WEBVTT - The Girlfriends S3/E1: Hell's Gate

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<v Speaker 1>Hey you, it's Anna here.

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<v Speaker 2>I just wanted to give you a heads up on

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<v Speaker 2>what to expect in this series because this story has

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<v Speaker 2>some pretty dark moments. It's going to include addiction, domestic

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<v Speaker 2>and sexual abuse, and murder, and a lot of it

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<v Speaker 2>takes place within the prison system. But also, like every

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<v Speaker 2>series of The Girlfriends, this is a story all about

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<v Speaker 2>sisterhood and solidarity. Along the way, I'm going to introduce

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<v Speaker 2>you to a cast of women who've been through the

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<v Speaker 2>most incredible, complex and at times even tragic experiences, but.

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<v Speaker 1>Have managed to come out the other end.

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<v Speaker 2>If you feel impacted by some of the themes in

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<v Speaker 2>this show, you can reach out to No More. There

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<v Speaker 2>are domestic violence charity with a lot of great resources

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<v Speaker 2>to help you or your loved ones. You can search

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<v Speaker 2>No More dot org and we've also put a link

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<v Speaker 2>to their website in the episode description. So do take

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<v Speaker 2>care and get ready for one hell of a story

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<v Speaker 2>and more than a few swear words. If you happen

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<v Speaker 2>to be strolling near Queens, New York in the late eighties,

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<v Speaker 2>you might have found yourself passing by North Shore Gymnastics.

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<v Speaker 2>Inside there's a smell of chalk and sweat in the air.

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<v Speaker 2>Small feet are running across the crash mac covered floor,

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<v Speaker 2>sending echoes that bounce around the room. The room is

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<v Speaker 2>bustling with girls of all ages, each in a brightly

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<v Speaker 2>colored leotard straight out of an eighties workout video. Standing

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<v Speaker 2>at the side with a sassy little expression on her

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<v Speaker 2>face is a seven year old girl with a point

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<v Speaker 2>to prove.

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<v Speaker 1>Kelly Harnett and only seven years old.

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<v Speaker 2>Kelly's just been told she's not big enough to do

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<v Speaker 2>real gymnastics, she can only play games in the sponge

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<v Speaker 2>pit with the other little kids.

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<v Speaker 1>Boring.

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<v Speaker 3>This is not what I signed up for. I don't

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<v Speaker 3>want to jump into a huge like it almost looked

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<v Speaker 3>like a pool of spongy things and play cat and mouse.

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<v Speaker 3>It was basically like tag. That's not gymnastics.

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<v Speaker 1>Kelly should know.

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<v Speaker 2>She's already built her own DIY balance beam at home,

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<v Speaker 2>and she's been some assaulting off the sofa for years.

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<v Speaker 2>So playing tag in the sponges with the babies no,

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<v Speaker 2>thank you.

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<v Speaker 3>I was getting really irritated about this.

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<v Speaker 2>Kelly hatches a plan. Looking up into the stands, scanning

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<v Speaker 2>through the sea of proud parents, Kelly make sure her

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<v Speaker 2>mum is watching and then it's go time.

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<v Speaker 3>Okay, one, two, three, and everybody would run.

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<v Speaker 2>Kelly, the coach and the rest of the little kids

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<v Speaker 2>start running towards the sponge pit, but after a few

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<v Speaker 2>conniving strides, Kelly makes a break for it. She's heading

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<v Speaker 2>straight to the balance beam, a proper one, which is

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<v Speaker 2>currently surrounded by a gaggle of big girls who do

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<v Speaker 2>real gymnastics.

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<v Speaker 1>But Kelly isn't phased.

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<v Speaker 3>I just grabbed it the balance Beme and I started

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<v Speaker 3>doing cartwheels and round offs. I remember looking up at

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<v Speaker 3>my mom and she was proud of me.

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<v Speaker 1>She was happy.

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<v Speaker 2>The other moms, well they're not so happy. Actually, they're

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<v Speaker 2>freaking the fuck out, pounding on the glass, screaming bloody murder,

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<v Speaker 2>trying to get the coach's attention.

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<v Speaker 3>I felt like saying, you snitches.

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<v Speaker 2>The snitching works. Kelly's coach turns around to see her

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<v Speaker 2>mid maneuver. He starts booking it across the gym.

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<v Speaker 3>Although he's running. I know I have a few seconds left.

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<v Speaker 3>I did like a cartwheel without hands, did the smell boom,

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<v Speaker 3>and my feet were together, and that's always what they

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<v Speaker 3>mess up on. They back up a little bit. My

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<v Speaker 3>feet were together and he was.

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<v Speaker 1>Like, oh my god, her, are you crazy?

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<v Speaker 3>What is wrong with you? You know, hurt you could

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<v Speaker 3>have gotten I was like, but I didn't get hurt.

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<v Speaker 3>So yes, I got in a lot of trouble for that.

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<v Speaker 1>This memory, it means a lot to Kelly.

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<v Speaker 2>She'll spend her life repeating it over and over again

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<v Speaker 2>in her head, how proud her mother was and how

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<v Speaker 2>special she felt, how she stuck it to the man

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<v Speaker 2>and stuck the landing. At the same time, Kelly says,

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<v Speaker 2>she keeps doing gymnastics, and after a while her coach

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<v Speaker 2>even lets her back on the balance beam.

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<v Speaker 1>But soon that all changes.

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<v Speaker 3>My mom told the head coach that she has to

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<v Speaker 3>take me out. She said, no, no, you can't take

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<v Speaker 3>her out. And my mother said, I don't have a choice,

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<v Speaker 3>and she said, your daughter isn't this This is the

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<v Speaker 3>type that goes to the Olympics. And it made my

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<v Speaker 3>mother cry because she didn't have the money.

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<v Speaker 2>It's about thirty years later and Kelly's walking out of

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<v Speaker 2>a maximum security prison. She's in shackles with a chain

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<v Speaker 2>around her belly and cuffs on her wrists. She's being

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<v Speaker 2>escorted to a hospital appointment via a prison transfer van.

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<v Speaker 2>To pass the time. Kelly gets chatting to a prison guard.

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<v Speaker 3>He started talking to me about previous jobs, because I

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<v Speaker 3>was talking to him about how rough it must be

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<v Speaker 3>to get stuck there and to have a home life

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<v Speaker 3>and whatnot. And he said, yeah, like I missed, like

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<v Speaker 3>the good old days. I said, what'd you do? He

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<v Speaker 3>says to me that he used to be a coach

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<v Speaker 3>at north Shore and that's where I used to go.

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<v Speaker 3>And I said why really, and he goes, oh, gosh,

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<v Speaker 3>I'll never forget the time. And I don't know. Something

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<v Speaker 3>in my heart just told me, like, don't tell me.

