WEBVTT - RHONJ Reboot PLEASE with Kate Casey

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<v Speaker 1>Hey rain Drops.

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<v Speaker 2>Yes. So, as you know, my podcast Reality with the

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<v Speaker 2>King is on tour and my next stop is live

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<v Speaker 2>in New York City with the one the Only Queen

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<v Speaker 2>of New Jersey, Teresa Judais. Yes, on Tuesday, June eighteenth

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<v Speaker 2>at the City Winery, Teresa Judais and I will have

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<v Speaker 2>a live conversation in front of a live audience. Make

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<v Speaker 2>sure you get your tickets now. Log onto my website

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<v Speaker 2>Kingdom raint dot com. That's Kingdom r E I G

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<v Speaker 2>N e n T dot com. Or if you're on

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<v Speaker 2>social media and follow me, click on the link of

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<v Speaker 2>my bio.

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<v Speaker 1>To purchase your tickets.

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<v Speaker 2>Once again, the website is Kingdom rainnt dot com. Hit

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<v Speaker 2>the tab that says tour and me and to Judais

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<v Speaker 2>cannot wait to see you on Tuesday, June eighteenth in

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<v Speaker 2>New York City.

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<v Speaker 1>Welcome to Reality with the King.

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<v Speaker 2>It's me Carlos King, the King of Reality TV and

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<v Speaker 2>one of the most sought after executive producers in reality

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<v Speaker 2>television with over ten years a production experience. Twice a

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<v Speaker 2>week on Reality with the King, we'll sit down with

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<v Speaker 2>my friends across the entertainment industry, recap our favorite reality

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<v Speaker 2>shows and revisit unforgettable moments that we are still talking

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<v Speaker 2>and tweeting about.

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<v Speaker 1>Hey, Rain Drives, she's.

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<v Speaker 2>My girl from the OC. No, not Tamra Judge girls.

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<v Speaker 2>I'm talking about the amazing kid KC.

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<v Speaker 3>We have so much to talk about.

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<v Speaker 1>Well, let's just dive right into a girl.

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<v Speaker 2>So, guys, Kate and I are going to just talk

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<v Speaker 2>about Jersey. I did recap the first episode. I mentioned

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<v Speaker 2>to you guys. I actually liked it. I thought it

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<v Speaker 2>was good. And you guys have been asking me like,

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<v Speaker 2>why haven't you recapped episode two or three? And I'm

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<v Speaker 2>gonna be honest with you unless something happens that ignites

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<v Speaker 2>something in me. I'm never going to use my microphone

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<v Speaker 2>and good lighting.

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<v Speaker 1>To just talk about an episode. Yeah, it was.

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<v Speaker 2>Nothing happened in episode two or three. And me and

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<v Speaker 2>Kate before this podcast episode started, because we're friends in

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<v Speaker 2>real life. We're just like catching up whatever, and I

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<v Speaker 2>mentioned to her about Jersey and.

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<v Speaker 1>She's like, girl, that's about to be over.

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<v Speaker 2>So I need to talk to Kate now about Jersey

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<v Speaker 2>Housewives because this season has started episode As of today

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<v Speaker 2>as we're taping this, there's been three episodes. The last

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<v Speaker 2>two were a snooze and it was revealed Kate, not

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<v Speaker 2>sure you saw this on social media. The third episode

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<v Speaker 2>of this season was the lowest rated live same date

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<v Speaker 2>in the history of the fourteenth season franchise. Wow, What's

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<v Speaker 2>happening with Jersey?

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<v Speaker 4>Well, you have two factions, you have and the show

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<v Speaker 4>used to be in the beginning. I liked it that

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<v Speaker 4>it was like these two sister in laws fighting because

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<v Speaker 4>I mean, everybody can kind of relate to that, and

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<v Speaker 4>the concept of the show really differed from other franchises

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<v Speaker 4>because there was this family, you know, kind of a

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<v Speaker 4>centered aspect to it with the Manzos and Rita's, so

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<v Speaker 4>adding Melissa made sense because they already kind of began

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<v Speaker 4>with that concept.

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<v Speaker 3>Shocking to me always.

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<v Speaker 4>That Teresa was surprised by that, like, of course, they're

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<v Speaker 4>going to have your sister in law who you hate,

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<v Speaker 4>like she's been in the background for two seasons, like

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<v Speaker 4>basically waving from the bushes in the background. You're surprised

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<v Speaker 4>that they had your sister on, come on, sist long.

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<v Speaker 4>But over time it's become like House of Gucci with

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<v Speaker 4>these two factions, and it's like, if you're friends with her,

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<v Speaker 4>you're not friends with me. And it's like that it

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<v Speaker 4>doesn't work like that when you're trying to create an

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<v Speaker 4>ensemble show. And you know, I've talked in the past

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<v Speaker 4>about power and perceived power, and there's a lot of

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<v Speaker 4>perceived power at this point on that show cast members

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<v Speaker 4>that have perceived power, and I think it. The audience

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<v Speaker 4>smells it, and they don't like it, Like it feels

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<v Speaker 4>like they're all trying in their own or at least

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<v Speaker 4>the two factions are trying in their own way to

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<v Speaker 4>lay lay lines, and the audience is like, I watch

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<v Speaker 4>this as my escape from my crazy work week and

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<v Speaker 4>my children or my life.

