WEBVTT - mOrE oN-sCrEeN vIrGiNs, Algorithms Ruining Hip Hop? 10.08.25

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<v Speaker 1>Have you been do you play? Did you play? Do

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<v Speaker 1>you play? Skate More a.

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<v Speaker 2>Little bit, I was more ashamedly. I was more of

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<v Speaker 2>a Tony Hawk guy because I know that Skate is

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<v Speaker 2>like the more physically accurate version.

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<v Speaker 1>Yeah yeah, yeah, yeah yeah, you need that celebrity appeal.

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<v Speaker 1>But did you see have you seen the gameplay from

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<v Speaker 1>the skate?

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<v Speaker 3>No?

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<v Speaker 1>Is it crazy? Dude?

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<v Speaker 3>It's like not even like you're just like jumping off,

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<v Speaker 3>like you're dropping in off like skyscrapers, and then you

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<v Speaker 3>could just like fucking body glide through the air, deploy

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<v Speaker 3>a parachute, drop into a roof top pool trains.

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<v Speaker 1>What's that is for the new one? Which was the

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<v Speaker 1>new one? Yeah, but it's free to play. It's just

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<v Speaker 1>like so crazy.

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<v Speaker 2>Really, so it's it's almost starting to get into Tony

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<v Speaker 2>Hawk terractory then, because I was thinking about Tony Hawk

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<v Speaker 2>was just so fucking insane.

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<v Speaker 1>No, but this is truly like, oh, we're flying.

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<v Speaker 4>We're saying insane and like you're you're describing the stuff.

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<v Speaker 4>It's you're you're saying it's bad because that sounds scary

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<v Speaker 4>to he has a.

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<v Speaker 3>It's just more like you just hear it, like like

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<v Speaker 3>just look at this clip just like just to have

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<v Speaker 3>an idea of like because it's not really rooted in reality.

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<v Speaker 3>I mean neither was Tony Hawk really, but this is

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<v Speaker 3>just going like another level.

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<v Speaker 1>I don't know, Tony Hawk wasn't rooted in reality for you.

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<v Speaker 4>This is this is unrealistic to you.

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<v Speaker 1>You gotta see the shred Man.

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<v Speaker 2>It's very funny.

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<v Speaker 4>And I also do get faster when I skateboard over arrows.

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<v Speaker 4>My I pick up kinetic energy somehow it's for me.

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<v Speaker 2>Yeah, that's why they put them at all tho skate parks.

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<v Speaker 2>But I think it's also interesting that they brought you

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<v Speaker 2>from like normal Earth physics over time to making you fly,

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<v Speaker 2>because that probably feels crazier that just to be like

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<v Speaker 2>here you could do triple backflips, but to start as

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<v Speaker 2>like a ledge skater and then to be able to

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<v Speaker 2>fly off of skyscrapers.

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<v Speaker 4>Right, because like Mad in another like sport video game

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<v Speaker 4>has gotten more realistic as it's gone where it's like

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<v Speaker 4>now you have to like really coordinated to throw a

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<v Speaker 4>football just like in real life.

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<v Speaker 1>Oh yeah, then this of the chosen receiver like in

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<v Speaker 1>ninety two when I was playing Madden, when I run

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<v Speaker 1>ad When I was a wee boy, Madden was just

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<v Speaker 1>like you just hit the fucking spin button and broke tackles,

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<v Speaker 1>and like that's always happens.

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<v Speaker 3>It's like the same way when like two K's changed

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<v Speaker 3>their like free throw mechanics system, people like I can't

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<v Speaker 3>do this shit anymore, man, I don't fucking really be

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<v Speaker 3>this coordinated.

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<v Speaker 1>I need a fantasy game.

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<v Speaker 4>Is there skating game that is like hyper realistic where

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<v Speaker 4>you have to like practice for eight hours a day

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<v Speaker 4>to just like be able to like do an ali Well,

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<v Speaker 4>skate was more like that. That was that was the

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<v Speaker 4>original version. And then but there was a game you

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<v Speaker 4>twisted an ankle?

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<v Speaker 1>Yeah are you old?

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<v Speaker 2>Yeah, your dad's distant and weird leave the house.

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<v Speaker 1>You nut tapped yourself.

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<v Speaker 4>Oh, hello the Internet, and welcome to season four oh nine,

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<v Speaker 4>Episode three of Dirt Daily.

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<v Speaker 2>Hi guys, it's.

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<v Speaker 4>A production of iHeartRadio as a podcast where we take

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<v Speaker 4>a deep dive into America's share consciousness. And it's Wednesday,

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<v Speaker 4>October eighth, twenty twenty five.

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<v Speaker 1>Ten eight.

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<v Speaker 3>Good buddy, I'm going to keep doing that, keep doing

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<v Speaker 3>I have had past years where every ten something I

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<v Speaker 3>did that, and I think it was great.

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<v Speaker 1>I think I think we should keep it at last.

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<v Speaker 1>Long may that tradition last in this house.

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<v Speaker 3>We believe every day in October is a ten Good

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<v Speaker 3>budd It'd be like ten thirty good buddy, thirty one.

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<v Speaker 3>It's not even the Halloween ten thirty one good budd.

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<v Speaker 3>I'm just going to keep adding. It will be November first,

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<v Speaker 3>Happy ten thirty two to you, my man. But anyway,

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<v Speaker 3>it's American.

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<v Speaker 1>Touch Tag Day.

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<v Speaker 3>That's clearly written from an outside perspective because we just call.

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<v Speaker 1>That shit tag here. Okay, touch, So yeah, not national this.

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<v Speaker 3>It was like a New England thing, the fluffer nutter

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<v Speaker 3>that wasn't really a West Coast thing, or at least

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<v Speaker 3>the thing.

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<v Speaker 4>We had a lot that was pretty common in the

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<v Speaker 4>Midwest as well. Yeah, East coast Midwest makes sense. Peanut

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<v Speaker 4>butter sandwich with with marshmallow spread.

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<v Speaker 3>YEA National Hero Day. No, we're not talking about sandwich.

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<v Speaker 3>We're talking about people like firefighters, you know, real heroes.

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<v Speaker 3>National Curves Day, National take your Parents to Lunch Day,

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<v Speaker 3>Take your parents to lunch, National bring your teddy bear

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<v Speaker 3>to work or school Day, National Stop Bullying Day, National

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<v Speaker 3>Emergency Nurses Day, shot everybody in the er we.

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<v Speaker 4>Need Curves Day made me gave me the who are

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<v Speaker 4>we talking? Who made National Curves Day? And is it

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<v Speaker 4>the types of guys who do the the hour glass

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<v Speaker 4>figure with their hands?

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<v Speaker 1>It's a creative director of some brand. Okay, cool, Yeah,

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<v Speaker 1>but it's just about.

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<v Speaker 3>Being like, hey, man shot all the plus sized people

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<v Speaker 3>out there, keeping this sexy.

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<v Speaker 1>Yeah, yeah, just like curves.

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<v Speaker 4>I think it was No, I don't, I don't know.

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<v Speaker 4>Just like I people to it as curves.

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<v Speaker 3>That's a very I mean out here, Jack, we call

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<v Speaker 3>them curved baby, Okay, curved like.

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<v Speaker 1>Curves like a cola bottle.

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<v Speaker 3>You got curves like a mountain road, you know, curves

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<v Speaker 3>like a like a like a damn protractor went crazy

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<v Speaker 3>or a compass.

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<v Speaker 4>Rather, what's the one that was a good one? You

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<v Speaker 4>use that one a lot. Yeah, curves like a dang

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<v Speaker 4>protractor color.

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<v Speaker 1>What's the one? What's the one that does the circles?

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<v Speaker 3>Hey?

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<v Speaker 1>Where you go? Where you going?

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<v Speaker 3>You?

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<v Speaker 4>My name's Jack O'Brien, ak potatoes O'Brien. I got curves

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<v Speaker 4>like a potato, just kind of lumpy and like seemingly haphazard.

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<v Speaker 1>Hey, I'm looking at him.

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<v Speaker 4>Like in random directions you know, like routed body, the

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<v Speaker 4>most haphazardly shaped vegetable. And I'm thrilled to be joined

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<v Speaker 4>as always by my co host, mister Miles.

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<v Speaker 3>Grass, the showgun within Nogun, the Lord of lankersh just

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<v Speaker 3>again in the nation's capital, taking it all in and

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<v Speaker 3>it's wonderful. The weather's great. I gotta say, I wish

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<v Speaker 3>it was colder at night, being on the East Coast.

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<v Speaker 1>My my hope was for a little bit of cold,

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<v Speaker 1>but it's yeah, this is what you same as weather,

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<v Speaker 1>So what do you know for real?

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<v Speaker 4>Yeah, I've been hearing that from from everywhere. It's a

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<v Speaker 4>it's a warm October.

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<v Speaker 1>Something about the earth or something being fucked or something.

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<v Speaker 1>I don't know.

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<v Speaker 2>Yeah, I stopped listening right after this.

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<v Speaker 1>It's warm.

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<v Speaker 4>Miles were thrilled to be joined by a very funny comedian, actor, writer,

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<v Speaker 4>improviser you know from Mythic Quest and Drunk History, the

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<v Speaker 4>co host of the very funny podcast rebrand His special

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<v Speaker 4>Spiritually Filthy is very funny.

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<v Speaker 1>You ought to go check it out.

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<v Speaker 4>Welcome back to the show, our skateboarding correspondent.

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<v Speaker 2>What's up, my dude. It's good to see you get

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<v Speaker 2>something man. Thanks for having me bros.

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<v Speaker 1>Oh, of course, of course it's good to have you.

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<v Speaker 1>Good to have shred shred and some gnar. No, that's

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<v Speaker 1>not right. I think I don't think different some culture.

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<v Speaker 1>Yeah not that did my best.

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<v Speaker 2>Yeah, you could tell it wasn't great because it felt

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<v Speaker 2>weird when you said it.

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<v Speaker 1>That's how I yeah, yeah, yeah, I was like swallowing

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<v Speaker 1>it as it was escaping my mouth.

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<v Speaker 2>Yeah, you got confidence is key with any skate slang.

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<v Speaker 2>I don't think I could just pull up to a

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<v Speaker 2>skate park and say that and then like immediately start

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<v Speaker 2>running and be accepted as one of them. I'm picturing

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<v Speaker 2>you doing that in full pads and you fall.

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<v Speaker 1>Down quick wrist race.

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<v Speaker 3>You've got to go pro chest rig on, full gym,

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<v Speaker 3>teacher bike shorts for some reason.

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<v Speaker 2>Yeah, full red red bull logo uh one for some reason.

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<v Speaker 1>Yeah yeah, yeah, exactly, full fully kitted out. Have you

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<v Speaker 1>do you ever? Do kids like to skate? Are they're

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<v Speaker 1>on Are they on bikes?

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<v Speaker 2>Jack? What are they?

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<v Speaker 1>What kind of mobility are they gonna do? They are?

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<v Speaker 4>My seven year old is into skating. He did, He

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<v Speaker 4>does go to the occasional skate park and it's mainly

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<v Speaker 4>a lessons based activity because he has a bad dad

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<v Speaker 4>when it comes to skateboarding, as as you might have

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<v Speaker 4>noticed from me, should be his dad.

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<v Speaker 2>I for sure thought you're gonna say instructor not dad.

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<v Speaker 3>No, Jack identified the problem. So we're gonna let's nip

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<v Speaker 3>this thing in the butt. So Mark, you can be.

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<v Speaker 4>At the Russell Wilson to my future, playing catch with

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<v Speaker 4>my kids while I'm a text a text fuck boyshit

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<v Speaker 4>to my ex. Yeah yeah, uh more. We're thrilled to

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<v Speaker 4>have you here. We're gonna get to know you a

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<v Speaker 4>little bit better in a moment.

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<v Speaker 1>First, we're gonna tell.

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<v Speaker 4>The listeners a couple of things that we're talking about.

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<v Speaker 4>We're gonna start off talking about another radical dude teenage

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<v Speaker 4>and and your garbles. He's I don't know, just the

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<v Speaker 4>more he becomes the face of this movement, I think

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<v Speaker 4>the better off we all are.

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<v Speaker 1>Not a charismatic leader. You're not a charismatic exactly off

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<v Speaker 1>the poting toad man. That's right.

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<v Speaker 2>It looks like he smells weird.

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<v Speaker 1>Oh yeah, oh yeah yeah with his new because he's

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<v Speaker 1>like going like he's bicking his bald head. Now it

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<v Speaker 1>looks like frogs.

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<v Speaker 3>It looks like amphibious skin, like the sheen to it

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<v Speaker 3>where it's like, oh, this is always kind of moist.

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<v Speaker 4>Huh right, So that we're going to talk about that

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<v Speaker 4>because they're just like, I don't know, they they don't

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<v Speaker 4>quite know how to use him on Fox News. So

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<v Speaker 4>they're like, here and let's get your live reaction just

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<v Speaker 4>like riff one out about this thing where AOC like

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<v Speaker 4>talks shit about you.

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<v Speaker 1>Let's see, let's see what you can can come back

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<v Speaker 1>with that one. Huh Yeah, it's not great.

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<v Speaker 4>He's not like simmering rage mixed with like weird misdirected

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<v Speaker 4>energy happening in all sorts of improving.

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<v Speaker 3>AOC's point, because he was just basically saying, it's like,

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<v Speaker 3>you know, the first thing I do is like make

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<v Speaker 3>fun of these thin skinned, insecure, like this spragile masculinity

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<v Speaker 3>that dominates this party, like really product that as part

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<v Speaker 3>of the sort of menu of options we have.

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<v Speaker 4>Is the only thing that happens to him is like

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<v Speaker 4>mouth gets really wet. It all just like we starts twitching.

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<v Speaker 2>There. We were there was superiorally hitting on something. We

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<v Speaker 2>were like just call them weird because they're weird, and

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<v Speaker 2>the thing is is that there's nothing wrong with being weird,

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<v Speaker 2>but they're all convinced they can't possibly be weird. Yeah,

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<v Speaker 2>it's like the ultimate insult to them, right, yeah.

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<v Speaker 3>Exactly, because they aren't self actualized enough to own. It's

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<v Speaker 3>like when you get past weird being a negative, it's

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<v Speaker 3>because you've you're like, yeah, this is who I am nothing.

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<v Speaker 1>Okay, sure, Like that's what you say because it's different.

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<v Speaker 3>To you, Whereas these people are still caught in like

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<v Speaker 3>the group think of like who's in the majority, who's weird,

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<v Speaker 3>who's not weird?

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<v Speaker 2>Yeah, dude, just go on the internet and find other

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<v Speaker 2>adult men who are like horny for Gi Joe's and

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<v Speaker 2>you could be something so angry.

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<v Speaker 1>Yeah I'm not alone.

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<v Speaker 4>We'll talk about that. We'll talk about the Supreme Court

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<v Speaker 4>case on conversion therapy, whether algorithms are ruining hip hop.

0:10:56.280 --> 0:10:59.600
<v Speaker 4>There's gonna be the closest we've ever gotten to. We're

0:10:59.760 --> 0:11:04.960
<v Speaker 4>really courting the old head vote in this one.

0:11:05.000 --> 0:11:05.559
<v Speaker 1>I feel like.

0:11:06.520 --> 0:11:09.080
<v Speaker 4>We're going to talk about I had really checked in

0:11:09.160 --> 0:11:11.840
<v Speaker 4>with the Free Press, which, to you know, as we

0:11:11.880 --> 0:11:14.320
<v Speaker 4>talked about earlier this week, just got purchased for one

0:11:14.360 --> 0:11:18.080
<v Speaker 4>hundred and fifty million dollars and Barry White like took

0:11:18.120 --> 0:11:22.120
<v Speaker 4>over as the head of CBS News, and I just

0:11:22.160 --> 0:11:26.080
<v Speaker 4>wanted to check out like a story. And we've also

0:11:26.120 --> 0:11:30.360
<v Speaker 4>been talking about Tilly Norwood, the fake actress who's like

0:11:30.440 --> 0:11:35.600
<v Speaker 4>getting fake from Hollywood, has Hollywood a buzz, and they

0:11:35.679 --> 0:11:37.480
<v Speaker 4>had a story about that that I just want to

0:11:38.000 --> 0:11:40.640
<v Speaker 4>I just want to read you the headline in the

0:11:40.640 --> 0:11:45.560
<v Speaker 4>subhead just one sentence, because yeah, I don't want to

0:11:45.559 --> 0:11:47.800
<v Speaker 4>go into it now, but like just it is one

0:11:47.800 --> 0:11:51.400
<v Speaker 4>of the wildest things that I've seen in airtime covering

0:11:51.400 --> 0:11:51.760
<v Speaker 4>the show.

0:11:51.840 --> 0:11:54.200
<v Speaker 1>So just a little bit of a tease there for you.

0:11:54.559 --> 0:11:57.200
<v Speaker 4>All of that plenty more. But first, mort Burke, we

0:11:57.240 --> 0:11:59.559
<v Speaker 4>do like to ask our guest, what is something from

0:11:59.679 --> 0:12:02.559
<v Speaker 4>your search history that's revealing about who you are?

0:12:02.920 --> 0:12:03.360
<v Speaker 1>Guys?

0:12:03.760 --> 0:12:07.480
<v Speaker 2>The last thing I googled was a synonym for masterpiece

0:12:07.600 --> 0:12:10.560
<v Speaker 2>to describe the new stand up special that I'm putting out.

