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Speaker 1: I am all in, kiss you, I am all in

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Speaker 1: with Scott Patterson and I Heart Radio podcast. All right, everybody,

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Speaker 1: Hey Scott Patterson, I am all in podcast our Heart

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Speaker 1: Radio one of them production. What the heck was that

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Speaker 1: was somebody slamming a fist down? How was your knee? Okay, okay, totally,

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Speaker 1: I'm totally good. Thank you for you're so excited that

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Speaker 1: we're starting the episode that you just jumped and hit

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Speaker 1: your name, so excited about John Hamm that iamed my

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Speaker 1: leg into the desk. Um, well, we're gonna get into that,

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Speaker 1: so just try to contain yourself. Let me get through

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Speaker 1: this and then I apologize to everyone's ears. That's quite

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Speaker 1: It's like, it was quite shocking. Um, but you know

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Speaker 1: what they say in show business, the show must go on.

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Speaker 1: So I didn't stop up. No, you did great. Um. Anyway,

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Speaker 1: this wasn't being a good I wasn't being a good

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Speaker 1: background actor. You are not. No, You're You're a frontline personality.

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Speaker 1: You're not a background person I want to keep practicing

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Speaker 1: our background skills. But we can do that. We can

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Speaker 1: do that. You just have to stop moving your mouth

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Speaker 1: so much. You can't exaggerate the movements anyway, Season three,

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Speaker 1: episode five, eight o'clock at the Oasis and riff on

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Speaker 1: that that that song was so calming. That was a

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Speaker 1: big hit Maria Muldour Midnight at the Oasis anyway. Um,

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Speaker 1: so what do you guys think? I thought this was

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Speaker 1: a delightful, delightful episode. I thought it had again the

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Speaker 1: perfect balance. And I've never seen an episode where they

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Speaker 1: used to support guest stars John him and then the

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Speaker 1: guy that played the neighbor so well tied the whole

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Speaker 1: episode in together. We only saw John Hamm once, but

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Speaker 1: boy did he reverberate through the entire song twice because

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Speaker 1: he came to the door. He came to the door, correct,

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Speaker 1: I sit corrected, Um, but still, I mean that really

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Speaker 1: set the tone for this entire episode, in every single scene.

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Speaker 1: So uh. And also I loved how the neighbor, the

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Speaker 1: wacky neighbor, came over and asking Lord Dwight right, how

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Speaker 1: how that ended up being used to get Jess and

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Speaker 1: Rory together? And I agree with you in a really

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Speaker 1: charming scene. Yes, I so agree with you. It was

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Speaker 1: like we had to go through all this with the

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Speaker 1: wacky neighbor to get the perfect Jess and Rory moment

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Speaker 1: which I think had really deep, deep meaning. Didn't but

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Speaker 1: didn't see that coming? Right, I have a very important

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Speaker 1: question to start off with. Should we hit him with

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Speaker 1: a synopsis? First? Danielle take it away? And here we

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Speaker 1: are with Tara s Danielle Romo ams Sugarman. Forgive me

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Speaker 1: for not introducing the ball club, but there they are

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Speaker 1: and all their glory. Danielle take it away alright? Season three,

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Speaker 1: episode five, eight o'clock at the Oasis, and the synopsis

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Speaker 1: of this episode is Lorle see is something she likes

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Speaker 1: at an auction a man dundun. Only Emily knows his identity.

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Speaker 1: Should Laura Lee break her stay out of my love

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Speaker 1: life role? Just once? But when she does, she realizes

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Speaker 1: he's not quite what she anticipated. Plus, Loria La agrees

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Speaker 1: to agrees to do a favor for an annoying neighbor,

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Speaker 1: which also brings Rory and Jess together. Danielle, what that

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Speaker 1: was our most professional synopsis reading? I think of won

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Speaker 1: a full year. Are we are we getting good at this?

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Speaker 1: Are we getting good at this? I don't know. That

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Speaker 1: was amazing. That was like you nailed that. Okay is

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Speaker 1: ready for the most Maybe the third most important question

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Speaker 1: of this episode. Go ahead, I'm ready for anything. I

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Speaker 1: want all three of you to answer this. Is this

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Speaker 1: episode more enjoyable now because we know it's Jon Hamm,

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Speaker 1: because it's John Hamm now rather than just unknown guy back? Then?

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Speaker 1: I'm going to say no, I don't think it matters.

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Speaker 1: I think I think the episode stands alone. It doesn't

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Speaker 1: matter what happened to John Hammer or anybody in the

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Speaker 1: cast it I mean, yeah, I mean it makes it

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Speaker 1: a little bit intriguing to see him a younger version

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Speaker 1: of Jon Hammon, but it really, you know, the episode

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Speaker 1: really holds up. Um, it could have been anybody, right,

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Speaker 1: I'm gonna hold my tongue. I feel like this is

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Speaker 1: my opinion, but it was probably one of the more

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Speaker 1: boring episodes for me, except for the scene with Jess

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Speaker 1: and Rory. But other than that, I was can we

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Speaker 1: get the show on the road? Oh no, no, no.

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Speaker 1: I love this episode. But to answer your question, Amy,

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Speaker 1: I don't think I can quite comment because I didn't

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Speaker 1: see it pre John Hamm's start. But I did love

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Speaker 1: it now. I thought I was like, oh, John Hamm,

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Speaker 1: I loved it. Yeah, And I like Peyton more because

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Speaker 1: it's John Hamm like even though Lourel is like this

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Speaker 1: dude is so boring. I'm like, but it's John Hamm Like,

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Speaker 1: I don't know if you guys know this, but John

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Speaker 1: Hamm is in top gun like John Hamm is mad

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Speaker 1: men like so to me, I'm like, Laurel I is

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Speaker 1: going out with God right now, like John Hamm is

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Speaker 1: so hot. And I don't want to say it, but

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Speaker 1: if you ladies guys listening, there's a how do I

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Speaker 1: say this? There's a rumor about John Hamm that's been going.

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Speaker 1: This is a family show, Amy, Sugarman. He must move forward, Scott,

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Speaker 1: don't let Amy continue with that. We're gonna We're gonna

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Speaker 1: go to a commercial hair get the hook out place.

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Speaker 1: I love how we all knew would exactly so So anyway, um,

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Speaker 1: I think Laurel I is a liar in this episode

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Speaker 1: in one respect, absolute liar. She is not a fan

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Speaker 1: of Bowie, not a real fan of Bowie, because if

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Speaker 1: she was a real fan of Bowie, nothing could have

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Speaker 1: kept her away from that concert. No, you would take

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Speaker 1: those free to take the free ticket? Who cares? If

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Speaker 1: the guy's an adult, right, he's boring and self obsessed

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Speaker 1: and creepy narcissist guy, right, do go with him? Right? Like,

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Speaker 1: aren't we to assume remember to curry favor with her mother?

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Speaker 1: So that doesn't her relationship with the who was it?

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Speaker 1: I don't care what concert is. If the guy is

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Speaker 1: so bad, I can't go. It's bowie watch the show.

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Speaker 1: You don't have to. You don't have to even acknowledge.

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Speaker 1: I mean, I've been the concerts before with with people

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Speaker 1: that I didn't acknowledge. To dance real close, and like dance,

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Speaker 1: dance real close. Put his arm on her. She just moves.

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Speaker 1: She can just move away, old hands, Damn, she can

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Speaker 1: just she could relocate to a different part of the

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Speaker 1: the arena and to get away from you could say, listen,

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Speaker 1: I need to go to the ladies room. I'll be

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Speaker 1: right back, and then just enjoy like a half hour.

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Speaker 1: Come back and say, you can't believe how long the

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Speaker 1: line was. I'm gonna go get a hot dog. I'll

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Speaker 1: be right back. You want something, and then go away

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Speaker 1: for an hour, so you can't believe how line along

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Speaker 1: the line was. Let's get out of here. The show's over, okay,

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Speaker 1: And so she enjoyed it. Maybe she meets another gun

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Speaker 1: what did he drive at Jaguar? She could have got

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Speaker 1: a ride at home, and it's Jaguar. I don't think

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Speaker 1: we are choice of car for him. I would have

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Speaker 1: gone porch Jaguar for like a cool dude. Am I

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Speaker 1: getting it wrong? He drove a Jaguar, right, talked about

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Speaker 1: it all night. Uh yeah, I think he was going

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Speaker 1: for the comfort. Do you think Jaguars are cool for

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Speaker 1: like a forty year old dude? I don't. I wouldn't

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Speaker 1: buy one, but you know, right, that's like, like, what

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Speaker 1: did you guys think of Peyton? I thought he started

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Speaker 1: out really well. I mean it was it was witty, banter,

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Speaker 1: and she was intrigued and hey, I'm you know, I'm

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Speaker 1: no Einstein and took off. I mean it's perfect. I

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Speaker 1: was surprised, Yeah, I was surprising he was so boring

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Speaker 1: because the wine exchange was so right good, although it

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Speaker 1: was brief and barely any talking, right, it wasn't consistent

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Speaker 1: with what was established because he was witty, and he

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Speaker 1: was clever, and he was open, and he seemed intelligent

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Speaker 1: and able to converse, you know, on an adult level

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Speaker 1: instead of sitting there and talking about his boring toys.

