1 00:00:00,320 --> 00:00:01,400 Speaker 1: Hey rain Drops. 2 00:00:01,560 --> 00:00:04,880 Speaker 2: Yes. So, as you know, my podcast Reality with the 3 00:00:04,960 --> 00:00:09,440 Speaker 2: King is on tour and my next stop is live 4 00:00:09,720 --> 00:00:13,760 Speaker 2: in New York City with the one the Only Queen 5 00:00:14,120 --> 00:00:20,079 Speaker 2: of New Jersey, Teresa Judais. Yes, on Tuesday, June eighteenth 6 00:00:20,280 --> 00:00:24,920 Speaker 2: at the City Winery, Teresa Judais and I will have 7 00:00:25,000 --> 00:00:29,639 Speaker 2: a live conversation in front of a live audience. Make 8 00:00:29,680 --> 00:00:33,680 Speaker 2: sure you get your tickets now. Log onto my website 9 00:00:33,880 --> 00:00:40,159 Speaker 2: Kingdom raint dot com. That's Kingdom r E I G 10 00:00:40,600 --> 00:00:45,040 Speaker 2: N e n T dot com. Or if you're on 11 00:00:45,080 --> 00:00:48,239 Speaker 2: social media and follow me, click on the link of 12 00:00:48,280 --> 00:00:49,280 Speaker 2: my bio. 13 00:00:49,120 --> 00:00:51,600 Speaker 1: To purchase your tickets. 14 00:00:52,000 --> 00:00:56,880 Speaker 2: Once again, the website is Kingdom rainnt dot com. Hit 15 00:00:56,960 --> 00:01:00,840 Speaker 2: the tab that says tour and me and to Judais 16 00:01:01,040 --> 00:01:05,520 Speaker 2: cannot wait to see you on Tuesday, June eighteenth in 17 00:01:05,560 --> 00:01:06,360 Speaker 2: New York City. 18 00:01:08,720 --> 00:01:10,479 Speaker 1: Welcome to Reality with the King. 19 00:01:10,840 --> 00:01:14,600 Speaker 2: It's me Carlos King, the King of Reality TV and 20 00:01:14,640 --> 00:01:18,399 Speaker 2: one of the most sought after executive producers in reality 21 00:01:18,480 --> 00:01:22,840 Speaker 2: television with over ten years a production experience. Twice a 22 00:01:22,880 --> 00:01:25,480 Speaker 2: week on Reality with the King, we'll sit down with 23 00:01:25,520 --> 00:01:29,920 Speaker 2: my friends across the entertainment industry, recap our favorite reality 24 00:01:29,959 --> 00:01:33,920 Speaker 2: shows and revisit unforgettable moments that we are still talking 25 00:01:34,319 --> 00:01:37,039 Speaker 2: and tweeting about. 26 00:01:37,560 --> 00:01:39,679 Speaker 1: Hey, Rain Drives, she's. 27 00:01:41,600 --> 00:01:46,000 Speaker 2: My girl from the OC. No, not Tamra Judge girls. 28 00:01:46,080 --> 00:01:48,600 Speaker 2: I'm talking about the amazing kid KC. 29 00:01:50,080 --> 00:01:51,240 Speaker 3: We have so much to talk about. 30 00:01:51,320 --> 00:01:54,240 Speaker 1: Well, let's just dive right into a girl. 31 00:01:54,480 --> 00:01:57,360 Speaker 2: So, guys, Kate and I are going to just talk 32 00:01:57,400 --> 00:02:01,600 Speaker 2: about Jersey. I did recap the first episode. I mentioned 33 00:02:01,640 --> 00:02:04,240 Speaker 2: to you guys. I actually liked it. I thought it 34 00:02:04,280 --> 00:02:07,040 Speaker 2: was good. And you guys have been asking me like, 35 00:02:07,080 --> 00:02:11,280 Speaker 2: why haven't you recapped episode two or three? And I'm 36 00:02:11,280 --> 00:02:17,160 Speaker 2: gonna be honest with you unless something happens that ignites 37 00:02:17,240 --> 00:02:20,920 Speaker 2: something in me. I'm never going to use my microphone 38 00:02:21,080 --> 00:02:22,519 Speaker 2: and good lighting. 39 00:02:22,800 --> 00:02:26,640 Speaker 1: To just talk about an episode. Yeah, it was. 40 00:02:27,200 --> 00:02:31,680 Speaker 2: Nothing happened in episode two or three. And me and 41 00:02:31,760 --> 00:02:35,520 Speaker 2: Kate before this podcast episode started, because we're friends in 42 00:02:35,560 --> 00:02:38,480 Speaker 2: real life. We're just like catching up whatever, and I 43 00:02:38,720 --> 00:02:41,240 Speaker 2: mentioned to her about Jersey and. 44 00:02:41,200 --> 00:02:43,480 Speaker 1: She's like, girl, that's about to be over. 45 00:02:44,000 --> 00:02:47,400 Speaker 2: So I need to talk to Kate now about Jersey 46 00:02:47,520 --> 00:02:53,760 Speaker 2: Housewives because this season has started episode As of today 47 00:02:53,800 --> 00:02:57,760 Speaker 2: as we're taping this, there's been three episodes. The last 48 00:02:57,840 --> 00:03:02,320 Speaker 2: two were a snooze and it was revealed Kate, not 49 00:03:02,360 --> 00:03:05,400 Speaker 2: sure you saw this on social media. The third episode 50 00:03:05,400 --> 00:03:09,160 Speaker 2: of this season was the lowest rated live same date 51 00:03:10,200 --> 00:03:15,000 Speaker 2: in the history of the fourteenth season franchise. Wow, What's 52 00:03:15,040 --> 00:03:16,240 Speaker 2: happening with Jersey? 53 00:03:16,480 --> 00:03:20,359 Speaker 4: Well, you have two factions, you have and the show 54 00:03:20,760 --> 00:03:22,640 Speaker 4: used to be in the beginning. I liked it that 55 00:03:22,680 --> 00:03:24,800 Speaker 4: it was like these two sister in laws fighting because 56 00:03:24,840 --> 00:03:26,680 Speaker 4: I mean, everybody can kind of relate to that, and 57 00:03:26,960 --> 00:03:30,320 Speaker 4: the concept of the show really differed from other franchises 58 00:03:30,360 --> 00:03:34,080 Speaker 4: because there was this family, you know, kind of a 59 00:03:34,120 --> 00:03:38,360 Speaker 4: centered aspect to it with the Manzos and Rita's, so 60 00:03:38,560 --> 00:03:42,280 Speaker 4: adding Melissa made sense because they already kind of began 61 00:03:42,400 --> 00:03:43,360 Speaker 4: with that concept. 