker 4: strap it. So I bought some tickets, said.

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Speaker 3: Whoa, it was so good.

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Speaker 2: It's literally the Citizen Kane of musical adaptations. It is

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Speaker 2: the Citizen.

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Speaker 3: I'm gonna agree with you.

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Speaker 2: I think the closest. I mean, there's, of course, there's

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Speaker 2: several movies that have come before that are are really

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Speaker 2: sound of music. Greece, Chicauiz, The Wizard of Oz, Chicago.

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Speaker 2: I mean, I'm not sold on that one as much

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Speaker 2: as I'm sold on we don't need to but let's

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Speaker 2: I'm gonna tell you something right now. Wicked is you

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Speaker 2: know La La Lands was still my favorite musical.

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Speaker 1: Yeah, but that's not an adaptations, not an adaptation.

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Speaker 2: As far as adaptation goes, this is damn near perfect.

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Speaker 2: I'm trying to find flaws.

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Speaker 1: I had a couple of notes. I had a couple notes.

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Speaker 1: I'm not love to hear them. Well. Before I get

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Speaker 1: to my couple notes, I will also say I loved it.

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Speaker 1: I thought John Chu did a fantastic job. Myron Kirstine,

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Speaker 1: who edited the movie, has cut three of my four movies,

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Speaker 1: so I'm very proud and happy for him. I thought

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Speaker 1: it was brilliantly edited. Everything, every department, every crafts person

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Speaker 1: who worked on those sets, enormous sets, and the choreography

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Speaker 1: and the costumes, and I mean it was just epic.

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Speaker 1: I was saying to my nephew, who loves Marvel movies,

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Speaker 1: I'm like, I don't get to see money spent like

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Speaker 1: this for my interests, and this, I felt like, was

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Speaker 1: like getting to see two hundred million dollars or whatever

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Speaker 1: it was spent on something that I would enjoy, And

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Speaker 1: it was so fun to watch all of that unfold.

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Speaker 2: But it's of the level of Marvel movies though. That's

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Speaker 2: the thing that's so great about it. It's like, if

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Speaker 2: you are a Marvel fan, or if you are a

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Speaker 2: fan of fantasy and wizards and dragons or whatever it is,

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Speaker 2: this movie also is for you, believe it or not.

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Speaker 2: This is one of those things where it's just undeniable.

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Speaker 2: I love the story that John Chuo talks about, tells

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Speaker 2: where George Lucas called him up right after leaving the

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Speaker 2: movie theater and he's like, listen, I don't know if

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Speaker 2: you know this. I'm a filmmaker myself. And John's like, okay.

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Speaker 1: I didn't even see this video. That's funny, said that

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Speaker 1: to me, and.

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Speaker 2: He's like, you get it. You did it right. You understood,

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Speaker 2: you understood the assignment, and you went out there and

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Speaker 2: you executed it. I'm really excited to see part two spoiler.

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Speaker 1: It's amazing. Out of wait a year, that's crazy.

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Speaker 2: But this is the longest instrument intermission ever.

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Speaker 1: And it's done by the way it's done.

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Speaker 3: Yeah, well it's locked already.

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Speaker 1: Well I don't know that to be a fact, but

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Speaker 1: bring I don't. I don't know that to be a fact,

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Speaker 1: but I don't. I don't think and I could be

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Speaker 1: wrong that they were always planning on breaking into two movies.

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Speaker 1: I could be totally wrong, but that made me think

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Speaker 1: that I suppose when they decided to make it two movies,

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Speaker 1: they were like, all right, put that to the side,

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Speaker 1: let's risk work on this. We have a year, and

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Speaker 1: then obviously let's not buried lead. I thought that both

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Speaker 1: the well, all the whole cast, but the two ladies

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Speaker 1: were just absolutely perfect.

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Speaker 2: Arrivo and Grande. Yeah, yes, Citia Arrivo and Ariana Grande.

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Speaker 2: I mean, I'm gonna say I think Ariana Grande deserves

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Speaker 2: an Oscar. That's just me personally.

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Speaker 1: She's definitely nominated.

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Speaker 2: I think she stole the movie. I think I think

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Speaker 2: it was meant for her to steal the first act.

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Speaker 1: Oh, Joel, they look at you. Well's reaction to that,

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Speaker 1: Joelle did a head twist.

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Speaker 2: I think the second act is all a revo if

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Speaker 2: I remember correctly. But Arianna's first. You know, they don't

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Speaker 2: unleash Cynthia until the dance, and that's pretty much the

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Speaker 2: end of the movie.

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Speaker 4: At that are you see the Wizard of the Wizard

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Speaker 4: and I and my whole audience broke out into it

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Speaker 4: was our first applause break of four. I think the

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Speaker 4: Wizard and I, which is Cynthia's first song where she goes,

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Speaker 4: oh my god, Bret taking on the plane and giving

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Speaker 4: you all of the sound of music, kind of feels sure.

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Speaker 2: But it's early on in the movie, and at that

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Speaker 2: point you're looking for you're looking for I'm just saying it,

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Speaker 2: in the earlier parts of the movie, you're looking for

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Speaker 2: the comedy, the pace, and all of that stuff to

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Speaker 2: be introduced. By the time they get to the ballroom

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Speaker 2: and she walks in with the hat, that's when it

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Speaker 2: becomes a remote from that.

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Speaker 1: I think you just, well, who knows, but I think

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Speaker 1: you're reacting to the fact that Arianna has almost every

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Speaker 1: li in the movie except for Bowen Yang, who was

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Speaker 1: very funny. So funny, yeah, so, but you know Ariana's

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Speaker 1: comic timing. Of course, her choice I mean crush her

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Speaker 1: voice is ridiculous, but also her comic timing was incredible.

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Speaker 1: I mean, in the popular number, all the little little

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Speaker 1: things she's doing.

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Speaker 4: When she's switching around on the floor, I was dying, dying,

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Speaker 4: And to Donald's point about being marvel, I was just

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Speaker 4: gonna say, really quick, like the flight sequence, breathtaking. And

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Speaker 4: we've seen a lot of flight in a lot of films,

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Speaker 4: and I thought to be able to bring a level

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Speaker 4: of originality and still like an ad inspiring element this

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Speaker 4: late in the flight on film game is really impressive.

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Speaker 1: I agree. First of all, the sets were clearly practical.

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Speaker 1: I mean, yeah, so the sets just looked so. I mean,

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Speaker 1: I can't the amount of money they spent on those sets,

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Speaker 1: It's hard to imagine. And then so then the CGI

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Speaker 1: stuff didn't look bad at all. It all looked great.

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Speaker 1: I thought, yeah, do you know they like that tulip

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Speaker 1: field is real?

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Speaker 3: They played like millions of bulbs.

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Speaker 1: Sorry, Poppies, the poppies, Poppies amazing, John Chu, I mean

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Speaker 1: it's all him, man. I mean it's obviously everyone, all

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Speaker 1: those thousands of people that worked on the movie, but

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Speaker 1: I mean he led quite a team to that scale

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Speaker 1: of that movie is enormous.

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Speaker 2: That not only the scale, the pressure.

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Speaker 1: Yeah, to deliver, Yeah, for all of.

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Speaker 2: These people, for Arianna, for Cynthia. The pressure to deliver

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Speaker 2: was definitely on them and they did it. And they

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Speaker 2: it's like they it was like they were able to.

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Speaker 2: I don't know how, but you know, you you see

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Speaker 2: the interviews and they're crying, and you're like, I understand.

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Speaker 1: Speaking with Joelle. Can you playing to me what this

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Speaker 1: holding space thing is because I need you, my favorite

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Speaker 1: queer person, to break it down, because I don't know

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Speaker 1: what is happening is what is happening in that interview, So.

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Speaker 4: One I would just say that the original interview. I

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Speaker 4: think it's a misappropriation of the words, don't.

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Speaker 3: I don't.

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Speaker 4: To hold space for something is not to consider the

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Speaker 4: lyrics or find inspiration with. It's really usually sitting oftentimes

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Speaker 4: with something uncomfortable and making room and space for when

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Speaker 4: they're Usually as a society, we would not, So I

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Speaker 4: don't think it's an accurate use of the term. However,

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Speaker 4: I do think a lot of queer people love Alphaba

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Speaker 4: and identify with her. We saw Arianna and Cynthia on

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Speaker 4: a press tour, so you know, Alpha was probably a

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Speaker 4: little gay, just probably a little queer maybe, And so

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Speaker 4: I think what they were talking about was like in

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Speaker 4: this defying gravity, which if you don't know, the musical

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Speaker 4: sort of Alphaba, the which are the west like power anthem,

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Speaker 4: and it's this moment when she turns her back, I

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Speaker 4: want society expects her to do and really embraces herself,

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Speaker 4: and a lot of queer people can identify with that,

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Speaker 4: and I think that's what she was trying to suggest.

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Speaker 1: Right, So what she was trying to say was like

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Speaker 1: a lot of queer people identify with the lyrics of

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Speaker 1: defying gravity. It was a funny meme, though I.

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Speaker 2: Didn't understand it.

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Speaker 4: I've been using alling space inappropriately all over the place.

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Speaker 2: I can I just say one last thing about this

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Speaker 2: and then we can move on.

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Speaker 1: Yes.

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Speaker 2: I love the fact that they made defying Gravity not

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Speaker 2: this vindictive like in the play. At the when it

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Speaker 2: gets to the act break, she's wicked because she's so

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Speaker 2: pissed off at everything. Oh fuck everybody, I'm gonna fucking

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Speaker 2: get out of here, and fucking you don't like me.

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Speaker 2: I don't like you either. I'm wicked. And in this

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Speaker 2: they made it seem like there was hope at the end.

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Speaker 2: This woman's gonna save Oz. She's gonna be the one

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Speaker 2: that freaking brings everything back to the way it needs

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Speaker 2: to be. And I really want to commend the director

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Speaker 2: in doing that because it's so easy to go to

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Speaker 2: way of she's going dark, She's going dark side she

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Speaker 2: just went to the dark side. She doesn't go to

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Speaker 2: the dark side in this and this she becomes. She

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Speaker 2: does become the martyr, she does become the hero, you

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Speaker 2: know what I mean.

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Speaker 5: And so I was, I was, I was that blew

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Speaker 5: me away by the ending.

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Speaker 1: Was I'm getting goosebumps talk thinking about it. But I

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Speaker 1: cried multiple times and I was with Amanda and Elvis,

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Speaker 1: so I was I was in a safe space to

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Speaker 1: cry in the movies. I love crying in the movies anyway,

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Speaker 1: but without without spoilers obviously, that dance moment at the

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Speaker 1: at the you know, when they danced together, I just

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Speaker 1: thought that was so incredibly moving about just finally someone

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Speaker 1: having the courage to be by your side. That was

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Speaker 1: just And then at the end, I just sobbed. I

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Speaker 1: was like, not only was I crying for the movie,

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Speaker 1: but I was thinking about my father who's no longer

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Speaker 1: alive and he loved musicals, and I just thought I

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Speaker 1: was crying. They were happy tears because but I was

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Speaker 1: thinking like, oh gosh, my father would have loved this

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Speaker 1: so much. And Amanda knew my dad, so it was

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Speaker 1: nice to just had that moment of like, Wow, this

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Speaker 1: art moved me so much, and I'm so happy for

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Speaker 1: all of these people. And also, I don't know if

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Speaker 1: I've told this story, but you know, we had a

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Speaker 1: little memorial in my vegetable garden on my property for

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Speaker 1: Nick when he died. And Nick loved Cynthia Revo. I

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Speaker 1: don't know if they ever met, or if maybe they

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Speaker 1: were DM friends from Broadway or what have you. I

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Speaker 1: don't know that they had much relationship, but he loved her.

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Speaker 1: And when Nick was sick, Cynthia Eva reached out to

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Speaker 1: Amanda and said, like, I'm here for you if you

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Speaker 1: ever need anything. And when Nick was in a coma,

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Speaker 1: Amanda would would call, would text Cynthia, and she would say,

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Speaker 1: he's not in a great space. If you have a moment,

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Speaker 1: would you sing for him? And Cynthia, without fail, would

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Speaker 1: say absolutely, and she'd Facetimer and she would sing multiple songs,

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Speaker 1: including Amazing Grace to Nick while he was in a coma.

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Speaker 3: Oh that's beautiful.

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Speaker 1: And I just heard this recently from Amanda. And then

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Speaker 1: when Nick passed, Amanda reached out to her and said, hey,

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Speaker 1: you know, one of Nick's favorite moments in all of

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Speaker 1: Broadway was your big number in a color Purple on Broadway?

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Speaker 1: Would you consider coming singing it? And I don't know

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Speaker 1: if Cynthia thought like this was a big memorial like

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Speaker 1: in a church or something, but she said absolutely, And

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Speaker 1: there was like fifteen of us in my garden and

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Speaker 1: she came and sang Nick's favorite song.

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Speaker 3: Oh wow.

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Speaker 1: So that's a Cynthia rev story.

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Speaker 2: You know.

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Speaker 1: It's the kind of person she is.

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Speaker 2: Yeah, I met her one time. Also, we did Anthony

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Speaker 2: Anderson's show to Tell the Truth, and we had a

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Speaker 2: little bit of downtime to just sit and shoot the shit,

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Speaker 2: and I just remember her turn to me, Donald, what

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Speaker 2: are your dreams dreams? And I was like what. She's like,

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Speaker 2: what are your dreams? Tell me what is it that

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Speaker 2: you dream of. I was like, well, I want to

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Speaker 2: be in Star Wars. I want to know. I just

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Speaker 2: unleashed and I was like, what about you? What are

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Speaker 2: your dreams? She said, you know, they're starting to come true.

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Speaker 2: They started to happen.

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Speaker 1: It's amazing.

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Speaker 2: It was.

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Speaker 1: Yeah, I'm so happy for everybody involved. And the National

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Speaker 1: Water Review chose it as their best picture already, so

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Speaker 1: it'll definitely be in the competition.

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Speaker 2: It deserves it. It's it's if you are a fan

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Speaker 2: of action adventure, if you love romance, if you love SI,

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Speaker 2: if you love fantasy, if you look right, if you're

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Speaker 2: a fan of cinema period.

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Speaker 1: I want to go see it again. Actually I've seen.

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Speaker 2: It twice already. That's the crazy thing. It's not me.

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Speaker 2: It was my kids. We saw it the first time

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Speaker 2: when we got back from Vegas. We saw it, and

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Speaker 2: then the second time, it was two days later. My

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Speaker 2: son goes, you know what, let's go see Wicked again.

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Speaker 1: And I was like, what, I'm surprised it was your

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Speaker 1: son and not your daughter.

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Speaker 2: Well, you know, Rock likes certain things, you know what

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Speaker 2: I mean, his whole thing is and it's gonna sound

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Speaker 2: horrible and I'm not raising him to be this way.

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Speaker 2: But he said to me, dang Arianna got a gat.

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Speaker 1: What I certainly didn't. I didn't notice are having a yah?

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Speaker 2: Are you kidding me? When she's swinging on that thing,

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Speaker 2: That yat is nice and walking around in them dresses,

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Speaker 2: that yat is nice. That's what That's what my son was.

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Speaker 1: Your son wanted to go see the gyat.

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Speaker 2: Well, you know, I think he's I think things are

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Speaker 2: starting to change on him. He's starting to have starting

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Speaker 2: he's starting to have a little odor under the arms

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Speaker 2: and stuff.

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Speaker 1: All right, Yeah, well, speaking of that, since we're on

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Speaker 1: movies and deodorant. I finally am late to the party,

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Speaker 1: but I watched Inside Out too.

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Speaker 4: Okay, Oh gosh, that was beautiful too.

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Speaker 2: Yeah, which did you like better? One or two?

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Speaker 1: I think I don't. I think I don't know. I

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Speaker 1: think too. But I thought it was so moving and

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Speaker 1: I was just so blown away by the screenplay. I'm

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Speaker 1: sitting there going, whoever wrote this is so fucking genius, Like,

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Speaker 1: what a screenplay.

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Speaker 4: My favorite thing about that movie is they brought in

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Speaker 4: teenage girls to tell them if they were getting the

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Speaker 4: script right. Like multiple times they would come in the

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Speaker 4: girls like we wouldn't talk this way or we would

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Speaker 4: never leave a friend in that way. And I was like,

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Speaker 4: you can really feel the presence of young minded people

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Speaker 4: throughout the script. And yeah, it's surprising all the ways

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Speaker 4: you sort of think they're going to lean into bullying,

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Speaker 4: they don't, and it's really this kid against her poor self.

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Speaker 4: And oh yeah, it's a beautiful story. I like it

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Speaker 4: a lot.

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Speaker 1: I thought I thought like screenplay was excellent. I mean,

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Speaker 1: I was so.

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Speaker 2: Smart I really did like that movie. Also, a Nora.

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Speaker 1: Have we talked about a Nora?

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Speaker 2: No, but everybody that girl all the rave.

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Speaker 1: Joel, have you seen a Nora.

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Speaker 4: I haven't seen a Noura yet. It's on the list,

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Speaker 4: so well, I know I gotta get that.

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Speaker 1: Oh don't you get screeners.

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Speaker 3: I'm so sorry.

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Speaker 4: I guess some screeners not all they you know, the Disney's,

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Speaker 4: the Marvels, the sci fi is really hit me up.

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Speaker 3: I got a fight for the smaller indies.

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Speaker 1: Oh well, I highly recommend Nora to everybody. It's uh,

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Speaker 1: it's I think one of the best movies I've seen

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Speaker 1: this year. And what's so exciting about it is it's

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Speaker 1: nobody in the cast is famous. It's just it's just

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Speaker 1: an incredible screenplay with incredible actors, really well done. That

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Speaker 1: young lady could win an Oscar.

