WEBVTT - 11. Writing on the Wall

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<v Speaker 1>Pushkin Hey, Lost Tills listeners, it's Dana. I wanted to

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<v Speaker 1>let you know that you can hear the entire new

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<v Speaker 1>season of Lost Hill's ad free, along with other great

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<v Speaker 1>binge listens by becoming a Pushkin Plus subscriber. Find Pushkin

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<v Speaker 1>Plus on the Lost Hills Show page in Apple Podcasts,

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<v Speaker 1>or at pushkin dot fm, slash Plus.

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<v Speaker 2>Mickey was highly intelligent, well read, and he didn't give

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<v Speaker 2>a fuck, and he saw that what the future was

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<v Speaker 2>going to bring to surfing, and so he acted accordingly,

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<v Speaker 2>and he wouldn't capitulate.

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<v Speaker 1>This is Chris molloy. He's a documentary filmmaker who moved

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<v Speaker 1>to Hawaii to be a professional big wave surfer in

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<v Speaker 1>the nineties. Chris is a big fan of Mickey Dora.

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<v Speaker 2>He was like, you know what, I can get paid

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<v Speaker 2>to surf, But he said, I'm going to take credit

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<v Speaker 2>cards and checks and go around the world and surf

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<v Speaker 2>waves that nobody knows about. And he said, God damn it.

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<v Speaker 2>He goes, if they gave you this plastic card and

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<v Speaker 2>you could just go get stuff for free, what the

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<v Speaker 2>fuck would you do.

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<v Speaker 1>I'm visiting Chris at his sprawling ranch on California's Central Coast,

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<v Speaker 1>where he and his wife are raising three kids on

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<v Speaker 1>one hundred acres. He's part of that Kelly Slater generation

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<v Speaker 1>of surfers who grew up on Mickey Dora Lore. Mickey's

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<v Speaker 1>status as an iconoclast spoke to them.

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<v Speaker 2>He was very aware of the big public and governmental

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<v Speaker 2>systems and was smart enough to go, Hey, I'm going

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<v Speaker 2>to do it my way and you guys can pretty

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<v Speaker 2>much fuck off. That was Mickey, you know what I mean,

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<v Speaker 2>and he did it with style.

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<v Speaker 1>Two years before Mickey died, Chris got to spend a

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<v Speaker 1>couple of weeks with him in Chile surfing.

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<v Speaker 2>I was very very focused when I was with him,

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<v Speaker 2>just taking it in because I knew I knew I

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<v Speaker 2>was in a special space.

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<v Speaker 1>So Mickey talked a lot on the trip and Chris

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<v Speaker 1>was listening, but he was also thinking about posterity, and

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<v Speaker 1>so secretly at first, because Mickey was so paranoid, he

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<v Speaker 1>started recording him. As Chris is telling me this, he

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<v Speaker 1>hands me a mini disc.

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<v Speaker 2>So this is a recording that you guys can take

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<v Speaker 2>if you want. That I did with him. So this

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<v Speaker 2>is very unjournalistic, but I'm not a journalist, so I

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<v Speaker 2>can do whatever the fuck I want. He didn't know

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<v Speaker 2>I was recording, and I don't think there's anything good

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<v Speaker 2>in there, honestly, Like I listened to it once and

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<v Speaker 2>it's horrible. Sound testing Testing one, two three, Avocado Balloon.

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<v Speaker 1>There are very few recordings of Mickey Dora. He rarely

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<v Speaker 1>sat for interviews, and when he did, they tended to

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<v Speaker 1>be incredibly contrived, not to mention, full of lies. But

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<v Speaker 1>this tape is different. It captures the final chapter of

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<v Speaker 1>Mickey's life. He was sixty five and he knew he

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<v Speaker 1>was falling apart.

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<v Speaker 3>People do what they want. They have to live with

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<v Speaker 3>their conscience. I want to live the way and I

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<v Speaker 3>want to live.

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<v Speaker 4>It's hard to do and it's an experiment, but I don't

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<v Speaker 4>want anyone to live the way. I wanted to serve

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<v Speaker 4>like everybody else. I want to do anything like anyone

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<v Speaker 4>outside just struggle in my life what suitable for me.

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<v Speaker 1>After years of seemingly perpetual youth, Mickey looked his age.

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<v Speaker 1>A picture from around this time shows him with a

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<v Speaker 1>silvery goatee, wearing some kind of cravat, a soft twinkle

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<v Speaker 1>in his eye, like the most interesting man in the world.

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<v Speaker 1>If he was left on the beach for a week.