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<v Speaker 3>He's gonna tell my story. He said, so as the coach,

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<v Speaker 3>I led them all to the pit, and apparently one

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<v Speaker 3>didn't make it with us. She ended up over by

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<v Speaker 3>the teenagers. I guess I missed half of her. And

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<v Speaker 3>then he did the air quotes routine like still a

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<v Speaker 3>little bit angry, and he goes, but I'll tell you

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<v Speaker 3>she did such a damn good job. I couldn't tell

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<v Speaker 3>her that though, I said, you just did, and he

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<v Speaker 3>looked at me and he was like no. And then

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<v Speaker 3>I started to cry, thinking about seven year old Kelly

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<v Speaker 3>and how crazy life is. It was one of those

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<v Speaker 3>what went wrong moments, You have a lot of them,

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<v Speaker 3>clearly in prison, but not to that extent. But he

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<v Speaker 3>looked at me differently after that, and he was just like,

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<v Speaker 3>what happened?

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<v Speaker 2>I'm Annisonfield and from the teams at Novel and iHeart Podcasts.

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<v Speaker 2>This is the Girlfriend's Gelhouse Lawyer, Episode one, Hell'sgate. When

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<v Speaker 2>you see a long ramp for the wheelchair accessibility along

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<v Speaker 2>with a regular staircase, that is my courtyard.

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<v Speaker 1>Don't listen to the sign. They got it wrong. I

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<v Speaker 1>am so not kidding. Just walk straight upon entry to

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<v Speaker 1>your left you will see another ramp.

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<v Speaker 3>Go back up the crim I can't see you.

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<v Speaker 1>This is great.

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<v Speaker 4>Is that Kelly's house?

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<v Speaker 1>Hi?

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<v Speaker 3>Good? How are you Anna? It's so nice to finally

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<v Speaker 3>meet you.

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<v Speaker 2>Why This is Kelly Hannett, now forty three and still

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<v Speaker 2>with a point to prove. It's late twenty twenty four

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<v Speaker 2>and she's waiting for me outside her apartment in a

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<v Speaker 2>story of Queen's. Kelly's wearing a red top with Bebo

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<v Speaker 2>bajewled across the front. When she hugs me, she smells

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<v Speaker 2>like a mix of rose perfume and the king sized

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<v Speaker 2>cigarette she's smoking. She's got big, wide eyes. Her hair

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<v Speaker 2>is vivid blonde, pulled back into a high ponytail. She's

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<v Speaker 2>sporting a headband that perfectly matches her eyeshadow, which she

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<v Speaker 2>says it always does. This is my first time seeing

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<v Speaker 2>Kelly in person, and up close. I can see how

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<v Speaker 2>she got the nickname Gelhouse Barbie. Kelly got out of

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<v Speaker 2>prison three years ago. She spent almost twelve years behind

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<v Speaker 2>bars for murder. Kelly says she's innocent of all charges,

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<v Speaker 2>but in the eyes of the justice system, Kelly was

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<v Speaker 2>a villain, a perpetrator of a terrible crime who deserved

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<v Speaker 2>to be punished. As the reporter behind the Girlfriends, I've

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<v Speaker 2>always had a victim first philosophy. In fact, I've said

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<v Speaker 2>more than once that we don't interview perpetrators on this show.

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<v Speaker 2>And through that philosophy, through telling the stories we have

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<v Speaker 2>the Girlfriends has unwittingly reinforced the idea that you have

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<v Speaker 2>a victim, generally a woman, and then there's a bad villain,

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<v Speaker 2>often a man who hurts the a bad guy who

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<v Speaker 2>thankfully gets locked up in the end with the key

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<v Speaker 2>thrown away. And in these stories it's clear who to

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<v Speaker 2>root for. The victim, a woman who is a lot

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<v Speaker 2>of the time, let's face it, dead, who then becomes

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<v Speaker 2>forever memorialized, frozen in a state of perfect almost sainted victimhood.

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<v Speaker 2>But real life is rarely so neat, especially for the

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<v Speaker 2>women who survive. One good thing about Kelly, at least

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<v Speaker 2>from a journalist's perspective, is that she is not at

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<v Speaker 2>all withholding. I don't even need to ask her that

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<v Speaker 2>many questions. She's a boiling pot of beans ready to spill.

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<v Speaker 2>Kelly's the type to wear her heart on her sleeve

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<v Speaker 2>and on her front door.

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<v Speaker 1>You have a shed mark here on the door.

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<v Speaker 3>It represents my ethnicity. I'm one hundred percent Irish, but

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<v Speaker 3>we always have to keep the two American flags here too.

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<v Speaker 3>We wished that I am Irish American and that we're proud.

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<v Speaker 5>Supporters of the Paralyzed Veterans of America.

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<v Speaker 1>Thank you, you're welcome. Oh, it's your piano program.

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<v Speaker 5>Yes.

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<v Speaker 2>As I walk into Kelly's apartment, I'm struck by how

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<v Speaker 2>much of a shrine it is to her life. Sure,

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<v Speaker 2>but I actually mean a literal religious shrine. It's full

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<v Speaker 2>of roses, like so many roses, real fake jewelry pictures.

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<v Speaker 1>They're everywhere.

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<v Speaker 3>Oh, but today is a very significant day. I don't

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<v Speaker 3>know if I ever told you about my story about

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<v Speaker 3>Saint Terre's October one.

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<v Speaker 1>Today is her feast day.

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<v Speaker 2>Saint Therez is a Catholic saint. Kelly's been praying to

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<v Speaker 2>her since a rainy day about forty years ago when

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<v Speaker 2>she was around four years old.

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<v Speaker 3>My mom she was driving to the she parked the car.

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<v Speaker 3>I opened the car up and I stepped into a puddle.

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<v Speaker 3>Inside the puddle was a rose. For some reason, I

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<v Speaker 3>don't know why, I picked the rose up. My mom

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<v Speaker 3>got out of the driver's seat and came around and

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<v Speaker 3>she saw me with the rose in my hand. She said, Kelly,

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<v Speaker 3>put that down. It's dirty. So I threw the rose down.

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<v Speaker 3>I go into the rectory and my mom had to

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<v Speaker 3>go in the back, and the nuns were sitting there

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<v Speaker 3>and they had this whole wall of pamphlets of about

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<v Speaker 3>fifty different saints. Randomly, I just picked this pamphlet. It

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<v Speaker 3>was a picture of a saint holding a crucifix and

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<v Speaker 3>holding roses in her hand. As I started to read

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<v Speaker 3>the prayer, it said she will send a message of

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<v Speaker 3>love and a shower of roses from the Heavenly gardens.

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<v Speaker 3>I just kept thinking of that rose outside.

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<v Speaker 5>I wanted that rose.

