WEBVTT - "Aftershocks" Recap Season 3, Episode 11

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<v Speaker 1>Hello, Hello, Hello, how are you.

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<v Speaker 2>I'm great. I just warmed up my coffee. I'm in

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<v Speaker 2>my new I'm in my new location. I was gonna

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<v Speaker 2>look very similar.

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<v Speaker 1>It's it's similar, but I feel like I feel like

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<v Speaker 1>is that a new lamp? Yeah, new new lamb, like

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<v Speaker 1>all slightly different. Right, the book shelves a little further

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<v Speaker 1>over that way. The doughnuts now kind of more out

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<v Speaker 1>of your head as opposed to directly next to it.

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<v Speaker 2>Yeah, Ben Franklin is still up here, the bust of

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<v Speaker 2>Ben Franklin.

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<v Speaker 1>Bust of Ben Franklin, as it should.

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<v Speaker 2>Be prominently displayed. But yeah, no, this is my first

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<v Speaker 2>recording from my new house, my new office and my

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<v Speaker 2>new house, so hopefully. Oh it's great. I love it.

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<v Speaker 2>I love it. I'm still kind of like figuring out

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<v Speaker 2>where things go. But no, I'm very very excited to

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<v Speaker 2>have just so long.

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<v Speaker 1>How long have you been in the house now? Officially

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<v Speaker 1>about two weeks?

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<v Speaker 2>About two weeks we had movers finally move the heavy

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<v Speaker 2>furniture yesterday and like all of my plants and my

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<v Speaker 2>totally figs and all of the all of the heavy staff. Right.

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<v Speaker 2>But yeah, so it's been a couple of weeks. It's great. Love,

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<v Speaker 2>I love it, you know, like I'm living here and

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<v Speaker 2>not living in two different places.

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<v Speaker 1>That it's the worst. It is the worst, that weird

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<v Speaker 1>overlap of.

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<v Speaker 2>I mean limbo.

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<v Speaker 1>To be fair, though, that limbo is a luxury sometimes

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<v Speaker 1>because if you've ever had to move directly from one

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<v Speaker 1>to the other, you know that also sometimes that limbo

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<v Speaker 1>is actually kind of a lifesaver where you can go

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<v Speaker 1>in between.

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<v Speaker 2>But totally, totally, I feel very privileged to be able

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<v Speaker 2>to move as slowly as I did.

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<v Speaker 1>But it's such a Yeah, moving just in general, is

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<v Speaker 1>I mean, isn't it one of the top six most

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<v Speaker 1>stressful things in your life? Yeah, it's like death, divorce, moving, I've.

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<v Speaker 2>Been through all. I've been through all of them.

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<v Speaker 1>I've been through a lot of them, so I've done

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<v Speaker 1>all that. Sometimes I like to do like four out

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<v Speaker 1>of six at once, you know, just a challenge, right, Yeah,

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<v Speaker 1>it's just like, oh, how many of these can I

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<v Speaker 1>mark off at once?

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<v Speaker 2>Yeah?

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<v Speaker 1>Before completely collapsing?

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<v Speaker 2>Yes, oh goodness. But yeah, we had our first earthquake

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<v Speaker 2>in the house too. Remember we had a.

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<v Speaker 1>Few quite timely, Yeah, we very timely. Considering what we're

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<v Speaker 1>discussing today discussing.

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<v Speaker 2>Yeah, but yeah, I was a little bit worder. I'm like, oh,

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<v Speaker 2>this is that an earthquake? Yeah?

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<v Speaker 1>Well, and they were a little further out your direction

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<v Speaker 1>kind of. They were more like Pasadena Lachnata area.

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<v Speaker 2>Yes, there were not your way, but Lake elsinor too,

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<v Speaker 2>which is a little bit more out my way. Yeah,

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<v Speaker 2>but yeah, I feel like we've because we've been through

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<v Speaker 2>so many earthquakes. I feel like sometimes I'm like, am

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<v Speaker 2>I just dizzy? Like am I just old and dizzy?

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<v Speaker 1>Or I'm a little Oh the pools washing. That's always

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<v Speaker 1>how I know, because I'll be out here in my

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<v Speaker 1>office or I'll be and if I see the pool starts, well,

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<v Speaker 1>the first indication is, yeah, that's that's.

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<v Speaker 2>More accurate than the Richter scale or the it's more accurate.

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<v Speaker 1>Yeah, I can I know exactly what what it measures

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<v Speaker 1>on the Richter scale by how far my pool slashes.

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<v Speaker 2>So did you feel any of these recent earthquakes or

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<v Speaker 2>do Yeah?

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<v Speaker 1>You felt yeah, Okay, I felt him. I usually like

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<v Speaker 1>it's interesting. I'll feel sometimes the ones in the middle

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<v Speaker 1>of the night too, I'll like wake up and feel it,

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<v Speaker 1>but I don't if it kind of ends pretty quickly,

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<v Speaker 1>I'll be like, all right, it's tapering off. I don't

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<v Speaker 1>need to like get out of bed.

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<v Speaker 2>Yeah. You know, the level of panic is directly related

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<v Speaker 2>to how tired you are, right well, and I.

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<v Speaker 1>Think when the kids were littler too, it was like

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<v Speaker 1>any little like I you know, it was immediately and

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<v Speaker 1>that now I'm like, okay, they probably slept through that,

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<v Speaker 1>you know, they didn't even notice. But no, yeah, it's

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<v Speaker 1>we've had We've had several lately.

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<v Speaker 2>It's been you know, it's earthquake weather. It's hot and dry,

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<v Speaker 2>and that's man.

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<v Speaker 1>We live in yeah, in California, and Japan's been having

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<v Speaker 1>some so yeah, you know that little uh, that little

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<v Speaker 1>Pacific ring of fire.

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<v Speaker 2>But I know everyone says, oh, I'm so glad I

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<v Speaker 2>don't live in LA because earthquakes, And I'm like, yeah,

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<v Speaker 2>but you don't. You don't get warnings about them, which

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<v Speaker 2>is kind of better for people who are anxious like me,

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<v Speaker 2>and like, I'd rather not have warning because then you hear,

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<v Speaker 2>you experience, you.

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<v Speaker 1>Have just to know sort of you know, all these

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<v Speaker 1>there's no warning, but also like it's kind of nice

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<v Speaker 1>to have a heads up, you know, and be like okay,

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<v Speaker 1>I can board up my windows for the hurricane, or

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<v Speaker 1>like go into.

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<v Speaker 2>A go anker. Yeah, you know, you know, I don't know.

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<v Speaker 1>I'm of the mind that if there's going to be

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<v Speaker 1>a natural disaster, just give me five minutes, you know.

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<v Speaker 1>Oh okay, hey, don't stand under that thing, you know

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<v Speaker 1>what I mean. That's all I want to know.

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<v Speaker 2>I'd rather not know. I'm like, either I'll surviving this

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<v Speaker 2>or I'll die. And either way it's only five minutes

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<v Speaker 2>of my life, and I don't I won't wag.

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<v Speaker 1>Yeah, no, I don't.

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<v Speaker 2>Yeah, that's very opposite because normally I'm a prepared person

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<v Speaker 2>and you're not.

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<v Speaker 1>So you know, I don't know that my reaction is

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<v Speaker 1>going to be wildly different. I just might change location, true,

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<v Speaker 1>you know what I mean, I just might not be

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<v Speaker 1>naked in the shower. Really, that's mostly my concern is,

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<v Speaker 1>like is this going to catch me at in a

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<v Speaker 1>moment where like I have to throw clothes on? Are

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<v Speaker 1>my shoes available? Like what's happening? You know what I mean?

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<v Speaker 1>That's the old Like I said, five minutes, even, just

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<v Speaker 1>let me put some pants on, you know, pants and

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<v Speaker 1>not flip flops, like and some proper footwear and then

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<v Speaker 1>I'm then I can I'm ready for anything and I

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<v Speaker 1>don't want it. Yeah, hitting, yeah, I don't. I know

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<v Speaker 1>it can't be, you know, naked in the shower and

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<v Speaker 1>I'm slipping, And it's just in that regard, I would

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<v Speaker 1>just like a little a little warning.

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<v Speaker 2>Okay, Well, well.

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<v Speaker 1>They do have the like the the earthquake sort of warnings.

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<v Speaker 1>Now they're getting more and more.

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<v Speaker 2>I just did that app. There's a shake. There's a shake. APP.

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<v Speaker 1>I thought you didn't want to know, but I want

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<v Speaker 1>to apps.

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<v Speaker 2>No, but I want to know. I don't I don't

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<v Speaker 2>believe that an app can predict or can know that

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<v Speaker 2>there's an earthquake happening minutes before app It's well, yeah,

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<v Speaker 2>but it's does it does it actually give earth?

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<v Speaker 1>Does the Earth does things? Before the earthquakes are down

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<v Speaker 1>in the center of the Earth, there's usually a I

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<v Speaker 1>mean not like a huge warning, but like right, a

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<v Speaker 1>little bit. And really the thing is is it's more

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<v Speaker 1>about learning what the patterns are. So that's sort of

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<v Speaker 1>the that's the thing.

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<v Speaker 2>Well, I've only gotten one alert so far, and it

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<v Speaker 2>was for an earthquake in Japan, so it hasn't been

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<v Speaker 2>super helpful for me.

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<v Speaker 1>Anybody had Remember when we were doing press in Japan

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<v Speaker 1>and there.

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<v Speaker 2>Was I forgot about that. We were Yeah, we were

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<v Speaker 2>sitting you, me and Candas were sitting and there's a

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<v Speaker 2>Netflix backdrop behind us. Yeah, and all of a sudden,

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<v Speaker 2>we're like, is that an earthquake? Yeah?

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<v Speaker 1>It was Japan. And everyone in Japan's like, yeah, it

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<v Speaker 1>isn't fine, there's like keep going, keep yeah. Yeah, and

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<v Speaker 1>I remember Canos got really freaked out. She was like,

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<v Speaker 1>I need to know what exit is and yeah, I

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<v Speaker 1>think I was like, it's Japan, They've planned for this stuff. Yeah,

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<v Speaker 1>it was. It was wild, yeah, because it was like

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<v Speaker 1>a pretty it was a decent it was a big,

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<v Speaker 1>like a five something significant. Everyone was pretty non plussed.

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<v Speaker 1>Honestly though. For earthquakes, Japan is the place to be.

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<v Speaker 1>They it is so built or top of the line,

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<v Speaker 1>like earthquake.

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<v Speaker 2>They are prepared. Yeah, they know what they're doing, they're prepared,

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<v Speaker 2>they're calm. Yeah, let's yeah, we should all.

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<v Speaker 1>Be in basic basically the opposite of us. They know

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<v Speaker 1>what they're doing, they're prepared, they're calm. Should we should

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<v Speaker 1>we get into this step into this episode? Please? Before

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<v Speaker 1>we just keep freaking everybody out before talking, for everybody

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<v Speaker 1>downloads the earthquake apps and yeah right, it's analyzing the

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<v Speaker 1>fault lines.

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<v Speaker 2>Okay, welcome back to Howard you Tannerito's. My name is

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<v Speaker 2>Andrea Barber and I'm Jody Sweeten, and today we're discussing

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<v Speaker 2>Season three, episode eleven, titled after Shocks. It originally aired

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<v Speaker 2>on December eighth, nineteen eighty nine, and it goes a

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<v Speaker 2>little something like this earthquake, A tremor shakes everyone up,

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<v Speaker 2>especially Stephanie, who immediately becomes a clingy daddy's girl. So

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<v Speaker 2>for some context for our listeners who may not know,

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<v Speaker 2>this episode was telecast less than two months after a

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<v Speaker 2>real life San Francisco earthquake, which took place in Loma

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<v Speaker 2>Prieda on October seventeenth, nineteen eighty nine. It was a

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<v Speaker 2>six point nine magnitude and the aftermath was very grim,

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<v Speaker 2>with sixty three people losing their lives, thousands of people injured,

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<v Speaker 2>and widespread property damage. So this is an important episode.

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<v Speaker 2>This is a really deep, meaningful, important and timely episode

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<v Speaker 2>at the time, so it deserves some good conversation, and

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<v Speaker 2>we are going to have good converse today and coming

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<v Speaker 2>up later this week too. Yea. It was directed by

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<v Speaker 2>Billy Foster Coffee Coffee, I want to say Billy Coffee Foster,

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<v Speaker 2>Billy Coffee FS. Okay, I'll change it up. He directs

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<v Speaker 2>a lot more, so I'll change And it was written

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<v Speaker 2>by Jeff Franklin and Lenny Rips, two of our favorites,

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<v Speaker 2>you know, knocking it out of the park. We have

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<v Speaker 2>Nancy Dessaut as doctor Marion Steiner. She's best remembered as

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<v Speaker 2>Muriel Rush on Too Close for Comfort, she played the

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<v Speaker 2>mother of Lydia Cornell's character, who we've.

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<v Speaker 1>Also had on the podcast I Love That and on

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<v Speaker 1>Full House, Wow, it's too close for comfort? Just you

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<v Speaker 1>know what? We could have moved too close for Comfort

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<v Speaker 1>into full House. Yeah, we should have done.

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<v Speaker 2>We should have combined, we should have done across over across.

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<v Speaker 1>Yeah, too close for full house or too full for

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<v Speaker 1>comfort something I don't know.

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<v Speaker 2>Too full for comfort for comfort. Yeah. And Nancy also

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<v Speaker 2>had a very prolific career in acting. She did forty

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<v Speaker 2>eight episodes of The New Dick Van Dyke Show and

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<v Speaker 2>many appearances on the Love Boat, Matt Locke Murder. She

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<v Speaker 2>wrote Matt About You and a lot of other things

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<v Speaker 2>that we don't have time to talk about. Yeah, she's fantastic.

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<v Speaker 1>She was great.

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<v Speaker 2>And then we have Aaron McNelly as Aaron. This is

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<v Speaker 2>her only credit on IMDb, but she's a very special

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<v Speaker 2>guest star because she's a little girl that Stephanie meets

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<v Speaker 2>in the therapist's office, and she was a seven year

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<v Speaker 2>old who had cystic fibrosis who Jeff heard about through

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<v Speaker 2>the Starlight Foundation, which is an organization that grants wishes

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<v Speaker 2>to seriously ill children. And it was Aaron's wish to

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<v Speaker 2>be a movie star, and Jeff granted that wish. Yeah,

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<v Speaker 2>it's such a like I just got more fuzzy. He's

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<v Speaker 2>just thinking about that really special, very special and sadly

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<v Speaker 2>Aaron passed away in two thousand and eight at the

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<v Speaker 2>age of twenty six. So very very glad that she

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<v Speaker 2>got to be part of a very special episode.

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<v Speaker 1>That means me happy.

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<v Speaker 2>Yeah, So we start with the teaser in Jesse's room.

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<v Speaker 2>Jesse and Joey are sitting on Jesse's bed. Jesse's playing

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<v Speaker 2>the guitar and Joey is playing the harmonica while wearing

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<v Speaker 2>a beret.

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<v Speaker 1>Berets were very big. Do you remember Dave actually used

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<v Speaker 1>to wear that beret, yeah, and play the harmonica like that. Yeah,

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<v Speaker 1>that was actually yeah, that was not a like a

0:11:21.040 --> 0:11:23.920
<v Speaker 1>full house thing. That was just yeah, Dave had a

0:11:23.920 --> 0:11:25.720
<v Speaker 1>beret and played the harmonica.

0:11:25.760 --> 0:11:27.680
<v Speaker 2>I love that image of them just sitting back with

0:11:27.720 --> 0:11:31.000
<v Speaker 2>their sunglasses on, right, just playing the harmonica and the guitar.

0:11:31.240 --> 0:11:34.160
<v Speaker 2>That's just that's so them. Yeah. Michelle walks in and

0:11:34.240 --> 0:11:39.240
<v Speaker 2>loudly requests the Teapot song, and Jesse obliges and tells

0:11:39.280 --> 0:11:41.760
<v Speaker 2>Joey let's give her some Teapot blues.

0:11:42.040 --> 0:11:42.959
<v Speaker 1>Ooh.

0:11:43.280 --> 0:11:45.720
<v Speaker 2>The guys both slide on a pair of black sunglasses

0:11:45.720 --> 0:11:48.960
<v Speaker 2>and do a bluesy ren edition of I'm a Little Teapot,

0:11:49.280 --> 0:11:51.720
<v Speaker 2>and Michelle does the little accompanying dance.

0:11:51.840 --> 0:11:52.560
<v Speaker 1>It's a classic.

0:11:53.040 --> 0:11:57.439
<v Speaker 2>It's a classic. She's so cute. The song ends, Michelle

0:11:57.480 --> 0:12:00.920
<v Speaker 2>shouts rock and roll, and the guys continued to play

0:12:01.040 --> 0:12:04.400
<v Speaker 2>as Jesse tells Michelle to shake that tushy. It was

0:12:04.600 --> 0:12:06.839
<v Speaker 2>very they the Olsens loved this.

