WEBVTT - Ep 33: Nadine Shah

0:00:00.280 --> 0:00:02.520
<v Speaker 1>Loud and Quiet presents Midnight Chats.

0:00:22.079 --> 0:00:24.840
<v Speaker 2>This episode of Midnight Chats is a bit out of

0:00:24.880 --> 0:00:28.720
<v Speaker 2>the ordinary for us. Normally we record these conversations in

0:00:28.800 --> 0:00:32.520
<v Speaker 2>our office in East London. Sometimes Stuart or I Greg

0:00:32.720 --> 0:00:35.720
<v Speaker 2>get out in the fresh air and take them somewhere else.

0:00:36.159 --> 0:00:40.519
<v Speaker 2>But only once before this time last year with Anna Meredith.

0:00:40.560 --> 0:00:43.400
<v Speaker 2>Actually have we recorded an episode in front of an

0:00:43.440 --> 0:00:47.360
<v Speaker 2>audience of other real life people. And what you're about

0:00:47.400 --> 0:00:50.080
<v Speaker 2>to hear took place at this year's End of the

0:00:50.159 --> 0:00:53.559
<v Speaker 2>Road Festival in Dorset at the start of September. Recorded

0:00:53.600 --> 0:00:56.480
<v Speaker 2>at the more sociable time of midday on the Saturday

0:00:56.680 --> 0:01:00.160
<v Speaker 2>on the Piano Stage, which is a stage in the

0:01:00.160 --> 0:01:03.960
<v Speaker 2>woods at the festival, decorated like an old person's living room.

0:01:04.360 --> 0:01:07.280
<v Speaker 2>It's actually very nice and you can hear throughout the

0:01:07.319 --> 0:01:11.400
<v Speaker 2>podcast the birds tweeting in the background, so all very idyllic.

0:01:12.200 --> 0:01:14.760
<v Speaker 2>And thanks to all those people who came to watch,

0:01:14.840 --> 0:01:17.280
<v Speaker 2>listen and take part at the time on the day

0:01:17.319 --> 0:01:19.880
<v Speaker 2>with your hangovers. Like I say, it was something different

0:01:19.920 --> 0:01:23.320
<v Speaker 2>for us. I couldn't have asked for a more charismatic,

0:01:23.560 --> 0:01:27.440
<v Speaker 2>interesting and inspiring guest for the occasion. Nadan Shah, who

0:01:27.440 --> 0:01:29.440
<v Speaker 2>was playing the festival joined me to talk about a

0:01:29.440 --> 0:01:33.040
<v Speaker 2>whole range of things, from watching Lucinda Williams perform the

0:01:33.160 --> 0:01:36.640
<v Speaker 2>night before to her recently released third album, Holiday Destination,

0:01:37.400 --> 0:01:40.440
<v Speaker 2>And to be honest, it's rare for an episode to

0:01:40.480 --> 0:01:44.840
<v Speaker 2>be both so entertaining and so poignant. It was really

0:01:44.880 --> 0:01:48.520
<v Speaker 2>insightful stuff from the Dean, and along with it some

0:01:48.520 --> 0:01:51.559
<v Speaker 2>great stories about the likes of Scott Walker, PJ. Harvey

0:01:51.720 --> 0:01:55.640
<v Speaker 2>and Jomy Corbyn's new curtains. But I'm not going to

0:01:55.680 --> 0:01:57.520
<v Speaker 2>ruin it. That's all I'm going to say. But I

0:01:57.560 --> 0:01:59.480
<v Speaker 2>just hope you enjoy listening to it. If you do,

0:01:59.640 --> 0:02:03.040
<v Speaker 2>please do you subscribe or leave a comment review wherever

0:02:03.080 --> 0:02:06.440
<v Speaker 2>you're listening. And a massive thanks again to Nadan Shah

0:02:06.520 --> 0:02:09.000
<v Speaker 2>and End of the Road. This is episode thirty three

0:02:09.280 --> 0:02:16.600
<v Speaker 2>of Midnight Chats.

0:02:29.960 --> 0:02:31.160
<v Speaker 3>How are you doing, Nadean Chat?

0:02:32.160 --> 0:02:35.680
<v Speaker 1>I'm all right, hanging on by a thread.

0:02:35.560 --> 0:02:36.880
<v Speaker 3>Really not feeling too good.

0:02:36.760 --> 0:02:38.040
<v Speaker 1>A little bit ropie.

0:02:38.080 --> 0:02:40.880
<v Speaker 4>In fact, I played it quite I was quite safe

0:02:40.960 --> 0:02:44.239
<v Speaker 4>last night and that I watched Lucinda play, who was

0:02:45.400 --> 0:02:46.720
<v Speaker 4>one of the I think it's one of the most

0:02:46.800 --> 0:02:49.400
<v Speaker 4>inspiring things I've ever seen. Actually, prior to watching her

0:02:49.480 --> 0:02:51.320
<v Speaker 4>last night, i'd never even heard about it.

0:02:51.760 --> 0:02:53.120
<v Speaker 1>So it was one of those things when you go

0:02:53.200 --> 0:02:54.160
<v Speaker 1>to a festival and you.

0:02:54.160 --> 0:02:58.080
<v Speaker 4>Find a real gem and it's very rare that we

0:02:58.200 --> 0:03:02.000
<v Speaker 4>hear older women's voices in the music industry, and what

0:03:02.360 --> 0:03:03.440
<v Speaker 4>an inspiration she was.

0:03:03.480 --> 0:03:03.880
<v Speaker 1>It was this.

0:03:04.040 --> 0:03:06.920
<v Speaker 4>But then went to bed pretty early after that, but

0:03:07.000 --> 0:03:10.160
<v Speaker 4>there was some party animals next door. I mean I

0:03:10.200 --> 0:03:14.040
<v Speaker 4>felt like this grumpy old keep it down, keep it down,

0:03:14.840 --> 0:03:18.040
<v Speaker 4>but uh yeah, three hours sleep but hanging.

0:03:17.800 --> 0:03:21.000
<v Speaker 2>In Yeah, And is End the Road one of those

0:03:21.000 --> 0:03:23.080
<v Speaker 2>festivals that you would come to to go and check

0:03:23.080 --> 0:03:25.520
<v Speaker 2>out music that you're interesting, because it can't be often

0:03:25.560 --> 0:03:27.680
<v Speaker 2>when you go and perform at these type of things.

0:03:27.800 --> 0:03:29.520
<v Speaker 2>It must be the case that you have to turn up,

0:03:29.520 --> 0:03:31.600
<v Speaker 2>you perform, you leave. But is it sort of end

0:03:31.639 --> 0:03:34.040
<v Speaker 2>of the road Glastonbury style? Do you try and go

0:03:34.160 --> 0:03:36.360
<v Speaker 2>to these type of places and come and hang out

0:03:36.360 --> 0:03:36.880
<v Speaker 2>for the weekend?

0:03:37.040 --> 0:03:39.000
<v Speaker 4>Yeah, I mean I went to Glastonbury this year, but

0:03:39.040 --> 0:03:42.560
<v Speaker 4>it's it's not really a festival that I enjoy. I

0:03:42.560 --> 0:03:46.800
<v Speaker 4>know it's the most famous one, but there's I always

0:03:46.880 --> 0:03:48.480
<v Speaker 4>find out. I have like a list of things that

0:03:48.520 --> 0:03:50.760
<v Speaker 4>I want to see at Glastonbury, and I see one

0:03:50.800 --> 0:03:52.080
<v Speaker 4>out of twenty.

0:03:51.720 --> 0:03:53.720
<v Speaker 1>Fave because it's just too big.

0:03:54.240 --> 0:03:56.000
<v Speaker 4>And actually I came to the end of the road

0:03:56.080 --> 0:03:58.680
<v Speaker 4>two years ago were played, but I was only it

0:03:58.720 --> 0:04:01.520
<v Speaker 4>was like an in and out job, like a bank robbery.

0:04:02.080 --> 0:04:03.800
<v Speaker 4>I think it was like three hours and then out

0:04:03.840 --> 0:04:06.800
<v Speaker 4>to another one. But even those three hours, I was like,

0:04:06.840 --> 0:04:08.920
<v Speaker 4>this is one I want to revisit. So I'm here

0:04:08.920 --> 0:04:13.040
<v Speaker 4>the whole weekend and like, yeah, I discovered Lucinda last night.

0:04:13.960 --> 0:04:16.320
<v Speaker 4>There's loads of bands that I want to see. Unfortunately

0:04:16.320 --> 0:04:19.840
<v Speaker 4>I missed Goat Girl. I really wanted to see them.

0:04:20.000 --> 0:04:23.080
<v Speaker 4>But Lemon Twigs are playing after me this evening and

0:04:23.440 --> 0:04:26.240
<v Speaker 4>I'm really looking forward to seeing them. But I think

0:04:26.240 --> 0:04:28.720
<v Speaker 4>it's a pretty special festival actually, like the size of

0:04:28.760 --> 0:04:33.400
<v Speaker 4>it is ace. Everyone's oh, so we'reccommodating and that you

0:04:33.480 --> 0:04:35.280
<v Speaker 4>get people bringing you with beer.

0:04:36.520 --> 0:04:38.679
<v Speaker 3>Saying nice things. We should just keep saying nice things.

0:04:39.520 --> 0:04:40.000
<v Speaker 5>Ah.

0:04:40.120 --> 0:04:44.920
<v Speaker 4>I want if you can get this sound on the podcast, Oh.

0:04:44.279 --> 0:04:45.919
<v Speaker 3>There you go. That's gonna sound crispus.

0:04:46.000 --> 0:04:47.320
<v Speaker 1>That is my favorite noise.

0:04:48.200 --> 0:04:49.760
<v Speaker 3>It's mine too. I think we might have a Probably.

0:04:49.920 --> 0:04:52.320
<v Speaker 4>I was pretty terrible because initially I thought this actually

0:04:52.400 --> 0:04:53.400
<v Speaker 4>was a midnight chat.

0:04:54.120 --> 0:04:57.239
<v Speaker 1>I thought that would be quite funny for you guys.

0:04:57.520 --> 0:05:00.840
<v Speaker 4>But I mean I told my mother about it before

0:05:00.880 --> 0:05:02.919
<v Speaker 4>I came, and she'ld like ask what the itinerary was

0:05:02.920 --> 0:05:04.760
<v Speaker 4>of what I was doing. It's like, well, I'm going

0:05:04.839 --> 0:05:07.599
<v Speaker 4>to play a gig and then after the show, like

0:05:08.120 --> 0:05:09.840
<v Speaker 4>at midnight, I'm going to have a chat.

0:05:09.880 --> 0:05:14.839
<v Speaker 1>And my mother was like, no, don't, don't, don't do that.

0:05:17.720 --> 0:05:19.359
<v Speaker 3>Pr shus and say it's not a good idea.

0:05:19.440 --> 0:05:21.479
<v Speaker 4>Oh, she says, I've got the mouth of a fish wafe.

0:05:22.480 --> 0:05:26.080
<v Speaker 4>So yeah, she's always pretty terrified. I can see her

0:05:26.080 --> 0:05:28.240
<v Speaker 4>in the audience when I play shows and she's just

0:05:28.279 --> 0:05:31.440
<v Speaker 4>like what she just terrified about what I'm going to say.

0:05:33.320 --> 0:05:37.719
<v Speaker 4>She's very proud of me. But yeah, I'm glad this

0:05:37.760 --> 0:05:39.320
<v Speaker 4>is at midday. But I had to have like a

0:05:39.320 --> 0:05:40.800
<v Speaker 4>hair of the dog, and I'm glad I've got that

0:05:40.839 --> 0:05:42.800
<v Speaker 4>in man. Now I feel slightly less nervous.

0:05:42.880 --> 0:05:45.200
<v Speaker 2>Yeah, I don't know what's what's I've been brought upon

0:05:45.240 --> 0:05:48.000
<v Speaker 2>pint of water, so maybe I'm kind of like then,

0:05:48.000 --> 0:05:49.280
<v Speaker 2>you obviously a talent.