62 00:03:43,920 --> 00:03:45,680 Speaker 3: Shocking to me always. 63 00:03:45,280 --> 00:03:47,600 Speaker 4: That Teresa was surprised by that, like, of course, they're 64 00:03:47,600 --> 00:03:49,280 Speaker 4: going to have your sister in law who you hate, 65 00:03:49,320 --> 00:03:51,640 Speaker 4: like she's been in the background for two seasons, like 66 00:03:52,040 --> 00:03:54,920 Speaker 4: basically waving from the bushes in the background. You're surprised 67 00:03:54,920 --> 00:03:56,840 Speaker 4: that they had your sister on, come on, sist long. 68 00:03:57,440 --> 00:04:01,440 Speaker 4: But over time it's become like House of Gucci with 69 00:04:01,480 --> 00:04:03,960 Speaker 4: these two factions, and it's like, if you're friends with her, 70 00:04:04,000 --> 00:04:05,400 Speaker 4: you're not friends with me. And it's like that it 71 00:04:05,440 --> 00:04:07,240 Speaker 4: doesn't work like that when you're trying to create an 72 00:04:07,360 --> 00:04:11,040 Speaker 4: ensemble show. And you know, I've talked in the past 73 00:04:11,120 --> 00:04:14,640 Speaker 4: about power and perceived power, and there's a lot of 74 00:04:14,680 --> 00:04:18,560 Speaker 4: perceived power at this point on that show cast members 75 00:04:18,560 --> 00:04:21,400 Speaker 4: that have perceived power, and I think it. The audience 76 00:04:21,640 --> 00:04:25,760 Speaker 4: smells it, and they don't like it, Like it feels 77 00:04:25,760 --> 00:04:27,920 Speaker 4: like they're all trying in their own or at least 78 00:04:27,960 --> 00:04:29,720 Speaker 4: the two factions are trying in their own way to 79 00:04:30,680 --> 00:04:33,960 Speaker 4: lay lay lines, and the audience is like, I watch 80 00:04:34,040 --> 00:04:36,960 Speaker 4: this as my escape from my crazy work week and 81 00:04:37,040 --> 00:04:38,400 Speaker 4: my children or my life. 82 00:04:39,240 --> 00:04:43,279 Speaker 3: And I don't like the idea that you think you 83 00:04:43,360 --> 00:04:45,400 Speaker 3: control the show. So there's like a little bit of that. 84 00:04:46,400 --> 00:04:49,520 Speaker 4: The fact that Melissa and Teresa will not film together 85 00:04:49,680 --> 00:04:53,039 Speaker 4: is such a bad issue. It's just you cannot continue this, 86 00:04:53,200 --> 00:04:55,760 Speaker 4: and it's almost like they I feel like they've it's 87 00:04:55,800 --> 00:04:59,120 Speaker 4: like paralyzed the show. It's like they've had a stranglehold 88 00:04:59,160 --> 00:05:00,960 Speaker 4: on the show. And the other thing I don't like 89 00:05:01,080 --> 00:05:04,119 Speaker 4: is that because you don't really have that ensemble field, 90 00:05:04,200 --> 00:05:07,080 Speaker 4: because you have two people that refuse to acknowledge each 91 00:05:07,080 --> 00:05:09,440 Speaker 4: other in a scene, they've now sort of leaned in 92 00:05:09,520 --> 00:05:13,080 Speaker 4: too hard in the Husbands, and I gotta be honest 93 00:05:13,080 --> 00:05:16,680 Speaker 4: with you, FEMA audience is like, fuck the Husbands. This 94 00:05:16,720 --> 00:05:18,720 Speaker 4: is a show that I want to watch about women 95 00:05:18,760 --> 00:05:23,680 Speaker 4: who are having really relatable experiences, which include how you 96 00:05:23,760 --> 00:05:26,520 Speaker 4: lose your part of your own identity when your children 97 00:05:26,560 --> 00:05:31,560 Speaker 4: go off to college, the power dynamic in your marriages, 98 00:05:32,600 --> 00:05:37,320 Speaker 4: friendship issues, taking care of elderly parents, like all those 99 00:05:37,360 --> 00:05:39,880 Speaker 4: things that Real Housewives is so good at telling that 100 00:05:39,880 --> 00:05:43,160 Speaker 4: that you can't find in other parts of like entertainment. 101 00:05:44,080 --> 00:05:47,280 Speaker 4: I feel like it's being drowned out by these try 102 00:05:47,400 --> 00:05:51,520 Speaker 4: hard husbands. Like in the last episode there's a scene 103 00:05:51,520 --> 00:05:54,360 Speaker 4: where these loser guys are doing shots out of an 104 00:05:54,400 --> 00:05:58,960 Speaker 4: inflatable woman, out of her asshole. Do you think that 105 00:05:59,000 --> 00:06:00,000 Speaker 4: women want to watch this show? 106 00:06:00,400 --> 00:06:02,080 Speaker 1: I don't want to watch it as a gay man. 107 00:06:02,440 --> 00:06:04,600 Speaker 3: Well, of course you don't, because you respect. 108 00:06:04,200 --> 00:06:08,720 Speaker 1: Women number one. Yes. And also, you guys are older men. 109 00:06:09,040 --> 00:06:12,080 Speaker 2: I expect this from like twenty something year old frat boys, 110 00:06:12,320 --> 00:06:12,880 Speaker 2: do you know what I mean? 111 00:06:14,080 --> 00:06:16,680 Speaker 1: But not like men and there forty who have daughters. 112 00:06:16,920 --> 00:06:20,120 Speaker 4: You have daughters and you're taking shots out of an asshole. 