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Speaker 1: Slab book. Hi mate, mate, excuse me, mate, do you

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Speaker 1: want if I take a photo of you? You look

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Speaker 1: really random and cool? Oh yeah, I was just heading

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Speaker 1: to my normal person's job at a restaurant. I never

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Speaker 1: thought of myself as the subject of a photographer's interest.

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Speaker 1: Oh yeah, man, you're just really cool and the lot.

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Speaker 1: So I'm really hidding the side of your face right

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Speaker 1: now on twenty third and third in the middle of

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Speaker 1: New York City. Oh okay, So just should I do

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Speaker 1: be you, mate, like you're so cool? I don't know,

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Speaker 1: Maybe just lean up against that bow daga, maybe grab

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Speaker 1: that mangy random cat in the book dagga. Okay, yeah,

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Speaker 1: I mean this just seems so normal to me. This

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Speaker 1: is like an everyday thing I would just do in

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Speaker 1: my life. Hilarious, mate, I love New York. You guys

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Speaker 1: have crazy lives. Okay, let me just get the f

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Speaker 1: stopped right Okay, focusing right now, and feel free to

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Speaker 1: move because I just like to capture action. Oh god,

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Speaker 1: I'm so embarrassed, but yet suddenly I'm feeling a little

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Speaker 1: bit empowered. Yeah you're doing great, mate. Okay, maybe I'll

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Speaker 1: just do it a quick little spin or something. That's

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Speaker 1: not too much movement. No, I love when guys move.

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Speaker 1: And I'm beautiful, but I'm not a homosexual. I have

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Speaker 1: a beautiful fiance, but I love beautiful men. Oh that's

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Speaker 1: so cool. Yeah, I really want a wife. Oh it's

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Speaker 1: the best when you see a girl that you love.

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Speaker 1: It's a fit bird. You just gotta go for it.

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Speaker 1: I couldn't feel more alive or at ease right now.

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Speaker 1: But I have to go back to my normal day

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Speaker 1: to day work life because that's New York City? Is

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Speaker 1: it okay? If I? Yeah? Man, go, Thank you so

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Speaker 1: much for your time. Him. I'm my name's Brooklyn. What's

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Speaker 1: your name? My name is just Joe Schmo, New Yorker.

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Speaker 1: Really good to meet you, Joe, catch you on the

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Speaker 1: flip side in this crazy city. Thanks again, mate, Man,

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Speaker 1: I can barely understand you with that insane foreign accent,

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Speaker 1: but I hope you find what you're looking for. Man, audience, cheerio.

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Speaker 1: Who's that knocking at the door. It's all your friends,

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Speaker 1: your filthy horror. Your husband's gone, and we've got books

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Speaker 1: and a bottle of wine to kill. It's Hollywood, it's books,

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Speaker 1: it's gossip. I'm shook. It's memoirs, marteeny Clem book Club.

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Speaker 1: Come read it while it's hot. Celebrity book Club. Tell

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Speaker 1: your secrets. We won't talk celebrity books. No boys are

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Speaker 1: allowed celebrity books. Say it loud and pub buzz man.

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Speaker 1: I brought the queer foe, I best friend, I best mate.

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Speaker 1: How are you instantly Australian? Sorry we're doing Yes, I'm

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Speaker 1: just saying we're gonna do a British book today and

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Speaker 1: you can't resist when we try to go British, you

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Speaker 1: go Australian. No, but I'm gonna try and stay in

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Speaker 1: like British love. I have to be in London for

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Speaker 1: to really like, you know, hit home. But I love

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Speaker 1: me Pubs, I love me mates. When we were in England,

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Speaker 1: which people which we actually never even really told our

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Speaker 1: listeners about because we were so taken by the country

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Speaker 1: of Ireland, you spoke in a British accent the entire time.

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Speaker 1: I'm British. People were just kind of being like, okay,

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Speaker 1: just doing that, like you're just doing this, like all right,

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Speaker 1: so and just be like does he think like I

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Speaker 1: feel like they were kind of feeling bad for you

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Speaker 1: and this like Madonna way like, oh, he thinks like

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Speaker 1: some people thought it was funny, and some people literally

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Speaker 1: thought I was English love. I think like when you

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Speaker 1: got the cabs and you were just like, oh, Pennyway

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Speaker 1: Circle or whatever, we were constantly going to, like the

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Speaker 1: Fallington Meadows. Here's a recommendation for you, my best friend, Stephen,

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Speaker 1: if you're into like Australian stuff. This is just my

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Speaker 1: way to tell you that I'm the only one. It

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Speaker 1: feels like watching that insane show Firefly Lane with Katherine

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Speaker 1: Heigl's not Australian, no, but there's the guy in it.

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Speaker 1: There's a guy in it that's Australian. Yeah, that's one

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Speaker 1: of those shows that's very like it's not Christian, but

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Speaker 1: it's something that's not Christian but feels Christian. The way

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Speaker 1: it's filmed, I don't know, like the visuals and like

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Speaker 1: what's also really produced by like a small Christian production

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Speaker 1: company about it is that it like it does three

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Speaker 1: different time periods, which is so weird to do. And

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Speaker 1: they're always showing their friendship in the seventies, but then

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Speaker 1: their friendship like in the fifties. It's it's friendship in

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Speaker 1: the seventies in high school. Then it's like them in

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Speaker 1: the eighties just starting out as journalists and then and

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Speaker 1: like trying to get interviews yeah, and just being like,

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Speaker 1: go under the tape, this is how we'll get the shot,

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Speaker 1: and always being like, damn, I wanted to interview him.

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Speaker 1: I mean, it's really hard to be a journalist. You're

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Speaker 1: always trying to get that interview you are, and you

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Speaker 1: do have to get the shot, and you have to

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Speaker 1: be sneaky as you know. And then it does like

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Speaker 1: current time, but the current time is set in two

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Speaker 1: thousand and three, the future the show ever gets because

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Speaker 1: he's like being a journalist like in Iraq for like

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Speaker 1: the Iraq War, so it's like all of a sudden

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Speaker 1: will be like two thousand and three. Anyway, it's one

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Speaker 1: of I think the worst show's ever made, but also

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Speaker 1: one of the best. I recommend it to you and

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Speaker 1: any listeners out there. It's like Catherine Heigl, why I guess,

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Speaker 1: I mean, she doesn't have a she's not she doesn't

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Speaker 1: have like a choice in what she does. She she

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Speaker 1: completely ruined her career in Hollywood by like being like

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Speaker 1: this crazy, huge bitch who like quit graz Anatomy because

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Speaker 1: she was too good for her and then her and

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Speaker 1: was like, girl, you think you're too good for like

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Speaker 1: the most successful show ever, okay, like watch out and

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Speaker 1: then she just like got shitty rolls and that was it. Well,

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Speaker 1: she did addresses. What was that movie with her and

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Speaker 1: Josh Domel where they like inherit a child? There was

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Speaker 1: that one that flopped. There was The Ugly Truth with

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Speaker 1: Gerard Butler that flopped. She just was kind of being

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Speaker 1: floppington Oh. It was called like Life as we Know It.

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Speaker 1: Although here's what I'll say about her flopping ton era

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Speaker 1: is she kind of it wasn't totally her fault. She

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Speaker 1: tried to jump off the sitcom train it into the

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Speaker 1: rom com train right as the rom Com era was ending.

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Speaker 1: Like twenty seven Dresses was in many ways the last

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Speaker 1: movie evermade no no because it twenty seven Dresses is

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Speaker 1: a certified classic, but it was like post wedding planner,

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Speaker 1: post like rom call, like it was the last film

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Speaker 1: of that era. And she was like TV's over. It's

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Speaker 1: like no, actually, girl, TV is kind of the only future.

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Speaker 1: You misread the room, and so now she's just got

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Speaker 1: to take like whatever they'll fucking give her. And I

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Speaker 1: feel like also like in Firefly Lane, she plays like

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Speaker 1: a star who's like a total bitch. But why do

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Speaker 1: we call women bitches when they're just for what they want?

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Speaker 1: She's a bitch, sees a diva. What about this? She's

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Speaker 1: a boss. Yeah, she's a person businesswoman speaking you know

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Speaker 1: business women. Yes, so's this woman. One of the most

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Speaker 1: amazing British businesswoman is um a woman who invented girl bossing.

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Speaker 1: I think it was originally called girl power. Yeah, she

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Speaker 1: literally invented girl power. And she's always been hot and

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Speaker 1: thin and that's something that she really sticks to and

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Speaker 1: I remire that consistency. Of course, we're talking about Victoria

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Speaker 1: Beckham posh posh spice. Shall I wear the little black

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Speaker 1: dress or the other little black dress? She's just like

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Speaker 1: your classic like just trashy hot. I mean, the funny

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Speaker 1: thing about her being called pose is that she's kind

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Speaker 1: of like she's likes you so essex. Yeah, Like she's

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Speaker 1: the most like girls we saw getting out of a

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Speaker 1: cab for a hand, Like she's the hot one who's

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Speaker 1: just that shot has too many calories, the hot yet

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Speaker 1: the hand being like dat, we're doing skinny girls, skinny

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Speaker 1: gun margaritas and she's got like, you know, the dresses

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Speaker 1: that I mean the amount of fabric aband aid. Where's

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Speaker 1: the rest you address? So she's really cool. She's an entrepreneur.

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Speaker 1: We're actually not reading her book reading. She definitely has

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Speaker 1: a book. She has like she's very she has like

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Speaker 1: six books about like how to shop online? Here's how

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Speaker 1: you shop online? Anyway. One of the most girl boss

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Speaker 1: things she did was have Wait, that is so true.

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Speaker 1: You ain't a girl boss if you don't have a

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Speaker 1: hot sun that you have named at least one of

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Speaker 1: your businesses after Yeah, Like are you so? She has

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Speaker 1: a line of a line of pillows called like Brooklyn yea,

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Speaker 1: all their kids, all their kids names like are such

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Speaker 1: brand names? Um, but the oldest one is named Brooklyn.

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Speaker 1: Where are you at Brooklyn? Da? I mean, what is

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Speaker 1: what is trashier than being like? Because it's honestly, it's

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Speaker 1: the equivalent of like, naming your daughter London is like

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Speaker 1: being a British person naming your I need to have

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Speaker 1: a daughter named London. Or it's the equivalent of Diana

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Speaker 1: dla Garza naming her daughter Dallas. Yeah you know him,

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Speaker 1: you love him? He just got married Brooklyn Backham. We

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Speaker 1: are doing. His photography book called What I See. I see,

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Speaker 1: my photos, my words, my life. This is what I see.