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Speaker 1: You know, right, some girls gonna really like Peytron, I think,

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Speaker 1: though I do. Yeah, yeah, there's there's So what do

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Speaker 1: you make of the fact there's a crooked lid? This

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Speaker 1: is so true, So go deeper into it, like Emily's

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Speaker 1: involvement and Rory's involvement and Richard's involvement, and then the

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Speaker 1: train wreck when she didn't like him, and just break

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Speaker 1: it all down. Interesting, Interesting that you know, Laurela didn't

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Speaker 1: see how it was going to adversely affect Emily's relationship

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Speaker 1: with her friend who's Peyton's mother. And I loved the

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Speaker 1: Richard scene. And I know we're bouncing around a little bit,

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Speaker 1: but I loved when Richard Richard called from his office

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Speaker 1: and said that he was golfing with Peyton's dad and

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Speaker 1: that they would discuss and how to sort of rectify

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Speaker 1: the situation and we'll call you back like it was

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Speaker 1: a given, like like like Laurel, I knew what the

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Speaker 1: hell he was even talking about, and that you'll issue

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Speaker 1: an apology. And I just love that conversation because it

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Speaker 1: showed what a great husband Richard is defending his wife

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Speaker 1: and say and listen, yes, it's insane, Laureli. The whole

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Speaker 1: thing is insane. That's Emily's world, and I respect it,

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Speaker 1: and she will get her first. She will be served

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Speaker 1: tea first. That is her world her. If her world

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Speaker 1: has disrupted, my world becomes disrupted. I don't want I

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Speaker 1: don't want to see the best move for Richard was

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Speaker 1: to say, I agree, it's insane, because that's pretty much

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Speaker 1: what Laura I needed, because then she came around and

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Speaker 1: she said, okay, like, if you need me to go

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Speaker 1: out with this guy to the concert, I will. And

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Speaker 1: I think it was because Richard's like, I know it's ridiculous,

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Speaker 1: but like, we got it. This is what she cares about,

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Speaker 1: and I care about her. So it was like, but

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Speaker 1: loral line is completely justified and being defensive there and

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Speaker 1: just being you know, acting in it. I don't think

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Speaker 1: she thought she was acting in a selfish way because

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Speaker 1: you know, Richard and Emily are always telling her what

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Speaker 1: a screw up she is, right, so this time it's like, God,

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Speaker 1: they're invading my private space here. Didn't work out? Can't

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Speaker 1: they just get over it? She wasn't seeing the ramifications

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Speaker 1: because she couldn't see them because you know, her knee

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Speaker 1: jerk is to just good God, these people are at

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Speaker 1: me again. I can't do anything right there. And she's

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Speaker 1: also so certain that Peyton also had a terrible time,

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Speaker 1: like she's like, you, guys, this guy is not into

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Speaker 1: me either, which we don't know that that is not

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Speaker 1: not true because Peyton is probably like, I don't want

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Speaker 1: to go to the concert with this girl either. But

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Speaker 1: I like the episode because it showed me one of

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Speaker 1: the rare times where they're they're almost functioning as a

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Speaker 1: as a family, you know, they're sort of all pulling together,

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Speaker 1: and I like that part of it. I I it

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Speaker 1: was it was more positive for me to see, uh,

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Speaker 1: Emily and Laura I kind of get along and and

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Speaker 1: did you see how um hopeful and energetic Emily was

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Speaker 1: when Laura I came over in the afternoon and she

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Speaker 1: wanted Emily wanted to know all about the date and

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Speaker 1: tell me about the date. How did it go? And

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Speaker 1: you know, so that that was Emily and her element

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Speaker 1: and being hopeful that Laurel I had finally found a

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Speaker 1: guy that she can you know, be proud that Emily

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Speaker 1: can be proud of like this relationship could work because

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Speaker 1: he's of you know, the man are born and it's

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Speaker 1: all going to work out and we can, you know,

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Speaker 1: we can. We can live our snooty little lives. I

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Speaker 1: always want to like disagree with you when you say that,

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Speaker 1: but like this episode proved it, Like they do want

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Speaker 1: her with the son of their friends, you know what

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Speaker 1: I mean, Like they love that. Do you also think

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Speaker 1: that the auction purposely switched up the lamps or do

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Speaker 1: you think it was Emily? Because I think it was Emily. Oh,

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Speaker 1: talk to us about that, because why else would Uraa

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Speaker 1: come to Emily's house in the middle of the week

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Speaker 1: for no reason? So she I was thinking, like Emily

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Speaker 1: wanted to get information because if she calls Laura la

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Speaker 1: at work, Laurel I is not gonna want to talk

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Speaker 1: to her. Solid I'm gonna give you a probably correct

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Speaker 1: And that never occurred to me. Yeah, because she never

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Speaker 1: wants to talk whenever Emily calls and she's at work,

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Speaker 1: she just never wants to talk to her and she

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Speaker 1: won't give her the time of day. So how else

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Speaker 1: will she reel her in except to physically come to

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Speaker 1: her house to pick up the lamp that she bought.

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Speaker 1: She wanted to have there. She wanted to have some

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Speaker 1: girl time with her daughter and talk about the guy

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Speaker 1: and how you know that she was excited for that.

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Speaker 1: It was like Emily really getting a real shot of life, Like, hey,

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Speaker 1: this is how found that I can be like a

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Speaker 1: mom again to Laurela and this is I love the

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Speaker 1: dinner scene of the awkwardness or Laurel. I have to

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Speaker 1: sort of like that was the best dinner scene. Yeah,

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Speaker 1: I mean, I don't know how they're going to tell

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Speaker 1: that one because everybody was great. IM so happy to

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Speaker 1: see Richard. I can't remember if we've seen him for

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Speaker 1: a minute because they're so good at like it's been

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Speaker 1: a while, but Rory was great in that. Yeah, mom

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Speaker 1: saw something she thought looked pretty good at the auction,

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Speaker 1: just having fun with her, making her sweat. And then

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Speaker 1: I thought John Hamm was still charming when he came

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Speaker 1: to the door. That's why I was so shocked he

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Speaker 1: was boring because when he came to the door, Rory

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Speaker 1: was super cool with him and he was so chill,

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Speaker 1: like you look wonderful, like he was so smooth John

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Speaker 1: ham I liked his vibe. I thought he was cool. Yeah.

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Speaker 1: I wish we got like a piece of the date,

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Speaker 1: like just a little glimpse. Yeah, I agree. I agree,

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Speaker 1: but I guess they didn't need it, but they it's

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Speaker 1: a scene that I we should have seen it go south.

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Speaker 1: We didn't need it. See that's the thing about. Maybe

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Speaker 1: they shot it and they realized they didn't need it. Now,

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Speaker 1: it would have been so entertaining to watch that miserable day.

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Speaker 1: All right, so let's go let's go back to the beginning,

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Speaker 1: because I want to talk about like what is going

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Speaker 1: on at luke S Diner with like every family in town,

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Speaker 1: all the babies, so many brunch Like what's happening? I

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Speaker 1: was like, is there a farmer's market and this is

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Speaker 1: where they come out? Like what's go? Yeah, I don't

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Speaker 1: think that scene aged well at all. Literally wrote that

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Speaker 1: down down. I don't know how much I've actually, you know,

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Speaker 1: not to pat myself on the back, but I've been

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Speaker 1: in situations in public where a woman is breastfeeding and

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Speaker 1: somebody says something and I walk over that person and say,

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Speaker 1: shut your mouth. She has everything to do that. That's

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Speaker 1: a child she's feeding, and you have no right to

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Speaker 1: intervene and and traumatize her or her baby. Go away,

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Speaker 1: And yeah, you're right. It was uncomfortable. It really was

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Speaker 1: uncomfortable to watch. I wonder if it was then too.

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Speaker 1: I was ashamed of Luke. I was disappointed in Luke,

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Speaker 1: you know, but it's he's such a conundrum. It wasn't

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Speaker 1: so bad, but it was. It was a little awkward.

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Speaker 1: It's kind of bad. It was pretty bad. Yeah, I

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Speaker 1: agree the line it wasn't good to make me like hate.

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Speaker 1: I didn't hate Luke. Sorry, Danielle, go ahead, no, I mean,

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Speaker 1: we don't need to rehash it. But he says something

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Speaker 1: like shouldn't they be in the barn or a cave?

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Speaker 1: And I was like, oh, yeah, yeah, I'm surprised they

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Speaker 1: wrote that for such a progressive show. It always was

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Speaker 1: ahead of its time, and it's such a female empowered

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Speaker 1: show that it's interesting they even bothered with the scene

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Speaker 1: because the seat, or with that portion of the scene,

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Speaker 1: because the scene was funny enough with Luke being irritated

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Speaker 1: about sticky choo choo trains and sticky hands and the

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Speaker 1: kid aspect of it, and that that tracks with Luke.

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Speaker 1: He would be like, oh, these kids in here, you

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Speaker 1: know what I mean. So I don't know why they

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Speaker 1: added that part. It was not necessary. Yeah, it was.

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Speaker 1: He just sounded like a neanderthal, and I was, I'm

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Speaker 1: so ashamed. Well, you didn't write it. I don't think

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Speaker 1: I protested. Yeah, well, I mean, but was also twenty

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Speaker 1: years ago, you know, Like now it's a lot more

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Speaker 1: like I have to throw a flag on that, because

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Speaker 1: twenty years ago it was totally find a breastfeed. Why

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Speaker 1: are people bothered by it? I don't understand this. This

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Speaker 1: is this is a woman giving her baby life, literally

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Speaker 1: feeding her child. Why does it? Jess was Jess, why

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Speaker 1: do people feel violated by this? Why this is not

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Speaker 1: this is a beautiful moment between a woman. It's probably

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Speaker 1: the most beautiful tender moment between a woman and her

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Speaker 1: and her baby. And how is how can you see

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Speaker 1: that in any other light than that? I don't get it.

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Speaker 1: I mean I don't get think about this. Lucy and

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Speaker 1: Ricky slept in separate beds, Like there's all kinds of

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Speaker 1: like weird things on television or in society. It's like,

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Speaker 1: I just am surprised they wrote it in That's the

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Speaker 1: part that kind of befuddled me, Like that was weird.

