WEBVTT - Weirdhouse Cinema Rewind: The Abominable Dr. Phibes

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<v Speaker 1>Hey, welcome to Weird House Cinema. Rewind. This is Rob Lamb.

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<v Speaker 2>And this is Joe McCormick. Rob and I are out

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<v Speaker 2>this week, so we are bringing you an older episode

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<v Speaker 2>of Weird House Cinema. This was our feature on The

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<v Speaker 2>Abominable Doctor Fibes. I think one of my favorites. We've

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<v Speaker 2>done an excellent weird outing of Vincent Price. This one

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<v Speaker 2>originally published on April first, twenty twenty two, but there

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<v Speaker 2>is nothing April foolish about it. We hope you enjoy.

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<v Speaker 3>Welcome to Stuff to Blow your Mind, a production of iHeartRadio.

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<v Speaker 1>Hey, welcome to Weird House Cinema.

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<v Speaker 2>This is Rob Lamb and this is Joe McCormick and wooh,

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<v Speaker 2>I hope you like organ music because today we're doing

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<v Speaker 2>Doctor Fibes.

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<v Speaker 1>That's right, The Abominable Doctor Fibes from nineteen seventy one.

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<v Speaker 1>This is a film that is frequently described as a

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<v Speaker 1>dark comedy horror film, which is a It is kind

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<v Speaker 1>of a way of saying, this movie's weird, and we

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<v Speaker 1>don't really know how to classify it, you know, because

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<v Speaker 1>it certainly has Yeah, it has comedic flair in it,

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<v Speaker 1>it has horror flair, but it's it's ultimately its own unique,

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<v Speaker 1>weird vision, and it's it's really difficult to compare it

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<v Speaker 1>one hundred percent to just about anything else.

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<v Speaker 2>I would almost say it's a musical, though the characters

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<v Speaker 2>don't sing songs. There are a lot of musical numbers

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<v Speaker 2>and dancing.

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<v Speaker 1>Yes, yeah, it's very theatrical. Like in trying to come

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<v Speaker 1>up with an elevator pitch for it, I was thinking,

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<v Speaker 1>it's it's kind of Phantom of the Opera meets Batman

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<v Speaker 1>meets a wax museum horror movie and a swanky, unoccupied

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<v Speaker 1>nightclub for stylish madmen.

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<v Speaker 2>But also you have to say the words Vincent Price,

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<v Speaker 2>because I think that is a key element of establishing

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<v Speaker 2>the themes.

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<v Speaker 1>Yeah, I think this is our first Vincent Price film,

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<v Speaker 1>and Fibes has been on our list. It's been on

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<v Speaker 1>our radar for a while, and I know we've heard

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<v Speaker 1>from at least a couple of listeners suggesting it, and

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<v Speaker 1>it came up again recently when I was looking at

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<v Speaker 1>films that had very well regarded movie scores, and so yeah, yeah,

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<v Speaker 1>this is our first Vincent Price film. Though we did

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<v Speaker 1>discuss The Tingler from nineteen fifty nine and an old

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<v Speaker 1>episode of Stuff to Blow Your Mind, but that was

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<v Speaker 1>pre Weird House. That was more of a like we

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<v Speaker 1>used The Tingler as a springboard to discuss some science

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<v Speaker 1>or vice versa.

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<v Speaker 2>You know. I would say The Tingler is somewhat different

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<v Speaker 2>because The Tingler is a William Castle movie that has

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<v Speaker 2>Vincent Price in it. But lots of Vincent Price movies,

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<v Speaker 2>it almost feels as if it doesn't matter who the

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<v Speaker 2>director is, and it's just it just becomes a Vincent

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<v Speaker 2>Price movie. I would say this is one of those.

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<v Speaker 1>It is. And then on the same level, one thing

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<v Speaker 1>I kept thinking about is, Okay, Vincent Price plays a

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<v Speaker 1>character in this film that doesn't actually speak with his

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<v Speaker 1>voice anymore. You hear Vincent Price's voice, but it's like

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<v Speaker 1>a it's like a through a machine. And so it's

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<v Speaker 1>unique to be watching this and you think, oh, well,

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<v Speaker 1>you know, Vincent Price is is great, like as a

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<v Speaker 1>visual performer, he has this amazing voice, and yet we

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<v Speaker 1>have a character who's in many ways mute in this

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<v Speaker 1>film and it kind of it kind of applies to

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<v Speaker 1>other characters in the film as well, like a lot

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<v Speaker 1>of a lot of the people in this film are

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<v Speaker 1>just part of the set piece. It's about about creating

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<v Speaker 1>this theatrical vision somehow.

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<v Speaker 2>Though, even though he doesn't speak with his mouth in

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<v Speaker 2>the movie, the price hamjuice gits on everything like the

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<v Speaker 2>Vincent Price campiness comes through in the energy exuded by

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<v Speaker 2>every other actor in the film. And I was going

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<v Speaker 2>to compare it to another great horror movie that I

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<v Speaker 2>just watched within the last year, because they are so similar.

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<v Speaker 2>This other movie is called Theater of Blood from nineteen

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<v Speaker 2>seventy three, so it came out two years after Doctor Fibes.

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<v Speaker 2>But if you can believe this, listen to all the parallels.

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<v Speaker 2>Both movies star Vincent Price as a performing artist of

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<v Speaker 2>some kind who is presumed dead but returns to enact

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<v Speaker 2>an elaborate plan of revenge on a list of nine

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<v Speaker 2>specific enemies, targeting each one in a succession of sort

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<v Speaker 2>of themed murders. And in Doctor Fibes, the themed murders

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<v Speaker 2>are based on the ten plagues of Egypt in the

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<v Speaker 2>Book of Exodus, and in Theater of Blood they're based

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<v Speaker 2>on deaths in the plays of Shakespeare. And in both movies,

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<v Speaker 2>the Price character has a cool, younger female sidekick. In

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<v Speaker 2>Theater of blood. That is actually that it is Vincent

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<v Speaker 2>Price's character's daughter played by Diana Rigg, who always great.

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<v Speaker 2>Diana Rigg one of my favorites, and in that one

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<v Speaker 2>she's great. But also in that one, Vincent Price plays

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<v Speaker 2>a ham Shakespearean actor instead of an organist.

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<v Speaker 1>All right, well, those are certainly some five vibes. You're

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<v Speaker 1>definitely vibing with Fiby's there. Yes. You know. One thing

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<v Speaker 1>that I was thinking about, especially towards the end of

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<v Speaker 1>this picture, and we'll discuss the plot here in a bet,

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<v Speaker 1>was that this film The Abominable Doctor Fibes. It's kind

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<v Speaker 1>of like the precursor to such dreary themed murder films

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<v Speaker 1>as seven as I'm thinking, like Resurrection and of course

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<v Speaker 1>the Saw movies. Except this movie is like what have

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<v Speaker 1>you had? Something like that? And it was at least

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<v Speaker 1>ten times as fine, you know.

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<v Speaker 2>Oh more than that. Yeah, this is the exact opposite.

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<v Speaker 2>This is a weird, elaborate themed murders but just balancing

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<v Speaker 2>on rays of sunshine. Yes, so, I think Doctor Fibes

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<v Speaker 2>is one of my new show favorites. It's going on

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<v Speaker 2>the list with I think some of the best movies

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<v Speaker 2>we've watched on here Like I don't keep a running

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<v Speaker 2>list of my favorites, but there's somewhere in my head

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<v Speaker 2>it's gotta be like Mad Love, Robot Jocks, Ship of

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<v Speaker 2>Monsters and oh and Inframan and this one's going up

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<v Speaker 2>there too.

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<v Speaker 1>Yeah, it's it's extremely watchable. I can easily recommend this

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<v Speaker 1>one to film vans of different genres because it does

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<v Speaker 1>transcend genre. It's not just a horror films. It's just

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<v Speaker 1>so stylish, so lovingly stylish, that I feel like it

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<v Speaker 1>can suck in just about anybody like you, just just

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<v Speaker 1>about any given scene. Even the scenes that don't play

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<v Speaker 1>take place within Doctor Fib's subterranean organ funhouse are still

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<v Speaker 1>like lavishly decorated and ingeniously shot.

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<v Speaker 2>Totally agree.

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<v Speaker 1>All right, well, let's go ahead and listen to the

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<v Speaker 1>trailer here.

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<v Speaker 4>Lovely music for a murder or two or three or nine?

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<v Speaker 4>Who is Ladies and gentlemen, I want you to meet

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<v Speaker 4>your dear friend. Nine killed you, nine shall die your wife.

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<v Speaker 1>No FIBs but you I will kill But you can't.

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<v Speaker 4>Doctor, I am already dead. Will wats up the guitar?

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<v Speaker 1>The ten Cousins visited among the Pharaohs before Exodus.

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<v Speaker 4>Are you ready for Doctor Five?

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<v Speaker 1>All right, let's talk about some of the people involved

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<v Speaker 1>in this motion picture. First of all, let's start at

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<v Speaker 1>the top with the director, Robert Foost. Foost lived nineteen

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<v Speaker 1>twenty seven through twenty twelve, British director noted for his

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<v Speaker 1>unique genre style. It should come as no surprise to

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<v Speaker 1>some fans out there that he came up through the

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<v Speaker 1>Avengers TV show before making such features as nineteen seventies

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<v Speaker 1>and Soon The Darkness a thriller, a nineteen seventy adaptation

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<v Speaker 1>of Worthering Heights with Timothy Dalton as Heathcliff, followed by

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<v Speaker 1>the two Doctor Fibes films, nineteen seventy three's The Final Program,

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<v Speaker 1>which was based on a Michael Moorcock novel starring John Finch,

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<v Speaker 1>and nineteen seventy five satanic melto Mania movie The Devil's

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<v Speaker 1>Reign starring Ernest Borgnine, The Shat, Tom Scarett, Jondrev and

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<v Speaker 1>of course Anton Levy.

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<v Speaker 2>I was wondering if we should come back to The

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<v Speaker 2>Devil's Rain on Weird House. It is notorious for being

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<v Speaker 2>not very good but also be right sort of worth seeing.

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<v Speaker 1>Yeah, yeah, it has greatness. In it, and I think

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<v Speaker 1>maybe we're in a better we'll be in a better

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<v Speaker 1>place to understand it having experienced Fibes. But yeah, and

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<v Speaker 1>also it is possible that maybe the world just wasn't

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<v Speaker 1>ready for The Devil's Rain, especially when you look at

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<v Speaker 1>his filmography, because it looks like he mostly did TV

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<v Speaker 1>after The Devil's Rain. All Right, the writers on this,

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<v Speaker 1>they're two credited writers, James Whitten born nineteen thirty die

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<v Speaker 1>twenty sixteen, American writer who wrote the story for nineteen

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<v Speaker 1>eighty two's Murder by Phone starring Richard Chamberlain. And then

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<v Speaker 1>there's also William Goldstein, credited on both Fibes movies. Plus

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<v Speaker 1>nineteen seventy six is The Amazing Dobermans, in which quote

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<v Speaker 1>an ex con man and his five trained Dobermans helped

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<v Speaker 1>a Treasury Department agent stop a racketeer and his gang.

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<v Speaker 1>It starred James Franciscus, Barbara Eden, Fred Astaire, and Billy Bardi.

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<v Speaker 1>It has an amazing poster, and my wife says that

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<v Speaker 1>she remembered this movie. I think her family they always

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<v Speaker 1>had Doberman, so I think they've watched any if there

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<v Speaker 1>was a Doberman movie. They watched it.

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<v Speaker 2>Imagine the pitch for that. What about Doberman's that solve mysteries?

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<v Speaker 1>I think there was a They also tried to turn

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<v Speaker 1>it into a TV show.

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<v Speaker 2>Wait, what kind of dog was Scooby Doo? I guess

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<v Speaker 2>he was supposed to be like a great Dane or something.

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<v Speaker 1>Yeah, yeah, not a The Dobermans have those like the

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<v Speaker 1>pointy head, those really dirty pointed heads. Yeah, dirpy or terrifying,

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<v Speaker 1>depends on how you look at them, but they can

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<v Speaker 1>look quite dirty, all right. The star of this film,

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<v Speaker 1>playing doctor Anton Vibes is Vincent Price, who lived nineteen

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<v Speaker 1>eleven through nineteen ninety three. The legend himself.

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<v Speaker 2>God to love them. An actor of great, genuine talent

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<v Speaker 2>who could have kept pressing just to focus on serious

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<v Speaker 2>film roles, but embraced camp and that's something I really respect.

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<v Speaker 1>Yes, and it was really really a master of it. Yeah.

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<v Speaker 1>Price was active on screen from the late thirties to

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<v Speaker 1>the early nineties. You know, great voice, great look, horror icon.

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<v Speaker 1>You know, could could really play serious threat but also

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<v Speaker 1>it seemed to have a great sense of humor and

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<v Speaker 1>was able to play that up. Was active in various genres,

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<v Speaker 1>especially early on in his career and you see him,

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<v Speaker 1>you know, showing up in some serious pictures during that

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<v Speaker 1>time period for sure. And then he did all sorts

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<v Speaker 1>of celebrity appearances and product endorsements later in life, and

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<v Speaker 1>it seemed to very much, you know, cash in on

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<v Speaker 1>things to a certain extent. Again, God bless him, he

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<v Speaker 1>earned it by that point.

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<v Speaker 2>But time life enchanted world commercials. I think he did

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<v Speaker 2>commercials for what are they called wine? What was that

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<v Speaker 2>brain of wine coolers?

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<v Speaker 1>Yes, where he's dressed like a polar bear. Like. I

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<v Speaker 1>highly recommend anyone out there just do a like a

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<v Speaker 1>YouTube search for Vincent Price commercials and you'll get numerous

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<v Speaker 1>results and they're all great.

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<v Speaker 2>Oh if you find the ones where he's doing wine coolers.

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<v Speaker 2>I don't remember the brand name, but that same brand

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<v Speaker 2>of wine coolers also has commercials with Grace Jones that

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<v Speaker 2>are amazing.

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<v Speaker 1>Ultimately, I would say the Vincent Price pop culture footprint

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<v Speaker 1>is almost just too huge for us to possibly do

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<v Speaker 1>justice here in a single episode. So for my part,

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<v Speaker 1>I'm just going to mention a few of my favorites

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<v Speaker 1>from a few different categories. So, first of all, in film,

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<v Speaker 1>as much as I love this film, again, it is

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<v Speaker 1>kind of weird to cast Vincent Price in a role

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<v Speaker 1>where he doesn't actually speak. I think they're they're you know,

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<v Speaker 1>they are much better examples of him acting both as

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<v Speaker 1>a pure protagonist and also as an antagonist. You know.

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<v Speaker 1>Roger Corman's Mask of the Red Death is a great

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<v Speaker 1>example of him in pure villain mode, while in The

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<v Speaker 1>Tingler we get to see him as a as kind

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<v Speaker 1>of a tortured hero.

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<v Speaker 2>Wait is he a hero?

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<v Speaker 4>No?

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<v Speaker 2>Wait a minute, he's he's like trying to murder his

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<v Speaker 2>wife and the Tinler.

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<v Speaker 1>Oh, well, yes he was, but didn't he Well wait no,

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<v Speaker 1>I think he's sort he sort of is the hero,

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<v Speaker 1>but he's a bad dude. Is there a film where

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<v Speaker 1>he plays like a pure protagonist?

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<v Speaker 2>Oh, I'm sure there are plenty of The Last Man

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<v Speaker 2>on Earth, which is one of the many film adaptations

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<v Speaker 2>of I Am Legend, Yes, by Richards, one of the

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<v Speaker 2>earlier ones. He's in that and he plays the main character.

0:13:26.400 --> 0:13:29.160
<v Speaker 2>Got how many film adaptations of I Am Legend are there?

0:13:29.040 --> 0:13:34.000
<v Speaker 2>There's the Omega Man, Yeah, there's the one with Will Smith,

0:13:34.360 --> 0:13:37.760
<v Speaker 2>There's the one with Vincent Price. There are at least three,

0:13:37.880 --> 0:13:38.760
<v Speaker 2>but there may be more.

0:13:39.120 --> 0:13:42.040
<v Speaker 1>Yeah, and I think they're they're planning on making more now.

0:13:42.320 --> 0:13:46.040
<v Speaker 1>Vincent Price also did a lot of television. One notable

0:13:46.080 --> 0:13:48.199
<v Speaker 1>thing is he he appeared on Night Gallery I think

0:13:48.200 --> 0:13:51.000
<v Speaker 1>a couple of times, including the nineteen seventy two episode

0:13:51.000 --> 0:13:53.120
<v Speaker 1>The Return of the Sorcerer, which is one of the

0:13:53.160 --> 0:13:56.400
<v Speaker 1>few adaptations of a Clark Ashton Smith short story. When

0:13:56.440 --> 0:13:59.920
<v Speaker 1>it comes to just pure seleting, I'd say his nineteen

0:14:00.040 --> 0:14:02.760
<v Speaker 1>seventy seven appearance on The Muppet Show is pretty stellar.