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Speaker 1: It's like, we get it, You're not blind, but no,

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Speaker 1: this book is very bitch. I am not blind. My

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Speaker 1: assess looks. I wake up, open my eyes and I'd

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Speaker 1: be looking all day, and this book helps me remember

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Speaker 1: what I looked at. Now. We all grow up with trauma, right,

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Speaker 1: And some could say that Brooklyn's you know, the trauma

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Speaker 1: and the plus is that he has insanely hot parents. Absolutely,

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Speaker 1: but I will say they basically made like four very

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Speaker 1: hot kids, right, so it's like trauma kind of solved.

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Speaker 1: But also like, okay, this book was very this thing

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Speaker 1: where like hot, rich, famous families are like so horny,

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Speaker 1: thank you, thank you. My entire notes were was like

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Speaker 1: horny again, Page ten, horny again. For your Mom's just funny,

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Speaker 1: like here's a shot. I love the shot of my mom.

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Speaker 1: She looks so beautiful and it's just like this really

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Speaker 1: intimate clothes shop where she's just like really glowing, like

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Speaker 1: in a car on the way to somewhere, and it's

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Speaker 1: just like all these topless photos of his simpl and

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Speaker 1: just being like, here's cruise again. Just being such an

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Speaker 1: awesome subject and then again hot photos of his dad

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Speaker 1: being like, my dad is a legend. My dad is

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Speaker 1: the funniest person. My dad always makes me laugh. And

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Speaker 1: it's just like like David in a SKYLEI cap, just

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Speaker 1: like at a diner, a loan. It's like hilarious and

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Speaker 1: like prop be the first photo that in this book,

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Speaker 1: this beautiful book that really stuck with me. That and

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Speaker 1: I would frame honestly, it's stuck with me for a

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Speaker 1: few different reasons. So beautiful photo of Victoria Beckham salmon fishing,

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Speaker 1: a nice fo that really sets the tone. Um, you know,

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Speaker 1: the book really starts out. Oh and by the way, yeah,

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Speaker 1: so this book is like his photos printed like with

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Speaker 1: how do I suscribe? It's like print so cheaply, I

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Speaker 1: guess that's the word that even though it's kind of

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Speaker 1: it's kind of a match. It's kind of a matt

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Speaker 1: It's not a glossy page. It's more of a matt page.

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Speaker 1: But I will say this, so this book is way

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Speaker 1: more art book than Drew Barrymore's photo book, which you

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Speaker 1: may have heard of talk about in the Pot, which

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Speaker 1: was like way more just like iPhone photos like this

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Speaker 1: is this is very Butt magazine surprisingly, so first of all,

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Speaker 1: most of it's in black and white. The cover has

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Speaker 1: that same pink tint that Butt Magazine does. So it's

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Speaker 1: trying to be way more like ot and minimalist. A

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Speaker 1: lot some of the photos are full bleed, some are not.

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Speaker 1: They have like this cropping, Like honestly, it's borderline art photography.

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Speaker 1: I would say it needs way more like flowers to

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Speaker 1: be art photography because you know, like our photography is

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Speaker 1: always like dead flowers. I would say Drew Barrymore's book

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Speaker 1: is almost outsider art. Like it feels like you picked

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Speaker 1: up oh mentally semi their person's book made on Shutterfly,

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Speaker 1: and you're like, wait a second, this is amazing and

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Speaker 1: this as you said, yeah, it's but it gives a

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Speaker 1: little bit of like vice, like you're going into Costa

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Speaker 1: magazine PS one art fairs. It's not full like fashion photography,

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Speaker 1: but it is way more Costa. It's way more vice.

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Speaker 1: I mean many things. I think from the very beginning,

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Speaker 1: when you're talking about the same in fishing photos, you're

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Speaker 1: seeing that this is what I call almost like rich

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Speaker 1: person photography. It's it's like graphic designer photography it has

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Speaker 1: there's it's really about the cropping. It's very rule of thirds.

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Speaker 1: It's very like tons of sky, tons of landscapes, like

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Speaker 1: small person like looking back at camera, tons of like

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Speaker 1: the like of like camera in the shot. Half of

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Speaker 1: this book is yeah, half of this book is me

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Speaker 1: shooting myself with the like a camera like in the mirror.

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Speaker 1: And he'll there's little bits of text and he'll say like, oh,

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Speaker 1: I grabma, I instantly grab my Lika or like my

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Speaker 1: hot mom shot of Fuji film. Well, and when he's

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Speaker 1: in that vacation the beginning, he's he has this really

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Speaker 1: really interesting um kind of justification for the concept of

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Speaker 1: the book where he says, looking at the photos takes

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Speaker 1: me back to the moment I capture them, which is

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Speaker 1: sort of like the concept of memory literally, but sometimes

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Speaker 1: I think we forget that. It's like why yeah, because

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Speaker 1: it takes you back to that moment and even if

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Speaker 1: you're not there, I feel like I'm on vacation with

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Speaker 1: Posh salmon fishing. Yeah, these vacations. Also, I love that

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Speaker 1: there does like also famous image, but there's still being

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Speaker 1: like full family vacation to the Maldives, like I know,

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Speaker 1: like we're still doing very like family vacations you did

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Speaker 1: when you were eight, You know what I mean. I

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Speaker 1: guess I didn't go to the mall times when I

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Speaker 1: was eight, or I guess or you traveled globally with

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Speaker 1: his family as a child. It's like, we're not I'm

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Speaker 1: not at thirty. We're not just being like we're going

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Speaker 1: to Malise. If you were like a sexy family. Know,

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Speaker 1: if I was like really attracted to my mom, maybe

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Speaker 1: I would be like, let's go to the Maldives. Because

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Speaker 1: your parents did just go at a safari, and I

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Speaker 1: feel like if you really wanted to, they would have

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Speaker 1: taken you and you could have done this sexy family safari.

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Speaker 1: I just see them not wanting to like double the

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Speaker 1: price if they're like forty thousand dollars vacation by being like,

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Speaker 1: we're taking Stephen boyfriends. So sad, so poor, Yeah, they

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Speaker 1: are poor. Ultimately coming out as my parents being okay,

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Speaker 1: and now you came out of sport. Now you're coming

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Speaker 1: out as your parents being poor not wanting to pay

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Speaker 1: for you to go in so far, but he also

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Speaker 1: says so Brooklyn also says something in the in the

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Speaker 1: beginning of the most book, and this is the two

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Speaker 1: pages at the beginning that are really the most hope.

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Speaker 1: I think. I think you know we're going I hope.

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Speaker 1: He says, Um, he got behind the camera because he

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Speaker 1: doesn't like to speak. Oh yeah, which is so photo god,

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Speaker 1: which is kind of you know, the thesis of a

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Speaker 1: lot of directors or you know, right, because man behind

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Speaker 1: the camera, you know, they're not encouraged to use their

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Speaker 1: words obviously, Um. And then you know, boys don't cry,

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Speaker 1: don't like and they also do resident sculptures, and I

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Speaker 1: think both of those are ways for man to sort

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Speaker 1: of get their tears out, if you will. He also

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Speaker 1: the big also this whole book, And the other thing

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Speaker 1: about the intro intros in the whole book is he's like, yeah, basically, also,

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Speaker 1: this book is like huge for me because I've done

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Speaker 1: one campaign for polland Bear. So no, he says, I

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Speaker 1: shot a photo diary for pulland Bear. And it's like,

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Speaker 1: what is this like midass brand pulland Bear. It's so

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Speaker 1: like Greater g Star Dunham. It sounds so great Ord

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Speaker 1: And he's like, and it's basically the whole book is

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Speaker 1: a thank you to pulland Bear for like really like

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Speaker 1: believing in him and getting it behind a camera to shoot,

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Speaker 1: just like one guy in jeans once and I was like,

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Speaker 1: when I can, like, you have my camera be my word. Yeah.

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Speaker 1: And I went to the polland Bear site today and

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Speaker 1: I was like, okay, it is dead in random Yeah.

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Speaker 1: And you know it's like a guy and a girl

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Speaker 1: in sunglasses. Could you see Brooklyn Beckham's indelible imprint on

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Speaker 1: the brand all these years later? You know? No, I'll

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Speaker 1: say that I feel like they moved. It was a

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Speaker 1: different style. It was. It was being a little more

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Speaker 1: just like classic flash big sunglasses. There's a there's a

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Speaker 1: point and again in that Ice and Trip near the

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Speaker 1: beginning where he has this little cult, Iceland feels really back.

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Speaker 1: Maybe that's just because we had friends went to Iceland,

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Speaker 1: and but I've seen, like I feel like some shows

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Speaker 1: that have been shooting in Iceland. And then I mean,

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Speaker 1: this book was also from twenty to sixteen. Well, but

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Speaker 1: we picked it up and right, why is that because

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Speaker 1: Iceland's back? Darby's law, Um, he has a line he goes,

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Speaker 1: this is a photo of like a beach, and Iceland

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Speaker 1: is very this kind of photography because of the landscape.

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Speaker 1: I think it just lends itself to what I call

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Speaker 1: graphic designer photography. Um, it's extremely like barren and like

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Speaker 1: because I think on the thing about graphic designer photography

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Speaker 1: is it doesn't really want to tell too much of

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Speaker 1: a story. It just wants to have like a person

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Speaker 1: kind of looking away or kind of looking at the camera,

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Speaker 1: but like kind of far away. It's like, very rarely

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Speaker 1: are you being like actually like someone doing something fun

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Speaker 1: or interesting close up. It's always just like, let's just

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Speaker 1: have it be a little bit more quiet. But he

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Speaker 1: has this line where he goes so beautiful, such a

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Speaker 1: cool place to take pictures, which I think is a

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Speaker 1: really kind of interesting frame for a photograph of your

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Speaker 1: book to talk about a place as being a place

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Speaker 1: to take pictures, Like there's this like and I don't

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Speaker 1: think a lot of people that's very like because this

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Speaker 1: was just the beginning of Instagram, where it's like yeah, yeah,

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Speaker 1: you go to a place to take picture. It's this

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Speaker 1: solop sysm where it's like you want to see yourself.

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Speaker 1: We only want to see ourselves seeing ourselves. It's like

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Speaker 1: when there's a beautiful sunset in Manhattan and the road

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Speaker 1: is immediately clogged with everyone raising their phones to the

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Speaker 1: sky like there so that we can all go home

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Speaker 1: and look at that photo on Instagram that you this

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Speaker 1: girl you went to uc B with, and you're just

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Speaker 1: and you're seeing Sarah from UCB like sketch two A one,

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Speaker 1: like with her sunset and winds or terrorists and you're like, wow,

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Speaker 1: slightly different angle from And also I always try to

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Speaker 1: like get out of this closed disease that I feel

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Speaker 1: like I have. I mean, I think everyone does this

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00:20:26,920 --> 00:20:32,240
Speaker 1: where clothes a clothing disease of it's a fantasy, you know,

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00:20:32,240 --> 00:20:34,720
Speaker 1: of the fantasy where when you really want a piece

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00:20:34,760 --> 00:20:39,280
Speaker 1: of clothing, or you imagine all the things you think

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Speaker 1: about how it's going to look in the Instagram, you're

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Speaker 1: going to be not on the Instagram. Just be I

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Speaker 1: personally for not me on the Instagram, Like just more

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00:20:45,400 --> 00:20:49,520
Speaker 1: doing it, like you myself laughing at an outdoor bar,

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Speaker 1: walking down the street, at a part of you chatting

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Speaker 1: with someone. Well, this is part of our post social

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00:20:56,920 --> 00:20:59,719
Speaker 1: media culture as we see we are already our own

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00:20:59,720 --> 00:21:02,480
Speaker 1: app guitars. We're sort of playing a video game of ourselves,

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00:21:02,520 --> 00:21:05,280
Speaker 1: and so we see ourselves walking around in the third

347
00:21:05,320 --> 00:21:08,280
Speaker 1: person almost and we're always kind of having this simming ourselves.