0:12:07.160 --> 0:12:11.320
<v Speaker 1>They dance, yeah, yeah, they're little shaky dance. Yeah, they

0:12:11.360 --> 0:12:15.720
<v Speaker 1>love that. And I have to say, does John have

0:12:16.280 --> 0:12:21.439
<v Speaker 1>leopard cowboy boots on? Are they like leopard calfskin? Cowboy

0:12:21.440 --> 0:12:24.040
<v Speaker 1>boots like they're sort of they're fuzzy, like I can

0:12:24.080 --> 0:12:26.440
<v Speaker 1>tell they are, not that they have.

0:12:28.040 --> 0:12:30.079
<v Speaker 2>I wasn't looking at his feet. I did see the

0:12:30.160 --> 0:12:33.520
<v Speaker 2>leopard skin. Tell you they blanket on behind him on

0:12:33.600 --> 0:12:35.280
<v Speaker 2>his bed. No, this was on his feet.

0:12:35.720 --> 0:12:41.839
<v Speaker 1>He had like like animal hair, some sort of not

0:12:42.160 --> 0:12:44.559
<v Speaker 1>like long hair, but like you know, the calfskin were

0:12:44.600 --> 0:12:47.160
<v Speaker 1>like on a on a they were leopard.

0:12:47.679 --> 0:12:51.840
<v Speaker 2>They were leopard leopard boots doesn't choice so they're not

0:12:51.920 --> 0:12:53.199
<v Speaker 2>silver tipped, but they were.

0:12:53.400 --> 0:12:57.160
<v Speaker 1>No, but they were. They were aggressively square toed leopard boots.

0:12:57.480 --> 0:13:00.360
<v Speaker 2>Oh yeah, aggressively they were very like edgy.

0:13:00.480 --> 0:13:02.040
<v Speaker 1>Yeah, they had a big gap.

0:13:03.400 --> 0:13:06.000
<v Speaker 2>Was this John's way of dressing in real life? Like,

0:13:06.040 --> 0:13:09.079
<v Speaker 2>I don't remember him making such bold choices, but he

0:13:09.120 --> 0:13:10.960
<v Speaker 2>wouldn't wear something we didn't want to.

0:13:11.040 --> 0:13:13.360
<v Speaker 1>So she must say, Jesse, that was what he would

0:13:13.360 --> 0:13:15.360
<v Speaker 1>have worn. I mean in real life. Now he realized

0:13:15.360 --> 0:13:18.880
<v Speaker 1>he was sweatpants and sweatshirts and a backwards hat, you

0:13:18.880 --> 0:13:19.280
<v Speaker 1>know what I mean?

0:13:19.760 --> 0:13:20.360
<v Speaker 2>Right?

0:13:21.040 --> 0:13:23.080
<v Speaker 1>Yeah, No, not a bold choice for Jesse.

0:13:23.600 --> 0:13:29.120
<v Speaker 2>For Jesse definitely fit the character. Yeah, that's hysterical. I

0:13:29.160 --> 0:13:30.920
<v Speaker 2>did not notice the boots, but I'm gonna.

0:13:30.679 --> 0:13:34.000
<v Speaker 1>Go back and watch it so prominently. I'm raped, I'm

0:13:34.000 --> 0:13:35.640
<v Speaker 1>on the floor there they're sitting, and then I was

0:13:35.720 --> 0:13:38.960
<v Speaker 1>just like, wow, intense.

0:13:38.720 --> 0:13:40.200
<v Speaker 2>Pulling focus from the scene.

0:13:40.440 --> 0:13:42.320
<v Speaker 1>It wasn't. I was like, I don't even know what

0:13:42.400 --> 0:13:44.640
<v Speaker 1>song they're playing. All I can see is leopard boots.

0:13:46.760 --> 0:13:50.280
<v Speaker 2>So next we are in the kitchen. Jesse pulls out

0:13:50.320 --> 0:13:53.440
<v Speaker 2>a green toy from the garbage disposal. He turns to

0:13:53.480 --> 0:13:57.120
<v Speaker 2>Michelle and asks how Gumby got stuck in there. She

0:13:57.160 --> 0:13:59.360
<v Speaker 2>throws her hands up and she says, don't look at me.

0:14:00.360 --> 0:14:03.040
<v Speaker 2>Just then Joey walks over and notices, Hey, you found

0:14:03.040 --> 0:14:04.360
<v Speaker 2>my Gumby?

0:14:05.280 --> 0:14:06.520
<v Speaker 1>DJ is gummy?

0:14:06.600 --> 0:14:06.800
<v Speaker 2>Even?

0:14:07.200 --> 0:14:10.120
<v Speaker 1>Like do people? Did kids even watch Gumby anymore?

0:14:10.160 --> 0:14:13.559
<v Speaker 2>I don't know, Well, yeah, is he so watching.

0:14:13.280 --> 0:14:14.120
<v Speaker 1>Clay Nation Gumby?

0:14:14.280 --> 0:14:16.319
<v Speaker 2>I had a Gumby. I loved my Gummedy.

0:14:17.000 --> 0:14:19.080
<v Speaker 1>I don't think I think that means that they don't

0:14:19.120 --> 0:14:20.800
<v Speaker 1>sell them anymore. If we if it was something that

0:14:20.800 --> 0:14:23.680
<v Speaker 1>we had and loved children, that's definitely gone.

0:14:23.720 --> 0:14:26.000
<v Speaker 2>It's now in this smithsona Now yeah, yeah.

0:14:25.800 --> 0:14:29.560
<v Speaker 1>They're like, look at this in a cage, this little box. Yeah, Gumdy,

0:14:29.600 --> 0:14:31.720
<v Speaker 1>what does it do? Nothing? It just stands there.

0:14:32.080 --> 0:14:35.640
<v Speaker 2>What. Yeah, it was fast, That was it.

0:14:36.000 --> 0:14:37.880
<v Speaker 1>That was what you had. Maybe it stretched a little

0:14:37.880 --> 0:14:38.640
<v Speaker 1>bit because it was gumby.

0:14:39.320 --> 0:14:44.360
<v Speaker 2>We had very low expectations as children. So DJ and

0:14:44.440 --> 0:14:48.680
<v Speaker 2>Kimmy walk in coming back from school. DJ excitedly announces

0:14:48.720 --> 0:14:51.560
<v Speaker 2>that she got her costume for the Christmas play tomorrow.

0:14:52.440 --> 0:14:54.640
<v Speaker 2>She expects the family will think it's cute, but if

0:14:54.640 --> 0:14:57.440
<v Speaker 2>they don't, she begs them to lie since she has

0:14:57.480 --> 0:15:00.920
<v Speaker 2>to wear it anyway. Caim me ask Joey and Jesse

0:15:01.040 --> 0:15:03.000
<v Speaker 2>if they did any work today or if they just

0:15:03.040 --> 0:15:08.400
<v Speaker 2>played housewife? Dang rude Kimmy me, damn rude to the

0:15:08.400 --> 0:15:10.960
<v Speaker 2>guys and rude to housewives? Like how how many people

0:15:10.960 --> 0:15:12.040
<v Speaker 2>can offend?

0:15:12.960 --> 0:15:15.920
<v Speaker 1>I mean a considerable about of the population right in

0:15:15.960 --> 0:15:19.520
<v Speaker 1>that joke. But I yeah, but you know what though,

0:15:19.680 --> 0:15:22.280
<v Speaker 1>but they're always mean to Kimmy, so I always I

0:15:22.320 --> 0:15:24.120
<v Speaker 1>was also kind of like, yeah, you know what, Kimmy,

0:15:24.360 --> 0:15:27.840
<v Speaker 1>come here, say dishes some things? Yeah, yeah, talk. Some

0:15:28.520 --> 0:15:29.480
<v Speaker 1>people are always mean to you.

0:15:29.480 --> 0:15:32.120
<v Speaker 2>You're a child, you know, you know, so you do

0:15:32.240 --> 0:15:34.400
<v Speaker 2>have a point, Yeah, you do have a point.

0:15:35.960 --> 0:15:38.240
<v Speaker 1>And also she's not wrong. I mean what these guys

0:15:38.240 --> 0:15:43.920
<v Speaker 1>are sitting in bed playing guitar for a toddler with you.

0:15:44.000 --> 0:15:46.600
<v Speaker 1>I mean, what are what are they doing? Really so right?

0:15:46.960 --> 0:15:49.000
<v Speaker 2>Jingles? I guess you know, I know.

0:15:49.200 --> 0:15:51.640
<v Speaker 1>Kimmy is not entirely wrong. What what are you.

0:15:51.560 --> 0:15:55.280
<v Speaker 2>Guys doing fishing toys out of the garbage disposal and.

0:15:55.200 --> 0:15:58.120
<v Speaker 1>Shaking their tushies and yeah.

0:15:57.600 --> 0:15:58.960
<v Speaker 2>Playing harmonicas who knows?

0:16:00.320 --> 0:16:00.440
<v Speaker 1>So?

0:16:00.560 --> 0:16:05.000
<v Speaker 2>Joey snarkily responds, I called your mom. You can move

0:16:05.040 --> 0:16:08.080
<v Speaker 2>back home. Your room's been painted and all the repairs

0:16:08.160 --> 0:16:11.800
<v Speaker 2>from the earthquake are finished. Actually they were finished yesterday,

0:16:11.800 --> 0:16:16.280
<v Speaker 2>but somehow she forgot to call. Kimmy sighs. She hates

0:16:16.320 --> 0:16:19.960
<v Speaker 2>to leave because she feels like part of the family. Now. See,

0:16:20.000 --> 0:16:22.080
<v Speaker 2>poor Kimmy, she just wants to live in the house.

0:16:22.160 --> 0:16:23.440
<v Speaker 2>That's all she ever wanted.

0:16:23.680 --> 0:16:26.520
<v Speaker 1>Again, we can deep dive into Kimmy's pathology here, but

0:16:26.600 --> 0:16:29.520
<v Speaker 1>she just wants to be loved. Yeah, here, everyone's being

0:16:29.520 --> 0:16:30.000
<v Speaker 1>means to her.

0:16:30.120 --> 0:16:35.560
<v Speaker 2>Yep, Jesse sarcastically remarks, you've only been here two days,

0:16:35.560 --> 0:16:39.520
<v Speaker 2>but gosh, Joseph, doesn't it seem like a lifetime. Kimmy

0:16:39.520 --> 0:16:41.880
<v Speaker 2>picks up Michelle and places her on the ground, giving

0:16:41.920 --> 0:16:44.400
<v Speaker 2>her a little kiss on the head. She tells her

0:16:44.680 --> 0:16:47.760
<v Speaker 2>it's been a slice.

0:16:46.840 --> 0:16:49.760
<v Speaker 1>What was I'd never heard that. It's been a slice.

0:16:49.880 --> 0:16:51.760
<v Speaker 2>I don't know what that a slice of was, slice

0:16:51.760 --> 0:16:54.040
<v Speaker 2>of life? A slice of pizza? I had never heard

0:16:54.040 --> 0:16:54.400
<v Speaker 2>it either.

0:16:54.760 --> 0:16:57.960
<v Speaker 1>That feels I've never heard it. That is, that feels

0:16:58.000 --> 0:17:01.000
<v Speaker 1>like a like a like a throwback to like old

0:17:01.080 --> 0:17:03.960
<v Speaker 1>lingo from the writer's room or something, you know what

0:17:04.000 --> 0:17:05.919
<v Speaker 1>I mean. Yeah, the writers are like, yeah, say it's

0:17:05.960 --> 0:17:07.919
<v Speaker 1>a slice, and like the kids are like, what the

0:17:08.119 --> 0:17:10.000
<v Speaker 1>what is he talking about? What are these old people

0:17:10.040 --> 0:17:13.000
<v Speaker 1>on about? Yeah? Yeah, I'd never heard it. But I

0:17:13.040 --> 0:17:15.920
<v Speaker 1>will say this was a very cute little moment between

0:17:16.000 --> 0:17:18.199
<v Speaker 1>Kimy and Michelle. Right, I was taken a back, like

0:17:18.840 --> 0:17:24.639
<v Speaker 1>rarely does Kimmy uh like show affection. I was like,

0:17:24.680 --> 0:17:26.760
<v Speaker 1>oh right, yeah.

0:17:26.720 --> 0:17:30.000
<v Speaker 2>Yeah, I never really touched my God, like when I

0:17:30.000 --> 0:17:31.080
<v Speaker 2>picked her up, I kissed her on.

0:17:31.080 --> 0:17:32.680
<v Speaker 1>The head, kiss on the head. Yeah.

0:17:32.800 --> 0:17:35.280
<v Speaker 2>It might have been my very first scene with her. Yeah,

0:17:35.359 --> 0:17:38.000
<v Speaker 2>it was. It was strangely out of character, but it

0:17:38.040 --> 0:17:40.720
<v Speaker 2>also worked like it worked for me and it fits. Yeah,

0:17:40.760 --> 0:17:44.960
<v Speaker 2>so I it was very pleasantly surprised. So Kimmy tells

0:17:44.960 --> 0:17:47.200
<v Speaker 2>the guys she's gonna go upstairs and pack, but Jesse

0:17:47.320 --> 0:17:50.480
<v Speaker 2>immediately grabs her pink Duffel bag, saying, no need, we

0:17:50.560 --> 0:17:55.120
<v Speaker 2>already packed for you. Michelle runs up to Kimmy, begging

0:17:55.160 --> 0:17:58.200
<v Speaker 2>her not to go because she'll miss her. She hugs

0:17:58.240 --> 0:18:01.879
<v Speaker 2>Kimmy's leg, and the crowd awe at the sight, like,

0:18:02.000 --> 0:18:04.919
<v Speaker 2>what this is a rare moment of affection towards Kimmy.

0:18:05.520 --> 0:18:08.640
<v Speaker 1>Honestly, I was like, oh, everyone's a little traumatized.

0:18:09.200 --> 0:18:09.320
<v Speaker 2>Oh.

0:18:09.640 --> 0:18:13.480
<v Speaker 1>I was like, Michelle's needing some people. Kimmy doesn't want

0:18:13.480 --> 0:18:18.680
<v Speaker 1>to leave, and for a little little messed up. It's

0:18:18.680 --> 0:18:20.960
<v Speaker 1>only two weeks, and yeah, maybe everyone's a little clinging.

0:18:21.119 --> 0:18:25.160
<v Speaker 2>Yeah, when has Michelle ever been connected to kimmynut never Never.

0:18:25.520 --> 0:18:27.160
<v Speaker 2>It's kind of threw me, but yeah, maybe it's because

0:18:27.160 --> 0:18:30.080
<v Speaker 2>of the earthquake that Michelle's feeling a little clany, so

0:18:30.280 --> 0:18:33.600
<v Speaker 2>is feeling Yeah, yeah, Michelle has feelings, Kimmy has feelings.

0:18:33.960 --> 0:18:37.680
<v Speaker 2>Everyone has feelings except Joey and Jesse in the scene, right,

0:18:38.680 --> 0:18:42.680
<v Speaker 2>So Kimmy looks to Jesse and exclaims the goofball worships me.

0:18:43.320 --> 0:18:45.680
<v Speaker 2>She asks Michelle if she should stay one more night,

0:18:46.119 --> 0:18:50.520
<v Speaker 2>and Joey and Jesse frantically gesture no to Michelle. Michelle

0:18:50.560 --> 0:18:54.040
<v Speaker 2>doesn't catch on making the no gestures while telling Kimmy yes,

0:18:54.680 --> 0:18:58.119
<v Speaker 2>So Kimmy declares that she's staying. Michelle kindly offers to

0:18:58.119 --> 0:19:00.439
<v Speaker 2>take the duffel bag back to her room and drags

0:19:00.480 --> 0:19:04.720
<v Speaker 2>it out of the kitchen. Steph walks in happily, asking

0:19:04.840 --> 0:19:07.960
<v Speaker 2>the family what's going on. Kimmy explains that she was

0:19:08.000 --> 0:19:10.919
<v Speaker 2>about to go home, but everyone begged her to stay

0:19:11.080 --> 0:19:14.920
<v Speaker 2>one more night. Steph rolls her eyes first the earthquake.

0:19:15.160 --> 0:19:20.640
<v Speaker 2>Now this, haven't I been through enough? It's still very

0:19:20.640 --> 0:19:24.160
<v Speaker 2>early in our frontem me ship here, you know, season three,

0:19:24.359 --> 0:19:25.760
<v Speaker 2>but it's building. I get it.

0:19:25.960 --> 0:19:28.960
<v Speaker 1>Since Oh it's great, yep, there's.

0:19:28.760 --> 0:19:33.120
<v Speaker 2>A lot more to come. Just then DJ glides down

0:19:33.160 --> 0:19:37.119
<v Speaker 2>the stairs shouting ho ho ho, well dressed as missus Claws.

0:19:37.640 --> 0:19:40.119
<v Speaker 2>Joey tells DJ that if his belly shook like a

0:19:40.119 --> 0:19:43.160
<v Speaker 2>bowl of jelly, she'd be his kind of woman. Jesse

0:19:43.320 --> 0:19:46.680
<v Speaker 2>raises his eyebrows, if your belly shook like a bowl

0:19:46.720 --> 0:19:49.200
<v Speaker 2>full of jelly, and then gives Joey's stomach a couple

0:19:49.200 --> 0:19:57.119
<v Speaker 2>of pats. Why about but it's not overweight. No, They've

0:19:57.119 --> 0:19:59.600
<v Speaker 2>done this joke a couple of times now, and I'm like, no,

0:19:59.840 --> 0:20:02.640
<v Speaker 2>this it's not. That's not a thing, like let's yeah,

0:20:02.800 --> 0:20:05.600
<v Speaker 2>let's stop with these types of jokes. But yeah, they're

0:20:05.600 --> 0:20:07.800
<v Speaker 2>like brothers, they're just in each other.