0:05:49.880 --> 0:05:53.599
<v Speaker 4>The artist, living up to every type.

0:05:54.839 --> 0:05:56.880
<v Speaker 3>You.

0:05:56.880 --> 0:05:59.760
<v Speaker 2>You often go and see other bands other people play live,

0:06:00.000 --> 0:06:04.320
<v Speaker 2>which I think is interesting because when we speak to

0:06:04.360 --> 0:06:06.279
<v Speaker 2>other artists, when we have other people on the podcast

0:06:06.279 --> 0:06:09.160
<v Speaker 2>that we would call like this, They tend to very

0:06:09.240 --> 0:06:11.320
<v Speaker 2>much kind of concentrate on their own thing, and they

0:06:11.400 --> 0:06:13.520
<v Speaker 2>might catch a bit of other bands playing, or other

0:06:13.640 --> 0:06:17.000
<v Speaker 2>artists performing at festivals or at their own gigs, support bands,

0:06:17.040 --> 0:06:19.120
<v Speaker 2>things like that, but they don't actively go out and

0:06:19.160 --> 0:06:21.240
<v Speaker 2>go and see shows that regularly.

0:06:22.560 --> 0:06:25.080
<v Speaker 3>You do? How often do you go to a gig?

0:06:25.160 --> 0:06:27.640
<v Speaker 2>And why do you still kind of outside of making

0:06:27.640 --> 0:06:29.839
<v Speaker 2>your own music, you're still really inquisitive about going to

0:06:29.839 --> 0:06:31.360
<v Speaker 2>see like live artists.

0:06:31.440 --> 0:06:34.920
<v Speaker 4>Yeah, well, I treat music as a job, in a

0:06:35.520 --> 0:06:39.800
<v Speaker 4>proper job, in that it's my trade, you know, And

0:06:41.040 --> 0:06:43.400
<v Speaker 4>I don't know about you know, whatever industry you're working

0:06:43.520 --> 0:06:45.000
<v Speaker 4>or whatever it is that you do. You want to

0:06:45.040 --> 0:06:47.120
<v Speaker 4>be the you know, the best you can be at it,

0:06:47.120 --> 0:06:50.560
<v Speaker 4>and I'm constantly learning but always inspired by so many

0:06:50.600 --> 0:06:54.159
<v Speaker 4>other artists. Yeah, I don't go to as many gigs

0:06:54.160 --> 0:06:55.000
<v Speaker 4>as say a Big.

0:06:54.920 --> 0:06:59.880
<v Speaker 3>Jeff You does everybody know Big Jeff Jeff's.

0:06:59.600 --> 0:07:01.920
<v Speaker 4>At the first If he's not at my show, I'll

0:07:01.960 --> 0:07:05.240
<v Speaker 4>be devastated. Like, if Big Jeff's are not at your show,

0:07:05.279 --> 0:07:06.680
<v Speaker 4>it's just not worth playing.

0:07:07.040 --> 0:07:07.640
<v Speaker 3>Yeah.

0:07:07.800 --> 0:07:09.640
<v Speaker 2>I went to see Kelly le Owens yesterday and he

0:07:09.680 --> 0:07:11.320
<v Speaker 2>was down the front and I was pointing him out

0:07:11.360 --> 0:07:13.640
<v Speaker 2>to friends and family that I was with, and I

0:07:13.680 --> 0:07:15.760
<v Speaker 2>was like, it's a good sign if you've got Jeff there.

0:07:15.840 --> 0:07:19.080
<v Speaker 1>Yeah, I love that man.

0:07:19.200 --> 0:07:21.760
<v Speaker 4>He's a real beauty and he's one of the reasons

0:07:21.800 --> 0:07:23.720
<v Speaker 4>we do what we do if you're a musician as well,

0:07:23.840 --> 0:07:28.440
<v Speaker 4>and I just I think he's a really great, great man.

0:07:28.520 --> 0:07:29.080
<v Speaker 1>I love him.

0:07:29.560 --> 0:07:32.640
<v Speaker 4>And but yeah, I'll probably go to about three or

0:07:32.640 --> 0:07:37.080
<v Speaker 4>four gigs a week if I can. I'm just constantly

0:07:37.160 --> 0:07:40.320
<v Speaker 4>learning from other artists, and I'm also trying to rip

0:07:40.400 --> 0:07:40.800
<v Speaker 4>them off.

0:07:40.880 --> 0:07:43.200
<v Speaker 3>It's going to say to go with a notepad, right.

0:07:43.400 --> 0:07:46.600
<v Speaker 4>Not a notepad, But I just I want to see

0:07:46.600 --> 0:07:48.240
<v Speaker 4>what other people are up to and just keep an

0:07:48.240 --> 0:07:50.720
<v Speaker 4>eye an them. Are you know, just making sure that

0:07:50.760 --> 0:07:52.640
<v Speaker 4>no one's like stepping on me toes?

0:07:53.560 --> 0:07:55.840
<v Speaker 1>What what's he doing? I'm having that.

0:07:58.160 --> 0:07:58.400
<v Speaker 4>Yeah.

0:07:58.520 --> 0:08:00.760
<v Speaker 1>So yeah, I'm constantly going gigs all the time.

0:08:00.840 --> 0:08:01.360
<v Speaker 5>Yeah.

0:08:01.400 --> 0:08:05.280
<v Speaker 2>What was the last mind blowing show that you went

0:08:05.360 --> 0:08:06.840
<v Speaker 2>to see that you still think about now?

0:08:07.320 --> 0:08:07.600
<v Speaker 1>Last?

0:08:07.720 --> 0:08:10.720
<v Speaker 4>Well, the Lucinda one last night was a pretty special

0:08:10.760 --> 0:08:14.360
<v Speaker 4>one actually, especially when it's something that you don't but

0:08:14.360 --> 0:08:15.040
<v Speaker 4>you have no.

0:08:15.280 --> 0:08:17.360
<v Speaker 1>Prior knowledge to it and it's a real surprise.

0:08:17.600 --> 0:08:22.000
<v Speaker 4>Apart from that, what did I see last?

0:08:22.680 --> 0:08:24.160
<v Speaker 1>Can remember? What it's all lost?

0:08:24.320 --> 0:08:27.960
<v Speaker 4>Oh, I've been at a few Rough Trade East in

0:08:28.080 --> 0:08:33.880
<v Speaker 4>Store shows and I saw Richard Dawson play. Richard Dawson's

0:08:33.880 --> 0:08:38.000
<v Speaker 4>from my hometown as well. And I mean, like, I'm

0:08:38.000 --> 0:08:40.440
<v Speaker 4>going to stop going to his gigs because it just

0:08:40.440 --> 0:08:41.320
<v Speaker 4>makes me want to quit.

0:08:42.559 --> 0:08:47.079
<v Speaker 1>I'm never going to achieve that. Never. He's I think.

0:08:46.920 --> 0:08:52.200
<v Speaker 4>He's he's very special, yeah really, and he's he's unique,

0:08:52.240 --> 0:08:53.880
<v Speaker 4>you know. And I used to go and watch him

0:08:53.880 --> 0:08:56.760
<v Speaker 4>back in Newcastle that like before he was like a

0:08:56.880 --> 0:09:00.680
<v Speaker 4>name everyone knew, not even everyone knows him now. But

0:09:00.840 --> 0:09:02.720
<v Speaker 4>I'd go and see him at like at house parties

0:09:02.760 --> 0:09:04.600
<v Speaker 4>and stuff. He just like whip out his guitar. But

0:09:04.679 --> 0:09:07.000
<v Speaker 4>normally if you're a house party and it gets to

0:09:07.040 --> 0:09:09.680
<v Speaker 4>that out when someone rips out a guitar, you want

0:09:09.679 --> 0:09:12.080
<v Speaker 4>to hit him over the head with it. It's just

0:09:12.120 --> 0:09:14.959
<v Speaker 4>it's the most cringe worthy experience. You're like, oh, it's

0:09:15.040 --> 0:09:19.199
<v Speaker 4>time to google, it's time when rich When Richard Dawson

0:09:19.240 --> 0:09:21.480
<v Speaker 4>brings out his guitar, I think it's.

0:09:21.360 --> 0:09:23.160
<v Speaker 1>Probably the closest thing I've ever had to.

0:09:23.120 --> 0:09:28.800
<v Speaker 4>A religious experience watching Richard Dawson play this powerhouse and

0:09:28.840 --> 0:09:33.600
<v Speaker 4>his lyrics are just like they're phenomenal, Like he's a genius.

0:09:33.640 --> 0:09:36.640
<v Speaker 4>He has a song called the Veil Stuff and in

0:09:36.679 --> 0:09:39.360
<v Speaker 4>that song he mentions loads of people that like characters

0:09:39.360 --> 0:09:42.439
<v Speaker 4>from Newcastle that I know and we've grown up with.

0:09:43.200 --> 0:09:47.800
<v Speaker 4>And he's just a very clever, brilliant artist. So probably

0:09:47.880 --> 0:09:49.760
<v Speaker 4>Richard Dawson actually excellent.

0:09:49.800 --> 0:09:52.040
<v Speaker 2>He's just made it to His latest album is called Peasants,

0:09:52.040 --> 0:09:54.440
<v Speaker 2>so if anybody hasn't checked him out, it's a it's

0:09:54.480 --> 0:09:56.280
<v Speaker 2>like a medieval concept folk.

0:09:56.080 --> 0:09:56.640
<v Speaker 3>Record, right.

0:09:56.800 --> 0:10:00.440
<v Speaker 4>Yeah, I can't describe what it's about because all of

0:10:00.440 --> 0:10:02.000
<v Speaker 4>his music's a bit too clever for me.

0:10:03.720 --> 0:10:06.920
<v Speaker 1>I don't know. There'll be some article about it somewhere.

0:10:06.640 --> 0:10:09.319
<v Speaker 4>Where and he goes into great depth about it, but

0:10:09.760 --> 0:10:11.080
<v Speaker 4>it's it's a beautiful album.

0:10:11.200 --> 0:10:14.000
<v Speaker 2>Yeah, you mentioned the Northeast there, you're from South Shields.

0:10:14.760 --> 0:10:18.280
<v Speaker 2>Tell us a bit about if people. I mean, I'm

0:10:18.320 --> 0:10:20.240
<v Speaker 2>hoping that lots of people here are kind of familiar

0:10:20.280 --> 0:10:22.959
<v Speaker 2>with the Dean and the music that she makes, but

0:10:23.040 --> 0:10:24.720
<v Speaker 2>for those that aren't, like tell us a bit about

0:10:24.760 --> 0:10:26.680
<v Speaker 2>growing up in South Shields and your kind of family

0:10:26.720 --> 0:10:30.520
<v Speaker 2>background and just how you your sort of formative years

0:10:30.520 --> 0:10:32.280
<v Speaker 2>of music discovery kind of took place.

0:10:32.720 --> 0:10:36.040
<v Speaker 4>Is anybody here ever been to Cell Shields? You have

0:10:36.720 --> 0:10:41.800
<v Speaker 4>got I recognize you.

0:10:40.040 --> 0:10:43.880
<v Speaker 1>Uncle Dave. Are you doing yeah?

0:10:44.000 --> 0:10:44.200
<v Speaker 5>Yeah?

0:10:44.320 --> 0:10:45.040
<v Speaker 1>Rough trade easter?

0:10:45.040 --> 0:10:45.280
<v Speaker 3>You were it?

0:10:45.360 --> 0:10:46.559
<v Speaker 1>Are you love? You weren't lying?

0:10:47.280 --> 0:10:49.160
<v Speaker 4>I remember saying to you like your better come and

0:10:49.200 --> 0:10:53.960
<v Speaker 4>see me, and you did go on all right. Well,

0:10:54.000 --> 0:10:58.240
<v Speaker 4>one person's been to Cell Shields. It's well a seaside town.