0:14:03.160 --> 0:14:06.160
<v Speaker 2>That's right in his element. I mean, oh yeah, yeah, yeah.

0:14:06.280 --> 0:14:08.360
<v Speaker 2>Price can act opposite a puppet.

0:14:08.559 --> 0:14:11.720
<v Speaker 1>Yes, yes, very well. Though of those Muppet shows, some

0:14:11.720 --> 0:14:14.800
<v Speaker 1>of the if you try and watch them in their entirety,

0:14:14.880 --> 0:14:16.800
<v Speaker 1>some of them can be a little painful at times there.

0:14:16.840 --> 0:14:18.600
<v Speaker 1>I mean there was a it was a Hammy show,

0:14:19.480 --> 0:14:22.720
<v Speaker 1>and you know, not everything holds up all that well.

0:14:23.400 --> 0:14:25.680
<v Speaker 1>But but Price was great on that. Now, when it

0:14:25.680 --> 0:14:28.520
<v Speaker 1>comes to music and spoken word, this is fact. I

0:14:28.520 --> 0:14:31.320
<v Speaker 1>wasn't familiar with the pure scope of this. But if

0:14:31.360 --> 0:14:34.520
<v Speaker 1>you go to discogs dot com, Vincent Price has sixty

0:14:34.520 --> 0:14:38.200
<v Speaker 1>eight listings. To put that into perspective, Christopher Lee only

0:14:38.240 --> 0:14:41.960
<v Speaker 1>had twenty six, which is nothing to sneeze at. But

0:14:42.200 --> 0:14:43.320
<v Speaker 1>sixty eight listings.

0:14:43.560 --> 0:14:45.760
<v Speaker 2>Does that include Christopher Lee's metal albums.

0:14:46.280 --> 0:14:49.160
<v Speaker 1>I think it did. Yeah. Now, I won't pretend to

0:14:49.200 --> 0:14:54.640
<v Speaker 1>have heard even half of the releases from Vincent Price,

0:14:55.120 --> 0:14:58.400
<v Speaker 1>but I've got to go with his excellent spoken word

0:14:58.440 --> 0:15:03.440
<v Speaker 1>bit in nineteen eighty three track thriller that has loads

0:15:03.440 --> 0:15:06.520
<v Speaker 1>of fun, the funk of forty thousand Years. And then

0:15:06.560 --> 0:15:10.120
<v Speaker 1>when it comes to product endorsements again, the Time Life

0:15:10.120 --> 0:15:15.480
<v Speaker 1>Books Enchanted World advertisement is great. But also he did

0:15:15.560 --> 0:15:18.480
<v Speaker 1>run for Monster Vitamins. It's a lot of fun as

0:15:18.560 --> 0:15:22.240
<v Speaker 1>animated monsters in it, and he's talking children's vitamin commercial.

0:15:22.280 --> 0:15:25.440
<v Speaker 1>But you've got Vincent Brice there. Again. We can't go

0:15:25.520 --> 0:15:27.880
<v Speaker 1>through everything that Vincent Price was in, but just to

0:15:28.040 --> 0:15:30.440
<v Speaker 1>mention a few of the big ones. He was in

0:15:30.480 --> 0:15:33.000
<v Speaker 1>The Ten Commandments, he was in House of Wax, The

0:15:33.080 --> 0:15:37.360
<v Speaker 1>fly House, Unhunted Hill. He popped up on the old

0:15:37.560 --> 0:15:41.720
<v Speaker 1>sixties TV Batman series. He's a voice in The Great

0:15:41.760 --> 0:15:45.240
<v Speaker 1>Mouse Detective. He plays the villainous rat in that. And then,

0:15:45.280 --> 0:15:50.080
<v Speaker 1>of course his final feature film appearance is in Edward scissor.

0:15:49.760 --> 0:15:51.520
<v Speaker 2>Hands Rest in Peace Man.

0:15:52.880 --> 0:15:56.400
<v Speaker 1>So Vincent Price is his character. Doctor Five's is listed

0:15:56.440 --> 0:15:58.840
<v Speaker 1>in the end credits to this movie as one of

0:15:58.880 --> 0:16:03.920
<v Speaker 1>two protagonists, which is humorous but also in keeping with

0:16:04.520 --> 0:16:08.680
<v Speaker 1>the strange vibe of the film. The other protagonist is

0:16:08.760 --> 0:16:14.160
<v Speaker 1>listed as Doctor of Vesalius, played by Joseph Cotton. Joseph

0:16:14.200 --> 0:16:17.720
<v Speaker 1>Cotton is another legend star of film, stage, radio, and television,

0:16:17.720 --> 0:16:21.120
<v Speaker 1>lived nineteen oh five through nineteen ninety four, probably best

0:16:21.120 --> 0:16:24.400
<v Speaker 1>remembered for his roles in I think three different Orson

0:16:24.440 --> 0:16:27.880
<v Speaker 1>Wells movies, Citizen Kane in forty one, The Magnificent Amberson's

0:16:27.880 --> 0:16:31.360
<v Speaker 1>and forty two Journey into Fear in forty three. He's

0:16:31.400 --> 0:16:34.080
<v Speaker 1>also known for The Third Man from forty nine. I

0:16:34.120 --> 0:16:38.160
<v Speaker 1>think that was the first first thing I really remember

0:16:38.240 --> 0:16:40.160
<v Speaker 1>him from, though I guess I probably watched Citizen Kane

0:16:40.160 --> 0:16:42.720
<v Speaker 1>around the same time. He was also in nineteen forty

0:16:42.720 --> 0:16:44.760
<v Speaker 1>four's gas Light, which is where we get the term

0:16:44.840 --> 0:16:48.960
<v Speaker 1>gaslighting from, and later on he appeared in such films

0:16:49.000 --> 0:16:53.200
<v Speaker 1>as Soilent Green in seventy three and such Italian films

0:16:53.520 --> 0:16:57.880
<v Speaker 1>as Marcello Alprandi's nineteen seventy six film A Whisper in

0:16:57.920 --> 0:17:01.360
<v Speaker 1>the Dark and Sergio Martino's excellent Island of the fish

0:17:01.440 --> 0:17:06.399
<v Speaker 1>Men aka Screamers excellent son. Anything he's in, it's a

0:17:06.440 --> 0:17:07.520
<v Speaker 1>solid screen presence.

0:17:07.840 --> 0:17:10.960
<v Speaker 2>So in this he plays this character, Doctor Vesalius, who

0:17:11.080 --> 0:17:15.800
<v Speaker 2>is the last of the enemies targeted for revenge by

0:17:15.880 --> 0:17:16.760
<v Speaker 2>doctor Fibes.

0:17:17.440 --> 0:17:21.280
<v Speaker 1>Yeah, because this film ultimately follows a pattern that you

0:17:21.280 --> 0:17:23.680
<v Speaker 1>see in a number of different revenge films with kind

0:17:23.680 --> 0:17:27.000
<v Speaker 1>of an anti hero revenge killer at the center is

0:17:27.640 --> 0:17:30.320
<v Speaker 1>he'll have a number of targets, and you'll start with

0:17:30.359 --> 0:17:32.800
<v Speaker 1>the targets that are you either don't know much about

0:17:32.960 --> 0:17:37.320
<v Speaker 1>or who are actively villainous in some way or another,

0:17:37.640 --> 0:17:40.200
<v Speaker 1>and then you work your way towards a character who

0:17:40.320 --> 0:17:44.560
<v Speaker 1>is more relatable, and so you know, it forces you

0:17:44.640 --> 0:17:47.520
<v Speaker 1>to sort of enjoy the early kills but feel conflicted

0:17:47.520 --> 0:17:59.080
<v Speaker 1>about the later kills that are planned. All right, some

0:17:59.119 --> 0:18:02.960
<v Speaker 1>of the other people here, we have Peter Jeffrey in this,

0:18:04.000 --> 0:18:05.359
<v Speaker 1>probably not an actor that a lot of people are

0:18:05.359 --> 0:18:07.840
<v Speaker 1>familiar with. He plays Inspector Harry Trout. He's the hard

0:18:07.880 --> 0:18:10.840
<v Speaker 1>nosed British detective on the case. Ultimately has a lot

0:18:10.880 --> 0:18:14.120
<v Speaker 1>of screen time in this. He lived nineteen twenty nine

0:18:14.160 --> 0:18:17.880
<v Speaker 1>through nineteen ninety nine, and he had roles in such

0:18:17.920 --> 0:18:21.199
<v Speaker 1>films as The Adventures of Baron Muchausen Midnight Express, the

0:18:21.240 --> 0:18:23.680
<v Speaker 1>Return of the Pink Panther, and he played the character

0:18:23.800 --> 0:18:27.000
<v Speaker 1>Count Grindle on Doctor Who, among I think some other

0:18:27.080 --> 0:18:29.320
<v Speaker 1>characters on Doctor Who. He did a lot of TV work.

0:18:29.640 --> 0:18:32.639
<v Speaker 2>This is our main Scotland yard detective trying to solve

0:18:32.680 --> 0:18:35.800
<v Speaker 2>the case of the doctors being murdered in bizarre ways,

0:18:36.280 --> 0:18:37.639
<v Speaker 2>inspector killed or trout.

0:18:37.960 --> 0:18:41.840
<v Speaker 1>Yeah, it's pretty fun because at times he comes up

0:18:41.840 --> 0:18:43.679
<v Speaker 1>a little bit comedic. Other times he's just kind of

0:18:43.760 --> 0:18:45.160
<v Speaker 1>just the hard nosed cop trope.

0:18:45.280 --> 0:18:47.199
<v Speaker 2>Yeah, oh oh, but we've got to talk about so

0:18:47.320 --> 0:18:50.320
<v Speaker 2>in this movie, doctor Fibes has a sidekick. He has

0:18:50.560 --> 0:18:53.720
<v Speaker 2>an assistant named Vulnavia and she's great.

0:18:54.240 --> 0:18:57.320
<v Speaker 1>Yes, it's played by Virginia North who in my notes

0:18:57.320 --> 0:19:00.000
<v Speaker 1>here I have nineteen forty six through two thousand, nine

0:19:00.080 --> 0:19:03.000
<v Speaker 1>hundred and ninety four. I suspect that I have a

0:19:03.119 --> 0:19:06.520
<v Speaker 1>typo there. And she actually lived to nineteen ninety four.

0:19:06.520 --> 0:19:07.400
<v Speaker 2>Two thousand and four.

0:19:07.520 --> 0:19:10.320
<v Speaker 1>Make that two thousand and four, not twy nine hundred

0:19:10.320 --> 0:19:12.800
<v Speaker 1>and ninety four. Anyway, she was a fashion model who

0:19:12.840 --> 0:19:15.520
<v Speaker 1>only appeared in a handful of titles, including this, which

0:19:15.560 --> 0:19:18.720
<v Speaker 1>was her finer final film, and she also pops up

0:19:18.760 --> 0:19:21.959
<v Speaker 1>in on her Majesty's Secret Service. She wasn't a bond girl, however,

0:19:22.119 --> 0:19:24.080
<v Speaker 1>as the main love interest in that movie was played

0:19:24.080 --> 0:19:25.160
<v Speaker 1>by Diana Rigg.

0:19:25.320 --> 0:19:28.560
<v Speaker 2>The Great Diana rig But yeah, I really enjoy North

0:19:28.600 --> 0:19:32.360
<v Speaker 2>as Velnavia in this movie. This is also both of

0:19:32.359 --> 0:19:35.639
<v Speaker 2>our sort of villain roles. That the killers in this

0:19:35.720 --> 0:19:39.160
<v Speaker 2>movie do not speak directly. Vincent Price only speaks through

0:19:39.200 --> 0:19:41.760
<v Speaker 2>like a tube in his neck plugged into a phonograph

0:19:41.880 --> 0:19:44.960
<v Speaker 2>in some scenes, and Velnavia doesn't speak at all, though

0:19:44.960 --> 0:19:48.400
<v Speaker 2>she does play a mean violin as like doctors are

0:19:48.400 --> 0:19:51.480
<v Speaker 2>being drained of all their blood and she can wield

0:19:51.520 --> 0:19:52.480
<v Speaker 2>a golden axe.

0:19:52.800 --> 0:19:57.600
<v Speaker 1>That's right, So yeah, she's stylish and she's helpful. Now,

0:19:57.640 --> 0:19:59.680
<v Speaker 1>we're not going to list all of the various doctors

0:19:59.680 --> 0:20:02.239
<v Speaker 1>who are murdered by doctor Phibes, but two of them

0:20:02.280 --> 0:20:06.919
<v Speaker 1>are noteworthy. There's a doctor Longstreet played by Terry Thomas. That,

0:20:06.960 --> 0:20:10.399
<v Speaker 1>of course is Terry hyphen Thomas, who lived nineteen eleven

0:20:10.480 --> 0:20:11.560
<v Speaker 1>through nineteen ninety.

0:20:11.840 --> 0:20:13.480
<v Speaker 2>This is one of those guys who you just see

0:20:13.520 --> 0:20:15.840
<v Speaker 2>his face and even if it's a still photograph, you

0:20:15.880 --> 0:20:22.000
<v Speaker 2>can imagine the sounds he's making and there's something like yeah, yeah.

0:20:21.240 --> 0:20:25.200
<v Speaker 1>Yes, yeah, he tremendous British comedian and character actor who

0:20:25.480 --> 0:20:28.800
<v Speaker 1>really excelled at playing kind of like kind of like

0:20:28.920 --> 0:20:35.879
<v Speaker 1>bumbling fops and upper crust weirdos. And yeah, there's a

0:20:35.880 --> 0:20:40.040
<v Speaker 1>certain type of role that Terry Thomas just absolutely excelled.

0:20:39.680 --> 0:20:42.760
<v Speaker 2>At in this movie. He's a little bit Harvey Korman,

0:20:42.880 --> 0:20:45.920
<v Speaker 2>but also a little you're gonna balk for a second,

0:20:45.960 --> 0:20:48.400
<v Speaker 2>I think, but a little bit wings Howser.

0:20:49.720 --> 0:20:54.800
<v Speaker 1>Well. He definitely choose the scenes with a wings howser

0:20:55.440 --> 0:21:00.719
<v Speaker 1>Ian intensity. Terry Thomas was in a low oads of stuff,

0:21:00.800 --> 0:21:03.160
<v Speaker 1>but I'd say probably the biggest film he was in

0:21:03.200 --> 0:21:05.960
<v Speaker 1>the most well known as perhaps It's a Mad, Mad,

0:21:06.040 --> 0:21:09.119
<v Speaker 1>Mad Mad World from sixty three. He also pops up

0:21:09.160 --> 0:21:12.879
<v Speaker 1>in Danger Diabolic from sixty eight, which is another highly

0:21:12.880 --> 0:21:15.119
<v Speaker 1>stylish film, and that one was of course featured on

0:21:15.200 --> 0:21:18.000
<v Speaker 1>Mystery Science Theater three thousand. He was also a great

0:21:18.080 --> 0:21:21.800
<v Speaker 1>voice actor. If you've seen Walt Disney's Robin Hood, the

0:21:21.800 --> 0:21:24.359
<v Speaker 1>animated Robin Hood with all the animal characters from nineteen

0:21:24.359 --> 0:21:27.679
<v Speaker 1>seventy three, he is the voice of Sir Hiss the Snake.

0:21:28.000 --> 0:21:32.200
<v Speaker 2>He's sort of the toady to the cowardly lion Prince.

0:21:32.080 --> 0:21:35.000
<v Speaker 1>I believe so yes, all right, another doctor. We have

0:21:35.080 --> 0:21:39.760
<v Speaker 1>doctor Hargreaves, played by Alex Scott. Alex Scott was in

0:21:39.920 --> 0:21:42.280
<v Speaker 1>Next of Ken from nineteen eighty two, which we just

0:21:42.880 --> 0:21:46.320
<v Speaker 1>covered on a Weird House Cinema, so I won't go

0:21:46.359 --> 0:21:48.399
<v Speaker 1>into detail about him, but you know, if you want

0:21:48.440 --> 0:21:51.560
<v Speaker 1>to hear more about Alex Scott, we discuss him in

0:21:51.600 --> 0:21:54.800
<v Speaker 1>the cast section for our previous episode.

