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Speaker 1: Look man, oh I see you. Why look over there?

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Speaker 1: How is that larger? Yes? Good? Ding dong. Okay, So

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Speaker 1: we're going to find out later if that sounded bad

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Speaker 1: or good. You know what, I think Doug is going

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Speaker 1: to make it work. Y'all. We are just rigging this

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Speaker 1: with the zoom and the zen caster. This is some

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Speaker 1: new ground we have to say. Here's the thing, you guys.

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Speaker 1: We are actually forced by our international situation to record remotely,

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Speaker 1: and um, we're forced into that. You pick two where

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Speaker 1: it's unfortunately just going to be me and Boing across

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Speaker 1: the country for a little while, Yes, for maybe a

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Speaker 1: lot a while. Well okay, I don't okay, so what

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Speaker 1: is the consensus now? So still, let's just speak its name.

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Speaker 1: It's voldemort name. The coronavirus has I think become something

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Speaker 1: bigger than any of us expected. I I always kind

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Speaker 1: of like look to you, bowen to like tell me

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Speaker 1: what's going to happen? And I didn't go but no,

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Speaker 1: but like you being the doctor of the two of us,

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Speaker 1: because you're the doctor, and I'm of course famously say

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Speaker 1: it with me the hunt patient, the patient. Um, I

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Speaker 1: felt like I was asking you about the coronavirus early on,

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Speaker 1: and you were like you were even you were of

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Speaker 1: the impression that it wasn't going to be cuckoo cuckoo.

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Speaker 1: I did not couple it with the fact that um

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Speaker 1: our nation is bungling this so so so much. Yeah,

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Speaker 1: I think that's really the kicker, isn't it. It's that

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Speaker 1: we're not handling it. Well. I mean, you could have

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Speaker 1: contact traced back in February, back when we did have

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Speaker 1: fifteen cases, when Trump was like, we only have fifteen cases,

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Speaker 1: and like you could have like, I don't know. It's again,

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Speaker 1: I'm not the authority on this, so do not like

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Speaker 1: to me in times of crisis. It's just that you

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Speaker 1: are my smartest friend. Oh that's not true. We know

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Speaker 1: Soutie Green and you're famously friends with John Lovett. Yes, well,

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Speaker 1: he was on the show Game Show and he was

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Speaker 1: congratulations to what statistically what he statistically smart the smartest

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Speaker 1: gay person a person. No, he's a fool to put

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Speaker 1: up against. That's a smart straits. That's well. We have

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Speaker 1: to first congratulate Matt Rogers and Dave Mazzoni on the

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Speaker 1: release of Game Show. Today's the launch. Dave quibly, we're

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Speaker 1: recording is April six, yeah, and this will come out

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Speaker 1: on April eighth, and so it'll be out for a

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Speaker 1: couple of days now, and there's new episodes coming out

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Speaker 1: every day. So right now as you listen to this,

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Speaker 1: there's a new episode of Game Show. And um yeah,

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Speaker 1: it's been really really fun to see it released, a

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Speaker 1: little weird to have it released during this time, and

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Speaker 1: it's definitely been like a sort of I don't even

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Speaker 1: know how to describe it, like you want to get

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Speaker 1: behind it and promoted as much as you can. But

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Speaker 1: also I'm so conscious of the fact that it's such

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Speaker 1: a weird time and it's like a weird time to

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Speaker 1: be celebrating something. But I also think people need a

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Speaker 1: distraction and need a little fun. I think people are

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Speaker 1: really embracing it because not not because of the time,

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Speaker 1: um that we're in, but because it just feels I

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Speaker 1: don't know, it's it's it's fun, it's frivolous without making

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Speaker 1: light of the situation. I don't know. Yeah, I mean,

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Speaker 1: who even knows what's right to um be hashtag promoting,

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Speaker 1: saying doing at this time. I feel like it's been

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Speaker 1: such a weird moment because I'm truly like even if

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Speaker 1: people are acting insane, I'm kind of just like, yeah,

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Speaker 1: but it's this time, and I'm not judging anyone for

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Speaker 1: any behaviors. I'm not begrudging anybody for their behavior either.

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Speaker 1: Post whatever you want, I am here for I support you.

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Speaker 1: Um that that that that's that, that's the standard that

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Speaker 1: we're all living in. And what some of us are

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Speaker 1: even showing our body? Did you showed the body? You did? Me?

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Speaker 1: Really did? And I remember I looked at that picture

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Speaker 1: and I said, oh my god, what did you say?

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Speaker 1: What did you think? I thought you looked amazing, And

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Speaker 1: I said, I gotta say, you're keeping it tight and right,

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Speaker 1: and also you look big in your traps. But you

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Speaker 1: know what, you know what it is is freaking body fusion.

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Speaker 1: My diet is regulated now. I'm not eating I'm not

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Speaker 1: ordering fucking two big max on uber eats at like

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Speaker 1: two in the morning anymore. You know what I'm saying.

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Speaker 1: It's like, that's interesting. I think it's it's mostly a

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Speaker 1: diet thing for me, and I'm just like doing little

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Speaker 1: resistance bend bullshit. I have to say that's interesting and

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Speaker 1: actually very opposite of me, because yesterday the best thing

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Speaker 1: that happened to me all day was that I got

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Speaker 1: a confirmation from Postmates that my taccol bell would be

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Speaker 1: arriving or lee. So that's like, unfortunately where I am

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Speaker 1: with my body and my physical a toos and your

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Speaker 1: physical toos. How often are you ordering from Postmates? Oh? Often?

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Speaker 1: I'm not gonna breed you. I'm not gonna breate you. Okay, no,

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Speaker 1: I mean, And that's the thing is like who can

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Speaker 1: burate me in this time? Although I can brave myself,

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Speaker 1: I can tell you that right now. Well, it's really

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Speaker 1: just like when this first went down and I went

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Speaker 1: to the grocery store, this was like literally over three

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Speaker 1: weeks ago. Now I went to the grocery store and

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Speaker 1: I was like, okay, let me get stuff for two

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Speaker 1: weeks because I genuinely thought that's what I would need.

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Speaker 1: And I successfully did that, Like I got stuff for

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Speaker 1: two weeks. But now it's at that weird place where

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Speaker 1: everything that's left over is not necessarily the healthiest stuff.

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Speaker 1: Um so I am kind of like eating a lot

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Speaker 1: of like frozen pizzas in pasta right now. But also

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Speaker 1: I haven't been too afraid of ordering, like you know,

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Speaker 1: I'm still ordering. And the way I'm justifying it is

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Speaker 1: like I want to support the rest staurants, you know

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Speaker 1: what I mean, like obviously not struggling. Yeah, yeah, they're

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Speaker 1: they're Actually I had to support my local Mexican joints

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Speaker 1: tackle boosh um No. But like I I have been

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Speaker 1: like um restaurants that I like, I have been ordering

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Speaker 1: from and just saying like, well right now I'm I'm

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Speaker 1: able to order out, and so why not support the restaurants?

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Speaker 1: Obviously not talk about that was just a week moment

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Speaker 1: last night while I was stoned watching Survivor, which I'll

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Speaker 1: get into. Yeah, you are going to use your powers

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Speaker 1: of persuasion in this hour plus uh to convince me

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Speaker 1: to watch Survivor. You kind of you kind of sold

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Speaker 1: it to me yesterday on FaceTime. I what is your

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Speaker 1: history with the show? I told you I have not

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Speaker 1: seen a single season. That to me actually is an

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Speaker 1: exciting opportunity, okay, because I think that you actually would

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Speaker 1: enjoy it so much because it is a game of

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Speaker 1: the wits, It is a social game. It is also

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Speaker 1: horny show because Bowen and I are two sorry about

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Speaker 1: it gay men hashtag at the end and we hashtag

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Speaker 1: and we love hot guys. And let me tell you something.

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Speaker 1: There are a lot of hot guys in Survivor and

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Speaker 1: they are jumping around. You see their pants fall off,

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Speaker 1: jumping around. They're jumping around, jumping, jumping, doing all sorts

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Speaker 1: of that, And it's actually really culture number thirteen. Survivor

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Speaker 1: is the horny of show on television. Can you say

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Speaker 1: it with me? Ye, Survivor Television. Um, okay, we should

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Speaker 1: just put out there, uh for the duration of the

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Speaker 1: time that we're gonna record through uh that we record remotely,

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Speaker 1: we're not gonna be fully synked up on the rules

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Speaker 1: of culture. Let's just say that. Can we just can

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Speaker 1: we just say that there? Can we just say that?

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Speaker 1: Can you just give us the space to say that?

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Speaker 1: Thank you? But see my concern now is I if

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Speaker 1: I want to watch hot guys do stuff, I have

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Speaker 1: other outlets. Like back like like back when I was

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Speaker 1: like eleven years old, Survivor probably was the only place

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Speaker 1: to see that kind of thing. But now it's like, well,

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Speaker 1: that's the novelty is lost on me of watching straight guys.

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Speaker 1: Mostly straight guys do Island challenges. Actually, on one season,

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Speaker 1: I'm I think it was no, no, no, there. I'll

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Speaker 1: tell you which one it was. It was the Race

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Speaker 1: War season where they split the tribes, oh Cook Islands.

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Speaker 1: They split the tribes up into four races. There was

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Speaker 1: like it was literally like black people, white people, Latin

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Speaker 1: X people, and Asian Americans and it was like the

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Speaker 1: four different tribes and by I won't say, let's just say,

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Speaker 1: I won't say who won, but it was not a

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Speaker 1: white person. Um part I will not confirm or deny.

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Speaker 1: Also been talking a part of to me. Well, Parverty

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Speaker 1: shallow is at actually the name of this contestant who

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Speaker 1: is an iconic. If you are if you readers out

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Speaker 1: there are fans of Survivor, you know Parverty and you

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Speaker 1: have to understand that me, as a result of me

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Speaker 1: doing the best thing I've ever done for myself, which

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Speaker 1: is to get very involved with an obsessed with the Survivor,

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Speaker 1: have become quite acquainted with par Parverty. And actually the

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Speaker 1: first four seasons that I watched, no, first three seasons

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Speaker 1: that I watched were all Parverty seasons. And I've become

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Speaker 1: very obsessed with her and have followed her to her

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Speaker 1: outside of Survivor content, where I found out that she

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Speaker 1: is a life coach in Venice Beach. And now my

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Speaker 1: boyfriend Jared wants to take her teachings. What kind of

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Speaker 1: do you know, what kind of like life coaching she does?

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Speaker 1: Isn't she does a lot of like mantras, Like she's

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Speaker 1: very into yoga. She's essentially like a white girl yogi,

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Speaker 1: but like but like very powerful. Like she is she

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Speaker 1: white or she Indian? See she's white. She's like a

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Speaker 1: she's like a white girl with the name Parvety. Oh cool?

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Speaker 1: And what do we think about that? Um, that's fine?

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Speaker 1: I mean did she give herself that name? Either way?

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Speaker 1: I think she just had a dad that was like

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Speaker 1: into spirituality. Sure, sure, like just missed like a wildlife country,

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Speaker 1: like like they had just shut down. And he's like,

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Speaker 1: oh funk, I wanted to move to the West for that.

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Speaker 1: I think probably that. And well, anyway, he gave birth

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Speaker 1: to a daughter that well he didn't give birth, but

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Speaker 1: you know, he was part of the birth of a

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Speaker 1: daughter who would eventually one day become a real force

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Speaker 1: of good on survivor. And I love poverty because she

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Speaker 1: flirts and that's how she wins, or at least that's

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Speaker 1: how she did. And when she was like young and

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Speaker 1: hot and now she's forty with two kids, and we're

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Speaker 1: finding out now how she's doing. Um on the current

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Speaker 1: season which is called Winners at War, which is all

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Speaker 1: the winners. I just think you would like, Yeah, I

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Speaker 1: have no reason. I don't know why I've put it

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Speaker 1: off for so long. Um, I just are you finding

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Speaker 1: yourself a little maxed out though? Like media, diet wise

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Speaker 1: and all this, Like I feel like I can only

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Speaker 1: handle se much right now. M I think actually it's

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Speaker 1: better for me and easier for me to just put

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Speaker 1: one thing on and let it go, like like I

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Speaker 1: would rather like. Even the other day Jared was over.

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Speaker 1: So my my quarantine experience has been I spend half

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Speaker 1: my time here at my apartment and then I spend

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Speaker 1: half the time over at uh my boyfriend Jared's, and

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Speaker 1: we just get right in the car and we're the

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Speaker 1: only two people that we see. But it is nice

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Speaker 1: to have the space to go to go from place

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Speaker 1: to place. So the other day he was over, we

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Speaker 1: were watching Survivor and he was like, I don't think

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Speaker 1: I want to watch Survivor anymore. And I was like, well,

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Speaker 1: unfortunately that means you have to go. Wow, so you

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Speaker 1: you made you made him leave. I didn't make him, Laeve.

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Speaker 1: It was very much time for him to go, but um,

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Speaker 1: he didn't want to watch Survivor anymore. And I was like,

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Speaker 1: so this is gonna be a long sit. This quarantine

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Speaker 1: is gonna be a long time. And what I right

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Speaker 1: now just stay sane because I was I don't know

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Speaker 1: about you, but I've been having who baby violent mood

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Speaker 1: swings with the cabinet, and I was like, I think

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Speaker 1: I'll go absolutely nut. So if I can't just sit

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Speaker 1: with this and and like have this on, because it's

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Speaker 1: like centering me and making me making the day move

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Speaker 1: because it's such a show where it's like they're on

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Speaker 1: the beach and they they're talking about what happened last night,

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Speaker 1: and then the reward challenge and then they talk strategy,

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Speaker 1: and then the immunity challenge and they talk strategy and

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Speaker 1: then travel counsel and then rinse, repeat, and that helps

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Speaker 1: me get to the end of the day. Does that

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Speaker 1: make sense? So that's why it's working for me? Okay, Um, great,

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Speaker 1: Then I'm just going to figure out when I can

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Speaker 1: work in it, because right now I have I feel

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Speaker 1: like I'm being assigned a lot of viewing or a

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Speaker 1: lot of consumption. I'm not really The only thing I'm

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Speaker 1: assigned to do is, um, I'm watching season one of

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Speaker 1: The Leftovers. I've never seen it. Yeah. Was that because

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Speaker 1: Jared recommended it? Or was he just upse sing it?

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Speaker 1: He was? I told him. I told you guys that

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Speaker 1: I was watching it, and Jared was just excited because

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Speaker 1: everybody says and like this is I know this to

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Speaker 1: be true already, but everyone's like, oh, just wait until

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Speaker 1: the season one finale and then season two is amazing.

