1 00:00:00,320 --> 00:00:03,160 Speaker 1: In here, Mateo, come come see come see it. That 2 00:00:03,240 --> 00:00:10,560 Speaker 1: was incredible. Wow, Li from the Mercedes Fins interview lounge, 3 00:00:10,800 --> 00:00:15,200 Speaker 1: that was incredible. How how you pull that off at 4 00:00:15,200 --> 00:00:17,880 Speaker 1: this hour with our awful equipment? 5 00:00:19,680 --> 00:00:20,480 Speaker 2: That's not true. 6 00:00:21,160 --> 00:00:24,560 Speaker 1: That was great. That was beautiful. Thank you. People are 7 00:00:24,600 --> 00:00:27,360 Speaker 1: texting in saying they're crying on the way to work. Okay, 8 00:00:27,480 --> 00:00:28,640 Speaker 1: their makeup is running? 9 00:00:29,080 --> 00:00:31,360 Speaker 2: Is it? Is it a nice thing to make people cry? 10 00:00:31,440 --> 00:00:34,879 Speaker 1: Yeah, it is. That's a good cry. Well, usually when 11 00:00:34,880 --> 00:00:37,680 Speaker 1: I make them cry, it's a bad cry. I'm an 12 00:00:37,680 --> 00:00:41,120 Speaker 1: evil jerk. Whoa who the cursing? 13 00:00:41,200 --> 00:00:41,280 Speaker 3: Like? 14 00:00:41,360 --> 00:00:46,360 Speaker 1: Who the F is this guy? That's beautiful. Congratulations, you 15 00:00:46,440 --> 00:00:47,080 Speaker 1: sound awesome. 16 00:00:47,120 --> 00:00:47,839 Speaker 2: Thank you so much. 17 00:00:47,880 --> 00:00:50,600 Speaker 1: And all people asking my gosh, Mateo Bachelly, is he 18 00:00:50,640 --> 00:00:51,680 Speaker 1: related to mean? Yeah? 19 00:00:51,720 --> 00:00:52,000 Speaker 2: He is. 20 00:00:54,800 --> 00:00:55,400 Speaker 3: Do you see what it. 21 00:00:55,360 --> 00:00:58,360 Speaker 1: Says on the back of his baseball hat beautiful disaster 22 00:01:00,120 --> 00:01:02,639 Speaker 1: on my song from the album Well, I think you're 23 00:01:02,640 --> 00:01:04,840 Speaker 1: describing yourself exactly. 24 00:01:05,319 --> 00:01:07,200 Speaker 2: That's who I am, A beautiful disaster. 25 00:01:07,360 --> 00:01:10,160 Speaker 1: Well, welcome to New York. I think you just flew in. 26 00:01:10,240 --> 00:01:12,119 Speaker 1: I mean you got in at three this morning. 27 00:01:12,400 --> 00:01:17,200 Speaker 2: Yeah, yes, I played in Huntington. It was an incredible gig. 28 00:01:17,280 --> 00:01:20,399 Speaker 2: I loved it. So much. Loved the venue and then yeah, 29 00:01:20,520 --> 00:01:23,240 Speaker 2: with the bus we came to New York and you 30 00:01:23,319 --> 00:01:25,039 Speaker 2: know we arrived. I was in bed at three am. 31 00:01:25,480 --> 00:01:27,280 Speaker 2: But still the times it's killing me. 32 00:01:27,319 --> 00:01:29,440 Speaker 1: So I know, you look good, you know, to look 33 00:01:29,440 --> 00:01:32,000 Speaker 1: like you're resting. Yeah, you think you're about to fall 34 00:01:32,080 --> 00:01:35,720 Speaker 1: over right now? I think you're so nice. Well, I 35 00:01:35,760 --> 00:01:38,319 Speaker 1: got to say, uh, I know your your father is 36 00:01:38,680 --> 00:01:43,000 Speaker 1: at Madison Square Garden tonight. That's an okay venue. Yeah, 37 00:01:43,080 --> 00:01:46,400 Speaker 1: that's okay. Is the Garden in New York City? Is 38 00:01:46,440 --> 00:01:49,480 Speaker 1: it a world famous place where all artists want to play? 39 00:01:49,520 --> 00:01:50,800 Speaker 1: Or is it just a United States? No? 40 00:01:50,680 --> 00:01:51,800 Speaker 2: No, no, no it is. 41 00:01:51,840 --> 00:01:54,600 Speaker 1: Why is that it's really not that great of a place, 42 00:01:55,200 --> 00:01:58,960 Speaker 1: it really is it. It's just it's just a big room. 43 00:01:59,120 --> 00:01:59,960 Speaker 1: What makes it special? 