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Speaker 2: I mean that's what they're saying. They're saying, she's what's.

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Speaker 1: Her name is, Ajeel Mikey Madsen, Mia Madsen. She was

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Speaker 1: on Better Things, the TV show as a teenage girl.

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Speaker 1: Now she's in this movie and I thought I assumed

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Speaker 1: from her performance that she was like an East Coast

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Speaker 1: like really talk like this character that she plays, and

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Speaker 1: then I saw an interview with her and she's nothing

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Speaker 1: like that, and so it just means that, like it

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Speaker 1: was like double whammy of how talented she is. She gives,

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Speaker 1: she gives, she gives one of the best performances of

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Speaker 1: the year for sure.

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Speaker 2: I'm I you know, I haven't seen it, but I

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Speaker 2: will see it. There's you know, I all, there's actually

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Speaker 2: Star Wars actually has a good show.

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Speaker 1: Again, Guys, why can't we just avoid Star Wars.

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Speaker 2: Because it's called Skeleton Crew Skeleton It's called Skeleton Crew,

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Speaker 2: and it's fucking really good. Dude, the first two episodes,

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Speaker 2: the first two episodes. And I'm not saying this because

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Speaker 2: I'm a Star Wars fan either. I'm saying this because

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Speaker 2: this ship is actually really good. Like this reminds me

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Speaker 2: of my youth, the movies I watched as a kid, Goonies,

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Speaker 2: Flight of the Navigator, Explorers, Like this movie hits all

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Speaker 2: a poltergeist, everything that Stranger Things tries to do. This

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Speaker 2: one does it in a Star Wars universe, which is

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Speaker 2: kind of unheard of. Like people want their Star Wars

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Speaker 2: a certain way, but this, dude found I'm begetting the

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Speaker 2: creator of the shows. And I know it's Boloney and Favro,

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Speaker 2: but the guy who is the showrunner for the show,

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Speaker 2: what an amazing he did Spider Man, he did John

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Speaker 2: something right.

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Speaker 3: John Watson, Christopher Ford.

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Speaker 2: Yeah, amazing, well done, like way to bring it. And

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Speaker 2: what's great is that Star Wars fans are now happy and.

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Speaker 3: This is looking united out there.

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Speaker 2: Hasn't the last time that this has happened? Is I

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Speaker 2: don't even think Return of the Jedi had, you know

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Speaker 2: what I mean? There are people that are like fucking walks,

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Speaker 2: are you kidding me? And a lot of Star Wars to.

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Speaker 3: Watch Star Wars show.

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Speaker 4: It was saved because it was critically acclaimed, and Disney

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Speaker 4: was like, yeah, we love a statue, like do another season.

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Speaker 1: Oh but I love this, I guess because I'm not

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Speaker 1: in the core audience. I love dan Or. I thought

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Speaker 1: it was the.

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Speaker 3: Best, as you should it is.

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Speaker 4: To me, it's the best one, but it's not universally beloved.

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Speaker 4: I will say about Skeleton Crew. I've seen the first

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Speaker 4: three episodes. They're fabulous. I'm excited for episode four because

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Speaker 4: the Daniels are directing it, which should be really interesting.

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Speaker 4: And then Bryce Dallas has the Christmas episode, which I

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Speaker 4: bet will be spectacular.

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Speaker 3: And yeah, it's really funy.

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Speaker 4: Usually I'm not into the whole kids show, but I

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Speaker 4: really feel like there's an element of this that makes

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Speaker 4: me feel like I'm ten years old. It makes me

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Speaker 4: want to share it with my cousins, Like it's very

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Speaker 4: easy to fall in love with these kids, and they

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Speaker 4: feel like they're in real danger, which doesn't usually happen

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Speaker 4: in a Disney property. But I'm like, these kids should

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Speaker 4: not be on the ship or on the planet they're

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Speaker 4: going to how do they get home? It's so scary

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Speaker 4: and oh and the best part is they built in

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Speaker 4: a real mystery where you're like, what the hell is

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Speaker 4: happening here?

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Speaker 3: Like where do they come from? What is this planet there?

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Speaker 4: And usually the last couple of mysteries we've been set

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Speaker 4: up on in Star Wars have been flopped, so it's

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Speaker 4: nice to see them really nail that.

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Speaker 2: I went into it thinking I wasn't expecting a lot,

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Speaker 2: and by the end of the first episode, I was like, next, please,

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Speaker 2: next episode now. And I watched the second episode and

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Speaker 2: as soon as that shit ended, I was like, damn,

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Speaker 2: I can't wait till Monday.

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Speaker 3: Is Rocco liking it.

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Speaker 2: He hasn't watched it yet. I have to I have

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Speaker 2: to say they haven't watched it yet. I can't. I

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Speaker 2: can't wait to show them though.

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Speaker 5: Here's some stories about show we made about a bunch

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Speaker 5: of talks and nurses.

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Speaker 2: Sah.

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Speaker 5: He said, he's a story nextlas No so yander around

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Speaker 5: you here, up, yander round here expect show is no.

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Speaker 1: Donald. I want to welcome to the podcast for the

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Speaker 1: first time, my foster puppy, Penny.

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Speaker 2: Hello, Penny.

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Speaker 3: Penny's trying to take a nap, petty Please.

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Speaker 1: Isn't she cute?

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Speaker 3: She's the cutest.

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Speaker 1: I'm in love with her.

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Speaker 2: Yeah, you are.

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Speaker 1: They already called someone. They already called me today saying

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Speaker 1: someone wants to adopt her. I'm like, whoa, whoa, whoa, whoa,

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Speaker 1: everybody calm down.

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Speaker 2: Penny likes it here.

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Speaker 1: I am fostering. Oh look at her. I am fostering.

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Speaker 1: She was living in the worst conditions in this shelter.

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Speaker 1: And she spent two months in this like cement cell

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Speaker 1: with no bed even not even a blanket.

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Speaker 2: WHOA off the couch?

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Speaker 1: She just like dreamed off the couch.

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Speaker 2: Just fell off the couch.

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Speaker 1: You're right baby. Anyway, she's uh, she's fun, she's really sweet,

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Speaker 1: she's sweet.

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Speaker 2: Love it, I love it. I love that you found

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Speaker 2: one too.

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Speaker 1: Well we are. I wasn't planning on being asked if

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Speaker 1: I wanted to keep her this quickly. But the woman

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Speaker 1: who I'm fostering for was like, we have a lot

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Speaker 1: of interest from Penny, and I was like, whoa, whoa, whoa, whoa.

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Speaker 2: Everybody down, Well, you made the mistake of showing your

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Speaker 2: dog on your Instagram. That was the mistake.

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Speaker 1: Well, I want to help her. I wanted to help

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Speaker 1: her get adopted to an amazing home. In the intervening

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Speaker 1: days we have become quite close Penny and I.

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Speaker 2: I love it. I love it.

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Speaker 1: She's a big, eighty pound pit and but she's a sweetheart.

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Speaker 1: And she looks like she she's got very you know,

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Speaker 1: it looks like she was used to breed because she's

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Speaker 1: got you know, big teats. She's a she's but I

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Speaker 1: don't know. Someone wrote that poor thing was used to

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Speaker 1: make babies, and I'm so happy you're babying her, and

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Speaker 1: that really hit my heart. Anyway, we have so many topics,

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Speaker 1: which one do you one? You want to go next to?

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Speaker 1: Donald I got, Uh we should talk about we have

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Speaker 1: Here's what I wrote down. You tell me which one

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Speaker 1: you want to do next?

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Speaker 2: Okay?

437
00:22:01,760 --> 00:22:02,920
Speaker 1: Uh? Vegas.

438
00:22:03,400 --> 00:22:06,560
Speaker 2: Well that's what this podcast is about today, right, our

439
00:22:06,640 --> 00:22:07,560
Speaker 2: Vegas experience.

440
00:22:07,880 --> 00:22:09,560
Speaker 1: Well, it could be about anything. Do you want to

441
00:22:09,600 --> 00:22:11,320
Speaker 1: go to Vegas? Do you want to go to merch?

442
00:22:11,440 --> 00:22:13,680
Speaker 1: Do you want to go to you giving up weed?

443
00:22:13,720 --> 00:22:14,560
Speaker 1: Do you want to go to school?

444
00:22:14,640 --> 00:22:16,080
Speaker 2: Let's go to be giving up weed. Let's go to

445
00:22:16,080 --> 00:22:16,720
Speaker 2: me giving up weed.

446
00:22:16,720 --> 00:22:19,120
Speaker 1: All right, So audience, you might think, oh God, roll

447
00:22:19,160 --> 00:22:21,960
Speaker 1: your eyes. Donald's talking about giving up weed, but when

448
00:22:21,960 --> 00:22:26,080
Speaker 1: we went to Vegas, he decided to use that as

449
00:22:26,119 --> 00:22:27,240
Speaker 1: a launching point.

450
00:22:27,040 --> 00:22:29,720
Speaker 2: Right, quit cold turkey, Yes, which is.

451
00:22:29,960 --> 00:22:31,720
Speaker 1: Very hard for those of you who don't know for

452
00:22:31,800 --> 00:22:36,439
Speaker 1: someone who smokes every day all day, tell everyone how

453
00:22:36,480 --> 00:22:38,520
Speaker 1: it went or how it's going, because you're now.

454
00:22:38,840 --> 00:22:40,960
Speaker 2: It's it's yeah, it's miserable.

455
00:22:41,200 --> 00:22:43,040
Speaker 1: But oh I thought you were doing better.

456
00:22:43,320 --> 00:22:46,080
Speaker 2: No, I am doing better now. But the it's you

457
00:22:46,119 --> 00:22:50,960
Speaker 2: know now, the the craving is back, you know what

458
00:22:51,000 --> 00:22:52,879
Speaker 2: I mean? Like I was having a conversation with my

459
00:22:52,920 --> 00:22:56,680
Speaker 2: brother on FaceTime and he's sitting there blowing weed into

460
00:22:56,720 --> 00:22:59,040
Speaker 2: the camera and shit like that, and it was like

461
00:22:59,560 --> 00:23:01,359
Speaker 2: he wasn't doing it on purpose. He doesn't know that

462
00:23:01,400 --> 00:23:04,320
Speaker 2: I've quit, you know what I mean. And he's blowing

463
00:23:04,359 --> 00:23:06,280
Speaker 2: it into the camera and as he's doing it, I'm

464
00:23:06,280 --> 00:23:12,160
Speaker 2: trying to catch the vapors on the side. The motherfucker. Yeah,

465
00:23:12,200 --> 00:23:17,760
Speaker 2: through through, right through FaceTime. It's very difficult. And I'm

466
00:23:17,760 --> 00:23:20,600
Speaker 2: not gonna sit here and bullshit anybody and say And

467
00:23:21,040 --> 00:23:22,399
Speaker 2: I don't want to be the guy that says you

468
00:23:22,560 --> 00:23:24,600
Speaker 2: need to quit too. I don't want to be a preacher.

469
00:23:24,720 --> 00:23:27,040
Speaker 1: Yeah, we talk about your experience.

470
00:23:28,520 --> 00:23:31,840
Speaker 2: I had night sweats for about a week and a half.

471
00:23:33,240 --> 00:23:39,000
Speaker 2: Every time I tried to fall asleep. I lost twenty

472
00:23:39,080 --> 00:23:42,640
Speaker 2: pounds and almost two weeks, like because I couldn't eat.

473
00:23:42,800 --> 00:23:44,479
Speaker 1: Yeah, for real, I saw him at dinner. We went

474
00:23:44,520 --> 00:23:47,320
Speaker 1: to dinner and his face you probably can't see it

475
00:23:47,320 --> 00:23:49,919
Speaker 1: because it's all pixelate right now, but he lost so

476
00:23:50,040 --> 00:23:52,080
Speaker 1: much weight in just his face.

477
00:23:52,800 --> 00:23:56,760
Speaker 2: Yeah, and it's waterweight obviously from the sweating and the

478
00:23:57,080 --> 00:23:58,000
Speaker 2: not eating and stuff.

479
00:23:58,080 --> 00:24:01,080
Speaker 1: I should get into sonning, dude, get rid of all

480
00:24:01,119 --> 00:24:01,560
Speaker 1: more of it.

481
00:24:02,080 --> 00:24:04,560
Speaker 2: I'm into losing weight the healthy way right now. But

482
00:24:05,080 --> 00:24:08,800
Speaker 2: as far as as far as quitting goes, it's been

483
00:24:08,920 --> 00:24:11,880
Speaker 2: very difficult, but I ain't going back. Man.

484
00:24:11,920 --> 00:24:16,639
Speaker 1: This has he been irritable to your wife? Absolutely, Casey

485
00:24:16,640 --> 00:24:18,840
Speaker 1: said at dinner, she goes, next time you do this,

486
00:24:18,960 --> 00:24:20,679
Speaker 1: you need to go away for a while.

487
00:24:23,119 --> 00:24:25,680
Speaker 2: Well, the prospector has spoken.

488
00:24:25,440 --> 00:24:34,119
Speaker 1: Yeah, I'm sick and tired of your irre ability, irritability.

489
00:24:33,840 --> 00:24:36,480
Speaker 2: But you know it's it's The crazy thing is is

490
00:24:36,520 --> 00:24:41,320
Speaker 2: that you know, the phlim is just starting to clear

491
00:24:41,400 --> 00:24:44,480
Speaker 2: up in my lungs and stuff like that, and I'm

492
00:24:44,520 --> 00:24:48,840
Speaker 2: not and I don't feel like I have bronchitis anymore.

493
00:24:48,960 --> 00:24:52,320
Speaker 2: And I was smoking a lot of weed and this

494
00:24:52,400 --> 00:24:55,400
Speaker 2: is this was definitely a good idea for me. I'm

495
00:24:55,400 --> 00:24:58,040
Speaker 2: not saying everybody else needs to do it right, but

496
00:24:58,280 --> 00:24:59,640
Speaker 2: I'm not going to smoke weed again.

497
00:24:59,680 --> 00:25:01,400
Speaker 1: I think, well, by the way, what's funny is last

498
00:25:01,480 --> 00:25:04,440
Speaker 1: night he's like, we should get dinner again on Monday.

499
00:25:05,040 --> 00:25:07,399
Speaker 1: And I'm all I'm thinking is like, the dude is

500
00:25:07,440 --> 00:25:09,639
Speaker 1: off weed for two weeks and all of a sudden

501
00:25:09,680 --> 00:25:10,520
Speaker 1: he's making plans.

502
00:25:10,720 --> 00:25:12,240
Speaker 2: I was, I don't want to stay home anymore.

503
00:25:12,240 --> 00:25:14,960
Speaker 1: I was like, I was like swiping tears from my eyes.

504
00:25:15,480 --> 00:25:18,200
Speaker 2: I don't want to stay home anymore. This house reminds

505
00:25:18,240 --> 00:25:20,000
Speaker 2: me of marijuana.

506
00:25:20,280 --> 00:25:23,560
Speaker 1: No. I mean, you definitely lived up to one of

507
00:25:23,560 --> 00:25:26,720
Speaker 1: the sweeping stereotypes of a full time stoner is not

508
00:25:26,760 --> 00:25:29,479
Speaker 1: wanting to leave the house. And I know that's not

509
00:25:29,480 --> 00:25:31,119
Speaker 1: true for all of you out there who do that,

510
00:25:31,200 --> 00:25:35,600
Speaker 1: but this particular stoner, Donald Faison, was was a homebody,

511
00:25:35,720 --> 00:25:37,959
Speaker 1: and I like the idea that you might leave your

512
00:25:37,960 --> 00:25:38,440
Speaker 1: house more.

513
00:25:38,920 --> 00:25:41,320
Speaker 2: Well. I go to the gym now almost every day.

514
00:25:41,400 --> 00:25:44,040
Speaker 1: My trainer was asking about you, by the way, why

515
00:25:45,080 --> 00:25:47,440
Speaker 1: he just likes you, And he was like, how's Donald doing?

516
00:25:47,560 --> 00:25:49,800
Speaker 1: How's how's the weed? Is he? Is he working out

517
00:25:49,840 --> 00:25:51,880
Speaker 1: at all? And I was like, he actually just quit?

518
00:25:52,640 --> 00:25:54,560
Speaker 1: And I was and he was like, oh, good, good?

519
00:25:54,600 --> 00:25:56,200
Speaker 1: Is he what's he doing? Is he boxing? Is he

520
00:25:56,240 --> 00:25:57,840
Speaker 1: working out? And I didn't know what the answer was.

521
00:25:58,160 --> 00:26:00,520
Speaker 2: I am working out, I am boxing, I am I'm

522
00:26:00,520 --> 00:26:03,240
Speaker 2: back into the MMA again, you know what I mean? Good?

523
00:26:03,320 --> 00:26:06,400
Speaker 1: Yeah, you got you like that form of exercise I do.

524
00:26:06,480 --> 00:26:08,720
Speaker 2: I like lifting weights too, but I like striking a lot.

525
00:26:08,800 --> 00:26:10,880
Speaker 2: I like kicking, I like wrestling.

526
00:26:11,119 --> 00:26:14,120
Speaker 1: You should get fit, bro, you should get fucking fit. Fit.

527
00:26:14,560 --> 00:26:16,879
Speaker 2: Well, we have a reason to nowadays too, you know

528
00:26:16,920 --> 00:26:19,199
Speaker 2: what I mean, Like, we have a super duper it

529
00:26:19,200 --> 00:26:22,640
Speaker 2: looks like we're gonna have another shot at this thing

530
00:26:22,960 --> 00:26:23,720
Speaker 2: called Scrubs.