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Speaker 1: Definitely a low point for the character beingesting to talk

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Speaker 1: to the writer who wrote this episode, it was Amy

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Speaker 1: and and I think one other person, just Tanner, that

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Speaker 1: would be interesting and otherwise to me, a perfect episode,

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Speaker 1: you know, other the rest of you The rest of

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Speaker 1: the scene was cool, Like the rest of the scene

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Speaker 1: was cool that they were at the counter and there's

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Speaker 1: all these families in there and it's a popular joint

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Speaker 1: with and and it was irritating Luke. That was fine.

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Speaker 1: I just don't know why they added these about the

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Speaker 1: rest feeding. You know, I think Daniel makes a good point.

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Speaker 1: It was twenty years ago. I think we're judging it

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Speaker 1: through this prism of sort of today, and it's it's

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Speaker 1: just not applicable back then, and people are just far

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Speaker 1: more sensitive about it now, or maybe even a little

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Speaker 1: bit more evolved in some sense that where it's more acceptable.

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Speaker 1: But yeah, I mean I still think it was fine

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Speaker 1: then to to do. I don't know I wrote, oh boy,

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Speaker 1: but but I do remember back then this this was

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Speaker 1: a news item when people there were news arc there

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Speaker 1: were headlines that is correct that people are getting offended

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Speaker 1: by this and this is becoming a thing, and it's like,

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Speaker 1: how is this even a story? Why is this a

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Speaker 1: problem for people? You know, I thought a low point

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Speaker 1: for the character, But they I'm happy at least we

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Speaker 1: had the comical relief of just walking out seeing all

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Speaker 1: the babies and walking right back. But I don't think

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Speaker 1: his reaction was was the babies. I thought it was

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Speaker 1: the breastfeeding. It repulsed him and he went back upstairs.

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Speaker 1: So I think, again here a low point for his character.

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Speaker 1: Um most is probably extreme. I thought he was sort

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Speaker 1: of a teenagery about it. I don't know, do we

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Speaker 1: chuck it up to it is what it is like?

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Speaker 1: I don't know, I don't know. I have a problem

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Speaker 1: with it. But what are you going to? Good? I

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Speaker 1: think that's good you do, because we all were cringing

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Speaker 1: at it. So it's like I think, I think the

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Speaker 1: thing we don't know is why bother putting it in?

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Speaker 1: And are we watching it with clearer eyes now than

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Speaker 1: we would have then? And it's I don't I can't

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Speaker 1: even remember how I felt about I get why they

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00:21:25,359 --> 00:21:30,840
Speaker 1: want to give every character. You know, every character needs

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Speaker 1: to have flaws. Let's just put it that way, makes

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Speaker 1: some human right, But that is such a for me.

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Speaker 1: That's a lack of humanity. That's taking humanity away from

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Speaker 1: a character. And it doesn't it doesn't track with Luke,

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Speaker 1: that's not that's that was my thing on it, being

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Speaker 1: annoyed by the sticky hands tracks, being annoyed that this

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Speaker 1: choo choo train never works and they always get out

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Speaker 1: the chootoo train and move of onto the that tracks,

355
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Speaker 1: like and the noise and that. But I don't think

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Speaker 1: Luke would be irritated by someone breastfeeding. That's not something

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Speaker 1: that would. He's a he's a naturalist. He is you

358
00:22:12,119 --> 00:22:14,840
Speaker 1: know right, he's a tree hugger. He's this, he's that.

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00:22:14,880 --> 00:22:18,560
Speaker 1: I wouldn't say he's hippie, but he's no. I agree

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Speaker 1: that it should say no cell phones, no breastfeeding. Yes,

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Speaker 1: like that is who he is. I thought it was weird.

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Speaker 1: I don't know why they put it in. I'm I'm

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Speaker 1: actually looking forward to uh. I will read the emails

364
00:22:35,800 --> 00:22:38,520
Speaker 1: for this one, all of them, you know, because this

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Speaker 1: is this is this is a major this is kind

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Speaker 1: of a major deal here. What would be interesting is

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Speaker 1: if somebody knows. I mean, we should try and ask

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Speaker 1: the writer. Let's try to track him down to see

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Speaker 1: why they put it in. You know. Look, sometimes also

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Speaker 1: people mess up and they think something's gonna land well

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Speaker 1: and it do you what amazed me. How must a

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Speaker 1: woman feel who's breastfeeding her baby in public because her

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Speaker 1: baby is crying and needs to be fed, And how

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Speaker 1: must she feel when she's attacked for that act, and

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Speaker 1: how much fear she's experiencing and she stays calm. You know,

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Speaker 1: all of that is absorbed by her. It's absorbed by

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Speaker 1: her little baby, all of that stuff. I mean, it's

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Speaker 1: it's a big deal. I'm I feel a little bit

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Speaker 1: ashamed to be a part of that. And I should

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Speaker 1: have spoken up. I should have spoken up and said

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Speaker 1: I'm not saying this. I should have said, I am

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Speaker 1: not saying this. This is not funny, this is something

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Speaker 1: I support. I don't believe this. I don't care if

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Speaker 1: you want to give the character flaws. I should have.

385
00:23:45,800 --> 00:23:48,440
Speaker 1: I should have opened my mouth, and I didn't. And

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Speaker 1: I think it's all because we felt, like, you know,

387
00:23:50,920 --> 00:23:54,080
Speaker 1: we were also worshipful of Amy and so grateful that

388
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Speaker 1: she had given us these jobs. And no, I mean,

389
00:23:57,240 --> 00:23:58,959
Speaker 1: we earned the jobs. But I mean, you know, at

390
00:23:58,960 --> 00:24:00,920
Speaker 1: the end of the day, it's up trust the writers.

391
00:24:01,400 --> 00:24:04,720
Speaker 1: But trust the writers. I I get that. I thought

392
00:24:04,760 --> 00:24:07,400
Speaker 1: that was just a very ugly moment for that character,

393
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Speaker 1: and I'm really ashay. I'm kind of ashamed to be

394
00:24:11,520 --> 00:24:16,119
Speaker 1: a part of that moment. So it was very uncomfortable

395
00:24:16,160 --> 00:24:20,399
Speaker 1: to watch. I was very disappointed in that character. I

396
00:24:20,440 --> 00:24:23,120
Speaker 1: think you've said it perfectly. I don't know what more

397
00:24:24,160 --> 00:24:29,200
Speaker 1: today you could do. And I wish we knew then

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00:24:29,359 --> 00:24:32,439
Speaker 1: what we know now. And I don't know, you know,

399
00:24:32,560 --> 00:24:36,200
Speaker 1: like I don't it takes I don't know. I don't

400
00:24:36,200 --> 00:24:38,080
Speaker 1: know how hard it would have been to say, like, hey,

401
00:24:38,080 --> 00:24:40,600
Speaker 1: this guy shouldn't say this. I think it's an interesting

402
00:24:40,600 --> 00:24:44,239
Speaker 1: conversation and for an actor, I think that's hard to

403
00:24:44,320 --> 00:24:52,880
Speaker 1: say guys shouldn't say this. Yeah, well moving on otherwise. Yeah,

404
00:24:52,880 --> 00:24:54,399
Speaker 1: I don't mean to make light of it by saying

405
00:24:54,440 --> 00:24:59,399
Speaker 1: like and moving on. I just I think we've discussed it.

406
00:25:00,000 --> 00:25:02,640
Speaker 1: I've expressed how I feel about it. Um, it would

407
00:25:02,680 --> 00:25:04,200
Speaker 1: be interesting to get one of the writers on to

408
00:25:04,680 --> 00:25:07,360
Speaker 1: talk about it a little bit, you know, how they were,

409
00:25:07,400 --> 00:25:13,000
Speaker 1: what were they think. I know people watching it now

410
00:25:13,280 --> 00:25:16,240
Speaker 1: will will cringe like we did. But I would love

411
00:25:16,280 --> 00:25:20,440
Speaker 1: to hear from somebody who remembers watching it then. If

412
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Speaker 1: it was like cringe e, then it had to have

413
00:25:23,200 --> 00:25:25,800
Speaker 1: been I don't think twenty years made that big of

414
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Speaker 1: a difference. I don't think there's anything and I'll end

415
00:25:29,640 --> 00:25:31,879
Speaker 1: with this statement, I don't think there's anything more cowardly,

416
00:25:33,240 --> 00:25:37,040
Speaker 1: um and inappropriate and illegal. I think it should be illegal.

417
00:25:37,200 --> 00:25:40,520
Speaker 1: I think people that hassle women who are breastfeeding their

418
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Speaker 1: babies should be arrested and prosecuted. I do how dare

419
00:25:46,000 --> 00:25:52,040
Speaker 1: anybody anybody interrupt or apply any negativity or aim any

420
00:25:52,080 --> 00:25:57,000
Speaker 1: negativity at a woman, uh, for any reason whatsoever, but

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Speaker 1: especially in such a tender, beautiful moment like that. Anyway,

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Speaker 1: That's just how I feel about. I get very protected,

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00:26:05,960 --> 00:26:13,800
Speaker 1: very very I think you said it great. Yeah. I

424
00:26:13,840 --> 00:26:18,359
Speaker 1: think a totally normal transition would be to Michelle's love

425
00:26:18,400 --> 00:26:26,840
Speaker 1: of auctions. Hey, Michelle, you want to go to auction?

426
00:26:29,200 --> 00:26:32,400
Speaker 1: He got his the pitch of his voice shot up,

427
00:26:32,400 --> 00:26:34,359
Speaker 1: he got squeaking, and then I love when he said,

428
00:26:34,359 --> 00:26:37,000
Speaker 1: if your mother's involved, it will be impact of all.