0:12:12.120 --> 0:12:14.800
<v Speaker 2>And that's because I don't know if you guys have noticed,

0:12:14.800 --> 0:12:17.079
<v Speaker 2>but I think you have. It's not easy out here

0:12:17.120 --> 0:12:18.959
<v Speaker 2>for us artists, and it's time for us to start

0:12:19.080 --> 0:12:23.000
<v Speaker 2>tooting our own our horns. You should just ask GBT

0:12:23.160 --> 0:12:25.280
<v Speaker 2>to come up with a synonym for masterpiece? Is that

0:12:25.320 --> 0:12:27.800
<v Speaker 2>the move almost I can find was master work. I'm

0:12:27.840 --> 0:12:29.800
<v Speaker 2>gonna ask, I'm gonna ask what's her name? Tilly?

0:12:30.760 --> 0:12:33.560
<v Speaker 3>I would ask, Yeah, ask chat gpt to give you

0:12:33.720 --> 0:12:36.640
<v Speaker 3>a masterpiece stand up set that you can just regurgitate

0:12:36.679 --> 0:12:37.479
<v Speaker 3>on stage.

0:12:37.520 --> 0:12:41.680
<v Speaker 4>Has anyone done the version of like remember a soul

0:12:41.760 --> 0:12:44.720
<v Speaker 4>Man where a white guy does blackface to like get

0:12:44.760 --> 0:12:47.640
<v Speaker 4>into college? I think is that the premise of that.

0:12:47.920 --> 0:12:50.400
<v Speaker 4>Has anyone done that where like somebody pretends to be

0:12:50.600 --> 0:12:54.200
<v Speaker 4>Ai to like get the interest of Hollywood, like a

0:12:54.200 --> 0:12:55.040
<v Speaker 4>movie where it's.

0:12:54.960 --> 0:12:57.480
<v Speaker 3>Like you're you're thinking of like that's an a twenty

0:12:57.480 --> 0:12:59.920
<v Speaker 3>four comedy. Think that's yeah, that's ahead of it, that

0:13:00.080 --> 0:13:02.000
<v Speaker 3>ideas ahead of its time. Yeah, I can say you

0:13:02.080 --> 0:13:04.560
<v Speaker 3>should do that because like that really like what if

0:13:04.600 --> 0:13:07.720
<v Speaker 3>Tilly Norwood was just like a nineteen year old actress

0:13:07.760 --> 0:13:07.960
<v Speaker 3>like that?

0:13:08.120 --> 0:13:09.840
<v Speaker 1>Nobody would know the difference, right, Yeah?

0:13:11.240 --> 0:13:14.320
<v Speaker 2>Yeah, that feels like Carmen Christopher and Paul Rudder going

0:13:14.360 --> 0:13:14.760
<v Speaker 2>to be in that.

0:13:15.160 --> 0:13:15.360
<v Speaker 1>Yeah.

0:13:15.400 --> 0:13:17.200
<v Speaker 4>But I'm just saying more, maybe you put this out

0:13:17.200 --> 0:13:19.280
<v Speaker 4>as like an all Ai special.

0:13:19.480 --> 0:13:21.319
<v Speaker 3>I mean it's the same version as like white people

0:13:21.400 --> 0:13:23.480
<v Speaker 3>changing their names to be ethnic to try and get

0:13:23.520 --> 0:13:25.680
<v Speaker 3>interest too, like fur their away and they'd.

0:13:25.480 --> 0:13:27.800
<v Speaker 1>Be like, well, you know, I got this. Maybe things

0:13:27.840 --> 0:13:29.760
<v Speaker 1>aren't working when I was this white person, but how

0:13:29.760 --> 0:13:30.240
<v Speaker 1>about this.

0:13:30.920 --> 0:13:34.480
<v Speaker 3>Yeah maybe if I'm an AI actress, that'll get me

0:13:34.520 --> 0:13:35.040
<v Speaker 3>some work.

0:13:35.520 --> 0:13:37.880
<v Speaker 2>That movie plot is very That is such an eighties

0:13:37.920 --> 0:13:41.520
<v Speaker 2>movie where like the entire ze Zeitgeist was all about

0:13:41.559 --> 0:13:44.160
<v Speaker 2>like it was all eighties person pretended to be a

0:13:44.200 --> 0:13:47.320
<v Speaker 2>different person. Yeah, I mean like the white actor that

0:13:47.360 --> 0:13:49.960
<v Speaker 2>you had put on brown face for short circuit.

0:13:50.040 --> 0:13:55.720
<v Speaker 4>No no, no, no, Like inside the movie, I thin, what's

0:13:55.760 --> 0:13:56.560
<v Speaker 4>what's the guy's name?

0:13:57.400 --> 0:14:01.440
<v Speaker 3>I forget he's got that fun name that's like so eighties.

0:14:02.200 --> 0:14:07.720
<v Speaker 3>Uh yeah, damn it, Johnny five guy, you'd bitch come

0:14:07.760 --> 0:14:08.160
<v Speaker 3>on now.

0:14:09.160 --> 0:14:14.240
<v Speaker 1>Uh it's almost there. Fisher Stevens. Fisher Stevens, Yeah yeah,

0:14:15.000 --> 0:14:16.960
<v Speaker 1>Fisher Stevens. Yeah that was.

0:14:17.000 --> 0:14:20.640
<v Speaker 3>I remember being shook when I was like, this guy

0:14:21.360 --> 0:14:23.920
<v Speaker 3>isn't Indian or just like South Asian?

0:14:24.360 --> 0:14:28.760
<v Speaker 1>Like what? But how was I thought Benja Betuya was

0:14:28.800 --> 0:14:29.520
<v Speaker 1>a real guy.

0:14:30.720 --> 0:14:32.560
<v Speaker 2>It was when I found out Damon Wayne's wasn't.

0:14:32.640 --> 0:14:41.320
<v Speaker 3>Kay Waite Edwards and Anton Merriweather aren't real.

0:14:42.200 --> 0:14:44.480
<v Speaker 4>But anyways, just a pitch you put put yourself out

0:14:44.480 --> 0:14:47.320
<v Speaker 4>as Ai, which people were actually doing like they were like,

0:14:47.640 --> 0:14:49.880
<v Speaker 4>look at what look at this h Ai version of

0:14:49.920 --> 0:14:54.080
<v Speaker 4>a Carlin stand up special. And it was clearly just

0:14:54.120 --> 0:14:56.040
<v Speaker 4>like written by people, because it was way better than

0:14:56.040 --> 0:14:58.040
<v Speaker 4>anything Ai has done since then.

0:14:58.200 --> 0:14:59.280
<v Speaker 1>And it sucked.

0:14:59.320 --> 0:15:01.440
<v Speaker 4>I will say it's sucked, but not not as bad

0:15:01.440 --> 0:15:04.800
<v Speaker 4>as hey I does more. Sorry, what tell us about

0:15:04.800 --> 0:15:09.320
<v Speaker 4>your special? Hearing is a master stroke, a magnum opus.

0:15:09.480 --> 0:15:11.480
<v Speaker 2>It's a master work. Yeah, I'm just working on it.

0:15:11.520 --> 0:15:13.280
<v Speaker 2>I recorded at the lyric I Pieri and I'm gonna

0:15:13.280 --> 0:15:14.480
<v Speaker 2>put it out in a couple of months. I'm very

0:15:14.520 --> 0:15:16.600
<v Speaker 2>excited about it. I also want to be I want

0:15:16.600 --> 0:15:20.480
<v Speaker 2>to be the first person to actively stock Tilly Norwood.

0:15:20.760 --> 0:15:25.520
<v Speaker 1>Uh you mad? You are actually late. As we're going

0:15:25.600 --> 0:15:28.640
<v Speaker 1>to get to later in this story. Alright, later in

0:15:28.680 --> 0:15:31.600
<v Speaker 1>this episode, come up with something original. Man, there's already

0:15:31.640 --> 0:15:33.840
<v Speaker 1>a ton of t r Yeah, all right, fair real quick.

0:15:33.880 --> 0:15:35.560
<v Speaker 1>More Top three jokes from your special.

0:15:35.640 --> 0:15:39.320
<v Speaker 2>Go Number one, I've never farted. That's a twenty minute bit.

0:15:41.880 --> 0:15:44.040
<v Speaker 1>I just like that as a joke. I never farted

0:15:44.160 --> 0:15:46.080
<v Speaker 1>twenty minute bit? Else?

0:15:46.320 --> 0:15:49.160
<v Speaker 2>Yeah, number two, what's up with chicks these days? They're

0:15:49.160 --> 0:15:51.680
<v Speaker 2>different than guys. That's a huh. That's like a twelve

0:15:51.680 --> 0:15:52.160
<v Speaker 2>minute piece.

0:15:52.160 --> 0:15:54.440
<v Speaker 1>Have you ever noticed that they really are different? Yeah?

0:15:54.440 --> 0:15:56.560
<v Speaker 1>I find them to be different in many in many

0:15:56.600 --> 0:15:57.440
<v Speaker 1>compelling ways.

0:15:57.640 --> 0:15:58.200
<v Speaker 2>Yeah, totally.

0:15:58.520 --> 0:16:01.520
<v Speaker 1>There's a lot of this way. Yeah, they go about

0:16:01.560 --> 0:16:02.720
<v Speaker 1>it this way. Yeah.

0:16:02.960 --> 0:16:06.880
<v Speaker 2>And I can't believe that they replaced straws with paper straws.

0:16:07.000 --> 0:16:11.160
<v Speaker 2>So that's a that's another like fifteen deal.

0:16:11.240 --> 0:16:12.960
<v Speaker 1>What is it to deal with that?

0:16:13.640 --> 0:16:13.880
<v Speaker 2>Yeah?

0:16:14.000 --> 0:16:16.720
<v Speaker 1>Yeah, yeah, these things stink.

0:16:16.920 --> 0:16:19.480
<v Speaker 2>I came up with this word. I invented this word. Uh,

0:16:19.880 --> 0:16:20.640
<v Speaker 2>this word woke.

0:16:20.840 --> 0:16:25.680
<v Speaker 1>That's sort of what I'm oh, great original usage. Yeah,

0:16:25.760 --> 0:16:28.320
<v Speaker 1>sounds fucking good man. Yeah, that's part of your terry

0:16:28.320 --> 0:16:35.720
<v Speaker 1>Shaivo block us Christ. What is something you think is underrated?

0:16:36.280 --> 0:16:41.880
<v Speaker 2>Underrated? I'm going RuPaul's drag Race, and I'll say that

0:16:42.080 --> 0:16:45.840
<v Speaker 2>so my the starts with my wife is really trying

0:16:45.840 --> 0:16:48.720
<v Speaker 2>to make me buy and it's working, and I've never

0:16:48.760 --> 0:16:53.960
<v Speaker 2>been happier. It started with the it started with the

0:16:54.000 --> 0:16:59.200
<v Speaker 2>bidet obviously, which was so great. And now, so first

0:16:59.200 --> 0:17:02.600
<v Speaker 2>of all, RuPaul's drag Race, you're basically doing anti fascism

0:17:02.680 --> 0:17:05.640
<v Speaker 2>work work just watching this thing. Now with the way

0:17:05.720 --> 0:17:08.440
<v Speaker 2>the country is, I treat it like a Falcons game

0:17:08.760 --> 0:17:12.400
<v Speaker 2>where I'm like what do you mean miss Vangie's didn't

0:17:12.400 --> 0:17:15.800
<v Speaker 2>win that lipstick? Get your eyes checked, my sel visage like.

0:17:17.280 --> 0:17:17.920
<v Speaker 1>Shit like that.

0:17:18.000 --> 0:17:19.440
<v Speaker 2>It's it's so great.

0:17:19.600 --> 0:17:21.359
<v Speaker 1>You shat you Sashet away?

0:17:21.480 --> 0:17:23.720
<v Speaker 2>Yeah, yeah, exactly, yeah.

0:17:23.720 --> 0:17:26.399
<v Speaker 1>Fuck gotta here, Sachet you stay bullshit?

0:17:26.920 --> 0:17:28.640
<v Speaker 2>What do you mean? I was a meaty tuck.

0:17:30.720 --> 0:17:31.440
<v Speaker 1>Media tuck.

0:17:31.760 --> 0:17:34.000
<v Speaker 2>That's other than it has their I've watched well, first

0:17:34.040 --> 0:17:37.640
<v Speaker 2>of all, big surprise, I've watched ten seasons of ten seasons,

0:17:37.640 --> 0:17:39.359
<v Speaker 2>still attracted to women. Isn't that weird?

0:17:39.400 --> 0:17:39.640
<v Speaker 3>I get?

0:17:39.640 --> 0:17:41.920
<v Speaker 2>I don't know, it's I guess they might be wrong

0:17:41.920 --> 0:17:43.760
<v Speaker 2>about how they're trying to make us all be gay.

0:17:43.920 --> 0:17:45.520
<v Speaker 3>See, that's how you're not gonna end up on Jesse

0:17:45.640 --> 0:17:48.040
<v Speaker 3>Waters show. See he wanted somebody going back and it.

0:17:48.119 --> 0:17:50.360
<v Speaker 1>Messed me up. Jesse, I don't even know, man.

0:17:51.560 --> 0:17:54.640
<v Speaker 2>Yeah, but there the culture of the thing, there's, first

0:17:54.640 --> 0:17:58.919
<v Speaker 2>of all, it's so funny. It's like the socioeconomics of

0:17:58.960 --> 0:18:00.760
<v Speaker 2>it all is all over the app So there's like

0:18:00.920 --> 0:18:03.199
<v Speaker 2>really like what would you say, there's really there's a

0:18:03.200 --> 0:18:05.080
<v Speaker 2>lot of like poverty, and then there's a lot of

0:18:05.440 --> 0:18:08.440
<v Speaker 2>queens who come from like more privileged backgrounds. So the

0:18:08.560 --> 0:18:10.760
<v Speaker 2>jokes are all like, there's so many jokes about sex

0:18:10.840 --> 0:18:14.800
<v Speaker 2>work it's unbelievable. Like the amount of times they just

0:18:14.840 --> 0:18:17.840
<v Speaker 2>talk about hooking and shit is so it's so funny

0:18:18.359 --> 0:18:21.800
<v Speaker 2>and there the culture is insane. There's and there's like

0:18:21.880 --> 0:18:25.080
<v Speaker 2>RuPaul's kind of old, right, so she's like a little corny,

0:18:25.119 --> 0:18:29.080
<v Speaker 2>but she's still making fisting jokes and stuff. So it's, yeah,

0:18:29.160 --> 0:18:30.000
<v Speaker 2>I've never seen anything.

0:18:30.119 --> 0:18:33.280
<v Speaker 3>Just because she's a land owning oligarch now doesn't mean

0:18:33.320 --> 0:18:34.560
<v Speaker 3>she lost her you know.

0:18:35.480 --> 0:18:38.840
<v Speaker 2>Yeah, that's right. There's a clear hierarchy to which is uh,

0:18:39.040 --> 0:18:41.479
<v Speaker 2>you know, it just goes to show everybody's gonna end

0:18:41.560 --> 0:18:44.640
<v Speaker 2>up adopting the Western hierarchical shit no matter who you are.

0:18:45.240 --> 0:18:48.119
<v Speaker 1>Yeah. Yeah, what's something you think is overrated?

0:18:49.080 --> 0:18:59.320
<v Speaker 2>The movie Shawshank Redemption, Oh oh oh.

0:18:57.119 --> 0:19:03.440
<v Speaker 3>Tax like bringing up all kinds of supporting documents. I think, okay,

0:19:03.520 --> 0:19:04.800
<v Speaker 3>what's your opening gambit here?

0:19:04.840 --> 0:19:05.000
<v Speaker 1>Ask?

0:19:05.760 --> 0:19:09.040
<v Speaker 2>First of all, I like any any bit that is

0:19:09.520 --> 0:19:12.280
<v Speaker 2>twenty years old, twenty years too late. I think that's

0:19:12.320 --> 0:19:16.199
<v Speaker 2>a powerful move. But I look, man, Okay, it's a

0:19:16.200 --> 0:19:18.680
<v Speaker 2>well made film, sure, And also, of course it does

0:19:18.800 --> 0:19:23.400
<v Speaker 2>kind of feed into the white male oppression fantasy that's

0:19:23.400 --> 0:19:26.720
<v Speaker 2>so popular these days. But what's hilarious about it to

0:19:26.760 --> 0:19:29.240
<v Speaker 2>me is there that there's that scene with Morgan Freeman

0:19:29.400 --> 0:19:31.520
<v Speaker 2>where he Andy Dufran goes and he wants to get

0:19:31.520 --> 0:19:34.280
<v Speaker 2>the Rita Hayworth poster and it's in the cinema, you know,

0:19:34.320 --> 0:19:36.760
<v Speaker 2>and it's supposed to be this like very heartwarming exchange

0:19:37.320 --> 0:19:40.879
<v Speaker 2>between two old friends. But clearly Morgan Freeman has to

0:19:40.920 --> 0:19:43.600
<v Speaker 2>think that Tim Robbins character is going to jack off

0:19:43.600 --> 0:19:44.520
<v Speaker 2>to that poster.

0:19:45.960 --> 0:19:48.720
<v Speaker 1>Right, you know what need to doing? They didn't.