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<v Speaker 3>And I don't like the idea that you think you

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<v Speaker 3>control the show. So there's like a little bit of that.

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<v Speaker 4>The fact that Melissa and Teresa will not film together

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<v Speaker 4>is such a bad issue. It's just you cannot continue this,

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<v Speaker 4>and it's almost like they I feel like they've it's

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<v Speaker 4>like paralyzed the show. It's like they've had a stranglehold

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<v Speaker 4>on the show. And the other thing I don't like

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<v Speaker 4>is that because you don't really have that ensemble field,

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<v Speaker 4>because you have two people that refuse to acknowledge each

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<v Speaker 4>other in a scene, they've now sort of leaned in

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<v Speaker 4>too hard in the Husbands, and I gotta be honest

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<v Speaker 4>with you, FEMA audience is like, fuck the Husbands. This

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<v Speaker 4>is a show that I want to watch about women

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<v Speaker 4>who are having really relatable experiences, which include how you

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<v Speaker 4>lose your part of your own identity when your children

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<v Speaker 4>go off to college, the power dynamic in your marriages,

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<v Speaker 4>friendship issues, taking care of elderly parents, like all those

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<v Speaker 4>things that Real Housewives is so good at telling that

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<v Speaker 4>that you can't find in other parts of like entertainment.

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<v Speaker 4>I feel like it's being drowned out by these try

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<v Speaker 4>hard husbands. Like in the last episode there's a scene

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<v Speaker 4>where these loser guys are doing shots out of an

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<v Speaker 4>inflatable woman, out of her asshole. Do you think that

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<v Speaker 4>women want to watch this show?

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<v Speaker 1>I don't want to watch it as a gay man.

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<v Speaker 3>Well, of course you don't, because you respect.

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<v Speaker 1>Women number one. Yes. And also, you guys are older men.

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<v Speaker 2>I expect this from like twenty something year old frat boys,

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<v Speaker 2>do you know what I mean?

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<v Speaker 1>But not like men and there forty who have daughters.

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<v Speaker 4>You have daughters and you're taking shots out of an asshole.

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<v Speaker 4>It's not funny, No, it's not, and some people on

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<v Speaker 4>social media it's like, how is this ever gonna end?

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<v Speaker 4>They sent off their kids to school, But yeah, that's

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<v Speaker 4>a big damn moment for Teresa Melissa. That's Melissa's first child,

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<v Speaker 4>and the reality is there's a part of her self

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<v Speaker 4>identity that she's trying to like figure out when one

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<v Speaker 4>like you that's been your whole life is taking care

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<v Speaker 4>of a child. But let's like smooth over that because

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<v Speaker 4>the guy wants to do some shots. It's like what

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<v Speaker 4>And also I feel like Frank's moment where he goes

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<v Speaker 4>over he Jelorus and he's like, I'm going to propose.

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<v Speaker 3>She was like, yeah, okay, great, who cares?

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<v Speaker 4>Like he thinks he's way more important than the show

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<v Speaker 4>to the show than I think he really is. And

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<v Speaker 4>Joe Gorga always bugs me too, because he is like

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<v Speaker 4>infantile in some of those scenes. Like and I don't

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<v Speaker 4>know how you feel about this, but I want to know.

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<v Speaker 4>Like some of the stuff is like borderline creepy. The

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<v Speaker 4>way they're always like it's like this almost like veiled

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<v Speaker 4>homophobic stuff. I don't know, it's like slapping each other's

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<v Speaker 4>asses and like talk about dildo's and like I don't know,

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<v Speaker 4>it's just like it feels very like infantile, like where

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<v Speaker 4>are the grown up conversations? Like I feel like other

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<v Speaker 4>the men in other franchises have far more adult yes oh, conversations.

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<v Speaker 4>And it's just like it's almost like belittling the people

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<v Speaker 4>that watch the real houses in New Jersey.

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<v Speaker 3>It's like, this is not what we're signing up for.

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<v Speaker 2>Who sister, you said a mouthful there? Yes, where do

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<v Speaker 2>I begin? I mean, listen, I agree with everything you're saying,

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<v Speaker 2>especially when it comes to look, when this season came

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<v Speaker 2>back and we knew that Melissa and Teresa were both

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<v Speaker 2>going to be on it, I think we all know

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<v Speaker 2>we were doomed. And as a reality TV creator, producer

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<v Speaker 2>all those things, I'm aware that you never want to

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<v Speaker 2>give anyone the perception that they run the show.

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<v Speaker 1>Like I get it, Like.

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<v Speaker 2>Right, you never want to Let's let's have a real conversation, Kate.

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<v Speaker 2>If Melissa's gone, the perception, not the reality, it's the perception.

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<v Speaker 2>If Melissa was fired, the perception would have been Teresa

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<v Speaker 2>want she got her way.

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<v Speaker 1>Ifa was right.

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<v Speaker 2>If Teresa was fired, Melissa would have been perceived that

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<v Speaker 2>she got her way, right, So we knew that that

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<v Speaker 2>was probably the basis of why they said.