0:21:54.880 --> 0:21:57.919
<v Speaker 2>He was the doctor in Next of Ken. Yes, he

0:21:58.000 --> 0:22:01.520
<v Speaker 2>was the doctor, and he's a doctor in this one too. Yeah, yeah,

0:22:01.760 --> 0:22:05.119
<v Speaker 2>still doing in this one he's a psychiatrist, right he

0:22:05.400 --> 0:22:06.600
<v Speaker 2>puts on the frog mask.

0:22:08.520 --> 0:22:11.840
<v Speaker 1>Now another small but fun roll. We have Hugh Griffith

0:22:12.400 --> 0:22:15.520
<v Speaker 1>popping up playing a rabbi who's called in or called

0:22:15.600 --> 0:22:20.920
<v Speaker 1>upon by the inspectors to give some expert advice on

0:22:20.960 --> 0:22:24.520
<v Speaker 1>some of the clues they've discovered. Griffith lived nineteen twelve

0:22:24.520 --> 0:22:27.560
<v Speaker 1>through nineteen eighty a Welsh actor who actually won a

0:22:27.600 --> 0:22:32.480
<v Speaker 1>Best Supporting Oscar Actor Oscar in nineteen sixty for ben

0:22:32.600 --> 0:22:37.000
<v Speaker 1>Her Now the next oh, this is one where I

0:22:37.000 --> 0:22:40.200
<v Speaker 1>think you. I don't think she was actually credited originally

0:22:40.200 --> 0:22:42.320
<v Speaker 1>on this film, but you might say that this film

0:22:42.440 --> 0:22:45.720
<v Speaker 1>also stars a photograph of Carolyn Monroe.

0:22:46.280 --> 0:22:51.320
<v Speaker 2>That's right when we actually see so she plays doctor

0:22:51.400 --> 0:22:54.840
<v Speaker 2>Fib's deceased wife, and at some point later in the

0:22:54.880 --> 0:22:57.160
<v Speaker 2>movie we actually see her dead body. But I don't

0:22:57.160 --> 0:22:58.560
<v Speaker 2>think that's Carolyn Monroe.

0:22:59.000 --> 0:23:01.720
<v Speaker 1>Yeah, I think it's just photographs offtware that are used,

0:23:01.760 --> 0:23:06.000
<v Speaker 1>which is interesting, especially since since she did go on

0:23:06.040 --> 0:23:09.040
<v Speaker 1>to she wasn't a number of films. She was a

0:23:09.040 --> 0:23:12.280
<v Speaker 1>pent up model, an actress who I think ultimately stole.

0:23:12.440 --> 0:23:16.080
<v Speaker 1>Seems to have stolen many, like seventies film nerds Heart

0:23:16.520 --> 0:23:19.160
<v Speaker 1>because she pops up in films like The Spy Loved

0:23:19.200 --> 0:23:22.480
<v Speaker 1>Me from seventy seven, The Golden Voyage of Sinbad from

0:23:22.520 --> 0:23:26.800
<v Speaker 1>seventy three, Captain Krono's Vampire Hunter from seventy four, at

0:23:26.840 --> 0:23:29.399
<v Speaker 1>the Earth's Core from seventy six, Star Crash from seventy eight,

0:23:29.680 --> 0:23:34.520
<v Speaker 1>Star Crash, Yeah, Star Crash, Dracula AD nineteen seventy two

0:23:34.640 --> 0:23:37.840
<v Speaker 1>from nineteen seventy two, and then she was in some

0:23:37.840 --> 0:23:40.520
<v Speaker 1>stuff in the eighties of note like a Maniac and

0:23:40.640 --> 0:23:45.760
<v Speaker 1>Slaughter High. But yeah, this is it barely counts as

0:23:45.760 --> 0:23:49.280
<v Speaker 1>an appearance. Like you could say that Rita Hayworth is

0:23:50.240 --> 0:23:55.400
<v Speaker 1>just as much an acting component in Shawsnitshank Redemption as

0:23:55.480 --> 0:23:58.200
<v Speaker 1>Carolyn Monroe is actually a cast member of this film.

0:23:58.200 --> 0:24:00.200
<v Speaker 2>Though her photo does get a lot of screen time,

0:24:00.240 --> 0:24:03.480
<v Speaker 2>as we have multiple scenes of Vincent Price just worshiping

0:24:03.520 --> 0:24:05.360
<v Speaker 2>a headshot of Carolyn Monroe.

0:24:05.840 --> 0:24:07.760
<v Speaker 1>Yeah, all but praying to her.

0:24:08.080 --> 0:24:10.359
<v Speaker 2>You know. Another tie into a recent episode of the

0:24:10.359 --> 0:24:15.320
<v Speaker 2>show with Beastmaster two. Apparently Carolyn Monroe was at some

0:24:15.359 --> 0:24:18.879
<v Speaker 2>point in the running to play the character Ursa in

0:24:19.000 --> 0:24:23.040
<v Speaker 2>Superman the Villain from the planet Krypton, the part that

0:24:23.080 --> 0:24:25.879
<v Speaker 2>eventually went to the actress Sarah Douglas, who played the

0:24:26.000 --> 0:24:28.719
<v Speaker 2>sorceress in Beastmaster Two and who I thought was by

0:24:28.800 --> 0:24:31.399
<v Speaker 2>far the best part of that movie. But I think

0:24:31.640 --> 0:24:34.360
<v Speaker 2>Monroe turned down the role in Superman so she could

0:24:34.400 --> 0:24:36.560
<v Speaker 2>be in that Roger Moore movie.

0:24:36.720 --> 0:24:39.000
<v Speaker 1>I don't have a real clear memory of that Bond

0:24:39.040 --> 0:24:43.200
<v Speaker 1>movie other than Who Loved Me. Yeah, that's the one. Yeah,

0:24:43.200 --> 0:24:46.080
<v Speaker 1>it's the first one with Jaws. It established Jows, but

0:24:46.119 --> 0:24:49.320
<v Speaker 1>it's in that regard it's just a necessary precursor to Moonraker.

0:24:49.960 --> 0:24:54.240
<v Speaker 2>Yeah, that's true. So that one was actually well regarded

0:24:54.280 --> 0:24:56.520
<v Speaker 2>by critics when it came out. If you watch it now,

0:24:56.680 --> 0:24:59.000
<v Speaker 2>it's you know, like all those Roger Moore movies is

0:24:59.520 --> 0:25:03.440
<v Speaker 2>extreme cheesy. I recall that one also being one of

0:25:03.480 --> 0:25:07.679
<v Speaker 2>the ones with the most just evil James Bond in it.

0:25:07.760 --> 0:25:11.200
<v Speaker 2>Like I recall, there's a scene where some assassins trying

0:25:11.240 --> 0:25:13.600
<v Speaker 2>to shoot at him, and he's like kissing a woman

0:25:13.640 --> 0:25:16.000
<v Speaker 2>and then he literally just turns and uses her as

0:25:16.000 --> 0:25:20.480
<v Speaker 2>a human shield block the bullet from the assassin. I mean,

0:25:20.520 --> 0:25:22.720
<v Speaker 2>I think it's implied that she's in on, she's like

0:25:22.760 --> 0:25:25.280
<v Speaker 2>setting a trap for him, but still like, come on, dude,

0:25:25.320 --> 0:25:29.680
<v Speaker 2>that's pretty rough. Yeah, so that's a mean Roger Moore

0:25:29.760 --> 0:25:32.600
<v Speaker 2>James Bond though. Yeah, it has some good stuff about it.

0:25:32.640 --> 0:25:34.920
<v Speaker 2>The villain in it likes to feed people to sharks

0:25:35.000 --> 0:25:37.040
<v Speaker 2>because of course, or that's the guy he's got like

0:25:37.080 --> 0:25:41.000
<v Speaker 2>a gun under the long table. I think that's also

0:25:41.040 --> 0:25:42.840
<v Speaker 2>the one where it's the first one with Jaws in it,

0:25:42.880 --> 0:25:46.800
<v Speaker 2>and Jaws gets thrown to some sharks, but he defeats

0:25:46.840 --> 0:25:48.000
<v Speaker 2>the sharks by biting them.

0:25:48.040 --> 0:25:51.480
<v Speaker 1>He bites the shark. Yes, okay, see, I mostly remember

0:25:51.480 --> 0:25:52.119
<v Speaker 1>it for Jaws.

0:25:52.520 --> 0:25:54.080
<v Speaker 2>Yeah, all right.

0:25:54.000 --> 0:25:58.040
<v Speaker 1>Let's talk about the music on this one. The music

0:25:58.400 --> 0:26:01.040
<v Speaker 1>for this film, though a number of differ songs are

0:26:01.080 --> 0:26:06.120
<v Speaker 1>featured in it. The actual scores composed by Basil Kirchen,

0:26:06.400 --> 0:26:08.840
<v Speaker 1>who lived nineteen twenty seven through two thousand and five,

0:26:09.480 --> 0:26:12.520
<v Speaker 1>a British composer and musician responsible for the scores of

0:26:12.560 --> 0:26:15.960
<v Speaker 1>such films as sixty seven's The Shuttered Room starring Oliver Reed.

0:26:16.400 --> 0:26:19.359
<v Speaker 1>This movie the nineteen seventy four movie The Freak Master,

0:26:19.720 --> 0:26:22.280
<v Speaker 1>which I've been tempted to watch for this show. It's

0:26:22.359 --> 0:26:24.840
<v Speaker 1>kind of a seventies take on Todd Browning's Freaks, and

0:26:24.880 --> 0:26:28.480
<v Speaker 1>it has Donald Pleasance, Tom Baker, and Brad Harris in it.

0:26:28.680 --> 0:26:31.520
<v Speaker 2>Oh well, I like that cast list, but something about

0:26:31.520 --> 0:26:34.640
<v Speaker 2>the idea of a seventies take on freaks does not

0:26:34.880 --> 0:26:35.560
<v Speaker 2>appeal to me.

0:26:36.000 --> 0:26:38.720
<v Speaker 1>Yeah, this probably what's kind of held me back. I

0:26:38.760 --> 0:26:42.520
<v Speaker 1>know it has I think Tom Baker plays like a giant,

0:26:42.640 --> 0:26:45.000
<v Speaker 1>like a tall mutant character, and there's like a plant

0:26:45.040 --> 0:26:48.879
<v Speaker 1>man in it. So it's got some attractive elements to it,

0:26:48.920 --> 0:26:52.160
<v Speaker 1>plus Donald pleasants. But yeah, I haven't actually watched it yet.

0:26:52.160 --> 0:26:54.240
<v Speaker 1>I've had it, like you know, in the playlist ready

0:26:54.320 --> 0:26:58.040
<v Speaker 1>to go Now. Kirchin did not return for Fibes two,

0:26:59.119 --> 0:27:02.120
<v Speaker 1>but he's he's pretty interesting. Fellow was looking into him

0:27:02.119 --> 0:27:04.880
<v Speaker 1>a bit he came up in big band, but then

0:27:04.960 --> 0:27:09.439
<v Speaker 1>he also got into electronic music and experimental music and

0:27:09.520 --> 0:27:14.280
<v Speaker 1>tape manipulation, and so you've had a number of individuals

0:27:14.400 --> 0:27:17.600
<v Speaker 1>have pointed to him as an important influence, like Brian

0:27:17.800 --> 0:27:23.840
<v Speaker 1>Eno Broadcast. Also Nurse with Wound. That's the project from

0:27:23.840 --> 0:27:26.960
<v Speaker 1>Stephen Stapleton. If you're not familiar with Nurse with Wound,

0:27:27.040 --> 0:27:31.720
<v Speaker 1>it's a kind of an early industrial but also kind

0:27:31.720 --> 0:27:38.080
<v Speaker 1>of noise, weird musical project that I have to say,

0:27:38.119 --> 0:27:40.239
<v Speaker 1>I like Nurse with Wound, and then there's a lot

0:27:40.280 --> 0:27:42.359
<v Speaker 1>of Nurse with Wound music that I cannot listen to,

0:27:42.880 --> 0:27:44.720
<v Speaker 1>and if you played it for me, I would say,

0:27:44.760 --> 0:27:46.760
<v Speaker 1>I hate that, Please don't play it. But then there's

0:27:46.800 --> 0:27:48.960
<v Speaker 1>other stuff that's really solid, So I don't know. If

0:27:49.280 --> 0:27:51.720
<v Speaker 1>you're gonna check something out, I would say check out Thunder,

0:27:51.720 --> 0:27:56.000
<v Speaker 1>Perfect Mind or rock and roll Station. So I think

0:27:56.200 --> 0:27:59.359
<v Speaker 1>the five score kind of reflects some of these elements.

0:27:59.359 --> 0:28:01.680
<v Speaker 1>There's certainly a lot of big band notes as well,

0:28:01.680 --> 0:28:03.439
<v Speaker 1>of course, and then we have all this organ music

0:28:03.520 --> 0:28:06.720
<v Speaker 1>and other tracks that are featured. It gets a little

0:28:06.760 --> 0:28:10.040
<v Speaker 1>noisy and per percussive in places, especially when things are

0:28:10.040 --> 0:28:13.040
<v Speaker 1>getting weird or they want to amp up at tension,

0:28:13.240 --> 0:28:15.399
<v Speaker 1>but it didn't really get like Nurse with Wound levels

0:28:15.400 --> 0:28:18.480
<v Speaker 1>of strange. But this score is often held up as

0:28:18.520 --> 0:28:21.560
<v Speaker 1>an excellent genre score, though it's again it's kind of

0:28:21.560 --> 0:28:25.320
<v Speaker 1>a unique beast. It's widely available in all formats, though

0:28:25.359 --> 0:28:27.440
<v Speaker 1>I think most of the vinyl out there is older.

0:28:27.760 --> 0:28:30.080
<v Speaker 1>I haven't seen any evidence of any like super cool

0:28:30.119 --> 0:28:31.800
<v Speaker 1>re releases from recent years.

0:28:32.200 --> 0:28:34.680
<v Speaker 2>Though. I would emphasize that the music in this movie

0:28:34.720 --> 0:28:37.080
<v Speaker 2>is a kind of hybrid products because on one level

0:28:37.160 --> 0:28:40.320
<v Speaker 2>you've got this weird score, but then you also have

0:28:40.440 --> 0:28:44.360
<v Speaker 2>a lot of directly diegetic music taking place on the

0:28:44.440 --> 0:28:49.000
<v Speaker 2>screen that's like jazzy big band numbers and old sort

0:28:49.040 --> 0:28:50.280
<v Speaker 2>of Kruner standards.

0:28:50.720 --> 0:28:55.160
<v Speaker 1>Yeah, and finally, since this is such a visually luscious movie,

0:28:55.240 --> 0:28:58.400
<v Speaker 1>we have to mention the set designer Brian eat Well,

0:28:58.480 --> 0:29:01.840
<v Speaker 1>who lived nineteen thirty nine through two thousand and seven. Yeah,

0:29:01.880 --> 0:29:03.720
<v Speaker 1>the sets in this movie are just to die for.

0:29:03.960 --> 0:29:06.760
<v Speaker 1>So props to eat Well and everyone else involved in

0:29:07.200 --> 0:29:11.600
<v Speaker 1>creating these weird interiors. He was a British production designer

0:29:11.680 --> 0:29:14.440
<v Speaker 1>and art director. He designed the sets for both Doctor

0:29:14.480 --> 0:29:18.560
<v Speaker 1>Fib's movies as well. He also served as production designer

0:29:18.600 --> 0:29:21.680
<v Speaker 1>on such films as the nineteen seventy one Australian movie

0:29:21.720 --> 0:29:26.480
<v Speaker 1>Walk About, nineteen seventy three's Godspell, The Three Musketeers and

0:29:26.520 --> 0:29:30.000
<v Speaker 1>the Four Musketeers from seventy three and seventy four, nineteen

0:29:30.040 --> 0:29:32.680
<v Speaker 1>seventy six is The Man Who Fell to Earth starring

0:29:32.760 --> 0:29:37.720
<v Speaker 1>David Bowie seventy eight, Sergeant Pepper's Lonely Hearts Club Band,

0:29:38.080 --> 0:29:41.280
<v Speaker 1>The Onion Field in seventy nine, and the nineteen eighty

0:29:41.320 --> 0:29:44.120
<v Speaker 1>one Killer Lion movie Savage Harvest.

0:29:44.080 --> 0:29:46.280
<v Speaker 2>See seventy three. Guy, I guess there was only one

0:29:46.320 --> 0:29:49.240
<v Speaker 2>movie adaptation of Godspell? Is that with Victor Garber?

