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Speaker 1: First of all, you don't know.

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Speaker 2: All about that high school drama. Girl drama, girl, all about.

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Speaker 3: Them high school queens.

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Speaker 4: We'll take you for a ride, and our comic girl

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Speaker 4: sharing for the right teams.

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Speaker 5: Drama Queens, my girl girl fashion, but your tough girl, you.

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Speaker 3: Could sit with us.

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Speaker 1: Girl drama, Queens Drama, Queens Drama, Queens Drama, Drama, Queens drama, Queens.

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Speaker 6: Guys, did we just become an action movie?

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Speaker 2: We did?

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Speaker 3: My stomach was enoughts this whole episode?

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Speaker 2: We really did you not remember?

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Speaker 3: No?

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Speaker 2: Oh?

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Speaker 3: Fun I did not? Yeah, well Rob you, oh yeah,

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Speaker 3: because well you were in it, but you were watching

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Speaker 3: any of these so we none of us have seen

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Speaker 3: these since? No oh? I mean this episode was the

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Speaker 3: our men are movie Stars episode?

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Speaker 2: Yes for sure?

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Speaker 3: Yeah, every in every way, like Rob you sitting by

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Speaker 3: Sarah's grave, Oh my god, in that suit. It was

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Speaker 3: such old movie star vibes. I was dying. It was

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Speaker 3: also good. Wait, somebody read the synopsis.

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Speaker 4: Okay, okay, okay, okay, hold on before we dive in

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Speaker 4: season nine episode Hardcore Will Never Die, But You will.

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Speaker 4: That deserves a dundun air date March fourteenth, twenty twelve.

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Speaker 4: This is so crazy that these episodes were airing after

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Speaker 4: we'd all left Wilmington.

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Speaker 2: By the way, whoa oh yeah.

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Speaker 4: Okay, okay, sorry. Back to the synopsis. Dan Julian and

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Speaker 4: Chris Keller attempt to rescue Nathan Brooks. Conflict with Xavier escalates,

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Speaker 4: Quinn and Clay revisit the past. This was so wild,

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Speaker 4: total bridle on a shark. But I loved it.

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Speaker 3: I loved it. I loved every second, even the seconds

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Speaker 3: that I hated, like all this stuff with Brooke that

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Speaker 3: was so hard to wash. But I just was so

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Speaker 3: proud of us and how we wait, we got through

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Speaker 3: all of it. I mean, we'll hit every point, but wow, wow, wow, wow,

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Speaker 3: what a.

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Speaker 4: Great To your point though about all of that, I

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Speaker 4: know now one moment that shocked you near the end

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Speaker 4: because you didn't remember what was happening. There was a

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Speaker 4: beat that we'll get to, but you'll know where. I

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Speaker 4: was like, oh my god, I would kill to be

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Speaker 4: seeing this as an audience member who doesn't know that's

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Speaker 4: a bait and switch, because I thought about the feeling

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Speaker 4: of like no, and just every single bit of the episode,

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Speaker 4: to your point, was done so well, from.

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Speaker 2: Action movie to like rom com leading man.

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Speaker 4: Rob, I had the same vibe for you at Sarah's grave,

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Speaker 4: and I.

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Speaker 2: Just the whole time was like, God, this is great.

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Speaker 4: Every single one of these people is great. All these

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Speaker 4: directing choices are great. It was so much fun to

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Speaker 4: watch this episode and be surprised by some things and

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Speaker 4: wish that I was seeing.

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Speaker 2: It for the first time and other my.

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Speaker 3: Brain, what's happened to me? Because I remember a moment

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Speaker 3: where I audibly gasped I was not expected, but I

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Speaker 3: can't remember what it was now.

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Speaker 4: It's when you think Nathan gets shot, and then it's Dimitri,

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Speaker 4: oh yeah in the chair, thinking like, oh my god,

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Speaker 4: they just killed him like as revenge, and I literally

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Speaker 4: was like God, that must have been so fun for

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Speaker 4: the audience to watch a.

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Speaker 3: Thing it was.

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Speaker 6: Then, yeah, I loved that. The whole episode was great. Right, However,

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Speaker 6: the logic police broke down the door for me on

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Speaker 6: that one because I was I found myself going we

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Speaker 6: watched Dan walk in by himself, and then we watched

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Speaker 6: Dan walk in holding nothing but a gun, and I'm like,

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Speaker 6: so I loved the idea, but then and then you

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Speaker 6: could tell they tried to do the band aid fix

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Speaker 6: of Dan going yeah, I carried that drug dealer, and

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Speaker 6: ally myself, I'm like, so we just did to catch

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Speaker 6: the moments you set him down, and then like, yeah,

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Speaker 6: that was the one part where I'm like, come on, did.

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Speaker 3: A couple extra shots to explain that? Yes, just a

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Speaker 3: few Yes, even if Chris Keller had been in charge

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Speaker 3: of him, I would have believed that. That's all I

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Speaker 3: really needed, was like Chris dragging this guy around.

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Speaker 6: Okay, let's let's rewind and go back to the start

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Speaker 6: of the episode. We're going to get to that spot.

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Speaker 6: But the opening with Danny and Julian having a conversation

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Speaker 6: over a body in the trunk. This I didn't know

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Speaker 6: that Dan, Julian and Chris Keller was the high jinks

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Speaker 6: action movie. Yes, that I desperately needed.

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Speaker 3: Yes, I wanted, I want, I want more of those three.

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Speaker 6: Oh my gosh, the the the alchemy between the three

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Speaker 6: of them, it's just it's like comedic umamiye. They they

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Speaker 6: work off each other so well. Yeah, and some of

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Speaker 6: the dialogue was just like at one point Chris goes,

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Speaker 6: Chris Keller's too pretty to go to prison, and Julian goes,

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Speaker 6: That's what I said, refining himself obviously, and Chris Keller

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Speaker 6: in Earnest Goes. You said, Chris Keller was pretty brilliant.

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Speaker 2: So fun, man, all of it was so fun.

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Speaker 4: And watching the volley between Dan and Julian, all of

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Speaker 4: it is great. Julian's like, you said, it was nothing illegal.

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Speaker 4: That's a dead guy, and he's like, well, Dan, he's

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Speaker 4: not dead. It's like, yeah, okay, because kidnapping's less illegal.

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Speaker 4: And you watch this banter and they're having this amazing

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Speaker 4: two hander and Chris popping up as the surprise and

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Speaker 4: then repeating things Julian said, like just absolute comedic gold.

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Speaker 4: They built it in a way, it's like they built

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Speaker 4: a pyramid. It was so well done, and to your point,

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Speaker 4: all I wanted was more of it. I was like, God,

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Speaker 4: we only have a few more episodes, and obviously they're

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Speaker 4: going to rescue Nathan in this one, which yay for Nathan.

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Speaker 2: And Haley, but I want more Dan, Julian and Chris.

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Speaker 3: They should have started that two episodes ago, exactly. I

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Speaker 3: needed all of that's that's hard to do. By the way,

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Speaker 3: what they were all doing, well, let me start by

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Speaker 3: saying I was grateful that when we opened on all

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Speaker 3: that stuff, the way that the cameras were positioned and

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Speaker 3: the types of the types of shots. At least we

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Speaker 3: were kind of making fun of ourselves for how ridiculous

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Speaker 3: it's all gotten. I felt like just the sheer positioning

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Speaker 3: of the cameras was like, what on no, Like, here

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Speaker 3: we are, We're doing our show and it was fun.

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Speaker 3: But what's so hard, I think as an actor is

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Speaker 3: to is to play really heightened dramatic stuff like that

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Speaker 3: in comedy, like it's realistic, which makes it funny if

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Speaker 3: you really just stay as dropped in as possible and

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Speaker 3: be like I would be reacting this way to such

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Speaker 3: extraordinary circumstances, but to also then switch into some really dramatic,

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Speaker 3: vulnerable moments that they had with each other, even in

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Speaker 3: the middle of some of these comedy lines, Like there

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Speaker 3: was a moment when Tyler is talking to Paul, sorry,

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Speaker 3: Chris is talking to Dan, and Chris sort of loses

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Speaker 3: all his pretense. I can't remember what were they saying.

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Speaker 3: I should have written this down, but he was he

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Speaker 3: was talking to Dan about do you guys remember this?

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Speaker 3: It was sort of like a cowboy shot on Tyler,

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Speaker 3: and it was he was going in on Dan about

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Speaker 3: something and Dan turns around and gives it back to him.

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Speaker 3: You don't know what I'm talking about?

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Speaker 2: Was this?

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Speaker 4: Was this when they were talking about Dan goes after

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Speaker 4: what Dan goes after Chris saying you've got a crush

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Speaker 4: on Haley. You want Nathan to stay gone? And then

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Speaker 4: Chris gives it back and he's like, no, you do

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Speaker 4: because you're going to lose your family, your grandkids.

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Speaker 3: Like yeah, it's like very real stuff that they're talking about.

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Speaker 3: This is not just like Shenanigans. They're really going after

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Speaker 3: each other. Yeah, it's that's hard to do. It felt great.

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Speaker 6: Can we really quick? I have a question for you, Droy,

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Speaker 6: because I don't. Can you explain to me how the

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Speaker 6: use of the camera sort of had us like poking

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Speaker 6: fun at ourselves?

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Speaker 3: Okay, it was It was bright colors. For first of all,

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Speaker 3: it felt like there was a lot of light in

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Speaker 3: the room and the collars were really bright, which is

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Speaker 3: a contrast to a lot of the dark, seedy, like

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Speaker 3: we're trying to be realistic about this kidnapping stuff. So

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Speaker 3: that was what I noticed first. And then there's this

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Speaker 3: almost like a fish eye lens on one of the cameras.

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Speaker 3: Where the way that they're leaning in it just felt

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Speaker 3: like a comedy. Those are shots that you see in

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Speaker 3: The Hangover. Yeah, and it's like if you.

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Speaker 4: Think The Usual Suspects or any kind of uh, who

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Speaker 4: Done it? Or mob movie where they're shooting up through

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Speaker 4: the trunk of the car, usually people are leaning in close,

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Speaker 4: but it's not also a fish eye, and I thought

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Speaker 4: it was the fish eye shot up at Dan and

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Speaker 4: Julian through the trunk of the car makes it a

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Speaker 4: little funny because it's an exaggerated lens. And then even

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Speaker 4: when they did the thing like it made they looked

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Speaker 4: so great and hot and leading man. But even when

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Speaker 4: they did the thing where they reached in for Dimitri

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Speaker 4: like this and all the hands came in from the side,

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Speaker 4: it was funny and I was like, Wow, they're really

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Speaker 4: nailing the balance of the action and the comedy. It's

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Speaker 4: a little like City Slickers.

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Speaker 3: Yes, and Nathan's kidnapper, the Shakespeare guy. They did the

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Speaker 3: same shot on him, so he's leaning in and he's

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Speaker 3: doing it was like, what was that movie with Josh

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Speaker 3: Hartnett Seven's.

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Speaker 6: Oh Lucky number sleven sleven?

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Speaker 3: Yeah, Lucky number seven, Like there was some vibes about

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Speaker 3: that that I noticed. Yeah, so hopefully that answers your question.

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Speaker 3: There's like a comedy in the camera, yes, and.

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Speaker 6: One small beef with that first scene with the kidnapper

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Speaker 6: is so, you're gonna tell me this gangster, who is

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Speaker 6: clearly very well read because he's reciting Shakespeare left and right,

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Speaker 6: he doesn't know one of the most popular expressions in

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Speaker 6: the world of say cheese. He says, say the cheese.

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Speaker 6: It's like they made him, You've made this guy so

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Speaker 6: well read, and then he doesn't know say cheese.

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Speaker 7: Cheez.

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Speaker 6: It's a very minor gripe. But I bumped for a moment,

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Speaker 6: was like, come.

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Speaker 2: On, and that's really funny.

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Speaker 4: You know what's interesting, And you're right. It's when you're

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Speaker 4: really paying attention, as obviously we do because we're analyzing

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Speaker 4: this show together, those.

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Speaker 2: Things stand out.

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Speaker 4: And one of the things I've been loving about this,

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Speaker 4: I think, because we are having so much fun with

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Speaker 4: season nine, is the stuff that I'm like, God, I

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Speaker 4: like that they did that. You know, some of it's

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Speaker 4: patently ridiculous, but I loved how when they're having this

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Speaker 4: whole experience together Dan and Julian and Chris, I want again,

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Speaker 4: I want the whole movie. I really liked that they

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Speaker 4: had Julian kind of do a figurative like shake Dan

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Speaker 4: by the shoulders and be like.

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Speaker 2: Do you understand how real this is?

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Speaker 4: The guns and the kidnapping, and like he's really trying

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Speaker 4: to say the thing that no one ever says in

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Speaker 4: an action movie, which is like this is insane and

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Speaker 4: this is not how the real world works.

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Speaker 2: And in a weird way, the.

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Speaker 4: Having, you know, the dad of two young kids try

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Speaker 4: to stop everyone and talk some logical sense into them

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Speaker 4: heightened my experience of it in a way that I

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Speaker 4: don't know, maybe I wouldn't have felt because I'm so

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Speaker 4: used to seeing action movies. We all are there was

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Speaker 4: something great about it. And then even Chris later they

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Speaker 4: kind of they call back to it when Dan and

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Speaker 4: Chris are in the car and they've locked Julian out

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Speaker 4: and Chris is like, I could have kids, I've had

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Speaker 4: all kinds of crazy sex, man, like I gotta go,

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Speaker 4: and it just it was all of it was like

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Speaker 4: perfectly done for who.