44 00:02:00,200 --> 00:02:02,840 Speaker 2: I mean obviously the history, you know, I mean everyone 45 00:02:02,840 --> 00:02:05,800 Speaker 2: played there, and you know New York is New York 46 00:02:05,880 --> 00:02:09,400 Speaker 2: is the city where you know, that's the thing happens. 47 00:02:09,480 --> 00:02:13,040 Speaker 2: And you know it's the city that never sleeps obviously 48 00:02:15,520 --> 00:02:16,079 Speaker 2: to as well. 49 00:02:16,960 --> 00:02:18,400 Speaker 1: We've been away since Mondays. 50 00:02:18,480 --> 00:02:22,880 Speaker 2: Yeah too much, but yes, and I mean I had 51 00:02:22,919 --> 00:02:25,320 Speaker 2: to the honor, you know, to perform there with my 52 00:02:25,360 --> 00:02:28,320 Speaker 2: father too. And yes, there's a special energy. I love 53 00:02:28,360 --> 00:02:28,880 Speaker 2: it so much. 54 00:02:29,040 --> 00:02:32,440 Speaker 1: We we have our concert every year. It's called jingle Ball. 55 00:02:32,440 --> 00:02:34,760 Speaker 1: We sell out the garden in three minutes every year. 56 00:02:35,160 --> 00:02:39,079 Speaker 1: This year we had we had Share she's seventy seven 57 00:02:39,160 --> 00:02:42,080 Speaker 1: years old. She's still popping, man, She's that's good. We 58 00:02:42,120 --> 00:02:44,760 Speaker 1: had had a lot of people there, Sizza One Republic, 59 00:02:45,040 --> 00:02:46,440 Speaker 1: Olivia Rodrigo. 60 00:02:46,760 --> 00:02:50,000 Speaker 2: Yeah, cool, you should do jingle Ball takeo. I mean, 61 00:02:50,000 --> 00:02:54,800 Speaker 2: if you invite me, why not, can you imagine? 62 00:02:54,880 --> 00:02:56,360 Speaker 3: Yeah? I have a question. 63 00:02:56,720 --> 00:02:59,359 Speaker 1: So your dad has you know, we all know who 64 00:02:59,360 --> 00:03:02,079 Speaker 1: he is, right, famous singer. When you went to him 65 00:03:02,120 --> 00:03:04,320 Speaker 1: and said I want to do the same thing, what 66 00:03:04,360 --> 00:03:04,959 Speaker 1: did he say to you? 67 00:03:05,120 --> 00:03:05,320 Speaker 2: Yeah? 68 00:03:05,320 --> 00:03:06,000 Speaker 1: What was that like? 69 00:03:06,480 --> 00:03:09,960 Speaker 2: Well, obviously it wasn't so, you know, like something that 70 00:03:10,040 --> 00:03:13,560 Speaker 2: happened like one day exactly. He started to you know, 71 00:03:13,639 --> 00:03:18,959 Speaker 2: understand that that was my dream. But yeah, around the 72 00:03:19,000 --> 00:03:21,480 Speaker 2: age of sixteen seventeen, I also had the chance to 73 00:03:21,480 --> 00:03:24,480 Speaker 2: make a record with David Foster. But my father was like, no, 74 00:03:24,960 --> 00:03:28,040 Speaker 2: you're too young, You're not ready. He was trying with 75 00:03:28,120 --> 00:03:30,799 Speaker 2: his old strength to not