531
00:26:23,840 --> 00:26:25,840
Speaker 1: You know, Oh, do you want to go into Scrubs reboot?

532
00:26:26,200 --> 00:26:27,280
Speaker 2: I mean I think that's a good set.

533
00:26:27,359 --> 00:26:30,080
Speaker 1: Is that's your segue into Scrubs reboot from from what

534
00:26:30,119 --> 00:26:32,200
Speaker 1: I've written down as giving up Weed?

535
00:26:32,880 --> 00:26:35,160
Speaker 2: Yeah, I think that's a good segue. I gave up

536
00:26:35,240 --> 00:26:37,320
Speaker 2: Weed to do Scrubs.

537
00:26:37,400 --> 00:26:39,800
Speaker 1: Well, this is a funny time to talk about this audience,

538
00:26:39,800 --> 00:26:42,840
Speaker 1: because I'm not sure when this airs will decide, but uh,

539
00:26:43,280 --> 00:26:48,000
Speaker 1: today it broke on both Deadline and Variety that uh there.

540
00:26:47,840 --> 00:26:50,080
Speaker 2: In uh, Bill's deal is done.

541
00:26:50,400 --> 00:26:52,720
Speaker 1: Bill has Bill has closed the deal to do a

542
00:26:52,760 --> 00:26:53,640
Speaker 1: Scrubs reboot.

543
00:26:53,840 --> 00:26:56,080
Speaker 3: Oh yes, did you know that?

544
00:26:56,200 --> 00:27:00,720
Speaker 1: Joelle? That's amazing, Joell Dane. I'm not here to tell

545
00:27:00,720 --> 00:27:07,960
Speaker 1: you to talk into your microphone.

546
00:27:09,920 --> 00:27:11,560
Speaker 3: I'm very excited for you guys.

547
00:27:12,600 --> 00:27:15,399
Speaker 1: You know we uh this has been in the works

548
00:27:15,440 --> 00:27:17,440
Speaker 1: for a long time, and obviously this doesn't mean it's

549
00:27:17,440 --> 00:27:20,159
Speaker 1: one hundred percent, it's just it's in development. But uh,

550
00:27:20,200 --> 00:27:22,880
Speaker 1: it's this is the first time they've made any sort

551
00:27:22,880 --> 00:27:25,359
Speaker 1: of announcement about it, so that's sort of exciting. The

552
00:27:25,359 --> 00:27:28,919
Speaker 1: idea that we could do some new incarnation of the

553
00:27:28,960 --> 00:27:31,560
Speaker 1: show that we're all you know here for.

554
00:27:32,160 --> 00:27:37,560
Speaker 2: I'm really excited to see what it is because literally

555
00:27:37,640 --> 00:27:41,199
Speaker 2: we don't we Zach, myself and the rest of the

556
00:27:41,240 --> 00:27:44,359
Speaker 2: cast have zero idea what Bill has planned.

557
00:27:44,560 --> 00:27:46,199
Speaker 1: I don't think Bill knows what he has planned.

558
00:27:47,760 --> 00:27:50,160
Speaker 2: Okay, well, no, I mean I don't.

559
00:27:50,160 --> 00:27:51,960
Speaker 1: I don't think he does. I think it's like, okay,

560
00:27:52,040 --> 00:27:54,480
Speaker 1: let's figure out I do. I think we can say

561
00:27:54,520 --> 00:27:56,800
Speaker 1: that it's not it's not going to be like they're

562
00:27:56,840 --> 00:27:58,720
Speaker 1: doing with the Office, like a whole new cast. The

563
00:27:58,800 --> 00:28:02,640
Speaker 1: idea is to get us all about together and uh

564
00:28:02,720 --> 00:28:05,639
Speaker 1: and and figure out what that story is, which is

565
00:28:06,240 --> 00:28:08,960
Speaker 1: which is really exciting. But I don't think it's been

566
00:28:09,000 --> 00:28:12,040
Speaker 1: cracked yet. What the what, what the angle is.

567
00:28:13,119 --> 00:28:15,440
Speaker 2: I'm excited to find out what it is. I'm excited

568
00:28:15,440 --> 00:28:18,400
Speaker 2: to find out what our characters are up to and

569
00:28:18,440 --> 00:28:22,239
Speaker 2: what they will be and or what what version of

570
00:28:22,320 --> 00:28:25,119
Speaker 2: the characters will be playing this time around. There's a

571
00:28:25,119 --> 00:28:29,639
Speaker 2: lot that's changed since Scrubs was on television twenty something

572
00:28:29,680 --> 00:28:30,120
Speaker 2: years ago.

573
00:28:30,240 --> 00:28:31,879
Speaker 1: We can't be as goofy.

574
00:28:32,200 --> 00:28:34,040
Speaker 2: Well, I don't know, I mean, I don't.

575
00:28:33,840 --> 00:28:36,520
Speaker 1: Know, because now we're in now we're in our late forties.

576
00:28:36,560 --> 00:28:38,400
Speaker 1: We can't be like young twenty.

577
00:28:39,320 --> 00:28:40,160
Speaker 2: I'm fifty.

578
00:28:40,360 --> 00:28:41,720
Speaker 1: I'm fifty years old.

579
00:28:42,200 --> 00:28:48,640
Speaker 2: I can kick, I can straight, But like, I, what

580
00:28:48,800 --> 00:28:52,960
Speaker 2: is it? What what you know? Like Ted Lasso shrinking

581
00:28:53,280 --> 00:28:56,520
Speaker 2: bad Monk, bad monkey, these guys all have a different

582
00:28:57,000 --> 00:28:59,920
Speaker 2: you know, Bill Lawrence stamp to it or you know,

583
00:29:00,280 --> 00:29:06,640
Speaker 2: and his new stamp is really interesting and it's it's

584
00:29:06,800 --> 00:29:11,760
Speaker 2: it's it's adult, but yet it still has very comedic

585
00:29:11,920 --> 00:29:14,520
Speaker 2: and heart and felt undertone.

586
00:29:14,600 --> 00:29:17,080
Speaker 1: So it's, yeah, well I think it'll still be Scrubs,

587
00:29:17,160 --> 00:29:20,160
Speaker 1: but it'll be you know, with the things that everyone

588
00:29:20,160 --> 00:29:23,800
Speaker 1: loves about Scrubs. But we're certainly so much older now,

589
00:29:23,840 --> 00:29:26,120
Speaker 1: so it's like, what, how are our lives different? And

590
00:29:26,160 --> 00:29:29,160
Speaker 1: how are we different? You know? I think about ourselves

591
00:29:29,200 --> 00:29:31,520
Speaker 1: in real life, you and I and we there's so

592
00:29:31,560 --> 00:29:34,600
Speaker 1: many ways where we're as silly as we were when

593
00:29:34,640 --> 00:29:38,280
Speaker 1: we were when we were you know, in twenty in

594
00:29:38,320 --> 00:29:41,680
Speaker 1: the year twenty twenty four years ago, and there's other

595
00:29:41,720 --> 00:29:43,240
Speaker 1: ways we're a lot more mature. And I think the

596
00:29:43,320 --> 00:29:45,800
Speaker 1: characters would, I imagine, would reflect that too.

597
00:29:46,280 --> 00:29:48,080
Speaker 2: I hope. So, like I want to go to Vegas

598
00:29:48,120 --> 00:29:51,040
Speaker 2: again with Bill so he can just study. Yes, let's

599
00:29:51,040 --> 00:29:51,920
Speaker 2: go to Vegas.

600
00:29:52,880 --> 00:29:55,400
Speaker 1: Wow, you just really showing off your transitions today, and

601
00:29:55,480 --> 00:29:59,200
Speaker 1: is your is this your hot fucking segue? I am

602
00:29:59,200 --> 00:30:00,960
Speaker 1: holding space for this segue.

603
00:30:06,520 --> 00:30:09,600
Speaker 2: Let's take a break. You know, my brain is a

604
00:30:09,640 --> 00:30:10,560
Speaker 2: little bit clearer.

605
00:30:10,960 --> 00:30:14,400
Speaker 1: I can see you, be honest, I can see that, Joelle.

606
00:30:14,400 --> 00:30:16,920
Speaker 1: Do you notice this motherfucker is two weeks off weed

607
00:30:16,960 --> 00:30:21,440
Speaker 1: and now he's fucking like elegantly threading transitions.

608
00:30:21,560 --> 00:30:24,280
Speaker 4: I don't want to support someone's softing lead because how

609
00:30:24,400 --> 00:30:25,760
Speaker 4: but also I'm just so proud of that.

610
00:30:28,160 --> 00:30:30,320
Speaker 1: I've never seen you do that before.

611
00:30:30,360 --> 00:30:33,080
Speaker 2: Donald, that was elegant, but I think we need to

612
00:30:33,160 --> 00:30:35,720
Speaker 2: do that again to be I'm just gonna be honest

613
00:30:35,760 --> 00:30:38,640
Speaker 2: with you. The last two times you and I have

614
00:30:38,680 --> 00:30:41,719
Speaker 2: been in Vegas have been pretty epic, amazing, more epic

615
00:30:41,800 --> 00:30:44,280
Speaker 2: than it's ever been other than wearing him Tiger is

616
00:30:44,320 --> 00:30:46,760
Speaker 2: at O it did, and wear them Tiger is at

617
00:30:47,280 --> 00:30:48,120
Speaker 2: This is.

618
00:30:49,400 --> 00:30:51,480
Speaker 1: Wear them Tigers at. You have to give people context.

619
00:30:51,480 --> 00:30:53,880
Speaker 1: That's when we were very young. We went and Donald

620
00:30:53,960 --> 00:30:57,360
Speaker 1: was wasted and he's walking through the MGM greens when

621
00:30:57,400 --> 00:31:00,560
Speaker 1: they still had the Tigers show, and he's like that,

622
00:31:00,640 --> 00:31:02,320
Speaker 1: I want to see somebody get bit.

623
00:31:02,640 --> 00:31:05,040
Speaker 2: And then it happened and then it happened.

624
00:31:05,320 --> 00:31:07,160
Speaker 4: I'm glad to explained it because I thought he was

625
00:31:07,200 --> 00:31:10,440
Speaker 4: referencing the Hangover, and I was no.

626
00:31:10,440 --> 00:31:14,840
Speaker 1: Donald Donald picture Donald strutting like like George Jefferson through

627
00:31:15,160 --> 00:31:18,160
Speaker 1: the MGM, being like, Wandham Tiger? Is that I want

628
00:31:18,200 --> 00:31:19,240
Speaker 1: to somebody to get.

629
00:31:19,080 --> 00:31:19,560
Speaker 2: A bit.

630
00:31:21,680 --> 00:31:22,160
Speaker 1: Donald?

631
00:31:23,400 --> 00:31:24,520
Speaker 2: But then it happened.

632
00:31:24,800 --> 00:31:27,600
Speaker 1: Yeah, then that's how long ago it was. The tigers

633
00:31:27,640 --> 00:31:29,680
Speaker 1: aren't I don't know if that are the tigers still there?

634
00:31:30,040 --> 00:31:34,080
Speaker 1: I know there's no show. No, there's no show. Obviously

635
00:31:34,120 --> 00:31:36,560
Speaker 1: there's no show, but I don't know if they still

636
00:31:36,600 --> 00:31:40,520
Speaker 1: have like an exhibit. Can you look that off? I'm curious.

637
00:31:40,600 --> 00:31:43,480
Speaker 2: It was because of it was because of Tracy Morgan's Brian.

638
00:31:43,320 --> 00:31:46,480
Speaker 1: Oh, that's what it was you were doing, Brian Fellows.

639
00:31:46,920 --> 00:31:47,840
Speaker 2: Wadham Tiger?

640
00:31:47,880 --> 00:31:49,400
Speaker 1: Is that wha tigers?

641
00:31:49,440 --> 00:31:49,520
Speaker 3: That?

642
00:31:49,680 --> 00:31:52,320
Speaker 2: For all that money, somebody better get bit That's.

643
00:31:52,120 --> 00:31:54,760
Speaker 1: What he said, You go, you go. All I know

644
00:31:54,880 --> 00:31:57,280
Speaker 1: is for all to have money, somebody better get bit bit.

645
00:32:00,600 --> 00:32:01,760
Speaker 2: I'm Brian Fellows.

646
00:32:02,160 --> 00:32:06,280
Speaker 1: Brian Fellows. I love Brian Fellows. I don't know why

647
00:32:06,280 --> 00:32:07,640
Speaker 1: it was so funny, but it.

648
00:32:07,520 --> 00:32:09,320
Speaker 2: Was because he would be mad.

649
00:32:09,440 --> 00:32:10,560
Speaker 1: It made no sense.

650
00:32:10,960 --> 00:32:13,640
Speaker 2: He would get sassy with the he got sassy with

651
00:32:13,680 --> 00:32:17,080
Speaker 2: a parrot. The parrot would I'm Brian Fellows. No you not.

652
00:32:17,560 --> 00:32:20,880
Speaker 1: I just can I just I could just watch Tracy

653
00:32:20,880 --> 00:32:22,560
Speaker 1: Morgan do anything. And I start to giggle.

654
00:32:22,880 --> 00:32:24,240
Speaker 2: Yeah, he's a very funny man.

655
00:32:24,840 --> 00:32:26,680
Speaker 1: Joelle, are there tigers still? Mgm?

656
00:32:27,080 --> 00:32:30,400
Speaker 4: No, So there used to be lions in the habitats,

657
00:32:30,520 --> 00:32:33,680
Speaker 4: but Peter was like, no, yeah, and so now that

658
00:32:33,920 --> 00:32:36,600
Speaker 4: the habitats are still there, but the lions.

659
00:32:36,240 --> 00:32:36,880
Speaker 3: Are no longer.

660
00:32:37,160 --> 00:32:38,160
Speaker 1: What's in the habitat?

661
00:32:39,800 --> 00:32:42,880
Speaker 3: Habitat itself? Just lions used to be here, I guess.

662
00:32:43,160 --> 00:32:45,360
Speaker 1: Oh so people walk by and go, look an empty

663
00:32:45,400 --> 00:32:49,240
Speaker 1: habitat pretty much. Well, Donald and I we have to

664
00:32:49,240 --> 00:32:52,480
Speaker 1: give a shout out to T Mobile because they brought

665
00:32:52,560 --> 00:32:54,760
Speaker 1: us out to the F one Race for the second

666
00:32:54,800 --> 00:32:58,160
Speaker 1: year in a row, and it was so much fun.

667
00:32:58,600 --> 00:33:02,640
Speaker 2: It was epic. It was Listen, the first time we went,

668
00:33:03,040 --> 00:33:07,800
Speaker 2: we had fun. We were we weren't we We hadn't

669
00:33:07,880 --> 00:33:11,960
Speaker 2: yet experienced success in Vegas yet, you know what I mean?

670
00:33:12,120 --> 00:33:13,040
Speaker 1: Like, what do you mean?

671
00:33:14,080 --> 00:33:17,680
Speaker 2: Like, we've gone to Vegas before several times and have

672
00:33:17,840 --> 00:33:18,800
Speaker 2: yet to win money.

673
00:33:18,880 --> 00:33:19,160
Speaker 1: Oh?

674
00:33:19,320 --> 00:33:22,680
Speaker 2: Oh yeah, yet to yet to you know, Like, but

675
00:33:22,760 --> 00:33:23,400
Speaker 2: we only.

676
00:33:23,240 --> 00:33:25,440
Speaker 1: Really won money. The Bill Lawrence time when he was

677
00:33:25,520 --> 00:33:27,080
Speaker 1: rolling for a half hour on craps.

678
00:33:27,520 --> 00:33:33,719
Speaker 2: Yes, but every time before that we had not experienced it.

679
00:33:33,800 --> 00:33:34,760
Speaker 1: We only paid.

680
00:33:35,120 --> 00:33:38,160
Speaker 2: Yeah, Vegas was kind of depressing to us because every

681
00:33:38,200 --> 00:33:39,960
Speaker 2: time we went, the only time we would see money

682
00:33:40,120 --> 00:33:42,520
Speaker 2: was when atm spit it out for us, you know

683
00:33:42,560 --> 00:33:42,920
Speaker 2: what I mean.

684
00:33:43,280 --> 00:33:45,840
Speaker 1: We just got crushed at blackcheck always. And then we

685
00:33:45,880 --> 00:33:48,920
Speaker 1: started to discover craps this last couple of times thanks

686
00:33:48,960 --> 00:33:52,680
Speaker 1: to Andrew. Yeah, Andrew Watt and then Bill rolling for

687
00:33:52,720 --> 00:33:55,760
Speaker 1: a half hour really got me educated into the ins

688
00:33:55,800 --> 00:33:57,040
Speaker 1: and outs of crap.

689
00:33:57,120 --> 00:34:02,880
Speaker 2: Yes, and so we went back the time because Mobile

690
00:34:03,000 --> 00:34:05,000
Speaker 2: was like, you guys want to come come up?

691
00:34:05,120 --> 00:34:06,960
Speaker 1: Yeah, yeah, we came. It was so fun.

692
00:34:07,720 --> 00:34:10,120
Speaker 2: It was not only was it fun, it was really cool,

693
00:34:10,280 --> 00:34:13,200
Speaker 2: like Snoop was there. Yeah, we got to. We got to.