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00:21:08,560 --> 00:21:10,880
Speaker 1: We're simming ourselves, We're seeing this bird's eye view. I mean,

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00:21:11,080 --> 00:21:15,800
Speaker 1: when I'm trying that an outfit on. Honestly, I'm often

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00:21:15,920 --> 00:21:20,200
Speaker 1: that's what I'm looking for. Often I will I'll try

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Speaker 1: out some dialogue in the mirror, just to see how

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00:21:22,920 --> 00:21:25,879
Speaker 1: it does, see how it feels. Oh wow. I mean,

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Speaker 1: I'm not surprised you talked to yourself twenty four second,

354
00:21:28,880 --> 00:21:30,639
Speaker 1: but I'll be you know, I'll try the cardigan, just

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00:21:30,680 --> 00:21:34,240
Speaker 1: be like, oh wait, seriously, you know, just like does

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Speaker 1: it does it feel natural? Does the cardigan fit in conversation? Oh?

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Speaker 1: Is it a tap? Or do I put in my card? Yeah?

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Speaker 1: I'll have a Do you have any specials today? Yeah?

359
00:21:47,920 --> 00:21:54,280
Speaker 1: Oh I would love to hear your specials. Yea. We

360
00:21:54,400 --> 00:21:59,120
Speaker 1: actually haven't dined her before. A photo just opened up

361
00:21:59,160 --> 00:22:01,879
Speaker 1: here and it's oh my god, spirit, it's present. You

362
00:22:01,920 --> 00:22:06,359
Speaker 1: opened the photo. The photo it's his brother Romeo, and

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00:22:06,440 --> 00:22:08,560
Speaker 1: I was like, when I looked at that photo, I

364
00:22:08,680 --> 00:22:12,200
Speaker 1: was like, this is like it's very fashioned, but it's

365
00:22:12,240 --> 00:22:16,440
Speaker 1: like his brother, like looking so British but like to

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00:22:16,680 --> 00:22:19,199
Speaker 1: even be only he's twinky, but also like buff and

367
00:22:19,280 --> 00:22:21,399
Speaker 1: scary at the same time, and he's like eleven and

368
00:22:21,520 --> 00:22:25,480
Speaker 1: has this really thin gold chain, and it's just this

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00:22:25,520 --> 00:22:29,920
Speaker 1: whole book is so dreamers because then yeah, so after

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00:22:30,040 --> 00:22:31,760
Speaker 1: that to kind of go back into how he's in

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00:22:31,800 --> 00:22:34,159
Speaker 1: love with his mom his this is like where it

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00:22:34,200 --> 00:22:37,840
Speaker 1: gets really Instagram filter. The photo of Victoria Beckham and

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00:22:37,840 --> 00:22:41,240
Speaker 1: they're on their way to a charity a quote unquote

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00:22:41,720 --> 00:22:45,280
Speaker 1: and Kenya together. It's so Harry and Megan this because

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Speaker 1: they're always in Africa and they're always been inspired by elephant,

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00:22:48,840 --> 00:22:51,600
Speaker 1: but yet they say, this is so crazy, he said.

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Speaker 1: Brooklyn Beckham. With the really dark photos of elephants he takes,

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00:22:55,520 --> 00:22:59,440
Speaker 1: he says, elephants so hard to photograph. Now, I would

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00:22:59,480 --> 00:23:02,880
Speaker 1: actually argue, and I've never taken a photograph of an elephant,

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00:23:02,920 --> 00:23:07,160
Speaker 1: that elephants are actually of the easier animals to photograph.

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Speaker 1: On the certary, They're they're huge, they moved pretty slowly,

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00:23:12,280 --> 00:23:14,640
Speaker 1: they're kind of docile, they just kind of stand there.

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00:23:14,840 --> 00:23:17,080
Speaker 1: It's also it's just like it's such an obvious subject.

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00:23:17,160 --> 00:23:18,920
Speaker 1: It's not like, oh, where is it in the shot.

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00:23:18,960 --> 00:23:21,040
Speaker 1: It's like it's not some bird in that. It's just

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00:23:21,080 --> 00:23:24,119
Speaker 1: like it's literally an elephant, Like girl. They're walking pretty

387
00:23:24,119 --> 00:23:26,600
Speaker 1: so like get cheetah. Yeah, you need like such an

388
00:23:26,600 --> 00:23:33,240
Speaker 1: insane like high speed lens for that so hard to photograph.

389
00:23:33,240 --> 00:23:35,720
Speaker 1: That's just kind of an insane thing to say. But

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00:23:35,880 --> 00:23:38,240
Speaker 1: you know, challenges come in many shapes and forms, and

391
00:23:38,320 --> 00:23:40,879
Speaker 1: like for him, if that was a challenge, then like

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00:23:40,920 --> 00:23:43,520
Speaker 1: I don't want to take that experience away per se.

393
00:23:43,760 --> 00:23:46,880
Speaker 1: But yeah, the photo in the car, it's very it's

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00:23:47,080 --> 00:23:49,720
Speaker 1: very close up, it's very blurry. And then there's that

395
00:23:49,800 --> 00:23:51,880
Speaker 1: other and that's when he says she's so beautiful. There's

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00:23:51,920 --> 00:23:54,800
Speaker 1: that photo where he's wearing the sunglasses that are Victoria

397
00:23:54,880 --> 00:23:58,040
Speaker 1: Beckham brand and calls them and he's just like, uh like,

398
00:23:58,200 --> 00:24:01,520
Speaker 1: well no, He's like, I love my v B sunglasses.

399
00:24:01,960 --> 00:24:05,120
Speaker 1: He goes rocking my VB. So proud of my mum,

400
00:24:05,840 --> 00:24:07,359
Speaker 1: and it's just like he's so proud of her for

401
00:24:07,520 --> 00:24:12,040
Speaker 1: making these insanely normal, like slightly circular sunglasses. This is

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00:24:12,080 --> 00:24:15,359
Speaker 1: where he's uh so for those of you who can't see,

403
00:24:15,359 --> 00:24:18,680
Speaker 1: which is everywhere you're not reading along with us, So

404
00:24:18,840 --> 00:24:21,719
Speaker 1: this photo is it's kind of at an crazy angle.

405
00:24:21,760 --> 00:24:25,320
Speaker 1: It's like he's turned himself and the camera so that

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00:24:25,400 --> 00:24:27,919
Speaker 1: this door behind him is at like a fully forty

407
00:24:27,920 --> 00:24:29,879
Speaker 1: five degree angle. But then he's straight on who he's

408
00:24:29,880 --> 00:24:33,159
Speaker 1: wearing a backwards cap, hands very close to frame. You

409
00:24:33,200 --> 00:24:35,320
Speaker 1: can see this jewelry. And then of course the like

410
00:24:35,480 --> 00:24:38,800
Speaker 1: a photo, his face is in focus the camera like

411
00:24:38,880 --> 00:24:42,440
Speaker 1: a camera is not, and he's looking kind of justin Bieber.

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00:24:42,480 --> 00:24:45,400
Speaker 1: He's looking kind of Kristen Stewart, which is another theme

413
00:24:45,440 --> 00:24:47,399
Speaker 1: in this book, which is the intense kind of like

414
00:24:48,359 --> 00:24:54,000
Speaker 1: very cleaning butch lesbian. But yes, well it's where he

415
00:24:54,160 --> 00:24:58,880
Speaker 1: it's his whole outfits are like skinny joggers, huge hoodie

416
00:24:59,359 --> 00:25:03,719
Speaker 1: as natrical hair, yeah, which is which is also what

417
00:25:03,840 --> 00:25:08,520
Speaker 1: is so And then like Big Adda's flap rim I'm

418
00:25:08,600 --> 00:25:12,360
Speaker 1: just like you are about to like ruin a FAM's

419
00:25:12,400 --> 00:25:22,919
Speaker 1: life in Tampa, ruin my life. Please. This episode is

420
00:25:22,920 --> 00:25:29,639
Speaker 1: sponsored by Zoktok. You're trying to find a cause for

421
00:25:29,680 --> 00:25:35,160
Speaker 1: your symptoms akey, back, headache, running, nose itchy. I worked

422
00:25:35,200 --> 00:25:38,320
Speaker 1: on my genitals, so let me guess you stumble down

423
00:25:38,359 --> 00:25:41,520
Speaker 1: a TikTok rabbit hole full of questionable advice from so

424
00:25:41,600 --> 00:25:46,720
Speaker 1: called experts. Suddenly I have cancer. No, thank you, there

425
00:25:46,760 --> 00:25:49,240
Speaker 1: are better ways to get the answers you want and

426
00:25:49,320 --> 00:25:52,840
Speaker 1: the care you deserve from trusted professionals and not random

427
00:25:52,920 --> 00:25:56,080
Speaker 1: people on the internet. Though randoms, I love you and

428
00:25:56,240 --> 00:25:59,800
Speaker 1: my TikTok connection. Yeah it stands, but I'm sorry you

429
00:26:00,040 --> 00:26:03,920
Speaker 1: and be getting medical advice from some groner grandmother's basement

430
00:26:03,920 --> 00:26:07,399
Speaker 1: in Toronto. Zok doc helps you find expert doctors and

431
00:26:07,520 --> 00:26:11,080
Speaker 1: medical professionals that specialize in the care you need and

432
00:26:11,160 --> 00:26:15,000
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433
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Speaker 1: the talk, get the doc. Zoktok is the only free

434
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435
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436
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437
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438
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Speaker 1: zok doc, you have a trusted guide to connect you

439
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440
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Speaker 1: a trusted guide, like the time I climbed to Machi

441
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Speaker 1: Pechu on the Inca Trail with a team of sherpa's.

442
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443
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444
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445
00:26:52,760 --> 00:26:55,720
Speaker 1: your Sherpa at zoc dot dot com, go to zoc

446
00:26:55,800 --> 00:26:57,960
Speaker 1: doc dot com slash book club and dabbled the zok

447
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Speaker 1: doc app for free. Then find end book a top

448
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Speaker 1: rated doctor today sleigh many are available within twenty four hours.