429
00:26:37,640 --> 00:26:43,879
Speaker 1: I was like, ah, so that was cute. And I

430
00:26:43,960 --> 00:26:48,040
Speaker 1: was actually excited for the auction because I knew Michelle

431
00:26:48,119 --> 00:26:50,320
Speaker 1: was going to be there, so it made me that

432
00:26:50,480 --> 00:26:53,080
Speaker 1: much more excited for when we got to the auction.

433
00:26:54,840 --> 00:26:56,960
Speaker 1: So he must really love auctions if he wanted to

434
00:26:57,000 --> 00:26:59,960
Speaker 1: do all that stuff that Laurel I listed. I was like, really,

435
00:27:00,000 --> 00:27:01,840
Speaker 1: you're gonna do all that for an option that was

436
00:27:03,400 --> 00:27:10,719
Speaker 1: just like four major things. Yeah, that's okay. Now, forgive

437
00:27:10,760 --> 00:27:12,720
Speaker 1: me if I'm wrong, But was this the first time

438
00:27:12,760 --> 00:27:15,600
Speaker 1: we've seen pizza Pizza? Like, was this the first time

439
00:27:15,640 --> 00:27:18,160
Speaker 1: we've seen the pizza pizza? That they've gone to Pizza

440
00:27:18,200 --> 00:27:21,359
Speaker 1: Pizza and that they got the free cheesy bread and

441
00:27:21,400 --> 00:27:23,919
Speaker 1: they were all bent out of shape Laurela, I was

442
00:27:24,040 --> 00:27:27,360
Speaker 1: that garlic was extra. Now I don't recall if we've

443
00:27:27,359 --> 00:27:32,120
Speaker 1: seen pizza Pizza before. Um, don't recall it at all.

444
00:27:32,280 --> 00:27:37,120
Speaker 1: Pizza Pizza, Yeah, neither, But the cheese bread sounded good.

445
00:27:38,640 --> 00:27:41,520
Speaker 1: And I think it's our first mention of Beanie Morrison

446
00:27:42,840 --> 00:27:46,919
Speaker 1: because this dude Dwight has moved into Beanie Morrison's old place.

447
00:27:48,520 --> 00:27:50,720
Speaker 1: I don't know how Laurela eats that way. It looks

448
00:27:50,760 --> 00:27:55,240
Speaker 1: that good. That's like the mystery of the whole show

449
00:27:57,480 --> 00:28:01,159
Speaker 1: because the opening scene she's walking, they're they're doing that

450
00:28:01,200 --> 00:28:03,520
Speaker 1: walk and talk with with her daughter and walking up

451
00:28:03,560 --> 00:28:07,480
Speaker 1: to Lucy and she's looking so good. Right, the red

452
00:28:07,560 --> 00:28:10,760
Speaker 1: pants were back, so that's a repeat where she's worn

453
00:28:10,800 --> 00:28:13,080
Speaker 1: those red pants before. I loved him the last time.

454
00:28:13,720 --> 00:28:16,639
Speaker 1: They brought him out again, and she loves it. Not

455
00:28:16,760 --> 00:28:20,400
Speaker 1: a full choker necklace, but a short necklace. She looks.

456
00:28:21,600 --> 00:28:24,000
Speaker 1: And all they do is stuff themselves with pizza and

457
00:28:24,080 --> 00:28:28,439
Speaker 1: junk food. I don't see her exercise, but she's I

458
00:28:28,440 --> 00:28:31,119
Speaker 1: guess she's working at the end. She's moving around, climbing stairs,

459
00:28:31,119 --> 00:28:35,560
Speaker 1: she's running around fast. Metabolism exactly. She's still young, right,

460
00:28:35,600 --> 00:28:40,800
Speaker 1: so they thirty two years old? Yeah, so what do

461
00:28:40,840 --> 00:28:46,800
Speaker 1: y'all think of Dwight? My god? I have so much,

462
00:28:47,240 --> 00:28:50,680
Speaker 1: so much to say about Dwight. Let loose lady go.

463
00:28:51,000 --> 00:28:54,760
Speaker 1: The shirt was one thing, but really what had me

464
00:28:54,920 --> 00:29:01,440
Speaker 1: just crack up was the inside of his house. One.

465
00:29:01,840 --> 00:29:03,680
Speaker 1: I have a bone to pick with dwighte he leaves

466
00:29:03,720 --> 00:29:06,560
Speaker 1: his lights, his lights on when he's out on vacation.

467
00:29:07,040 --> 00:29:09,800
Speaker 1: You noticed all those lights were on a full home,

468
00:29:09,840 --> 00:29:13,560
Speaker 1: by the way, beautiful. The outside looks spectacular, but the

469
00:29:13,560 --> 00:29:19,520
Speaker 1: inside look right. The tiki lounge, all the tiki lounge,

470
00:29:19,560 --> 00:29:21,760
Speaker 1: and so he just moved in. How does he have

471
00:29:21,840 --> 00:29:26,440
Speaker 1: so much stuff already? And all those board games? Yeah,

472
00:29:26,440 --> 00:29:29,400
Speaker 1: my god? And how does he have that much stuff?

473
00:29:30,000 --> 00:29:32,440
Speaker 1: If the wife like if he kind of went in

474
00:29:32,520 --> 00:29:35,120
Speaker 1: the dark of night, Like, how do you get all

475
00:29:35,120 --> 00:29:37,880
Speaker 1: his stuff out? Or was that all news stuff? You know?

476
00:29:38,120 --> 00:29:40,200
Speaker 1: I don't know, but I'll tell you. You remember the

477
00:29:40,280 --> 00:29:45,200
Speaker 1: wife on the answering machine. Yes, my god, my research

478
00:29:45,240 --> 00:29:48,400
Speaker 1: team is cracked. The mystery. Who that was? You know

479
00:29:48,400 --> 00:29:51,200
Speaker 1: who that was? Okay, well make it a game, make

480
00:29:51,240 --> 00:29:52,880
Speaker 1: it a game. Don't tell us. Is it a famous

481
00:29:52,960 --> 00:29:58,880
Speaker 1: person someone on the show? Somebody who was on the

482
00:29:58,920 --> 00:30:07,320
Speaker 1: show already or later? No, actually, somebody who never appeared

483
00:30:07,360 --> 00:30:11,040
Speaker 1: on the show. Who but a famous actress that we've

484
00:30:11,080 --> 00:30:16,560
Speaker 1: heard of. Yes, absolutely, big actress movie, movie or TV TV.

485
00:30:19,000 --> 00:30:22,600
Speaker 1: Oh my god, this is a much decorated Emmy Award

486
00:30:22,640 --> 00:30:28,040
Speaker 1: winning actress. I need to hear the voice again. I

487
00:30:28,080 --> 00:30:30,440
Speaker 1: don't want to, like, bring this one of the finest

488
00:30:31,360 --> 00:30:34,560
Speaker 1: comedic actresses of our time. Don't not tell me, Do

489
00:30:34,640 --> 00:30:36,440
Speaker 1: not tell me. I need to. I'm trying to pull

490
00:30:36,440 --> 00:30:44,320
Speaker 1: it up on YouTube. Hi, it's Doris was asleep when

491
00:30:44,360 --> 00:30:52,640
Speaker 1: you stut like that, sniffling off cocon samples your parents?

492
00:30:52,680 --> 00:30:56,400
Speaker 1: Just topic? Are you really thought you get away from me?

493
00:30:56,760 --> 00:30:59,920
Speaker 1: From me? I would have found you sooner, but now

494
00:31:00,080 --> 00:31:02,520
Speaker 1: have I found you? Like to say, is this I

495
00:31:02,680 --> 00:31:13,840
Speaker 1: want you down to the end of the Okay, Tara,

496
00:31:14,120 --> 00:31:15,840
Speaker 1: do you have a guess who that was? I have

497
00:31:15,960 --> 00:31:22,520
Speaker 1: no idea, Daniel, any idea, any idea. I'm struggling so

498
00:31:22,880 --> 00:31:26,120
Speaker 1: hard with this. Can you give me a show? I

499
00:31:26,200 --> 00:31:29,400
Speaker 1: need to harp on this. I keep harping on this

500
00:31:30,560 --> 00:31:35,240
Speaker 1: same Alex Borson, Thank you very much. Nice. That's a

501
00:31:35,360 --> 00:31:38,920
Speaker 1: real good quip. I said that, and then I thought, oh,

502
00:31:39,080 --> 00:31:45,640
Speaker 1: that's random, because but well done, Alex Borstein. So she

503
00:31:45,840 --> 00:31:48,080
Speaker 1: was the for people that don't know, she played the

504
00:31:48,120 --> 00:31:50,280
Speaker 1: harp and then she's like the lead on Basil. She

505
00:31:50,640 --> 00:31:54,040
Speaker 1: she was the original Drella. She was Drella, well not

506
00:31:54,200 --> 00:31:57,960
Speaker 1: the original, the only Drella in the pilot episode, and

507
00:31:58,080 --> 00:32:02,960
Speaker 1: then she couldn't get out of In Living Color was

508
00:32:03,240 --> 00:32:08,520
Speaker 1: not color a family guy. Sorry sorry, sorry, sorry family Guy.