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Speaker 1: Um did you ever you remember you were watching it

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Speaker 1: when it was out right? I was started to I

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Speaker 1: was a huge Lost fan, and that is also a

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Speaker 1: whole thing worthshowever for me, Like I just love I

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Speaker 1: think honestly, like it is in this situation. It's like

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Speaker 1: watching people in a much worse situation than me. Yeah,

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Speaker 1: I get it. I get it. Um, Like they're talking

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Speaker 1: about like all these things and I'm like, well, at

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Speaker 1: least it's not that. Um. But I was a huge

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Speaker 1: Lost fan, as you know, like Lost was actually part

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Speaker 1: of my culture that made me say culture was for me. Um.

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Speaker 1: But I Uh. The thing about Leftovers is in the

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Speaker 1: first season, it was really violent in parts, and there's like, um,

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Speaker 1: I've never had to close my eyes at something ever before.

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Speaker 1: And then the episode I watched where you see Kathy

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Speaker 1: Geist from thirty rocket stoned to death. I was like,

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Speaker 1: I can't do this. I can't watch this. It was literally, um,

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Speaker 1: I had a feeling it was going there. And then

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Speaker 1: they remember when the episode first came out, everyone was

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Speaker 1: talking about how it was like one of the most

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Speaker 1: shockingly violent episodes of television that had been out in

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Speaker 1: recent memory. And I was like, Okay, then I actually

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Speaker 1: can't watch it. I have just I just have a

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Speaker 1: really tough time watching violence. Yeah, I got it. I

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Speaker 1: just can't. It really upsets me. It's beyond the violence.

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Speaker 1: It's also so I'm watching. So Heidi Gardner recommended that

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Speaker 1: we watched a show together because she had just finished

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Speaker 1: Watchman and we were abouth to talk. I was I

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Speaker 1: was telling her how amazing it was, and she's like,

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Speaker 1: it's so good. It's so good, it's so well done.

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Speaker 1: And she was like yeah, and she was like, hey,

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Speaker 1: have you seen The Leftovers? Every It's like no, never,

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Speaker 1: And so we are like, let's watch an episode of

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Speaker 1: The Left Weight that was a really good Heidi, Hey, yeah, yeah, hey,

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Speaker 1: you know, like that's her, that's her stupid little catchery.

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Speaker 1: She's always like, hey, hey bid so stupid um. But

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Speaker 1: she was like, hey, we should watch one episode a

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Speaker 1: day of The Leftovers, and I was like okay. And

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Speaker 1: then every day she she checks in and we'll check

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Speaker 1: in with each other and she's like, hey, I didn't

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Speaker 1: like that, and like we're so far, and then her

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Speaker 1: husband zeb too, like we're all texting each other and

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Speaker 1: like so far, we're six episodes in and we're like,

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Speaker 1: this is not good. Okay. So but it's just because

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Speaker 1: it's it's it's it's all setting it, it's all building

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Speaker 1: up towards the final finale. I know, like we all

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Speaker 1: know this. It's like this is all going to come together,

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Speaker 1: and it's such a satisfying way from everything we've heard,

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Speaker 1: so we're sticking with it. Well, you know, by the

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Speaker 1: end of this, you can become one of those Carrie

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Speaker 1: Coon fags. I love her, she's she's fantastic. And your

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Speaker 1: Carricoon fag, you made up a Carrie Coon song. I

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Speaker 1: can't believe my plane got the lid. Came from away,

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Speaker 1: We come from away. I know about myself. What did

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Speaker 1: that have to do with Carrie Coon? She was in

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Speaker 1: come from Away. I don't think she was, bitch, I

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Speaker 1: think she was. I'm looking at it. I'm look it up.

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Speaker 1: You go ahead and look this up. I don't think

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Speaker 1: that's true. But um, I think carry Coon has a

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Speaker 1: bay of gaze. Joe k and Booster included, what does

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Speaker 1: she come from away? I did not know that. I'm

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Speaker 1: looking it up. Well that's wait, yeah, you're wrong misinformation.

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Speaker 1: Somehow a conversation around gry Coon transitioned into come from Away.

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Speaker 1: And you know what, misinformation is so dangerous and it's

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Speaker 1: actually a frontrunner for title of apps, and misinformation is

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Speaker 1: so dangerous. Wait, she was in No, bitch, you are

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Speaker 1: so wrong, And I'm not going to have you click

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Speaker 1: click click away while you're supposed to be actively engaged

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Speaker 1: with me here on this podcast, I'm engaged with you.

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Speaker 1: I thought we talked about come from Away. Okay, maybe

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Speaker 1: we have to cut this all out, because no, we don't.

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Speaker 1: You always are suggesting, because are your foibles, that we

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Speaker 1: cut things out, Foidler, I am not often suggesting. You're hyperbolizing. Well, anyway,

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Speaker 1: this is this is why I want I want you

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Speaker 1: to get into Survivor. So because there's actually two people

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Speaker 1: from Survivor that I would like to have on the pod. Yeah,

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Speaker 1: I literally no. I'd rather get Kathy Geisted in the

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Speaker 1: Leftovers than have Elizabeth Hasselbeck on this show Geys made Daddy, Um.

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Speaker 1: But I want to have Parverty obviously because she is

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Speaker 1: the coming and I actually want her to be my

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Speaker 1: life coach on an episode. And another another iconic reality

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Speaker 1: show villain from Survivor. Do you know about Ms Jerry Manthy? No?

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Speaker 1: I don't tell me, Okay, So this is why the

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Speaker 1: first season that you need to watch is season two

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Speaker 1: Australian Outback, which is the one that had Elizabeth Flarski

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Speaker 1: now Hasslebeck, so you can get her origin story and

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Speaker 1: also understand that Jerry Manthy was the original reality TV

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Speaker 1: competitive reality TV villainess. She was rich, she was called

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Speaker 1: the Black Widow. Uh was she black? She was not

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Speaker 1: God blessed? Thank God? Wait a minute, is this going

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Speaker 1: to be no? Yeah, it was not racialized. It was

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Speaker 1: merely because she flirted with men and like seemed to

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Speaker 1: manipulate them into alliances. I think. But I would like

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Speaker 1: for you to watch truly do whatever you want, and

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Speaker 1: I don't want to assign any more homework. But I'm

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Speaker 1: just saying, in the long term, I would like to

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Speaker 1: have these ladies on the Potts sometimes because I would

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Speaker 1: like to sit across from them at a table and

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Speaker 1: just talk about how they were such incredible, iconic women

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Speaker 1: in reality television a blind spot for us. Sometimes sometimes absolutely, Um,

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Speaker 1: now I what else are you? So? Then what's after?

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Speaker 1: I mean you kind of have a giant repository of

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Speaker 1: Survivor to get through. You could spend it, you could

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Speaker 1: spend the next you can spend the next eighteen months

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Speaker 1: just watching Survivor. Literally, Well, Guy Brandham did that. Like

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Speaker 1: Guy Brandham, I I forget why he did this, but

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Speaker 1: he actually inspired me to do this because he was

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Speaker 1: off from work or something, or like I think he

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Speaker 1: had like a space where he wasn't working at some

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Speaker 1: point um where he said he watched the entirety of

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Speaker 1: Survivor literally season one, this season whatever it was, um,

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Speaker 1: all in one straight shot, and that's why he saw

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Speaker 1: obsessive that. I was like, Okay, it can be done.

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Speaker 1: And I'm telling you, on average, I finished a season

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Speaker 1: in three days, so it's like forty seasons. Now they're

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Speaker 1: on their forty season, and the forty season is called

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Speaker 1: Winners at War. It brings back twenty iconic winners of

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Speaker 1: the show, and um, one of them was won twice

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Speaker 1: Miss Sandra Diaz Twine, M and three is okay by

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Speaker 1: three thirteen point something thtoint three three You could in

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Speaker 1: two weeks, don't you gotta spread it out? Man? You

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Speaker 1: can't burn through all Survivor in two weeks. Well, now

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Speaker 1: I have all these quick bites to watch. Oh my god,

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Speaker 1: Now I saw the first I saw the beginnings of

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Speaker 1: Nikki Fresh, which I thought was great. Jared Freer Goldstein,

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Speaker 1: Jared gold Stan and Jared's mixed up. But Jared Goldstein

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Speaker 1: Yes to our friend. He plays Nikki's Nicky Nikki Fresh,

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Speaker 1: Nicole Richie's assistant on the show. Shout out to Medicine

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Speaker 1: the Third who wrote on the show. UM, and Jack's

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Speaker 1: Media who produced who produced the show? Um, but that

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Speaker 1: is really funny and I'm really enjoying Nikki Fresh. It

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Speaker 1: stars Nicole Ritchie as a conscious trap rapper. So she's

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Speaker 1: a health conscious and earth conscious Nicole Ritchie who wants

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Speaker 1: to start doing trap music. Um about conscious things for

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Speaker 1: for moms and gays, which I really liked that line.

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Speaker 1: And she's so funny, She's so funny, she's she's always

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Speaker 1: been so f funny, literally always so funny. Did you

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Speaker 1: ever watch Great News? I never, I didn't, but I

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Speaker 1: heard she was great in it. I heard everybody was

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Speaker 1: great in it. I heard it's actually not actually really funny.

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Speaker 1: Obviously it's really funny. I just don't. Sorry, sorry, just

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Speaker 1: don't watch a lot of network television. Sorry everyone. Um,

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Speaker 1: but I have heard that she is unbelievable on it,

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Speaker 1: which did not surprise me at all. And she's really

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Speaker 1: funny on this show. And Jared's great and I'm happy

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Speaker 1: for him, and um, so you watch a little bit

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Speaker 1: of that? Anything else did you peek in on? UM?

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Speaker 1: I started the Sefie Turner thing, and I just was like,

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Speaker 1: I can't. It was three in the morning, I was like,

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Speaker 1: I can't watch. It was truly late last night when

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Speaker 1: I started watching it. And I did think. I'm of

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Speaker 1: two minds about the selfie Turner thing, and I will

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Speaker 1: be honest about it. Despite being in the Quimby family,

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Speaker 1: I must be honest as a core stuff. So I

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Speaker 1: think it's actually a really interesting premise, because the premise

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Speaker 1: of Survive is she is a girl with suicidal ideation

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Speaker 1: who has poster metic trust disorder, and she's finally leaving

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Speaker 1: like the the group that she's in, the home that

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Speaker 1: she's in for people that have mental illnesses that are

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Speaker 1: her age, and she's leaving, and she's going to get

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Speaker 1: on a plane and go home. And her plan is

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Speaker 1: that she's finally going to take her own life on

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Speaker 1: the plane ride home. So then the plane crashes and

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Speaker 1: her survival instincts kick in and you realize she actually

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Speaker 1: wants to live. So that, to me is actually interesting concept.

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Speaker 1: I think that she's really talented, and it looked really

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Speaker 1: good to me. But my thing about it is, I

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Speaker 1: have a problem whenever anyone as beautiful and as much

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Speaker 1: of a star and as like, you know, aspirational as

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Speaker 1: Sophie Turner is like suicide, you know, like and and

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Speaker 1: I so I'm only one episode in and I want

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Speaker 1: to keep watching it, but I just do I have

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Speaker 1: like instincts kick in whenever anyone is using the concept

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Speaker 1: or theme of suicide as entertainment, I get very weird.

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Speaker 1: And I really think you really have to walk on

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Speaker 1: eggshells to get this right because people are very easily influenced,

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Speaker 1: and someone like Sophie Turner has a huge deal. Um,

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Speaker 1: you know, but I I have a lot of faith

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Speaker 1: that it'll make comments on it. Um. But yeah, you

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Speaker 1: get what I'm saying. I totally get what you're saying,

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Speaker 1: because that's kind of what your issue was with And

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Speaker 1: we don't have to rehash this, but that's kind of

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Speaker 1: what your issue was with thirteen reasons why. I mean,

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Speaker 1: I actually think that very very very very few pieces

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Speaker 1: of media do suicide correctly. Not that it's just it's

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Speaker 1: really tough. And but like I said, um, this is

423
00:23:24,640 --> 00:23:28,520
Speaker 1: a take on on survival instinct, and I think it

424
00:23:28,560 --> 00:23:30,159
Speaker 1: could be really good, and it looked good to me,

425
00:23:30,200 --> 00:23:33,680
Speaker 1: and I think that she's really talented. The premise is

426
00:23:34,160 --> 00:23:38,959
Speaker 1: very um interesting, Yeah, very strong. I want to say,

427
00:23:39,200 --> 00:23:49,040
Speaker 1: it's just very smartly created tension. Whatever. I'm not handagadsby. Um,

428
00:23:49,800 --> 00:23:53,160
Speaker 1: I'm sorry at all. I never pretended to be her. Okay,

429
00:23:53,200 --> 00:23:55,200
Speaker 1: so you actually were pretending to be here for six

430
00:23:55,280 --> 00:23:59,840
Speaker 1: months and I said, take off that drag you're bowing,

431
00:24:00,680 --> 00:24:04,040
Speaker 1: and then you booked the biggest job of your life. Yeah,

432
00:24:04,080 --> 00:24:07,119
Speaker 1: you're right. And before that you have. You've been talking

433
00:24:07,160 --> 00:24:10,480
Speaker 1: like these, You've been looking around like these and doing

434
00:24:10,480 --> 00:24:14,640
Speaker 1: hand of goadsp I can't tell that's good or bad?

435
00:24:14,640 --> 00:24:20,600
Speaker 1: Which is which is a pretty good early No, this

436
00:24:18,760 --> 00:24:24,359
Speaker 1: is that's not a bad hand of Gadsby, but it's

437
00:24:24,359 --> 00:24:26,080
Speaker 1: definitely not a good hand of Gadsby either. So I

438
00:24:26,200 --> 00:24:29,520
Speaker 1: love that it's in that weird. I think I'm not

439
00:24:29,520 --> 00:24:32,280
Speaker 1: going to do it tomorrow. I think I've had it.

440
00:24:32,440 --> 00:24:38,719
Speaker 1: You're doing like Liverpool, you know, how do you know?

441
00:24:39,600 --> 00:24:45,600
Speaker 1: I think that's all because the men, these men, God,

442
00:24:45,920 --> 00:24:52,320
Speaker 1: these men, these men I loved, loved and these men

443
00:24:54,000 --> 00:24:58,080
Speaker 1: because wait, you want to know some tea? Yes, so

444
00:24:58,480 --> 00:25:00,920
Speaker 1: you know how like um that gets to be allegedly

445
00:25:01,040 --> 00:25:06,720
Speaker 1: dated Jill Soloway. Oh right, Apparently she goes in on

446
00:25:06,880 --> 00:25:11,000
Speaker 1: Jill Solloway in her next um stand her next special.