0:20:07.880 --> 0:20:09.480
<v Speaker 1>But it's also, yeah, it's kind of a guy thing,

0:20:09.520 --> 0:20:13.200
<v Speaker 1>like you're like, it's not. Yeah, no, it didn't anyway,

0:20:13.240 --> 0:20:15.960
<v Speaker 1>it didn't totally work for me. But it didn't totally work, yeah,

0:20:16.040 --> 0:20:20.840
<v Speaker 1>because because yeah, Dave's not No, they just put him

0:20:20.840 --> 0:20:21.640
<v Speaker 1>in sweaters.

0:20:22.240 --> 0:20:23.479
<v Speaker 2>He just wore terrible sweaters.

0:20:23.800 --> 0:20:27.320
<v Speaker 1>Just wore terrible sweaters. And meanwhile, you know, John's wearing

0:20:27.359 --> 0:20:29.280
<v Speaker 1>pants that are seven sizes too big. No one says

0:20:29.280 --> 0:20:29.960
<v Speaker 1>anything to him.

0:20:30.400 --> 0:20:33.639
<v Speaker 2>Why didn't his jeans ever fit? Like they're very lightwash,

0:20:33.880 --> 0:20:34.800
<v Speaker 2>they're very large.

0:20:35.040 --> 0:20:39.040
<v Speaker 1>Well, yeah, but skinny jeans wouldn't have worked on him either,

0:20:39.200 --> 0:20:43.320
<v Speaker 1>you know, I mean, there only wasn't It wasn't there yet.

0:20:43.320 --> 0:20:44.800
<v Speaker 2>They were Yeah, you had a little they were a

0:20:44.840 --> 0:20:45.359
<v Speaker 2>little baggy.

0:20:45.400 --> 0:20:47.359
<v Speaker 1>They had to make it look like the boots didn't

0:20:48.160 --> 0:20:50.000
<v Speaker 1>make your people look giant, you know, they had to

0:20:50.040 --> 0:20:51.320
<v Speaker 1>make it look proportional.

0:20:51.520 --> 0:20:59.320
<v Speaker 2>Okay, oh gosh. So, when asked what she thinks of

0:20:59.320 --> 0:21:02.920
<v Speaker 2>the costume, Steph decides to tell her it's great and

0:21:03.160 --> 0:21:06.760
<v Speaker 2>that it matches the red pimple on her nose. DJ

0:21:06.880 --> 0:21:09.320
<v Speaker 2>doesn't believe her. She runs over to the toaster as

0:21:09.320 --> 0:21:11.919
<v Speaker 2>she tells everyone, no, she's never had a ZiT, but

0:21:12.040 --> 0:21:15.359
<v Speaker 2>one glance at her reflection and she realizes it's true.

0:21:16.200 --> 0:21:19.720
<v Speaker 2>She complains that this can't be happening. Jesse tries to

0:21:19.720 --> 0:21:23.040
<v Speaker 2>console her, telling her it's a part of life. DJ

0:21:23.160 --> 0:21:25.640
<v Speaker 2>reminds them that she has to be missus Claws tomorrow

0:21:25.760 --> 0:21:29.040
<v Speaker 2>in front of the whole school, and Kimmy jokes, you

0:21:29.040 --> 0:21:33.040
<v Speaker 2>can always switch parts and play Rudolph. Not helpful, Kimmy,

0:21:34.320 --> 0:21:37.880
<v Speaker 2>but funny. DJ fires back, what are you laughing at?

0:21:37.920 --> 0:21:43.760
<v Speaker 2>Parakeet legs and runs up the stairs away from everyone. Kimmy,

0:21:43.920 --> 0:21:47.440
<v Speaker 2>who has no shame, walks over to Jesse and notes, ooh,

0:21:47.520 --> 0:21:50.600
<v Speaker 2>cranky pimple. I don't know. I think Kimmy kind of

0:21:50.600 --> 0:21:52.800
<v Speaker 2>deserved that. She kind of deserves it. Yeah, but.

0:21:54.520 --> 0:21:58.560
<v Speaker 1>Although I'd say that to my friend too. Yeah, it's joking.

0:21:58.600 --> 0:22:01.360
<v Speaker 1>Though we have parakeet legs. I did.

0:22:01.480 --> 0:22:04.160
<v Speaker 2>That's true. White legs.

0:22:04.160 --> 0:22:07.800
<v Speaker 1>Soults that have been tossed in this room have not fit.

0:22:07.960 --> 0:22:08.159
<v Speaker 2>You know.

0:22:08.800 --> 0:22:11.400
<v Speaker 1>Everyone's just kind of calling out facts as they see him.

0:22:11.640 --> 0:22:23.240
<v Speaker 2>So this is true. That's true, sure, sure. So next

0:22:23.680 --> 0:22:26.600
<v Speaker 2>we cut to Stephan DJ's room. It's the middle of

0:22:26.600 --> 0:22:30.760
<v Speaker 2>the night and we hear a low rumbling outside. Steph

0:22:30.800 --> 0:22:33.080
<v Speaker 2>immediately gets out of bed and runs over to DJ.

0:22:33.440 --> 0:22:35.960
<v Speaker 2>She shakes her bed, trying to wake her up. She

0:22:36.000 --> 0:22:40.080
<v Speaker 2>repeatedly asks DJ, do you feel that shaking? DJ wakes

0:22:40.160 --> 0:22:44.080
<v Speaker 2>up begrudgingly and responds, yes, I feel it, Stop shaking me.

0:22:44.920 --> 0:22:47.040
<v Speaker 2>Steph turns on the light and tells the girls she

0:22:47.160 --> 0:22:50.920
<v Speaker 2>thinks they had another little earthquake. Jimmy gets up from

0:22:50.920 --> 0:22:53.240
<v Speaker 2>her rollaway bed and tells Steph not to be a

0:22:53.320 --> 0:22:56.080
<v Speaker 2>scaredy cat. She checks the window and points out that

0:22:56.160 --> 0:23:00.960
<v Speaker 2>her little earthquake is just a garbage truck. Garbage truck

0:23:01.000 --> 0:23:03.280
<v Speaker 2>is picking up garbage in the middle of the night.

0:23:03.359 --> 0:23:03.879
<v Speaker 2>Is that weird?

0:23:04.920 --> 0:23:06.760
<v Speaker 1>I thought that too, But then I was like, you know,

0:23:07.480 --> 0:23:09.480
<v Speaker 1>I don't know how they do it in San Francisco.

0:23:09.600 --> 0:23:14.360
<v Speaker 1>Maybe it's industrial trash. And also the streets are narrow,

0:23:14.560 --> 0:23:17.080
<v Speaker 1>old houses, windows rattle. I was trying to think of

0:23:17.119 --> 0:23:20.919
<v Speaker 1>reasons why that garbage truck would cause such a problem

0:23:20.960 --> 0:23:22.960
<v Speaker 1>and be out in the middle of the night, and

0:23:23.000 --> 0:23:25.960
<v Speaker 1>I thought, maybe, you know, I don't know, maybe it's

0:23:25.960 --> 0:23:29.120
<v Speaker 1>maybe maybe they collect trash at night there, I don't know.

0:23:29.160 --> 0:23:31.119
<v Speaker 2>Or maybe they were just like returning the trucks to

0:23:31.200 --> 0:23:34.359
<v Speaker 2>the distribution center, like at two in the morning. I

0:23:34.359 --> 0:23:34.679
<v Speaker 2>don't know.

0:23:34.800 --> 0:23:36.280
<v Speaker 1>Yeah, I think we've thought too much about it.

0:23:36.359 --> 0:23:40.360
<v Speaker 2>I've thought way too much about this. So DJ tells

0:23:40.359 --> 0:23:43.080
<v Speaker 2>Steph to go back to sleep. Steph asks, how can

0:23:43.119 --> 0:23:45.520
<v Speaker 2>you sleep when there's a garbage truck pretending to be

0:23:45.560 --> 0:23:48.280
<v Speaker 2>an earthquake. She stomps out of the room, telling the

0:23:48.280 --> 0:23:50.919
<v Speaker 2>girls she's gonna check on Michelle to make sure she's okay.

0:23:51.640 --> 0:23:53.720
<v Speaker 2>And I have to say, our BedHead in this scene

0:23:53.800 --> 0:23:57.440
<v Speaker 2>is very on point. You have curls for days growing

0:23:57.480 --> 0:23:58.199
<v Speaker 2>out of your head. Ye.

0:23:58.840 --> 0:24:01.040
<v Speaker 1>They literally they just took it out of the style

0:24:01.080 --> 0:24:02.719
<v Speaker 1>that it was in the first scene, like half up,

0:24:02.720 --> 0:24:04.760
<v Speaker 1>half down and hair sprayed, and then we're like just

0:24:04.880 --> 0:24:07.840
<v Speaker 1>let it out like it would normally look. Yeah, it

0:24:07.920 --> 0:24:14.560
<v Speaker 1>was very hair though. Your hair in this episode looks fabulous.

0:24:14.760 --> 0:24:16.919
<v Speaker 2>Oh thank you. I wasn't sure how I felt about it.

0:24:16.960 --> 0:24:18.360
<v Speaker 2>I mean, it's better than season two.

0:24:19.240 --> 0:24:22.359
<v Speaker 1>Have AREAIP at the end, I liked it.

0:24:22.680 --> 0:24:24.639
<v Speaker 2>My hair just does my hair still does that. It

0:24:24.680 --> 0:24:27.280
<v Speaker 2>does like weird curl. It has like cawlyicks all over,

0:24:27.720 --> 0:24:29.679
<v Speaker 2>not just at the scout but all over.

0:24:29.680 --> 0:24:31.439
<v Speaker 1>But at the Yeah, it really it was. It was

0:24:31.520 --> 0:24:32.240
<v Speaker 1>very it was cute.

0:24:32.320 --> 0:24:34.439
<v Speaker 2>I'm glad you like it. Let H, I've entered my

0:24:34.480 --> 0:24:37.000
<v Speaker 2>scrungey era and I've just like the little the little

0:24:37.000 --> 0:24:38.280
<v Speaker 2>scrunchy on top of my head.

0:24:38.520 --> 0:24:38.920
<v Speaker 1>Yeah.

0:24:38.960 --> 0:24:40.960
<v Speaker 2>And then the errant curls.

0:24:41.240 --> 0:24:42.200
<v Speaker 1>Yeah, that looked great.

0:24:42.480 --> 0:24:44.040
<v Speaker 2>Well, thank you?

0:24:44.119 --> 0:24:45.120
<v Speaker 1>Not give me to like it all?

0:24:45.960 --> 0:24:50.040
<v Speaker 2>No, now it's resembling real hair. Finally. It took a season,

0:24:50.080 --> 0:24:53.439
<v Speaker 2>but we're here now. Kimmy turns to DJ and asks

0:24:53.480 --> 0:24:56.280
<v Speaker 2>how her ZiT cream worked. She's not so sure, so

0:24:56.320 --> 0:24:59.520
<v Speaker 2>she decides she better go check. We cut to Michelle's

0:24:59.560 --> 0:25:02.240
<v Speaker 2>rom where Steph is shaking Michelle's bed, trying to wake

0:25:02.280 --> 0:25:05.640
<v Speaker 2>her up. Michelle smiles at her and announces good morning.

0:25:06.560 --> 0:25:11.040
<v Speaker 2>Steph explains, it's not morning. You're having trouble sleeping. Michelle's like,

0:25:11.200 --> 0:25:11.679
<v Speaker 2>I am.

0:25:13.280 --> 0:25:18.560
<v Speaker 1>Gaslighting. I'm I'm not waking you up. You're having trouble sleeping, right,

0:25:19.520 --> 0:25:20.000
<v Speaker 1>poor kid.

0:25:22.600 --> 0:25:25.400
<v Speaker 2>Steph nods and tells her little sister to come with her.

0:25:25.520 --> 0:25:29.560
<v Speaker 2>They'll go sleep in their dad's room. Ah. Michelle crosses

0:25:29.600 --> 0:25:32.840
<v Speaker 2>her arms and shouts, this is nuts. Thank you.

0:25:32.920 --> 0:25:37.320
<v Speaker 1>Michelle's the Greek chorus, You're not wrong, So nobody's saying

0:25:37.440 --> 0:25:41.439
<v Speaker 1>wrong things right right? This is yes, this is nuts.

0:25:42.320 --> 0:25:44.440
<v Speaker 2>So Steph grabs her hand and leads her out of

0:25:44.480 --> 0:25:47.119
<v Speaker 2>the room or forces her out of the room, or

0:25:47.160 --> 0:25:50.760
<v Speaker 2>like we cut to Danny's room where Danny is snoring

0:25:50.960 --> 0:25:51.639
<v Speaker 2>fast asleep.

0:25:52.520 --> 0:25:57.879
<v Speaker 1>So everyone in this house sleeps like Dracula in a coffin.

0:25:58.760 --> 0:26:01.560
<v Speaker 1>You know what I mean. I mean, like no one

0:26:01.680 --> 0:26:03.680
<v Speaker 1>is to turn on their side and like nestled into

0:26:03.680 --> 0:26:06.800
<v Speaker 1>the pillow and like, no, everyone is flat on their back,

0:26:06.960 --> 0:26:11.479
<v Speaker 1>chin's up to their like chin or covered and just

0:26:11.560 --> 0:26:13.400
<v Speaker 1>like laying there asleep.

0:26:13.920 --> 0:26:15.920
<v Speaker 2>No, it's it's jarring, isn't it because it.

0:26:15.880 --> 0:26:19.720
<v Speaker 1>Doesn't look Yeah, is everyone in this house a vampire?

0:26:20.119 --> 0:26:20.199
<v Speaker 2>Like?

0:26:20.280 --> 0:26:23.760
<v Speaker 1>Are they all little? Like what's wrong with them? Yeah?

0:26:23.920 --> 0:26:26.320
<v Speaker 2>Maybe that's the problem. But yeah, I'm like, I like

0:26:26.440 --> 0:26:29.120
<v Speaker 2>nobody's yeah I got like the covers thrown off because

0:26:29.160 --> 0:26:31.880
<v Speaker 2>they're hot. Nobody's got like the body pillow.

0:26:31.640 --> 0:26:36.160
<v Speaker 1>Or yeah's drooling. Yeah I look like a large mouthed

0:26:36.160 --> 0:26:38.280
<v Speaker 1>bass when I sleep. I don't look cute at all,

0:26:38.400 --> 0:26:42.200
<v Speaker 1>So I don't Everyone looks really nice for sleeping.

0:26:42.680 --> 0:26:46.919
<v Speaker 2>Very nice. So stephan Michelle tiptoe into the room so

0:26:46.920 --> 0:26:50.679
<v Speaker 2>they don't wake them up. Michelle remarks daddy sleeps loud,

0:26:51.240 --> 0:26:54.400
<v Speaker 2>and Steph shushes her and instructs Michelle to get on

0:26:54.400 --> 0:26:56.160
<v Speaker 2>one side of the bed while she gets on the other.

0:26:56.840 --> 0:26:59.080
<v Speaker 2>Stephan Michelle say good night to one another, and then

0:26:59.160 --> 0:27:03.480
<v Speaker 2>Michelle loudly exclaims in Danny's face, good night, Daddy, which

0:27:03.520 --> 0:27:06.520
<v Speaker 2>wakes him up. Danny turns on a light and asks

0:27:06.560 --> 0:27:11.119
<v Speaker 2>Michelle why she's awake. Michelle innocently replies, my eyes are open.

0:27:12.440 --> 0:27:15.560
<v Speaker 2>Steph enthusiastically greets her dad, and he turns to her,

0:27:15.600 --> 0:27:18.200
<v Speaker 2>saying this has been happening a little too much lately.

0:27:18.960 --> 0:27:21.600
<v Speaker 2>Stephanie knows that she can't sleep in her dad's room,

0:27:22.280 --> 0:27:24.399
<v Speaker 2>but Steph tries to convince him that this time it

0:27:24.560 --> 0:27:27.439
<v Speaker 2>wasn't her fault. She accuses Michelle of waking her up

0:27:27.480 --> 0:27:30.399
<v Speaker 2>and dragging her in there. Michelle says she did not,

0:27:31.000 --> 0:27:33.960
<v Speaker 2>and Steph counters did so, and the two go back

0:27:33.960 --> 0:27:36.840
<v Speaker 2>and forth until Danny stops them. He tells them as

0:27:36.840 --> 0:27:39.240
<v Speaker 2>a slumber party, so everybody needs to go to bed.

0:27:39.480 --> 0:27:41.440
<v Speaker 2>He gives them both a kiss and turns out the light.

