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Speaker 1: Hello, Hello, Hello, how are you.

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Speaker 2: I'm great. I just warmed up my coffee. I'm in

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Speaker 2: my new I'm in my new location. I was gonna

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Speaker 2: look very similar.

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Speaker 1: It's it's similar, but I feel like I feel like

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Speaker 1: is that a new lamp? Yeah, new new lamb, like

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Speaker 1: all slightly different. Right, the book shelves a little further

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Speaker 1: over that way. The doughnuts now kind of more out

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Speaker 1: of your head as opposed to directly next to it.

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Speaker 2: Yeah, Ben Franklin is still up here, the bust of

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Speaker 2: Ben Franklin.

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Speaker 1: Bust of Ben Franklin, as it should.

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Speaker 2: Be prominently displayed. But yeah, no, this is my first

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Speaker 2: recording from my new house, my new office and my

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Speaker 2: new house, so hopefully. Oh it's great. I love it.

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Speaker 2: I love it. I'm still kind of like figuring out

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Speaker 2: where things go. But no, I'm very very excited to

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Speaker 2: have just so long.

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Speaker 1: How long have you been in the house now? Officially

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Speaker 1: about two weeks?

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Speaker 2: About two weeks we had movers finally move the heavy

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Speaker 2: furniture yesterday and like all of my plants and my

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Speaker 2: totally figs and all of the all of the heavy staff. Right.

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Speaker 2: But yeah, so it's been a couple of weeks. It's great. Love,

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Speaker 2: I love it, you know, like I'm living here and

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Speaker 2: not living in two different places.

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Speaker 1: That it's the worst. It is the worst, that weird

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Speaker 1: overlap of.

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Speaker 2: I mean limbo.

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Speaker 1: To be fair, though, that limbo is a luxury sometimes

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Speaker 1: because if you've ever had to move directly from one

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Speaker 1: to the other, you know that also sometimes that limbo

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Speaker 1: is actually kind of a lifesaver where you can go

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Speaker 1: in between.

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Speaker 2: But totally, totally, I feel very privileged to be able

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Speaker 2: to move as slowly as I did.

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Speaker 1: But it's such a Yeah, moving just in general, is

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Speaker 1: I mean, isn't it one of the top six most

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Speaker 1: stressful things in your life? Yeah, it's like death, divorce, moving, I've.

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Speaker 2: Been through all. I've been through all of them.

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Speaker 1: I've been through a lot of them, so I've done

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Speaker 1: all that. Sometimes I like to do like four out

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Speaker 1: of six at once, you know, just a challenge, right, Yeah,

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Speaker 1: it's just like, oh, how many of these can I

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Speaker 1: mark off at once?

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Speaker 2: Yeah?

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Speaker 1: Before completely collapsing?

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Speaker 2: Yes, oh goodness. But yeah, we had our first earthquake

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Speaker 2: in the house too. Remember we had a.

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Speaker 1: Few quite timely, Yeah, we very timely. Considering what we're

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Speaker 1: discussing today discussing.

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Speaker 2: Yeah, but yeah, I was a little bit worder. I'm like, oh,

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Speaker 2: this is that an earthquake? Yeah?

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Speaker 1: Well, and they were a little further out your direction

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Speaker 1: kind of. They were more like Pasadena Lachnata area.

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Speaker 2: Yes, there were not your way, but Lake elsinor too,

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Speaker 2: which is a little bit more out my way. Yeah,

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Speaker 2: but yeah, I feel like we've because we've been through

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Speaker 2: so many earthquakes. I feel like sometimes I'm like, am

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Speaker 2: I just dizzy? Like am I just old and dizzy?

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Speaker 1: Or I'm a little Oh the pools washing. That's always

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Speaker 1: how I know, because I'll be out here in my

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Speaker 1: office or I'll be and if I see the pool starts, well,

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Speaker 1: the first indication is, yeah, that's that's.

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Speaker 2: More accurate than the Richter scale or the it's more accurate.

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Speaker 1: Yeah, I can I know exactly what what it measures

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Speaker 1: on the Richter scale by how far my pool slashes.

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Speaker 2: So did you feel any of these recent earthquakes or

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Speaker 2: do Yeah?

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Speaker 1: You felt yeah, Okay, I felt him. I usually like

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Speaker 1: it's interesting. I'll feel sometimes the ones in the middle

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Speaker 1: of the night too, I'll like wake up and feel it,

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Speaker 1: but I don't if it kind of ends pretty quickly,

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Speaker 1: I'll be like, all right, it's tapering off. I don't

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Speaker 1: need to like get out of bed.

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Speaker 2: Yeah. You know, the level of panic is directly related

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Speaker 2: to how tired you are, right well, and I.

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Speaker 1: Think when the kids were littler too, it was like

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Speaker 1: any little like I you know, it was immediately and

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Speaker 1: that now I'm like, okay, they probably slept through that,

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Speaker 1: you know, they didn't even notice. But no, yeah, it's

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Speaker 1: we've had We've had several lately.

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Speaker 2: It's been you know, it's earthquake weather. It's hot and dry,

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Speaker 2: and that's man.

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Speaker 1: We live in yeah, in California, and Japan's been having

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Speaker 1: some so yeah, you know that little uh, that little

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Speaker 1: Pacific ring of fire.

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Speaker 2: But I know everyone says, oh, I'm so glad I

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Speaker 2: don't live in LA because earthquakes, And I'm like, yeah,

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Speaker 2: but you don't. You don't get warnings about them, which

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Speaker 2: is kind of better for people who are anxious like me,

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Speaker 2: and like, I'd rather not have warning because then you hear,

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Speaker 2: you experience, you.

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Speaker 1: Have just to know sort of you know, all these

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Speaker 1: there's no warning, but also like it's kind of nice

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Speaker 1: to have a heads up, you know, and be like okay,

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Speaker 1: I can board up my windows for the hurricane, or

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Speaker 1: like go into.

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Speaker 2: A go anker. Yeah, you know, you know, I don't know.

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Speaker 1: I'm of the mind that if there's going to be

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Speaker 1: a natural disaster, just give me five minutes, you know.

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Speaker 1: Oh okay, hey, don't stand under that thing, you know

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Speaker 1: what I mean. That's all I want to know.

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Speaker 2: I'd rather not know. I'm like, either I'll surviving this

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Speaker 2: or I'll die. And either way it's only five minutes

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Speaker 2: of my life, and I don't I won't wag.

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Speaker 1: Yeah, no, I don't.

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Speaker 2: Yeah, that's very opposite because normally I'm a prepared person

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Speaker 2: and you're not.

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Speaker 1: So you know, I don't know that my reaction is

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Speaker 1: going to be wildly different. I just might change location, true,

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Speaker 1: you know what I mean, I just might not be

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Speaker 1: naked in the shower. Really, that's mostly my concern is,

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Speaker 1: like is this going to catch me at in a

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Speaker 1: moment where like I have to throw clothes on? Are

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Speaker 1: my shoes available? Like what's happening? You know what I mean?

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Speaker 1: That's the old Like I said, five minutes, even, just

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Speaker 1: let me put some pants on, you know, pants and

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Speaker 1: not flip flops, like and some proper footwear and then

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Speaker 1: I'm then I can I'm ready for anything and I

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Speaker 1: don't want it. Yeah, hitting, yeah, I don't. I know

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Speaker 1: it can't be, you know, naked in the shower and

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Speaker 1: I'm slipping, And it's just in that regard, I would

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Speaker 1: just like a little a little warning.

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Speaker 2: Okay, Well, well.

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Speaker 1: They do have the like the the earthquake sort of warnings.

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Speaker 1: Now they're getting more and more.

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Speaker 2: I just did that app. There's a shake. There's a shake. APP.

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Speaker 1: I thought you didn't want to know, but I want

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Speaker 1: to apps.

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Speaker 2: No, but I want to know. I don't I don't

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Speaker 2: believe that an app can predict or can know that

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Speaker 2: there's an earthquake happening minutes before app It's well, yeah,

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Speaker 2: but it's does it does it actually give earth?

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Speaker 1: Does the Earth does things? Before the earthquakes are down

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Speaker 1: in the center of the Earth, there's usually a I

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Speaker 1: mean not like a huge warning, but like right, a

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Speaker 1: little bit. And really the thing is is it's more

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Speaker 1: about learning what the patterns are. So that's sort of

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Speaker 1: the that's the thing.

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Speaker 2: Well, I've only gotten one alert so far, and it

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Speaker 2: was for an earthquake in Japan, so it hasn't been

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Speaker 2: super helpful for me.

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Speaker 1: Anybody had Remember when we were doing press in Japan

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Speaker 1: and there.

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Speaker 2: Was I forgot about that. We were Yeah, we were

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Speaker 2: sitting you, me and Candas were sitting and there's a

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Speaker 2: Netflix backdrop behind us. Yeah, and all of a sudden,

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Speaker 2: we're like, is that an earthquake? Yeah?

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Speaker 1: It was Japan. And everyone in Japan's like, yeah, it

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Speaker 1: isn't fine, there's like keep going, keep yeah. Yeah, and

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Speaker 1: I remember Canos got really freaked out. She was like,

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Speaker 1: I need to know what exit is and yeah, I

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Speaker 1: think I was like, it's Japan, They've planned for this stuff. Yeah,

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Speaker 1: it was. It was wild, yeah, because it was like

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Speaker 1: a pretty it was a decent it was a big,

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Speaker 1: like a five something significant. Everyone was pretty non plussed.

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Speaker 1: Honestly though. For earthquakes, Japan is the place to be.

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Speaker 1: They it is so built or top of the line,

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Speaker 1: like earthquake.

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Speaker 2: They are prepared. Yeah, they know what they're doing, they're prepared,

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Speaker 2: they're calm. Yeah, let's yeah, we should all.

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Speaker 1: Be in basic basically the opposite of us. They know

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Speaker 1: what they're doing, they're prepared, they're calm. Should we should

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Speaker 1: we get into this step into this episode? Please? Before

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Speaker 1: we just keep freaking everybody out before talking, for everybody

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Speaker 1: downloads the earthquake apps and yeah right, it's analyzing the

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Speaker 1: fault lines.

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Speaker 2: Okay, welcome back to Howard you Tannerito's. My name is

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Speaker 2: Andrea Barber and I'm Jody Sweeten, and today we're discussing

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Speaker 2: Season three, episode eleven, titled after Shocks. It originally aired

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Speaker 2: on December eighth, nineteen eighty nine, and it goes a

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Speaker 2: little something like this earthquake, A tremor shakes everyone up,

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Speaker 2: especially Stephanie, who immediately becomes a clingy daddy's girl. So

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Speaker 2: for some context for our listeners who may not know,

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Speaker 2: this episode was telecast less than two months after a

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Speaker 2: real life San Francisco earthquake, which took place in Loma

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Speaker 2: Prieda on October seventeenth, nineteen eighty nine. It was a

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Speaker 2: six point nine magnitude and the aftermath was very grim,

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Speaker 2: with sixty three people losing their lives, thousands of people injured,

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Speaker 2: and widespread property damage. So this is an important episode.

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Speaker 2: This is a really deep, meaningful, important and timely episode

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Speaker 2: at the time, so it deserves some good conversation, and

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Speaker 2: we are going to have good converse today and coming

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Speaker 2: up later this week too. Yea. It was directed by

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Speaker 2: Billy Foster Coffee Coffee, I want to say Billy Coffee Foster,

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Speaker 2: Billy Coffee FS. Okay, I'll change it up. He directs

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Speaker 2: a lot more, so I'll change And it was written

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Speaker 2: by Jeff Franklin and Lenny Rips, two of our favorites,

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Speaker 2: you know, knocking it out of the park. We have

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Speaker 2: Nancy Dessaut as doctor Marion Steiner. She's best remembered as

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Speaker 2: Muriel Rush on Too Close for Comfort, she played the

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Speaker 2: mother of Lydia Cornell's character, who we've.

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Speaker 1: Also had on the podcast I Love That and on

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Speaker 1: Full House, Wow, it's too close for comfort? Just you

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Speaker 1: know what? We could have moved too close for Comfort

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Speaker 1: into full House. Yeah, we should have done.

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Speaker 2: We should have combined, we should have done across over across.

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Speaker 1: Yeah, too close for full house or too full for

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Speaker 1: comfort something I don't know.

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Speaker 2: Too full for comfort for comfort. Yeah. And Nancy also

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Speaker 2: had a very prolific career in acting. She did forty

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Speaker 2: eight episodes of The New Dick Van Dyke Show and

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Speaker 2: many appearances on the Love Boat, Matt Locke Murder. She

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Speaker 2: wrote Matt About You and a lot of other things

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Speaker 2: that we don't have time to talk about. Yeah, she's fantastic.

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Speaker 1: She was great.

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Speaker 2: And then we have Aaron McNelly as Aaron. This is

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Speaker 2: her only credit on IMDb, but she's a very special

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Speaker 2: guest star because she's a little girl that Stephanie meets

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Speaker 2: in the therapist's office, and she was a seven year

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Speaker 2: old who had cystic fibrosis who Jeff heard about through

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Speaker 2: the Starlight Foundation, which is an organization that grants wishes

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Speaker 2: to seriously ill children. And it was Aaron's wish to

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Speaker 2: be a movie star, and Jeff granted that wish. Yeah,

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Speaker 2: it's such a like I just got more fuzzy. He's

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Speaker 2: just thinking about that really special, very special and sadly

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Speaker 2: Aaron passed away in two thousand and eight at the

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Speaker 2: age of twenty six. So very very glad that she

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Speaker 2: got to be part of a very special episode.

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Speaker 1: That means me happy.

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Speaker 2: Yeah, So we start with the teaser in Jesse's room.

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Speaker 2: Jesse and Joey are sitting on Jesse's bed. Jesse's playing

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Speaker 2: the guitar and Joey is playing the harmonica while wearing

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Speaker 2: a beret.

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Speaker 1: Berets were very big. Do you remember Dave actually used

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Speaker 1: to wear that beret, yeah, and play the harmonica like that. Yeah,

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Speaker 1: that was actually yeah, that was not a like a

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Speaker 1: full house thing. That was just yeah, Dave had a

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Speaker 1: beret and played the harmonica.

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Speaker 2: I love that image of them just sitting back with

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Speaker 2: their sunglasses on, right, just playing the harmonica and the guitar.

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Speaker 2: That's just that's so them. Yeah. Michelle walks in and

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Speaker 2: loudly requests the Teapot song, and Jesse obliges and tells

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Speaker 2: Joey let's give her some Teapot blues.

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Speaker 1: Ooh.

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Speaker 2: The guys both slide on a pair of black sunglasses

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Speaker 2: and do a bluesy ren edition of I'm a Little Teapot,

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Speaker 2: and Michelle does the little accompanying dance.

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Speaker 1: It's a classic.

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Speaker 2: It's a classic. She's so cute. The song ends, Michelle

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Speaker 2: shouts rock and roll, and the guys continued to play

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Speaker 2: as Jesse tells Michelle to shake that tushy. It was

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Speaker 2: very they the Olsens loved this.

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Speaker 1: They dance, yeah, yeah, they're little shaky dance. Yeah, they

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Speaker 1: love that. And I have to say, does John have

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Speaker 1: leopard cowboy boots on? Are they like leopard calfskin? Cowboy

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Speaker 1: boots like they're sort of they're fuzzy, like I can

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Speaker 1: tell they are, not that they have.

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Speaker 2: I wasn't looking at his feet. I did see the

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Speaker 2: leopard skin. Tell you they blanket on behind him on

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Speaker 2: his bed. No, this was on his feet.

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Speaker 1: He had like like animal hair, some sort of not

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Speaker 1: like long hair, but like you know, the calfskin were

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Speaker 1: like on a on a they were leopard.

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Speaker 2: They were leopard leopard boots doesn't choice so they're not

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Speaker 2: silver tipped, but they were.

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Speaker 1: No, but they were. They were aggressively square toed leopard boots.

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Speaker 2: Oh yeah, aggressively they were very like edgy.