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<v Speaker 1>Well, you're both coming back.

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<v Speaker 2>The unfortunate part is this, we want to watch a

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<v Speaker 2>show of people who we believe.

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<v Speaker 1>Like being around each other.

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<v Speaker 2>Maybe not love each other, maybe I have slummer parties,

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<v Speaker 2>but like at least like being around each other. And

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<v Speaker 2>this will probably go down in history worse than Potomac

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<v Speaker 2>to me as the most divided cast I have ever

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<v Speaker 2>seen on reality television. This show is more divided than

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<v Speaker 2>the people trying to date Flavor flav you know, it's

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<v Speaker 2>they do not It's like this prize at the end

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<v Speaker 2>that they all want, which is another season. So in

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<v Speaker 2>my opinion, what I'm watching is you have Teresa's group,

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<v Speaker 2>which is Jennifer Aiden, Jennifer Fessler is trying to figure

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<v Speaker 2>out her place in the ensemble. Then we saw Jackie

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<v Speaker 2>Goldschneider and Margaret have a little tiff.

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<v Speaker 1>Just about things she was saying to jen Fessler.

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<v Speaker 2>And then you have the Melissa team, which is Margaret, Joseph,

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<v Speaker 2>obviously Rachel and I feel like Dan Yelle just did

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<v Speaker 2>to make good TV and show for mumus. But for me,

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<v Speaker 2>there isn't this sense of we want to be around

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<v Speaker 2>each other, and everybody is saying, hey, join my team

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<v Speaker 2>because there's power and numbers, and we can go to

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<v Speaker 2>the network saying we are real friends, get rid of

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<v Speaker 2>the group that isn't really friends. And I don't know

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<v Speaker 2>how much I can watch if this is what I'm getting.

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<v Speaker 3>Yeah.

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<v Speaker 4>Well, also, I think the news that it's been revealed

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<v Speaker 4>that there are cast members that have allegedly been working

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<v Speaker 4>with social media accounts to try to destroy other cast members, like,

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<v Speaker 4>it's way too dark. I can't imagine an executive at

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<v Speaker 4>not Bravo is like this is this is something I'm

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<v Speaker 4>happy about. I mean, you want to see a show

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<v Speaker 4>where you feel like there's joyful friendship, there's like you know,

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<v Speaker 4>like just slapstick stuff with really heartfelt well like deep

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<v Speaker 4>and moving moments. You need a little bit of both.

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<v Speaker 4>I don't feel like I'm getting either of those things.

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<v Speaker 1>Yeah, And it just hit me.

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<v Speaker 2>You and I both agree that this past season of

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<v Speaker 2>Baidley Hills wasn't the greatest season. You know, it wasn't

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<v Speaker 2>the greatest. We've seen much better seasons, But it just

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<v Speaker 2>dawned on me, Kate. The reason why that show continuously

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<v Speaker 2>does well on the ratings, and I think this was

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<v Speaker 2>their highestpreaded season. Shockingly, it is because at bare minimum

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<v Speaker 2>is what you just said two seconds ago, they have

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<v Speaker 2>these joy these joyful moments around each other. It's not dark.

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<v Speaker 2>They're not conspiring against each other. It's like when they

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<v Speaker 2>get along. It's actually enjoyable to watch them like get

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<v Speaker 2>along and they like being around each other, and it's believable. Yeah,

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<v Speaker 2>and it's probably it's just dawned on me. I would

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<v Speaker 2>love to get your take. Is the Real Housewives of

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<v Speaker 2>Bailey Hills the most genuine caz of women who enjoy

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<v Speaker 2>being around each other?

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<v Speaker 4>No, no, no, no, Miami, Miami. That's the best real housewives

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<v Speaker 4>show on the air. That is like real friendships, heartfault moments,

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<v Speaker 4>lots of hilarity. It captures the city beautifully. It's got

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<v Speaker 4>the beautiful landscapes, but it really like encapsulates the culture.

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<v Speaker 4>And every woman has such an interesting singular story and

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<v Speaker 4>then they have these complex dynamics too. I think that

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<v Speaker 4>is the best, and I think what's frustrating is that

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<v Speaker 4>they don't get the attention that they deserve. That is,

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<v Speaker 4>to me, the best Real Housewives.

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<v Speaker 1>Why is that? You think you know what.

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<v Speaker 4>One other person pointed this out to me, and I

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<v Speaker 4>can't remember who it was. Gibson Gibson John said it.

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<v Speaker 4>Gibson John said that the women of Miami pulled it up,

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<v Speaker 4>put it all out on the line because it was

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<v Speaker 4>taken from them.

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<v Speaker 3>So when they came back, they're like, we really.