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<v Speaker 3>When we got back to the car, I waited until

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<v Speaker 3>my mom got in the driver's She grabbed the rose.

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<v Speaker 1>And put in my pocket.

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<v Speaker 3>Throughout my whole life, I had been praying to Saint

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<v Speaker 3>Lores and finding roses constantly. I had shoe boxes upon

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<v Speaker 3>shoe boxes, and then I started marking each.

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<v Speaker 2>Be Sitting in Kelly's Rosa Dorn department, I'm watching her

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<v Speaker 2>as she speaks. I'm listening, but simultaneously trying to get

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<v Speaker 2>the measure of her, looking for hidden context in between

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<v Speaker 2>her words. I guess it's a report and me Kelly's

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<v Speaker 2>eyes light up when she speaks about Saint. There's which

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<v Speaker 2>she does a lot, this Saint. She's one of the

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<v Speaker 2>most important figures in Kelly's life. I'm imagining Kelly, barely

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<v Speaker 2>four years old, reading a prayer pamphlet, a sodden rose

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<v Speaker 2>in her tiny pocket.

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<v Speaker 1>She's beginning to dawn on me how extraordinary this story is.

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<v Speaker 2>And that's when I'm interrupted by the other most significant

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<v Speaker 2>person in Kelly's life.

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<v Speaker 3>Here's my brother, Ronnie.

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<v Speaker 6>I'm terrible, I know, Yeah, that's Ronnie.

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<v Speaker 1>It's my best friend in the whole wide world.

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<v Speaker 3>Ronnie and I, I mean we.

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<v Speaker 2>Kelly and Ronnie live in the same apartment they're called

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<v Speaker 2>home for nearly three decades. Before it was just them,

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<v Speaker 2>they shared it with their mum, dad and their family dog,

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<v Speaker 2>a cocker Spaniel named Casey. You can feel that family

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<v Speaker 2>history here. It's soaked into the walls alongside the nicotine.

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<v Speaker 3>This is my shrine that I meet from my mother.

0:15:09.520 --> 0:15:12.400
<v Speaker 3>I know you're probably thinking, why is there a cigarette

0:15:12.440 --> 0:15:16.320
<v Speaker 3>on top of that. My mother's less words, not to

0:15:16.440 --> 0:15:20.120
<v Speaker 3>be funny, God forgive me was give me a cigarette.

0:15:20.400 --> 0:15:25.040
<v Speaker 3>So I gave her her last cigarette. These are rose petals,

0:15:25.120 --> 0:15:27.080
<v Speaker 3>of course, because of my love for roses.

0:15:27.680 --> 0:15:28.160
<v Speaker 4>Oh.

0:15:28.360 --> 0:15:34.000
<v Speaker 3>These are the rosary beads that were found clamped in

0:15:34.120 --> 0:15:38.120
<v Speaker 3>her hand when she died. So when rigan water sets in.

0:15:38.360 --> 0:15:41.720
<v Speaker 2>Kelly's mom's name was Kathleen. Before she died, she had

0:15:41.760 --> 0:15:44.920
<v Speaker 2>been sick for a long time. Kelly and Ronnie still

0:15:45.000 --> 0:15:47.960
<v Speaker 2>keep her sick bed in the living room. Currently, it's

0:15:48.000 --> 0:15:50.560
<v Speaker 2>covered in teddy bears and a blanket with a poem

0:15:50.600 --> 0:15:52.800
<v Speaker 2>printed on it about how special brothers are.

0:15:53.400 --> 0:15:55.480
<v Speaker 1>A gift from Kelly to Ronnie.

0:15:56.080 --> 0:15:59.200
<v Speaker 3>Yankee pillows because we're Yankee fans. We used to be

0:15:59.360 --> 0:16:01.800
<v Speaker 3>met fans, but we're sick and tired of ruling for

0:16:01.800 --> 0:16:02.560
<v Speaker 3>a losing team.

0:16:03.160 --> 0:16:06.200
<v Speaker 2>But I guess, scanning my eyes around the room, a

0:16:06.240 --> 0:16:09.400
<v Speaker 2>spot a dresser next to the bed. On it a

0:16:09.440 --> 0:16:12.720
<v Speaker 2>pair of nineteen eighties Barbies, still in their original packaging.

0:16:13.520 --> 0:16:16.600
<v Speaker 2>One's a dentist and the other is a lawyer, both

0:16:16.600 --> 0:16:20.840
<v Speaker 2>a blonde, obviously. Also in the living room is a

0:16:20.840 --> 0:16:24.240
<v Speaker 2>makeup table with lights around the mirror, like something from

0:16:24.240 --> 0:16:27.640
<v Speaker 2>old Hollywood. It comes complete with a pink and white

0:16:27.720 --> 0:16:31.560
<v Speaker 2>heart shaped chair, but right at the center of the room,

0:16:31.880 --> 0:16:32.480
<v Speaker 2>in front.

0:16:32.280 --> 0:16:32.720
<v Speaker 1>Of the TV.

0:16:33.360 --> 0:16:38.560
<v Speaker 2>It's one of Kelly's most prized possessions, her electronic keyboard.

0:16:39.960 --> 0:16:42.840
<v Speaker 2>Some evenings, Kelly and Ronnie sit in here on the

0:16:42.880 --> 0:16:46.160
<v Speaker 2>old sick bed converted into a sofa and listen to

0:16:46.240 --> 0:16:47.640
<v Speaker 2>DJ sets on YouTube.

0:16:48.480 --> 0:16:52.120
<v Speaker 1>They dance and sing along. Sometimes Kelly jams on her.

0:16:52.040 --> 0:16:55.880
<v Speaker 3>Since honestly I'm an aspiring DJ. My favorite DJ's Paul

0:16:55.960 --> 0:16:59.480
<v Speaker 3>Van Dyke. However, I haven't gotten the money to get

0:16:59.520 --> 0:17:03.040
<v Speaker 3>the turnity yet the pioneer turntables. I don't have that

0:17:03.160 --> 0:17:07.080
<v Speaker 3>much experience in this. However, I go crazy on my keyboard,

0:17:07.359 --> 0:17:20.040
<v Speaker 3>and so yeah, I'm just freestyle setting me freestyling. I

0:17:20.040 --> 0:17:21.000
<v Speaker 3>had nothing with my end.

0:17:21.040 --> 0:17:28.480
<v Speaker 2>Honestly, Kelly's apartment here in Astoria is a safe haven

0:17:28.560 --> 0:17:31.520
<v Speaker 2>for her and Ronnie. But I'm shocked to learn that

0:17:31.640 --> 0:17:34.760
<v Speaker 2>it's barely three blocks away from the scene of the murder.

0:17:34.760 --> 0:17:36.280
<v Speaker 1>That but Kelly behind bars.