0:10:59.280 --> 0:11:03.800
<v Speaker 4>Me mother was born in South Shields. My father's from Pakistan.

0:11:04.040 --> 0:11:07.120
<v Speaker 4>He came over to the UK. Oh, I'm going to

0:11:07.160 --> 0:11:09.480
<v Speaker 4>get it wrong. I think it was nineteen seventy one

0:11:10.480 --> 0:11:15.000
<v Speaker 4>from Pakistan and South Shields is always actually like what

0:11:15.200 --> 0:11:18.640
<v Speaker 4>really grains my gears. There's a lot of people, especially

0:11:18.679 --> 0:11:23.680
<v Speaker 4>after the referendum, especially after Brexit, people pointing their fingers

0:11:23.720 --> 0:11:27.040
<v Speaker 4>at the northeast and saying, oh, because they voted leave.

0:11:27.679 --> 0:11:31.040
<v Speaker 1>There was this mass assumption that are racists and it's

0:11:31.080 --> 0:11:31.839
<v Speaker 1>just not the case.

0:11:31.960 --> 0:11:38.200
<v Speaker 4>In fact, it's a very diverse community Historically in South Shields,

0:11:38.280 --> 0:11:41.000
<v Speaker 4>because it's a port town. We've had people from all

0:11:41.040 --> 0:11:42.760
<v Speaker 4>over the world in and out of there. There's a

0:11:42.880 --> 0:11:47.800
<v Speaker 4>huge Yemeni community. Muhammad Ali got married in a mosque

0:11:47.840 --> 0:11:48.800
<v Speaker 4>in South Shields.

0:11:50.760 --> 0:11:51.440
<v Speaker 1>I wasn't there.

0:11:52.040 --> 0:11:53.800
<v Speaker 4>I don't know if I was born then, I don't

0:11:53.800 --> 0:11:56.280
<v Speaker 4>know if I'm going to lie about the stage age

0:11:56.360 --> 0:11:58.600
<v Speaker 4>or not. If I'm going back my stage age. I

0:11:58.679 --> 0:12:02.320
<v Speaker 4>definitely wasn't born. But it's a really beautiful place.

0:12:03.720 --> 0:12:04.480
<v Speaker 1>I love it.

0:12:04.520 --> 0:12:07.840
<v Speaker 4>I love going back there, but growing up there boring,

0:12:08.400 --> 0:12:10.720
<v Speaker 4>pretty boring. But I think a lot of people find

0:12:10.720 --> 0:12:12.240
<v Speaker 4>that with the places that they grow up, you have

0:12:12.320 --> 0:12:16.160
<v Speaker 4>this this time where you know a lot of people.

0:12:16.240 --> 0:12:21.120
<v Speaker 4>You leave your hometown and you go elsewhere, and when

0:12:21.160 --> 0:12:23.000
<v Speaker 4>you get a bit older, you get a little bit more,

0:12:23.360 --> 0:12:25.120
<v Speaker 4>you get a bit more reflective on things.

0:12:25.160 --> 0:12:27.400
<v Speaker 1>And I love going back there.

0:12:27.400 --> 0:12:31.960
<v Speaker 4>My parents live on the cliff tops overlooking the North Sea,

0:12:32.559 --> 0:12:34.080
<v Speaker 4>and it's just kind of mind blowing.

0:12:34.120 --> 0:12:35.320
<v Speaker 1>When I go back, I forget.

0:12:35.360 --> 0:12:37.000
<v Speaker 4>I mean, I used to hate it because I think

0:12:37.840 --> 0:12:40.040
<v Speaker 4>there was this article in the guard You know something

0:12:40.520 --> 0:12:43.160
<v Speaker 4>I was interviewed for a while back, and it was

0:12:43.200 --> 0:12:46.839
<v Speaker 4>about musicians that are from seaside towns and I was

0:12:46.880 --> 0:12:52.280
<v Speaker 4>asking the journalist is there like have you when you've

0:12:52.280 --> 0:12:56.120
<v Speaker 4>been interviewing people is like a similar thing? They're all saying,

0:12:56.160 --> 0:12:59.840
<v Speaker 4>is there anything which unites us all? And he said, well, yeah,

0:13:00.120 --> 0:13:03.680
<v Speaker 4>everyone's saying how bleak it is living in these seaside.

0:13:03.280 --> 0:13:05.559
<v Speaker 1>Towns, and that's for a few reasons, and that.

0:13:06.000 --> 0:13:09.360
<v Speaker 4>I guess before air travel was so accessible and it

0:13:09.440 --> 0:13:13.440
<v Speaker 4>was so cheap, people would go to seaside towns on

0:13:13.480 --> 0:13:17.199
<v Speaker 4>holidays and so lots of them are kind of almost

0:13:17.240 --> 0:13:19.800
<v Speaker 4>like ghost towns now. And you see a lot of

0:13:20.280 --> 0:13:22.600
<v Speaker 4>on the East Coast, especially a lot of kind of

0:13:22.640 --> 0:13:27.400
<v Speaker 4>faded glory, these grand, grand buildings, kind of a bit

0:13:27.480 --> 0:13:28.240
<v Speaker 4>worn down.

0:13:29.000 --> 0:13:30.680
<v Speaker 1>But I think there's also a lot of beauty to

0:13:30.720 --> 0:13:31.840
<v Speaker 1>that at this time.

0:13:32.360 --> 0:13:35.680
<v Speaker 4>Yeah, you know, it's quite charming, yah, but it is though,

0:13:35.720 --> 0:13:39.200
<v Speaker 4>there is that, But I think that makes you want

0:13:39.240 --> 0:13:42.960
<v Speaker 4>to leave because there's just not a lot going on there.

0:13:43.480 --> 0:13:46.080
<v Speaker 1>But I love going back. It's amazing.

0:13:47.480 --> 0:13:49.240
<v Speaker 4>It's a place I might want to go back and

0:13:49.280 --> 0:13:52.360
<v Speaker 4>make me home there, which I never ever thought. I'd say,

0:13:52.360 --> 0:13:54.840
<v Speaker 4>I've been in London for fifteen years and I moved

0:13:54.880 --> 0:13:57.920
<v Speaker 4>to London when I was I'm gonna get me maths, right,

0:13:58.400 --> 0:14:00.719
<v Speaker 4>I think I was seventeen when I'm to London. I'm

0:14:00.720 --> 0:14:03.640
<v Speaker 4>thirty one. Now you do the math. So I'll just

0:14:03.679 --> 0:14:07.440
<v Speaker 4>sing the songs. Richard Dawson would know the figures straight away,

0:14:07.480 --> 0:14:11.000
<v Speaker 4>the clever bugger. But yeah, I've been in London for

0:14:11.000 --> 0:14:14.960
<v Speaker 4>a really long time and I love it, but I'm

0:14:15.040 --> 0:14:16.079
<v Speaker 4>frustrated with it.

0:14:16.600 --> 0:14:18.160
<v Speaker 1>But it's where it's where.

0:14:18.000 --> 0:14:20.400
<v Speaker 4>I kind of cut my teeth in the music industry,

0:14:20.760 --> 0:14:23.040
<v Speaker 4>and that's where I did only slogging away at gigs

0:14:23.520 --> 0:14:26.120
<v Speaker 4>was in London, not in the Northeast, because the Northeast

0:14:26.160 --> 0:14:29.000
<v Speaker 4>was kind of dominated by male bands and it was

0:14:29.080 --> 0:14:31.360
<v Speaker 4>really hot to kind of get in that clique. A

0:14:31.360 --> 0:14:33.440
<v Speaker 4>lot of them have embraced me now, which is lush,

0:14:33.520 --> 0:14:36.600
<v Speaker 4>some good friends with like Maximo Parkfield Music and all

0:14:37.040 --> 0:14:39.280
<v Speaker 4>in the Future Heads, all that bunch, and they're great,

0:14:39.400 --> 0:14:41.640
<v Speaker 4>but at the time it was just kind of impossible

0:14:41.720 --> 0:14:43.600
<v Speaker 4>to get in that scene.

0:14:43.800 --> 0:14:45.680
<v Speaker 2>Okay, why do you think that was what? There was

0:14:45.720 --> 0:14:48.480
<v Speaker 2>a certain closed mindedness. This is only like ten years ago,

0:14:48.520 --> 0:14:48.880
<v Speaker 2>isn't it.

0:14:49.160 --> 0:14:51.080
<v Speaker 1>I don't think there was a closed mindedness at all.

0:14:51.120 --> 0:14:53.000
<v Speaker 4>I think it just it just so happened that there

0:14:53.000 --> 0:14:55.400
<v Speaker 4>were so many of these bands. They were a bunch

0:14:55.480 --> 0:14:59.120
<v Speaker 4>of mates essentially, and I don't know, I get really

0:14:59.160 --> 0:15:03.840
<v Speaker 4>frustrated with the mus industry daily about how I think

0:15:03.880 --> 0:15:05.760
<v Speaker 4>it needs to be a lot more inclusive in so

0:15:05.920 --> 0:15:06.640
<v Speaker 4>many ways.

0:15:07.040 --> 0:15:08.000
<v Speaker 1>And I don't think that the.

0:15:08.000 --> 0:15:12.680
<v Speaker 4>Music industry at present properly represents how diverse this country

0:15:12.800 --> 0:15:16.320
<v Speaker 4>is and who is making music. South Asian artists are

0:15:16.520 --> 0:15:23.120
<v Speaker 4>definitely underrepresented. Female artists are un unrepresented as well in that.

0:15:23.720 --> 0:15:27.520
<v Speaker 1>And also we get there's like loads of issues, like the.

0:15:27.520 --> 0:15:31.600
<v Speaker 4>Term female solo artists just become a genre, which is mad.

0:15:31.680 --> 0:15:34.640
<v Speaker 4>So I'm getting compare to like Laura Marling all the time.

0:15:34.720 --> 0:15:38.040
<v Speaker 4>I'm like, wait, I wish I was like Laura Marling,

0:15:38.120 --> 0:15:40.080
<v Speaker 4>but I'm not. You just kind of get bandied in

0:15:40.120 --> 0:15:42.760
<v Speaker 4>the same and just get kind of put in the

0:15:42.760 --> 0:15:44.480
<v Speaker 4>same category and it's weird.

0:15:45.400 --> 0:15:48.239
<v Speaker 1>Hopefully it's changing. I can't remember the question.

0:15:50.960 --> 0:15:53.240
<v Speaker 2>Do you see any signs of positive progress? Because we

0:15:53.280 --> 0:15:54.840
<v Speaker 2>can talk about this in a bit, but you've been

0:15:55.360 --> 0:15:59.520
<v Speaker 2>very You've been like a passionate campaigner for they're talking

0:15:59.520 --> 0:16:01.680
<v Speaker 2>about mental health issues for example, and also you know

0:16:01.720 --> 0:16:04.640
<v Speaker 2>a quality within the music industry. So do you see

0:16:04.680 --> 0:16:06.200
<v Speaker 2>any signs in the time.

0:16:06.040 --> 0:16:07.760
<v Speaker 3>That you've been involved with the industry.

0:16:07.800 --> 0:16:10.520
<v Speaker 2>I've made three records, been giging for a long time

0:16:10.640 --> 0:16:14.600
<v Speaker 2>decade more So, have you seen a big change or not?

0:16:14.680 --> 0:16:16.280
<v Speaker 2>Do you still think there's an like where are we

0:16:16.360 --> 0:16:18.480
<v Speaker 2>on the scale. Is there still an awful lot of

0:16:18.560 --> 0:16:19.280
<v Speaker 2>progress we made?

0:16:19.600 --> 0:16:22.960
<v Speaker 1>Yeah, there's loads that needs to be done. Loads. How

0:16:23.000 --> 0:16:25.600
<v Speaker 1>long we got yeah, right, half an hour?