694
00:34:13,400 --> 00:34:16,000
Speaker 2: You know, this is the first time where we're going

695
00:34:16,040 --> 00:34:19,880
Speaker 2: there as Vets of the T Mobile family, you know

696
00:34:19,920 --> 00:34:22,319
Speaker 2: what I mean, where you know, we're a staple in

697
00:34:22,440 --> 00:34:25,600
Speaker 2: that in the in their family. And it was really cool.

698
00:34:25,640 --> 00:34:27,240
Speaker 3: And this is for the F one race that happens

699
00:34:27,280 --> 00:34:28,080
Speaker 3: in Vegas every year.

700
00:34:28,160 --> 00:34:31,040
Speaker 1: Yes, T Mobiles. T Mobile is the sponsor of the

701
00:34:31,160 --> 00:34:33,680
Speaker 1: F one Race in Vegas. And for those of you

702
00:34:33,680 --> 00:34:36,040
Speaker 1: who don't know, they they shut down the streets of

703
00:34:36,120 --> 00:34:40,160
Speaker 1: Vegas and the F one race is through the streets

704
00:34:40,160 --> 00:34:42,640
Speaker 1: of Vegas at night. It's the same if you can

705
00:34:42,680 --> 00:34:45,879
Speaker 1: imagine the amount of logistics involved, and they do such

706
00:34:45,880 --> 00:34:48,279
Speaker 1: a cool job. And then they have these suites over

707
00:34:48,400 --> 00:34:52,080
Speaker 1: you know where where you know where all the pit

708
00:34:52,160 --> 00:34:55,439
Speaker 1: stops are for the cars, and uh so we're hanging

709
00:34:55,440 --> 00:34:59,719
Speaker 1: out the suite with all these amazing people, all the

710
00:35:00,480 --> 00:35:01,880
Speaker 1: T Mobile execs.

711
00:35:02,280 --> 00:35:05,439
Speaker 2: Well all of the execs that we that we know. Uh.

712
00:35:05,480 --> 00:35:08,000
Speaker 2: And then also just like the people that were coming

713
00:35:08,000 --> 00:35:13,680
Speaker 2: in from Snoop to mister Beast, to Ryan Bradley Cooper,

714
00:35:13,800 --> 00:35:16,400
Speaker 2: Ryan Tedder, Yeah.

715
00:35:16,840 --> 00:35:18,640
Speaker 1: Well tell him the story about what met mister Beast

716
00:35:18,680 --> 00:35:20,520
Speaker 1: did for your kids. That was so sweet.

717
00:35:20,760 --> 00:35:24,160
Speaker 2: He was like, yo, I was like, because I'm very

718
00:35:24,200 --> 00:35:27,080
Speaker 2: new to mister Beast, like within the last two months,

719
00:35:27,120 --> 00:35:32,080
Speaker 2: I just, you know, uh learned about him, and my

720
00:35:32,200 --> 00:35:34,040
Speaker 2: kids have known about him for a while. I remember

721
00:35:34,040 --> 00:35:36,359
Speaker 2: my son was like, my son was like, well, mister

722
00:35:36,440 --> 00:35:38,120
Speaker 2: Bee says, I said, boy, I don't give a shit

723
00:35:38,160 --> 00:35:40,640
Speaker 2: about mister Beest. And my son looked at me and

724
00:35:40,640 --> 00:35:42,799
Speaker 2: he said, well you should, because he's so much richer

725
00:35:42,840 --> 00:35:48,560
Speaker 2: than you are. Dad. I was like, they are, they

726
00:35:48,560 --> 00:35:52,840
Speaker 2: don't no censor. But then I meet him and you know,

727
00:35:52,960 --> 00:35:54,600
Speaker 2: I'm just going to give him props because I'm like

728
00:35:54,640 --> 00:35:57,759
Speaker 2: that with everybody. If you ask Zach, when I meet celebrities,

729
00:35:57,960 --> 00:35:59,640
Speaker 2: I get a little you know. He has to calm

730
00:35:59,680 --> 00:36:02,880
Speaker 2: me down sometimes, like, dude, don't get too fucking crazy.

731
00:36:03,120 --> 00:36:05,520
Speaker 2: You're going to meet such and such. Just don't don't.

732
00:36:05,560 --> 00:36:06,720
Speaker 2: Don't don't ask for a self.

733
00:36:06,680 --> 00:36:08,800
Speaker 1: Don't take ask for a selfie with Brad Pitt please.

734
00:36:09,239 --> 00:36:11,160
Speaker 2: I walk into the thing and I see Beast and

735
00:36:11,200 --> 00:36:14,760
Speaker 2: I'm like, yo, oh shit, dude, you have no idea.

736
00:36:14,840 --> 00:36:18,840
Speaker 2: My kids freaking love you. I'm a new fan of yours,

737
00:36:18,880 --> 00:36:20,640
Speaker 2: but they've been a fan of yours for a long time.

738
00:36:20,680 --> 00:36:23,600
Speaker 2: He's like, oh really, let's call him. I'm like what.

739
00:36:24,239 --> 00:36:27,520
Speaker 2: He's like, yeah, let's FaceTime them. Shut the fuck up.

740
00:36:27,680 --> 00:36:29,120
Speaker 1: No, first, you made a video first.

741
00:36:29,360 --> 00:36:31,200
Speaker 2: So then he goes, no, he tries to call, they

742
00:36:31,200 --> 00:36:33,560
Speaker 2: don't pick up. So he's like, let's make a video. Boom.

743
00:36:34,520 --> 00:36:36,879
Speaker 2: He makes the video. Then he says, then I take

744
00:36:36,920 --> 00:36:38,960
Speaker 2: the phone away and I go and I send the

745
00:36:39,040 --> 00:36:42,080
Speaker 2: video to my wife and then now I FaceTime my

746
00:36:42,080 --> 00:36:43,759
Speaker 2: wife and she picks up. She's like, are you fucking

747
00:36:43,840 --> 00:36:48,080
Speaker 2: kidding me with this? And I'm like hold on, and

748
00:36:48,120 --> 00:36:50,399
Speaker 2: I go back and I turn and I'm like, can

749
00:36:50,520 --> 00:36:52,759
Speaker 2: you talk to my kids again? He's like yeah, sure,

750
00:36:52,760 --> 00:36:57,200
Speaker 2: He grabs the phone. Wilder is like, oh, hello, mister beast.

751
00:36:57,239 --> 00:37:00,680
Speaker 2: How's it going? All cool and shit, you know, trying

752
00:37:00,719 --> 00:37:02,719
Speaker 2: to be she's more like her mom. Her mom's been

753
00:37:02,719 --> 00:37:06,640
Speaker 2: around a lot filds together, they show it to Rocco.

754
00:37:07,080 --> 00:37:12,640
Speaker 2: Rocco goes and he said, he's like, oh my god,

755
00:37:12,920 --> 00:37:16,720
Speaker 2: and he can't move and he's like frozen in time. Oh,

756
00:37:16,760 --> 00:37:19,840
Speaker 2: it's mister right. And he said to all of his

757
00:37:19,920 --> 00:37:24,120
Speaker 2: friends on the snapchat not they have a group chat,

758
00:37:24,320 --> 00:37:28,520
Speaker 2: and he was like, guys, I gotta go. Mister Beast

759
00:37:28,960 --> 00:37:33,360
Speaker 2: is uh calling my house right now. And they're like, bullshit, Rocco,

760
00:37:33,680 --> 00:37:37,160
Speaker 2: you don't know, mister Beasts, You're full of crap. And

761
00:37:37,239 --> 00:37:41,320
Speaker 2: so my wife sends him the video that mister Beasts

762
00:37:41,360 --> 00:37:46,120
Speaker 2: said earlier. He drops it into the chat. Mike drop.

763
00:37:48,680 --> 00:37:51,319
Speaker 1: He was really nice and really interesting. And his whole

764
00:37:51,320 --> 00:37:53,880
Speaker 1: squad he has all his you know, his whole group

765
00:37:53,960 --> 00:37:55,920
Speaker 1: that do all his videos with him. They were all

766
00:37:56,000 --> 00:38:00,560
Speaker 1: such nice people and really and really like we like

767
00:38:00,960 --> 00:38:02,799
Speaker 1: because everyone has questions like how the hell did you

768
00:38:02,800 --> 00:38:05,080
Speaker 1: guys do what you did? And they're all so nice

769
00:38:05,120 --> 00:38:08,200
Speaker 1: about answering questions and explaining it all. And yeah, I

770
00:38:08,200 --> 00:38:09,400
Speaker 1: thought they're really cool.

771
00:38:09,760 --> 00:38:14,920
Speaker 2: And and and you know, he has a connection to

772
00:38:15,040 --> 00:38:18,160
Speaker 2: a world that a lot of people don't understand yet.

773
00:38:18,560 --> 00:38:23,680
Speaker 2: And it's really starting to blossom as far as taking

774
00:38:23,760 --> 00:38:26,680
Speaker 2: over in the entertainment industry. So like, whereas you and

775
00:38:26,760 --> 00:38:28,880
Speaker 2: I go to the movies, and a lot of people

776
00:38:28,920 --> 00:38:32,880
Speaker 2: go to the movies, most kids watch TikTok or YouTube,

777
00:38:33,280 --> 00:38:35,080
Speaker 2: you know what I mean, where we watch Scrubs or

778
00:38:35,120 --> 00:38:38,520
Speaker 2: where we watch you know, Arrested Development. What. They've never

779
00:38:38,560 --> 00:38:42,319
Speaker 2: heard of these shows because they're strictly watching Kai or

780
00:38:43,440 --> 00:38:46,040
Speaker 2: Beast or Speed on YouTube.

781
00:38:46,080 --> 00:38:47,840
Speaker 1: By the way, he said he'd come on the podcast

782
00:38:48,320 --> 00:38:50,680
Speaker 1: he did. I think he'd be a great guest.

783
00:38:51,000 --> 00:38:52,719
Speaker 2: It would be interesting to talk to him about this

784
00:38:52,840 --> 00:38:54,319
Speaker 2: wave that's that's hitting well.

785
00:38:54,400 --> 00:38:56,319
Speaker 1: Also, just like his story is incredible. I mean, the

786
00:38:56,360 --> 00:39:00,200
Speaker 1: fact that he has reached the level of success and

787
00:39:00,239 --> 00:39:02,640
Speaker 1: he's such a he feels like a guy who's so

788
00:39:03,000 --> 00:39:06,520
Speaker 1: into everything. The algorithms, like how to crack it all.

789
00:39:06,600 --> 00:39:09,480
Speaker 1: Like he's so knowledgeable, he's like a scientist.

790
00:39:09,840 --> 00:39:11,880
Speaker 2: It would be good for us also just as a

791
00:39:11,920 --> 00:39:15,920
Speaker 2: podcast and how to promote our podcast and ways and

792
00:39:15,920 --> 00:39:16,400
Speaker 2: stuff like.

793
00:39:16,440 --> 00:39:18,880
Speaker 1: That's well, his buddy who's in charge of Instagram was

794
00:39:19,000 --> 00:39:21,040
Speaker 1: telling you all the stuff I didn't know about Instagram.

795
00:39:21,080 --> 00:39:23,279
Speaker 1: It was so interesting. I mean, they're they're like, they're

796
00:39:23,320 --> 00:39:26,759
Speaker 1: like data scientists. It's really interesting. We'll be right back

797
00:39:26,760 --> 00:39:28,520
Speaker 1: after these fine words.

798
00:39:29,800 --> 00:39:33,400
Speaker 3: But then I was going to ask you about the race.

799
00:39:34,480 --> 00:39:36,560
Speaker 3: I'm curious about the race, and so did guy? Did

800
00:39:36,560 --> 00:39:37,160
Speaker 3: you guys not watch the.

801
00:39:42,000 --> 00:39:44,560
Speaker 1: Race? Is awesome? You know, keep in mind, you only

802
00:39:44,640 --> 00:39:47,000
Speaker 1: see it when it comes by you, and it comes

803
00:39:47,000 --> 00:39:50,239
Speaker 1: by you like and then you and then you watch

804
00:39:50,239 --> 00:39:52,200
Speaker 1: it on TV. That's what's so funny about F one,

805
00:39:52,400 --> 00:39:55,080
Speaker 1: is like you only get a glimpse of it when

806
00:39:55,080 --> 00:39:57,920
Speaker 1: they race by it. And because we were above the

807
00:39:57,920 --> 00:40:00,719
Speaker 1: the the pit stop areas, we were lucky enough to

808
00:40:00,719 --> 00:40:02,919
Speaker 1: be able to look down and see the when they

809
00:40:02,920 --> 00:40:05,600
Speaker 1: pull in and change the tires and fuel up and

810
00:40:05,640 --> 00:40:07,720
Speaker 1: do whatever they do. That was really cool.

811
00:40:08,160 --> 00:40:11,319
Speaker 2: In less than six seconds. In less than six seconds.

812
00:40:11,280 --> 00:40:16,360
Speaker 1: Not even that it's like stop n take off. It

813
00:40:16,440 --> 00:40:17,759
Speaker 1: was incredible.

814
00:40:18,840 --> 00:40:21,000
Speaker 2: And if you and if you and if you're if

815
00:40:21,040 --> 00:40:23,879
Speaker 2: you're on a turn, you might see it a little

816
00:40:23,920 --> 00:40:27,880
Speaker 2: bit longer, but straightaways they just fly through straightaways.

817
00:40:28,000 --> 00:40:30,640
Speaker 1: Yeah. So it's a weird fun thing because you're there

818
00:40:30,680 --> 00:40:32,920
Speaker 1: and you're being social and you're and you're like, you know,

819
00:40:32,960 --> 00:40:35,400
Speaker 1: at basically a cocktail party if you're in one of

820
00:40:35,400 --> 00:40:38,000
Speaker 1: these suites. But then you're like, wait here they come.

821
00:40:39,400 --> 00:40:40,759
Speaker 1: And then you watch on TV.

822
00:40:41,280 --> 00:40:45,319
Speaker 2: Yeah and shout out to uh McLaren, I mean, what's

823
00:40:45,360 --> 00:40:48,360
Speaker 2: the Uh. They were very nice to us.

824
00:40:48,239 --> 00:40:52,720
Speaker 1: And well you you took a tour of the McLaren pit, right.

825
00:40:52,680 --> 00:40:53,320
Speaker 2: What yes?

826
00:40:53,400 --> 00:40:53,480
Speaker 1: Me?

827
00:40:53,920 --> 00:40:58,000
Speaker 2: Yeah, me, Bradley make it their beast and uh uh

828
00:40:58,640 --> 00:41:00,799
Speaker 2: we were the three that actually made it inside then

829
00:41:01,280 --> 00:41:03,560
Speaker 2: with your buddy, and then I ran into Aaron Taylor

830
00:41:03,640 --> 00:41:06,400
Speaker 2: Johnson who kick ass too, with yeah, man.

831
00:41:06,480 --> 00:41:08,800
Speaker 3: I just bought my tickets to Craven, very excited.

832
00:41:09,640 --> 00:41:12,400
Speaker 2: I'm listen man, this brother. I haven't seen him in

833
00:41:12,440 --> 00:41:16,479
Speaker 2: over ten years. And it was like, oh man, there's

834
00:41:16,520 --> 00:41:19,319
Speaker 2: pictures of us. Smile, the smile on my face, the

835
00:41:19,400 --> 00:41:22,239
Speaker 2: smile on his face. We kicked at hardcore back in

836
00:41:22,280 --> 00:41:25,480
Speaker 2: London and in Toronto when we made that movie, and

837
00:41:25,560 --> 00:41:27,839
Speaker 2: like we were, we were buds. You know what I mean.

838
00:41:27,880 --> 00:41:30,839
Speaker 2: I named my daughter after his I thought I named

839
00:41:30,840 --> 00:41:32,080
Speaker 2: my daughter after his daughter.

840
00:41:32,360 --> 00:41:34,040
Speaker 1: Yeah, you know what I mean. You know that story.

841
00:41:34,080 --> 00:41:36,759
Speaker 1: He's wild.

842
00:41:37,000 --> 00:41:41,600
Speaker 2: Uh yeah, and you know, I it's it's it was.

843
00:41:41,800 --> 00:41:44,120
Speaker 2: It was just great to see him. I hadn't seen

844
00:41:44,160 --> 00:41:45,560
Speaker 2: him in a long time, and it was really good

845
00:41:45,560 --> 00:41:46,160
Speaker 2: to see him.

846
00:41:46,760 --> 00:41:50,640
Speaker 1: Yeah, it was super fun. And then we just they

847
00:41:50,719 --> 00:41:53,759
Speaker 1: just just threw a really amazing event. I mean, when

848
00:41:53,760 --> 00:41:57,000
Speaker 1: you think of the scale of the logistics of doing that,

849
00:41:57,080 --> 00:41:59,720
Speaker 1: it was just it's crazy to watch it all happened.

850
00:41:59,440 --> 00:42:00,000
Speaker 2: T Mobile.

851
00:42:00,320 --> 00:42:03,320
Speaker 1: The mobile came through. Thank you for inviting us. We

852
00:42:03,360 --> 00:42:06,560
Speaker 1: had a blast. And then we went back. Now here's

853
00:42:06,560 --> 00:42:09,960
Speaker 1: the funny story. We go back to the to the casino.

854
00:42:10,000 --> 00:42:11,759
Speaker 2: Now the story are we going to tell?

855
00:42:12,320 --> 00:42:15,240
Speaker 1: Yeah, you can tell a really crazy story that happened.

856
00:42:15,440 --> 00:42:21,480
Speaker 1: That's so embarrassing. I am willing to tell this story

857
00:42:20,520 --> 00:42:23,359
Speaker 1: that I think. I think, Wait, you don't, don't cut

858
00:42:23,400 --> 00:42:23,799
Speaker 1: to that part.