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Speaker 2: Each of these men is.

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Speaker 6: Yes, and in that very scene, explain this to me

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Speaker 6: because I was I think I got I tripped on

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Speaker 6: the geography of where that scene was taking place, so

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Speaker 6: they were they actually at the warehouse where Nathan was

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Speaker 6: being held, but just like the other side.

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Speaker 2: Of it, that's what it seemed like, because.

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Speaker 6: That's where I was confused, Like if you're going to

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Speaker 6: exclude him, I mean, first of all, just tell him

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Speaker 6: you're going to pick him up at his house and

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Speaker 6: at least give him the courtesy of being stood up

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Speaker 6: at his own home. But I was confused that, like,

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Speaker 6: if you are doing the right thing, which is this

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Speaker 6: guy has two young kids, I'm not going to let

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Speaker 6: him be a part of it. It felt weird that, like, well,

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Speaker 6: then why are you still driving him to the scene

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Speaker 6: and leaving him with nothing? But why are cutters?

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Speaker 3: So I think I can answer that, And the way

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Speaker 3: I interpreted it is that great speech that he gives

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Speaker 3: to Dan when Dan's like, what is this about you

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Speaker 3: leaving your kids in the car? Is that still what's

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Speaker 3: going on? And Julian says no, and he said a

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Speaker 3: lot of words, but essentially what he was saying is

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Speaker 3: it's about knowing that someone will stand up for you.

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Speaker 3: I'm going to be that kind of a person, that

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Speaker 3: kind of a friend. I'm I'm going to go stand

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Speaker 3: up for my friend and help them no matter what.

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Speaker 3: So I feel like and Dan is also playing emotional

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Speaker 3: mentor to these guys during this whole process in some

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Speaker 3: bizarre way. He's sort of like allowing them in on

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Speaker 3: his mission, but kind of knowing that they both need

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Speaker 3: some kind of boost in their emotional lives that this

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Speaker 3: is going to help them with in some way. So

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Speaker 3: that's kind of how I wrapped it up in my brain, like, Okay,

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Speaker 3: he's going to let him come along.

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Speaker 6: For that that I get. I completely understand, like letting

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Speaker 6: me be a part of it, but then excluding him.

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Speaker 6: My question just was I didn't understand the literal geography,

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Speaker 6: Like there was a guy who appeared to be a lookout,

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Speaker 6: there was a fence. So my confusion is if he's

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Speaker 6: excluding him, didn't he still drive him to the warehouse

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Speaker 6: where it was all about to go down.

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Speaker 3: Right, So he's like, just go just run get out

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Speaker 3: of here, And he's like, Okay, where in tree hill

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Speaker 3: am I that I can? Just Like what road am

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Speaker 3: I about to get on and walk down and like

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Speaker 3: call an uber outside of this warehouse? Like what am

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Speaker 3: I supposed to do? Is that what you're thinking.

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Speaker 6: Rob like, yeah, I just kind of it felt like

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Speaker 6: I understand the move you're making. It's sort of like noble,

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Speaker 6: but you you introduced a wild amount of risk that

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Speaker 6: you didn't need to because you left him in front

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Speaker 6: of this warehouse where bad people are right alone.

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Speaker 3: Yeah, Like I thought for sure when he was crouching

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Speaker 3: down on the phone with you, so.

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Speaker 2: He was going to get caught. Yeah, I thought for sure.

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Speaker 3: One of the gids coming out of the bushes.

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Speaker 2: Well what helped me with that?

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Speaker 4: And I wish they'd done a shot over his shoulder

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Speaker 4: to reinforce it. But because I had gotten up to

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Speaker 4: grab something and sat back down, and I was like,

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Speaker 4: wait a second, this feels ridiculous. So I rewound and

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Speaker 4: rewatched from him running to cut the lock, which is

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Speaker 4: truly the only reason I think I tr to this.

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Speaker 4: He had to run from the car in the shadows

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Speaker 4: up to the gate and then run back so that

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Speaker 4: the you know, the chain would still be there, it

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Speaker 4: would look like it was locked, but the lock was cut.

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Speaker 4: Then they were going to go around the back. So

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Speaker 4: what I realized was Julian was already if you think

295
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Speaker 4: the gate to the warehouse where the guys were that's

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Speaker 4: at least a football field. He's he's probably another sixty

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Speaker 4: feet back at the car when they don't let him in,

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Speaker 4: and then he runs back in the opposite direction of

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Speaker 4: the warehouse into the bushes, so he is pretty far

300
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Speaker 4: from it. But what I thought was missing, because these

301
00:15:38,800 --> 00:15:41,760
Speaker 4: things are all happening so fast, I wish that we

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Speaker 4: had done a thing where when he crouched talking to Brook,

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Speaker 4: he checked over his shoulder and we'd racked so you

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Speaker 4: could see how far away everything was.

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Speaker 3: You could see like a drone shot would have been great.

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Speaker 2: Yeah, just something.

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Speaker 4: I mean, not that we had them then, but like

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Speaker 4: it would have been helpful. And then even to your

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Speaker 4: point Rob understanding, because Dan says it's going to take

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Speaker 4: a while to get back around to the front of

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Speaker 4: the warehouse, I'm like, I wish I could have just

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Speaker 4: And again it's like we're obviously shooting on some side

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Speaker 4: street by the airport in Wilmington, like who knows what

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Speaker 4: was available, But I wish we'd been able to sort

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Speaker 4: of see how they'd crept around and then like where's

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Speaker 4: the other gate and where's the thing. I just felt

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Speaker 4: like I didn't totally understand where we were in space.

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Speaker 3: Okay, Here's something else I didn't understand was the timeline

319
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Speaker 3: because it looked to me like they were in the

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Speaker 3: soundstage with Dimitri in the trunk or whoever that guy's

321
00:16:57,400 --> 00:17:01,160
Speaker 3: name is in the trunk at the same time you're

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Speaker 3: opening the cafe and then they come back to the

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Speaker 3: nighttime stuff and you're still cleaning up the cafe at night.

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Speaker 3: It like it took you all day.

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Speaker 4: It took me twelve hours to do that. Yeah, also

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Speaker 4: by myself. Also listen, Haley's husband is missing, but we

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Speaker 4: do own that cafe together. Like if we'd been broken into,

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Speaker 4: you would have been my first call.

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Speaker 3: Yeah, yes, because maybe it's related.

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Speaker 2: Well right, and.

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Speaker 4: Also whether it's about Nathan or it's about Xavier, why

332
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Speaker 4: would Brooke not call Haley? And why would Brooke not

333
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Speaker 4: call the police. That was a moment where I was like,

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Speaker 4: come on, yeah, give us a little and then she

335
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Speaker 4: just she finds the ex carved in to the bar

336
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Speaker 4: top and isn't like, clearly it's the guy whose name

337
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Speaker 4: starts at X who's threatened to kill me before, who's

338
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Speaker 4: done this, Like, well.

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Speaker 3: She knew I think you did know? Was didn't you

340
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Speaker 3: you knew yes, but then I.

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Speaker 4: Called Julian to be like, I'm not gonna let him

342
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Speaker 4: scare me instead of calling the police, Like, who's doing that?

343
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Speaker 3: Why would you have called the police the second you

344
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Speaker 3: walked into the cafe and saw that. I mean, I

345
00:18:12,000 --> 00:18:13,800
Speaker 3: know they've been letting you down, but like, that's a maser,

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Speaker 3: that's a major crime.

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Speaker 4: And by the way, what I really did, sure, I'm

348
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Speaker 4: cleaning up our place of work. I cleaned up a

349
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Speaker 4: crime scene. Yeah, I disrupted all that evidence. Like, yeah,

350
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Speaker 4: that's the last thing you're.

351
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Speaker 2: Supposed to do.

352
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Speaker 6: This episode was packed with so much good stuff, but

353
00:18:33,840 --> 00:18:37,280
Speaker 6: one thing it was missing was all of Brookes's survival

354
00:18:37,320 --> 00:18:38,600
Speaker 6: instincts and common sense.

355
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Speaker 3: This is okay, actually so weird because when I saw

356
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Speaker 3: the way there was like a look that came over

357
00:18:45,920 --> 00:18:49,040
Speaker 3: your face at the bar, and I thought, oh, this

358
00:18:49,080 --> 00:18:51,160
Speaker 3: is gonna be fun. She's she's on the offense.

359
00:18:51,320 --> 00:18:54,480
Speaker 6: It was home alone face. It was I'm going to

360
00:18:54,560 --> 00:18:56,400
Speaker 6: hatch a plan, like.

361
00:18:56,359 --> 00:18:58,919
Speaker 3: And I thought all the stuff with the electrical circuits

362
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Speaker 3: and all, like, I thought Brooke was on to something.

363
00:19:01,520 --> 00:19:04,760
Speaker 3: She was she was setting him up. So it really

364
00:19:04,880 --> 00:19:06,679
Speaker 3: was very confusing the turn.

365
00:19:06,920 --> 00:19:11,440
Speaker 6: That it took and Okay, a quick question regarding the sequence.

366
00:19:12,200 --> 00:19:15,360
Speaker 6: Are we supposed to think that, you know, the sound

367
00:19:15,440 --> 00:19:18,960
Speaker 6: of like a mobile, like a mobile or like a

368
00:19:19,040 --> 00:19:22,639
Speaker 6: children's toy. Are we supposed to think that that Brooke

369
00:19:22,760 --> 00:19:24,160
Speaker 6: was actually hearing.

370
00:19:23,840 --> 00:19:26,600
Speaker 3: That or was that I thought so he's.

371
00:19:26,160 --> 00:19:29,760
Speaker 6: Too And if that's the case, that's crazy.

372
00:19:29,920 --> 00:19:30,120
Speaker 3: Yeah.

373
00:19:30,160 --> 00:19:32,879
Speaker 4: It's literally like when you watch the person go upstairs

374
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Speaker 4: in a horror movie.

375
00:19:34,600 --> 00:19:35,880
Speaker 2: Yeah, watching.

376
00:19:36,520 --> 00:19:39,520
Speaker 4: First of all, we've never seen Brooke Davis park in

377
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Speaker 4: that parking structure downtown.

378
00:19:41,080 --> 00:19:43,760
Speaker 6: Never. We had no idea what I was always.

379
00:19:43,359 --> 00:19:45,200
Speaker 2: Parked in front of the cafe always.

380
00:19:45,359 --> 00:19:47,600
Speaker 3: Yeah, couldn't they have just set that up? Like all

381
00:19:47,600 --> 00:19:50,560
Speaker 3: the parking spots were taken and they just had show.

382
00:19:50,840 --> 00:19:54,080
Speaker 4: Even if we'd started to see three episodes ago when

383
00:19:54,119 --> 00:19:56,679
Speaker 4: I'm talking shit to you about what a nightmare neighbor

384
00:19:56,760 --> 00:19:58,560
Speaker 4: Tara is at her cafe.

385
00:19:58,480 --> 00:20:00,200
Speaker 2: Yeah, like yeah, and now.

386
00:20:00,160 --> 00:20:03,320
Speaker 4: Her and all her employees come like maybe they were

387
00:20:03,359 --> 00:20:07,080
Speaker 4: taking all the parking spots first, like something.

388
00:20:07,200 --> 00:20:09,240
Speaker 3: Yeah, I'm so sick of parking in this lot. It's

389
00:20:09,240 --> 00:20:11,040
Speaker 3: a half block away from the Yah.

390
00:20:11,160 --> 00:20:13,800
Speaker 4: Yeah, it's like they keep showing up and I came

391
00:20:13,840 --> 00:20:15,800
Speaker 4: at you know, seven am, and they were already here,

392
00:20:16,160 --> 00:20:18,320
Speaker 4: like what you know, imagine having the time to be

393
00:20:18,359 --> 00:20:21,960
Speaker 4: that petty like something where you go, okay, so we

394
00:20:22,040 --> 00:20:24,600
Speaker 4: can't even access our own place of work, and now

395
00:20:24,600 --> 00:20:26,400
Speaker 4: we have to go around the corner and like park

396
00:20:26,440 --> 00:20:29,440
Speaker 4: next to the movie theater or whatever. It would have helped,

397
00:20:30,000 --> 00:20:33,359
Speaker 4: it makes sense. And then a thing that really stuck

398
00:20:33,400 --> 00:20:36,719
Speaker 4: out stuck out to me. I obviously don't think I

399
00:20:36,760 --> 00:20:39,240
Speaker 4: was tracking it in real time when we were shooting,

400
00:20:40,080 --> 00:20:42,520
Speaker 4: but I was like, why is the entire first floor

401
00:20:42,560 --> 00:20:46,160
Speaker 4: of the parking structure empty? Because then it immediately makes

402
00:20:46,200 --> 00:20:48,600
Speaker 4: me ask why did she go to the third floor?

403
00:20:49,400 --> 00:20:53,720
Speaker 4: Like why would I put myself farther away from flat

404
00:20:53,760 --> 00:20:56,320
Speaker 4: ground which is a safety thing.

405
00:20:56,960 --> 00:20:58,960
Speaker 3: So these are the kinds of questions I would ask

406
00:20:59,000 --> 00:20:59,920
Speaker 3: on set all the time.

407
00:21:00,520 --> 00:21:02,800
Speaker 4: Yeah, yeah, you're like, we don't time to get yelled at.

408
00:21:02,920 --> 00:21:04,640
Speaker 3: Yeah, we don't have time for that. Joy I'm like, yeah,

409
00:21:04,640 --> 00:21:06,080
Speaker 3: but it doesn't make sense. I just want everyone to

410
00:21:06,119 --> 00:21:07,600
Speaker 3: know it doesn't make sense. Okay, let's do it.