509
00:32:09,000 --> 00:32:11,600
Speaker 1: It was j Lo And in Living Color she also

510
00:32:11,880 --> 00:32:14,240
Speaker 1: was the teacher. She was also the teacher in the

511
00:32:14,280 --> 00:32:19,040
Speaker 1: Lizzie McGuire movie. That's how I knew her, really, yep,

512
00:32:20,880 --> 00:32:24,640
Speaker 1: so a couple of quick questions. The clock, so it

513
00:32:24,680 --> 00:32:28,040
Speaker 1: would say like it's five o'clock at the other way

514
00:32:28,120 --> 00:32:33,120
Speaker 1: it changed based on the time. Amazing, great clock. That's

515
00:32:33,120 --> 00:32:35,040
Speaker 1: a beautiful home though I would have to say that

516
00:32:35,160 --> 00:32:38,440
Speaker 1: was one of the fanciest homes in all of Stars Hollow. Yeah,

517
00:32:38,760 --> 00:32:42,400
Speaker 1: it was a pretty pretty spectacular home. Yeah, it didn't

518
00:32:42,440 --> 00:32:44,880
Speaker 1: really get your bearings though. It didn't really look like

519
00:32:44,960 --> 00:32:47,720
Speaker 1: stars Hollow, did it. No, because it's hard. It's hard

520
00:32:47,760 --> 00:32:51,360
Speaker 1: to get your bearings because Loralized House. I can never

521
00:32:51,560 --> 00:32:54,240
Speaker 1: like figure out, Okay, we're in town is it? And

522
00:32:54,360 --> 00:32:57,360
Speaker 1: what's across the street? And if Dwightes is across the

523
00:32:57,480 --> 00:33:00,880
Speaker 1: street and it took Rory only that long to run

524
00:33:01,040 --> 00:33:06,080
Speaker 1: to towns, it's basically in town. I can tell you

525
00:33:06,240 --> 00:33:09,760
Speaker 1: where the location of Laurelized House was on the lot

526
00:33:10,040 --> 00:33:13,520
Speaker 1: in relation to the gazebo and the high school. I

527
00:33:13,640 --> 00:33:15,200
Speaker 1: was going to say, I've been to that tour. So

528
00:33:15,680 --> 00:33:19,400
Speaker 1: you're talking about Scott tell us. So how far is it,

529
00:33:19,520 --> 00:33:22,479
Speaker 1: like if you were running from Laurealized to Luke's how

530
00:33:22,520 --> 00:33:26,800
Speaker 1: long would that take from Laurel from Laurelized to Luke's Diner?

531
00:33:27,280 --> 00:33:35,480
Speaker 1: Oh god, that's uh, it's it's maybe fifty steps, sixty steps.

532
00:33:35,520 --> 00:33:38,600
Speaker 1: It's not far. So you've got you've got the gazebo

533
00:33:38,720 --> 00:33:41,400
Speaker 1: where that town square is right there, right, But that

534
00:33:41,520 --> 00:33:44,720
Speaker 1: law is okay, if you're standing there and you're facing

535
00:33:45,520 --> 00:33:48,720
Speaker 1: Luke's diner. No, I'll say, if you're standing there and

536
00:33:48,760 --> 00:33:53,440
Speaker 1: you're facing Luke's Diner from the gazebo, uh, A little

537
00:33:53,480 --> 00:33:56,320
Speaker 1: bit to your left is Stars Hollow High School now

538
00:33:56,360 --> 00:33:59,440
Speaker 1: a little bit okay? So, and right behind if you're

539
00:33:59,440 --> 00:34:03,640
Speaker 1: staring at it Steiner right behind you in the street

540
00:34:03,760 --> 00:34:07,440
Speaker 1: behind the town square is Laurealized House and Mrs Kimson

541
00:34:08,360 --> 00:34:11,120
Speaker 1: and Lane's house. That's where it is. So he was,

542
00:34:11,600 --> 00:34:14,600
Speaker 1: so he was, And then the movie theater where Kirk

543
00:34:14,680 --> 00:34:17,239
Speaker 1: would we'd watch Kirk's wacky films and go to the

544
00:34:17,320 --> 00:34:19,600
Speaker 1: movies and all that. That was across the street from

545
00:34:19,680 --> 00:34:24,200
Speaker 1: Layalized House, and the house next to that one was

546
00:34:24,280 --> 00:34:28,880
Speaker 1: supposed to be Dwite's house. And that house looked nothing

547
00:34:29,040 --> 00:34:33,960
Speaker 1: like Dwite's house looked in this show. Oh interesting, yes,

548
00:34:34,080 --> 00:34:36,640
Speaker 1: because that looked like they were in another suburb that

549
00:34:36,760 --> 00:34:38,880
Speaker 1: looked that that house looked like they it was in

550
00:34:39,040 --> 00:34:41,680
Speaker 1: some kind of really right because there wasn't a tree really,

551
00:34:41,760 --> 00:34:44,480
Speaker 1: and all of a sudden there's this lawn and the

552
00:34:44,680 --> 00:34:46,920
Speaker 1: architecture is like a little bit of a different vibe,

553
00:34:47,000 --> 00:34:51,480
Speaker 1: which I guess you could have. But still, so there

554
00:34:51,520 --> 00:34:53,239
Speaker 1: you go. There's your, there's your. I mean, let's talk

555
00:34:53,239 --> 00:34:56,600
Speaker 1: about it now then, because I think this is such

556
00:34:56,640 --> 00:35:03,920
Speaker 1: an important moment for Rory and Jess, huge because he

557
00:35:04,160 --> 00:35:09,600
Speaker 1: cared more about her than himself, Like he came all

558
00:35:09,640 --> 00:35:12,600
Speaker 1: the way over fixed the lawn blah blah blah, and

559
00:35:12,680 --> 00:35:15,440
Speaker 1: then finds out the Dean's coming and he wants to

560
00:35:15,560 --> 00:35:21,439
Speaker 1: protect her. He cares about her more so that I think.

561
00:35:21,640 --> 00:35:23,520
Speaker 1: I think, I think he's always going to be a

562
00:35:23,600 --> 00:35:27,880
Speaker 1: little bit self serving, you know, his he he really

563
00:35:28,000 --> 00:35:30,799
Speaker 1: likes her, so that was a little bit for him too.

564
00:35:31,080 --> 00:35:33,920
Speaker 1: But I mean, I get your point, but I mean,

565
00:35:33,960 --> 00:35:35,880
Speaker 1: come on, there's some self in so I think he

566
00:35:36,160 --> 00:35:40,799
Speaker 1: I think he really showed like I care about her

567
00:35:40,880 --> 00:35:42,799
Speaker 1: so much. I like her so much. I don't want

568
00:35:42,840 --> 00:35:45,560
Speaker 1: her to be in a bad predicament. I'm just gonna

569
00:35:45,640 --> 00:35:49,440
Speaker 1: pop this water back on. I thought that there was

570
00:35:50,719 --> 00:35:55,000
Speaker 1: so much meaning to that moment. Yeah, yeah, I agree,

571
00:35:55,040 --> 00:36:00,080
Speaker 1: it was. It was a perfect opportunity just being the

572
00:36:00,160 --> 00:36:04,440
Speaker 1: opportunists that he is, you know, took that opportunity to

573
00:36:05,800 --> 00:36:11,400
Speaker 1: try to further ingratiate himself. See, I just thought it

574
00:36:11,480 --> 00:36:13,160
Speaker 1: was genuine, Like I thought, he's like you know what,

575
00:36:13,520 --> 00:36:16,920
Speaker 1: I ran over her here to help her. She's she

576
00:36:17,120 --> 00:36:20,000
Speaker 1: still broke his heart a little bit. Like he's kind

577
00:36:20,040 --> 00:36:22,759
Speaker 1: of broken hearted because he wants to be with her

578
00:36:22,800 --> 00:36:25,120
Speaker 1: and she's not breaking up with Dean. But he's now

579
00:36:25,239 --> 00:36:27,800
Speaker 1: to the point where he's like, I don't need to

580
00:36:27,840 --> 00:36:30,440
Speaker 1: be a jerk like I like her. I want to

581
00:36:30,520 --> 00:36:33,520
Speaker 1: help her, so that's why I came over. And then

582
00:36:33,560 --> 00:36:35,200
Speaker 1: I want to help her more because I don't want

583
00:36:35,239 --> 00:36:37,880
Speaker 1: her to be in some weird position with Dean. I

584
00:36:37,960 --> 00:36:40,960
Speaker 1: think he's also bummed that, you know, he finds out

585
00:36:41,000 --> 00:36:44,200
Speaker 1: that she called Dean before he asked. She asked for

586
00:36:44,320 --> 00:36:46,880
Speaker 1: his help, so he's like, you know what, I'm just

587
00:36:46,880 --> 00:36:48,480
Speaker 1: gonna let I'm just gonna let him deal with it.

588
00:36:48,600 --> 00:36:50,800
Speaker 1: Think he fixed it. She didn't really asked for his

589
00:36:50,920 --> 00:36:55,480
Speaker 1: help though, Yeah, I guess, but like she I think

590
00:36:55,520 --> 00:37:00,440
Speaker 1: she alluded to it. She kind of it, I mean,

591
00:37:00,600 --> 00:37:05,200
Speaker 1: not really, it was Cowin's happenstance. I guess. I don't know.

592
00:37:05,320 --> 00:37:08,399
Speaker 1: I'm you guys An know this, but I'm very team Jess,

593
00:37:08,719 --> 00:37:12,680
Speaker 1: so I don't know. I've always loved Jess, even through

594
00:37:12,719 --> 00:37:15,520
Speaker 1: all the boyfriends, Like I just see something in him

595
00:37:15,600 --> 00:37:18,560
Speaker 1: that I feel like maybe, like Amy saying, in it

596
00:37:18,960 --> 00:37:21,600
Speaker 1: in him right now? Yeah, I mean she was looking

597
00:37:21,640 --> 00:37:25,520
Speaker 1: for Luke, remember, like she's looking for me. She really

598
00:37:25,640 --> 00:37:29,480
Speaker 1: was going she texted Dean or Paige Dean. Then she

599
00:37:29,640 --> 00:37:32,280
Speaker 1: was looking for Luke and Taylor. I thought that was interesting.