449
00:27:07,880 --> 00:27:14,040
Speaker 1: That's z o c d oc dot com, slash book Club,

450
00:27:14,680 --> 00:27:18,800
Speaker 1: zok dot dot com slash book Club, ditch the talk.

451
00:27:29,320 --> 00:27:32,159
Speaker 1: And then speaking of gender queer, the first color photo

452
00:27:32,240 --> 00:27:35,919
Speaker 1: in this book is this really awesome folk. Oh yeah,

453
00:27:35,920 --> 00:27:38,720
Speaker 1: it's that this guy with like long hair and like

454
00:27:38,800 --> 00:27:42,000
Speaker 1: a really deep v and like kind of wearing makeup

455
00:27:42,119 --> 00:27:45,880
Speaker 1: and like an earring. It's a very like I went

456
00:27:45,960 --> 00:27:51,240
Speaker 1: to every single state in the country and photographed queer

457
00:27:51,359 --> 00:27:55,280
Speaker 1: youth from eighteen to twenty four. Yeah, it's very like

458
00:27:55,400 --> 00:28:00,240
Speaker 1: the only queer photo project that's ever happened. Happen looking

459
00:28:00,280 --> 00:28:02,840
Speaker 1: for people in their bedroom and I'm gonna photograph you

460
00:28:03,000 --> 00:28:06,480
Speaker 1: looking slightly spell an ID magazine is going to be

461
00:28:06,520 --> 00:28:10,760
Speaker 1: like the photographer breaking boundaries. And it's just like this

462
00:28:10,760 --> 00:28:12,919
Speaker 1: guy kind of looking off to the side with his

463
00:28:13,040 --> 00:28:16,400
Speaker 1: long hair and his like filled in eyebrows and and

464
00:28:16,400 --> 00:28:19,000
Speaker 1: and Brooklyn goes, we had to jump over a hedge

465
00:28:19,040 --> 00:28:22,800
Speaker 1: into a stranger's garden to take this picture living on

466
00:28:22,840 --> 00:28:28,000
Speaker 1: the edge. It's like he's also such a fucking mild ass,

467
00:28:28,040 --> 00:28:29,840
Speaker 1: like fake, Okay, I feel like he's being fake because

468
00:28:29,840 --> 00:28:31,520
Speaker 1: that part who the part with is someone spooking to

469
00:28:31,560 --> 00:28:35,840
Speaker 1: sat He goes smoking, but I love the way it

470
00:28:35,960 --> 00:28:40,280
Speaker 1: lights the face. Oh it looks so cool, but I

471
00:28:40,320 --> 00:28:43,920
Speaker 1: know it's horrible for you. Well, aren't Like I feel

472
00:28:43,960 --> 00:28:46,120
Speaker 1: like that also is he's still close with his parents

473
00:28:46,160 --> 00:28:47,960
Speaker 1: and they're like, it's bad for your skin and just

474
00:28:48,040 --> 00:28:53,480
Speaker 1: like the youth from a wellness perspective. Yeah, But then

475
00:28:53,520 --> 00:28:55,840
Speaker 1: and then he sees the other guy. When he sees

476
00:28:55,880 --> 00:28:58,040
Speaker 1: that guy drinking on the street in New York City

477
00:28:58,080 --> 00:29:01,080
Speaker 1: and he's like, this guy was drinking rosette. It's so bad,

478
00:29:01,760 --> 00:29:07,160
Speaker 1: so random? Why are you us? Like he says random

479
00:29:07,280 --> 00:29:10,600
Speaker 1: so much and the guy it's not. It gets like

480
00:29:10,960 --> 00:29:14,800
Speaker 1: you from England where people are fucking drinking the street.

481
00:29:16,360 --> 00:29:18,560
Speaker 1: And the funniest part about that call you at random

482
00:29:18,760 --> 00:29:21,640
Speaker 1: is like it was just like the most kind of

483
00:29:21,680 --> 00:29:27,280
Speaker 1: like middle age East village like gay guy silver hair,

484
00:29:28,000 --> 00:29:30,360
Speaker 1: like how many a glass of Rosanna's stupid? It wasn't

485
00:29:30,400 --> 00:29:34,120
Speaker 1: like being he wasn't being like, oh, these guys were

486
00:29:34,160 --> 00:29:37,200
Speaker 1: drinking forties, Like it was random. He's like, it was

487
00:29:37,240 --> 00:29:41,280
Speaker 1: so random. I saw one man drink wine. I had

488
00:29:41,400 --> 00:29:44,760
Speaker 1: a photographic. Well, this is this thing of European people

489
00:29:44,960 --> 00:29:51,200
Speaker 1: being like so impressed and amazed by New York City grit.

490
00:29:51,840 --> 00:29:58,280
Speaker 1: It's like every time my French friends come here and

491
00:29:58,280 --> 00:30:00,960
Speaker 1: and it's just like it's actually discussed. But that's I

492
00:30:01,000 --> 00:30:03,840
Speaker 1: love that. You love that. No, when your dear French

493
00:30:03,960 --> 00:30:06,320
Speaker 1: friends we were in the car driving that. We were

494
00:30:06,360 --> 00:30:12,080
Speaker 1: literally at the gorgeous corner of Bushwaker av And Myrtle Avenue,

495
00:30:12,480 --> 00:30:14,840
Speaker 1: and she was like, ah, can you slow down? It

496
00:30:15,040 --> 00:30:18,600
Speaker 1: is so beautiful over here, Like it is so gorgeous.

497
00:30:18,640 --> 00:30:24,000
Speaker 1: It's like truly as one of those disgusting intersect. She's like,

498
00:30:24,480 --> 00:30:28,200
Speaker 1: oh my god. But like for a like white Rich

499
00:30:28,240 --> 00:30:31,520
Speaker 1: Street photographer, Myrtle Broadway like is the dream because it's

500
00:30:31,560 --> 00:30:34,480
Speaker 1: just like there are people like doing drugs, and there's

501
00:30:34,600 --> 00:30:39,880
Speaker 1: doing drugs, and there's furniture on the street and there's trashodegas.

502
00:30:40,000 --> 00:30:44,080
Speaker 1: I mean, ultimately he is very like the classic photography

503
00:30:44,240 --> 00:30:46,720
Speaker 1: trope of just like decay, and it's like he's like

504
00:30:46,960 --> 00:30:49,120
Speaker 1: and like the most inspiring trip he takes us too.

505
00:30:49,200 --> 00:30:52,320
Speaker 1: Of course with me cony. I'm well, okay, but I

506
00:30:52,360 --> 00:30:55,200
Speaker 1: was gonna say this, I wouldn't say this whole book.

507
00:30:55,240 --> 00:30:59,959
Speaker 1: It's like he only I discovers the idea of photography

508
00:31:00,120 --> 00:31:04,480
Speaker 1: decay and homeless people at the end. Yeah, and that's

509
00:31:04,480 --> 00:31:07,440
Speaker 1: when his photography starts to get way more Airbnb. And

510
00:31:07,440 --> 00:31:09,440
Speaker 1: it's like he goes to Paris, he takes a picture

511
00:31:09,440 --> 00:31:11,720
Speaker 1: of that fence with locks on it, like, which is

512
00:31:11,720 --> 00:31:13,800
Speaker 1: like the most cheesy, Like I feel like you could

513
00:31:13,880 --> 00:31:17,680
Speaker 1: see that framed in like any Airbnb now, like anywhere

514
00:31:17,720 --> 00:31:19,760
Speaker 1: in the world is like a fence with locks on it.

515
00:31:20,160 --> 00:31:22,960
Speaker 1: And then like it's like two guys who are kind

516
00:31:23,000 --> 00:31:26,200
Speaker 1: of like drunk outside of a locked bodega, like in

517
00:31:26,200 --> 00:31:28,440
Speaker 1: a shirt that says like I'm not an alcoholic, I'm

518
00:31:28,440 --> 00:31:31,520
Speaker 1: a drunk. Another guy that like does look like slightly

519
00:31:31,560 --> 00:31:34,760
Speaker 1: possibly homeless that he's like, this guy looks so happy,

520
00:31:34,840 --> 00:31:37,240
Speaker 1: How amazing that is? Like he truly goes like I

521
00:31:37,240 --> 00:31:39,800
Speaker 1: would say most of the book is like here's my

522
00:31:39,920 --> 00:31:43,920
Speaker 1: hot parents were on vacation. Then he's like, wait a second, whoa, whoa, whoa,

523
00:31:43,920 --> 00:31:47,160
Speaker 1: I just got a photo assignment that says, go summer

524
00:31:47,240 --> 00:31:51,040
Speaker 1: you've never been. Yeah, and photographic, Like it's very like

525
00:31:51,080 --> 00:31:53,160
Speaker 1: gotta and why you you, I'm gonna tell He's like,

526
00:31:53,240 --> 00:31:55,960
Speaker 1: I'm just gonna ride the metro all the way to

527
00:31:56,120 --> 00:31:58,720
Speaker 1: last stop. So I got off and he was Coney Arnland,

528
00:31:58,760 --> 00:32:03,360
Speaker 1: Oh the way to beach. Yeah. Ultimately, I prefer the

529
00:32:03,400 --> 00:32:07,600
Speaker 1: photography that's like, here's my hot mom. I'm obviously horny

530
00:32:07,680 --> 00:32:14,120
Speaker 1: for I prefer because it's honest, this is my hot mom.

531
00:32:14,480 --> 00:32:16,880
Speaker 1: Well honest. I think one thing I do really like

532
00:32:17,000 --> 00:32:21,040
Speaker 1: about this book is I think in his absolute um

533
00:32:21,480 --> 00:32:24,760
Speaker 1: just let's just say it, kind of his his simple,

534
00:32:25,320 --> 00:32:29,200
Speaker 1: simple brain, his straightforward, simple brain. He kind of like

535
00:32:29,360 --> 00:32:32,200
Speaker 1: blows the doors off of like what a lot of

536
00:32:32,240 --> 00:32:35,920
Speaker 1: good photography is with just like yes, because it's like

537
00:32:36,200 --> 00:32:38,280
Speaker 1: there's there's the scene where okay, when he gets that

538
00:32:38,440 --> 00:32:41,280
Speaker 1: um the photo of the guy on the on guy

539
00:32:41,360 --> 00:32:43,880
Speaker 1: Richie's film set here, so it's this, So it's closs

540
00:32:43,880 --> 00:32:46,600
Speaker 1: a photo. So this photo do you see this? So

541
00:32:46,600 --> 00:32:50,120
Speaker 1: it's like this it's really could be a National geographic

542
00:32:50,200 --> 00:32:52,600
Speaker 1: absolutely or like New York Times magazine. It's very close

543
00:32:52,640 --> 00:32:55,800
Speaker 1: to portraiture. We've got this guy with scriggly hair and

544
00:32:55,960 --> 00:32:58,760
Speaker 1: like you know, wearing a sweater and like lines on

545
00:32:58,800 --> 00:33:01,960
Speaker 1: his face kind of furrowing his brow, making like a

546
00:33:02,080 --> 00:33:04,760
Speaker 1: you can't tell if he's happier sad face, and this

547
00:33:04,920 --> 00:33:07,040
Speaker 1: he goes. I took this on the set of Guy

548
00:33:07,120 --> 00:33:10,240
Speaker 1: Richie's movie King Arthur. I got talking to this man.