113 00:06:20,200 --> 00:06:22,800 Speaker 4: It's not funny, No, it's not, and some people on 114 00:06:22,800 --> 00:06:24,640 Speaker 4: social media it's like, how is this ever gonna end? 115 00:06:24,640 --> 00:06:27,800 Speaker 4: They sent off their kids to school, But yeah, that's 116 00:06:27,839 --> 00:06:33,440 Speaker 4: a big damn moment for Teresa Melissa. That's Melissa's first child, 117 00:06:33,520 --> 00:06:35,840 Speaker 4: and the reality is there's a part of her self 118 00:06:35,880 --> 00:06:39,000 Speaker 4: identity that she's trying to like figure out when one 119 00:06:39,120 --> 00:06:41,720 Speaker 4: like you that's been your whole life is taking care 120 00:06:41,720 --> 00:06:46,839 Speaker 4: of a child. But let's like smooth over that because 121 00:06:46,839 --> 00:06:48,760 Speaker 4: the guy wants to do some shots. It's like what 122 00:06:49,320 --> 00:06:53,839 Speaker 4: And also I feel like Frank's moment where he goes 123 00:06:53,839 --> 00:06:55,640 Speaker 4: over he Jelorus and he's like, I'm going to propose. 124 00:06:55,720 --> 00:06:57,320 Speaker 3: She was like, yeah, okay, great, who cares? 125 00:06:57,600 --> 00:06:59,880 Speaker 4: Like he thinks he's way more important than the show 126 00:07:00,520 --> 00:07:03,560 Speaker 4: to the show than I think he really is. And 127 00:07:03,800 --> 00:07:06,440 Speaker 4: Joe Gorga always bugs me too, because he is like 128 00:07:06,600 --> 00:07:11,000 Speaker 4: infantile in some of those scenes. Like and I don't 129 00:07:11,040 --> 00:07:12,880 Speaker 4: know how you feel about this, but I want to know. 130 00:07:13,000 --> 00:07:16,440 Speaker 4: Like some of the stuff is like borderline creepy. The 131 00:07:16,480 --> 00:07:19,520 Speaker 4: way they're always like it's like this almost like veiled 132 00:07:20,080 --> 00:07:23,840 Speaker 4: homophobic stuff. I don't know, it's like slapping each other's 133 00:07:23,880 --> 00:07:27,960 Speaker 4: asses and like talk about dildo's and like I don't know, 134 00:07:28,000 --> 00:07:32,560 Speaker 4: it's just like it feels very like infantile, like where 135 00:07:32,560 --> 00:07:35,600 Speaker 4: are the grown up conversations? Like I feel like other 136 00:07:35,840 --> 00:07:41,720 Speaker 4: the men in other franchises have far more adult yes oh, conversations. 137 00:07:42,200 --> 00:07:45,920 Speaker 4: And it's just like it's almost like belittling the people 138 00:07:45,920 --> 00:07:48,000 Speaker 4: that watch the real houses in New Jersey. 139 00:07:48,000 --> 00:07:50,320 Speaker 3: It's like, this is not what we're signing up for. 140 00:07:50,640 --> 00:07:53,560 Speaker 2: Who sister, you said a mouthful there? Yes, where do 141 00:07:53,760 --> 00:07:57,960 Speaker 2: I begin? I mean, listen, I agree with everything you're saying, 142 00:07:58,080 --> 00:08:02,400 Speaker 2: especially when it comes to look, when this season came 143 00:08:02,480 --> 00:08:05,640 Speaker 2: back and we knew that Melissa and Teresa were both 144 00:08:05,720 --> 00:08:08,000 Speaker 2: going to be on it, I think we all know 145 00:08:08,080 --> 00:08:12,400 Speaker 2: we were doomed. And as a reality TV creator, producer 146 00:08:12,440 --> 00:08:15,880 Speaker 2: all those things, I'm aware that you never want to 147 00:08:15,920 --> 00:08:19,760 Speaker 2: give anyone the perception that they run the show. 148 00:08:20,040 --> 00:08:20,920 Speaker 1: Like I get it, Like. 149 00:08:22,520 --> 00:08:25,720 Speaker 2: Right, you never want to Let's let's have a real conversation, Kate. 150 00:08:26,360 --> 00:08:30,840 Speaker 2: If Melissa's gone, the perception, not the reality, it's the perception. 151 00:08:31,520 --> 00:08:34,840 Speaker 2: If Melissa was fired, the perception would have been Teresa 152 00:08:34,920 --> 00:08:35,800 Speaker 2: want she got her way. 153 00:08:36,559 --> 00:08:38,040 Speaker 1: Ifa was right. 154 00:08:38,040 --> 00:08:41,200 Speaker 2: If Teresa was fired, Melissa would have been perceived that 155 00:08:42,000 --> 00:08:46,839 Speaker 2: she got her way, right, So we knew that that 156 00:08:47,000 --> 00:08:50,600 Speaker 2: was probably the basis of why they said. 157 00:08:50,400 --> 00:08:51,640 Speaker 1: Well, you're both coming back. 158 00:08:52,360 --> 00:08:56,440 Speaker 2: The unfortunate part is this, we want to watch a 159 00:08:56,520 --> 00:09:00,079 Speaker 2: show of people who we believe. 160 00:09:00,280 --> 00:09:01,439 Speaker 1: Like being around each other. 161 00:09:01,760 --> 00:09:05,080 Speaker 2: Maybe not love each other, maybe I have slummer parties, 162 00:09:05,679 --> 00:09:11,200 Speaker 2: but like at least like being around each other. And 163 00:09:11,400 --> 00:09:14,679 Speaker 2: this will probably go down in history worse than Potomac 164 00:09:14,720 --> 00:09:18,880 Speaker 2: to me as the most divided cast I have ever 165 00:09:18,960 --> 00:09:23,319 Speaker 2: seen on reality television. This show is more divided than 166 00:09:23,360 --> 00:09:28,600 Speaker 2: the people trying to date Flavor flav you know, it's 167 00:09:29,080 --> 00:09:31,960 Speaker 2: they do not It's like this prize at the end 168 00:09:32,480 --> 00:09:35,520 Speaker 2: that they all want, which is another season. So in 169 00:09:35,559 --> 00:09:38,960 Speaker 2: my opinion, what I'm watching is you have Teresa's group, 170 00:09:39,000 --> 00:09:42,520 Speaker 2: which is Jennifer Aiden, Jennifer Fessler is trying to figure 171 00:09:42,520 --> 00:09:46,959 Speaker 2: out her place in the ensemble. Then we saw Jackie 172 00:09:47,520 --> 00:09:50,800 Speaker 2: Goldschneider and Margaret have a little tiff. 173 00:09:52,040 --> 00:09:55,120 Speaker 1: Just about things she was saying to jen Fessler. 