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<v Speaker 1>The cancer that would kill him was most likely already

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<v Speaker 1>eating him away. Mickey had been on the outside for

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<v Speaker 1>so long, in exile, in prison, forsaken and the surf world,

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<v Speaker 1>the whole world had moved on. He'd lost his kingdom

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<v Speaker 1>and most of his fawning fans. His fame was underground,

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<v Speaker 1>deep underground. Did the new wild kids of Surf Rider

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<v Speaker 1>even know who Mickey Door was. Mickey always said he

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<v Speaker 1>hated attention, but he craved relevance. He wanted to be wanted.

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<v Speaker 1>The one thing Mickey hadn't lost was his legendary charm.

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<v Speaker 1>So when he met Chris molloy and Kelly Slater, two

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<v Speaker 1>of the surf world's biggest celebrities, he turned it on.

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<v Speaker 1>Mickey was ready for his last act. I'm Dana Goodyear

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<v Speaker 1>and this is Lost Hills, episode eleven, Writing on the Wall. Hi, Kelly,

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<v Speaker 1>how good?

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<v Speaker 3>How are you doing good?

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<v Speaker 1>I'm on a zoom with Kelly Slater.

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<v Speaker 5>You guys see me? No, no cameraw oh I didn't.

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<v Speaker 6>Realize I never had an on cool?

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<v Speaker 5>Okay great.

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<v Speaker 1>He's at home on the north shore of O Wahoo

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<v Speaker 1>and when the camera turns on his zoom. Background's got

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<v Speaker 1>real Hawaii vibes, whitewashed wooden walls, a ceiling fan, and

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<v Speaker 1>surfboards stashed in the roof beams.

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<v Speaker 5>Cool.

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<v Speaker 1>Well, I'm going to start by asking you a question

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<v Speaker 1>that you probably haven't been asked in twenty five years,

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<v Speaker 1>which is who are you and what do you do?

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<v Speaker 6>Funny enough, I get asked that a lot to set

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<v Speaker 6>up interviews. But I'm Kelly Slater. I'm a professional surfer.

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<v Speaker 6>I have been for I've actually been a professional for

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<v Speaker 6>thirty thirty three years now and I'm still competing full time.

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<v Speaker 6>I'm a father. I do a little bit of business

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<v Speaker 6>here and there, so that's kind of my thing.

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<v Speaker 1>It's taken a while to schedule this call because Kelly

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<v Speaker 1>is busy right now.

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<v Speaker 6>I'm actually just I'm in a process of packing and

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<v Speaker 6>kind of closing up my house for the winter because

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<v Speaker 6>I'm going to Portugal tomorrow for a competition.

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<v Speaker 1>It's March, and Kelly's on the World Tour and he's

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<v Speaker 1>hoping to qualify for the Olympics.

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<v Speaker 6>The results from the World Tour feed into the Olympics,

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<v Speaker 6>so it's really essentially like a year long Olympic trials

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<v Speaker 6>and I need to make the top two from the

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<v Speaker 6>US and the men's in order to make the Olympics.

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<v Speaker 1>Kelly Slater is fifty two years old and the winningest

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<v Speaker 1>pro surfer of all time. He just barely missed making

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<v Speaker 1>the US team for surfings first Olympics in Tokyo in

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<v Speaker 1>twenty twenty one. He really wants to make it in

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<v Speaker 1>twenty twenty four.

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<v Speaker 6>This would be my one and probably only Olympics that

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<v Speaker 6>I would ever do.

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<v Speaker 1>Kelly Slater met Mickey in the late nineties, right in

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<v Speaker 1>the middle of a streak in which Kelly won the

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<v Speaker 1>world title five years in a row. Mickey was spending

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<v Speaker 1>time in Jeffrey's Bay, South Africa, another perfect rite, another

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<v Speaker 1>stand in for Malibu. After he was released from prison,

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<v Speaker 1>Mickey kind of alternated between Gettorie, his spot in France,

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<v Speaker 1>and Jay Bay. His constant companion was a small King

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<v Speaker 1>Charles Spaniel named Scooter Boy after a hot dogging Hawaiian surfer.

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<v Speaker 1>Scooter Boy ate at the table from a plate. Mickey

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<v Speaker 1>was surviving on the kindness of others and the fumes

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<v Speaker 1>of his legend. The surf apparel company Quicksilver had come

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<v Speaker 1>to Mickey's rescue when he got out of prison and

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<v Speaker 1>appeared destitute, they paid him a monthly stipe, got him

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<v Speaker 1>a small apartment, and gave him a tab at a

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<v Speaker 1>local restaurant. In return, he agreed to be essentially their mascot,

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<v Speaker 1>showing up at parties and attending surf events. It was

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<v Speaker 1>more or less the same gig Gidget has at Dukes

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<v Speaker 1>in Malibu.