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Speaker 1: Yeah, they had a big gap.

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Speaker 2: Was this John's way of dressing in real life? Like,

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Speaker 2: I don't remember him making such bold choices, but he

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Speaker 2: wouldn't wear something we didn't want to.

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Speaker 1: So she must say, Jesse, that was what he would

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Speaker 1: have worn. I mean in real life. Now he realized

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Speaker 1: he was sweatpants and sweatshirts and a backwards hat, you

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Speaker 1: know what I mean?

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Speaker 2: Right?

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Speaker 1: Yeah, No, not a bold choice for Jesse.

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Speaker 2: For Jesse definitely fit the character. Yeah, that's hysterical. I

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Speaker 2: did not notice the boots, but I'm gonna.

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Speaker 1: Go back and watch it so prominently. I'm raped, I'm

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Speaker 1: on the floor there they're sitting, and then I was

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Speaker 1: just like, wow, intense.

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Speaker 2: Pulling focus from the scene.

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Speaker 1: It wasn't. I was like, I don't even know what

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Speaker 1: song they're playing. All I can see is leopard boots.

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Speaker 2: So next we are in the kitchen. Jesse pulls out

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Speaker 2: a green toy from the garbage disposal. He turns to

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Speaker 2: Michelle and asks how Gumby got stuck in there. She

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Speaker 2: throws her hands up and she says, don't look at me.

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Speaker 2: Just then Joey walks over and notices, Hey, you found

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Speaker 2: my Gumby?

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Speaker 1: DJ is gummy?

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Speaker 2: Even?

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Speaker 1: Like do people? Did kids even watch Gumby anymore?

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Speaker 2: I don't know, Well, yeah, is he so watching.

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Speaker 1: Clay Nation Gumby?

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Speaker 2: I had a Gumby. I loved my Gummedy.

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Speaker 1: I don't think I think that means that they don't

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Speaker 1: sell them anymore. If we if it was something that

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Speaker 1: we had and loved children, that's definitely gone.

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Speaker 2: It's now in this smithsona Now yeah, yeah.

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Speaker 1: They're like, look at this in a cage, this little box. Yeah, Gumdy,

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Speaker 1: what does it do? Nothing? It just stands there.

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Speaker 2: What. Yeah, it was fast, That was it.

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Speaker 1: That was what you had. Maybe it stretched a little

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Speaker 1: bit because it was gumby.

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Speaker 2: We had very low expectations as children. So DJ and

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Speaker 2: Kimmy walk in coming back from school. DJ excitedly announces

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Speaker 2: that she got her costume for the Christmas play tomorrow.

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Speaker 2: She expects the family will think it's cute, but if

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Speaker 2: they don't, she begs them to lie since she has

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Speaker 2: to wear it anyway. Caim me ask Joey and Jesse

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Speaker 2: if they did any work today or if they just

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Speaker 2: played housewife? Dang rude Kimmy me, damn rude to the

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Speaker 2: guys and rude to housewives? Like how how many people

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Speaker 2: can offend?

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Speaker 1: I mean a considerable about of the population right in

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Speaker 1: that joke. But I yeah, but you know what though,

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Speaker 1: but they're always mean to Kimmy, so I always I

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Speaker 1: was also kind of like, yeah, you know what, Kimmy,

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Speaker 1: come here, say dishes some things? Yeah, yeah, talk. Some

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Speaker 1: people are always mean to you.

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Speaker 2: You're a child, you know, you know, so you do

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Speaker 2: have a point, Yeah, you do have a point.

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Speaker 1: And also she's not wrong. I mean what these guys

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Speaker 1: are sitting in bed playing guitar for a toddler with you.

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Speaker 1: I mean, what are what are they doing? Really so right?

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Speaker 2: Jingles? I guess you know, I know.

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Speaker 1: Kimmy is not entirely wrong. What what are you.

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Speaker 2: Guys doing fishing toys out of the garbage disposal and.

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Speaker 1: Shaking their tushies and yeah.

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Speaker 2: Playing harmonicas who knows?

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Speaker 1: So?

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Speaker 2: Joey snarkily responds, I called your mom. You can move

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Speaker 2: back home. Your room's been painted and all the repairs

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Speaker 2: from the earthquake are finished. Actually they were finished yesterday,

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Speaker 2: but somehow she forgot to call. Kimmy sighs. She hates

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Speaker 2: to leave because she feels like part of the family. Now. See,

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Speaker 2: poor Kimmy, she just wants to live in the house.

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Speaker 2: That's all she ever wanted.

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Speaker 1: Again, we can deep dive into Kimmy's pathology here, but

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Speaker 1: she just wants to be loved. Yeah, here, everyone's being

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Speaker 1: means to her.

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Speaker 2: Yep, Jesse sarcastically remarks, you've only been here two days,

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Speaker 2: but gosh, Joseph, doesn't it seem like a lifetime. Kimmy

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Speaker 2: picks up Michelle and places her on the ground, giving

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Speaker 2: her a little kiss on the head. She tells her

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Speaker 2: it's been a slice.

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Speaker 1: What was I'd never heard that. It's been a slice.

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Speaker 2: I don't know what that a slice of was, slice

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Speaker 2: of life? A slice of pizza? I had never heard

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Speaker 2: it either.

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Speaker 1: That feels I've never heard it. That is, that feels

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Speaker 1: like a like a like a throwback to like old

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Speaker 1: lingo from the writer's room or something, you know what

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Speaker 1: I mean. Yeah, the writers are like, yeah, say it's

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Speaker 1: a slice, and like the kids are like, what the

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Speaker 1: what is he talking about? What are these old people

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Speaker 1: on about? Yeah? Yeah, I'd never heard it. But I

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Speaker 1: will say this was a very cute little moment between

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Speaker 1: Kimy and Michelle. Right, I was taken a back, like

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Speaker 1: rarely does Kimmy uh like show affection. I was like,

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Speaker 1: oh right, yeah.

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Speaker 2: Yeah, I never really touched my God, like when I

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Speaker 2: picked her up, I kissed her on.

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Speaker 1: The head, kiss on the head. Yeah.

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Speaker 2: It might have been my very first scene with her. Yeah,

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Speaker 2: it was. It was strangely out of character, but it

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Speaker 2: also worked like it worked for me and it fits. Yeah,

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Speaker 2: so I it was very pleasantly surprised. So Kimmy tells

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Speaker 2: the guys she's gonna go upstairs and pack, but Jesse

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Speaker 2: immediately grabs her pink Duffel bag, saying, no need, we

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Speaker 2: already packed for you. Michelle runs up to Kimmy, begging

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Speaker 2: her not to go because she'll miss her. She hugs

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Speaker 2: Kimmy's leg, and the crowd awe at the sight, like,

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Speaker 2: what this is a rare moment of affection towards Kimmy.

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Speaker 1: Honestly, I was like, oh, everyone's a little traumatized.

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Speaker 2: Oh.

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Speaker 1: I was like, Michelle's needing some people. Kimmy doesn't want

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Speaker 1: to leave, and for a little little messed up. It's

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Speaker 1: only two weeks, and yeah, maybe everyone's a little clinging.

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Speaker 2: Yeah, when has Michelle ever been connected to kimmynut never Never.

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Speaker 2: It's kind of threw me, but yeah, maybe it's because

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Speaker 2: of the earthquake that Michelle's feeling a little clany, so

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Speaker 2: is feeling Yeah, yeah, Michelle has feelings, Kimmy has feelings.

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Speaker 2: Everyone has feelings except Joey and Jesse in the scene, right,

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Speaker 2: So Kimmy looks to Jesse and exclaims the goofball worships me.

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Speaker 2: She asks Michelle if she should stay one more night,

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Speaker 2: and Joey and Jesse frantically gesture no to Michelle. Michelle

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Speaker 2: doesn't catch on making the no gestures while telling Kimmy yes,

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Speaker 2: So Kimmy declares that she's staying. Michelle kindly offers to

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Speaker 2: take the duffel bag back to her room and drags

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Speaker 2: it out of the kitchen. Steph walks in happily, asking

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Speaker 2: the family what's going on. Kimmy explains that she was

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Speaker 2: about to go home, but everyone begged her to stay

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Speaker 2: one more night. Steph rolls her eyes first the earthquake.

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Speaker 2: Now this, haven't I been through enough? It's still very

390
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Speaker 2: early in our frontem me ship here, you know, season three,

391
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Speaker 2: but it's building. I get it.

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Speaker 1: Since Oh it's great, yep, there's.

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Speaker 2: A lot more to come. Just then DJ glides down

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Speaker 2: the stairs shouting ho ho ho, well dressed as missus Claws.

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Speaker 2: Joey tells DJ that if his belly shook like a

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Speaker 2: bowl of jelly, she'd be his kind of woman. Jesse

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Speaker 2: raises his eyebrows, if your belly shook like a bowl

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Speaker 2: full of jelly, and then gives Joey's stomach a couple

399
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Speaker 2: of pats. Why about but it's not overweight. No, They've

400
00:19:57,119 --> 00:19:59,600
Speaker 2: done this joke a couple of times now, and I'm like, no,

401
00:19:59,840 --> 00:20:02,640
Speaker 2: this it's not. That's not a thing, like let's yeah,

402
00:20:02,800 --> 00:20:05,600
Speaker 2: let's stop with these types of jokes. But yeah, they're

403
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Speaker 2: like brothers, they're just in each other.

404
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Speaker 1: But it's also, yeah, it's kind of a guy thing,

405
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Speaker 1: like you're like, it's not. Yeah, no, it didn't anyway,

406
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Speaker 1: it didn't totally work for me. But it didn't totally work, yeah,

407
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Speaker 1: because because yeah, Dave's not No, they just put him

408
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Speaker 1: in sweaters.

409
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Speaker 2: He just wore terrible sweaters.

410
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Speaker 1: Just wore terrible sweaters. And meanwhile, you know, John's wearing

411
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Speaker 1: pants that are seven sizes too big. No one says

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Speaker 1: anything to him.

413
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Speaker 2: Why didn't his jeans ever fit? Like they're very lightwash,

414
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Speaker 2: they're very large.

415
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Speaker 1: Well, yeah, but skinny jeans wouldn't have worked on him either,

416
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Speaker 1: you know, I mean, there only wasn't It wasn't there yet.

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Speaker 2: They were Yeah, you had a little they were a

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Speaker 2: little baggy.

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Speaker 1: They had to make it look like the boots didn't

420
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Speaker 1: make your people look giant, you know, they had to

421
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Speaker 1: make it look proportional.

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Speaker 2: Okay, oh gosh. So, when asked what she thinks of

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Speaker 2: the costume, Steph decides to tell her it's great and

424
00:21:03,160 --> 00:21:06,760
Speaker 2: that it matches the red pimple on her nose. DJ

425
00:21:06,880 --> 00:21:09,320
Speaker 2: doesn't believe her. She runs over to the toaster as

426
00:21:09,320 --> 00:21:11,919
Speaker 2: she tells everyone, no, she's never had a ZiT, but

427
00:21:12,040 --> 00:21:15,359
Speaker 2: one glance at her reflection and she realizes it's true.

428
00:21:16,200 --> 00:21:19,720
Speaker 2: She complains that this can't be happening. Jesse tries to

429
00:21:19,720 --> 00:21:23,040
Speaker 2: console her, telling her it's a part of life. DJ

430
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Speaker 2: reminds them that she has to be missus Claws tomorrow

431
00:21:25,760 --> 00:21:29,040
Speaker 2: in front of the whole school, and Kimmy jokes, you

432
00:21:29,040 --> 00:21:33,040
Speaker 2: can always switch parts and play Rudolph. Not helpful, Kimmy,

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Speaker 2: but funny. DJ fires back, what are you laughing at?

434
00:21:37,920 --> 00:21:43,760
Speaker 2: Parakeet legs and runs up the stairs away from everyone. Kimmy,

435
00:21:43,920 --> 00:21:47,440
Speaker 2: who has no shame, walks over to Jesse and notes, ooh,

436
00:21:47,520 --> 00:21:50,600
Speaker 2: cranky pimple. I don't know. I think Kimmy kind of

437
00:21:50,600 --> 00:21:52,800
Speaker 2: deserved that. She kind of deserves it. Yeah, but.

438
00:21:54,520 --> 00:21:58,560
Speaker 1: Although I'd say that to my friend too. Yeah, it's joking.

439
00:21:58,600 --> 00:22:01,360
Speaker 1: Though we have parakeet legs. I did.

440
00:22:01,480 --> 00:22:04,160
Speaker 2: That's true. White legs.

441
00:22:04,160 --> 00:22:07,800
Speaker 1: Soults that have been tossed in this room have not fit.

442
00:22:07,960 --> 00:22:08,159
Speaker 2: You know.

443
00:22:08,800 --> 00:22:11,400
Speaker 1: Everyone's just kind of calling out facts as they see him.

444
00:22:11,640 --> 00:22:23,240
Speaker 2: So this is true. That's true, sure, sure. So next

445
00:22:23,680 --> 00:22:26,600
Speaker 2: we cut to Stephan DJ's room. It's the middle of

446
00:22:26,600 --> 00:22:30,760
Speaker 2: the night and we hear a low rumbling outside. Steph

447
00:22:30,800 --> 00:22:33,080
Speaker 2: immediately gets out of bed and runs over to DJ.

448
00:22:33,440 --> 00:22:35,960
Speaker 2: She shakes her bed, trying to wake her up. She

449
00:22:36,000 --> 00:22:40,080
Speaker 2: repeatedly asks DJ, do you feel that shaking? DJ wakes

450
00:22:40,160 --> 00:22:44,080
Speaker 2: up begrudgingly and responds, yes, I feel it, Stop shaking me.

451
00:22:44,920 --> 00:22:47,040
Speaker 2: Steph turns on the light and tells the girls she

452
00:22:47,160 --> 00:22:50,920
Speaker 2: thinks they had another little earthquake. Jimmy gets up from

453
00:22:50,920 --> 00:22:53,240
Speaker 2: her rollaway bed and tells Steph not to be a

454
00:22:53,320 --> 00:22:56,080
Speaker 2: scaredy cat. She checks the window and points out that

455
00:22:56,160 --> 00:23:00,960
Speaker 2: her little earthquake is just a garbage truck. Garbage truck

456
00:23:01,000 --> 00:23:03,280
Speaker 2: is picking up garbage in the middle of the night.

457
00:23:03,359 --> 00:23:03,879
Speaker 2: Is that weird?

458
00:23:04,920 --> 00:23:06,760
Speaker 1: I thought that too, But then I was like, you know,

459
00:23:07,480 --> 00:23:09,480
Speaker 1: I don't know how they do it in San Francisco.

460
00:23:09,600 --> 00:23:14,360
Speaker 1: Maybe it's industrial trash. And also the streets are narrow,

461
00:23:14,560 --> 00:23:17,080
Speaker 1: old houses, windows rattle. I was trying to think of

462
00:23:17,119 --> 00:23:20,919
Speaker 1: reasons why that garbage truck would cause such a problem

463
00:23:20,960 --> 00:23:22,960
Speaker 1: and be out in the middle of the night, and

464
00:23:23,000 --> 00:23:25,960
Speaker 1: I thought, maybe, you know, I don't know, maybe it's

465
00:23:25,960 --> 00:23:29,120
Speaker 1: maybe maybe they collect trash at night there, I don't know.

466
00:23:29,160 --> 00:23:31,119
Speaker 2: Or maybe they were just like returning the trucks to

467
00:23:31,200 --> 00:23:34,359
Speaker 2: the distribution center, like at two in the morning. I

468
00:23:34,359 --> 00:23:34,679
Speaker 2: don't know.

469
00:23:34,800 --> 00:23:36,280
Speaker 1: Yeah, I think we've thought too much about it.