174 00:09:55,600 --> 00:09:59,400 Speaker 2: And then you have the Melissa team, which is Margaret, Joseph, 175 00:09:59,600 --> 00:10:02,960 Speaker 2: obviously Rachel and I feel like Dan Yelle just did 176 00:10:02,960 --> 00:10:06,920 Speaker 2: to make good TV and show for mumus. But for me, 177 00:10:07,600 --> 00:10:11,360 Speaker 2: there isn't this sense of we want to be around 178 00:10:11,400 --> 00:10:15,520 Speaker 2: each other, and everybody is saying, hey, join my team 179 00:10:15,800 --> 00:10:18,760 Speaker 2: because there's power and numbers, and we can go to 180 00:10:18,800 --> 00:10:21,920 Speaker 2: the network saying we are real friends, get rid of 181 00:10:21,920 --> 00:10:26,000 Speaker 2: the group that isn't really friends. And I don't know 182 00:10:26,040 --> 00:10:30,440 Speaker 2: how much I can watch if this is what I'm getting. 183 00:10:30,520 --> 00:10:30,760 Speaker 3: Yeah. 184 00:10:31,040 --> 00:10:35,120 Speaker 4: Well, also, I think the news that it's been revealed 185 00:10:35,120 --> 00:10:39,600 Speaker 4: that there are cast members that have allegedly been working 186 00:10:39,720 --> 00:10:43,520 Speaker 4: with social media accounts to try to destroy other cast members, like, 187 00:10:43,559 --> 00:10:46,600 Speaker 4: it's way too dark. I can't imagine an executive at 188 00:10:46,679 --> 00:10:49,400 Speaker 4: not Bravo is like this is this is something I'm 189 00:10:49,440 --> 00:10:51,720 Speaker 4: happy about. I mean, you want to see a show 190 00:10:51,720 --> 00:10:55,160 Speaker 4: where you feel like there's joyful friendship, there's like you know, 191 00:10:55,240 --> 00:11:02,000 Speaker 4: like just slapstick stuff with really heartfelt well like deep 192 00:11:02,120 --> 00:11:04,320 Speaker 4: and moving moments. You need a little bit of both. 193 00:11:04,679 --> 00:11:07,079 Speaker 4: I don't feel like I'm getting either of those things. 194 00:11:07,440 --> 00:11:09,160 Speaker 1: Yeah, And it just hit me. 195 00:11:10,120 --> 00:11:12,120 Speaker 2: You and I both agree that this past season of 196 00:11:12,160 --> 00:11:15,360 Speaker 2: Baidley Hills wasn't the greatest season. You know, it wasn't 197 00:11:15,360 --> 00:11:18,640 Speaker 2: the greatest. We've seen much better seasons, But it just 198 00:11:18,720 --> 00:11:24,040 Speaker 2: dawned on me, Kate. The reason why that show continuously 199 00:11:24,120 --> 00:11:26,480 Speaker 2: does well on the ratings, and I think this was 200 00:11:26,480 --> 00:11:32,439 Speaker 2: their highestpreaded season. Shockingly, it is because at bare minimum 201 00:11:33,000 --> 00:11:37,400 Speaker 2: is what you just said two seconds ago, they have 202 00:11:37,520 --> 00:11:42,040 Speaker 2: these joy these joyful moments around each other. It's not dark. 203 00:11:42,440 --> 00:11:46,760 Speaker 2: They're not conspiring against each other. It's like when they 204 00:11:46,800 --> 00:11:51,040 Speaker 2: get along. It's actually enjoyable to watch them like get 205 00:11:51,080 --> 00:11:55,320 Speaker 2: along and they like being around each other, and it's believable. Yeah, 206 00:11:55,640 --> 00:11:57,880 Speaker 2: and it's probably it's just dawned on me. I would 207 00:11:57,880 --> 00:12:00,880 Speaker 2: love to get your take. Is the Real Housewives of 208 00:12:00,920 --> 00:12:06,800 Speaker 2: Bailey Hills the most genuine caz of women who enjoy 209 00:12:06,920 --> 00:12:07,800 Speaker 2: being around each other? 210 00:12:08,080 --> 00:12:13,200 Speaker 4: No, no, no, no, Miami, Miami. That's the best real housewives 211 00:12:13,200 --> 00:12:18,800 Speaker 4: show on the air. That is like real friendships, heartfault moments, 212 00:12:18,920 --> 00:12:24,480 Speaker 4: lots of hilarity. It captures the city beautifully. It's got 213 00:12:24,480 --> 00:12:28,319 Speaker 4: the beautiful landscapes, but it really like encapsulates the culture. 214 00:12:29,440 --> 00:12:33,559 Speaker 4: And every woman has such an interesting singular story and 215 00:12:33,600 --> 00:12:36,880 Speaker 4: then they have these complex dynamics too. I think that 216 00:12:37,040 --> 00:12:39,680 Speaker 4: is the best, and I think what's frustrating is that 217 00:12:39,720 --> 00:12:41,760 Speaker 4: they don't get the attention that they deserve. That is, 218 00:12:41,960 --> 00:12:43,760 Speaker 4: to me, the best Real Housewives. 219 00:12:44,080 --> 00:12:45,679 Speaker 1: Why is that? You think you know what. 220 00:12:45,679 --> 00:12:47,640 Speaker 4: One other person pointed this out to me, and I 221 00:12:47,640 --> 00:12:50,960 Speaker 4: can't remember who it was. Gibson Gibson John said it. 222 00:12:51,679 --> 00:12:55,040 Speaker 4: Gibson John said that the women of Miami pulled it up, 223 00:12:55,080 --> 00:12:56,920 Speaker 4: put it all out on the line because it was 224 00:12:56,960 --> 00:12:57,800 Speaker 4: taken from them. 225 00:12:58,240 --> 00:13:00,240 Speaker 3: So when they came back, they're like, we really. 