0:29:49.720 --> 0:29:52.040
<v Speaker 1>Yeah? I assume this is. This is as far as

0:29:52.040 --> 0:29:54.800
<v Speaker 1>far as I know, the Godspell. This is the one

0:29:54.840 --> 0:29:57.280
<v Speaker 1>I've seen, and it does have I can see the

0:29:57.280 --> 0:30:01.800
<v Speaker 1>connection here, Like there's a between this this, this Broadway this,

0:30:02.080 --> 0:30:04.160
<v Speaker 1>you know, this weird Broadway musical brought to life and

0:30:04.200 --> 0:30:06.240
<v Speaker 1>the you know, the visual elements that are in play

0:30:06.520 --> 0:30:09.960
<v Speaker 1>in Godspell, like they compare reasonably well to some of

0:30:10.000 --> 0:30:12.840
<v Speaker 1>the sensibilities we see in Doctor Fibes.

0:30:12.840 --> 0:30:25.080
<v Speaker 2>Though Fibes never wears the Superman shirt. No, all right,

0:30:25.120 --> 0:30:26.440
<v Speaker 2>you want to talk about the plot.

0:30:26.320 --> 0:30:27.840
<v Speaker 1>Hello, let's talk about this plot.

0:30:28.320 --> 0:30:31.360
<v Speaker 2>Okay, so it starts very strong. You know, lights come

0:30:31.440 --> 0:30:35.400
<v Speaker 2>up on baroque organ music, and you see a player

0:30:35.520 --> 0:30:38.680
<v Speaker 2>in a hood and cloak. So this black hood, it's

0:30:38.760 --> 0:30:41.320
<v Speaker 2>kind of shiny. The cloak almost looks like it is

0:30:41.480 --> 0:30:45.120
<v Speaker 2>wet or oily. Maybe that's just the material. But the

0:30:45.120 --> 0:30:48.680
<v Speaker 2>the organ player is sitting at the instrument and then

0:30:48.960 --> 0:30:53.320
<v Speaker 2>being like raised up on as if on an elevator.

0:30:53.880 --> 0:30:58.800
<v Speaker 1>Yeah it is this, Yeah, this elevator powered super moody

0:31:00.120 --> 0:31:05.760
<v Speaker 1>organ of the super villain organ playing area. It's like,

0:31:06.040 --> 0:31:08.000
<v Speaker 1>you know, it's a familiar trope. It's very Phantom of

0:31:08.040 --> 0:31:11.880
<v Speaker 1>the Opera, but then just played up tremendously. You know,

0:31:11.920 --> 0:31:15.120
<v Speaker 1>the visuals of this are just again just just so luscious.

0:31:15.320 --> 0:31:19.360
<v Speaker 2>And then like the movie just starts at maximum WTF,

0:31:19.520 --> 0:31:22.880
<v Speaker 2>like how to describe what comes next? And it's a

0:31:22.880 --> 0:31:26.520
<v Speaker 2>recurring theme. But so the organ player plays while the

0:31:26.600 --> 0:31:29.960
<v Speaker 2>credits roll, and then he gets up and he descends

0:31:30.000 --> 0:31:33.280
<v Speaker 2>a staircase and the camera pulls back to reveal what

0:31:33.360 --> 0:31:38.080
<v Speaker 2>appears to be a musical ensemble made of embodied humanoid

0:31:38.120 --> 0:31:42.000
<v Speaker 2>automata like the Rock of Fire explosion, like Chuck E

0:31:42.160 --> 0:31:46.640
<v Speaker 2>Cheese or Showbiz Pizza but instead of having banjo bears

0:31:46.640 --> 0:31:51.360
<v Speaker 2>and cool rats, they are tuxedo dudes in Michael Meyer's masks,

0:31:51.480 --> 0:31:55.640
<v Speaker 2>and they're all playing tubas and drums and stuff. And

0:31:55.680 --> 0:31:58.560
<v Speaker 2>then he conducts them as if they were an orchestra.

0:31:59.120 --> 0:32:02.560
<v Speaker 1>Yeah, and the the drum informs us what the name

0:32:02.600 --> 0:32:07.440
<v Speaker 1>of this group is. It's Doctor Five's Clockwork Wizards. So

0:32:07.640 --> 0:32:10.600
<v Speaker 1>it's it's already off to a tremendous start, like this

0:32:10.640 --> 0:32:13.040
<v Speaker 1>is a film that's so bold and it's stylish weirdness

0:32:13.360 --> 0:32:16.320
<v Speaker 1>that we just kick things off with an extended horror

0:32:16.400 --> 0:32:21.120
<v Speaker 1>pipe organ number in this underground nightclub. And then we're

0:32:21.120 --> 0:32:26.280
<v Speaker 1>getting no dialogue, no real you know, human faces or

0:32:26.360 --> 0:32:30.160
<v Speaker 1>human voices or anything, just like pure performative weirdness.

0:32:30.400 --> 0:32:32.560
<v Speaker 2>Yes, and it commits so hard, like it goes on

0:32:32.720 --> 0:32:35.440
<v Speaker 2>like you're saying, without dialogue for a while. So the

0:32:35.560 --> 0:32:38.520
<v Speaker 2>organist in the in the cloak steps back, and then

0:32:38.560 --> 0:32:41.640
<v Speaker 2>there's a whole dance number. Virginia North comes out in

0:32:41.720 --> 0:32:44.280
<v Speaker 2>this amazing I don't know what to call the sugar

0:32:44.320 --> 0:32:48.080
<v Speaker 2>plum fairy costume. Like she's wearing this weird white dress

0:32:48.120 --> 0:32:52.560
<v Speaker 2>with a strange golden vertical crown on her head, and

0:32:52.600 --> 0:32:55.760
<v Speaker 2>they dance together while the while the robots play.

0:32:56.120 --> 0:32:59.400
<v Speaker 1>Yeah, and it's just it's tremendous, like it just it

0:32:59.480 --> 0:33:03.000
<v Speaker 1>just sucks you absolutely and you're like, it's and it

0:33:03.120 --> 0:33:06.800
<v Speaker 1>works on so many levels, Like it sets the tone

0:33:06.880 --> 0:33:10.320
<v Speaker 1>for a film where it's really hard to have expectations

0:33:10.800 --> 0:33:13.880
<v Speaker 1>about what's going to happen because you're not entirely sure

0:33:13.920 --> 0:33:18.040
<v Speaker 1>what this film's values are. I kept thinking about that.

0:33:18.080 --> 0:33:21.160
<v Speaker 1>It ultimately made the the you know, the last twenty

0:33:21.200 --> 0:33:24.360
<v Speaker 1>minutes of the film extra terrifying for me because it's like,

0:33:24.400 --> 0:33:26.600
<v Speaker 1>I don't know what how a film like this ends.

0:33:26.960 --> 0:33:30.400
<v Speaker 1>I don't know what it considers a proper ending, because

0:33:30.640 --> 0:33:32.400
<v Speaker 1>it feels like it's from another dimension.

0:33:32.640 --> 0:33:35.080
<v Speaker 2>Can we stop, though and describe the set in this

0:33:35.240 --> 0:33:37.920
<v Speaker 2>room because they will return to it many times throughout

0:33:37.960 --> 0:33:40.320
<v Speaker 2>the throughout the movie, I was calling this the total

0:33:40.360 --> 0:33:42.800
<v Speaker 2>party house because of course you have the ensemble there

0:33:42.840 --> 0:33:45.120
<v Speaker 2>and and it's it's sort of always a party when

0:33:45.160 --> 0:33:48.959
<v Speaker 2>when the when the autometer playing, but it's it's like

0:33:49.000 --> 0:33:53.080
<v Speaker 2>a room with a giant I guess marble floor and

0:33:53.160 --> 0:33:58.640
<v Speaker 2>then uh like balcony levels surrounding it all around, and

0:33:59.560 --> 0:34:01.240
<v Speaker 2>what are some of the things in there, like there's

0:34:01.280 --> 0:34:04.560
<v Speaker 2>a table on one side of the room that has

0:34:04.680 --> 0:34:09.080
<v Speaker 2>all of these busts or the upper parts of mannikins.

0:34:09.520 --> 0:34:11.680
<v Speaker 2>I think there are nine of them, each one with

0:34:11.800 --> 0:34:16.000
<v Speaker 2>a ceiling lamp hanging over it that I think they're

0:34:16.000 --> 0:34:18.120
<v Speaker 2>supposed to be made of wax or something like. We

0:34:18.160 --> 0:34:21.719
<v Speaker 2>see them melting later. And the organ is up on

0:34:21.760 --> 0:34:23.920
<v Speaker 2>the stage at one end of the room. The room

0:34:24.000 --> 0:34:28.399
<v Speaker 2>is decorated with all these satin curtains and these paintings

0:34:28.480 --> 0:34:31.200
<v Speaker 2>on the columns leading up to the balcony with like

0:34:31.320 --> 0:34:35.000
<v Speaker 2>these I don't know what you like, like pharaoh heads

0:34:35.120 --> 0:34:40.799
<v Speaker 2>and weird symbols. Yeah, it's a trip, Yeah it is.

0:34:40.920 --> 0:34:42.960
<v Speaker 1>It is a space that, you know, it feels performative.

0:34:43.000 --> 0:34:45.719
<v Speaker 1>It feels like a like a nightclub, but it also

0:34:45.840 --> 0:34:48.239
<v Speaker 1>feels like a temple, and it is kind of like

0:34:48.320 --> 0:34:52.840
<v Speaker 1>his temple to holy revenge, a temple to it's to

0:34:53.000 --> 0:34:57.200
<v Speaker 1>his love for his departed wife. Those heads represent each

0:34:57.239 --> 0:35:02.000
<v Speaker 1>of the victims that he is going to kill, the

0:35:02.320 --> 0:35:06.560
<v Speaker 1>objects of his revenge. So it's yeah, it's it's It

0:35:06.640 --> 0:35:12.280
<v Speaker 1>has a real, you know, strong ritualistic and performative vibe

0:35:12.320 --> 0:35:12.640
<v Speaker 1>to it.

0:35:12.920 --> 0:35:15.040
<v Speaker 2>Well, after the dance is over, the guy in the cloak.

0:35:15.080 --> 0:35:17.640
<v Speaker 2>He goes to operate a chain pulley, and I guess

0:35:17.680 --> 0:35:19.879
<v Speaker 2>we can refer to these characters because we know who

0:35:19.880 --> 0:35:23.120
<v Speaker 2>they're going to be. This is doctor Fibes Involvania, and

0:35:23.239 --> 0:35:25.319
<v Speaker 2>so he goes to operate a chain pulley in the

0:35:25.320 --> 0:35:27.839
<v Speaker 2>middle of the room and it lowers something that looks

0:35:27.880 --> 0:35:32.759
<v Speaker 2>like a shrouded bird cage into a subfloor basement, and

0:35:32.840 --> 0:35:36.440
<v Speaker 2>then Volvania goes down to the subfloor and tends to

0:35:36.480 --> 0:35:38.880
<v Speaker 2>she kind of straps it onto I think a trailer

0:35:38.960 --> 0:35:41.640
<v Speaker 2>on the back of a car. She straps it down

0:35:41.680 --> 0:35:43.360
<v Speaker 2>with a leather belt, and then they get into the

0:35:43.360 --> 0:35:46.560
<v Speaker 2>car and drive away, and we see them driving the

0:35:46.600 --> 0:35:50.680
<v Speaker 2>car and it's the funniest shot. So Volvania is I

0:35:50.680 --> 0:35:53.279
<v Speaker 2>don't think that's supposed to be her hair. Maybe it is.

0:35:53.320 --> 0:35:55.439
<v Speaker 2>She's got her head is covered in this big ball

0:35:55.480 --> 0:35:57.160
<v Speaker 2>of fur, and I guess it's supposed to be a

0:35:57.200 --> 0:35:57.880
<v Speaker 2>fur cap.

0:35:58.320 --> 0:35:59.280
<v Speaker 1>I think so. Yeah.

0:35:59.560 --> 0:36:02.600
<v Speaker 2>Meanwhile, Fibes is sitting in the back seat being chauffeured

0:36:02.600 --> 0:36:05.360
<v Speaker 2>with just like wearing the black hood and with the

0:36:05.400 --> 0:36:09.000
<v Speaker 2>stalking over his face, so he's just you know, faceless terror.

0:36:09.280 --> 0:36:11.839
<v Speaker 1>Yeah, it's worth noting that both of these characters have

0:36:12.320 --> 0:36:17.960
<v Speaker 1>so many different costume changes that revenge. They say, revenge

0:36:18.000 --> 0:36:22.080
<v Speaker 1>is a dish Beth serve cold. But that doesn't mean

0:36:22.120 --> 0:36:24.000
<v Speaker 1>you can't style it up. That means doesn't mean you

0:36:24.000 --> 0:36:29.440
<v Speaker 1>can't change your cloak frequently, that you can't engage in

0:36:29.480 --> 0:36:33.560
<v Speaker 1>any number of rituals. Yeah, they're heavy into this vengeance game.

0:36:33.960 --> 0:36:36.759
<v Speaker 2>So they're headed out somewhere and we cut to a

0:36:36.800 --> 0:36:40.200
<v Speaker 2>bedroom we assume is where they're headed. It's the guy

0:36:39.920 --> 0:36:43.760
<v Speaker 2>in a lavish bedchamber with I don't know, fancy stuff

0:36:43.760 --> 0:36:47.200
<v Speaker 2>all over the walls, like paintings of horses and markers

0:36:47.200 --> 0:36:49.759
<v Speaker 2>to indicate this is a rich guy. But then in

0:36:49.840 --> 0:36:53.480
<v Speaker 2>the ceiling above this guy's bed, a skylight in the

0:36:53.520 --> 0:36:57.600
<v Speaker 2>ceiling opens up and we see fibes in Wolvania lowering

0:36:57.640 --> 0:37:01.480
<v Speaker 2>in that bird cage from earlier, and then they retract it.

0:37:01.480 --> 0:37:03.440
<v Speaker 2>They pull it back up with a trapdoor in the

0:37:03.440 --> 0:37:05.799
<v Speaker 2>bottom of the cage hanging open, so it seems they've

0:37:05.840 --> 0:37:09.080
<v Speaker 2>released something into the room. And this is the first

0:37:09.200 --> 0:37:10.120
<v Speaker 2>murder of the movie.

0:37:10.640 --> 0:37:14.000
<v Speaker 1>That's right, it's gonna be death by fruit bat, just

0:37:14.080 --> 0:37:15.160
<v Speaker 1>like in the Old Testament.

0:37:17.280 --> 0:37:20.480
<v Speaker 2>Okay, we'll get into the biblical accuracy maybe a little bit.

0:37:20.680 --> 0:37:23.560
<v Speaker 2>I don't know about that. But so the guy in bed,

0:37:23.640 --> 0:37:26.759
<v Speaker 2>he is attacked by bats. They're like bats crawling on

0:37:26.840 --> 0:37:29.600
<v Speaker 2>him and he's like h. And then we do the

0:37:29.640 --> 0:37:33.720
<v Speaker 2>intro in reverse, the cloaked figure and Volvania. They return home,

0:37:34.400 --> 0:37:37.640
<v Speaker 2>they turn off the Michael Meyers rock fire band and

0:37:37.680 --> 0:37:40.759
<v Speaker 2>then he descends into the floor playing his organ. But

0:37:40.920 --> 0:37:44.799
<v Speaker 2>the next morning, in the bedroom of the victim, we

0:37:44.880 --> 0:37:47.839
<v Speaker 2>get to see some Butler action. Butler comes in with

0:37:47.880 --> 0:37:50.560
<v Speaker 2>eggs on toast and like a bat lands on the

0:37:50.600 --> 0:37:54.240
<v Speaker 2>eggs and there are bats everywhere and the guy's face

0:37:54.280 --> 0:37:57.280
<v Speaker 2>we see him laying in bed. It has been fully oatmealified.

0:37:57.800 --> 0:37:59.480
<v Speaker 1>Yeah, death by free bat.

0:38:00.200 --> 0:38:02.239
<v Speaker 2>And then we see the first of a ritual that

0:38:02.280 --> 0:38:05.160
<v Speaker 2>will repeat throughout the movie, which is that doctor Fibes

0:38:05.239 --> 0:38:08.200
<v Speaker 2>back at his party house. He puts a appendant with

0:38:09.920 --> 0:38:14.400
<v Speaker 2>a significant looking symbol on it on one of the

0:38:14.640 --> 0:38:18.560
<v Speaker 2>heads of the mannequins or the busts on the edge

0:38:18.600 --> 0:38:21.800
<v Speaker 2>of the big concert hall room, and then he burns

0:38:21.840 --> 0:38:24.719
<v Speaker 2>the face of the bust with a candle. But the

0:38:24.760 --> 0:38:27.239
<v Speaker 2>next morning we get to see the police investigating, and

0:38:27.600 --> 0:38:31.040
<v Speaker 2>the police are they're played for comedy in this movie.