411
00:21:07,760 --> 00:21:09,320
Speaker 6: And that's a great way to get the Oh, she

412
00:21:09,400 --> 00:21:11,520
Speaker 6: can be a handful, It's like, right, she can just

413
00:21:11,640 --> 00:21:14,399
Speaker 6: ask very obvious questions that the audience is going to

414
00:21:14,480 --> 00:21:14,800
Speaker 6: bump on.

415
00:21:15,040 --> 00:21:18,719
Speaker 4: Well, Interestingly, when you're a woman who is intelligent and

416
00:21:18,760 --> 00:21:22,280
Speaker 4: you say anything out loud, people say she's kind of difficult,

417
00:21:22,280 --> 00:21:25,040
Speaker 4: and you're like, am I am? I just pointing out

418
00:21:25,040 --> 00:21:26,640
Speaker 4: a hole in your story, sir.

419
00:21:27,440 --> 00:21:29,520
Speaker 6: Okay, calm down, Sophia, you sound hysterical.

420
00:21:29,880 --> 00:21:31,840
Speaker 2: Thank you. You know what you're wating. I should really

421
00:21:31,920 --> 00:21:35,320
Speaker 2: I should rein it in. I should rein it in too.

422
00:21:35,400 --> 00:21:36,400
Speaker 2: I'm too emotional.

423
00:21:37,040 --> 00:21:39,520
Speaker 6: I just I just didn't like that we took a

424
00:21:39,680 --> 00:21:44,480
Speaker 6: character who is intelligent and has very good like social

425
00:21:44,520 --> 00:21:47,119
Speaker 6: awareness and I think survival and things. When you've been

426
00:21:47,160 --> 00:21:49,840
Speaker 6: through stuff like that, I think you are very vigilant,

427
00:21:49,920 --> 00:21:54,080
Speaker 6: hyper vigilant. Yes, And so, first of all, Xavier was

428
00:21:54,160 --> 00:21:56,840
Speaker 6: holding the child in the previous episode at the end

429
00:21:56,840 --> 00:21:59,560
Speaker 6: of it. Yet the way he wants to leave a

430
00:21:59,600 --> 00:22:03,280
Speaker 6: calling car is by engraving an X in the counter. Okay,

431
00:22:03,440 --> 00:22:05,400
Speaker 6: you held their child the night before. To me, that's

432
00:22:05,400 --> 00:22:08,000
Speaker 6: the bigger flex. I don't know why, whatever, that doesn't matter. Yeah,

433
00:22:08,280 --> 00:22:11,080
Speaker 6: the fact that, like it couldn't be any more deliberate

434
00:22:11,119 --> 00:22:13,040
Speaker 6: that this guy is letting you know that you are

435
00:22:13,040 --> 00:22:16,160
Speaker 6: in grave danger and he is obviously crazy because he's

436
00:22:16,200 --> 00:22:19,480
Speaker 6: doing stuff that is incriminating himself left and right right. Yes,

437
00:22:19,880 --> 00:22:23,760
Speaker 6: the fact that a you don't tell Julian, even if

438
00:22:23,800 --> 00:22:25,000
Speaker 6: you want to be like, hey, I'm gonna handle it,

439
00:22:25,000 --> 00:22:27,120
Speaker 6: that's cool. But the fact you don't go we got

440
00:22:27,119 --> 00:22:30,480
Speaker 6: broken into and Xavier engraved his name in the counter.

441
00:22:30,800 --> 00:22:34,480
Speaker 6: But then it's like the power goes out again. Keep

442
00:22:34,480 --> 00:22:36,760
Speaker 6: in mind what is happening in your day. It's all

443
00:22:36,840 --> 00:22:39,679
Speaker 6: crazy Xavier stuff. And then then you're like, I'm just

444
00:22:39,720 --> 00:22:42,639
Speaker 6: gonna go for a walk into a dark parking structure.

445
00:22:42,800 --> 00:22:45,159
Speaker 6: It's like all of it was that hole like at

446
00:22:45,200 --> 00:22:47,000
Speaker 6: the start of a horror movie where you're like, why

447
00:22:47,040 --> 00:22:49,639
Speaker 6: are you going back into the house exactly?

448
00:22:49,920 --> 00:22:52,760
Speaker 2: And what's also weird for me? What bumps?

449
00:22:53,160 --> 00:22:55,840
Speaker 4: And again to your point, Joy, it's like we'd bring

450
00:22:55,920 --> 00:22:58,439
Speaker 4: things up and they'd go, well, if we let you

451
00:22:58,480 --> 00:23:01,720
Speaker 4: have this obvious solve, we don't get the payoff of the.

452
00:23:01,600 --> 00:23:02,560
Speaker 2: Scene or whatever.

453
00:23:03,400 --> 00:23:05,960
Speaker 4: I was like, guys, does no one remember that last

454
00:23:05,960 --> 00:23:09,439
Speaker 4: time Xavier attacked Brooke, she bought a gun and became

455
00:23:09,680 --> 00:23:11,840
Speaker 4: like a straight up marksman shooter.

456
00:23:12,000 --> 00:23:14,080
Speaker 2: Yeah, and now you're gonna tell me this man.

457
00:23:14,000 --> 00:23:17,200
Speaker 4: Is working across the street from her and she's not carrying.

458
00:23:17,440 --> 00:23:18,800
Speaker 3: Yeah, she's not prepared.

459
00:23:19,119 --> 00:23:20,000
Speaker 2: Are we cuckoo?

460
00:23:20,400 --> 00:23:23,399
Speaker 6: And not even a taser or mate? I know, like,

461
00:23:23,440 --> 00:23:26,720
Speaker 6: you're going to close a business by yourself at nighttime

462
00:23:26,760 --> 00:23:29,120
Speaker 6: while you are being stalked. Yeah, and you don't even

463
00:23:29,160 --> 00:23:30,800
Speaker 6: bring a steak knife.

464
00:23:30,640 --> 00:23:31,600
Speaker 2: Like straight up.

465
00:23:32,119 --> 00:23:35,000
Speaker 4: It was so surreal to me because I remember talking

466
00:23:35,040 --> 00:23:36,960
Speaker 4: to our bosses and being like, not to sound like

467
00:23:37,000 --> 00:23:40,879
Speaker 4: a completely insane person. But after the third time I

468
00:23:40,920 --> 00:23:44,359
Speaker 4: got followed home by like an unhinged fan in Wilmington.

469
00:23:44,800 --> 00:23:47,480
Speaker 4: And I'm saying unhinged because obviously we have wonderful fans,

470
00:23:47,480 --> 00:23:49,320
Speaker 4: but like, when you follow a stranger home, you must

471
00:23:49,359 --> 00:23:51,600
Speaker 4: be an unhinged person. And I'd like to set a

472
00:23:51,680 --> 00:23:56,440
Speaker 4: line between lovely people and not like I literally went

473
00:23:56,480 --> 00:23:58,560
Speaker 4: and did the sheriff's training course and got a concealed

474
00:23:58,600 --> 00:24:01,680
Speaker 4: carry bermitt. I was like, okay, like, y'all want to

475
00:24:01,680 --> 00:24:05,080
Speaker 4: start following me home, I'm not going to be unprepared.

476
00:24:05,560 --> 00:24:09,800
Speaker 4: Nobody ever attacked me and bashed my face in yeah. Yeah, like,

477
00:24:10,480 --> 00:24:13,840
Speaker 4: but I was scared enough to have a safety plan.

478
00:24:14,960 --> 00:24:18,560
Speaker 4: And so when you think about the level of what

479
00:24:19,000 --> 00:24:23,560
Speaker 4: happened to Brooke, like an assault like that, the kidnapping

480
00:24:23,640 --> 00:24:26,480
Speaker 4: of her foster child, the murder of a kid at

481
00:24:26,520 --> 00:24:29,720
Speaker 4: the local high school, and she's just like drped or

482
00:24:29,800 --> 00:24:31,919
Speaker 4: DRP or dirt. Let me take the elevator to the

483
00:24:31,920 --> 00:24:36,679
Speaker 4: third floor while while someone's playing a cradle song in

484
00:24:36,720 --> 00:24:38,000
Speaker 4: the parking lot.

485
00:24:38,440 --> 00:24:41,920
Speaker 6: No, that is like it says, they're dragging the machete

486
00:24:41,960 --> 00:24:44,560
Speaker 6: along the cement. Yes, just a scariest.

487
00:24:44,600 --> 00:24:47,280
Speaker 4: Yeah, it's like seeing Jason Vorhees in the mask and

488
00:24:47,320 --> 00:24:48,920
Speaker 4: being like, you can be my uber driver.

489
00:24:49,160 --> 00:24:55,320
Speaker 6: Like no, and then the Xavier his speech killed me.

490
00:24:55,400 --> 00:24:58,320
Speaker 6: But it was also that like very telling though, of

491
00:24:58,359 --> 00:25:00,720
Speaker 6: how we handled the villains this season and where I

492
00:25:00,760 --> 00:25:02,720
Speaker 6: think your brook is. You know, she's fighting. This is

493
00:25:02,720 --> 00:25:04,800
Speaker 6: when he's pinned her in the structure and she's like

494
00:25:04,880 --> 00:25:09,679
Speaker 6: why and he says why there is no why, no reason,

495
00:25:09,760 --> 00:25:12,320
Speaker 6: no justice. But I thought the why there is no why.

496
00:25:12,320 --> 00:25:17,199
Speaker 6: I'm like, that explains Tara, that explains Xavier because we

497
00:25:17,400 --> 00:25:20,919
Speaker 6: just have like people playing in eleven, but we haven't

498
00:25:20,960 --> 00:25:24,240
Speaker 6: planted any seeds as to why that behavior makes sense.

499
00:25:24,480 --> 00:25:27,200
Speaker 3: Yes, which is so strange because they wrote Dan so well,

500
00:25:27,359 --> 00:25:30,320
Speaker 3: he's such an en and like they know how to

501
00:25:30,359 --> 00:25:31,840
Speaker 3: do it well.

502
00:25:31,920 --> 00:25:34,119
Speaker 4: But what's interesting if you think about that. I wonder

503
00:25:34,160 --> 00:25:37,480
Speaker 4: if because Obviously Dan had to have a heart, He

504
00:25:37,560 --> 00:25:41,120
Speaker 4: had to have enough motivation that we would willingly ride

505
00:25:41,160 --> 00:25:43,159
Speaker 4: the seesaw of we love him, we hate him, we

506
00:25:43,200 --> 00:25:45,920
Speaker 4: trust him, we don't trust him. Maybe he is a hero,

507
00:25:46,080 --> 00:25:49,480
Speaker 4: Maybe he is the fault for all of this. What's

508
00:25:49,560 --> 00:25:52,439
Speaker 4: frustrating to me about the Xavier and the terra of

509
00:25:52,480 --> 00:25:57,960
Speaker 4: it all, Like back when we met Xavier and Evans

510
00:25:58,160 --> 00:26:01,640
Speaker 4: character was living with him and the things we're all

511
00:26:01,680 --> 00:26:04,399
Speaker 4: going on with Sam and Jack, and you know, we

512
00:26:04,440 --> 00:26:06,199
Speaker 4: wanted to know what was happening to these kids. We

513
00:26:06,320 --> 00:26:10,920
Speaker 4: understood that this was like an unsafe guardian, that there

514
00:26:11,000 --> 00:26:13,200
Speaker 4: was something that had really gone wrong for a kid

515
00:26:13,240 --> 00:26:17,480
Speaker 4: to end up with this guy. And now he's back

516
00:26:18,080 --> 00:26:20,760
Speaker 4: and nothing makes any sense, and it's like he's just

517
00:26:20,800 --> 00:26:25,639
Speaker 4: a patent villain. And of course he has to be like,

518
00:26:25,760 --> 00:26:28,800
Speaker 4: oh yeah, and you shut your little wore mouth. I

519
00:26:28,800 --> 00:26:30,280
Speaker 4: have plans for that mouth.

520
00:26:30,320 --> 00:26:31,240
Speaker 2: It's like, cool me not.

521
00:26:32,359 --> 00:26:35,040
Speaker 4: First of all, Xavier's never known this woman to not

522
00:26:35,160 --> 00:26:38,359
Speaker 4: essentially be married to Julian and as a foster parent,

523
00:26:38,480 --> 00:26:40,879
Speaker 4: Like he didn't know. We're in high school. Let's all

524
00:26:40,920 --> 00:26:42,920
Speaker 4: take a break from what we used to say about her.

525
00:26:43,040 --> 00:26:44,000
Speaker 3: Yeah, that's right.

526
00:26:44,160 --> 00:26:46,920
Speaker 4: So It's like, why is the thing we always go

527
00:26:47,000 --> 00:26:51,879
Speaker 4: to that that men speak to women and about women

528
00:26:51,960 --> 00:26:57,600
Speaker 4: this way? It's so uninteresting and it's unmotivated. So it

529
00:26:57,800 --> 00:27:01,360
Speaker 4: just doubles down on that there is no why, and.

530
00:27:01,720 --> 00:27:06,000
Speaker 6: Let's just follow this storyline through to its end. I listen.