0:19:48.800 --> 0:19:51.760
<v Speaker 4>They didn't show that part right, But the parts where

0:19:51.800 --> 0:19:54.560
<v Speaker 4>Andy Dufran is like walking out and disposing of dirt

0:19:54.600 --> 0:19:58.199
<v Speaker 4>through his pant leg like that dirt is also accompanied

0:19:58.200 --> 0:19:59.880
<v Speaker 4>by a great deal of come.

0:20:00.320 --> 0:20:03.119
<v Speaker 2>And yeah, so the voiceover should be like and may

0:20:03.200 --> 0:20:06.639
<v Speaker 2>new Fray will love to master bit. He couldn't get

0:20:06.760 --> 0:20:09.679
<v Speaker 2>enough after ten years he needed a new poster. And

0:20:09.720 --> 0:20:14.159
<v Speaker 2>he came to me that was our m guys just

0:20:14.280 --> 0:20:15.200
<v Speaker 2>constantly jacking on.

0:20:15.880 --> 0:20:16.239
<v Speaker 1>All right?

0:20:16.520 --> 0:20:20.520
<v Speaker 4>Uh well, fu Shawshank Redemption. I'm fully sold on that.

0:20:21.359 --> 0:20:23.600
<v Speaker 4>Are you a Green Mile fan by any chance?

0:20:23.880 --> 0:20:24.520
<v Speaker 1>I started?

0:20:24.520 --> 0:20:26.960
<v Speaker 2>I've never seen it. I started to watch it me.

0:20:27.760 --> 0:20:30.719
<v Speaker 4>Yeah, I do like I do like Shashank, And I

0:20:30.800 --> 0:20:33.399
<v Speaker 4>was like, I don't know this. I've only seen the

0:20:33.440 --> 0:20:35.920
<v Speaker 4>scenes where Tom Hanks has a hard time taking a piss.

0:20:36.160 --> 0:20:40.480
<v Speaker 1>That's no Jack. That's for a broader thesis that you

0:20:40.480 --> 0:20:43.240
<v Speaker 1>have a looping video clip that you watched for two hours.

0:20:43.200 --> 0:20:46.560
<v Speaker 4>I say, I'm watching Green Mile. There's so many reasons. One,

0:20:46.600 --> 0:20:47.840
<v Speaker 4>I like shash Redemption.

0:20:47.920 --> 0:20:48.160
<v Speaker 1>Two.

0:20:48.359 --> 0:20:54.240
<v Speaker 4>Green Mile is the climax of Tom Hanks's arc throughout

0:20:54.240 --> 0:20:57.720
<v Speaker 4>his career of like having to pee, like peeing being

0:20:58.000 --> 0:21:01.680
<v Speaker 4>a key part of his character work, and then that

0:21:01.800 --> 0:21:05.880
<v Speaker 4>whole movie. His entire character's point is that he has

0:21:05.920 --> 0:21:09.000
<v Speaker 4>hard time, a hard time being and then gets his

0:21:09.560 --> 0:21:13.680
<v Speaker 4>penis cleared by the hands of Jesus, the healing hands

0:21:13.680 --> 0:21:14.480
<v Speaker 4>of Jesus.

0:21:14.720 --> 0:21:15.360
<v Speaker 1>Yeah.

0:21:15.560 --> 0:21:19.320
<v Speaker 2>JC, That's the only cult I would join, the one

0:21:19.320 --> 0:21:20.720
<v Speaker 2>that teaches it's funny though too.

0:21:21.119 --> 0:21:24.280
<v Speaker 3>Gos like you were saying more like this, they're like

0:21:24.359 --> 0:21:27.080
<v Speaker 3>Shawshanks kind of like for like white guys. Because I

0:21:27.080 --> 0:21:28.879
<v Speaker 3>remember the first time I saw was I get a

0:21:28.960 --> 0:21:30.200
<v Speaker 3>Kid's sleepover When.

0:21:30.119 --> 0:21:32.119
<v Speaker 1>They're like you never so associate redemption.

0:21:32.280 --> 0:21:34.280
<v Speaker 3>Yeah, And I was like, oh no, bro, And then

0:21:34.320 --> 0:21:37.040
<v Speaker 3>I was like, okay, fine, But then I know so

0:21:37.119 --> 0:21:39.560
<v Speaker 3>many people who like they they ride for it.

0:21:39.600 --> 0:21:41.520
<v Speaker 1>I mean, look, everyone has a movie that speaks to them.

0:21:41.560 --> 0:21:43.840
<v Speaker 1>I just didn't. I didn't realize how.

0:21:43.840 --> 0:21:46.560
<v Speaker 2>Much aspects of it where they like learn the you know,

0:21:46.560 --> 0:21:48.480
<v Speaker 2>they kind of learn empathy and that's nice. But then

0:21:48.480 --> 0:21:51.399
<v Speaker 2>there's a there is an overarching theme that feels like

0:21:52.240 --> 0:21:53.720
<v Speaker 2>a couple of things, which is, hey, you know that

0:21:53.840 --> 0:21:56.879
<v Speaker 2>like boring mediocre white guy that you know, he's actually

0:21:57.080 --> 0:22:00.280
<v Speaker 2>the greatest hero that's ever existed. And then also like

0:22:00.920 --> 0:22:03.160
<v Speaker 2>the one time a white guy went to jail for

0:22:03.280 --> 0:22:05.320
<v Speaker 2>a crime he didn't commit becomes this like.

0:22:05.600 --> 0:22:08.480
<v Speaker 1>Big tale.

0:22:11.000 --> 0:22:14.680
<v Speaker 2>To imagine this like white businessman who are supposed to

0:22:14.720 --> 0:22:17.280
<v Speaker 2>be like is this holy innocent? But it's still it's

0:22:17.280 --> 0:22:17.960
<v Speaker 2>watchable either.

0:22:18.400 --> 0:22:21.080
<v Speaker 4>Yeah, all right, we are going to take a quick

0:22:21.119 --> 0:22:35.560
<v Speaker 4>break and we'll be right back. And we're back. We're

0:22:35.640 --> 0:22:42.560
<v Speaker 4>back and talking about eminently watchable Stephen Miller, Jesus Christ.

0:22:42.600 --> 0:22:47.520
<v Speaker 4>Guy holds the fucking camera in the palm of his

0:22:47.760 --> 0:22:48.800
<v Speaker 4>capable hand.

0:22:49.800 --> 0:22:52.600
<v Speaker 1>He looks like he's got like doctor evil vibes.

0:22:52.640 --> 0:22:56.639
<v Speaker 3>Now, oh, he's got like kind of a doctor no

0:22:57.000 --> 0:22:59.160
<v Speaker 3>lies sort of like I could feel like he would

0:22:59.240 --> 0:23:02.359
<v Speaker 3>have like a like a scar running down his face and.

0:23:02.520 --> 0:23:03.200
<v Speaker 1>You to die.

0:23:03.560 --> 0:23:09.159
<v Speaker 4>Yeah, he's like any Everything he says is like less

0:23:09.240 --> 0:23:12.720
<v Speaker 4>natural coming out of his mouth than no, I expect

0:23:12.760 --> 0:23:15.320
<v Speaker 4>you to die, Like that's one should be coming out

0:23:15.359 --> 0:23:18.080
<v Speaker 4>of it, Like every time he's I didn't identify it

0:23:18.200 --> 0:23:21.600
<v Speaker 4>until this moment when I realized that's the uncanny feeling

0:23:21.680 --> 0:23:24.439
<v Speaker 4>I have when he talks is wait, why is he

0:23:24.520 --> 0:23:27.720
<v Speaker 4>not telling me that he expects me to die? Before

0:23:28.040 --> 0:23:30.600
<v Speaker 4>before explaining his scheme and walking off.

0:23:30.840 --> 0:23:33.160
<v Speaker 2>He looks like he has a chronic illness that makes

0:23:33.200 --> 0:23:34.400
<v Speaker 2>you sleepy and grumpy.

0:23:34.880 --> 0:23:37.440
<v Speaker 3>Yeah, yeah, yeah, yeah, yeah, it's it's something. It's I

0:23:37.480 --> 0:23:40.919
<v Speaker 3>think it'd just be general unhappiness. But either way, he

0:23:41.119 --> 0:23:45.000
<v Speaker 3>is just really he's he's in the public eye so much,

0:23:45.080 --> 0:23:45.800
<v Speaker 3>whether it was his.

0:23:46.320 --> 0:23:48.960
<v Speaker 1>You're not hardcore, we're hardcore. They're just everything.

0:23:49.160 --> 0:23:51.000
<v Speaker 3>Every day we have to hear from him more and

0:23:51.080 --> 0:23:54.360
<v Speaker 3>more him trying to describe the state of the country,

0:23:54.400 --> 0:23:58.119
<v Speaker 3>like there's this left wing terrorist network that must be

0:23:58.240 --> 0:24:00.680
<v Speaker 3>dismantled by the state and we have to use every

0:24:00.720 --> 0:24:03.959
<v Speaker 3>power available. But again, I mean, I think this is

0:24:04.280 --> 0:24:06.200
<v Speaker 3>because he's so visible. A lot of people are like.

0:24:06.320 --> 0:24:08.760
<v Speaker 1>Is he actually running this administration day to day?

0:24:09.040 --> 0:24:12.160
<v Speaker 3>Like what he seems to know the most about everything

0:24:12.240 --> 0:24:14.560
<v Speaker 3>going on and then gets in front of the microphones

0:24:14.600 --> 0:24:17.080
<v Speaker 3>like he does. But he is one of the most

0:24:17.119 --> 0:24:20.639
<v Speaker 3>reviled people in the country and it clearly doesn't bother him.

0:24:20.440 --> 0:24:23.879
<v Speaker 3>I'm sure his own family's been publishing stuff over the

0:24:23.960 --> 0:24:27.280
<v Speaker 3>years about him, and recently his cousin did, which a

0:24:27.280 --> 0:24:29.520
<v Speaker 3>lot of people were like, Oh, let's see what his

0:24:29.520 --> 0:24:32.760
<v Speaker 3>own family thinks about him, which brought a post from

0:24:32.760 --> 0:24:34.719
<v Speaker 3>a few years ago up from his uncle on his

0:24:34.800 --> 0:24:38.560
<v Speaker 3>mother's side, who's like a neurologist or neuro psychologist, some

0:24:39.160 --> 0:24:42.840
<v Speaker 3>fancy brain shit, and he like one way he described quote,

0:24:42.960 --> 0:24:45.040
<v Speaker 3>there is a deep vein of hypocrisy running through the

0:24:45.040 --> 0:24:49.320
<v Speaker 3>Trump administration, and my odious nephew Stephen Miller is the

0:24:49.359 --> 0:24:52.960
<v Speaker 3>purest example of it. So okay, he can probably I

0:24:52.960 --> 0:24:54.840
<v Speaker 3>think he maybe he got through that one.

0:24:54.960 --> 0:24:59.360
<v Speaker 1>Sounds like someone else was googling some synonyms. Dude, O, dude,

0:25:00.040 --> 0:25:02.760
<v Speaker 1>who is fucked up? Like if my uncle said my

0:25:02.840 --> 0:25:06.720
<v Speaker 1>odious nephew, I would be angry. Yeah, I would.

0:25:06.480 --> 0:25:08.960
<v Speaker 2>Seems like a word a villain and a Pixar movie

0:25:08.960 --> 0:25:09.560
<v Speaker 2>would use.

0:25:09.680 --> 0:25:12.280
<v Speaker 1>Yeah exactly and O differous.

0:25:12.359 --> 0:25:15.240
<v Speaker 3>But look his cousin this week on his mom's side

0:25:15.320 --> 0:25:17.880
<v Speaker 3>also chimed in with this whole thing about just saying

0:25:17.880 --> 0:25:20.440
<v Speaker 3>like I knew him as like this sensitive, like goofy

0:25:20.600 --> 0:25:23.560
<v Speaker 3>middle child who was just like really nice to the

0:25:23.600 --> 0:25:26.560
<v Speaker 3>younger kids. Goes on to say, quote, I'm living with

0:25:26.680 --> 0:25:28.960
<v Speaker 3>deep pain, with the deep pain of watching someone I

0:25:28.960 --> 0:25:31.080
<v Speaker 3>once loved become the face of evil. I grieve what

0:25:31.119 --> 0:25:34.120
<v Speaker 3>you've become, Stephen. I will never knowingly let evil into

0:25:34.200 --> 0:25:37.160
<v Speaker 3>my life, no matter who's blood it carries, including my own.

0:25:37.560 --> 0:25:42.400
<v Speaker 1>And then she goes on she you know how obsessed

0:25:42.440 --> 0:25:43.719
<v Speaker 1>this family is with blood?

0:25:43.960 --> 0:25:50.600
<v Speaker 4>Yeah, who's blood it carries running through its veins, securiorly.

0:25:50.400 --> 0:25:52.320
<v Speaker 2>Picturing a woman who looks like Steven Miller with a

0:25:52.359 --> 0:25:52.720
<v Speaker 2>wig on.

0:25:54.440 --> 0:25:56.280
<v Speaker 3>But she goes on to talk about, you know, Stephen

0:25:56.280 --> 0:25:59.280
<v Speaker 3>Miller's Jewish, and she talks about how at family gatherings

0:25:59.560 --> 0:26:03.399
<v Speaker 3>they're fa families were told stories about their ancestors surviving

0:26:03.480 --> 0:26:07.000
<v Speaker 3>pogrims and ghettos and the Holocaust, and something like as

0:26:07.040 --> 0:26:09.679
<v Speaker 3>a family culture, we're like this will we will not

0:26:09.800 --> 0:26:12.360
<v Speaker 3>repeat this. We will protect this, you know, each other

0:26:12.520 --> 0:26:15.440
<v Speaker 3>people from this ever happening again. She goes to say, quote,

0:26:15.480 --> 0:26:17.960
<v Speaker 3>we celebrated holidays each year with the reminder to stand

0:26:18.040 --> 0:26:20.080
<v Speaker 3>up and say never again. But what you were doing

0:26:20.119 --> 0:26:22.800
<v Speaker 3>breaks that sacred promise. It breaks everything we were taught.

0:26:22.800 --> 0:26:25.200
<v Speaker 3>How can you do to others what has been done

0:26:25.280 --> 0:26:27.119
<v Speaker 3>to us? How can you wake up each day and

0:26:27.160 --> 0:26:30.280
<v Speaker 3>repeat the cruelty that our people barely escaped from?

0:26:30.520 --> 0:26:30.760
<v Speaker 1>Right?

0:26:30.960 --> 0:26:33.879
<v Speaker 4>And I guess with Trump like he would just be like,

0:26:33.920 --> 0:26:36.920
<v Speaker 4>that's loser, shit, you're a loser, get out of here.

0:26:37.320 --> 0:26:41.439
<v Speaker 4>And but with Steven Miller, his eyes starts twitching and

0:26:41.520 --> 0:26:43.120
<v Speaker 4>his mouth gets wet, And.

0:26:45.080 --> 0:26:47.880
<v Speaker 1>How dare you speak to me like this?

0:26:48.440 --> 0:26:51.879
<v Speaker 4>You know, like that's what I'm picturing happening behind the scenes,

0:26:51.960 --> 0:26:54.920
<v Speaker 4>just like spit flecking out of his mouth.

0:26:55.040 --> 0:26:58.000
<v Speaker 3>Did you ever see that clip where Jesse Waters had

0:26:58.040 --> 0:27:00.520
<v Speaker 3>his wife on't I didn't talk about it because it's

0:27:00.520 --> 0:27:04.199
<v Speaker 3>Stephen Miller's wife. Yeah, and she she talks about his

0:27:04.880 --> 0:27:07.200
<v Speaker 3>They talk about how he isn't bed.

0:27:07.320 --> 0:27:08.960
<v Speaker 1>I don't know how I missed this one.

0:27:09.080 --> 0:27:12.080
<v Speaker 5>You are married to Stephen Miller, so you are the

0:27:12.200 --> 0:27:13.040
<v Speaker 5>envy of all women?

0:27:13.960 --> 0:27:14.520
<v Speaker 2>What is that?

0:27:14.600 --> 0:27:14.679
<v Speaker 3>Like?

0:27:15.000 --> 0:27:15.080
<v Speaker 1>All?

0:27:15.160 --> 0:27:15.280
<v Speaker 6>Right?

0:27:15.320 --> 0:27:18.720
<v Speaker 1>Wait? Does that he? This is? Is that? It is

0:27:18.760 --> 0:27:24.960
<v Speaker 1>that I believe his wife the envy of all women.

0:27:25.240 --> 0:27:28.760
<v Speaker 4>So he's just like nagging her husband.

0:27:29.480 --> 0:27:31.520
<v Speaker 3>I should be having that like, this is okay, this

0:27:31.600 --> 0:27:34.320
<v Speaker 3>is again one more time because he laughs, He's like, yo,

0:27:34.400 --> 0:27:36.600
<v Speaker 3>I'm taking shots at your men right now.

0:27:36.800 --> 0:27:39.800
<v Speaker 5>You are married to Stephen Miller, So you are the

0:27:39.920 --> 0:27:40.760
<v Speaker 5>envy of all women.

0:27:41.720 --> 0:27:43.440
<v Speaker 2>What is that like? A sexual matador?

0:27:43.560 --> 0:27:43.720
<v Speaker 6>Right?