470
00:23:36,359 --> 00:23:40,360
Speaker 2: I've thought way too much about this. So DJ tells

471
00:23:40,359 --> 00:23:43,080
Speaker 2: Steph to go back to sleep. Steph asks, how can

472
00:23:43,119 --> 00:23:45,520
Speaker 2: you sleep when there's a garbage truck pretending to be

473
00:23:45,560 --> 00:23:48,280
Speaker 2: an earthquake. She stomps out of the room, telling the

474
00:23:48,280 --> 00:23:50,919
Speaker 2: girls she's gonna check on Michelle to make sure she's okay.

475
00:23:51,640 --> 00:23:53,720
Speaker 2: And I have to say, our BedHead in this scene

476
00:23:53,800 --> 00:23:57,440
Speaker 2: is very on point. You have curls for days growing

477
00:23:57,480 --> 00:23:58,199
Speaker 2: out of your head. Ye.

478
00:23:58,840 --> 00:24:01,040
Speaker 1: They literally they just took it out of the style

479
00:24:01,080 --> 00:24:02,719
Speaker 1: that it was in the first scene, like half up,

480
00:24:02,720 --> 00:24:04,760
Speaker 1: half down and hair sprayed, and then we're like just

481
00:24:04,880 --> 00:24:07,840
Speaker 1: let it out like it would normally look. Yeah, it

482
00:24:07,920 --> 00:24:14,560
Speaker 1: was very hair though. Your hair in this episode looks fabulous.

483
00:24:14,760 --> 00:24:16,919
Speaker 2: Oh thank you. I wasn't sure how I felt about it.

484
00:24:16,960 --> 00:24:18,360
Speaker 2: I mean, it's better than season two.

485
00:24:19,240 --> 00:24:22,359
Speaker 1: Have AREAIP at the end, I liked it.

486
00:24:22,680 --> 00:24:24,639
Speaker 2: My hair just does my hair still does that. It

487
00:24:24,680 --> 00:24:27,280
Speaker 2: does like weird curl. It has like cawlyicks all over,

488
00:24:27,720 --> 00:24:29,679
Speaker 2: not just at the scout but all over.

489
00:24:29,680 --> 00:24:31,439
Speaker 1: But at the Yeah, it really it was. It was

490
00:24:31,520 --> 00:24:32,240
Speaker 1: very it was cute.

491
00:24:32,320 --> 00:24:34,439
Speaker 2: I'm glad you like it. Let H, I've entered my

492
00:24:34,480 --> 00:24:37,000
Speaker 2: scrungey era and I've just like the little the little

493
00:24:37,000 --> 00:24:38,280
Speaker 2: scrunchy on top of my head.

494
00:24:38,520 --> 00:24:38,920
Speaker 1: Yeah.

495
00:24:38,960 --> 00:24:40,960
Speaker 2: And then the errant curls.

496
00:24:41,240 --> 00:24:42,200
Speaker 1: Yeah, that looked great.

497
00:24:42,480 --> 00:24:44,040
Speaker 2: Well, thank you?

498
00:24:44,119 --> 00:24:45,120
Speaker 1: Not give me to like it all?

499
00:24:45,960 --> 00:24:50,040
Speaker 2: No, now it's resembling real hair. Finally. It took a season,

500
00:24:50,080 --> 00:24:53,439
Speaker 2: but we're here now. Kimmy turns to DJ and asks

501
00:24:53,480 --> 00:24:56,280
Speaker 2: how her ZiT cream worked. She's not so sure, so

502
00:24:56,320 --> 00:24:59,520
Speaker 2: she decides she better go check. We cut to Michelle's

503
00:24:59,560 --> 00:25:02,240
Speaker 2: rom where Steph is shaking Michelle's bed, trying to wake

504
00:25:02,280 --> 00:25:05,640
Speaker 2: her up. Michelle smiles at her and announces good morning.

505
00:25:06,560 --> 00:25:11,040
Speaker 2: Steph explains, it's not morning. You're having trouble sleeping. Michelle's like,

506
00:25:11,200 --> 00:25:11,679
Speaker 2: I am.

507
00:25:13,280 --> 00:25:18,560
Speaker 1: Gaslighting. I'm I'm not waking you up. You're having trouble sleeping, right,

508
00:25:19,520 --> 00:25:20,000
Speaker 1: poor kid.

509
00:25:22,600 --> 00:25:25,400
Speaker 2: Steph nods and tells her little sister to come with her.

510
00:25:25,520 --> 00:25:29,560
Speaker 2: They'll go sleep in their dad's room. Ah. Michelle crosses

511
00:25:29,600 --> 00:25:32,840
Speaker 2: her arms and shouts, this is nuts. Thank you.

512
00:25:32,920 --> 00:25:37,320
Speaker 1: Michelle's the Greek chorus, You're not wrong, So nobody's saying

513
00:25:37,440 --> 00:25:41,439
Speaker 1: wrong things right right? This is yes, this is nuts.

514
00:25:42,320 --> 00:25:44,440
Speaker 2: So Steph grabs her hand and leads her out of

515
00:25:44,480 --> 00:25:47,119
Speaker 2: the room or forces her out of the room, or

516
00:25:47,160 --> 00:25:50,760
Speaker 2: like we cut to Danny's room where Danny is snoring

517
00:25:50,960 --> 00:25:51,639
Speaker 2: fast asleep.

518
00:25:52,520 --> 00:25:57,879
Speaker 1: So everyone in this house sleeps like Dracula in a coffin.

519
00:25:58,760 --> 00:26:01,560
Speaker 1: You know what I mean. I mean, like no one

520
00:26:01,680 --> 00:26:03,680
Speaker 1: is to turn on their side and like nestled into

521
00:26:03,680 --> 00:26:06,800
Speaker 1: the pillow and like, no, everyone is flat on their back,

522
00:26:06,960 --> 00:26:11,479
Speaker 1: chin's up to their like chin or covered and just

523
00:26:11,560 --> 00:26:13,400
Speaker 1: like laying there asleep.

524
00:26:13,920 --> 00:26:15,920
Speaker 2: No, it's it's jarring, isn't it because it.

525
00:26:15,880 --> 00:26:19,720
Speaker 1: Doesn't look Yeah, is everyone in this house a vampire?

526
00:26:20,119 --> 00:26:20,199
Speaker 2: Like?

527
00:26:20,280 --> 00:26:23,760
Speaker 1: Are they all little? Like what's wrong with them? Yeah?

528
00:26:23,920 --> 00:26:26,320
Speaker 2: Maybe that's the problem. But yeah, I'm like, I like

529
00:26:26,440 --> 00:26:29,120
Speaker 2: nobody's yeah I got like the covers thrown off because

530
00:26:29,160 --> 00:26:31,880
Speaker 2: they're hot. Nobody's got like the body pillow.

531
00:26:31,640 --> 00:26:36,160
Speaker 1: Or yeah's drooling. Yeah I look like a large mouthed

532
00:26:36,160 --> 00:26:38,280
Speaker 1: bass when I sleep. I don't look cute at all,

533
00:26:38,400 --> 00:26:42,200
Speaker 1: So I don't Everyone looks really nice for sleeping.

534
00:26:42,680 --> 00:26:46,919
Speaker 2: Very nice. So stephan Michelle tiptoe into the room so

535
00:26:46,920 --> 00:26:50,679
Speaker 2: they don't wake them up. Michelle remarks daddy sleeps loud,

536
00:26:51,240 --> 00:26:54,400
Speaker 2: and Steph shushes her and instructs Michelle to get on

537
00:26:54,400 --> 00:26:56,160
Speaker 2: one side of the bed while she gets on the other.

538
00:26:56,840 --> 00:26:59,080
Speaker 2: Stephan Michelle say good night to one another, and then

539
00:26:59,160 --> 00:27:03,480
Speaker 2: Michelle loudly exclaims in Danny's face, good night, Daddy, which

540
00:27:03,520 --> 00:27:06,520
Speaker 2: wakes him up. Danny turns on a light and asks

541
00:27:06,560 --> 00:27:11,119
Speaker 2: Michelle why she's awake. Michelle innocently replies, my eyes are open.

542
00:27:12,440 --> 00:27:15,560
Speaker 2: Steph enthusiastically greets her dad, and he turns to her,

543
00:27:15,600 --> 00:27:18,200
Speaker 2: saying this has been happening a little too much lately.

544
00:27:18,960 --> 00:27:21,600
Speaker 2: Stephanie knows that she can't sleep in her dad's room,

545
00:27:22,280 --> 00:27:24,399
Speaker 2: but Steph tries to convince him that this time it

546
00:27:24,560 --> 00:27:27,439
Speaker 2: wasn't her fault. She accuses Michelle of waking her up

547
00:27:27,480 --> 00:27:30,399
Speaker 2: and dragging her in there. Michelle says she did not,

548
00:27:31,000 --> 00:27:33,960
Speaker 2: and Steph counters did so, and the two go back

549
00:27:33,960 --> 00:27:36,840
Speaker 2: and forth until Danny stops them. He tells them as

550
00:27:36,840 --> 00:27:39,240
Speaker 2: a slumber party, so everybody needs to go to bed.

551
00:27:39,480 --> 00:27:41,440
Speaker 2: He gives them both a kiss and turns out the light.

552
00:27:42,320 --> 00:27:46,200
Speaker 2: Michelle tells her dad no more snoring, and Danny insists

553
00:27:46,240 --> 00:27:48,840
Speaker 2: he does not snore. The two go back and forth,

554
00:27:48,920 --> 00:27:50,880
Speaker 2: and Danny gets the last word before telling her it's

555
00:27:50,880 --> 00:27:53,399
Speaker 2: time to go to bed. As they all snuggle in

556
00:27:53,440 --> 00:27:57,120
Speaker 2: for bed, and Danny says do not, and steph answers,

557
00:27:57,119 --> 00:28:00,679
Speaker 2: this time, do too. That's a that felt like an

558
00:28:00,680 --> 00:28:03,160
Speaker 2: ad lib. I don't know if that was a scripted

559
00:28:03,240 --> 00:28:04,520
Speaker 2: or if that was a little ad lib by you.

560
00:28:04,760 --> 00:28:07,040
Speaker 1: It was, it was probably scripted, but again, like Bob

561
00:28:07,080 --> 00:28:09,439
Speaker 1: and I just had such a funnyle relationship that it

562
00:28:09,520 --> 00:28:10,560
Speaker 1: just was, you.

563
00:28:10,520 --> 00:28:13,520
Speaker 2: Know, supernatural. Yeah, just to tease him a little bit

564
00:28:13,520 --> 00:28:13,840
Speaker 2: at the end.

565
00:28:14,000 --> 00:28:18,439
Speaker 1: Yeah, But I have to say, like when Danny was like,

566
00:28:18,480 --> 00:28:20,159
Speaker 1: this is happening a little too much, I was like,

567
00:28:20,320 --> 00:28:23,200
Speaker 1: didn't you just have a pretty traumatic earthquake like two

568
00:28:23,240 --> 00:28:24,199
Speaker 1: weeks ago? Are you that?

569
00:28:26,119 --> 00:28:26,359
Speaker 2: Yeah?

570
00:28:26,640 --> 00:28:29,639
Speaker 1: Sort of dense Danny that you don't think that maybe

571
00:28:29,720 --> 00:28:33,119
Speaker 1: she might. I don't know. It just seemed like for

572
00:28:33,240 --> 00:28:36,159
Speaker 1: a parent who's usually pretty aware of his kids like

573
00:28:36,320 --> 00:28:38,120
Speaker 1: to not kind of make that connection or to be

574
00:28:38,200 --> 00:28:39,520
Speaker 1: like you can't do that. I don't know, it just

575
00:28:39,520 --> 00:28:41,360
Speaker 1: seemed a little like insensitive.

576
00:28:41,440 --> 00:28:43,719
Speaker 2: Maybe I think, yeah, I think, well, I think that's

577
00:28:43,800 --> 00:28:45,240
Speaker 2: I mean, I get it had to set up for

578
00:28:45,440 --> 00:28:48,440
Speaker 2: has to set up Danny for not knowing why stuff

579
00:28:48,480 --> 00:28:51,880
Speaker 2: is being the way she is. Danny's not connecting this

580
00:28:51,920 --> 00:28:54,440
Speaker 2: behavior to the earthquake. I think Danny's over the earthquake

581
00:28:54,480 --> 00:28:55,479
Speaker 2: and so it's not connected.

582
00:28:55,920 --> 00:28:57,840
Speaker 1: I mean, you know, not to again bring up the

583
00:28:58,160 --> 00:29:02,040
Speaker 1: mom thing, but kids only a few years out from

584
00:29:02,080 --> 00:29:04,800
Speaker 1: losing mom. I'm like the fact that she's not in

585
00:29:04,920 --> 00:29:07,840
Speaker 1: Danny's room sleeping on floor every night, I mean, is surprising.

586
00:29:08,000 --> 00:29:10,200
Speaker 1: So it was. I guess for me, I was a

587
00:29:10,200 --> 00:29:11,920
Speaker 1: little bit like, I don't know. I feel like as

588
00:29:11,960 --> 00:29:16,200
Speaker 1: a as a parent, you would that wouldn't be you

589
00:29:16,240 --> 00:29:19,200
Speaker 1: wouldn't be like, wow, this is so weird. Yeah, though,

590
00:29:19,200 --> 00:29:21,880
Speaker 1: I guess, you know, again it's that she's not doing it,

591
00:29:21,920 --> 00:29:24,320
Speaker 1: But I just feel like that would have probably been

592
00:29:24,320 --> 00:29:25,120
Speaker 1: happening more often.

593
00:29:26,240 --> 00:29:28,840
Speaker 2: Yeah, no, I agree, I would. I think as moms,

594
00:29:28,960 --> 00:29:32,680
Speaker 2: as moms in our forties especially, we were more attuned

595
00:29:32,800 --> 00:29:35,920
Speaker 2: to our kids and why they're baby they are.

596
00:29:35,960 --> 00:29:38,680
Speaker 1: Maybe it's also yeah, it's sort of like we I

597
00:29:38,680 --> 00:29:42,240
Speaker 1: think maybe a mom thing and it's kind of part

598
00:29:42,240 --> 00:29:44,360
Speaker 1: of the storyline, right, Danny is like, nothing's wrong I

599
00:29:44,360 --> 00:29:45,440
Speaker 1: don't know what you're talking about.

600
00:29:45,520 --> 00:29:47,800
Speaker 2: So yeah, it makes exactly it's it's setting up the

601
00:29:47,840 --> 00:29:51,760
Speaker 2: later the later parts of the episode. So next in

602
00:29:51,800 --> 00:29:55,040
Speaker 2: the kitchen the following morning, Kimmi tells DJ to hurry

603
00:29:55,120 --> 00:29:57,760
Speaker 2: up or she's going to miss the bus. DJ walks

604
00:29:57,800 --> 00:30:00,800
Speaker 2: down the stairs with her hair covering the entirety of

605
00:30:00,840 --> 00:30:04,160
Speaker 2: her face. She puts sunglasses on over the hair as

606
00:30:04,200 --> 00:30:06,360
Speaker 2: well to make it looks like she has eyes.

607
00:30:06,920 --> 00:30:09,240
Speaker 1: She looks like cousin it. She totally looks like cause.

608
00:30:09,520 --> 00:30:10,640
Speaker 2: And she had the hair to do that.

609
00:30:10,720 --> 00:30:11,840
Speaker 1: Man, that was right.

610
00:30:11,720 --> 00:30:13,080
Speaker 2: But not a wig. That was all okay.

611
00:30:13,440 --> 00:30:15,360
Speaker 1: If I tried to do that, it would just be bangs,

612
00:30:16,440 --> 00:30:18,720
Speaker 1: like it would just be like hey, yeah, No.

613
00:30:18,840 --> 00:30:21,560
Speaker 2: She had enough hair to cover most of her body too.

614
00:30:21,600 --> 00:30:25,719
Speaker 2: It was fantastic. So DJ asks Kimmy where she is,

615
00:30:25,800 --> 00:30:28,280
Speaker 2: and Kimmy tells her to follow the sound of her voice.

616
00:30:28,960 --> 00:30:31,840
Speaker 2: DJ slowly stumbles around the kitchen and Joey stops her.