549
00:33:10,320 --> 00:33:13,240
Speaker 1: He was so interesting. He builds film sets and he's

550
00:33:13,240 --> 00:33:15,080
Speaker 1: got an amazing face. So I asked to fuck a

551
00:33:15,120 --> 00:33:18,600
Speaker 1: photograph him and he agreed. I love this image. You

552
00:33:18,680 --> 00:33:21,200
Speaker 1: can't tell what he's thinking, but you know he has

553
00:33:21,240 --> 00:33:25,400
Speaker 1: a great story. It's lasted with you can't tell what

554
00:33:25,560 --> 00:33:31,360
Speaker 1: he's thinking. Yeah, it's like, well, yeah, I'm not talking

555
00:33:31,360 --> 00:33:35,120
Speaker 1: to him, so yeah, photographers And it's literally it's like

556
00:33:35,120 --> 00:33:38,840
Speaker 1: he's basically just been like so he's old, but he

557
00:33:38,880 --> 00:33:42,640
Speaker 1: has long hair and he's wrinkled, and it's like, this

558
00:33:42,760 --> 00:33:45,520
Speaker 1: is literally what everyone thinks good portraiture is. It's just like,

559
00:33:45,560 --> 00:33:47,920
Speaker 1: what if it's a photo of an old guy and

560
00:33:48,000 --> 00:33:49,960
Speaker 1: you like put flash on them so you can really

561
00:33:49,960 --> 00:33:54,200
Speaker 1: see their wrinkles. I honestly will say I also, again

562
00:33:54,400 --> 00:33:57,400
Speaker 1: not back to Romeo, but I'm just like, there's a

563
00:33:57,880 --> 00:34:01,640
Speaker 1: photo of his brother holdingwers looking sad, and isn't this

564
00:34:01,800 --> 00:34:05,560
Speaker 1: so like that is fully like queer photography that I'm

565
00:34:05,600 --> 00:34:08,200
Speaker 1: actually seeing, like at a show at a gallery that

566
00:34:08,239 --> 00:34:11,880
Speaker 1: people And also, couldn't it be like jaw Dar Muslim

567
00:34:12,000 --> 00:34:20,279
Speaker 1: queer youth taken into Jakastan. Yes, like these are flowers

568
00:34:20,320 --> 00:34:25,600
Speaker 1: for his boyfriend. They can only meet indoor us. What

569
00:34:25,640 --> 00:34:31,080
Speaker 1: you're saying could not be more accurate. I wanted to

570
00:34:31,640 --> 00:34:34,840
Speaker 1: go back though, to kind of an update on Brooklyn

571
00:34:34,960 --> 00:34:38,480
Speaker 1: and Victoria's relationship, because now this is giving me this

572
00:34:38,520 --> 00:34:40,399
Speaker 1: book that was came out. Are you about to bring

573
00:34:40,440 --> 00:34:50,360
Speaker 1: in like outside gossipy text, Lily? Is this allowed? No?

574
00:34:50,560 --> 00:34:53,359
Speaker 1: This is kind of building on what's happening right now

575
00:34:53,360 --> 00:34:57,360
Speaker 1: with Brooklyn Beckham and Victory Beckham's relationship and referencing the book,

576
00:34:57,400 --> 00:35:01,879
Speaker 1: if I may, um, if you'll allow that, sir so.

577
00:35:01,960 --> 00:35:05,719
Speaker 1: I don't know if anyone followed the Brooklyn Beckham jerrama

578
00:35:05,920 --> 00:35:09,160
Speaker 1: where he just got married to a woman who is

579
00:35:09,200 --> 00:35:12,359
Speaker 1: in like she's in, Oh, she's in that show the

580
00:35:12,360 --> 00:35:15,000
Speaker 1: Bates Motel, like on A and E or something. She's

581
00:35:15,040 --> 00:35:19,640
Speaker 1: an actress. She's an actress and Victoria Beckham wanted her

582
00:35:19,680 --> 00:35:23,200
Speaker 1: to wear a quote unquote VB dress for her wedding

583
00:35:23,760 --> 00:35:30,880
Speaker 1: and she refused. Wow, go off. Yeah, So and VB

584
00:35:31,320 --> 00:35:35,000
Speaker 1: is pretty pissed. Also, I think Brooklyn and his new

585
00:35:35,000 --> 00:35:39,279
Speaker 1: wife are like not going home for the holidays to

586
00:35:39,360 --> 00:35:43,920
Speaker 1: the David in Victoria's house. So Victoria hates this bitch,

587
00:35:44,000 --> 00:35:46,759
Speaker 1: and it's like, now it makes so much sense because

588
00:35:46,800 --> 00:35:50,400
Speaker 1: like because they had such an edible relationship, so of

589
00:35:50,440 --> 00:35:53,040
Speaker 1: course she's gonna be so competitive with the daughter, right

590
00:35:53,120 --> 00:35:56,200
Speaker 1: and be like it's bait. It is the like idea

591
00:35:56,239 --> 00:35:59,040
Speaker 1: when someone gets married and they're like, oh, I'm losing

592
00:35:59,480 --> 00:36:03,759
Speaker 1: my son, yeah, because they're like, we broke up. So

593
00:36:03,800 --> 00:36:07,880
Speaker 1: I feel like, obviously that is why Victoria is so pised,

594
00:36:07,960 --> 00:36:11,919
Speaker 1: and no wonder this Bates Motel actress like is like, no,

595
00:36:12,080 --> 00:36:16,000
Speaker 1: I have to like herself. She's yeah. It's like she's

596
00:36:16,000 --> 00:36:17,880
Speaker 1: not gonna be like, oh no, it's fine. I'll just

597
00:36:18,000 --> 00:36:21,560
Speaker 1: wear the mother's dress and I'll actually like, um where

598
00:36:21,560 --> 00:36:23,600
Speaker 1: the mother is like makeup line, and I'll cut my

599
00:36:23,600 --> 00:36:25,840
Speaker 1: hair to look like the mother, and I'll just change

600
00:36:25,880 --> 00:36:28,360
Speaker 1: my name to Victoria. I think that'll just be easier

601
00:36:28,400 --> 00:36:31,279
Speaker 1: for everyone. It's like, yeah, no, it's just like I'm

602
00:36:31,320 --> 00:36:33,640
Speaker 1: not gonna be you, you fucking psycho, like I'm gonna

603
00:36:33,840 --> 00:36:38,320
Speaker 1: fuck your son. And he's gonna call me Bates Motel

604
00:36:38,360 --> 00:36:41,880
Speaker 1: girl or whatever my name is. It's not gonna be like, oh, Pash,

605
00:36:41,960 --> 00:36:44,560
Speaker 1: give it to me and we're gonna make like Gin

606
00:36:44,680 --> 00:36:50,440
Speaker 1: and Tonics at home. Because so I Brooklyn Beckham. I

607
00:36:50,480 --> 00:36:52,239
Speaker 1: don't know. I mean, I don't know what he's doing

608
00:36:52,239 --> 00:36:55,480
Speaker 1: with his leger right now, but like he's fully shifted

609
00:36:55,520 --> 00:36:59,880
Speaker 1: to be a food influencer where like, yeah, I mean

610
00:37:00,360 --> 00:37:03,279
Speaker 1: the interest of just like taking photos of being on

611
00:37:03,360 --> 00:37:06,680
Speaker 1: vacation and then like having cocktails is not like it's

612
00:37:06,680 --> 00:37:11,360
Speaker 1: not a long walk, it's but now he's being like

613
00:37:11,480 --> 00:37:14,840
Speaker 1: fully Instagram chef, like being like I'm going to teach

614
00:37:15,000 --> 00:37:17,600
Speaker 1: like my friend who's the SoundCloud rapper, like how to

615
00:37:17,680 --> 00:37:21,080
Speaker 1: make the perfect steak. Yeah. Um, And I think that's

616
00:37:21,080 --> 00:37:23,400
Speaker 1: a great direction from I will say, So, I watched

617
00:37:23,400 --> 00:37:27,320
Speaker 1: that video you sent me again outside research, like bringing

618
00:37:27,400 --> 00:37:32,560
Speaker 1: secondary sources to the primary text. I did notice that

619
00:37:32,600 --> 00:37:35,200
Speaker 1: he looks it was a very post pandemic, like, oh,

620
00:37:35,320 --> 00:37:38,720
Speaker 1: y'all bet inside, y'all been not missing meals at home

621
00:37:38,960 --> 00:37:45,120
Speaker 1: with with Bates Motel. No. I yeah, I mean he's

622
00:37:45,120 --> 00:37:47,279
Speaker 1: he said in like the steak video I watched that

623
00:37:47,360 --> 00:37:52,640
Speaker 1: he eats a steak every night. Okay, that is not healthy. Yeah,

624
00:37:52,880 --> 00:37:55,840
Speaker 1: calling it out, it's not healthy. So and yeah, I

625
00:37:55,880 --> 00:37:59,120
Speaker 1: could checks a huge steak with butter and then like

626
00:37:59,400 --> 00:38:02,160
Speaker 1: they're having like Forgein and Tonics, which he referred to

627
00:38:02,280 --> 00:38:05,439
Speaker 1: as a experiment. Him and his wife have like quote

628
00:38:05,480 --> 00:38:09,880
Speaker 1: unquote an experimental cocktail club. When he did this book,

629
00:38:09,960 --> 00:38:12,920
Speaker 1: I think he went to Parsons and he dropped out

630
00:38:12,960 --> 00:38:16,960
Speaker 1: after one year because he got homesick. Oh I mean,

631
00:38:17,880 --> 00:38:20,680
Speaker 1: I mean, like rich British girl, just like I'm going

632
00:38:20,719 --> 00:38:23,279
Speaker 1: to Parsons to study photography and I'm going to take

633
00:38:23,480 --> 00:38:26,640
Speaker 1: photos of my rich family, and then also going to Africa,

634
00:38:26,920 --> 00:38:30,279
Speaker 1: which was extremely inspiring for me, and it's like they'd

635
00:38:30,280 --> 00:38:32,399
Speaker 1: ever go beyond that. It's just like it's very just

636
00:38:32,440 --> 00:38:34,680
Speaker 1: like I saw poor people and I was like that

637
00:38:34,920 --> 00:38:39,319
Speaker 1: was inspiring. And then he's doing some shirt because they're

638
00:38:40,400 --> 00:38:44,399
Speaker 1: they're smiling fight stigma against AIDS and oh wait, yeah,

639
00:38:44,400 --> 00:38:46,560
Speaker 1: there's like a shot of like Posh wearing like an

640
00:38:46,560 --> 00:38:49,240
Speaker 1: AIDS T shirt, like touching an elephant and just being

641
00:38:49,400 --> 00:38:55,200
Speaker 1: nothing's more inspiring. So hard to photograph elephants. I guess.