447
00:25:11,760 --> 00:25:17,320
Speaker 1: That's what I heard, were like, whoa. It's kind of

448
00:25:17,359 --> 00:25:20,119
Speaker 1: an open secret at this point, it's an industry secret that,

449
00:25:20,200 --> 00:25:25,159
Speaker 1: like Jill is a very particular presence. I truly have

450
00:25:25,240 --> 00:25:27,520
Speaker 1: no like really I have nothing to say or nothing

451
00:25:27,560 --> 00:25:29,600
Speaker 1: to add. But like they did a whole Difficult People

452
00:25:29,640 --> 00:25:32,760
Speaker 1: episode about Julie Klausner wanting to get into like the

453
00:25:32,840 --> 00:25:38,640
Speaker 1: lesbian Jewish like cabal of writers and like and like

454
00:25:39,080 --> 00:25:41,920
Speaker 1: the gate keeper. No, it's just yeah, oh yeah. It

455
00:25:41,960 --> 00:25:44,680
Speaker 1: was basically like all these like lesbian gatekeepers in media,

456
00:25:44,720 --> 00:25:48,239
Speaker 1: and it's like people kind of I think, like the

457
00:25:48,280 --> 00:25:51,400
Speaker 1: conception of Jill Soloway now is that like, oh funk,

458
00:25:51,400 --> 00:25:54,960
Speaker 1: it's Jill Soloway. I don't know. We love a good

459
00:25:55,320 --> 00:26:05,520
Speaker 1: celebrity um feud and dan on an alleged celebrity monster. God,

460
00:26:05,640 --> 00:26:10,160
Speaker 1: I mean I I hope, I hope we I hope

461
00:26:10,160 --> 00:26:13,280
Speaker 1: one of us gets to experience that someday being a

462
00:26:13,280 --> 00:26:19,080
Speaker 1: monster or being to be a fabled monster, a fabled monster. Well,

463
00:26:19,080 --> 00:26:22,200
Speaker 1: it's gonna be you. I'm gonna be the ones starting

464
00:26:22,200 --> 00:26:25,240
Speaker 1: the rumors or are they better yet confirming the rumors.

465
00:26:26,080 --> 00:26:28,200
Speaker 1: Speaking of rumors, we have to talk about the new

466
00:26:28,240 --> 00:26:40,040
Speaker 1: Lindsay Lollians thing. Oh bitch back to me. First of all,

467
00:26:41,000 --> 00:26:44,000
Speaker 1: I can't tell it has no the shelf life on.

468
00:26:44,040 --> 00:26:46,399
Speaker 1: This is going to be like seventy two more hours

469
00:26:46,520 --> 00:26:50,639
Speaker 1: before we all forget about it. But I think what

470
00:26:50,800 --> 00:26:54,760
Speaker 1: I love about this song is literally before second one,

471
00:26:55,600 --> 00:26:59,200
Speaker 1: like she starts singing immediately when as soon as you

472
00:26:59,280 --> 00:27:01,960
Speaker 1: hit play, which I don't know I don't know why

473
00:27:01,960 --> 00:27:04,639
Speaker 1: that's remarkable to me, but it's like she just she

474
00:27:04,720 --> 00:27:07,960
Speaker 1: just she just goes in right away, and it's so funny.

475
00:27:07,960 --> 00:27:11,200
Speaker 1: There's no like ramp up to like the vocals or anything.

476
00:27:11,280 --> 00:27:15,120
Speaker 1: It's just she sings and it's so it's it's it's

477
00:27:15,160 --> 00:27:18,120
Speaker 1: fun you know what I like about it. It's very purposeful,

478
00:27:18,400 --> 00:27:20,080
Speaker 1: you know what I mean. It's not like it's not

479
00:27:20,160 --> 00:27:25,160
Speaker 1: like there's nothing about the song that doesn't feel like, um,

480
00:27:25,200 --> 00:27:28,159
Speaker 1: you know, started in or like throwing together. It's a

481
00:27:28,240 --> 00:27:31,959
Speaker 1: very purposeful song. Was very purposefully released, and seems like

482
00:27:31,960 --> 00:27:35,120
Speaker 1: she's really dictating how she feels whether or not those

483
00:27:35,160 --> 00:27:37,880
Speaker 1: are good ways to feel. I don't know. I don't

484
00:27:37,920 --> 00:27:40,240
Speaker 1: know about the lyric. I drink too much, but that's okay.

485
00:27:40,359 --> 00:27:43,919
Speaker 1: I don't know. I think that when she drinks too

486
00:27:44,000 --> 00:27:50,600
Speaker 1: much she actually steals kids, um, but that it's not

487
00:27:50,720 --> 00:27:56,200
Speaker 1: for me to judge. I guess I it's cute. Wow,

488
00:27:56,240 --> 00:28:02,880
Speaker 1: that was that was one year ago? Yeah, recent her

489
00:28:02,880 --> 00:28:05,720
Speaker 1: speaking an insane accents stealing kids off there, attempting to

490
00:28:05,720 --> 00:28:08,280
Speaker 1: steal kids off the street and also that insane um

491
00:28:08,920 --> 00:28:14,480
Speaker 1: like uh, car wash dance or whatever. I mean, Oh yeah,

492
00:28:14,480 --> 00:28:18,320
Speaker 1: the car wash dance. I mean, it's our amnesia around

493
00:28:18,359 --> 00:28:22,959
Speaker 1: her is so fast, and it's so I mean, like

494
00:28:23,040 --> 00:28:26,240
Speaker 1: you think back on like the first iteration, not even

495
00:28:26,240 --> 00:28:29,520
Speaker 1: the first like post Freaky Friday, Lindsay Lohan was like

496
00:28:30,680 --> 00:28:34,640
Speaker 1: still like a pretty like rock solid, Like you're like, oh, yeah,

497
00:28:34,640 --> 00:28:36,760
Speaker 1: she goes out in parties, let but she's really talented,

498
00:28:37,440 --> 00:28:40,000
Speaker 1: and like that all just deteriorates. But then like we

499
00:28:40,000 --> 00:28:41,760
Speaker 1: want to rebuild her again, and then and then it

500
00:28:41,840 --> 00:28:43,560
Speaker 1: all falls apart, and then we rebuild again and then

501
00:28:43,600 --> 00:28:45,560
Speaker 1: it falls apart. It's so I will say, this is

502
00:28:45,600 --> 00:28:48,080
Speaker 1: not an effort for us to rebuild her. This is

503
00:28:48,080 --> 00:28:51,360
Speaker 1: an effort for her to rebuild herself. And I think

504
00:28:51,400 --> 00:28:54,760
Speaker 1: that she certainly could have come with a weaker song.

505
00:28:54,920 --> 00:28:56,640
Speaker 1: I mean, the fact of the matter is the song

506
00:28:56,720 --> 00:28:58,480
Speaker 1: is pretty good, and I was listening to it and

507
00:28:58,520 --> 00:29:00,960
Speaker 1: I was like, all right, this is not the worst

508
00:29:01,000 --> 00:29:03,200
Speaker 1: song that's come out in the past six months, like bad,

509
00:29:03,760 --> 00:29:06,600
Speaker 1: I'm not going to not play this. I just think

510
00:29:06,640 --> 00:29:09,000
Speaker 1: she's I still find her to be very I mean,

511
00:29:09,000 --> 00:29:11,240
Speaker 1: like this is not like a cool edgy new take,

512
00:29:11,320 --> 00:29:15,560
Speaker 1: but like she's still a very fascinating public. Figia, what

513
00:29:15,600 --> 00:29:18,320
Speaker 1: do you think watched her old I watched her old

514
00:29:18,520 --> 00:29:21,680
Speaker 1: interviews with Oprah, where like Oprah like really is well, hello,

515
00:29:22,240 --> 00:29:29,680
Speaker 1: let's celebrate that. The vultures are waiting to pick your bones. Um,

516
00:29:29,720 --> 00:29:33,080
Speaker 1: It's it's just like cut the ship. You thought that

517
00:29:33,360 --> 00:29:35,040
Speaker 1: you thought that cut the ship. You thought that was

518
00:29:35,120 --> 00:29:37,160
Speaker 1: the turning point, right, and now it's like she's thinking

519
00:29:37,160 --> 00:29:40,160
Speaker 1: about drinking again. It's it's dark. It's dark. It's really dark.

520
00:29:40,600 --> 00:29:43,560
Speaker 1: Um oh my god, speaking of drinking again and dark.

521
00:29:43,680 --> 00:29:46,800
Speaker 1: We have talked about Roni. Oh, we will talk about Roni.

522
00:29:46,840 --> 00:29:48,320
Speaker 1: We'll talk about Roni. What were you gonna say? But

523
00:29:48,480 --> 00:29:50,760
Speaker 1: I cut you off with with the Opra stuff because

524
00:29:50,800 --> 00:29:52,280
Speaker 1: I was I was thinking about music and I was

525
00:29:52,320 --> 00:29:55,959
Speaker 1: talking about Um. I was thinking about Doah. What are

526
00:29:56,000 --> 00:30:00,240
Speaker 1: you thinking of Doua and her new music. I've ging

527
00:30:00,240 --> 00:30:02,760
Speaker 1: love do It and her new music. Yeah. I think

528
00:30:02,760 --> 00:30:04,600
Speaker 1: it's great too. I feel like it's like bummer for

529
00:30:04,640 --> 00:30:06,440
Speaker 1: her that she can't release it at a time where

530
00:30:06,440 --> 00:30:10,280
Speaker 1: everyone because it was obviously such a targeted dance like

531
00:30:10,400 --> 00:30:15,440
Speaker 1: disco album, but you know, and obviously held chromatic A back.

532
00:30:15,560 --> 00:30:17,680
Speaker 1: But you know, someone's got to give the kids something.

533
00:30:18,680 --> 00:30:24,200
Speaker 1: She secured. Her place, though, is like a pop like superstar,

534
00:30:24,280 --> 00:30:28,600
Speaker 1: though like it wasn't fully a given with her first album. Yeah,

535
00:30:28,760 --> 00:30:30,880
Speaker 1: I think that first I'm actually going to give a

536
00:30:30,880 --> 00:30:33,560
Speaker 1: hot take and think I think the first album overall

537
00:30:33,680 --> 00:30:36,240
Speaker 1: is stronger as a piece of work. But I think

538
00:30:36,280 --> 00:30:40,160
Speaker 1: this this second album, um solidifies her identity more. But

539
00:30:40,320 --> 00:30:42,840
Speaker 1: I think that Physical is maybe her best song she's

540
00:30:42,840 --> 00:30:48,120
Speaker 1: ever put out. Well, New Rules is New Rules, but Physical,

541
00:30:48,600 --> 00:30:51,600
Speaker 1: Physical is incredible. And she had a harder job to

542
00:30:51,680 --> 00:30:54,680
Speaker 1: do on this second album. I mean, and they always do,

543
00:30:55,520 --> 00:31:00,920
Speaker 1: they always it's yeah, it's classic sophomore slump challenge stuff,

544
00:31:00,920 --> 00:31:05,720
Speaker 1: but like she really pulled it off, and like it's

545
00:31:05,720 --> 00:31:08,400
Speaker 1: such a competent pop record that we kind of haven't

546
00:31:08,400 --> 00:31:14,840
Speaker 1: heard in a while. Um, I cool. I've been listening

547
00:31:14,920 --> 00:31:19,040
Speaker 1: to every day. There's a lot of good music. I mean,

548
00:31:19,080 --> 00:31:20,640
Speaker 1: like at least there's a lot of not at least

549
00:31:20,640 --> 00:31:23,080
Speaker 1: like it was inevitable. That's like nothing, this is not

550
00:31:23,160 --> 00:31:25,720
Speaker 1: as a result of the situation we're in. But like

551
00:31:26,680 --> 00:31:28,800
Speaker 1: there's a good music coming out. Fiona Apples coming out

552
00:31:28,800 --> 00:31:32,800
Speaker 1: with her new album next week, and um it's it's

553
00:31:32,880 --> 00:31:36,720
Speaker 1: Wax the Hatch. She's got a great album. Um it's

554
00:31:36,720 --> 00:31:40,520
Speaker 1: there's there's some good stuff and Lady's Gonna Wait, the

555
00:31:40,600 --> 00:31:42,840
Speaker 1: Lady Gaga's Gonna Wait, which I I think is the

556
00:31:42,920 --> 00:31:45,640
Speaker 1: right move. I think it's that I moved to because honestly,

557
00:31:45,720 --> 00:31:48,720
Speaker 1: so much of what this is going to be is

558
00:31:48,760 --> 00:31:51,240
Speaker 1: like and so much of what she is is the performance,

559
00:31:51,320 --> 00:31:53,960
Speaker 1: like you've been saying, the performance of fame around her releases.

560
00:31:54,000 --> 00:31:58,320
Speaker 1: So without that um that would be tough, like, and

561
00:31:58,440 --> 00:32:00,440
Speaker 1: I think that she obviously had a ation of how

562
00:32:00,480 --> 00:32:01,800
Speaker 1: this wants to come out. What do you think of

563
00:32:01,840 --> 00:32:05,880
Speaker 1: the album cover? It's not we we were talking about

564
00:32:05,880 --> 00:32:08,920
Speaker 1: how it's not super impactful, right, it's a low impact. Yeah,

565
00:32:09,160 --> 00:32:11,920
Speaker 1: it's a low impact. I mean it's very it's visually stunning.

566
00:32:12,000 --> 00:32:16,960
Speaker 1: It looks good, it looks very manuicured or whatever. But

567
00:32:17,040 --> 00:32:21,600
Speaker 1: like even Joanne, it's like a very like clean lined,

568
00:32:22,240 --> 00:32:26,480
Speaker 1: impactful cover, like the pink hat. It's her profile blue

569
00:32:26,480 --> 00:32:29,880
Speaker 1: that soft blue background. It's like, okay, like it communicates

570
00:32:29,880 --> 00:32:32,400
Speaker 1: a lot Born this way it communicated a lot Art

571
00:32:32,400 --> 00:32:35,840
Speaker 1: Pops cover communicated a lot. This is like okay, Like

572
00:32:35,920 --> 00:32:40,200
Speaker 1: there's a steampunk element. And this actually recalls to me

573
00:32:40,280 --> 00:32:43,680
Speaker 1: like the meat Loaf album covers of like the like

574
00:32:44,880 --> 00:32:48,040
Speaker 1: early nineties, like um, bad at a hell and stuff

575
00:32:48,080 --> 00:32:51,120
Speaker 1: like that's sort of like weird, like it's like fifteen

576
00:32:51,160 --> 00:32:54,040
Speaker 1: feet away weird thing. It's not about her face, it's

577
00:32:54,080 --> 00:32:57,200
Speaker 1: about this like image and it's sort of romantic and

578
00:32:57,240 --> 00:33:01,960
Speaker 1: like almost Gothic in a way. Um and uh, I

579
00:33:02,000 --> 00:33:06,480
Speaker 1: think it's interesting. I just I'm used to being I

580
00:33:06,920 --> 00:33:08,840
Speaker 1: guess I was just expecting it to be like more

581
00:33:09,000 --> 00:33:12,720
Speaker 1: emotional you're used to be, You're used to being walloped

582
00:33:12,720 --> 00:33:16,040
Speaker 1: by like a Gaga cover. I think, yeah, especially because

583
00:33:16,080 --> 00:33:18,720
Speaker 1: like the last image of her last era was literally

584
00:33:18,760 --> 00:33:24,520
Speaker 1: her crying face. Oh sure, you're talking about stars Born? Yeah?