0:38:31.040 --> 0:38:34.240
<v Speaker 2>They're all bumbling. One of them says, it's a strange business.

0:38:34.280 --> 0:38:36.920
<v Speaker 2>Tom a man literally shredded to death right in the

0:38:36.920 --> 0:38:40.640
<v Speaker 2>heart of London. We find out that the victim was

0:38:40.640 --> 0:38:43.960
<v Speaker 2>a medical doctor, and the police noticed something. They noticed

0:38:44.000 --> 0:38:48.319
<v Speaker 2>that this vicious fruit bat shredding is similar to the

0:38:48.360 --> 0:38:51.120
<v Speaker 2>recent death of another doctor in town who was killed

0:38:51.120 --> 0:38:55.040
<v Speaker 2>by a swarm of bees in his library, and they say,

0:38:55.160 --> 0:38:57.480
<v Speaker 2>almost turning to look at the camera, they say, his

0:38:57.640 --> 0:39:01.440
<v Speaker 2>face looked as if it were covered in boils.

0:39:01.719 --> 0:39:03.760
<v Speaker 1>And that will be important shortly.

0:39:04.360 --> 0:39:06.240
<v Speaker 2>So then we go back to the Total party house

0:39:06.239 --> 0:39:10.799
<v Speaker 2>and we see Vincent Price putting on his face. We

0:39:10.840 --> 0:39:13.640
<v Speaker 2>don't know what doctor Fib's real face looks like, but

0:39:13.719 --> 0:39:15.680
<v Speaker 2>once he does a bunch of stuff to it, he

0:39:15.719 --> 0:39:19.600
<v Speaker 2>looks like Vincent Price. And I love this. I love

0:39:19.640 --> 0:39:21.799
<v Speaker 2>everything about it. I love the weird sets. I love

0:39:21.920 --> 0:39:26.359
<v Speaker 2>Vincent Price with shaggy ringo hair, and I love how

0:39:26.400 --> 0:39:30.160
<v Speaker 2>they make Vincent Price's actual face look like a sagging

0:39:30.239 --> 0:39:31.919
<v Speaker 2>rubber mask on his head.

0:39:32.400 --> 0:39:36.160
<v Speaker 1>They do, Yeah, they give him this really waxy color,

0:39:36.320 --> 0:39:38.799
<v Speaker 1>and yeah, they add some other little elements to it.

0:39:39.600 --> 0:39:41.359
<v Speaker 1>And he also, you know, of course it's Vincent Price.

0:39:41.360 --> 0:39:44.839
<v Speaker 1>So he has a great mustache but also really nice sideburns.

0:39:44.640 --> 0:39:48.480
<v Speaker 2>Yes, but also dark rings under his eyes always.

0:39:48.920 --> 0:39:52.319
<v Speaker 1>Yeah, so he looks very, very haunted like. Even though

0:39:52.320 --> 0:39:54.479
<v Speaker 1>he's not in pure monster mode right now, he still

0:39:54.480 --> 0:39:57.239
<v Speaker 1>looks kind of monstrous and unnatural.

0:39:57.640 --> 0:40:00.160
<v Speaker 2>But the movie wastes no time. It is immediately on

0:40:00.280 --> 0:40:04.839
<v Speaker 2>to the next Doctor Murder, so we meet doctor Hargraves again.

0:40:05.160 --> 0:40:08.840
<v Speaker 2>He's he's at some swanky party where it's like fancy

0:40:08.840 --> 0:40:12.800
<v Speaker 2>people all wearing animal masks of some kind, and Price

0:40:12.880 --> 0:40:16.080
<v Speaker 2>is there in a mask. He gives a frog mask

0:40:16.280 --> 0:40:20.520
<v Speaker 2>to doctor Hargraves. Doctor Hargraves seems to just accept it

0:40:21.600 --> 0:40:24.560
<v Speaker 2>and Vincent Price helps him put it on. He like

0:40:24.680 --> 0:40:28.040
<v Speaker 2>does the catch on it, and Hargraves introduces himself. He says,

0:40:28.080 --> 0:40:32.279
<v Speaker 2>I'm a psychiatrist, you know, a headshrinker. But uh oh,

0:40:32.360 --> 0:40:35.200
<v Speaker 2>this frog mask, it's a it's a track from Saw.

0:40:35.400 --> 0:40:37.920
<v Speaker 2>It's like a head crushing action mask where it just

0:40:38.000 --> 0:40:42.959
<v Speaker 2>keeps ratcheting itself tighter. And the doctor staggers around trying

0:40:42.960 --> 0:40:45.640
<v Speaker 2>to get help from a drunken lizard and some oaf

0:40:45.680 --> 0:40:48.440
<v Speaker 2>and a pig mask, but there's no way of saving him.

0:40:48.520 --> 0:40:51.480
<v Speaker 2>He just his head is crushed and he lays there

0:40:51.560 --> 0:40:53.839
<v Speaker 2>with the frog mask and blood coming out of it

0:40:54.200 --> 0:40:58.520
<v Speaker 2>while people in horsehead masks and other weird costumes look

0:40:58.560 --> 0:40:59.400
<v Speaker 2>on in amazement.

0:40:59.719 --> 0:41:04.200
<v Speaker 1>So counting the offscreen death, that's like the third death.

0:41:04.400 --> 0:41:07.279
<v Speaker 2>So three down right, And we get a rundown of

0:41:07.320 --> 0:41:10.200
<v Speaker 2>this by the police in the next scene because there's

0:41:10.239 --> 0:41:12.359
<v Speaker 2>a scene at Scotland Yard with cops. They're talking about

0:41:12.360 --> 0:41:15.640
<v Speaker 2>how they don't want this story about animal themed doctor

0:41:15.760 --> 0:41:18.440
<v Speaker 2>murders to get out to the press. There's something that

0:41:18.800 --> 0:41:21.480
<v Speaker 2>characters say multiple times in this movie. They're like, medical

0:41:21.520 --> 0:41:22.640
<v Speaker 2>men die all the time.

0:41:24.080 --> 0:41:28.520
<v Speaker 1>I mean true, is because human beings die all the time,

0:41:31.640 --> 0:41:35.200
<v Speaker 1>but under suspicious circumstances with animal themes. I don't know

0:41:35.239 --> 0:41:36.960
<v Speaker 1>that that's like statistically a thing.

0:41:37.320 --> 0:41:40.480
<v Speaker 2>Yeah, So Inspector Trout is he's tracking now, He's like,

0:41:40.480 --> 0:41:43.520
<v Speaker 2>wait a minute, bats, bees and frogs, so what's going

0:41:43.560 --> 0:41:46.479
<v Speaker 2>on here? But then it's immediately on to the next

0:41:46.520 --> 0:41:49.520
<v Speaker 2>doctor murder. It's just they're coming thick and fast, and

0:41:49.600 --> 0:41:52.240
<v Speaker 2>the next one is doctor Longstreet. Is this Terry Thomas.

0:41:52.320 --> 0:41:55.680
<v Speaker 1>This is Terry Thomas, And it is such a Terry

0:41:55.680 --> 0:41:56.440
<v Speaker 1>Thomas scene.

0:41:56.840 --> 0:42:01.560
<v Speaker 2>So when we first meet him, he's immediately furtively ripping

0:42:01.600 --> 0:42:04.239
<v Speaker 2>into a cylindrical parcel. I think he doesn't want his

0:42:04.280 --> 0:42:06.920
<v Speaker 2>housekeeper to see what he's doing. And he's acting all

0:42:07.000 --> 0:42:10.839
<v Speaker 2>sweaty and squirrely, and he appears to What's going on

0:42:10.960 --> 0:42:14.040
<v Speaker 2>is that he seems to have received a canister of

0:42:14.200 --> 0:42:17.799
<v Speaker 2>racy film reels from the East and he plans to

0:42:17.920 --> 0:42:21.520
<v Speaker 2>watch them on his rattling projector while absolutely chugging red

0:42:21.560 --> 0:42:23.960
<v Speaker 2>wine tonight, since the housekeeper is going to be out

0:42:24.000 --> 0:42:27.920
<v Speaker 2>for the evening. Yeah, and this is the part, so

0:42:28.120 --> 0:42:30.439
<v Speaker 2>we're watching, you know, he puts on his film reel

0:42:30.480 --> 0:42:33.480
<v Speaker 2>and he's watching. It's of like a lady dancing with

0:42:33.560 --> 0:42:34.399
<v Speaker 2>a snake.

0:42:34.560 --> 0:42:37.319
<v Speaker 1>Yes, and it's like a belly dancing snake dance kind

0:42:37.320 --> 0:42:40.520
<v Speaker 1>of a film, you know, but also a very old film.

0:42:40.600 --> 0:42:43.640
<v Speaker 1>This is not something that well, you know. It brings

0:42:43.640 --> 0:42:45.359
<v Speaker 1>me back to the question, I'm not sure exactly what

0:42:45.560 --> 0:42:47.480
<v Speaker 1>when this film is supposed to be taking place. It's

0:42:47.480 --> 0:42:49.040
<v Speaker 1>not supposed to take place in the seventies.

0:42:49.280 --> 0:42:50.840
<v Speaker 2>No, I think it's supposed to take place in like

0:42:50.880 --> 0:42:51.880
<v Speaker 2>the twenties probably.

0:42:51.880 --> 0:42:56.040
<v Speaker 1>Okay, so maybe it is a current film that he

0:42:56.080 --> 0:42:56.879
<v Speaker 1>has acquired here.

0:42:56.920 --> 0:42:59.920
<v Speaker 2>Okay, but yeah, Terry Thomas, he is a dirty chap

0:43:00.120 --> 0:43:03.560
<v Speaker 2>and he looks a little bit Wingshauser ish. Here he's

0:43:03.640 --> 0:43:07.880
<v Speaker 2>watching inappropriate film reels, chugging red wine out of a

0:43:07.920 --> 0:43:11.759
<v Speaker 2>sniffer and like licking his lips so that he's just

0:43:11.920 --> 0:43:12.640
<v Speaker 2>being gross.

0:43:13.040 --> 0:43:14.960
<v Speaker 1>Yes, it's a great scene.

0:43:15.080 --> 0:43:17.600
<v Speaker 2>But then uh oh, here comes of course, doctor Fibes

0:43:17.600 --> 0:43:20.600
<v Speaker 2>and Volvania show up at his house. You know, they

0:43:20.640 --> 0:43:22.680
<v Speaker 2>walk in and he's just kind of like, huh, what's

0:43:22.719 --> 0:43:24.879
<v Speaker 2>going on? And while they sit him down in a chair,

0:43:24.920 --> 0:43:27.400
<v Speaker 2>strap him in and then drain out all of his blood.

0:43:28.000 --> 0:43:32.799
<v Speaker 1>Yep, put it in bottles up there on the they're

0:43:32.800 --> 0:43:35.160
<v Speaker 1>about the fireplace. I believe we're on a shelf. So

0:43:35.239 --> 0:43:36.600
<v Speaker 1>that's four doctors down.

0:43:36.920 --> 0:43:39.160
<v Speaker 2>But this one kind of breaks the animal theme. This

0:43:39.200 --> 0:43:42.840
<v Speaker 2>one is blood. Huh, what's going on? But the police

0:43:42.840 --> 0:43:45.719
<v Speaker 2>put together a different pattern. They figure out that all

0:43:45.800 --> 0:43:50.480
<v Speaker 2>four of these doctors worked for another doctor named doctor Vesalius,

0:43:50.680 --> 0:43:54.560
<v Speaker 2>and this is Joseph Cotton, and so Inspector Trout goes

0:43:54.600 --> 0:43:56.719
<v Speaker 2>to his house to meet him and see if he

0:43:56.760 --> 0:43:58.799
<v Speaker 2>can make any sense of this, and I like how

0:43:58.800 --> 0:44:02.680
<v Speaker 2>when he gets there, Vasilius's teenage son Limb, is very

0:44:02.760 --> 0:44:06.799
<v Speaker 2>impressed by the presence of Scotland yard. Yes, and Vasilius's

0:44:06.880 --> 0:44:08.720
<v Speaker 2>house looks like a hair salon.

0:44:09.280 --> 0:44:12.759
<v Speaker 1>Oh, it's so stylish, so stylish. There's like, you know,

0:44:12.840 --> 0:44:16.680
<v Speaker 1>African masks on the wall. There's this like satyr statue

0:44:16.800 --> 0:44:17.920
<v Speaker 1>with a light above.

0:44:17.680 --> 0:44:22.640
<v Speaker 2>It, shiny surfaces everywhere, potted plants, mirrors on the walls,

0:44:22.719 --> 0:44:25.360
<v Speaker 2>and a lot of fancy chairs just lined up along

0:44:25.400 --> 0:44:29.279
<v Speaker 2>the walls. Does his house have a waiting room? I

0:44:29.280 --> 0:44:31.760
<v Speaker 2>don't know. But doctor Vesalius we see is a model

0:44:31.800 --> 0:44:35.359
<v Speaker 2>train guy. Rails and train cars are scattered all over

0:44:35.360 --> 0:44:38.520
<v Speaker 2>the floor. When Trout shows up and Trout fills him in,

0:44:38.560 --> 0:44:40.920
<v Speaker 2>he's like, Okay, here's what's going on. And he's like,

0:44:40.960 --> 0:44:43.040
<v Speaker 2>do you know why someone would want to kill all

0:44:43.080 --> 0:44:46.000
<v Speaker 2>of your associates? And of course Vassilius has no idea.

0:44:46.400 --> 0:44:48.880
<v Speaker 2>He again, he says the same thing as the guy earlier.

0:44:48.920 --> 0:44:51.040
<v Speaker 2>He's like, men in my profession die every day of

0:44:51.080 --> 0:44:54.680
<v Speaker 2>the year. I don't know how often, in like frog

0:44:54.840 --> 0:44:58.880
<v Speaker 2>related deaths though, But yeah, But anyway, when the police

0:44:58.920 --> 0:45:02.000
<v Speaker 2>find out about the the Long Street murder here, they

0:45:02.040 --> 0:45:06.000
<v Speaker 2>get a clue, which is the pendant left behind the scene.

0:45:06.280 --> 0:45:11.120
<v Speaker 2>Doctor Fibes actually drops the pendant there by accident, and

0:45:11.160 --> 0:45:13.640
<v Speaker 2>so they find it. They take it back to a goldsmith,

0:45:14.000 --> 0:45:17.920
<v Speaker 2>the person who made it, and the goldsmith tells them, Yep,

0:45:18.000 --> 0:45:20.439
<v Speaker 2>this is an ambulance. I made ten of them. It

0:45:20.520 --> 0:45:23.880
<v Speaker 2>was a lady who ordered them. And Trout is like,

0:45:24.000 --> 0:45:26.720
<v Speaker 2>was she smart? And then he says fashionable.

0:45:29.200 --> 0:45:31.640
<v Speaker 1>Yeah. It's a fun scene because there's a lot of

0:45:31.680 --> 0:45:34.800
<v Speaker 1>goofy back and forth between these two characters.

0:45:35.239 --> 0:45:39.799
<v Speaker 2>But the jeweler informs Trout that the sign on the

0:45:39.840 --> 0:45:42.600
<v Speaker 2>ambulant is something requested by the person who bought them,

0:45:42.960 --> 0:45:47.080
<v Speaker 2>and it's a symbol in Hebrew. So the inspector then

0:45:47.280 --> 0:45:49.320
<v Speaker 2>has a new clue and takes it to a rabbi

0:45:49.440 --> 0:45:51.200
<v Speaker 2>to get the run down, and here we get a

0:45:51.239 --> 0:45:54.680
<v Speaker 2>major exposition scene. So the rabbi tells him that the

0:45:54.680 --> 0:45:58.600
<v Speaker 2>symbol is Hebrew for blood, and ah, okay, this makes

0:45:58.600 --> 0:46:03.000
<v Speaker 2>sense because Longstreet drained of all blood. But it's also

0:46:03.120 --> 0:46:06.040
<v Speaker 2>notable for being one of the ten plagues of Egypt,

0:46:06.080 --> 0:46:08.600
<v Speaker 2>of course, turning the Nile into blood, and so here

0:46:08.600 --> 0:46:10.560
<v Speaker 2>we get a speech about the ten plagues of Egypt.

0:46:10.640 --> 0:46:13.480
<v Speaker 2>So this is from the story of the Exodus in

0:46:13.520 --> 0:46:16.719
<v Speaker 2>the Torah, and the context is that the Jews are

0:46:16.719 --> 0:46:20.360
<v Speaker 2>in bondage in Egypt, and God keeps sending plagues against

0:46:20.400 --> 0:46:24.040
<v Speaker 2>Egypt to force the pharaoh to release them. Here we

0:46:24.080 --> 0:46:27.799
<v Speaker 2>get a list of the plagues which are in order.