0:16:27.080 --> 0:16:30.720
<v Speaker 4>Regarding mental health, and that's a really big frustration in mine.

0:16:30.760 --> 0:16:33.440
<v Speaker 4>I think that there's a lot of responsibility I think

0:16:33.520 --> 0:16:39.040
<v Speaker 4>lies within management companies and record labels. It's a pretty

0:16:40.440 --> 0:16:43.160
<v Speaker 4>destructive industry it can be. I mean, I remember my

0:16:43.240 --> 0:16:46.960
<v Speaker 4>first tour. My best mate Yasmin's here somewhere, oh yeah,

0:16:47.000 --> 0:16:49.000
<v Speaker 4>but we went out. She came out on tour with me.

0:16:49.080 --> 0:16:53.800
<v Speaker 4>I was supporting Shakespeare's sister. Only one of them though,

0:16:55.240 --> 0:16:59.520
<v Speaker 4>Shavn not the good one. And now I love our

0:16:59.600 --> 0:17:02.840
<v Speaker 4>money to king. I'm only joking. What's the other one

0:17:02.880 --> 0:17:06.680
<v Speaker 4>called Marcella? No, what's the one called Marcella? Yeah? At

0:17:06.680 --> 0:17:08.760
<v Speaker 4>the time, I think I was twenty at the time,

0:17:08.880 --> 0:17:11.440
<v Speaker 4>yas was I twenty twenty one, about ten years ago

0:17:11.480 --> 0:17:14.520
<v Speaker 4>in it, and people thought that I was Marcella, and

0:17:14.560 --> 0:17:15.440
<v Speaker 4>I was like, way.

0:17:15.400 --> 0:17:16.680
<v Speaker 1>I'm twenty one years old.

0:17:17.160 --> 0:17:19.359
<v Speaker 4>When I was still kind of flattered though, because it's

0:17:19.400 --> 0:17:23.480
<v Speaker 4>a babe, but that I mean, I was just twenty one,

0:17:23.960 --> 0:17:26.560
<v Speaker 4>first ever tour and it was just me and my

0:17:26.640 --> 0:17:29.600
<v Speaker 4>piano at the time, and my mate yas carrying the

0:17:29.640 --> 0:17:36.040
<v Speaker 4>piano and every night there was like my rider was

0:17:36.160 --> 0:17:39.320
<v Speaker 4>just insane. It was like, you know, a bottler whiskey,

0:17:39.400 --> 0:17:42.119
<v Speaker 4>a bottle of wine and a creative beer. That's not

0:17:43.280 --> 0:17:46.600
<v Speaker 4>you should not be like you're the environment.

0:17:46.119 --> 0:17:46.680
<v Speaker 1>That you're in.

0:17:47.480 --> 0:17:50.679
<v Speaker 4>Alcohol is so present a lot at the time, and

0:17:50.720 --> 0:17:52.600
<v Speaker 4>there's lots of things I've had to learn over the

0:17:52.600 --> 0:17:55.240
<v Speaker 4>past three years of how to make it a much

0:17:55.280 --> 0:17:58.879
<v Speaker 4>more healthier environment to exist in. Otherwise it's just not

0:17:59.480 --> 0:18:02.879
<v Speaker 4>it's not it's not sustainable. And there's so many artists,

0:18:03.119 --> 0:18:05.760
<v Speaker 4>some really sad stories recently of artists that have taken

0:18:05.800 --> 0:18:07.919
<v Speaker 4>their own lives in the past.

0:18:07.720 --> 0:18:10.280
<v Speaker 1>Year, and it's.

0:18:09.600 --> 0:18:13.439
<v Speaker 4>Pretty scary the figures. And I think we need to

0:18:13.440 --> 0:18:18.400
<v Speaker 4>get rid of this ridiculous myth, this romanticism of the

0:18:18.440 --> 0:18:21.399
<v Speaker 4>tortured artist, you know. I mean, look at what happened

0:18:21.440 --> 0:18:24.480
<v Speaker 4>to Amy Winehouse. A lot of this would have been avoidable,

0:18:24.960 --> 0:18:30.760
<v Speaker 4>but we Amy Winehouse. It's one of the most heartbreaking

0:18:30.880 --> 0:18:34.000
<v Speaker 4>stories to date because she was such a talent, and

0:18:34.000 --> 0:18:37.119
<v Speaker 4>in fact I started out in jazz music playing with

0:18:37.160 --> 0:18:40.520
<v Speaker 4>Amy years ago in London and it was one of

0:18:40.600 --> 0:18:43.040
<v Speaker 4>the saddest days when she passed away, but everyone knew

0:18:43.040 --> 0:18:45.560
<v Speaker 4>it was coming, and it didn't feel like anyone was

0:18:45.600 --> 0:18:49.480
<v Speaker 4>doing anything about it. But I've been going on lots

0:18:49.480 --> 0:18:52.000
<v Speaker 4>of panels and talking about mental health in the music

0:18:52.080 --> 0:18:54.919
<v Speaker 4>industry and what can be done to improve it and

0:18:54.960 --> 0:18:58.560
<v Speaker 4>to make it a healthier environment for artists to exist within.

0:18:58.680 --> 0:19:02.280
<v Speaker 4>So at least the conversation starting now, So I think

0:19:02.480 --> 0:19:04.439
<v Speaker 4>there is a bit of progress there, but there's, like

0:19:04.480 --> 0:19:06.720
<v Speaker 4>you're saying, there's still a lot, a lot to be done.

0:19:07.480 --> 0:19:09.879
<v Speaker 3>What do you think what are those kind of things?

0:19:09.880 --> 0:19:12.400
<v Speaker 2>Because you've got to look after yourself, but you also

0:19:12.440 --> 0:19:15.080
<v Speaker 2>need to kind of build a network around you. Presumably

0:19:15.119 --> 0:19:18.720
<v Speaker 2>that's people like your friend Yas or anybody that's close

0:19:18.800 --> 0:19:21.680
<v Speaker 2>that you know, you trust, because you can go out

0:19:21.680 --> 0:19:23.240
<v Speaker 2>on the road for months and months at a time

0:19:23.280 --> 0:19:26.640
<v Speaker 2>and it's it's it's it's fun, no doubt, but also

0:19:26.800 --> 0:19:30.520
<v Speaker 2>quite grueling. So what are the things that you think

0:19:30.720 --> 0:19:32.840
<v Speaker 2>you know? What would you your kind of recommendations be.

0:19:32.960 --> 0:19:35.920
<v Speaker 2>Do you think it's important you mentioned Amy Winehouse there.

0:19:36.960 --> 0:19:40.520
<v Speaker 2>Anybody's seen the kind of Amy Winehouse movie, documentary film

0:19:40.560 --> 0:19:41.200
<v Speaker 2>will know that.

0:19:41.640 --> 0:19:41.879
<v Speaker 5>You know.

0:19:42.280 --> 0:19:45.720
<v Speaker 2>It's it's you can point fingers at certain people that

0:19:45.800 --> 0:19:48.200
<v Speaker 2>maybe it looked like it maybe kind of took advantage

0:19:48.320 --> 0:19:51.359
<v Speaker 2>or didn't do anything the inactivity of those things. So

0:19:51.960 --> 0:19:53.920
<v Speaker 2>what what are your kind of recommendations do you think?

0:19:53.960 --> 0:19:56.120
<v Speaker 2>It's just like, make sure you're working with people who've got,

0:19:56.680 --> 0:19:59.000
<v Speaker 2>you know that don't just purely have a business brain

0:19:59.040 --> 0:20:01.000
<v Speaker 2>on them and thinking about checks that are coming in

0:20:01.040 --> 0:20:03.399
<v Speaker 2>and actually thinking about your well being over that.

0:20:03.760 --> 0:20:04.320
<v Speaker 1>Yeah.

0:20:04.440 --> 0:20:07.720
<v Speaker 4>I think the biggest revelation for me, which made a

0:20:07.720 --> 0:20:10.439
<v Speaker 4>lot of change, was when I was just very honest

0:20:10.640 --> 0:20:13.120
<v Speaker 4>about because I also have a mental health illness.

0:20:14.200 --> 0:20:15.720
<v Speaker 1>It was never diagnosed.

0:20:15.760 --> 0:20:19.520
<v Speaker 4>It's been years and years and years of different different things.

0:20:19.560 --> 0:20:21.199
<v Speaker 4>People have been saying, maybe you've got this, maybe you've

0:20:21.240 --> 0:20:24.040
<v Speaker 4>got this, and it now looks like I have. Oh,

0:20:24.160 --> 0:20:28.760
<v Speaker 4>it sounds really funny. What's it called again, borderline personality disorder,

0:20:29.280 --> 0:20:32.760
<v Speaker 4>which I just you know, I find quite funny. But

0:20:32.800 --> 0:20:36.320
<v Speaker 4>I find it actually it's a lot easier for me

0:20:36.359 --> 0:20:38.600
<v Speaker 4>to discuss mental health when I inject a little bit

0:20:38.600 --> 0:20:41.440
<v Speaker 4>of humor about it. I try not to be kind

0:20:41.480 --> 0:20:44.359
<v Speaker 4>of too jovial about the subject because it's very serious,

0:20:44.359 --> 0:20:46.240
<v Speaker 4>but it is a way for me to open the dialogue,

0:20:46.280 --> 0:20:48.000
<v Speaker 4>especially when I'm talking to younger people.

0:20:48.000 --> 0:20:48.920
<v Speaker 1>About mental health.

0:20:50.240 --> 0:20:52.359
<v Speaker 4>As soon as I spoke to my management company about it,

0:20:52.400 --> 0:20:56.880
<v Speaker 4>they implemented little things like maybe after a show, because

0:20:56.880 --> 0:21:01.840
<v Speaker 4>adrenaline is quite a dangerous thing and it is quite destructive.

0:21:02.280 --> 0:21:05.680
<v Speaker 4>After a show, I get this real adrenaline high and

0:21:05.800 --> 0:21:07.560
<v Speaker 4>I'm working on now, You've got to let it kind

0:21:07.600 --> 0:21:10.800
<v Speaker 4>of dispel. And I can't just be straight after a show.

0:21:10.840 --> 0:21:14.040
<v Speaker 4>I can't go straight to a merch table. Got to

0:21:14.119 --> 0:21:17.080
<v Speaker 4>have like about twenty minutes to just kind of come down,

0:21:17.119 --> 0:21:21.199
<v Speaker 4>let it like settle slowly. Little things like that, so

0:21:21.280 --> 0:21:25.160
<v Speaker 4>my management won't book in press straight after a show anymore.

0:21:26.359 --> 0:21:27.680
<v Speaker 1>My touring team are all.

0:21:27.680 --> 0:21:30.879
<v Speaker 4>Very aware of my mental health illness. And your touring

0:21:30.920 --> 0:21:32.439
<v Speaker 4>team become like a little family.

0:21:32.480 --> 0:21:33.080
<v Speaker 1>It's really nice.

0:21:33.080 --> 0:21:35.479
<v Speaker 4>And my tour managers like me ma'am or me Dad,

0:21:35.920 --> 0:21:37.840
<v Speaker 4>and my band are like my brothers or my sisters.

0:21:37.960 --> 0:21:40.159
<v Speaker 1>You've got long tours and small vans. You've got to

0:21:40.200 --> 0:21:40.840
<v Speaker 1>get on with them.

