WEBVTT - Frida Escobedo

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<v Speaker 1>You were listening to Ruthie's Table four in partnership with Montclair.

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<v Speaker 2>Was not con god most fancier.

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<v Speaker 3>When I'm asked why I love Mexico and why we

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<v Speaker 3>return every year for nearly thirty years, the answer is

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<v Speaker 3>the culture, cities, food, the seas, the mountains, the history.

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<v Speaker 3>But what I really love most are the people. And

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<v Speaker 3>Frida Escobedo is one of those people. We met in

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<v Speaker 3>twenty eighteen. She had just won the international competition to

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<v Speaker 3>design the Serpentine Gallery's annual summer pavilion. Richard was on

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<v Speaker 3>the jury. Her building brought the refined spirit of Mexico

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<v Speaker 3>to Hyde Park. Richard and I gave a fabulous party

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<v Speaker 3>celebrating this bright and beautiful young architect not long after

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<v Speaker 3>living in Mexico for four months. In a difficult time,

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<v Speaker 3>Frieda made the impossible possible with her care and concern

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<v Speaker 3>for us both. In the years since, Frida has become

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<v Speaker 3>one of the world's great architects. Along with other projects,

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<v Speaker 3>she's reimagining the contemporary and modern galleries at New York's

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<v Speaker 3>Metropolitan Museum of Art, the first woman architect to be appointed.

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<v Speaker 3>Today in the River Cafe, we're making deep Fried zucchini flowers.

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<v Speaker 3>Their stunning colors remind me of our beautiful Mexico, and

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<v Speaker 3>when she's not with me, the zucchini flowers remind me

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<v Speaker 3>of frieda.

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<v Speaker 2>Hi.

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<v Speaker 4>Really, it's so nice to be with you again.

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<v Speaker 3>Nice to have you here. We have lots to talk

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<v Speaker 3>about it. But the first thing, why don't we read

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<v Speaker 3>the recipe? So people listening to you can learn how

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<v Speaker 3>to make zucchini flowers.

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<v Speaker 5>Okay, deep fried zucchini flowers. So for six people. Recipe

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<v Speaker 5>quantity of batter twenty four zucchini flowers, seven hundred and

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<v Speaker 5>fifty million liters, some flower oil and sea salt, and

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<v Speaker 5>the recipes. Make the batter and let it rest for

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<v Speaker 5>thirty minutes. And to prepare the flowers, remove the stamens

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<v Speaker 5>from the center and the green sepals from.

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<v Speaker 4>The base of each flower. Keep the stalks attached.

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<v Speaker 5>Heat the oil until hot about one hundred and eighty

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<v Speaker 5>centigrees in a deep pan, and dip the flowers, holding

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<v Speaker 5>them by the stalks, into the batter. Top off any

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<v Speaker 5>excess batter on the side of the bowl, and place

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<v Speaker 5>them one at a time into the hot oil. Turn

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<v Speaker 5>the flowers over in the oil as they become golden.

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<v Speaker 5>Remove the flowers when crisp and drain on the kitchen paper,

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<v Speaker 5>Scatter with sea salt, and eat immediately.

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<v Speaker 2>Do you like them? I love them and I had

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<v Speaker 2>Would you if you ever cooked them? Would you ever

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<v Speaker 2>have a recipe? And here they are, there's the zucchini flowers.

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<v Speaker 3>An Archie has just brought them in the chef at

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<v Speaker 3>the River Cafe. Would you like to talk about the

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<v Speaker 3>zucchini flowers that you just made?

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<v Speaker 2>Yes? So these are zucchini flowers.

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<v Speaker 6>They're part of the Fritto Misto dish today, so they're

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<v Speaker 6>being served alongside scallops, cuttlefish, zucchini batons, and sage and lemon.

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<v Speaker 6>These are I think so special because something you can

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<v Speaker 6>only get the summer, and to each one zucchini, it's

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<v Speaker 6>one flower, so you have to take real care when

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<v Speaker 6>you're prepping them to keep the shape when you're cooking

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<v Speaker 6>them as well.

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<v Speaker 2>Ours are quite delicate.

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<v Speaker 3>When you make the batter as light as this, I

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<v Speaker 3>like to always be able to see the zucchini through it.

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<v Speaker 3>We always have them in Tuscany when we're there in

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<v Speaker 3>the summer, and one of the things I really like

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<v Speaker 3>about them is everybody can make them.

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<v Speaker 6>Once they're picked away from the zucchini itself. They don't

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<v Speaker 6>last very long, so they're always going to be really,

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<v Speaker 6>really fresh.

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<v Speaker 2>And is there a Mexican version.

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<v Speaker 5>Yes, actually it's one of my favorite foods in Mexico,

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<v Speaker 5>and we have them in casari, yes, that's right, or

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<v Speaker 5>you can have them with eggs or in soups. And

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<v Speaker 5>what I like it is that it's also very fragile,

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<v Speaker 5>so I only have them for a day, so you

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<v Speaker 5>have to be like eating them right away, and the

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<v Speaker 5>calories are pretty yeah.

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<v Speaker 2>Good, thank you, pleasure enjoy.

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<v Speaker 3>So let's talk about your early days. Tell me more

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<v Speaker 3>about your family.

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<v Speaker 5>I have two sisters, and I grew up in Mexico City.

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<v Speaker 5>I was living there for my first five years, and

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<v Speaker 5>then the earthquake happened and my parents got divorced at

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<v Speaker 5>the same time, so there were two earthquakes in my life.

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<v Speaker 5>And then they moved to very close neighborhoods to each

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<v Speaker 5>other so they could still see me all the time,

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<v Speaker 5>both of them.

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<v Speaker 3>And both your parents were your father was my dad

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<v Speaker 3>is a doctor. There is a doctor, yes, and.

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<v Speaker 5>Your mother, my mom is a sociologist.

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<v Speaker 2>So tell me.

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<v Speaker 3>About food in your household, would you sit down to

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<v Speaker 3>dinner altogether? Did you have a cook? Tell me about

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<v Speaker 3>what life was like food wise in their house.

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<v Speaker 5>We did have a cook and someone who was helping

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<v Speaker 5>in the house all of the time. But my dad

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<v Speaker 5>was also very much into cooking, and he makes like

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<v Speaker 5>these simple but really delicious recipes, especially.

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<v Speaker 4>Good with Mexican food.

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<v Speaker 5>He's great with soups and stews.

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<v Speaker 4>So it's a kind of a lighter version of molet.

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<v Speaker 5>It's more like a soup and it has vegetables and

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<v Speaker 5>meat in its.

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<v Speaker 2>Likely describe is to people who don't know.