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<v Speaker 6>Over the years. I've told a few of the stories

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<v Speaker 6>that I know where Mickey did like rip people off

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<v Speaker 6>and treated people kind of badly, you know, And I

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<v Speaker 6>don't say those stories to like tarnish his image or

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<v Speaker 6>anything like that. To me, it was a defining part

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<v Speaker 6>of his personality and who he was, that he was

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<v Speaker 6>so paranoid and untrusting of other people. That it was

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<v Speaker 6>maybe because of his own skeletons, but you know, he

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<v Speaker 6>had all these tricks he would pull, and people who

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<v Speaker 6>knew him well would get ahead of his tricks.

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<v Speaker 1>Though Mickey was too scared after prison to pull any

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<v Speaker 1>serious scams, he was still seemingly incapable of paying for

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<v Speaker 1>his own meal.

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<v Speaker 6>One thing that comes mind is he lived in France

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<v Speaker 6>for a long time and he would go to dinner

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<v Speaker 6>with people there, and he always had this trick where

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<v Speaker 6>he'd show up at dinner with one hundred dollar US bill.

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<v Speaker 6>And at the time, it was French Francs, and you

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<v Speaker 6>couldn't just readily exchange a hundred dollars bill at any restaurant,

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<v Speaker 6>and so when the bill would call me, go oh,

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<v Speaker 6>all I have was one hundred dollars bill. And so

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<v Speaker 6>my friend's wife caught onto it. She goes, oh, I

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<v Speaker 6>know he's gonna pull that trick on us again this dinner.

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<v Speaker 6>So she brought enough money to exchange his one hundred

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<v Speaker 6>dollars bill in Frank's at dinner, and as soon as

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<v Speaker 6>he picked it up, when I have one hundred dollars bill,

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<v Speaker 6>she grabbed it out of his hand and goes, I

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<v Speaker 6>got changed for that.

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<v Speaker 1>Kelly was charmed by Mickey. It was incredible to meet

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<v Speaker 1>someone who had been there back at the birth of

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<v Speaker 1>California surfing. His little brother was a big Mickey Dora fan.

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<v Speaker 1>So the first time he met Mickey, Kelly asked if

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<v Speaker 1>he would sign a picture for his brother, and he

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<v Speaker 1>just like.

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<v Speaker 7>Went, whoa, whoa, whoa, whoa.

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<v Speaker 6>No, Kelly, I really like you. He seemed like a

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<v Speaker 6>great guy. But I can't do that, and I said,

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<v Speaker 6>why not, you can like personalize it to my little brother.

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<v Speaker 6>You know, I'd probably signed a thousand autographs at any

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<v Speaker 6>particular event, and Mickey just said, no, you know, these

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<v Speaker 6>Japanese think that my autograph's worth five thousand dollars and

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<v Speaker 6>I can't change that. I can't let him down. And

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<v Speaker 6>what he meant by that was that every surfboard that

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<v Speaker 6>he signed, him and Greg Noel had a surfboard deal

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<v Speaker 6>together and they would sell these boards in Japan and

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<v Speaker 6>they would sell for about five thousand dollars. So he

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<v Speaker 6>equated his signature to being worth about five thousand dollars.

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<v Speaker 1>I guess Mickey's weirdness about signing, about giving any part

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<v Speaker 1>of himself away was a motif Kelly noticed. It might

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<v Speaker 1>have been the fact that in the forged passport case,

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<v Speaker 1>the FBI forced Mickey to submit hundreds of handwriting samples.

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<v Speaker 1>They were never able to get a match, but maybe

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<v Speaker 1>Mickey wasn't taking any chances. Sometime later, Kelly ran into

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<v Speaker 1>Mickey in France. Kelly was sponsored by Quicksilver. He'd been

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<v Speaker 1>invited to play a round of golf with Mickey, the

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<v Speaker 1>Quicksilver mascot and a couple of executives. At the end

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<v Speaker 1>of the round, Mickey and Kelly sat down for a

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<v Speaker 1>drink and Bruce Raymond, who ran Quicksilver International, passed around

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<v Speaker 1>the scorecard for everyone to sign, and.

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<v Speaker 6>Mickey gets up and goes to the bathroom. And I've

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<v Speaker 6>already told you this story about Mickey's autograph, but the

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<v Speaker 6>problem is that Bruce is basically his boss and the

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<v Speaker 6>oneer determines whether he gets a paycheck every month, and

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<v Speaker 6>he gets his travel and all that stuff. So I said,

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<v Speaker 6>you know, Mickey's not going to sign this, Bruce, and

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<v Speaker 6>he goes, he'll sign it, and I said, no, he

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<v Speaker 6>won't sign it. I'm telling you this will be a fight.