0:27:42.320 --> 0:27:46.200
<v Speaker 2>Michelle tells her dad no more snoring, and Danny insists

0:27:46.240 --> 0:27:48.840
<v Speaker 2>he does not snore. The two go back and forth,

0:27:48.920 --> 0:27:50.880
<v Speaker 2>and Danny gets the last word before telling her it's

0:27:50.880 --> 0:27:53.399
<v Speaker 2>time to go to bed. As they all snuggle in

0:27:53.440 --> 0:27:57.120
<v Speaker 2>for bed, and Danny says do not, and steph answers,

0:27:57.119 --> 0:28:00.679
<v Speaker 2>this time, do too. That's a that felt like an

0:28:00.680 --> 0:28:03.160
<v Speaker 2>ad lib. I don't know if that was a scripted

0:28:03.240 --> 0:28:04.520
<v Speaker 2>or if that was a little ad lib by you.

0:28:04.760 --> 0:28:07.040
<v Speaker 1>It was, it was probably scripted, but again, like Bob

0:28:07.080 --> 0:28:09.439
<v Speaker 1>and I just had such a funnyle relationship that it

0:28:09.520 --> 0:28:10.560
<v Speaker 1>just was, you.

0:28:10.520 --> 0:28:13.520
<v Speaker 2>Know, supernatural. Yeah, just to tease him a little bit

0:28:13.520 --> 0:28:13.840
<v Speaker 2>at the end.

0:28:14.000 --> 0:28:18.439
<v Speaker 1>Yeah, But I have to say, like when Danny was like,

0:28:18.480 --> 0:28:20.159
<v Speaker 1>this is happening a little too much, I was like,

0:28:20.320 --> 0:28:23.200
<v Speaker 1>didn't you just have a pretty traumatic earthquake like two

0:28:23.240 --> 0:28:24.199
<v Speaker 1>weeks ago? Are you that?

0:28:26.119 --> 0:28:26.359
<v Speaker 2>Yeah?

0:28:26.640 --> 0:28:29.639
<v Speaker 1>Sort of dense Danny that you don't think that maybe

0:28:29.720 --> 0:28:33.119
<v Speaker 1>she might. I don't know. It just seemed like for

0:28:33.240 --> 0:28:36.159
<v Speaker 1>a parent who's usually pretty aware of his kids like

0:28:36.320 --> 0:28:38.120
<v Speaker 1>to not kind of make that connection or to be

0:28:38.200 --> 0:28:39.520
<v Speaker 1>like you can't do that. I don't know, it just

0:28:39.520 --> 0:28:41.360
<v Speaker 1>seemed a little like insensitive.

0:28:41.440 --> 0:28:43.719
<v Speaker 2>Maybe I think, yeah, I think, well, I think that's

0:28:43.800 --> 0:28:45.240
<v Speaker 2>I mean, I get it had to set up for

0:28:45.440 --> 0:28:48.440
<v Speaker 2>has to set up Danny for not knowing why stuff

0:28:48.480 --> 0:28:51.880
<v Speaker 2>is being the way she is. Danny's not connecting this

0:28:51.920 --> 0:28:54.440
<v Speaker 2>behavior to the earthquake. I think Danny's over the earthquake

0:28:54.480 --> 0:28:55.479
<v Speaker 2>and so it's not connected.

0:28:55.920 --> 0:28:57.840
<v Speaker 1>I mean, you know, not to again bring up the

0:28:58.160 --> 0:29:02.040
<v Speaker 1>mom thing, but kids only a few years out from

0:29:02.080 --> 0:29:04.800
<v Speaker 1>losing mom. I'm like the fact that she's not in

0:29:04.920 --> 0:29:07.840
<v Speaker 1>Danny's room sleeping on floor every night, I mean, is surprising.

0:29:08.000 --> 0:29:10.200
<v Speaker 1>So it was. I guess for me, I was a

0:29:10.200 --> 0:29:11.920
<v Speaker 1>little bit like, I don't know. I feel like as

0:29:11.960 --> 0:29:16.200
<v Speaker 1>a as a parent, you would that wouldn't be you

0:29:16.240 --> 0:29:19.200
<v Speaker 1>wouldn't be like, wow, this is so weird. Yeah, though,

0:29:19.200 --> 0:29:21.880
<v Speaker 1>I guess, you know, again it's that she's not doing it,

0:29:21.920 --> 0:29:24.320
<v Speaker 1>But I just feel like that would have probably been

0:29:24.320 --> 0:29:25.120
<v Speaker 1>happening more often.

0:29:26.240 --> 0:29:28.840
<v Speaker 2>Yeah, no, I agree, I would. I think as moms,

0:29:28.960 --> 0:29:32.680
<v Speaker 2>as moms in our forties especially, we were more attuned

0:29:32.800 --> 0:29:35.920
<v Speaker 2>to our kids and why they're baby they are.

0:29:35.960 --> 0:29:38.680
<v Speaker 1>Maybe it's also yeah, it's sort of like we I

0:29:38.680 --> 0:29:42.240
<v Speaker 1>think maybe a mom thing and it's kind of part

0:29:42.240 --> 0:29:44.360
<v Speaker 1>of the storyline, right, Danny is like, nothing's wrong I

0:29:44.360 --> 0:29:45.440
<v Speaker 1>don't know what you're talking about.

0:29:45.520 --> 0:29:47.800
<v Speaker 2>So yeah, it makes exactly it's it's setting up the

0:29:47.840 --> 0:29:51.760
<v Speaker 2>later the later parts of the episode. So next in

0:29:51.800 --> 0:29:55.040
<v Speaker 2>the kitchen the following morning, Kimmi tells DJ to hurry

0:29:55.120 --> 0:29:57.760
<v Speaker 2>up or she's going to miss the bus. DJ walks

0:29:57.800 --> 0:30:00.800
<v Speaker 2>down the stairs with her hair covering the entirety of

0:30:00.840 --> 0:30:04.160
<v Speaker 2>her face. She puts sunglasses on over the hair as

0:30:04.200 --> 0:30:06.360
<v Speaker 2>well to make it looks like she has eyes.

0:30:06.920 --> 0:30:09.240
<v Speaker 1>She looks like cousin it. She totally looks like cause.

0:30:09.520 --> 0:30:10.640
<v Speaker 2>And she had the hair to do that.

0:30:10.720 --> 0:30:11.840
<v Speaker 1>Man, that was right.

0:30:11.720 --> 0:30:13.080
<v Speaker 2>But not a wig. That was all okay.

0:30:13.440 --> 0:30:15.360
<v Speaker 1>If I tried to do that, it would just be bangs,

0:30:16.440 --> 0:30:18.720
<v Speaker 1>like it would just be like hey, yeah, No.

0:30:18.840 --> 0:30:21.560
<v Speaker 2>She had enough hair to cover most of her body too.

0:30:21.600 --> 0:30:25.719
<v Speaker 2>It was fantastic. So DJ asks Kimmy where she is,

0:30:25.800 --> 0:30:28.280
<v Speaker 2>and Kimmy tells her to follow the sound of her voice.

0:30:28.960 --> 0:30:31.840
<v Speaker 2>DJ slowly stumbles around the kitchen and Joey stops her.

0:30:32.240 --> 0:30:34.560
<v Speaker 2>Hold it, Benji, Benji.

0:30:34.640 --> 0:30:36.680
<v Speaker 1>For those of you who don't know, a little side story,

0:30:36.760 --> 0:30:39.520
<v Speaker 1>it was a movie about a straight dog named Benji.

0:30:39.800 --> 0:30:41.640
<v Speaker 1>And there was a whole series of movies and let

0:30:41.720 --> 0:30:45.160
<v Speaker 1>me tell you, I used to cry every time I

0:30:45.200 --> 0:30:48.040
<v Speaker 1>watch Benji. I can still remember it to this day.

0:30:48.200 --> 0:30:53.200
<v Speaker 2>I yep, loved those movies. Well yeah, any movies with

0:30:53.360 --> 0:30:53.800
<v Speaker 2>dogs like.

0:30:55.840 --> 0:30:58.120
<v Speaker 1>Street Dog Benji, Oh my god, yeah, I love that

0:30:58.200 --> 0:30:59.080
<v Speaker 1>stupid dog. Anyway.

0:30:59.200 --> 0:31:01.480
<v Speaker 2>He lifts up her hair to assess the damage and

0:31:01.560 --> 0:31:05.400
<v Speaker 2>assures her that the pimple is not that bad. DJ

0:31:05.520 --> 0:31:07.960
<v Speaker 2>fixes her hair and says she cannot be missus Claws

0:31:08.040 --> 0:31:10.520
<v Speaker 2>like this. She's six hundred and twelve years old. Her

0:31:10.520 --> 0:31:13.840
<v Speaker 2>face would have cleared up by now. Jesse tries to

0:31:13.840 --> 0:31:16.520
<v Speaker 2>solve the problem by putting a band aid over the pimple,

0:31:16.960 --> 0:31:19.680
<v Speaker 2>and DJ asks why missus Claws would wear a band aid.

0:31:20.320 --> 0:31:23.600
<v Speaker 2>Jesse jokes, just say that Jack Frost was nipping at

0:31:23.640 --> 0:31:27.360
<v Speaker 2>your nose, and he breaks into hysterics. Kim me and

0:31:27.400 --> 0:31:33.600
<v Speaker 2>Kimmy emotionally less responds, oh, oh, djationally less, that was

0:31:34.440 --> 0:31:36.320
<v Speaker 2>Is that what I said? You say emotionally less?

0:31:36.320 --> 0:31:38.880
<v Speaker 1>No, I like emotionally I did say emotionally less.

0:31:38.960 --> 0:31:47.640
<v Speaker 2>Emotionally less, I say emotionally like right, emotionless? Oh it's

0:31:47.640 --> 0:31:49.200
<v Speaker 2>supposed to be emotionless, Lee.

0:31:49.480 --> 0:31:49.880
<v Speaker 1>There and.

0:31:51.320 --> 0:31:56.520
<v Speaker 2>Less. I just invented a whole new word. Uh so,

0:31:56.800 --> 0:31:59.000
<v Speaker 2>DJ sighs and puts her hair back over her face,

0:31:59.040 --> 0:32:02.680
<v Speaker 2>telling Kimmy to lead her to the bus. I remember

0:32:02.760 --> 0:32:05.360
<v Speaker 2>the storyline, but I don't remember it being part of

0:32:05.400 --> 0:32:06.920
<v Speaker 2>this earthquake episode.

0:32:07.120 --> 0:32:08.640
<v Speaker 1>And yeah I didn't either.

0:32:09.360 --> 0:32:10.880
<v Speaker 2>I was like, I was kind of shocked. I was like,

0:32:10.880 --> 0:32:13.560
<v Speaker 2>I kind of wish they had not done these two

0:32:13.640 --> 0:32:18.280
<v Speaker 2>storylines together because the seriousness of the earthquake storyline compared

0:32:18.400 --> 0:32:21.880
<v Speaker 2>or juxtaposed with this storyline, it's kind of giving. There's

0:32:21.920 --> 0:32:24.160
<v Speaker 2>people dying, kim you know, like it's like, come on,

0:32:24.680 --> 0:32:25.160
<v Speaker 2>there's people that.

0:32:26.560 --> 0:32:32.400
<v Speaker 1>Yeah. But also, uh, anything maybe would have been sort

0:32:32.440 --> 0:32:36.600
<v Speaker 1>of when when compared to Steph going to therapy and

0:32:36.600 --> 0:32:39.880
<v Speaker 1>the earthquake and all that, anything would have you couldn't

0:32:39.880 --> 0:32:42.040
<v Speaker 1>really have two sort of heavy storylines, so one of

0:32:42.040 --> 0:32:47.000
<v Speaker 1>them had to kind of be a fluff you know, yeah,

0:32:47.240 --> 0:32:49.600
<v Speaker 1>sort of superfluous thing. I was just more surprised than

0:32:49.600 --> 0:32:50.360
<v Speaker 1>it was Christmas.

0:32:50.400 --> 0:32:52.239
<v Speaker 2>Yeah, they mentioned anyway, Christmas. This is the one time

0:32:52.320 --> 0:32:54.720
<v Speaker 2>they mentioned Christmas is the Missus Claus costume.

0:32:54.880 --> 0:32:59.560
<v Speaker 1>But it was more so the fact that this family decorate.

0:33:00.320 --> 0:33:06.280
<v Speaker 1>It's for every freaking holiday. Yeah, Like it's like they're

0:33:06.320 --> 0:33:09.720
<v Speaker 1>owned by the Disney Corporation. Okay, this family as a

0:33:09.800 --> 0:33:15.120
<v Speaker 1>rental space for trees and thing and not a there

0:33:15.200 --> 0:33:18.080
<v Speaker 1>was two little wreaths that was actually that was my Everywhere.

0:33:17.760 --> 0:33:21.560
<v Speaker 2>You look, oh yeah, there's nary naria Christmas tree sign.

0:33:21.520 --> 0:33:24.720
<v Speaker 1>Not a stocking hung by the chimney with care in

0:33:24.840 --> 0:33:27.480
<v Speaker 1>hopes that Saint Nicholas soon will beat here. Nothing.

0:33:27.680 --> 0:33:30.160
<v Speaker 2>No, no chestnuts roasting on an open fire.

0:33:30.480 --> 0:33:32.200
<v Speaker 1>No, no sugar plums dancing in their heads.

0:33:32.240 --> 0:33:35.680
<v Speaker 2>None that this is This is a fail. Danny has

0:33:35.720 --> 0:33:39.120
<v Speaker 2>failed in this episode multiple ways. Wow, by not decorating

0:33:39.160 --> 0:33:39.880
<v Speaker 2>for Christmas.

0:33:40.160 --> 0:33:44.000
<v Speaker 1>First the earthquake. Now no Christmas. I mean, although I

0:33:44.040 --> 0:33:46.520
<v Speaker 1>guess if you were again, that would be weird. You're

0:33:46.560 --> 0:33:49.920
<v Speaker 1>like the Christmas tree and an earthquake, like you can't

0:33:50.440 --> 0:33:51.640
<v Speaker 1>so you cried. I got it.

0:33:51.680 --> 0:33:54.240
<v Speaker 2>So they haven't decorated yet because they're still repairing the

0:33:54.240 --> 0:33:55.760
<v Speaker 2>cracks from the earthquake.

0:33:55.880 --> 0:34:01.440
<v Speaker 1>That's the well the storage facility was heavily damaged all

0:34:01.480 --> 0:34:04.360
<v Speaker 1>of their current decorations. They're just gonna have to replace

0:34:04.400 --> 0:34:05.920
<v Speaker 1>him with all of the money that they have for

0:34:06.000 --> 0:34:07.000
<v Speaker 1>their decorating budget.

0:34:07.120 --> 0:34:09.680
<v Speaker 2>So I'm glad we figured this out.

0:34:10.120 --> 0:34:11.520
<v Speaker 1>Me too, This is critical.

0:34:11.840 --> 0:34:14.560
<v Speaker 2>Danny and Steph walk into the kitchen and stuff announces

0:34:14.600 --> 0:34:18.360
<v Speaker 2>that she and Danny are having the best morning. Danny agrees,

0:34:18.440 --> 0:34:21.319
<v Speaker 2>so Steph offers, let's keep the fun going. I'll go

0:34:21.400 --> 0:34:24.840
<v Speaker 2>to work with you. Danny shuts this idea down, reminding

0:34:24.880 --> 0:34:27.759
<v Speaker 2>stuff that she has to go to school. Stephanie tries

0:34:27.760 --> 0:34:30.799
<v Speaker 2>to butter him up, calling him the smartest person in

0:34:30.840 --> 0:34:35.240
<v Speaker 2>the whole world. Danny takes this compliment, but he tells

0:34:35.239 --> 0:34:37.920
<v Speaker 2>her that there must be someone smarter than him. Maybe

0:34:37.960 --> 0:34:41.960
<v Speaker 2>in Japan. Joey and Jesse give him a sarcastick no.

0:34:42.800 --> 0:34:46.359
<v Speaker 2>In Unison. Danny promises Steph that they will have fun

0:34:46.400 --> 0:34:49.600
<v Speaker 2>together when he gets home. Steph nods and gives him

0:34:49.600 --> 0:34:52.480
<v Speaker 2>a big hug, saying that she can't wait. And I

0:34:52.560 --> 0:34:55.000
<v Speaker 2>noticed that Danny's drinking out of a blue mug, which

0:34:55.000 --> 0:34:57.280
<v Speaker 2>is the exact same color as the couch and the curtains.

0:34:57.320 --> 0:34:59.640
<v Speaker 1>Like they have this well, the plates and the plates

0:35:00.600 --> 0:35:03.600
<v Speaker 1>I too. The place mats are.

0:35:03.520 --> 0:35:07.879
<v Speaker 2>Blue plaid, and his comforter in his room is blue plaid.

0:35:08.000 --> 0:35:11.799
<v Speaker 2>Blue plaid. This was I mean.

0:35:11.800 --> 0:35:14.520
<v Speaker 1>Talking about well, it's sort of blue Gingham.

0:35:14.600 --> 0:35:19.040
<v Speaker 2>But yeah, they went they went hard on this blue

0:35:19.280 --> 0:35:20.000
<v Speaker 2>plaid theme.

0:35:20.640 --> 0:35:20.839
<v Speaker 1>Yep.

