1 00:00:04,640 --> 00:00:06,920 Speaker 1: Buzz's Night, the host of the Taken a Walk podcast, 2 00:00:07,000 --> 00:00:09,360 Speaker 1: And welcome to another look at this week in music 3 00:00:09,480 --> 00:00:11,840 Speaker 1: history for the week of February third, and we're going 4 00:00:11,880 --> 00:00:16,280 Speaker 1: to go over to the music history desk to a 5 00:00:16,280 --> 00:00:20,440 Speaker 1: longtime friend of mine, an associate. He is a music maven. 6 00:00:20,520 --> 00:00:23,799 Speaker 1: He is also a radio maven from his days, and 7 00:00:23,840 --> 00:00:29,400 Speaker 1: he's a musicologist too. Harry Jacobs at the Music History Desk. Hello, Harry, Buzz. 8 00:00:30,280 --> 00:00:31,080 Speaker 1: Great to be here. 9 00:00:31,360 --> 00:00:34,199 Speaker 2: Excited about the week, A lot of great things to 10 00:00:34,240 --> 00:00:34,800 Speaker 2: talk about. 11 00:00:35,400 --> 00:00:38,040 Speaker 3: I'm excited to do it. Get right into it. Let's 12 00:00:38,080 --> 00:00:39,360 Speaker 3: dive in what you got there. 13 00:00:39,840 --> 00:00:43,919 Speaker 2: On the third of February, this is a day that 14 00:00:44,760 --> 00:00:48,640 Speaker 2: the music died. This is a huge day in music. 15 00:00:48,680 --> 00:00:54,240 Speaker 2: Buddy Holly, Richie Vallen, the Big Bopper all on a 16 00:00:54,280 --> 00:00:58,080 Speaker 2: plane that went down near Cedar Lake, Iowa. 17 00:00:58,400 --> 00:01:00,000 Speaker 3: Impacted music greatly. 18 00:01:00,080 --> 00:01:04,360 Speaker 1: On that day and chronicled by Don McLain, an American pie. 19 00:01:05,000 --> 00:01:08,160 Speaker 3: Yeah, pretty crazy, yep, big. I love the Big Bopper. 20 00:01:09,360 --> 00:01:11,480 Speaker 3: I wish somebody called me the Big Bopper. How do 21 00:01:11,520 --> 00:01:14,160 Speaker 3: you get the name, the nickname the Big Bopper? I know? 22 00:01:14,520 --> 00:01:20,200 Speaker 2: I love Another tragic event two thousand and three on 23 00:01:20,240 --> 00:01:24,560 Speaker 2: this day, Phil Spector was arrested in connection with a 24 00:01:24,680 --> 00:01:29,039 Speaker 2: shooting death of Alana Clarkson on this day in Los Angeles. 25 00:01:29,160 --> 00:01:32,280 Speaker 2: The guy arguably has a tremendous and had a tremendous 26 00:01:32,319 --> 00:01:34,880 Speaker 2: amount of talent. I mean, everybody looked at at what 27 00:01:35,040 --> 00:01:38,199 Speaker 2: he was doing stylistically, from the Beatles and the Beach 28 00:01:38,240 --> 00:01:41,720 Speaker 2: Boys to you know, our man Bruce Springsteen and so 29 00:01:41,840 --> 00:01:43,720 Speaker 2: many others with the Wall of Sound. 30 00:01:44,160 --> 00:01:47,760 Speaker 3: But he was respectfully a kook. 31 00:01:48,600 --> 00:01:52,560 Speaker 2: And I you know, it's not really a I shouldn't 32 00:01:52,560 --> 00:01:56,200 Speaker 2: say it's not a surprise, but the guy wasn't okay. 33 00:01:56,440 --> 00:01:57,600 Speaker 3: He was a tortured soul. 34 00:01:57,680 --> 00:02:00,880 Speaker 2: He just went to the extreme and he when you 35 00:02:00,960 --> 00:02:04,520 Speaker 2: watch the documentaries on this, it's a little frightening. I 36 00:02:04,600 --> 00:02:07,560 Speaker 2: mean the whigs were frightening enough, but the behavior was 37 00:02:08,360 --> 00:02:09,800 Speaker 2: you know, out of control. 