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<v Speaker 6>He goes, just put it in front of his seat

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<v Speaker 6>and when he gets back, he'll sign the scorecard. And

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<v Speaker 6>so after about he gets back and he sits there

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<v Speaker 6>for about five or ten minutes and he hasn't signed

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<v Speaker 6>it yet, and Bruce finally goes, Hey, Mickey signed the scorecard,

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<v Speaker 6>and Mickey goes, he just totally freaked out here, Who's

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<v Speaker 6>is this, Who's going to where's this going? I'm no,

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<v Speaker 6>I don't sign things. And Bruce real calmly goes Mickey

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<v Speaker 6>signed the score card, and he goes, well, where's this

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<v Speaker 6>going to go? Who's keeping this? And Bruce goes, don't worry, Mickey,

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<v Speaker 6>it's mine. I'll keep it. All gentlemen signed their scorecards.

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<v Speaker 6>You have to sign your scorecard.

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<v Speaker 1>Mickey agreed reluctantly.

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<v Speaker 6>And Bruce to this day has that scorecard framed on

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<v Speaker 6>his wall at home. He put it in a box

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<v Speaker 6>frame behind glass and I told him, I said, Bruce,

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<v Speaker 6>if you ever pass away before me, I want that

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<v Speaker 6>to go into my house.

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<v Speaker 1>During the golf game in France, Kelly had noticed that

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<v Speaker 1>Mickey's clubs were badly out of date.

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<v Speaker 6>After we had our drinks and he'd signed the scorecard,

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<v Speaker 6>and we're walking to our car and I said, Mickey,

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<v Speaker 6>you know you should probably get a new set of

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<v Speaker 6>golf clubs. I go, those things are like thirty years old.

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<v Speaker 6>You want to get a new set. And he goes,

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<v Speaker 6>what do you mean how am I going to get

0:13:57.956 --> 0:13:59.036
<v Speaker 6>a new set? And I said, I'll get you a

0:13:59.036 --> 0:14:02.196
<v Speaker 6>set of clubs. And he goes, well, if you're not

0:14:02.196 --> 0:14:03.436
<v Speaker 6>going to get me a set of clubs, I need

0:14:03.476 --> 0:14:04.756
<v Speaker 6>to make other plans. You need to let me know

0:14:04.836 --> 0:14:06.716
<v Speaker 6>right now, because I need to make some other plans.

0:14:06.716 --> 0:14:08.556
<v Speaker 6>And I said, Mickey, you haven't made plans of twenty

0:14:08.636 --> 0:14:11.116
<v Speaker 6>five years. I don't think you're worried about how long

0:14:11.196 --> 0:14:12.996
<v Speaker 6>this is going to take. I said, don't worry. I'll

0:14:12.996 --> 0:14:15.396
<v Speaker 6>send you a set of golf club and he goes, well,

0:14:16.236 --> 0:14:16.756
<v Speaker 6>how long is it.

0:14:16.756 --> 0:14:17.236
<v Speaker 8>Kind of taken?

0:14:17.316 --> 0:14:18.636
<v Speaker 6>But I said, I don't know. I got a friend

0:14:18.676 --> 0:14:20.556
<v Speaker 6>at a golf company and I'll order them and i'll

0:14:20.596 --> 0:14:22.916
<v Speaker 6>send him over here to you, and I think I

0:14:22.916 --> 0:14:25.916
<v Speaker 6>flew to California and within a few days I got

0:14:26.156 --> 0:14:28.116
<v Speaker 6>a fax from him. That was when we had faxes

0:14:28.156 --> 0:14:30.996
<v Speaker 6>in the late nineties, and it said, you know, if

0:14:31.116 --> 0:14:32.716
<v Speaker 6>the same thing, Kelly, if you're not going to be

0:14:32.756 --> 0:14:36.556
<v Speaker 6>able to get this set of golf clubs, you're gonna

0:14:36.556 --> 0:14:38.116
<v Speaker 6>have to let me know because I need to make

0:14:38.156 --> 0:14:39.876
<v Speaker 6>other plants, the same exact thing he had told me.

0:14:39.916 --> 0:14:41.756
<v Speaker 6>And I said, Mickey, I don't want to hear from

0:14:41.756 --> 0:14:43.956
<v Speaker 6>you again until you get your golf clubs.

0:14:43.956 --> 0:14:44.276
<v Speaker 9>Okay.

0:14:45.716 --> 0:14:47.396
<v Speaker 6>A month or so later, I got the clubs and

0:14:47.436 --> 0:14:49.116
<v Speaker 6>I sent him to him, and then he sent me

0:14:49.156 --> 0:14:52.316
<v Speaker 6>this fax and it said, Kelly, thank you, thank you,

0:14:52.436 --> 0:14:55.476
<v Speaker 6>thank you. These King Kobra Golf clubs have changed my life.