0:35:22.040 --> 0:35:24.800
<v Speaker 2>So before walking away to get her things, she offers

0:35:24.880 --> 0:35:27.200
<v Speaker 2>Danny to come to school with her, pointing out that

0:35:27.239 --> 0:35:32.160
<v Speaker 2>it's Macaroni's Surprise day after Steff's gone. Joey points out

0:35:32.160 --> 0:35:35.800
<v Speaker 2>that she's been really clingy to Danny lately. He asks

0:35:35.920 --> 0:35:39.160
<v Speaker 2>what's going on with her. Danny insists that nothing's going

0:35:39.160 --> 0:35:42.120
<v Speaker 2>on with her. He asks, what's wrong with a daughter

0:35:42.320 --> 0:35:43.440
<v Speaker 2>adoring her father?

0:35:44.160 --> 0:35:45.000
<v Speaker 1>You heard her, he.

0:35:44.960 --> 0:35:48.200
<v Speaker 2>Says, she thinks I'm the smartest, most handsome dad in

0:35:48.239 --> 0:35:51.839
<v Speaker 2>the universe. Jesse furrows his brow, telling him she never

0:35:51.880 --> 0:35:56.040
<v Speaker 2>said anything about handsome, and Danny smirks, telling them it

0:35:56.080 --> 0:35:56.960
<v Speaker 2>goes without saying.

0:35:58.920 --> 0:36:00.160
<v Speaker 1>You know, I have to say that it is. It's

0:36:00.239 --> 0:36:03.319
<v Speaker 1>kind of funny because we do this is something that

0:36:03.320 --> 0:36:06.319
<v Speaker 1>we've seen happen with Danny a couple of times where

0:36:07.680 --> 0:36:10.359
<v Speaker 1>like something's wrong or like with the Michelle thing where

0:36:10.400 --> 0:36:12.799
<v Speaker 1>he was giving her and you know, letting her do

0:36:12.920 --> 0:36:15.440
<v Speaker 1>stuff or whatever it was. I forget and Jess and

0:36:15.520 --> 0:36:19.040
<v Speaker 1>joe were like, you can't. You know, it's interesting that

0:36:19.480 --> 0:36:22.480
<v Speaker 1>we kind of pick up on Danny's blind spots as

0:36:22.520 --> 0:36:25.160
<v Speaker 1>a parent, which we all have as parents, of those

0:36:25.200 --> 0:36:26.919
<v Speaker 1>things that were like no, no, no, no, that's fine,

0:36:26.920 --> 0:36:29.919
<v Speaker 1>But I like when they do that. But it's yeah,

0:36:29.960 --> 0:36:33.600
<v Speaker 1>it's it's kind of a consistant thing where, you know, Danny,

0:36:33.680 --> 0:36:38.279
<v Speaker 1>I think also he enjoys the the snugliness and the

0:36:38.440 --> 0:36:42.000
<v Speaker 1>cuddling of his kids, and you know that's something that

0:36:42.040 --> 0:36:44.839
<v Speaker 1>most parents enjoy. And so when their kid, you know,

0:36:45.000 --> 0:36:46.839
<v Speaker 1>is giving them that attention, they're like, no, they're fine,

0:36:46.880 --> 0:36:49.640
<v Speaker 1>they just want some extra snuggles. But yeah, it's just

0:36:49.680 --> 0:36:51.920
<v Speaker 1>an interesting sort of thing that has recurred a couple

0:36:52.000 --> 0:36:54.360
<v Speaker 1>times with Danny, where he doesn't quite always see the

0:36:54.360 --> 0:36:54.880
<v Speaker 1>big picture.

0:36:55.320 --> 0:36:57.919
<v Speaker 2>Well, it makes him more of a real character. It's like, yeah,

0:36:57.920 --> 0:36:59.800
<v Speaker 2>exactly this. We don't want to see him be the

0:36:59.800 --> 0:37:02.120
<v Speaker 2>per perfect dad, even though he is like America's dad.

0:37:02.680 --> 0:37:05.280
<v Speaker 2>It's good to see the flaws too, and that Danny

0:37:05.320 --> 0:37:07.600
<v Speaker 2>needs help. He really does need help from these two

0:37:07.640 --> 0:37:09.360
<v Speaker 2>knuckleheads that live with him.

0:37:09.680 --> 0:37:10.520
<v Speaker 1>Yeah.

0:37:10.840 --> 0:37:13.480
<v Speaker 2>So a little while later, in the living room, Steph

0:37:13.480 --> 0:37:17.040
<v Speaker 2>peeks out the front door, looking around frantically. She yells

0:37:17.160 --> 0:37:21.839
<v Speaker 2>Uncle Jesse, Joey, where's daddy. Jesse shrugs, telling her he's

0:37:21.880 --> 0:37:25.360
<v Speaker 2>probably just stuck in traffic. She nervously reminds them that

0:37:25.400 --> 0:37:28.799
<v Speaker 2>they don't know that for sure. Joey grabs her hand

0:37:28.880 --> 0:37:31.239
<v Speaker 2>and tells her that while they wait for Danny, they

0:37:31.280 --> 0:37:34.760
<v Speaker 2>can watch The Wizard of Oz. Jesse chimes in, saying, yeah,

0:37:34.800 --> 0:37:38.160
<v Speaker 2>you love those munchkins. Joey bends down and begins to

0:37:38.200 --> 0:37:41.839
<v Speaker 2>sing the Lollipop Guild while doing a munchkin impression, but

0:37:41.880 --> 0:37:47.200
<v Speaker 2>Steph is unenthusiastic. Just then, Danny walks in, and Steph

0:37:47.239 --> 0:37:49.799
<v Speaker 2>immediately runs up to him, telling him how much she

0:37:49.920 --> 0:37:52.040
<v Speaker 2>missed him. As he picks her up and gives her

0:37:52.040 --> 0:37:55.120
<v Speaker 2>a big hug, Danny tells her he was stuck in traffic.

0:37:55.640 --> 0:37:58.040
<v Speaker 2>He tries to set Stephanie down, but she won't let

0:37:58.120 --> 0:38:01.759
<v Speaker 2>go of him. Rasiastically tells him that they should play

0:38:01.760 --> 0:38:05.080
<v Speaker 2>pickup sticks. Danny admits that he'd love to, but it'll

0:38:05.080 --> 0:38:07.839
<v Speaker 2>have to wait until tomorrow. He tries to set her

0:38:07.840 --> 0:38:11.040
<v Speaker 2>down again, but she won't let go. Danny explains that

0:38:11.080 --> 0:38:14.600
<v Speaker 2>he has dinner plans tonight, and finally Steph releases him.

0:38:15.120 --> 0:38:17.400
<v Speaker 2>She offers to go with him to dinner, asking what

0:38:17.520 --> 0:38:20.520
<v Speaker 2>dress she should wear. He tells her it's a business

0:38:20.520 --> 0:38:24.480
<v Speaker 2>dinner for grown ups only, so she can't come. Steph

0:38:24.600 --> 0:38:28.960
<v Speaker 2>chases after him, screaming, Daddy, you can't go. Joey and

0:38:29.040 --> 0:38:31.400
<v Speaker 2>Jesse try to calm her down, reminding her that they'll

0:38:31.400 --> 0:38:34.840
<v Speaker 2>be home and they can play with her, but Stephanie screams, no,

0:38:35.200 --> 0:38:39.120
<v Speaker 2>I want my daddy. She holds onto Danny tightly, begging

0:38:39.239 --> 0:38:43.080
<v Speaker 2>him not to leave her. Danny bends down and hugs Steph.

0:38:43.320 --> 0:38:46.440
<v Speaker 2>He tells her he won't go, assuring her that everything

0:38:46.480 --> 0:38:51.120
<v Speaker 2>will be all right. The scene step this scene like

0:38:51.160 --> 0:38:52.960
<v Speaker 2>you and Bob, just to hit all of the right

0:38:53.040 --> 0:38:56.480
<v Speaker 2>emotional notes. I can feel your panic, like, I can

0:38:56.520 --> 0:38:59.440
<v Speaker 2>feel your clinginess, like it's really felt desperate. It's not

0:38:59.520 --> 0:39:02.160
<v Speaker 2>just some kids wanting to hang out with dad. No,

0:39:02.200 --> 0:39:04.799
<v Speaker 2>You're like there's trauma. There's trauma here, and I could

0:39:04.800 --> 0:39:07.960
<v Speaker 2>see it in your performance. It was very very well done.

0:39:08.440 --> 0:39:08.839
<v Speaker 1>Thank you.

0:39:10.040 --> 0:39:13.000
<v Speaker 2>We cut to an emotional commercial break, and when we come.

0:39:12.920 --> 0:39:17.080
<v Speaker 1>Back, we are in unemotionally less emotionally less.

0:39:18.520 --> 0:39:23.279
<v Speaker 2>New word. We're in Danny's room. Steph, Michelle, and Danny

0:39:23.280 --> 0:39:26.920
<v Speaker 2>are playing together when Stuph proudly declares that she wins again.

0:39:27.640 --> 0:39:30.160
<v Speaker 2>She's holding a long chain of monkeys while telling them

0:39:30.480 --> 0:39:32.640
<v Speaker 2>playing a barrel of monkeys is more fun than playing

0:39:32.680 --> 0:39:35.080
<v Speaker 2>with a barrel of Oh I bet that's where they

0:39:35.080 --> 0:39:38.840
<v Speaker 2>got the name. Michelle shouts my turn, and Danny begins

0:39:38.880 --> 0:39:41.080
<v Speaker 2>to tell her how to play. He explains that the

0:39:41.120 --> 0:39:43.920
<v Speaker 2>first thing you do is shake it up. Michelle stands

0:39:43.920 --> 0:39:46.880
<v Speaker 2>and starts shaking her booty again. Danny hands are the

0:39:46.880 --> 0:39:49.399
<v Speaker 2>barrel and jokes, well, as long as you're shaking, hold this.

0:39:50.480 --> 0:39:52.680
<v Speaker 2>Then they tell Michelle to dump the monkeys on the floor.

0:39:53.000 --> 0:39:55.440
<v Speaker 2>Steph explains that now she has to try to pick

0:39:55.520 --> 0:39:59.400
<v Speaker 2>all the monkeys up. Michelle gives her thumbs up, got it, dude.

0:39:59.719 --> 0:40:02.080
<v Speaker 2>She picks the monkeys up, places them all in her

0:40:02.120 --> 0:40:04.319
<v Speaker 2>lap and admits that this is a very easy game.

0:40:05.880 --> 0:40:08.839
<v Speaker 1>I mean, there was no specifics given. She did well,

0:40:08.880 --> 0:40:11.720
<v Speaker 1>she was told she was like take them all up? Great? Done?

0:40:12.560 --> 0:40:23.440
<v Speaker 2>Yeah. Sure. Steph complains to her dad that Michelle is

0:40:23.480 --> 0:40:26.439
<v Speaker 2>turning the barrel of monkeys into a very silly game.

0:40:27.640 --> 0:40:30.520
<v Speaker 2>Danny uses his opportunity to pull Stephanie aside for a

0:40:30.560 --> 0:40:33.560
<v Speaker 2>conversation just the two of them. They sit on his

0:40:33.600 --> 0:40:36.480
<v Speaker 2>bed and Steph starts off with a joke, how do

0:40:36.520 --> 0:40:39.080
<v Speaker 2>you know an elephant has been in your refrigerator by

0:40:39.120 --> 0:40:42.560
<v Speaker 2>the footprints and the butter? And you do a lovely

0:40:42.840 --> 0:40:47.919
<v Speaker 2>fake laugh here right, very philistilla of man. Danny tells

0:40:47.960 --> 0:40:50.600
<v Speaker 2>a joke next, What's Purple and lives in the Ocean

0:40:51.080 --> 0:40:56.720
<v Speaker 2>Moby Grape. Danny laughs, but Steph doesn't get it. Danny

0:40:56.719 --> 0:40:57.840
<v Speaker 2>turns to still.

0:40:57.440 --> 0:40:59.400
<v Speaker 1>Feel that way, Kennedy.

0:40:59.520 --> 0:41:01.680
<v Speaker 2>I know he's he's referring to think it's movie dick,

0:41:01.760 --> 0:41:05.000
<v Speaker 2>But why great? I don't I don't know. I didn't

0:41:05.000 --> 0:41:05.200
<v Speaker 2>get it.

0:41:05.200 --> 0:41:07.000
<v Speaker 1>I think I don't think it. I mean, I don't

0:41:07.000 --> 0:41:08.080
<v Speaker 1>think it was supposed to be funny.

0:41:08.320 --> 0:41:11.120
<v Speaker 2>Oh well, then the joke, the joke works. The joke

0:41:11.160 --> 0:41:14.799
<v Speaker 2>didn't work, and work didn't work, and as it was

0:41:14.800 --> 0:41:18.279
<v Speaker 2>supposed to. So. Danny turns to Steph and asks, how

0:41:18.320 --> 0:41:20.480
<v Speaker 2>come you were so upset when I told you I

0:41:20.560 --> 0:41:23.600
<v Speaker 2>was going out to dinner. She says it's simply because

0:41:23.600 --> 0:41:27.160
<v Speaker 2>she wants to be with him. Danny's noticed that lately

0:41:27.239 --> 0:41:29.960
<v Speaker 2>she's been clinging to his side all the time, and

0:41:30.000 --> 0:41:31.879
<v Speaker 2>he wants to know what's bothering her so he can

0:41:31.960 --> 0:41:35.480
<v Speaker 2>make her feel better. Steph responds in a chiper tone,

0:41:35.600 --> 0:41:37.879
<v Speaker 2>I feel fine. Danny tells her.

0:41:38.160 --> 0:41:40.840
<v Speaker 1>Everything's great. I'm fine, Everything's fine, Okay, I'm fine.

0:41:42.680 --> 0:41:44.680
<v Speaker 2>Danny says, well, then I guess you won't be sleeping

0:41:44.719 --> 0:41:48.640
<v Speaker 2>in my room anymore. She pauses before asking if he's

0:41:48.640 --> 0:41:52.000
<v Speaker 2>mad at her. Danny starts to get frustrated as he

0:41:52.040 --> 0:41:54.479
<v Speaker 2>tells Steph he's not mad at her, he just needs

0:41:54.520 --> 0:41:58.000
<v Speaker 2>to know what's bothering her. Steph gets upset as her

0:41:58.080 --> 0:42:03.240
<v Speaker 2>voice raises, nothing is bothering me. She brushes this conversation aside,

0:42:03.360 --> 0:42:06.840
<v Speaker 2>asking her dad to play Barrel of Monkeys again. Steph

0:42:06.880 --> 0:42:09.920
<v Speaker 2>walks over to Michelle, who says the monkeys are sleeping.

0:42:10.760 --> 0:42:13.239
<v Speaker 2>Steph leans down to the barrel and says good night

0:42:13.280 --> 0:42:18.319
<v Speaker 2>to the monkeys. Well, Danny watches Stephanie with a worry. Ooh,

0:42:19.160 --> 0:42:22.400
<v Speaker 2>there's definitely something going on, and Danny is finally catching on.

0:42:23.320 --> 0:42:25.520
<v Speaker 1>Is it? So? I had this moment when we were

0:42:25.560 --> 0:42:28.319
<v Speaker 1>watching them play Barrel of Monkeys and he's like, oh,

0:42:28.360 --> 0:42:31.799
<v Speaker 1>you have to first, you have to shake it. And I,

0:42:31.920 --> 0:42:34.839
<v Speaker 1>for a brief split second, thought maybe they would turn

0:42:34.880 --> 0:42:37.960
<v Speaker 1>that into something where Steph would about shaking.

0:42:38.120 --> 0:42:40.720
<v Speaker 2>Oh you know, yeah, I didn't make.

0:42:40.600 --> 0:42:44.040
<v Speaker 1>That that would be, but I guess that would have

0:42:44.080 --> 0:42:46.200
<v Speaker 1>been a little too on the nose, and then Danny

0:42:46.239 --> 0:42:47.640
<v Speaker 1>kind would have figured it out. We wanted to know.

0:42:48.400 --> 0:42:51.720
<v Speaker 2>Yeah, yeah, it's okay, Yeah, no, that was I didn't

0:42:51.760 --> 0:42:53.880
<v Speaker 2>think about that reconnection, Oh, thinking, is this going to

0:42:53.920 --> 0:42:57.120
<v Speaker 2>be the trigger for Stephanie? But it ends up being

0:42:57.200 --> 0:43:00.520
<v Speaker 2>just the barrel of monkeys. That's it. So next in

0:43:00.560 --> 0:43:03.279
<v Speaker 2>the kitchen, Jesse is tending to a large pot and

0:43:03.320 --> 0:43:05.840
<v Speaker 2>walks away for a moment. Joey swoops in to have

0:43:05.880 --> 0:43:09.600
<v Speaker 2>a taste and exclaims this soup has no taste. Jesse

0:43:09.640 --> 0:43:12.520
<v Speaker 2>gives him a blank stare before telling him he's boiling water.

0:43:13.320 --> 0:43:17.200
<v Speaker 2>Joey takes another sip and admits, in that case, it's delicious.