859
00:42:23,880 --> 00:42:26,759
Speaker 2: Yeah, let's start, all right, So we go to the

860
00:42:26,800 --> 00:42:30,800
Speaker 2: club Joelle, Okay, all right, we're all fam We.

861
00:42:30,760 --> 00:42:32,880
Speaker 1: Decided we're going to go to the club because you know,

862
00:42:32,920 --> 00:42:37,200
Speaker 1: we're in Vegas. When in Rome and it's packed, I mean,

863
00:42:37,440 --> 00:42:42,440
Speaker 1: f one fucking weekend at when this club is called

864
00:42:42,920 --> 00:42:46,879
Speaker 1: what's it called Excess Excess, the letters Excess. Yeah, So

865
00:42:47,200 --> 00:42:51,200
Speaker 1: we go there. Our friend Scott Sartiano, who's a famous

866
00:42:51,239 --> 00:42:54,680
Speaker 1: restaurant tour is like guiding us through the mayhem with

867
00:42:54,719 --> 00:42:57,439
Speaker 1: a bunch of friends, and we're like trying to hold

868
00:42:57,480 --> 00:43:00,680
Speaker 1: on staying, you know, connected to each other because he's

869
00:43:00,760 --> 00:43:04,440
Speaker 1: fucking packed, and he's leading us to a booth. But

870
00:43:04,800 --> 00:43:06,800
Speaker 1: all of a sudden we finally get to the booth,

871
00:43:06,840 --> 00:43:11,800
Speaker 1: it's so packed. Music's blaring. I think it's the Chainsmokers, right, Donald.

872
00:43:11,600 --> 00:43:12,520
Speaker 2: Yeah, Chaine Smokers.

873
00:43:12,560 --> 00:43:14,480
Speaker 1: And then and then it's four.

874
00:43:14,280 --> 00:43:16,360
Speaker 2: O'clock in the hold one. It's four o'clock, three o'clock

875
00:43:16,360 --> 00:43:19,120
Speaker 2: in the morning or something like that too. It's it's

876
00:43:19,200 --> 00:43:23,279
Speaker 2: it's and I've already said to Zach, dude, I want

877
00:43:23,280 --> 00:43:23,520
Speaker 2: to go.

878
00:43:24,280 --> 00:43:26,480
Speaker 1: Yeah. Well I'm too old for this too by this point.

879
00:43:27,000 --> 00:43:29,960
Speaker 1: But anyway, Donald really wanted to go, but I was

880
00:43:30,000 --> 00:43:31,759
Speaker 1: just like, you know, come on, went in Rome, let's go.

881
00:43:31,920 --> 00:43:34,120
Speaker 1: Let's go for like a half hour of the club.

882
00:43:34,200 --> 00:43:36,480
Speaker 1: Since everyone was going, so we go. By the time

883
00:43:36,480 --> 00:43:39,440
Speaker 1: I get to the table, the booth, which was packed,

884
00:43:39,440 --> 00:43:42,319
Speaker 1: but we were just standing there. I lost Donald and

885
00:43:42,400 --> 00:43:45,439
Speaker 1: I'm with and I'm like, oh, I'm like, there's no way.

886
00:43:45,480 --> 00:43:47,800
Speaker 1: This dude just french exited like that. That would have

887
00:43:47,840 --> 00:43:52,279
Speaker 1: been too late, like he did like a peel off.

888
00:43:52,280 --> 00:43:54,920
Speaker 1: And he's gone. And so the whole group I'm with

889
00:43:55,040 --> 00:43:57,120
Speaker 1: we're like, yo, he lost Donald. I'm looking out for him.

890
00:43:57,160 --> 00:43:59,719
Speaker 1: I can't see him. I'm texting him like, dude, there's

891
00:43:59,719 --> 00:44:02,920
Speaker 1: no way, you just fucking left. And then I'm just like.

892
00:44:03,040 --> 00:44:06,400
Speaker 2: Text him back. I go no. And then the booth.

893
00:44:06,440 --> 00:44:09,080
Speaker 1: Then I look up Joelle. I'm at this fucking in

894
00:44:09,400 --> 00:44:12,120
Speaker 1: front of thousands and thousands of people. This dude's in

895
00:44:12,160 --> 00:44:13,200
Speaker 1: the DJ boots.

896
00:44:13,239 --> 00:44:20,879
Speaker 3: Bas you love a DJ booth, Donald, I.

897
00:44:20,800 --> 00:44:24,920
Speaker 2: Can't something special about the DJ booth, something.

898
00:44:25,080 --> 00:44:26,800
Speaker 1: The regular at the wind DJ booth.

899
00:44:27,040 --> 00:44:29,680
Speaker 2: So I get to the booth and I'm the creator

900
00:44:29,719 --> 00:44:33,879
Speaker 2: of Yellowstones there, Jeffrey Rights there and Michael Fastbender and

901
00:44:33,960 --> 00:44:37,080
Speaker 2: you know, Jeffrey's like, you want to do shots, bro,

902
00:44:37,200 --> 00:44:38,960
Speaker 2: And I'm like yeah, So we do a couple of

903
00:44:39,040 --> 00:44:42,120
Speaker 2: shots and ship and so now I'm lit, and in

904
00:44:42,160 --> 00:44:45,000
Speaker 2: my mind, I'm like, Zach has to be here. Zach's

905
00:44:45,000 --> 00:44:47,160
Speaker 2: fucking one of the best directors I know. If I

906
00:44:47,200 --> 00:44:49,160
Speaker 2: can get him over here, maybe he could make a

907
00:44:49,200 --> 00:44:51,920
Speaker 2: deal happen with these motherfuckers. And he's directing the New

908
00:44:52,000 --> 00:44:55,319
Speaker 2: Yellowstone starring Jeffrey Wright and Michael Fastpender. That's where my

909
00:44:55,360 --> 00:44:58,160
Speaker 2: mind's going, right, we gotta we gotta make this happen.

910
00:44:58,600 --> 00:45:01,600
Speaker 2: So now I'm trying to weigh if this motherfucker down.

911
00:45:01,440 --> 00:45:04,799
Speaker 1: Like, yeah, we finally have eye contact, and it's for

912
00:45:04,840 --> 00:45:07,919
Speaker 1: these scrubs mega fans. It's a bit like when when

913
00:45:08,040 --> 00:45:11,160
Speaker 1: uh when Donald When Turk and Carla get back from

914
00:45:11,200 --> 00:45:18,360
Speaker 1: their honeymoon and it's like Turk, so we finally have

915
00:45:18,440 --> 00:45:21,359
Speaker 1: eye contact, and he's like trying to gesture how I'm

916
00:45:21,400 --> 00:45:23,680
Speaker 1: supposed to mind the way there's so many people. I'm like,

917
00:45:23,719 --> 00:45:26,520
Speaker 1: how the fuck am I without without a without a guard,

918
00:45:26,560 --> 00:45:28,319
Speaker 1: who knows how the hell am I going to get

919
00:45:28,360 --> 00:45:29,239
Speaker 1: up in that DJ booth?

920
00:45:29,320 --> 00:45:32,120
Speaker 2: And I'm pointing to the security guy. He's gonna take you.

921
00:45:32,120 --> 00:45:32,759
Speaker 2: You go with.

922
00:45:32,760 --> 00:45:35,319
Speaker 1: Him, So now I make this is all gestures. Then

923
00:45:35,360 --> 00:45:37,239
Speaker 1: I make eye contact with the security guard that like

924
00:45:37,280 --> 00:45:39,200
Speaker 1: gives me the thumbs up, like, yo, I'll hook you up.

925
00:45:39,440 --> 00:45:42,759
Speaker 1: Come to me. So I come to this guard and

926
00:45:42,840 --> 00:45:46,880
Speaker 1: he weaves me through this maze and I get up

927
00:45:46,880 --> 00:45:51,320
Speaker 1: into the DJ booth and the most incredible thing happens.

928
00:45:52,560 --> 00:45:56,799
Speaker 2: I go. I go to Bassbender and to uh These

929
00:45:57,000 --> 00:46:00,480
Speaker 2: and to Jeffrey and I'm like, yo, guys, meet my

930
00:46:00,560 --> 00:46:07,720
Speaker 2: buddy Zach and they all go, ah, fast spender, fast Spender.

931
00:46:08,120 --> 00:46:10,799
Speaker 1: So Jeffrey Wright was so sweet. He like, you know,

932
00:46:10,880 --> 00:46:14,840
Speaker 1: did the cheers thing across and then Fastbender. Oh. I

933
00:46:14,840 --> 00:46:21,279
Speaker 1: think we can safely say had a few yes, as

934
00:46:21,360 --> 00:46:25,120
Speaker 1: jumps up as one does in Vegas. Yes he was

935
00:46:25,160 --> 00:46:26,120
Speaker 1: not parched.

936
00:46:26,920 --> 00:46:27,799
Speaker 2: Yes, no, he was.

937
00:46:28,440 --> 00:46:28,719
Speaker 1: He was.

938
00:46:29,640 --> 00:46:32,520
Speaker 2: He was he was, he was he was well served.

939
00:46:32,719 --> 00:46:36,960
Speaker 1: Yes, no one else, no one had turned him down

940
00:46:37,040 --> 00:46:42,320
Speaker 1: for service. But he came and he gave me. He

941
00:46:42,360 --> 00:46:45,959
Speaker 1: came up to me like and he's like, I love you,

942
00:46:46,560 --> 00:46:49,400
Speaker 1: I love your work. You're incredible.

943
00:46:49,880 --> 00:46:51,480
Speaker 2: Oh, nobody can do what you.

944
00:46:51,640 --> 00:46:54,240
Speaker 1: Nobody can do what you do. And in my heart

945
00:46:54,320 --> 00:46:57,759
Speaker 1: I'm thinking like, oh my god, like this is amazing.

946
00:46:57,840 --> 00:46:59,560
Speaker 1: What a moment in my life that this guy is

947
00:46:59,560 --> 00:47:02,080
Speaker 1: one of the best best actors in the world. And

948
00:47:02,160 --> 00:47:05,360
Speaker 1: he's like I love you, and I'm like, thank you, brother.

949
00:47:05,480 --> 00:47:08,800
Speaker 1: That means so much. When he goes I love Chips.

950
00:47:10,000 --> 00:47:12,960
Speaker 3: Uh, who does he think you are.

951
00:47:13,960 --> 00:47:19,600
Speaker 1: Dak Chapper. No, he loves chips, damn you, Deck che

952
00:47:20,480 --> 00:47:23,320
Speaker 1: He loves Chips, Joel, more than you love any movie

953
00:47:23,320 --> 00:47:26,120
Speaker 1: in the world. That's more than you loves Chips.

954
00:47:25,800 --> 00:47:28,400
Speaker 2: More than you love Wicked, more than we.

955
00:47:28,440 --> 00:47:31,080
Speaker 1: More than you love Star Wars. This dude love more than.

956
00:47:30,960 --> 00:47:34,759
Speaker 2: I love Star Wars. He's like, listen, nobody can do

957
00:47:34,840 --> 00:47:38,040
Speaker 2: what you do. You are so good at what you do.

958
00:47:38,120 --> 00:47:40,680
Speaker 2: And I'm like, Mike Sikes. So now I'm trying to

959
00:47:40,800 --> 00:47:41,759
Speaker 2: Now I'm trying to be like.

960
00:47:41,760 --> 00:47:44,520
Speaker 1: So my just Sikes because I thought I pictured a

961
00:47:44,560 --> 00:47:48,120
Speaker 1: future where we're making movies together, where we're like and

962
00:47:48,120 --> 00:47:51,040
Speaker 1: and I and I thought he was talking about my

963
00:47:51,040 --> 00:47:53,080
Speaker 1: my work as a filmmaker, and I was just like

964
00:47:53,120 --> 00:47:56,080
Speaker 1: having like the best moment, and he was talking about chips.

965
00:47:56,680 --> 00:47:58,799
Speaker 2: And so I go, Mike, no, no, no.

966
00:47:58,520 --> 00:47:59,640
Speaker 1: No, Mike, no, Mike.

967
00:47:59,560 --> 00:48:01,440
Speaker 2: No, no, no no.

968
00:48:02,360 --> 00:48:03,480
Speaker 1: It was so embarrassing.

969
00:48:04,280 --> 00:48:10,560
Speaker 2: We he's a He's this is Zach Braff, not Dax Shephard.

970
00:48:11,080 --> 00:48:13,840
Speaker 2: And so he puts his head down and begins to

971
00:48:13,920 --> 00:48:14,520
Speaker 2: walk away.

972
00:48:14,840 --> 00:48:16,680
Speaker 1: He didn't know what to do. He didn't know what

973
00:48:16,719 --> 00:48:17,239
Speaker 1: to do him.

974
00:48:17,480 --> 00:48:21,160
Speaker 2: He did don't you fucking walk away? Michael. You turn

975
00:48:21,239 --> 00:48:24,720
Speaker 2: around and you face us. You face this situation, buddy,

976
00:48:25,400 --> 00:48:29,520
Speaker 2: You face this situation with class and grace.

977
00:48:30,880 --> 00:48:35,200
Speaker 1: But doald It was so cringe like no one knew

978
00:48:35,200 --> 00:48:37,319
Speaker 1: what to say because where you go from there?

979
00:48:37,920 --> 00:48:40,760
Speaker 2: So he grabs us in a big embrace. He grabs

980
00:48:40,840 --> 00:48:44,440
Speaker 2: us tight, and he's like, it's real hard to do

981
00:48:44,520 --> 00:48:45,520
Speaker 2: what we do, isn't it?

982
00:48:45,680 --> 00:48:48,200
Speaker 1: And I'm trying. He was trying to pivot the conversation.

983
00:48:48,040 --> 00:48:51,120
Speaker 2: The conversation, but now he's he's embarrassed and he won't

984
00:48:51,160 --> 00:48:54,400
Speaker 2: let us go. And I go to grab his arm, like, motherfucker,

985
00:48:54,520 --> 00:48:58,400
Speaker 2: get off of me, and I can't because he's so

986
00:48:58,600 --> 00:49:02,520
Speaker 2: fucking jacked. It's ridiculous, Like he's like got this bear

987
00:49:02,640 --> 00:49:04,839
Speaker 2: hug on us, and me and zactly looking at each

988
00:49:04,840 --> 00:49:06,839
Speaker 2: other like how the fuck do we get way from

989
00:49:06,840 --> 00:49:07,959
Speaker 2: Michael fast.

990
00:49:08,800 --> 00:49:10,640
Speaker 1: Then we then we had to then we had to

991
00:49:10,760 --> 00:49:12,240
Speaker 1: escape the Fastbender grip.

992
00:49:13,040 --> 00:49:16,719
Speaker 2: Yeah, the vice grip that is magneto, that.

993
00:49:17,880 --> 00:49:20,360
Speaker 3: Is so cozy in there. Oh man?

994
00:49:20,800 --> 00:49:24,120
Speaker 1: Sure well? Then I text I text Dax Shepherd, I go,

995
00:49:24,560 --> 00:49:28,320
Speaker 1: it is important for you to know how much Michael

996
00:49:28,440 --> 00:49:32,319
Speaker 1: Fastbender loves chips. I need to convey this to you,

997
00:49:33,960 --> 00:49:37,080
Speaker 1: and then I go I unfortunately found out the hard way.

998
00:49:39,280 --> 00:49:41,960
Speaker 1: But you need to know this man is your number

999
00:49:41,960 --> 00:49:42,480
Speaker 1: one fan.

1000
00:49:51,760 --> 00:49:53,759
Speaker 3: Did you guys decide to go home after that?

1001
00:49:54,040 --> 00:49:54,239
Speaker 2: Was that?

1002
00:49:54,640 --> 00:49:55,879
Speaker 1: No?

1003
00:49:55,200 --> 00:49:55,239
Speaker 2: No?

1004
00:49:57,120 --> 00:50:00,400
Speaker 1: That set it off. Listen, was like, this is the

1005
00:50:00,400 --> 00:50:04,800
Speaker 1: best night ever. Now Donald gets Donald loves the DJ booths,

1006
00:50:04,840 --> 00:50:06,799
Speaker 1: he gets a he finds a whole new wind once

1007
00:50:06,840 --> 00:50:07,880
Speaker 1: he's in the DJ booth.

1008
00:50:09,080 --> 00:50:12,239
Speaker 2: So the next night is so that was qualifying night. This,

1009
00:50:12,239 --> 00:50:13,400
Speaker 2: This is how epic.

1010
00:50:13,080 --> 00:50:15,439
Speaker 3: This This was not even race night.

1011
00:50:15,880 --> 00:50:16,920
Speaker 2: This is qualified.

1012
00:50:16,960 --> 00:50:18,520
Speaker 3: I've rushed you through the story.

1013
00:50:18,680 --> 00:50:21,560
Speaker 2: Donald, this was qualifying night because the next night we

1014
00:50:21,600 --> 00:50:25,000
Speaker 2: went to the after party at the other club. Oh yeah,

1015
00:50:25,000 --> 00:50:29,120
Speaker 2: that was it, Delilah, Yeah, Adam Devine like it was.

1016
00:50:29,200 --> 00:50:29,480
Speaker 2: It was.

1017
00:50:29,760 --> 00:50:31,600
Speaker 1: Oh and also we should mention we were hanging out

1018
00:50:31,600 --> 00:50:33,759
Speaker 1: with Keegan Michael Key that night.

1019
00:50:33,800 --> 00:50:38,759
Speaker 2: To Keegan Michael Key, okay, uh he was. He's such

1020
00:50:38,760 --> 00:50:41,480
Speaker 2: a nice guy, that dude, wonder him and his wife wonderful.