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<v Speaker 4>Have to put it all out there if we really

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<v Speaker 4>want this show to work. And I think on other

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<v Speaker 4>franchises there's some people that believe that and some people

0:13:07.080 --> 0:13:10.360
<v Speaker 4>that get a little bit lazy. And the show like Miami,

0:13:10.720 --> 0:13:13.640
<v Speaker 4>you have Lisa who goes to all the other women

0:13:13.640 --> 0:13:16.480
<v Speaker 4>in the Florida Keys and she says, Lenny and I

0:13:16.520 --> 0:13:18.840
<v Speaker 4>are gonna divorced, and also he's been sleeping with another

0:13:18.880 --> 0:13:22.280
<v Speaker 4>woman and they all screamed, and you're like, those are

0:13:22.320 --> 0:13:25.760
<v Speaker 4>real those are real friends. And even though like they

0:13:25.800 --> 0:13:28.640
<v Speaker 4>all get mad at Larsa the minute that she says,

0:13:28.679 --> 0:13:30.920
<v Speaker 4>like I broke up with you know, my boyfriend, they're

0:13:31.040 --> 0:13:34.560
<v Speaker 4>right there. That is like real friendship. I feel like

0:13:34.679 --> 0:13:36.520
<v Speaker 4>the women of Real Housewaves in New Jersey need to

0:13:36.559 --> 0:13:40.240
<v Speaker 4>study that show. That's a show that people want to

0:13:40.280 --> 0:13:42.720
<v Speaker 4>watch and invest in. And then also Miami of like

0:13:42.840 --> 0:13:47.400
<v Speaker 4>really interesting personal stories like Gerdy and cancer, and Alexia

0:13:47.559 --> 0:13:49.440
<v Speaker 4>is one of the To me, she's one of the

0:13:49.440 --> 0:13:52.720
<v Speaker 4>best housewives because that is a woman who has lived

0:13:52.720 --> 0:13:54.560
<v Speaker 4>a life. That's what you want one like a woman

0:13:54.600 --> 0:13:57.840
<v Speaker 4>who's lived a good, layered life. And that's why that

0:13:58.040 --> 0:14:02.880
<v Speaker 4>forty to fifty range just so cool, because they've raised children,

0:14:02.880 --> 0:14:05.439
<v Speaker 4>they've been married once or twice or maybe more, and

0:14:05.920 --> 0:14:08.920
<v Speaker 4>they've been around the world and like they're very layered people.

0:14:09.440 --> 0:14:11.120
<v Speaker 4>And I feel like New Jersey is kind of like

0:14:11.640 --> 0:14:15.600
<v Speaker 4>it's like stuck in time. It's still stuck in twenty thirteen,

0:14:16.400 --> 0:14:17.599
<v Speaker 4>like no evolving.

0:14:18.080 --> 0:14:19.840
<v Speaker 1>Yeah, it's like the Jersey Shore.

0:14:20.440 --> 0:14:22.800
<v Speaker 3>It's very Jersey short. It's like stuck in that time.

0:14:23.240 --> 0:14:29.280
<v Speaker 1>Yeah. Yeah, So what does this show need? Okay, k Casey.

0:14:29.440 --> 0:14:32.320
<v Speaker 2>You are at your desk, right, you have the corner

0:14:32.440 --> 0:14:36.640
<v Speaker 2>office at thirty Rock. You are on the top floor

0:14:37.600 --> 0:14:42.640
<v Speaker 2>of the building. Okay, people are scared of you.

0:14:42.720 --> 0:14:43.560
<v Speaker 3>They are.

0:14:46.800 --> 0:14:53.000
<v Speaker 2>Yeah, you are the Miranda Priestley of executives.

0:14:53.040 --> 0:14:54.240
<v Speaker 1>You work at Bravo.

0:14:54.480 --> 0:14:57.800
<v Speaker 3>Okay, okay, Yeah, you have.

0:14:57.680 --> 0:15:02.760
<v Speaker 2>A presentation meeting with Francis Buruswick, who was like the

0:15:02.880 --> 0:15:06.920
<v Speaker 2>chairman of NBC, and you are talking about how to

0:15:07.040 --> 0:15:11.480
<v Speaker 2>Sabage Jersey because you just got the ratings overnight and

0:15:11.680 --> 0:15:15.040
<v Speaker 2>it showed you that it was the lowest rated episode

0:15:15.080 --> 0:15:16.640
<v Speaker 2>in the fourteen year history of the show.

0:15:17.080 --> 0:15:19.080
<v Speaker 1>What is kay Casey going to do to fix it?

0:15:19.360 --> 0:15:21.360
<v Speaker 4>I say, Francis, we got to get rid of Melissa

0:15:21.400 --> 0:15:26.640
<v Speaker 4>and Teresa, and we need to in the short term, Yes,

0:15:28.000 --> 0:15:30.040
<v Speaker 4>bring in the ones that have been hanging out in

0:15:30.040 --> 0:15:30.720
<v Speaker 4>the background, but.

0:15:30.680 --> 0:15:33.080
<v Speaker 3>We have to shift somebody beautifully.

0:15:33.320 --> 0:15:36.000
<v Speaker 4>I'm forgetting the person's name on Twitter, but they just

0:15:36.040 --> 0:15:37.760
<v Speaker 4>put it up where they put a map of all

0:15:37.800 --> 0:15:39.840
<v Speaker 4>the real housews in New Jersey and wherever they live.