0:43:18.719 --> 0:43:21.040
<v Speaker 2>DJ walks into the kitchen with a smile. Her hair

0:43:21.200 --> 0:43:24.200
<v Speaker 2>is no longer covering her face. When asked how the

0:43:24.239 --> 0:43:26.960
<v Speaker 2>play was, she admits it was fun, but the great

0:43:27.000 --> 0:43:31.560
<v Speaker 2>news is everybody has zits. She tells the story about

0:43:31.600 --> 0:43:33.200
<v Speaker 2>how she went into the bathroom to see if she

0:43:33.280 --> 0:43:36.719
<v Speaker 2>could still stop traffic with her nose, and there were

0:43:36.760 --> 0:43:41.040
<v Speaker 2>ten other girls checking out their zits too. She asked

0:43:41.040 --> 0:43:43.440
<v Speaker 2>the girls, Hey, anyone want to play Connect the dots,

0:43:43.880 --> 0:43:46.439
<v Speaker 2>and DJ recounts how it made all of the girls laugh.

0:43:47.280 --> 0:43:50.240
<v Speaker 2>DJ realizes that having zits isn't such a big deal,

0:43:50.840 --> 0:43:53.880
<v Speaker 2>just as long as their faces don't clear up before hers.

0:43:54.880 --> 0:43:57.680
<v Speaker 2>She leaves and Jesse has a smug grin on his face.

0:43:58.000 --> 0:44:01.960
<v Speaker 2>He proudly says Joey, we did it again, and Joey

0:44:02.000 --> 0:44:05.880
<v Speaker 2>reminds him that they didn't do anything very true.

0:44:06.960 --> 0:44:08.840
<v Speaker 1>I was, I was. That was a pretty quick resolution

0:44:09.160 --> 0:44:12.000
<v Speaker 1>to that storyline. But again, it was kind of the

0:44:12.000 --> 0:44:14.959
<v Speaker 1>focus had to be on and I think really DJ

0:44:15.160 --> 0:44:19.560
<v Speaker 1>was just the device for driving home that it was

0:44:19.640 --> 0:44:20.239
<v Speaker 1>Christmas time.

0:44:20.840 --> 0:44:22.080
<v Speaker 2>That might have been the sole purpose.

0:44:22.200 --> 0:44:23.880
<v Speaker 1>That was literally they were like, are we gonna I

0:44:23.920 --> 0:44:26.959
<v Speaker 1>don't know if missus claus costume, you know, yeah, yeah.

0:44:27.040 --> 0:44:28.880
<v Speaker 2>I wish they had saved it for a different episode,

0:44:28.920 --> 0:44:31.400
<v Speaker 2>because ye, to a teenager having your first as it

0:44:31.520 --> 0:44:34.520
<v Speaker 2>is is a ba's very embarrassing. But it was just

0:44:34.520 --> 0:44:36.400
<v Speaker 2>sort of trivialized in the context of this.

0:44:36.800 --> 0:44:39.959
<v Speaker 1>I don't feel like I would know of any middle

0:44:40.000 --> 0:44:43.840
<v Speaker 1>schoolers that would be like joking about their zits together

0:44:43.960 --> 0:44:47.480
<v Speaker 1>and maybe maybe now, but especially not back then.

0:44:47.520 --> 0:44:50.799
<v Speaker 2>It was not in junior. I know that was nobody.

0:44:50.920 --> 0:44:53.120
<v Speaker 1>Now as an adult, yeah, I mean, as an adult,

0:44:53.160 --> 0:44:55.839
<v Speaker 1>I have one joining us for the podcast, our third

0:44:55.880 --> 0:44:56.600
<v Speaker 1>co host.

0:44:56.719 --> 0:44:58.799
<v Speaker 2>Oh yeah, yeah, we can joke about it now, But

0:44:58.960 --> 0:45:02.120
<v Speaker 2>in seventh grade that is oh my god, no, yeah,

0:45:02.160 --> 0:45:05.480
<v Speaker 2>no way. So Danny walks in. He tells the guys

0:45:05.480 --> 0:45:08.239
<v Speaker 2>that Stephanie won't tell him what's wrong with her, and

0:45:08.280 --> 0:45:11.840
<v Speaker 2>he's tried everything to get through to her. Joey insists

0:45:11.880 --> 0:45:14.720
<v Speaker 2>that he not be so hard on himself, but Danny

0:45:14.760 --> 0:45:16.799
<v Speaker 2>tells them he has a trophy in his bedroom that

0:45:16.840 --> 0:45:20.200
<v Speaker 2>says World's Greatest Dad, and he'd like to deserve it.

0:45:21.440 --> 0:45:24.880
<v Speaker 2>Jesse reminds him that not every dad knows every answer

0:45:25.040 --> 0:45:28.600
<v Speaker 2>to every problem, and Joey offers the idea that maybe

0:45:28.640 --> 0:45:31.680
<v Speaker 2>they need some help with this. Danny asks, what do

0:45:31.719 --> 0:45:34.280
<v Speaker 2>you mean, like take her to a therapist or something,

0:45:35.040 --> 0:45:38.600
<v Speaker 2>and Joey shrugs, yeah, why not. Danny gets up from

0:45:38.600 --> 0:45:42.160
<v Speaker 2>the table, assuring him that it's not that serious. Joey

0:45:42.360 --> 0:45:44.560
<v Speaker 2>tries to reason with him, but Danny cuts him off.

0:45:45.000 --> 0:45:46.960
<v Speaker 2>She has these times where she needs me, and then

0:45:46.960 --> 0:45:49.399
<v Speaker 2>we spend some time together and then things are calm again.

0:45:50.239 --> 0:45:54.759
<v Speaker 2>Jesse chimes in, after what happened today? Whatever Stephanie's problem is,

0:45:55.120 --> 0:45:59.560
<v Speaker 2>it's not going away. It's getting worse. Danny asks, what

0:45:59.600 --> 0:46:01.440
<v Speaker 2>do you want me to do? Take Stephanie to some

0:46:01.520 --> 0:46:04.480
<v Speaker 2>stranger and admit that I can't handle my kids problems.

0:46:05.440 --> 0:46:08.600
<v Speaker 2>Jesse responds, No, I want you to say that you

0:46:08.760 --> 0:46:12.160
<v Speaker 2>love Stephanie so much that you would do anything to

0:46:12.280 --> 0:46:13.360
<v Speaker 2>help her.

0:46:13.960 --> 0:46:18.200
<v Speaker 1>Yeah. I liked that this was a struggle because in

0:46:18.239 --> 0:46:21.120
<v Speaker 1>a house with three dads and three men, not to

0:46:21.320 --> 0:46:24.879
<v Speaker 1>you know, generalize, but I do think they probably would

0:46:24.880 --> 0:46:27.760
<v Speaker 1>have been a little bit less emotionally connected or in tune.

0:46:28.160 --> 0:46:32.920
<v Speaker 1>And particularly I think a lot of you know, therapy

0:46:33.000 --> 0:46:35.759
<v Speaker 1>is seen as like something's you know wrong, like there

0:46:36.000 --> 0:46:37.799
<v Speaker 1>you need to be fixed. And that was kind of

0:46:37.960 --> 0:46:40.000
<v Speaker 1>need to be fixed, the mentality that Danny had and

0:46:40.040 --> 0:46:42.960
<v Speaker 1>I and you know, watching it now, you're like, oh

0:46:42.960 --> 0:46:44.359
<v Speaker 1>my god, why would you think that way? Like that's

0:46:44.400 --> 0:46:47.200
<v Speaker 1>not but it was. But it's so important because that

0:46:47.280 --> 0:46:49.440
<v Speaker 1>is how so many people view it. And yeah, I

0:46:49.480 --> 0:46:51.399
<v Speaker 1>just I really liked that, you know, they showed Danny

0:46:51.440 --> 0:46:54.759
<v Speaker 1>kind of have this transformation and that he was like, well,

0:46:54.800 --> 0:46:57.080
<v Speaker 1>nothing's wrong, We're fine. You know, I can do this

0:46:58.640 --> 0:47:00.759
<v Speaker 1>a little bit of insight into you know, sometimes why

0:47:00.800 --> 0:47:02.560
<v Speaker 1>parents are a little bit resistant. It's not that they

0:47:02.560 --> 0:47:04.759
<v Speaker 1>don't want their kid to get help, it's that they

0:47:04.800 --> 0:47:06.799
<v Speaker 1>want to they're the parent, they I should be the

0:47:06.800 --> 0:47:08.040
<v Speaker 1>one that solves all of this.

0:47:08.280 --> 0:47:11.719
<v Speaker 2>And yeah, a lot of people think they know their

0:47:11.800 --> 0:47:16.080
<v Speaker 2>kids better than any any professional out there. And yeah,

0:47:16.080 --> 0:47:18.680
<v Speaker 2>this is such an important conversation and I love that

0:47:18.719 --> 0:47:21.400
<v Speaker 2>it comes from Jesse and Joey right too, who were like,

0:47:21.400 --> 0:47:23.400
<v Speaker 2>they're kind of the knuckleheads and don't.

0:47:23.040 --> 0:47:25.759
<v Speaker 1>Diaper baby soup water, you know what I mean? I mean,

0:47:26.160 --> 0:47:28.359
<v Speaker 1>And now he's like, you should take her to therapy.

0:47:29.120 --> 0:47:31.120
<v Speaker 2>Yeah, it was great.

0:47:31.239 --> 0:47:31.640
<v Speaker 1>You never know.

0:47:31.920 --> 0:47:35.080
<v Speaker 2>It showed two very different viewpoints about hey, it's okay

0:47:35.120 --> 0:47:37.319
<v Speaker 2>to it's okay to ask for some help. And then

0:47:37.320 --> 0:47:39.440
<v Speaker 2>there's Danny who's just like, no, no, I don't want

0:47:39.440 --> 0:47:43.160
<v Speaker 2>to admit failure, but he's not a failure. There's some

0:47:43.239 --> 0:47:45.919
<v Speaker 2>things that he can't solve and this is one of them,

0:47:46.040 --> 0:47:47.439
<v Speaker 2>and so he needs some outside help.

0:47:48.120 --> 0:47:51.000
<v Speaker 1>This is also giving me great encouragement that maybe Jesse

0:47:51.080 --> 0:47:53.319
<v Speaker 1>will go to therapy someday, because obviously not.

0:47:53.280 --> 0:47:53.840
<v Speaker 2>Opposed to it.

0:47:53.920 --> 0:47:57.040
<v Speaker 1>So you know, it's the door, it's I have some hope.

0:47:57.680 --> 0:48:01.920
<v Speaker 2>It's getting better. Yes, it's getting better. So Danny sighs

0:48:02.360 --> 0:48:05.680
<v Speaker 2>he's gonna call her pediatrician and see who he recommends.

0:48:06.320 --> 0:48:09.680
<v Speaker 2>Joey tells him he's a great dad, and Danny acknowledges

0:48:09.719 --> 0:48:13.480
<v Speaker 2>that they make pretty great dads too. I love this

0:48:13.560 --> 0:48:16.000
<v Speaker 2>part too, about because a lot of people are like, well,

0:48:16.040 --> 0:48:17.440
<v Speaker 2>how do I find a therapist. It's not like you

0:48:17.520 --> 0:48:20.440
<v Speaker 2>just open up a phone book, you know, call her

0:48:20.520 --> 0:48:23.359
<v Speaker 2>pediatrician like that. That's how I found my therapy. Off

0:48:23.400 --> 0:48:25.480
<v Speaker 2>to your pediatrician, but through my obig yn.

0:48:25.560 --> 0:48:26.360
<v Speaker 1>That's the point.

0:48:26.600 --> 0:48:29.439
<v Speaker 2>That's how the therapist I still see now fifteen years

0:48:29.520 --> 0:48:32.840
<v Speaker 2>later is you know, that's a great, great place to start,

0:48:32.920 --> 0:48:36.680
<v Speaker 2>and so I'm glad they threw that in there. Jesse

0:48:36.760 --> 0:48:39.440
<v Speaker 2>gets into dad mode, telling Danny to go make his

0:48:39.440 --> 0:48:42.080
<v Speaker 2>phone call, clean up for dinner, and wash under those nails.

0:48:42.360 --> 0:48:45.719
<v Speaker 2>Danny nods yes, sir and begins to walk off. Joey

0:48:45.760 --> 0:48:48.400
<v Speaker 2>gets in on the act and son, he signals for

0:48:48.480 --> 0:48:51.399
<v Speaker 2>Danny to come back. I know about those magazines under

0:48:51.440 --> 0:48:58.560
<v Speaker 2>your bed. Okay, but yeah, other than this weird off

0:48:58.600 --> 0:49:02.439
<v Speaker 2>color joke at the end, was a really great so ending.

0:49:02.480 --> 0:49:04.480
<v Speaker 1>But yeah, but now to the therapist's office, right.

0:49:06.880 --> 0:49:11.520
<v Speaker 2>Yes, so now the best scene in my opinion, we're

0:49:11.520 --> 0:49:15.560
<v Speaker 2>in the therapist's office. Stephan Danny walk into a children's

0:49:15.680 --> 0:49:19.520
<v Speaker 2>therapy room filled with bright colors and games. Another mom

0:49:19.640 --> 0:49:23.000
<v Speaker 2>and little girl are there, getting ready to leave. Steph

0:49:23.080 --> 0:49:25.480
<v Speaker 2>greets the young girl and asks how it is there.

0:49:26.200 --> 0:49:28.560
<v Speaker 2>The girl admits that it's pretty fun and the best

0:49:28.600 --> 0:49:33.080
<v Speaker 2>part is you get to miss school. The therapist walks

0:49:33.080 --> 0:49:36.120
<v Speaker 2>back into the room and introduces herself as Marion Steiner.

0:49:36.600 --> 0:49:40.640
<v Speaker 2>Danny introduces himself and Stephanie. Marian tells Stephanie that they're

0:49:40.640 --> 0:49:43.040
<v Speaker 2>going to have a great time. She has all kinds

0:49:43.080 --> 0:49:46.279
<v Speaker 2>of toys. Steph asks if she has the Nintendo Game

0:49:46.280 --> 0:49:47.600
<v Speaker 2>Boy with Super Mario.

0:49:47.360 --> 0:49:52.879
<v Speaker 1>Others Classic and this is not color Super Mario Brothers. Guys.

0:49:52.920 --> 0:49:57.760
<v Speaker 1>This was This was a greenish gray sort of screen

0:49:58.440 --> 0:50:01.840
<v Speaker 1>with little pixels and and it was the top of

0:50:01.920 --> 0:50:04.359
<v Speaker 1>the line. It was the newest, coolest thing.

0:50:04.520 --> 0:50:09.400
<v Speaker 2>Oh, it was the bomb, right, This was advanced technology.

0:50:09.560 --> 0:50:13.840
<v Speaker 1>And yeah, basically was like like a Tamagotchi in a

0:50:13.840 --> 0:50:15.440
<v Speaker 1>bigger case, you know what I mean. Like that was

0:50:15.480 --> 0:50:16.920
<v Speaker 1>the extent of it. It was just.

0:50:19.239 --> 0:50:23.719
<v Speaker 2>So cool. Yep, yep, I love it. Marian admits that

0:50:23.760 --> 0:50:26.239
<v Speaker 2>she does not have a Super Mario Brothers, but she'll

0:50:26.239 --> 0:50:29.640
<v Speaker 2>add it to her shopping list. She then asks Stephanie

0:50:29.640 --> 0:50:32.960
<v Speaker 2>to draw a picture of her family. Steph says she's

0:50:32.960 --> 0:50:36.400
<v Speaker 2>in luck because family and birds are her two best things.

0:50:37.800 --> 0:50:39.919
<v Speaker 2>Marian points out to Danny that he has a very

0:50:40.040 --> 0:50:44.560
<v Speaker 2>verbal daughter. Danny laughs, telling the doctor where they got there,

0:50:44.600 --> 0:50:50.120
<v Speaker 2>He goes on and on and on art imitates life

0:50:50.239 --> 0:50:53.480
<v Speaker 2>right now. Huh uh. So Danny goes on and on

0:50:53.480 --> 0:50:55.759
<v Speaker 2>about how much she likes to babble, concluding that he

0:50:56.120 --> 0:50:59.040
<v Speaker 2>has no idea where she gets it from. Marian gives

0:50:59.080 --> 0:51:02.440
<v Speaker 2>a small laugh and asks Danny to sit down. He

0:51:02.480 --> 0:51:05.360
<v Speaker 2>tells her you probably haven't noticed, but I'm a little nervous,

0:51:05.680 --> 0:51:10.080
<v Speaker 2>and he dabs his sweaty head with a handkerchief. Marian nods,

0:51:10.280 --> 0:51:14.080
<v Speaker 2>I noticed. Danny explains, this is the first time Stephanie

0:51:14.120 --> 0:51:17.720
<v Speaker 2>hasn't been able to tell me what's bothering her. Marian

0:51:17.800 --> 0:51:20.880
<v Speaker 2>tells him that steph may not even be aware herself.

0:51:21.600 --> 0:51:24.600
<v Speaker 2>We don't always know why we do the things we do.