0:27:44.600 --> 0:27:45.320
<v Speaker 5>What is it like.

0:27:45.320 --> 0:27:47.000
<v Speaker 4>Being married to such a sexual matador?

0:27:47.720 --> 0:27:50.280
<v Speaker 3>He is an incredibly inspiring And then she goes on

0:27:50.320 --> 0:27:52.720
<v Speaker 3>to just say some stupid boilerplate ship, but what.

0:27:52.880 --> 0:27:56.040
<v Speaker 4>Weird sexual she It sounds like she was referencing something

0:27:56.040 --> 0:27:57.200
<v Speaker 4>that somebody had said before.

0:27:57.520 --> 0:27:59.440
<v Speaker 1>That definitely sounds like an inside joke.

0:28:00.080 --> 0:28:03.240
<v Speaker 2>I think the ball is the female orgasm and.

0:28:04.760 --> 0:28:08.120
<v Speaker 4>Just continually pulls the ring carpt away.

0:28:09.280 --> 0:28:12.920
<v Speaker 3>You're never, never, never getting a satisfying touch out of Yeah.

0:28:13.680 --> 0:28:15.960
<v Speaker 3>But anyway, I just I always think of the sexual

0:28:16.440 --> 0:28:17.240
<v Speaker 3>never getting.

0:28:16.920 --> 0:28:18.159
<v Speaker 1>Gourd no, yeah no.

0:28:18.240 --> 0:28:21.520
<v Speaker 4>That would probably be cool to have your wife go

0:28:21.600 --> 0:28:25.920
<v Speaker 4>on national TV, have the person who's interviewing her be like, yeah,

0:28:25.960 --> 0:28:29.240
<v Speaker 4>so uh that that must be really cool. Everybody thinks

0:28:29.280 --> 0:28:33.359
<v Speaker 4>he's hot and cool like you sarcastic, and then they

0:28:33.400 --> 0:28:36.919
<v Speaker 4>make an inside sexual joke about you yea.

0:28:37.160 --> 0:28:40.840
<v Speaker 1>To each other. I can't imagine what that would be

0:28:40.960 --> 0:28:42.320
<v Speaker 1>like to a to a person.

0:28:43.400 --> 0:28:46.800
<v Speaker 3>Also, this is Stephen Miller just like in the most

0:28:46.840 --> 0:28:49.760
<v Speaker 3>loveless marriage where his like there's just all this extra

0:28:49.800 --> 0:28:50.640
<v Speaker 3>barrital ship going.

0:28:50.640 --> 0:28:56.480
<v Speaker 1>Like Jesse Waters too, honey, you know you're not she

0:28:56.640 --> 0:28:59.680
<v Speaker 1>the one who went and worked for Elon Musk.

0:28:59.800 --> 0:29:02.920
<v Speaker 3>Yeah, like there and they came back and everyone's like, oh,

0:29:02.960 --> 0:29:04.640
<v Speaker 3>you left with Elon and everyone.

0:29:04.560 --> 0:29:06.920
<v Speaker 4>Was like during thegulation, like at the height of the

0:29:07.000 --> 0:29:11.200
<v Speaker 4>rift between Trump and the Trump administration and Elon Musk,

0:29:11.440 --> 0:29:13.000
<v Speaker 4>she went and worked.

0:29:12.880 --> 0:29:17.480
<v Speaker 3>For for Elon Musk and then came home. I don't know,

0:29:17.520 --> 0:29:19.880
<v Speaker 3>there's this is this is there's a lot of weird.

0:29:19.920 --> 0:29:20.240
<v Speaker 3>There's a.

0:29:22.200 --> 0:29:24.680
<v Speaker 2>Yeah, she's got she's got a type, which is an

0:29:24.920 --> 0:29:27.480
<v Speaker 2>undiagnosed neurotypical fashionst.

0:29:27.880 --> 0:29:31.160
<v Speaker 3>The Yeah, they the face that launched a thousand dipshits.

0:29:31.680 --> 0:29:36.240
<v Speaker 3>So Stephen Miller was recently on Laura Ingram Show and

0:29:37.400 --> 0:29:39.360
<v Speaker 3>I don't know again, like you were saying at the top, Jack,

0:29:40.120 --> 0:29:44.160
<v Speaker 3>this guy's not good talking unless he's even when he's screaming,

0:29:44.200 --> 0:29:46.680
<v Speaker 3>you're just like, oh my god, dude, calm down.

0:29:46.960 --> 0:29:50.400
<v Speaker 4>Like Lemony's borrowing from like a historic Nazi speech.

0:29:50.880 --> 0:29:54.959
<v Speaker 3>Yeah, exactly literally the words of Gerbels, but just slightly

0:29:55.080 --> 0:29:58.040
<v Speaker 3>updated for today's audiences. This was him when he went

0:29:58.080 --> 0:30:02.520
<v Speaker 3>on Laura Ingram show and she brings up that Alexandria

0:30:02.640 --> 0:30:05.520
<v Speaker 3>Casio Cortes posted this video of him being like, dude,

0:30:05.520 --> 0:30:08.080
<v Speaker 3>this guy is a loser, and the lor Ingram's like, hey,

0:30:08.160 --> 0:30:11.080
<v Speaker 3>let's watch this together, and so we get the we

0:30:11.160 --> 0:30:15.240
<v Speaker 3>get the wonderful benefit of seeing Steven Miller's face as

0:30:15.240 --> 0:30:18.400
<v Speaker 3>like a side by side as as AOC is just

0:30:18.920 --> 0:30:20.040
<v Speaker 3>poking fun, I will.

0:30:19.920 --> 0:30:24.640
<v Speaker 4>Say, just up top, like we need better insult writers

0:30:24.720 --> 0:30:29.560
<v Speaker 4>for the I agree that this isn't the best tact

0:30:30.040 --> 0:30:34.120
<v Speaker 4>to go after him for being a short king apparently,

0:30:34.640 --> 0:30:37.880
<v Speaker 4>but it's just it is interesting to watch his response to.

0:30:37.840 --> 0:30:41.440
<v Speaker 3>Look, you know, democrats, like elected officials, say, for maybe

0:30:41.440 --> 0:30:44.760
<v Speaker 3>a Jasmine Crockett, are good at just firing from the

0:30:44.840 --> 0:30:47.680
<v Speaker 3>hip and just having a great burn.

0:30:48.520 --> 0:30:53.320
<v Speaker 1>But again, the comedy writers, yeah exactly.

0:30:53.360 --> 0:30:55.400
<v Speaker 3>I mean, look, this is what they're fucking paying all

0:30:55.400 --> 0:30:58.320
<v Speaker 3>these podcasters get a fucking writer's room together, you know

0:30:58.320 --> 0:30:58.680
<v Speaker 3>what I mean?

0:30:58.920 --> 0:31:00.920
<v Speaker 1>He gets we have some fire tweets.

0:31:00.960 --> 0:31:05.160
<v Speaker 3>Anyway, here is Laura Ingram making Stephen Miller watch himself

0:31:05.160 --> 0:31:05.720
<v Speaker 3>be made fun of.

0:31:06.120 --> 0:31:10.320
<v Speaker 7>See is your your her favorite target? Apparently on Instagram

0:31:10.440 --> 0:31:11.040
<v Speaker 7>check us out.

0:31:12.240 --> 0:31:15.680
<v Speaker 6>He looks like he is angry about the fact that

0:31:15.800 --> 0:31:18.880
<v Speaker 6>he's for ten, and he looks like he is so

0:31:19.240 --> 0:31:22.160
<v Speaker 6>mad that he is for ten that he's taking that

0:31:22.360 --> 0:31:28.000
<v Speaker 6>anger out at any other population possible.

0:31:28.560 --> 0:31:32.400
<v Speaker 1>Like laugh at them, laugh at.

0:31:32.280 --> 0:31:36.440
<v Speaker 7>Them, like laugh at them, laugh at them. I wish

0:31:36.440 --> 0:31:37.880
<v Speaker 7>I had a hoodie on. I mean, we're trying to

0:31:37.880 --> 0:31:38.880
<v Speaker 7>play sorority sister?

0:31:39.160 --> 0:31:39.520
<v Speaker 2>Is this?

0:31:42.600 --> 0:31:45.160
<v Speaker 7>I was at absorty over over the weekend over in Texas.

0:31:45.200 --> 0:31:47.280
<v Speaker 7>I feel like I was back at the sorority house, except.

0:31:47.080 --> 0:31:52.320
<v Speaker 3>The good clapback to what do or do you with

0:31:52.440 --> 0:31:53.080
<v Speaker 3>a hood on it?

0:31:53.160 --> 0:31:54.600
<v Speaker 1>Laura, don't do it to him like that?

0:31:54.640 --> 0:31:54.960
<v Speaker 2>What do you?

0:31:55.040 --> 0:31:55.120
<v Speaker 8>What?

0:31:55.160 --> 0:31:56.600
<v Speaker 2>Are you vaguely comfortable in your.

0:31:57.240 --> 0:32:00.560
<v Speaker 5>Quick response, Well, we knew, we knew that her brain

0:32:00.640 --> 0:32:03.040
<v Speaker 5>didn't work. Now we know their eyes don't work.

0:32:03.360 --> 0:32:03.920
<v Speaker 1>So the.

0:32:05.400 --> 0:32:06.480
<v Speaker 5>I mean she should she is?

0:32:07.760 --> 0:32:08.640
<v Speaker 2>What a train wreck?

0:32:09.000 --> 0:32:09.640
<v Speaker 1>What a drink?

0:32:10.160 --> 0:32:12.880
<v Speaker 7>I think you should get You should just wear a

0:32:12.880 --> 0:32:15.600
<v Speaker 7>hoodie from now on and respond to her.

0:32:15.640 --> 0:32:19.360
<v Speaker 1>You should wear go ahead.

0:32:19.840 --> 0:32:22.880
<v Speaker 5>I think the point is that every time she's on TV,

0:32:23.680 --> 0:32:26.720
<v Speaker 5>Republican approval ratings go up, Democratic proper ratings go Damn.

0:32:27.320 --> 0:32:28.880
<v Speaker 1>That lady is a walking.

0:32:28.760 --> 0:32:31.920
<v Speaker 7>Nightmare and you're and you're you're about I know you

0:32:32.000 --> 0:32:36.520
<v Speaker 7>for twenty years, you're about five fine eleven, about five ten.

0:32:37.560 --> 0:32:43.880
<v Speaker 1>Red faced, last five ten, five ten again?

0:32:44.040 --> 0:32:44.240
<v Speaker 2>Yeah?

0:32:44.400 --> 0:32:47.080
<v Speaker 1>Just oh wow, what and now our eyes do what?

0:32:47.240 --> 0:32:47.480
<v Speaker 8>I know?

0:32:48.280 --> 0:32:54.280
<v Speaker 4>We've known that their brains don't work, like the lady

0:32:54.480 --> 0:32:58.400
<v Speaker 4>on the word work is like every poor kid who

0:32:58.440 --> 0:33:01.320
<v Speaker 4>like goes viral for being like, oh, I'm gonna finally

0:33:01.360 --> 0:33:03.200
<v Speaker 4>tell you what I bro, I think.

0:33:03.080 --> 0:33:07.320
<v Speaker 1>I'll tell you what's what? Just say he can't fuck? Yeah, yeah,

0:33:07.360 --> 0:33:09.040
<v Speaker 1>you know what I mean? Like that's so above his

0:33:09.120 --> 0:33:11.400
<v Speaker 1>mental pay grade, Like dude, he can't even fuck. Dude,

0:33:11.440 --> 0:33:15.440
<v Speaker 1>look at you and they're like, well, uh I.

0:33:15.160 --> 0:33:17.040
<v Speaker 3>Because like in this one he can respond with I'm

0:33:17.080 --> 0:33:19.480
<v Speaker 3>five ten, I'm not four to ten, I'm five ten.

0:33:19.640 --> 0:33:26.160
<v Speaker 1>Is this your wife on Jesse show? She's eating joke

0:33:26.560 --> 0:33:30.800
<v Speaker 1>between them, that's what they call you when they're having sex, dude,

0:33:30.920 --> 0:33:31.480
<v Speaker 1>and they.

0:33:31.440 --> 0:33:36.960
<v Speaker 3>Laugh and they laugh sexual matador scause it's like such

0:33:37.000 --> 0:33:38.720
<v Speaker 3>a inside joke.

0:33:40.000 --> 0:33:44.720
<v Speaker 1>About how you fuck between your wife and Jesse Water.

0:33:44.960 --> 0:33:46.520
<v Speaker 3>It is wild though, too, because if you think every

0:33:46.560 --> 0:33:49.040
<v Speaker 3>time she's on and he comes up, she's always revealing

0:33:49.080 --> 0:33:51.280
<v Speaker 3>some weird shit about him, Like you only like he

0:33:51.320 --> 0:33:54.400
<v Speaker 3>loves mayonnaise. It was like that last thing when she

0:33:54.440 --> 0:33:57.160
<v Speaker 3>had her podcast and she's like, oh, yeah, he likes mayonnaise.

0:33:57.560 --> 0:33:59.160
<v Speaker 3>He's a mannaise guy's wife.

0:33:59.520 --> 0:34:00.320
<v Speaker 1>Yeah.

0:34:00.440 --> 0:34:02.520
<v Speaker 3>This may have been when you were out someone they

0:34:02.520 --> 0:34:05.360
<v Speaker 3>were talking about, like, oh, what is he like? There

0:34:05.400 --> 0:34:07.400
<v Speaker 3>was something about a condiment. I think it was jd

0:34:07.560 --> 0:34:09.799
<v Speaker 3>Vance was talking about the kind of condiments that he likes,

0:34:10.480 --> 0:34:13.000
<v Speaker 3>like jd Vance preferred, and she's like, oh, my husband,

0:34:13.080 --> 0:34:15.320
<v Speaker 3>he's a mayo guy. Like he would just eat mayo

0:34:15.760 --> 0:34:17.719
<v Speaker 3>if like he could eat mayo.

0:34:17.520 --> 0:34:18.200
<v Speaker 1>With a spoon.

0:34:18.960 --> 0:34:22.360
<v Speaker 3>So really, really turn on the sex appeal as you drink,

0:34:22.400 --> 0:34:24.920
<v Speaker 3>as you eat a whole one gallon tub of Best

0:34:24.960 --> 0:34:27.920
<v Speaker 3>Foods mayonnaise with a wooden ladle, and be like.

0:34:27.840 --> 0:34:32.319
<v Speaker 1>Hey, you want to kiss the night babe. It is

0:34:33.200 --> 0:34:37.800
<v Speaker 1>an accurate snapshot of you know, he's a white supremacist

0:34:37.840 --> 0:34:42.040
<v Speaker 1>and at least he's like steering into that, you know,

0:34:42.480 --> 0:34:45.480
<v Speaker 1>and like, yeah, mayo is actually our national food.

0:34:46.160 --> 0:34:49.600
<v Speaker 2>It's so like it's so immature, this like political back

0:34:49.640 --> 0:34:51.399
<v Speaker 2>and for shit. Now, I can't wait till he has

0:34:51.440 --> 0:34:54.000
<v Speaker 2>to have a press conference where he's like, my penis

0:34:54.080 --> 0:35:00.000
<v Speaker 2>is totally normal, right, Yeah, completely normal, perfectly average. They report,

0:35:00.120 --> 0:35:01.680
<v Speaker 2>just have to ask questions about it.

0:35:01.760 --> 0:35:06.279
<v Speaker 1>What is average, sir? According to you? What I'm what

0:35:06.440 --> 0:35:08.000
<v Speaker 1>I'm Is it good?

0:35:08.200 --> 0:35:10.320
<v Speaker 2>Whatever? Good is? It's really good? Strong?

0:35:10.840 --> 0:35:14.239
<v Speaker 1>Well, now we know your eyes don't work. I am

0:35:14.320 --> 0:35:14.960
<v Speaker 1>five ten.

0:35:15.200 --> 0:35:18.239
<v Speaker 3>It's like, yeah, sure, sure, but I mean there is

0:35:18.280 --> 0:35:20.680
<v Speaker 3>something to say that he is being. He is more

0:35:20.800 --> 0:35:24.080
<v Speaker 3>and more visible and sort of he kind of gets

0:35:24.080 --> 0:35:26.839
<v Speaker 3>away with saying the really fucking out there shit too.

0:35:26.880 --> 0:35:29.840
<v Speaker 3>I mean, obviously none of them are being held to account,

0:35:30.120 --> 0:35:31.800
<v Speaker 3>but he's the one that really kind of pushes the

0:35:31.920 --> 0:35:34.640
<v Speaker 3>envelope further and further and further. Although it's funny when

0:35:34.640 --> 0:35:37.120
<v Speaker 3>he's pressed, like on CNN about being like, you guys

0:35:37.160 --> 0:35:41.000
<v Speaker 3>are just profiling people racially, he hasn't quite crossed the

0:35:41.080 --> 0:35:45.640
<v Speaker 3>rubicon into yeah, we are. He's like, that's that's absurd.

0:35:45.880 --> 0:35:49.160
<v Speaker 3>That's absurd. So there's still this like protect like this fake.

0:35:49.840 --> 0:35:52.560
<v Speaker 1>Sense of decency that he still tries to engage in

0:35:53.040 --> 0:35:57.480
<v Speaker 1>despite on his face being Ninja Corples. Yeah, all right.