226 00:13:00,200 --> 00:13:02,240 Speaker 4: Have to put it all out there if we really 227 00:13:02,280 --> 00:13:04,679 Speaker 4: want this show to work. And I think on other 228 00:13:04,720 --> 00:13:07,040 Speaker 4: franchises there's some people that believe that and some people 229 00:13:07,080 --> 00:13:10,360 Speaker 4: that get a little bit lazy. And the show like Miami, 230 00:13:10,720 --> 00:13:13,640 Speaker 4: you have Lisa who goes to all the other women 231 00:13:13,640 --> 00:13:16,480 Speaker 4: in the Florida Keys and she says, Lenny and I 232 00:13:16,520 --> 00:13:18,840 Speaker 4: are gonna divorced, and also he's been sleeping with another 233 00:13:18,880 --> 00:13:22,280 Speaker 4: woman and they all screamed, and you're like, those are 234 00:13:22,320 --> 00:13:25,760 Speaker 4: real those are real friends. And even though like they 235 00:13:25,800 --> 00:13:28,640 Speaker 4: all get mad at Larsa the minute that she says, 236 00:13:28,679 --> 00:13:30,920 Speaker 4: like I broke up with you know, my boyfriend, they're 237 00:13:31,040 --> 00:13:34,560 Speaker 4: right there. That is like real friendship. I feel like 238 00:13:34,679 --> 00:13:36,520 Speaker 4: the women of Real Housewaves in New Jersey need to 239 00:13:36,559 --> 00:13:40,240 Speaker 4: study that show. That's a show that people want to 240 00:13:40,280 --> 00:13:42,720 Speaker 4: watch and invest in. And then also Miami of like 241 00:13:42,840 --> 00:13:47,400 Speaker 4: really interesting personal stories like Gerdy and cancer, and Alexia 242 00:13:47,559 --> 00:13:49,440 Speaker 4: is one of the To me, she's one of the 243 00:13:49,440 --> 00:13:52,720 Speaker 4: best housewives because that is a woman who has lived 244 00:13:52,720 --> 00:13:54,560 Speaker 4: a life. That's what you want one like a woman 245 00:13:54,600 --> 00:13:57,840 Speaker 4: who's lived a good, layered life. And that's why that 246 00:13:58,040 --> 00:14:02,880 Speaker 4: forty to fifty range just so cool, because they've raised children, 247 00:14:02,880 --> 00:14:05,439 Speaker 4: they've been married once or twice or maybe more, and 248 00:14:05,920 --> 00:14:08,920 Speaker 4: they've been around the world and like they're very layered people. 249 00:14:09,440 --> 00:14:11,120 Speaker 4: And I feel like New Jersey is kind of like 250 00:14:11,640 --> 00:14:15,600 Speaker 4: it's like stuck in time. It's still stuck in twenty thirteen, 251 00:14:16,400 --> 00:14:17,599 Speaker 4: like no evolving. 252 00:14:18,080 --> 00:14:19,840 Speaker 1: Yeah, it's like the Jersey Shore. 253 00:14:20,440 --> 00:14:22,800 Speaker 3: It's very Jersey short. It's like stuck in that time. 254 00:14:23,240 --> 00:14:29,280 Speaker 1: Yeah. Yeah, So what does this show need? Okay, k Casey. 255 00:14:29,440 --> 00:14:32,320 Speaker 2: You are at your desk, right, you have the corner 256 00:14:32,440 --> 00:14:36,640 Speaker 2: office at thirty Rock. You are on the top floor 257 00:14:37,600 --> 00:14:42,640 Speaker 2: of the building. Okay, people are scared of you. 258 00:14:42,720 --> 00:14:43,560 Speaker 3: They are. 259 00:14:46,800 --> 00:14:53,000 Speaker 2: Yeah, you are the Miranda Priestley of executives. 260 00:14:53,040 --> 00:14:54,240 Speaker 1: You work at Bravo. 261 00:14:54,480 --> 00:14:57,800 Speaker 3: Okay, okay, Yeah, you have. 262 00:14:57,680 --> 00:15:02,760 Speaker 2: A presentation meeting with Francis Buruswick, who was like the 263 00:15:02,880 --> 00:15:06,920 Speaker 2: chairman of NBC, and you are talking about how to 264 00:15:07,040 --> 00:15:11,480 Speaker 2: Sabage Jersey because you just got the ratings overnight and 265 00:15:11,680 --> 00:15:15,040 Speaker 2: it showed you that it was the lowest rated episode 266 00:15:15,080 --> 00:15:16,640 Speaker 2: in the fourteen year history of the show. 267 00:15:17,080 --> 00:15:19,080 Speaker 1: What is kay Casey going to do to fix it? 268 00:15:19,360 --> 00:15:21,360 Speaker 4: I say, Francis, we got to get rid of Melissa 269 00:15:21,400 --> 00:15:26,640 Speaker 4: and Teresa, and we need to in the short term, Yes, 270 00:15:28,000 --> 00:15:30,040 Speaker 4: bring in the ones that have been hanging out in 271 00:15:30,040 --> 00:15:30,720 Speaker 4: the background, but. 272 00:15:30,680 --> 00:15:33,080 Speaker 3: We have to shift somebody beautifully. 273 00:15:33,320 --> 00:15:36,000 Speaker 4: I'm forgetting the person's name on Twitter, but they just 274 00:15:36,040 --> 00:15:37,760 Speaker 4: put it up where they put a map of all 275 00:15:37,800 --> 00:15:39,840 Speaker 4: the real housews in New Jersey and wherever they live. 276 00:15:40,360 --> 00:15:41,760 Speaker 4: And I love that and said you need to do 277 00:15:41,760 --> 00:15:44,600 Speaker 4: that for every past because it shows you how far 278 00:15:44,640 --> 00:15:47,280 Speaker 4: away they all live from one another. If they could 279 00:15:47,400 --> 00:15:50,720 Speaker 4: get like maybe the two new women that they had, 280 00:15:50,760 --> 00:15:54,120 Speaker 4: Tiffany and Kayla in the background, I feel like they're 281 00:15:54,160 --> 00:15:58,520 Speaker 4: friends with Danielle. Shift towards that like that age, like 282 00:15:58,560 --> 00:16:02,200 Speaker 4: wherever they live, fine women in that community, and lean 283 00:16:02,240 --> 00:16:05,400 Speaker 4: into that. I think the story of Melissa and Teresa, 284 00:16:05,560 --> 00:16:08,800 Speaker 4: with all respect to them, we know it. There are 285 00:16:08,840 --> 00:16:11,360 Speaker 4: a lot of housewives that we get to a point where, 286 00:16:11,400 --> 00:16:13,280 Speaker 4: like like Vicky Gumbolson was one of them, where like, 287 00:16:13,320 --> 00:16:15,720 Speaker 4: I know who you are. I get like, I get it, 288 00:16:16,080 --> 00:16:18,560 Speaker 4: but I think it's time for us to meet somebody new. 289 00:16:18,720 --> 00:16:21,920 Speaker 4: It's like having the same person to your dinner party 290 00:16:22,040 --> 00:16:22,800 Speaker 4: every week. 291 00:16:23,360 --> 00:16:26,440 Speaker 3: Their lives didn't change that much. Isn't it fun to 292 00:16:26,480 --> 00:16:27,400 Speaker 3: invite somebody over. 293 00:16:27,440 --> 00:16:29,680 Speaker 4: It was like, you know, they have like a different 294 00:16:29,760 --> 00:16:31,240 Speaker 4: kind of job, and they just went on a trip 295 00:16:31,280 --> 00:16:34,160 Speaker 4: to you know, on a safari and they've been like 296 00:16:34,600 --> 00:16:37,200 Speaker 4: in the middle of a breakup. You're like, that's fun. 297 00:16:37,920 --> 00:16:40,560 Speaker 4: Not inviting the same person dinner party every freaking week. 298 00:16:41,120 --> 00:16:43,680 Speaker 4: Oh what are we having chicken stew again? 299 00:16:43,840 --> 00:16:44,160 Speaker 3: Great? 300 00:16:44,560 --> 00:16:48,880 Speaker 4: Look kids, Big Ben Parliament, that is the problem. Get 301 00:16:48,960 --> 00:16:50,560 Speaker 4: some new stuff in there. So I would do that, 302 00:16:50,600 --> 00:16:52,720 Speaker 4: would get rid of Melissa, and I would get rid 303 00:16:52,720 --> 00:16:55,560 Speaker 4: of Teresa. And I presume they probably cost them a 304 00:16:55,600 --> 00:16:56,600 Speaker 4: lot of money. 305 00:16:56,640 --> 00:16:58,800 Speaker 1: In terms of how much they make, how. 306 00:16:58,760 --> 00:16:59,240 Speaker 3: Much they make. 307 00:16:59,320 --> 00:17:01,560 Speaker 4: So if you get I'm be honest with you, if 308 00:17:01,600 --> 00:17:03,480 Speaker 4: I'm thinking like an executive, I go, I get rid 309 00:17:03,520 --> 00:17:05,879 Speaker 4: of that. I'm gonna save myself. We're gonna save a 310 00:17:05,880 --> 00:17:07,520 Speaker 4: ton of this is what I'm saying to Francis. I'm like, 311 00:17:07,520 --> 00:17:09,040 Speaker 4: we're gonna save a ton of money. We're gonna get 312 00:17:09,080 --> 00:17:10,679 Speaker 4: rid of those two. We're gonna get the two new 313 00:17:10,680 --> 00:17:12,440 Speaker 4: housewives because we don't really have to pay them a 314 00:17:12,440 --> 00:17:14,479 Speaker 4: lot of money for the first three seasons. And then 315 00:17:14,480 --> 00:17:16,560 Speaker 4: we're gonna ask them who their group of friends are, 316 00:17:16,600 --> 00:17:20,199 Speaker 4: and we're gonna send myself and somebody else in to 317 00:17:20,280 --> 00:17:22,439 Speaker 4: interview the people in the community or who they're friends with, 318 00:17:22,720 --> 00:17:26,240 Speaker 4: and we're gonna adjust this show to make it a newer, better, 319 00:17:26,280 --> 00:17:26,960 Speaker 4: better version. 320 00:17:27,240 --> 00:17:28,920 Speaker 3: You know, they did it in New York and it's great. 321 00:17:28,960 --> 00:17:30,800 Speaker 3: It's a big hit. I think I think the. 322 00:17:30,760 --> 00:17:34,119 Speaker 4: Good people that watch the show are are gonna be 323 00:17:34,119 --> 00:17:34,639 Speaker 4: okay with that. 324 00:17:35,000 --> 00:17:40,720 Speaker 2: Okay, so you're keeping Marge and Jen Festler, Rachel and Danielle. 325 00:17:40,800 --> 00:17:44,840 Speaker 4: Yeah, I would lean into Rachel and Danielle's friends, and 326 00:17:44,880 --> 00:17:48,120 Speaker 4: we moved we move in that direction, Like doesn't Jen 327 00:17:48,200 --> 00:17:49,880 Speaker 4: Fessler have some fun friends that are. 328 00:17:49,800 --> 00:17:51,119 Speaker 3: Just wacka doos? See? 329 00:17:51,119 --> 00:17:53,199 Speaker 4: That's the other thing is like women in their forties 330 00:17:53,240 --> 00:17:54,680 Speaker 4: and fifties, they don't care as much. 331 00:17:54,720 --> 00:17:57,000 Speaker 3: They're not They're like, this is who I am. Fuck it. 332 00:17:57,440 --> 00:17:59,200 Speaker 4: You have a little bit more of a problem with 333 00:17:59,320 --> 00:18:01,880 Speaker 4: someone's like thirty too, because they're like, well, my mother 334 00:18:01,960 --> 00:18:04,040 Speaker 4: in law, she thinks I'm a bad mother, and I 335 00:18:04,119 --> 00:18:06,240 Speaker 4: really want to, like, I can't be on a TV 336 00:18:06,359 --> 00:18:10,160 Speaker 4: show forty or the fifty year old woman, especially the ladder. 337 00:18:09,960 --> 00:18:11,600 Speaker 3: Like fifty, like late fifties. 338 00:18:12,359 --> 00:18:15,320 Speaker 4: She's like, fuck my mother in law, right, you want 339 00:18:15,320 --> 00:18:16,480 Speaker 4: those kind of women too? 340 00:18:16,960 --> 00:18:18,680 Speaker 1: No, And that's the reason why. 341 00:18:18,960 --> 00:18:22,080 Speaker 2: Oh I forgot to metch her name jen Aiden. Are 342 00:18:22,119 --> 00:18:22,720 Speaker 2: you keeping her? 343 00:18:22,880 --> 00:18:26,280 Speaker 4: Oh no, she's gone, maybe gone gone, maybe gone. She's 344 00:18:26,320 --> 00:18:28,960 Speaker 4: been gone gone. I didn't even think about in my 345 00:18:29,000 --> 00:18:29,720 Speaker 4: mind she's gone. 346 00:18:29,960 --> 00:18:33,240 Speaker 1: Oh why tell me? 347 00:18:34,240 --> 00:18:36,320 Speaker 4: I just think she doesn't really add that much to 348 00:18:36,400 --> 00:18:38,560 Speaker 4: the show, you know. I feel like I got to 349 00:18:38,560 --> 00:18:40,000 Speaker 4: know her a couple of seasons ago, and I'm like, 350 00:18:40,119 --> 00:18:43,000 Speaker 4: there's nothing really left to talk about, you know what 351 00:18:43,000 --> 00:18:45,440 Speaker 4: I mean? And I feel like what I've seen play 352 00:18:45,440 --> 00:18:48,879 Speaker 4: out on social media is so disturbing about these accounts 353 00:18:48,960 --> 00:18:53,119 Speaker 4: alleging that she is with the help of others like trying. 