600
00:37:32,320 --> 00:37:34,680
Speaker 1: Those are the two people that's right she went to,

601
00:37:36,760 --> 00:37:39,279
Speaker 1: you know, like the dad's yeah, you know what, maybe

602
00:37:39,280 --> 00:37:42,840
Speaker 1: you're right when you you know, he encountered her. She

603
00:37:43,000 --> 00:37:46,160
Speaker 1: was soaking wet, and he did want to help her.

604
00:37:47,320 --> 00:37:50,960
Speaker 1: He oh my god, this is a bad situation for her,

605
00:37:51,120 --> 00:37:54,400
Speaker 1: you know, as far as first stars hollow. Yeah, and

606
00:37:54,440 --> 00:37:59,359
Speaker 1: then he just ran. It was genuine. I don't think

607
00:37:59,400 --> 00:38:02,359
Speaker 1: he had alto are your motives? And I believe they

608
00:38:02,600 --> 00:38:06,279
Speaker 1: proved that because he turned the water back on he

609
00:38:06,320 --> 00:38:08,960
Speaker 1: couldn't And then like I just run over here to

610
00:38:09,000 --> 00:38:12,120
Speaker 1: help you. And now you're saying Deans you know, but

611
00:38:12,280 --> 00:38:15,120
Speaker 1: he did the the I don't know if it's the

612
00:38:15,320 --> 00:38:19,640
Speaker 1: right he was. There was some nobility, he was noble, yeah, yeah, yeah, yeah,

613
00:38:20,400 --> 00:38:23,799
Speaker 1: he showed some real character there. Yeah. Made me like him,

614
00:38:23,840 --> 00:38:27,719
Speaker 1: and I think we're getting we're getting closer. I will

615
00:38:27,760 --> 00:38:29,239
Speaker 1: say the one part of that scene that made me

616
00:38:29,360 --> 00:38:32,759
Speaker 1: kind of laugh a little is obviously like Rory was

617
00:38:32,800 --> 00:38:36,000
Speaker 1: soaking wet, and then Jess goes over and for five

618
00:38:36,160 --> 00:38:39,160
Speaker 1: the two seconds he was turning off the water, he

619
00:38:39,360 --> 00:38:46,800
Speaker 1: was just drenched, like Jesse've been there for all of

620
00:38:46,920 --> 00:38:49,400
Speaker 1: two seconds. Come on, I do have a bone to

621
00:38:49,440 --> 00:38:51,680
Speaker 1: pick with this episode. Do you want it right now?

622
00:38:52,160 --> 00:38:55,680
Speaker 1: We need to take a bone pick it. I mean, sorry,

623
00:38:56,560 --> 00:38:59,239
Speaker 1: this is a real This is now like to the

624
00:38:59,280 --> 00:39:03,759
Speaker 1: point where I'm like, guys, what what is happening? The

625
00:39:03,960 --> 00:39:09,200
Speaker 1: fake eating is really bad. At Friday night dinner. I

626
00:39:09,239 --> 00:39:11,120
Speaker 1: don't know if any of you guys noticed, but Emily

627
00:39:11,360 --> 00:39:17,640
Speaker 1: had the tiniest like it was a pin dot of

628
00:39:17,920 --> 00:39:23,320
Speaker 1: pork on her fork, Like it was like what the

629
00:39:23,680 --> 00:39:29,160
Speaker 1: minuscule bites, the fake cutting, the fake eating. Like I

630
00:39:29,280 --> 00:39:31,839
Speaker 1: have one more to add to that list is when

631
00:39:31,960 --> 00:39:34,640
Speaker 1: Rory went to go water the plants inside Dwite's house

632
00:39:34,800 --> 00:39:39,000
Speaker 1: and she's just like barely tipping over the water water

633
00:39:39,320 --> 00:39:49,759
Speaker 1: and like you weren't watering anything. Yeah, okay, so in

634
00:39:50,000 --> 00:39:54,560
Speaker 1: in in defensive actors who aren't eating eating, eating their

635
00:39:54,600 --> 00:39:58,919
Speaker 1: faces off during scenes. First of all, it's Emily. She's

636
00:39:58,960 --> 00:40:04,920
Speaker 1: an elegant mannered woman. She has impeccable table manners. If Okay,

637
00:40:05,000 --> 00:40:07,560
Speaker 1: here's the problem. When there's so much dialogue going on

638
00:40:07,760 --> 00:40:10,040
Speaker 1: back and forth, and you know, with a quick pattern,

639
00:40:10,120 --> 00:40:13,840
Speaker 1: if if you, it's very easy to mismatch a scene

640
00:40:14,640 --> 00:40:20,279
Speaker 1: or mismatch afford coming up to eat right in those

641
00:40:20,400 --> 00:40:23,400
Speaker 1: types of scenes. Okay, Now, if it was just Emily

642
00:40:25,200 --> 00:40:27,120
Speaker 1: having a long monologue, will be easier to do the

643
00:40:27,440 --> 00:40:30,000
Speaker 1: real eating and really sell the eating part of it

644
00:40:30,040 --> 00:40:32,600
Speaker 1: and all that. What's important here is not the eating

645
00:40:32,840 --> 00:40:37,080
Speaker 1: we all get, you know, they the creators make this decision. Look, guys,

646
00:40:38,239 --> 00:40:42,000
Speaker 1: you know what's important here is the comedy. Okay, it's

647
00:40:42,080 --> 00:40:46,480
Speaker 1: not the eating. We're not making you know, uh uh

648
00:40:47,160 --> 00:40:50,640
Speaker 1: an oscar worthy drama film where everything has to be

649
00:40:50,800 --> 00:40:52,560
Speaker 1: you know, you gotta put all that feelings into the

650
00:40:53,480 --> 00:40:56,320
Speaker 1: Food Network, right, It's exactly. So it's like, let's just

651
00:40:56,480 --> 00:41:00,160
Speaker 1: minimize what maximize what's important here. What's important here is

652
00:41:00,560 --> 00:41:03,839
Speaker 1: the timing in the comedy. And I think the fear

653
00:41:04,000 --> 00:41:06,520
Speaker 1: is in the editing room. You know, the editors are

654
00:41:06,560 --> 00:41:09,719
Speaker 1: always going crazy but like this stuff doesn't match, we

655
00:41:09,920 --> 00:41:13,160
Speaker 1: can't use this takes and it's a brilliant take. And

656
00:41:13,239 --> 00:41:15,600
Speaker 1: Lauren was so great in this and Richard was because

657
00:41:15,640 --> 00:41:18,480
Speaker 1: somebody lifted their fork at the wrong time. So you

658
00:41:18,680 --> 00:41:22,319
Speaker 1: want as an actor to really simplify your movements. When

659
00:41:22,360 --> 00:41:24,480
Speaker 1: you're editing your table scene and you're supposed to be eating,

660
00:41:24,520 --> 00:41:27,440
Speaker 1: it's very difficult to match stuff because I think she

661
00:41:27,520 --> 00:41:34,960
Speaker 1: just didn't care for flavor less pork, So you know

662
00:41:35,080 --> 00:41:38,719
Speaker 1: why it might be so jarring. Is also and I

663
00:41:38,760 --> 00:41:40,920
Speaker 1: don't know, Scott, if you've gotten to be addicted to

664
00:41:41,000 --> 00:41:45,120
Speaker 1: TikTok yet, we're hoping to get you there. On TikTok?

665
00:41:45,400 --> 00:41:47,600
Speaker 1: What is the deal with the eating? I mean, these

666
00:41:47,680 --> 00:41:51,840
Speaker 1: people eat like almost it's almost gross. They take like

667
00:41:51,920 --> 00:41:56,480
Speaker 1: a SMR. Is that what it is? No, it's actually um.

668
00:41:56,680 --> 00:41:59,520
Speaker 1: It has another word for it, but it's like SMR.

669
00:41:59,600 --> 00:42:02,640
Speaker 1: Do you know who sloth girl is? Or yes, do

670
00:42:02,719 --> 00:42:06,239
Speaker 1: you know what I'm talking about? Catchio pepe that girl? Yeah,

671
00:42:07,560 --> 00:42:12,800
Speaker 1: eas like her whole TikTok is just like eating and

672
00:42:13,000 --> 00:42:16,439
Speaker 1: chewing last night after like going down her TikTok page,

673
00:42:16,480 --> 00:42:19,880
Speaker 1: I'm like, why am I doing this? This is almost gross?

674
00:42:21,480 --> 00:42:24,200
Speaker 1: She you guys gotta watch her. She eats so like

675
00:42:25,560 --> 00:42:29,360
Speaker 1: what's called It's called muck bang, which is basically like

676
00:42:29,960 --> 00:42:32,960
Speaker 1: broadcasting you eating and like making the sounds of eating.

677
00:42:33,280 --> 00:42:36,320
Speaker 1: So it's a thing. Yeah, it's a smr for eating.

678
00:42:36,600 --> 00:42:38,799
Speaker 1: Is that why I'm addicted to like watching her eat?

679
00:42:38,880 --> 00:42:44,200
Speaker 1: Or catchio peppe? Well that's her saying it. I don't know.

680
00:42:44,360 --> 00:42:46,480
Speaker 1: Then she's eating, you guys gotta watch her. She eats

681
00:42:47,440 --> 00:42:50,520
Speaker 1: crazy spinach pizza and it's just like pouring out of

682
00:42:50,520 --> 00:42:53,560
Speaker 1: her mouth. And I'm like, why, why do you want

683
00:42:53,600 --> 00:42:55,080
Speaker 1: me to do? You want me to get involved in this?