0:35:57.680 --> 0:36:01.400
<v Speaker 4>Moving on to the Supreme Court, where they're currently hearing

0:36:01.600 --> 0:36:05.960
<v Speaker 4>arguments challenging a Colorado law banning the barbaric practice of

0:36:06.040 --> 0:36:12.560
<v Speaker 4>conversion therapy. The case began with Christian licensed counselor Kayleie Childs,

0:36:13.120 --> 0:36:19.200
<v Speaker 4>who's arguing Christian licensed Christian. Yeah, she's been licensed by

0:36:19.360 --> 0:36:24.960
<v Speaker 4>Christianity to counsel people and arguing that her First Amendment

0:36:25.160 --> 0:36:28.480
<v Speaker 4>rights are being violated. And she's like doing it as

0:36:28.520 --> 0:36:32.200
<v Speaker 4>a it's it's not that you're regulating my speech, You're

0:36:32.239 --> 0:36:36.960
<v Speaker 4>you're regulating professional conduct, Okay, and that is one thing

0:36:37.000 --> 0:36:39.400
<v Speaker 4>we can't abide because like that, that's the way in

0:36:39.600 --> 0:36:43.719
<v Speaker 4>is that. Sorry, steins don't have rights, but businesses do

0:36:44.120 --> 0:36:45.160
<v Speaker 4>in this country, and.

0:36:45.239 --> 0:36:46.920
<v Speaker 1>We can't allow that. Yeah.

0:36:47.000 --> 0:36:50.040
<v Speaker 3>Yeah, yeah, so she'd all because they're saying, yeah, you

0:36:50.080 --> 0:36:54.399
<v Speaker 3>can't torture people into into making them change who they are.

0:36:54.480 --> 0:36:57.560
<v Speaker 1>That's that's really what we're talking about here. But again, sure,

0:36:57.600 --> 0:37:02.000
<v Speaker 1>it's it's my First Amendment right to yes, counseled these children.

0:37:02.360 --> 0:37:05.879
<v Speaker 4>Yeah, And she's backed by the Alliance Defending Freedom, which

0:37:05.920 --> 0:37:11.399
<v Speaker 4>is a depocketed right wing legal advocacy organization that known

0:37:11.480 --> 0:37:15.360
<v Speaker 4>in some quarters as a hate group, by the Southern

0:37:15.360 --> 0:37:21.120
<v Speaker 4>Poverty Law Center, and yeah, the American Psychological Association calls

0:37:21.360 --> 0:37:26.040
<v Speaker 4>conversion therapy a huge danger, has compared it to torture

0:37:26.080 --> 0:37:28.959
<v Speaker 4>and says that it could cause depression, suicidal ideation, self

0:37:28.960 --> 0:37:32.680
<v Speaker 4>blind guilt, and loss of hope. Meanwhile, the Supreme Court

0:37:32.719 --> 0:37:39.240
<v Speaker 4>appears to be like ready to side with them.

0:37:38.880 --> 0:37:40.960
<v Speaker 1>With not the not the doctors.

0:37:41.400 --> 0:37:44.080
<v Speaker 3>No, no, I mean the last few dumb ass the

0:37:44.120 --> 0:37:46.839
<v Speaker 3>cases that the ADF has brought to the Supreme Court.

0:37:47.040 --> 0:37:49.439
<v Speaker 1>You know they've ended up winning, Like you know where

0:37:49.440 --> 0:37:50.320
<v Speaker 1>the woman's.

0:37:49.960 --> 0:37:52.279
<v Speaker 3>Like, I don't design websites, but I was asked to

0:37:52.320 --> 0:37:55.200
<v Speaker 3>design a website for a gay couple who is getting married,

0:37:55.280 --> 0:37:57.000
<v Speaker 3>and and I.

0:37:56.960 --> 0:37:59.520
<v Speaker 1>Couldn't say no. I have to be able to say no.

0:37:59.560 --> 0:38:02.200
<v Speaker 3>There's all like this is what their whole sort of

0:38:02.480 --> 0:38:07.759
<v Speaker 3>strategically he as a non website designer, just like this,

0:38:07.760 --> 0:38:12.760
<v Speaker 3>this idea that you can change a person through psychological

0:38:12.920 --> 0:38:16.480
<v Speaker 3>torture is so fucking backwards and I think speaks to

0:38:16.560 --> 0:38:20.120
<v Speaker 3>what how many just conservatives just look at things. It's like, well,

0:38:20.120 --> 0:38:22.080
<v Speaker 3>there's got to be a cure for that thing of

0:38:22.160 --> 0:38:24.839
<v Speaker 3>who you are as a person. Maybe if I use

0:38:24.920 --> 0:38:28.960
<v Speaker 3>covenant eyes, I won't be looking at weird porn because

0:38:28.960 --> 0:38:31.200
<v Speaker 3>I have this app on my phone. Or maybe if

0:38:31.200 --> 0:38:35.239
<v Speaker 3>I torture my child into denying who they are, they

0:38:35.280 --> 0:38:37.520
<v Speaker 3>can conform more to what I think I need them

0:38:37.560 --> 0:38:38.640
<v Speaker 3>to be et cetera, et cetera.

0:38:38.719 --> 0:38:42.600
<v Speaker 2>But yeah, then my husband won't be addicted to grinder

0:38:42.680 --> 0:38:45.439
<v Speaker 2>for all those terrible, despicable blowjobs all the time.

0:38:45.440 --> 0:38:50.279
<v Speaker 1>He's exactly. There's demonic, demonic fallacio things that he Oh god.

0:38:50.400 --> 0:38:53.640
<v Speaker 2>It's also like have these people only met eleven people

0:38:53.719 --> 0:38:57.360
<v Speaker 2>in their lives? Like how do you not befriend gay people?

0:38:57.440 --> 0:38:58.799
<v Speaker 2>You know what I mean? Like, how do you not

0:38:58.880 --> 0:39:01.279
<v Speaker 2>have somebody come across your path and a person who

0:39:01.320 --> 0:39:04.400
<v Speaker 2>is like kind and open hearted and also is gay.

0:39:04.680 --> 0:39:09.319
<v Speaker 4>Very carefully but very carefully charting your course and just

0:39:09.360 --> 0:39:13.280
<v Speaker 4>shutting out any fucking relationships. It's so bizarre.

0:39:13.920 --> 0:39:16.200
<v Speaker 2>And also just the question of like, okay, if it's

0:39:16.239 --> 0:39:22.879
<v Speaker 2>a choice, yeah, and what's your problem? Like that means

0:39:22.880 --> 0:39:25.640
<v Speaker 2>that you could choose to be gay. That's so interesting

0:39:25.680 --> 0:39:28.399
<v Speaker 2>because I don't feel like I can't, but your.

0:39:28.360 --> 0:39:32.480
<v Speaker 4>Small amount of electrostruck therapy, I can just force myself

0:39:32.640 --> 0:39:36.080
<v Speaker 4>to stop having those damned thoughts.

0:39:35.800 --> 0:39:38.520
<v Speaker 3>Because this is again like I'm pretty sure with this,

0:39:38.520 --> 0:39:41.719
<v Speaker 3>this isn't a case where like the there is an

0:39:41.760 --> 0:39:45.480
<v Speaker 3>actual victim, like where they can be like, oh, these

0:39:45.480 --> 0:39:49.520
<v Speaker 3>are under pro pro LGBTQ laws. Or something like, this

0:39:49.560 --> 0:39:51.480
<v Speaker 3>is the thing they did. Like even with the there

0:39:51.560 --> 0:39:54.000
<v Speaker 3>was like a football coach. They were pretend like they

0:39:54.040 --> 0:39:55.960
<v Speaker 3>made up to be like this guy was told he

0:39:55.960 --> 0:39:57.600
<v Speaker 3>couldn't pray, and they're.

0:39:57.480 --> 0:40:00.399
<v Speaker 2>Like for the for the and set.

0:40:00.520 --> 0:40:02.440
<v Speaker 3>Well they just I mean again, it's like always these

0:40:02.520 --> 0:40:04.880
<v Speaker 3>hypothetical things to sort of get ahead of it just

0:40:04.920 --> 0:40:06.279
<v Speaker 3>to be able to bring something in front of the

0:40:06.320 --> 0:40:07.279
<v Speaker 3>Supreme Court.

0:40:07.560 --> 0:40:11.440
<v Speaker 2>Right, which again shows white people's incredible ability to victimize themselves.

0:40:11.640 --> 0:40:14.719
<v Speaker 1>Yeah, oh yeah, they're so good at that. In mayonnaise,

0:40:14.800 --> 0:40:17.399
<v Speaker 1>we fucking oh yeah.

0:40:16.840 --> 0:40:19.200
<v Speaker 2>I can't get enough. Yeah, self pity and it's just

0:40:19.200 --> 0:40:21.719
<v Speaker 2>a slappy mayo samiyah to go.

0:40:22.160 --> 0:40:23.560
<v Speaker 3>I mean this is like a thing too, Like we're

0:40:23.600 --> 0:40:26.160
<v Speaker 3>even like one of the heads of one of like

0:40:26.200 --> 0:40:30.680
<v Speaker 3>the largest sort of quote unquote conversion therapy groups, Like

0:40:30.800 --> 0:40:34.280
<v Speaker 3>they cut ties with the president and the founder because

0:40:34.320 --> 0:40:37.480
<v Speaker 3>the guy was like, yeah, not one person has ever

0:40:37.520 --> 0:40:41.000
<v Speaker 3>become straight because of this, right, So it's.

0:40:40.840 --> 0:40:45.880
<v Speaker 4>Not the best batting average, so not we're we're working

0:40:45.920 --> 0:40:50.000
<v Speaker 4>with a not one person average, yeah, which I think

0:40:50.080 --> 0:40:53.000
<v Speaker 4>is a zero, which is a little bit below the

0:40:53.000 --> 0:40:57.239
<v Speaker 4>Mendoza ligne. But we're into harming people, so that's kind

0:40:57.239 --> 0:40:59.560
<v Speaker 4>of like what I mean we're here for.

0:40:59.560 --> 0:41:01.719
<v Speaker 3>Yeah, because this is all just part of the campaign,

0:41:02.160 --> 0:41:07.040
<v Speaker 3>you know, of to create just these out groups, and again,

0:41:07.080 --> 0:41:13.200
<v Speaker 3>when it's legal to psychologically torture a gay person, then yeah,

0:41:13.280 --> 0:41:16.040
<v Speaker 3>then we just have like this de facto discrimination against

0:41:16.080 --> 0:41:18.440
<v Speaker 3>LGBTQ people. And now, like with all the anti trains

0:41:18.480 --> 0:41:20.560
<v Speaker 3>shit going on, this is just like this is part

0:41:20.600 --> 0:41:22.759
<v Speaker 3>of the fucking movement to be like yeah it's and

0:41:22.800 --> 0:41:25.719
<v Speaker 3>that's okay, and that's normal, and shit, way too many

0:41:25.760 --> 0:41:27.879
<v Speaker 3>states already have like it's legal, and way too many

0:41:27.920 --> 0:41:29.560
<v Speaker 3>states as it is now.

0:41:29.600 --> 0:41:32.000
<v Speaker 2>That's what I'm saying. RuPaul's Dragrace. Man, it's so beaut

0:41:32.120 --> 0:41:35.080
<v Speaker 2>like like every third episode they really tell a story

0:41:35.160 --> 0:41:38.719
<v Speaker 2>about one of the queens and it's so beautiful and

0:41:38.840 --> 0:41:41.560
<v Speaker 2>like heart wrenching. I was just, Okay, this will make

0:41:41.640 --> 0:41:44.279
<v Speaker 2>sense in a second. Rip Jane Goodall, I was just

0:41:44.320 --> 0:41:46.400
<v Speaker 2>listening to this interview with her and she was talking

0:41:46.440 --> 0:41:48.719
<v Speaker 2>how she.

0:41:47.920 --> 0:41:48.600
<v Speaker 1>She did this.

0:41:48.880 --> 0:41:55.600
<v Speaker 2>She went and basically stopped scientists from practicing research on monkeys,

0:41:55.640 --> 0:41:57.640
<v Speaker 2>and the way she did it because she would go

0:41:57.640 --> 0:41:59.640
<v Speaker 2>there and see these apes who she loved in cages.

0:41:59.680 --> 0:42:03.280
<v Speaker 2>She would go there and tell them stories about monkeys

0:42:03.360 --> 0:42:06.719
<v Speaker 2>and show them footage of monkeys playing and like in

0:42:06.800 --> 0:42:09.400
<v Speaker 2>the you know, in the Amazon and like lasing around

0:42:09.400 --> 0:42:12.120
<v Speaker 2>and enjoying each other's company. And she was like, the

0:42:12.160 --> 0:42:16.040
<v Speaker 2>way you change people is by telling them stories. It's

0:42:16.080 --> 0:42:19.120
<v Speaker 2>not about being like bullied into changing your mind or

0:42:19.320 --> 0:42:23.480
<v Speaker 2>you need to change change, right. Yeah, projecting your bullshit

0:42:23.520 --> 0:42:26.480
<v Speaker 2>hate onto somebody who else is just absurd and says

0:42:26.520 --> 0:42:28.520
<v Speaker 2>so much more about these people than the people that

0:42:28.560 --> 0:42:32.600
<v Speaker 2>are trying to convert, who are fine, right, Yeah, So.

0:42:32.600 --> 0:42:35.400
<v Speaker 4>You harm people who represent something in your mind that

0:42:35.480 --> 0:42:38.960
<v Speaker 4>you are trying to fight with shame, and then you

0:42:39.440 --> 0:42:42.120
<v Speaker 4>use shame on them to make them feel the pain

0:42:42.160 --> 0:42:42.680
<v Speaker 4>you're feeling.

0:42:42.760 --> 0:42:43.560
<v Speaker 1>Flame.

0:42:44.120 --> 0:42:46.760
<v Speaker 3>But all these like you know, right wing conservatives always

0:42:46.760 --> 0:42:48.440
<v Speaker 3>talk about it is like there's like there isn't an

0:42:48.600 --> 0:42:52.000
<v Speaker 3>like the ability to shame people back into the closet

0:42:52.120 --> 0:42:54.560
<v Speaker 3>or whatever isn't as potent as it used to be,

0:42:54.640 --> 0:42:55.960
<v Speaker 3>and like that has to come back.

0:42:56.440 --> 0:42:59.160
<v Speaker 2>Yeah, all right, let's take a quick break and then

0:42:59.200 --> 0:43:01.839
<v Speaker 2>we'll come back and look at Barry Weiss's blog. And

0:43:02.000 --> 0:43:05.840
<v Speaker 2>somebody who seems to feel like too too little shame,

0:43:05.920 --> 0:43:07.520
<v Speaker 2>I would say, in some respect, she.

0:43:07.600 --> 0:43:08.560
<v Speaker 1>Will be right back.

0:43:18.840 --> 0:43:24.160
<v Speaker 4>And we're back, We're back. And so Barry Weiss is

0:43:24.480 --> 0:43:25.320
<v Speaker 4>the free Press?

0:43:26.120 --> 0:43:30.160
<v Speaker 3>Berry, are you doing that to fuck the like the disrespect,

0:43:31.239 --> 0:43:33.160
<v Speaker 3>but fuck you Barry Weiss.

0:43:33.520 --> 0:43:38.760
<v Speaker 4>Oh, it's not like Barry Pepper, Bari Weiss's free Press,

0:43:39.160 --> 0:43:42.520
<v Speaker 4>which is like the blog she started after she left

0:43:42.560 --> 0:43:45.439
<v Speaker 4>the New York Times because they like were too woke

0:43:45.520 --> 0:43:49.680
<v Speaker 4>for her allegedly, and it's it's got.

0:43:49.520 --> 0:43:52.640
<v Speaker 1>Some I don't know, I haven't like paid that much attention.

0:43:52.760 --> 0:43:54.120
<v Speaker 1>Like every once in a while people be like, look

0:43:54.120 --> 0:43:55.960
<v Speaker 1>at the wild ship that they're saying over there.

0:43:56.120 --> 0:43:59.920
<v Speaker 4>But the guys at Choppo just pulled out an article

0:44:00.320 --> 0:44:04.600
<v Speaker 4>from this in relation to that Tillie Norwood story that

0:44:04.600 --> 0:44:05.920
<v Speaker 4>we've been talking about.

0:44:06.239 --> 0:44:06.880
<v Speaker 1>This is an.

0:44:06.760 --> 0:44:11.000
<v Speaker 4>AI actor, like a fake AI actress, and they've created

0:44:11.040 --> 0:44:15.280
<v Speaker 4>a fake story around it where there's like fake interest

0:44:15.320 --> 0:44:17.920
<v Speaker 4>from Hollywood in her and like they're like she's gonna

0:44:18.280 --> 0:44:21.399
<v Speaker 4>get signed by a talent agency and this is all

0:44:21.440 --> 0:44:24.520
<v Speaker 4>being like perpetuated by somebody who is starting a talent

0:44:24.560 --> 0:44:31.239
<v Speaker 4>agency for AI talent. So anyways, the article, this is

0:44:31.280 --> 0:44:36.520
<v Speaker 4>an article where I guess it's an op edge from somebody.