0:21:41.240 --> 0:21:44.000
<v Speaker 4>And you can't hide anything on tour either, So there

0:21:44.000 --> 0:21:47.200
<v Speaker 4>has to be this element of complete honesty. And I'm

0:21:47.320 --> 0:21:50.320
<v Speaker 4>very unashamed and talking about my mental health illness, and

0:21:50.359 --> 0:21:52.760
<v Speaker 4>I speak about it very publicly. I was very embarrassed

0:21:52.760 --> 0:21:55.920
<v Speaker 4>about it. For a long time. But I'm finding now

0:21:55.920 --> 0:21:58.400
<v Speaker 4>that if I speak out about it, that's encouraging other

0:21:58.440 --> 0:22:01.040
<v Speaker 4>people to follow suit, which which is the first step

0:22:01.520 --> 0:22:06.200
<v Speaker 4>to getting better and kind of curating a healthy environment

0:22:06.280 --> 0:22:09.360
<v Speaker 4>to exist within. But just things like that, it has

0:22:09.480 --> 0:22:12.240
<v Speaker 4>there has to be an open dialogue there from the start,

0:22:12.400 --> 0:22:14.880
<v Speaker 4>which is yeah, a lot of it's up to yourself

0:22:14.920 --> 0:22:17.080
<v Speaker 4>to do that. But as soon as anybody else in

0:22:17.119 --> 0:22:20.240
<v Speaker 4>your touring party, or your management company or your record

0:22:20.320 --> 0:22:23.120
<v Speaker 4>label see any of these signs, they need to intervene

0:22:23.160 --> 0:22:26.159
<v Speaker 4>and have a conversation with you and allow you to

0:22:26.240 --> 0:22:31.120
<v Speaker 4>have this conversation and be welcoming and understanding. So yeah,

0:22:31.119 --> 0:22:34.000
<v Speaker 4>I think that's maybe the first step to it.

0:22:34.040 --> 0:22:38.560
<v Speaker 2>I think, Yeah, let's talk a bit about music. And

0:22:38.840 --> 0:22:41.400
<v Speaker 2>you mentioned that you grew up listening to a lot

0:22:41.440 --> 0:22:42.200
<v Speaker 2>of jazz.

0:22:43.080 --> 0:22:44.159
<v Speaker 3>Was that what was at home?

0:22:44.280 --> 0:22:47.400
<v Speaker 2>And like when did you was that like dad's record

0:22:47.400 --> 0:22:50.359
<v Speaker 2>collection or where did where did like music ender your life?

0:22:50.760 --> 0:22:50.840
<v Speaker 3>Na?

0:22:51.000 --> 0:22:51.040
<v Speaker 5>Me?

0:22:51.200 --> 0:22:54.400
<v Speaker 4>Dad used to listen to loads of Pakistani music, which

0:22:54.440 --> 0:22:57.320
<v Speaker 4>I hated growing up, like really hated.

0:22:57.640 --> 0:22:59.040
<v Speaker 3>Have you come around to that?

0:22:59.520 --> 0:22:59.879
<v Speaker 1>I love it?

0:23:00.480 --> 0:23:04.080
<v Speaker 4>Like I'm obsessed with my father's music yesterday was we

0:23:04.200 --> 0:23:06.280
<v Speaker 4>call it Pakistani Christmas in my house.

0:23:06.400 --> 0:23:11.720
<v Speaker 1>It was d so ed my Barrick and I did this.

0:23:11.720 --> 0:23:14.680
<v Speaker 4>Radio show yesterday and I played loads of Pakistani music

0:23:15.040 --> 0:23:16.879
<v Speaker 4>that my father played to me growing up that I

0:23:16.960 --> 0:23:20.399
<v Speaker 4>used to hate. An artist called made Hussan. It was

0:23:20.440 --> 0:23:24.040
<v Speaker 4>a guzzle singer and its just like insanely beautiful. It

0:23:24.040 --> 0:23:25.920
<v Speaker 4>doesn't matter if you can't speak the language and you

0:23:25.960 --> 0:23:27.320
<v Speaker 4>don't understand what's being said.

0:23:27.359 --> 0:23:30.080
<v Speaker 1>It's just beautiful music. I urge you to go out

0:23:30.119 --> 0:23:31.679
<v Speaker 1>and listen to some if.

0:23:31.520 --> 0:23:35.960
<v Speaker 4>You let me DJ later on and then play them.

0:23:36.080 --> 0:23:37.640
<v Speaker 4>There was a lot of that growing up in my house,

0:23:38.280 --> 0:23:42.719
<v Speaker 4>but never I never embraced it. My mother, she got

0:23:42.760 --> 0:23:46.360
<v Speaker 4>a pretty cool taste of music. Mom liketually she's pretty cool.

0:23:47.000 --> 0:23:50.560
<v Speaker 4>Lots of like girl bands like the Shangri Las, the

0:23:50.680 --> 0:23:54.000
<v Speaker 4>Charell's and the Crystals. Kind of grew up on that

0:23:54.440 --> 0:23:56.399
<v Speaker 4>and I only really got into jazz music because I

0:23:56.400 --> 0:24:01.639
<v Speaker 4>had this massive voice, and initially I was like me,

0:24:01.760 --> 0:24:05.160
<v Speaker 4>man would put us in like a real stage. Mother

0:24:05.640 --> 0:24:09.119
<v Speaker 4>put me in loads of like competitions, singing competitions, and

0:24:09.240 --> 0:24:13.280
<v Speaker 4>my go to song was always Mariah Carey Hero. Now

0:24:13.320 --> 0:24:17.960
<v Speaker 4>I hear there's a karaoke tent on site. And now

0:24:17.960 --> 0:24:20.200
<v Speaker 4>there's a rule that if you're like a professional singer,

0:24:20.400 --> 0:24:23.639
<v Speaker 4>you're not allowed to do karaoke. But I think you

0:24:23.760 --> 0:24:27.400
<v Speaker 4>can bend that rule in that if you're a professional singer,

0:24:27.440 --> 0:24:30.639
<v Speaker 4>you've got to do impersonations. So if you're there later on,

0:24:30.720 --> 0:24:34.399
<v Speaker 4>am I either gonna day Mariah Carey Hero or Tina

0:24:34.480 --> 0:24:39.200
<v Speaker 4>Dinner a private dancer. I think the latter is the

0:24:39.320 --> 0:24:40.560
<v Speaker 4>is the crowd's choice.

0:24:42.119 --> 0:24:43.160
<v Speaker 1>Yeah, And then.

0:24:44.480 --> 0:24:48.280
<v Speaker 4>My mum gave me a gospel record and I joined

0:24:48.320 --> 0:24:50.919
<v Speaker 4>a gospel choir and that was a really good place

0:24:50.960 --> 0:24:55.960
<v Speaker 4>to use this massive voice that I had, which was great.

0:24:56.240 --> 0:24:58.960
<v Speaker 4>And then from their jazz is and you know, it's

0:24:59.000 --> 0:25:01.399
<v Speaker 4>only like down the road and around the corner. So

0:25:01.440 --> 0:25:05.200
<v Speaker 4>then started making jazz music, not making, but singing jazz music.

0:25:05.359 --> 0:25:10.080
<v Speaker 4>And that's how I started my kind of forry into music.

0:25:10.520 --> 0:25:12.159
<v Speaker 2>I've heard you talk a lot about your mum and

0:25:12.160 --> 0:25:15.359
<v Speaker 2>your dad over the years, and they sound great. But

0:25:15.480 --> 0:25:17.840
<v Speaker 2>is it true that in a parallel universe somewhere you

0:25:17.840 --> 0:25:22.320
<v Speaker 2>could have been the daughter of Scott Walker or Jimi Hendrix.

0:25:22.760 --> 0:25:26.520
<v Speaker 1>I okay, I'm talked about that alright.

0:25:26.640 --> 0:25:29.280
<v Speaker 4>So I look nothing like my mother. I'm not bigging

0:25:29.280 --> 0:25:33.320
<v Speaker 4>myself up. But she is a total babe, like she's

0:25:33.560 --> 0:25:37.760
<v Speaker 4>she's such everyone's Mammy's beautiful. She's a really beautiful woman,

0:25:37.920 --> 0:25:42.040
<v Speaker 4>like inside out, she's a kind of I think she

0:25:42.119 --> 0:25:45.760
<v Speaker 4>was taller than me when she was younger, like nearing

0:25:45.800 --> 0:25:48.600
<v Speaker 4>on like near six foot when she was younger, because

0:25:48.640 --> 0:25:55.440
<v Speaker 4>with the Scandinavian heritage, tall blonde beauty, and in South Shields,

0:25:55.600 --> 0:25:57.160
<v Speaker 4>believe it or not, there used to be like a

0:25:57.200 --> 0:26:01.120
<v Speaker 4>thrive in music scene and because it Chad's Chandler from

0:26:01.119 --> 0:26:04.399
<v Speaker 4>the Animals, he was managing Jimmy Hendrix, and so loads

0:26:04.440 --> 0:26:07.320
<v Speaker 4>of great bands used to go through South Shields and

0:26:07.880 --> 0:26:10.840
<v Speaker 4>my mom would go to these shows, but you know,

0:26:10.960 --> 0:26:14.680
<v Speaker 4>she didn't put out and loads of these like loads

0:26:14.680 --> 0:26:16.760
<v Speaker 4>of these rock stars would chatter up and she was

0:26:16.800 --> 0:26:19.320
<v Speaker 4>too shy. So my mom I could have been the

0:26:19.400 --> 0:26:22.199
<v Speaker 4>daughter of Jimmy Hendrick. So Scott Walker chatted her up

0:26:22.240 --> 0:26:26.040
<v Speaker 4>once as well, and she declined.

0:26:27.480 --> 0:26:29.800
<v Speaker 1>I would have said, yes, I still I still would.

0:26:31.119 --> 0:26:32.480
<v Speaker 3>Did he get to his show recently?

0:26:33.000 --> 0:26:36.280
<v Speaker 1>Yeah, Well I had this.

0:26:36.520 --> 0:26:40.000
<v Speaker 4>I'm obsessed with Scott Walker, like I love Scott Walker.

0:26:40.760 --> 0:26:44.800
<v Speaker 4>And I went to this show at the Royal Albertole

0:26:45.520 --> 0:26:49.160
<v Speaker 4>recently and there was a bunch of different artists doing

0:26:49.240 --> 0:26:50.240
<v Speaker 4>versions of his songs.

0:26:50.720 --> 0:26:53.560
<v Speaker 1>I wasn't that enamored by the show. Actually, that's not

0:26:53.640 --> 0:26:56.240
<v Speaker 1>very nice. No, it wasn't.

0:26:56.920 --> 0:26:59.199
<v Speaker 4>I think one of the problems with that show was

0:26:59.240 --> 0:27:02.520
<v Speaker 4>that Scott Walker wasn't. There was an interview with Scott

0:27:02.560 --> 0:27:06.120
<v Speaker 4>Walker and Jarvis Cocker, and Javis Cocker had said to him,

0:27:06.119 --> 0:27:09.399
<v Speaker 4>pry at the show, do you have any advice for

0:27:09.480 --> 0:27:11.280
<v Speaker 4>us and what we should do at the show, and

0:27:11.320 --> 0:27:15.000
<v Speaker 4>Scott Walker said, yeah, just make it new, because that's

0:27:15.200 --> 0:27:17.320
<v Speaker 4>that's why we're inspired by Scott Walker. I mean, he's

0:27:17.320 --> 0:27:20.000
<v Speaker 4>still putting loads of us, me and Happiers like to

0:27:20.160 --> 0:27:24.320
<v Speaker 4>shame because he's making the most like essentially imagine like,

0:27:25.680 --> 0:27:29.639
<v Speaker 4>what's that band One Direction? It's like that, right, The

0:27:29.680 --> 0:27:32.840
<v Speaker 4>Walker brothers were like one Direction this boy band, and

0:27:32.880 --> 0:27:36.720
<v Speaker 4>then Scott Walker is essentially Harry If Harry Styles went

0:27:36.760 --> 0:27:41.320
<v Speaker 4>off and made the best, like weirdest album, that's Scott Walker.

0:27:41.400 --> 0:27:44.480
<v Speaker 4>That's what he did, essentially, and just kind of I

0:27:44.480 --> 0:27:46.800
<v Speaker 4>remember playing my mom some new Scott Walker.