1021
00:50:41,840 --> 00:50:42,480
Speaker 1: Yeah.

1022
00:50:42,719 --> 00:50:44,600
Speaker 3: I'm gonna be one of your personal assistants. You guys

1023
00:50:44,600 --> 00:50:45,680
Speaker 3: can take me to cool places.

1024
00:50:45,800 --> 00:50:48,440
Speaker 1: Let's listen, we have some pretty funny adventures. We have

1025
00:50:48,520 --> 00:50:52,200
Speaker 1: some pretty funny adventures in my heart. I can't tell you, Joelle,

1026
00:50:52,280 --> 00:50:54,840
Speaker 1: how my heart sank when I learned that it wasn't

1027
00:50:55,000 --> 00:50:57,040
Speaker 1: a good person he was talking about. It was Chips.

1028
00:50:57,840 --> 00:51:01,440
Speaker 2: Well that's really brutal.

1029
00:51:01,560 --> 00:51:04,560
Speaker 4: I can't how you rallied is It's amazing to me.

1030
00:51:04,840 --> 00:51:07,640
Speaker 4: Uh wow, Michael Fassbender owes you something.

1031
00:51:07,719 --> 00:51:10,160
Speaker 3: I don't know what it is yet, but you know

1032
00:51:10,200 --> 00:51:11,120
Speaker 3: what a funny story.

1033
00:51:11,280 --> 00:51:13,000
Speaker 1: I don't know if I told you this part. I

1034
00:51:13,000 --> 00:51:15,520
Speaker 1: think I did tell you this part. Donald is that

1035
00:51:17,520 --> 00:51:21,600
Speaker 1: Florence's assistant on A Good Person's name was Chip and

1036
00:51:21,880 --> 00:51:26,040
Speaker 1: uh and he's a great guy. Chip worked on He

1037
00:51:26,080 --> 00:51:31,239
Speaker 1: also works for Jason Senakis on On On Lasso. He

1038
00:51:31,280 --> 00:51:32,879
Speaker 1: did a bunch of things on a movie. Awesome guy.

1039
00:51:32,880 --> 00:51:34,440
Speaker 1: If you for those of you who know a good person,

1040
00:51:34,520 --> 00:51:37,720
Speaker 1: he plays him. He doesn't play himself, but he plays

1041
00:51:37,719 --> 00:51:40,640
Speaker 1: a character in the opening uh party scene where someone's like,

1042
00:51:40,640 --> 00:51:42,880
Speaker 1: if you're going to sleep with Chip or eleven condoms?

1043
00:51:42,880 --> 00:51:46,120
Speaker 1: And he's like what what? He just He's a really sweet,

1044
00:51:46,280 --> 00:51:49,560
Speaker 1: funny guy. He's an actor too anyway. So when he

1045
00:51:49,680 --> 00:51:55,000
Speaker 1: first I first heard mumblings of the word Chip, I went, oh,

1046
00:51:55,560 --> 00:51:58,040
Speaker 1: obviously he knows Chip. A lot of people who are

1047
00:51:58,200 --> 00:52:00,600
Speaker 1: you know a list actors know Chip. He he's a

1048
00:52:01,080 --> 00:52:03,480
Speaker 1: he's you know, people know him. So I thought, oh me,

1049
00:52:03,640 --> 00:52:05,880
Speaker 1: he Chip works for him too. So my brain first

1050
00:52:05,960 --> 00:52:09,200
Speaker 1: was my brain was still rolling with he means me

1051
00:52:11,080 --> 00:52:14,560
Speaker 1: because the because Chip had some resonance for me. But

1052
00:52:14,600 --> 00:52:20,120
Speaker 1: then he clarified like this, Joelle hands on heart, I

1053
00:52:20,160 --> 00:52:21,280
Speaker 1: love Chips.

1054
00:52:21,640 --> 00:52:22,680
Speaker 3: Oh God.

1055
00:52:23,280 --> 00:52:26,399
Speaker 1: And I was like, I know I'm not Eric Estrada, right,

1056
00:52:28,800 --> 00:52:33,319
Speaker 1: I know I'm not the other dude, John John, I'm

1057
00:52:33,320 --> 00:52:36,160
Speaker 1: not Payna. I'm obviously he thought I was.

1058
00:52:37,080 --> 00:52:40,520
Speaker 2: I'm not. Wait a second, could I could?

1059
00:52:41,440 --> 00:52:44,480
Speaker 1: Yeah? But that was fun. That was a blast.

1060
00:52:44,920 --> 00:52:48,399
Speaker 2: What was really cool, though, was watching Ryan Tedder and

1061
00:52:48,480 --> 00:52:52,399
Speaker 2: Snoop Dogg do a rendition of Gin and Juice. Yeah,

1062
00:52:52,600 --> 00:52:56,520
Speaker 2: Ryan Tedder's just playing the chords and Snoop Dogg's wrapping

1063
00:52:56,560 --> 00:52:59,880
Speaker 2: it slowly in front of all of these t mobile

1064
00:53:02,400 --> 00:53:03,000
Speaker 2: the lyrics.

1065
00:53:03,239 --> 00:53:05,800
Speaker 1: Do you know how big Ryan Tedder is? Like Ryan Tedder,

1066
00:53:06,040 --> 00:53:08,200
Speaker 1: he just follow him on Instagram. He posted, you know,

1067
00:53:08,280 --> 00:53:10,399
Speaker 1: you know how this is the week everyone's putting their

1068
00:53:10,800 --> 00:53:13,040
Speaker 1: Spotify things out. And I guess if you're a songwriter

1069
00:53:13,160 --> 00:53:15,279
Speaker 1: you can put how many you can literally put in

1070
00:53:15,360 --> 00:53:17,640
Speaker 1: like how many streams do all of my songs have

1071
00:53:18,080 --> 00:53:21,440
Speaker 1: for the year, And Ryan Tedder posted his it was

1072
00:53:21,520 --> 00:53:26,400
Speaker 1: seven point seven billion. I was like, I think that's good.

1073
00:53:26,719 --> 00:53:29,040
Speaker 1: I think he has so many hot bops. So he

1074
00:53:29,080 --> 00:53:31,600
Speaker 1: does this like medley for like everyone at the piano

1075
00:53:31,640 --> 00:53:34,640
Speaker 1: and the guitar where he just like he like sings

1076
00:53:34,680 --> 00:53:37,000
Speaker 1: a couple of his songs, of his one Republic songs.

1077
00:53:37,000 --> 00:53:38,520
Speaker 1: But then he goes and like it's like, oh, and

1078
00:53:38,560 --> 00:53:40,960
Speaker 1: you probably didn't know, and he tells like a little anecdote.

1079
00:53:41,000 --> 00:53:42,799
Speaker 1: He's like, so I wrote this for Beyonce, and then

1080
00:53:42,800 --> 00:53:44,680
Speaker 1: he like fucking goes into a song and then I

1081
00:53:44,680 --> 00:53:47,720
Speaker 1: wrote this for Rihanna, and then it's like a medley

1082
00:53:47,800 --> 00:53:50,400
Speaker 1: of like giant pop hits that you had no idea

1083
00:53:50,440 --> 00:53:50,920
Speaker 1: he wrote.

1084
00:53:51,000 --> 00:53:56,680
Speaker 2: He's written quite a few halo Oh my god. Well

1085
00:53:57,480 --> 00:54:01,160
Speaker 2: all right, he says. Now his story with the Beyonce

1086
00:54:01,320 --> 00:54:05,279
Speaker 2: song is he yeah, he wrote the song for her

1087
00:54:05,680 --> 00:54:08,160
Speaker 2: and then she changed it up and changed Halo up.

1088
00:54:08,719 --> 00:54:12,080
Speaker 1: Juell just read, just just put in Ryan ted uh

1089
00:54:12,640 --> 00:54:14,360
Speaker 1: biggest hits. You'll be blown away.

1090
00:54:14,520 --> 00:54:15,440
Speaker 3: This is incredible.

1091
00:54:16,560 --> 00:54:18,440
Speaker 2: It's a very good song. Well, we've always known he's

1092
00:54:18,480 --> 00:54:21,080
Speaker 2: a good songwriter. Though everybody's known this. I mean, he's

1093
00:54:21,120 --> 00:54:26,080
Speaker 2: the one republic is him and a couple of musicians

1094
00:54:26,080 --> 00:54:29,600
Speaker 2: getting together. And that was also the dopest part I forgot.

1095
00:54:29,640 --> 00:54:31,800
Speaker 2: So he has a guy in the band that plays

1096
00:54:31,800 --> 00:54:36,640
Speaker 2: the fiddle and they getting Snoop gets to the end

1097
00:54:36,719 --> 00:54:38,720
Speaker 2: of the song and he's like, now play that fiddle,

1098
00:54:39,160 --> 00:54:41,200
Speaker 2: and the dude was just there bopp into the whole

1099
00:54:41,239 --> 00:54:45,000
Speaker 2: thing the whole time, like listening to you know, Ryan

1100
00:54:45,080 --> 00:54:47,120
Speaker 2: and Snoop do this rendition. He's like, wait, I gotta

1101
00:54:47,160 --> 00:54:47,440
Speaker 2: put for.

1102
00:54:47,800 --> 00:54:50,880
Speaker 1: It was impromptu. They hadn't planned it. Ryan literally came

1103
00:54:50,960 --> 00:54:55,400
Speaker 1: up and said, I practiced these chords right before you know,

1104
00:54:55,440 --> 00:54:57,960
Speaker 1: I turned the mic on. So I'm gonna do my

1105
00:54:58,000 --> 00:54:59,759
Speaker 1: best and see if maybe I can convince a certain

1106
00:54:59,760 --> 00:55:02,320
Speaker 1: sum wanted to come up here. So he starts playing

1107
00:55:03,120 --> 00:55:04,919
Speaker 1: what is it Donald the chords.

1108
00:55:04,680 --> 00:55:07,480
Speaker 2: Rolling down the street, smoking.

1109
00:55:08,800 --> 00:55:13,520
Speaker 1: Sipping juice, Yes, and then just just playing the simple

1110
00:55:13,600 --> 00:55:16,480
Speaker 1: chords on the piano. So then Snoop's like, all right, well,

1111
00:55:16,520 --> 00:55:18,160
Speaker 1: I can't just sit here if you're gonna play that.

1112
00:55:18,719 --> 00:55:20,520
Speaker 1: So Snoop, by the way, and this is in front

1113
00:55:20,520 --> 00:55:24,280
Speaker 1: of like twenty people, and then and then so Snoop

1114
00:55:24,360 --> 00:55:26,719
Speaker 1: starts rapping the song, leaning on the piano. He goes,

1115
00:55:26,760 --> 00:55:28,360
Speaker 1: I've always wanted to do this, and he was like,

1116
00:55:28,440 --> 00:55:30,560
Speaker 1: leaning on the piano, rapping the song with so.

1117
00:55:30,640 --> 00:55:34,040
Speaker 2: Funny much drama in the LBC. It's kind of hard

1118
00:55:34,120 --> 00:55:38,680
Speaker 2: being snoop de o double G but I in some way.

1119
00:55:38,960 --> 00:55:41,760
Speaker 1: And then the guy, the guy who was playing the

1120
00:55:41,800 --> 00:55:43,720
Speaker 1: fiddle or the violin whatever, it.

1121
00:55:43,640 --> 00:55:45,480
Speaker 2: Was like, but let me just say one thing. He

1122
00:55:45,520 --> 00:55:47,239
Speaker 2: gets to the point he goes, we got freaks in

1123
00:55:47,320 --> 00:55:50,920
Speaker 2: the living room getting it on and they ain't leaving,

1124
00:55:51,000 --> 00:55:53,760
Speaker 2: and nobody said anything but me. I yell out six,

1125
00:55:57,400 --> 00:55:59,759
Speaker 2: So what you want to do? Right? And he goes

1126
00:55:59,800 --> 00:56:02,240
Speaker 2: here and he gets a but for what and nobody

1127
00:56:02,280 --> 00:56:05,520
Speaker 2: said anything. Here I come again. We don't love them house?

1128
00:56:06,560 --> 00:56:07,799
Speaker 3: Yes, yes.

1129
00:56:08,840 --> 00:56:11,080
Speaker 1: Everyone else was like in awe and like or had

1130
00:56:11,120 --> 00:56:13,720
Speaker 1: their phone outs and ship Donald was like the backup singer.

1131
00:56:14,080 --> 00:56:14,799
Speaker 3: I love it.

1132
00:56:15,120 --> 00:56:17,279
Speaker 2: I loved it. It was such a great night.

1133
00:56:17,360 --> 00:56:19,760
Speaker 1: But then so there's a guy who was playing violin

1134
00:56:19,840 --> 00:56:22,640
Speaker 1: or fiddle with with Ryan for his songs and he

1135
00:56:22,680 --> 00:56:24,440
Speaker 1: was just he was like, because this was impromptu, he

1136
00:56:24,480 --> 00:56:26,160
Speaker 1: wasn't like prepared to play along. He's just sitting there

1137
00:56:26,200 --> 00:56:29,040
Speaker 1: bopping his head like everybody else and then Snoop turns

1138
00:56:29,080 --> 00:56:31,480
Speaker 1: to him and he's like, it's your turn for a

1139
00:56:31,560 --> 00:56:34,040
Speaker 1: solo in so many words, and the dude was like,

1140
00:56:34,120 --> 00:56:38,440
Speaker 1: what what you and he didn't know? He was like

1141
00:56:38,800 --> 00:56:42,400
Speaker 1: he didn't. He panicked, He panicked. He like he couldn't

1142
00:56:42,440 --> 00:56:43,400
Speaker 1: step up to the moment.

1143
00:56:44,000 --> 00:56:45,120
Speaker 2: He did step up to the moment.

1144
00:56:45,200 --> 00:56:47,760
Speaker 1: He did a little bit. So he did a little moment,

1145
00:56:47,800 --> 00:56:48,719
Speaker 1: but he panicked a bit.

1146
00:56:48,800 --> 00:56:51,359
Speaker 2: Donald He said he was scared at first. I was like, dude,

1147
00:56:51,360 --> 00:56:52,680
Speaker 2: you had none to be scared of. What you did

1148
00:56:52,760 --> 00:56:53,040
Speaker 2: was dope.

1149
00:56:53,400 --> 00:56:56,000
Speaker 1: What did Snoop say? Put a little goes, put some

1150
00:56:56,040 --> 00:56:57,000
Speaker 1: fiddle in the middle.

1151
00:56:57,280 --> 00:56:59,440
Speaker 2: Yeah, put a put a little fiddle in the middle.

1152
00:57:03,080 --> 00:57:03,800
Speaker 3: That's great.

1153
00:57:05,080 --> 00:57:07,320
Speaker 2: D O Double came to play that night. I'm telling

1154
00:57:07,360 --> 00:57:11,160
Speaker 2: you he came to play. Like that's always good too,

1155
00:57:11,160 --> 00:57:15,280
Speaker 2: because you know, people get paid to do their songs,

1156
00:57:15,480 --> 00:57:17,080
Speaker 2: you know what I mean, Like, you get paid a

1157
00:57:17,080 --> 00:57:19,919
Speaker 2: lot of money to do I'm sure Snoop gets paid

1158
00:57:19,960 --> 00:57:21,920
Speaker 2: a lot of money to Dojen and Juice. And for

1159
00:57:22,000 --> 00:57:23,800
Speaker 2: him to go up there and just do that shit

1160
00:57:23,920 --> 00:57:24,640
Speaker 2: for us.

1161
00:57:24,760 --> 00:57:26,920
Speaker 1: Well, I mean, let's keep it.

1162
00:57:27,640 --> 00:57:28,120
Speaker 2: Yeah, he was.

1163
00:57:28,400 --> 00:57:31,120
Speaker 1: He has t mobile ads too. He was making the

1164
00:57:31,160 --> 00:57:34,040
Speaker 1: executives happy. But it was awesome, but it was.

1165
00:57:34,000 --> 00:57:37,040
Speaker 2: Still still man, you can always decline when somebody says,

1166
00:57:37,080 --> 00:57:37,960
Speaker 2: come sing your song.

1167
00:57:38,040 --> 00:57:40,000
Speaker 1: I think when they start playing your chords and it's

1168
00:57:40,040 --> 00:57:42,640
Speaker 1: twenty people, you're like, I'll sing a little bit. I

1169
00:57:42,680 --> 00:57:43,120
Speaker 1: know I will.

1170
00:57:44,520 --> 00:57:47,520
Speaker 2: I'm shooting me too. Let's take a break. I like,

1171
00:57:47,760 --> 00:57:49,760
Speaker 2: we've we've hung out with Scott. We've hung out with

1172
00:57:49,800 --> 00:57:52,360
Speaker 2: Scott a bit in New York when when he was

1173
00:57:52,400 --> 00:57:59,919
Speaker 2: building this wonderful club slash dinner spot then Zero Bomb.

1174
00:58:00,480 --> 00:58:02,440
Speaker 1: Actually I forgot you were there with me when we

1175
00:58:02,480 --> 00:58:03,400
Speaker 1: toured before.

1176
00:58:03,200 --> 00:58:05,360
Speaker 2: It was made, Before it was made, You and I

1177
00:58:05,400 --> 00:58:06,080
Speaker 2: and were.

1178
00:58:06,400 --> 00:58:10,040
Speaker 1: It was before Covid and Scott was like zero Bond.