0:14:55.996 --> 0:14:58.676
<v Speaker 6>Signed to Mickey Dora. I had a really bad facts,

0:14:58.676 --> 0:15:00.556
<v Speaker 6>but I saved the facts and I have his signature

0:15:00.596 --> 0:15:03.476
<v Speaker 6>and stuff. But I'm almost positive that that fact has

0:15:03.516 --> 0:15:04.556
<v Speaker 6>faded to nothing now.

0:15:05.796 --> 0:15:08.516
<v Speaker 1>I was thinking that if you find your facts and

0:15:08.676 --> 0:15:12.196
<v Speaker 1>the signal has vanished, that would be like a perfect

0:15:12.276 --> 0:15:14.556
<v Speaker 1>Mickey from the Grave moment.

0:15:15.796 --> 0:15:15.996
<v Speaker 8>Yeah.

0:15:16.116 --> 0:15:19.956
<v Speaker 6>Really, yeah, he'd be like, I got you, I got you.

0:15:25.516 --> 0:15:29.356
<v Speaker 1>Mickey's greatest accomplishment, in the eyes of many of his admirers,

0:15:29.596 --> 0:15:33.276
<v Speaker 1>is that he managed to orient his life entirely around surfing.

0:15:34.036 --> 0:15:36.956
<v Speaker 1>He was free of the obligations that anchor most of

0:15:37.036 --> 0:15:41.396
<v Speaker 1>us to the shore. He didn't let anything or anyone

0:15:41.876 --> 0:15:43.756
<v Speaker 1>get in the way of his wave.

0:15:44.996 --> 0:15:47.956
<v Speaker 6>He told me, he goes, Kelly, I've almost made it,

0:15:48.636 --> 0:15:50.676
<v Speaker 6>and I said, what, he goes, I'm going to be

0:15:51.916 --> 0:15:54.556
<v Speaker 6>whatever age, sixty two years old, sixty three years old

0:15:54.596 --> 0:15:56.836
<v Speaker 6>next year, and I've never worked a day in my life.

0:15:57.556 --> 0:16:01.116
<v Speaker 6>And that was success to him, was never working. I

0:16:01.196 --> 0:16:03.476
<v Speaker 6>think that was very sincere, you know, like he felt

0:16:03.596 --> 0:16:06.476
<v Speaker 6>that was his accomplishment, that was his legacy. I got

0:16:06.476 --> 0:16:08.236
<v Speaker 6>all the way through life without ever having to work

0:16:08.276 --> 0:16:11.516
<v Speaker 6>a day of my life. He worked harder than he

0:16:11.556 --> 0:16:29.556
<v Speaker 6>probably would have had he just had a job, I.

0:16:29.556 --> 0:16:33.476
<v Speaker 10>Mean Chili on the coastline in a little town called

0:16:33.516 --> 0:16:34.236
<v Speaker 10>Pici Limo.

0:16:35.596 --> 0:16:39.716
<v Speaker 5>I'm in a little one bedroom hotel room. It's Mickey Dora.

0:16:41.996 --> 0:16:46.836
<v Speaker 1>That's Chris molloy, the former pro surfer and documentarian. It's

0:16:46.876 --> 0:16:50.396
<v Speaker 1>the year two thousand. Mickey has just left the room

0:16:50.396 --> 0:16:52.716
<v Speaker 1>to run an errand, and Chris has pulled out his

0:16:52.796 --> 0:16:53.836
<v Speaker 1>mini disc recorder.

0:16:56.916 --> 0:17:00.756
<v Speaker 5>It's been an interesting stay with Mick.

0:17:02.156 --> 0:17:04.116
<v Speaker 10>I feel like after a few days now, I can

0:17:04.156 --> 0:17:06.556
<v Speaker 10>ask him anything I want and he likes to talk

0:17:06.596 --> 0:17:08.676
<v Speaker 10>about it, and she's offended.

0:17:08.796 --> 0:17:11.276
<v Speaker 5>He just skips it and keeps going, doesn't get mad.

0:17:11.676 --> 0:17:17.836
<v Speaker 5>So far. We'll see I set the recorder up and

0:17:17.836 --> 0:17:24.956
<v Speaker 5>he seems to ignore it. Anwer Micky Dora.

0:17:32.836 --> 0:17:35.676
<v Speaker 2>I was living in Hawaii at the time, and my

0:17:35.836 --> 0:17:40.356
<v Speaker 2>friend he called me and then he said, hey, Mickey,

0:17:40.356 --> 0:17:43.116
<v Speaker 2>door's in town. I said, and he goes, I think,

0:17:43.236 --> 0:17:45.516
<v Speaker 2>you know, YouTube should get together, and I'm like, yeah,

0:17:45.556 --> 0:17:46.316
<v Speaker 2>that will never happen.