0:17:37.760 --> 0:17:40.040
<v Speaker 2>I know I wouldn't want to stick around so close

0:17:40.080 --> 0:17:42.760
<v Speaker 2>to the place where my whole life fell apart.

0:17:43.920 --> 0:17:45.879
<v Speaker 1>You could have left New York if you wanted to,

0:17:45.960 --> 0:17:46.679
<v Speaker 1>but you haven't.

0:17:47.080 --> 0:17:52.800
<v Speaker 3>I know, home is wherever Ronnie is. If Ronnie's here,

0:17:53.440 --> 0:17:57.480
<v Speaker 3>then this is home. If Ronnie moved, then that would

0:17:57.480 --> 0:18:00.880
<v Speaker 3>be harm Wherever Ronnie would have moved to, I would

0:18:00.880 --> 0:18:04.680
<v Speaker 3>have been going there. And I'm glad Ronnie was still

0:18:04.680 --> 0:18:07.960
<v Speaker 3>here because this is the place that I left.

0:18:08.600 --> 0:18:10.640
<v Speaker 1>We've lived here for thirty two years.

0:18:11.480 --> 0:18:15.560
<v Speaker 3>I mean, that's home, and I can tell you there's

0:18:15.640 --> 0:18:16.800
<v Speaker 3>no place like home.

0:18:21.720 --> 0:18:23.719
<v Speaker 2>Well, I think it's a very brave thing to stay

0:18:24.119 --> 0:18:24.760
<v Speaker 2>in the same place.

0:18:24.800 --> 0:18:25.480
<v Speaker 1>It's easier to.

0:18:25.480 --> 0:18:31.040
<v Speaker 3>Run, Yeah, yeah, but I don't run from my problems.

0:18:30.359 --> 0:18:31.280
<v Speaker 1>Other than Ronnie.

0:18:31.520 --> 0:18:34.600
<v Speaker 2>The one other, very important reason why Kelly has refused

0:18:34.640 --> 0:18:38.879
<v Speaker 2>to run is because she's always maintained her innocence. I

0:18:38.920 --> 0:18:41.879
<v Speaker 2>was just wondering how important it is to you that

0:18:41.960 --> 0:18:44.399
<v Speaker 2>the people who listen to this podcast come out of

0:18:44.440 --> 0:18:46.040
<v Speaker 2>it believing you.

0:18:46.040 --> 0:18:48.919
<v Speaker 1>You know, everyone's jury. Everyone's going to have their own opinions.

0:18:49.440 --> 0:18:54.520
<v Speaker 3>Yeah, I mean, what can happen to anyone is a

0:18:54.560 --> 0:18:58.560
<v Speaker 3>wrong for conviction. Nobody could really sit there and say

0:18:58.720 --> 0:19:02.800
<v Speaker 3>what they could definite do in any situation until it

0:19:02.960 --> 0:19:09.440
<v Speaker 3>happens to them. It would be nice if people would

0:19:09.440 --> 0:19:14.280
<v Speaker 3>be open minded. I was put away for thirteen years wrongfully.

0:19:15.280 --> 0:19:19.320
<v Speaker 3>I'm not asking for a retrial here. All I need

0:19:19.359 --> 0:19:20.040
<v Speaker 3>is the chance.

0:19:24.440 --> 0:19:27.359
<v Speaker 2>Next, I'm going to give Kelly the chance to tell

0:19:27.400 --> 0:19:31.639
<v Speaker 2>her side of the story about the terrible night that

0:19:31.680 --> 0:19:52.960
<v Speaker 2>would change her life forever. Why don't we move on

0:19:53.119 --> 0:19:57.000
<v Speaker 2>to the actual night itself? Do you want to start

0:19:57.080 --> 0:19:59.800
<v Speaker 2>us from earlier on that day, like what you'd been doing?

0:20:01.119 --> 0:20:01.560
<v Speaker 1>Sure?

0:20:02.840 --> 0:20:04.320
<v Speaker 2>I just want to warn you that I'm not going

0:20:04.359 --> 0:20:06.560
<v Speaker 2>to be holding back on the grizzly details in this

0:20:06.720 --> 0:20:10.200
<v Speaker 2>series like I've tried to in previous seasons with the girlfriends.

0:20:10.840 --> 0:20:12.520
<v Speaker 1>The brutal details.

0:20:12.000 --> 0:20:14.439
<v Speaker 2>Of the murder Kelly was accused of and what she

0:20:14.520 --> 0:20:18.520
<v Speaker 2>went through either side of it are just too important.

0:20:18.840 --> 0:20:21.879
<v Speaker 2>It's in the details that someone like Kelly is found

0:20:21.880 --> 0:20:26.720
<v Speaker 2>guilty or innocent. It's in the details that her culpability

0:20:27.000 --> 0:20:31.120
<v Speaker 2>is decided, and it's in the details where Kelly come

0:20:31.160 --> 0:20:38.400
<v Speaker 2>more from victim into villain. It all started on July sixth,

0:20:38.680 --> 0:20:47.640
<v Speaker 2>twenty ten. Kelly's twenty eight years old. She still lives

0:20:47.680 --> 0:20:50.200
<v Speaker 2>at home, but she and her mum have been arguing

0:20:50.320 --> 0:20:57.080
<v Speaker 2>a lot recently, mostly about Kelly's new boyfriend, Tommy. Kelly's mother, Kathleen,

0:20:57.240 --> 0:20:59.520
<v Speaker 2>doesn't approve of him.

0:20:59.080 --> 0:21:00.359
<v Speaker 1>Thinks he's bad news.

0:21:01.760 --> 0:21:04.920
<v Speaker 2>More than once in their short relationship, Kelly has turned

0:21:05.000 --> 0:21:09.359
<v Speaker 2>up on her mum's doorstep horrifically beaten, bloody, and bruised.

0:21:10.520 --> 0:21:14.000
<v Speaker 2>Before long, Tommy usually turns up too, yelling vile abuse

0:21:14.040 --> 0:21:17.359
<v Speaker 2>at their windows for all the neighbors to hear, and

0:21:17.480 --> 0:21:21.199
<v Speaker 2>Kathleen's explosive reactions put Kelly between a rock and a

0:21:21.240 --> 0:21:25.879
<v Speaker 2>hard place, so Kelly's staying away from home. She's with

0:21:25.920 --> 0:21:30.159
<v Speaker 2>Tommy instead, But by July sixth, Tommy's gotten into a

0:21:30.160 --> 0:21:32.560
<v Speaker 2>fight with his roommate and says he can't go back

0:21:32.560 --> 0:21:37.240
<v Speaker 2>to his apartment. Now he and Kelly are sleeping under

0:21:37.240 --> 0:21:39.080
<v Speaker 2>a bridge in a Storia Park.

0:21:39.760 --> 0:21:40.119
<v Speaker 1>I don't know.