0:44:36.200 --> 0:44:42.799
<v Speaker 9>Named Taylor cow Taylor Cowen, Yeah, and it's it's a

0:44:42.960 --> 0:44:47.480
<v Speaker 9>very standard form of like conservative op ed piece where

0:44:47.480 --> 0:44:50.719
<v Speaker 9>he's lamenting the state of film and how we don't

0:44:50.719 --> 0:44:52.319
<v Speaker 9>make movies like Barry.

0:44:52.080 --> 0:44:59.520
<v Speaker 4>Linden anymore, a movie that is a movie that's mainly

0:44:59.600 --> 0:45:06.680
<v Speaker 4>known for having been shot on only candlelight. So like

0:45:06.840 --> 0:45:13.600
<v Speaker 4>it's specifically like a thing about a artist's vision that

0:45:13.640 --> 0:45:16.160
<v Speaker 4>they were like, I'm going to do something very challenging.

0:45:16.360 --> 0:45:19.680
<v Speaker 4>I've only lit this using candle light, like to lit

0:45:19.719 --> 0:45:21.880
<v Speaker 4>it only using like the things that were available to

0:45:21.880 --> 0:45:24.520
<v Speaker 4>the people at the time he puts heat. So in

0:45:24.560 --> 0:45:29.520
<v Speaker 4>that context, he somehow gets excited about the technology of

0:45:29.560 --> 0:45:35.960
<v Speaker 4>AI actresses because and I'm just gonna read the subpet,

0:45:36.440 --> 0:45:38.880
<v Speaker 4>all right, So the title is my favorite actress is

0:45:38.920 --> 0:45:39.480
<v Speaker 4>not human.

0:45:39.680 --> 0:45:42.680
<v Speaker 3>That's already such a red flag. This is already your

0:45:42.719 --> 0:45:44.080
<v Speaker 3>favorite actress.

0:45:43.840 --> 0:45:47.359
<v Speaker 1>Because she's only been in like two minutes worth of

0:45:47.400 --> 0:45:51.319
<v Speaker 1>clips and just to he doesn't know anything, as we

0:45:51.400 --> 0:45:52.200
<v Speaker 1>pointed out.

0:45:52.000 --> 0:45:55.960
<v Speaker 4>Like Tillie, nor would if you haven't seen her, like

0:45:56.280 --> 0:45:59.640
<v Speaker 4>some one of the first tweets to somebody that I

0:45:59.640 --> 0:46:02.160
<v Speaker 4>saw as nobody make about her that was like, of course,

0:46:02.280 --> 0:46:05.560
<v Speaker 4>like the first AI actress they make as a teen girl,

0:46:05.840 --> 0:46:08.600
<v Speaker 4>because it's like then you can control her and make

0:46:08.640 --> 0:46:12.279
<v Speaker 4>you do, make her do whatever you want. Anyways, the

0:46:12.320 --> 0:46:17.480
<v Speaker 4>subhead Tillie Norwood doesn't need a hairstylist, has no regrettable posts.

0:46:17.680 --> 0:46:20.480
<v Speaker 4>And if you wish to see a virgin on screen,

0:46:21.080 --> 0:46:23.000
<v Speaker 4>this is one of your better chances.

0:46:23.680 --> 0:46:29.640
<v Speaker 3>That's because she's AI at FBI tag.

0:46:32.040 --> 0:46:39.000
<v Speaker 1>Fuck what you wish to see a virgin on screen?

0:46:40.800 --> 0:46:42.440
<v Speaker 1>Who is watching.

0:46:42.040 --> 0:46:46.920
<v Speaker 4>Movies with the like evaluating the performance of an actor

0:46:47.640 --> 0:46:49.520
<v Speaker 4>based on like what.

0:46:49.840 --> 0:46:52.200
<v Speaker 1>They like, whether they've had sex?

0:46:52.719 --> 0:46:54.640
<v Speaker 2>Yeah, I love how much these dudes hate it when

0:46:54.680 --> 0:46:55.440
<v Speaker 2>women have sex.

0:46:55.800 --> 0:46:59.000
<v Speaker 3>Oh my, I remember when there used to be virgins

0:46:59.040 --> 0:47:02.680
<v Speaker 3>on screen, Like what when I'd watch Mickey mouse Club or.

0:47:02.640 --> 0:47:05.200
<v Speaker 1>Something like what are you saying? Dude?

0:47:06.600 --> 0:47:08.760
<v Speaker 2>They never at six? So anybody they've never been touched?

0:47:09.320 --> 0:47:09.480
<v Speaker 4>Jack?

0:47:09.520 --> 0:47:12.200
<v Speaker 1>Did you subscribe to the Free Press to read the rest?

0:47:12.680 --> 0:47:14.520
<v Speaker 4>So I couldn't read the rest of the article because

0:47:14.560 --> 0:47:16.400
<v Speaker 4>I will not be giving them their mind. I looked

0:47:16.400 --> 0:47:18.319
<v Speaker 4>on the way back Machine to try and find like

0:47:18.360 --> 0:47:21.400
<v Speaker 4>a cash version, but they even the way back machine,

0:47:21.440 --> 0:47:23.520
<v Speaker 4>like couldn't find a cash like. I don't think anybody

0:47:23.840 --> 0:47:24.600
<v Speaker 4>want to watch the list?

0:47:24.719 --> 0:47:26.680
<v Speaker 1>They're like, you want to read this for real? What

0:47:26.920 --> 0:47:28.239
<v Speaker 1>it truly feels like a.

0:47:28.160 --> 0:47:32.400
<v Speaker 4>Confession to a crime, and it's just treated by this

0:47:32.480 --> 0:47:37.960
<v Speaker 4>and apparently incredibly valuable media outlet as like just normal

0:47:38.120 --> 0:47:39.719
<v Speaker 4>media criticism.

0:47:40.040 --> 0:47:41.799
<v Speaker 3>But it's I mean, it's wild that she got one

0:47:41.880 --> 0:47:45.200
<v Speaker 3>hundred and fifty million dollars payout basically from Larry Ellison,

0:47:45.760 --> 0:47:49.040
<v Speaker 3>Like just that grift, isn't It's just fucking next level.

0:47:49.120 --> 0:47:51.120
<v Speaker 3>It's like you're like, the New York Times is too

0:47:51.239 --> 0:47:53.760
<v Speaker 3>woke for my backwards ask like the New York Times

0:47:53.800 --> 0:47:56.759
<v Speaker 3>really okay, go on New York Times and they're like,

0:47:56.800 --> 0:47:59.440
<v Speaker 3>I'm starting this whole new thing and a university to

0:47:59.520 --> 0:48:01.080
<v Speaker 3>teach people. And then you end up with one hundred

0:48:01.080 --> 0:48:03.360
<v Speaker 3>and fifty million dollars and now you're running CBS News,

0:48:04.120 --> 0:48:06.560
<v Speaker 3>so you can probably maybe give this guy more airtime hopefully.

0:48:06.680 --> 0:48:08.680
<v Speaker 2>Yeah, and then maybe they will make all that you

0:48:09.239 --> 0:48:12.239
<v Speaker 2>requirement for being a successful actor will be be being

0:48:12.280 --> 0:48:13.920
<v Speaker 2>a virgin, which should be great because then it'll just

0:48:13.960 --> 0:48:18.080
<v Speaker 2>be like clumsy, awkward, sweaty goofballs read.

0:48:17.920 --> 0:48:21.960
<v Speaker 4>Lines right right right, just goes back to Yeah, it's

0:48:22.000 --> 0:48:27.440
<v Speaker 4>all like thirty something men who are like just awkward

0:48:27.520 --> 0:48:29.080
<v Speaker 4>and like with with wigs.

0:48:28.760 --> 0:48:29.440
<v Speaker 1>On and stuff.

0:48:29.520 --> 0:48:31.560
<v Speaker 2>Yeah, yeah, and it's not like there you know, if

0:48:31.560 --> 0:48:34.279
<v Speaker 2>this dude was a sexual great, that's cool.

0:48:34.680 --> 0:48:37.160
<v Speaker 1>Yeah, what is he talking about it?

0:48:38.680 --> 0:48:41.040
<v Speaker 4>I think we all know that we've longed to see

0:48:41.040 --> 0:48:45.160
<v Speaker 4>an actor on screen who's a virgin, right, Like.

0:48:45.080 --> 0:48:48.280
<v Speaker 1>That's that's something like it just opens, like it opens

0:48:48.360 --> 0:48:50.720
<v Speaker 1>it starts from there. Mm hmmm.

0:48:51.000 --> 0:48:54.080
<v Speaker 4>Yeah, he is by the way that like the picture

0:48:54.120 --> 0:48:57.480
<v Speaker 4>of him, he looks to be what mid sixties.

0:48:57.239 --> 0:49:02.960
<v Speaker 3>This guy mid mid sixteen hundreds probably like he looks

0:49:03.080 --> 0:49:05.520
<v Speaker 3>like shit and he looks like he I mean, this

0:49:05.560 --> 0:49:07.600
<v Speaker 3>is the thing with the Tilly Norwood stuff when it

0:49:07.640 --> 0:49:09.680
<v Speaker 3>first came out, like the people who were so into

0:49:09.719 --> 0:49:12.560
<v Speaker 3>it was this idea like it became this like.

0:49:12.960 --> 0:49:16.560
<v Speaker 8>Oh, I love virtual girl puppet for my pleasure and

0:49:16.600 --> 0:49:19.000
<v Speaker 8>I make it do what as I please, and it's

0:49:19.200 --> 0:49:23.120
<v Speaker 8>perfect and it's in my vision. And for whatever reason,

0:49:23.120 --> 0:49:24.440
<v Speaker 8>this Tyler Cowan guy is.

0:49:24.520 --> 0:49:29.120
<v Speaker 3>Like and it's a virgin, and you're like Jesus fucking Christ,

0:49:29.160 --> 0:49:31.840
<v Speaker 3>like there's something this is so much deeper than fucking AI.

0:49:32.120 --> 0:49:35.560
<v Speaker 3>People with this idea of like, well, if I can't

0:49:35.600 --> 0:49:38.880
<v Speaker 3>control women physically and in real life, in physical space,

0:49:38.920 --> 0:49:40.840
<v Speaker 3>then the next best thing are these like sort of

0:49:41.360 --> 0:49:46.120
<v Speaker 3>algorithmic creations that still activate my senses as if.

0:49:45.960 --> 0:49:48.000
<v Speaker 1>It's a woman and I control it now.

0:49:48.719 --> 0:49:51.880
<v Speaker 2>Yeah, yeah, it's totally. It's totally being afraid of women,

0:49:52.120 --> 0:49:55.160
<v Speaker 2>which I you know, I get women are scary, they're

0:49:55.200 --> 0:49:57.640
<v Speaker 2>they're beautiful and they can hurt you.

0:49:57.680 --> 0:49:59.560
<v Speaker 1>Do that bit from you that do that section from

0:49:59.560 --> 0:50:00.360
<v Speaker 1>your stand up special.

0:50:00.760 --> 0:50:03.720
<v Speaker 2>Yeah, so I've never farted. I've never play.

0:50:03.600 --> 0:50:09.600
<v Speaker 4>No no, no, no, no, no, never farted. All right, should

0:50:09.600 --> 0:50:11.080
<v Speaker 4>we talk about hip hop miles?

0:50:11.239 --> 0:50:14.239
<v Speaker 1>Yeah? Should we get into some old head ship here.

0:50:15.080 --> 0:50:19.120
<v Speaker 3>Look, I know this sounds old, like some old head shit,

0:50:19.800 --> 0:50:24.240
<v Speaker 3>but the data is backing up this old head take sure,

0:50:24.320 --> 0:50:27.960
<v Speaker 3>which I need, Okay, because I also need that None

0:50:28.000 --> 0:50:30.560
<v Speaker 3>of my beliefs are being reinforced in reality right now

0:50:30.600 --> 0:50:33.240
<v Speaker 3>for some reason, none of my values. But yeah, eleven

0:50:33.320 --> 0:50:36.760
<v Speaker 3>years ago, like fifty on Snoops, like you know YouTube

0:50:36.800 --> 0:50:39.160
<v Speaker 3>live show where he just like they just gets incredibly

0:50:39.280 --> 0:50:42.120
<v Speaker 3>high and then just like ramble about shit, where at

0:50:42.120 --> 0:50:45.200
<v Speaker 3>the time they were both like, man, nothing sounds like different.

0:50:45.320 --> 0:50:48.000
<v Speaker 3>Back when I was coming up, everyone had their own style,

0:50:48.120 --> 0:50:51.440
<v Speaker 3>there was their own sound, and now everything sounds the same,

0:50:51.680 --> 0:50:55.359
<v Speaker 3>which again felt at that time especially just felt like

0:50:55.400 --> 0:50:58.239
<v Speaker 3>an old head comment about the sort of new state

0:50:58.280 --> 0:51:00.840
<v Speaker 3>of rap. But a new study like analyze some of

0:51:00.880 --> 0:51:03.520
<v Speaker 3>the top songs over like a ten year period, and

0:51:03.560 --> 0:51:07.520
<v Speaker 3>the data does show like a creative homogenization that has

0:51:07.560 --> 0:51:10.200
<v Speaker 3>like occurred. And I don't think it's because of because

0:51:10.360 --> 0:51:13.400
<v Speaker 3>rap is just like like lost its way. It's because

0:51:13.440 --> 0:51:19.399
<v Speaker 3>fucking algorithms are incentivizing this sort of creative conformity as

0:51:19.440 --> 0:51:23.520
<v Speaker 3>a way to access audiences. So this was I believe

0:51:23.560 --> 0:51:26.200
<v Speaker 3>these French researchers shout out the French, you know, for

0:51:26.280 --> 0:51:29.000
<v Speaker 3>taking the art seriously. They were looking at so like

0:51:29.040 --> 0:51:32.480
<v Speaker 3>there's a playlist on Spotify called rap Caviar, yeah, which

0:51:32.520 --> 0:51:34.440
<v Speaker 3>is like where all the new shit drops. And if

0:51:34.440 --> 0:51:37.040
<v Speaker 3>you're like an up and coming artist, like your mission

0:51:37.120 --> 0:51:39.560
<v Speaker 3>in life is to get on rap Caviar because that's

0:51:39.600 --> 0:51:42.200
<v Speaker 3>how you begin to sort of enter the mainstream. And

0:51:42.239 --> 0:51:44.080
<v Speaker 3>so they looked at like just sort of the hits

0:51:44.080 --> 0:51:47.000
<v Speaker 3>on rap Caviar over like a course of ten years

0:51:47.040 --> 0:51:49.799
<v Speaker 3>and just analyzed it. And so they said, contemporary hip

0:51:49.840 --> 0:51:52.640
<v Speaker 3>hop songs are sixty percent more similar in their word

0:51:52.719 --> 0:51:56.640
<v Speaker 3>usage than tracks from two decades ago. Nearly ninety percent

0:51:56.800 --> 0:51:58.960
<v Speaker 3>used the same drum kit, meaning the eight to zho

0:51:58.960 --> 0:52:01.640
<v Speaker 3>eight drum kit, which you know it was like originally

0:52:01.640 --> 0:52:03.920
<v Speaker 3>like a trap thing and then now just became like

0:52:04.040 --> 0:52:08.160
<v Speaker 3>the standard is everything's eight h eight drums Now specifically,

0:52:08.640 --> 0:52:12.880
<v Speaker 3>forty three of fifty songs follow one of two nearly

0:52:12.960 --> 0:52:17.840
<v Speaker 3>identical drum patterns, like down to the rhythms, Like it's

0:52:17.880 --> 0:52:20.879
<v Speaker 3>like forty three of fifty are doing one of two

0:52:21.400 --> 0:52:25.400
<v Speaker 3>drum patterns. And song duration has also changed, so again,

0:52:25.520 --> 0:52:28.160
<v Speaker 3>like it's this is all kind of talking about, like

0:52:28.280 --> 0:52:30.719
<v Speaker 3>the samp. The art of sampling's gone too, Like that

0:52:30.880 --> 0:52:33.040
<v Speaker 3>was a thing in the golden era of hip hop,

0:52:33.080 --> 0:52:35.520
<v Speaker 3>Like you needed people like DJ Premier, who's like a

0:52:35.640 --> 0:52:39.600
<v Speaker 3>jazz freak genius fan of jazz, to pull all these

0:52:39.680 --> 0:52:43.360
<v Speaker 3>samples to give you all these iconic instrumentals because it

0:52:43.360 --> 0:52:46.359
<v Speaker 3>came from somebody who's like interacting with older work. Now

0:52:46.360 --> 0:52:50.520
<v Speaker 3>they're saying, rather than doing samples, producers are doing interpolations

0:52:50.920 --> 0:52:53.560
<v Speaker 3>to pay like sort of less money than directly sampling,

0:52:54.320 --> 0:52:58.400
<v Speaker 3>and that has that has increased like exponentially over the years,

0:52:58.880 --> 0:53:01.200
<v Speaker 3>and now it's even changed the business of like publishing,

0:53:01.200 --> 0:53:03.360
<v Speaker 3>where people are just trying to buy up whole catalogs

0:53:03.400 --> 0:53:06.120
<v Speaker 3>to try and get like that sampling or interpolation money

0:53:06.160 --> 0:53:08.960
<v Speaker 3>that's out there, but again pointing out all these different

0:53:09.040 --> 0:53:13.040
<v Speaker 3>artists who are using just interpolations of existing songs or

0:53:13.040 --> 0:53:15.359
<v Speaker 3>even hip hop songs from ten years ago to sort

0:53:15.360 --> 0:53:17.160
<v Speaker 3>of get on the charts. And they say this is

0:53:17.200 --> 0:53:20.960
<v Speaker 3>all because of Spotify's use of playlists, and that's affecting

0:53:21.000 --> 0:53:24.120
<v Speaker 3>things like run time for songs, Like their songs are

0:53:24.160 --> 0:53:26.400
<v Speaker 3>like a minute and ten seconds shorter than they used.