0:17:47.356 --> 0:17:50.316
<v Speaker 1>At his ranch on the Central Coast, Chris is describing

0:17:50.356 --> 0:17:52.716
<v Speaker 1>how he ended up traveling to Chile with Mickey Dora.

0:17:53.316 --> 0:17:56.836
<v Speaker 1>It was one of the last great adventures of Mickey's life.

0:17:57.596 --> 0:18:00.196
<v Speaker 2>At the time. I was living with my two brothers

0:18:00.196 --> 0:18:03.476
<v Speaker 2>on the North Shore right near pipeline. And I get

0:18:03.516 --> 0:18:05.836
<v Speaker 2>a phone call. And so this is when we just

0:18:05.876 --> 0:18:07.716
<v Speaker 2>had phone a phone on the wall, right, there's no

0:18:07.836 --> 0:18:09.076
<v Speaker 2>cell phones and stuff like that.

0:18:10.276 --> 0:18:12.276
<v Speaker 7>So I pick up the phone.

0:18:12.316 --> 0:18:12.796
<v Speaker 6>Hello.

0:18:13.476 --> 0:18:18.716
<v Speaker 2>He goes, who's this. That's rude, like you just called

0:18:18.796 --> 0:18:22.236
<v Speaker 2>me if I didn't say that. And I'm like, this

0:18:22.276 --> 0:18:24.836
<v Speaker 2>is Chris. Who's this? And he goes, Mick.

0:18:25.716 --> 0:18:27.436
<v Speaker 3>So I go.

0:18:29.916 --> 0:18:33.796
<v Speaker 2>Mick. Who He goes, it's Mick. And so now I

0:18:33.836 --> 0:18:36.156
<v Speaker 2>don't know who it is, and he goes, I heard

0:18:36.196 --> 0:18:36.956
<v Speaker 2>you're going south.

0:18:38.196 --> 0:18:41.876
<v Speaker 1>Chris was planning a trip to Antarctica to go surfing,

0:18:42.596 --> 0:18:45.796
<v Speaker 1>the kind of crazy surf odyssey that Mickey was famous for.

0:18:47.076 --> 0:18:50.956
<v Speaker 2>Anyway, so uh, he goes, well, I'm going to Chili

0:18:51.196 --> 0:18:53.876
<v Speaker 2>and I had never been to Chili, and he goes,

0:18:54.196 --> 0:18:56.156
<v Speaker 2>you want to go? And I didn't.

0:18:56.316 --> 0:18:58.756
<v Speaker 3>Still, I was like, I don't know who this is.

0:18:59.716 --> 0:19:02.036
<v Speaker 2>And I'm like, yeah, no, I'm not stopping in Chili, man,

0:19:02.076 --> 0:19:05.916
<v Speaker 2>I'm going from Lima to Ushiwaia or wherever we're you know,

0:19:06.036 --> 0:19:10.276
<v Speaker 2>my flight plan was. He goes, okay, bye, click, and

0:19:10.316 --> 0:19:12.236
<v Speaker 2>then I'm like kind of like making dinner. I go,

0:19:12.356 --> 0:19:13.516
<v Speaker 2>that was fucking Mickey Dora.

0:19:13.676 --> 0:19:14.396
<v Speaker 3>Ohle shit.

0:19:14.996 --> 0:19:18.316
<v Speaker 2>And so back then you could do the Star sixty nine.

0:19:18.756 --> 0:19:24.876
<v Speaker 2>So call I go chick jink jink Mickey. Yeah, Hey,

0:19:25.796 --> 0:19:28.876
<v Speaker 2>when do you want to fly? And so I changed

0:19:28.876 --> 0:19:29.756
<v Speaker 2>my whole flight plan.

0:19:30.836 --> 0:19:34.356
<v Speaker 1>Chris was born in nineteen seventy one. His generation of

0:19:34.396 --> 0:19:38.676
<v Speaker 1>surfers grew up in the era of established surf brands, competitions,

0:19:39.036 --> 0:19:43.156
<v Speaker 1>and an official professional surf league. He grew up and

0:19:43.196 --> 0:19:46.996
<v Speaker 1>started surfing and the Dora Lives era when Mickey had

0:19:47.076 --> 0:19:50.236
<v Speaker 1>vanished from Malibu, but traces of him lingered in the

0:19:50.276 --> 0:19:54.876
<v Speaker 1>writing on the wall. Chris grew up on a farm

0:19:54.996 --> 0:19:59.636
<v Speaker 1>in Ohi, California, about an hour from Malibu. He'd heard

0:19:59.676 --> 0:20:03.276
<v Speaker 1>the stories from his dad, who knew Mickey back in

0:20:03.316 --> 0:20:03.876
<v Speaker 1>the fifties.