make me sing because it 76 00:03:30,919 --> 00:03:33,760 Speaker 2: was like, I know what this business is about, you know, 77 00:03:33,800 --> 00:03:36,400 Speaker 2: I know the music industry is very tough. And if 78 00:03:36,400 --> 00:03:39,760 Speaker 2: I have to imasure my son, you know, challenging in that, 79 00:03:40,240 --> 00:03:42,520 Speaker 2: you know, in that industry. I'm not super happy, but 80 00:03:43,160 --> 00:03:45,160 Speaker 2: you know, at the end, you can stop people's dream 81 00:03:45,200 --> 00:03:47,720 Speaker 2: you can stop like someone that loved to do something. 82 00:03:48,360 --> 00:03:53,400 Speaker 2: And so everything actually started with following me in twenty eighteen. 83 00:03:54,000 --> 00:03:56,840 Speaker 2: And yeah, since then, it's been a beautiful journey. 84 00:03:56,960 --> 00:03:58,520 Speaker 1: What would you be doing if you weren't singing? 85 00:03:58,640 --> 00:04:03,800 Speaker 2: Oh, I don't know. I mean I really love the countryside. 86 00:04:03,880 --> 00:04:06,800 Speaker 2: We we produce wine and probably something like that. 87 00:04:06,880 --> 00:04:10,280 Speaker 1: Did you bring me a bottle's? Where's my bottle? 88 00:04:10,480 --> 00:04:12,800 Speaker 2: I should? You're right, I should always, you know, fly 89 00:04:12,960 --> 00:04:14,560 Speaker 2: and travel with wine. 90 00:04:14,600 --> 00:04:17,640 Speaker 1: You should always have a case a singing you. 91 00:04:18,960 --> 00:04:21,760 Speaker 2: I'll give you the story as if you come to Italy. 92 00:04:22,279 --> 00:04:25,119 Speaker 2: There you go, let us know what part of Italy? 93 00:04:25,160 --> 00:04:29,040 Speaker 2: What part of Italy Tuscany? What part of Tuscany exactly? 94 00:04:29,120 --> 00:04:33,080 Speaker 2: So the countryside town is called Liaiatico, right, yeah. 95 00:04:33,480 --> 00:04:36,160 Speaker 1: We were. I'm in Tuscany a lot. So don't say that. 96 00:04:38,000 --> 00:04:40,279 Speaker 2: I said it. I said it. I keep promises I 97 00:04:40,320 --> 00:04:41,880 Speaker 2: will find you, I promises. 98 00:04:42,080 --> 00:04:44,360 Speaker 1: So growing up, did you come to New York a lot? 99 00:04:44,520 --> 00:04:45,200 Speaker 1: Did you? 100 00:04:45,279 --> 00:04:47,760 Speaker 2: Yeah? You know, lots of memories of New York since 101 00:04:47,839 --> 00:04:51,320 Speaker 2: it was a little kid, right, and yeah, I have 102 00:04:51,360 --> 00:04:53,359 Speaker 2: to be honest. When I was Yeah, when I was little, 103 00:04:53,440 --> 00:04:56,320 Speaker 2: I didn't appreciate this city so much because you know, 104 00:04:56,160 --> 00:04:59,279 Speaker 2: you're a little kid. You're coming from you know, little 105 00:04:59,320 --> 00:05:02,680 Speaker 2: town that it's not very crowded. Then suddenly you're here 106 00:05:02,720 --> 00:05:07,720 Speaker 2: and you know there's you know, different personalities, and I was. 107 00:05:08,520 --> 00:05:09,640 Speaker 1: That's a nice way of putting it. 108 00:05:09,640 --> 00:05:13,320 Speaker 2: But no, no, no, no. But growing up then obviously you 109 00:05:13,400 --> 00:05:17,240 Speaker 2: appreciate a lot of things this city. And so yeah, 