642
00:38:55,200 --> 00:38:58,920
Speaker 1: Also this is time to come out as someone not

643
00:38:59,000 --> 00:39:05,160
Speaker 1: getting into Parsons experience. Wait, I absolutely, oh no, Actually

644
00:39:05,239 --> 00:39:07,719
Speaker 1: I didn't even end up applying because I visited with

645
00:39:07,800 --> 00:39:11,080
Speaker 1: a Parsons like person that came to my school and

646
00:39:11,160 --> 00:39:16,440
Speaker 1: like looked at my portfolio and she was like, so

647
00:39:17,040 --> 00:39:20,440
Speaker 1: Parsons and mean and was just like, don't even apply here.

648
00:39:21,320 --> 00:39:29,799
Speaker 1: Oh okay. Yeah. She was like no, because again my

649
00:39:29,840 --> 00:39:34,320
Speaker 1: portfolio was a little more outsider art and yeah yeah,

650
00:39:34,360 --> 00:39:37,640
Speaker 1: and it was like so matise like circle third grade

651
00:39:37,640 --> 00:39:39,920
Speaker 1: and it was just being so crazy and scribbles and

652
00:39:39,960 --> 00:39:42,399
Speaker 1: she was like listen, like this is kind of more

653
00:39:42,400 --> 00:39:45,200
Speaker 1: of a technical school for learning technical skills. And I

654
00:39:45,200 --> 00:39:47,960
Speaker 1: mean that was like like I did the stuff that

655
00:39:48,000 --> 00:39:49,959
Speaker 1: I had to do to like I mean, you would

656
00:39:50,000 --> 00:39:54,799
Speaker 1: not have lasted three days at Parsons. No, absolutely not. No.

657
00:39:54,920 --> 00:39:56,839
Speaker 1: I was like applied because it's like, remember I did

658
00:39:56,840 --> 00:39:59,680
Speaker 1: this performance where I like were my mother's clothes and

659
00:39:59,680 --> 00:40:02,040
Speaker 1: took photos of it Brooklyn Beckham stuff. And then it

660
00:40:02,160 --> 00:40:04,560
Speaker 1: was like but then I did have like your classic

661
00:40:04,680 --> 00:40:07,319
Speaker 1: like charcoal self portraits that you need to apply for

662
00:40:07,600 --> 00:40:10,040
Speaker 1: art school. But yeah, she was like this is a

663
00:40:10,160 --> 00:40:15,279
Speaker 1: no um and you wanted to go for fashion design. Yeah,

664
00:40:15,440 --> 00:40:17,560
Speaker 1: I mean that's insane as be no friend about Arabella

665
00:40:17,600 --> 00:40:19,279
Speaker 1: went to Parts and Fashions and it's like the most

666
00:40:19,320 --> 00:40:22,480
Speaker 1: psychotic program ever where it's just like you're working thirty

667
00:40:22,480 --> 00:40:26,239
Speaker 1: hour days. Yeah, like cutting and pattern making. No, thank

668
00:40:26,280 --> 00:40:30,760
Speaker 1: god I didn't go to Parsons, so I relate. Girls

669
00:40:30,760 --> 00:40:33,000
Speaker 1: are like girls are like sobbing and getting on the

670
00:40:33,000 --> 00:40:35,759
Speaker 1: plane back to career. Like every single week at that

671
00:40:35,920 --> 00:40:48,520
Speaker 1: school sagments. What how she how she ate? Man? How

672
00:40:48,640 --> 00:40:53,720
Speaker 1: she how she lived? What's on her plate? Mane Okay,

673
00:40:53,800 --> 00:40:57,080
Speaker 1: I mean full English? Right? Have put English backfast beans? Yeah,

674
00:40:57,160 --> 00:41:00,239
Speaker 1: like full beans, sausage like Saturday. So what she eat?

675
00:41:00,320 --> 00:41:04,120
Speaker 1: Myte She's like straight up foodie myte but like Instagram

676
00:41:04,200 --> 00:41:09,720
Speaker 1: foodie like she's she's doing. She's doing like that baked pasta.

677
00:41:09,760 --> 00:41:13,480
Speaker 1: They always say pasta pasta yea and palmason and pasta

678
00:41:13,680 --> 00:41:17,360
Speaker 1: like I think like Brooklyn is so carbone, like he's

679
00:41:17,400 --> 00:41:20,160
Speaker 1: at home making and he got the recipe like from

680
00:41:20,160 --> 00:41:24,000
Speaker 1: the owner of Carbon Gold Belly. He's getting like the

681
00:41:24,360 --> 00:41:29,600
Speaker 1: vodka David Chang like the caught a peppie like rum

682
00:41:29,680 --> 00:41:34,919
Speaker 1: and roll like yeah, and then to my wife, Nicole, Okay,

683
00:41:34,960 --> 00:41:37,080
Speaker 1: I'm gonna make you like David, I'm gonna make it

684
00:41:37,120 --> 00:41:40,080
Speaker 1: the moment fum, just for the two of us. Yeah,

685
00:41:40,080 --> 00:41:42,120
Speaker 1: and then they're like throwing out half of it, like

686
00:41:42,320 --> 00:41:45,799
Speaker 1: they're very like they and I do feel like, don't

687
00:41:45,840 --> 00:41:49,279
Speaker 1: you think he's a little bit like their housekeeper is

688
00:41:49,360 --> 00:41:52,800
Speaker 1: doing the prep and he's getting into the kitchen and everything.

689
00:41:52,840 --> 00:41:55,680
Speaker 1: The whole museum plasta is laid out. Everything is fully

690
00:41:55,800 --> 00:41:58,720
Speaker 1: laid out, and like the bosm has already been cooking,

691
00:41:58,760 --> 00:42:01,080
Speaker 1: and he's just like, I make and both sometimes they're like,

692
00:42:01,320 --> 00:42:05,120
Speaker 1: you're so crazy and ambitious, Brooklyn. It's just him like

693
00:42:05,160 --> 00:42:07,680
Speaker 1: assembling and there's like a little thing of chili plays

694
00:42:07,719 --> 00:42:09,960
Speaker 1: a little thing of like a Rosemary sea salt, and

695
00:42:10,040 --> 00:42:12,880
Speaker 1: he's like, so first you want to like salt. You know,

696
00:42:12,920 --> 00:42:14,640
Speaker 1: this is a New York strip, but first you want

697
00:42:14,640 --> 00:42:17,600
Speaker 1: to salt it really well. And then oh my god,

698
00:42:17,640 --> 00:42:20,600
Speaker 1: you're quite You're so tented to detail, Brooklyn. It's amazing.

699
00:42:20,840 --> 00:42:24,480
Speaker 1: I love you pursuing your passion for cooking um. And

700
00:42:24,520 --> 00:42:29,440
Speaker 1: then he's like making a little gem salad. But again,

701
00:42:29,520 --> 00:42:33,759
Speaker 1: like everything is kind of arranged. It all it's all

702
00:42:33,800 --> 00:42:36,080
Speaker 1: pre arranged, mate, it's all meats on plastic're all ready

703
00:42:36,120 --> 00:42:39,840
Speaker 1: to go. I think he's absolutely like digging deep into nothing,

704
00:42:39,880 --> 00:42:46,839
Speaker 1: fancy being like, Bibe, what what roma recipe you want? Mate? Tonight? Mate?

705
00:42:46,880 --> 00:42:48,279
Speaker 1: I doubt it. I don't think he's got it. I

706
00:42:48,320 --> 00:42:50,200
Speaker 1: think he's got Otto Langy on the shelf. I don't

707
00:42:50,200 --> 00:42:52,200
Speaker 1: think he's got Roman on the shelf. I think he.

708
00:42:52,480 --> 00:42:54,359
Speaker 1: I mean, you don't think it's both like he's got

709
00:42:54,480 --> 00:42:57,360
Speaker 1: up now he's got Jerusalem on the shelf, of course,

710
00:42:57,600 --> 00:43:02,400
Speaker 1: absolutely Jerusalem, absolutely momentou book. I think like silver palette,

711
00:43:02,680 --> 00:43:06,320
Speaker 1: like he has like some big like classics, the silver palette.

712
00:43:06,320 --> 00:43:08,239
Speaker 1: I think it's like the big Italian one, because I

713
00:43:08,280 --> 00:43:11,840
Speaker 1: think he's also like chefs, like major chefs like Jamie

714
00:43:11,840 --> 00:43:14,279
Speaker 1: Oliver or like he has like the signed copy that

715
00:43:14,480 --> 00:43:17,360
Speaker 1: is for David. But like he's not being so like

716
00:43:17,440 --> 00:43:23,879
Speaker 1: cookbook cookbooks. It's more like chef's books, chef's book verse,

717
00:43:24,239 --> 00:43:27,560
Speaker 1: you mean, like a little more like chef forward, like

718
00:43:27,560 --> 00:43:30,080
Speaker 1: like like restaurant tour is like more of that kind

719
00:43:30,080 --> 00:43:33,000
Speaker 1: of chef as opposed to like the als of Romans

720
00:43:33,000 --> 00:43:35,120
Speaker 1: and the eider Gardens and like people who are more

721
00:43:35,200 --> 00:43:40,439
Speaker 1: like oh I'm a foot but yeah, rather than like oh,

722
00:43:40,520 --> 00:43:42,600
Speaker 1: I'm more of like a celebrity chef. And this is

723
00:43:42,640 --> 00:43:45,680
Speaker 1: my cookbook. Um. And as we know, he write he

724
00:43:45,880 --> 00:43:48,879
Speaker 1: makes Gin and tonics. Um, and it's like I'm experimenting

725
00:43:48,880 --> 00:43:52,200
Speaker 1: with cocktails. Yeah. So this amazing video where he's looking

726
00:43:52,280 --> 00:43:55,800
Speaker 1: very well nourished, he makes this quote experimental Gin and Tonic.