684
00:42:55,239 --> 00:42:58,120
Speaker 1: You want me to eat on? Watch it and see

685
00:42:58,160 --> 00:43:00,200
Speaker 1: if you think it's because they do the oppo sort

686
00:43:00,239 --> 00:43:05,160
Speaker 1: of fake acting eating. They're like mowing food, like what

687
00:43:05,280 --> 00:43:11,719
Speaker 1: are they? Does it too? San Sean White, you know,

688
00:43:11,800 --> 00:43:18,399
Speaker 1: the like gold medal snowboard guy, So he eats while

689
00:43:18,520 --> 00:43:22,320
Speaker 1: watching videos of people snowboarding, and I'm sometimes I'm like

690
00:43:22,440 --> 00:43:26,239
Speaker 1: just fascinated by what is he eating? And it's copious

691
00:43:26,280 --> 00:43:29,160
Speaker 1: amounts of food, like like he eats twelve pancakes, Like

692
00:43:29,160 --> 00:43:33,320
Speaker 1: I'm like what. I could literally watch videos of turtles

693
00:43:33,360 --> 00:43:38,680
Speaker 1: eating lettuce like for hours, like they have animal ones too,

694
00:43:38,960 --> 00:43:47,759
Speaker 1: or you just see a turtle with anybody anymore. I'll

695
00:43:47,800 --> 00:43:50,279
Speaker 1: get into this. Here's my next question for you, guys.

696
00:43:51,320 --> 00:43:57,320
Speaker 1: I knew Laura Lie was. I wanted to say a

697
00:43:57,360 --> 00:44:02,600
Speaker 1: swear word, blowing it, screwing it up by accepting two

698
00:44:02,880 --> 00:44:08,200
Speaker 1: dates at one time, That's like, it's never going to work.

699
00:44:08,320 --> 00:44:11,000
Speaker 1: It's like dating one oh one, don't do it. You

700
00:44:11,120 --> 00:44:13,759
Speaker 1: throw you got you throw Bowie out there in a week.

701
00:44:13,960 --> 00:44:16,239
Speaker 1: But he wanted to see her sooner. That was the reason.

702
00:44:16,239 --> 00:44:18,719
Speaker 1: If you're going on a first date, guys, would you

703
00:44:18,840 --> 00:44:21,920
Speaker 1: ever accept too when you don't even know the person?

704
00:44:22,600 --> 00:44:25,279
Speaker 1: It depends on if if I really, you know, I'm vibe,

705
00:44:25,480 --> 00:44:28,960
Speaker 1: if I was buying, if there's a David Bowie ticket involved,

706
00:44:30,880 --> 00:44:35,920
Speaker 1: I'm accepting five dates. I knew she was doomed at that.

707
00:44:36,560 --> 00:44:42,399
Speaker 1: I knew. I was like, oh no, I wrote never

708
00:44:42,480 --> 00:44:51,160
Speaker 1: a good idea. Well it's Bowie? What was this? This was?

709
00:44:51,480 --> 00:44:53,400
Speaker 1: You know? I wonder if in the writer's room they

710
00:44:53,480 --> 00:44:55,680
Speaker 1: had they had to have to take a poll on

711
00:44:55,800 --> 00:44:58,799
Speaker 1: what the title of this episode would be, like, hey,

712
00:44:58,880 --> 00:45:07,200
Speaker 1: it's Bowie man, or like that Maria Muldoer beat out Bowie. Interesting?

713
00:45:09,120 --> 00:45:13,280
Speaker 1: And I liked this episode. Oh god, yes, it was terrific.

714
00:45:13,520 --> 00:45:16,880
Speaker 1: We haven't even really have we discussed it fully. I mean,

715
00:45:17,160 --> 00:45:20,360
Speaker 1: I mean, we're getting there. It's it's not so heavy.

716
00:45:20,440 --> 00:45:22,080
Speaker 1: I think we really broke down the scene that was

717
00:45:22,160 --> 00:45:24,919
Speaker 1: the most important to me, which was the water on off.

718
00:45:26,520 --> 00:45:30,400
Speaker 1: There was no real drama between anybody, even the Gilmore's

719
00:45:30,440 --> 00:45:34,040
Speaker 1: were working it out. I will say I thought, I

720
00:45:34,360 --> 00:45:37,920
Speaker 1: thought at the end when um Emily was saying, oh, like,

721
00:45:38,000 --> 00:45:40,560
Speaker 1: it meant a lot that you're saying that, and then

722
00:45:40,640 --> 00:45:43,200
Speaker 1: she and then I felt like she was almost gonna

723
00:45:43,280 --> 00:45:46,920
Speaker 1: let Lorala off the hook and like beon on her team,

724
00:45:47,080 --> 00:45:49,040
Speaker 1: you know, and like to say it's okay, don't worry

725
00:45:49,040 --> 00:45:51,040
Speaker 1: about it. And then she literally was like, okay, so

726
00:45:51,280 --> 00:45:54,480
Speaker 1: go on the date, and I'm like, no, we almost

727
00:45:54,520 --> 00:45:57,920
Speaker 1: had it. We almost had it. I'll never drink tea

728
00:45:58,000 --> 00:46:00,600
Speaker 1: in the same way because I want the prime te spot.

729
00:46:01,400 --> 00:46:04,560
Speaker 1: I literally made tea for this today. What was her name,

730
00:46:04,640 --> 00:46:15,400
Speaker 1: Sally Worthington's and her bad check what happened? It bounced,

731
00:46:15,520 --> 00:46:23,000
Speaker 1: Laura line bounced, just lost your teeth? Uh I just

732
00:46:23,239 --> 00:46:27,200
Speaker 1: I laughed out loud many multiple times on this one. This,

733
00:46:27,640 --> 00:46:30,040
Speaker 1: You know, I wanted to look up who played Dwight?

734
00:46:30,560 --> 00:46:33,680
Speaker 1: Who played Dwight, because that guy's like a character actor.

735
00:46:35,920 --> 00:46:39,120
Speaker 1: We can get it at first. Jason Kravitz. Oh yeah,

736
00:46:39,120 --> 00:46:41,080
Speaker 1: I knew it. I think he was on House. I'm

737
00:46:41,120 --> 00:46:44,000
Speaker 1: gonna anybody want to bet me five dollars anyone? And

738
00:46:44,040 --> 00:46:47,960
Speaker 1: I think it was the practice five dollar bet, Tara,

739
00:46:48,120 --> 00:46:50,600
Speaker 1: do you want to make a five dollar bet? I think, okay,

740
00:46:50,640 --> 00:46:53,319
Speaker 1: it was the practice. But now I need to see

741
00:46:53,320 --> 00:46:55,520
Speaker 1: if he was also on House. And if he was,

742
00:46:55,600 --> 00:46:59,440
Speaker 1: then we'll just call it called a draw. Oh I'm nervous,

743
00:46:59,719 --> 00:47:05,799
Speaker 1: and it wasn't House. I don't see it. I lost

744
00:47:05,880 --> 00:47:09,319
Speaker 1: five dollars. Anyway, while you're looking for that, I will

745
00:47:09,400 --> 00:47:14,400
Speaker 1: reiterate I have never seen an episode that utilized guests

746
00:47:14,640 --> 00:47:18,839
Speaker 1: the two guest stars that it had, or actually um

747
00:47:19,160 --> 00:47:22,799
Speaker 1: two of two of the several guest stars are three

748
00:47:22,920 --> 00:47:26,920
Speaker 1: or four or whatever. I've never seen it used. This

749
00:47:27,120 --> 00:47:31,480
Speaker 1: is how this is a an instructional episode on how

750
00:47:31,600 --> 00:47:35,000
Speaker 1: to use guest stars, because it really pushed the narrative,

751
00:47:35,960 --> 00:47:39,320
Speaker 1: both narratives of this episode. Everything was hanging off what

752
00:47:39,600 --> 00:47:42,560
Speaker 1: these guest stars laid out for us in the beginning

753
00:47:44,120 --> 00:47:47,239
Speaker 1: without having to see them repeatedly throughout the episode, and

754
00:47:47,360 --> 00:47:51,239
Speaker 1: just let you know the main characters have fun with it.

755
00:47:51,480 --> 00:47:55,760
Speaker 1: It was. It was. It was genius, absolute structural genius

756
00:47:56,040 --> 00:48:02,919
Speaker 1: in my opinion, what's your veto? I pay my bets. Wait,

757
00:48:03,000 --> 00:48:06,279
Speaker 1: I have your veto, though I'm paying it to you

758
00:48:06,440 --> 00:48:10,319
Speaker 1: right now. I lost it and I apologize to Peter

759
00:48:10,520 --> 00:48:16,120
Speaker 1: Jacobson because I comed Jacobson with the guy that played Dwight.

760
00:48:16,280 --> 00:48:19,560
Speaker 1: So all right, so there are actually my crack research

761
00:48:19,640 --> 00:48:23,120
Speaker 1: team came up with several inconsistencies, and I think, give

762
00:48:23,200 --> 00:48:29,960
Speaker 1: it okay, ready, all right? At time mark sixty to

763
00:48:30,239 --> 00:48:34,600
Speaker 1: seven minutes, when the cameras on Laurelai, there is a

764
00:48:34,800 --> 00:48:38,520
Speaker 1: man on the couch behind her that disappears and reappears

765
00:48:38,680 --> 00:48:45,000
Speaker 1: between the various takes. So what, yes, give me it

766
00:48:45,080 --> 00:48:50,160
Speaker 1: one more time? What? Yes? You may say the whole

767
00:48:50,160 --> 00:48:53,400
Speaker 1: thing again? Yeah, because I don't even understand how that's possible.