0:20:04.876 --> 0:20:09.636
<v Speaker 2>My dad had served with them. I always loved surfing history,

0:20:09.716 --> 0:20:13.716
<v Speaker 2>so I was aware of the Dark Knight. And so

0:20:14.636 --> 0:20:17.316
<v Speaker 2>it's somebody you thought you'd never meet because he was

0:20:17.316 --> 0:20:20.196
<v Speaker 2>so elusive, you know, he was so elusive.

0:20:20.276 --> 0:20:21.356
<v Speaker 3>That was sort of if.

0:20:21.196 --> 0:20:25.676
<v Speaker 2>There's an adjective that might be the most appropriate for

0:20:26.156 --> 0:20:29.996
<v Speaker 2>meekless Dora is how elusive he was.

0:20:31.396 --> 0:20:33.916
<v Speaker 1>When Chris told his dad that he was going surfing

0:20:33.956 --> 0:20:37.596
<v Speaker 1>in Chile with Mickey Dora. His dad was not too thrilled.

0:20:38.836 --> 0:20:44.436
<v Speaker 2>Anybody that knew him didn't miss him.

0:20:44.716 --> 0:20:47.476
<v Speaker 1>Chris and Mickey agreed to meet at Lax and head

0:20:47.516 --> 0:20:51.316
<v Speaker 1>south from there. But first Mickey had a little job

0:20:51.356 --> 0:20:54.836
<v Speaker 1>for Chris. Mickey was going to send a surfboard to California.

0:20:55.396 --> 0:20:57.316
<v Speaker 1>He wanted Chris to pick it up and bring it

0:20:57.356 --> 0:20:57.996
<v Speaker 1>to the airport.

0:20:58.716 --> 0:21:01.396
<v Speaker 2>And I said, of course, you know, of course, and

0:21:01.236 --> 0:21:05.796
<v Speaker 2>and my dad said, keep your fucking wallet in your

0:21:05.796 --> 0:21:08.476
<v Speaker 2>front pocket. Then he took the border out of the

0:21:08.516 --> 0:21:12.236
<v Speaker 2>box and he held it up. It was nighttime. He

0:21:12.236 --> 0:21:14.916
<v Speaker 2>held it up to his headlights because he was convinced

0:21:14.956 --> 0:21:21.156
<v Speaker 2>that Mickey had like put contraband in the surfboard. He

0:21:21.276 --> 0:21:23.236
<v Speaker 2>was like, there's no way that this is on the

0:21:23.316 --> 0:21:23.796
<v Speaker 2>up and up.

0:21:25.676 --> 0:21:30.076
<v Speaker 1>Chris understood his role. Mickey had made it clear. Mickey

0:21:30.156 --> 0:21:33.636
<v Speaker 1>was sixty five years old and getting weaker. Chris was

0:21:33.676 --> 0:21:36.116
<v Speaker 1>there to carry his stuff like a caddy.

0:21:37.156 --> 0:21:41.836
<v Speaker 2>So we land in Santiago and I'm like, okay, this

0:21:41.916 --> 0:21:45.236
<v Speaker 2>is your trip, you know, and You're I'm coming at

0:21:45.276 --> 0:21:45.836
<v Speaker 2>your behs.

0:21:45.876 --> 0:21:47.156
<v Speaker 10>Okay.

0:21:47.316 --> 0:21:49.636
<v Speaker 2>I've never been a chip. I don't even know if

0:21:49.676 --> 0:21:53.716
<v Speaker 2>there's waves here. I don't know anything. And we land,

0:21:53.916 --> 0:21:57.636
<v Speaker 2>I load all his shit. Well, he's just standing there

0:21:58.356 --> 0:22:02.636
<v Speaker 2>and the cab drivers like, Okay, where are we going?

0:22:03.756 --> 0:22:09.356
<v Speaker 2>And he goes, well, take us to the take us

0:22:09.356 --> 0:22:14.316
<v Speaker 2>to the beach. And the guy's like, it's a big country,

0:22:14.396 --> 0:22:17.316
<v Speaker 2>like you know in Spanish, and he's.

0:22:17.156 --> 0:22:18.996
<v Speaker 3>Like, just just take us to the ocean.

0:22:19.756 --> 0:22:22.116
<v Speaker 2>And I'm like, I'm fucked, Like I don't even know

0:22:22.156 --> 0:22:23.916
<v Speaker 2>what I don't even know where we're going.

0:22:24.916 --> 0:22:27.716
<v Speaker 1>The cab driver took them four hours to pitch a lemu,

0:22:28.036 --> 0:22:30.036
<v Speaker 1>a surf spot on the coast.

0:22:30.396 --> 0:22:33.196
<v Speaker 2>Then we get to the first hotel, haul all of

0:22:33.236 --> 0:22:35.876
<v Speaker 2>my shit in there, haul all of his shit in there.