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<v Speaker 5>Molay is this very intricate, very elaborate paste that is

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<v Speaker 5>made out of chilis, spices, chocolate, banana, and it changes

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<v Speaker 5>with every family and the type of region that you

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<v Speaker 5>have it in Mexico, so it can be a darker chocolate,

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<v Speaker 5>or it can be made out of squash seeds, so

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<v Speaker 5>it can be green or yellow depending on the nuts

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<v Speaker 5>or the spices that you use.

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<v Speaker 4>So it's sort of like a verst and of courie.

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<v Speaker 2>And then you always have mode in the French.

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<v Speaker 5>Yes, I think it's a it's a very typical staple

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<v Speaker 5>in Mexican homehouse and yes, And you can make with chicken,

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<v Speaker 5>and you can have it with rice, you can have

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<v Speaker 5>it with eggs. You can have it with cassadillas or

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<v Speaker 5>infri coladas, which is basically just tortilla with beans inside.

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<v Speaker 3>Would your father cooked during the week it would it

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<v Speaker 3>be something special he would do.

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<v Speaker 5>It would be mostly on the weekends, but he would

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<v Speaker 5>also like to make breakfast.

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<v Speaker 4>Or dinner sometimes. And one of my.

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<v Speaker 5>Favorite dishes from him is to rikas what's which is

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<v Speaker 5>like the leftover bread that you have from.

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<v Speaker 4>The week that is a little bit hard.

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<v Speaker 5>You would put it on an egg butter with vanilla

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<v Speaker 5>and cinnamon, a French.

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<v Speaker 4>Tas French toast.

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<v Speaker 5>I think it's like a Spanish version of that. And

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<v Speaker 5>then instead of using powdered sugar, you would use this

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<v Speaker 5>raw sugar that comes in like this cone.

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<v Speaker 4>We call it biloon cio.

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<v Speaker 5>I don't know the exact translation in English, but you

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<v Speaker 5>will melt the biloonsiu with a little bit of like

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<v Speaker 5>lemon juice and the lemon how do you call the

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<v Speaker 5>zest the lemon sest? Yes, and then you just create

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<v Speaker 5>the syrup.

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<v Speaker 2>So on the weekends.

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<v Speaker 3>If cooking was something your father did love to do,

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<v Speaker 3>would he engage you and your sisters in the cookaine.

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<v Speaker 5>Yes, he would love to have me in the kitchen,

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<v Speaker 5>and he would just tell me these recipes actually very

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<v Speaker 5>simple ones, most of them coming from my grandmother.

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<v Speaker 3>I remember you talked about a pestle and mortar that

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<v Speaker 3>you have. Yes, just someone that was from your grandmother

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<v Speaker 3>to your father to you tell me about that.

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<v Speaker 5>Yes, that was a very special gift I received, and

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<v Speaker 5>I had to fight for it a little bit with

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<v Speaker 5>my dad because it's like in every Mexican house you

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<v Speaker 5>have this volcanic rock mortar. It's called mart and you

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<v Speaker 5>make everything in that from salsas to grindening spices or

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<v Speaker 5>just like grinding garlic for some other recipes, and it's

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<v Speaker 5>passed on from generation to generation. And I think this

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<v Speaker 5>is a very old one. It's very smooth on the inside,

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<v Speaker 5>and my father had it when my grandmother passed away.

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<v Speaker 5>So when I moved into my first apartment, I was

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<v Speaker 5>asking my dad to give it to me, and he

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<v Speaker 5>would say, like, not yet. And by the time I

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<v Speaker 5>returned from my master's degree, I think I was ready

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<v Speaker 5>to receive the mokat if you finally gave it to me.

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<v Speaker 2>Would your parents take you to restaurants.

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<v Speaker 4>Yes, not too often.

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<v Speaker 5>It was not as common as nowadays, not where people

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<v Speaker 5>eat out all the time. I remember it being like

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<v Speaker 5>once a week at most. But what I remember is

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<v Speaker 5>my mother used to enjoy a lot having desserts outside. Yes, yes,

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<v Speaker 5>And she's really good at making desserts. And so one

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<v Speaker 5>of my favorite things was on a rainy day, she

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<v Speaker 5>would just tell me, like, would you like to go

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<v Speaker 5>get some cake and tea, and we would drive to Polanco,

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<v Speaker 5>which was actually very far away from where we lived.

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<v Speaker 5>I think she just enjoyed like the time and the

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<v Speaker 5>car and just talking to me and being able to

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<v Speaker 5>be on one single space.

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<v Speaker 2>What did your mother do?

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<v Speaker 5>She was starting to work at you and women at

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<v Speaker 5>the time. And we would go to this place in Polanco,

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<v Speaker 5>which is in a little passage one of these like

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<v Speaker 5>pedestrian streets inside one of the older buildings, and we

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<v Speaker 5>would have tart or cake or some chocolate and tea.

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<v Speaker 5>And I thought it was such a treat to have

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<v Speaker 5>this in the middle of the week and then just

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<v Speaker 5>go back and you know, like it seemed like a

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<v Speaker 5>little celebration, And it was a very intimate time between

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<v Speaker 5>her and me because it was just like something she

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<v Speaker 5>and I would do, like no one else was in

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<v Speaker 5>that bubble, so it felt really special.

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<v Speaker 3>Sounds like food was important in your home, it was

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<v Speaker 3>important to your parents. And then when you went to university,

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<v Speaker 3>how did you cope with not having those meals?

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<v Speaker 2>Did you go home a lot? Did you eat out

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<v Speaker 2>with other students? Did you cook by yourself?

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<v Speaker 5>I have to say that when I was a small child,

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<v Speaker 5>I ate everything, like everything that was presented to me

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<v Speaker 5>I would eat. But then I had like this short

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<v Speaker 5>period as a teenager where I wasn't even like liking

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<v Speaker 5>food too much, and I think it was more like

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<v Speaker 5>building my personality because it didn't last too long, and

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<v Speaker 5>as soon as I moved out of my parents' house,

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<v Speaker 5>I needed to start cooking by myself. So at the beginning,

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<v Speaker 5>I was like, I don't know how to cook anything,

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<v Speaker 5>and it was almost like an a statement, no, like I'm.

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<v Speaker 4>Against that, yeah, because of course my dad was.

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<v Speaker 5>Good at that, my mom was good at that, and

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<v Speaker 5>I was like, I'm not good to be doing this.

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<v Speaker 5>But then it was really silly because of course I

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<v Speaker 5>enjoyed food so much, so I just started cooking no

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<v Speaker 5>with my boyfriend at a time or with friends. They

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<v Speaker 5>would come over and we started making like small simple dishes,

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<v Speaker 5>and then slowly we became like more elaborate and just

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<v Speaker 5>enjoyed having time spending on the kitchen.