585
00:33:24,720 --> 00:33:27,280
Speaker 1: I mean, do you remember where you were? I remember

586
00:33:27,360 --> 00:33:31,160
Speaker 1: where I was when she tweeted out the original Born

587
00:33:31,240 --> 00:33:35,560
Speaker 1: This Way cover. I was in a huge fan like

588
00:33:35,600 --> 00:33:37,960
Speaker 1: you you you would remember where you were because you

589
00:33:38,000 --> 00:33:40,960
Speaker 1: were I've been on the Yeah, I was in on

590
00:33:40,960 --> 00:33:44,520
Speaker 1: the ground floor with her. And the day she tweeted

591
00:33:44,520 --> 00:33:46,800
Speaker 1: out the Born This album cover of her as the Motorcycle,

592
00:33:46,920 --> 00:33:52,160
Speaker 1: I was. I was so shocked and so giddy. I

593
00:33:52,200 --> 00:33:53,880
Speaker 1: was like, I can't believe she did this, Like I

594
00:33:54,080 --> 00:33:57,440
Speaker 1: like it was it was such a stupid wink, Like

595
00:33:57,480 --> 00:34:00,560
Speaker 1: it's such a stupid album cover and she like tweeted,

596
00:34:00,560 --> 00:34:03,280
Speaker 1: I she tweeted, I designed it myself and born this way.

597
00:34:03,680 --> 00:34:06,760
Speaker 1: The word mark it is not even centered. It looks

598
00:34:07,200 --> 00:34:10,720
Speaker 1: the letting is crazy. The letters are swiched squished together.

599
00:34:10,880 --> 00:34:15,080
Speaker 1: They're bad Microsoft. It looked like bad Microsoft word art

600
00:34:15,120 --> 00:34:18,720
Speaker 1: and like, but it's it was all intentional, like she

601
00:34:18,719 --> 00:34:21,920
Speaker 1: she wanted it to look a certain way and it

602
00:34:21,960 --> 00:34:24,520
Speaker 1: was impactful, and people like fucking lost their minds over

603
00:34:24,600 --> 00:34:27,960
Speaker 1: Like I don't think people people that people don't really

604
00:34:27,960 --> 00:34:31,160
Speaker 1: have strong opinions on this one. Is is what's unfortunate? No,

605
00:34:31,280 --> 00:34:34,360
Speaker 1: because I think unfortunately, like we were at the point

606
00:34:34,400 --> 00:34:38,800
Speaker 1: now where it's like she is not one of the fresh, young,

607
00:34:39,360 --> 00:34:44,600
Speaker 1: new viable Like No, I don't think so. But I

608
00:34:44,680 --> 00:34:47,320
Speaker 1: just think what I'm saying by that is like every

609
00:34:47,400 --> 00:34:50,960
Speaker 1: every every fan of hers, everyone that's gotten to know

610
00:34:51,040 --> 00:34:53,520
Speaker 1: her over the past decade, because it has been a decade,

611
00:34:53,920 --> 00:34:56,000
Speaker 1: like knows that when her music comes, we're going to

612
00:34:56,160 --> 00:34:58,400
Speaker 1: enjoy it and like we might go through a phase

613
00:34:58,440 --> 00:35:00,719
Speaker 1: with it, Like but I think that we know it's

614
00:35:00,760 --> 00:35:02,760
Speaker 1: just gonna be what it is. Whereas like they're felt

615
00:35:02,760 --> 00:35:05,439
Speaker 1: like there was some sort of unpredictability or rough terrain

616
00:35:05,480 --> 00:35:07,560
Speaker 1: ahead when she was going to be releasing music like

617
00:35:08,440 --> 00:35:12,480
Speaker 1: years ago, where it felt like some some some elements

618
00:35:12,480 --> 00:35:14,799
Speaker 1: of danger. But now that she's proven she has such

619
00:35:14,840 --> 00:35:17,640
Speaker 1: staying power, I think it does take the element of

620
00:35:17,920 --> 00:35:20,359
Speaker 1: um needing to weigh in with an opinion away, Does

621
00:35:20,400 --> 00:35:24,520
Speaker 1: that make sense? Totally? Totally, Um, she's a fixture now.

622
00:35:24,560 --> 00:35:29,200
Speaker 1: It's like, yes, It's sort of like if Pink if

623
00:35:29,239 --> 00:35:33,359
Speaker 1: Pink Worter release a new song tomorrow, we'd be like, oh,

624
00:35:33,440 --> 00:35:35,160
Speaker 1: she has a new song, I'll listen to it in

625
00:35:35,200 --> 00:35:37,680
Speaker 1: three weeks, Or if you told me she released an

626
00:35:37,920 --> 00:35:41,560
Speaker 1: uh um a new song three weeks ago, I've been like, oh,

627
00:35:41,640 --> 00:35:43,480
Speaker 1: really cool, Like you know what I mean. She's just

628
00:35:43,520 --> 00:35:47,120
Speaker 1: such a fixture And that's just the way it is. Totally.

629
00:35:47,200 --> 00:35:48,719
Speaker 1: But I think it might be time for an ad

630
00:35:48,719 --> 00:35:53,440
Speaker 1: break bow and when we will talk about Real Housewives

631
00:35:53,440 --> 00:35:59,799
Speaker 1: of New York. Okay, we're back now, let's talk Yeah.

632
00:36:00,280 --> 00:36:03,920
Speaker 1: So um, first of all, I want to say, uh,

633
00:36:04,080 --> 00:36:06,319
Speaker 1: nothing darker than the coming attraction at the end of

634
00:36:06,320 --> 00:36:10,200
Speaker 1: the episode that was being like, don't drink that, it's vodka,

635
00:36:10,520 --> 00:36:12,800
Speaker 1: and then Luan drinking it and being like it's taste,

636
00:36:13,200 --> 00:36:16,480
Speaker 1: pushing her hand away Yeah, that was really. I mean,

637
00:36:16,520 --> 00:36:18,719
Speaker 1: we're in for a rough road, and especially with this

638
00:36:18,760 --> 00:36:22,840
Speaker 1: new girl, Leah, who seems like the cool, young version

639
00:36:22,880 --> 00:36:25,480
Speaker 1: of Luanne, who Luan is gonna like want to chill with,

640
00:36:25,960 --> 00:36:28,960
Speaker 1: is now here with like a more intense arrest record,

641
00:36:29,880 --> 00:36:34,120
Speaker 1: a fresh not nine years sober, now fresh off the wagon,

642
00:36:34,680 --> 00:36:38,680
Speaker 1: like young turning the party girl. I don't know how

643
00:36:38,680 --> 00:36:41,719
Speaker 1: this season is gonna go for lou Yeah, that is

644
00:36:41,719 --> 00:36:44,120
Speaker 1: the least thing, right. She she was sober for nine

645
00:36:44,160 --> 00:36:46,359
Speaker 1: years and then within the last like three months before

646
00:36:46,360 --> 00:36:48,640
Speaker 1: they started taping, she was like, yeah, and then I

647
00:36:48,760 --> 00:36:51,719
Speaker 1: started drinking again. It's like whoa, Okay, she goes. I

648
00:36:51,760 --> 00:36:54,160
Speaker 1: was sober for nine years. I just started drinking again.

649
00:36:54,200 --> 00:36:55,799
Speaker 1: And the thing about me is when I go out,

650
00:36:55,840 --> 00:36:59,960
Speaker 1: I really like to black out. I was like everything

651
00:37:00,719 --> 00:37:05,799
Speaker 1: punched cop, Yeah, arest, she goes. I was arrested, so like,

652
00:37:05,880 --> 00:37:08,200
Speaker 1: she actually is my energy and I may identify with

653
00:37:08,200 --> 00:37:12,400
Speaker 1: her on a deep level. In the face by a

654
00:37:12,480 --> 00:37:17,240
Speaker 1: cop lost her tooth. That cop knocked her tooth out. Yeah,

655
00:37:17,400 --> 00:37:20,000
Speaker 1: and then she sued them for seventy dollars and used

656
00:37:20,000 --> 00:37:23,239
Speaker 1: it to start her business. Married to the mob. She's

657
00:37:23,239 --> 00:37:25,800
Speaker 1: a little I mean, there's there's there's bits of luland

658
00:37:25,880 --> 00:37:29,640
Speaker 1: there's bits of Bethany. And that's not just for wanting, Yeah,

659
00:37:29,719 --> 00:37:34,720
Speaker 1: there's it's it's a very interesting alchemy of different housewives traits.

660
00:37:34,760 --> 00:37:40,480
Speaker 1: So her also having to google what Giovanni meant, and

661
00:37:40,600 --> 00:37:44,400
Speaker 1: she might be our first true example of chaotic neutral.

662
00:37:45,880 --> 00:37:50,000
Speaker 1: She's chaotic neutral bed or she's like chaotic good. I

663
00:37:50,040 --> 00:37:52,799
Speaker 1: don't know. I don't know if she's chaotic because she

664
00:37:52,800 --> 00:37:56,280
Speaker 1: doesn't necessarily come in with like the best super positive energy,

665
00:37:56,440 --> 00:38:00,560
Speaker 1: Like I think beth is not about positivity. Yeah, but

666
00:38:00,600 --> 00:38:03,759
Speaker 1: you're you're saying that, You're saying Bethany is chaotic good. Well,

667
00:38:03,840 --> 00:38:06,279
Speaker 1: I don't know. I feel like Bethany. Maybe I think

668
00:38:06,320 --> 00:38:08,840
Speaker 1: that Bethany behind the scenes is chaotic evil, but like

669
00:38:08,960 --> 00:38:11,480
Speaker 1: chaotic good is like Bethany being who Bethany is, but

670
00:38:11,560 --> 00:38:14,600
Speaker 1: also ultimately like saving kids in Puerto Rico, you know

671
00:38:14,600 --> 00:38:17,279
Speaker 1: what I mean. Like that is chaotic, her energy is

672
00:38:17,800 --> 00:38:21,240
Speaker 1: literally insane, but ultimately she does good things. That's literally

673
00:38:21,239 --> 00:38:23,359
Speaker 1: the what I believe is the definition of chaotic good.

674
00:38:23,360 --> 00:38:26,480
Speaker 1: Am I wrong? No, You're right, You're right, because I

675
00:38:26,520 --> 00:38:30,000
Speaker 1: was I was trying to think because the way Leah

676
00:38:30,200 --> 00:38:32,720
Speaker 1: inserts herself into that fight at the end between Dorinda

677
00:38:32,840 --> 00:38:36,560
Speaker 1: and Tinsley was very interesting, but but also I mean,

678
00:38:37,400 --> 00:38:40,040
Speaker 1: I can't discount the fact that this was her first

679
00:38:40,080 --> 00:38:42,920
Speaker 1: time hanging with the girls, but I mean, Dorinda intensely

680
00:38:43,000 --> 00:38:45,239
Speaker 1: are fighting, and then you see Leah kind of like

681
00:38:46,239 --> 00:38:49,640
Speaker 1: sidling up next to She was like, Okay, I'm here now, right,

682
00:38:50,160 --> 00:38:52,480
Speaker 1: I remember, right, and and and then she's like and

683
00:38:52,520 --> 00:38:54,520
Speaker 1: then like you hear you see the subtitles and you

684
00:38:54,560 --> 00:38:57,040
Speaker 1: hear like off to the side, like she goes to Tensley,

685
00:38:57,040 --> 00:38:58,719
Speaker 1: she goes, are you gonna let her talk to you?

686
00:38:58,719 --> 00:39:04,960
Speaker 1: Like that? Did you that? I didn't like that? No,

687
00:39:05,239 --> 00:39:07,200
Speaker 1: but I did. I did actually watch the end of

688
00:39:07,200 --> 00:39:09,600
Speaker 1: the episode again because Joel had brought up a moment

689
00:39:09,640 --> 00:39:13,360
Speaker 1: where Dorinda looks to Leah and like very knowingly goes

690
00:39:13,760 --> 00:39:19,000
Speaker 1: welcome because she I know who you are and I

691
00:39:19,040 --> 00:39:21,040
Speaker 1: know what you're about to get into, but you don't,

692
00:39:21,800 --> 00:39:28,320
Speaker 1: oh really love wait wait go ahead. I was just

693
00:39:28,320 --> 00:39:30,840
Speaker 1: gonna say there was really weak taglines this year on

694
00:39:31,360 --> 00:39:34,839
Speaker 1: there They're like really really bad and like tired, and

695
00:39:35,480 --> 00:39:37,839
Speaker 1: ultimately I was like, none of these girls aren't giving

696
00:39:37,840 --> 00:39:40,040
Speaker 1: a funk. But then in this in the episode, I

697
00:39:40,120 --> 00:39:43,399
Speaker 1: thought everyone was playing their games. Well, the episode was good.

698
00:39:43,440 --> 00:39:45,920
Speaker 1: The taglines are a weak, I I agree, um, and

699
00:39:45,960 --> 00:39:48,000
Speaker 1: then but I do just want to say that after

700
00:39:48,080 --> 00:39:49,839
Speaker 1: Leah's like, um, you can let her talk to you

701
00:39:49,880 --> 00:39:53,640
Speaker 1: like that, she like Dorenda keeps yelling, and then Leah

702
00:39:53,960 --> 00:39:57,399
Speaker 1: screams to Dorenda, why are you being like this? Which

703
00:39:57,440 --> 00:40:02,600
Speaker 1: I think is there's some version of chaotic good. Yeah,

704
00:40:02,600 --> 00:40:04,840
Speaker 1: and you're chaotic good. I feel like there's some aspect

705
00:40:04,880 --> 00:40:08,120
Speaker 1: of chaotic. She's she's chaotic mutual, but she leans she

706
00:40:08,239 --> 00:40:11,799
Speaker 1: has some aspect of good in her. What she has,

707
00:40:11,880 --> 00:40:15,919
Speaker 1: which is very powerful is the ability to make you

708
00:40:16,000 --> 00:40:21,200
Speaker 1: feel like you're acting crazy. And because she's like cool, Um,

709
00:40:21,400 --> 00:40:24,839
Speaker 1: she's going to drive the women nuts because every time

710
00:40:24,920 --> 00:40:27,640
Speaker 1: she's gonna she's gonna do the thing of like, um, okay,

711
00:40:27,920 --> 00:40:30,520
Speaker 1: I don't know what's going on. She's going to drive

712
00:40:30,560 --> 00:40:33,480
Speaker 1: them crazy because there's nothing these women want more than

713
00:40:33,560 --> 00:40:38,520
Speaker 1: to feel like and viable and cool and vibrant and

714
00:40:38,560 --> 00:40:41,719
Speaker 1: like and like sort of like, um, this is gonna

715
00:40:41,719 --> 00:40:44,200
Speaker 1: sound trady, but like there's like a lot of possibility

716
00:40:44,239 --> 00:40:48,240
Speaker 1: for them going forward. Um. But and I really feel

717
00:40:48,239 --> 00:40:50,480
Speaker 1: like because Leah is younger, than them, and has that

718
00:40:50,640 --> 00:40:55,120
Speaker 1: cool girl energy and has kind of like been there

719
00:40:55,160 --> 00:40:58,799
Speaker 1: harder than a lot of these women. Um, I think

720
00:40:58,840 --> 00:41:05,440
Speaker 1: it's gonna be very interesting to watch. She's very good choice. Um,

721
00:41:05,680 --> 00:41:09,799
Speaker 1: she is because I would argue that none of the

722
00:41:09,960 --> 00:41:13,280
Speaker 1: none of the other housewives are cool except for maybe Dorinda,

723
00:41:13,400 --> 00:41:23,200
Speaker 1: Like none of them are cool. No, yeah, no, I

724
00:41:23,239 --> 00:41:26,879
Speaker 1: feel like Dorinda is is or was the one who

725
00:41:26,920 --> 00:41:29,680
Speaker 1: was cool because ultimately she was like, I don't really

726
00:41:29,719 --> 00:41:31,640
Speaker 1: care and I'm going to the Berkshire's, you know what

727
00:41:31,719 --> 00:41:34,000
Speaker 1: I mean. But then like she shows her hand when

728
00:41:34,040 --> 00:41:36,120
Speaker 1: she has too much to drink, and she shows actually

729
00:41:36,160 --> 00:41:39,520
Speaker 1: that she does care, like she is unbothered but actually

730
00:41:39,680 --> 00:41:43,239
Speaker 1: is very bothered, whereas like Leah might just be unbothered

731
00:41:43,600 --> 00:41:46,080
Speaker 1: and that is a And that's like Erica Jayane on

732
00:41:46,120 --> 00:41:48,200
Speaker 1: Beverly Hills, you know what I mean. Like that's why

733
00:41:48,280 --> 00:41:50,520
Speaker 1: she gets under the skin of those women so much,

734
00:41:50,600 --> 00:41:54,360
Speaker 1: is because she's like they realize, like, oh, this woman

735
00:41:54,400 --> 00:41:59,160
Speaker 1: like actually doesn't need us, and that drives us from nuts.