531
00:27:06,080 --> 00:27:11,400
Speaker 6: I loved the Tara twist because I didn't see it coming. However,

532
00:27:13,200 --> 00:27:17,919
Speaker 6: I did not understand. It was very odd to me

533
00:27:18,040 --> 00:27:21,120
Speaker 6: that all of a sudden Tara was able to behave

534
00:27:21,200 --> 00:27:25,840
Speaker 6: and interact like a normal rational person and the explanation

535
00:27:26,040 --> 00:27:29,440
Speaker 6: for everything was just her going, I need to sell

536
00:27:29,480 --> 00:27:34,120
Speaker 6: this cafe. Turns me into a bitch. It's like no, no, no, no, no,

537
00:27:34,560 --> 00:27:38,399
Speaker 6: a bitch is cutting someone off and parking or like flipping. No.

538
00:27:38,520 --> 00:27:44,200
Speaker 6: What you did was like sociopathic level behavior, so psychotic. Yeah,

539
00:27:44,320 --> 00:27:46,159
Speaker 6: it was. Listen to what it was was it was

540
00:27:46,200 --> 00:27:51,360
Speaker 6: a dude writing something and like doing women dirty. Was like, yeah,

541
00:27:52,040 --> 00:27:54,040
Speaker 6: that's what it was. It was just like lazy writing.

542
00:27:54,280 --> 00:27:57,440
Speaker 3: What I really appreciate about you as an actor, Sophia,

543
00:27:58,240 --> 00:28:02,359
Speaker 3: through all of this ridiculous you committed so completely to

544
00:28:02,400 --> 00:28:08,960
Speaker 3: the material, and I think it's probably in the benefit

545
00:28:09,000 --> 00:28:11,520
Speaker 3: of having been through so much on our show on

546
00:28:11,600 --> 00:28:15,440
Speaker 3: and off camera that it was almost like you were

547
00:28:16,240 --> 00:28:19,280
Speaker 3: you were worn out, and not in a way that

548
00:28:19,359 --> 00:28:22,679
Speaker 3: felt it didn't I didn't feel like it was like

549
00:28:22,720 --> 00:28:24,280
Speaker 3: not showing up to work. That's not what I mean.

550
00:28:24,320 --> 00:28:28,959
Speaker 3: It was almost like just I there was an exhaustion,

551
00:28:29,400 --> 00:28:32,760
Speaker 3: like as a woman that I connected with and understood

552
00:28:33,000 --> 00:28:36,560
Speaker 3: and with all of the stuff with Xavier, like he's

553
00:28:36,600 --> 00:28:40,360
Speaker 3: so over the top, and you kept it so so

554
00:28:40,640 --> 00:28:43,120
Speaker 3: under the surface, like you didn't. You didn't let it

555
00:28:43,160 --> 00:28:45,520
Speaker 3: all out and get all get like meet him on.

556
00:28:45,520 --> 00:28:48,480
Speaker 6: His level of didn't match his energy.

557
00:28:48,560 --> 00:28:50,240
Speaker 3: He didn't match his energy. And you did the same

558
00:28:50,240 --> 00:28:53,160
Speaker 3: thing with Tara when she I really appreciated this scene

559
00:28:53,160 --> 00:28:55,320
Speaker 3: when you came or the way you handled it when

560
00:28:55,320 --> 00:28:58,000
Speaker 3: she came and sat or leaned on the car next

561
00:28:58,000 --> 00:29:00,760
Speaker 3: to you and she's quipping and making all these funny

562
00:29:00,760 --> 00:29:03,960
Speaker 3: little remarks. And I could tell in the writing they

563
00:29:04,000 --> 00:29:07,400
Speaker 3: wanted you, guys to banter. They wanted you to banter

564
00:29:07,520 --> 00:29:09,560
Speaker 3: back with her and like, oh, well, thank god this

565
00:29:09,600 --> 00:29:12,160
Speaker 3: is over, yeah ha haha. And I just was like,

566
00:29:12,480 --> 00:29:16,560
Speaker 3: thank God, Sophia. It's just like I felt so much

567
00:29:16,640 --> 00:29:19,360
Speaker 3: confidence coming from you as a person to be able

568
00:29:19,400 --> 00:29:22,239
Speaker 3: to take Brooke into your hands at that moment and go, no,

569
00:29:22,720 --> 00:29:25,240
Speaker 3: I'm not I am not playing this game with the

570
00:29:25,240 --> 00:29:29,160
Speaker 3: writers and making light of this. This was an incredibly dramatic,

571
00:29:30,000 --> 00:29:33,120
Speaker 3: traumatic thing that has happened to real women, and we're

572
00:29:33,120 --> 00:29:35,400
Speaker 3: not gonna We're not just going to like make light

573
00:29:35,400 --> 00:29:37,680
Speaker 3: of it and make cute jokes at the end. So

574
00:29:37,880 --> 00:29:40,200
Speaker 3: no matter how much Tara was like trying to be

575
00:29:40,280 --> 00:29:42,720
Speaker 3: cute and poke at you and like be friends, you

576
00:29:42,800 --> 00:29:47,360
Speaker 3: just you responded like kindly, but you weren't playing along,

577
00:29:47,480 --> 00:29:49,240
Speaker 3: and I was so grateful that you did that.

578
00:29:49,840 --> 00:29:50,240
Speaker 4: Thank you.

579
00:29:50,560 --> 00:29:50,920
Speaker 3: Yeah.

580
00:29:51,000 --> 00:29:54,080
Speaker 4: Yeah, It's one of the things that I think, looking

581
00:29:54,120 --> 00:29:57,120
Speaker 4: back on this journey with all of.

582
00:29:57,120 --> 00:30:01,000
Speaker 2: Us, it's really cool to see the ways.

583
00:30:02,600 --> 00:30:08,600
Speaker 4: We all learned to humanly navigate our characters, because look,

584
00:30:08,680 --> 00:30:12,240
Speaker 4: who's the biggest advocate for your character if not you? Right,

585
00:30:12,800 --> 00:30:15,560
Speaker 4: like we fell for these people. I still feel such

586
00:30:16,440 --> 00:30:18,760
Speaker 4: love and pride for Brooke Davis. And when people are

587
00:30:18,760 --> 00:30:21,080
Speaker 4: like I'm her biggest fan, I'm like, I'm her biggest fan,

588
00:30:21,080 --> 00:30:22,440
Speaker 4: but you can be her secondliest fan.

589
00:30:23,360 --> 00:30:24,920
Speaker 3: Take a number, you know.

590
00:30:25,040 --> 00:30:30,360
Speaker 4: The way that there's just moments where I've thank you, Yes,

591
00:30:30,440 --> 00:30:32,000
Speaker 4: I'm I'm excited your.

592
00:30:31,960 --> 00:30:33,320
Speaker 3: Brain is running faster than your mouth.

593
00:30:33,400 --> 00:30:35,400
Speaker 4: I'm letting the compliment all the way in instead of

594
00:30:35,440 --> 00:30:38,160
Speaker 4: like trying to immediately move on to thirty thousand feet.

595
00:30:38,200 --> 00:30:41,920
Speaker 4: So I'm acknowledging saying and then I'll keep going. But

596
00:30:42,720 --> 00:30:46,600
Speaker 4: I've loved that for all of us. I've loved watching

597
00:30:46,600 --> 00:30:48,800
Speaker 4: each of you do it. I've loved watching our coworkers

598
00:30:48,840 --> 00:30:51,400
Speaker 4: do it where you know what was on the page

599
00:30:51,440 --> 00:30:55,480
Speaker 4: and you go, oh shit, look at that. Like we

600
00:30:55,480 --> 00:30:59,280
Speaker 4: we leaned into the human thing more than we leaned

601
00:30:59,320 --> 00:31:02,560
Speaker 4: into the gimmick. And sometimes they did want a gimmick.

602
00:31:02,640 --> 00:31:06,800
Speaker 4: Sometimes they would, you know, do something that on its

603
00:31:06,880 --> 00:31:10,280
Speaker 4: face is a little too far, like Xavier is scary

604
00:31:10,400 --> 00:31:15,320
Speaker 4: enough without intimating what he intimated in the scene. And

605
00:31:16,480 --> 00:31:18,960
Speaker 4: I love that we all got to a point in

606
00:31:19,000 --> 00:31:24,440
Speaker 4: our work where we knew how to sure say what's

607
00:31:24,480 --> 00:31:27,560
Speaker 4: on the page, but put completely other things into it.

608
00:31:28,720 --> 00:31:30,080
Speaker 2: I don't know, It's like one of the things I

609
00:31:30,080 --> 00:31:31,120
Speaker 2: feel the most.

610
00:31:32,400 --> 00:31:35,480
Speaker 4: Like nostalgic about when I watch all of us together,

611
00:31:35,560 --> 00:31:37,880
Speaker 4: I'm like, well, look at us. We really did some things,

612
00:31:38,400 --> 00:31:51,920
Speaker 4: and we were babies and we did some cool things.

613
00:31:53,600 --> 00:31:55,120
Speaker 3: Rob you had to do a lot of that too.

614
00:31:55,320 --> 00:31:57,880
Speaker 3: You did do a lot of taking material on the

615
00:31:57,880 --> 00:32:02,120
Speaker 3: page that was like, really even just the way the

616
00:32:02,160 --> 00:32:04,600
Speaker 3: words were in a sentence sometimes, you know, and you

617
00:32:04,920 --> 00:32:11,480
Speaker 3: managed to be captivating and interesting and make it feel realistic.

618
00:32:12,280 --> 00:32:16,280
Speaker 3: I mean, I really don't notice the lines until later.

619
00:32:16,480 --> 00:32:18,400
Speaker 3: It's like I'm watching the scene. I'm watching the scene,

620
00:32:18,400 --> 00:32:20,080
Speaker 3: and then you say it, and I'm like, they're with you,

621
00:32:20,160 --> 00:32:22,200
Speaker 3: and then something in the back of my brain goes,

622
00:32:22,720 --> 00:32:23,720
Speaker 3: what were those words?

623
00:32:24,840 --> 00:32:26,080
Speaker 2: Totally Oh my god.

624
00:32:27,520 --> 00:32:30,840
Speaker 4: But it's been so this episode in particular felt like

625
00:32:30,960 --> 00:32:32,160
Speaker 4: such a reward for you.

626
00:32:32,360 --> 00:32:32,560
Speaker 3: Rob.

627
00:32:32,800 --> 00:32:38,240
Speaker 4: Yes, yes, you've had to just commit to so much

628
00:32:38,320 --> 00:32:42,280
Speaker 4: that's wild, and you've done it beautifully. But there was

629
00:32:42,360 --> 00:32:50,160
Speaker 4: this like quiet sparkle in the eye, like cricking your

630
00:32:50,200 --> 00:32:59,640
Speaker 4: smile leading sing man gorgeous, like romantic confidence in this

631
00:32:59,760 --> 00:33:02,280
Speaker 4: whole episode. I was like, I want to watch this.

632
00:33:02,440 --> 00:33:05,320
Speaker 4: I want to watch this. Clay do everything the way you,

633
00:33:05,720 --> 00:33:08,920
Speaker 4: the way Clay spoke to Quinn, the things you reflected on,

634
00:33:10,120 --> 00:33:16,280
Speaker 4: the way I saw you remember Logan say his first word,

635
00:33:16,280 --> 00:33:19,760
Speaker 4: and his first word being dad. When you sat down

636
00:33:19,920 --> 00:33:25,640
Speaker 4: to tell Sarah about what you've figured out, and it's

637
00:33:25,720 --> 00:33:28,440
Speaker 4: the most insane list of things that humans ever had

638
00:33:28,480 --> 00:33:31,360
Speaker 4: to say out loud, and it managed to be so

639
00:33:31,640 --> 00:33:36,960
Speaker 4: grounded and so charming. I I was like, oh my god,

640
00:33:37,000 --> 00:33:38,880
Speaker 4: I love my friend so much. Oh my god, look

641
00:33:38,920 --> 00:33:41,760
Speaker 4: at him. I like everything you've had to do in

642
00:33:41,840 --> 00:33:45,920
Speaker 4: this whole fugue storyline for me as a viewer and

643
00:33:46,000 --> 00:33:49,520
Speaker 4: as your friend, and like, it's it's triple worth it

644
00:33:49,680 --> 00:33:52,960
Speaker 4: to have gotten this episode to just watch you be

645
00:33:53,120 --> 00:33:54,520
Speaker 4: so connected to your story.

646
00:33:56,280 --> 00:33:58,200
Speaker 6: Thank you, thank you, You're beautiful.

647
00:33:58,440 --> 00:34:00,400
Speaker 3: Did you have a lot of planning for that, Rob, Like,

648
00:34:00,680 --> 00:34:02,400
Speaker 3: did they give you a heads up? Like, hey, in

649
00:34:02,440 --> 00:34:06,520
Speaker 3: the next episode, you're gonna come to and realize all

650
00:34:06,520 --> 00:34:09,719
Speaker 3: these things? And you know, like I guess what I'm

651
00:34:09,760 --> 00:34:13,080
Speaker 3: asking is there was such a clear difference in Clay

652
00:34:14,440 --> 00:34:17,120
Speaker 3: who he was in this fugue state and the confusion

653
00:34:17,320 --> 00:34:20,120
Speaker 3: and the self loathing and all of that, and then

654
00:34:20,200 --> 00:34:24,160
Speaker 3: this relief was like suddenly something broke. And I wasn't

655
00:34:24,200 --> 00:34:27,360
Speaker 3: sure if you had like a lot of intentional time

656
00:34:27,400 --> 00:34:30,040
Speaker 3: to plan all those little things that you were going

657
00:34:30,080 --> 00:34:32,200
Speaker 3: to do, or did it come really naturally as soon

658
00:34:32,239 --> 00:34:33,600
Speaker 3: as you found the script.