617
00:30:32,240 --> 00:30:34,560
Speaker 2: Hold it, Benji, Benji.

618
00:30:34,640 --> 00:30:36,680
Speaker 1: For those of you who don't know, a little side story,

619
00:30:36,760 --> 00:30:39,520
Speaker 1: it was a movie about a straight dog named Benji.

620
00:30:39,800 --> 00:30:41,640
Speaker 1: And there was a whole series of movies and let

621
00:30:41,720 --> 00:30:45,160
Speaker 1: me tell you, I used to cry every time I

622
00:30:45,200 --> 00:30:48,040
Speaker 1: watch Benji. I can still remember it to this day.

623
00:30:48,200 --> 00:30:53,200
Speaker 2: I yep, loved those movies. Well yeah, any movies with

624
00:30:53,360 --> 00:30:53,800
Speaker 2: dogs like.

625
00:30:55,840 --> 00:30:58,120
Speaker 1: Street Dog Benji, Oh my god, yeah, I love that

626
00:30:58,200 --> 00:30:59,080
Speaker 1: stupid dog. Anyway.

627
00:30:59,200 --> 00:31:01,480
Speaker 2: He lifts up her hair to assess the damage and

628
00:31:01,560 --> 00:31:05,400
Speaker 2: assures her that the pimple is not that bad. DJ

629
00:31:05,520 --> 00:31:07,960
Speaker 2: fixes her hair and says she cannot be missus Claws

630
00:31:08,040 --> 00:31:10,520
Speaker 2: like this. She's six hundred and twelve years old. Her

631
00:31:10,520 --> 00:31:13,840
Speaker 2: face would have cleared up by now. Jesse tries to

632
00:31:13,840 --> 00:31:16,520
Speaker 2: solve the problem by putting a band aid over the pimple,

633
00:31:16,960 --> 00:31:19,680
Speaker 2: and DJ asks why missus Claws would wear a band aid.

634
00:31:20,320 --> 00:31:23,600
Speaker 2: Jesse jokes, just say that Jack Frost was nipping at

635
00:31:23,640 --> 00:31:27,360
Speaker 2: your nose, and he breaks into hysterics. Kim me and

636
00:31:27,400 --> 00:31:33,600
Speaker 2: Kimmy emotionally less responds, oh, oh, djationally less, that was

637
00:31:34,440 --> 00:31:36,320
Speaker 2: Is that what I said? You say emotionally less?

638
00:31:36,320 --> 00:31:38,880
Speaker 1: No, I like emotionally I did say emotionally less.

639
00:31:38,960 --> 00:31:47,640
Speaker 2: Emotionally less, I say emotionally like right, emotionless? Oh it's

640
00:31:47,640 --> 00:31:49,200
Speaker 2: supposed to be emotionless, Lee.

641
00:31:49,480 --> 00:31:49,880
Speaker 1: There and.

642
00:31:51,320 --> 00:31:56,520
Speaker 2: Less. I just invented a whole new word. Uh so,

643
00:31:56,800 --> 00:31:59,000
Speaker 2: DJ sighs and puts her hair back over her face,

644
00:31:59,040 --> 00:32:02,680
Speaker 2: telling Kimmy to lead her to the bus. I remember

645
00:32:02,760 --> 00:32:05,360
Speaker 2: the storyline, but I don't remember it being part of

646
00:32:05,400 --> 00:32:06,920
Speaker 2: this earthquake episode.

647
00:32:07,120 --> 00:32:08,640
Speaker 1: And yeah I didn't either.

648
00:32:09,360 --> 00:32:10,880
Speaker 2: I was like, I was kind of shocked. I was like,

649
00:32:10,880 --> 00:32:13,560
Speaker 2: I kind of wish they had not done these two

650
00:32:13,640 --> 00:32:18,280
Speaker 2: storylines together because the seriousness of the earthquake storyline compared

651
00:32:18,400 --> 00:32:21,880
Speaker 2: or juxtaposed with this storyline, it's kind of giving. There's

652
00:32:21,920 --> 00:32:24,160
Speaker 2: people dying, kim you know, like it's like, come on,

653
00:32:24,680 --> 00:32:25,160
Speaker 2: there's people that.

654
00:32:26,560 --> 00:32:32,400
Speaker 1: Yeah. But also, uh, anything maybe would have been sort

655
00:32:32,440 --> 00:32:36,600
Speaker 1: of when when compared to Steph going to therapy and

656
00:32:36,600 --> 00:32:39,880
Speaker 1: the earthquake and all that, anything would have you couldn't

657
00:32:39,880 --> 00:32:42,040
Speaker 1: really have two sort of heavy storylines, so one of

658
00:32:42,040 --> 00:32:47,000
Speaker 1: them had to kind of be a fluff you know, yeah,

659
00:32:47,240 --> 00:32:49,600
Speaker 1: sort of superfluous thing. I was just more surprised than

660
00:32:49,600 --> 00:32:50,360
Speaker 1: it was Christmas.

661
00:32:50,400 --> 00:32:52,239
Speaker 2: Yeah, they mentioned anyway, Christmas. This is the one time

662
00:32:52,320 --> 00:32:54,720
Speaker 2: they mentioned Christmas is the Missus Claus costume.

663
00:32:54,880 --> 00:32:59,560
Speaker 1: But it was more so the fact that this family decorate.

664
00:33:00,320 --> 00:33:06,280
Speaker 1: It's for every freaking holiday. Yeah, Like it's like they're

665
00:33:06,320 --> 00:33:09,720
Speaker 1: owned by the Disney Corporation. Okay, this family as a

666
00:33:09,800 --> 00:33:15,120
Speaker 1: rental space for trees and thing and not a there

667
00:33:15,200 --> 00:33:18,080
Speaker 1: was two little wreaths that was actually that was my Everywhere.

668
00:33:17,760 --> 00:33:21,560
Speaker 2: You look, oh yeah, there's nary naria Christmas tree sign.

669
00:33:21,520 --> 00:33:24,720
Speaker 1: Not a stocking hung by the chimney with care in

670
00:33:24,840 --> 00:33:27,480
Speaker 1: hopes that Saint Nicholas soon will beat here. Nothing.

671
00:33:27,680 --> 00:33:30,160
Speaker 2: No, no chestnuts roasting on an open fire.

672
00:33:30,480 --> 00:33:32,200
Speaker 1: No, no sugar plums dancing in their heads.

673
00:33:32,240 --> 00:33:35,680
Speaker 2: None that this is This is a fail. Danny has

674
00:33:35,720 --> 00:33:39,120
Speaker 2: failed in this episode multiple ways. Wow, by not decorating

675
00:33:39,160 --> 00:33:39,880
Speaker 2: for Christmas.

676
00:33:40,160 --> 00:33:44,000
Speaker 1: First the earthquake. Now no Christmas. I mean, although I

677
00:33:44,040 --> 00:33:46,520
Speaker 1: guess if you were again, that would be weird. You're

678
00:33:46,560 --> 00:33:49,920
Speaker 1: like the Christmas tree and an earthquake, like you can't

679
00:33:50,440 --> 00:33:51,640
Speaker 1: so you cried. I got it.

680
00:33:51,680 --> 00:33:54,240
Speaker 2: So they haven't decorated yet because they're still repairing the

681
00:33:54,240 --> 00:33:55,760
Speaker 2: cracks from the earthquake.

682
00:33:55,880 --> 00:34:01,440
Speaker 1: That's the well the storage facility was heavily damaged all

683
00:34:01,480 --> 00:34:04,360
Speaker 1: of their current decorations. They're just gonna have to replace

684
00:34:04,400 --> 00:34:05,920
Speaker 1: him with all of the money that they have for

685
00:34:06,000 --> 00:34:07,000
Speaker 1: their decorating budget.

686
00:34:07,120 --> 00:34:09,680
Speaker 2: So I'm glad we figured this out.

687
00:34:10,120 --> 00:34:11,520
Speaker 1: Me too, This is critical.

688
00:34:11,840 --> 00:34:14,560
Speaker 2: Danny and Steph walk into the kitchen and stuff announces

689
00:34:14,600 --> 00:34:18,360
Speaker 2: that she and Danny are having the best morning. Danny agrees,

690
00:34:18,440 --> 00:34:21,319
Speaker 2: so Steph offers, let's keep the fun going. I'll go

691
00:34:21,400 --> 00:34:24,840
Speaker 2: to work with you. Danny shuts this idea down, reminding

692
00:34:24,880 --> 00:34:27,759
Speaker 2: stuff that she has to go to school. Stephanie tries

693
00:34:27,760 --> 00:34:30,799
Speaker 2: to butter him up, calling him the smartest person in

694
00:34:30,840 --> 00:34:35,240
Speaker 2: the whole world. Danny takes this compliment, but he tells

695
00:34:35,239 --> 00:34:37,920
Speaker 2: her that there must be someone smarter than him. Maybe

696
00:34:37,960 --> 00:34:41,960
Speaker 2: in Japan. Joey and Jesse give him a sarcastick no.

697
00:34:42,800 --> 00:34:46,359
Speaker 2: In Unison. Danny promises Steph that they will have fun

698
00:34:46,400 --> 00:34:49,600
Speaker 2: together when he gets home. Steph nods and gives him

699
00:34:49,600 --> 00:34:52,480
Speaker 2: a big hug, saying that she can't wait. And I

700
00:34:52,560 --> 00:34:55,000
Speaker 2: noticed that Danny's drinking out of a blue mug, which

701
00:34:55,000 --> 00:34:57,280
Speaker 2: is the exact same color as the couch and the curtains.

702
00:34:57,320 --> 00:34:59,640
Speaker 1: Like they have this well, the plates and the plates

703
00:35:00,600 --> 00:35:03,600
Speaker 1: I too. The place mats are.

704
00:35:03,520 --> 00:35:07,879
Speaker 2: Blue plaid, and his comforter in his room is blue plaid.

705
00:35:08,000 --> 00:35:11,799
Speaker 2: Blue plaid. This was I mean.

706
00:35:11,800 --> 00:35:14,520
Speaker 1: Talking about well, it's sort of blue Gingham.

707
00:35:14,600 --> 00:35:19,040
Speaker 2: But yeah, they went they went hard on this blue

708
00:35:19,280 --> 00:35:20,000
Speaker 2: plaid theme.

709
00:35:20,640 --> 00:35:20,839
Speaker 1: Yep.

710
00:35:22,040 --> 00:35:24,800
Speaker 2: So before walking away to get her things, she offers

711
00:35:24,880 --> 00:35:27,200
Speaker 2: Danny to come to school with her, pointing out that

712
00:35:27,239 --> 00:35:32,160
Speaker 2: it's Macaroni's Surprise day after Steff's gone. Joey points out

713
00:35:32,160 --> 00:35:35,800
Speaker 2: that she's been really clingy to Danny lately. He asks

714
00:35:35,920 --> 00:35:39,160
Speaker 2: what's going on with her. Danny insists that nothing's going

715
00:35:39,160 --> 00:35:42,120
Speaker 2: on with her. He asks, what's wrong with a daughter

716
00:35:42,320 --> 00:35:43,440
Speaker 2: adoring her father?

717
00:35:44,160 --> 00:35:45,000
Speaker 1: You heard her, he.

718
00:35:44,960 --> 00:35:48,200
Speaker 2: Says, she thinks I'm the smartest, most handsome dad in

719
00:35:48,239 --> 00:35:51,839
Speaker 2: the universe. Jesse furrows his brow, telling him she never

720
00:35:51,880 --> 00:35:56,040
Speaker 2: said anything about handsome, and Danny smirks, telling them it

721
00:35:56,080 --> 00:35:56,960
Speaker 2: goes without saying.

722
00:35:58,920 --> 00:36:00,160
Speaker 1: You know, I have to say that it is. It's

723
00:36:00,239 --> 00:36:03,319
Speaker 1: kind of funny because we do this is something that

724
00:36:03,320 --> 00:36:06,319
Speaker 1: we've seen happen with Danny a couple of times where

725
00:36:07,680 --> 00:36:10,359
Speaker 1: like something's wrong or like with the Michelle thing where

726
00:36:10,400 --> 00:36:12,799
Speaker 1: he was giving her and you know, letting her do

727
00:36:12,920 --> 00:36:15,440
Speaker 1: stuff or whatever it was. I forget and Jess and

728
00:36:15,520 --> 00:36:19,040
Speaker 1: joe were like, you can't. You know, it's interesting that

729
00:36:19,480 --> 00:36:22,480
Speaker 1: we kind of pick up on Danny's blind spots as

730
00:36:22,520 --> 00:36:25,160
Speaker 1: a parent, which we all have as parents, of those

731
00:36:25,200 --> 00:36:26,919
Speaker 1: things that were like no, no, no, no, that's fine,

732
00:36:26,920 --> 00:36:29,919
Speaker 1: But I like when they do that. But it's yeah,

733
00:36:29,960 --> 00:36:33,600
Speaker 1: it's it's kind of a consistant thing where, you know, Danny,

734
00:36:33,680 --> 00:36:38,279
Speaker 1: I think also he enjoys the the snugliness and the

735
00:36:38,440 --> 00:36:42,000
Speaker 1: cuddling of his kids, and you know that's something that

736
00:36:42,040 --> 00:36:44,839
Speaker 1: most parents enjoy. And so when their kid, you know,

737
00:36:45,000 --> 00:36:46,839
Speaker 1: is giving them that attention, they're like, no, they're fine,

738
00:36:46,880 --> 00:36:49,640
Speaker 1: they just want some extra snuggles. But yeah, it's just

739
00:36:49,680 --> 00:36:51,920
Speaker 1: an interesting sort of thing that has recurred a couple

740
00:36:52,000 --> 00:36:54,360
Speaker 1: times with Danny, where he doesn't quite always see the

741
00:36:54,360 --> 00:36:54,880
Speaker 1: big picture.

742
00:36:55,320 --> 00:36:57,919
Speaker 2: Well, it makes him more of a real character. It's like, yeah,

743
00:36:57,920 --> 00:36:59,800
Speaker 2: exactly this. We don't want to see him be the

744
00:36:59,800 --> 00:37:02,120
Speaker 2: per perfect dad, even though he is like America's dad.

745
00:37:02,680 --> 00:37:05,280
Speaker 2: It's good to see the flaws too, and that Danny

746
00:37:05,320 --> 00:37:07,600
Speaker 2: needs help. He really does need help from these two

747
00:37:07,640 --> 00:37:09,360
Speaker 2: knuckleheads that live with him.

748
00:37:09,680 --> 00:37:10,520
Speaker 1: Yeah.

749
00:37:10,840 --> 00:37:13,480
Speaker 2: So a little while later, in the living room, Steph

750
00:37:13,480 --> 00:37:17,040
Speaker 2: peeks out the front door, looking around frantically. She yells

751
00:37:17,160 --> 00:37:21,839
Speaker 2: Uncle Jesse, Joey, where's daddy. Jesse shrugs, telling her he's

752
00:37:21,880 --> 00:37:25,360
Speaker 2: probably just stuck in traffic. She nervously reminds them that

753
00:37:25,400 --> 00:37:28,799
Speaker 2: they don't know that for sure. Joey grabs her hand

754
00:37:28,880 --> 00:37:31,239
Speaker 2: and tells her that while they wait for Danny, they

755
00:37:31,280 --> 00:37:34,760
Speaker 2: can watch The Wizard of Oz. Jesse chimes in, saying, yeah,

756
00:37:34,800 --> 00:37:38,160
Speaker 2: you love those munchkins. Joey bends down and begins to

757
00:37:38,200 --> 00:37:41,839
Speaker 2: sing the Lollipop Guild while doing a munchkin impression, but

758
00:37:41,880 --> 00:37:47,200
Speaker 2: Steph is unenthusiastic. Just then, Danny walks in, and Steph

759
00:37:47,239 --> 00:37:49,799
Speaker 2: immediately runs up to him, telling him how much she

760
00:37:49,920 --> 00:37:52,040
Speaker 2: missed him. As he picks her up and gives her

761
00:37:52,040 --> 00:37:55,120
Speaker 2: a big hug, Danny tells her he was stuck in traffic.