727
00:43:55,920 --> 00:43:59,360
Speaker 1: That's Gin Monkey forty seven. First of all, he's a

728
00:43:59,400 --> 00:44:03,279
Speaker 1: monkey girl. He's a monkey girl. Uh gin, oh that

729
00:44:03,400 --> 00:44:06,360
Speaker 1: is the gent tonic. And then it's just like rosemary,

730
00:44:06,440 --> 00:44:09,080
Speaker 1: mint and cucumber, and like that's actually beautiful that it

731
00:44:09,120 --> 00:44:12,320
Speaker 1: looks delicious, but like any because he goes, I'm a nutta,

732
00:44:12,520 --> 00:44:15,399
Speaker 1: I'm a total nuta in the kitchen, as if it's

733
00:44:15,400 --> 00:44:19,840
Speaker 1: insane that he's just putting like these herbs in this drink. Wait,

734
00:44:19,880 --> 00:44:24,040
Speaker 1: can I actually call something for twenty twenty three. I'm

735
00:44:24,120 --> 00:44:28,319
Speaker 1: listening Gin and Tonics are back, agreed out with a martini?

736
00:44:29,800 --> 00:44:33,640
Speaker 1: More Gin and Tonics. Okay, when this episode airs, hopefully

737
00:44:33,719 --> 00:44:37,440
Speaker 1: my earth shattering piece in the Martini will have come out. Um,

738
00:44:38,760 --> 00:44:40,440
Speaker 1: well link to it, well, link to it in the

739
00:44:40,480 --> 00:44:43,600
Speaker 1: show page, and hopefully, uh yeah, it will be kind

740
00:44:43,640 --> 00:44:44,880
Speaker 1: of like the end of an era and this heart

741
00:44:44,920 --> 00:44:47,440
Speaker 1: of something new. But I think like Gin is going

742
00:44:47,520 --> 00:44:50,160
Speaker 1: to carry over because people still like the floralness of it. Yeah,

743
00:44:50,200 --> 00:44:54,000
Speaker 1: and like that's the you know, the complexity of it. Um.

744
00:44:54,040 --> 00:44:55,759
Speaker 1: But yeah, I see Gin and Tonics making a big

745
00:44:55,800 --> 00:44:58,759
Speaker 1: comeback and you know, but like you know, with a

746
00:44:58,880 --> 00:45:05,320
Speaker 1: gorgeous Tonic realistic of Rosemary stunning, stunning things happening in there.

747
00:45:05,440 --> 00:45:10,759
Speaker 1: So I think he's um he Also, I guess I

748
00:45:10,840 --> 00:45:13,279
Speaker 1: feel like I saw this TikTok breakfast sandwich and I

749
00:45:13,320 --> 00:45:15,160
Speaker 1: feel like he's making it where you make this like

750
00:45:15,280 --> 00:45:18,799
Speaker 1: egg custard and it's like this perfect square and you're

751
00:45:18,840 --> 00:45:20,960
Speaker 1: getting like it's just everything. I feel he's like, oh,

752
00:45:21,000 --> 00:45:23,279
Speaker 1: I went to this bakery and I got this like

753
00:45:23,400 --> 00:45:28,080
Speaker 1: special Japanese butter row. But again it's the housekeeper like

754
00:45:28,200 --> 00:45:31,840
Speaker 1: making the custard and he's like beating the eggs maybe,

755
00:45:32,320 --> 00:45:36,799
Speaker 1: and then she's doing the rest. Yeah, she's really doing

756
00:45:36,840 --> 00:45:38,960
Speaker 1: a lot of her. I just like I'm reminded of

757
00:45:39,600 --> 00:45:43,560
Speaker 1: my uh, this rich British friend that I had, you

758
00:45:43,600 --> 00:45:46,839
Speaker 1: may know, Yes, and one time I was at her

759
00:45:46,840 --> 00:45:50,000
Speaker 1: house in the south of France and like we were

760
00:45:50,040 --> 00:45:54,040
Speaker 1: being like such like wasted, naughty, like rich girls, like

761
00:45:54,120 --> 00:45:57,600
Speaker 1: partying all night and like smoking in there. Like fourteenth

762
00:45:57,640 --> 00:46:01,319
Speaker 1: century Villa and then and it's like I'm sure, like

763
00:46:01,440 --> 00:46:05,239
Speaker 1: the whole house was like such a mess, and then

764
00:46:05,280 --> 00:46:06,959
Speaker 1: like I get up and you come into the kitchen,

765
00:46:07,000 --> 00:46:09,360
Speaker 1: it's like completely clean. There's like a massive spread of

766
00:46:09,440 --> 00:46:12,479
Speaker 1: croissants from like the local bakery and just like every

767
00:46:12,520 --> 00:46:15,200
Speaker 1: kind of breakfast you guat and like picture of orange juice,

768
00:46:15,239 --> 00:46:21,400
Speaker 1: like already like decanted, movie decanted. It's so just like okay,

769
00:46:21,400 --> 00:46:23,400
Speaker 1: and like the housekeeper who has actually lived at this

770
00:46:23,520 --> 00:46:26,080
Speaker 1: villa since the thirteen hundreds just like came and cleaned

771
00:46:26,160 --> 00:46:28,280
Speaker 1: up after the kids and fully like made a breakfast

772
00:46:28,320 --> 00:46:30,759
Speaker 1: bread and then you're touching one croissan she's like throwing

773
00:46:30,800 --> 00:46:33,120
Speaker 1: all the rest of them away. Yeah, that is exactly

774
00:46:33,120 --> 00:46:37,520
Speaker 1: what's happening at his house every day. Oh okay, what

775
00:46:37,600 --> 00:46:40,600
Speaker 1: does he wear? Did he notice out of his like

776
00:46:40,880 --> 00:46:45,920
Speaker 1: huge hoodie likes? Did you notice that he's wearing a

777
00:46:45,960 --> 00:46:48,239
Speaker 1: tiny cross in one of the Yes I did. I

778
00:46:48,320 --> 00:46:53,040
Speaker 1: was actually Christian, I mean Vita Beckham, And yes, I

779
00:46:53,040 --> 00:46:56,319
Speaker 1: mean Justin is very Christian. He's extreme Christian. And I

780
00:46:56,320 --> 00:47:00,440
Speaker 1: don't know, Brooklyn mustang out with Justin maybe they seems

781
00:47:00,520 --> 00:47:04,320
Speaker 1: so similar to me. Brooklyn now I think is like

782
00:47:04,360 --> 00:47:08,799
Speaker 1: a little more just like Supreme ninety dollars sorry, four

783
00:47:08,880 --> 00:47:13,400
Speaker 1: hundred dollars, like heavyweight white T shirt. It's like a

784
00:47:13,400 --> 00:47:17,919
Speaker 1: little more he's a little more car Hart Whip. Now, yeah,

785
00:47:18,000 --> 00:47:22,640
Speaker 1: you think he's that streetwear. I actually think he's he's

786
00:47:22,680 --> 00:47:25,600
Speaker 1: actually reverting to being less streetwear and like coming away

787
00:47:25,600 --> 00:47:28,000
Speaker 1: from being a skater now that he's more like I'm

788
00:47:28,080 --> 00:47:30,480
Speaker 1: married in at home and I think he's just wearing

789
00:47:30,520 --> 00:47:33,480
Speaker 1: like random expensive British brands you haven't heard of that

790
00:47:33,520 --> 00:47:37,320
Speaker 1: are a little bit like Poland Bear and like Caskin Talon,

791
00:47:37,480 --> 00:47:40,760
Speaker 1: and he's just wearing this cask In Talon like button

792
00:47:40,840 --> 00:47:45,200
Speaker 1: down and like great great, like home Corduroys, really good

793
00:47:45,200 --> 00:47:48,560
Speaker 1: home quarters, which I also that's a twenty that's one

794
00:47:48,600 --> 00:47:53,399
Speaker 1: of my twenty twenty three goals for the winter home

795
00:47:53,480 --> 00:47:56,160
Speaker 1: quarter roys. No, actually out of the home court roys.

796
00:47:56,520 --> 00:47:59,200
Speaker 1: You know what had really good corduroys was when I

797
00:47:59,360 --> 00:48:02,279
Speaker 1: was at the Leaves outlet store at the outlet mall

798
00:48:02,360 --> 00:48:05,920
Speaker 1: and Lee really Massachusetts, and it was like, oh no,

799
00:48:05,960 --> 00:48:09,880
Speaker 1: sorry note, uh wait was it Levi's or Jay Crew Chase?

800
00:48:11,360 --> 00:48:14,680
Speaker 1: Those those corduroys we saw were that that we liked.

801
00:48:14,760 --> 00:48:17,839
Speaker 1: Was that Jay Crewe or Levi's when we were at

802
00:48:17,840 --> 00:48:20,680
Speaker 1: the outlet of mall because I saw a pair of

803
00:48:20,760 --> 00:48:23,919
Speaker 1: j Crew, like Painter corduroy. It was it was Jay Crew.

804
00:48:24,160 --> 00:48:25,880
Speaker 1: It was Jay Crew. Oh, I wonder if it was

805
00:48:25,880 --> 00:48:27,600
Speaker 1: the ones. I almost bought a Black Friday and then

806
00:48:27,600 --> 00:48:31,719
Speaker 1: I said, like, Lily, don't buy anything. Oh, thank you.

807
00:48:32,120 --> 00:48:34,080
Speaker 1: There was some stuff there at Jay Crew that was

808
00:48:34,200 --> 00:48:37,879
Speaker 1: very like, you know what, this is kinda nice. I'm

809
00:48:37,880 --> 00:48:42,760
Speaker 1: not kind of nice Jay Crew, kind of Knights. Okay,

810
00:48:43,040 --> 00:48:46,239
Speaker 1: we'll look back to um. I'll update you guys if

811
00:48:46,239 --> 00:48:49,840
Speaker 1: I get a pair of good outside of the homeys. Okay.

812
00:48:49,840 --> 00:48:52,799
Speaker 1: And then finally, how does he live? Mate? How does

813
00:48:52,840 --> 00:48:55,160
Speaker 1: he live? I mean I think the kitchen island. I

814
00:48:55,160 --> 00:48:57,399
Speaker 1: mean I've seen it on his videos, so I guess

815
00:48:57,400 --> 00:49:00,200
Speaker 1: it's cheating, like it's just it goes on forever. Uh,

816
00:49:04,120 --> 00:49:09,080
Speaker 1: but that's obviously. I think he's big velvet marble or

817
00:49:09,160 --> 00:49:12,520
Speaker 1: is it court? Oh? So I think it's marble. It

818
00:49:12,600 --> 00:49:15,319
Speaker 1: does seem a little bit more like old fashioned. I

819
00:49:15,360 --> 00:49:20,080
Speaker 1: also think he is a little his refrigeration, I think

820
00:49:20,120 --> 00:49:24,440
Speaker 1: it's like underneath like maybe he does have a big subsera,

821
00:49:24,480 --> 00:49:27,880
Speaker 1: but he also has drawers fridge drawers. Absolutely, there's fridge

822
00:49:27,920 --> 00:49:30,080
Speaker 1: drawers full of beverages, which is just like the chicest

823
00:49:30,080 --> 00:49:33,759
Speaker 1: thing in the world. One day. Um yeah, I think

824
00:49:33,800 --> 00:49:37,000
Speaker 1: there's like a framed photo that like someone got for him,

825
00:49:37,080 --> 00:49:41,919
Speaker 1: like of himself like on a skateboard. Maybe. I guess

826
00:49:41,920 --> 00:49:44,919
Speaker 1: the question is like, is he so rich hobby girl,

827
00:49:45,080 --> 00:49:47,640
Speaker 1: like does he have any of his photography framed? Or

828
00:49:47,680 --> 00:49:50,600
Speaker 1: is he like really embarrassed of it. No, that's what

829
00:49:50,640 --> 00:49:53,279
Speaker 1: I'm saying. I think like he has a couple of

830
00:49:53,320 --> 00:49:55,600
Speaker 1: the frames and it was like it was like a

831
00:49:55,640 --> 00:49:59,160
Speaker 1: gift from his dad being like Brooklyn, I framed I

832
00:49:59,200 --> 00:50:03,680
Speaker 1: believe you your photo of me taking a photo of you.