354 00:18:53,359 --> 00:18:53,560 Speaker 2: You know. 355 00:18:53,600 --> 00:18:55,879 Speaker 4: I have to say personally, I was affected by that. 356 00:18:55,960 --> 00:18:58,879 Speaker 4: One time I interviewed Margaret last season. To tell you this, 357 00:18:59,280 --> 00:19:00,200 Speaker 4: I interviewed. 358 00:18:59,840 --> 00:19:00,440 Speaker 1: Her, you did. 359 00:19:00,640 --> 00:19:03,520 Speaker 4: I interviewed Margaret last last year, and I was like, I, 360 00:19:03,560 --> 00:19:05,399 Speaker 4: all of a sudden, I get this, like onslought of 361 00:19:05,440 --> 00:19:08,840 Speaker 4: like terrible tweets like disparaging me and my show, a 362 00:19:08,920 --> 00:19:10,040 Speaker 4: ton of like bad. 363 00:19:09,800 --> 00:19:12,560 Speaker 3: Apple reviews because I. 364 00:19:11,920 --> 00:19:15,679 Speaker 4: And like these tweets were insanity, like as if I 365 00:19:15,720 --> 00:19:18,080 Speaker 4: had been working in cahoots with Margaret and that's why 366 00:19:18,119 --> 00:19:20,400 Speaker 4: I interviewed. I'm like that the people have lost their mind. 367 00:19:20,720 --> 00:19:22,719 Speaker 4: So this one account has gone on to say that 368 00:19:23,280 --> 00:19:26,560 Speaker 4: apparently there's like a whole strategy like if anybody should 369 00:19:26,560 --> 00:19:29,320 Speaker 4: be bold enough to interview people on the other side 370 00:19:29,359 --> 00:19:32,720 Speaker 4: of the fence of New Jersey, that you are ripe 371 00:19:32,800 --> 00:19:36,359 Speaker 4: for getting ripped on, like essentially almost like bullying people 372 00:19:36,440 --> 00:19:41,119 Speaker 4: into not covering or interviewing certain cast members because they're, 373 00:19:41,400 --> 00:19:43,000 Speaker 4: you know, on the wrong side of the fence, which 374 00:19:43,040 --> 00:19:45,760 Speaker 4: is like what, like come on. 375 00:19:45,880 --> 00:19:48,720 Speaker 1: No, they is listen. There's there's a there's a section 376 00:19:48,840 --> 00:19:51,560 Speaker 1: of people who take away too far. Yeah, that's wait, 377 00:19:51,880 --> 00:19:53,520 Speaker 1: and that's taking it too far. 378 00:19:53,800 --> 00:19:58,720 Speaker 2: Like we're journalists, we're podcast lls, we're bloggers, consecrators what 379 00:19:58,800 --> 00:20:02,040 Speaker 2: you want to call anybody in this field. We're not 380 00:20:02,240 --> 00:20:07,359 Speaker 2: here to place judgment on the entire cast. It's our 381 00:20:07,440 --> 00:20:11,200 Speaker 2: job to ask questions. It's no secret that Teresa Judais 382 00:20:11,359 --> 00:20:15,720 Speaker 2: is a friend of mine. I had Margaret on my podcast. Yeah, 383 00:20:15,840 --> 00:20:19,080 Speaker 2: because for me it was about Margaret's on the show. 384 00:20:19,680 --> 00:20:20,600 Speaker 1: She has a story. 385 00:20:20,960 --> 00:20:23,200 Speaker 2: I'm going to talk to Margaret and I would love 386 00:20:23,240 --> 00:20:24,479 Speaker 2: to talk to Melissa Gorda. 387 00:20:24,520 --> 00:20:26,120 Speaker 1: I will add Teresa Yea. 388 00:20:26,520 --> 00:20:28,480 Speaker 2: And I want to say this for the record, Teresa 389 00:20:28,520 --> 00:20:29,720 Speaker 2: never once said why. 390 00:20:29,560 --> 00:20:30,560 Speaker 1: The fuck are you talking about? 391 00:20:30,680 --> 00:20:33,040 Speaker 2: She didn't give a shit because she understands, like, who 392 00:20:33,119 --> 00:20:34,600 Speaker 2: cares she's on the show? 393 00:20:34,720 --> 00:20:38,119 Speaker 1: Talk to her. So when the fans, some of them, when. 394 00:20:37,960 --> 00:20:41,240 Speaker 2: They go too far as to attacking people on Twitter, 395 00:20:41,480 --> 00:20:43,119 Speaker 2: leaving bad reviews on Apple. 396 00:20:43,240 --> 00:20:46,239 Speaker 4: Yeah, But I think the question, though, is there are 397 00:20:46,280 --> 00:20:48,879 Speaker 4: certain fans that do that, but are they doing it 398 00:20:48,960 --> 00:20:52,879 Speaker 4: at the instruction of someone And that's the question. And 399 00:20:52,960 --> 00:20:56,320 Speaker 4: I'm to say, as somebody who speaks to people that 400 00:20:56,400 --> 00:21:00,240 Speaker 4: are executive producers a lot, this is not something they 401 00:21:00,240 --> 00:21:02,119 Speaker 4: want to deal with. They are trying to make a 402 00:21:02,160 --> 00:21:05,560 Speaker 4: show out of what they're given and this executive producers, 403 00:21:05,680 --> 00:21:08,800 Speaker 4: all the people who work on shows work their asses 404 00:21:08,840 --> 00:21:12,200 Speaker 4: off and to have someone do that behind the scenes 405 00:21:12,600 --> 00:21:15,680 Speaker 4: is enormously frustrating. And that's the thing that gets lost 406 00:21:15,680 --> 00:21:18,160 Speaker 4: in it that I really really gets on my nerves. 