762
00:37:55,640 --> 00:37:58,040
Speaker 2: He tries to set Stephanie down, but she won't let

763
00:37:58,120 --> 00:38:01,759
Speaker 2: go of him. Rasiastically tells him that they should play

764
00:38:01,760 --> 00:38:05,080
Speaker 2: pickup sticks. Danny admits that he'd love to, but it'll

765
00:38:05,080 --> 00:38:07,839
Speaker 2: have to wait until tomorrow. He tries to set her

766
00:38:07,840 --> 00:38:11,040
Speaker 2: down again, but she won't let go. Danny explains that

767
00:38:11,080 --> 00:38:14,600
Speaker 2: he has dinner plans tonight, and finally Steph releases him.

768
00:38:15,120 --> 00:38:17,400
Speaker 2: She offers to go with him to dinner, asking what

769
00:38:17,520 --> 00:38:20,520
Speaker 2: dress she should wear. He tells her it's a business

770
00:38:20,520 --> 00:38:24,480
Speaker 2: dinner for grown ups only, so she can't come. Steph

771
00:38:24,600 --> 00:38:28,960
Speaker 2: chases after him, screaming, Daddy, you can't go. Joey and

772
00:38:29,040 --> 00:38:31,400
Speaker 2: Jesse try to calm her down, reminding her that they'll

773
00:38:31,400 --> 00:38:34,840
Speaker 2: be home and they can play with her, but Stephanie screams, no,

774
00:38:35,200 --> 00:38:39,120
Speaker 2: I want my daddy. She holds onto Danny tightly, begging

775
00:38:39,239 --> 00:38:43,080
Speaker 2: him not to leave her. Danny bends down and hugs Steph.

776
00:38:43,320 --> 00:38:46,440
Speaker 2: He tells her he won't go, assuring her that everything

777
00:38:46,480 --> 00:38:51,120
Speaker 2: will be all right. The scene step this scene like

778
00:38:51,160 --> 00:38:52,960
Speaker 2: you and Bob, just to hit all of the right

779
00:38:53,040 --> 00:38:56,480
Speaker 2: emotional notes. I can feel your panic, like, I can

780
00:38:56,520 --> 00:38:59,440
Speaker 2: feel your clinginess, like it's really felt desperate. It's not

781
00:38:59,520 --> 00:39:02,160
Speaker 2: just some kids wanting to hang out with dad. No,

782
00:39:02,200 --> 00:39:04,799
Speaker 2: You're like there's trauma. There's trauma here, and I could

783
00:39:04,800 --> 00:39:07,960
Speaker 2: see it in your performance. It was very very well done.

784
00:39:08,440 --> 00:39:08,839
Speaker 1: Thank you.

785
00:39:10,040 --> 00:39:13,000
Speaker 2: We cut to an emotional commercial break, and when we come.

786
00:39:12,920 --> 00:39:17,080
Speaker 1: Back, we are in unemotionally less emotionally less.

787
00:39:18,520 --> 00:39:23,279
Speaker 2: New word. We're in Danny's room. Steph, Michelle, and Danny

788
00:39:23,280 --> 00:39:26,920
Speaker 2: are playing together when Stuph proudly declares that she wins again.

789
00:39:27,640 --> 00:39:30,160
Speaker 2: She's holding a long chain of monkeys while telling them

790
00:39:30,480 --> 00:39:32,640
Speaker 2: playing a barrel of monkeys is more fun than playing

791
00:39:32,680 --> 00:39:35,080
Speaker 2: with a barrel of Oh I bet that's where they

792
00:39:35,080 --> 00:39:38,840
Speaker 2: got the name. Michelle shouts my turn, and Danny begins

793
00:39:38,880 --> 00:39:41,080
Speaker 2: to tell her how to play. He explains that the

794
00:39:41,120 --> 00:39:43,920
Speaker 2: first thing you do is shake it up. Michelle stands

795
00:39:43,920 --> 00:39:46,880
Speaker 2: and starts shaking her booty again. Danny hands are the

796
00:39:46,880 --> 00:39:49,399
Speaker 2: barrel and jokes, well, as long as you're shaking, hold this.

797
00:39:50,480 --> 00:39:52,680
Speaker 2: Then they tell Michelle to dump the monkeys on the floor.

798
00:39:53,000 --> 00:39:55,440
Speaker 2: Steph explains that now she has to try to pick

799
00:39:55,520 --> 00:39:59,400
Speaker 2: all the monkeys up. Michelle gives her thumbs up, got it, dude.

800
00:39:59,719 --> 00:40:02,080
Speaker 2: She picks the monkeys up, places them all in her

801
00:40:02,120 --> 00:40:04,319
Speaker 2: lap and admits that this is a very easy game.

802
00:40:05,880 --> 00:40:08,839
Speaker 1: I mean, there was no specifics given. She did well,

803
00:40:08,880 --> 00:40:11,720
Speaker 1: she was told she was like take them all up? Great? Done?

804
00:40:12,560 --> 00:40:23,440
Speaker 2: Yeah. Sure. Steph complains to her dad that Michelle is

805
00:40:23,480 --> 00:40:26,439
Speaker 2: turning the barrel of monkeys into a very silly game.

806
00:40:27,640 --> 00:40:30,520
Speaker 2: Danny uses his opportunity to pull Stephanie aside for a

807
00:40:30,560 --> 00:40:33,560
Speaker 2: conversation just the two of them. They sit on his

808
00:40:33,600 --> 00:40:36,480
Speaker 2: bed and Steph starts off with a joke, how do

809
00:40:36,520 --> 00:40:39,080
Speaker 2: you know an elephant has been in your refrigerator by

810
00:40:39,120 --> 00:40:42,560
Speaker 2: the footprints and the butter? And you do a lovely

811
00:40:42,840 --> 00:40:47,919
Speaker 2: fake laugh here right, very philistilla of man. Danny tells

812
00:40:47,960 --> 00:40:50,600
Speaker 2: a joke next, What's Purple and lives in the Ocean

813
00:40:51,080 --> 00:40:56,720
Speaker 2: Moby Grape. Danny laughs, but Steph doesn't get it. Danny

814
00:40:56,719 --> 00:40:57,840
Speaker 2: turns to still.

815
00:40:57,440 --> 00:40:59,400
Speaker 1: Feel that way, Kennedy.

816
00:40:59,520 --> 00:41:01,680
Speaker 2: I know he's he's referring to think it's movie dick,

817
00:41:01,760 --> 00:41:05,000
Speaker 2: But why great? I don't I don't know. I didn't

818
00:41:05,000 --> 00:41:05,200
Speaker 2: get it.

819
00:41:05,200 --> 00:41:07,000
Speaker 1: I think I don't think it. I mean, I don't

820
00:41:07,000 --> 00:41:08,080
Speaker 1: think it was supposed to be funny.

821
00:41:08,320 --> 00:41:11,120
Speaker 2: Oh well, then the joke, the joke works. The joke

822
00:41:11,160 --> 00:41:14,799
Speaker 2: didn't work, and work didn't work, and as it was

823
00:41:14,800 --> 00:41:18,279
Speaker 2: supposed to. So. Danny turns to Steph and asks, how

824
00:41:18,320 --> 00:41:20,480
Speaker 2: come you were so upset when I told you I

825
00:41:20,560 --> 00:41:23,600
Speaker 2: was going out to dinner. She says it's simply because

826
00:41:23,600 --> 00:41:27,160
Speaker 2: she wants to be with him. Danny's noticed that lately

827
00:41:27,239 --> 00:41:29,960
Speaker 2: she's been clinging to his side all the time, and

828
00:41:30,000 --> 00:41:31,879
Speaker 2: he wants to know what's bothering her so he can

829
00:41:31,960 --> 00:41:35,480
Speaker 2: make her feel better. Steph responds in a chiper tone,

830
00:41:35,600 --> 00:41:37,879
Speaker 2: I feel fine. Danny tells her.

831
00:41:38,160 --> 00:41:40,840
Speaker 1: Everything's great. I'm fine, Everything's fine, Okay, I'm fine.

832
00:41:42,680 --> 00:41:44,680
Speaker 2: Danny says, well, then I guess you won't be sleeping

833
00:41:44,719 --> 00:41:48,640
Speaker 2: in my room anymore. She pauses before asking if he's

834
00:41:48,640 --> 00:41:52,000
Speaker 2: mad at her. Danny starts to get frustrated as he

835
00:41:52,040 --> 00:41:54,479
Speaker 2: tells Steph he's not mad at her, he just needs

836
00:41:54,520 --> 00:41:58,000
Speaker 2: to know what's bothering her. Steph gets upset as her

837
00:41:58,080 --> 00:42:03,240
Speaker 2: voice raises, nothing is bothering me. She brushes this conversation aside,

838
00:42:03,360 --> 00:42:06,840
Speaker 2: asking her dad to play Barrel of Monkeys again. Steph

839
00:42:06,880 --> 00:42:09,920
Speaker 2: walks over to Michelle, who says the monkeys are sleeping.

840
00:42:10,760 --> 00:42:13,239
Speaker 2: Steph leans down to the barrel and says good night

841
00:42:13,280 --> 00:42:18,319
Speaker 2: to the monkeys. Well, Danny watches Stephanie with a worry. Ooh,

842
00:42:19,160 --> 00:42:22,400
Speaker 2: there's definitely something going on, and Danny is finally catching on.

843
00:42:23,320 --> 00:42:25,520
Speaker 1: Is it? So? I had this moment when we were

844
00:42:25,560 --> 00:42:28,319
Speaker 1: watching them play Barrel of Monkeys and he's like, oh,

845
00:42:28,360 --> 00:42:31,799
Speaker 1: you have to first, you have to shake it. And I,

846
00:42:31,920 --> 00:42:34,839
Speaker 1: for a brief split second, thought maybe they would turn

847
00:42:34,880 --> 00:42:37,960
Speaker 1: that into something where Steph would about shaking.

848
00:42:38,120 --> 00:42:40,720
Speaker 2: Oh you know, yeah, I didn't make.

849
00:42:40,600 --> 00:42:44,040
Speaker 1: That that would be, but I guess that would have

850
00:42:44,080 --> 00:42:46,200
Speaker 1: been a little too on the nose, and then Danny

851
00:42:46,239 --> 00:42:47,640
Speaker 1: kind would have figured it out. We wanted to know.

852
00:42:48,400 --> 00:42:51,720
Speaker 2: Yeah, yeah, it's okay, Yeah, no, that was I didn't

853
00:42:51,760 --> 00:42:53,880
Speaker 2: think about that reconnection, Oh, thinking, is this going to

854
00:42:53,920 --> 00:42:57,120
Speaker 2: be the trigger for Stephanie? But it ends up being

855
00:42:57,200 --> 00:43:00,520
Speaker 2: just the barrel of monkeys. That's it. So next in

856
00:43:00,560 --> 00:43:03,279
Speaker 2: the kitchen, Jesse is tending to a large pot and

857
00:43:03,320 --> 00:43:05,840
Speaker 2: walks away for a moment. Joey swoops in to have

858
00:43:05,880 --> 00:43:09,600
Speaker 2: a taste and exclaims this soup has no taste. Jesse

859
00:43:09,640 --> 00:43:12,520
Speaker 2: gives him a blank stare before telling him he's boiling water.

860
00:43:13,320 --> 00:43:17,200
Speaker 2: Joey takes another sip and admits, in that case, it's delicious.

861
00:43:18,719 --> 00:43:21,040
Speaker 2: DJ walks into the kitchen with a smile. Her hair

862
00:43:21,200 --> 00:43:24,200
Speaker 2: is no longer covering her face. When asked how the

863
00:43:24,239 --> 00:43:26,960
Speaker 2: play was, she admits it was fun, but the great

864
00:43:27,000 --> 00:43:31,560
Speaker 2: news is everybody has zits. She tells the story about

865
00:43:31,600 --> 00:43:33,200
Speaker 2: how she went into the bathroom to see if she

866
00:43:33,280 --> 00:43:36,719
Speaker 2: could still stop traffic with her nose, and there were

867
00:43:36,760 --> 00:43:41,040
Speaker 2: ten other girls checking out their zits too. She asked

868
00:43:41,040 --> 00:43:43,440
Speaker 2: the girls, Hey, anyone want to play Connect the dots,

869
00:43:43,880 --> 00:43:46,439
Speaker 2: and DJ recounts how it made all of the girls laugh.

870
00:43:47,280 --> 00:43:50,240
Speaker 2: DJ realizes that having zits isn't such a big deal,

871
00:43:50,840 --> 00:43:53,880
Speaker 2: just as long as their faces don't clear up before hers.

872
00:43:54,880 --> 00:43:57,680
Speaker 2: She leaves and Jesse has a smug grin on his face.

873
00:43:58,000 --> 00:44:01,960
Speaker 2: He proudly says Joey, we did it again, and Joey

874
00:44:02,000 --> 00:44:05,880
Speaker 2: reminds him that they didn't do anything very true.

875
00:44:06,960 --> 00:44:08,840
Speaker 1: I was, I was. That was a pretty quick resolution

876
00:44:09,160 --> 00:44:12,000
Speaker 1: to that storyline. But again, it was kind of the

877
00:44:12,000 --> 00:44:14,959
Speaker 1: focus had to be on and I think really DJ

878
00:44:15,160 --> 00:44:19,560
Speaker 1: was just the device for driving home that it was

879
00:44:19,640 --> 00:44:20,239
Speaker 1: Christmas time.

880
00:44:20,840 --> 00:44:22,080
Speaker 2: That might have been the sole purpose.

881
00:44:22,200 --> 00:44:23,880
Speaker 1: That was literally they were like, are we gonna I

882
00:44:23,920 --> 00:44:26,959
Speaker 1: don't know if missus claus costume, you know, yeah, yeah.

883
00:44:27,040 --> 00:44:28,880
Speaker 2: I wish they had saved it for a different episode,

884
00:44:28,920 --> 00:44:31,400
Speaker 2: because ye, to a teenager having your first as it

885
00:44:31,520 --> 00:44:34,520
Speaker 2: is is a ba's very embarrassing. But it was just

886
00:44:34,520 --> 00:44:36,400
Speaker 2: sort of trivialized in the context of this.

887
00:44:36,800 --> 00:44:39,959
Speaker 1: I don't feel like I would know of any middle

888
00:44:40,000 --> 00:44:43,840
Speaker 1: schoolers that would be like joking about their zits together

889
00:44:43,960 --> 00:44:47,480
Speaker 1: and maybe maybe now, but especially not back then.

890
00:44:47,520 --> 00:44:50,799
Speaker 2: It was not in junior. I know that was nobody.

891
00:44:50,920 --> 00:44:53,120
Speaker 1: Now as an adult, yeah, I mean, as an adult,

892
00:44:53,160 --> 00:44:55,839
Speaker 1: I have one joining us for the podcast, our third

893
00:44:55,880 --> 00:44:56,600
Speaker 1: co host.

894
00:44:56,719 --> 00:44:58,799
Speaker 2: Oh yeah, yeah, we can joke about it now, But

895
00:44:58,960 --> 00:45:02,120
Speaker 2: in seventh grade that is oh my god, no, yeah,

896
00:45:02,160 --> 00:45:05,480
Speaker 2: no way. So Danny walks in. He tells the guys

897
00:45:05,480 --> 00:45:08,239
Speaker 2: that Stephanie won't tell him what's wrong with her, and

898
00:45:08,280 --> 00:45:11,840
Speaker 2: he's tried everything to get through to her. Joey insists

899
00:45:11,880 --> 00:45:14,720
Speaker 2: that he not be so hard on himself, but Danny

900
00:45:14,760 --> 00:45:16,799
Speaker 2: tells them he has a trophy in his bedroom that

901
00:45:16,840 --> 00:45:20,200
Speaker 2: says World's Greatest Dad, and he'd like to deserve it.