110 00:05:17,320 --> 00:05:18,400 Speaker 2: now I love it very much. 111 00:05:18,520 --> 00:05:20,160 Speaker 1: It's tough. It's a tough town. 112 00:05:20,240 --> 00:05:22,279 Speaker 2: Man. I don't know if I could live in the 113 00:05:22,320 --> 00:05:26,120 Speaker 2: city because still, you know, I was born in a 114 00:05:26,160 --> 00:05:30,320 Speaker 2: town where it's very quiet, and you know, New York 115 00:05:30,440 --> 00:05:33,080 Speaker 2: is big, it's crowded. So I don't know for life 116 00:05:33,160 --> 00:05:35,000 Speaker 2: if I could, you know, live in a place like 117 00:05:35,040 --> 00:05:37,360 Speaker 2: this one. But every time I come here, I have 118 00:05:37,720 --> 00:05:39,000 Speaker 2: it's cool. I love it. 119 00:05:39,040 --> 00:05:42,760 Speaker 1: So where you grow up, the smells are the well, 120 00:05:43,040 --> 00:05:46,760 Speaker 1: the agriculture smells delicious, and food cooking in the kitchen 121 00:05:46,839 --> 00:05:49,800 Speaker 1: here it smells like dog pee. 122 00:05:52,960 --> 00:05:53,120 Speaker 2: York. 123 00:05:53,400 --> 00:05:55,240 Speaker 1: But that's it's a New York. You know, when it rains, 124 00:05:55,240 --> 00:05:57,720 Speaker 1: they say when it when New York City, when it rains, 125 00:05:57,760 --> 00:06:05,400 Speaker 1: it makes its own sauce. Okay, is that I can't 126 00:06:05,400 --> 00:06:09,800 Speaker 1: wait to stay here? But so here you are in 127 00:06:09,839 --> 00:06:12,200 Speaker 1: town at the same time your father's playing at the garden? 128 00:06:12,279 --> 00:06:14,120 Speaker 1: Are you gonna do you? Are you a fan of 129 00:06:14,160 --> 00:06:16,720 Speaker 1: your dad? Do you like to go and watch him perform? 130 00:06:16,960 --> 00:06:19,560 Speaker 2: Yeah? I mean I you know, I saw I see 131 00:06:19,600 --> 00:06:24,120 Speaker 2: him his concerts since it was very little, But yes, 132 00:06:24,200 --> 00:06:25,440 Speaker 2: I enjoy them very much. 133 00:06:25,279 --> 00:06:29,440 Speaker 1: Always, And we gotta get you on stage. You think absolutely? 134 00:06:29,480 --> 00:06:31,719 Speaker 1: You should you need, you need to perform at the garden. 135 00:06:31,720 --> 00:06:32,320 Speaker 2: You should come. 136 00:06:32,520 --> 00:06:37,440 Speaker 1: I'm gonna call your dad right now. You know, I 137 00:06:37,480 --> 00:06:39,320 Speaker 1: never ever ask a performer to do this, but I 138 00:06:39,360 --> 00:06:44,120 Speaker 1: hear that, mateo, He'll just start singing. What just acapella? 139 00:06:44,200 --> 00:06:46,480 Speaker 1: You're just an acapella guy. Here's what I love an 140 00:06:46,560 --> 00:06:48,760 Speaker 1: artists that do a cappella. They always sound great, but 141 00:06:48,800 --> 00:06:51,120 Speaker 1: there's no instrument playing next to them, so you could 142 00:06:51,160 --> 00:06:54,960 Speaker 1: be way off key. No one would ever know. It's 143 00:06:54,960 --> 00:06:55,359 Speaker 1: like that's not. 144 00:06:57,880 --> 00:07:00,800 Speaker 2: Unfortunately, don I have that. You don't have that call 145 00:07:00,839 --> 00:07:06,760 Speaker 2: it yeah in his high whenever whenever, like you play 146 00:07:06,760 --> 00:07:10,800 Speaker 2: a note at the piano and and you can guess exactly. 