407 00:21:18,480 --> 00:21:20,399 Speaker 4: Are the people, you know, it's fun to watch these shows, 408 00:21:20,400 --> 00:21:22,200 Speaker 4: but there are people that put together these shows who 409 00:21:22,200 --> 00:21:26,080 Speaker 4: work really, really hard, and you're demeaning them when you 410 00:21:26,119 --> 00:21:28,760 Speaker 4: do stuff like that. So I would presume they're like, 411 00:21:28,800 --> 00:21:30,840 Speaker 4: I don't want to deal with this person anymore. You're 412 00:21:30,880 --> 00:21:32,840 Speaker 4: making my job a lot harder than it should be. 413 00:21:32,960 --> 00:21:34,359 Speaker 4: This should be a fun experience. 414 00:21:34,680 --> 00:21:37,600 Speaker 2: Absolutely, absolutely, and that's the reason why for me, is 415 00:21:37,600 --> 00:21:41,520 Speaker 2: one of those things where it's just it takes the 416 00:21:41,640 --> 00:21:46,639 Speaker 2: fun out of it. Yeah, and you can't allow the 417 00:21:47,480 --> 00:21:53,040 Speaker 2: show to take over your life. It's yeah crazy like 418 00:21:53,520 --> 00:21:56,000 Speaker 2: you and I K we get a kick out of this, 419 00:21:56,280 --> 00:21:57,200 Speaker 2: We enjoy it. 420 00:21:57,880 --> 00:22:00,119 Speaker 1: You have a full life. You are a full full 421 00:22:00,200 --> 00:22:03,919 Speaker 1: time mom, a full time wife. You you have a 422 00:22:03,960 --> 00:22:05,680 Speaker 1: full life on your own. 423 00:22:06,119 --> 00:22:09,679 Speaker 2: So to have someone come in and disrupt it because 424 00:22:09,720 --> 00:22:12,080 Speaker 2: they don't like what you're who you're talking. 425 00:22:11,800 --> 00:22:15,520 Speaker 1: To, like guys that that that's not okay. And one 426 00:22:15,520 --> 00:22:18,640 Speaker 1: thing about Jersey the show is. 427 00:22:18,640 --> 00:22:20,840 Speaker 3: Dark and I think I'm pretty fair. 428 00:22:21,080 --> 00:22:23,919 Speaker 1: Oh you, Oh you're very fair. No, I've known you 429 00:22:23,960 --> 00:22:25,919 Speaker 1: for years, you're you're you're very fair. 430 00:22:26,359 --> 00:22:29,080 Speaker 2: But again it's more so about like, well, you're talking 431 00:22:29,119 --> 00:22:32,480 Speaker 2: to this person and I think I think that's like 432 00:22:32,520 --> 00:22:36,959 Speaker 2: this cloud over Jersey and anything associated with it. 433 00:22:37,119 --> 00:22:39,280 Speaker 1: It's just dark, it is, and. 434 00:22:39,200 --> 00:22:42,800 Speaker 2: It's I don't remember the last time I saw the 435 00:22:42,840 --> 00:22:47,040 Speaker 2: girls like have a girl's trip and had fun and no, 436 00:22:47,320 --> 00:22:50,760 Speaker 2: I okay, I can't recall the last time the girls 437 00:22:50,800 --> 00:22:51,400 Speaker 2: just laughed? 438 00:22:51,600 --> 00:22:53,359 Speaker 1: Well, how can by the way, for each other's company? 439 00:22:53,480 --> 00:22:56,479 Speaker 4: How can you laugh when someone to seat pre season 440 00:22:56,520 --> 00:22:59,879 Speaker 4: before said I had an investigator to do it like 441 00:22:59,880 --> 00:23:02,080 Speaker 4: a thorough like look into all of you? 442 00:23:02,400 --> 00:23:05,240 Speaker 3: How was that fun? That? Like? Do you want to 443 00:23:05,280 --> 00:23:05,760 Speaker 3: be part of shore? 444 00:23:05,800 --> 00:23:05,960 Speaker 4: Like that? 445 00:23:06,080 --> 00:23:10,000 Speaker 3: I'd be like, I'm out, folks, sorry. 446 00:23:09,160 --> 00:23:11,280 Speaker 1: So does this show need to be put on pause 447 00:23:11,440 --> 00:23:12,280 Speaker 1: until they know? 448 00:23:12,560 --> 00:23:14,040 Speaker 4: Doesn't need to be on pause? Just get rid of 449 00:23:14,040 --> 00:23:17,280 Speaker 4: people and move new people in. Let's be honest. It's 450 00:23:17,400 --> 00:23:22,280 Speaker 4: this is like the Jennifer Convertibles of it all. 451 00:23:21,760 --> 00:23:24,600 Speaker 3: Like move the old furniture out and move the new in. 452 00:23:25,119 --> 00:23:26,040 Speaker 3: What do I always say? 453 00:23:26,119 --> 00:23:29,440 Speaker 4: Real house wis is like Menudo somebody else, Like you know, 454 00:23:29,720 --> 00:23:32,320 Speaker 4: somebody's voice cracks and they get a mustache trying to 455 00:23:32,359 --> 00:23:32,880 Speaker 4: move you out. 456 00:23:33,240 --> 00:23:34,280 Speaker 3: Got to get somebody new. 457 00:23:37,800 --> 00:23:40,000 Speaker 1: Thank you for listening to Reality with the King. 458 00:23:40,440 --> 00:23:46,080 Speaker 2: New episodes drop on Tuesdays and Thursdays. Share, comment, Follow, 459 00:23:46,240 --> 00:23:49,880 Speaker 2: and subscribe to Reality with the King. Wherever you get 460 00:23:49,920 --> 00:23:54,600 Speaker 2: your podcast, visit Reality Withtheking dot com and be sure 461 00:23:54,680 --> 00:23:59,480 Speaker 2: to follow me at the Carlos King Underscore on Instagram, Twitter, 462 00:23:59,680 --> 00:24:03,040 Speaker 2: Tick Talk, and Yes, Baby, my YouTube channel where you 463 00:24:03,040 --> 00:24:07,000 Speaker 2: could get all of my visuals, baby, my expressions. Yeah, 464 00:24:07,200 --> 00:24:10,080 Speaker 2: and don't forget tweet me your thoughts and hot takes 465 00:24:10,480 --> 00:24:15,720 Speaker 2: about this episode using the hashtag Reality. 466 00:24:14,680 --> 00:24:15,240 Speaker 1: With the King. 467 00:24:16,040 --> 00:24:20,119 Speaker 2: Reality with the King is a production of Kingdom Rain Entertainment. 468 00:24:20,920 --> 00:24:25,280 Speaker 2: It is produced by Sierra Spragley Rix An executive produced 469 00:24:25,400 --> 00:24:39,160 Speaker 2: by Me Carlos King, Kingdom Rain Entertainment, Baby