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<v Speaker 3>The River Cafe cafe, steps away from our restaurant, is

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<v Speaker 3>now open. In the morning an Italian breakfast with cornetti,

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<v Speaker 3>ciambella and crostada from our pastry kitchen. In the afternoon,

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<v Speaker 3>ice creamed coups in River Cafe. Classic desserts come in

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<v Speaker 3>the evening for cocktails with our resident pianists in the bar.

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<v Speaker 3>No need to book see you here.

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<v Speaker 2>We went to the University of Mexico. When you decide

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<v Speaker 2>to study.

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<v Speaker 3>Architecture, yes, because you didn't go thinking you were going

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<v Speaker 3>to be an architecture No.

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<v Speaker 5>I was very decisive as a teenager, and I knew

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<v Speaker 5>that I wanted to do something with art or design

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<v Speaker 5>something with my hands. But it was just like until

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<v Speaker 5>a few days before they closed the exams that I

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<v Speaker 5>made up my mind.

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<v Speaker 3>You were no longer in a domestic situation with your family,

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<v Speaker 3>and so you lived in an apartment and.

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<v Speaker 5>It was actually until I graduated that I moved to

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<v Speaker 5>my own apartment. When you're studying architecture. That's a blessing

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<v Speaker 5>because it's like very long hours and other ways you

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<v Speaker 5>just don't take care of yourself at all, no, like

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<v Speaker 5>it's just like working.

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<v Speaker 3>But then the big change must have been when you

0:12:46.400 --> 0:12:49.440
<v Speaker 3>went to Harvard, and so what was that like to

0:12:49.480 --> 0:12:54.000
<v Speaker 3>go from Mexico to in food terms, at Cambridge, it.

0:12:53.960 --> 0:12:56.160
<v Speaker 5>Was quite a shock because of course, like there was

0:12:56.559 --> 0:13:00.200
<v Speaker 5>again this culture of spending very very long hours looking

0:13:00.280 --> 0:13:03.640
<v Speaker 5>on your thesis or whatever you were supposed to be

0:13:03.679 --> 0:13:06.440
<v Speaker 5>doing at the time. Because I had a very generous

0:13:06.480 --> 0:13:09.600
<v Speaker 5>scholarship to have a small apartment for myself, I didn't

0:13:09.640 --> 0:13:12.240
<v Speaker 5>have to share, which was a blessing for me because

0:13:12.320 --> 0:13:13.679
<v Speaker 5>I could really.

0:13:13.400 --> 0:13:14.240
<v Speaker 4>Manage my time.

0:13:15.000 --> 0:13:18.280
<v Speaker 5>And I had a small kitchen and a group of

0:13:18.280 --> 0:13:21.520
<v Speaker 5>friends who liked to cook, and we would have the mescal,

0:13:23.040 --> 0:13:24.880
<v Speaker 5>which is a mescale Tuesday.

0:13:25.080 --> 0:13:27.480
<v Speaker 2>Okay, and Tuesday at night or.

0:13:27.600 --> 0:13:29.240
<v Speaker 4>Tuesday at night Tuesday.

0:13:28.920 --> 0:13:32.160
<v Speaker 5>And we were supposed to cook for each other, So

0:13:32.200 --> 0:13:35.880
<v Speaker 5>we would go around each other houses and we would

0:13:35.880 --> 0:13:39.840
<v Speaker 5>bring ingredients sometimes from our trips to Mexico, and we

0:13:39.840 --> 0:13:43.760
<v Speaker 5>would either you know, like small old tortillas or mallet,

0:13:44.240 --> 0:13:46.240
<v Speaker 5>or we would be doing like the small dishes and

0:13:46.280 --> 0:13:48.360
<v Speaker 5>then we wouldn't invite all the friends that were not

0:13:48.440 --> 0:13:51.800
<v Speaker 5>Mexican also, and that kind of started a nice tradition

0:13:51.920 --> 0:13:55.560
<v Speaker 5>of being able to think of yourself and what you needed,

0:13:55.840 --> 0:13:58.800
<v Speaker 5>how to bring people that were close to you as

0:13:58.800 --> 0:14:02.760
<v Speaker 5>a support system, because it's really heavy when you're starting,

0:14:02.960 --> 0:14:05.480
<v Speaker 5>like you spend all of this time and there's a

0:14:05.520 --> 0:14:08.840
<v Speaker 5>lot of pressure. It's very competitive, so it's a good

0:14:08.880 --> 0:14:11.720
<v Speaker 5>reminder that you also have a support system and people

0:14:11.760 --> 0:14:14.600
<v Speaker 5>that are just there to be with you and that

0:14:15.040 --> 0:14:16.560
<v Speaker 5>become friends for a lifetime.

0:14:16.679 --> 0:14:18.840
<v Speaker 2>Did you go to restaurants? So when you were in Boston,

0:14:18.880 --> 0:14:19.560
<v Speaker 2>did you go out?

0:14:19.720 --> 0:14:19.920
<v Speaker 4>Yeah?

0:14:20.000 --> 0:14:24.000
<v Speaker 5>Sometimes we usually did, like Chinese or the less expensive

0:14:25.040 --> 0:14:28.360
<v Speaker 5>versions of feeding out. It was also nice to try

0:14:28.440 --> 0:14:30.680
<v Speaker 5>new things and that was actually one of the few

0:14:30.760 --> 0:14:34.600
<v Speaker 5>ways which you could start getting to know Boston and

0:14:34.640 --> 0:14:38.000
<v Speaker 5>not just Cambridge. Otherwise you just stay on campus and

0:14:38.040 --> 0:14:41.720
<v Speaker 5>you basically never leave school. So for me, it was

0:14:41.760 --> 0:14:44.040
<v Speaker 5>like a little window to what the city of Boston

0:14:44.160 --> 0:14:46.280
<v Speaker 5>was not like hutting oysters were a lobster.

0:14:48.320 --> 0:14:50.680
<v Speaker 3>That was a treat, very big portions. Did you ever

0:14:50.720 --> 0:14:52.960
<v Speaker 3>go to Mexican restaurant when you were in Boston? I

0:14:52.960 --> 0:14:55.920
<v Speaker 3>tried once and it was so that was such a

0:14:55.960 --> 0:14:59.800
<v Speaker 3>revelation for us when we went to Mexico that you.

0:15:00.000 --> 0:15:02.040
<v Speaker 2>Realized that the food that you had.

0:15:02.720 --> 0:15:05.960
<v Speaker 3>I didn't even go near it in Europe, but even

0:15:06.000 --> 0:15:09.040
<v Speaker 3>in the United States we thought it was heavy. You

0:15:09.120 --> 0:15:14.160
<v Speaker 3>get these big plates of six different different ingredients, different

0:15:14.680 --> 0:15:17.920
<v Speaker 3>ways of cooking them, and it just was so heavy.