147 00:07:10,800 --> 00:07:14,440 Speaker 1: Oh perfect pitch, Yeah perfect. Charlie Pooth has that. I 148 00:07:14,520 --> 00:07:22,080 Speaker 1: gonna go d sharp like oh soo Lemo one of 149 00:07:22,080 --> 00:07:23,200 Speaker 1: my favorite songs of all time. 150 00:07:23,560 --> 00:07:39,080 Speaker 3: Cupber Lockcort, You're not soul, Naudios the Puutumn Pressed Laudia 151 00:07:39,280 --> 00:07:43,800 Speaker 3: fres Cop Potter, John of Fast. 152 00:07:45,240 --> 00:07:47,600 Speaker 2: Curb Lock course On. 153 00:07:48,000 --> 00:07:51,440 Speaker 3: No, you're not the soul. 154 00:07:53,160 --> 00:07:56,960 Speaker 1: Whatever, whatever you do, do not say a song title. 155 00:07:57,040 --> 00:08:01,000 Speaker 1: He's a start. I didn't ask you to say. You 156 00:08:01,080 --> 00:08:04,640 Speaker 1: just start saying. It's crazy. He's got like this thing, 157 00:08:04,840 --> 00:08:08,800 Speaker 1: this gift. He just can't help himself. That's awesome. That's awesome. 158 00:08:09,000 --> 00:08:12,520 Speaker 1: So your album MATEO came out in September. Yeah, and uh, 159 00:08:12,880 --> 00:08:16,520 Speaker 1: what what was it like for you coming up with 160 00:08:16,560 --> 00:08:21,040 Speaker 1: this album? Worldwide? People talking about it. I mean, now 161 00:08:21,120 --> 00:08:23,760 Speaker 1: you truly see what the business is like for you? 162 00:08:24,520 --> 00:08:26,960 Speaker 1: Is it really something? This is your You're in for life, 163 00:08:27,160 --> 00:08:27,480 Speaker 1: You're in. 164 00:08:28,160 --> 00:08:31,280 Speaker 2: No, you understand that it's challenging, but it's cool. I 165 00:08:31,320 --> 00:08:33,520 Speaker 2: mean whenever I think that, whenever you love something, you 166 00:08:33,559 --> 00:08:35,559 Speaker 2: don't have to be you know, you don't have to 167 00:08:35,760 --> 00:08:39,600 Speaker 2: feel any fears and just do it. And that's how 168 00:08:39,760 --> 00:08:42,959 Speaker 2: I think, you know, I think that this is what 169 00:08:43,120 --> 00:08:45,360 Speaker 2: everyone should do. You know, whenever you love something, just 170 00:08:45,400 --> 00:08:47,920 Speaker 2: do it. You don't you don't have to start like 171 00:08:48,040 --> 00:08:50,440 Speaker 2: overthinking on it. Then obviously there are pressures, there are 172 00:08:50,520 --> 00:08:55,280 Speaker 2: you know, responsibilities. Right Sometimes when when they say, you know, 173 00:08:55,400 --> 00:08:57,880 Speaker 2: you have a very heavy last name, I know, I know, 174 00:08:58,240 --> 00:09:01,000 Speaker 2: but it's you know, is it a Sometimes do you 175 00:09:01,000 --> 00:09:05,360 Speaker 2: feel like, oh, Dad his shadow. No, honestly, no, I 176 00:09:05,440 --> 00:09:08,120 Speaker 2: see it in a very positive way. I mean, he 177 00:09:08,240 --> 00:09:11,120 Speaker 2: did a lot of good things in his life, and 178 00:09:11,320 --> 00:09:14,800 Speaker 2: so I'm very happy. You know whenever I hear people, 179 00:09:15,080 --> 00:09:19,040 Speaker 2: you know, talking with love about him, and you know, 180 00:09:19,280 --> 