833
00:50:03,920 --> 00:50:06,920
Speaker 1: I framed it, like and it's your Christmas present. And

834
00:50:06,960 --> 00:50:11,640
Speaker 1: he's like, Dad, it's thank you so much. This is aces,

835
00:50:11,680 --> 00:50:18,560
Speaker 1: this is tops, it's heap stops, heap stops. Um. Yeah.

836
00:50:18,560 --> 00:50:20,719
Speaker 1: And there's just like a photo like of his dad

837
00:50:20,800 --> 00:50:22,520
Speaker 1: taking a photo of him with a like of like

838
00:50:22,560 --> 00:50:24,719
Speaker 1: in a mirror in the bathroom. And I think he

839
00:50:24,840 --> 00:50:27,360
Speaker 1: has like in one of his rooms also like tons

840
00:50:27,360 --> 00:50:30,359
Speaker 1: of copies of this. Here's the thing about him being

841
00:50:30,400 --> 00:50:34,200
Speaker 1: high bed verse low bed. I'm actually think I want

842
00:50:34,239 --> 00:50:36,680
Speaker 1: to say he's low because like he is like kind

843
00:50:36,719 --> 00:50:40,200
Speaker 1: of sexy. But then I'm also like, it's very English

844
00:50:40,280 --> 00:50:42,440
Speaker 1: to have like such a tufted ass high bed, and

845
00:50:42,480 --> 00:50:45,160
Speaker 1: I could see him jacking it up there. I don't

846
00:50:45,200 --> 00:50:49,560
Speaker 1: know if, but ultimately your immunobates are are like it's low,

847
00:50:49,719 --> 00:50:51,600
Speaker 1: it's low. And they spent a lot of time in

848
00:50:51,640 --> 00:50:54,680
Speaker 1: Los Angeles like growing up, so yeah, I think it's low,

849
00:50:55,200 --> 00:50:59,200
Speaker 1: and tons of time in Napa too. Oh yeah, he

850
00:50:59,320 --> 00:51:01,560
Speaker 1: loves now. But I think, just to add to the

851
00:51:02,120 --> 00:51:05,040
Speaker 1: I do think he's like, oh bye, I'm going to

852
00:51:05,160 --> 00:51:08,480
Speaker 1: open up the ninety eight baro of Well. I guess

853
00:51:08,480 --> 00:51:11,279
Speaker 1: he's so. I feel like he is natty a little bit,

854
00:51:11,719 --> 00:51:15,040
Speaker 1: and she'd we don't like that one. She's like really

855
00:51:15,200 --> 00:51:18,200
Speaker 1: really like not posh in my mind with Bates motality,

856
00:51:18,239 --> 00:51:23,359
Speaker 1: she's like she's British and she's like, I think she's American. Work, Oh,

857
00:51:23,400 --> 00:51:25,640
Speaker 1: get out of town. She's just probably why the drama.

858
00:51:25,640 --> 00:51:29,040
Speaker 1: I think she's some fucking basic American. It's just like

859
00:51:29,080 --> 00:51:31,239
Speaker 1: every British dynasty there has to be like the way

860
00:51:31,280 --> 00:51:33,400
Speaker 1: where child goes and marries an American and fox the

861
00:51:33,400 --> 00:51:38,919
Speaker 1: whole thing up. I will also say that I give

862
00:51:38,960 --> 00:51:45,480
Speaker 1: this book, um hmm, hard to say. It takes you

863
00:51:45,560 --> 00:51:49,359
Speaker 1: out of dirty for sure. Um, and it's almost wanting

864
00:51:49,360 --> 00:51:52,000
Speaker 1: to get real quickly. I don't I'm like not tempted

865
00:51:52,080 --> 00:51:54,279
Speaker 1: to really spend that much more time with it. I

866
00:51:54,320 --> 00:51:58,000
Speaker 1: will say, yeah, I'm gonna give it. Okay. Look the

867
00:51:58,000 --> 00:52:01,799
Speaker 1: photo Victoria Beckham salmon fishing in an amazing outfit, like

868
00:52:01,880 --> 00:52:05,640
Speaker 1: the graillery in her salmon fishing outfit is pretty epic.

869
00:52:05,719 --> 00:52:07,680
Speaker 1: And she's just wearing these sunglasses and you know, it's

870
00:52:07,680 --> 00:52:10,640
Speaker 1: like it's she looks cool. It's kind of like arc

871
00:52:10,719 --> 00:52:12,200
Speaker 1: Terra because like it's like this, but it's like I

872
00:52:12,560 --> 00:52:15,440
Speaker 1: kind of wine. She's wears fingerless gloves and then she's

873
00:52:15,440 --> 00:52:18,480
Speaker 1: got these kind of thick waiting pants. It's a dopas.

874
00:52:18,600 --> 00:52:21,920
Speaker 1: I'll say this, that photo I would pay one hundred

875
00:52:21,920 --> 00:52:29,080
Speaker 1: thousand dollars for. But huge one point five charity trips

876
00:52:29,080 --> 00:52:32,600
Speaker 1: to Kenya out of five. Yeah, I have to sort

877
00:52:32,640 --> 00:52:34,719
Speaker 1: of like agree. I think I'm gonna give this book

878
00:52:34,719 --> 00:52:39,960
Speaker 1: two out of five. Very difficult to photograph elephants. Ultimately,

879
00:52:40,000 --> 00:52:42,680
Speaker 1: I appreciate that he is letting us in on his

880
00:52:43,360 --> 00:52:47,560
Speaker 1: family's life. His family trips unable and the vulnerability that

881
00:52:47,680 --> 00:52:50,879
Speaker 1: he said that it is hard to photograph elephants. But

882
00:52:51,600 --> 00:52:53,840
Speaker 1: and I like that there's that there was an attempt

883
00:52:53,840 --> 00:52:56,080
Speaker 1: at a concept here with like you know, the color

884
00:52:56,200 --> 00:52:58,200
Speaker 1: it's like mostly back in white, with just like some

885
00:52:58,920 --> 00:53:01,680
Speaker 1: you know a little bit of like a gel over

886
00:53:01,760 --> 00:53:03,319
Speaker 1: some of them, like the blue or the pink. But

887
00:53:04,000 --> 00:53:06,719
Speaker 1: and then the space scene. You know, there was some

888
00:53:06,760 --> 00:53:09,240
Speaker 1: effort made here. It doesn't feel like a total cash grab.

889
00:53:09,600 --> 00:53:12,040
Speaker 1: It really done. And it's with Rossoli, which was like

890
00:53:12,080 --> 00:53:14,480
Speaker 1: an art book, you know, so he really did go

891
00:53:14,560 --> 00:53:18,400
Speaker 1: after what he wanted at the time. Like this to

892
00:53:18,600 --> 00:53:21,560
Speaker 1: me almost feels like a little more original than him

893
00:53:21,600 --> 00:53:25,840
Speaker 1: being just this like random TikTok like food guy. I agree.

894
00:53:26,040 --> 00:53:28,560
Speaker 1: So a lot of celebrity kids out there, they could

895
00:53:28,560 --> 00:53:30,400
Speaker 1: grab a camera, but are they going to go ahead

896
00:53:30,400 --> 00:53:33,279
Speaker 1: and make this book and the Rosoli book. No they're not,

897
00:53:33,480 --> 00:53:37,719
Speaker 1: they're not. So Good job, Brooklyn, Good job, Brooklyn. I'm

898
00:53:37,719 --> 00:53:40,080
Speaker 1: so proud of you, one of my favorite sons. Let's

899
00:53:40,120 --> 00:53:42,479
Speaker 1: all go have sex as a family and art. Yeah,

900
00:53:42,719 --> 00:53:46,080
Speaker 1: please invite me to NAPA for your family orgy. But yeah,

901
00:53:46,239 --> 00:53:56,400
Speaker 1: ultimately best best Cebry Book Clubs presented about prolog projects

902
00:53:56,480 --> 00:53:59,880
Speaker 1: int it. The show is produced by Benjamin Fresh Smashing

903
00:54:00,040 --> 00:54:03,680
Speaker 1: Mate Editor is support from Leon Nay fac The Winker,

904
00:54:04,040 --> 00:54:09,200
Speaker 1: Andrew Parsons, Another Anker and Madeline Kaplin, a Smashing bird

905
00:54:09,719 --> 00:54:13,360
Speaker 1: or production mannerist, Persia Valent the Queen of Old Birds.

906
00:54:13,640 --> 00:54:17,440
Speaker 1: Original theme song by Stephen Phillips, Horse and Nasty Little Anker,

907
00:54:17,640 --> 00:54:20,840
Speaker 1: a poof to too, artwork by Teddy Blanks at Chips

908
00:54:20,880 --> 00:54:23,920
Speaker 1: and Why. Follow us on Twitter and Instagram at CBC

909
00:54:24,040 --> 00:54:27,680
Speaker 1: the Pod. Subscribe on your favorite app, so it's probably Spotify.

910
00:54:27,760 --> 00:54:29,880
Speaker 1: Whatever you got here in the States. Leave us a

911
00:54:29,960 --> 00:54:33,240
Speaker 1: review on Apple, put your heart into it. Don't forget

912
00:54:33,239 --> 00:54:35,440
Speaker 1: to tell all your friends about us. Just go to

913
00:54:35,520 --> 00:54:37,960
Speaker 1: patreon dot com if you want to hear more of

914
00:54:38,080 --> 00:54:42,879
Speaker 1: us slapping each other's backs and down in points at

915
00:54:42,960 --> 00:54:46,360
Speaker 1: Yo pubbing, getting each other's knickers all in the twisty

916
00:54:47,160 --> 00:54:53,839
Speaker 1: over their Patreon dot com. So, CBC the Pod Cheers, Mate,