0:27:46.840 --> 0:27:48.720
<v Speaker 1>She was really surprised that I liked him. She was, well,

0:27:48.800 --> 0:27:51.920
<v Speaker 1>less have a listen then, So I.

0:27:51.840 --> 0:27:56.560
<v Speaker 4>Played an album called Tilt, which is proper experimental. She

0:27:56.680 --> 0:27:59.480
<v Speaker 4>was terrified and she was really angered by it, like

0:27:59.600 --> 0:28:04.240
<v Speaker 4>he doesn't sound very well, and I was like, no, Na,

0:28:04.320 --> 0:28:06.560
<v Speaker 4>he's Mammy's fine. He's actually like one of the most

0:28:06.560 --> 0:28:08.920
<v Speaker 4>innovative musicians in the world. Just like, well, I think

0:28:08.920 --> 0:28:12.480
<v Speaker 4>it sounds like a racket, and I was like, well,

0:28:13.760 --> 0:28:16.280
<v Speaker 4>I suppose so, but I kind of light it and

0:28:16.600 --> 0:28:19.879
<v Speaker 4>uh yeah. So at the show afterwards, there was like

0:28:19.920 --> 0:28:21.639
<v Speaker 4>a little bar down the road. There was like a

0:28:21.640 --> 0:28:24.320
<v Speaker 4>bit of an aftershow type thing. No one knew Scott

0:28:24.359 --> 0:28:27.240
<v Speaker 4>Walker would be there. And he comes in and I'm

0:28:27.240 --> 0:28:29.480
<v Speaker 4>buying myself downstairs and he's in front of me, and

0:28:29.480 --> 0:28:33.000
<v Speaker 4>I'm texting my mates upstairs going and my friend's screenshot

0:28:33.000 --> 0:28:34.720
<v Speaker 4>it and put it on the internet, and I was

0:28:34.760 --> 0:28:35.240
<v Speaker 4>really drunk.

0:28:35.280 --> 0:28:36.480
<v Speaker 1>I can't remember writing.

0:28:36.160 --> 0:28:39.880
<v Speaker 4>This, but I just wrote, Scott Walker is two meters

0:28:39.920 --> 0:28:42.760
<v Speaker 4>away from me, please come downstairs, and then capital let

0:28:42.800 --> 0:28:46.360
<v Speaker 4>us please help me. Because I knew I was gonna

0:28:46.400 --> 0:28:48.520
<v Speaker 4>make a total ass of myself because whenever I meet

0:28:48.560 --> 0:28:50.880
<v Speaker 4>a hero, I always look it up.

0:28:52.360 --> 0:28:54.040
<v Speaker 1>So yeah, I just went with the standard like I

0:28:54.280 --> 0:28:56.120
<v Speaker 1>just got a walk, like you changed my life, and.

0:28:58.200 --> 0:29:01.560
<v Speaker 4>He just went like the thanks very much, kid, Thanks

0:29:01.720 --> 0:29:03.760
<v Speaker 4>very much and walked off and I was like, I

0:29:03.880 --> 0:29:05.600
<v Speaker 4>didn't tell us the bugger off, So that so it's

0:29:05.640 --> 0:29:11.600
<v Speaker 4>a plus because PJ Harvey did. Oh no, I once bumping,

0:29:11.920 --> 0:29:16.400
<v Speaker 4>Can I carry on as I once bumping?

0:29:16.520 --> 0:29:16.680
<v Speaker 1>There.

0:29:16.760 --> 0:29:19.440
<v Speaker 4>I was recording my second album and we're recording it

0:29:19.440 --> 0:29:24.520
<v Speaker 4>in South London and I was near London Bridge somewhere

0:29:25.080 --> 0:29:27.360
<v Speaker 4>on my way to the studio and I was listening

0:29:27.360 --> 0:29:29.760
<v Speaker 4>to p J Harvey on the way to get RiPP

0:29:29.760 --> 0:29:30.120
<v Speaker 4>her off.

0:29:30.040 --> 0:29:34.440
<v Speaker 1>A bit and uh.

0:29:34.880 --> 0:29:37.480
<v Speaker 4>On the way there, I saw it and I was like, wow,

0:29:38.160 --> 0:29:40.800
<v Speaker 4>I don't know what to do, and so I'll just

0:29:40.840 --> 0:29:45.320
<v Speaker 4>follow her. So she went into like a shop and

0:29:45.360 --> 0:29:46.480
<v Speaker 4>I was like, waiting outside the shop.

0:29:46.520 --> 0:29:48.000
<v Speaker 1>I'm gonna say this. I'm gonna say this is gonna be,

0:29:48.040 --> 0:29:50.640
<v Speaker 1>it's gonna be gonna best mates. And she came out.

0:29:50.640 --> 0:29:51.880
<v Speaker 1>I didn't say anything. I froze.

0:29:52.040 --> 0:29:54.520
<v Speaker 4>She went another shop. I thought, okay, I'm going to

0:29:54.600 --> 0:29:56.840
<v Speaker 4>this time on them. I'm gonna get it. She's gonna

0:29:56.840 --> 0:29:57.080
<v Speaker 4>get it.

0:29:57.760 --> 0:30:00.000
<v Speaker 1>And she came out and I was like, didn't say anything.

0:30:00.240 --> 0:30:00.440
<v Speaker 5>Ah.

0:30:01.440 --> 0:30:04.840
<v Speaker 4>Then she went into a dry cleaners and she came

0:30:04.880 --> 0:30:07.800
<v Speaker 4>out and the first thing I said, too, is just

0:30:08.440 --> 0:30:12.760
<v Speaker 4>PG dry cleaning posh.

0:30:14.440 --> 0:30:19.080
<v Speaker 1>Okay, I'm good.

0:30:22.080 --> 0:30:31.760
<v Speaker 4>Yeah, so PJ. Harvey thinks I'm really cool. Actually tomorrow,

0:30:31.880 --> 0:30:35.200
<v Speaker 4>no tomorrow. Today we're playing I'm gonna plug the gig

0:30:35.240 --> 0:30:38.400
<v Speaker 4>at the same time we're playing at half four on.

0:30:38.360 --> 0:30:40.160
<v Speaker 1>Some stage, the garden stage.

0:30:40.360 --> 0:30:46.320
<v Speaker 4>And my regular sax saxophonist, saxophonist, saxomophonist, saxophone.

0:30:46.440 --> 0:30:47.440
<v Speaker 3>Ah, what a play?

0:30:47.680 --> 0:30:52.959
<v Speaker 4>Yeah, my regular sax player. He has a prior engagement.

0:30:54.960 --> 0:30:58.720
<v Speaker 4>But we've got Terry Edwards, who's PJ. Harvey's saxophone player.

0:30:58.720 --> 0:31:02.000
<v Speaker 4>He's playing with us. I'm not having told him my

0:31:02.040 --> 0:31:04.760
<v Speaker 4>PJRV story yet. Okay, I'm gonna save it from maybe

0:31:04.800 --> 0:31:07.040
<v Speaker 4>on stage. Yeah no, no, I've done it.

0:31:07.080 --> 0:31:09.719
<v Speaker 2>Now. You might get round too. It's on the stage.

0:31:09.960 --> 0:31:11.600
<v Speaker 2>Hopefully you won't bump into her in like a white

0:31:11.640 --> 0:31:12.320
<v Speaker 2>Trose or something.

0:31:12.360 --> 0:31:14.440
<v Speaker 1>What she got on my train from Waterloo.

0:31:14.440 --> 0:31:17.320
<v Speaker 4>We came here from Waterloo yesterday and my mate Yasmin,

0:31:17.320 --> 0:31:19.320
<v Speaker 4>you getting a lot of shouts out, Oh, you're gonna

0:31:19.320 --> 0:31:20.920
<v Speaker 4>get a shamed If I'm having it, you're having it.

0:31:22.360 --> 0:31:24.920
<v Speaker 4>We were sat on the train waiting to come whereas

0:31:24.920 --> 0:31:30.280
<v Speaker 4>at Salisbury Sallysbury, as Yasmin said, and we were sat

0:31:30.360 --> 0:31:34.240
<v Speaker 4>on the train with our Genet's and that's not relevant.

0:31:35.680 --> 0:31:41.600
<v Speaker 4>And and I sat there, and y'alls just goes, oh

0:31:41.640 --> 0:31:45.040
<v Speaker 4>my god, that lady looks just like Patty Smith. And

0:31:45.080 --> 0:31:47.120
<v Speaker 4>I looked at the window. I was like, you're Dumbo.

0:31:47.280 --> 0:31:52.280
<v Speaker 4>It's PJ Harvy, just like Patty Smith. I was like, no,

0:31:52.520 --> 0:31:55.120
<v Speaker 4>it's pg Rvy. And then I thought, right, she's on

0:31:55.200 --> 0:31:55.680
<v Speaker 4>our train.

0:31:56.200 --> 0:31:59.760
<v Speaker 1>She can't escape me. I'm I get there.

0:32:00.000 --> 0:32:02.600
<v Speaker 2>So you're in the buffet car. She's picked up a

0:32:02.680 --> 0:32:03.680
<v Speaker 2>nice looking sandwich.

0:32:04.000 --> 0:32:06.560
<v Speaker 1>I just I just didn't know. I sat still. Actually

0:32:06.560 --> 0:32:07.920
<v Speaker 1>I just fell asleep. I was naked.

0:32:08.040 --> 0:32:11.240
<v Speaker 4>I think there's some fools and me like like that.

0:32:11.800 --> 0:32:13.880
<v Speaker 1>But no, I haven't gotten any I'll get it.

0:32:14.040 --> 0:32:14.560
<v Speaker 5>I get it.

0:32:15.920 --> 0:32:17.360
<v Speaker 3>Let's talk about Holiday Destination.

0:32:17.600 --> 0:32:20.040
<v Speaker 2>This is the new album you just put out, and

0:32:20.640 --> 0:32:25.680
<v Speaker 2>previous records of yours have often kind of you've written

0:32:25.680 --> 0:32:28.920
<v Speaker 2>songs about yourself and your relationships, and this time around

0:32:28.920 --> 0:32:33.480
<v Speaker 2>Holiday Destination, it's a record about the state of things

0:32:33.560 --> 0:32:38.760
<v Speaker 2>the world. It's very you're looking outwards. Did you where

0:32:38.760 --> 0:32:41.680
<v Speaker 2>did that moment come? That sort of transfer from writing

0:32:41.720 --> 0:32:43.920
<v Speaker 2>more about kind of what comes from inside you and

0:32:43.960 --> 0:32:47.600
<v Speaker 2>your kind of like private life to sort of looking

0:32:47.600 --> 0:32:50.040
<v Speaker 2>out and being wanting to sort of comment on the

0:32:50.080 --> 0:32:51.160
<v Speaker 2>world and the state of things.

0:32:51.880 --> 0:32:56.160
<v Speaker 4>Honestly, I think it was a virtually impossible to write

0:32:56.160 --> 0:32:57.320
<v Speaker 4>about anything else.

0:32:58.480 --> 0:33:02.000
<v Speaker 1>My rubbish love life pales in comparison, you know.

0:33:04.200 --> 0:33:07.000
<v Speaker 4>I think it's I also think it's like an artist's

0:33:07.080 --> 0:33:09.240
<v Speaker 4>duty to document the.

0:33:09.200 --> 0:33:12.920
<v Speaker 1>Times that we're living. My elder brother is a documentary maker.

0:33:14.320 --> 0:33:16.640
<v Speaker 4>To check out some of his films, he's called Kareem Shaw,

0:33:17.240 --> 0:33:20.720
<v Speaker 4>and so I'm really grateful to him. He's always opened

0:33:20.720 --> 0:33:23.760
<v Speaker 4>my eyes to so many things happening in the world

0:33:23.800 --> 0:33:26.880
<v Speaker 4>that aren't front page news. And he's he's a really

0:33:27.080 --> 0:33:30.000
<v Speaker 4>brilliant man. I'm very, very very proud of him and

0:33:30.040 --> 0:33:32.880
<v Speaker 4>what he does. And he was making a documentary for

0:33:32.960 --> 0:33:36.120
<v Speaker 4>Al Jazeera and it was on the border of.