0:15:18.080 --> 0:15:21.680
<v Speaker 3>And then we went to Mexico and as I said,

0:15:21.680 --> 0:15:24.280
<v Speaker 3>it was a revelation. It was a piece of beautiful

0:15:24.360 --> 0:15:27.760
<v Speaker 3>fish with as you described as salsa made of tomato

0:15:27.840 --> 0:15:31.800
<v Speaker 3>and onion and garlic and could use quite a lot

0:15:31.840 --> 0:15:37.080
<v Speaker 3>of chilantro. Yeah, and we haven't talked about guacamole, and

0:15:37.720 --> 0:15:40.440
<v Speaker 3>that it was so it was so delicate, and we

0:15:40.600 --> 0:15:45.440
<v Speaker 3>find and I wonder why well Mexican food didn't travel well,

0:15:45.640 --> 0:15:48.520
<v Speaker 3>you know, and whether it became a simple I think

0:15:48.560 --> 0:15:51.560
<v Speaker 3>now it's better. There are more really good restaurants in

0:15:51.600 --> 0:15:54.560
<v Speaker 3>New York, and there's a great restaurant here in London

0:15:55.000 --> 0:15:59.520
<v Speaker 3>doing Mexican food, and again the focus on ingredients, you know,

0:15:59.720 --> 0:16:03.920
<v Speaker 3>but it is it is a very different, different version

0:16:04.000 --> 0:16:07.360
<v Speaker 3>of what you the Mexican do you think it is?

0:16:07.600 --> 0:16:11.040
<v Speaker 5>And also because Mexican food is so different from bridging

0:16:11.120 --> 0:16:13.880
<v Speaker 5>to region, then it's hard to tell, like what is

0:16:14.120 --> 0:16:14.920
<v Speaker 5>Mexican food.

0:16:15.040 --> 0:16:17.480
<v Speaker 4>No, overall, you have the food from the coast, which is.

0:16:17.440 --> 0:16:23.680
<v Speaker 5>Like these grilled fish and just oysters, but also shrimp,

0:16:24.080 --> 0:16:29.360
<v Speaker 5>and it's very simple, very few ingredients, very simple recipes.

0:16:29.400 --> 0:16:31.560
<v Speaker 5>And then you have the more elaborate we see No

0:16:31.720 --> 0:16:36.400
<v Speaker 5>Puebla and elba Hillo with these moorless and salsa that

0:16:37.080 --> 0:16:39.800
<v Speaker 5>are almost by roque and it's it's making.

0:16:39.840 --> 0:16:42.320
<v Speaker 4>And then Yukata, when you have like the pooled pork.

0:16:43.800 --> 0:16:45.360
<v Speaker 2>Is there a region that you particularly like.

0:16:46.480 --> 0:16:47.280
<v Speaker 4>I love Yukata.

0:16:49.240 --> 0:16:52.440
<v Speaker 5>I think it's just like so tasty and it feels

0:16:52.480 --> 0:16:56.000
<v Speaker 5>like a comfort food. Sopa the lima, which is like

0:16:56.080 --> 0:17:00.280
<v Speaker 5>the chicken broth with lima, which is like these sweet lime.

0:17:01.680 --> 0:17:03.720
<v Speaker 5>I just feel like that is like food for the soul.

0:17:03.800 --> 0:17:06.840
<v Speaker 5>Every time you have like a something bad happened to you,

0:17:06.840 --> 0:17:08.480
<v Speaker 5>you go and have soap by the lima and it

0:17:08.560 --> 0:17:10.000
<v Speaker 5>makes better everything.

0:17:10.520 --> 0:17:13.000
<v Speaker 3>And you started very quickly, didn't you with your own office.

0:17:13.040 --> 0:17:15.280
<v Speaker 3>You didn't work for anyone else. No, I've never worked

0:17:15.280 --> 0:17:18.240
<v Speaker 3>for anyone. I have no idea how a restaurant runs,

0:17:18.280 --> 0:17:19.760
<v Speaker 3>because I've only done it our way.

0:17:20.359 --> 0:17:22.960
<v Speaker 2>Did you ever bring food into your work life?

0:17:23.040 --> 0:17:26.159
<v Speaker 5>Yes, sometimes we would go to my place and we

0:17:26.200 --> 0:17:29.920
<v Speaker 5>would do like these cooking parties and we would cook together.

0:17:29.960 --> 0:17:32.600
<v Speaker 5>But it was when we were like just five or four.

0:17:33.320 --> 0:17:35.679
<v Speaker 5>Now it's a little bit more difficult, but it's a

0:17:35.760 --> 0:17:39.320
<v Speaker 5>nice tradition. I think it brings the team together and

0:17:39.359 --> 0:17:42.480
<v Speaker 5>then you really see the personalities and actually you see

0:17:42.520 --> 0:17:44.320
<v Speaker 5>how they collaborate also in the studio.

0:17:44.960 --> 0:17:48.800
<v Speaker 3>Okay, So as an architect, when you're designing, do you

0:17:48.960 --> 0:17:53.119
<v Speaker 3>think about public space and food where people will eat,

0:17:53.800 --> 0:17:55.760
<v Speaker 3>what they'll look at while they're eating, Will they have

0:17:55.840 --> 0:17:59.040
<v Speaker 3>a view? Will they kitchen be visible? Have you ever

0:17:59.080 --> 0:17:59.960
<v Speaker 3>designed a restaurant?

0:18:00.800 --> 0:18:02.400
<v Speaker 4>Yes, I am, I am right now?

0:18:02.560 --> 0:18:03.760
<v Speaker 2>Are you whereas it?

0:18:03.760 --> 0:18:05.760
<v Speaker 5>It's going to be in the US, and it's going

0:18:05.840 --> 0:18:09.760
<v Speaker 5>to be for a dear friend. I'm very happy working

0:18:09.760 --> 0:18:10.040
<v Speaker 5>with her.

0:18:10.160 --> 0:18:11.080
<v Speaker 2>Tell us about her.

0:18:11.280 --> 0:18:15.880
<v Speaker 5>She has like a very strong personality. She's very charming

0:18:16.200 --> 0:18:19.600
<v Speaker 5>and she just like walks into the room and everyone turns.

0:18:19.320 --> 0:18:20.520
<v Speaker 4>Around because she's there.

0:18:20.600 --> 0:18:23.920
<v Speaker 5>And I think she has a very magnetic personality. In

0:18:24.600 --> 0:18:27.399
<v Speaker 5>her restaurant is Contra March Well one of them. She

0:18:27.440 --> 0:18:30.000
<v Speaker 5>has many, but that's probably the most famous one, and

0:18:30.040 --> 0:18:31.200
<v Speaker 5>I think it has become like.