0:21:40.160 --> 0:21:42.239
<v Speaker 3>I guess you could say that I was transient by

0:21:42.359 --> 0:21:48.600
<v Speaker 3>choice and also out of fear and out of love, honestly,

0:21:49.119 --> 0:21:51.040
<v Speaker 3>because I didn't want to leave him in the park

0:21:51.440 --> 0:21:55.200
<v Speaker 3>by himself. So I was like, that's a terrible thing

0:21:55.280 --> 0:21:57.000
<v Speaker 3>for a girlth And did you leave her boyfriend in

0:21:57.000 --> 0:21:57.960
<v Speaker 3>the park by himself?

0:21:58.880 --> 0:21:59.919
<v Speaker 1>I said, I don't want to do that.

0:22:01.040 --> 0:22:04.080
<v Speaker 2>So all day July sixth, they're hanging out in the park,

0:22:04.720 --> 0:22:08.680
<v Speaker 2>but Kelly is suffering. She's been addicted to prescription pain

0:22:08.720 --> 0:22:11.920
<v Speaker 2>pills since she was seventeen. She and Tommy actually met

0:22:11.920 --> 0:22:17.520
<v Speaker 2>at a methadone clinic, and right now Kelly is withdrawing hard, vomiting,

0:22:17.760 --> 0:22:21.280
<v Speaker 2>feeling terrible. Tommy has stopped her from getting her methadone

0:22:21.280 --> 0:22:24.480
<v Speaker 2>dose for the past three days, which just seems like

0:22:24.520 --> 0:22:26.000
<v Speaker 2>a cruel act of control to me.

0:22:34.640 --> 0:22:41.160
<v Speaker 3>So right now we're actually standing the scene of the crime.

0:22:42.720 --> 0:22:45.280
<v Speaker 3>I would say I was standing right over here.

0:22:45.440 --> 0:22:47.600
<v Speaker 2>I've asked Kelly to come back to a Storia Park.

0:22:48.280 --> 0:22:50.119
<v Speaker 2>I want to try and make some kind of sense

0:22:50.160 --> 0:22:52.760
<v Speaker 2>of what happened that night back in July twenty ten.

0:22:54.000 --> 0:22:56.040
<v Speaker 3>It's difficult to really say what the scene of the

0:22:56.040 --> 0:22:59.320
<v Speaker 3>crime was because they're drinking.

0:23:00.200 --> 0:23:02.520
<v Speaker 1>Like began over.

0:23:02.280 --> 0:23:06.560
<v Speaker 2>Here, Kelly, still jonesing for her methadone fix, has spent

0:23:06.600 --> 0:23:10.160
<v Speaker 2>the day with Tommy drinking four loco. A single can

0:23:10.359 --> 0:23:13.760
<v Speaker 2>is the equivalent of four cans of beer, and as

0:23:13.760 --> 0:23:16.399
<v Speaker 2>if that wasn't enough to top it all off, it

0:23:16.440 --> 0:23:19.920
<v Speaker 2>also includes roughly a metric fuck ton of caffeine.

0:23:20.440 --> 0:23:23.040
<v Speaker 7>The caffeine being in it, what it would do was

0:23:23.080 --> 0:23:26.119
<v Speaker 7>wake you up, so you keep drinking it, and then

0:23:26.160 --> 0:23:31.080
<v Speaker 7>the caffeine wears off, and boy does that alcohol hit you.

0:23:31.160 --> 0:23:32.280
<v Speaker 1>It sneaks up on you, Cloe.

0:23:32.400 --> 0:23:36.879
<v Speaker 2>By about three am, Tommy and Kelly are wasted, exhausted

0:23:36.920 --> 0:23:40.680
<v Speaker 2>from the rough sleeping and withdrawal. They lay some blankets

0:23:40.720 --> 0:23:43.280
<v Speaker 2>down under the bridge that cuts right through the park.

0:23:43.600 --> 0:23:47.760
<v Speaker 3>It just so happens to ironically be named the Hell's

0:23:47.880 --> 0:23:52.919
<v Speaker 3>Gate Bridge, and boy, your boy was there given the

0:23:52.960 --> 0:23:56.280
<v Speaker 3>correct name because it really was the gate to Hell

0:23:56.400 --> 0:23:56.639
<v Speaker 3>for me.

0:23:57.680 --> 0:24:00.760
<v Speaker 2>Tommy notices a man sat on a park bench across

0:24:00.760 --> 0:24:06.120
<v Speaker 2>the way from him. He yells over to him.

0:24:06.600 --> 0:24:10.160
<v Speaker 6>The guy says, olah, I know now he speaks Spanish, right,

0:24:10.720 --> 0:24:14.760
<v Speaker 6>and I speak Spanish fluently, And Telly knew that, and

0:24:15.800 --> 0:24:19.199
<v Speaker 6>he asked me to ask him if it would be

0:24:19.240 --> 0:24:23.320
<v Speaker 6>okay for us to join him, and he said yes.

0:24:25.200 --> 0:24:27.560
<v Speaker 2>Tommy and Kelly walk over to sit with the man

0:24:28.359 --> 0:24:32.600
<v Speaker 2>who introduces himself as Angel, and.

0:24:32.520 --> 0:24:35.480
<v Speaker 3>That's when he told me that his brother threw him

0:24:35.480 --> 0:24:38.240
<v Speaker 3>out of the house because he had been drinking. He

0:24:38.240 --> 0:24:41.879
<v Speaker 3>said he beat him up, and that's when he pulled

0:24:41.880 --> 0:24:43.960
<v Speaker 3>out some type of I don't know if it was

0:24:44.000 --> 0:24:45.840
<v Speaker 3>a key chain or a charm that he was an

0:24:45.880 --> 0:24:47.200
<v Speaker 3>alcoholics anonymous.

0:24:48.240 --> 0:24:51.879
<v Speaker 2>Angel is drunk, like falls over when he tries to

0:24:51.920 --> 0:24:55.760
<v Speaker 2>stand up drunk, but Tommy doesn't care.

0:24:56.880 --> 0:24:58.280
<v Speaker 1>He just sees an opportunity.

0:24:59.359 --> 0:25:02.000
<v Speaker 3>He tells me to ask him if he's ever drankd

0:25:02.040 --> 0:25:05.920
<v Speaker 3>for local and I asked him and he said no,

0:25:06.160 --> 0:25:10.720
<v Speaker 3>but that he would love to try. So the man

0:25:10.880 --> 0:25:15.560
<v Speaker 3>gave Tommy I think it was six dollars, and I

0:25:16.000 --> 0:25:18.520
<v Speaker 3>got up. I had this little book big and I

0:25:18.640 --> 0:25:22.320
<v Speaker 3>put it on and I thought I was going with Tommy,

0:25:22.520 --> 0:25:26.480
<v Speaker 3>except Tommy gribbed the bicycle of the man and I said,

0:25:26.480 --> 0:25:28.800
<v Speaker 3>what are you doing and he said, I'll.