902
00:45:21,440 --> 00:45:24,880
Speaker 2: Jesse reminds him that not every dad knows every answer

903
00:45:25,040 --> 00:45:28,600
Speaker 2: to every problem, and Joey offers the idea that maybe

904
00:45:28,640 --> 00:45:31,680
Speaker 2: they need some help with this. Danny asks, what do

905
00:45:31,719 --> 00:45:34,280
Speaker 2: you mean, like take her to a therapist or something,

906
00:45:35,040 --> 00:45:38,600
Speaker 2: and Joey shrugs, yeah, why not. Danny gets up from

907
00:45:38,600 --> 00:45:42,160
Speaker 2: the table, assuring him that it's not that serious. Joey

908
00:45:42,360 --> 00:45:44,560
Speaker 2: tries to reason with him, but Danny cuts him off.

909
00:45:45,000 --> 00:45:46,960
Speaker 2: She has these times where she needs me, and then

910
00:45:46,960 --> 00:45:49,399
Speaker 2: we spend some time together and then things are calm again.

911
00:45:50,239 --> 00:45:54,759
Speaker 2: Jesse chimes in, after what happened today? Whatever Stephanie's problem is,

912
00:45:55,120 --> 00:45:59,560
Speaker 2: it's not going away. It's getting worse. Danny asks, what

913
00:45:59,600 --> 00:46:01,440
Speaker 2: do you want me to do? Take Stephanie to some

914
00:46:01,520 --> 00:46:04,480
Speaker 2: stranger and admit that I can't handle my kids problems.

915
00:46:05,440 --> 00:46:08,600
Speaker 2: Jesse responds, No, I want you to say that you

916
00:46:08,760 --> 00:46:12,160
Speaker 2: love Stephanie so much that you would do anything to

917
00:46:12,280 --> 00:46:13,360
Speaker 2: help her.

918
00:46:13,960 --> 00:46:18,200
Speaker 1: Yeah. I liked that this was a struggle because in

919
00:46:18,239 --> 00:46:21,120
Speaker 1: a house with three dads and three men, not to

920
00:46:21,320 --> 00:46:24,879
Speaker 1: you know, generalize, but I do think they probably would

921
00:46:24,880 --> 00:46:27,760
Speaker 1: have been a little bit less emotionally connected or in tune.

922
00:46:28,160 --> 00:46:32,920
Speaker 1: And particularly I think a lot of you know, therapy

923
00:46:33,000 --> 00:46:35,759
Speaker 1: is seen as like something's you know wrong, like there

924
00:46:36,000 --> 00:46:37,799
Speaker 1: you need to be fixed. And that was kind of

925
00:46:37,960 --> 00:46:40,000
Speaker 1: need to be fixed, the mentality that Danny had and

926
00:46:40,040 --> 00:46:42,960
Speaker 1: I and you know, watching it now, you're like, oh

927
00:46:42,960 --> 00:46:44,359
Speaker 1: my god, why would you think that way? Like that's

928
00:46:44,400 --> 00:46:47,200
Speaker 1: not but it was. But it's so important because that

929
00:46:47,280 --> 00:46:49,440
Speaker 1: is how so many people view it. And yeah, I

930
00:46:49,480 --> 00:46:51,399
Speaker 1: just I really liked that, you know, they showed Danny

931
00:46:51,440 --> 00:46:54,759
Speaker 1: kind of have this transformation and that he was like, well,

932
00:46:54,800 --> 00:46:57,080
Speaker 1: nothing's wrong, We're fine. You know, I can do this

933
00:46:58,640 --> 00:47:00,759
Speaker 1: a little bit of insight into you know, sometimes why

934
00:47:00,800 --> 00:47:02,560
Speaker 1: parents are a little bit resistant. It's not that they

935
00:47:02,560 --> 00:47:04,759
Speaker 1: don't want their kid to get help, it's that they

936
00:47:04,800 --> 00:47:06,799
Speaker 1: want to they're the parent, they I should be the

937
00:47:06,800 --> 00:47:08,040
Speaker 1: one that solves all of this.

938
00:47:08,280 --> 00:47:11,719
Speaker 2: And yeah, a lot of people think they know their

939
00:47:11,800 --> 00:47:16,080
Speaker 2: kids better than any any professional out there. And yeah,

940
00:47:16,080 --> 00:47:18,680
Speaker 2: this is such an important conversation and I love that

941
00:47:18,719 --> 00:47:21,400
Speaker 2: it comes from Jesse and Joey right too, who were like,

942
00:47:21,400 --> 00:47:23,400
Speaker 2: they're kind of the knuckleheads and don't.

943
00:47:23,040 --> 00:47:25,759
Speaker 1: Diaper baby soup water, you know what I mean? I mean,

944
00:47:26,160 --> 00:47:28,359
Speaker 1: And now he's like, you should take her to therapy.

945
00:47:29,120 --> 00:47:31,120
Speaker 2: Yeah, it was great.

946
00:47:31,239 --> 00:47:31,640
Speaker 1: You never know.

947
00:47:31,920 --> 00:47:35,080
Speaker 2: It showed two very different viewpoints about hey, it's okay

948
00:47:35,120 --> 00:47:37,319
Speaker 2: to it's okay to ask for some help. And then

949
00:47:37,320 --> 00:47:39,440
Speaker 2: there's Danny who's just like, no, no, I don't want

950
00:47:39,440 --> 00:47:43,160
Speaker 2: to admit failure, but he's not a failure. There's some

951
00:47:43,239 --> 00:47:45,919
Speaker 2: things that he can't solve and this is one of them,

952
00:47:46,040 --> 00:47:47,439
Speaker 2: and so he needs some outside help.

953
00:47:48,120 --> 00:47:51,000
Speaker 1: This is also giving me great encouragement that maybe Jesse

954
00:47:51,080 --> 00:47:53,319
Speaker 1: will go to therapy someday, because obviously not.

955
00:47:53,280 --> 00:47:53,840
Speaker 2: Opposed to it.

956
00:47:53,920 --> 00:47:57,040
Speaker 1: So you know, it's the door, it's I have some hope.

957
00:47:57,680 --> 00:48:01,920
Speaker 2: It's getting better. Yes, it's getting better. So Danny sighs

958
00:48:02,360 --> 00:48:05,680
Speaker 2: he's gonna call her pediatrician and see who he recommends.

959
00:48:06,320 --> 00:48:09,680
Speaker 2: Joey tells him he's a great dad, and Danny acknowledges

960
00:48:09,719 --> 00:48:13,480
Speaker 2: that they make pretty great dads too. I love this

961
00:48:13,560 --> 00:48:16,000
Speaker 2: part too, about because a lot of people are like, well,

962
00:48:16,040 --> 00:48:17,440
Speaker 2: how do I find a therapist. It's not like you

963
00:48:17,520 --> 00:48:20,440
Speaker 2: just open up a phone book, you know, call her

964
00:48:20,520 --> 00:48:23,359
Speaker 2: pediatrician like that. That's how I found my therapy. Off

965
00:48:23,400 --> 00:48:25,480
Speaker 2: to your pediatrician, but through my obig yn.

966
00:48:25,560 --> 00:48:26,360
Speaker 1: That's the point.

967
00:48:26,600 --> 00:48:29,439
Speaker 2: That's how the therapist I still see now fifteen years

968
00:48:29,520 --> 00:48:32,840
Speaker 2: later is you know, that's a great, great place to start,

969
00:48:32,920 --> 00:48:36,680
Speaker 2: and so I'm glad they threw that in there. Jesse

970
00:48:36,760 --> 00:48:39,440
Speaker 2: gets into dad mode, telling Danny to go make his

971
00:48:39,440 --> 00:48:42,080
Speaker 2: phone call, clean up for dinner, and wash under those nails.

972
00:48:42,360 --> 00:48:45,719
Speaker 2: Danny nods yes, sir and begins to walk off. Joey

973
00:48:45,760 --> 00:48:48,400
Speaker 2: gets in on the act and son, he signals for

974
00:48:48,480 --> 00:48:51,399
Speaker 2: Danny to come back. I know about those magazines under

975
00:48:51,440 --> 00:48:58,560
Speaker 2: your bed. Okay, but yeah, other than this weird off

976
00:48:58,600 --> 00:49:02,439
Speaker 2: color joke at the end, was a really great so ending.

977
00:49:02,480 --> 00:49:04,480
Speaker 1: But yeah, but now to the therapist's office, right.

978
00:49:06,880 --> 00:49:11,520
Speaker 2: Yes, so now the best scene in my opinion, we're

979
00:49:11,520 --> 00:49:15,560
Speaker 2: in the therapist's office. Stephan Danny walk into a children's

980
00:49:15,680 --> 00:49:19,520
Speaker 2: therapy room filled with bright colors and games. Another mom

981
00:49:19,640 --> 00:49:23,000
Speaker 2: and little girl are there, getting ready to leave. Steph

982
00:49:23,080 --> 00:49:25,480
Speaker 2: greets the young girl and asks how it is there.

983
00:49:26,200 --> 00:49:28,560
Speaker 2: The girl admits that it's pretty fun and the best

984
00:49:28,600 --> 00:49:33,080
Speaker 2: part is you get to miss school. The therapist walks

985
00:49:33,080 --> 00:49:36,120
Speaker 2: back into the room and introduces herself as Marion Steiner.

986
00:49:36,600 --> 00:49:40,640
Speaker 2: Danny introduces himself and Stephanie. Marian tells Stephanie that they're

987
00:49:40,640 --> 00:49:43,040
Speaker 2: going to have a great time. She has all kinds

988
00:49:43,080 --> 00:49:46,279
Speaker 2: of toys. Steph asks if she has the Nintendo Game

989
00:49:46,280 --> 00:49:47,600
Speaker 2: Boy with Super Mario.

990
00:49:47,360 --> 00:49:52,879
Speaker 1: Others Classic and this is not color Super Mario Brothers. Guys.

991
00:49:52,920 --> 00:49:57,760
Speaker 1: This was This was a greenish gray sort of screen

992
00:49:58,440 --> 00:50:01,840
Speaker 1: with little pixels and and it was the top of

993
00:50:01,920 --> 00:50:04,359
Speaker 1: the line. It was the newest, coolest thing.

994
00:50:04,520 --> 00:50:09,400
Speaker 2: Oh, it was the bomb, right, This was advanced technology.

995
00:50:09,560 --> 00:50:13,840
Speaker 1: And yeah, basically was like like a Tamagotchi in a

996
00:50:13,840 --> 00:50:15,440
Speaker 1: bigger case, you know what I mean. Like that was

997
00:50:15,480 --> 00:50:16,920
Speaker 1: the extent of it. It was just.

998
00:50:19,239 --> 00:50:23,719
Speaker 2: So cool. Yep, yep, I love it. Marian admits that

999
00:50:23,760 --> 00:50:26,239
Speaker 2: she does not have a Super Mario Brothers, but she'll

1000
00:50:26,239 --> 00:50:29,640
Speaker 2: add it to her shopping list. She then asks Stephanie

1001
00:50:29,640 --> 00:50:32,960
Speaker 2: to draw a picture of her family. Steph says she's

1002
00:50:32,960 --> 00:50:36,400
Speaker 2: in luck because family and birds are her two best things.

1003
00:50:37,800 --> 00:50:39,919
Speaker 2: Marian points out to Danny that he has a very

1004
00:50:40,040 --> 00:50:44,560
Speaker 2: verbal daughter. Danny laughs, telling the doctor where they got there,

1005
00:50:44,600 --> 00:50:50,120
Speaker 2: He goes on and on and on art imitates life

1006
00:50:50,239 --> 00:50:53,480
Speaker 2: right now. Huh uh. So Danny goes on and on

1007
00:50:53,480 --> 00:50:55,759
Speaker 2: about how much she likes to babble, concluding that he

1008
00:50:56,120 --> 00:50:59,040
Speaker 2: has no idea where she gets it from. Marian gives

1009
00:50:59,080 --> 00:51:02,440
Speaker 2: a small laugh and asks Danny to sit down. He

1010
00:51:02,480 --> 00:51:05,360
Speaker 2: tells her you probably haven't noticed, but I'm a little nervous,

1011
00:51:05,680 --> 00:51:10,080
Speaker 2: and he dabs his sweaty head with a handkerchief. Marian nods,

1012
00:51:10,280 --> 00:51:14,080
Speaker 2: I noticed. Danny explains, this is the first time Stephanie

1013
00:51:14,120 --> 00:51:17,720
Speaker 2: hasn't been able to tell me what's bothering her. Marian

1014
00:51:17,800 --> 00:51:20,880
Speaker 2: tells him that steph may not even be aware herself.

1015
00:51:21,600 --> 00:51:24,600
Speaker 2: We don't always know why we do the things we do.

1016
00:51:27,160 --> 00:51:31,600
Speaker 2: Sot on observation. Oh my, even it doesn't matter if

1017
00:51:32,120 --> 00:51:36,440
Speaker 2: years older, you're forty eight. Yeah, you just sometimes you

1018
00:51:36,440 --> 00:51:39,840
Speaker 2: don't know why you're acting the way you act. Danny

1019
00:51:40,000 --> 00:51:42,799
Speaker 2: is cleaning off the therapist's table with the handkerchief as

1020
00:51:42,840 --> 00:51:45,480
Speaker 2: she says this, so she uses it as an example.

1021
00:51:46,080 --> 00:51:48,400
Speaker 2: For instance, do you know why you're dusting my table.

1022
00:51:49,200 --> 00:51:51,480
Speaker 2: Danny lets out a nervous laugh, telling her he loves

1023
00:51:51,480 --> 00:51:54,520
Speaker 2: to dust. Then he asks her if something's wrong with that,

1024
00:51:55,000 --> 00:51:56,360
Speaker 2: and she questions.

1025
00:51:56,120 --> 00:51:58,520
Speaker 1: Question, though, wasn't Wasn't he just n he's having his

1026
00:51:58,560 --> 00:52:00,239
Speaker 1: sweaty brow with this and now he's wipe it all

1027
00:52:00,239 --> 00:52:04,600
Speaker 1: over her table. That's disgusting, Okay, And again, I mean,

1028
00:52:04,680 --> 00:52:06,360
Speaker 1: I guess he must be nervous, because that feels like

1029
00:52:06,400 --> 00:52:08,719
Speaker 1: something Danny would never do. Is be like sweat sweat,

1030
00:52:08,719 --> 00:52:10,239
Speaker 1: sweat table table, you know.

1031
00:52:13,400 --> 00:52:15,680
Speaker 2: Yeah, no, Danny would have a backup handkerchief and.

1032
00:52:17,280 --> 00:52:21,799
Speaker 1: Candkerchief. And then that that's that's too separate. I'm sure

1033
00:52:21,840 --> 00:52:24,120
Speaker 1: he's got a cleaning one in one pocket and then

1034
00:52:24,120 --> 00:52:26,439
Speaker 1: a dad in the other.

1035
00:52:27,000 --> 00:52:30,239
Speaker 2: He's just so nervous, and really that is handif that.

1036
00:52:30,440 --> 00:52:34,000
Speaker 1: Just tells uh, you know, rattled Danny is.

1037
00:52:34,520 --> 00:52:39,000
Speaker 2: Yeah, he's very rattled. So Danny tells her that when

1038
00:52:39,000 --> 00:52:40,880
Speaker 2: he was growing up, all the other kids wanted to

1039
00:52:40,880 --> 00:52:43,720
Speaker 2: be astronauts or fireman, and he wanted to be a maid.

1040
00:52:44,880 --> 00:52:47,760
Speaker 2: We quickly cut to Stephanie, who exclaims that she's done coloring.

1041
00:52:48,040 --> 00:52:50,160
Speaker 2: She's just glossying over that maid comment.

1042
00:52:50,200 --> 00:52:53,200
Speaker 1: Apparently, well, Danny, Danny will get to his therapy later.

1043
00:52:53,280 --> 00:52:54,959
Speaker 1: But there's a lot to unpack there.