0:33:37.720 --> 0:33:40.080
<v Speaker 1>Turkey and Siria.

0:33:40.560 --> 0:33:42.720
<v Speaker 4>And this is I think it's five years ago or

0:33:42.800 --> 0:33:45.600
<v Speaker 4>four years ago and up until the and it was

0:33:45.640 --> 0:33:47.840
<v Speaker 4>in a place called Kills and he was in a

0:33:47.880 --> 0:33:50.920
<v Speaker 4>refugee camp there and this documentary was about the effects

0:33:50.960 --> 0:33:53.120
<v Speaker 4>that the civil war was having on children.

0:33:53.920 --> 0:33:55.920
<v Speaker 1>And whenever there's a war or any.

0:33:58.200 --> 0:34:00.600
<v Speaker 4>Any kind of dispute or anything in a country which

0:34:00.600 --> 0:34:02.960
<v Speaker 4>is happening and to see the effect that it has

0:34:03.000 --> 0:34:07.120
<v Speaker 4>on children, that they're completely innocent, and it's the most

0:34:07.200 --> 0:34:12.200
<v Speaker 4>harrowing thing. And he was in a refugee camp making

0:34:12.239 --> 0:34:14.840
<v Speaker 4>a film about the kids there, and I made the

0:34:14.920 --> 0:34:16.800
<v Speaker 4>music for it. And that was the first time I

0:34:16.880 --> 0:34:19.000
<v Speaker 4>knew about this civil war. And I was pretty ashamed

0:34:19.000 --> 0:34:20.960
<v Speaker 4>that I didn't know about it. But actually I guess

0:34:21.160 --> 0:34:23.760
<v Speaker 4>myself and a lot of us we can be forgiven

0:34:23.800 --> 0:34:26.879
<v Speaker 4>because it wasn't front page news. And at that point

0:34:26.920 --> 0:34:29.400
<v Speaker 4>I knew I had to write about it, and that

0:34:29.600 --> 0:34:34.040
<v Speaker 4>was my brother's encouragement. I won't say what he said.

0:34:34.160 --> 0:34:39.279
<v Speaker 4>My brother's encouragement, why don't you write some proper songs

0:34:39.640 --> 0:34:41.120
<v Speaker 4>and cheers? Bro.

0:34:43.120 --> 0:34:44.000
<v Speaker 1>I love him for it.

0:34:44.120 --> 0:34:47.600
<v Speaker 4>Actually, You've always like if I get a bit a

0:34:47.600 --> 0:34:49.560
<v Speaker 4>bit like too big for me, Booty always brings you

0:34:49.640 --> 0:34:51.960
<v Speaker 4>back down to the ground again, and he reminds me

0:34:52.040 --> 0:34:55.160
<v Speaker 4>of why I do what I do. He's my biggest inspiration,

0:34:55.280 --> 0:35:00.160
<v Speaker 4>my brother, and so I kind of banked that I

0:35:00.200 --> 0:35:03.560
<v Speaker 4>had to make something. I had to make something good,

0:35:04.239 --> 0:35:07.680
<v Speaker 4>and and then it was front page news and they

0:35:07.680 --> 0:35:10.200
<v Speaker 4>were just the most harrowing images. Every day they're just

0:35:10.239 --> 0:35:12.759
<v Speaker 4>that they're just staining your mind. And they still haunt

0:35:12.800 --> 0:35:18.240
<v Speaker 4>me every day and that Ah, it's a subject really close.

0:35:18.000 --> 0:35:18.400
<v Speaker 3>To my heart.

0:35:18.960 --> 0:35:20.040
<v Speaker 1>Oh, I'm so sorry.

0:35:20.280 --> 0:35:25.120
<v Speaker 3>It's okay, Ah, it's fine.

0:35:25.880 --> 0:35:28.440
<v Speaker 2>I think, like I mean, anybody that hasn't checked out

0:35:28.480 --> 0:35:29.600
<v Speaker 2>the collection of songs.

0:35:29.400 --> 0:35:29.920
<v Speaker 3>Yet it is.

0:35:30.000 --> 0:35:34.640
<v Speaker 2>It's it's a really deep and powerful, very personal piece

0:35:34.680 --> 0:35:38.880
<v Speaker 2>of work. And I think that Nadan's just one of

0:35:38.880 --> 0:35:41.480
<v Speaker 2>a collection of other artists, including other people that you've

0:35:41.480 --> 0:35:44.120
<v Speaker 2>worked quite closely with, that have decided to kind of

0:35:45.560 --> 0:35:48.239
<v Speaker 2>write songs about that kind of subject matter. We're talking

0:35:48.280 --> 0:35:52.080
<v Speaker 2>about the you know, the the crisis in the immigration

0:35:52.239 --> 0:35:55.680
<v Speaker 2>crisis in Southern Europe, and already just talked about there

0:35:55.680 --> 0:35:59.640
<v Speaker 2>the Syrian kind of civil war. People like a borrow

0:36:00.040 --> 0:36:03.120
<v Speaker 2>otherwise known as ghost poet, somebody you've collaborated with before.

0:36:03.840 --> 0:36:05.680
<v Speaker 2>There are other it seems like a theme this year.

0:36:05.680 --> 0:36:08.319
<v Speaker 2>I've kind of discovered so many brilliant artists that are

0:36:08.719 --> 0:36:11.400
<v Speaker 2>that are the thanks.

0:36:11.400 --> 0:36:13.360
<v Speaker 1>Oh, cheers, I've got a kleenex.

0:36:13.560 --> 0:36:16.120
<v Speaker 2>He snuty knows for the record, somebody's just brought us

0:36:16.120 --> 0:36:16.600
<v Speaker 2>another beer.

0:36:17.600 --> 0:36:20.279
<v Speaker 4>Oh good job, it's not jin imagine what I be

0:36:20.360 --> 0:36:21.560
<v Speaker 4>like on that on Mother's ruin.

0:36:21.719 --> 0:36:26.000
<v Speaker 2>Just like this is quite a gen surroundings though, isn't it.

0:36:26.000 --> 0:36:29.120
<v Speaker 1>It's like a Piers Morgan interview now, so we.

0:36:29.120 --> 0:36:31.880
<v Speaker 3>Might go to an ad break. That's all right, he

0:36:32.040 --> 0:36:33.760
<v Speaker 3>broke it, alright.

0:36:33.520 --> 0:36:37.080
<v Speaker 4>I'm backing, I'm backing, I'm back in jees, I'm sorry.

0:36:37.400 --> 0:36:39.520
<v Speaker 4>What a softy I'm meant to be this tough goth.

0:36:42.960 --> 0:36:44.560
<v Speaker 4>But yeah, that's why we made the album. You know,

0:36:44.600 --> 0:36:46.560
<v Speaker 4>it's just robbly important and like you're saying you've got

0:36:47.239 --> 0:36:49.239
<v Speaker 4>and actually it's lovely. Like I was pretty scared I

0:36:49.280 --> 0:36:53.120
<v Speaker 4>make a political album originally because for a few reasons,

0:36:53.160 --> 0:36:56.200
<v Speaker 4>like dividing an audience, because if they're ever going to

0:36:56.200 --> 0:36:59.600
<v Speaker 4>have a political rhetoric present, not everyone's going to agree

0:36:59.640 --> 0:37:00.000
<v Speaker 4>with you.

0:37:01.360 --> 0:37:03.799
<v Speaker 1>But it's so nice to have my peers making music

0:37:03.840 --> 0:37:04.920
<v Speaker 1>about the same subjects.

0:37:05.000 --> 0:37:10.200
<v Speaker 4>So Maximo Park made a great album also about the

0:37:10.560 --> 0:37:13.719
<v Speaker 4>current refugee crisis, especially Syria they were focusing on. But

0:37:13.760 --> 0:37:16.200
<v Speaker 4>it's not just when we're talking about the refugee crisis,

0:37:16.200 --> 0:37:20.360
<v Speaker 4>it's not just Siria. There's a trayer, Afghanistan, Sudan, so

0:37:20.480 --> 0:37:23.279
<v Speaker 4>many countries and you know it's really sad to see

0:37:23.320 --> 0:37:26.280
<v Speaker 4>it's awful. But now that it's not front page news

0:37:26.320 --> 0:37:29.040
<v Speaker 4>every day, there was a point when I'd finished the

0:37:29.080 --> 0:37:32.080
<v Speaker 4>record and I thought like, this is an awful like

0:37:32.120 --> 0:37:34.480
<v Speaker 4>a fleeting awful thought to have. But I was like,

0:37:35.640 --> 0:37:37.680
<v Speaker 4>you know what, if it all gets sorted, this album

0:37:37.760 --> 0:37:41.440
<v Speaker 4>isn't going to be relevant. But actually, like, I would

0:37:41.440 --> 0:37:43.920
<v Speaker 4>be the happiest person in the world if my album

0:37:43.960 --> 0:37:46.759
<v Speaker 4>wasn't relevant and I had to go and write an

0:37:46.800 --> 0:37:50.160
<v Speaker 4>album about my crap love life again. I really, honestly,

0:37:50.200 --> 0:37:52.600
<v Speaker 4>hand on heart, I wish I never had I made

0:37:52.640 --> 0:37:55.640
<v Speaker 4>this album, and I wish it wasn't relevant, But like

0:37:55.719 --> 0:37:58.040
<v Speaker 4>the most the saddest thing, it's more relevant than ever

0:37:58.200 --> 0:38:01.000
<v Speaker 4>because it's not front page news anymore, and there's still

0:38:01.040 --> 0:38:05.000
<v Speaker 4>people without homes, there's still people making that treacherous, treacherous

0:38:05.080 --> 0:38:07.680
<v Speaker 4>journey every day and dying in the sea, and so

0:38:07.719 --> 0:38:10.319
<v Speaker 4>we have to keep talking about it, I know. And

0:38:10.360 --> 0:38:12.840
<v Speaker 4>we all still need to show our support, and we

0:38:12.920 --> 0:38:15.440
<v Speaker 4>all still need to keep donating our money or our

0:38:15.480 --> 0:38:18.040
<v Speaker 4>time whatever we can do. So I'm sorry if I

0:38:18.080 --> 0:38:20.600
<v Speaker 4>sound preachy, but I am kind of urging yours to

0:38:20.719 --> 0:38:24.000
<v Speaker 4>go out and keep donating. There's some brilliant, brilliant charities.

0:38:24.000 --> 0:38:26.560
<v Speaker 4>I'm working with one at the minute called Arda, and

0:38:26.640 --> 0:38:32.000
<v Speaker 4>they provide medical care for children who have been injured

0:38:32.280 --> 0:38:35.520
<v Speaker 4>in war and they've just got they've done some amazing work.

0:38:35.400 --> 0:38:37.560
<v Speaker 1>Or help refugees, who are a.

0:38:37.560 --> 0:38:41.280
<v Speaker 4>Huge organization that work in so many different sectors, doing.

0:38:41.120 --> 0:38:43.960
<v Speaker 1>Great work every day. So we've got to keep doing it.

0:38:44.080 --> 0:38:48.120
<v Speaker 2>Yeah, do you think now that you've switched modes in

0:38:48.200 --> 0:38:51.120
<v Speaker 2>your songwriting so to speak, can you ever imagine going

0:38:51.280 --> 0:38:53.759
<v Speaker 2>back to that style? Because there are always going to

0:38:53.800 --> 0:38:56.960
<v Speaker 2>be things now, like you know, hopefully you'll be the

0:38:57.040 --> 0:38:59.280
<v Speaker 2>kind of artists that will going to make ten twenty albums,

0:38:59.320 --> 0:39:00.880
<v Speaker 2>like they are always going to be things to talk

0:39:00.920 --> 0:39:02.920
<v Speaker 2>about within the world. Now that you've tried out that

0:39:02.960 --> 0:39:05.120
<v Speaker 2>start a songwriting, do you feel like you're always going.