0:25:28.680 --> 0:25:29.399
<v Speaker 1>Be right back.

0:25:29.880 --> 0:25:31.320
<v Speaker 3>I said, what are you crazy?

0:25:31.600 --> 0:25:32.359
<v Speaker 4>Don't believe me?

0:25:32.480 --> 0:25:34.600
<v Speaker 1>Here he just took off.

0:25:35.440 --> 0:25:40.200
<v Speaker 2>So here Kelly is temporarily abandoned by her boyfriend, stuck

0:25:40.200 --> 0:25:48.120
<v Speaker 2>in a dark park with a very drunk man. At

0:25:48.160 --> 0:25:51.560
<v Speaker 2>some point, while Tommy is still gone, Kelly says Angel

0:25:51.760 --> 0:25:55.080
<v Speaker 2>goes way over the line with her. She doesn't want

0:25:55.080 --> 0:25:57.639
<v Speaker 2>to go into the details about it, which I respect,

0:25:58.000 --> 0:26:01.879
<v Speaker 2>but she does describe it as a sexual fans. Before

0:26:01.920 --> 0:26:05.119
<v Speaker 2>too long, Kelly spots Tommy riding back into the park,

0:26:05.640 --> 0:26:07.160
<v Speaker 2>and she bolts towards him.

0:26:09.680 --> 0:26:13.320
<v Speaker 3>I wanted to get to Tommy on bike before he

0:26:13.400 --> 0:26:19.440
<v Speaker 3>got to Angel. I didn't tell him exactly what transpired.

0:26:19.560 --> 0:26:22.640
<v Speaker 3>I just kept telling him I am not comfortable.

0:26:22.640 --> 0:26:23.960
<v Speaker 1>We have to leave. We have to leave, we have

0:26:24.000 --> 0:26:24.280
<v Speaker 1>to live.

0:26:24.600 --> 0:26:27.919
<v Speaker 2>And because you are, Tommy's not listening. He's focused on

0:26:27.960 --> 0:26:28.560
<v Speaker 2>the drinks.

0:26:29.320 --> 0:26:32.720
<v Speaker 1>So I blurted it out. I told him what happened.

0:26:35.000 --> 0:26:56.960
<v Speaker 8>That's when he said, I'm going to ff and kill him.

0:26:57.080 --> 0:26:59.920
<v Speaker 2>It's about three in the morning on July sixth, twenty ten.

0:27:00.640 --> 0:27:03.320
<v Speaker 2>After telling her boyfriend Tommy what just happened between her

0:27:03.320 --> 0:27:07.560
<v Speaker 2>and Angel, Kelly is watching on helplessly as Tommy.

0:27:07.320 --> 0:27:08.439
<v Speaker 1>Races through the park.

0:27:09.480 --> 0:27:14.480
<v Speaker 2>He's headed straight for Angel, who's none the wiser about

0:27:14.480 --> 0:27:15.639
<v Speaker 2>how much danger he's in.

0:27:17.080 --> 0:27:20.840
<v Speaker 3>I'm still fifty yards away. Now, from a distance, I

0:27:20.880 --> 0:27:25.720
<v Speaker 3>see him throw the bike down and he is pommeling

0:27:25.720 --> 0:27:28.760
<v Speaker 3>this guy. Now I ran. You know, first it was

0:27:28.800 --> 0:27:31.840
<v Speaker 3>a fight, and I figured that's what was going to happen.

0:27:32.240 --> 0:27:37.160
<v Speaker 3>So I pulled Tommy's arm. He threw me down and said, bitch,

0:27:37.280 --> 0:27:38.000
<v Speaker 3>stay out of this.

0:27:38.160 --> 0:27:43.080
<v Speaker 1>Your fucking next then I was it. I'm saying, should

0:27:43.119 --> 0:27:45.720
<v Speaker 1>I run because he's.

0:27:45.560 --> 0:27:46.679
<v Speaker 3>Twenty yards from me?

0:27:47.640 --> 0:27:49.680
<v Speaker 1>Should I run in that direction?

0:27:51.040 --> 0:27:53.720
<v Speaker 3>If he turns around and sees me running, he's going

0:27:53.800 --> 0:27:55.320
<v Speaker 3>to catch up to me in a second.

0:27:57.600 --> 0:28:02.320
<v Speaker 2>Kelly stays puts frozen in fear on the Hell'sgate bridge,

0:28:03.240 --> 0:28:07.879
<v Speaker 2>watching on as Tommy's attack goes from violent to murderous.

0:28:09.400 --> 0:28:11.080
<v Speaker 1>He begins to choke Angel.

0:28:14.359 --> 0:28:16.399
<v Speaker 3>If I try to stop him again, he's going to

0:28:16.480 --> 0:28:18.639
<v Speaker 3>kill me. If I run, he's going to kill me.

0:28:19.440 --> 0:28:22.879
<v Speaker 3>So he comes over to me, he grabs my foot.

0:28:23.080 --> 0:28:25.560
<v Speaker 1>All he do is take my shoelace. I thought he

0:28:25.680 --> 0:28:26.960
<v Speaker 1>was poring my leg to kill me.

0:28:30.400 --> 0:28:35.920
<v Speaker 4>You'd think, oh shit, now it's my turn. I saw

0:28:36.000 --> 0:28:40.360
<v Speaker 4>him go over to the man put the shoelace around

0:28:40.360 --> 0:28:46.320
<v Speaker 4>the man's neck and its snapped instantaneously. So he screams out,

0:28:47.200 --> 0:28:52.360
<v Speaker 4>why won't this motherfucker die now. I really he really

0:28:52.480 --> 0:28:54.880
<v Speaker 4>is going through with this, He really is.

0:28:54.880 --> 0:29:05.600
<v Speaker 9>Going to kill this man. Then he took off his

0:29:05.680 --> 0:29:06.360
<v Speaker 9>own belt.

0:29:10.640 --> 0:29:14.960
<v Speaker 2>Tommy strangles Angel with his belt until he stopped struggling,

0:29:15.640 --> 0:29:17.600
<v Speaker 2>until his body goes limp.

0:29:19.840 --> 0:29:23.480
<v Speaker 3>It was at that point that I was the monsquered,

0:29:23.560 --> 0:29:26.280
<v Speaker 3>and he came over to me. It would look like

0:29:26.320 --> 0:29:29.320
<v Speaker 3>a person stalking their prey, not a person, rather an animal.

0:29:30.200 --> 0:29:33.520
<v Speaker 3>And it was then that I made it my point

0:29:33.560 --> 0:29:36.360
<v Speaker 3>to walk to him, literally as I'm doing right now

0:29:36.400 --> 0:29:39.480
<v Speaker 3>with my hands out.