0:53:26.239 --> 0:53:27.560
<v Speaker 1>To be like twelve years ago.

0:53:28.040 --> 0:53:32.799
<v Speaker 3>And because Spotify doesn't count a song as like a

0:53:32.840 --> 0:53:35.960
<v Speaker 3>listen until you've listened to thirty seconds, it also incentivizes

0:53:36.040 --> 0:53:40.000
<v Speaker 3>producers to put like the hook earlier to get like

0:53:40.040 --> 0:53:42.680
<v Speaker 3>the catchy part going to sort of be like okay,

0:53:42.680 --> 0:53:44.080
<v Speaker 3>we need them to get that thirty seconds.

0:53:44.080 --> 0:53:47.160
<v Speaker 1>Like it's all just being sort of gamified in this.

0:53:47.000 --> 0:53:52.520
<v Speaker 4>Is rap caviar a like a editorially like selected choice

0:53:52.560 --> 0:53:54.960
<v Speaker 4>of songs or is it based on like plays and

0:53:55.000 --> 0:53:55.920
<v Speaker 4>like how popular something.

0:53:56.000 --> 0:53:56.799
<v Speaker 1>It's a little bit of both.

0:53:56.800 --> 0:54:00.000
<v Speaker 3>I mean, they have editors at Spotify who are like

0:54:00.200 --> 0:54:02.279
<v Speaker 3>gonna put stuff in there, but they're also looking at

0:54:02.360 --> 0:54:05.440
<v Speaker 3>data too, and so it's like a combination of too.

0:54:05.520 --> 0:54:07.120
<v Speaker 3>Because I feel like in La for like the last

0:54:07.160 --> 0:54:09.040
<v Speaker 3>couple of years, like all I hear is gonna on

0:54:09.080 --> 0:54:12.600
<v Speaker 3>the radio, right, and like and I in working in radio.

0:54:12.680 --> 0:54:14.680
<v Speaker 3>I remember at the time when I worked at Power

0:54:14.680 --> 0:54:16.919
<v Speaker 3>one those six I was like what the fuck because

0:54:16.960 --> 0:54:19.120
<v Speaker 3>I remember just being there and asking someone like, how

0:54:19.120 --> 0:54:22.600
<v Speaker 3>come we're only playing the same fucking ten songs right,

0:54:22.680 --> 0:54:25.160
<v Speaker 3>because like, you know, the musical directors like a DJ,

0:54:25.400 --> 0:54:27.440
<v Speaker 3>so like you know, we both like music.

0:54:27.440 --> 0:54:29.239
<v Speaker 1>I'm like, but how come you can't play like other shit?

0:54:29.280 --> 0:54:31.200
<v Speaker 3>He's like, man, it's just because the way the ratings work,

0:54:31.640 --> 0:54:34.880
<v Speaker 3>if someone has like a PPM, like a personal like

0:54:35.000 --> 0:54:37.560
<v Speaker 3>listening meter device that the use for like Nielsen ratings,

0:54:38.080 --> 0:54:40.680
<v Speaker 3>they they need to count on it being something that

0:54:40.719 --> 0:54:43.040
<v Speaker 3>a person's gonna stay on the radio, So they keep

0:54:43.040 --> 0:54:45.640
<v Speaker 3>playing the hits just to keep someone there because they

0:54:45.640 --> 0:54:47.440
<v Speaker 3>need it for the ratings. It's not even for the

0:54:47.520 --> 0:54:50.319
<v Speaker 3>quality of the listen for the other people. It's in

0:54:50.360 --> 0:54:53.160
<v Speaker 3>case someone has one of these personal listening meters on

0:54:53.640 --> 0:54:55.640
<v Speaker 3>and that counts for them as someone tuning into the

0:54:55.719 --> 0:54:56.360
<v Speaker 3>radio station.

0:54:57.080 --> 0:54:59.439
<v Speaker 1>So it's based on it just sounds.

0:54:59.440 --> 0:55:02.640
<v Speaker 4>I'm trying to get sense of, like how this winnowing

0:55:02.719 --> 0:55:05.680
<v Speaker 4>down is being done, right, It sounds like there are

0:55:05.840 --> 0:55:10.520
<v Speaker 4>people who are doing analysis with the algorithms to like

0:55:11.080 --> 0:55:14.040
<v Speaker 4>kind of put a certain set of songs in front

0:55:14.080 --> 0:55:17.480
<v Speaker 4>of people that are then further winnowed down by like

0:55:17.480 --> 0:55:23.640
<v Speaker 4>people's preferences and and then the algorithms interaction with people's preferences. Yeah,

0:55:23.640 --> 0:55:27.200
<v Speaker 4>so it's just it homogenizes things, like because it's just

0:55:27.239 --> 0:55:31.000
<v Speaker 4>going through all these levels of like anticipation based on

0:55:31.160 --> 0:55:34.440
<v Speaker 4>previous artwork of what people are going to like, as

0:55:34.440 --> 0:55:38.400
<v Speaker 4>opposed to like, movies are still this art form where

0:55:38.440 --> 0:55:41.160
<v Speaker 4>like there's a lot of bullshit out there, but at

0:55:41.239 --> 0:55:43.839
<v Speaker 4>least like you still sometimes get a thing that is like,

0:55:43.960 --> 0:55:47.040
<v Speaker 4>well that is like an idea, a vision for something

0:55:47.040 --> 0:55:49.799
<v Speaker 4>that was inside someone's head and then it like came out.

0:55:50.520 --> 0:55:53.560
<v Speaker 2>But there's still there's still plenty of in this keeping

0:55:53.560 --> 0:55:55.560
<v Speaker 2>that analogy with movies, There's still plenty of good hip

0:55:55.600 --> 0:55:56.719
<v Speaker 2>hop and there always has been.

0:55:56.680 --> 0:56:00.480
<v Speaker 1>Right, It's just like what is the hits? Is the question?

0:56:00.880 --> 0:56:03.680
<v Speaker 2>And dude, Young Young Thudd just had those phone calls

0:56:03.719 --> 0:56:06.160
<v Speaker 2>released where he admitted to paying fifty grand to get

0:56:06.200 --> 0:56:08.759
<v Speaker 2>bodies for the Gun album, Right, so it's like all

0:56:08.800 --> 0:56:11.240
<v Speaker 2>that stuff starting to get exposed. Is the payola issue

0:56:11.239 --> 0:56:12.160
<v Speaker 2>that it is well.

0:56:12.160 --> 0:56:13.879
<v Speaker 3>And I think the other part too, is like it's

0:56:13.880 --> 0:56:17.400
<v Speaker 3>Spotify's model, right, Like they want they want binge ability

0:56:17.600 --> 0:56:19.600
<v Speaker 3>so they have more people using it. So then like

0:56:19.640 --> 0:56:21.840
<v Speaker 3>if you're if you're like on the ad supported version,

0:56:21.880 --> 0:56:23.959
<v Speaker 3>they can show advertisers like this is how many people

0:56:23.960 --> 0:56:26.480
<v Speaker 3>still engage with our platform. But they want it to

0:56:26.640 --> 0:56:31.040
<v Speaker 3>keep basically keep people from skipping songs. So like the

0:56:31.560 --> 0:56:34.360
<v Speaker 3>same thing with discovery. It's easy to passively discover a

0:56:34.400 --> 0:56:37.040
<v Speaker 3>thing if you're using like smart shuffle, which is going

0:56:37.120 --> 0:56:38.759
<v Speaker 3>to suggest things to you, like, well, I don't want

0:56:38.800 --> 0:56:40.439
<v Speaker 3>to listen to the same album, but I am listening

0:56:40.440 --> 0:56:42.120
<v Speaker 3>to this one track and now let me put smart

0:56:42.120 --> 0:56:46.080
<v Speaker 3>Shuffle on. And now you're saying, algorithm feed me and need.

0:56:46.000 --> 0:56:49.520
<v Speaker 1>Me things that are structurally similar to this exactly, yeah,

0:56:49.760 --> 0:56:51.960
<v Speaker 1>and then decentivizes experimentation.

0:56:53.080 --> 0:56:54.680
<v Speaker 3>And I think that that that's why, like I think

0:56:54.800 --> 0:56:56.799
<v Speaker 3>a lot of the artists that do really well now

0:56:57.000 --> 0:57:00.640
<v Speaker 3>like are somewhat different and they don't get lost in

0:57:00.680 --> 0:57:02.520
<v Speaker 3>the sea of like eight oh eights and auto tunes

0:57:02.520 --> 0:57:05.080
<v Speaker 3>and like I like that shit too, but knowing too,

0:57:05.120 --> 0:57:07.920
<v Speaker 3>I know other people who are musicians and also talk

0:57:07.960 --> 0:57:09.360
<v Speaker 3>about they're like, bro, I have to get on this

0:57:09.440 --> 0:57:12.200
<v Speaker 3>Spotify list, Like it's just yeah, the shit is so

0:57:12.400 --> 0:57:13.440
<v Speaker 3>fucking different now.

0:57:13.480 --> 0:57:16.040
<v Speaker 1>It's like, that's the way I'm gonna get even discovered.

0:57:16.080 --> 0:57:18.960
<v Speaker 3>That's why I'm doing a song that even sounds like this.

0:57:18.960 --> 0:57:21.760
<v Speaker 3>This is a quote from someone who was of like

0:57:21.800 --> 0:57:25.080
<v Speaker 3>an Inner Scope and an M Records basically compared quote

0:57:25.120 --> 0:57:27.480
<v Speaker 3>the Power to New York's Hot ninety seven radio station

0:57:27.520 --> 0:57:29.880
<v Speaker 3>in the nineties. Quote, a song goes in rap caviar

0:57:30.080 --> 0:57:32.600
<v Speaker 3>and everyone pays attention. But landing a spot on rap

0:57:32.600 --> 0:57:36.400
<v Speaker 3>caviar requires conforming to certain sonic standards. Songs must blend

0:57:36.400 --> 0:57:41.000
<v Speaker 3>seamlessly into hours long listening sessions. So again there's this

0:57:41.120 --> 0:57:43.920
<v Speaker 3>incentive to be like, well, if you can kind of

0:57:44.600 --> 0:57:48.520
<v Speaker 3>be vibrationally with what's going on here, that's how you're

0:57:48.520 --> 0:57:51.600
<v Speaker 3>going to get it now, old heads, old heads.

0:57:51.440 --> 0:57:52.920
<v Speaker 1>You know, we're still taking through cricks, you know what

0:57:53.000 --> 0:57:55.600
<v Speaker 1>I mean. I'm still trying to unearth new gems. But

0:57:55.680 --> 0:57:56.919
<v Speaker 1>I totally get though too.

0:57:57.280 --> 0:57:59.960
<v Speaker 3>How when I listen to like a curated or algorithmic

0:58:00.320 --> 0:58:02.360
<v Speaker 3>like you might like this track based on what or

0:58:02.400 --> 0:58:05.360
<v Speaker 3>this playlist based on the song you're playing, it's sort

0:58:05.360 --> 0:58:08.600
<v Speaker 3>of it's not always like what I'm looking for, and

0:58:08.640 --> 0:58:11.000
<v Speaker 3>it also ends up like They also in their analysis

0:58:11.000 --> 0:58:15.200
<v Speaker 3>said that the content lyrically is also changing, like there's

0:58:15.280 --> 0:58:16.240
<v Speaker 3>less storytelling.

0:58:16.680 --> 0:58:25.280
<v Speaker 4>Yeah, empirically lyrically miraclely less miraclely, Yes, sir, I do

0:58:26.040 --> 0:58:29.360
<v Speaker 4>have to. I keep telling you that those crazy treading

0:58:29.480 --> 0:58:30.960
<v Speaker 4>through are just old milk bottles.

0:58:31.240 --> 0:58:34.040
<v Speaker 1>I don't know, man, They're terrible. They smell.

0:58:34.200 --> 0:58:37.040
<v Speaker 2>It's just Steely Dan records.

0:58:38.560 --> 0:58:40.240
<v Speaker 1>But I love it.

0:58:40.280 --> 0:58:42.680
<v Speaker 2>No, but it's it's I don't know, man. I grew

0:58:42.760 --> 0:58:45.000
<v Speaker 2>up love loving hip hop. I still do. And uh,

0:58:45.120 --> 0:58:48.280
<v Speaker 2>it really is a fascinating thing to watch it. Everything

0:58:48.320 --> 0:58:52.400
<v Speaker 2>go from like day Lessel Pete, Rock Steale, smooth Public

0:58:52.520 --> 0:58:55.440
<v Speaker 2>Enemy nw A to you know what I mean to

0:58:55.600 --> 0:58:59.480
<v Speaker 2>now what it's become, to the separation between like overground

0:58:59.480 --> 0:59:01.960
<v Speaker 2>and underground that is so distinct. And that's why Kendrick

0:59:02.040 --> 0:59:05.400
<v Speaker 2>Lamar is so fascinating because he's he so brilliantly walks

0:59:05.440 --> 0:59:08.000
<v Speaker 2>that line. And I love the heat the way he

0:59:08.080 --> 0:59:10.680
<v Speaker 2>uses like mystery. He's not like chasing the algorithm. He

0:59:10.800 --> 0:59:14.720
<v Speaker 2>just like yeah, yeah exactly, and then watch the party

0:59:14.760 --> 0:59:17.320
<v Speaker 2>die seems to predict what's happened, what has happened and

0:59:17.520 --> 0:59:20.600
<v Speaker 2>is happening in Atlanta. Like it's a really fat he's

0:59:20.600 --> 0:59:22.400
<v Speaker 2>like John Henry to me or something, you know what

0:59:22.440 --> 0:59:25.880
<v Speaker 2>I mean, Like he's and and dude, the new JID

0:59:25.920 --> 0:59:28.760
<v Speaker 2>record is really great. Yeah, I mean, like that's the thing.

0:59:28.920 --> 0:59:30.360
<v Speaker 2>Like there's a lot of good young rappers.

0:59:30.360 --> 0:59:32.640
<v Speaker 1>There's so many good rappers. But I think that's the thing.

0:59:32.680 --> 0:59:36.040
<v Speaker 3>I think the harm is that we've totally we've seated

0:59:36.280 --> 0:59:39.440
<v Speaker 3>our ability to discover new music to an algorithm, and

0:59:39.480 --> 0:59:42.880
<v Speaker 3>we're become passive and and like you know, like his

0:59:43.080 --> 0:59:44.840
<v Speaker 3>radio isn't gonna You're not You're not always going to

0:59:44.880 --> 0:59:47.680
<v Speaker 3>hear some shit they're like, oh wait, what was that that?

0:59:47.920 --> 0:59:51.080
<v Speaker 2>Because again and that that is so magical, Like the

0:59:51.080 --> 0:59:53.920
<v Speaker 2>first time I had heard they reminisce over you on

0:59:54.080 --> 0:59:59.200
<v Speaker 2>the radio is like a cosmic trip. Like there's nothing

0:59:59.280 --> 1:00:02.160
<v Speaker 2>like hearing something brand new that's also beautiful, you know.

1:00:02.240 --> 1:00:04.240
<v Speaker 2>So that's like a loss. That's kind of a lot.

1:00:04.280 --> 1:00:06.920
<v Speaker 2>And two, of course, it's separating everything into like the

1:00:06.960 --> 1:00:10.200
<v Speaker 2>one percent and everything else, like that's what capitalism ultimately

1:00:10.280 --> 1:00:11.280
<v Speaker 2>is designed to do.

1:00:11.760 --> 1:00:13.680
<v Speaker 3>Other thing, just as like a music nerd, that was

1:00:13.720 --> 1:00:16.080
<v Speaker 3>really jarring to me in this analysis was that like

1:00:16.160 --> 1:00:20.560
<v Speaker 3>basically everything is being quantized now like nothing. And quantization

1:00:20.720 --> 1:00:23.200
<v Speaker 3>is how like when if you're making a beat, if

1:00:23.200 --> 1:00:25.160
<v Speaker 3>you play slightly off the beat or something, and you

1:00:25.240 --> 1:00:29.560
<v Speaker 3>quantize it, it snaps it onto a rigid like rhythmic grid,

1:00:29.800 --> 1:00:34.120
<v Speaker 3>so there is no feel. Yeah, dude, I love it,

1:00:34.200 --> 1:00:36.600
<v Speaker 3>Like you know, J Dilla one of my favorite producers.

1:00:36.640 --> 1:00:39.200
<v Speaker 3>Yeah right, that's the And if you listen to Q

1:00:39.360 --> 1:00:42.680
<v Speaker 3>tip too come from the similar production philosophy.