0:46:27.920 --> 0:46:31.640
<v Speaker 2>And I'm not saying these are necessarily the correct plagues.

0:46:31.760 --> 0:46:41.600
<v Speaker 2>This is what the movie says. Says they are boils, bats, frogs, blood, rats, hail, beasts, locusts,

0:46:42.000 --> 0:46:44.200
<v Speaker 2>death of the firstborn, and darkness.

0:46:44.600 --> 0:46:47.120
<v Speaker 1>All right, we've had the first four, so we're almost

0:46:47.160 --> 0:46:47.719
<v Speaker 1>halfway through.

0:46:48.200 --> 0:46:49.920
<v Speaker 2>I feel like I must flag as kind of a

0:46:49.960 --> 0:46:53.000
<v Speaker 2>Bible nerd like compare that to the actual list in

0:46:53.040 --> 0:46:56.720
<v Speaker 2>a good translation of Exodus. I don't think that really matches,

0:46:57.800 --> 0:47:00.760
<v Speaker 2>but anyway, so we get more scenes with doctor Fibes

0:47:00.800 --> 0:47:04.080
<v Speaker 2>back at the party house, and this is where we

0:47:04.120 --> 0:47:07.640
<v Speaker 2>first see him speaking to a shrine of the image

0:47:07.680 --> 0:47:10.080
<v Speaker 2>of a woman. We find out his wife. This is

0:47:10.120 --> 0:47:13.480
<v Speaker 2>the one played by the photo of Carolyn Monroe against

0:47:13.520 --> 0:47:18.440
<v Speaker 2>Stella Star, and he's like worshiping this headshot of her.

0:47:18.480 --> 0:47:21.560
<v Speaker 2>He's got a whole table I think of her belongings

0:47:21.640 --> 0:47:25.520
<v Speaker 2>laid out. And we mentioned earlier that Vincent Price never

0:47:25.520 --> 0:47:28.160
<v Speaker 2>actually speaks out of his mouth in this movie, so

0:47:28.680 --> 0:47:33.040
<v Speaker 2>the only times he talks are by plugging a phonograph

0:47:33.200 --> 0:47:36.319
<v Speaker 2>into a jack in the back of his neck, and

0:47:36.320 --> 0:47:39.280
<v Speaker 2>this connects to another weird scene later where he looks

0:47:39.360 --> 0:47:42.759
<v Speaker 2>it looks like he's drinking a beverage by pouring it

0:47:42.800 --> 0:47:44.000
<v Speaker 2>into the back of his neck.

0:47:44.440 --> 0:47:47.839
<v Speaker 1>Yes, At one point he tastes something he's mixed up

0:47:47.840 --> 0:47:50.160
<v Speaker 1>on his finger by like sticking his finger back there

0:47:50.440 --> 0:47:53.120
<v Speaker 1>to where they're when we never see it, but presumably

0:47:53.160 --> 0:47:55.400
<v Speaker 1>there's some sort of a mouth hole back there that

0:47:55.480 --> 0:47:59.440
<v Speaker 1>has been I don't know if it's surgical or technological,

0:47:59.560 --> 0:48:03.120
<v Speaker 1>but not knowing for sure makes it all the more impressive.

0:48:03.440 --> 0:48:06.160
<v Speaker 2>When he's tasting something, is that the Brussels sprout goo.

0:48:06.400 --> 0:48:07.799
<v Speaker 1>Yes, the Brussels sprout.

0:48:09.480 --> 0:48:13.239
<v Speaker 2>We'll get to that. But this also provides some exposition

0:48:13.320 --> 0:48:17.560
<v Speaker 2>because talking through the phonograph, he gives this whole fiery

0:48:17.600 --> 0:48:21.240
<v Speaker 2>speech and he says, nine killed you, nine shall die,

0:48:21.680 --> 0:48:26.759
<v Speaker 2>nine eternities in doom. But we also get some exposition

0:48:26.880 --> 0:48:29.760
<v Speaker 2>on the other side with doctor Vesalius and the police.

0:48:29.800 --> 0:48:32.960
<v Speaker 2>So he and Trout do some research and they figure

0:48:32.960 --> 0:48:36.279
<v Speaker 2>out that there was actually only one case where Vesalius

0:48:36.320 --> 0:48:38.880
<v Speaker 2>worked with all of the doctors who are now dead,

0:48:39.239 --> 0:48:43.360
<v Speaker 2>and that was on one patient named Victoria Regina Fibes,

0:48:43.960 --> 0:48:46.640
<v Speaker 2>and we get the whole backstory. So she had some

0:48:46.719 --> 0:48:50.360
<v Speaker 2>medical emergency they were operating on her. Her husband was

0:48:50.760 --> 0:48:54.680
<v Speaker 2>someone named doctor Anton Fibes. And as Anton Fibes was

0:48:54.800 --> 0:48:57.600
<v Speaker 2>racing to the hospital where his wife was in surgery,

0:48:57.640 --> 0:49:00.319
<v Speaker 2>his car went off a cliff and exploded and he

0:49:00.440 --> 0:49:05.920
<v Speaker 2>was incinerated or was he? And the reason from this Okay,

0:49:05.960 --> 0:49:08.359
<v Speaker 2>so the rest of the surgical team that worked on

0:49:08.440 --> 0:49:11.600
<v Speaker 2>this case of Victoria Fibes, they all need to be

0:49:11.680 --> 0:49:14.879
<v Speaker 2>put under police protection, but the police don't really get

0:49:14.880 --> 0:49:17.239
<v Speaker 2>there fast enough for most of them. Because the next

0:49:17.239 --> 0:49:19.759
<v Speaker 2>scene is where Vincent Price uses an air conditioner in

0:49:19.800 --> 0:49:20.839
<v Speaker 2>a car to kill a guy.

0:49:21.160 --> 0:49:25.920
<v Speaker 1>Yeah, yeah, yeah, like this in the carriage there, they

0:49:25.960 --> 0:49:30.480
<v Speaker 1>just kind of like pull him over, take incapacitate the driver,

0:49:30.960 --> 0:49:32.640
<v Speaker 1>and then just hook him up to the AC and

0:49:32.680 --> 0:49:33.480
<v Speaker 1>freeze him solid.

0:49:33.600 --> 0:49:36.839
<v Speaker 2>And there's like snow blowing in his face from this machine. Yeah,

0:49:36.880 --> 0:49:37.600
<v Speaker 2>it's pretty good.

0:49:37.840 --> 0:49:40.080
<v Speaker 1>And this one there's a scene too that's very feels

0:49:40.200 --> 0:49:44.040
<v Speaker 1>very Avengers and in its weirdness, you know, because we

0:49:44.120 --> 0:49:48.000
<v Speaker 1>got like a little bit of super science that in weirdness,

0:49:48.040 --> 0:49:50.400
<v Speaker 1>and we're also getting into that territory here too with

0:49:50.520 --> 0:49:54.640
<v Speaker 1>our villain. Where our villain is. He's not incapable of air.

0:49:54.719 --> 0:49:58.800
<v Speaker 1>We saw him drop the amulet earlier, but he's really

0:49:58.840 --> 0:50:01.920
<v Speaker 1>thought out everything and is a man of multiple talents,

0:50:01.920 --> 0:50:03.560
<v Speaker 1>a real villainous polymath.

0:50:03.960 --> 0:50:06.320
<v Speaker 2>Yes. In fact, the very next scene we start to

0:50:06.440 --> 0:50:09.520
<v Speaker 2>learn about all of his different expertise. So first of all,

0:50:09.560 --> 0:50:12.640
<v Speaker 2>we get a clue for Scotland Yard, which comes from

0:50:13.120 --> 0:50:17.680
<v Speaker 2>doctor Vesalius's son Lim, who says he was in the

0:50:17.960 --> 0:50:21.239
<v Speaker 2>music shop, I think, talking to the owner there about

0:50:21.280 --> 0:50:23.920
<v Speaker 2>the great organists, and he just happens to name some

0:50:24.000 --> 0:50:28.600
<v Speaker 2>of the great organists off hand, Bridges, Drew and Fibes.

0:50:29.520 --> 0:50:32.280
<v Speaker 2>And so they're like, oh, oh, I see doctor Anton Fibes.

0:50:32.320 --> 0:50:35.360
<v Speaker 2>He was a great organist, and he's apparently been paying

0:50:35.440 --> 0:50:38.960
<v Speaker 2>the local organ shop guy recently, even though he's supposed

0:50:39.000 --> 0:50:41.840
<v Speaker 2>to be dead. So they take a trip out to

0:50:42.000 --> 0:50:45.399
<v Speaker 2>the crypt where mister and missus Fibes were supposedly laid

0:50:45.400 --> 0:50:48.520
<v Speaker 2>to rest, and we get more discussion about his background.

0:50:48.600 --> 0:50:52.080
<v Speaker 2>They say, okay, he's not only a concert organist, he's

0:50:52.280 --> 0:50:56.120
<v Speaker 2>also a PhD in theology, And I thought this was hilarious.

0:50:56.560 --> 0:50:59.040
<v Speaker 2>Inspector Trout is like, that would explain his knowledge of

0:50:59.080 --> 0:51:03.880
<v Speaker 2>the ten Plagues of Ea seems like rather basic knowledge.

0:51:03.880 --> 0:51:04.160
<v Speaker 2>I don't know.

0:51:04.200 --> 0:51:11.759
<v Speaker 1>Yeah, it's not really a deep cut.

0:51:13.920 --> 0:51:17.320
<v Speaker 2>But another really weird thing here is that wait a minute, Okay,

0:51:17.360 --> 0:51:21.400
<v Speaker 2>so Fibes is a concert organist and a PhD in theology.

0:51:21.440 --> 0:51:24.640
<v Speaker 2>I started to wonder, that is a really weird coincidence

0:51:24.680 --> 0:51:26.560
<v Speaker 2>if this is not supposed to be a play on

0:51:26.680 --> 0:51:30.600
<v Speaker 2>Albert Schweitzer. But I don't know why else that would be.

0:51:30.680 --> 0:51:32.680
<v Speaker 2>So do you know anything about Schweitzer.

0:51:32.880 --> 0:51:34.960
<v Speaker 1>I didn't know a lot about him until you mentioned

0:51:34.960 --> 0:51:37.160
<v Speaker 1>the possible connection, and I read like just a basic

0:51:37.200 --> 0:51:38.120
<v Speaker 1>bio on him. Yeah.

0:51:38.320 --> 0:51:41.800
<v Speaker 2>Yeah, He's an interesting figure who was a medical doctor,

0:51:42.000 --> 0:51:45.120
<v Speaker 2>a concert organist, and one of the most important scholars

0:51:45.160 --> 0:51:48.320
<v Speaker 2>ever of the New Testament. He's largely responsible in a

0:51:48.680 --> 0:51:53.640
<v Speaker 2>historical Jesus scholarship for putting forward probably the reigning historical

0:51:53.719 --> 0:51:57.560
<v Speaker 2>understanding of Jesus today, which is that he was an

0:51:57.600 --> 0:52:01.920
<v Speaker 2>apocalyptic Jewish prophet, somebody who is predicting the imminent end

0:52:02.000 --> 0:52:05.080
<v Speaker 2>of the world. But I was just thinking, like, it

0:52:05.080 --> 0:52:07.680
<v Speaker 2>doesn't make a lot of sense otherwise, But it would

0:52:07.719 --> 0:52:11.120
<v Speaker 2>be that is such a weirdly specific thing. An organist

0:52:11.239 --> 0:52:13.040
<v Speaker 2>and a PhD in theology.

0:52:14.840 --> 0:52:17.200
<v Speaker 1>I don't know, so yeah, I mean it makes sense.

0:52:17.880 --> 0:52:20.319
<v Speaker 1>It's one way to flesh out your villain. Pick a

0:52:20.600 --> 0:52:24.759
<v Speaker 1>pick an historical figure and say what if we made

0:52:24.760 --> 0:52:27.480
<v Speaker 1>them into a supervillain, if if they were a supervillain,

0:52:27.480 --> 0:52:28.239
<v Speaker 1>what would it be like?

0:52:28.640 --> 0:52:31.800
<v Speaker 2>Yeah, So, I don't know, strange choice, but interesting anyway.

0:52:32.040 --> 0:52:34.880
<v Speaker 2>At the crypt we've got, you know, so they well,

0:52:34.960 --> 0:52:37.440
<v Speaker 2>let's just pop open these coffins and have us looks here.

0:52:37.520 --> 0:52:42.200
<v Speaker 1>Yeah, there's no official process here. They just just rip them.

0:52:42.040 --> 0:52:45.000
<v Speaker 2>Open, just pop them open. Yeah. So they pop open

0:52:45.040 --> 0:52:48.160
<v Speaker 2>the Doctor Fibes tomb. It has only ashes in it,

0:52:48.200 --> 0:52:51.200
<v Speaker 2>but whose ashes we don't know. They pop open the

0:52:51.239 --> 0:52:55.640
<v Speaker 2>Missus Fibes tomb, nothing, completely empty. One of the next

0:52:55.680 --> 0:52:58.880
<v Speaker 2>scenes I recall is Inspector Trout back at the office

0:52:58.960 --> 0:53:02.719
<v Speaker 2>receiving just a whacking chew out from his superiors. They

0:53:03.200 --> 0:53:05.000
<v Speaker 2>you know, he's what what is that? Do you remember

0:53:05.000 --> 0:53:07.480
<v Speaker 2>this boss's name? The guy who's yelling at him for

0:53:07.520 --> 0:53:08.440
<v Speaker 2>like a minute straight.

0:53:08.760 --> 0:53:12.400
<v Speaker 1>I believe this is James Grout just playing sergeant. I

0:53:12.480 --> 0:53:14.799
<v Speaker 1>could be wrong on that, but but it's a it's

0:53:14.840 --> 0:53:16.480
<v Speaker 1>it's a real fun role because he's Yeah, he's a

0:53:16.520 --> 0:53:17.719
<v Speaker 1>real he's a real hard ass.

0:53:18.040 --> 0:53:21.480
<v Speaker 2>Yeah he's he's demanding that they solve the case immediately.

0:53:21.640 --> 0:53:24.040
<v Speaker 2>You know, we can't have these weird doctor murders just

0:53:24.120 --> 0:53:27.319
<v Speaker 2>hanging out there because there was public outcry and that's

0:53:27.360 --> 0:53:30.400
<v Speaker 2>falling on me. And the Big Boss also yells at

0:53:30.400 --> 0:53:34.279
<v Speaker 2>Trout for not wearing his suit jacket inside. He's a

0:53:34.320 --> 0:53:38.440
<v Speaker 2>real stickler. And then we get another doctor murder scene.

0:53:38.440 --> 0:53:41.520
<v Speaker 2>This one I thought was kind of strange, but it

0:53:41.600 --> 0:53:44.480
<v Speaker 2>was the rat attack in the planes. One of the

0:53:44.560 --> 0:53:48.160
<v Speaker 2>doctors is an amateur pilot. He takes his plane up

0:53:48.200 --> 0:53:50.640
<v Speaker 2>and then while in there, I guess they, I guess

0:53:50.640 --> 0:53:54.120
<v Speaker 2>doctor Fibes and Wilvania have put rats in the plane.

0:53:54.239 --> 0:53:57.279
<v Speaker 2>The rats attack him, and then he crashes the plane.

0:53:57.920 --> 0:54:00.360
<v Speaker 1>I guess part of it's the sequential nature of this

0:54:00.440 --> 0:54:03.080
<v Speaker 1>and also the britishness of it. But I was reminded

0:54:03.120 --> 0:54:05.279
<v Speaker 1>of Psychomania a lot in this, because it's a whole

0:54:05.280 --> 0:54:09.000
<v Speaker 1>section in Psychomania where you have all the bikers trying

0:54:09.000 --> 0:54:11.799
<v Speaker 1>to kill themselves in unique ways. They can come back

0:54:11.840 --> 0:54:14.600
<v Speaker 1>as undead bikers, and there's kind of like each one's

0:54:14.640 --> 0:54:15.960
<v Speaker 1>more ridiculous than the last.

0:54:16.200 --> 0:54:18.879
<v Speaker 2>That is a great sequence. Oh psychomania. Oh, that's also

0:54:18.920 --> 0:54:19.879
<v Speaker 2>one of the best, I.