1179
00:58:10,080 --> 00:58:12,120
Speaker 1: For those of you who know is like is a

1180
00:58:12,320 --> 00:58:16,400
Speaker 1: is a really high end private dinner club, social club

1181
00:58:16,560 --> 00:58:20,439
Speaker 1: in Manhattan and Scott created it. But years and it's

1182
00:58:20,520 --> 00:58:23,960
Speaker 1: and it's very successful. But years before COVID, we knew

1183
00:58:24,000 --> 00:58:25,800
Speaker 1: Scott and he was like, I want to show you

1184
00:58:25,840 --> 00:58:28,840
Speaker 1: a tour of this like basically skeleton of a building.

1185
00:58:29,880 --> 00:58:32,360
Speaker 1: I'm gonna I'm gonna build a club here. And we

1186
00:58:32,400 --> 00:58:34,120
Speaker 1: took a tour and I don't know what you were thinking, Donald,

1187
00:58:34,120 --> 00:58:35,840
Speaker 1: but I was like, this is never gonna happen.

1188
00:58:35,920 --> 00:58:38,840
Speaker 2: This is I thought it was amazing, but I was like,

1189
00:58:38,880 --> 00:58:41,480
Speaker 2: this is a house, so you're gonna turn this into

1190
00:58:41,480 --> 00:58:43,240
Speaker 2: a house. What are you gonna this? What is it's

1191
00:58:43,280 --> 00:58:45,120
Speaker 2: going to be. He was like, it's gonna be a

1192
00:58:45,240 --> 00:58:48,840
Speaker 2: it's going to be a dinner slash.

1193
00:58:48,520 --> 00:58:50,200
Speaker 1: Club, social social club.

1194
00:58:50,920 --> 00:58:54,360
Speaker 2: And I was like, wow, this is okay. I it

1195
00:58:54,400 --> 00:58:57,200
Speaker 2: was a big It literally was this big abandoned loft

1196
00:58:57,320 --> 00:58:59,160
Speaker 2: in the middle huge street.

1197
00:58:59,040 --> 00:59:01,480
Speaker 1: Huge, huge. But we're walking around him. He's just nothing

1198
00:59:01,520 --> 00:59:03,440
Speaker 1: but the walls, like brick walls.

1199
00:59:03,320 --> 00:59:04,960
Speaker 2: And brick walls and brick pillars.

1200
00:59:05,040 --> 00:59:07,120
Speaker 1: And I was like, I was thinking like wow, I mean,

1201
00:59:07,160 --> 00:59:10,800
Speaker 1: I know you're successful, but good luck. And then and

1202
00:59:10,840 --> 00:59:13,560
Speaker 1: then COVID happened and obviously its slowed him down. But

1203
00:59:13,720 --> 00:59:18,400
Speaker 1: now now it's this, you know, really popular place. But anyway,

1204
00:59:18,440 --> 00:59:21,120
Speaker 1: he's all has another place in Vegas called Delilah and

1205
00:59:21,160 --> 00:59:21,919
Speaker 1: that's where we were.

1206
00:59:22,160 --> 00:59:25,720
Speaker 2: And uh, once again there's kind of like a DJ booth,

1207
00:59:26,120 --> 00:59:27,080
Speaker 2: Like I got to go to the FIRS.

1208
00:59:27,160 --> 00:59:29,320
Speaker 1: Guy in Vegas is mingling all over the place.

1209
00:59:29,600 --> 00:59:31,640
Speaker 2: I got to get to that DJ. Well, I'm sober. Also,

1210
00:59:32,240 --> 00:59:33,680
Speaker 2: you know, I have drinks in me, but I'm not

1211
00:59:33,720 --> 00:59:37,520
Speaker 2: freaking smoking weeds, so I'm not trying to Yeah, I'm

1212
00:59:37,520 --> 00:59:39,320
Speaker 2: not just trying to sit in a chair and blend

1213
00:59:39,360 --> 00:59:40,800
Speaker 2: in right, you know what I mean. I'm not trying

1214
00:59:40,800 --> 00:59:42,600
Speaker 2: to camoufy. So now I'm like, I got to go

1215
00:59:42,600 --> 00:59:44,400
Speaker 2: to the DJ club. I mean, it's a DJ booth,

1216
00:59:44,640 --> 00:59:48,120
Speaker 2: and I see my buddy, Evan Ross, who is a

1217
00:59:48,160 --> 00:59:56,080
Speaker 2: family member of Bill Lawrence and Krista Miller because Christa's

1218
00:59:56,080 --> 01:00:02,000
Speaker 2: brother is married to Evan's sister. Okay, and so there's

1219
01:00:02,000 --> 01:00:04,720
Speaker 2: this So I see Evan, but I've known Evan for

1220
01:00:04,800 --> 01:00:06,200
Speaker 2: a while since he was a kid. But anyway, so

1221
01:00:06,240 --> 01:00:08,560
Speaker 2: I see him and I'm like, yo, what's and his

1222
01:00:08,640 --> 01:00:11,640
Speaker 2: boys and I'm just I'm content standing on the outside

1223
01:00:11,640 --> 01:00:15,040
Speaker 2: watching close up. I'm close enough now to see the stuff.

1224
01:00:15,280 --> 01:00:17,080
Speaker 2: And they grabbed me. Him and his boys grabbed me

1225
01:00:17,120 --> 01:00:19,480
Speaker 2: and pulled me in. I'm like, oh shit. And when

1226
01:00:19,520 --> 01:00:22,880
Speaker 2: they pull me in, I've getting yanked right in next

1227
01:00:22,880 --> 01:00:25,720
Speaker 2: to Flavor Flav who is a favorite of month, you

1228
01:00:25,800 --> 01:00:28,960
Speaker 2: know what I mean, I'm like, oh shit, Flame. He

1229
01:00:29,040 --> 01:00:32,720
Speaker 2: goes d and we hugging all of that shit, and

1230
01:00:32,720 --> 01:00:35,040
Speaker 2: then we look up to the stage where Selo's performing

1231
01:00:35,280 --> 01:00:38,240
Speaker 2: and he looks down. He goes, oh shit, Donald Faizon

1232
01:00:38,840 --> 01:00:40,959
Speaker 2: in front of the hole clop he says, this shit.

1233
01:00:41,440 --> 01:00:44,720
Speaker 2: I was like, oh right, and I look over it

1234
01:00:44,800 --> 01:00:48,320
Speaker 2: and damn son idresses in the corner. Wow, do you

1235
01:00:48,320 --> 01:00:50,480
Speaker 2: know what I mean. I'm like, I really do like

1236
01:00:50,560 --> 01:00:53,240
Speaker 2: this kid. You know, he's to me, he's he's up,

1237
01:00:53,240 --> 01:00:56,160
Speaker 2: and he's up and coming. I really enjoyed this boy,

1238
01:00:56,360 --> 01:00:59,480
Speaker 2: this brother, and so I'm like, wow, man, I just

1239
01:00:59,480 --> 01:01:01,760
Speaker 2: got the dope a shout out. Ever, he comes off stage,

1240
01:01:01,800 --> 01:01:04,840
Speaker 2: gives me a hug and everything like that. Flave wraps

1241
01:01:04,880 --> 01:01:07,040
Speaker 2: a mic and now Flaves singing and the mic and stuff,

1242
01:01:07,080 --> 01:01:10,560
Speaker 2: and I'm like, this, this can't be happening. If I

1243
01:01:10,680 --> 01:01:14,040
Speaker 2: knew that quitting Weed would do this.

1244
01:01:18,520 --> 01:01:21,160
Speaker 1: A long time ago, I gotta say, dude, I didn't know.

1245
01:01:21,320 --> 01:01:23,160
Speaker 1: It's funny now that you're talking about it, but you

1246
01:01:23,240 --> 01:01:27,760
Speaker 1: were way more social and and uh you were. He

1247
01:01:27,880 --> 01:01:29,880
Speaker 1: was working the room. He came back and he's like

1248
01:01:30,720 --> 01:01:35,280
Speaker 1: with Flaves podcast, he was like networking and Jeff Beacher.

1249
01:01:35,360 --> 01:01:37,800
Speaker 2: I'm trying to get Jeff Beacher on the podcast. We're

1250
01:01:37,800 --> 01:01:41,080
Speaker 2: trying to get We're trying to get Beast on the podcast.

1251
01:01:41,440 --> 01:01:45,560
Speaker 1: Dame podcast was a networking. We got to get Fastbender

1252
01:01:45,600 --> 01:01:46,840
Speaker 1: on the podcast now to talk.

1253
01:01:47,280 --> 01:01:49,560
Speaker 2: Would be great on the podcast, just to talk about

1254
01:01:49,560 --> 01:01:49,959
Speaker 2: his life.

1255
01:01:50,160 --> 01:01:52,120
Speaker 1: I think Fassbender should come on and we can have

1256
01:01:52,240 --> 01:01:54,240
Speaker 1: dax On too, and he can talk to Dax about

1257
01:01:54,240 --> 01:01:54,680
Speaker 1: how much.

1258
01:01:57,120 --> 01:01:58,000
Speaker 3: Great double feature.

1259
01:01:59,760 --> 01:02:01,880
Speaker 2: But all of this is because of T Mobile. Man,

1260
01:02:01,960 --> 01:02:05,360
Speaker 2: like we're That's when when we got home and after

1261
01:02:05,400 --> 01:02:07,880
Speaker 2: I finally got my voice back and everything like that,

1262
01:02:07,960 --> 01:02:11,040
Speaker 2: it was like for them to still believe in us.

1263
01:02:11,120 --> 01:02:13,760
Speaker 2: It just felt so good. It felt like, you know,

1264
01:02:14,480 --> 01:02:17,600
Speaker 2: this marriage is the best marriage and for for us.

1265
01:02:17,640 --> 01:02:22,320
Speaker 1: And for a while, rerun our Love actually commercial from

1266
01:02:22,400 --> 01:02:23,800
Speaker 1: last year for Christmas.

1267
01:02:23,560 --> 01:02:25,520
Speaker 2: To yeah, I love that.

1268
01:02:27,080 --> 01:02:30,320
Speaker 1: It's just it's lough. Casey's fake voice got caught Donald

1269
01:02:30,360 --> 01:02:31,680
Speaker 1: I heard, Oh.

1270
01:02:31,520 --> 01:02:34,160
Speaker 2: That's too bad. I like, is that Zach again? Yeah?

1271
01:02:34,200 --> 01:02:36,240
Speaker 1: I guess it's too close to love actually, so they

1272
01:02:36,400 --> 01:02:38,520
Speaker 1: weren't allowed to do it. I guess in love actually

1273
01:02:38,520 --> 01:02:40,320
Speaker 1: does someone go is that blah blah blah again?

1274
01:02:40,480 --> 01:02:47,320
Speaker 2: No, the carollers and she goes and he goes, Uh well,

1275
01:02:47,360 --> 01:02:48,520
Speaker 2: tell them to go away.

1276
01:02:48,880 --> 01:02:51,200
Speaker 1: Rememb For some reason, they cut fake Casey going because

1277
01:02:51,200 --> 01:02:53,680
Speaker 1: in the in the rough draft you heard someone going

1278
01:02:53,760 --> 01:02:54,720
Speaker 1: is that Zach again.

1279
01:02:55,000 --> 01:02:57,560
Speaker 2: But that was in the original commercial too, though I

1280
01:02:57,560 --> 01:02:57,840
Speaker 2: don't know.

1281
01:02:57,880 --> 01:02:59,520
Speaker 1: I asked Klugman about it and he said for some

1282
01:02:59,640 --> 01:03:01,200
Speaker 1: legal and then cut it and I was like, oh,

1283
01:03:01,200 --> 01:03:05,120
Speaker 1: it was fake Casey. Anyway, we should talk about merch

1284
01:03:05,240 --> 01:03:08,920
Speaker 1: because Joel wants to talk about merch for Christmas. You guys,

1285
01:03:09,200 --> 01:03:12,520
Speaker 1: there's lots of Christmas stuff for if you like this podcast,

1286
01:03:12,680 --> 01:03:14,640
Speaker 1: or if you like Scrubs, or if you like me

1287
01:03:15,000 --> 01:03:18,640
Speaker 1: riding Donald. There's a an eagle ornament for goodness sake.

1288
01:03:18,920 --> 01:03:21,240
Speaker 3: Yes, we've got some of the T shirts.

1289
01:03:21,400 --> 01:03:23,400
Speaker 1: We got t shirts. Did you say there was socks, Joel?

1290
01:03:24,800 --> 01:03:28,520
Speaker 4: All these socks, so coffee, so cute. Where's Zack Donald's

1291
01:03:28,520 --> 01:03:30,480
Speaker 4: faces all over your legs? It's amazing.

1292
01:03:30,560 --> 01:03:32,360
Speaker 1: Yeah, I need some of those, Joell. Can you send

1293
01:03:32,360 --> 01:03:37,240
Speaker 1: me some of those because I need And there's a

1294
01:03:37,360 --> 01:03:39,480
Speaker 1: medical badge thing that what do you call it? The

1295
01:03:39,520 --> 01:03:43,560
Speaker 1: retractable badge thing that nurses and doctors always have to

1296
01:03:43,600 --> 01:03:45,680
Speaker 1: wear for the nurse and doctor in your life with

1297
01:03:45,800 --> 01:03:51,440
Speaker 1: our faces on it. Badge holder. There's towels. There's a

1298
01:03:51,480 --> 01:03:54,200
Speaker 1: few onesies. If you happen to be a small and

1299
01:03:54,280 --> 01:03:55,440
Speaker 1: a medium, is that correct you?

1300
01:03:55,640 --> 01:03:57,520
Speaker 3: That is correct. I feel less if you're a.

1301
01:03:57,440 --> 01:04:00,120
Speaker 1: Small person or a medium person. There's some onesies left.

1302
01:04:00,000 --> 01:04:01,200
Speaker 4: And you guys should get it now because this is

1303
01:04:01,240 --> 01:04:03,160
Speaker 4: the last time we're going to stock these items. We're

1304
01:04:03,160 --> 01:04:05,400
Speaker 4: looking at stocking new stuff in the new year. Some

1305
01:04:05,520 --> 01:04:10,480
Speaker 4: Valentine's Day stuff circle in, maybe some summer things we've

1306
01:04:10,520 --> 01:04:13,440
Speaker 4: been talking about, like cool posters and stuff for a

1307
01:04:13,480 --> 01:04:13,840
Speaker 4: long time.

1308
01:04:13,880 --> 01:04:15,720
Speaker 3: So there's going to be new stuff in the shop.

1309
01:04:15,840 --> 01:04:18,440
Speaker 4: So if you like what's in there, I highly encourage

1310
01:04:18,480 --> 01:04:20,160
Speaker 4: you to get it now while it's available.

1311
01:04:20,720 --> 01:04:23,840
Speaker 1: Anyone who likes the show and puts up a Christmas tree,

1312
01:04:24,000 --> 01:04:28,160
Speaker 1: you should have us eagling on your treeolutely important for

1313
01:04:28,200 --> 01:04:28,960
Speaker 1: your loved ones.

1314
01:04:31,560 --> 01:04:34,360
Speaker 2: I don't think it says Christmas unless you have that

1315
01:04:35,080 --> 01:04:35,760
Speaker 2: on your tree.

1316
01:04:35,960 --> 01:04:37,920
Speaker 1: Yeah, I'm not I got a Donald. Do you have

1317
01:04:37,960 --> 01:04:39,040
Speaker 1: the ornament for your tree?

1318
01:04:39,240 --> 01:04:40,160
Speaker 2: I do? All right?

1319
01:04:40,200 --> 01:04:40,439
Speaker 1: Good?

1320
01:04:41,560 --> 01:04:44,800
Speaker 3: So you can go to Cottonbureau dots Oh sorry, yeah, Cott.

1321
01:04:44,880 --> 01:04:47,920
Speaker 1: So what you do is you go to Cottonbureau dot

1322
01:04:47,960 --> 01:04:51,520
Speaker 1: com and then then you just search fake doctors and

1323
01:04:51,560 --> 01:04:53,960
Speaker 1: it'll come up. Well, I what else, Donald? Is there

1324
01:04:53,960 --> 01:04:55,080
Speaker 1: anything else we didn't talk about?

1325
01:04:55,400 --> 01:04:59,520
Speaker 2: I mean we hit pretty much everything. Joelle, Is there

1326
01:04:59,560 --> 01:05:01,800
Speaker 2: anything that you want to share. How are you we?

1327
01:05:01,960 --> 01:05:06,320
Speaker 2: I mean, you've heard about our Thanksgivings, weekends and stuff.

1328
01:05:06,360 --> 01:05:08,919
Speaker 2: Are F one weekends and stuff? How are you?

1329
01:05:08,920 --> 01:05:11,520
Speaker 4: Your F one weekend sounded magnificent. I'm extremely jealous. I

1330
01:05:11,560 --> 01:05:14,439
Speaker 4: love the F one Drive to Survive on Netflix. It's

1331
01:05:14,480 --> 01:05:18,840
Speaker 4: like my obsession. I think Louis Hamilton is the goat, So.

1332
01:05:19,040 --> 01:05:21,880
Speaker 3: Very jealous that you guys have been twice. All I

1333
01:05:21,880 --> 01:05:23,400
Speaker 3: want to do is see Louis Hamilton race.

1334
01:05:24,360 --> 01:05:27,280
Speaker 2: What a great comeback from him when that race though,

1335
01:05:27,320 --> 01:05:29,120
Speaker 2: he went from tenth to second.

1336
01:05:29,520 --> 01:05:30,880
Speaker 3: He's no good at his job.

1337
01:05:31,280 --> 01:05:33,080
Speaker 2: I love him so wow.