0:15:40.360 --> 0:15:41.760
<v Speaker 4>And I love that and said you need to do

0:15:41.760 --> 0:15:44.600
<v Speaker 4>that for every past because it shows you how far

0:15:44.640 --> 0:15:47.280
<v Speaker 4>away they all live from one another. If they could

0:15:47.400 --> 0:15:50.720
<v Speaker 4>get like maybe the two new women that they had,

0:15:50.760 --> 0:15:54.120
<v Speaker 4>Tiffany and Kayla in the background, I feel like they're

0:15:54.160 --> 0:15:58.520
<v Speaker 4>friends with Danielle. Shift towards that like that age, like

0:15:58.560 --> 0:16:02.200
<v Speaker 4>wherever they live, fine women in that community, and lean

0:16:02.240 --> 0:16:05.400
<v Speaker 4>into that. I think the story of Melissa and Teresa,

0:16:05.560 --> 0:16:08.800
<v Speaker 4>with all respect to them, we know it. There are

0:16:08.840 --> 0:16:11.360
<v Speaker 4>a lot of housewives that we get to a point where,

0:16:11.400 --> 0:16:13.280
<v Speaker 4>like like Vicky Gumbolson was one of them, where like,

0:16:13.320 --> 0:16:15.720
<v Speaker 4>I know who you are. I get like, I get it,

0:16:16.080 --> 0:16:18.560
<v Speaker 4>but I think it's time for us to meet somebody new.

0:16:18.720 --> 0:16:21.920
<v Speaker 4>It's like having the same person to your dinner party

0:16:22.040 --> 0:16:22.800
<v Speaker 4>every week.

0:16:23.360 --> 0:16:26.440
<v Speaker 3>Their lives didn't change that much. Isn't it fun to

0:16:26.480 --> 0:16:27.400
<v Speaker 3>invite somebody over.

0:16:27.440 --> 0:16:29.680
<v Speaker 4>It was like, you know, they have like a different

0:16:29.760 --> 0:16:31.240
<v Speaker 4>kind of job, and they just went on a trip

0:16:31.280 --> 0:16:34.160
<v Speaker 4>to you know, on a safari and they've been like

0:16:34.600 --> 0:16:37.200
<v Speaker 4>in the middle of a breakup. You're like, that's fun.

0:16:37.920 --> 0:16:40.560
<v Speaker 4>Not inviting the same person dinner party every freaking week.

0:16:41.120 --> 0:16:43.680
<v Speaker 4>Oh what are we having chicken stew again?

0:16:43.840 --> 0:16:44.160
<v Speaker 3>Great?

0:16:44.560 --> 0:16:48.880
<v Speaker 4>Look kids, Big Ben Parliament, that is the problem. Get

0:16:48.960 --> 0:16:50.560
<v Speaker 4>some new stuff in there. So I would do that,

0:16:50.600 --> 0:16:52.720
<v Speaker 4>would get rid of Melissa, and I would get rid

0:16:52.720 --> 0:16:55.560
<v Speaker 4>of Teresa. And I presume they probably cost them a

0:16:55.600 --> 0:16:56.600
<v Speaker 4>lot of money.

0:16:56.640 --> 0:16:58.800
<v Speaker 1>In terms of how much they make, how.

0:16:58.760 --> 0:16:59.240
<v Speaker 3>Much they make.

0:16:59.320 --> 0:17:01.560
<v Speaker 4>So if you get I'm be honest with you, if

0:17:01.600 --> 0:17:03.480
<v Speaker 4>I'm thinking like an executive, I go, I get rid

0:17:03.520 --> 0:17:05.879
<v Speaker 4>of that. I'm gonna save myself. We're gonna save a

0:17:05.880 --> 0:17:07.520
<v Speaker 4>ton of this is what I'm saying to Francis. I'm like,

0:17:07.520 --> 0:17:09.040
<v Speaker 4>we're gonna save a ton of money. We're gonna get

0:17:09.080 --> 0:17:10.679
<v Speaker 4>rid of those two. We're gonna get the two new

0:17:10.680 --> 0:17:12.440
<v Speaker 4>housewives because we don't really have to pay them a

0:17:12.440 --> 0:17:14.479
<v Speaker 4>lot of money for the first three seasons. And then

0:17:14.480 --> 0:17:16.560
<v Speaker 4>we're gonna ask them who their group of friends are,

0:17:16.600 --> 0:17:20.199
<v Speaker 4>and we're gonna send myself and somebody else in to

0:17:20.280 --> 0:17:22.439
<v Speaker 4>interview the people in the community or who they're friends with,

0:17:22.720 --> 0:17:26.240
<v Speaker 4>and we're gonna adjust this show to make it a newer, better,

0:17:26.280 --> 0:17:26.960
<v Speaker 4>better version.

0:17:27.240 --> 0:17:28.920
<v Speaker 3>You know, they did it in New York and it's great.

0:17:28.960 --> 0:17:30.800
<v Speaker 3>It's a big hit. I think I think the.

0:17:30.760 --> 0:17:34.119
<v Speaker 4>Good people that watch the show are are gonna be

0:17:34.119 --> 0:17:34.639
<v Speaker 4>okay with that.

0:17:35.000 --> 0:17:40.720
<v Speaker 2>Okay, so you're keeping Marge and Jen Festler, Rachel and Danielle.