0:54:19.840 --> 0:54:24.120
<v Speaker 1>Think, speaking of the best, oh, the next murder, Oh

0:54:24.400 --> 0:54:26.480
<v Speaker 1>it maybe it's one of the cheapest where you're kind

0:54:26.520 --> 0:54:28.640
<v Speaker 1>of like, I don't know, fivees, you're kind of really

0:54:28.640 --> 0:54:32.000
<v Speaker 1>stretching the theme here. But on the other level, like

0:54:32.320 --> 0:54:36.160
<v Speaker 1>absolutely top marks for creativity and style.

0:54:36.760 --> 0:54:39.200
<v Speaker 2>So the police have not been able to protect any

0:54:39.239 --> 0:54:41.480
<v Speaker 2>of the doctors yet, so they finally get to the

0:54:41.520 --> 0:54:45.280
<v Speaker 2>next one before Fibes can. They're at his Gentleman's club

0:54:45.320 --> 0:54:47.640
<v Speaker 2>in London, I guess, and they're like, okay, we're going

0:54:47.719 --> 0:54:50.080
<v Speaker 2>to take you into protective custody. We'll make sure nothing

0:54:50.120 --> 0:54:52.480
<v Speaker 2>happens to you. So they're walking out of the club

0:54:53.239 --> 0:54:55.239
<v Speaker 2>and as they open the door, you just hear like

0:54:55.280 --> 0:54:59.040
<v Speaker 2>an arrow hitting the target sound effect, and he has

0:54:59.160 --> 0:55:04.839
<v Speaker 2>been pierced through with the horn of a brass unicorn.

0:55:05.320 --> 0:55:07.960
<v Speaker 2>Yes as oh when they say it was fired from

0:55:07.960 --> 0:55:08.600
<v Speaker 2>a catapult.

0:55:08.960 --> 0:55:10.920
<v Speaker 1>Yeah, And this is one of those moments in the

0:55:11.000 --> 0:55:13.520
<v Speaker 1>village just reminds you like, don't try and think too

0:55:13.600 --> 0:55:17.160
<v Speaker 1>forensically about this motion picture. If you're like, well, how

0:55:17.160 --> 0:55:19.799
<v Speaker 1>did they get a cat they lay a catapult trap there,

0:55:19.840 --> 0:55:22.880
<v Speaker 1>and how did they work out the aerodynamics of launching

0:55:23.560 --> 0:55:26.839
<v Speaker 1>like this brass unicorn at this guy. They well, just

0:55:27.239 --> 0:55:29.280
<v Speaker 1>don't worry about that. Just trust us. It happened.

0:55:29.760 --> 0:55:32.880
<v Speaker 2>The unicorn horn has a spiral pattern on it, and

0:55:32.920 --> 0:55:35.560
<v Speaker 2>they have to unscrew the guy from the wall. They

0:55:35.560 --> 0:55:37.400
<v Speaker 2>show like his feet going around.

0:55:37.680 --> 0:55:41.759
<v Speaker 1>Yes, it's such great gallows humor. I love it.

0:55:41.920 --> 0:55:44.719
<v Speaker 2>But then so you've got this extremely silly scene, and

0:55:44.760 --> 0:55:47.840
<v Speaker 2>then right after it there's kind of a serious scene

0:55:47.880 --> 0:55:51.960
<v Speaker 2>where Fibes is he's again worshiping the headshot of Carolyn Monroe.

0:55:52.000 --> 0:55:55.320
<v Speaker 2>But in this one he recites part of a wonderful

0:55:55.360 --> 0:55:57.560
<v Speaker 2>love poem by John Dunn, The Good Morrow.

0:55:57.680 --> 0:55:59.719
<v Speaker 1>Do you know this one, Rob, I wasn't familiar with

0:55:59.719 --> 0:56:00.160
<v Speaker 1>this one.

0:56:00.560 --> 0:56:03.239
<v Speaker 2>You might remember lines from it, you know, people might

0:56:03.280 --> 0:56:05.040
<v Speaker 2>have read it at school, and sometimes it has the

0:56:05.080 --> 0:56:07.920
<v Speaker 2>lines if ever, any beauty I did see which I

0:56:08.040 --> 0:56:11.200
<v Speaker 2>desired and got twas but a dream of the Well.

0:56:11.200 --> 0:56:13.360
<v Speaker 2>He doesn't say those lines in the movie. Instead, he

0:56:13.440 --> 0:56:15.840
<v Speaker 2>quotes some lines from the last stands of the poem.

0:56:15.880 --> 0:56:18.280
<v Speaker 2>He quotes them out of order. So the last stanza

0:56:18.440 --> 0:56:22.160
<v Speaker 2>is my face in thine eye, thine in mine appears,

0:56:22.280 --> 0:56:25.719
<v Speaker 2>and true plain hearts do in the faces rest? Where

0:56:25.719 --> 0:56:29.480
<v Speaker 2>can we find two better hemispheres without sharp north, without

0:56:29.520 --> 0:56:34.120
<v Speaker 2>declining west? Whatever dies was not mixed equally. If our

0:56:34.160 --> 0:56:37.440
<v Speaker 2>two loves be one, or thou and I love so alike,

0:56:37.680 --> 0:56:42.240
<v Speaker 2>that none do slacken, none can die. It's a great poem.

0:56:42.320 --> 0:56:44.920
<v Speaker 2>But he so he reads the first four lines of

0:56:44.920 --> 0:56:47.480
<v Speaker 2>that stanza, but he reads lines three and four and

0:56:47.520 --> 0:56:49.680
<v Speaker 2>then one and two, so the ones about the hemispheres,

0:56:50.280 --> 0:56:52.640
<v Speaker 2>and then in the Face's Rest.

0:56:52.920 --> 0:56:54.719
<v Speaker 1>Well, yeah, he's put a lot of work into this

0:56:54.760 --> 0:56:58.920
<v Speaker 1>whole revenge cycle and ritual, so you know, he's figured

0:56:58.920 --> 0:57:00.759
<v Speaker 1>out how to mix it up a little. He's got

0:57:00.760 --> 0:57:02.400
<v Speaker 1>to get it just right. There's been many takes.

0:57:02.719 --> 0:57:05.799
<v Speaker 2>But then it goes straight from that into probably I

0:57:05.800 --> 0:57:09.600
<v Speaker 2>would say, the weirdest murder in the entire movie, would

0:57:09.640 --> 0:57:10.720
<v Speaker 2>you agree.

0:57:10.480 --> 0:57:13.160
<v Speaker 1>Yeah, yeah, it's And it's also and then this is

0:57:13.239 --> 0:57:15.600
<v Speaker 1>nice that the murders all feel a little bit different

0:57:16.400 --> 0:57:19.360
<v Speaker 1>and they're presented in different ways. Like we get no

0:57:19.640 --> 0:57:23.040
<v Speaker 1>clue at all about the setup for the brass Unicorn

0:57:23.120 --> 0:57:24.080
<v Speaker 1>catapult murder.

0:57:24.320 --> 0:57:27.600
<v Speaker 2>Yeah, but they one making the unicorn or everything.

0:57:28.280 --> 0:57:31.120
<v Speaker 1>No extended scenes of that, but this one is all

0:57:31.160 --> 0:57:33.320
<v Speaker 1>about the prep work. In fact, you're just set You

0:57:33.400 --> 0:57:35.880
<v Speaker 1>just set there watching this weirdness take place, and you're like,

0:57:36.040 --> 0:57:37.680
<v Speaker 1>what are they doing? What?

0:57:37.680 --> 0:57:38.040
<v Speaker 2>What?

0:57:38.040 --> 0:57:42.240
<v Speaker 1>What? What of the ten plagues of Egypt involved Brussels sprouts.

0:57:42.080 --> 0:57:45.920
<v Speaker 2>Let's talk about Brussels sprouts. What is happening. Volvania is

0:57:46.280 --> 0:57:50.520
<v Speaker 2>walking around dressed like Queen Elizabeth and holding trays of

0:57:50.560 --> 0:57:54.840
<v Speaker 2>Brussels sprouts, and Vincent Price is standing over a giant

0:57:54.920 --> 0:57:58.360
<v Speaker 2>pot of boiling Brussels sprouts, and he's like picking Brussels

0:57:58.400 --> 0:58:00.840
<v Speaker 2>sprouts from her hands and throwing some of them into

0:58:00.880 --> 0:58:04.040
<v Speaker 2>the pot and throwing other ones away. He's inspecting them

0:58:04.040 --> 0:58:05.960
<v Speaker 2>to see if they're just right. I don't know why.

0:58:06.600 --> 0:58:09.520
<v Speaker 2>I don't know how this works, but he's like making

0:58:10.400 --> 0:58:13.880
<v Speaker 2>he's turning the Brussels sprouts into some kind of essence

0:58:13.920 --> 0:58:15.000
<v Speaker 2>of Brussels sprout.

0:58:15.440 --> 0:58:18.320
<v Speaker 1>Yeah, and I wasn't sure what was going on. I

0:58:18.360 --> 0:58:21.360
<v Speaker 1>was like, well, we know that, you know, obviously he

0:58:21.520 --> 0:58:25.240
<v Speaker 1>was heavily disfigured, and we I think by this point

0:58:25.280 --> 0:58:28.760
<v Speaker 1>we already know that he drinks through his neck. So

0:58:28.800 --> 0:58:30.600
<v Speaker 1>I was thinking, well, maybe this is just what doctor

0:58:30.640 --> 0:58:33.320
<v Speaker 1>Fibes consumes. Maybe he's on a liquid diet and he

0:58:33.440 --> 0:58:35.400
<v Speaker 1>likes Brussels sprouts and Brussels sprouts are good for you,

0:58:35.440 --> 0:58:38.400
<v Speaker 1>and Brussels trouts are great, so I mean, maybe not

0:58:38.440 --> 0:58:39.640
<v Speaker 1>in this form, but.

0:58:40.440 --> 0:58:42.280
<v Speaker 2>No, this is this is the world. I mean, I

0:58:42.320 --> 0:58:46.080
<v Speaker 2>love Brussels sprouts like good and like roasted. The idea

0:58:46.080 --> 0:58:49.760
<v Speaker 2>of boiling Brussels sprouts down to a paste is one

0:58:49.800 --> 0:58:53.120
<v Speaker 2>of the most disgusting things. I can imagine Brussels sprouts

0:58:53.120 --> 0:58:55.040
<v Speaker 2>in wet heat. No no, no.

0:58:55.160 --> 0:58:57.120
<v Speaker 1>Yeah, but yeah. Watching this, I was like, I have

0:58:57.120 --> 0:58:59.520
<v Speaker 1>no idea where this is going, but I'm all in,

0:58:59.640 --> 0:59:00.120
<v Speaker 1>let's say.

0:59:00.320 --> 0:59:02.720
<v Speaker 2>Well, where is it going. We've got one last person

0:59:02.760 --> 0:59:04.840
<v Speaker 2>on the list. It's a nurse who worked on the

0:59:05.360 --> 0:59:08.680
<v Speaker 2>you know, the Victoria Fib's case, and so the police

0:59:08.720 --> 0:59:10.480
<v Speaker 2>are trying to protect her. They send her into a

0:59:10.560 --> 0:59:13.480
<v Speaker 2>room in some building where every surface is green.

0:59:14.160 --> 0:59:17.200
<v Speaker 1>Yeah, very nice and fits with the theme of green goo.

0:59:17.520 --> 0:59:19.480
<v Speaker 2>So they're like, okay, go in this room and sleep,

0:59:19.600 --> 0:59:21.840
<v Speaker 2>and she's like okay. They tell her to take a

0:59:21.880 --> 0:59:25.600
<v Speaker 2>sleeping pill, and I guess that would explain why she

0:59:25.960 --> 0:59:29.560
<v Speaker 2>is slow to wake. Later, doctor fib sneaks into the

0:59:29.560 --> 0:59:32.560
<v Speaker 2>floor above her, drills a hole in the floor, hooks

0:59:32.600 --> 0:59:36.040
<v Speaker 2>up a machine to pump green goo. I guess this

0:59:36.160 --> 0:59:39.160
<v Speaker 2>is what he made out of the Brussels sprouts into

0:59:39.160 --> 0:59:41.640
<v Speaker 2>the room. It dribbles all over some globe lamp and

0:59:41.680 --> 0:59:45.680
<v Speaker 2>then dribbles all over her face. And then he releases

0:59:46.080 --> 0:59:49.400
<v Speaker 2>locusts into the room via a tube and they march

0:59:49.440 --> 0:59:52.280
<v Speaker 2>single file and then they go down and I guess

0:59:52.360 --> 0:59:55.360
<v Speaker 2>they start eating the green goo off of her because

0:59:55.400 --> 0:59:58.200
<v Speaker 2>they like plants. I don't know. And then they just

0:59:58.320 --> 0:59:59.960
<v Speaker 2>strip her flesh down to the bone.

1:00:00.000 --> 1:00:02.880
<v Speaker 1>Ones, Yeah, just completely deflesh or skeleton.

1:00:03.440 --> 1:00:04.720
<v Speaker 2>Yeah, pirhify her?

1:00:04.960 --> 1:00:05.320
<v Speaker 3>M M.

1:00:05.720 --> 1:00:06.800
<v Speaker 2>Is that weird enough for you?

1:00:07.760 --> 1:00:10.320
<v Speaker 1>It's such a weird scene, and of course you know

1:00:10.360 --> 1:00:14.960
<v Speaker 1>it's completely unrealistic, but kudos he was able to work.

1:00:15.040 --> 1:00:17.520
<v Speaker 1>It was like, once I saw the bugs, I was like, ah,

1:00:17.560 --> 1:00:19.840
<v Speaker 1>you're doing the locusts. Okay, now it all makes sense.

1:00:20.160 --> 1:00:25.520
<v Speaker 2>He made Brussels sprout goo then used Okay.

1:00:25.360 --> 1:00:27.400
<v Speaker 1>Well you know he's been working up again. A lot

1:00:27.440 --> 1:00:31.000
<v Speaker 1>of work went into this. He probably tried different you know,

1:00:31.160 --> 1:00:35.240
<v Speaker 1>liquefied vegetables and liquefied plants to see what would get

1:00:35.240 --> 1:00:39.080
<v Speaker 1>the locust excited enough to completely consume a human human

1:00:39.160 --> 1:00:40.760
<v Speaker 1>bodies flesh, And this is what.

1:00:40.800 --> 1:00:43.080
<v Speaker 2>Worked, and she never woke up the whole time.

1:00:43.400 --> 1:00:46.480
<v Speaker 1>No, Oh, she'd taken a sleeping pill, so she was out.

1:00:47.240 --> 1:00:50.080
<v Speaker 2>But then finally we get down to the climax, which

1:00:50.160 --> 1:00:53.680
<v Speaker 2>is when Vesalius realizes that, oh, the biblical plague falling

1:00:53.720 --> 1:00:57.360
<v Speaker 2>to him is the death of the firstborn, his organist son,

1:00:57.560 --> 1:01:00.200
<v Speaker 2>His son Limb has been kidnapped by doctor Fibes. And

1:01:01.120 --> 1:01:03.640
<v Speaker 2>here here we come to our James Bond trap ending.

1:01:03.760 --> 1:01:06.800
<v Speaker 2>So Visilius finds out that Vibes has his kid. He

1:01:06.880 --> 1:01:09.800
<v Speaker 2>knocks out Inspector Trout, who tries to stop him, and

1:01:09.840 --> 1:01:12.280
<v Speaker 2>then he heads over to the party house where all

1:01:12.360 --> 1:01:17.600
<v Speaker 2>kinds of things are happening. Volnavia is wearing this amazing

1:01:17.760 --> 1:01:20.560
<v Speaker 2>like red cloak with a with a golden sun, with

1:01:20.600 --> 1:01:24.160
<v Speaker 2>all these like insect legs on it, and this this

1:01:24.360 --> 1:01:27.400
<v Speaker 2>hat with peacock things shooting off of it.

1:01:27.640 --> 1:01:30.560
<v Speaker 1>I don't know, she's the high priestess of the revenge.

1:01:30.600 --> 1:01:31.880
<v Speaker 1>I think at this point.

1:01:31.920 --> 1:01:35.400
<v Speaker 2>Yes, beautiful, and this uh, the Automata are playing their

1:01:35.480 --> 1:01:40.600
<v Speaker 2>their big band music, and doctor Vasilius arrives and and

1:01:40.960 --> 1:01:43.960
<v Speaker 2>oh god, they explained this whole thing to him. They're like, okay,

1:01:43.960 --> 1:01:47.080
<v Speaker 2>you've got six minutes to operate on your son. To

1:01:47.200 --> 1:01:50.880
<v Speaker 2>get a key out of his body that I've placed

1:01:50.920 --> 1:01:53.480
<v Speaker 2>in his body that you will have to use to

1:01:53.720 --> 1:01:57.640
<v Speaker 2>unlock the table, which so you can move the table

1:01:57.720 --> 1:02:01.320
<v Speaker 2>that he's on so that this time doesn't release a

1:02:01.360 --> 1:02:02.680
<v Speaker 2>bunch of acid onto him.