736
00:41:59,200 --> 00:42:04,640
Speaker 1: By the way, speaking of bad um taglines for New York,

737
00:42:04,760 --> 00:42:08,919
Speaker 1: did you see the taglines for Beverly Hills. I heard

738
00:42:08,920 --> 00:42:11,680
Speaker 1: they were good. They were really good and I actually

739
00:42:11,719 --> 00:42:15,480
Speaker 1: want to play them, Okay, please, I think it would

740
00:42:15,480 --> 00:42:18,520
Speaker 1: be fun to play them and listen to them. All right,

741
00:42:18,600 --> 00:42:23,560
Speaker 1: So these are the Real Housewives of Beverly Hills taglines

742
00:42:23,960 --> 00:42:29,480
Speaker 1: for the upcoming season, and I'm needing to around here.

743
00:42:29,880 --> 00:42:34,239
Speaker 1: There's more than just dresses and everyone's closet. Kyle the

744
00:42:34,360 --> 00:42:40,200
Speaker 1: Secret to Life dance like everyone is watching for anything

745
00:42:40,280 --> 00:42:46,120
Speaker 1: less than everything. Read life is an audition and honey,

746
00:42:46,160 --> 00:42:58,600
Speaker 1: I am kidding that more when I'm expecting Teddy, Oh Erica,

747
00:42:58,880 --> 00:43:04,399
Speaker 1: my life may not be a very tale, always happy ending. Okay,

748
00:43:04,440 --> 00:43:06,800
Speaker 1: So Denise gets Denise gets lost to one interested he

749
00:43:06,920 --> 00:43:08,640
Speaker 1: gets the last one because you know what happens on

750
00:43:08,680 --> 00:43:13,800
Speaker 1: this season she Fox Brandy Glanville. Right. Um, First of all,

751
00:43:14,200 --> 00:43:16,080
Speaker 1: those are all very good taglines, and then there's there's

752
00:43:16,200 --> 00:43:18,640
Speaker 1: such a theme of like acting or getting the part,

753
00:43:18,719 --> 00:43:21,319
Speaker 1: and we have to have to you have to give

754
00:43:21,400 --> 00:43:24,680
Speaker 1: respect to miss Tiffany Pollard because for some reason you

755
00:43:24,760 --> 00:43:28,160
Speaker 1: sent me this video. You unearthed this old clip of

756
00:43:28,440 --> 00:43:31,680
Speaker 1: one of New York's reality shows, after Flavor of Leve

757
00:43:31,680 --> 00:43:34,440
Speaker 1: and after I Love New York, um where she's like

758
00:43:35,040 --> 00:43:40,040
Speaker 1: I had a casting office. And then okay, you. You're

759
00:43:40,080 --> 00:43:42,040
Speaker 1: New York. Right, I'm New York and you're the other

760
00:43:42,120 --> 00:43:46,040
Speaker 1: girl who does not matter because New York is Queen exactly. Okay,

761
00:43:46,040 --> 00:43:47,919
Speaker 1: so I'm I'm this other girl who's just walking out

762
00:43:48,120 --> 00:43:51,279
Speaker 1: and she goes, break a leg. Guys, what did you

763
00:43:51,360 --> 00:43:54,839
Speaker 1: say to me? I said, break a leg. No, I'm

764
00:43:54,880 --> 00:43:56,680
Speaker 1: not going to break a leg. I'm gonna get the part.

765
00:43:56,760 --> 00:44:03,319
Speaker 1: That's what I'm gonna do. And incredible, but you guys,

766
00:44:03,840 --> 00:44:06,040
Speaker 1: you guys have to look up New York. Tiffany Pollar

767
00:44:06,160 --> 00:44:08,640
Speaker 1: break a leg. She the way she like gets up

768
00:44:08,680 --> 00:44:10,960
Speaker 1: out of her chair and walks over to this bitch

769
00:44:10,960 --> 00:44:12,640
Speaker 1: and it's like, no, I'm not gonna break a leg.

770
00:44:12,680 --> 00:44:14,239
Speaker 1: I'm gonna get the part. That's what I'm gonna do.

771
00:44:14,280 --> 00:44:17,320
Speaker 1: It is because she doesn't understand what break a leg means.

772
00:44:18,239 --> 00:44:22,239
Speaker 1: It's important to reinforce. She does not know the expression.

773
00:44:22,760 --> 00:44:24,919
Speaker 1: And then later she's talking to the guy that they're

774
00:44:24,920 --> 00:44:27,319
Speaker 1: all trying to date or whatever, and she's like, this

775
00:44:27,360 --> 00:44:29,520
Speaker 1: girl is crazy. She keeps telling me she wants to

776
00:44:29,560 --> 00:44:33,200
Speaker 1: break my legs and the guy goes, okay, So break

777
00:44:33,200 --> 00:44:35,640
Speaker 1: a leg is something that people say when they want

778
00:44:35,640 --> 00:44:38,560
Speaker 1: to wish you luck and in theater or in film,

779
00:44:38,719 --> 00:44:42,760
Speaker 1: and Tiffany just hangs her head and she's like, damn,

780
00:44:45,680 --> 00:44:47,680
Speaker 1: I can't tell which part of that is better that

781
00:44:47,840 --> 00:44:49,919
Speaker 1: the part where she goes, um, what did you say

782
00:44:49,960 --> 00:44:52,400
Speaker 1: to me? Or that I'm not gonna break a leg?

783
00:44:52,400 --> 00:44:54,560
Speaker 1: I'm gonna gonna break a leg. I'm gonna get the

784
00:44:54,600 --> 00:44:58,200
Speaker 1: part that's what I'm gonna do. No, I'm not going

785
00:44:58,280 --> 00:45:03,440
Speaker 1: to break a leg. I'm actually gonna ge the part

786
00:45:02,320 --> 00:45:07,440
Speaker 1: that's like, Also, the other girl break a leg? Then

787
00:45:09,400 --> 00:45:15,680
Speaker 1: should you say to me, I said a leg? Yes,

788
00:45:15,800 --> 00:45:20,160
Speaker 1: she's also she deserves some credit. She's very much credit

789
00:45:20,200 --> 00:45:24,920
Speaker 1: to everyone involved. A great scene. I'm gonna say, I'm

790
00:45:24,960 --> 00:45:28,840
Speaker 1: gonna say dark Horse for my favorite tagline might be

791
00:45:28,960 --> 00:45:31,239
Speaker 1: even I can't believe I'm saying this, but Teddy, who

792
00:45:31,280 --> 00:45:33,719
Speaker 1: somehow made it to her third season. You never know

793
00:45:33,719 --> 00:45:37,600
Speaker 1: what to expect when I'm expecting, when you're expecting, when

794
00:45:37,640 --> 00:45:42,480
Speaker 1: I'm expecting. Yes, that's very good. That's very good, Teddy. Um,

795
00:45:42,600 --> 00:45:45,359
Speaker 1: I mean what was Denise says? I forgot that one?

796
00:45:45,360 --> 00:45:49,120
Speaker 1: I've already forgotten. My life might not be a fairy tale,

797
00:45:49,200 --> 00:45:53,080
Speaker 1: but I'll always get a happy ending. Oh yes, yes, yes,

798
00:45:53,120 --> 00:45:59,720
Speaker 1: I'm wondering if some sort of masturbation or massa jack off,

799
00:46:00,280 --> 00:46:02,840
Speaker 1: some sort of massage reference there that I'm not picking

800
00:46:02,880 --> 00:46:04,640
Speaker 1: up on but may pick up on when I watched

801
00:46:04,680 --> 00:46:11,600
Speaker 1: this season. Interesting. Um, and that's reality TV now, baby,

802
00:46:12,160 --> 00:46:16,920
Speaker 1: I truly um is masturbation references? Is massage references? I

803
00:46:16,920 --> 00:46:20,439
Speaker 1: don't know. Wow, Um, how's your brain doing? I feel

804
00:46:20,480 --> 00:46:23,920
Speaker 1: like mine is atrophying by the damn day. I haven't

805
00:46:23,960 --> 00:46:30,080
Speaker 1: been myself for literally weeks because um. I That's another

806
00:46:30,080 --> 00:46:34,000
Speaker 1: thing is like I'm smoking so much weed here. I mean,

807
00:46:34,040 --> 00:46:39,160
Speaker 1: there's just nothing else to do. I was just kind

808
00:46:39,160 --> 00:46:42,560
Speaker 1: of getting into the unhealthy habit of just smoking so

809
00:46:42,760 --> 00:46:44,719
Speaker 1: much weed, and it has like slowed me down a

810
00:46:44,719 --> 00:46:47,080
Speaker 1: little bit, just because, like I don't know, like that's

811
00:46:47,080 --> 00:46:49,040
Speaker 1: the way I'm dealing with Corona is just I wanted

812
00:46:49,120 --> 00:46:52,080
Speaker 1: to completely numb of myself. And that's just the waere

813
00:46:52,080 --> 00:46:54,560
Speaker 1: I'm at. And I think it's fine, but no, yeah,

814
00:46:54,560 --> 00:46:59,719
Speaker 1: I don't feel like as sharp as I usually do. Um. Yeah,

815
00:46:59,719 --> 00:47:05,479
Speaker 1: as you're not like fully depending on it. No watch

816
00:47:05,560 --> 00:47:13,640
Speaker 1: this much me intervene. Yeah, be my hero. What are

817
00:47:13,640 --> 00:47:19,200
Speaker 1: your coping mechanisms? You smoked once? Huh? You've been playing

818
00:47:19,280 --> 00:47:20,719
Speaker 1: video games a lot. And I wanted to tell you

819
00:47:20,760 --> 00:47:22,960
Speaker 1: that I tried to order Nintendo Switch and they're completely

820
00:47:22,960 --> 00:47:26,360
Speaker 1: out of stock everywhere. Yeah, because I feel like it

821
00:47:26,400 --> 00:47:28,799
Speaker 1: was a thing that people were just buying left and right.

822
00:47:29,200 --> 00:47:31,759
Speaker 1: I could have bought one for six dollars, decided not to.

823
00:47:33,360 --> 00:47:37,759
Speaker 1: Mm hmm yeah, I mean, God, I'm trying to think

824
00:47:37,760 --> 00:47:42,719
Speaker 1: of a solution for you. You could, but I feel like,

825
00:47:42,760 --> 00:47:45,439
Speaker 1: I feel like you would enjoy it so much. See,

826
00:47:45,480 --> 00:47:47,399
Speaker 1: I'm like, because didn't we make a deal. I would

827
00:47:47,400 --> 00:47:50,120
Speaker 1: watch Survivor if you started to play like Animal Crossingers. Yeah,

828
00:47:50,160 --> 00:47:52,680
Speaker 1: but the thing is like, it's become an impossibility for

829
00:47:52,719 --> 00:47:54,160
Speaker 1: me to do that. So now I think you just

830
00:47:56,200 --> 00:47:58,240
Speaker 1: not to add into something else to your long list.

831
00:47:58,400 --> 00:48:02,000
Speaker 1: But you know, well, I'm now I'm fucking tempted to

832
00:48:02,160 --> 00:48:04,120
Speaker 1: send you my damn Switch to ship it over to

833
00:48:04,239 --> 00:48:07,560
Speaker 1: miss Los Angeles. Well, so can I. Just before we

834
00:48:07,640 --> 00:48:11,640
Speaker 1: move on to um more other topics, I just want

835
00:48:11,640 --> 00:48:14,480
Speaker 1: to ask, UM, how long do you think this will go?

836
00:48:15,520 --> 00:48:20,960
Speaker 1: I think once there is a there's an rapid antibody

837
00:48:21,000 --> 00:48:24,799
Speaker 1: test that can be brought to scale, UM that can

838
00:48:24,800 --> 00:48:29,880
Speaker 1: be done from home. UM, And like people who have

839
00:48:30,000 --> 00:48:33,480
Speaker 1: the antibodies can like just like kind of be relatively

840
00:48:34,440 --> 00:48:39,279
Speaker 1: calm about going outside and just resuming life as much

841
00:48:39,280 --> 00:48:42,800
Speaker 1: as possible. UM in terms of like opening businesses and stuff.

842
00:48:43,760 --> 00:48:46,080
Speaker 1: That will be the beginning. And then like there's four

843
00:48:46,239 --> 00:48:48,600
Speaker 1: things that people are looking out for, which is that

844
00:48:48,840 --> 00:48:54,839
Speaker 1: UM just testing for the virus has to be brought

845
00:48:54,880 --> 00:48:57,239
Speaker 1: to skale too, so that they're expecting like in order

846
00:48:57,280 --> 00:49:02,200
Speaker 1: to sustain this UM, in order to make it sustainable

847
00:49:02,200 --> 00:49:07,560
Speaker 1: that people get tested regularly and UM with availability it's

848
00:49:07,560 --> 00:49:14,759
Speaker 1: like seven tests a week have to be administered UM.