659
00:34:33,880 --> 00:34:36,439
Speaker 6: No. I mean, first of all, thank you that that's

660
00:34:37,080 --> 00:34:38,440
Speaker 6: means a lot to me. That was very sweet of

661
00:34:38,480 --> 00:34:40,920
Speaker 6: you to say all that no, because you know how

662
00:34:40,920 --> 00:34:43,799
Speaker 6: it is, like we didn't. They rarely gave us heads

663
00:34:43,840 --> 00:34:46,480
Speaker 6: up for stuff like that. Yeah, that was sort of

664
00:34:46,480 --> 00:34:48,920
Speaker 6: their emma was like occasionally you hear something or you

665
00:34:48,920 --> 00:34:50,760
Speaker 6: would go to them to be like what is happening

666
00:34:50,800 --> 00:34:52,680
Speaker 6: and they'd be like, it's eventually going to be this.

667
00:34:53,440 --> 00:34:56,680
Speaker 6: But I do remember that. I just remember thinking, because

668
00:34:57,080 --> 00:34:59,920
Speaker 6: my my north start always is like how can I

669
00:35:00,120 --> 00:35:03,360
Speaker 6: keep this as honest and grounded as possible? Like smaller,

670
00:35:03,480 --> 00:35:06,279
Speaker 6: not bigger. And I just remember thinking with Clay that

671
00:35:07,480 --> 00:35:09,680
Speaker 6: none of this during the fugue stuff, that is, like,

672
00:35:09,840 --> 00:35:12,200
Speaker 6: none of this can be as grounded as I want

673
00:35:12,200 --> 00:35:14,839
Speaker 6: it to be because Clay is not grounded right now.

674
00:35:14,880 --> 00:35:18,920
Speaker 6: He's he's a man unmoored. And this was the first

675
00:35:18,960 --> 00:35:21,360
Speaker 6: episode where I felt like, Okay, now he gets to

676
00:35:21,440 --> 00:35:26,120
Speaker 6: drop back into himself and be grounded. And the dialogue

677
00:35:26,200 --> 00:35:29,080
Speaker 6: was also such a gift given like how ridiculous even

678
00:35:29,120 --> 00:35:30,960
Speaker 6: the episode prior was some of the things I had

679
00:35:31,000 --> 00:35:35,359
Speaker 6: to say. I love that first scene in UH with

680
00:35:35,440 --> 00:35:38,640
Speaker 6: Clay and Quinn in the car because I love that

681
00:35:39,160 --> 00:35:42,560
Speaker 6: we finally got to see and it's happened in smaller moments,

682
00:35:42,560 --> 00:35:46,600
Speaker 6: but like a dedicated moment of Clay just expressing his

683
00:35:46,719 --> 00:35:47,840
Speaker 6: gratitude for Quinn.

684
00:35:48,280 --> 00:35:48,520
Speaker 2: Yes.

685
00:35:49,000 --> 00:35:53,480
Speaker 6: I was like, because this is this is so necessary, it's.

686
00:35:53,280 --> 00:35:56,440
Speaker 3: So achieved and sticking around.

687
00:35:56,360 --> 00:35:59,640
Speaker 6: One hundred percent. And I think if we hadn't seen that,

688
00:36:00,080 --> 00:36:03,839
Speaker 6: it would have actually worked to Clay's detriment because it

689
00:36:03,880 --> 00:36:05,920
Speaker 6: was like, are you not self aware enough to see

690
00:36:06,000 --> 00:36:08,760
Speaker 6: what she's put herself through to be by your side?

691
00:36:09,040 --> 00:36:10,200
Speaker 2: Yeah, what she's done for you.

692
00:36:10,560 --> 00:36:12,960
Speaker 6: I love that the starting point of this journey for

693
00:36:13,000 --> 00:36:16,560
Speaker 6: the two of them was Clay seeing her and appreciating her.

694
00:36:17,080 --> 00:36:19,279
Speaker 6: That was a very sweet starting point. And then I

695
00:36:19,320 --> 00:36:23,880
Speaker 6: thought the grave scene, my favorite part was when he

696
00:36:23,920 --> 00:36:28,600
Speaker 6: said Quinn says hi, because it just felt like this

697
00:36:28,840 --> 00:36:33,839
Speaker 6: very like a wholesome, organic thing where it was like

698
00:36:34,760 --> 00:36:37,080
Speaker 6: there was no shame in it. He didn't feel any

699
00:36:37,120 --> 00:36:39,560
Speaker 6: guilt about it, you know, and he even said like

700
00:36:39,640 --> 00:36:42,040
Speaker 6: you were right because remember like last season, I think

701
00:36:42,080 --> 00:36:45,400
Speaker 6: it was that Sarah was saying, like, dumb, dumb, answer

702
00:36:45,520 --> 00:36:48,560
Speaker 6: the door. She's the one, you know, And so it

703
00:36:48,600 --> 00:36:51,279
Speaker 6: was just great that, Like I loved the clarity with

704
00:36:51,360 --> 00:36:54,160
Speaker 6: Clay where he wasn't feeling guilty or torn about it

705
00:36:54,200 --> 00:36:56,880
Speaker 6: and instead he was just like I love you, and

706
00:36:56,920 --> 00:36:59,239
Speaker 6: you were right and like, holy shit, by the way

707
00:36:59,280 --> 00:37:01,560
Speaker 6: she says, Hi, you know, it was almost like, let's

708
00:37:01,560 --> 00:37:03,480
Speaker 6: be friends, the three of us, Now, this can all

709
00:37:03,480 --> 00:37:07,399
Speaker 6: be cool and copasetic. And so I liked that a lot.

710
00:37:08,000 --> 00:37:10,600
Speaker 3: Yeah, it felt such a relief. It was a damn

711
00:37:10,640 --> 00:37:13,640
Speaker 3: breaking He was finally letting Quinn in, letting Quinn be

712
00:37:13,719 --> 00:37:17,000
Speaker 3: a part of this whole part of his inner world,

713
00:37:17,560 --> 00:37:20,439
Speaker 3: like no wonder he'd been trying to kind of keep

714
00:37:20,440 --> 00:37:24,160
Speaker 3: her at arm's length because there's something unfinished in his mind.

715
00:37:24,640 --> 00:37:27,839
Speaker 6: Did either of you think, because I didn't remember any

716
00:37:27,880 --> 00:37:31,440
Speaker 6: of this, that he was driving to pick up Logan.

717
00:37:32,200 --> 00:37:33,880
Speaker 3: I thought Logan might be in the back seat, but

718
00:37:33,880 --> 00:37:34,600
Speaker 3: because when he.

719
00:37:34,560 --> 00:37:37,680
Speaker 6: Was he was dressed up nice and he had flowers,

720
00:37:37,800 --> 00:37:40,919
Speaker 6: and then he was obviously nervous, I thought, oh, he's

721
00:37:40,920 --> 00:37:45,600
Speaker 6: showing up to Sarah's parents' house to like talk to Logan.

722
00:37:45,719 --> 00:37:48,399
Speaker 3: Yeah, I was watching you too, It didn't I wasn't

723
00:37:48,440 --> 00:37:50,040
Speaker 3: looking for that, did you think it?

724
00:37:50,160 --> 00:37:50,239
Speaker 5: So?

725
00:37:51,239 --> 00:37:53,360
Speaker 4: At one point I was like, where are they going?

726
00:37:54,360 --> 00:37:56,839
Speaker 4: But then I was so interested in the scene that

727
00:37:56,920 --> 00:38:02,000
Speaker 4: it didn't matter. And interestingly enough, then when you guys

728
00:38:02,120 --> 00:38:03,719
Speaker 4: were pulling up to the cemetery.

729
00:38:03,880 --> 00:38:07,600
Speaker 2: I was like, is some dude, are they lost?

730
00:38:07,840 --> 00:38:11,040
Speaker 4: Like it's so hilarious thing about to happen that I

731
00:38:11,080 --> 00:38:13,560
Speaker 4: don't remember. And then when she said I'll be right here,

732
00:38:13,600 --> 00:38:13,840
Speaker 4: I was.

733
00:38:13,840 --> 00:38:14,480
Speaker 6: Like, oh, my God.

734
00:38:14,520 --> 00:38:16,319
Speaker 3: Of course, of course, of.

735
00:38:16,280 --> 00:38:16,920
Speaker 2: Course, of course.

736
00:38:17,719 --> 00:38:22,480
Speaker 4: I was so enamored by you two and where Clay

737
00:38:22,560 --> 00:38:28,960
Speaker 4: had gotten to and interestingly enough, watching the dynamic of

738
00:38:29,040 --> 00:38:32,200
Speaker 4: Clay and Quinn and watching the choices that Sean Tell made,

739
00:38:32,880 --> 00:38:37,439
Speaker 4: I was like, Oh, it's not in her dialogue at

740
00:38:37,440 --> 00:38:39,920
Speaker 4: all in this episode to say I knew you were

741
00:38:39,960 --> 00:38:44,640
Speaker 4: worth the weight. That's what she's giving me. Yeah, And

742
00:38:44,160 --> 00:38:47,839
Speaker 4: the energy was just so lovely. I was having such

743
00:38:47,880 --> 00:38:51,920
Speaker 4: a good time watching you two that I wasn't really

744
00:38:52,080 --> 00:38:54,440
Speaker 4: concerned with, like what you were doing.

745
00:38:55,280 --> 00:38:55,480
Speaker 7: Yeah.

746
00:38:55,520 --> 00:39:01,000
Speaker 2: But one thing that really got me when you first

747
00:39:01,040 --> 00:39:03,200
Speaker 2: walked up to the headstone.

748
00:39:04,320 --> 00:39:08,680
Speaker 8: Was you sat down and you said hi, Angel, and

749
00:39:08,760 --> 00:39:14,840
Speaker 8: I was like, oh, because to have loved and lost

750
00:39:14,960 --> 00:39:19,440
Speaker 8: someone is so profound at a young age, and to

751
00:39:19,640 --> 00:39:20,520
Speaker 8: have to then.

752
00:39:20,520 --> 00:39:25,120
Speaker 4: Figure out how to make space for someone else in

753
00:39:25,160 --> 00:39:27,800
Speaker 4: the land of the living when your person has died

754
00:39:28,160 --> 00:39:35,080
Speaker 4: is so it's so complex. And there was this joy

755
00:39:35,200 --> 00:39:38,759
Speaker 4: in your voice when you said it, and It's such

756
00:39:38,800 --> 00:39:41,480
Speaker 4: a term of endearment that people will say to their partners,

757
00:39:42,560 --> 00:39:47,160
Speaker 4: but the double entendre of like Sarah really is Clay's angel.

758
00:39:47,239 --> 00:39:54,520
Speaker 4: Now I lost it. I was like, that's that's it.

759
00:39:55,920 --> 00:39:59,520
Speaker 4: And for you to have these things to share and

760
00:39:59,560 --> 00:40:01,920
Speaker 4: then to say and Quinn says hi, I was like,

761
00:40:02,000 --> 00:40:06,520
Speaker 4: it's bookended this journey for him to actually be able

762
00:40:06,560 --> 00:40:11,920
Speaker 4: to move on, I sobbed. Yeah, it was beautiful.

763
00:40:12,000 --> 00:40:12,839
Speaker 3: Robbie needed it.

764
00:40:13,120 --> 00:40:15,160
Speaker 6: That was really nice. And hey, come on, speaking of

765
00:40:15,200 --> 00:40:19,840
Speaker 6: father son stuff, let's circle back because Dan saves the

766
00:40:19,960 --> 00:40:24,799
Speaker 6: day and there's a moment when I just again, all

767
00:40:24,840 --> 00:40:29,680
Speaker 6: of Paul was so freaking heroic, like walking slow mo

768
00:40:30,640 --> 00:40:36,280
Speaker 6: a shotgun with never never. I was swooning start to finish.

769
00:40:36,600 --> 00:40:39,720
Speaker 6: But I loved that once he he and Nathan are together,

770
00:40:40,560 --> 00:40:42,800
Speaker 6: he's like checking in on Nathan and then he's like,

771
00:40:42,800 --> 00:40:44,759
Speaker 6: all right, I'm gonna go check the next room, and

772
00:40:44,880 --> 00:40:47,520
Speaker 6: Nathan stops him and says, Dad, it's good to see

773
00:40:47,560 --> 00:40:51,920
Speaker 6: you and to see you. I felt that like Paul

774
00:40:51,960 --> 00:40:54,040
Speaker 6: didn't make a meal of it, but you could tell

775
00:40:54,080 --> 00:40:58,760
Speaker 6: it was like it was like water for Dan's parched soul.

776
00:40:59,160 --> 00:41:03,239
Speaker 3: Yes, I really I'm realizing as you're saying this, like

777
00:41:03,800 --> 00:41:06,680
Speaker 3: this was such an episode for the actors, just for

778
00:41:06,800 --> 00:41:11,360
Speaker 3: all of us to be able to see how real

779
00:41:11,400 --> 00:41:18,200
Speaker 3: actors can handle material, that the material could have pushed

780
00:41:18,200 --> 00:41:19,359
Speaker 3: all of us into a.

781
00:41:19,320 --> 00:41:21,440
Speaker 6: Real big place.

782
00:41:23,280 --> 00:41:25,560
Speaker 3: Yeah, I'm trying to find a nice vocabulary work for it,

783
00:41:25,600 --> 00:41:28,480
Speaker 3: but I can't quite. But yeah, it's it just feels

784
00:41:29,200 --> 00:41:31,120
Speaker 3: it feels like it could have been super over the top.