1044
00:52:54,920 --> 00:52:57,440
Speaker 2: Yet, I hope. So, yeah, there is so much to

1045
00:52:57,520 --> 00:53:02,800
Speaker 2: impact there. So maryann it myers Stephanie's artwork. She asks

1046
00:53:02,920 --> 00:53:06,240
Speaker 2: steph to explain who all the people are in her drawing.

1047
00:53:07,080 --> 00:53:10,200
Speaker 2: Stuff begins to point to each person, explaining who they are,

1048
00:53:10,719 --> 00:53:13,440
Speaker 2: and she adds little traits about each member of the family,

1049
00:53:13,800 --> 00:53:17,200
Speaker 2: like Joey's pop Eye impressions and Jesse's love for Elvis.

1050
00:53:18,000 --> 00:53:19,560
Speaker 1: So one thing I learned is I should never do

1051
00:53:19,600 --> 00:53:24,560
Speaker 1: a Popeye impression. Oh yeah, you did. It was cute.

1052
00:53:24,680 --> 00:53:25,360
Speaker 2: It was cute.

1053
00:53:25,480 --> 00:53:26,960
Speaker 1: I looked like I was having some sort of a

1054
00:53:26,960 --> 00:53:28,360
Speaker 1: medical emergency.

1055
00:53:28,640 --> 00:53:30,839
Speaker 2: Okay, I wasn't gonna say anything because you're so old.

1056
00:53:30,920 --> 00:53:33,560
Speaker 1: I wrote it down literally, was like, what's happening to

1057
00:53:33,600 --> 00:53:37,120
Speaker 1: my face? Yeah, I said, I look like and having

1058
00:53:37,120 --> 00:53:38,600
Speaker 1: it a medical problem.

1059
00:53:38,719 --> 00:53:41,640
Speaker 2: You contorting your mouth into a shape I've never seen.

1060
00:53:43,360 --> 00:53:45,480
Speaker 2: I see you're a flipper like you had a couple

1061
00:53:45,520 --> 00:53:46,640
Speaker 2: of flippers in there too.

1062
00:53:46,800 --> 00:53:52,239
Speaker 1: Yeah, this is just so bad, so bad. What is this?

1063
00:53:54,320 --> 00:53:55,720
Speaker 1: Oh God, God's happening.

1064
00:53:55,719 --> 00:53:57,160
Speaker 2: I still don't know how to do it. Okay, let's

1065
00:53:57,160 --> 00:54:00,879
Speaker 2: gloss over that. So when stuff and he gets to DJ.

1066
00:54:01,280 --> 00:54:04,440
Speaker 2: Marian questions what the red dot is on that drawing.

1067
00:54:04,920 --> 00:54:06,560
Speaker 2: Steph explains, that's her news.

1068
00:54:06,640 --> 00:54:09,799
Speaker 1: It like a pet.

1069
00:54:10,920 --> 00:54:13,960
Speaker 2: Marian points to a squiggly line that Steph drew on

1070
00:54:14,040 --> 00:54:17,440
Speaker 2: the house and asks what it is. Steph tells her

1071
00:54:17,520 --> 00:54:20,440
Speaker 2: it's a crack in the wall from the earthquake, and

1072
00:54:20,520 --> 00:54:23,920
Speaker 2: Marian asks who is the man standing outside of the house.

1073
00:54:24,520 --> 00:54:28,479
Speaker 2: Steph says, that's my daddy. The therapist asks why isn't

1074
00:54:28,480 --> 00:54:31,839
Speaker 2: he inside with the rest of the family. Steph tells

1075
00:54:31,840 --> 00:54:34,280
Speaker 2: her it's because he was late the day of the earthquake.

1076
00:54:34,680 --> 00:54:37,480
Speaker 2: They didn't know where he was for three hours and

1077
00:54:37,520 --> 00:54:42,280
Speaker 2: it made her feel terrible. Stephanie walks over to Danny,

1078
00:54:42,400 --> 00:54:45,440
Speaker 2: recalling that she didn't know where he was or what happened.

1079
00:54:45,840 --> 00:54:48,360
Speaker 2: He should have been with her. She was so scared

1080
00:54:48,440 --> 00:54:53,040
Speaker 2: she'd never see him again. Marian inquires, so you were

1081
00:54:53,120 --> 00:54:55,759
Speaker 2: scared after the earthquake because you didn't know where your

1082
00:54:55,800 --> 00:55:00,200
Speaker 2: daddy was. Steph nods, and Marian continues, so do you

1083
00:55:00,200 --> 00:55:02,160
Speaker 2: think the reason you want to be with your daddy

1084
00:55:02,200 --> 00:55:04,719
Speaker 2: all the time is so you'll always know where he is.

1085
00:55:05,719 --> 00:55:10,320
Speaker 2: Steph responds, yeah, what if there's another earthquake. She tries

1086
00:55:10,360 --> 00:55:13,200
Speaker 2: not to think about another earthquake happening, but people are

1087
00:55:13,239 --> 00:55:16,120
Speaker 2: always talking about it, and it's on TV, and there

1088
00:55:16,120 --> 00:55:19,080
Speaker 2: are all those garbage trucks that feel like little earthquakes.

1089
00:55:20,280 --> 00:55:23,280
Speaker 2: Marian explains that when it comes to earthquakes, the best

1090
00:55:23,280 --> 00:55:26,440
Speaker 2: thing we can do is be prepared, and Danny assures

1091
00:55:26,440 --> 00:55:28,879
Speaker 2: his daughter that they are prepared. They have their water,

1092
00:55:29,040 --> 00:55:32,480
Speaker 2: their food, batteries and everything else that they talked about.

1093
00:55:32,640 --> 00:55:35,600
Speaker 2: Stephanie knows this, but she still worries about her dad.

1094
00:55:36,440 --> 00:55:39,279
Speaker 2: Marian has an idea. She tells Steph to write a

1095
00:55:39,320 --> 00:55:41,560
Speaker 2: list of things she can do so she won't worry

1096
00:55:41,600 --> 00:55:44,640
Speaker 2: when her dad is away. For example, her dad can

1097
00:55:44,680 --> 00:55:46,799
Speaker 2: call her when he knows he's going to be late.

1098
00:55:47,640 --> 00:55:51,600
Speaker 2: Stephanie likes that idea, she asks Marian, what else you got.

1099
00:55:52,120 --> 00:55:55,000
Speaker 2: Marian suggests that if Steph is still scared, she can

1100
00:55:55,040 --> 00:55:57,239
Speaker 2: spend a few more nights in her dad's room, but

1101
00:55:57,320 --> 00:56:01,120
Speaker 2: in a sleeping bag on the floor. Steph nods in agreement.

1102
00:56:01,840 --> 00:56:04,680
Speaker 2: Then she asks the most important question, what can we

1103
00:56:04,680 --> 00:56:08,920
Speaker 2: do about those garbage trucks? What a racket? Danny smiles,

1104
00:56:09,080 --> 00:56:13,720
Speaker 2: telling stuff he'll call their counselmen in the morning. Oh, Jodie,

1105
00:56:14,160 --> 00:56:15,960
Speaker 2: you're so good in this scene. Like I have to

1106
00:56:16,000 --> 00:56:18,200
Speaker 2: remind myself that you're only like seven or eight in

1107
00:56:18,280 --> 00:56:21,360
Speaker 2: this episode and thank you just have so much depth

1108
00:56:21,600 --> 00:56:22,640
Speaker 2: to you as a person.

1109
00:56:22,840 --> 00:56:25,879
Speaker 1: See, I was so critical of myself like watching it. Yeah,

1110
00:56:25,920 --> 00:56:28,000
Speaker 1: oh no, I mean I was like, oh, that's cute

1111
00:56:28,000 --> 00:56:30,120
Speaker 1: to get, you know, but I guess for like, I

1112
00:56:30,120 --> 00:56:31,480
Speaker 1: don't know. I was just was like, oh, I could

1113
00:56:31,520 --> 00:56:33,480
Speaker 1: have done more. I could have done this, but you

1114
00:56:33,480 --> 00:56:34,560
Speaker 1: know I was seven again.

1115
00:56:35,200 --> 00:56:38,239
Speaker 2: Well I thought I thought it was brilliant. And I'm

1116
00:56:38,239 --> 00:56:40,440
Speaker 2: not just saying that because because you're hearing.

1117
00:56:40,440 --> 00:56:43,759
Speaker 1: But I will say I liked that that the way

1118
00:56:43,880 --> 00:56:46,759
Speaker 1: it came about was sort of, you know, asking these

1119
00:56:46,880 --> 00:56:49,839
Speaker 1: questions to draw stuff out. It wasn't you know, And

1120
00:56:49,880 --> 00:56:54,960
Speaker 1: that you find that kids will tell you things indirectly

1121
00:56:55,160 --> 00:56:56,080
Speaker 1: about what's going on.

1122
00:56:57,040 --> 00:56:59,799
Speaker 2: Yeah, I like that too. The therapist didn't tell her, oh,

1123
00:56:59,840 --> 00:57:02,680
Speaker 2: this is what's wrong with you. She really lets Stephanie

1124
00:57:02,719 --> 00:57:06,759
Speaker 2: come to that conclusion on her own. But yeah, just

1125
00:57:06,800 --> 00:57:09,360
Speaker 2: such heavy stuff you had to deal with in this episode.

1126
00:57:09,400 --> 00:57:12,759
Speaker 2: And I wondered if, as a child actor, how you

1127
00:57:12,800 --> 00:57:15,000
Speaker 2: tap into those emotions because you haven't lived a whole

1128
00:57:15,040 --> 00:57:18,360
Speaker 2: lot of life yet, and so where were you directed

1129
00:57:18,680 --> 00:57:20,240
Speaker 2: this way or did Janice go.

1130
00:57:20,440 --> 00:57:22,960
Speaker 1: Into it with you or did you My mom definitely

1131
00:57:22,960 --> 00:57:24,440
Speaker 1: went through it with me. I mean, you know, running

1132
00:57:24,480 --> 00:57:28,080
Speaker 1: lines in the car and stuff, and but no, I

1133
00:57:28,080 --> 00:57:30,280
Speaker 1: think it was you know, earthquakes were scary and it

1134
00:57:30,400 --> 00:57:33,520
Speaker 1: was I. I don't I think tapping into that was

1135
00:57:34,000 --> 00:57:34,720
Speaker 1: pretty normal.

1136
00:57:35,160 --> 00:57:38,280
Speaker 2: Yeah, so you know it was. Yeah.

1137
00:57:38,320 --> 00:57:39,880
Speaker 1: I think I think it was just kind of something

1138
00:57:39,880 --> 00:57:41,480
Speaker 1: that I was like, yeah, I can see why this

1139
00:57:41,520 --> 00:57:42,440
Speaker 1: would be scary.

1140
00:57:43,000 --> 00:57:46,040
Speaker 2: Okay, yeah, I I as when I was on days

1141
00:57:46,040 --> 00:57:47,040
Speaker 2: of our lives, I had to do a lot of

1142
00:57:47,040 --> 00:57:49,000
Speaker 2: emotional scenes because I was always right, My father was

1143
00:57:49,000 --> 00:57:50,080
Speaker 2: always dying or getting.

1144
00:57:49,800 --> 00:57:53,200
Speaker 1: Brain getting right, father was always dying, father.

1145
00:57:54,040 --> 00:57:56,520
Speaker 2: Coming back as a different character. So I had all

1146
00:57:56,520 --> 00:57:58,360
Speaker 2: these emotional scenes and I was trying to remember how

1147
00:57:58,360 --> 00:58:00,880
Speaker 2: did I do that? Because yeah, it at six or seven,

1148
00:58:00,960 --> 00:58:03,440
Speaker 2: you don't have those life experiences. But I think I was.

1149
00:58:03,680 --> 00:58:06,480
Speaker 2: I think we're empathetic people, and so we can place

1150
00:58:06,520 --> 00:58:10,640
Speaker 2: ourselves in that position of like a child traumatized by

1151
00:58:10,760 --> 00:58:12,880
Speaker 2: an earthquake and right possibly.

1152
00:58:12,520 --> 00:58:15,680
Speaker 1: Losing another thing sad, something scary, and you're like, yeah,

1153
00:58:15,920 --> 00:58:16,520
Speaker 1: that's scary.

1154
00:58:17,000 --> 00:58:19,400
Speaker 2: Yeah, yeah, so I think that's how I think that's

1155
00:58:19,400 --> 00:58:20,840
Speaker 2: how we did it as children. I don't know, maybe

1156
00:58:20,840 --> 00:58:22,040
Speaker 2: I'm living it up, but that's.

1157
00:58:21,840 --> 00:58:27,000
Speaker 1: How it really was, you know, just sort of like

1158
00:58:28,480 --> 00:58:30,920
Speaker 1: tapping into what that would really feel like. I guess.

1159
00:58:31,320 --> 00:58:34,360
Speaker 2: Yeah, it's very very relatable and I'm sure that helped

1160
00:58:34,360 --> 00:58:35,800
Speaker 2: a lot of kids for sure.

1161
00:58:36,000 --> 00:58:39,560
Speaker 1: And I love that Steph like, you know, again, she

1162
00:58:39,600 --> 00:58:41,280
Speaker 1: goes to therapy and she does all this stuff, but

1163
00:58:41,320 --> 00:58:44,520
Speaker 1: like she still has her little Steph spunk to her,

1164
00:58:44,680 --> 00:58:47,720
Speaker 1: you know what I mean. And I appreciate that. You know,

1165
00:58:47,760 --> 00:58:51,000
Speaker 1: you see her going Okay, solution, solution, I like this,

1166
00:58:51,720 --> 00:58:54,440
Speaker 1: and okay, the gardens strucks, why do we do it?

1167
00:58:54,480 --> 00:58:57,680
Speaker 1: You know, like, but very Steph like you know that

1168
00:58:57,800 --> 00:59:01,720
Speaker 1: she's willing to take the action. And yeah, I just

1169
00:59:02,600 --> 00:59:03,400
Speaker 1: what a great kid.

1170
00:59:03,480 --> 00:59:07,800
Speaker 2: Like I just love I love Stephanie so much, Like

1171
00:59:07,920 --> 00:59:09,240
Speaker 2: she just rocks.

1172
00:59:09,000 --> 00:59:11,600
Speaker 1: And she was a she was a pretty rare little

1173
00:59:11,640 --> 00:59:15,720
Speaker 1: character and really was. Yeah. I loved that we got

1174
00:59:15,720 --> 00:59:19,480
Speaker 1: to tell this story though, about how important therapy and

1175
00:59:20,080 --> 00:59:22,440
Speaker 1: working through trauma and all that kind of stuff is.

1176
00:59:22,520 --> 00:59:25,560
Speaker 2: I mean, yeah, oh yeah, it was. It was very good.

1177
00:59:26,640 --> 00:59:29,360
Speaker 2: Uh So the last scene we're in stephan DJ's room.

1178
00:59:29,760 --> 00:59:32,200
Speaker 2: The whole family is gathered around stuph to tuck her

1179
00:59:32,240 --> 00:59:35,160
Speaker 2: into bed. Danny reminds her that there's a sleeping bag

1180
00:59:35,160 --> 00:59:38,120
Speaker 2: in his room if she wants it. She asks if

1181
00:59:38,120 --> 00:59:41,360
Speaker 2: he still snores, and Danny says yes. She decides she'll

1182
00:59:41,360 --> 00:59:44,520
Speaker 2: stay in her own room. Then Jesse tells Steph that

1183
00:59:44,560 --> 00:59:47,120
Speaker 2: if she needs anything, he's right across the hall, and

1184
00:59:47,240 --> 00:59:49,320
Speaker 2: Joey tells her that he's downstairs, but he can be

1185
00:59:49,440 --> 00:59:53,040
Speaker 2: upstairs like that. Steph tells all of them that if

1186
00:59:53,040 --> 00:59:56,120
Speaker 2: they need her, she'll be right there. Danny gives her

1187
00:59:56,160 --> 00:59:57,920
Speaker 2: a kiss on the head and tells her how great

1188
00:59:57,960 --> 01:00:00,480
Speaker 2: she's doing. They all say good night to the girls

1189
01:00:00,560 --> 01:00:03,400
Speaker 2: and walk out. DJ says good night to her little

1190
01:00:03,400 --> 01:00:07,000
Speaker 2: sister and gets into bed. Steph asks for a favor.