1:02:03.120 --> 1:02:06.800
<v Speaker 1>Rights. It's like, this is very much this is where

1:02:06.840 --> 1:02:09.720
<v Speaker 1>I was definitely thinking about, like the Saw movies and all,

1:02:09.760 --> 1:02:13.200
<v Speaker 1>but like, really Jigsaw just a rank amateur with no

1:02:13.360 --> 1:02:17.000
<v Speaker 1>style at all compared to Doctor Fibes. Because as grotesque

1:02:17.000 --> 1:02:19.000
<v Speaker 1>as this sounds, and it does come off as like

1:02:19.120 --> 1:02:23.440
<v Speaker 1>legitimately kind of uh, at this point, it's still beautifully rendered.

1:02:23.600 --> 1:02:28.000
<v Speaker 1>You know, this white background, it's very stylish, and it

1:02:28.000 --> 1:02:30.080
<v Speaker 1>also works really well. I feel like the tension really

1:02:30.080 --> 1:02:32.400
<v Speaker 1>builds in this part of the movie because, like I

1:02:32.800 --> 1:02:36.280
<v Speaker 1>referenced earlier, we're at the part where we're past the victims,

1:02:36.280 --> 1:02:38.360
<v Speaker 1>where we can be like, Okay, that guy seems sleazy.

1:02:38.400 --> 1:02:41.880
<v Speaker 1>I guess it's okay of our unrealistic movie villain kills them.

1:02:42.080 --> 1:02:44.960
<v Speaker 1>But now like we're dealing with with the doctor alone,

1:02:45.000 --> 1:02:47.480
<v Speaker 1>we haven't really seen anything to any reason to hate

1:02:47.560 --> 1:02:50.400
<v Speaker 1>him and his son even more so, like he is

1:02:50.400 --> 1:02:53.880
<v Speaker 1>an innocent when it comes to the death of Fib's wife,

1:02:54.280 --> 1:02:57.440
<v Speaker 1>you know, no matter how you you know, tease apart

1:02:57.480 --> 1:02:59.680
<v Speaker 1>the details of her demise, right.

1:02:59.520 --> 1:03:02.760
<v Speaker 2>So Alias is he's he's sett into it. He's trying

1:03:02.760 --> 1:03:06.280
<v Speaker 2>to get the task done. Meanwhile, Volnavia goes to grab

1:03:06.440 --> 1:03:09.920
<v Speaker 2>a solid old axe and just starts hacking up the

1:03:09.960 --> 1:03:12.400
<v Speaker 2>whole place. I guess you know, Fibes is like, we're

1:03:12.440 --> 1:03:16.560
<v Speaker 2>done destroy everything. So she's at it. We get a

1:03:16.600 --> 1:03:20.600
<v Speaker 2>Fibes face reveal. Yes, where what is his real face?

1:03:20.680 --> 1:03:23.720
<v Speaker 2>It's I don't know how to describe it. It's a skull face.

1:03:24.000 --> 1:03:28.160
<v Speaker 1>Yeah, it's a very very phantom of the opera skeleton face.

1:03:28.720 --> 1:03:32.120
<v Speaker 1>You know on the posters you see some like mechanical

1:03:32.160 --> 1:03:35.479
<v Speaker 1>elements that are part of it. Like, you know, he's

1:03:35.760 --> 1:03:38.120
<v Speaker 1>you know, touching on the fact that he's also kind

1:03:38.120 --> 1:03:41.800
<v Speaker 1>of made a have some clockwork elements to himself because

1:03:41.800 --> 1:03:44.080
<v Speaker 1>he has this big showdown right where he's talking about,

1:03:45.080 --> 1:03:48.000
<v Speaker 1>you know how the doctors can't be trusted. The doctor

1:03:48.040 --> 1:03:51.280
<v Speaker 1>said he wouldn't survive, but he used his own ingenuity

1:03:51.320 --> 1:03:54.720
<v Speaker 1>to in his knowledge of music and acoustics to allow

1:03:54.800 --> 1:03:57.520
<v Speaker 1>himself to speak again. And he also has that great

1:03:57.600 --> 1:04:00.680
<v Speaker 1>line there where he's he says I've killed nine times

1:04:00.720 --> 1:04:04.040
<v Speaker 1>in my life. How many murders may be attributed to you?

1:04:05.320 --> 1:04:08.200
<v Speaker 1>Speaking to the doctor. Yeah, so he comes down there,

1:04:08.280 --> 1:04:10.080
<v Speaker 1>he takes the mask off, because this whole thing is like,

1:04:10.120 --> 1:04:12.280
<v Speaker 1>soon your son will be disfigured by acid and it'll

1:04:12.280 --> 1:04:15.040
<v Speaker 1>look just like me. And then, of course the doctor

1:04:15.080 --> 1:04:18.480
<v Speaker 1>continues to try and frantically work the surgery, and meanwhile

1:04:18.480 --> 1:04:20.800
<v Speaker 1>he just kind of like backs up and gets into

1:04:20.840 --> 1:04:23.800
<v Speaker 1>the elevator. It leaves him to try and pull it off.

1:04:24.040 --> 1:04:28.280
<v Speaker 2>Now we Visalia succeeds. The sun is not harmed, but

1:04:28.400 --> 1:04:31.120
<v Speaker 2>Fibes does get away and the police arrive. Oh and

1:04:31.160 --> 1:04:35.120
<v Speaker 2>there when the police arrive, Volnavia is standing there, I guess,

1:04:35.280 --> 1:04:38.240
<v Speaker 2>ready to attack with the golden the solid gold axe.

1:04:38.520 --> 1:04:41.120
<v Speaker 2>But then she stands under the acid machine and ye,

1:04:41.360 --> 1:04:42.560
<v Speaker 2>she gets she gets acid.

1:04:42.880 --> 1:04:45.520
<v Speaker 1>Yeah, she gets acid slimed. We don't actually see her

1:04:45.600 --> 1:04:48.880
<v Speaker 1>melt or anything, but it's it's it's you know, it's

1:04:48.880 --> 1:04:52.400
<v Speaker 1>in implied melting. And I guess you know, she's not

1:04:52.480 --> 1:04:54.440
<v Speaker 1>a good character. She's not.

1:04:54.520 --> 1:04:56.240
<v Speaker 2>She's been doing a lot of murder, a.

1:04:56.160 --> 1:04:59.400
<v Speaker 1>Lot of murders, so it feels fair. Oh but then doctor.

1:04:59.120 --> 1:05:01.800
<v Speaker 2>Fibes, he basically gets away with it, because what does

1:05:01.840 --> 1:05:03.640
<v Speaker 2>he do? He goes down and we find out, oh,

1:05:03.800 --> 1:05:07.600
<v Speaker 2>there's there's missus Fibes in a sort of crypt with

1:05:07.640 --> 1:05:11.240
<v Speaker 2>a robotic lifting or mechanically lifting lid. He gets into

1:05:11.280 --> 1:05:13.320
<v Speaker 2>the crypt next to her, I guess, planning to be

1:05:13.760 --> 1:05:17.240
<v Speaker 2>interred alongside her body, and then hooks up a machine

1:05:17.280 --> 1:05:20.000
<v Speaker 2>to replace his blood with embalming fluid and we see

1:05:20.040 --> 1:05:23.720
<v Speaker 2>it like coming out of these yellow, very clearly labeled

1:05:23.760 --> 1:05:27.760
<v Speaker 2>beakers that say embalming fluid. And so he's going down there,

1:05:27.800 --> 1:05:30.600
<v Speaker 2>I guess getting embalmed in real time. When the when

1:05:30.640 --> 1:05:33.440
<v Speaker 2>the police inspectors show up, they were like, wait a minute,

1:05:33.440 --> 1:05:36.120
<v Speaker 2>what was the last plague big stinger? Of course, plague

1:05:36.160 --> 1:05:37.440
<v Speaker 2>of darkness? And the lights go.

1:05:37.440 --> 1:05:41.120
<v Speaker 1>Out, Yeah and yeah, we get the credits roll, and

1:05:41.120 --> 1:05:43.280
<v Speaker 1>this is in the credits where we see both doctor

1:05:43.600 --> 1:05:47.040
<v Speaker 1>the both doctors are listed as the protagonists, which I like.

1:05:47.680 --> 1:05:50.280
<v Speaker 1>And then when oh, and then oh, what song is

1:05:50.320 --> 1:05:52.160
<v Speaker 1>playing over the end credits just to add to the

1:05:52.560 --> 1:05:53.680
<v Speaker 1>utter weirdness of this.

1:05:53.680 --> 1:05:55.720
<v Speaker 2>Movie, Somewhere over the rainbow.

1:05:57.560 --> 1:06:00.240
<v Speaker 1>Oh, it's so good. And then at the very and

1:06:00.280 --> 1:06:02.840
<v Speaker 1>you get a little stinger, you get an evil doctor

1:06:02.880 --> 1:06:06.480
<v Speaker 1>Fibes Vincent Price laugh. Oh God, I love it. There's

1:06:06.560 --> 1:06:09.240
<v Speaker 1>just even the last twenty minutes, there's so many weird touches,

1:06:09.280 --> 1:06:12.640
<v Speaker 1>like I love how the when he self embalms himself alive.

1:06:12.680 --> 1:06:16.240
<v Speaker 1>The embalming fluid is this bright yellow opposite the bright

1:06:16.320 --> 1:06:19.280
<v Speaker 1>red of the blood. It made me think. I think

1:06:19.320 --> 1:06:23.160
<v Speaker 1>Phantasm two has bright yellow embalming fluid. I have no

1:06:23.200 --> 1:06:26.320
<v Speaker 1>idea what color embalming fluid actually is, but I hope

1:06:26.360 --> 1:06:30.160
<v Speaker 1>it's bright mustard yellow like in these motion pictures. There's

1:06:30.200 --> 1:06:31.360
<v Speaker 1>the lid to the casket.

1:06:31.600 --> 1:06:32.400
<v Speaker 2>Oh what about that?

1:06:32.640 --> 1:06:36.000
<v Speaker 1>Oh it has like this elaborate sun, moon and Earth,

1:06:36.440 --> 1:06:38.600
<v Speaker 1>this astrological thing going on.

1:06:39.000 --> 1:06:42.880
<v Speaker 2>Amazing great set design. This one's a real winner. Doctor

1:06:42.880 --> 1:06:44.840
<v Speaker 2>Fibes is the best.

1:06:45.160 --> 1:06:48.680
<v Speaker 1>Absolutely. Yeah. This one's a lot of fun. Highly recommend it.

1:06:49.280 --> 1:06:52.760
<v Speaker 1>Just just a weird fun picture. Yeah. Probably not for

1:06:52.920 --> 1:06:55.280
<v Speaker 1>the wee kids or anything, but.

1:06:56.200 --> 1:06:59.120
<v Speaker 2>It does get unless we say otherwise. That applies to

1:06:59.160 --> 1:07:00.040
<v Speaker 2>any movie we talked.

1:07:00.480 --> 1:07:02.640
<v Speaker 1>Right, right, But I've got a lot of fun for

1:07:02.760 --> 1:07:06.200
<v Speaker 1>just about everybody else. This one is currently hard to

1:07:06.200 --> 1:07:08.720
<v Speaker 1>stream anywhere as of this recording, at least in the

1:07:08.800 --> 1:07:12.920
<v Speaker 1>United States. There's an old DVD available in the United

1:07:12.920 --> 1:07:16.600
<v Speaker 1>States and that is what I rendered from videodrome to

1:07:16.720 --> 1:07:20.120
<v Speaker 1>watch it. There's a nice aero video Blu Ray for

1:07:20.240 --> 1:07:24.720
<v Speaker 1>regions b Slash two out there. But luckily the folks

1:07:24.720 --> 1:07:28.240
<v Speaker 1>that Videodrome informed that a new Blu Ray edition is

1:07:28.280 --> 1:07:30.960
<v Speaker 1>about to come out from Keno Lorber. It's going to

1:07:31.040 --> 1:07:34.040
<v Speaker 1>come out next month and it's a two pack with

1:07:34.160 --> 1:07:37.600
<v Speaker 1>both Fibes movies in it, Part one and the sequel.

1:07:38.360 --> 1:07:40.760
<v Speaker 1>So if you're excited to check out this film, well, hey,

1:07:40.800 --> 1:07:43.120
<v Speaker 1>it's about here. And who knows, a lot of times

1:07:43.120 --> 1:07:46.320
<v Speaker 1>when these films come out like this, it opens up

1:07:46.400 --> 1:07:49.640
<v Speaker 1>streaming options as well, at least in subsequent months. So

1:07:49.960 --> 1:07:55.360
<v Speaker 1>I feel like Fibes is returning in grandiose fashion, which

1:07:55.400 --> 1:07:57.160
<v Speaker 1>of course fits him perfectly.

1:07:57.480 --> 1:08:00.720
<v Speaker 2>I can't wait. I will probably be trying to grab.

1:08:00.520 --> 1:08:02.840
<v Speaker 1>One of those. Yeah, Keno Lber. They tend to do

1:08:02.920 --> 1:08:05.800
<v Speaker 1>a really good job, all right, Anything else you want

1:08:05.800 --> 1:08:07.920
<v Speaker 1>to say about Doctor Fib'es, I mean, there's so many

1:08:08.080 --> 1:08:09.880
<v Speaker 1>This is one of those movies. It's just so rich

1:08:10.000 --> 1:08:12.320
<v Speaker 1>with weirdness that we didn't even have time to touch

1:08:12.320 --> 1:08:15.800
<v Speaker 1>on everything. There's so many great shots, you know, so

1:08:15.880 --> 1:08:20.600
<v Speaker 1>many nice little details that are either added to a performance,

1:08:20.720 --> 1:08:23.800
<v Speaker 1>or certainly to the background. For instance, I feel like

1:08:23.840 --> 1:08:27.839
<v Speaker 1>we could have just described his organ that he plays.

1:08:27.920 --> 1:08:29.840
<v Speaker 2>Oh yeah, the glowing red organ.

1:08:30.320 --> 1:08:35.800
<v Speaker 1>Oh yeah, it's just so beautifully gothically super villain stylish.

1:08:35.920 --> 1:08:38.519
<v Speaker 1>Oh it's just it has to be seen.

1:08:38.880 --> 1:08:41.960
<v Speaker 2>Don't watch this movie if you're making Brussels sprouts for dinner.

1:08:44.720 --> 1:08:46.599
<v Speaker 1>All right, We're going to go ahead and close out

1:08:46.600 --> 1:08:49.320
<v Speaker 1>this episode, But as always so we'd love to hear

1:08:49.360 --> 1:08:52.679
<v Speaker 1>from everyone out there. Any FIBES fans have any tidbits

1:08:52.680 --> 1:08:55.720
<v Speaker 1>they want to share with us, write in let us know.

1:08:56.800 --> 1:08:58.800
<v Speaker 1>Weird howse Cinema comes out every Friday, and the Stuff

1:08:58.840 --> 1:09:02.440
<v Speaker 1>to Blow Your Mind podcast. We are primarily a podcast

1:09:02.479 --> 1:09:07.479
<v Speaker 1>about science and sometimes mythology and culture and history and

1:09:07.520 --> 1:09:10.479
<v Speaker 1>so forth, but on Fridays we set most of that

1:09:10.560 --> 1:09:12.639
<v Speaker 1>aside and we just focus in on a weird film

1:09:12.720 --> 1:09:15.280
<v Speaker 1>like this one. Core episodes of Stuff to Blow Your

1:09:15.320 --> 1:09:18.160
<v Speaker 1>Mind come out on Tuesdays and Thursdays, Artifact or Monster

1:09:18.240 --> 1:09:21.840
<v Speaker 1>Fact on Wednesday, and on Mondays. We do listener mail huge.

1:09:21.560 --> 1:09:25.400
<v Speaker 2>Thanks as always to our excellent audio producer Seth Nicholas Johnson.

1:09:25.560 --> 1:09:27.240
<v Speaker 2>If you would like to get in touch with us

1:09:27.280 --> 1:09:29.839
<v Speaker 2>with feedback on this episode or any other. To suggest

1:09:29.880 --> 1:09:32.120
<v Speaker 2>a topic for the future, or just to say hello,

1:09:32.280 --> 1:09:34.760
<v Speaker 2>you can email us at contact at stuff to Blow

1:09:34.800 --> 1:09:43.120
<v Speaker 2>your Mind dot com.

1:09:43.240 --> 1:09:46.200
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1:09:46.280 --> 1:09:49.080
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1:09:49.240 --> 1:09:52.000
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