0:18:31.160 --> 0:18:32.960
<v Speaker 4>This icon in Mexico City.

0:18:33.800 --> 0:18:37.000
<v Speaker 5>Everyone knows Contra Maage and part of the success is

0:18:37.040 --> 0:18:40.280
<v Speaker 5>not just the food, which is amazing, but also how

0:18:40.320 --> 0:18:41.040
<v Speaker 5>it becomes.

0:18:41.119 --> 0:18:41.920
<v Speaker 4>It became.

0:18:43.280 --> 0:18:47.879
<v Speaker 5>Like a gathering space. It's an epicenter for culture and

0:18:48.080 --> 0:18:52.160
<v Speaker 5>people watching, and everyone wants to go there to CMB scene.

0:18:52.440 --> 0:18:56.399
<v Speaker 3>We had this routine in Mexico when Richard was in

0:18:56.440 --> 0:18:59.679
<v Speaker 3>the hospital. I would have kind of breakfast with my

0:18:59.760 --> 0:19:02.680
<v Speaker 3>friend family. They were always late, you know. I'd love

0:19:02.760 --> 0:19:06.719
<v Speaker 3>the Mexican breakfast at about ten maybe in the morning,

0:19:06.920 --> 0:19:11.520
<v Speaker 3>ten thirty and then a really delicious breakfast at Nido

0:19:11.720 --> 0:19:14.120
<v Speaker 3>at Karen, and then I would go to the hospital

0:19:14.200 --> 0:19:17.440
<v Speaker 3>and then we would meet at about four in the afternoon,

0:19:17.720 --> 0:19:20.440
<v Speaker 3>very often at Contramar, because everybody came to visit me

0:19:20.520 --> 0:19:22.680
<v Speaker 3>wanted to go to Contomar, and I loved going. It's

0:19:22.720 --> 0:19:28.000
<v Speaker 3>a very dramatic space, dramatic and democratic as well. You know,

0:19:28.040 --> 0:19:30.760
<v Speaker 3>it just feels like you're all in there's no good table,

0:19:30.800 --> 0:19:33.320
<v Speaker 3>You're all in one big space. You see the kitchen,

0:19:34.000 --> 0:19:37.040
<v Speaker 3>and then you would have a very late lunch and

0:19:37.080 --> 0:19:40.720
<v Speaker 3>then I'd go back to the hospital and then a

0:19:40.720 --> 0:19:43.320
<v Speaker 3>piece of fruit or something very simple for dinner. There

0:19:43.359 --> 0:19:45.080
<v Speaker 3>was no that was it, and I just thought it

0:19:45.119 --> 0:19:47.280
<v Speaker 3>was a great way of eating, you know, to have

0:19:47.320 --> 0:19:50.720
<v Speaker 3>that you know, not big heavy dinner before you go

0:19:50.880 --> 0:19:51.280
<v Speaker 3>to bed.

0:19:51.359 --> 0:19:53.960
<v Speaker 4>And you're right like the a theist democratic space.

0:19:54.000 --> 0:19:57.199
<v Speaker 5>It's just like a field condition of tables and I

0:19:57.200 --> 0:20:01.920
<v Speaker 5>think I've only seen or like that at Contra Mart,

0:20:02.520 --> 0:20:08.199
<v Speaker 5>but also at the Met Cafe, the staff cafet. It

0:20:08.320 --> 0:20:11.639
<v Speaker 5>was a big surprise, and I love that because it's

0:20:11.680 --> 0:20:15.840
<v Speaker 5>like the canteen for all the employees and everyone goes

0:20:15.880 --> 0:20:17.920
<v Speaker 5>to have lunch there and it's really special.

0:20:18.359 --> 0:20:21.359
<v Speaker 2>And the director, yes, yes, curators.

0:20:21.080 --> 0:20:25.720
<v Speaker 5>The curators, the people from maintenance, we that we we

0:20:25.760 --> 0:20:28.080
<v Speaker 5>spent a year at the Met with our offices there,

0:20:28.160 --> 0:20:30.560
<v Speaker 5>so we would go down and have lunch there and

0:20:30.600 --> 0:20:32.959
<v Speaker 5>you would see these mix of people. Some of them

0:20:33.000 --> 0:20:35.720
<v Speaker 5>would bring their own foods, some people would buy food there,

0:20:36.280 --> 0:20:38.040
<v Speaker 5>and it was just like a place where you can

0:20:38.160 --> 0:20:42.560
<v Speaker 5>encounter everyone and actually like really interesting conversations happened there.

0:20:42.600 --> 0:20:44.719
<v Speaker 5>So it was a working launch, but in a very

0:20:44.760 --> 0:20:47.000
<v Speaker 5>informal setting, which I feel.

0:20:46.720 --> 0:20:49.600
<v Speaker 4>Like it's very unusual for Americans.

0:20:49.000 --> 0:20:53.040
<v Speaker 5>You know, like usually they're very hard working and they're

0:20:53.080 --> 0:20:56.320
<v Speaker 5>like very pragmatic, So having these moments of just like

0:20:56.440 --> 0:21:00.000
<v Speaker 5>casual conversations about work were really special and SPONTANEU.

0:21:00.080 --> 0:21:00.439
<v Speaker 2>Yes.

0:21:08.000 --> 0:21:11.240
<v Speaker 3>If you like listening to Ruthie's Table for would you

0:21:11.359 --> 0:21:15.399
<v Speaker 3>please make sure to rate and review the podcast on

0:21:15.440 --> 0:21:20.440
<v Speaker 3>the iHeartRadio app, Apple Podcasts, Spotify, O, wherever you get

0:21:20.440 --> 0:21:21.600
<v Speaker 3>your podcasts.

0:21:22.040 --> 0:21:33.080
<v Speaker 2>Thank you. How do you find New York for food?

0:21:33.520 --> 0:21:34.200
<v Speaker 4>It's amazing.

0:21:35.720 --> 0:21:38.399
<v Speaker 5>I like that It's so diverse and you can have

0:21:38.760 --> 0:21:43.040
<v Speaker 5>food from every country really authentic, so you can have

0:21:43.160 --> 0:21:49.600
<v Speaker 5>great Mexican, great Indian food, Chinese, Japanese everything.

0:21:50.680 --> 0:21:52.480
<v Speaker 2>Are you there much? Are you in New York question?

0:21:52.520 --> 0:21:53.320
<v Speaker 4>I'm there every month.

0:21:53.600 --> 0:21:53.800
<v Speaker 5>Yes.

0:21:54.119 --> 0:21:55.960
<v Speaker 2>And are you're talking there or do not have time

0:21:56.000 --> 0:21:56.320
<v Speaker 2>to cook?