768
00:48:53,520 --> 00:48:58,720
Speaker 1: It's possible, the the extra wasn't there in various takes

769
00:48:59,160 --> 00:49:01,799
Speaker 1: when you cut back and forth, right, So when they

770
00:49:01,840 --> 00:49:04,279
Speaker 1: cut back to Lorela, he's there. When he go to

771
00:49:04,400 --> 00:49:06,600
Speaker 1: Roy or whoever she's talking to. When she cuts back

772
00:49:06,600 --> 00:49:11,279
Speaker 1: to Lorela after that, he's not there. That's a lot

773
00:49:11,360 --> 00:49:14,840
Speaker 1: worse than a bite of food and a four and

774
00:49:16,120 --> 00:49:19,279
Speaker 1: at four at the auction, when Natalie comes up and

775
00:49:19,440 --> 00:49:25,439
Speaker 1: refers to Emily, as the cobra, h squeezing Cobras don't

776
00:49:25,520 --> 00:49:29,360
Speaker 1: squeeze their prey. That's that's the constricting snakes. That's the python,

777
00:49:29,440 --> 00:49:31,920
Speaker 1: the anaconda, and the boa constrictor. I should know this

778
00:49:32,040 --> 00:49:34,520
Speaker 1: because I grew up with boa constrictors. They were my pets.

779
00:49:34,920 --> 00:49:37,759
Speaker 1: I love constricting No, no, that you did not have

780
00:49:37,840 --> 00:49:39,600
Speaker 1: snake pets. I did, and I would feed it a

781
00:49:39,680 --> 00:49:41,840
Speaker 1: mouse once a week and watch him strike it quickly

782
00:49:41,920 --> 00:49:43,680
Speaker 1: and crush it to death and swallow it. Thank you

783
00:49:43,800 --> 00:49:49,000
Speaker 1: very much. But the wonders of nature. Um, wait, cobras don't.

784
00:49:49,280 --> 00:49:52,839
Speaker 1: The cobras are venomous, poisonous snakes. They're like, yeah, they bite,

785
00:49:52,880 --> 00:49:56,720
Speaker 1: they don't wrap around and squeeze. What a constricting snake

786
00:49:56,800 --> 00:49:59,520
Speaker 1: does is the one that squeezes. Is they you know

787
00:49:59,719 --> 00:50:02,759
Speaker 1: that's they wrap around? Came out of that basket. Yeah,

788
00:50:02,840 --> 00:50:04,839
Speaker 1: that's a cobra. They don't. They don't wrap around people

789
00:50:04,840 --> 00:50:09,320
Speaker 1: and squeeze. So this was an incorrect um snake to

790
00:50:09,600 --> 00:50:13,200
Speaker 1: acknowledge good knowledge, she was using the wrong snake. Emily,

791
00:50:13,440 --> 00:50:19,040
Speaker 1: is an anaconda, a boa, or a python. She's not

792
00:50:19,200 --> 00:50:23,840
Speaker 1: a cobra. Thank you, thank you, thank you for listening.

793
00:50:27,520 --> 00:50:31,440
Speaker 1: And we'll have a little plastic constricting snakes viewing on

794
00:50:31,560 --> 00:50:39,239
Speaker 1: your way out to take home with you three minutes. Uh.

795
00:50:39,520 --> 00:50:42,880
Speaker 1: Watch Lauren's lips when she is on the phone with Peyton,

796
00:50:42,920 --> 00:50:46,920
Speaker 1: Sanderson says from Mauie. Now, this was probably one of

797
00:50:47,000 --> 00:50:50,759
Speaker 1: the worst sound edits that was spliced in because what

798
00:50:50,960 --> 00:50:55,600
Speaker 1: she really said in the original audio and what was

799
00:50:55,680 --> 00:50:59,719
Speaker 1: in the original script was Bali, not Maui. They had

800
00:50:59,800 --> 00:51:05,040
Speaker 1: this license Maui after the fact because of the Bolly bombing.

801
00:51:07,200 --> 00:51:13,200
Speaker 1: It happened eleven days before the episode aired. No terrorist

802
00:51:13,200 --> 00:51:17,080
Speaker 1: attack so killed all those people. Yeah, so I had

803
00:51:17,120 --> 00:51:19,040
Speaker 1: to rush in and I guess that's probably the reason

804
00:51:19,080 --> 00:51:21,040
Speaker 1: why they had to rush in and say Maui instead

805
00:51:21,080 --> 00:51:25,520
Speaker 1: about yes. Um. And it was a very obvious sort

806
00:51:25,560 --> 00:51:32,359
Speaker 1: of you know, looping at it um at thirty nine. Um,

807
00:51:34,000 --> 00:51:37,040
Speaker 1: there was a blue baseball cap on the right side

808
00:51:37,120 --> 00:51:40,239
Speaker 1: of Laurelized dressing table. Is that a sub Was this

809
00:51:40,320 --> 00:51:44,840
Speaker 1: when she's getting ready for the date? Probably guess, oh,

810
00:51:45,560 --> 00:51:49,040
Speaker 1: a little winky wink to who's going to sleep here?

811
00:51:49,040 --> 00:51:57,479
Speaker 1: One dat subliminal advertising? Um? Okay, So one we've talked

812
00:51:57,520 --> 00:52:01,040
Speaker 1: about Alex Borstein, the scre aiming wife on the inswer

813
00:52:01,080 --> 00:52:04,640
Speaker 1: Machine thirty seven minutes. Have a look at the fish

814
00:52:04,760 --> 00:52:09,560
Speaker 1: in the aquarium. They are hilariously fake and oversized. I

815
00:52:09,719 --> 00:52:11,520
Speaker 1: thought that now. What I thought though, was that was

816
00:52:11,600 --> 00:52:14,839
Speaker 1: actually intentional in that he's just got like a it's

817
00:52:14,880 --> 00:52:19,680
Speaker 1: just a play tank, right, because it was so crazy, right.

818
00:52:19,719 --> 00:52:21,800
Speaker 1: It fits in with the theme of what he was

819
00:52:22,120 --> 00:52:29,680
Speaker 1: doing in the in the interior decorum, and I think

820
00:52:29,719 --> 00:52:33,560
Speaker 1: we have to give credit and I think you'll probably

821
00:52:33,600 --> 00:52:35,879
Speaker 1: go over this in pop culture episode as a Maria

822
00:52:36,000 --> 00:52:40,640
Speaker 1: Muldaur's Midnight Out the Oasis, which is this incredibly iconic song.

823
00:52:40,719 --> 00:52:43,279
Speaker 1: There are a couple of pop culture references that we

824
00:52:43,360 --> 00:52:45,719
Speaker 1: will see later this week if Tara gets it, because

825
00:52:45,719 --> 00:52:48,000
Speaker 1: there were some subtle ones in there. And I just

826
00:52:48,120 --> 00:52:52,920
Speaker 1: want to say good luck to the Philadelphie. Oh okay,

827
00:52:54,480 --> 00:52:56,839
Speaker 1: I don't know what that means, but that's great. Well,

828
00:52:56,840 --> 00:53:01,240
Speaker 1: they're in the playoffs in their center is injured and everybody.

829
00:53:01,280 --> 00:53:06,000
Speaker 1: We'll see you next time next week. Episode six, Take

830
00:53:06,080 --> 00:53:09,160
Speaker 1: the Deviled Eggs. Seems like it might be time for

831
00:53:09,280 --> 00:53:13,200
Speaker 1: a cooking video with Tara deviled eggs, but I don't

832
00:53:13,239 --> 00:53:17,600
Speaker 1: know yet. I have a good deviled egg, so good.

833
00:53:17,920 --> 00:53:22,000
Speaker 1: Oh they smell so bad. Oh but they're good, yeah, delish.

834
00:53:22,040 --> 00:53:27,800
Speaker 1: You know, they smell up your whole house like toots. Alright,

835
00:53:31,239 --> 00:53:37,960
Speaker 1: nothing like a good tooting smells TikTok. Videos of watching

836
00:53:38,080 --> 00:53:47,919
Speaker 1: people eat eggs. I think that's it, Mr. Videos eating

837
00:53:48,000 --> 00:53:51,120
Speaker 1: deviled eggs. Oh, gag me, but okay, that could beat

838
00:53:51,160 --> 00:53:58,160
Speaker 1: Scott's first TikTok. Okay, you know what you name it?

839
00:53:58,719 --> 00:54:01,040
Speaker 1: No deviled eggs. I don't know. I'm not gonna do that,

840
00:54:01,640 --> 00:54:06,239
Speaker 1: deviled eggs. I mean, I'll do it, I mean, but

841
00:54:06,360 --> 00:54:08,360
Speaker 1: it's but it has to be like, you know, falling

842
00:54:08,400 --> 00:54:11,359
Speaker 1: out of my mouth, you know, in the firehouse when

843
00:54:11,400 --> 00:54:15,560
Speaker 1: you're the new it's not called a guinea pig. It's

844
00:54:15,560 --> 00:54:18,680
Speaker 1: not called a rookie. It's called the It has a

845
00:54:18,840 --> 00:54:23,239
Speaker 1: name to the p Maybe we'll get back to you

846
00:54:23,360 --> 00:54:25,320
Speaker 1: next week. But that's so she's got to make the

847
00:54:26,080 --> 00:54:30,959
Speaker 1: deviled eggs come prepared. Um alright, everybody, that's it. Thanks

848
00:54:31,000 --> 00:55:00,120
Speaker 1: for downloading. Best Fans on the Planets day sick m

849
00:55:03,719 --> 00:55:06,719
Speaker 1: Hey everybody, and don't forget follow us on Instagram at

850
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Speaker 1: I Am all In podcast and email us at Gilmore

851
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Speaker 1: at I heart radio dot com. Oh you, gil More fans,

852
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