0:29:40.120 --> 0:29:44.280
<v Speaker 2>Kelly's still terrified, she'll be next. She goes into pure

0:29:44.480 --> 0:29:48.040
<v Speaker 2>survival mode, doing whatever it takes to stay alive.

0:29:49.880 --> 0:29:52.840
<v Speaker 3>It was right next to Angel, this poor man laying

0:29:52.880 --> 0:29:55.920
<v Speaker 3>on the ground, but I had to try to manipulate

0:29:56.000 --> 0:29:59.320
<v Speaker 3>Tommy and I put my hands on knowing he's an atheist,

0:29:59.720 --> 0:30:00.760
<v Speaker 3>and I said, pray with me.

0:30:06.320 --> 0:30:09.920
<v Speaker 5>Oh, glorious Saint Therese, whom Almighty God has raised you

0:30:10.760 --> 0:30:14.800
<v Speaker 5>to aid and counsel mankind. I employ a miraculous intercession.

0:30:15.640 --> 0:30:20.040
<v Speaker 5>So powerful are you in obtaining every need of God Savior?

0:30:21.520 --> 0:30:28.600
<v Speaker 3>He screens up while holding my hands. Saint Teresa, please help.

0:30:28.520 --> 0:30:36.360
<v Speaker 5>Me and to carry out your promises, spending goodness upon

0:30:36.560 --> 0:30:41.120
<v Speaker 5>earth and letting fall from heaven a shower of roses.

0:30:42.960 --> 0:30:47.440
<v Speaker 3>Amen. Then he looks at me, he goes, oh, my god,

0:30:47.480 --> 0:30:52.080
<v Speaker 3>I just killed somebody. So like he went back to normal.

0:30:53.080 --> 0:30:55.920
<v Speaker 3>What is too late, because the poor man is on

0:30:55.960 --> 0:30:56.720
<v Speaker 3>the ground now.

0:31:10.000 --> 0:31:11.840
<v Speaker 2>If I didn't know what had happened here in a

0:31:11.880 --> 0:31:14.480
<v Speaker 2>story of park all those years ago.

0:31:14.040 --> 0:31:16.200
<v Speaker 1>I just think it was a nice, normal park.

0:31:16.880 --> 0:31:19.840
<v Speaker 2>You know, it's got winding paths, a huge variety of trees,

0:31:20.280 --> 0:31:22.400
<v Speaker 2>somewhere you can lounge out in the summer months and

0:31:22.480 --> 0:31:22.840
<v Speaker 2>read a.

0:31:22.800 --> 0:31:26.320
<v Speaker 1>Book or kick a ball on the surface.

0:31:26.800 --> 0:31:29.240
<v Speaker 2>It certainly doesn't seem like the kind of place where

0:31:29.240 --> 0:31:32.680
<v Speaker 2>a man could lose his life.

0:31:32.960 --> 0:31:38.920
<v Speaker 3>Now, even though whatever happened happened towards what he said

0:31:38.920 --> 0:31:41.240
<v Speaker 3>to me or did to me, being that his name

0:31:41.320 --> 0:31:46.080
<v Speaker 3>was Angel, I always, due to my faith, felt that

0:31:46.120 --> 0:31:49.760
<v Speaker 3>he was, in some strange way my angel, because had

0:31:49.760 --> 0:31:54.160
<v Speaker 3>it not been for this is terrible to say. And

0:31:54.200 --> 0:31:57.080
<v Speaker 3>I don't mean that his life should have been taken

0:31:57.160 --> 0:32:01.000
<v Speaker 3>to save mine. Obviously, you cannot bring someone.

0:32:00.760 --> 0:32:02.600
<v Speaker 1>Back to life. I wish you could.

0:32:02.720 --> 0:32:06.160
<v Speaker 3>I would do that for that man in a heartbeat. However,

0:32:06.280 --> 0:32:09.239
<v Speaker 3>being that had happened, I always tried to find a

0:32:09.280 --> 0:32:13.840
<v Speaker 3>purpose for it. I try to find the good in it.

0:32:15.520 --> 0:32:19.080
<v Speaker 3>I was addicted to xanax, to conphanto, this that, you know,

0:32:19.480 --> 0:32:22.920
<v Speaker 3>many things, and I had no intentions of getting off

0:32:22.960 --> 0:32:25.680
<v Speaker 3>of any of them. And honestly, when I got to

0:32:25.760 --> 0:32:28.800
<v Speaker 3>Riker's I was sick for five months. It got me

0:32:28.960 --> 0:32:32.680
<v Speaker 3>off of it. So that's the good in it. So

0:32:32.760 --> 0:32:36.120
<v Speaker 3>I feel that the man that was standing right where

0:32:36.120 --> 0:32:39.400
<v Speaker 3>we're standing right now, I feel that he was my angel.

0:32:45.720 --> 0:32:48.640
<v Speaker 2>There's something that makes my stomach flip at the idea

0:32:48.680 --> 0:32:51.120
<v Speaker 2>that this could have all been part of God's plan.

0:32:52.240 --> 0:32:56.000
<v Speaker 2>I do like the idea that someone, something intervened in

0:32:56.080 --> 0:32:59.120
<v Speaker 2>Kelly's life. Well, I guess it just doesn't sit right

0:32:59.160 --> 0:33:01.560
<v Speaker 2>that in order for that to happen, angel had to

0:33:01.600 --> 0:33:04.920
<v Speaker 2>become some kind of sacrificial lamb who had to die

0:33:05.080 --> 0:33:08.200
<v Speaker 2>for Kelly to break free of addiction and of Tommy's abuse.

0:33:09.720 --> 0:33:12.640
<v Speaker 2>I guess as a one time Christian now time heathen,

0:33:13.400 --> 0:33:15.800
<v Speaker 2>I just don't think a true God would have let

0:33:15.880 --> 0:33:19.520
<v Speaker 2>Kelly go through any of this. But then again, I'm

0:33:19.560 --> 0:33:22.360
<v Speaker 2>sure if I'd gotten caught up in something so chaotic

0:33:22.680 --> 0:33:26.880
<v Speaker 2>and senseless and awful, I'd be looking for meaning to.

0:33:33.080 --> 0:33:34.480
<v Speaker 1>So where do we go from here?