0:21:56.480 --> 0:21:58.840
<v Speaker 5>No? I also cook like I find like that's my

0:21:59.000 --> 0:22:01.760
<v Speaker 5>way of relaxing. And I come back from work because

0:22:01.920 --> 0:22:04.879
<v Speaker 5>lunch is so short in America. Then I'm able to

0:22:04.960 --> 0:22:08.399
<v Speaker 5>come back home and then just do something simple and

0:22:08.440 --> 0:22:12.240
<v Speaker 5>I feel like I'm taking care of myself again. And

0:22:12.280 --> 0:22:13.119
<v Speaker 5>I live in Chelsea.

0:22:13.359 --> 0:22:15.800
<v Speaker 2>Yeah. Nice. So there's good markets there?

0:22:16.080 --> 0:22:18.960
<v Speaker 3>Yes, yes, yeah, my son used to live in Chelsea

0:22:19.040 --> 0:22:22.360
<v Speaker 3>and we use the Chelsea Market and then the wonderful

0:22:22.359 --> 0:22:24.240
<v Speaker 3>one is the Union Square exactly.

0:22:24.320 --> 0:22:24.919
<v Speaker 4>That's my favorite.

0:22:25.000 --> 0:22:27.520
<v Speaker 2>Isn't a great market? It is love that.

0:22:27.960 --> 0:22:29.880
<v Speaker 3>I thought it was very beautiful what you said about

0:22:29.880 --> 0:22:33.040
<v Speaker 3>a book that I also loved and also a writer

0:22:33.200 --> 0:22:39.399
<v Speaker 3>that I admire, Joe Didion's Blue, Blue, Blue Lights, Blue Nights.

0:22:39.480 --> 0:22:43.320
<v Speaker 3>And you said, there's a quote from you saying that

0:22:44.600 --> 0:22:48.120
<v Speaker 3>about it's a book about loss, but also being a woman,

0:22:48.240 --> 0:22:50.760
<v Speaker 3>being a mother or not being able to be a mother,

0:22:50.800 --> 0:22:53.600
<v Speaker 3>about aging and all things that fascinate and terrify me

0:22:53.680 --> 0:22:57.080
<v Speaker 3>at the moment. And it's a book about utter acceptance.

0:22:58.000 --> 0:23:00.359
<v Speaker 3>And then you talk about your sister's books, and so

0:23:00.480 --> 0:23:02.600
<v Speaker 3>do you think we could just talk for a moment

0:23:02.640 --> 0:23:05.760
<v Speaker 3>about women and writing and women and architecture.

0:23:06.320 --> 0:23:08.919
<v Speaker 5>A few months later, after I finished reading for the

0:23:08.960 --> 0:23:12.840
<v Speaker 5>second time Blue Knights, my sister finished her first book

0:23:13.160 --> 0:23:16.360
<v Speaker 5>and it's a series of poems and it's talking about

0:23:16.760 --> 0:23:20.560
<v Speaker 5>the female body and the female body rhythm, and it

0:23:20.600 --> 0:23:24.159
<v Speaker 5>has to do with all of the things that happen,

0:23:24.440 --> 0:23:27.480
<v Speaker 5>know in cycles, And I think it's really special because

0:23:27.520 --> 0:23:30.760
<v Speaker 5>of course, as women, we know that we're always changing,

0:23:30.920 --> 0:23:34.720
<v Speaker 5>but they're like these constant flows, so we go back

0:23:34.760 --> 0:23:37.640
<v Speaker 5>and forth and we understand each other in such rhythms.

0:23:38.200 --> 0:23:42.560
<v Speaker 5>But some of these rhythms, I think are longer and

0:23:42.640 --> 0:23:45.440
<v Speaker 5>for me to see someone who's younger than me explaining

0:23:45.480 --> 0:23:48.040
<v Speaker 5>all of these processes, not like the idea of becoming

0:23:48.040 --> 0:23:53.800
<v Speaker 5>a woman, of becoming of fertile age, or becoming a

0:23:53.840 --> 0:23:57.520
<v Speaker 5>woman in menopause or aging, and the whole idea of

0:23:57.560 --> 0:24:01.960
<v Speaker 5>how people experience manhood from outside but also from the

0:24:02.040 --> 0:24:07.080
<v Speaker 5>inside became really like an important revelation. No for someone

0:24:07.160 --> 0:24:11.359
<v Speaker 5>that I saw from being a baby to now expressing

0:24:11.400 --> 0:24:15.840
<v Speaker 5>all of these very powerful ideas became almost liberating because

0:24:15.880 --> 0:24:19.320
<v Speaker 5>I couldn't explain them to myself so well as she

0:24:19.400 --> 0:24:20.440
<v Speaker 5>did with her poetry.

0:24:20.440 --> 0:24:25.399
<v Speaker 3>You know, we're so excited that you're doing the Metropolitan Museum.

0:24:25.440 --> 0:24:28.800
<v Speaker 3>It meant a lot, I think, as as both a

0:24:28.880 --> 0:24:35.560
<v Speaker 3>confidence of the established museum to commission this to a

0:24:35.600 --> 0:24:39.640
<v Speaker 3>relatively young woman. First of all, how do you see it?

0:24:40.160 --> 0:24:42.800
<v Speaker 3>And also what are the challenges that you face in

0:24:42.880 --> 0:24:43.720
<v Speaker 3>that Well.

0:24:43.600 --> 0:24:47.720
<v Speaker 5>It's an incredible opportunity, of course, and I think it's

0:24:48.600 --> 0:24:53.040
<v Speaker 5>almost a reminder that everything big that has happened in

0:24:53.040 --> 0:24:55.320
<v Speaker 5>my career felt a little bit like that now. I

0:24:55.359 --> 0:24:57.760
<v Speaker 5>remember the first time that I did a public commission.

0:24:58.520 --> 0:25:00.639
<v Speaker 4>I couldn't believe it. Not like I'm doing this on

0:25:00.680 --> 0:25:01.080
<v Speaker 4>my own.

0:25:01.240 --> 0:25:05.639
<v Speaker 5>I was working almost by myself in my kitchen, and

0:25:05.680 --> 0:25:09.679
<v Speaker 5>then this commission happened, and then that led to the

0:25:09.720 --> 0:25:13.040
<v Speaker 5>Serpentine Pavilion, for example, which I couldn't believe, No, like

0:25:13.080 --> 0:25:15.359
<v Speaker 5>I was the youngest at the time to be doing

0:25:15.400 --> 0:25:20.200
<v Speaker 5>that that commission. And then now we get the commission

0:25:20.200 --> 0:25:23.000
<v Speaker 5>for the Metropolitan Museum, and it feels a little bit

0:25:23.040 --> 0:25:25.920
<v Speaker 5>like that. I No, I felt like, am I up

0:25:25.960 --> 0:25:28.880
<v Speaker 5>to the task? Am I too young? I've never done

0:25:28.920 --> 0:25:31.800
<v Speaker 5>a museum like that before. But this is just a

0:25:31.840 --> 0:25:35.160
<v Speaker 5>series of first times, no like one after the other,

0:25:35.960 --> 0:25:39.280
<v Speaker 5>and fortunately like each one of them has led to

0:25:39.680 --> 0:25:43.080
<v Speaker 5>a new adventure. So I've been thinking that I just

0:25:43.119 --> 0:25:45.199
<v Speaker 5>want to get very good at doing things for the

0:25:45.240 --> 0:25:45.760
<v Speaker 5>first time.