0:51:27.160 --> 0:51:31.600
<v Speaker 2>Sot on observation. Oh my, even it doesn't matter if

0:51:32.120 --> 0:51:36.440
<v Speaker 2>years older, you're forty eight. Yeah, you just sometimes you

0:51:36.440 --> 0:51:39.840
<v Speaker 2>don't know why you're acting the way you act. Danny

0:51:40.000 --> 0:51:42.799
<v Speaker 2>is cleaning off the therapist's table with the handkerchief as

0:51:42.840 --> 0:51:45.480
<v Speaker 2>she says this, so she uses it as an example.

0:51:46.080 --> 0:51:48.400
<v Speaker 2>For instance, do you know why you're dusting my table.

0:51:49.200 --> 0:51:51.480
<v Speaker 2>Danny lets out a nervous laugh, telling her he loves

0:51:51.480 --> 0:51:54.520
<v Speaker 2>to dust. Then he asks her if something's wrong with that,

0:51:55.000 --> 0:51:56.360
<v Speaker 2>and she questions.

0:51:56.120 --> 0:51:58.520
<v Speaker 1>Question, though, wasn't Wasn't he just n he's having his

0:51:58.560 --> 0:52:00.239
<v Speaker 1>sweaty brow with this and now he's wipe it all

0:52:00.239 --> 0:52:04.600
<v Speaker 1>over her table. That's disgusting, Okay, And again, I mean,

0:52:04.680 --> 0:52:06.360
<v Speaker 1>I guess he must be nervous, because that feels like

0:52:06.400 --> 0:52:08.719
<v Speaker 1>something Danny would never do. Is be like sweat sweat,

0:52:08.719 --> 0:52:10.239
<v Speaker 1>sweat table table, you know.

0:52:13.400 --> 0:52:15.680
<v Speaker 2>Yeah, no, Danny would have a backup handkerchief and.

0:52:17.280 --> 0:52:21.799
<v Speaker 1>Candkerchief. And then that that's that's too separate. I'm sure

0:52:21.840 --> 0:52:24.120
<v Speaker 1>he's got a cleaning one in one pocket and then

0:52:24.120 --> 0:52:26.439
<v Speaker 1>a dad in the other.

0:52:27.000 --> 0:52:30.239
<v Speaker 2>He's just so nervous, and really that is handif that.

0:52:30.440 --> 0:52:34.000
<v Speaker 1>Just tells uh, you know, rattled Danny is.

0:52:34.520 --> 0:52:39.000
<v Speaker 2>Yeah, he's very rattled. So Danny tells her that when

0:52:39.000 --> 0:52:40.880
<v Speaker 2>he was growing up, all the other kids wanted to

0:52:40.880 --> 0:52:43.720
<v Speaker 2>be astronauts or fireman, and he wanted to be a maid.

0:52:44.880 --> 0:52:47.760
<v Speaker 2>We quickly cut to Stephanie, who exclaims that she's done coloring.

0:52:48.040 --> 0:52:50.160
<v Speaker 2>She's just glossying over that maid comment.

0:52:50.200 --> 0:52:53.200
<v Speaker 1>Apparently, well, Danny, Danny will get to his therapy later.

0:52:53.280 --> 0:52:54.959
<v Speaker 1>But there's a lot to unpack there.

0:52:54.920 --> 0:52:57.440
<v Speaker 2>Yet, I hope. So, yeah, there is so much to

0:52:57.520 --> 0:53:02.800
<v Speaker 2>impact there. So maryann it myers Stephanie's artwork. She asks

0:53:02.920 --> 0:53:06.240
<v Speaker 2>steph to explain who all the people are in her drawing.

0:53:07.080 --> 0:53:10.200
<v Speaker 2>Stuff begins to point to each person, explaining who they are,

0:53:10.719 --> 0:53:13.440
<v Speaker 2>and she adds little traits about each member of the family,

0:53:13.800 --> 0:53:17.200
<v Speaker 2>like Joey's pop Eye impressions and Jesse's love for Elvis.

0:53:18.000 --> 0:53:19.560
<v Speaker 1>So one thing I learned is I should never do

0:53:19.600 --> 0:53:24.560
<v Speaker 1>a Popeye impression. Oh yeah, you did. It was cute.

0:53:24.680 --> 0:53:25.360
<v Speaker 2>It was cute.

0:53:25.480 --> 0:53:26.960
<v Speaker 1>I looked like I was having some sort of a

0:53:26.960 --> 0:53:28.360
<v Speaker 1>medical emergency.

0:53:28.640 --> 0:53:30.839
<v Speaker 2>Okay, I wasn't gonna say anything because you're so old.

0:53:30.920 --> 0:53:33.560
<v Speaker 1>I wrote it down literally, was like, what's happening to

0:53:33.600 --> 0:53:37.120
<v Speaker 1>my face? Yeah, I said, I look like and having

0:53:37.120 --> 0:53:38.600
<v Speaker 1>it a medical problem.

0:53:38.719 --> 0:53:41.640
<v Speaker 2>You contorting your mouth into a shape I've never seen.

0:53:43.360 --> 0:53:45.480
<v Speaker 2>I see you're a flipper like you had a couple

0:53:45.520 --> 0:53:46.640
<v Speaker 2>of flippers in there too.

0:53:46.800 --> 0:53:52.239
<v Speaker 1>Yeah, this is just so bad, so bad. What is this?

0:53:54.320 --> 0:53:55.720
<v Speaker 1>Oh God, God's happening.

0:53:55.719 --> 0:53:57.160
<v Speaker 2>I still don't know how to do it. Okay, let's

0:53:57.160 --> 0:54:00.879
<v Speaker 2>gloss over that. So when stuff and he gets to DJ.

0:54:01.280 --> 0:54:04.440
<v Speaker 2>Marian questions what the red dot is on that drawing.

0:54:04.920 --> 0:54:06.560
<v Speaker 2>Steph explains, that's her news.

0:54:06.640 --> 0:54:09.799
<v Speaker 1>It like a pet.

0:54:10.920 --> 0:54:13.960
<v Speaker 2>Marian points to a squiggly line that Steph drew on

0:54:14.040 --> 0:54:17.440
<v Speaker 2>the house and asks what it is. Steph tells her

0:54:17.520 --> 0:54:20.440
<v Speaker 2>it's a crack in the wall from the earthquake, and

0:54:20.520 --> 0:54:23.920
<v Speaker 2>Marian asks who is the man standing outside of the house.

0:54:24.520 --> 0:54:28.479
<v Speaker 2>Steph says, that's my daddy. The therapist asks why isn't

0:54:28.480 --> 0:54:31.839
<v Speaker 2>he inside with the rest of the family. Steph tells

0:54:31.840 --> 0:54:34.280
<v Speaker 2>her it's because he was late the day of the earthquake.

0:54:34.680 --> 0:54:37.480
<v Speaker 2>They didn't know where he was for three hours and

0:54:37.520 --> 0:54:42.280
<v Speaker 2>it made her feel terrible. Stephanie walks over to Danny,

0:54:42.400 --> 0:54:45.440
<v Speaker 2>recalling that she didn't know where he was or what happened.

0:54:45.840 --> 0:54:48.360
<v Speaker 2>He should have been with her. She was so scared

0:54:48.440 --> 0:54:53.040
<v Speaker 2>she'd never see him again. Marian inquires, so you were

0:54:53.120 --> 0:54:55.759
<v Speaker 2>scared after the earthquake because you didn't know where your

0:54:55.800 --> 0:55:00.200
<v Speaker 2>daddy was. Steph nods, and Marian continues, so do you

0:55:00.200 --> 0:55:02.160
<v Speaker 2>think the reason you want to be with your daddy

0:55:02.200 --> 0:55:04.719
<v Speaker 2>all the time is so you'll always know where he is.

0:55:05.719 --> 0:55:10.320
<v Speaker 2>Steph responds, yeah, what if there's another earthquake. She tries

0:55:10.360 --> 0:55:13.200
<v Speaker 2>not to think about another earthquake happening, but people are

0:55:13.239 --> 0:55:16.120
<v Speaker 2>always talking about it, and it's on TV, and there

0:55:16.120 --> 0:55:19.080
<v Speaker 2>are all those garbage trucks that feel like little earthquakes.

0:55:20.280 --> 0:55:23.280
<v Speaker 2>Marian explains that when it comes to earthquakes, the best

0:55:23.280 --> 0:55:26.440
<v Speaker 2>thing we can do is be prepared, and Danny assures

0:55:26.440 --> 0:55:28.879
<v Speaker 2>his daughter that they are prepared. They have their water,

0:55:29.040 --> 0:55:32.480
<v Speaker 2>their food, batteries and everything else that they talked about.

0:55:32.640 --> 0:55:35.600
<v Speaker 2>Stephanie knows this, but she still worries about her dad.

0:55:36.440 --> 0:55:39.279
<v Speaker 2>Marian has an idea. She tells Steph to write a

0:55:39.320 --> 0:55:41.560
<v Speaker 2>list of things she can do so she won't worry

0:55:41.600 --> 0:55:44.640
<v Speaker 2>when her dad is away. For example, her dad can

0:55:44.680 --> 0:55:46.799
<v Speaker 2>call her when he knows he's going to be late.

0:55:47.640 --> 0:55:51.600
<v Speaker 2>Stephanie likes that idea, she asks Marian, what else you got.

0:55:52.120 --> 0:55:55.000
<v Speaker 2>Marian suggests that if Steph is still scared, she can

0:55:55.040 --> 0:55:57.239
<v Speaker 2>spend a few more nights in her dad's room, but

0:55:57.320 --> 0:56:01.120
<v Speaker 2>in a sleeping bag on the floor. Steph nods in agreement.

0:56:01.840 --> 0:56:04.680
<v Speaker 2>Then she asks the most important question, what can we

0:56:04.680 --> 0:56:08.920
<v Speaker 2>do about those garbage trucks? What a racket? Danny smiles,

0:56:09.080 --> 0:56:13.720
<v Speaker 2>telling stuff he'll call their counselmen in the morning. Oh, Jodie,

0:56:14.160 --> 0:56:15.960
<v Speaker 2>you're so good in this scene. Like I have to

0:56:16.000 --> 0:56:18.200
<v Speaker 2>remind myself that you're only like seven or eight in

0:56:18.280 --> 0:56:21.360
<v Speaker 2>this episode and thank you just have so much depth

0:56:21.600 --> 0:56:22.640
<v Speaker 2>to you as a person.

0:56:22.840 --> 0:56:25.879
<v Speaker 1>See, I was so critical of myself like watching it. Yeah,

0:56:25.920 --> 0:56:28.000
<v Speaker 1>oh no, I mean I was like, oh, that's cute

0:56:28.000 --> 0:56:30.120
<v Speaker 1>to get, you know, but I guess for like, I

0:56:30.120 --> 0:56:31.480
<v Speaker 1>don't know. I was just was like, oh, I could

0:56:31.520 --> 0:56:33.480
<v Speaker 1>have done more. I could have done this, but you

0:56:33.480 --> 0:56:34.560
<v Speaker 1>know I was seven again.

0:56:35.200 --> 0:56:38.239
<v Speaker 2>Well I thought I thought it was brilliant. And I'm

0:56:38.239 --> 0:56:40.440
<v Speaker 2>not just saying that because because you're hearing.

0:56:40.440 --> 0:56:43.759
<v Speaker 1>But I will say I liked that that the way

0:56:43.880 --> 0:56:46.759
<v Speaker 1>it came about was sort of, you know, asking these

0:56:46.880 --> 0:56:49.839
<v Speaker 1>questions to draw stuff out. It wasn't you know, And

0:56:49.880 --> 0:56:54.960
<v Speaker 1>that you find that kids will tell you things indirectly

0:56:55.160 --> 0:56:56.080
<v Speaker 1>about what's going on.

0:56:57.040 --> 0:56:59.799
<v Speaker 2>Yeah, I like that too. The therapist didn't tell her, oh,

0:56:59.840 --> 0:57:02.680
<v Speaker 2>this is what's wrong with you. She really lets Stephanie

0:57:02.719 --> 0:57:06.759
<v Speaker 2>come to that conclusion on her own. But yeah, just

0:57:06.800 --> 0:57:09.360
<v Speaker 2>such heavy stuff you had to deal with in this episode.

0:57:09.400 --> 0:57:12.759
<v Speaker 2>And I wondered if, as a child actor, how you

0:57:12.800 --> 0:57:15.000
<v Speaker 2>tap into those emotions because you haven't lived a whole

0:57:15.040 --> 0:57:18.360
<v Speaker 2>lot of life yet, and so where were you directed

0:57:18.680 --> 0:57:20.240
<v Speaker 2>this way or did Janice go.

0:57:20.440 --> 0:57:22.960
<v Speaker 1>Into it with you or did you My mom definitely

0:57:22.960 --> 0:57:24.440
<v Speaker 1>went through it with me. I mean, you know, running

0:57:24.480 --> 0:57:28.080
<v Speaker 1>lines in the car and stuff, and but no, I

0:57:28.080 --> 0:57:30.280
<v Speaker 1>think it was you know, earthquakes were scary and it

0:57:30.400 --> 0:57:33.520
<v Speaker 1>was I. I don't I think tapping into that was

0:57:34.000 --> 0:57:34.720
<v Speaker 1>pretty normal.

0:57:35.160 --> 0:57:38.280
<v Speaker 2>Yeah, so you know it was. Yeah.

0:57:38.320 --> 0:57:39.880
<v Speaker 1>I think I think it was just kind of something

0:57:39.880 --> 0:57:41.480
<v Speaker 1>that I was like, yeah, I can see why this

0:57:41.520 --> 0:57:42.440
<v Speaker 1>would be scary.

0:57:43.000 --> 0:57:46.040
<v Speaker 2>Okay, yeah, I I as when I was on days

0:57:46.040 --> 0:57:47.040
<v Speaker 2>of our lives, I had to do a lot of

0:57:47.040 --> 0:57:49.000
<v Speaker 2>emotional scenes because I was always right, My father was

0:57:49.000 --> 0:57:50.080
<v Speaker 2>always dying or getting.

0:57:49.800 --> 0:57:53.200
<v Speaker 1>Brain getting right, father was always dying, father.

0:57:54.040 --> 0:57:56.520
<v Speaker 2>Coming back as a different character. So I had all

0:57:56.520 --> 0:57:58.360
<v Speaker 2>these emotional scenes and I was trying to remember how

0:57:58.360 --> 0:58:00.880
<v Speaker 2>did I do that? Because yeah, it at six or seven,

0:58:00.960 --> 0:58:03.440
<v Speaker 2>you don't have those life experiences. But I think I was.

0:58:03.680 --> 0:58:06.480
<v Speaker 2>I think we're empathetic people, and so we can place

0:58:06.520 --> 0:58:10.640
<v Speaker 2>ourselves in that position of like a child traumatized by

0:58:10.760 --> 0:58:12.880
<v Speaker 2>an earthquake and right possibly.

0:58:12.520 --> 0:58:15.680
<v Speaker 1>Losing another thing sad, something scary, and you're like, yeah,

0:58:15.920 --> 0:58:16.520
<v Speaker 1>that's scary.

0:58:17.000 --> 0:58:19.400
<v Speaker 2>Yeah, yeah, so I think that's how I think that's

0:58:19.400 --> 0:58:20.840
<v Speaker 2>how we did it as children. I don't know, maybe

0:58:20.840 --> 0:58:22.040
<v Speaker 2>I'm living it up, but that's.

0:58:21.840 --> 0:58:27.000
<v Speaker 1>How it really was, you know, just sort of like

0:58:28.480 --> 0:58:30.920
<v Speaker 1>tapping into what that would really feel like. I guess.

0:58:31.320 --> 0:58:34.360
<v Speaker 2>Yeah, it's very very relatable and I'm sure that helped

0:58:34.360 --> 0:58:35.800
<v Speaker 2>a lot of kids for sure.

0:58:36.000 --> 0:58:39.560
<v Speaker 1>And I love that Steph like, you know, again, she

0:58:39.600 --> 0:58:41.280
<v Speaker 1>goes to therapy and she does all this stuff, but

0:58:41.320 --> 0:58:44.520
<v Speaker 1>like she still has her little Steph spunk to her,

0:58:44.680 --> 0:58:47.720
<v Speaker 1>you know what I mean. And I appreciate that. You know,

0:58:47.760 --> 0:58:51.000
<v Speaker 1>you see her going Okay, solution, solution, I like this,

0:58:51.720 --> 0:58:54.440
<v Speaker 1>and okay, the gardens strucks, why do we do it?

0:58:54.480 --> 0:58:57.680
<v Speaker 1>You know, like, but very Steph like you know that

0:58:57.800 --> 0:59:01.720
<v Speaker 1>she's willing to take the action. And yeah, I just

0:59:02.600 --> 0:59:03.400
<v Speaker 1>what a great kid.

0:59:03.480 --> 0:59:07.800
<v Speaker 2>Like I just love I love Stephanie so much, Like

0:59:07.920 --> 0:59:09.240
<v Speaker 2>she just rocks.

0:59:09.000 --> 0:59:11.600
<v Speaker 1>And she was a she was a pretty rare little

0:59:11.640 --> 0:59:15.720
<v Speaker 1>character and really was. Yeah. I loved that we got

0:59:15.720 --> 0:59:19.480
<v Speaker 1>to tell this story though, about how important therapy and

0:59:20.080 --> 0:59:22.440
<v Speaker 1>working through trauma and all that kind of stuff is.