785
00:41:31,719 --> 00:41:34,880
Speaker 3: It absolutely could have. And the fact that everybody just

786
00:41:34,960 --> 00:41:38,200
Speaker 3: contained it. We all know our characters so well. Everybody

787
00:41:38,320 --> 00:41:41,759
Speaker 3: just held on to it, kept it real close to

788
00:41:41,800 --> 00:41:44,520
Speaker 3: the vest. And that's what draws you in. I think

789
00:41:44,560 --> 00:41:47,319
Speaker 3: as an audience member, you lean in because we're not

790
00:41:47,360 --> 00:41:49,640
Speaker 3: putting all the emotions out on top of everything, even

791
00:41:49,680 --> 00:41:52,200
Speaker 3: though the words are and the action is.

792
00:41:52,719 --> 00:41:56,240
Speaker 6: Yeah, and how about I mean, the twist didn't stop coming.

793
00:41:57,280 --> 00:42:01,080
Speaker 6: So we see Dan gets shot and then we see

794
00:42:01,160 --> 00:42:04,319
Speaker 6: him fall onto Nathan. But it's a clever shot because

795
00:42:04,320 --> 00:42:07,279
Speaker 6: it's about it's like a it's it's like a two

796
00:42:07,320 --> 00:42:09,440
Speaker 6: te it's like basically from his belly button up is

797
00:42:09,440 --> 00:42:13,600
Speaker 6: the shot essentially, and he just says, I'm so sorry, son,

798
00:42:14,200 --> 00:42:16,680
Speaker 6: and then he falls down, and what we've come to

799
00:42:16,760 --> 00:42:19,279
Speaker 6: find out though, is that he had tucked his gun.

800
00:42:19,160 --> 00:42:21,480
Speaker 2: Into Nathanson's waist hand line?

801
00:42:21,560 --> 00:42:22,440
Speaker 6: Yeah, waistband?

802
00:42:22,680 --> 00:42:24,400
Speaker 3: Oh is that where it came from?

803
00:42:24,560 --> 00:42:26,000
Speaker 2: Yeah, I was in Dan's hand.

804
00:42:26,680 --> 00:42:29,120
Speaker 6: That's why the shot was a little higher. Otherwise you've

805
00:42:29,120 --> 00:42:29,880
Speaker 6: seen it happen.

806
00:42:30,200 --> 00:42:32,480
Speaker 3: I was waiting for Dan to turn around and shoot.

807
00:42:32,760 --> 00:42:35,520
Speaker 4: When Dan puts his arms around Nathan, he tucks it

808
00:42:35,560 --> 00:42:36,240
Speaker 4: in his waist.

809
00:42:37,200 --> 00:42:40,480
Speaker 6: So it's like his last move actually was enabling his

810
00:42:40,560 --> 00:42:47,120
Speaker 6: son to save himself. Heroic. Yeah it was good man. Okay,

811
00:42:47,160 --> 00:42:50,560
Speaker 6: did anyone what was your reaction when then the cop

812
00:42:50,680 --> 00:42:51,479
Speaker 6: runs in the room.

813
00:42:52,000 --> 00:42:55,120
Speaker 4: I just was like, oh, come on, Like, we can't

814
00:42:55,160 --> 00:42:59,280
Speaker 4: have one minute, but I will say what I loved.

815
00:43:00,840 --> 00:43:03,600
Speaker 4: I loved getting a button on the on the Buddy

816
00:43:03,640 --> 00:43:08,279
Speaker 4: comedy of Dan, Julian and Chris because I wasn't expecting it.

817
00:43:09,080 --> 00:43:11,799
Speaker 4: I did not remember that Julian came in as the

818
00:43:11,840 --> 00:43:15,120
Speaker 4: foil at the end either all. And it was so

819
00:43:15,320 --> 00:43:18,040
Speaker 4: great because it's exactly what you brought up earlier, Rob.

820
00:43:18,080 --> 00:43:23,560
Speaker 4: It's it's all these guys figuring it out together and

821
00:43:23,680 --> 00:43:27,919
Speaker 4: Julian saying essentially saying to Dan, I don't really care

822
00:43:27,960 --> 00:43:30,359
Speaker 4: what you consider my friendship with your son. To be.

823
00:43:31,440 --> 00:43:34,560
Speaker 4: He's my friend, so I'll show up for him.

824
00:43:34,520 --> 00:43:36,160
Speaker 2: Like it's such a it's.

825
00:43:36,000 --> 00:43:40,200
Speaker 4: Such a gesture, and I think, I don't know, it's

826
00:43:40,239 --> 00:43:44,200
Speaker 4: a It's a really nice reminder about you know, your

827
00:43:44,239 --> 00:43:47,520
Speaker 4: integrity and what you can do when you can for people,

828
00:43:47,680 --> 00:43:52,880
Speaker 4: and him coming in at the end was a lovely payoff.

829
00:43:53,719 --> 00:43:55,759
Speaker 4: But man, when the cop came around the corner, I

830
00:43:55,760 --> 00:43:57,120
Speaker 4: was like, you gotta be kidding me.

831
00:43:57,160 --> 00:43:57,760
Speaker 2: I was pissed.

832
00:43:58,120 --> 00:43:59,040
Speaker 3: They were all there.

833
00:44:00,320 --> 00:44:03,800
Speaker 6: Yeah, I when he walked in, I'm like, come on.

834
00:44:04,400 --> 00:44:06,160
Speaker 6: Especially by this point in the episode, there's almost like

835
00:44:06,200 --> 00:44:08,680
Speaker 6: a drenal fatigue where we've had so many.

836
00:44:08,280 --> 00:44:12,600
Speaker 3: Ye and then and then, but that cop had to go,

837
00:44:12,719 --> 00:44:15,279
Speaker 3: Like we had to resolve that ycause everybody knew he

838
00:44:15,320 --> 00:44:16,720
Speaker 3: was outstanding.

839
00:44:16,440 --> 00:44:19,960
Speaker 6: And it created the space for Julian to have that

840
00:44:20,160 --> 00:44:23,319
Speaker 6: sweet hero moment. So yeah, I allowed it. But when

841
00:44:23,360 --> 00:44:25,600
Speaker 6: it first started to happen, I was like, let this

842
00:44:25,920 --> 00:44:31,399
Speaker 6: freaking guy get out of here already. Yeah, it was.

843
00:44:31,520 --> 00:44:32,040
Speaker 6: It was great.

844
00:44:32,080 --> 00:44:33,319
Speaker 2: Though, where are kids?

845
00:44:33,360 --> 00:44:34,960
Speaker 3: By the way, isn't.

846
00:44:34,880 --> 00:44:36,440
Speaker 6: Jamie with oh those kids?

847
00:44:36,560 --> 00:44:36,759
Speaker 7: Yeah?

848
00:44:36,840 --> 00:44:40,200
Speaker 2: Good questions. There was not a child in this episode.

849
00:44:40,400 --> 00:44:42,560
Speaker 3: Yeah, I mean, I get Haley. Maybe he's got Jamie

850
00:44:42,560 --> 00:44:44,440
Speaker 3: but maybe Haley's looking at it, but it's just the

851
00:44:44,440 --> 00:44:46,279
Speaker 3: fact that brook shows up at the cafe and then

852
00:44:46,680 --> 00:44:49,160
Speaker 3: she's still cleaning up twelve hours later, and then Julian's

853
00:44:49,160 --> 00:44:49,759
Speaker 3: gone all day.

854
00:44:50,239 --> 00:44:51,840
Speaker 2: Yeah, somebody's gotta have it.

855
00:44:52,160 --> 00:44:54,960
Speaker 6: They're back at home with Brooks common sense and survival.

856
00:44:56,320 --> 00:44:58,560
Speaker 4: Also, can I just say one thing, And I remember,

857
00:44:58,800 --> 00:45:02,560
Speaker 4: sweet Greg, who I believe directed this episode, really had

858
00:45:02,600 --> 00:45:05,319
Speaker 4: to talk me through this because there was all sorts

859
00:45:05,360 --> 00:45:08,759
Speaker 4: of things that felt ridiculous. When the power went out

860
00:45:09,400 --> 00:45:11,080
Speaker 4: and they were like, and then you're gonna light the

861
00:45:11,080 --> 00:45:14,160
Speaker 4: scene with your iPhone flashlight and I was like, yeah, okay,

862
00:45:14,480 --> 00:45:16,719
Speaker 4: so obviously you know, you turn on a flashlight, you

863
00:45:16,760 --> 00:45:19,759
Speaker 4: point it out, and then they're like, but we can't

864
00:45:19,760 --> 00:45:21,960
Speaker 4: see you, so you have to light yourself with the flashlight.

865
00:45:22,000 --> 00:45:26,200
Speaker 4: And I'm like, I have to be dumb enough to

866
00:45:26,400 --> 00:45:31,000
Speaker 4: shine my phone flashlight in my own face in the dark.

867
00:45:31,080 --> 00:45:33,120
Speaker 4: And literally Greg looked at me, he goes, I know,

868
00:45:33,920 --> 00:45:38,400
Speaker 4: I'm sorry, but I need you to light yourself. So

869
00:45:38,480 --> 00:45:41,600
Speaker 4: we literally had to figure out like Okay, I'll turn

870
00:45:41,640 --> 00:45:45,799
Speaker 4: it on, i'll swipe out, i'll come around, i'll look

871
00:45:45,960 --> 00:45:49,160
Speaker 4: past it. We had to do all this dancing to

872
00:45:49,480 --> 00:45:53,279
Speaker 4: try to not have me look dumb enough to shine

873
00:45:53,280 --> 00:45:54,640
Speaker 4: a flashlight in my own eyes.

874
00:45:54,880 --> 00:45:57,080
Speaker 3: And I was just like, I mean, thank god he

875
00:45:57,120 --> 00:45:59,520
Speaker 3: at least acknowledged it and acknowledged it and didn't try

876
00:45:59,560 --> 00:46:01,440
Speaker 3: and make it. Yeah, I'm like, oh, well, your motivation

877
00:46:01,520 --> 00:46:03,080
Speaker 3: could be blah blah BLUs you No, it.

878
00:46:03,120 --> 00:46:05,759
Speaker 2: Was like I know, I need you to do it.

879
00:46:05,800 --> 00:46:08,160
Speaker 3: And I was like, okay, it didn't cross my mind

880
00:46:08,200 --> 00:46:09,719
Speaker 3: once if that helps it.

881
00:46:10,040 --> 00:46:12,600
Speaker 4: The muscle memory came right out when I did this

882
00:46:12,880 --> 00:46:13,880
Speaker 4: and then this, I was.

883
00:46:13,880 --> 00:46:19,280
Speaker 6: Like that flash you're you're a legend because you already

884
00:46:19,320 --> 00:46:21,360
Speaker 6: had you had your work cut out for you on

885
00:46:21,400 --> 00:46:25,080
Speaker 6: this one, because the Brook Xavier storyline was definitely just

886
00:46:25,160 --> 00:46:28,200
Speaker 6: the like what are we what's happening? And then the

887
00:46:28,280 --> 00:46:31,279
Speaker 6: fact that because that's the kind of thing like you

888
00:46:31,760 --> 00:46:34,680
Speaker 6: can't crush an actor's spirit and you're already asking them

889
00:46:34,880 --> 00:46:39,080
Speaker 6: to like do some serious heavy lifting and like logic suspension.

890
00:46:39,440 --> 00:46:41,239
Speaker 6: So the fact that you had to do the storyline

891
00:46:41,360 --> 00:46:45,279
Speaker 6: and also again, you are an intelligent adult who's been

892
00:46:45,280 --> 00:46:48,000
Speaker 6: in the world for a while. Shine your flashlight not

893
00:46:48,080 --> 00:46:50,680
Speaker 6: at your surroundings but into your own face.

894
00:46:51,200 --> 00:46:53,920
Speaker 3: Yeah, that breaks the camera exactly.

895
00:46:53,680 --> 00:46:55,360
Speaker 6: That can easily be the note where you're like, you

896
00:46:55,400 --> 00:47:02,800
Speaker 6: know what, Nah, I'll trailer quick, I'll be in my trailer.

897
00:47:02,960 --> 00:47:04,520
Speaker 3: Yeah.

898
00:47:04,800 --> 00:47:08,239
Speaker 4: I was like, okay, so I have to be a

899
00:47:08,280 --> 00:47:11,879
Speaker 4: moron and my own DP today, got it, got it?

900
00:47:11,920 --> 00:47:13,920
Speaker 2: But you know what, we did it and here we are.

901
00:47:14,480 --> 00:47:18,920
Speaker 6: Great episode. I am very curious what we're going to

902
00:47:19,000 --> 00:47:22,520
Speaker 6: do in the next three right gosh, because I feel

903
00:47:22,560 --> 00:47:26,200
Speaker 6: like we've I only know one thing. I know Clay

904
00:47:26,400 --> 00:47:30,399
Speaker 6: and Quinn and Logan's endgame, but I really recall anything else.

905
00:47:30,440 --> 00:47:33,279
Speaker 6: So I'm very curious to see what we have three

906
00:47:33,320 --> 00:47:33,920
Speaker 6: episodes of.

907
00:47:34,480 --> 00:47:37,600
Speaker 4: Yeah, Like, I'm so excited. I am just so excited

908
00:47:37,640 --> 00:47:39,239
Speaker 4: for the Haley and Nathan reunion.

909
00:47:39,960 --> 00:47:40,560
Speaker 6: Me doo.