0:39:05.080 --> 0:39:05.480
<v Speaker 3>To do that?

0:39:05.840 --> 0:39:08.960
<v Speaker 4>No? Because I cry and interviews all the time. So

0:39:09.800 --> 0:39:13.759
<v Speaker 4>the next one is a dance record. It's just pure gabba,

0:39:13.840 --> 0:39:15.920
<v Speaker 4>and yeah, I don't know.

0:39:16.320 --> 0:39:20.960
<v Speaker 2>I guess, like, yeah, probably you can't put yourself in

0:39:21.040 --> 0:39:22.080
<v Speaker 2>choosing two years time.

0:39:22.520 --> 0:39:25.440
<v Speaker 4>I've nearly finished right in the next album, okay, And

0:39:26.920 --> 0:39:28.840
<v Speaker 4>yeah there's subjects and that I'm talking a lot about

0:39:28.840 --> 0:39:33.839
<v Speaker 4>gender politics and that a lot. But yeah, I don't

0:39:33.880 --> 0:39:36.000
<v Speaker 4>know really, but I guess I'm because of what my

0:39:36.040 --> 0:39:38.839
<v Speaker 4>brother said it's kind of really stuck with me, and

0:39:39.239 --> 0:39:43.120
<v Speaker 4>I think I'm never really proud of work, but I've

0:39:43.600 --> 0:39:47.520
<v Speaker 4>never felt so happy with them, or like satisfied is

0:39:47.560 --> 0:39:49.600
<v Speaker 4>the right word with the piece of work that I've

0:39:49.600 --> 0:39:52.480
<v Speaker 4>made other than this album actually, because I feel like

0:39:52.560 --> 0:39:55.560
<v Speaker 4>it's I feel like it's kind of important.

0:39:55.239 --> 0:39:57.960
<v Speaker 3>Yeah, we've probably got about five minutes left. What we're

0:39:58.000 --> 0:39:58.279
<v Speaker 3>gonna do.

0:39:58.560 --> 0:40:00.680
<v Speaker 2>I've got maybe one more two more questions left in

0:40:00.680 --> 0:40:02.200
<v Speaker 2>the Dean and then I'm going to ask if anybody

0:40:02.200 --> 0:40:06.160
<v Speaker 2>else wants to ask a question. Super delighted that so

0:40:06.160 --> 0:40:08.000
<v Speaker 2>many people have come, by the way, This is really great.

0:40:09.239 --> 0:40:11.160
<v Speaker 2>We talked earlier about your taste in music and like

0:40:11.239 --> 0:40:14.200
<v Speaker 2>music discovery. In this autumn, you're going on tour and

0:40:14.200 --> 0:40:15.719
<v Speaker 2>you're going to take a punk band on tour with you,

0:40:15.719 --> 0:40:18.960
<v Speaker 2>which I think is great because they're a band called

0:40:19.000 --> 0:40:21.640
<v Speaker 2>Life from Hull. They're kind of there's a lot of

0:40:21.680 --> 0:40:24.960
<v Speaker 2>fantastic politicized punk bands in the UK at the moment,

0:40:25.360 --> 0:40:29.000
<v Speaker 2>artists that we've enjoyed this year, people like Idols from Bristol,

0:40:29.520 --> 0:40:33.720
<v Speaker 2>Life from Hull Shame. They're playing either later today or tomorrow.

0:40:33.840 --> 0:40:35.960
<v Speaker 2>Hear at end of the road you're going off on

0:40:35.960 --> 0:40:38.000
<v Speaker 2>a UK tour, but you've decided to frighten your audience

0:40:38.040 --> 0:40:39.960
<v Speaker 2>with a band that play heavy punk rock.

0:40:40.160 --> 0:40:44.000
<v Speaker 1>Sorry. Well, I was talking to the lads in Life.

0:40:44.040 --> 0:40:46.680
<v Speaker 1>They're becoming like me little brothers.

0:40:46.880 --> 0:40:50.480
<v Speaker 4>I love them and I had said to them come

0:40:50.520 --> 0:40:53.880
<v Speaker 4>and support me on tour and they were like, and

0:40:53.920 --> 0:40:55.880
<v Speaker 4>I was like, no, no, you know what, the most

0:40:56.080 --> 0:40:59.680
<v Speaker 4>punk rock thing you can do is not by playing

0:41:00.080 --> 0:41:03.400
<v Speaker 4>with other punk bands. You know, don't play your regular audience.

0:41:03.440 --> 0:41:05.920
<v Speaker 4>The most punk rock thing you can do is come

0:41:05.960 --> 0:41:08.040
<v Speaker 4>and play with me. In fact, the most punk rock

0:41:08.080 --> 0:41:10.759
<v Speaker 4>thing that could do was support. I don't want to

0:41:10.920 --> 0:41:13.400
<v Speaker 4>slag off any artists.

0:41:13.239 --> 0:41:14.160
<v Speaker 3>It's late for that.

0:41:16.160 --> 0:41:17.880
<v Speaker 1>You haven't got me out the world ja yet.

0:41:19.920 --> 0:41:21.960
<v Speaker 3>The regular listeners to the podcast.

0:41:23.040 --> 0:41:25.040
<v Speaker 4>I won't say what I've been saying. I've been told

0:41:25.040 --> 0:41:28.960
<v Speaker 4>off when them off. I'm only joke and actually like them.

0:41:28.960 --> 0:41:34.520
<v Speaker 4>We just find it funny. They're really lovely people. Yeah,

0:41:34.719 --> 0:41:36.880
<v Speaker 4>that's what I was saying to Life. I was support

0:41:37.160 --> 0:41:39.600
<v Speaker 4>support people that you never normally would if you want to,

0:41:40.000 --> 0:41:42.759
<v Speaker 4>because otherwise you exist within an echo chamber and they

0:41:42.800 --> 0:41:45.880
<v Speaker 4>have a political message and they have something to say,

0:41:46.360 --> 0:41:49.359
<v Speaker 4>say it to everyone. Yeah, I find it funny. Saying

0:41:49.360 --> 0:41:53.600
<v Speaker 4>we've got life support. They're really hard to google as well.

0:41:53.640 --> 0:41:55.760
<v Speaker 4>The first time I heard them, I was like reviewing

0:41:55.760 --> 0:41:58.600
<v Speaker 4>them on the round Table. That's Steve la Mackshaw and

0:41:58.719 --> 0:42:01.160
<v Speaker 4>the song was called in Your Hands. So I just

0:42:01.200 --> 0:42:03.920
<v Speaker 4>googled like life in your Hands and got loads of

0:42:03.920 --> 0:42:08.800
<v Speaker 4>self help articles, which actually they were pretty pretty, very useful.

0:42:08.840 --> 0:42:11.799
<v Speaker 3>I Ye, has anybody got anything they want to ask?

0:42:11.920 --> 0:42:13.080
<v Speaker 3>The dean is it?

0:42:17.320 --> 0:42:19.759
<v Speaker 1>Did I meet Jeremy Corbyn? I've got a story about that.

0:42:20.360 --> 0:42:22.719
<v Speaker 4>No, I didn't meet him on that occasion, but I've

0:42:22.719 --> 0:42:24.800
<v Speaker 4>met him in the past. I'm a member of the

0:42:24.880 --> 0:42:28.439
<v Speaker 4>Labor Party. So if you hate them, but yeah, and

0:42:29.640 --> 0:42:33.400
<v Speaker 4>I need you quit music. Yeah, there was a after

0:42:33.840 --> 0:42:35.800
<v Speaker 4>was it during the last album or just after the

0:42:35.880 --> 0:42:39.000
<v Speaker 4>last album? I kind of for a few weeks decided

0:42:39.000 --> 0:42:41.319
<v Speaker 4>I was quitting music and I wanted to become an

0:42:41.400 --> 0:42:46.719
<v Speaker 4>MP for sou Shields back home and U So I

0:42:46.760 --> 0:42:48.880
<v Speaker 4>started in Turning in Westminster.

0:42:50.040 --> 0:42:51.359
<v Speaker 1>So I went to a few different like.

0:42:51.320 --> 0:42:58.000
<v Speaker 4>Labor Party parties and big drinkers and.

0:42:57.880 --> 0:43:01.040
<v Speaker 1>I'm only joking, but the but they all are the old.

0:43:02.040 --> 0:43:06.239
<v Speaker 4>But I met Jeremy Cobyn a few times and his

0:43:06.320 --> 0:43:08.640
<v Speaker 4>wife as well, who's super inspiring. The work that she's

0:43:08.680 --> 0:43:11.440
<v Speaker 4>doing in her home country is amazing. And I was

0:43:11.480 --> 0:43:14.480
<v Speaker 4>at this one. It was like a charity, like a

0:43:14.480 --> 0:43:15.840
<v Speaker 4>fundraiser for the Labor Party.

0:43:15.880 --> 0:43:16.399
<v Speaker 1>I went to that.

0:43:16.760 --> 0:43:20.399
<v Speaker 4>My dad has a curtain shop in the Northeast and

0:43:20.480 --> 0:43:23.920
<v Speaker 4>it was in the Northeast, this kind of Labor Party party,

0:43:24.560 --> 0:43:28.600
<v Speaker 4>and my dad had donated a pair of curtains or

0:43:28.640 --> 0:43:30.839
<v Speaker 4>like whatever you want, like to have some curtains made

0:43:30.960 --> 0:43:34.120
<v Speaker 4>was one of the prizes in the raffle. And Jeremy

0:43:34.120 --> 0:43:36.480
<v Speaker 4>Corbyn's wife puts her hand up and bids on it,

0:43:36.719 --> 0:43:39.720
<v Speaker 4>and Jeremy's like no no to her, like no, no, no,

0:43:39.840 --> 0:43:42.640
<v Speaker 4>and she bids and she wins. So I think it's

0:43:42.920 --> 0:43:44.680
<v Speaker 4>we still haven't given them. I've got to go to

0:43:44.760 --> 0:43:52.279
<v Speaker 4>Jeremy's house next week and measure his windows. Oh, I'm

0:43:52.280 --> 0:43:53.360
<v Speaker 4>going to embarrass myself.

0:43:53.360 --> 0:43:55.120
<v Speaker 1>I get it with PJ. Are we with him now?

0:43:55.800 --> 0:44:02.080
<v Speaker 4>Jeremy swags and tails bosh.

0:44:02.200 --> 0:44:03.640
<v Speaker 2>I just want to kind of wrap things up by

0:44:03.680 --> 0:44:06.920
<v Speaker 2>saying a massive thank you to Na Dean. She's going

0:44:07.000 --> 0:44:09.120
<v Speaker 2>to be performing later on today on the Garden stage

0:44:09.120 --> 0:44:11.439
<v Speaker 2>at half past four, so definitely go and check that out.

0:44:11.719 --> 0:44:14.400
<v Speaker 2>That's all that's left for me to say a massive

0:44:14.400 --> 0:44:15.960
<v Speaker 2>thank you to Na Dean and we hope you've enjoyed

0:44:15.960 --> 0:44:17.600
<v Speaker 2>this episode, Thanks very much.

0:44:18.040 --> 0:44:31.040
<v Speaker 5>Choice Ready.

0:44:32.200 --> 0:44:35.440
<v Speaker 1>Midnight Chat is a Loud and Quiet podcast production by

0:44:35.480 --> 0:44:38.360
<v Speaker 1>Emma Snook Music courtesy of gold Panda.

0:44:38.640 --> 0:44:42.480
<v Speaker 2>Search Midnight Chats on iTunes for more episodes and to subscribe.

0:44:42.920 --> 0:44:55.920
<v Speaker 2>For more information, visit Loud and Quiet dot com