0:59:22.520 --> 0:59:25.560
<v Speaker 2>I mean, yeah, oh yeah, it was. It was very good.

0:59:26.640 --> 0:59:29.360
<v Speaker 2>Uh So the last scene we're in stephan DJ's room.

0:59:29.760 --> 0:59:32.200
<v Speaker 2>The whole family is gathered around stuph to tuck her

0:59:32.240 --> 0:59:35.160
<v Speaker 2>into bed. Danny reminds her that there's a sleeping bag

0:59:35.160 --> 0:59:38.120
<v Speaker 2>in his room if she wants it. She asks if

0:59:38.120 --> 0:59:41.360
<v Speaker 2>he still snores, and Danny says yes. She decides she'll

0:59:41.360 --> 0:59:44.520
<v Speaker 2>stay in her own room. Then Jesse tells Steph that

0:59:44.560 --> 0:59:47.120
<v Speaker 2>if she needs anything, he's right across the hall, and

0:59:47.240 --> 0:59:49.320
<v Speaker 2>Joey tells her that he's downstairs, but he can be

0:59:49.440 --> 0:59:53.040
<v Speaker 2>upstairs like that. Steph tells all of them that if

0:59:53.040 --> 0:59:56.120
<v Speaker 2>they need her, she'll be right there. Danny gives her

0:59:56.160 --> 0:59:57.920
<v Speaker 2>a kiss on the head and tells her how great

0:59:57.960 --> 1:00:00.480
<v Speaker 2>she's doing. They all say good night to the girls

1:00:00.560 --> 1:00:03.400
<v Speaker 2>and walk out. DJ says good night to her little

1:00:03.400 --> 1:00:07.000
<v Speaker 2>sister and gets into bed. Steph asks for a favor.

1:00:07.320 --> 1:00:09.800
<v Speaker 2>She needs DJ to untuck her a little because she

1:00:09.880 --> 1:00:12.520
<v Speaker 2>can't move again, you're the vampire.

1:00:12.880 --> 1:00:15.280
<v Speaker 1>Well maybe that's what it is. Maybe they're all like,

1:00:16.040 --> 1:00:18.800
<v Speaker 1>they're all tucking each other in so tight that they

1:00:18.920 --> 1:00:21.000
<v Speaker 1>can't sleep.

1:00:21.920 --> 1:00:25.200
<v Speaker 2>These Tanners, Like what is happening?

1:00:25.800 --> 1:00:26.760
<v Speaker 1>It's strange.

1:00:27.800 --> 1:00:28.600
<v Speaker 2>They're over time.

1:00:28.880 --> 1:00:31.800
<v Speaker 1>The weirdest part is who's tucking day? You know what

1:00:31.840 --> 1:00:34.520
<v Speaker 1>I mean? Like because he obviously sleeping the same way.

1:00:34.560 --> 1:00:36.680
<v Speaker 1>So yeah, it's they're all just tucked in, snug as

1:00:36.680 --> 1:00:36.959
<v Speaker 1>a bug.

1:00:38.080 --> 1:00:41.440
<v Speaker 2>It's so funny. So DJ smiles as she gets out

1:00:41.480 --> 1:00:45.000
<v Speaker 2>of bed to help. She untucks Stephanie and then kisses

1:00:45.000 --> 1:00:48.040
<v Speaker 2>her on the cheek before saying goodnight. And that is

1:00:48.120 --> 1:00:54.040
<v Speaker 2>our show. Wow. Then what an episode? Oh one of

1:00:54.040 --> 1:00:56.439
<v Speaker 2>my top five. I mean, I like say this every season,

1:00:56.480 --> 1:00:58.560
<v Speaker 2>but yeah, this has gotta be up there with the

1:00:58.960 --> 1:01:03.320
<v Speaker 2>top five. It's just it's so well done, and especially

1:01:03.400 --> 1:01:06.840
<v Speaker 2>for nineteen eighty nine, when therapy was not considered nearly

1:01:06.880 --> 1:01:09.040
<v Speaker 2>as much as it is now. Yeah, I just thought

1:01:09.080 --> 1:01:11.920
<v Speaker 2>that they hit all of the right notes, the beats,

1:01:12.280 --> 1:01:14.720
<v Speaker 2>the points that they wanted to get, the message they

1:01:14.720 --> 1:01:16.880
<v Speaker 2>wanted to get across, and I thought it was outstanding.

1:01:17.000 --> 1:01:19.760
<v Speaker 1>Yeah, I agree, And in you know, a twenty two

1:01:19.800 --> 1:01:26.120
<v Speaker 1>minute sitcom episode, we managed to address a pretty big,

1:01:26.480 --> 1:01:29.959
<v Speaker 1>real issue and and you know, really talk to people

1:01:29.960 --> 1:01:32.440
<v Speaker 1>about how to get help. I wonder if at the

1:01:32.560 --> 1:01:35.760
<v Speaker 1>end of the episode it had one of those like

1:01:35.880 --> 1:01:39.200
<v Speaker 1>if you your kidneys, help, call the National Mental Health

1:01:39.200 --> 1:01:41.040
<v Speaker 1>hot Line, or if there even was one in nineteen

1:01:41.040 --> 1:01:43.400
<v Speaker 1>eighty nine, But I wonder, you know, sure, I wonder

1:01:43.400 --> 1:01:43.720
<v Speaker 1>if that.

1:01:43.720 --> 1:01:45.800
<v Speaker 2>Was we did those at the end of like the

1:01:45.880 --> 1:01:49.160
<v Speaker 2>abuse storyline that's to come right there were Yeah, they

1:01:49.160 --> 1:01:51.080
<v Speaker 2>would put the hot line up there, and yeah, I.

1:01:51.080 --> 1:01:53.160
<v Speaker 1>Just wonder, I mean, I wonder if that was I

1:01:53.200 --> 1:01:56.280
<v Speaker 1>mean a mental health hotline in nineteen eighty nine. I'm

1:01:56.280 --> 1:01:59.959
<v Speaker 1>sure it was one, but but yeah, I just wonder.

1:02:00.160 --> 1:02:01.600
<v Speaker 1>That was like at the end of the you know,

1:02:02.640 --> 1:02:03.880
<v Speaker 1>very special episode.

1:02:03.560 --> 1:02:06.080
<v Speaker 2>Of I Bet You're right. I Bet You're right. But no,

1:02:06.200 --> 1:02:10.560
<v Speaker 2>it was an important conversation to have. Jeff did this brilliantly.

1:02:10.760 --> 1:02:12.200
<v Speaker 1>We did such a great job with this.

1:02:12.520 --> 1:02:14.680
<v Speaker 2>Yeah, he did such a great job with this and

1:02:14.840 --> 1:02:16.880
<v Speaker 2>some very important news we are going to hear from

1:02:16.960 --> 1:02:20.200
<v Speaker 2>Jeff later this week. We interviewed him about this very

1:02:20.240 --> 1:02:23.120
<v Speaker 2>episode to give us a behind the scenes look about

1:02:23.400 --> 1:02:26.360
<v Speaker 2>what it was like writing this script in nineteen eighty nine,

1:02:26.440 --> 1:02:28.680
<v Speaker 2>right after a major earthquake happened for me.

1:02:28.760 --> 1:02:31.040
<v Speaker 1>Yeah, and it's really interesting. There's some really great insight

1:02:31.320 --> 1:02:34.880
<v Speaker 1>in our interview with Jeff. It's so a great companion

1:02:34.880 --> 1:02:37.880
<v Speaker 1>piece to watching this episode. And yeah, I learned a

1:02:37.920 --> 1:02:40.480
<v Speaker 1>lot I did too, sort of the creation of the episode. Now,

1:02:40.760 --> 1:02:44.640
<v Speaker 1>it was great and again, you know, our for being

1:02:44.680 --> 1:02:49.520
<v Speaker 1>a fun family sitcom and you know something that you know,

1:02:49.560 --> 1:02:51.960
<v Speaker 1>the critics thought was just sort of silly most of

1:02:52.000 --> 1:02:55.240
<v Speaker 1>the time, and it was most of the time it

1:02:55.280 --> 1:02:58.640
<v Speaker 1>was fun and silly. We did we did make an

1:02:58.680 --> 1:03:02.440
<v Speaker 1>impact and we did, you know, talk about things that

1:03:02.560 --> 1:03:06.560
<v Speaker 1>were important to families and kids and parents, and yeah,

1:03:06.560 --> 1:03:07.400
<v Speaker 1>I'm really proud of that.

1:03:07.760 --> 1:03:09.960
<v Speaker 2>I'm really proud too. And it's it's okay to not

1:03:10.040 --> 1:03:12.320
<v Speaker 2>have all the answers too, Like I like that they

1:03:12.320 --> 1:03:15.959
<v Speaker 2>showed Danny and his emotional journey through this as well,

1:03:16.000 --> 1:03:18.680
<v Speaker 2>that you just you don't have to know, you don't

1:03:18.760 --> 1:03:20.840
<v Speaker 2>have to be a parenting expert. You're not gonna have

1:03:20.920 --> 1:03:23.040
<v Speaker 2>all the answers, so it's okay, Well it we go

1:03:23.080 --> 1:03:23.919
<v Speaker 2>find someone who does.

1:03:24.280 --> 1:03:28.360
<v Speaker 1>There was something in the episode for parents and kids,

1:03:28.440 --> 1:03:29.600
<v Speaker 1>you know what I mean. The parents were going to

1:03:29.640 --> 1:03:32.680
<v Speaker 1>walk away taking something entirely different from the show than

1:03:32.800 --> 1:03:36.320
<v Speaker 1>maybe the key kids were, Yeah, about kind of who

1:03:36.320 --> 1:03:38.040
<v Speaker 1>they related to. So yeah, I love that. That was

1:03:38.040 --> 1:03:39.640
<v Speaker 1>a It was a great episode.

1:03:39.840 --> 1:03:42.080
<v Speaker 2>It was good. My only critique and I'm going to

1:03:42.320 --> 1:03:45.120
<v Speaker 2>change my mind live here on the podcast. Oh. I

1:03:45.280 --> 1:03:49.040
<v Speaker 2>was initially disappointed that they didn't include a mention of

1:03:49.280 --> 1:03:53.560
<v Speaker 2>Pam and how Stephanie lost her parents when Pam never

1:03:53.640 --> 1:03:57.360
<v Speaker 2>came home, and then that triggered this emotional trauma to

1:03:57.440 --> 1:04:01.360
<v Speaker 2>Danny not coming home. But you'll see when during our

1:04:01.400 --> 1:04:04.000
<v Speaker 2>interview with Jeff, he touches on that and explains why

1:04:04.160 --> 1:04:07.200
<v Speaker 2>that they didn't incat Pam. So I'm rescinding that critique

1:04:07.240 --> 1:04:10.240
<v Speaker 2>and I'm glad that they wrote it exactly the way.

1:04:10.160 --> 1:04:12.280
<v Speaker 1>They I mean, there's only so much trauma you can

1:04:12.280 --> 1:04:15.600
<v Speaker 1>get into in that short sitcom episode so twenty two,

1:04:18.640 --> 1:04:20.680
<v Speaker 1>And besides, we don't really ever talk about Pam anyway,

1:04:20.680 --> 1:04:23.440
<v Speaker 1>we don't bring her up. It's not that important.

1:04:24.360 --> 1:04:24.440
<v Speaker 2>Now.

1:04:27.480 --> 1:04:29.880
<v Speaker 1>Yeah, again, I M sorry. I have to make jokes

1:04:29.920 --> 1:04:32.280
<v Speaker 1>because we've been talking about a serious topic and I can't.

1:04:32.480 --> 1:04:36.160
<v Speaker 2>I can't do You're overdue for an inappropriate joke.

1:04:36.960 --> 1:04:39.720
<v Speaker 1>I will say this show, too, had a really good

1:04:39.720 --> 1:04:43.960
<v Speaker 1>balance of like jokes and it wasn't overly silly or

1:04:44.280 --> 1:04:48.080
<v Speaker 1>like really funny funny, you know what I mean. It

1:04:48.120 --> 1:04:50.000
<v Speaker 1>was like, there were cute little moments, but it was

1:04:50.080 --> 1:04:52.200
<v Speaker 1>I thought the tone was really good. They managed to

1:04:52.280 --> 1:04:56.120
<v Speaker 1>like be respectful of what the show was addressing too.

1:04:56.280 --> 1:04:58.440
<v Speaker 2>Yeah, if Jesse had brought in his band and done

1:04:58.480 --> 1:05:01.080
<v Speaker 2>a live concert at midnight that would have thrown off

1:05:01.120 --> 1:05:03.440
<v Speaker 2>the antul the entire emotional tone.

1:05:03.320 --> 1:05:08.800
<v Speaker 1>Right right, that's what what picked stuff up. And she's like,

1:05:08.880 --> 1:05:10.840
<v Speaker 1>is there a you know, is there an earthquake? No,

1:05:10.920 --> 1:05:13.560
<v Speaker 1>it's just Uncle Jesse and the retail rippers, you know.

1:05:13.640 --> 1:05:16.120
<v Speaker 2>Yeah, like you need all that that was left on

1:05:16.120 --> 1:05:17.320
<v Speaker 2>the cutting zone floor.

1:05:17.520 --> 1:05:20.520
<v Speaker 1>Thank god, Yeah, we didn't go down that route. Well,

1:05:20.880 --> 1:05:23.800
<v Speaker 1>thank you everybody for joining us for another episode of

1:05:23.800 --> 1:05:26.400
<v Speaker 1>how Rude Tanrito Is. We love getting to talk about

1:05:26.400 --> 1:05:28.320
<v Speaker 1>all this stuff with you and this was again a

1:05:28.400 --> 1:05:31.720
<v Speaker 1>very special episode of full House. But thanks for joining us.

1:05:31.760 --> 1:05:34.080
<v Speaker 1>And if you want to follow us on Instagram, make

1:05:34.080 --> 1:05:36.520
<v Speaker 1>sure you check out at how Rude Podcast. You can

1:05:36.520 --> 1:05:38.800
<v Speaker 1>also send us an email at how redpodcast at gmail

1:05:38.840 --> 1:05:41.760
<v Speaker 1>dot com. We love to hear your questions, your suggestions,

1:05:41.760 --> 1:05:43.640
<v Speaker 1>I don't know, whatever, whatever thoughts you got, go go

1:05:43.640 --> 1:05:46.080
<v Speaker 1>ahead and send them to us. And also make sure

1:05:46.120 --> 1:05:49.120
<v Speaker 1>that you are subscribing to the podcast wherever you're listening

1:05:49.120 --> 1:05:50.520
<v Speaker 1>to it so that you can get all the newest

1:05:50.560 --> 1:05:52.760
<v Speaker 1>episodes as soon as they are released, so that you

1:05:52.800 --> 1:05:55.480
<v Speaker 1>can hear, uh, you know, our minisode coming up with

1:05:55.560 --> 1:05:57.800
<v Speaker 1>Jeff later in the week. I don't want to miss this.

1:05:58.320 --> 1:05:59.160
<v Speaker 2>I don't want to miss it.

1:05:59.200 --> 1:06:01.720
<v Speaker 1>You don't want to miss it. It's great. But thank

1:06:01.760 --> 1:06:05.200
<v Speaker 1>you guys so much. We love you. Fan Rito's Remember

1:06:05.600 --> 1:06:06.400
<v Speaker 1>the world is small.

1:06:08.600 --> 1:06:11.920
<v Speaker 2>Oh no, you had a great one for the miniso.

1:06:12.080 --> 1:06:14.400
<v Speaker 1>You might not left. I had a great one for

1:06:14.400 --> 1:06:16.120
<v Speaker 1>the miniso. But then I but I, but I, but

1:06:16.400 --> 1:06:17.680
<v Speaker 1>I had a good one, and like.

1:06:18.640 --> 1:06:20.480
<v Speaker 2>Left, you need to break in it.

1:06:20.480 --> 1:06:22.960
<v Speaker 1>It's all right, I do well. Yeah, but when I

1:06:23.040 --> 1:06:24.640
<v Speaker 1>change it up every time in the break, I get

1:06:24.640 --> 1:06:26.120
<v Speaker 1>a good one. And then I got to start writing

1:06:26.120 --> 1:06:26.400
<v Speaker 1>it down.

1:06:26.400 --> 1:06:27.600
<v Speaker 2>Okay, So the world is small.

1:06:27.760 --> 1:06:31.360
<v Speaker 1>The world is the world is small, and hopefully so

1:06:31.440 --> 1:06:32.160
<v Speaker 1>were the Aftershop.

1:06:32.280 --> 1:06:36.240
<v Speaker 2>Yes, good one good, Save good, Save Jody Sween. There

1:06:36.320 --> 1:06:36.480
<v Speaker 2>we go.

1:06:36.920 --> 1:06:40.120
<v Speaker 1>Yeah yeah, see even tied in the of the episode.

1:06:39.720 --> 1:06:41.280
<v Speaker 2>And I'm so proud of you.

1:06:41.800 --> 1:06:42.000
<v Speaker 1>Yeah,