0:33:37.160 --> 0:33:39.080
<v Speaker 2>Well, the first thing you need to know is that

0:33:39.120 --> 0:33:42.080
<v Speaker 2>this series is not a who done it. I'm not

0:33:42.120 --> 0:33:46.280
<v Speaker 2>going to be proving Kelly's innocence or guilt. That was

0:33:46.320 --> 0:33:50.280
<v Speaker 2>decided in a courtroom years ago, and as we tell

0:33:50.320 --> 0:33:52.760
<v Speaker 2>this story, you can decide for yourself whether that was

0:33:52.760 --> 0:33:56.840
<v Speaker 2>the right or wrong decision. But I do want to

0:33:56.880 --> 0:34:02.800
<v Speaker 2>know how this all happened. How did Kelly, the sassy

0:34:02.840 --> 0:34:06.600
<v Speaker 2>little gymnast who was apparently once destined for the Olympics,

0:34:07.240 --> 0:34:10.400
<v Speaker 2>end up with someone like Tommy? How did she end

0:34:10.520 --> 0:34:13.880
<v Speaker 2>up in the park that night? And finally, with the

0:34:13.920 --> 0:34:16.839
<v Speaker 2>story she just told me, how did she end up

0:34:16.840 --> 0:34:22.279
<v Speaker 2>in prison for twelve years? I'm going to peel back

0:34:22.360 --> 0:34:25.200
<v Speaker 2>the layers of Kelly's life to try and understand how

0:34:25.200 --> 0:34:28.279
<v Speaker 2>she got to where she is today and learn how

0:34:28.320 --> 0:34:31.839
<v Speaker 2>a victim of domestic violence ends up being seen as

0:34:31.840 --> 0:34:35.280
<v Speaker 2>a villain in the eyes of the law and maybe

0:34:35.760 --> 0:34:39.840
<v Speaker 2>in the eyes of many of you too.

0:34:41.719 --> 0:34:45.200
<v Speaker 3>I'm being penalized because of the fact that I chose

0:34:45.320 --> 0:34:48.720
<v Speaker 3>to survive, chose life over death.

0:34:49.239 --> 0:34:50.440
<v Speaker 6>What do you want my blood?

0:34:51.360 --> 0:34:51.560
<v Speaker 3>Visit?

0:34:51.640 --> 0:34:51.879
<v Speaker 7>The way?

0:34:51.880 --> 0:34:55.239
<v Speaker 3>It seems that's what everyone would have preferred that was

0:34:55.280 --> 0:34:58.240
<v Speaker 3>the better outcome. A dead girl in the park.

0:35:04.360 --> 0:35:07.640
<v Speaker 2>Coming up on the Girlfriends Jail House Lawyer.

0:35:09.880 --> 0:35:12.120
<v Speaker 1>Kelly, she got arrested for murder.

0:35:12.280 --> 0:35:14.240
<v Speaker 3>This is the justice system.

0:35:14.080 --> 0:35:16.160
<v Speaker 1>I said, I know my sister, she didn't do this.

0:35:16.360 --> 0:35:18.960
<v Speaker 3>You have to think of the domestic violence aspect and

0:35:19.040 --> 0:35:22.320
<v Speaker 3>not the truth finding aspect. I was afraid of Tommy.

0:35:22.480 --> 0:35:24.160
<v Speaker 1>It was like Kelly was his possession.

0:35:24.360 --> 0:35:26.360
<v Speaker 3>The trial, it was awful.

0:35:26.280 --> 0:35:28.000
<v Speaker 5>And the verdict was guilty.

0:35:28.480 --> 0:35:32.880
<v Speaker 1>Our sisterhood would called ourselves the showties. You showed it.

0:35:33.320 --> 0:35:35.920
<v Speaker 3>She goes, Harnett, you need to get your rest to

0:35:35.960 --> 0:35:37.040
<v Speaker 3>that law library.

0:35:37.360 --> 0:35:39.080
<v Speaker 1>You gotta start finding your case.

0:35:39.520 --> 0:35:40.960
<v Speaker 3>It became the love of my life.

0:35:41.040 --> 0:35:42.120
<v Speaker 1>He says, he's mess your name.

0:35:42.239 --> 0:35:44.840
<v Speaker 3>Kelly. I said, were you a victim of domestic violence?

0:35:44.920 --> 0:35:45.880
<v Speaker 3>And she was like yeah.

0:35:46.000 --> 0:35:48.160
<v Speaker 1>I said, can you please help me not to start crying.

0:35:48.760 --> 0:35:51.120
<v Speaker 3>I was giving a lot of people hope. I said,

0:35:51.440 --> 0:35:56.640
<v Speaker 3>how many people have gotten other incarcerated individuals out of here?

0:35:57.280 --> 0:36:00.520
<v Speaker 3>He said, nobody's ever done that. I said, said, I'm

0:36:00.560 --> 0:36:03.680
<v Speaker 3>going to be the first one to do that. He goes, oh, god,

0:36:03.760 --> 0:36:05.640
<v Speaker 3>harn't it. Jelhouse Lawyer.

0:36:17.800 --> 0:36:22.399
<v Speaker 2>The Girlfriend's Jelhouse Lawyer is produced by Novel for iHeart Podcasts.

0:36:22.960 --> 0:36:27.080
<v Speaker 2>For more from novel, visit novel dot Audio. The show

0:36:27.120 --> 0:36:30.400
<v Speaker 2>is hosted by me Annasinfield and is written and produced

0:36:30.440 --> 0:36:34.160
<v Speaker 2>by me and Lee Meyer, with additional production from Jako

0:36:34.280 --> 0:36:38.600
<v Speaker 2>Taivich and Michael Jinno. Our assistant producer is Madeline Park.

0:36:39.040 --> 0:36:43.600
<v Speaker 2>The editors are Georgia Moody and me Annasinfield. Production management

0:36:43.640 --> 0:36:47.080
<v Speaker 2>from Shrie Houston and Joe Savage are fat checkers are

0:36:47.160 --> 0:36:51.760
<v Speaker 2>Daniel Suleiman and Fendall Fulton. Sound design, mixing and scoring

0:36:51.800 --> 0:36:56.920
<v Speaker 2>by Daniel Kempson and Nicholas Alexander. Music supervision by me Alisinfield,

0:36:57.120 --> 0:37:02.279
<v Speaker 2>Lee Meyer and Nicholas Alexander. Original music composed by Nicholas Alexander,

0:37:02.560 --> 0:37:07.120
<v Speaker 2>Daniel Kempson and Louisa Gerstein. Story development by Willard Foxton.

0:37:07.320 --> 0:37:10.960
<v Speaker 2>Creative director of Novel, Max O'Brien and Craig Strachan are

0:37:11.120 --> 0:37:15.080
<v Speaker 2>executive producers for Novel, and Katrina Norvel and Niki Etor

0:37:15.400 --> 0:37:18.880
<v Speaker 2>are the executive producers for iHeart Podcasts, and the marketing

0:37:18.960 --> 0:37:22.719
<v Speaker 2>lead is Alison Cantor. Thanks also to Carrie Lieberman and

0:37:22.800 --> 0:37:24.600
<v Speaker 2>the whole team at WME