0:17:40.800 --> 0:17:44.840
<v Speaker 4>Yeah, I would lean into Rachel and Danielle's friends, and

0:17:44.880 --> 0:17:48.120
<v Speaker 4>we moved we move in that direction, Like doesn't Jen

0:17:48.200 --> 0:17:49.880
<v Speaker 4>Fessler have some fun friends that are.

0:17:49.800 --> 0:17:51.119
<v Speaker 3>Just wacka doos? See?

0:17:51.119 --> 0:17:53.199
<v Speaker 4>That's the other thing is like women in their forties

0:17:53.240 --> 0:17:54.680
<v Speaker 4>and fifties, they don't care as much.

0:17:54.720 --> 0:17:57.000
<v Speaker 3>They're not They're like, this is who I am. Fuck it.

0:17:57.440 --> 0:17:59.200
<v Speaker 4>You have a little bit more of a problem with

0:17:59.320 --> 0:18:01.880
<v Speaker 4>someone's like thirty too, because they're like, well, my mother

0:18:01.960 --> 0:18:04.040
<v Speaker 4>in law, she thinks I'm a bad mother, and I

0:18:04.119 --> 0:18:06.240
<v Speaker 4>really want to, like, I can't be on a TV

0:18:06.359 --> 0:18:10.160
<v Speaker 4>show forty or the fifty year old woman, especially the ladder.

0:18:09.960 --> 0:18:11.600
<v Speaker 3>Like fifty, like late fifties.

0:18:12.359 --> 0:18:15.320
<v Speaker 4>She's like, fuck my mother in law, right, you want

0:18:15.320 --> 0:18:16.480
<v Speaker 4>those kind of women too?

0:18:16.960 --> 0:18:18.680
<v Speaker 1>No, And that's the reason why.

0:18:18.960 --> 0:18:22.080
<v Speaker 2>Oh I forgot to metch her name jen Aiden. Are

0:18:22.119 --> 0:18:22.720
<v Speaker 2>you keeping her?

0:18:22.880 --> 0:18:26.280
<v Speaker 4>Oh no, she's gone, maybe gone gone, maybe gone. She's

0:18:26.320 --> 0:18:28.960
<v Speaker 4>been gone gone. I didn't even think about in my

0:18:29.000 --> 0:18:29.720
<v Speaker 4>mind she's gone.

0:18:29.960 --> 0:18:33.240
<v Speaker 1>Oh why tell me?

0:18:34.240 --> 0:18:36.320
<v Speaker 4>I just think she doesn't really add that much to

0:18:36.400 --> 0:18:38.560
<v Speaker 4>the show, you know. I feel like I got to

0:18:38.560 --> 0:18:40.000
<v Speaker 4>know her a couple of seasons ago, and I'm like,

0:18:40.119 --> 0:18:43.000
<v Speaker 4>there's nothing really left to talk about, you know what

0:18:43.000 --> 0:18:45.440
<v Speaker 4>I mean? And I feel like what I've seen play

0:18:45.440 --> 0:18:48.879
<v Speaker 4>out on social media is so disturbing about these accounts

0:18:48.960 --> 0:18:53.119
<v Speaker 4>alleging that she is with the help of others like trying.

0:18:53.359 --> 0:18:53.560
<v Speaker 2>You know.

0:18:53.600 --> 0:18:55.879
<v Speaker 4>I have to say personally, I was affected by that.

0:18:55.960 --> 0:18:58.879
<v Speaker 4>One time I interviewed Margaret last season. To tell you this,

0:18:59.280 --> 0:19:00.200
<v Speaker 4>I interviewed.

0:18:59.840 --> 0:19:00.440
<v Speaker 1>Her, you did.

0:19:00.640 --> 0:19:03.520
<v Speaker 4>I interviewed Margaret last last year, and I was like, I,

0:19:03.560 --> 0:19:05.399
<v Speaker 4>all of a sudden, I get this, like onslought of

0:19:05.440 --> 0:19:08.840
<v Speaker 4>like terrible tweets like disparaging me and my show, a

0:19:08.920 --> 0:19:10.040
<v Speaker 4>ton of like bad.

0:19:09.800 --> 0:19:12.560
<v Speaker 3>Apple reviews because I.

0:19:11.920 --> 0:19:15.679
<v Speaker 4>And like these tweets were insanity, like as if I

0:19:15.720 --> 0:19:18.080
<v Speaker 4>had been working in cahoots with Margaret and that's why

0:19:18.119 --> 0:19:20.400
<v Speaker 4>I interviewed. I'm like that the people have lost their mind.

0:19:20.720 --> 0:19:22.719
<v Speaker 4>So this one account has gone on to say that

0:19:23.280 --> 0:19:26.560
<v Speaker 4>apparently there's like a whole strategy like if anybody should

0:19:26.560 --> 0:19:29.320
<v Speaker 4>be bold enough to interview people on the other side

0:19:29.359 --> 0:19:32.720
<v Speaker 4>of the fence of New Jersey, that you are ripe

0:19:32.800 --> 0:19:36.359
<v Speaker 4>for getting ripped on, like essentially almost like bullying people

0:19:36.440 --> 0:19:41.119
<v Speaker 4>into not covering or interviewing certain cast members because they're,

0:19:41.400 --> 0:19:43.000
<v Speaker 4>you know, on the wrong side of the fence, which

0:19:43.040 --> 0:19:45.760
<v Speaker 4>is like what, like come on.