910
00:47:41,040 --> 00:47:45,520
Speaker 4: And it's interesting too. You know, we didn't talk about this,

911
00:47:45,600 --> 00:47:48,000
Speaker 4: and I want to before the episode's over. You know,

912
00:47:48,040 --> 00:47:50,279
Speaker 4: it's not lost on me that this is exactly when

913
00:47:50,320 --> 00:47:55,000
Speaker 4: you should have essentially been on like Matt leave and weren't,

914
00:47:55,280 --> 00:47:57,239
Speaker 4: so you had to come to work and you still

915
00:47:57,239 --> 00:48:00,239
Speaker 4: had a very young baby at home. I thought, with

916
00:48:01,640 --> 00:48:06,120
Speaker 4: the way this episode really segmented into different verticals, I

917
00:48:06,200 --> 00:48:08,959
Speaker 4: was like, wow, you know they're doing right by Joy

918
00:48:09,000 --> 00:48:12,120
Speaker 4: by giving her some serious time off. With her new baby,

919
00:48:12,960 --> 00:48:17,520
Speaker 4: and the way they used you in the house, moving

920
00:48:17,640 --> 00:48:21,840
Speaker 4: around kind of trapped with your own memories and anxiety.

921
00:48:21,880 --> 00:48:23,720
Speaker 4: Even the fact that they put you on the treadmill

922
00:48:23,800 --> 00:48:28,080
Speaker 4: for that one scene so short, nothing said, but it

923
00:48:28,160 --> 00:48:33,400
Speaker 4: communicated so much about this woman feels trapped inside in

924
00:48:34,040 --> 00:48:34,680
Speaker 4: her mind.

925
00:48:34,480 --> 00:48:38,839
Speaker 2: In her life. And I don't know. I loved. I

926
00:48:38,920 --> 00:48:39,840
Speaker 2: loved the way.

927
00:48:39,640 --> 00:48:43,239
Speaker 4: That they did things because I thought they were a

928
00:48:43,280 --> 00:48:48,160
Speaker 4: great storytelling with you know, limited time and be that

929
00:48:48,960 --> 00:48:52,719
Speaker 4: on a show where we very rarely were considered as

930
00:48:52,840 --> 00:48:56,240
Speaker 4: people by the people in charge. I was like, good,

931
00:48:56,440 --> 00:48:59,520
Speaker 4: good for them, Good for them for like not just

932
00:48:59,560 --> 00:49:02,439
Speaker 4: making her do a bunch of frivolous stuff, especially after

933
00:49:02,600 --> 00:49:05,200
Speaker 4: like the Morgue episode and everything. I liked that they

934
00:49:05,239 --> 00:49:07,719
Speaker 4: gave you a beat to just like be a human

935
00:49:07,760 --> 00:49:10,440
Speaker 4: did too, before you get some happiness.

936
00:49:10,719 --> 00:49:14,560
Speaker 3: Yeah, and it worked because she knew what Dan was doing,

937
00:49:14,640 --> 00:49:16,960
Speaker 3: Like he kicked her out of the sound stage and

938
00:49:17,000 --> 00:49:18,880
Speaker 3: she's like, Okay, he's on it, and I just have

939
00:49:18,920 --> 00:49:19,759
Speaker 3: to wait. There's nothing else.

940
00:49:19,800 --> 00:49:20,480
Speaker 2: I just have to wait.

941
00:49:21,520 --> 00:49:24,160
Speaker 6: Yes, too, It's nice that we were able to probably

942
00:49:24,160 --> 00:49:25,799
Speaker 6: shoot you out in a day because you were just

943
00:49:25,840 --> 00:49:28,680
Speaker 6: at your on location. I also just want to remind

944
00:49:28,719 --> 00:49:32,040
Speaker 6: everyone that you had to tart yourself up to the

945
00:49:32,520 --> 00:49:36,839
Speaker 6: nice last episode and you had to run on a

946
00:49:37,000 --> 00:49:40,439
Speaker 6: treadmill in this episode. So while we were playing, while

947
00:49:40,440 --> 00:49:42,600
Speaker 6: the show was playing ball with you to an extent,

948
00:49:43,320 --> 00:49:46,880
Speaker 6: they weren't making it like overly easy. Oh, definitely not

949
00:49:47,080 --> 00:49:47,279
Speaker 6: on it.

950
00:49:47,360 --> 00:49:47,640
Speaker 7: Yeah.

951
00:49:47,960 --> 00:49:50,360
Speaker 3: Well, by the time I mean, I guess I had

952
00:49:51,040 --> 00:49:53,759
Speaker 3: Maria was probably about nine months by the time we

953
00:49:53,760 --> 00:49:57,200
Speaker 3: were shooting that, maybe a real months, yeah, because she

954
00:49:57,280 --> 00:49:59,759
Speaker 3: was born in February, so I think we shot that

955
00:50:00,280 --> 00:50:04,080
Speaker 3: in October because we were done by November. Yeah, so

956
00:50:04,120 --> 00:50:07,359
Speaker 3: we probably shot this like early October. So I was

957
00:50:07,440 --> 00:50:09,960
Speaker 3: pretty well healed and I was out for runs and

958
00:50:10,080 --> 00:50:12,239
Speaker 3: trying to drop the babywait and all that. So I

959
00:50:12,280 --> 00:50:19,600
Speaker 3: think physically I was I was doing okay, but it's

960
00:50:19,640 --> 00:50:21,520
Speaker 3: but yes, like still just to be able to have

961
00:50:21,560 --> 00:50:24,480
Speaker 3: time with her because she was born. We wrapped, we

962
00:50:24,520 --> 00:50:29,160
Speaker 3: had a hiatus, and then I came back. Yeah, and

963
00:50:29,239 --> 00:50:31,279
Speaker 3: a lot was different in my life, so it was

964
00:50:31,400 --> 00:50:32,600
Speaker 3: it was really helpful.

965
00:50:32,960 --> 00:50:35,560
Speaker 6: Before we wrap this up, I want to say I

966
00:50:35,600 --> 00:50:41,120
Speaker 6: loved the last shot of the episode of Haley watching

967
00:50:41,160 --> 00:50:44,319
Speaker 6: the videos of Nathan and the phone ring and just

968
00:50:44,440 --> 00:50:47,920
Speaker 6: it was such a simple shot of just you looking

969
00:50:47,960 --> 00:50:51,239
Speaker 6: at the phone, but as an audience member who was

970
00:50:51,280 --> 00:50:53,759
Speaker 6: putting all of their own stuff on it, I was like,

971
00:50:54,160 --> 00:50:56,200
Speaker 6: oh my god, kind of looks like she might know,

972
00:50:56,680 --> 00:50:59,479
Speaker 6: like she has intuition. And the fact that we didn't

973
00:50:59,480 --> 00:51:01,440
Speaker 6: get the payoff of seeing you pick up the phone.

974
00:51:01,440 --> 00:51:04,480
Speaker 6: I just thought that was such a smart, powerful way.

975
00:51:04,719 --> 00:51:06,320
Speaker 2: Wait didn't we I said, hello?

976
00:51:06,640 --> 00:51:09,799
Speaker 6: Well the hello, but then black oh yeah, yeah, yeah, sorry,

977
00:51:09,800 --> 00:51:12,200
Speaker 6: we didn't. We didn't get the reciprocity. Yeah, your side.

978
00:51:12,440 --> 00:51:15,239
Speaker 3: Was it Nathan's phone that was calling me? Because it

979
00:51:15,280 --> 00:51:17,520
Speaker 3: looked I couldn't quite tell, but the screen looked like

980
00:51:17,560 --> 00:51:19,200
Speaker 3: it said Nathan. That's why I was like, oh my god,

981
00:51:19,280 --> 00:51:21,279
Speaker 3: Nathan's phone is calling me. But what does this mean?

982
00:51:21,640 --> 00:51:22,800
Speaker 6: Was the true phone?

983
00:51:23,040 --> 00:51:24,440
Speaker 3: I thought it was a cell phone that I had.

984
00:51:24,480 --> 00:51:26,799
Speaker 4: That would be crazy you answered a cell phone, but

985
00:51:26,800 --> 00:51:29,560
Speaker 4: it would be crazy because they smashed Nathan's.

986
00:51:29,160 --> 00:51:32,960
Speaker 2: Phone to bits. Yeah, but I I was wondering.

987
00:51:33,120 --> 00:51:36,600
Speaker 4: I was like, oh my god, we've got Nathan and Julian.

988
00:51:36,760 --> 00:51:39,319
Speaker 4: Julian's pulling out his phone. Dan's been shot. Julian must

989
00:51:39,320 --> 00:51:43,040
Speaker 4: be calling nine one one. So I'm sitting there thinking,

990
00:51:43,360 --> 00:51:47,080
Speaker 4: is Nathan going to call her from Dan's phone. Julian's

991
00:51:47,080 --> 00:51:48,680
Speaker 4: going to call nine one one? And then is he

992
00:51:49,040 --> 00:51:51,080
Speaker 4: Is he going to call Haley immediately next?

993
00:51:51,320 --> 00:51:52,399
Speaker 2: Like what?

994
00:51:52,800 --> 00:51:55,560
Speaker 4: I started running through all the possibilities of who who

995
00:51:55,600 --> 00:51:56,640
Speaker 4: could be calling you?

996
00:51:57,239 --> 00:52:01,120
Speaker 3: Yeah? And wait, did we see Julian driving the car past?

997
00:52:01,480 --> 00:52:03,319
Speaker 3: Like we didn't see that?

998
00:52:03,480 --> 00:52:05,800
Speaker 6: Okay, No, we just saw him. I think we just

999
00:52:05,880 --> 00:52:07,759
Speaker 6: saw him on his phone. I believe. I think we

1000
00:52:07,800 --> 00:52:09,120
Speaker 6: heard him talking to nine one one.

1001
00:52:09,200 --> 00:52:09,399
Speaker 2: Yeah.

1002
00:52:09,400 --> 00:52:12,279
Speaker 4: They were kneeling over Dan and he pulled Nathan went

1003
00:52:12,320 --> 00:52:14,000
Speaker 4: to like put his hands on his chest. I guess

1004
00:52:14,080 --> 00:52:17,840
Speaker 4: to pressurize his wound. Julian pulled the phone out and

1005
00:52:17,920 --> 00:52:18,680
Speaker 4: started to die.

1006
00:52:18,920 --> 00:52:22,520
Speaker 5: Oh that's right, right, So it's like, oh, it was

1007
00:52:22,640 --> 00:52:26,799
Speaker 5: just such good suspense because we all know what we're

1008
00:52:26,840 --> 00:52:29,160
Speaker 5: waiting for, what we've been waiting for, is about to happen,

1009
00:52:29,200 --> 00:52:30,760
Speaker 5: and now we have to wait another week.

1010
00:52:31,280 --> 00:52:44,840
Speaker 7: Well we don't, but back then he did.

1011
00:52:45,800 --> 00:52:49,880
Speaker 6: Oh my gosh, this listener question is so good and

1012
00:52:50,239 --> 00:52:53,920
Speaker 6: so timely. Selene asks, if you were in the shoes

1013
00:52:54,000 --> 00:52:58,600
Speaker 6: of Logan's grandparents, how would you handle Clay remembering and

1014
00:52:58,680 --> 00:53:00,760
Speaker 6: wanting to come back into Logan's life.

1015
00:53:01,040 --> 00:53:03,759
Speaker 3: Ooh, we're gonna find out in the next episode how

1016
00:53:03,800 --> 00:53:07,960
Speaker 3: they handle it. But how would you, guys, how do

1017
00:53:08,000 --> 00:53:08,799
Speaker 3: you feel about that?

1018
00:53:09,200 --> 00:53:11,680
Speaker 6: I mean, you gotta be like, you gotta let it happen,

1019
00:53:11,719 --> 00:53:16,000
Speaker 6: but you also got to be a little guarded, right, Yeah.

1020
00:53:15,600 --> 00:53:22,680
Speaker 4: Yeah, I mean that's his dad, and there's something interesting, right.

1021
00:53:22,760 --> 00:53:25,720
Speaker 4: I think there's a double edged sword with mental health

1022
00:53:26,560 --> 00:53:29,440
Speaker 4: because we understand how serious it is, and we also

1023
00:53:29,640 --> 00:53:33,280
Speaker 4: have historically been so dismissive and judgmental of people's mental health.

1024
00:53:34,040 --> 00:53:37,880
Speaker 4: So I immediately go to how evolved are they? How

1025
00:53:37,960 --> 00:53:40,360
Speaker 4: much therapy have they done? How much do they know that?

1026
00:53:40,440 --> 00:53:43,920
Speaker 4: There's no way your brain could have returned to this

1027
00:53:44,080 --> 00:53:48,160
Speaker 4: place with this person until it was ready to. And

1028
00:53:48,280 --> 00:53:50,400
Speaker 4: I would imagine, you know, he's six years old, if

1029
00:53:50,440 --> 00:53:54,799
Speaker 4: he's been living with his grandparents for five years. Of

1030
00:53:54,920 --> 00:53:59,360
Speaker 4: course they know he has parents, but they've been his

1031
00:53:59,440 --> 00:54:01,680
Speaker 4: primary care giver. They are the ones who give him,

1032
00:54:01,880 --> 00:54:03,640
Speaker 4: you know, his baths and put him to bed.

1033
00:54:03,680 --> 00:54:05,879
Speaker 2: And the loss of.

1034
00:54:07,280 --> 00:54:12,600
Speaker 4: The regularity with a child is so hard in a family,

1035
00:54:13,239 --> 00:54:15,759
Speaker 4: and so it must I mean, my god, I would

1036
00:54:15,800 --> 00:54:18,040
Speaker 4: imagine it would be so complicated for them.