38 00:02:10,320 --> 00:02:15,720 Speaker 1: Obviously dark, a dark man with certainly talents and influence, 39 00:02:15,800 --> 00:02:18,200 Speaker 1: but he abused those influences. 40 00:02:18,680 --> 00:02:21,440 Speaker 2: Yeah, and he, you know, unfortunately abused women. And now 41 00:02:21,480 --> 00:02:25,679 Speaker 2: he's incarcerated. You two is back at the sphere here 42 00:02:25,720 --> 00:02:26,760 Speaker 2: in Vegas. 43 00:02:26,360 --> 00:02:28,040 Speaker 3: Which is where I'm located. 44 00:02:28,080 --> 00:02:30,720 Speaker 2: So there's a handful of dates that they have coming up, 45 00:02:30,720 --> 00:02:32,639 Speaker 2: and that's you know, like everything at the Sphere. 46 00:02:32,680 --> 00:02:33,880 Speaker 3: It's an expensive ticket. 47 00:02:35,160 --> 00:02:37,920 Speaker 2: There is a cheaper option, however, if you'd like to 48 00:02:37,919 --> 00:02:41,120 Speaker 2: see You Too, and that is that movie it's called 49 00:02:41,320 --> 00:02:45,160 Speaker 2: VU two, which was actually shot at the Sphere, is playing, 50 00:02:45,960 --> 00:02:49,680 Speaker 2: you know, on certain days in between shows. So you know, listen, 51 00:02:49,720 --> 00:02:52,359 Speaker 2: you're when you go see You two at the Sphere, 52 00:02:52,560 --> 00:02:56,560 Speaker 2: You're not getting the traditional concert experience, right. You're not 53 00:02:56,600 --> 00:02:58,920 Speaker 2: able to sit up close. You don't really see the stage. 54 00:02:58,960 --> 00:03:03,040 Speaker 2: You're seeing figures from a great distance. But it's the background, 55 00:03:03,120 --> 00:03:06,920 Speaker 2: it's the screen, it's all of that. And that movie 56 00:03:07,040 --> 00:03:11,760 Speaker 2: is an immersive experience which will help you experience You Too. 57 00:03:12,080 --> 00:03:14,880 Speaker 2: By the way, one of the groups kind of on 58 00:03:14,919 --> 00:03:17,560 Speaker 2: my bucket list to see, I may bite the bullet 59 00:03:17,919 --> 00:03:20,119 Speaker 2: and buy a ticket and go see them. 60 00:03:20,240 --> 00:03:24,600 Speaker 1: So, just as Julian Lennon said on our episode, had 61 00:03:24,600 --> 00:03:28,720 Speaker 1: taken a walk, it's an interesting experience being at the Sphere, 62 00:03:29,240 --> 00:03:32,560 Speaker 1: and you could almost not have to see the band 63 00:03:32,840 --> 00:03:33,960 Speaker 1: to see the experience. 64 00:03:34,680 --> 00:03:36,000 Speaker 3: You know, that says a lot. 65 00:03:36,080 --> 00:03:38,440 Speaker 2: It's true, you don't really need to see it because 66 00:03:38,480 --> 00:03:40,120 Speaker 2: of everything in the background. 67 00:03:40,160 --> 00:03:40,920 Speaker 3: It's pretty crazy. 68 00:03:42,080 --> 00:03:45,960 Speaker 2: Fourth of February is a day that rumors Fleetwood Mac, 69 00:03:46,000 --> 00:03:47,000 Speaker 2: that iconic album. 70 00:03:47,040 --> 00:03:47,960 Speaker 3: We've talked about it a. 71 00:03:47,880 --> 00:03:50,360 Speaker 2: Bunch in recent episodes, so we won't spend a lot 72 00:03:50,360 --> 00:03:54,320 Speaker 2: of time here, but that came out on February fourth 73 00:03:54,360 --> 00:03:56,720 Speaker 2: of nineteen, nineteen seventy seven. 74 00:03:56,840 --> 00:03:57,800 Speaker 3: Just an iconic album. 