0:25:46.600 --> 0:25:48.040
<v Speaker 2>What is the what is the brief?

0:25:48.240 --> 0:25:50.879
<v Speaker 5>We're commissioned to do the renovation for the Modern and

0:25:50.880 --> 0:25:55.920
<v Speaker 5>Contemporary wing, And of course the challenge is that it's

0:25:56.000 --> 0:25:59.879
<v Speaker 5>an encyclopedic museum and you have like all the history

0:25:59.880 --> 0:26:04.040
<v Speaker 5>of humankind condensed into one single building, you know, with

0:26:04.200 --> 0:26:08.600
<v Speaker 5>many different ways of seeing human culture and approaching it.

0:26:09.400 --> 0:26:12.800
<v Speaker 5>But contemporary culture is growing and extending, and it's something

0:26:12.840 --> 0:26:16.080
<v Speaker 5>that is open ended. But it's also what's so fascinating

0:26:16.119 --> 0:26:18.640
<v Speaker 5>to me because it's not something that has been closed

0:26:19.080 --> 0:26:21.920
<v Speaker 5>as a moment in history. It's something that continues to evolve.

0:26:23.160 --> 0:26:26.560
<v Speaker 5>So that was kind of like the departure point, something

0:26:26.600 --> 0:26:30.600
<v Speaker 5>that would be flexible and open to interpretation, and that

0:26:30.720 --> 0:26:33.760
<v Speaker 5>would allow for new publics to come in. And that

0:26:33.960 --> 0:26:38.399
<v Speaker 5>was in the constant process of becoming. And there's this

0:26:38.520 --> 0:26:43.360
<v Speaker 5>beautiful moment in the Metropolitan Museum facade that Cosue Palma,

0:26:43.440 --> 0:26:45.879
<v Speaker 5>someone who's working in the project, pointed out very early

0:26:45.920 --> 0:26:49.400
<v Speaker 5>on during the competition, to me, and it's this detail

0:26:49.520 --> 0:26:52.600
<v Speaker 5>of an unfinished piece in the facade, and it's right there.

0:26:52.680 --> 0:26:53.800
<v Speaker 4>A few people notice it.

0:26:53.760 --> 0:26:55.919
<v Speaker 3>So you come up the steps and it's not the

0:26:56.000 --> 0:26:58.240
<v Speaker 3>right it's on the cornices, on the top of the

0:26:58.320 --> 0:27:01.280
<v Speaker 3>curs and you can see like the these raw blocks of.

0:27:01.280 --> 0:27:06.480
<v Speaker 5>Stone that are uncarved, and it's strange. And some people say, like, well,

0:27:06.520 --> 0:27:08.320
<v Speaker 5>they ran out of money at the time, they didn't

0:27:08.320 --> 0:27:10.680
<v Speaker 5>finish it. But to me, it's one of the most

0:27:10.720 --> 0:27:14.360
<v Speaker 5>beautiful and interesting moments because it's this idea that this

0:27:14.400 --> 0:27:17.639
<v Speaker 5>is the full potential. This is in the project and

0:27:17.920 --> 0:27:22.960
<v Speaker 5>on the process of being inscripted. It hasn't been yet,

0:27:23.240 --> 0:27:26.159
<v Speaker 5>but someone might tell the story in the future. And

0:27:26.200 --> 0:27:28.760
<v Speaker 5>I think that was the most inspiring thing, and that's

0:27:28.760 --> 0:27:30.840
<v Speaker 5>what we want to do, not like something that becomes

0:27:31.160 --> 0:27:34.399
<v Speaker 5>not just a container, but also a place where people

0:27:34.440 --> 0:27:39.399
<v Speaker 5>can gather and express themselves and to see themselves reflected

0:27:39.920 --> 0:27:42.200
<v Speaker 5>in the art that they're going to see, and therefore

0:27:42.280 --> 0:27:44.960
<v Speaker 5>to continue to tell other stories that have not been

0:27:45.040 --> 0:27:46.560
<v Speaker 5>inscripted yet in that space.

0:27:46.840 --> 0:27:49.600
<v Speaker 3>Where actually is the I'm trying to think where that

0:27:49.880 --> 0:27:52.560
<v Speaker 3>way is? So it's the hot you go straight through,

0:27:52.640 --> 0:27:53.040
<v Speaker 3>don't you.

0:27:53.440 --> 0:27:56.560
<v Speaker 5>Yes, it's on the southwest corner of the museum.

0:27:58.480 --> 0:27:59.880
<v Speaker 2>And where at stage are you in now?

0:28:00.080 --> 0:28:04.000
<v Speaker 5>We just finished concept and we're starting schematic design, so

0:28:04.040 --> 0:28:07.040
<v Speaker 5>we still have a few more years ago and the

0:28:07.119 --> 0:28:09.760
<v Speaker 5>completion is expected to happen in twenty thirty.

0:28:10.359 --> 0:28:12.280
<v Speaker 3>And I look at your work and I see the

0:28:12.320 --> 0:28:16.320
<v Speaker 3>way you've progressed. Have seen your work and your office.

0:28:16.359 --> 0:28:19.880
<v Speaker 3>You have office in Mexico, and you're working in New York,

0:28:19.920 --> 0:28:22.400
<v Speaker 3>and you're working now hopefully in Paris, and I hope

0:28:22.400 --> 0:28:24.760
<v Speaker 3>in London. I'm jealous. Now I want to do a

0:28:24.800 --> 0:28:28.200
<v Speaker 3>restaurant with you. Well, then, but that would be the

0:28:28.359 --> 0:28:30.040
<v Speaker 3>incentive to do another restaurant.

0:28:30.600 --> 0:28:33.520
<v Speaker 2>But do you feel that you're growing slowly?

0:28:33.720 --> 0:28:36.119
<v Speaker 3>Or in that way, or do you I think so

0:28:36.119 --> 0:28:38.880
<v Speaker 3>to conquer the world in a big way too.

0:28:38.920 --> 0:28:39.800
<v Speaker 4>Not in a big way.

0:28:40.000 --> 0:28:44.200
<v Speaker 5>I think we're similar in that I never worked for anyone.