00:09:22,679 Speaker 2: it's it's actually it's a it's an amazing example, and 181 00:09:22,840 --> 00:09:26,360 Speaker 2: it's you know, it's it's a way to say to think, 182 00:09:26,920 --> 00:09:28,719 Speaker 2: I want to get there one day. You know, I 183 00:09:28,840 --> 00:09:29,120 Speaker 2: love that. 184 00:09:29,800 --> 00:09:29,920 Speaker 3: You know. 185 00:09:30,000 --> 00:09:32,480 Speaker 1: I saw your father perform. Gosh, it was an outdoor 186 00:09:32,600 --> 00:09:33,760 Speaker 1: it was outdoors at Puccini. 187 00:09:34,679 --> 00:09:34,920 Speaker 2: It was. 188 00:09:36,760 --> 00:09:40,400 Speaker 1: Yes, I saw your dad perform there and we were 189 00:09:40,520 --> 00:09:43,839 Speaker 1: just we were all just crying, just in tears. It 190 00:09:43,920 --> 00:09:46,599 Speaker 1: was the most beautiful moment of my life. And so 191 00:09:46,920 --> 00:09:48,960 Speaker 1: I'm like, we gotta go get really drunk right now 192 00:09:50,320 --> 00:09:52,840 Speaker 1: to process what we just saw. Uh, And. 193 00:09:54,480 --> 00:09:55,040 Speaker 2: Do you guys want to. 194 00:09:55,000 --> 00:09:59,120 Speaker 1: He'll see Andrea Bocelli tonight because something tells me, something 195 00:09:59,160 --> 00:10:00,920 Speaker 1: tells me. But tales can end up on the stage. 196 00:10:00,960 --> 00:10:04,800 Speaker 1: I've got tickets we may show up to now we 197 00:10:04,880 --> 00:10:06,400 Speaker 1: have we have our in, we have are in at 198 00:10:06,400 --> 00:10:08,959 Speaker 1: the Curd, We're in, We're in. So twenty twenty four 199 00:10:09,000 --> 00:10:11,840 Speaker 1: here it comes. What are your what are your dreams 200 00:10:11,840 --> 00:10:13,880 Speaker 1: for twenty twenty four and rolling into the new year. 201 00:10:14,600 --> 00:10:17,480 Speaker 2: So definitely keep you know, going on with live shows. 202 00:10:17,520 --> 00:10:22,520 Speaker 2: We already we just announced Australia, but definitely I'll be 203 00:10:22,840 --> 00:10:26,439 Speaker 2: back in US. So definitely like live shows, is you know, 204 00:10:26,600 --> 00:10:28,640 Speaker 2: is the thing for me? I mean I always say that, 205 00:10:28,960 --> 00:10:33,719 Speaker 2: you know, for for an artist, it's it's about creativity, 206 00:10:33,840 --> 00:10:35,360 Speaker 2: and that's in the studio when you make you know, 207 00:10:35,720 --> 00:10:39,400 Speaker 2: new songs, and the other off is our live shows. 208 00:10:39,960 --> 00:10:43,240 Speaker 2: So that's my twenty twenty four. They're looking forward for 209 00:10:43,480 --> 00:10:47,280 Speaker 2: many more concerts and you know, many new songs. Do 210 00:10:47,360 --> 00:10:50,599 Speaker 2: you get nervous when they say and you have to 211 00:10:50,679 --> 00:10:52,640 Speaker 2: go on and say, do you get the butterflies? Do you? 212 00:10:53,400 --> 00:10:55,880 Speaker 1: Is it still an excitement or a fright? Which one 213 00:10:55,960 --> 00:10:56,079 Speaker 1: is it? 214 00:10:56,200 --> 00:10:59,400 Speaker 2: Or both? No? Now it starts to be more excitement. 