0:19:45.880 --> 0:19:48.720
<v Speaker 1>No, they is listen. There's there's a there's a section

0:19:48.840 --> 0:19:51.560
<v Speaker 1>of people who take away too far. Yeah, that's wait,

0:19:51.880 --> 0:19:53.520
<v Speaker 1>and that's taking it too far.

0:19:53.800 --> 0:19:58.720
<v Speaker 2>Like we're journalists, we're podcast lls, we're bloggers, consecrators what

0:19:58.800 --> 0:20:02.040
<v Speaker 2>you want to call anybody in this field. We're not

0:20:02.240 --> 0:20:07.359
<v Speaker 2>here to place judgment on the entire cast. It's our

0:20:07.440 --> 0:20:11.200
<v Speaker 2>job to ask questions. It's no secret that Teresa Judais

0:20:11.359 --> 0:20:15.720
<v Speaker 2>is a friend of mine. I had Margaret on my podcast. Yeah,

0:20:15.840 --> 0:20:19.080
<v Speaker 2>because for me it was about Margaret's on the show.

0:20:19.680 --> 0:20:20.600
<v Speaker 1>She has a story.

0:20:20.960 --> 0:20:23.200
<v Speaker 2>I'm going to talk to Margaret and I would love

0:20:23.240 --> 0:20:24.479
<v Speaker 2>to talk to Melissa Gorda.

0:20:24.520 --> 0:20:26.120
<v Speaker 1>I will add Teresa Yea.

0:20:26.520 --> 0:20:28.480
<v Speaker 2>And I want to say this for the record, Teresa

0:20:28.520 --> 0:20:29.720
<v Speaker 2>never once said why.

0:20:29.560 --> 0:20:30.560
<v Speaker 1>The fuck are you talking about?

0:20:30.680 --> 0:20:33.040
<v Speaker 2>She didn't give a shit because she understands, like, who

0:20:33.119 --> 0:20:34.600
<v Speaker 2>cares she's on the show?

0:20:34.720 --> 0:20:38.119
<v Speaker 1>Talk to her. So when the fans, some of them, when.

0:20:37.960 --> 0:20:41.240
<v Speaker 2>They go too far as to attacking people on Twitter,

0:20:41.480 --> 0:20:43.119
<v Speaker 2>leaving bad reviews on Apple.

0:20:43.240 --> 0:20:46.239
<v Speaker 4>Yeah, But I think the question, though, is there are

0:20:46.280 --> 0:20:48.879
<v Speaker 4>certain fans that do that, but are they doing it

0:20:48.960 --> 0:20:52.879
<v Speaker 4>at the instruction of someone And that's the question. And

0:20:52.960 --> 0:20:56.320
<v Speaker 4>I'm to say, as somebody who speaks to people that

0:20:56.400 --> 0:21:00.240
<v Speaker 4>are executive producers a lot, this is not something they

0:21:00.240 --> 0:21:02.119
<v Speaker 4>want to deal with. They are trying to make a

0:21:02.160 --> 0:21:05.560
<v Speaker 4>show out of what they're given and this executive producers,

0:21:05.680 --> 0:21:08.800
<v Speaker 4>all the people who work on shows work their asses

0:21:08.840 --> 0:21:12.200
<v Speaker 4>off and to have someone do that behind the scenes

0:21:12.600 --> 0:21:15.680
<v Speaker 4>is enormously frustrating. And that's the thing that gets lost

0:21:15.680 --> 0:21:18.160
<v Speaker 4>in it that I really really gets on my nerves.

0:21:18.480 --> 0:21:20.399
<v Speaker 4>Are the people, you know, it's fun to watch these shows,

0:21:20.400 --> 0:21:22.200
<v Speaker 4>but there are people that put together these shows who

0:21:22.200 --> 0:21:26.080
<v Speaker 4>work really, really hard, and you're demeaning them when you

0:21:26.119 --> 0:21:28.760
<v Speaker 4>do stuff like that. So I would presume they're like,

0:21:28.800 --> 0:21:30.840
<v Speaker 4>I don't want to deal with this person anymore. You're

0:21:30.880 --> 0:21:32.840
<v Speaker 4>making my job a lot harder than it should be.

0:21:32.960 --> 0:21:34.359
<v Speaker 4>This should be a fun experience.

0:21:34.680 --> 0:21:37.600
<v Speaker 2>Absolutely, absolutely, and that's the reason why for me, is

0:21:37.600 --> 0:21:41.520
<v Speaker 2>one of those things where it's just it takes the

0:21:41.640 --> 0:21:46.639
<v Speaker 2>fun out of it. Yeah, and you can't allow the

0:21:47.480 --> 0:21:53.040
<v Speaker 2>show to take over your life. It's yeah crazy like

0:21:53.520 --> 0:21:56.000
<v Speaker 2>you and I K we get a kick out of this,

0:21:56.280 --> 0:21:57.200
<v Speaker 2>We enjoy it.