1037
00:54:18,719 --> 00:54:18,919
Speaker 6: Yeah.

1038
00:54:18,960 --> 00:54:21,320
Speaker 3: I guess it depends on whether or not they told

1039
00:54:21,400 --> 00:54:23,919
Speaker 3: him did they like, are they what?

1040
00:54:24,120 --> 00:54:24,480
Speaker 2: How do you?

1041
00:54:24,560 --> 00:54:26,480
Speaker 3: What do you say to the First of all, clearly,

1042
00:54:26,480 --> 00:54:29,560
Speaker 3: they never showed him a photo of his own father, obviously,

1043
00:54:29,600 --> 00:54:32,479
Speaker 3: which is like, what only ever pictures of his mom

1044
00:54:32,560 --> 00:54:34,799
Speaker 3: who he knew died, but he they don't show So

1045
00:54:34,960 --> 00:54:37,680
Speaker 3: that's a huge hole in the story in the first place.

1046
00:54:37,680 --> 00:54:39,439
Speaker 3: And if they are the kind of people who did

1047
00:54:39,480 --> 00:54:44,759
Speaker 3: not show him the photo of his father, then I

1048
00:54:44,840 --> 00:54:48,319
Speaker 3: don't imagine they would be too keen to suddenly like

1049
00:54:48,640 --> 00:54:51,480
Speaker 3: just let him come back in. Would they also be

1050
00:54:52,400 --> 00:54:55,600
Speaker 3: the type to hide from him that his father even

1051
00:54:55,640 --> 00:54:57,680
Speaker 3: existed anymore, Like they could have made up a lie

1052
00:54:57,719 --> 00:55:00,280
Speaker 3: that's like, he doesn't he's he died with your mom?

1053
00:55:00,920 --> 00:55:02,200
Speaker 3: But are they gonna say he's out?

1054
00:55:02,239 --> 00:55:02,319
Speaker 6: Like?

1055
00:55:03,000 --> 00:55:03,880
Speaker 3: There's a lot of holes.

1056
00:55:04,400 --> 00:55:06,520
Speaker 6: Can I tell you one thing though, that that works

1057
00:55:06,560 --> 00:55:09,400
Speaker 6: in the favor of them letting the transition happen. I

1058
00:55:09,400 --> 00:55:13,640
Speaker 6: think a big factor is Quinn, because you could be

1059
00:55:13,680 --> 00:55:16,360
Speaker 6: afraid that like, what if his brain just does it again?

1060
00:55:16,960 --> 00:55:17,160
Speaker 4: Right?

1061
00:55:17,719 --> 00:55:20,319
Speaker 6: If it was just Clay by himself, that's a very

1062
00:55:20,440 --> 00:55:24,239
Speaker 6: valid fear totally, once you meet Clay or once you

1063
00:55:24,320 --> 00:55:27,280
Speaker 6: meet Quinn. I think seeing that there's a second grounded

1064
00:55:27,320 --> 00:55:30,239
Speaker 6: adult who lives in the house. Yeah, would sort of

1065
00:55:30,280 --> 00:55:31,520
Speaker 6: anchor the whole situation.

1066
00:55:31,600 --> 00:55:32,440
Speaker 3: That's a great point.

1067
00:55:32,560 --> 00:55:36,520
Speaker 4: Yeah, I would also imagine trying to put myself in

1068
00:55:36,600 --> 00:55:41,160
Speaker 4: those shoes as Selene is asking. Yeah, I think it

1069
00:55:41,200 --> 00:55:44,520
Speaker 4: would almost be like what parents do with grandparents, which is,

1070
00:55:44,560 --> 00:55:48,759
Speaker 4: as the kids get bigger, your grandparents aren't just you know,

1071
00:55:48,840 --> 00:55:50,759
Speaker 4: watching you on a Friday night. You can go spend

1072
00:55:50,760 --> 00:55:53,400
Speaker 4: the night, you can spend the weekend at you know,

1073
00:55:53,760 --> 00:55:56,680
Speaker 4: your mammy's house. You can whatever it is. And so

1074
00:55:56,760 --> 00:56:00,560
Speaker 4: I almost wonder if it's a version of that in reverse, like, yeah,

1075
00:56:00,600 --> 00:56:04,480
Speaker 4: Logan can start doing overnights with Clay and Quinn, and

1076
00:56:04,520 --> 00:56:06,560
Speaker 4: then he can do weekends and then maybe you go

1077
00:56:06,600 --> 00:56:10,240
Speaker 4: a week on a week off and see how he does. Yeah,

1078
00:56:10,280 --> 00:56:12,279
Speaker 4: everybody's going to have to go to therapy. There's going

1079
00:56:12,360 --> 00:56:15,319
Speaker 4: to have to be marriage and family counseling here. And

1080
00:56:15,400 --> 00:56:20,719
Speaker 4: if if it's working for Logan, if Logan is flourishing,

1081
00:56:21,200 --> 00:56:24,359
Speaker 4: if this little boy loves having his dad in his

1082
00:56:24,440 --> 00:56:27,600
Speaker 4: life and wants to live with his dad, then that

1083
00:56:27,719 --> 00:56:30,239
Speaker 4: probably would be the shift. But I would imagine it

1084
00:56:30,280 --> 00:56:34,000
Speaker 4: would take like six months to a year of creating

1085
00:56:34,080 --> 00:56:38,319
Speaker 4: new routines back and forth between Clay and Quinn's home

1086
00:56:38,400 --> 00:56:41,080
Speaker 4: and the home he's lived in his entire life of memory.

1087
00:56:41,719 --> 00:56:44,120
Speaker 6: Yeah, it's not going to happen on our show's timeline.

1088
00:56:44,120 --> 00:56:45,799
Speaker 2: It's not going to happen on our show's timeline, which

1089
00:56:45,800 --> 00:56:46,520
Speaker 2: is kind of a bummer.

1090
00:56:46,800 --> 00:56:48,799
Speaker 6: Pretty sure we expedite the heck out of it.

1091
00:56:49,000 --> 00:56:51,520
Speaker 3: Yeah, yeah, I definitely would have been like the kind

1092
00:56:51,560 --> 00:56:54,160
Speaker 3: of I would have shown him photos of his dad.

1093
00:56:54,200 --> 00:56:56,840
Speaker 3: I would have talked to him about, Yeah, here's what happened.

1094
00:56:56,920 --> 00:56:59,680
Speaker 3: Your mom died and your dad had like a mental break,

1095
00:56:59,719 --> 00:57:02,719
Speaker 3: and we are just, you know, we're waiting for him

1096
00:57:02,719 --> 00:57:04,600
Speaker 3: to come around, and we're praying for him, and we're

1097
00:57:04,640 --> 00:57:07,640
Speaker 3: like hoping that when he's ready, it's time and and

1098
00:57:07,719 --> 00:57:10,319
Speaker 3: we'll but here's here's all the things about him and

1099
00:57:10,440 --> 00:57:13,080
Speaker 3: he it's not about you. It's not that he doesn't

1100
00:57:13,080 --> 00:57:15,560
Speaker 3: love you and all those things he said.

1101
00:57:15,640 --> 00:57:19,919
Speaker 2: Maybe he'll get better. Yeah, yeah, good question, Selene. That's

1102
00:57:19,920 --> 00:57:20,800
Speaker 2: a complex one.

1103
00:57:20,840 --> 00:57:22,600
Speaker 3: I like it though, And we should spin a wheel

1104
00:57:22,600 --> 00:57:23,520
Speaker 3: and we have an honorable mess.

1105
00:57:23,600 --> 00:57:24,840
Speaker 6: Oh my gosh, yeah, of course.

1106
00:57:24,960 --> 00:57:34,760
Speaker 3: Okay, let's spin a wheel first. Okay, Oh, Sophie and

1107
00:57:34,840 --> 00:57:36,600
Speaker 3: I are going to hit arm wrestle for this one.

1108
00:57:36,720 --> 00:57:40,160
Speaker 6: Yeah, it's us most likely to pick up a new

1109
00:57:40,240 --> 00:57:41,360
Speaker 6: hobby every week.

1110
00:57:41,600 --> 00:57:43,880
Speaker 2: Uh huh, Rob, do you have this inclination too?

1111
00:57:45,720 --> 00:57:51,480
Speaker 6: I learned everything about it, Adhd Baby. Yes, I will obsess.

1112
00:57:51,600 --> 00:57:53,240
Speaker 6: I will do my best to master it, and then

1113
00:57:53,280 --> 00:57:53,920
Speaker 6: I am bored.

1114
00:57:54,320 --> 00:57:56,920
Speaker 4: Oh yeah, I will obsess. I will do the research,

1115
00:57:57,040 --> 00:58:00,200
Speaker 4: I will get the things. Yeah, and then there's just

1116
00:58:00,240 --> 00:58:04,400
Speaker 4: a graveyard of things for hobbies and I probably actually

1117
00:58:04,480 --> 00:58:08,120
Speaker 4: start slash master like one in ten that I supply

1118
00:58:08,240 --> 00:58:08,880
Speaker 4: myself for.

1119
00:58:10,960 --> 00:58:14,840
Speaker 3: Yep, it's so good. You got so many hobby things.

1120
00:58:14,840 --> 00:58:17,160
Speaker 3: We could just host workshops and have somebody. We've got

1121
00:58:17,200 --> 00:58:17,960
Speaker 3: all the supplies.

1122
00:58:18,400 --> 00:58:20,240
Speaker 4: Honestly, that would be so fun because the minute you

1123
00:58:20,240 --> 00:58:21,520
Speaker 4: have a body double you can do it.

1124
00:58:21,760 --> 00:58:22,240
Speaker 3: That's right.

1125
00:58:22,360 --> 00:58:23,320
Speaker 2: So if we did like.

1126
00:58:23,400 --> 00:58:27,960
Speaker 4: Crafter noons, yes, on Saturdays, in the hypothetical world where

1127
00:58:28,000 --> 00:58:30,480
Speaker 4: we all live in the same city, that would be

1128
00:58:30,880 --> 00:58:31,640
Speaker 4: so cool.

1129
00:58:31,920 --> 00:58:34,840
Speaker 3: It feels like a convention op crafter Noon.

1130
00:58:35,360 --> 00:58:35,680
Speaker 2: Great.

1131
00:58:36,080 --> 00:58:39,120
Speaker 6: I'm in craft with Sophie and Joy. I'm sure I

1132
00:58:39,320 --> 00:58:40,120
Speaker 6: would want to do it.

1133
00:58:40,880 --> 00:58:42,120
Speaker 2: My can't counselor heart.

1134
00:58:42,320 --> 00:58:43,439
Speaker 3: Do we have an honorable mention?

1135
00:58:43,920 --> 00:58:44,160
Speaker 6: Paul?

1136
00:58:44,760 --> 00:58:47,560
Speaker 3: Yeah, yeah, for sure, he kind of.

1137
00:58:47,600 --> 00:58:49,760
Speaker 6: Everyone did great this episode, but he put it on

1138
00:58:49,800 --> 00:58:51,880
Speaker 6: his back and was just a star.

1139
00:58:52,520 --> 00:58:56,720
Speaker 4: And there's one moment in particular, and I say this

1140
00:58:57,680 --> 00:59:00,600
Speaker 4: not to undercut this seriousness of his per formance, but

1141
00:59:00,720 --> 00:59:05,200
Speaker 4: to add to it. When he looked at Chris Keller

1142
00:59:05,240 --> 00:59:08,840
Speaker 4: and said you called shotgun and handed him the sowd

1143
00:59:08,880 --> 00:59:11,920
Speaker 4: off shotgun, I was like chef's kiss.

1144
00:59:12,600 --> 00:59:14,800
Speaker 6: How About when he was walking away from Chris Keller

1145
00:59:14,880 --> 00:59:20,760
Speaker 6: and said, Dan Scott doesn't like this either. Chris Keller's speech,

1146
00:59:21,480 --> 00:59:24,360
Speaker 6: good way of it was so great? All right, thanks

1147
00:59:24,400 --> 00:59:25,560
Speaker 6: for joining us gang.

1148
00:59:26,000 --> 00:59:28,320
Speaker 2: Thanks everyone, Bye, Hey.

1149
00:59:28,120 --> 00:59:29,000
Speaker 3: Thanks for listening.

1150
00:59:29,120 --> 00:59:30,480
Speaker 2: Don't forget to leave us a review.

1151
00:59:30,760 --> 00:59:34,440
Speaker 4: You can also follow us on Instagram at Drama Queen's ot.

1152
00:59:34,520 --> 00:59:39,160
Speaker 3: H or email us at Drama Queens at iHeartRadio dot com.

1153
00:59:39,480 --> 00:59:44,080
Speaker 2: See you next time we all about that high school drama.

1154
00:59:44,120 --> 00:59:45,880
Speaker 2: Girl Drama Girl, all about them.

1155
00:59:45,840 --> 00:59:49,040
Speaker 3: High school Queens. We'll take you for a ride at

1156
00:59:49,040 --> 00:59:52,120
Speaker 3: our comic Girl Cheering for the Right Teams.

1157
00:59:51,920 --> 00:59:56,360
Speaker 4: Drama Queens, Girl Fashion, what your tough girl? You could

1158
00:59:56,360 --> 00:59:56,720
Speaker 4: sit with

1159
00:59:56,800 --> 01:00:00,600
Speaker 1: Us Girl, Drama Queen Drama Queens, Drama Queens Drama drah

1160
01:00:00,680 --> 01:00:02,640
Speaker 1: MC Queen's Drama, Queenans