0:28:44.560 --> 0:28:51.040
<v Speaker 5>So it's this combination between being in my case being

0:28:51.080 --> 0:28:53.320
<v Speaker 5>a little bit stubborn, you know, like saying like I

0:28:53.360 --> 0:28:56.160
<v Speaker 5>can do this, and of course the easier path would

0:28:56.160 --> 0:29:00.080
<v Speaker 5>be to follow someone's steps, and it's non arrogant to

0:29:00.160 --> 0:29:02.360
<v Speaker 5>say like, I don't want to follow someone, because you're

0:29:02.600 --> 0:29:04.840
<v Speaker 5>at the same time admiring so many people no and

0:29:05.040 --> 0:29:05.760
<v Speaker 5>just looking.

0:29:05.560 --> 0:29:06.320
<v Speaker 4>Up to them.

0:29:07.000 --> 0:29:10.960
<v Speaker 5>But it's just like trying to do it yourself, and

0:29:11.080 --> 0:29:15.200
<v Speaker 5>it's more painful sometimes and it's slower, and you need

0:29:15.240 --> 0:29:17.160
<v Speaker 5>to rely a lot on the people that are working

0:29:17.200 --> 0:29:20.880
<v Speaker 5>with you. But I enjoy that very much because it's

0:29:20.960 --> 0:29:24.640
<v Speaker 5>almost a way of building an extended family because you

0:29:24.760 --> 0:29:29.080
<v Speaker 5>work so much time with them, you share your hopes

0:29:29.080 --> 0:29:33.120
<v Speaker 5>and dreams with them, and you have to really trust

0:29:33.120 --> 0:29:35.480
<v Speaker 5>them because that's all you've got, you know, like you

0:29:35.520 --> 0:29:38.400
<v Speaker 5>can lose everything, and then you lose everything and you

0:29:38.480 --> 0:29:42.480
<v Speaker 5>start over again. So it starts very very small. I

0:29:42.520 --> 0:29:44.400
<v Speaker 5>still consider my office to be very small.

0:29:44.840 --> 0:29:45.600
<v Speaker 4>We're eleven in.

0:29:45.560 --> 0:29:49.880
<v Speaker 5>New York and nineteen in Mexico City, something like that.

0:29:50.400 --> 0:29:53.560
<v Speaker 5>The numbers fluctuate a little bit, but I still consider

0:29:53.600 --> 0:29:57.680
<v Speaker 5>it to be a small studio and I know all

0:29:57.720 --> 0:29:59.680
<v Speaker 5>of them. I try to spend time as much as

0:29:59.680 --> 0:30:03.000
<v Speaker 5>I can with them, and it has been a matter

0:30:03.080 --> 0:30:06.000
<v Speaker 5>of also explaining to them, like how we want to grow.

0:30:06.080 --> 0:30:08.200
<v Speaker 5>Sometimes they will come to me and say like, how.

0:30:08.120 --> 0:30:10.160
<v Speaker 4>Do you want to grow? Where are you heading?

0:30:10.720 --> 0:30:13.520
<v Speaker 5>Like these things that are happening so fast, like the

0:30:13.600 --> 0:30:16.560
<v Speaker 5>met or these new competitions.

0:30:16.680 --> 0:30:18.080
<v Speaker 4>How do you want to handle them?

0:30:18.280 --> 0:30:22.800
<v Speaker 5>And to me, it's the idea of growing is maturing, no,

0:30:23.360 --> 0:30:26.600
<v Speaker 5>rather than being bigger and getting bigger projects, is like

0:30:26.680 --> 0:30:31.320
<v Speaker 5>better projects, better clients. And then finally, the ultimate goal

0:30:31.360 --> 0:30:33.920
<v Speaker 5>would be to have more time on each project and

0:30:33.960 --> 0:30:37.160
<v Speaker 5>then you can really spend some time thinking about something.

0:30:37.600 --> 0:30:40.120
<v Speaker 5>And I know that architecture is really slow, but I

0:30:40.160 --> 0:30:42.600
<v Speaker 5>want to have even more time, and so I want

0:30:42.640 --> 0:30:45.360
<v Speaker 5>to go even slower. That would be the ultimate goal.

0:30:46.120 --> 0:30:49.360
<v Speaker 3>I always ask if food is something that connects you

0:30:49.440 --> 0:30:53.120
<v Speaker 3>to your family, is something you do with your parents,

0:30:53.200 --> 0:30:57.520
<v Speaker 3>that you explore with friends or with lovers, or travel

0:30:57.760 --> 0:31:02.440
<v Speaker 3>or work the people you work. It's also comfort and

0:31:03.680 --> 0:31:06.800
<v Speaker 3>I think in times of my own experience with certain

0:31:06.880 --> 0:31:10.000
<v Speaker 3>foods that I when I needed comfort, that I would

0:31:10.000 --> 0:31:11.440
<v Speaker 3>associate with comfort.

0:31:12.000 --> 0:31:14.160
<v Speaker 2>What would be your comfort food?

0:31:14.640 --> 0:31:18.800
<v Speaker 5>My comfort food would be my father Striquez, And that

0:31:18.960 --> 0:31:21.920
<v Speaker 5>dish from my dad is to me like the thing

0:31:21.960 --> 0:31:26.600
<v Speaker 5>that brings me back to my feet and makes me remind.

0:31:26.200 --> 0:31:28.120
<v Speaker 4>Myself that everything will be all right.

0:31:28.560 --> 0:31:31.760
<v Speaker 5>And the other one is my mom's start at I

0:31:32.520 --> 0:31:36.440
<v Speaker 5>and associate that with a more celebratory aspect of life.

0:31:36.840 --> 0:31:39.680
<v Speaker 5>So one is about comfort and the other one is

0:31:39.720 --> 0:31:41.240
<v Speaker 5>about like the joys of life.

0:31:41.480 --> 0:31:42.440
<v Speaker 4>And we usually have.

0:31:42.480 --> 0:31:47.800
<v Speaker 5>It for birthdays or for special occasions or I feel

0:31:47.800 --> 0:31:50.040
<v Speaker 5>also when she's feeling a little bit down, she would

0:31:50.120 --> 0:31:53.440
<v Speaker 5>cook at tatatan and then everything is just like sweet

0:31:54.040 --> 0:31:54.680
<v Speaker 5>and crisp.

0:31:54.920 --> 0:31:57.040
<v Speaker 2>Again. Yeah, I love Inflida.

0:31:57.160 --> 0:31:58.720
<v Speaker 4>Thank you, thank you so much, really

0:32:04.120 --> 0:32:07.240
<v Speaker 1>Thank you for listening to Ruthie's Table four in partnership

0:32:07.280 --> 0:32:12.960
<v Speaker 1>with montclaird