75 00:03:57,800 --> 00:03:59,920 Speaker 2: It's one of those that's you know, it's in my 76 00:04:00,120 --> 00:04:03,600 Speaker 2: phone on my playlist. I've got a rumors I have 77 00:04:03,640 --> 00:04:07,680 Speaker 2: about twenty albums that have specific playlists, and I guess 78 00:04:07,680 --> 00:04:09,200 Speaker 2: that's in my top twenty. 79 00:04:11,000 --> 00:04:13,440 Speaker 3: It's undeniably one of the great ones. 80 00:04:13,560 --> 00:04:16,520 Speaker 1: So and there's nothing like some of the music off 81 00:04:16,520 --> 00:04:18,680 Speaker 1: of that one to kind of lift you up at 82 00:04:18,720 --> 00:04:20,760 Speaker 1: certain moments that you need a little lift, you know. 83 00:04:20,920 --> 00:04:24,120 Speaker 2: The TikTok and social media trends that came out with 84 00:04:24,240 --> 00:04:28,360 Speaker 2: Dreams were interesting to me. You know, people kind of 85 00:04:28,800 --> 00:04:31,280 Speaker 2: you know, singing along with it and you know, walking 86 00:04:31,320 --> 00:04:33,160 Speaker 2: down the street, and there was a whole bunch of 87 00:04:33,440 --> 00:04:37,040 Speaker 2: social connected to that song and a whole new new 88 00:04:37,200 --> 00:04:40,880 Speaker 2: It was almost like the Sopranos with Don't Stop Believing. 89 00:04:41,160 --> 00:04:43,839 Speaker 3: By Journey right right. Interesting. 90 00:04:44,480 --> 00:04:49,360 Speaker 2: February fifth, nineteen sixty seven, the Smothers Brothers debuted on CBS. 91 00:04:50,080 --> 00:04:52,040 Speaker 2: A lot of a lot of Vietnam War, a lot 92 00:04:52,040 --> 00:04:54,920 Speaker 2: of humor. They're still funny. That's humor to me, that still, 93 00:04:56,680 --> 00:04:58,960 Speaker 2: you know, stands the test of times, a lot of time, 94 00:04:59,240 --> 00:05:01,479 Speaker 2: A lot of thing don't over the years. 95 00:05:01,480 --> 00:05:04,360 Speaker 3: Smothers brothers to me are still silly and fun. 96 00:05:05,360 --> 00:05:09,080 Speaker 1: And it was it's you know, iconic then iconic now. 97 00:05:09,279 --> 00:05:12,480 Speaker 1: I don't think we knew how much until years later. 98 00:05:12,480 --> 00:05:16,360 Speaker 1: They were really pushing the boundaries the way they they were. 99 00:05:16,480 --> 00:05:18,960 Speaker 1: We I don't think we understood it to that degree. 100 00:05:19,320 --> 00:05:21,679 Speaker 1: So they were, you know, trailblazers, no doubt. 101 00:05:21,720 --> 00:05:25,520 Speaker 2: You know, they were irreverent, and they were sarcastic and 102 00:05:25,640 --> 00:05:28,920 Speaker 2: not always necessarily direct in their approach. There wasn't a 103 00:05:28,960 --> 00:05:31,120 Speaker 2: lot of that humor going on. I think that's what 104 00:05:30,720 --> 00:05:32,400 Speaker 2: you're kind of getting at. 105 00:05:32,520 --> 00:05:35,240 Speaker 3: They were not mean by any stretch, No, they weren't. 106 00:05:35,880 --> 00:05:38,839 Speaker 2: In two thousand and six, Paul McCartney played Super Bowl 107 00:05:39,040 --> 00:05:43,120 Speaker 2: forty halftime show, and this was a turn in terms 108 00:05:43,160 --> 00:05:49,479 Speaker 2: of Super Bowl entertainment and putting legendary rock artists on 109 00:05:49,640 --> 00:05:54,360 Speaker 2: that stage for their twelve minutes. Yeah, yeah, isn't it 110 00:05:54,400 --> 00:05:56,400 Speaker 2: isn't it funny that they or something like that? 111 00:05:56,520 --> 00:05:56,760 Speaker 3: Right? 