0:21:57.880 --> 0:22:00.119
<v Speaker 1>You have a full life. You are a full full

0:22:00.200 --> 0:22:03.919
<v Speaker 1>time mom, a full time wife. You you have a

0:22:03.960 --> 0:22:05.680
<v Speaker 1>full life on your own.

0:22:06.119 --> 0:22:09.679
<v Speaker 2>So to have someone come in and disrupt it because

0:22:09.720 --> 0:22:12.080
<v Speaker 2>they don't like what you're who you're talking.

0:22:11.800 --> 0:22:15.520
<v Speaker 1>To, like guys that that that's not okay. And one

0:22:15.520 --> 0:22:18.640
<v Speaker 1>thing about Jersey the show is.

0:22:18.640 --> 0:22:20.840
<v Speaker 3>Dark and I think I'm pretty fair.

0:22:21.080 --> 0:22:23.919
<v Speaker 1>Oh you, Oh you're very fair. No, I've known you

0:22:23.960 --> 0:22:25.919
<v Speaker 1>for years, you're you're you're very fair.

0:22:26.359 --> 0:22:29.080
<v Speaker 2>But again it's more so about like, well, you're talking

0:22:29.119 --> 0:22:32.480
<v Speaker 2>to this person and I think I think that's like

0:22:32.520 --> 0:22:36.959
<v Speaker 2>this cloud over Jersey and anything associated with it.

0:22:37.119 --> 0:22:39.280
<v Speaker 1>It's just dark, it is, and.

0:22:39.200 --> 0:22:42.800
<v Speaker 2>It's I don't remember the last time I saw the

0:22:42.840 --> 0:22:47.040
<v Speaker 2>girls like have a girl's trip and had fun and no,

0:22:47.320 --> 0:22:50.760
<v Speaker 2>I okay, I can't recall the last time the girls

0:22:50.800 --> 0:22:51.400
<v Speaker 2>just laughed?

0:22:51.600 --> 0:22:53.359
<v Speaker 1>Well, how can by the way, for each other's company?

0:22:53.480 --> 0:22:56.479
<v Speaker 4>How can you laugh when someone to seat pre season

0:22:56.520 --> 0:22:59.879
<v Speaker 4>before said I had an investigator to do it like

0:22:59.880 --> 0:23:02.080
<v Speaker 4>a thorough like look into all of you?

0:23:02.400 --> 0:23:05.240
<v Speaker 3>How was that fun? That? Like? Do you want to

0:23:05.280 --> 0:23:05.760
<v Speaker 3>be part of shore?

0:23:05.800 --> 0:23:05.960
<v Speaker 4>Like that?

0:23:06.080 --> 0:23:10.000
<v Speaker 3>I'd be like, I'm out, folks, sorry.

0:23:09.160 --> 0:23:11.280
<v Speaker 1>So does this show need to be put on pause

0:23:11.440 --> 0:23:12.280
<v Speaker 1>until they know?

0:23:12.560 --> 0:23:14.040
<v Speaker 4>Doesn't need to be on pause? Just get rid of

0:23:14.040 --> 0:23:17.280
<v Speaker 4>people and move new people in. Let's be honest. It's

0:23:17.400 --> 0:23:22.280
<v Speaker 4>this is like the Jennifer Convertibles of it all.

0:23:21.760 --> 0:23:24.600
<v Speaker 3>Like move the old furniture out and move the new in.

0:23:25.119 --> 0:23:26.040
<v Speaker 3>What do I always say?

0:23:26.119 --> 0:23:29.440
<v Speaker 4>Real house wis is like Menudo somebody else, Like you know,

0:23:29.720 --> 0:23:32.320
<v Speaker 4>somebody's voice cracks and they get a mustache trying to

0:23:32.359 --> 0:23:32.880
<v Speaker 4>move you out.

0:23:33.240 --> 0:23:34.280
<v Speaker 3>Got to get somebody new.

0:23:37.800 --> 0:23:40.000
<v Speaker 1>Thank you for listening to Reality with the King.

0:23:40.440 --> 0:23:46.080
<v Speaker 2>New episodes drop on Tuesdays and Thursdays. Share, comment, Follow,

0:23:46.240 --> 0:23:49.880
<v Speaker 2>and subscribe to Reality with the King. Wherever you get

0:23:49.920 --> 0:23:54.600
<v Speaker 2>your podcast, visit Reality Withtheking dot com and be sure

0:23:54.680 --> 0:23:59.480
<v Speaker 2>to follow me at the Carlos King Underscore on Instagram, Twitter,

0:23:59.680 --> 0:24:03.040
<v Speaker 2>Tick Talk, and Yes, Baby, my YouTube channel where you

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<v Speaker 2>could get all of my visuals, baby, my expressions. Yeah,

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<v Speaker 2>and don't forget tweet me your thoughts and hot takes

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<v Speaker 2>about this episode using the hashtag Reality.

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<v Speaker 1>With the King.

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<v Speaker 2>Reality with the King is a production of Kingdom Rain Entertainment.

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<v Speaker 2>It is produced by Sierra Spragley Rix An executive produced

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<v Speaker 2>by Me Carlos King, Kingdom Rain Entertainment, Baby