1191
01:00:07,320 --> 01:00:09,800
Speaker 2: She needs DJ to untuck her a little because she

1192
01:00:09,880 --> 01:00:12,520
Speaker 2: can't move again, you're the vampire.

1193
01:00:12,880 --> 01:00:15,280
Speaker 1: Well maybe that's what it is. Maybe they're all like,

1194
01:00:16,040 --> 01:00:18,800
Speaker 1: they're all tucking each other in so tight that they

1195
01:00:18,920 --> 01:00:21,000
Speaker 1: can't sleep.

1196
01:00:21,920 --> 01:00:25,200
Speaker 2: These Tanners, Like what is happening?

1197
01:00:25,800 --> 01:00:26,760
Speaker 1: It's strange.

1198
01:00:27,800 --> 01:00:28,600
Speaker 2: They're over time.

1199
01:00:28,880 --> 01:00:31,800
Speaker 1: The weirdest part is who's tucking day? You know what

1200
01:00:31,840 --> 01:00:34,520
Speaker 1: I mean? Like because he obviously sleeping the same way.

1201
01:00:34,560 --> 01:00:36,680
Speaker 1: So yeah, it's they're all just tucked in, snug as

1202
01:00:36,680 --> 01:00:36,959
Speaker 1: a bug.

1203
01:00:38,080 --> 01:00:41,440
Speaker 2: It's so funny. So DJ smiles as she gets out

1204
01:00:41,480 --> 01:00:45,000
Speaker 2: of bed to help. She untucks Stephanie and then kisses

1205
01:00:45,000 --> 01:00:48,040
Speaker 2: her on the cheek before saying goodnight. And that is

1206
01:00:48,120 --> 01:00:54,040
Speaker 2: our show. Wow. Then what an episode? Oh one of

1207
01:00:54,040 --> 01:00:56,439
Speaker 2: my top five. I mean, I like say this every season,

1208
01:00:56,480 --> 01:00:58,560
Speaker 2: but yeah, this has gotta be up there with the

1209
01:00:58,960 --> 01:01:03,320
Speaker 2: top five. It's just it's so well done, and especially

1210
01:01:03,400 --> 01:01:06,840
Speaker 2: for nineteen eighty nine, when therapy was not considered nearly

1211
01:01:06,880 --> 01:01:09,040
Speaker 2: as much as it is now. Yeah, I just thought

1212
01:01:09,080 --> 01:01:11,920
Speaker 2: that they hit all of the right notes, the beats,

1213
01:01:12,280 --> 01:01:14,720
Speaker 2: the points that they wanted to get, the message they

1214
01:01:14,720 --> 01:01:16,880
Speaker 2: wanted to get across, and I thought it was outstanding.

1215
01:01:17,000 --> 01:01:19,760
Speaker 1: Yeah, I agree, And in you know, a twenty two

1216
01:01:19,800 --> 01:01:26,120
Speaker 1: minute sitcom episode, we managed to address a pretty big,

1217
01:01:26,480 --> 01:01:29,959
Speaker 1: real issue and and you know, really talk to people

1218
01:01:29,960 --> 01:01:32,440
Speaker 1: about how to get help. I wonder if at the

1219
01:01:32,560 --> 01:01:35,760
Speaker 1: end of the episode it had one of those like

1220
01:01:35,880 --> 01:01:39,200
Speaker 1: if you your kidneys, help, call the National Mental Health

1221
01:01:39,200 --> 01:01:41,040
Speaker 1: hot Line, or if there even was one in nineteen

1222
01:01:41,040 --> 01:01:43,400
Speaker 1: eighty nine, But I wonder, you know, sure, I wonder

1223
01:01:43,400 --> 01:01:43,720
Speaker 1: if that.

1224
01:01:43,720 --> 01:01:45,800
Speaker 2: Was we did those at the end of like the

1225
01:01:45,880 --> 01:01:49,160
Speaker 2: abuse storyline that's to come right there were Yeah, they

1226
01:01:49,160 --> 01:01:51,080
Speaker 2: would put the hot line up there, and yeah, I.

1227
01:01:51,080 --> 01:01:53,160
Speaker 1: Just wonder, I mean, I wonder if that was I

1228
01:01:53,200 --> 01:01:56,280
Speaker 1: mean a mental health hotline in nineteen eighty nine. I'm

1229
01:01:56,280 --> 01:01:59,959
Speaker 1: sure it was one, but but yeah, I just wonder.

1230
01:02:00,160 --> 01:02:01,600
Speaker 1: That was like at the end of the you know,

1231
01:02:02,640 --> 01:02:03,880
Speaker 1: very special episode.

1232
01:02:03,560 --> 01:02:06,080
Speaker 2: Of I Bet You're right. I Bet You're right. But no,

1233
01:02:06,200 --> 01:02:10,560
Speaker 2: it was an important conversation to have. Jeff did this brilliantly.

1234
01:02:10,760 --> 01:02:12,200
Speaker 1: We did such a great job with this.

1235
01:02:12,520 --> 01:02:14,680
Speaker 2: Yeah, he did such a great job with this and

1236
01:02:14,840 --> 01:02:16,880
Speaker 2: some very important news we are going to hear from

1237
01:02:16,960 --> 01:02:20,200
Speaker 2: Jeff later this week. We interviewed him about this very

1238
01:02:20,240 --> 01:02:23,120
Speaker 2: episode to give us a behind the scenes look about

1239
01:02:23,400 --> 01:02:26,360
Speaker 2: what it was like writing this script in nineteen eighty nine,

1240
01:02:26,440 --> 01:02:28,680
Speaker 2: right after a major earthquake happened for me.

1241
01:02:28,760 --> 01:02:31,040
Speaker 1: Yeah, and it's really interesting. There's some really great insight

1242
01:02:31,320 --> 01:02:34,880
Speaker 1: in our interview with Jeff. It's so a great companion

1243
01:02:34,880 --> 01:02:37,880
Speaker 1: piece to watching this episode. And yeah, I learned a

1244
01:02:37,920 --> 01:02:40,480
Speaker 1: lot I did too, sort of the creation of the episode. Now,

1245
01:02:40,760 --> 01:02:44,640
Speaker 1: it was great and again, you know, our for being

1246
01:02:44,680 --> 01:02:49,520
Speaker 1: a fun family sitcom and you know something that you know,

1247
01:02:49,560 --> 01:02:51,960
Speaker 1: the critics thought was just sort of silly most of

1248
01:02:52,000 --> 01:02:55,240
Speaker 1: the time, and it was most of the time it

1249
01:02:55,280 --> 01:02:58,640
Speaker 1: was fun and silly. We did we did make an

1250
01:02:58,680 --> 01:03:02,440
Speaker 1: impact and we did, you know, talk about things that

1251
01:03:02,560 --> 01:03:06,560
Speaker 1: were important to families and kids and parents, and yeah,

1252
01:03:06,560 --> 01:03:07,400
Speaker 1: I'm really proud of that.

1253
01:03:07,760 --> 01:03:09,960
Speaker 2: I'm really proud too. And it's it's okay to not

1254
01:03:10,040 --> 01:03:12,320
Speaker 2: have all the answers too, Like I like that they

1255
01:03:12,320 --> 01:03:15,959
Speaker 2: showed Danny and his emotional journey through this as well,

1256
01:03:16,000 --> 01:03:18,680
Speaker 2: that you just you don't have to know, you don't

1257
01:03:18,760 --> 01:03:20,840
Speaker 2: have to be a parenting expert. You're not gonna have

1258
01:03:20,920 --> 01:03:23,040
Speaker 2: all the answers, so it's okay, Well it we go

1259
01:03:23,080 --> 01:03:23,919
Speaker 2: find someone who does.

1260
01:03:24,280 --> 01:03:28,360
Speaker 1: There was something in the episode for parents and kids,

1261
01:03:28,440 --> 01:03:29,600
Speaker 1: you know what I mean. The parents were going to

1262
01:03:29,640 --> 01:03:32,680
Speaker 1: walk away taking something entirely different from the show than

1263
01:03:32,800 --> 01:03:36,320
Speaker 1: maybe the key kids were, Yeah, about kind of who

1264
01:03:36,320 --> 01:03:38,040
Speaker 1: they related to. So yeah, I love that. That was

1265
01:03:38,040 --> 01:03:39,640
Speaker 1: a It was a great episode.

1266
01:03:39,840 --> 01:03:42,080
Speaker 2: It was good. My only critique and I'm going to

1267
01:03:42,320 --> 01:03:45,120
Speaker 2: change my mind live here on the podcast. Oh. I

1268
01:03:45,280 --> 01:03:49,040
Speaker 2: was initially disappointed that they didn't include a mention of

1269
01:03:49,280 --> 01:03:53,560
Speaker 2: Pam and how Stephanie lost her parents when Pam never

1270
01:03:53,640 --> 01:03:57,360
Speaker 2: came home, and then that triggered this emotional trauma to

1271
01:03:57,440 --> 01:04:01,360
Speaker 2: Danny not coming home. But you'll see when during our

1272
01:04:01,400 --> 01:04:04,000
Speaker 2: interview with Jeff, he touches on that and explains why

1273
01:04:04,160 --> 01:04:07,200
Speaker 2: that they didn't incat Pam. So I'm rescinding that critique

1274
01:04:07,240 --> 01:04:10,240
Speaker 2: and I'm glad that they wrote it exactly the way.

1275
01:04:10,160 --> 01:04:12,280
Speaker 1: They I mean, there's only so much trauma you can

1276
01:04:12,280 --> 01:04:15,600
Speaker 1: get into in that short sitcom episode so twenty two,

1277
01:04:18,640 --> 01:04:20,680
Speaker 1: And besides, we don't really ever talk about Pam anyway,

1278
01:04:20,680 --> 01:04:23,440
Speaker 1: we don't bring her up. It's not that important.

1279
01:04:24,360 --> 01:04:24,440
Speaker 2: Now.

1280
01:04:27,480 --> 01:04:29,880
Speaker 1: Yeah, again, I M sorry. I have to make jokes

1281
01:04:29,920 --> 01:04:32,280
Speaker 1: because we've been talking about a serious topic and I can't.

1282
01:04:32,480 --> 01:04:36,160
Speaker 2: I can't do You're overdue for an inappropriate joke.

1283
01:04:36,960 --> 01:04:39,720
Speaker 1: I will say this show, too, had a really good

1284
01:04:39,720 --> 01:04:43,960
Speaker 1: balance of like jokes and it wasn't overly silly or

1285
01:04:44,280 --> 01:04:48,080
Speaker 1: like really funny funny, you know what I mean. It

1286
01:04:48,120 --> 01:04:50,000
Speaker 1: was like, there were cute little moments, but it was

1287
01:04:50,080 --> 01:04:52,200
Speaker 1: I thought the tone was really good. They managed to

1288
01:04:52,280 --> 01:04:56,120
Speaker 1: like be respectful of what the show was addressing too.

1289
01:04:56,280 --> 01:04:58,440
Speaker 2: Yeah, if Jesse had brought in his band and done

1290
01:04:58,480 --> 01:05:01,080
Speaker 2: a live concert at midnight that would have thrown off

1291
01:05:01,120 --> 01:05:03,440
Speaker 2: the antul the entire emotional tone.

1292
01:05:03,320 --> 01:05:08,800
Speaker 1: Right right, that's what what picked stuff up. And she's like,

1293
01:05:08,880 --> 01:05:10,840
Speaker 1: is there a you know, is there an earthquake? No,

1294
01:05:10,920 --> 01:05:13,560
Speaker 1: it's just Uncle Jesse and the retail rippers, you know.

1295
01:05:13,640 --> 01:05:16,120
Speaker 2: Yeah, like you need all that that was left on

1296
01:05:16,120 --> 01:05:17,320
Speaker 2: the cutting zone floor.

1297
01:05:17,520 --> 01:05:20,520
Speaker 1: Thank god, Yeah, we didn't go down that route. Well,

1298
01:05:20,880 --> 01:05:23,800
Speaker 1: thank you everybody for joining us for another episode of

1299
01:05:23,800 --> 01:05:26,400
Speaker 1: how Rude Tanrito Is. We love getting to talk about

1300
01:05:26,400 --> 01:05:28,320
Speaker 1: all this stuff with you and this was again a

1301
01:05:28,400 --> 01:05:31,720
Speaker 1: very special episode of full House. But thanks for joining us.

1302
01:05:31,760 --> 01:05:34,080
Speaker 1: And if you want to follow us on Instagram, make

1303
01:05:34,080 --> 01:05:36,520
Speaker 1: sure you check out at how Rude Podcast. You can

1304
01:05:36,520 --> 01:05:38,800
Speaker 1: also send us an email at how redpodcast at gmail

1305
01:05:38,840 --> 01:05:41,760
Speaker 1: dot com. We love to hear your questions, your suggestions,

1306
01:05:41,760 --> 01:05:43,640
Speaker 1: I don't know, whatever, whatever thoughts you got, go go

1307
01:05:43,640 --> 01:05:46,080
Speaker 1: ahead and send them to us. And also make sure

1308
01:05:46,120 --> 01:05:49,120
Speaker 1: that you are subscribing to the podcast wherever you're listening

1309
01:05:49,120 --> 01:05:50,520
Speaker 1: to it so that you can get all the newest

1310
01:05:50,560 --> 01:05:52,760
Speaker 1: episodes as soon as they are released, so that you

1311
01:05:52,800 --> 01:05:55,480
Speaker 1: can hear, uh, you know, our minisode coming up with

1312
01:05:55,560 --> 01:05:57,800
Speaker 1: Jeff later in the week. I don't want to miss this.

1313
01:05:58,320 --> 01:05:59,160
Speaker 2: I don't want to miss it.

1314
01:05:59,200 --> 01:06:01,720
Speaker 1: You don't want to miss it. It's great. But thank

1315
01:06:01,760 --> 01:06:05,200
Speaker 1: you guys so much. We love you. Fan Rito's Remember

1316
01:06:05,600 --> 01:06:06,400
Speaker 1: the world is small.

1317
01:06:08,600 --> 01:06:11,920
Speaker 2: Oh no, you had a great one for the miniso.

1318
01:06:12,080 --> 01:06:14,400
Speaker 1: You might not left. I had a great one for

1319
01:06:14,400 --> 01:06:16,120
Speaker 1: the miniso. But then I but I, but I, but

1320
01:06:16,400 --> 01:06:17,680
Speaker 1: I had a good one, and like.

1321
01:06:18,640 --> 01:06:20,480
Speaker 2: Left, you need to break in it.

1322
01:06:20,480 --> 01:06:22,960
Speaker 1: It's all right, I do well. Yeah, but when I

1323
01:06:23,040 --> 01:06:24,640
Speaker 1: change it up every time in the break, I get

1324
01:06:24,640 --> 01:06:26,120
Speaker 1: a good one. And then I got to start writing

1325
01:06:26,120 --> 01:06:26,400
Speaker 1: it down.

1326
01:06:26,400 --> 01:06:27,600
Speaker 2: Okay, So the world is small.

1327
01:06:27,760 --> 01:06:31,360
Speaker 1: The world is the world is small, and hopefully so

1328
01:06:31,440 --> 01:06:32,160
Speaker 1: were the Aftershop.

1329
01:06:32,280 --> 01:06:36,240
Speaker 2: Yes, good one good, Save good, Save Jody Sween. There

1330
01:06:36,320 --> 01:06:36,480
Speaker 2: we go.

1331
01:06:36,920 --> 01:06:40,120
Speaker 1: Yeah yeah, see even tied in the of the episode.

1332
01:06:39,720 --> 01:06:41,280
Speaker 2: And I'm so proud of you.

1333
01:06:41,800 --> 01:06:42,000
Speaker 1: Yeah,