1338
01:05:33,400 --> 01:05:36,800
Speaker 1: He's so handsome. It's funny. They're all handsome, crazy hot.

1339
01:05:36,480 --> 01:05:40,640
Speaker 2: Why is that a prerequisite to be a freaking.

1340
01:05:40,440 --> 01:05:43,280
Speaker 4: When you are more handsome slash more beautiful, people have

1341
01:05:43,320 --> 01:05:45,960
Speaker 4: more confidence in you to do your job. And so

1342
01:05:45,960 --> 01:05:48,440
Speaker 4: you see theset like a lot of pilots are extremely attractive.

1343
01:05:48,520 --> 01:05:51,120
Speaker 4: Like why are all the pilots just very hot? Something

1344
01:05:51,160 --> 01:05:54,040
Speaker 4: about an attraction level and confidence within a person.

1345
01:05:54,120 --> 01:05:55,080
Speaker 3: I think it's connected.

1346
01:05:55,560 --> 01:05:58,200
Speaker 1: Oh well, I don't know about that, but I do

1347
01:05:58,320 --> 01:06:01,040
Speaker 1: know that it's bizarre when they show all these guys

1348
01:06:01,080 --> 01:06:02,920
Speaker 1: on the screen. They're all very good looking.

1349
01:06:03,480 --> 01:06:08,080
Speaker 2: Yeah, slash, they're yeah, they're all mister Steele, your boyfriend

1350
01:06:08,200 --> 01:06:09,320
Speaker 2: slash girlfriend.

1351
01:06:09,400 --> 01:06:11,520
Speaker 1: Yeah, you don't want to lose Hamilton coming near your girlfriend.

1352
01:06:11,560 --> 01:06:14,760
Speaker 3: Now, he's got a cute dog to boot stop it.

1353
01:06:14,760 --> 01:06:17,040
Speaker 3: It's over so full round as.

1354
01:06:16,840 --> 01:06:19,200
Speaker 1: Cute as my foster Joelle, not as I mean.

1355
01:06:19,080 --> 01:06:20,400
Speaker 2: It's love.

1356
01:06:20,560 --> 01:06:23,080
Speaker 3: I love me a little English bulldog. They're so cute.

1357
01:06:23,120 --> 01:06:26,600
Speaker 4: But who could deny Penny's gorgeousness. She's very beautiful.

1358
01:06:26,840 --> 01:06:27,680
Speaker 3: Well, I'm going to.

1359
01:06:27,600 --> 01:06:29,840
Speaker 4: Adobe tonight to see you know, s Faratu, which I'm

1360
01:06:29,960 --> 01:06:30,880
Speaker 4: very excited about.

1361
01:06:31,080 --> 01:06:35,080
Speaker 1: I got invited to the Bob Dylan movie. Uh, oh, well,

1362
01:06:35,120 --> 01:06:36,400
Speaker 1: I'm not going to go. I don't really like going

1363
01:06:36,400 --> 01:06:38,080
Speaker 1: to other people's premieres. It's weird.

1364
01:06:38,520 --> 01:06:41,320
Speaker 4: Premieres are difficult once you've been to a couple like

1365
01:06:41,480 --> 01:06:44,120
Speaker 4: the shiny excitement of it. No, they're really it's a

1366
01:06:44,160 --> 01:06:48,200
Speaker 4: lot of standing around and then it's awkward socializing.

1367
01:06:47,680 --> 01:06:50,360
Speaker 1: And it's not like if you have no relationship to

1368
01:06:50,600 --> 01:06:54,040
Speaker 1: anyone involved in the movie. I don't go to them

1369
01:06:54,040 --> 01:06:56,160
Speaker 1: anymore because it's like, why would it would be so

1370
01:06:56,240 --> 01:06:58,160
Speaker 1: much more fun to see this on your own with

1371
01:06:58,200 --> 01:07:00,920
Speaker 1: a friend than go to like the giant, splashy premiere.

1372
01:07:01,160 --> 01:07:03,479
Speaker 1: Obviously if it's your if it's your friend or it's yours,

1373
01:07:03,520 --> 01:07:05,120
Speaker 1: it's a different story totally.

1374
01:07:05,160 --> 01:07:07,600
Speaker 2: I stopped going to premieres after, you know, I had

1375
01:07:07,680 --> 01:07:11,720
Speaker 2: one really disappointing premiere. I'm not going to mention the name.

1376
01:07:11,960 --> 01:07:14,400
Speaker 1: Is it when you told Kathy what's her name? From

1377
01:07:14,440 --> 01:07:15,360
Speaker 1: Star Wars Twins?

1378
01:07:15,440 --> 01:07:15,640
Speaker 2: Yes?

1379
01:07:16,000 --> 01:07:17,600
Speaker 1: Yes, that was the last time.

1380
01:07:19,280 --> 01:07:21,080
Speaker 2: I don't like going to That was the last time

1381
01:07:21,120 --> 01:07:24,760
Speaker 2: I was like, your name Kathy, Kathleen Kennedy.

1382
01:07:24,640 --> 01:07:27,840
Speaker 1: Kathleen Kennedy's twin. I think it's not fair for her

1383
01:07:27,880 --> 01:07:30,000
Speaker 1: to be at a premiere and look exactly like her.

1384
01:07:30,000 --> 01:07:34,240
Speaker 1: She needs to change her hairstyle because because she Donald

1385
01:07:34,280 --> 01:07:37,200
Speaker 1: Michael fassbendered her twin and said how much she loves

1386
01:07:37,200 --> 01:07:37,600
Speaker 1: her work.

1387
01:07:39,000 --> 01:07:42,640
Speaker 2: Right. No, it wasn't a force awakened. It was one

1388
01:07:42,680 --> 01:07:46,920
Speaker 2: which No, it was the second of the sequel, Last Jedi,

1389
01:07:47,840 --> 01:07:49,160
Speaker 2: which I did not like at all.

1390
01:07:49,360 --> 01:07:51,400
Speaker 1: He didn't know it was with with the Rage, the

1391
01:07:51,520 --> 01:07:52,240
Speaker 1: Rage character.

1392
01:07:52,280 --> 01:07:55,440
Speaker 2: I remember, she yeah, and I remember, and I was

1393
01:07:55,560 --> 01:07:58,360
Speaker 2: I was trying to kiss somebody's ass and I was

1394
01:07:58,480 --> 01:08:00,600
Speaker 2: kissing her twins ass.

1395
01:08:02,120 --> 01:08:04,760
Speaker 1: But they're identical, and like I just I think it's

1396
01:08:04,840 --> 01:08:08,040
Speaker 1: I think Donald listen, I guess this is very this

1397
01:08:08,160 --> 01:08:10,560
Speaker 1: all wraps up. This is how good you are off Weed.

1398
01:08:11,000 --> 01:08:15,160
Speaker 1: You've now bookended us back to the Fastbender situation. I

1399
01:08:15,440 --> 01:08:18,960
Speaker 1: I don't I'm not. I know Daxon I look alike,

1400
01:08:19,040 --> 01:08:23,880
Speaker 1: but but Kathleen Kennedy's twin sister, identical twins, could have

1401
01:08:23,880 --> 01:08:26,200
Speaker 1: done a little more to look different, you know, for

1402
01:08:26,200 --> 01:08:28,799
Speaker 1: for other for people to for people's sake.

1403
01:08:30,120 --> 01:08:32,360
Speaker 3: Something name.

1404
01:08:32,800 --> 01:08:34,200
Speaker 1: I am not Kathleen Kennedy.

1405
01:08:34,520 --> 01:08:36,840
Speaker 2: And that's what well, that's what she wound up saying

1406
01:08:36,840 --> 01:08:40,320
Speaker 2: to me. She was like, well, you know, I'm not Kathleen.

1407
01:08:40,400 --> 01:08:42,360
Speaker 1: Yeah, but they are literally identicy.

1408
01:08:42,560 --> 01:08:44,240
Speaker 4: Yes, I don't think you should feel embarrassed about that.

1409
01:08:44,240 --> 01:08:45,519
Speaker 4: I don't think that should be the thing that sucks.

1410
01:08:45,600 --> 01:08:47,800
Speaker 2: I wasn't embarrassed. I wasn't embarrassed by it.

1411
01:08:47,840 --> 01:08:50,519
Speaker 1: But that you said, that's why you stopped going to know.

1412
01:08:50,479 --> 01:08:52,479
Speaker 2: Because I didn't like the movie, is what happened.

1413
01:08:53,080 --> 01:08:54,960
Speaker 1: And I was like, oh, I see.

1414
01:08:54,920 --> 01:08:57,680
Speaker 2: And I was, and I was, and I was I

1415
01:08:57,840 --> 01:09:02,000
Speaker 2: was ass kissing because I love Star Wars and I

1416
01:09:02,040 --> 01:09:05,200
Speaker 2: was trying to find a way in and already.

1417
01:09:04,880 --> 01:09:08,599
Speaker 1: The twin will help you, maybe maybe the twin will

1418
01:09:08,600 --> 01:09:09,799
Speaker 1: make a Star Wars movie.

1419
01:09:09,840 --> 01:09:12,439
Speaker 2: And I went to Kathy afterwards. I was like, yo,

1420
01:09:12,520 --> 01:09:15,679
Speaker 2: I just spent five minutes talking to your sister about

1421
01:09:15,680 --> 01:09:18,080
Speaker 2: how much I loved this movie. And she started laughing.

1422
01:09:18,160 --> 01:09:20,240
Speaker 2: She's like, oh my god, and she turned to her husband.

1423
01:09:20,520 --> 01:09:22,880
Speaker 2: Just spent five minutes talking to whatever her name is,

1424
01:09:23,000 --> 01:09:24,599
Speaker 2: and I was like, well, it's time to go.

1425
01:09:25,080 --> 01:09:28,920
Speaker 1: She was probably surprised. You like the movie.

1426
01:09:29,880 --> 01:09:32,320
Speaker 3: Last Jedi is a great film outare you?

1427
01:09:32,320 --> 01:09:32,400
Speaker 5: No?

1428
01:09:32,520 --> 01:09:36,360
Speaker 2: It's not. No, it is no, it is not.

1429
01:09:38,560 --> 01:09:40,519
Speaker 3: The best film of the new trilogy.

1430
01:09:40,720 --> 01:09:43,920
Speaker 2: Yeah, I agree, I will I will disagree with that.

1431
01:09:44,000 --> 01:09:46,880
Speaker 2: I will say this though, I don't think they should

1432
01:09:46,920 --> 01:09:49,200
Speaker 2: have ever wretconned what he did.

1433
01:09:50,040 --> 01:09:50,360
Speaker 3: Mistake.

1434
01:09:50,840 --> 01:09:53,720
Speaker 2: That was the big Listen, if you're gonna go that route,

1435
01:09:53,800 --> 01:09:57,240
Speaker 2: let's go that route and and keep it going. That

1436
01:09:57,400 --> 01:09:59,719
Speaker 2: was the That was the mistake. It could have still

1437
01:09:59,760 --> 01:10:03,679
Speaker 2: been like, I don't like the sequel trilogy anymore.

1438
01:10:04,040 --> 01:10:05,639
Speaker 1: We're not going down a rabbit. We're not going down

1439
01:10:05,880 --> 01:10:08,599
Speaker 1: I'm not doing that. Okay, oh Tank forever, I'm not

1440
01:10:08,640 --> 01:10:10,720
Speaker 1: doing it. I'm not doing it. It's like you two

1441
01:10:10,720 --> 01:10:13,200
Speaker 1: are like you two are ridiculous. If I don't like

1442
01:10:13,240 --> 01:10:15,280
Speaker 1: tug on the leash a little bit. Y'all are like

1443
01:10:15,320 --> 01:10:16,559
Speaker 1: back on the Star Wars train.

1444
01:10:17,360 --> 01:10:21,840
Speaker 4: Also, Okay, Christmas is our time.

1445
01:10:24,080 --> 01:10:27,759
Speaker 2: It's our time down here, Joelle, our time.

1446
01:10:29,520 --> 01:10:31,439
Speaker 1: By the way, now that you're saying Gooney's coade, I

1447
01:10:31,560 --> 01:10:34,800
Speaker 1: was thinking of when when the when the foster woman

1448
01:10:34,840 --> 01:10:38,360
Speaker 1: told me that someone will already wanted to adopt Henny.

1449
01:10:38,520 --> 01:10:42,080
Speaker 1: I was thinking of what Chunk says at.

1450
01:10:41,960 --> 01:10:45,799
Speaker 2: The end, You're gonna come live with me now.

1451
01:10:45,800 --> 01:10:56,000
Speaker 1: Yeah, looking and live with me now because I love you. Yeah, Yeah,

1452
01:10:56,120 --> 01:11:00,879
Speaker 1: that's what happened, Chunk, That's what happened. That's what happened.

1453
01:11:01,120 --> 01:11:03,880
Speaker 1: I was like, Penny, You're gonna live with me now

1454
01:11:04,280 --> 01:11:10,120
Speaker 1: because I love you. And she was like, oh, by

1455
01:11:10,160 --> 01:11:13,160
Speaker 1: the way, poor Chunk's family like, no offense to sloth,

1456
01:11:13,240 --> 01:11:15,320
Speaker 1: but they're like, dude, we gotta live with sloth.

1457
01:11:15,080 --> 01:11:16,360
Speaker 2: Now with us?

1458
01:11:16,439 --> 01:11:18,799
Speaker 1: Wait? When when did we say that you that sloth

1459
01:11:18,920 --> 01:11:21,800
Speaker 1: could live with us? Right? We just got you back,

1460
01:11:21,920 --> 01:11:24,679
Speaker 1: We just got you back. There's a lot to talk about.

1461
01:11:24,840 --> 01:11:26,439
Speaker 1: We don't have room for slough.

1462
01:11:30,400 --> 01:11:34,400
Speaker 2: Wait a minute, this giant man.

1463
01:11:34,320 --> 01:11:36,760
Speaker 1: He clearly has special needs that none of us know

1464
01:11:36,840 --> 01:11:39,640
Speaker 1: how to handle handle. We need to be educated We

1465
01:11:39,680 --> 01:11:42,639
Speaker 1: can't just say we're taking Sloth home with us.

1466
01:11:42,760 --> 01:11:45,439
Speaker 2: No, it's it's he's, he's, he's.

1467
01:11:46,160 --> 01:11:49,960
Speaker 1: Yes, it's a conversation, right, But I feel like we

1468
01:11:50,000 --> 01:11:51,479
Speaker 1: should have a family meeting.

1469
01:11:51,760 --> 01:11:55,680
Speaker 2: He is related to the Fortelli's. They are murderers. I

1470
01:11:55,680 --> 01:11:57,680
Speaker 2: don't know if that has rubbed off on.

1471
01:11:58,040 --> 01:12:00,240
Speaker 1: We don't have enough baby Ruth money.

1472
01:12:00,479 --> 01:12:03,320
Speaker 2: Right. Wait, you said you found him chained in a basement.

1473
01:12:03,560 --> 01:12:04,360
Speaker 1: Yes, we're not.

1474
01:12:04,320 --> 01:12:05,000
Speaker 3: Going to do that.

1475
01:12:05,880 --> 01:12:08,280
Speaker 1: We're not going to do that, obviously, But does he

1476
01:12:08,400 --> 01:12:18,759
Speaker 1: need to be like restrained? Great, mom, you've done bad?

1477
01:12:23,000 --> 01:12:24,879
Speaker 2: Hey you god.

1478
01:12:26,240 --> 01:12:28,960
Speaker 1: Chunks. I love to see the scene after Chunk said

1479
01:12:29,080 --> 01:12:31,519
Speaker 1: to Sloth that you can live with us now, parents like,

1480
01:12:31,880 --> 01:12:34,040
Speaker 1: hold up one second, I'm sorry, Sloth. Why are you

1481
01:12:34,080 --> 01:12:39,840
Speaker 1: getting in our car? Sloth? You're you're mistaken. This is

1482
01:12:39,840 --> 01:12:52,519
Speaker 1: our family car. Chunk said, I'm living with you. We'll

1483
01:12:52,560 --> 01:12:55,880
Speaker 1: give you a call. Sloth, Why don't we what's your cell?

1484
01:12:58,720 --> 01:13:01,240
Speaker 1: Why don't you do your thing? And we'll give you

1485
01:13:01,320 --> 01:13:02,960
Speaker 1: a call after we have a family meeting.

1486
01:13:03,479 --> 01:13:07,400
Speaker 2: But Chunk said slow, Chunk said, not live we do.

1487
01:13:08,720 --> 01:13:11,960
Speaker 1: Yeah, but Chunk, Sloth, Chunk is a child, and Chunk

1488
01:13:12,000 --> 01:13:14,280
Speaker 1: does not make the rules.

1489
01:13:17,840 --> 01:13:22,400
Speaker 2: Oh, poor, poor poor That wasn't That was an adoption

1490
01:13:22,560 --> 01:13:25,400
Speaker 2: moment right there, that full circle.

1491
01:13:25,120 --> 01:13:27,559
Speaker 1: And that's gonna happen to Penny, I think. All right

1492
01:13:27,600 --> 01:13:28,720
Speaker 1: on that note, count of.

1493
01:13:28,800 --> 01:13:33,679
Speaker 2: South five, six, seven, eight stories about Shure we made

1494
01:13:34,920 --> 01:13:36,919
Speaker 2: about a bunch of docs and nurses.

1495
01:13:37,040 --> 01:13:45,040
Speaker 5: Sanaj he said, he's the stories nets. No so YadA

1496
01:13:45,280 --> 01:13:50,439
Speaker 5: ra Here, Yeah, ra Here is