215 00:10:59,559 --> 00:11:02,480 Speaker 2: At the big I was super, you know, like I 216 00:11:02,640 --> 00:11:06,240 Speaker 2: switched from you know, playing home in twenty eighteen, I 217 00:11:06,320 --> 00:11:10,400 Speaker 2: mean till twenty eighteen, like playing home just for the family, friends, 218 00:11:10,559 --> 00:11:14,800 Speaker 2: you know, a few strangers to you know, jumping on 219 00:11:14,840 --> 00:11:18,160 Speaker 2: stage with my father doing the most important radio's, most 220 00:11:18,200 --> 00:11:21,439 Speaker 2: important TV shows. So at the time it was a 221 00:11:21,559 --> 00:11:25,040 Speaker 2: big you know, it was a I felt a lot 222 00:11:25,080 --> 00:11:28,880 Speaker 2: of pressure, to be honest, But now I do everything 223 00:11:29,200 --> 00:11:32,600 Speaker 2: with way more excitement and less fear. 224 00:11:32,840 --> 00:11:36,520 Speaker 1: I always say there's a thin line between fright and excitement. Yeah, 225 00:11:36,679 --> 00:11:39,080 Speaker 1: but sometimes you can be so excited and just throw 226 00:11:39,160 --> 00:11:41,040 Speaker 1: up all over the place. I've done that. I'm not 227 00:11:41,080 --> 00:11:43,120 Speaker 1: gonna do it now. But what are you saying over there? 228 00:11:43,160 --> 00:11:45,840 Speaker 2: Head? He's at Foxwoods tomorrow. 229 00:11:46,000 --> 00:11:48,319 Speaker 1: Oh you're gonna Foxwoods. Oh take cash, You're gonna you 230 00:11:48,320 --> 00:11:51,560 Speaker 1: can gamble in the casino. It's great on Saturday, Atlantic. 231 00:11:51,280 --> 00:11:52,880 Speaker 2: Session, Tacket and Atlantic City. 232 00:11:52,880 --> 00:11:54,520 Speaker 1: Do you have a gambling problem? These are both? Like 233 00:11:56,040 --> 00:11:59,200 Speaker 1: these are casinos? Like, actually, I have a friend home. 234 00:11:59,640 --> 00:12:04,800 Speaker 2: He's I gotta start flying and traveling with you, and 235 00:12:05,040 --> 00:12:08,320 Speaker 2: we're gonna make gigs only in casinos. You're gonna sing 236 00:12:08,440 --> 00:12:13,079 Speaker 2: and I'm gonna spend all your money. That sounds like 237 00:12:13,160 --> 00:12:16,000 Speaker 2: a life I'm in. But tell you, I cannot tell 238 00:12:16,000 --> 00:12:19,120 Speaker 2: you how excited we are that you. You woke up 239 00:12:19,160 --> 00:12:21,480 Speaker 2: in the middle of the night and your entire family, 240 00:12:21,559 --> 00:12:23,480 Speaker 2: your crew came in. Thank you so much, No, thank you, 241 00:12:23,720 --> 00:12:25,120 Speaker 2: it's such a such a pleasure. 242 00:12:25,440 --> 00:12:26,040 Speaker 1: That was a gift. 243 00:12:26,640 --> 00:12:28,360 Speaker 2: Thank you, Thank you for having me. 244 00:12:29,760 --> 00:12:31,760 Speaker 1: But see when you leave, we're all gonna go back 245 00:12:31,800 --> 00:12:35,880 Speaker 1: down to this awful place. We're just we're just tacky, 246 00:12:36,640 --> 00:12:37,520 Speaker 1: tacky Americans. 247 00:12:38,920 --> 00:12:41,320 Speaker 2: Whenever you're downe call me. I'll be back. 248 00:12:41,520 --> 00:12:45,200 Speaker 1: Okay, we promised you at your own show at the Garden, 249 00:12:45,320 --> 00:12:48,079 Speaker 1: but I gotta start working on that. Please make some 250 00:12:48,200 --> 00:12:49,360 Speaker 1: noise from a table.