849
00:49:14,800 --> 00:49:17,440
Speaker 1: And then it's about hospital capacity around the country being

850
00:49:17,800 --> 00:49:22,319
Speaker 1: like leveled off in terms of every patient who comes

851
00:49:22,320 --> 00:49:25,320
Speaker 1: in with COVID symptoms is able to get treated. It

852
00:49:25,440 --> 00:49:29,719
Speaker 1: is basically able to UM. Worse comes to worse, get

853
00:49:29,760 --> 00:49:34,319
Speaker 1: a ventilator UM without any sort of strategizing around like

854
00:49:34,440 --> 00:49:38,279
Speaker 1: shortages UM, and then god, the other two things I

855
00:49:38,320 --> 00:49:44,240
Speaker 1: forget there. It's it's mostly just about hospital capacity. Deborah

856
00:49:44,280 --> 00:49:51,759
Speaker 1: Brooks or Faucci pick one, okay, UM Faucci. I Oh,

857
00:49:51,800 --> 00:49:54,520
Speaker 1: but Debra's Debra is the lady yeah who wears the

858
00:49:54,680 --> 00:50:00,359
Speaker 1: iconic sweaters Debra. The way Debora handles Trump is very

859
00:50:00,400 --> 00:50:02,680
Speaker 1: fun to me. She just completely ignores anything he says.

860
00:50:02,920 --> 00:50:05,279
Speaker 1: Trump will just like like say some nonsense and she'll

861
00:50:05,320 --> 00:50:08,400
Speaker 1: just be like, okay, well anyway, Like she's very like

862
00:50:08,480 --> 00:50:10,759
Speaker 1: it just brushes him off very well, and it's like,

863
00:50:11,440 --> 00:50:15,600
Speaker 1: does not acknowledge whatever nonsense. He's fucking like we need

864
00:50:15,640 --> 00:50:19,360
Speaker 1: that choking on um and so I like that energy

865
00:50:19,360 --> 00:50:22,960
Speaker 1: a lot. She's like very like, what's going on with Vouch?

866
00:50:24,400 --> 00:50:28,000
Speaker 1: He's he's very accomplished, he's very he's very capable. What's

867
00:50:28,000 --> 00:50:30,200
Speaker 1: your thing with what's your thing with Vouch? I just

868
00:50:30,239 --> 00:50:33,520
Speaker 1: feel like I want him to, like um, sort of

869
00:50:33,560 --> 00:50:35,520
Speaker 1: get into it more. I want I want him to

870
00:50:35,520 --> 00:50:40,200
Speaker 1: get read well he wanted to as much as he can.

871
00:50:40,520 --> 00:50:41,840
Speaker 1: I want him to turn to Trump and be like,

872
00:50:41,880 --> 00:50:43,960
Speaker 1: you need to stop. I guess that's my thing with

873
00:50:44,000 --> 00:50:45,839
Speaker 1: everyone that's up there with him is it's just like,

874
00:50:46,080 --> 00:50:47,880
Speaker 1: but no one just turns to him and says no,

875
00:50:48,680 --> 00:50:51,080
Speaker 1: Like I feel like someone that was actually looking out

876
00:50:51,120 --> 00:50:53,400
Speaker 1: for a while, being like, if he were to actually

877
00:50:53,400 --> 00:50:55,960
Speaker 1: say something really dangerous, which he is all the time,

878
00:50:56,320 --> 00:50:58,719
Speaker 1: someone would be right there and be like, Hi, it's

879
00:50:58,760 --> 00:51:01,400
Speaker 1: important that you know. That's not something to listen to.

880
00:51:01,960 --> 00:51:03,959
Speaker 1: But I guess the decorum of it all is something

881
00:51:04,000 --> 00:51:08,799
Speaker 1: we're still doing, which is crazy, like you're right, you're

882
00:51:08,840 --> 00:51:12,479
Speaker 1: you're absolutely right. But then the way that Trump would

883
00:51:12,480 --> 00:51:15,280
Speaker 1: respond to it would be like kicking them off. Well,

884
00:51:15,320 --> 00:51:17,719
Speaker 1: they they've just humiliated me in front of everybody, and

885
00:51:17,719 --> 00:51:21,120
Speaker 1: so I will murder that like it's it's really just

886
00:51:22,120 --> 00:51:24,520
Speaker 1: what is going on with this lupus medication, the malaria

887
00:51:24,560 --> 00:51:29,919
Speaker 1: medication that like truly so many people, yeah need um,

888
00:51:29,960 --> 00:51:32,040
Speaker 1: and he's now creating a frenzy around it. That can't

889
00:51:32,080 --> 00:51:41,680
Speaker 1: be good. It's all so badpad Wait, one more thing.

890
00:51:42,440 --> 00:51:47,200
Speaker 1: Did you see this insane video of psycho Ezra Miller

891
00:51:47,400 --> 00:51:50,160
Speaker 1: grabbing that woman in a child throwing her on the

892
00:51:50,200 --> 00:51:55,839
Speaker 1: ground like a crazy person? What can you explain what

893
00:51:55,880 --> 00:51:59,000
Speaker 1: this is? So this girl I saw that headline and

894
00:51:59,040 --> 00:52:01,239
Speaker 1: I was like, no, well there's video of it and

895
00:52:01,280 --> 00:52:03,920
Speaker 1: it is harrowing. This girl came over and was like

896
00:52:04,000 --> 00:52:06,960
Speaker 1: fake fighting with him, like yeah, like like just like

897
00:52:07,160 --> 00:52:10,399
Speaker 1: kind of like fake like approaching him, and he walks

898
00:52:10,440 --> 00:52:12,520
Speaker 1: up to her and goes, you want to fight, grabs

899
00:52:12,560 --> 00:52:15,400
Speaker 1: her by the throat and throws her on the ground

900
00:52:16,080 --> 00:52:18,000
Speaker 1: and then he had to be separated from her and

901
00:52:18,080 --> 00:52:21,680
Speaker 1: like taken away it happened like where was this days ago?

902
00:52:22,280 --> 00:52:25,640
Speaker 1: I think it was an Iceland, which makes it all

903
00:52:25,680 --> 00:52:34,400
Speaker 1: even more insane. I mean, I couldn't believe that. What

904
00:52:34,440 --> 00:52:38,080
Speaker 1: do we think? Ezra Miller always a little suspicious, a

905
00:52:38,160 --> 00:52:42,000
Speaker 1: little suspicious of that one. I mean, like definitely like

906
00:52:42,360 --> 00:52:44,600
Speaker 1: darkness behind the eyes. But I always thought it was

907
00:52:45,280 --> 00:52:47,960
Speaker 1: I saying he was he was in that movie We

908
00:52:48,000 --> 00:52:50,480
Speaker 1: need to talk about Kevin, that like crazy movie about

909
00:52:50,600 --> 00:52:53,680
Speaker 1: until this was a son who is actually a serial killer?

910
00:52:54,320 --> 00:52:57,000
Speaker 1: UM right, right right, So I was always like, oh,

911
00:52:57,040 --> 00:52:58,719
Speaker 1: maybe it's just that he just has like a dark

912
00:52:58,880 --> 00:53:03,160
Speaker 1: quality that's um as an actor. But yeah, he really

913
00:53:03,640 --> 00:53:06,520
Speaker 1: popped off in this video. It was scary to watch

914
00:53:06,560 --> 00:53:08,360
Speaker 1: it. It It was. It was, it was sort of it

915
00:53:08,440 --> 00:53:09,480
Speaker 1: was the sort of thing where I was like, oh,

916
00:53:09,520 --> 00:53:12,879
Speaker 1: I wouldn't want to be around that person. Damn, damn,

917
00:53:12,960 --> 00:53:17,520
Speaker 1: damn damn, And honestly filled out that UM suit in

918
00:53:17,560 --> 00:53:23,520
Speaker 1: Justice League too. Honestly, we have to unfortunately that the

919
00:53:23,520 --> 00:53:29,319
Speaker 1: hot ones are cuckoo. It's actually real culture number un

920
00:53:31,400 --> 00:53:34,319
Speaker 1: oo cool and you know you've been dealing with some

921
00:53:34,400 --> 00:53:39,520
Speaker 1: hot cuckoo boys. M yeah, sure, I mean we're all

922
00:53:39,520 --> 00:53:42,880
Speaker 1: hot and cocko right now, everyone's I'm saying everybody is

923
00:53:42,880 --> 00:53:46,319
Speaker 1: hot and cuckoo. Um, I will say one thing, can't

924
00:53:46,360 --> 00:53:47,800
Speaker 1: I can't call it. I can't do you want to

925
00:53:47,800 --> 00:53:49,160
Speaker 1: call him out? What you want me to do? No,

926
00:53:49,200 --> 00:53:50,440
Speaker 1: I don't want you to do that at all. I'm

927
00:53:50,440 --> 00:53:55,400
Speaker 1: just saying you are you who I said? I know

928
00:53:55,480 --> 00:53:59,440
Speaker 1: you deal with hot men who are crazy. Um, it

929
00:53:59,600 --> 00:54:03,240
Speaker 1: is actually I don't know that this. I'll be really

930
00:54:03,239 --> 00:54:08,319
Speaker 1: mad mhm um before we move on to I don't

931
00:54:08,320 --> 00:54:11,160
Speaker 1: think so, honey. I did want to say that I

932
00:54:11,239 --> 00:54:13,680
Speaker 1: have I have done the thing I always tell you

933
00:54:13,760 --> 00:54:15,279
Speaker 1: not to do, which is now that I have a

934
00:54:15,280 --> 00:54:17,160
Speaker 1: show out, I like fall down the rabbit hole and

935
00:54:17,200 --> 00:54:19,560
Speaker 1: like search it and like go and see whatever I want,

936
00:54:19,719 --> 00:54:23,640
Speaker 1: saying the majority, vast majority of the feedback for Game

937
00:54:23,680 --> 00:54:25,600
Speaker 1: Show has been really good, and then, like every now

938
00:54:25,640 --> 00:54:27,319
Speaker 1: and then you'll get to that person that's like, oh,

939
00:54:27,360 --> 00:54:30,080
Speaker 1: this is the worst thing a gay person has ever done,

940
00:54:30,760 --> 00:54:35,120
Speaker 1: like which is so funny, which is like lu lu

941
00:54:35,200 --> 00:54:38,160
Speaker 1: lu lulu. But ultimately I did want to just remind

942
00:54:38,200 --> 00:54:41,120
Speaker 1: everyone that Game Show is out and that there should

943
00:54:41,160 --> 00:54:44,239
Speaker 1: be five episodes out right now, and I hope you

944
00:54:44,280 --> 00:54:47,000
Speaker 1: are enjoying them and they're coming out every day until

945
00:54:47,000 --> 00:54:49,640
Speaker 1: all later out. Do you want to talk about the

946
00:54:49,800 --> 00:54:52,239
Speaker 1: that phenomenon more or do you want to just move? Well, yeah, no,

947
00:54:52,520 --> 00:54:54,200
Speaker 1: I guess it was just weird because it was like,

948
00:54:54,480 --> 00:54:57,879
Speaker 1: literally of the response has been so good and I'm

949
00:54:57,880 --> 00:55:00,799
Speaker 1: like so excited about it and thrilled about and then

950
00:55:01,200 --> 00:55:03,719
Speaker 1: it's and then I was just thinking about how difficult

951
00:55:03,760 --> 00:55:07,880
Speaker 1: it is to make like, um, queer content or like

952
00:55:07,960 --> 00:55:12,160
Speaker 1: content for gays or content, because it's like it's like this,

953
00:55:12,320 --> 00:55:16,000
Speaker 1: it's it sort of feels like you have to really

954
00:55:16,239 --> 00:55:19,480
Speaker 1: make an effort to involve everyone to be called inclusive

955
00:55:19,520 --> 00:55:22,120
Speaker 1: at all, and you also want to be at the

956
00:55:22,160 --> 00:55:25,360
Speaker 1: same time specific because that's how you get good quality

957
00:55:25,520 --> 00:55:29,759
Speaker 1: is by being specific and by being um uh you know, detailed.

958
00:55:30,200 --> 00:55:33,799
Speaker 1: But then also you want to avoid uh stereotypes and

959
00:55:33,880 --> 00:55:36,239
Speaker 1: avoid harmful tropes. But then also you don't want to

960
00:55:36,280 --> 00:55:41,600
Speaker 1: ignore the truth. And what's so it's really interesting, um

961
00:55:41,640 --> 00:55:44,200
Speaker 1: just to try to make something that appeals to gay

962
00:55:44,239 --> 00:55:47,359
Speaker 1: audiences because I was so i and I am so

963
00:55:47,400 --> 00:55:49,440
Speaker 1: excited about it and what it is, But then you

964
00:55:49,480 --> 00:55:52,360
Speaker 1: will find that you really cannot please everyone, and that

965
00:55:52,480 --> 00:55:54,920
Speaker 1: is something that I think can be hard for performers

966
00:55:54,920 --> 00:55:57,960
Speaker 1: and entertainers and creators. Is like that is something that

967
00:55:58,000 --> 00:56:00,200
Speaker 1: you have to really remember and let go of. You

968
00:56:00,200 --> 00:56:02,880
Speaker 1: will not please everyone. And also even if you please

969
00:56:02,920 --> 00:56:06,200
Speaker 1: the vast majority of people, um, there will be will

970
00:56:06,239 --> 00:56:08,120
Speaker 1: be those voices. So I think it's just helpful to

971
00:56:08,200 --> 00:56:11,960
Speaker 1: voice out loud, yes that's you have. You have the

972
00:56:12,000 --> 00:56:16,719
Speaker 1: exact right mindset about that, and um, this sounds a

973
00:56:16,719 --> 00:56:19,920
Speaker 1: little petulant, but it's like a certain point you're like, okay,

974
00:56:19,920 --> 00:56:21,960
Speaker 1: and then sometimes it just comes down to people having

975
00:56:22,600 --> 00:56:25,960
Speaker 1: not bad taste, but like taste that doesn't align with yours.