112 00:05:58,040 --> 00:06:00,800 Speaker 2: I read an article Springsteen wrote after his and it 113 00:06:00,839 --> 00:06:04,200 Speaker 2: was something like thirteen minutes or fourteen. 114 00:06:03,800 --> 00:06:04,839 Speaker 3: You know, something like that. 115 00:06:05,000 --> 00:06:07,520 Speaker 2: Like I remember him cutting Born to run in half 116 00:06:07,520 --> 00:06:09,120 Speaker 2: and tenth avenue, freeze out, cut up. 117 00:06:09,120 --> 00:06:11,360 Speaker 3: You know, it's just a kind of a medley of 118 00:06:11,360 --> 00:06:12,080 Speaker 3: your hits. 119 00:06:12,480 --> 00:06:14,800 Speaker 2: Remember Bruce doing that and remember him sliding across the 120 00:06:14,839 --> 00:06:16,920 Speaker 2: stage and hitting the cameraman. 121 00:06:16,800 --> 00:06:21,320 Speaker 3: Yes, knocking the cameraman. All this here's a memory for you. 122 00:06:21,440 --> 00:06:24,400 Speaker 2: February sixth, nineteen ninety was the day that Billy Idol 123 00:06:24,520 --> 00:06:28,880 Speaker 2: had that horrific motorcycle accident in California, ended up severely 124 00:06:28,920 --> 00:06:33,880 Speaker 2: wounded and really put his music on hold. Remember seeing 125 00:06:33,880 --> 00:06:36,200 Speaker 2: the videos and the pictures of him with his cane. 126 00:06:36,600 --> 00:06:37,880 Speaker 3: Scary. 127 00:06:38,279 --> 00:06:42,599 Speaker 2: The motorcycle is an unforgiving thing. I'm a rider for 128 00:06:42,640 --> 00:06:46,120 Speaker 2: almost forty years. Knock on wood and no injuries. But 129 00:06:46,960 --> 00:06:50,680 Speaker 2: you know, Billy Idol, Gary Beausey Bucy was not that 130 00:06:50,720 --> 00:06:52,680 Speaker 2: he was right before, but he was never the. 131 00:06:52,640 --> 00:06:55,880 Speaker 3: Same the same after that, and Billy Idol got hurt. 132 00:06:56,240 --> 00:07:00,680 Speaker 2: In the seventh of February, Beatles arrived in the US 133 00:07:00,720 --> 00:07:03,800 Speaker 2: for the first time, and two days later they ended 134 00:07:03,880 --> 00:07:07,600 Speaker 2: up on The Ed Sullivan Show, and seventy three million 135 00:07:07,760 --> 00:07:11,120 Speaker 2: people watched that show. It's one of the most iconic 136 00:07:11,240 --> 00:07:16,400 Speaker 2: moments in both television and music history. 137 00:07:16,480 --> 00:07:20,920 Speaker 1: You know, we could almost just do a podcast with 138 00:07:21,200 --> 00:07:29,040 Speaker 1: musicians only speaking about musicians memory of that moment. There's 139 00:07:29,040 --> 00:07:31,360 Speaker 1: been a lot of folks that have talked about the 140 00:07:31,960 --> 00:07:34,760 Speaker 1: impact that moment made, how that was the first thing 141 00:07:35,200 --> 00:07:38,760 Speaker 1: that drew them into music as a career. I mean, 142 00:07:38,840 --> 00:07:42,200 Speaker 1: one that comes to mind that mentioned it was Kenny Aronoff, 143 00:07:42,640 --> 00:07:45,320 Speaker 1: but I know there's been others, so it could almost 144 00:07:45,400 --> 00:07:48,680 Speaker 1: be a podcast unto itself. 