1:00:43.000 --> 1:00:46.840
<v Speaker 1>They didn't quantize their beats. That's why, like tribe beats

1:00:47.160 --> 1:00:49.600
<v Speaker 1>have a fucking human feel to them because it's not

1:00:49.720 --> 1:00:53.000
<v Speaker 1>on this like rigid quantized grid. And now quantization has

1:00:53.000 --> 1:00:56.880
<v Speaker 1>been like just completely the norm now, so you don't

1:00:56.880 --> 1:00:59.160
<v Speaker 1>even get the nuances of just a little bit of

1:00:59.560 --> 1:01:02.800
<v Speaker 1>drift rhythmically that give make it feel like a person's

1:01:02.840 --> 1:01:04.440
<v Speaker 1>making it again.

1:01:04.320 --> 1:01:08.000
<v Speaker 2>Which is like kind of interesting in small amounts. That's

1:01:08.080 --> 1:01:10.640
<v Speaker 2>kind of interesting. Like there's like when new wave shit happened,

1:01:10.640 --> 1:01:13.080
<v Speaker 2>everything became electronic in the sort of interesting way. But

1:01:13.160 --> 1:01:16.280
<v Speaker 2>I think that's that's that kind of like, uh, it

1:01:16.440 --> 1:01:18.960
<v Speaker 2>just needs to be not the only existing thing on

1:01:19.000 --> 1:01:21.200
<v Speaker 2>the radio, Like we need to have both, do you

1:01:21.240 --> 1:01:24.000
<v Speaker 2>know what I'm saying like they're yeah, I really I

1:01:24.000 --> 1:01:24.720
<v Speaker 2>really believe that.

1:01:24.840 --> 1:01:27.080
<v Speaker 4>I mean, talk about the only existing thing on the radio,

1:01:27.160 --> 1:01:30.080
<v Speaker 4>like the music used to be the only option, and

1:01:30.120 --> 1:01:34.160
<v Speaker 4>now you've got a little little couple guys named Jack.

1:01:33.960 --> 1:01:35.840
<v Speaker 1>And Miles for people to uh.

1:01:36.240 --> 1:01:39.600
<v Speaker 3>And so I'm not going to take all the blame

1:01:39.720 --> 1:01:44.800
<v Speaker 3>for this, but I'm not gonna say music industry fucking desperate.

1:01:45.120 --> 1:01:48.280
<v Speaker 1>Okay, they're like a couple of we're hemorrhaging listeners to

1:01:48.320 --> 1:01:52.040
<v Speaker 1>the terrible job at chasing the algorithm, And we are

1:01:52.040 --> 1:01:53.120
<v Speaker 1>in no way desperate.

1:01:53.320 --> 1:01:56.040
<v Speaker 4>And yes, we do have those little moments where when

1:01:56.040 --> 1:01:58.120
<v Speaker 4>we sense that the show's lagging, we insert a thing

1:01:58.160 --> 1:01:59.480
<v Speaker 4>where we go wha wait, wait.

1:01:59.360 --> 1:02:02.160
<v Speaker 1>Wait, wait, no, no, no wait, don't you do what? Don't

1:02:02.200 --> 1:02:10.640
<v Speaker 1>switch to the radio. The radio sucks everybody. I guess

1:02:10.680 --> 1:02:11.600
<v Speaker 1>I should just quit.

1:02:11.800 --> 1:02:13.680
<v Speaker 3>And if this is news to you as a listener,

1:02:13.720 --> 1:02:15.600
<v Speaker 3>that means you haven't been listening all the way through

1:02:15.640 --> 1:02:17.760
<v Speaker 3>to the episodes where we beg with tears in our

1:02:17.760 --> 1:02:22.480
<v Speaker 3>eyes for you to stick around for the.

1:02:22.520 --> 1:02:26.720
<v Speaker 1>Man mort Burke.

1:02:26.800 --> 1:02:29.160
<v Speaker 4>What a pleasure haveing you as always on the daily

1:02:29.320 --> 1:02:30.720
<v Speaker 4>like gust, Where can people find you?

1:02:30.840 --> 1:02:32.720
<v Speaker 1>Follow you? All that good stuff?

1:02:33.200 --> 1:02:37.840
<v Speaker 2>Yes, at Burke on Instagram. I'm posting sketches that I

1:02:37.960 --> 1:02:39.680
<v Speaker 2>just this is interesting what we were talking about. I

1:02:39.720 --> 1:02:42.520
<v Speaker 2>just had a meeting with the social media teacher the

1:02:42.600 --> 1:02:44.720
<v Speaker 2>other day to try to help me figure out how

1:02:44.760 --> 1:02:46.240
<v Speaker 2>to make my ship more palatable.

1:02:46.680 --> 1:02:51.840
<v Speaker 1>So I like palatable, like I'm it's caustic and.

1:02:55.120 --> 1:02:58.560
<v Speaker 2>Yeah, yeah, first is I'm gonna get leg implants and

1:02:58.600 --> 1:03:00.640
<v Speaker 2>a bunch of really a bunch of your implants and

1:03:00.760 --> 1:03:01.120
<v Speaker 2>there gues.

1:03:01.160 --> 1:03:02.640
<v Speaker 1>We're doing number one on the list.

1:03:02.880 --> 1:03:04.840
<v Speaker 2>But yeah, we're posting sketches on there every week, so

1:03:04.960 --> 1:03:07.080
<v Speaker 2>check it out. I'm really proud of them. And the

1:03:07.120 --> 1:03:11.200
<v Speaker 2>fiftieth episode of Rebrand comes out this Wednesday. Which episode

1:03:11.200 --> 1:03:12.240
<v Speaker 2>will be out when this is out?

1:03:12.320 --> 1:03:12.480
<v Speaker 1>Hell?

1:03:12.560 --> 1:03:12.760
<v Speaker 6>Yes?

1:03:13.040 --> 1:03:16.800
<v Speaker 2>Which come for episode fifty we talk about all the

1:03:16.840 --> 1:03:20.000
<v Speaker 2>different things we rebranded and things that we thought we

1:03:20.120 --> 1:03:22.760
<v Speaker 2>made up that aren't made up. Actually things that we

1:03:22.840 --> 1:03:27.000
<v Speaker 2>thought didn't exist but do exist, like a Penny Farthing motorcycle.

1:03:27.640 --> 1:03:30.919
<v Speaker 1>Wow, that's ball.

1:03:31.960 --> 1:03:33.840
<v Speaker 2>Yeah, stuff like that. But go listen to the old

1:03:33.840 --> 1:03:36.800
<v Speaker 2>episodes too. We got episodes with Ron Funches, River Butcher,

1:03:37.040 --> 1:03:39.760
<v Speaker 2>Bug Williamson, James Williams, all these really fun people.

1:03:39.960 --> 1:03:40.479
<v Speaker 1>Sounds great.

1:03:40.880 --> 1:03:43.520
<v Speaker 2>Is there a work Amedia that you've been enjoying. You

1:03:43.560 --> 1:03:46.400
<v Speaker 2>know what, guys, is the skateboard Liaison. I want to

1:03:46.400 --> 1:03:50.440
<v Speaker 2>briefly talk about the somewhat polarizing new ACEIX skate video.

1:03:50.880 --> 1:03:54.200
<v Speaker 2>I like it. Directed by Jacob Harris, who you either

1:03:54.280 --> 1:03:56.200
<v Speaker 2>like his style of your don't. It's a little dreamy,

1:03:56.240 --> 1:03:59.440
<v Speaker 2>a little Lynchiana, a little bit, yeah, a little bit.

1:03:59.480 --> 1:04:01.800
<v Speaker 2>It's a weird skate video that some people hate, some

1:04:01.840 --> 1:04:04.400
<v Speaker 2>people love. But I like it because everybody's not wearing

1:04:04.440 --> 1:04:07.400
<v Speaker 2>a Monster Energy hat. I always think footage looks cooler

1:04:07.400 --> 1:04:09.360
<v Speaker 2>when you're not all and God bless the dudes who

1:04:09.360 --> 1:04:10.600
<v Speaker 2>got against but you know what I mean, make the

1:04:10.640 --> 1:04:11.880
<v Speaker 2>money for sure, nothing against.

1:04:11.680 --> 1:04:15.080
<v Speaker 1>Those das A six had a skate team, now that's.

1:04:14.920 --> 1:04:17.160
<v Speaker 2>What's kind of interesting about it. And they're yeah, so

1:04:17.200 --> 1:04:19.800
<v Speaker 2>it's corporate shoe wear, which isn't great for the independent

1:04:19.840 --> 1:04:24.120
<v Speaker 2>shoe companies, but they they're hiring some good, good people

1:04:24.520 --> 1:04:27.080
<v Speaker 2>on the team. Yeah. This dude of Quasi is so good. Man,

1:04:27.200 --> 1:04:28.560
<v Speaker 2>so sick check it out.

1:04:28.640 --> 1:04:30.640
<v Speaker 4>Amazing miles Where can people find you? Is there a

1:04:30.640 --> 1:04:32.000
<v Speaker 4>workimedia you've been enjoying?

1:04:32.480 --> 1:04:36.440
<v Speaker 3>Oh man, Yeah, find me everywhere At Miles of Gray.

1:04:37.000 --> 1:04:39.200
<v Speaker 3>You can find me talking about ninety day on four

1:04:39.200 --> 1:04:42.960
<v Speaker 3>to twenty day fiance with Sofia Alexandra. Just a thing

1:04:42.960 --> 1:04:46.120
<v Speaker 3>that made me feel old, but just a fact weight

1:04:46.160 --> 1:04:49.800
<v Speaker 3>where to go. Well, it doesn't matter because this is

1:04:49.840 --> 1:04:51.800
<v Speaker 3>just a factoid that I read. But it was just

1:04:51.800 --> 1:04:56.320
<v Speaker 3>a fact about how Vladimir Vladimir's Guerrero Junior and Senior

1:04:56.360 --> 1:04:58.600
<v Speaker 3>are the only father son duo to hip post season

1:04:58.640 --> 1:05:02.200
<v Speaker 3>Grand Slams. And I was like, wow, that brought it

1:05:02.200 --> 1:05:03.480
<v Speaker 3>to here to my because I remember when he came

1:05:03.520 --> 1:05:05.160
<v Speaker 3>on the scene with no batting gloves.

1:05:05.160 --> 1:05:09.800
<v Speaker 1>I was like, who, this guy's a fucking lost but

1:05:10.240 --> 1:05:12.200
<v Speaker 1>hands full of splinters, just.

1:05:12.280 --> 1:05:15.680
<v Speaker 3>Yeah, just tough Dominican hands beating the ship.

1:05:15.480 --> 1:05:16.120
<v Speaker 1>Out of the ball.

1:05:16.160 --> 1:05:19.800
<v Speaker 3>I love you, vlad Guerrero Senior and June shout out

1:05:19.800 --> 1:05:22.840
<v Speaker 3>to the fucking Blue Jays man because they are They

1:05:23.160 --> 1:05:24.920
<v Speaker 3>beat the ship out of the Yankees the other day.

1:05:25.000 --> 1:05:26.120
<v Speaker 1>And part of me.

1:05:26.120 --> 1:05:28.760
<v Speaker 3>Is wonders if, like he's like, I wonder like, is

1:05:28.800 --> 1:05:31.760
<v Speaker 3>the that the hatred of how America has become so

1:05:31.920 --> 1:05:34.480
<v Speaker 3>backwards as your southern neighbor, Well that power like the

1:05:34.480 --> 1:05:36.200
<v Speaker 3>Blue Jays to a World Series.

1:05:36.280 --> 1:05:39.800
<v Speaker 1>I don't know. I wouldn't mind I wouldn't mind. I mean,

1:05:40.480 --> 1:05:42.360
<v Speaker 1>I mean Dodgers over the Dodgers man too.

1:05:42.480 --> 1:05:44.040
<v Speaker 3>You know, we spent way too much money to fuck

1:05:44.080 --> 1:05:47.800
<v Speaker 3>this up, but yeah.

1:05:46.200 --> 1:05:47.160
<v Speaker 1>Of my money.

1:05:48.120 --> 1:05:51.640
<v Speaker 4>You can find me on Twitter, Jack undersquorel Brian blue

1:05:51.680 --> 1:05:57.200
<v Speaker 4>Sky at Jack ob the number one uh working media

1:05:57.320 --> 1:06:00.840
<v Speaker 4>I've been enjoying. Helen at Helen on Twitter's said, let's

1:06:00.840 --> 1:06:02.640
<v Speaker 4>be clear, the best invention in the last five years

1:06:02.720 --> 1:06:07.360
<v Speaker 4>is not chat GPT, it's NERD's gummy clusters. Oh fuck yeah,

1:06:07.440 --> 1:06:08.120
<v Speaker 4>that is Corrista.

1:06:08.400 --> 1:06:11.640
<v Speaker 1>That's just following them. Helen at h l e n

1:06:11.960 --> 1:06:12.720
<v Speaker 1>oh Helen.

1:06:12.720 --> 1:06:15.920
<v Speaker 2>Yeah, yeah, yeah, hell yeah the best.

1:06:16.800 --> 1:06:18.600
<v Speaker 4>You can find us on Twitter and blue Sky at

1:06:18.680 --> 1:06:21.480
<v Speaker 4>Daily Zeikeeist. Where at the Daily Zeikeeist on Instagram, you

1:06:21.520 --> 1:06:23.760
<v Speaker 4>can go to the description of this episode wherever you're

1:06:23.800 --> 1:06:26.160
<v Speaker 4>listening to it, and there at the bottom you will

1:06:26.200 --> 1:06:28.640
<v Speaker 4>find the footnotes, which is where we link off to

1:06:28.680 --> 1:06:29.480
<v Speaker 4>the information.

1:06:29.160 --> 1:06:30.680
<v Speaker 1>That we talked about in today's episode.

1:06:30.760 --> 1:06:33.040
<v Speaker 4>We also link off to a song that we think

1:06:33.080 --> 1:06:35.800
<v Speaker 4>you might enjoy. Our algorithm tells us that you might

1:06:35.920 --> 1:06:38.840
<v Speaker 4>enjoy this song. Miles, is there a song that you

1:06:38.840 --> 1:06:39.840
<v Speaker 4>think that people ask.

1:06:39.840 --> 1:06:43.080
<v Speaker 3>Man rough Squad, okay, so rough Squad is like a

1:06:43.120 --> 1:06:46.600
<v Speaker 3>grime crew from the UK in it from back in

1:06:46.640 --> 1:06:49.520
<v Speaker 3>the day. But like I've just been I've heard some

1:06:49.600 --> 1:06:51.680
<v Speaker 3>of the beats from the Rough Squad come out in

1:06:51.680 --> 1:06:54.320
<v Speaker 3>like different mixes, and I've just been diving back in.

1:06:55.040 --> 1:06:58.520
<v Speaker 3>There's one track, one of their most famous tracks, called Together.

1:06:59.040 --> 1:07:02.840
<v Speaker 3>It's got like this messaging a bottle like guitar sample

1:07:02.880 --> 1:07:05.360
<v Speaker 3>in it, but it's also got like this timbling style

1:07:05.440 --> 1:07:06.360
<v Speaker 3>rhythm going with it.

1:07:06.360 --> 1:07:07.120
<v Speaker 1>It's just dope.

1:07:07.360 --> 1:07:10.200
<v Speaker 3>It's just it feels nostalgic and for the old heads,

1:07:10.600 --> 1:07:13.280
<v Speaker 3>you know what I mean, Let's fucking feel like like

1:07:13.760 --> 1:07:15.440
<v Speaker 3>when we were in our heyday, you know when I

1:07:15.480 --> 1:07:17.439
<v Speaker 3>used to wear two head bands at the same time

1:07:17.480 --> 1:07:20.920
<v Speaker 3>on my head. But this is Together by Rough Squad

1:07:21.000 --> 1:07:25.760
<v Speaker 3>are u F F s q W A D squad.

1:07:26.000 --> 1:07:29.720
<v Speaker 4>Interesting. They even have like kind of old funky spelling.

1:07:29.760 --> 1:07:32.680
<v Speaker 1>Mm hmm, funky cold idea funky.

1:07:32.680 --> 1:07:37.800
<v Speaker 4>Cold medina right right behind funky cold funky in spelling

1:07:37.960 --> 1:07:39.600
<v Speaker 4>as an ignore me.

1:07:40.040 --> 1:07:43.200
<v Speaker 1>All right, all right, well off, turn this off. Weren't

1:07:43.240 --> 1:07:49.480
<v Speaker 1>you so scared? All right? The Daily's Eyegeich is the

1:07:49.480 --> 1:07:50.640
<v Speaker 1>production of iHeartRadio.

1:07:50.640 --> 1:07:53.280
<v Speaker 4>For more podcasts from iHeart Radio, visit the iHeartRadio, w AP,

1:07:53.280 --> 1:07:55.720
<v Speaker 4>Apple Podcasts, or wherever you listen to your favorite shows.

1:07:55.720 --> 1:07:58.360
<v Speaker 4>That's gonna do it for us this morning. We're back

1:07:58.440 --> 1:08:01.200
<v Speaker 4>this afternoon to tell you what is trending, and we

1:08:01.280 --> 1:08:02.280
<v Speaker 4>will talk to you all then.

1:08:02.560 --> 1:08:07.200
<v Speaker 1>Bye. The Daily Zeite guys as Executive produced by Catherine Long.

1:08:07.320 --> 1:08:09.400
<v Speaker 2>Co produced by Bee Wag.

1:08:09.560 --> 1:08:13.440
<v Speaker 1>Co produced by Victor Wright, co written by j m mcnapp,

1:08:13.960 --> 1:08:16.439
<v Speaker 1>Edited and engineered by Justin Conner,