976
00:56:27,120 --> 00:56:29,960
Speaker 1: And that's not it's not an indictment on what you're

977
00:56:29,960 --> 00:56:33,439
Speaker 1: putting out. It's not it's not an evaluation of your

978
00:56:33,480 --> 00:56:36,040
Speaker 1: skill or your talent or your work ethic. It's just

979
00:56:36,120 --> 00:56:40,040
Speaker 1: like they just won't like it. And it's statistically that

980
00:56:40,080 --> 00:56:42,560
Speaker 1: makes total sense. Even though in our job it's like

981
00:56:42,640 --> 00:56:46,600
Speaker 1: we try to um just in terms of on the

982
00:56:46,840 --> 00:56:48,839
Speaker 1: even on a joke writing level, which game show has

983
00:56:49,200 --> 00:56:51,759
Speaker 1: jokes in spades, but it's like even on a joke

984
00:56:51,760 --> 00:56:53,879
Speaker 1: writing level, like think about it, like every time you

985
00:56:53,880 --> 00:56:55,160
Speaker 1: you try to write a joke, you try to like

986
00:56:56,120 --> 00:57:01,279
Speaker 1: maximize the amount of relatability an audience, Like you're you're

987
00:57:01,280 --> 00:57:06,560
Speaker 1: trying to like, um, maximize the size of an audience

988
00:57:06,560 --> 00:57:10,839
Speaker 1: that's going to understand right away. And so but then

989
00:57:10,880 --> 00:57:12,200
Speaker 1: then at the end of the day, like that, you're

990
00:57:12,239 --> 00:57:16,200
Speaker 1: you're always going to have some sliver of some little

991
00:57:16,200 --> 00:57:18,200
Speaker 1: segment of the population that it's just like I don't

992
00:57:18,280 --> 00:57:20,120
Speaker 1: know what that's bad or I don't know that that

993
00:57:20,280 --> 00:57:22,720
Speaker 1: vocally doesn't get it, you know what I mean. Like,

994
00:57:23,040 --> 00:57:24,440
Speaker 1: and that's been the thing too. It's like, this is

995
00:57:24,480 --> 00:57:27,280
Speaker 1: the first thing I've ever released that's gotten like reviews,

996
00:57:27,320 --> 00:57:29,920
Speaker 1: Like this podcast has gotten like you know, if people

997
00:57:30,080 --> 00:57:33,160
Speaker 1: want to, they'll write something about it. And like it's

998
00:57:33,160 --> 00:57:35,720
Speaker 1: been lucky enough to like get a couple awards or

999
00:57:35,720 --> 00:57:39,280
Speaker 1: whatever or like nominations and stuff, but nothing where it's

1000
00:57:39,320 --> 00:57:41,360
Speaker 1: like this is coming out as a piece of content

1001
00:57:41,400 --> 00:57:43,439
Speaker 1: and it is to be reviewed. So it's been really

1002
00:57:43,480 --> 00:57:46,160
Speaker 1: interesting to just have something that you created just be

1003
00:57:46,320 --> 00:57:49,000
Speaker 1: up for consumption in that way, which I obviously you've

1004
00:57:49,040 --> 00:57:53,600
Speaker 1: experienced in such a an intense way. Um, but to

1005
00:57:53,720 --> 00:57:57,120
Speaker 1: be kind of like uh uh for it to move

1006
00:57:57,240 --> 00:57:59,000
Speaker 1: from like what it was, which is like this is

1007
00:57:59,040 --> 00:58:01,400
Speaker 1: just for fun to be like and now let's see

1008
00:58:01,480 --> 00:58:03,560
Speaker 1: what Quimby is and if it's going to be a thing,

1009
00:58:04,120 --> 00:58:06,600
Speaker 1: Let's list the things on Quimby and tell you if

1010
00:58:06,600 --> 00:58:10,800
Speaker 1: they're good or bad. And it's like, but I but

1011
00:58:10,920 --> 00:58:13,840
Speaker 1: think about that, like you know, I don't know, think

1012
00:58:13,880 --> 00:58:17,240
Speaker 1: about that journey. I hate to use that damn word.

1013
00:58:17,360 --> 00:58:20,560
Speaker 1: But it's like turned out an abasement. It's starting in

1014
00:58:20,640 --> 00:58:22,480
Speaker 1: abasement and then and it's and then, you guys have

1015
00:58:22,880 --> 00:58:25,160
Speaker 1: remained so true to what it was and it's so

1016
00:58:25,240 --> 00:58:29,440
Speaker 1: good and it's so I'm really excited, perfect for it's

1017
00:58:29,440 --> 00:58:32,680
Speaker 1: so perfect for like the audience that's watching Quimby and um,

1018
00:58:32,800 --> 00:58:35,280
Speaker 1: people who already know you guys. It's it's so great

1019
00:58:35,760 --> 00:58:37,840
Speaker 1: and I'm just happy it's there for people that want

1020
00:58:37,840 --> 00:58:41,000
Speaker 1: to laugh if they want exactly. Okay, let's take one

1021
00:58:41,040 --> 00:58:42,600
Speaker 1: last break before we do I don't Think So Honey.

1022
00:58:42,760 --> 00:58:49,360
Speaker 1: We'll be right back. We're back. We actually are back,

1023
00:58:49,920 --> 00:58:51,640
Speaker 1: and we're back with I Don't Think So Honey, which

1024
00:58:51,640 --> 00:58:54,520
Speaker 1: is a segment that we deal on every edition of

1025
00:58:54,600 --> 00:58:56,840
Speaker 1: this podcast, and it's what we take one minute to

1026
00:58:56,920 --> 00:58:59,400
Speaker 1: rance against something and culture that's just making us not

1027
00:58:59,520 --> 00:59:01,760
Speaker 1: so happy. Be we actually want to say I don't

1028
00:59:01,760 --> 00:59:04,440
Speaker 1: think so, honey about that thing, and so we do.

1029
00:59:05,040 --> 00:59:07,400
Speaker 1: And you know, traditionally Bow and Yang does go first.

1030
00:59:07,400 --> 00:59:11,120
Speaker 1: Do you have a topic? Traditionally you go first. Oh wait,

1031
00:59:11,200 --> 00:59:14,440
Speaker 1: I go first. Traditionally I forgot our traditions. Do you

1032
00:59:14,480 --> 00:59:16,920
Speaker 1: have a topic. I do have a topic, but I

1033
00:59:16,920 --> 00:59:20,520
Speaker 1: can go first if you want me to. Um, I'll

1034
00:59:20,520 --> 00:59:23,480
Speaker 1: go first. Okay, Okay, you want a time here? Do

1035
00:59:23,480 --> 00:59:26,120
Speaker 1: you want a time? Yeah? I want you to time me. Okay.

1036
00:59:26,160 --> 00:59:27,800
Speaker 1: So this is Matt Rodgers. I don't think so, honey.

1037
00:59:27,800 --> 00:59:31,400
Speaker 1: As time starts now, I don't think so, honey. Every

1038
00:59:31,480 --> 00:59:34,240
Speaker 1: couple of years we have to hear Brad and gen

1039
00:59:35,040 --> 00:59:38,960
Speaker 1: shut up. They're never getting back together. If you think

1040
00:59:39,000 --> 00:59:42,040
Speaker 1: that they're getting back together, I don't think so, honey.

1041
00:59:42,080 --> 00:59:44,480
Speaker 1: And I know better than you because I'm not a fool.

1042
00:59:45,240 --> 00:59:47,960
Speaker 1: First of all, they weren't even a great couple in

1043
00:59:48,000 --> 00:59:51,080
Speaker 1: the first place. You just liked it because they were

1044
00:59:51,120 --> 00:59:55,480
Speaker 1: both famous and they got together. Honey, if you knew

1045
00:59:55,520 --> 00:59:58,280
Speaker 1: anything about Brad Pitt, he should be with someone who

1046
00:59:58,320 --> 01:00:01,960
Speaker 1: wants to go do Ayahuascar woods and not pay their bills.

1047
01:00:02,440 --> 01:00:05,560
Speaker 1: And Jennifer needs to be with someone who can read

1048
01:00:05,600 --> 01:00:07,840
Speaker 1: the damn newspaper with her in the morning and doesn't

1049
01:00:07,880 --> 01:00:10,160
Speaker 1: have mind her having six cigarettes at night and three

1050
01:00:10,240 --> 01:00:13,840
Speaker 1: vodka SODA's girl. And these are two different kinds of

1051
01:00:13,880 --> 01:00:17,400
Speaker 1: people who would speak together by the Hollywood machine, honey.

1052
01:00:17,520 --> 01:00:20,960
Speaker 1: And every time they appear at the same damn award show, girl,

1053
01:00:21,480 --> 01:00:24,440
Speaker 1: I have to hear from you saying I think so, honey,

1054
01:00:24,440 --> 01:00:26,479
Speaker 1: Bread and Jen. No, I don't think so, honey, Brad

1055
01:00:26,480 --> 01:00:29,120
Speaker 1: and Jen And I don't think so, honey, Bread and Jen.

1056
01:00:29,280 --> 01:00:32,080
Speaker 1: That picture of them where he was like holding her

1057
01:00:32,160 --> 01:00:36,720
Speaker 1: hand is like proof that they should be together, bitch. No,

1058
01:00:36,840 --> 01:00:38,560
Speaker 1: he needs to let go of her. And if he doesn't,

1059
01:00:38,600 --> 01:00:41,160
Speaker 1: I don't think so, honey. And that's one minute and

1060
01:00:41,240 --> 01:00:47,160
Speaker 1: twelve seconds. Yes, you got it all out right? Do

1061
01:00:47,160 --> 01:00:48,760
Speaker 1: you think it's every two years? So I think. I

1062
01:00:48,760 --> 01:00:53,400
Speaker 1: think that picture was like a Catharsis that had been building.

1063
01:00:54,440 --> 01:00:57,960
Speaker 1: I hated that. It really made me feel like I

1064
01:00:58,000 --> 01:01:01,240
Speaker 1: was in There were a few months last year where

1065
01:01:01,240 --> 01:01:04,960
Speaker 1: I was like, is it seven? Like when Rees was

1066
01:01:05,000 --> 01:01:07,080
Speaker 1: in the Oscar conversation. Love her to death, but I

1067
01:01:07,120 --> 01:01:10,800
Speaker 1: was like, is it for the four Oscar winning to be?

1068
01:01:10,880 --> 01:01:14,080
Speaker 1: Laura Dern Brad Pitt Renee's Elwiger and Joaquin Phoenix. I

1069
01:01:14,080 --> 01:01:16,760
Speaker 1: was like, I'm sorry, but actually is in nineteen nineties

1070
01:01:16,760 --> 01:01:18,840
Speaker 1: seven and now we're on the right carpet saying can

1071
01:01:18,920 --> 01:01:22,000
Speaker 1: we please get Brad Pitt and Jennifer Anderson back together?

1072
01:01:22,040 --> 01:01:24,560
Speaker 1: And also Quentin Tarantino was popping off, like and so

1073
01:01:24,680 --> 01:01:28,040
Speaker 1: is Martin is in or not? Someone tell me right now?

1074
01:01:28,080 --> 01:01:31,920
Speaker 1: I actually need to know now now now because it

1075
01:01:32,000 --> 01:01:35,440
Speaker 1: But that kind of affirms this dumb pseudo theory I

1076
01:01:35,480 --> 01:01:38,120
Speaker 1: have that, like it's so cyclical in show biz where

1077
01:01:38,120 --> 01:01:40,960
Speaker 1: it's like these are these are these are like very

1078
01:01:41,040 --> 01:01:45,040
Speaker 1: meticulously timed campaigns to like bring people back into like

1079
01:01:46,320 --> 01:01:50,520
Speaker 1: I don't know, honestly, this is someone made the joke

1080
01:01:50,560 --> 01:01:52,080
Speaker 1: the other day, like on Twitter it was like, wow,

1081
01:01:52,160 --> 01:01:54,440
Speaker 1: y'all really wanted a cultural reset and here we are

1082
01:01:54,680 --> 01:01:57,560
Speaker 1: like a saying about Corona. And I was like, like,

1083
01:01:57,640 --> 01:01:59,640
Speaker 1: we didn't need Corona for sure, but what we first

1084
01:01:59,640 --> 01:02:03,040
Speaker 1: sure it was a cultural reset because we were regurgitating

1085
01:02:03,040 --> 01:02:06,680
Speaker 1: the same damn star, the same damn type of movies,

1086
01:02:06,760 --> 01:02:10,200
Speaker 1: like like you know it just last year was such

1087
01:02:10,200 --> 01:02:14,240
Speaker 1: a weirdo like trapped in a box year and then

1088
01:02:14,640 --> 01:02:17,080
Speaker 1: when when the year ended with everyone being like Brad

1089
01:02:17,160 --> 01:02:20,080
Speaker 1: and Gen I wanted to truly explode. I thought it

1090
01:02:20,120 --> 01:02:24,280
Speaker 1: was unacceptable. Um now it's gonna be bowen Yang's. I

1091
01:02:24,320 --> 01:02:27,919
Speaker 1: don't think so, honey. Are you ready yes? And your

1092
01:02:27,960 --> 01:02:31,400
Speaker 1: time starts now. I don't think so, honey. People who

1093
01:02:31,440 --> 01:02:36,040
Speaker 1: think that Carol Baskan killed her husband, no, honey, I

1094
01:02:36,200 --> 01:02:41,160
Speaker 1: believe women, Constance Wu, as my friend Constance Wu has said,

1095
01:02:41,680 --> 01:02:45,800
Speaker 1: choose to believe women, making a choice to believe women.

1096
01:02:46,120 --> 01:02:49,840
Speaker 1: There's this crazy smear campaign against her. You're all playing

1097
01:02:49,920 --> 01:02:54,400
Speaker 1: into this, like and you're you're you're aligning yourself with

1098
01:02:54,480 --> 01:02:57,480
Speaker 1: Joe Exotic, which is like not which is so dissidint

1099
01:02:57,520 --> 01:03:00,320
Speaker 1: to like everything that you value. Like, I'm a lot

1100
01:03:00,360 --> 01:03:04,400
Speaker 1: of smart people, compassionate people do not buy into these

1101
01:03:04,440 --> 01:03:07,560
Speaker 1: cults of personality who are so on Joe exotic sign

1102
01:03:07,600 --> 01:03:10,360
Speaker 1: And I'm like, I don't understand Carol. I I can

1103
01:03:10,520 --> 01:03:14,080
Speaker 1: spot a liar, and Carol Baskins ain't one. She I

1104
01:03:14,160 --> 01:03:19,160
Speaker 1: believe that the husbands flew on his own to Costa

1105
01:03:19,240 --> 01:03:21,240
Speaker 1: Rica and then the plane damn crash because it flew

1106
01:03:21,280 --> 01:03:26,640
Speaker 1: under the radar. That's what happened. That's t boots seconds down. Girl,

1107
01:03:26,960 --> 01:03:29,959
Speaker 1: Leave Carol Baskins alone. I'm the Chris Crocker to Carol

1108
01:03:30,000 --> 01:03:33,600
Speaker 1: Baskins of this generation. And that's actually one minute. I

1109
01:03:33,600 --> 01:03:38,880
Speaker 1: have two things to hot executive network executives. Hans said

1110
01:03:39,280 --> 01:03:41,640
Speaker 1: that that that was a great one, so thank you, Hans. Sorry,

1111
01:03:41,680 --> 01:03:45,640
Speaker 1: well that's that's cute for him. And what I have

1112
01:03:45,680 --> 01:03:47,240
Speaker 1: to say it is two things. I have two things

1113
01:03:47,280 --> 01:03:49,800
Speaker 1: to say at this time. One, it's crazy that you

1114
01:03:49,880 --> 01:03:52,520
Speaker 1: kept saying her name was Carol Baskins. Her name is

1115
01:03:52,560 --> 01:03:58,760
Speaker 1: Carol Baskin. It's Carol Baskins. No, you stupid bitch, Carols.