145 00:07:49,320 --> 00:07:50,680 Speaker 3: Don't in this idea. 146 00:07:50,720 --> 00:07:54,400 Speaker 2: It's true, it changed, It changed so many people. I 147 00:07:54,480 --> 00:07:57,840 Speaker 2: just saw, actually just saw someone on a YouTube video 148 00:07:57,960 --> 00:08:00,840 Speaker 2: talking about it to the influence. But yeah, it changed, 149 00:08:01,280 --> 00:08:03,240 Speaker 2: changed a lot of it. I mean I wasn't alive then, 150 00:08:03,320 --> 00:08:05,120 Speaker 2: but just even watching it when I was a kid 151 00:08:05,200 --> 00:08:08,080 Speaker 2: and seeing it on a rerun or even now just 152 00:08:08,120 --> 00:08:12,280 Speaker 2: to watch how how crazy that was. Seventy three million 153 00:08:12,320 --> 00:08:16,560 Speaker 2: people watching one thing in nineteen sixty four was a 154 00:08:16,680 --> 00:08:17,400 Speaker 2: huge deal. 155 00:08:17,840 --> 00:08:19,000 Speaker 3: Absolutely. Yep. 156 00:08:19,720 --> 00:08:23,400 Speaker 2: Nineteen seventy nine, Stephen Stills, he broke new ground. He 157 00:08:23,480 --> 00:08:26,760 Speaker 2: recorded for the first time on a three M multi 158 00:08:26,800 --> 00:08:31,600 Speaker 2: track digital recorder. I had no idea that digital recorders 159 00:08:31,640 --> 00:08:36,040 Speaker 2: were around in nineteen seventy nine three M marketed. This 160 00:08:36,240 --> 00:08:40,280 Speaker 2: is one with clear sound and reduced noise. You know, 161 00:08:40,320 --> 00:08:42,480 Speaker 2: for those of you that aren't musical and aren't really 162 00:08:42,480 --> 00:08:44,600 Speaker 2: aware of that. You know, music was all recorded on 163 00:08:44,920 --> 00:08:48,679 Speaker 2: big tapes and studios and this was an event that 164 00:08:48,800 --> 00:08:53,400 Speaker 2: changed things exponentially, and Stephen Stills was a pioneer in that. 165 00:08:53,760 --> 00:08:55,520 Speaker 1: Yeah, I didn't know that, and I think that is 166 00:08:55,679 --> 00:08:58,600 Speaker 1: interesting and the timing of it back in seventy nine 167 00:08:58,960 --> 00:09:00,320 Speaker 1: is kind of floors me as well. 168 00:09:01,200 --> 00:09:07,080 Speaker 2: He he's a really good guitar player, really like, really 169 00:09:07,160 --> 00:09:10,520 Speaker 2: seriously underrated, great great player. 170 00:09:10,760 --> 00:09:11,640 Speaker 3: Yep, I agree. 171 00:09:12,120 --> 00:09:17,200 Speaker 2: In nineteen seventy two, Paul McCartney hit the road with Wings. 172 00:09:17,760 --> 00:09:20,640 Speaker 2: This was the first time that he went out as 173 00:09:20,800 --> 00:09:23,959 Speaker 2: Not the Beatles as part of Not the Beatles. I'm 174 00:09:24,000 --> 00:09:27,439 Speaker 2: a fan of Wings, as poppy as some of it 175 00:09:27,480 --> 00:09:31,640 Speaker 2: could be that you know, when you think about that catalog, 176 00:09:31,800 --> 00:09:35,680 Speaker 2: think about things like silly love songs and you know 177 00:09:35,760 --> 00:09:39,040 Speaker 2: on kind of the softer, you know, adult contemporary side, 178 00:09:39,080 --> 00:09:42,199 Speaker 2: and then how what an impact like Live and Let 179 00:09:42,320 --> 00:09:44,400 Speaker 2: Die has you know, when you hear that it's done 180 00:09:44,440 --> 00:09:47,000 Speaker 2: for the for the James Bond movie or Jet or 181 00:09:47,280 --> 00:09:49,480 Speaker 2: there were some great rock stuff he did some great 182 00:09:49,559 --> 00:09:53,240 Speaker 2: ac stuff. He he really you know, worked for two 183 00:09:53,240 --> 00:09:55,800 Speaker 2: different formats when he went solo. 184 00:09:56,040 --> 00:09:58,719 Speaker 1: Yeah, and I think you know, look, that was an 185 00:09:58,720 --> 00:10:01,800 Speaker 1: event in seventy two, and then subsequently when he would 186 00:10:01,960 --> 00:10:06,720 Speaker 1: later go out. Each time a Beatle goes out, it's 187 00:10:06,720 --> 00:10:07,800 Speaker 1: a big deal, you know. 188 00:10:08,200 --> 00:10:12,920 Speaker 2: I'm sure you've seen him, yes, more than once. Yes, 189 00:10:13,480 --> 00:10:17,120 Speaker 2: it's pretty amazing to hear you know, the Long and 190 00:10:17,240 --> 00:10:21,840 Speaker 2: Winding Road or or you know, it's an emotional thing 191 00:10:21,960 --> 00:10:25,160 Speaker 2: to see those songs, see and hear him and be 192 00:10:25,280 --> 00:10:28,280 Speaker 2: in the same in the same room with Al McCartney. 193 00:10:28,520 --> 00:10:29,120 Speaker 3: Yeah, I was. 194 00:10:29,240 --> 00:10:34,120 Speaker 1: I was fortunate in two thousand and two for that 195 00:10:34,240 --> 00:10:36,600 Speaker 1: to happen and to be in the same room with 196 00:10:36,720 --> 00:10:39,880 Speaker 1: him as well, had that moment and I'll never forget 197 00:10:39,880 --> 00:10:42,720 Speaker 1: it of not only seeing but being in the same 198 00:10:42,840 --> 00:10:46,880 Speaker 1: room with him. Where was that It was in Philadelphia. 199 00:10:47,440 --> 00:10:52,199 Speaker 1: And what was really cool about it is Bill Porcelli, 200 00:10:52,760 --> 00:10:58,000 Speaker 1: who was his rep for the management side, who interacted 201 00:10:58,000 --> 00:11:04,120 Speaker 1: with radio. Bill came in radio and TV was represented 202 00:11:04,520 --> 00:11:08,960 Speaker 1: TV in the form of member Pat O'Brien who would 203 00:11:09,040 --> 00:11:12,120 Speaker 1: do the you know the whatever that show. 204 00:11:13,240 --> 00:11:16,000 Speaker 2: It was on Access Hollywood before Billy Bush was That's right, 205 00:11:16,440 --> 00:11:18,360 Speaker 2: Pat had a little Pat had a little stumble. 206 00:11:18,640 --> 00:11:19,560 Speaker 3: He had a stumble. 207 00:11:19,960 --> 00:11:23,640 Speaker 1: So it was Pad O'Brien and it was me who 208 00:11:23,960 --> 00:11:28,480 Speaker 1: was there with Andre Gardner, the great Philadelphia DJ. And 209 00:11:28,480 --> 00:11:31,640 Speaker 1: Andre was going to do the interview and Bill ended 210 00:11:31,720 --> 00:11:35,320 Speaker 1: up asking Paul would you like to do radio or 211 00:11:35,360 --> 00:11:41,000 Speaker 1: TV first? And Paul said radio, wow, which was quite 212 00:11:41,000 --> 00:11:41,480 Speaker 1: a moment. 213 00:11:41,840 --> 00:11:44,240 Speaker 3: You were actually in a room with him. That's right. 214 00:11:44,559 --> 00:11:46,640 Speaker 2: When I say in a room, I'm thinking, like, you know, 215 00:11:46,679 --> 00:11:48,720 Speaker 2: I was at the Centrum in Wooster when I saw him. 216 00:11:48,800 --> 00:11:50,559 Speaker 3: You were in a room. Oh yeah. 217 00:11:50,640 --> 00:11:52,880 Speaker 1: It was unbelievable. And it was kind of funny that 218 00:11:52,920 --> 00:11:55,840 Speaker 1: we left Patt O'Brien waiting in the waiting room to 219 00:11:55,960 --> 00:11:58,720 Speaker 1: be second. He was, he had the bigger audience, but 220 00:11:58,920 --> 00:11:59,959 Speaker 1: Paul chose radio. 221 00:12:00,320 --> 00:12:04,400 Speaker 2: Yes, Paul, that must have been outstanding. Highlights highlights from. 222 00:12:04,280 --> 00:12:08,600 Speaker 1: That everything, every every, everything, everything. 223 00:12:08,640 --> 00:12:10,720 Speaker 3: It was a moment that I'll never forget. 224 00:12:10,800 --> 00:12:14,320 Speaker 1: It was just I pinched myself just thinking about how 225 00:12:14,320 --> 00:12:18,080 Speaker 1: grateful I am for seeing him, but also being in 226 00:12:18,080 --> 00:12:18,760 Speaker 1: the room with him. 227 00:12:19,160 --> 00:12:19,679 Speaker 3: Wonderful. 228 00:12:20,120 --> 00:12:22,440 Speaker 2: Is that your If you were to think about all 229 00:12:22,440 --> 00:12:26,760 Speaker 2: the people you've met over the years, where would that be? 230 00:12:26,920 --> 00:12:28,800 Speaker 3: And who's who else? Is around that. 231 00:12:29,000 --> 00:12:32,000 Speaker 2: In that list the top three or four people that 232 00:12:32,040 --> 00:12:34,400 Speaker 2: you've gotten to spend time with that you love like 233 00:12:34,440 --> 00:12:36,400 Speaker 2: you love McCartney, it. 234 00:12:36,360 --> 00:12:39,680 Speaker 1: Would have to be Ringo some years earlier obviously, so 235 00:12:39,760 --> 00:12:43,440 Speaker 1: anything Beatles would be on that list. And then it 236 00:12:43,600 --> 00:12:48,040 Speaker 1: was the couple of instances with the Stones and various 237 00:12:48,120 --> 00:12:51,160 Speaker 1: shapes and sizes as well. I'd have to put that 238 00:12:51,440 --> 00:12:55,200 Speaker 1: up there on that same list. And then in the 239 00:12:56,120 --> 00:13:00,120 Speaker 1: in the non music category, but still from the big 240 00:13:00,280 --> 00:13:02,360 Speaker 1: star aspect of things. 241 00:13:02,920 --> 00:13:05,120 Speaker 3: Paul Newman, Oh, how cool was that? Were you? 242 00:13:05,600 --> 00:13:05,720 Speaker 2: Now? 243 00:13:05,760 --> 00:13:07,000 Speaker 3: You were both in Connecticut. 244 00:13:07,040 --> 00:13:09,400 Speaker 1: I was in Connecticut and I did a fundraiser for 245 00:13:09,600 --> 00:13:16,400 Speaker 1: his Hole in the Wall charity. I sat in twenty 246 00:13:16,400 --> 00:13:19,560 Speaker 1: five thousand seats out of the eighty thousand seats in 247 00:13:19,880 --> 00:13:23,680 Speaker 1: the Yale Bowl on behalf of for his charity to 248 00:13:23,760 --> 00:13:28,600 Speaker 1: raise funds. And there's a picture somewhere of Paul and 249 00:13:28,600 --> 00:13:31,400 Speaker 1: I together. Paul looks like he really doesn't want to 250 00:13:31,440 --> 00:13:33,720 Speaker 1: be with me, but it was still quite a thrill 251 00:13:33,760 --> 00:13:34,040 Speaker 1: from me. 252 00:13:34,160 --> 00:13:37,200 Speaker 2: Do you get a free bottle of salad dressing as well? 253 00:13:37,280 --> 00:13:38,040 Speaker 2: Or I got nothing? 254 00:13:38,320 --> 00:13:38,640 Speaker 3: I got? 255 00:13:38,679 --> 00:13:40,880 Speaker 1: Paul just kind of going, can we get the picture 256 00:13:40,920 --> 00:13:42,120 Speaker 1: over with this joker? 257 00:13:42,679 --> 00:13:44,760 Speaker 3: That's awesome. Yeah, that's it. We're done. 258 00:13:44,960 --> 00:13:46,920 Speaker 1: Well, Harry, thank you so much for a look at 259 00:13:46,920 --> 00:13:50,480 Speaker 1: this week in music history for the week of February third, 260 00:13:50,960 --> 00:13:53,320 Speaker 1: and thanks for checking out the Taking a Walk podcast. 261 00:13:53,360 --> 00:13:56,280 Speaker 1: We are part of the iHeart podcast Network. We're also 262 00:13:56,320 --> 00:14:00,839 Speaker 1: available on Apple Podcasts, Spotify, or wherever you get your podcasts.