1116
01:03:59,360 --> 01:04:01,600
Speaker 1: But so you sound like a fool saying that. And

1117
01:04:01,640 --> 01:04:07,320
Speaker 1: now the documentary and in this series, a bunch of

1118
01:04:07,360 --> 01:04:12,560
Speaker 1: people referred to as Carol Baskins from Florida. You freak.

1119
01:04:12,920 --> 01:04:16,960
Speaker 1: That's why. That's why they say that. Well, I will

1120
01:04:16,960 --> 01:04:19,480
Speaker 1: because I will avoid Florida. I'll tell you that. That's

1121
01:04:19,480 --> 01:04:21,840
Speaker 1: how I'm being careful. Now. The second thing I had

1122
01:04:21,880 --> 01:04:23,880
Speaker 1: to say, and you know how much that breaks my heart,

1123
01:04:23,880 --> 01:04:25,920
Speaker 1: because you know I love to go to Florida. But

1124
01:04:26,000 --> 01:04:30,560
Speaker 1: I also know a damn, a damn phantasmagoria when I

1125
01:04:30,600 --> 01:04:34,160
Speaker 1: see one, and it is a people are behaving in Florida,

1126
01:04:34,280 --> 01:04:37,280
Speaker 1: right now and be the way they've always behaved in Florida.

1127
01:04:37,480 --> 01:04:40,040
Speaker 1: You want to know how Joe Exotic sales tickets. His

1128
01:04:40,120 --> 01:04:42,720
Speaker 1: thing was in Florida. So let's just get that straight.

1129
01:04:43,480 --> 01:04:47,600
Speaker 1: And I say that with Oklahoma. No, bitch, it was Florida. Bitch,

1130
01:04:49,080 --> 01:04:52,360
Speaker 1: his zoo was in Oklahoma. Bitch. Read the facts, girl, No,

1131
01:04:52,600 --> 01:04:58,520
Speaker 1: it took place in Florida, Florida. This is so easily verifiable,

1132
01:04:58,560 --> 01:05:02,280
Speaker 1: and the reader is going to come for your as Florida.

1133
01:05:02,600 --> 01:05:07,120
Speaker 1: I hope the Carol was in Florida. Okay, fine, if

1134
01:05:07,160 --> 01:05:11,880
Speaker 1: I'm wrong, every listener can fuck me. So and the

1135
01:05:11,880 --> 01:05:13,960
Speaker 1: other thing I have to say up that whole bit,

1136
01:05:14,800 --> 01:05:17,680
Speaker 1: it's gaping. And so I have two things to say.

1137
01:05:17,720 --> 01:05:21,240
Speaker 1: It's Carol Baskin. And the second thing is I can

1138
01:05:21,240 --> 01:05:24,800
Speaker 1: acknowledge my error, but you can't. We'll see you later

1139
01:05:24,840 --> 01:05:27,840
Speaker 1: at not at this time. And the second thing I

1140
01:05:27,840 --> 01:05:32,800
Speaker 1: have to say is she killed her husband, she murdered

1141
01:05:32,840 --> 01:05:37,560
Speaker 1: her and the coldest blood, in the coldest blood, I

1142
01:05:37,600 --> 01:05:39,840
Speaker 1: don't understand how you could watch that and say she

1143
01:05:40,040 --> 01:05:48,000
Speaker 1: didn't because she because like there there is a case

1144
01:05:48,040 --> 01:05:49,840
Speaker 1: to be made, and there was evidence that can be

1145
01:05:49,920 --> 01:05:53,960
Speaker 1: laid out to support the idea that he flew his

1146
01:05:54,000 --> 01:05:57,800
Speaker 1: own plane to coast Rica and then like on the way,

1147
01:05:58,400 --> 01:06:03,520
Speaker 1: or he again fully disappeared. Yeah, I don't know about

1148
01:06:03,520 --> 01:06:06,560
Speaker 1: all that. There also is you can also say that

1149
01:06:06,560 --> 01:06:08,960
Speaker 1: there's motive for the husband to disappear to make it

1150
01:06:09,000 --> 01:06:12,920
Speaker 1: look like she killed him. I don't know. I just

1151
01:06:12,960 --> 01:06:14,880
Speaker 1: feel like you can read an energy of a person,

1152
01:06:15,080 --> 01:06:17,520
Speaker 1: and I feel like her energy was not good. I

1153
01:06:17,560 --> 01:06:22,000
Speaker 1: feel that she was a killer. Okay, but if she

1154
01:06:22,040 --> 01:06:23,919
Speaker 1: don't have her husband, I don't have all I don't

1155
01:06:23,920 --> 01:06:25,680
Speaker 1: have all my materials in front of me right now.

1156
01:06:25,720 --> 01:06:28,160
Speaker 1: But I remember watching it and and I was like,

1157
01:06:28,200 --> 01:06:30,200
Speaker 1: I was like, there's no way that she did not

1158
01:06:30,320 --> 01:06:33,080
Speaker 1: kill him. End of the day. Let's say that she

1159
01:06:33,120 --> 01:06:34,520
Speaker 1: did kill him. At the end of the day, you

1160
01:06:34,560 --> 01:06:37,120
Speaker 1: still have You're still putting two people. You're holding up

1161
01:06:37,160 --> 01:06:41,160
Speaker 1: two people who both have had at one point murderous

1162
01:06:41,200 --> 01:06:44,320
Speaker 1: intent and be like, well, I like the guy like, well,

1163
01:06:44,360 --> 01:06:47,160
Speaker 1: this woman is crazy and she's a liar, but it's

1164
01:06:47,720 --> 01:06:52,720
Speaker 1: a liar. I think they both deserve to go away.

1165
01:06:53,080 --> 01:06:54,920
Speaker 1: And I think also what they're both doing to those

1166
01:06:54,960 --> 01:06:58,880
Speaker 1: animals is kuko bananas, because you she really does pretend

1167
01:06:58,880 --> 01:07:01,720
Speaker 1: to be better than them. But she's not because when

1168
01:07:01,760 --> 01:07:05,160
Speaker 1: she was still charging tickets, I was like, honey, you

1169
01:07:05,320 --> 01:07:07,520
Speaker 1: essentially are doing the same thing, but with a hey

1170
01:07:07,560 --> 01:07:09,720
Speaker 1: little tell using Katon's in front of it. I was

1171
01:07:09,800 --> 01:07:14,480
Speaker 1: like that, first of all, she was cuckoo, but notns. Yes, yes,

1172
01:07:17,040 --> 01:07:20,760
Speaker 1: death disappearance as a very common legal term. Contrary to

1173
01:07:20,800 --> 01:07:24,760
Speaker 1: the doc suggestion, google it. Yeah that is he just okay,

1174
01:07:24,800 --> 01:07:26,600
Speaker 1: So I'll tell you what just happened. A straight man

1175
01:07:26,640 --> 01:07:30,520
Speaker 1: has yelled at us to google it. It's disgusting. This

1176
01:07:30,600 --> 01:07:33,680
Speaker 1: is supposed to be our new home, he says. Brown man.

1177
01:07:33,960 --> 01:07:37,760
Speaker 1: A straight brown man has yelled at me to google it.

1178
01:07:37,840 --> 01:07:43,000
Speaker 1: He's still straight. Now, now we we actually have skipped

1179
01:07:43,040 --> 01:07:45,680
Speaker 1: over a lot of Tiger King and that was essentially

1180
01:07:45,720 --> 01:07:47,680
Speaker 1: culture for the past month. So I guess we should

1181
01:07:47,920 --> 01:07:50,440
Speaker 1: before we go just give some brief reviews and thoughts.

1182
01:07:51,200 --> 01:07:55,680
Speaker 1: I mean it was, I mean, like the COVID is

1183
01:07:55,720 --> 01:07:58,000
Speaker 1: this monoculture Now, It's like it's all we can talk about,

1184
01:07:58,000 --> 01:08:00,040
Speaker 1: It's all we're thinking about. It's it's like we have

1185
01:08:00,120 --> 01:08:02,680
Speaker 1: to within the first fifteen minutes of any conversation you

1186
01:08:02,720 --> 01:08:04,240
Speaker 1: have to have with someone, you get that out of

1187
01:08:04,240 --> 01:08:06,600
Speaker 1: the way. You're like how you doing blah blah blah

1188
01:08:06,600 --> 01:08:09,360
Speaker 1: blah blah. Um. I feel like tiger King is part

1189
01:08:09,360 --> 01:08:12,080
Speaker 1: of that is welded into that culture. Now. Oh it's

1190
01:08:12,320 --> 01:08:15,919
Speaker 1: it's forever intertwined with the coronavirus. And it's also hard

1191
01:08:15,960 --> 01:08:18,360
Speaker 1: to call it a monoculture when there's a tiger king

1192
01:08:18,479 --> 01:08:21,080
Speaker 1: in the picture. It's like, no, you actually can't call

1193
01:08:21,160 --> 01:08:24,880
Speaker 1: coronavirus a monoculture because we had tiger King. I'm saying,

1194
01:08:25,200 --> 01:08:29,120
Speaker 1: like hugely important. I'm saying. I'm saying monoculture in terms of,

1195
01:08:29,120 --> 01:08:31,240
Speaker 1: like we're all talking about the same things because we're

1196
01:08:31,240 --> 01:08:34,960
Speaker 1: all experiencing the same things because the same things. Yes,

1197
01:08:35,040 --> 01:08:37,160
Speaker 1: I thought you meant I thought you met monoculture. My

1198
01:08:37,240 --> 01:08:39,679
Speaker 1: understanding of it was the culture is revolving around one

1199
01:08:39,800 --> 01:08:42,960
Speaker 1: singular thing. But you mean that our point of view

1200
01:08:43,000 --> 01:08:46,679
Speaker 1: was all the same because of certain circumstances, because exactly

1201
01:08:46,680 --> 01:08:49,880
Speaker 1: because we're all sort of that, we have a lot

1202
01:08:49,920 --> 01:08:53,120
Speaker 1: of similarities right now, which is beautiful. It's the earth

1203
01:08:53,200 --> 01:08:55,639
Speaker 1: is healing. Just kidding, please, I don't think so many

1204
01:08:55,640 --> 01:08:58,800
Speaker 1: people who say that, but that's not worth getting a

1205
01:08:58,840 --> 01:09:03,519
Speaker 1: break environmentally. It's like that's that doesn't I like that

1206
01:09:03,600 --> 01:09:06,040
Speaker 1: as a way. If that makes you feel better about this, great,

1207
01:09:06,120 --> 01:09:11,840
Speaker 1: But that's not like, that's not right now, it's not

1208
01:09:12,040 --> 01:09:13,720
Speaker 1: what's not it's not I don't know if you're making

1209
01:09:13,720 --> 01:09:14,760
Speaker 1: fun of me, but it's like it's not a thing

1210
01:09:14,760 --> 01:09:17,360
Speaker 1: to embrace in all this. Okay, No, I think if

1211
01:09:17,479 --> 01:09:18,720
Speaker 1: if you want to, if you want to see the

1212
01:09:18,760 --> 01:09:21,000
Speaker 1: positive in all this, do that in like a couple

1213
01:09:21,000 --> 01:09:26,880
Speaker 1: of years. Oh god, yeah, that's how I feel about that. Also,

1214
01:09:26,920 --> 01:09:28,800
Speaker 1: I just want to say that the Joe exotic and

1215
01:09:28,880 --> 01:09:32,720
Speaker 1: his two straight husband's thing not something um thematically. I

1216
01:09:32,760 --> 01:09:38,720
Speaker 1: haven't searched for imporn before, like is too straight husbands

1217
01:09:39,360 --> 01:09:41,799
Speaker 1: for sure, I've I've typed that into porn hub. Okay,

1218
01:09:41,880 --> 01:09:49,080
Speaker 1: so Matt is supporting the meth um pipeline um to

1219
01:09:49,280 --> 01:09:53,920
Speaker 1: gay men and that's actually slender. Then you need to

1220
01:09:55,360 --> 01:09:59,519
Speaker 1: and you need it, um. I guess. I guess it

1221
01:09:59,600 --> 01:10:01,320
Speaker 1: was home when we were yelled at. I don't know.

1222
01:10:01,400 --> 01:10:07,400
Speaker 1: I was seeing it in Florida World in Central Florida

1223
01:10:07,520 --> 01:10:12,080
Speaker 1: as it were. They're both states with panhandles, So I

1224
01:10:12,200 --> 01:10:16,920
Speaker 1: get it, and that's I think that's where I was confused. Yeah, um, okay, well, Matt,

1225
01:10:16,920 --> 01:10:19,000
Speaker 1: I'm so excited to go on this new journey with you,

1226
01:10:19,160 --> 01:10:22,000
Speaker 1: this remote recording journey. Yeah, but I wanted to end

1227
01:10:22,000 --> 01:10:27,520
Speaker 1: really soon. I'll say that, yes, I I do as well. Um,

1228
01:10:27,600 --> 01:10:31,559
Speaker 1: I want to be positive. I want to be with

1229
01:10:31,640 --> 01:10:35,160
Speaker 1: you eating cookies. I want to be with you eating

1230
01:10:35,160 --> 01:10:38,559
Speaker 1: cookies girl, someday soon. Can you believe that Disney World

1231
01:10:38,600 --> 01:10:43,040
Speaker 1: is closed? I can't believe Disney World is closed? Absolutely

1232
01:10:43,080 --> 01:10:45,120
Speaker 1: Cannid it needed to happen. But I just can't believe

1233
01:10:45,160 --> 01:10:47,000
Speaker 1: we're living in a world where no one is currently

1234
01:10:47,000 --> 01:10:51,320
Speaker 1: on splash Mount. Oh man. I think that's the least

1235
01:10:51,320 --> 01:10:53,599
Speaker 1: of our worries. It's fully the least of our warriors.

1236
01:10:53,640 --> 01:10:56,760
Speaker 1: I'm just saying I can't believe. And with that sentiment,

1237
01:10:56,920 --> 01:10:58,880
Speaker 1: I think we're going to close the chapter on this

1238
01:10:58,920 --> 01:11:02,800
Speaker 1: episode of Last Culture Stu. And but when what do

1239
01:11:02,880 --> 01:11:06,080
Speaker 1: we do? Every time we end an episode? We sing

1240
01:11:06,120 --> 01:11:07,840
Speaker 1: a damn song? And why don't you I've been leading

1241
01:11:07,840 --> 01:11:09,960
Speaker 1: off the songs too much lately? Why don't you lead

1242
01:11:10,040 --> 01:11:20,879
Speaker 1: us off? Do you wanta do you wanna have fun? Fun? Fun? Fun, laughs,

1243
01:11:21,280 --> 01:11:28,000
Speaker 1: last laughs? Lack good show, show you a good time,

1244
01:11:29,760 --> 01:11:41,679
Speaker 1: good times, feeling no body feeling to money? Why show? Um? Bye,