0:22:36.316 --> 0:22:40.596
<v Speaker 2>There's no hot water because we're not staying here, and

0:22:40.636 --> 0:22:43.116
<v Speaker 2>I'm like, yes we are. I'm like, we just flew

0:22:43.156 --> 0:22:47.596
<v Speaker 2>all night. I'm not, no, we're moving. So I got

0:22:47.636 --> 0:22:52.396
<v Speaker 2>everything out, freaking dragged it through the streets, found another hotel,

0:22:52.956 --> 0:22:56.356
<v Speaker 2>and yeah, he was a bit of a prince.

0:22:59.316 --> 0:23:02.916
<v Speaker 1>Mickey was high maintenance, but for Chris it was worth it.

0:23:03.556 --> 0:23:06.796
<v Speaker 1>He couldn't believe he was traveling and surfing with the

0:23:07.236 --> 0:23:12.916
<v Speaker 1>Mickey Dora, not just Prince the Dark Prince we had so.

0:23:12.956 --> 0:23:16.716
<v Speaker 2>Much like solitude, you know, And this is a short

0:23:16.716 --> 0:23:20.676
<v Speaker 2>period of time, but I was just locked on at

0:23:20.716 --> 0:23:24.156
<v Speaker 2>all times. We were in a hotel room and I

0:23:24.156 --> 0:23:27.076
<v Speaker 2>had been I was tired of listening to him talk,

0:23:27.156 --> 0:23:29.156
<v Speaker 2>and I wanted to go sleep, but I don't want

0:23:29.196 --> 0:23:32.516
<v Speaker 2>to miss anything. I didn't want, so I put on

0:23:32.516 --> 0:23:41.796
<v Speaker 2>my little mini disk.

0:23:43.676 --> 0:23:46.636
<v Speaker 3>It's hard to get vitamins in France, very difficult, is it.

0:23:46.676 --> 0:23:48.276
<v Speaker 3>I can't get anything of that. That's why you must

0:23:48.276 --> 0:23:49.636
<v Speaker 3>see them my nutcase. No, I don't.

0:23:49.636 --> 0:23:50.836
<v Speaker 7>I don't think in that case at all.

0:23:50.956 --> 0:23:54.516
<v Speaker 3>I just try to ward off any type of room.

0:23:54.756 --> 0:23:59.556
<v Speaker 3>Louis following rics from your movie to Fiji. And if

0:23:59.596 --> 0:24:00.956
<v Speaker 3>I got sick, man, I'm screwed.

0:24:02.636 --> 0:24:05.676
<v Speaker 1>It was an intimate experience being with Mickey like that,

0:24:06.116 --> 0:24:07.916
<v Speaker 1>one on one for two weeks.

0:24:09.636 --> 0:24:10.516
<v Speaker 3>Well you're doing well.

0:24:10.796 --> 0:24:13.236
<v Speaker 7>I can't believe you're sifting fire years old.

0:24:14.196 --> 0:24:16.636
<v Speaker 3>I can't believe it either. I don't know what happened.

0:24:16.636 --> 0:24:19.116
<v Speaker 3>It was like that. It was fun.

0:24:21.636 --> 0:24:26.116
<v Speaker 4>See, yeah, it's not the end.

0:24:28.836 --> 0:24:29.716
<v Speaker 3>I'm afraid silver.

0:24:34.436 --> 0:24:37.756
<v Speaker 1>In spite of his age and signs of infirmity, Mickey

0:24:37.836 --> 0:24:40.076
<v Speaker 1>was still an unbelievable surfer.

0:24:40.996 --> 0:24:45.916
<v Speaker 2>Yeah, we happened upon some incredible surf. There was this

0:24:46.276 --> 0:24:50.956
<v Speaker 2>left and it went from here to that ridgeline right there.

0:24:51.036 --> 0:24:53.596
<v Speaker 2>I'm not kidding. He gets us way from the top

0:24:53.636 --> 0:24:58.196
<v Speaker 2>all the way through and it's a left and I'm

0:24:58.196 --> 0:25:01.036
<v Speaker 2>at the bottom because I got the way before. And

0:25:01.836 --> 0:25:05.796
<v Speaker 2>he kicks out and I'm like, Mick, we did it,

0:25:07.276 --> 0:25:12.756
<v Speaker 2>and he goes, I fucking hate left. You just got

0:25:12.756 --> 0:25:16.036
<v Speaker 2>the most beautiful wave I've ever seen. And he's like,

0:25:16.396 --> 0:25:21.036
<v Speaker 2>we got to find it right. So, and that sums

0:25:21.236 --> 0:25:22.156
<v Speaker 2>Mickey Dora up.

0:25:23.396 --> 0:25:26.396
<v Speaker 1>The whole time they were together, Chris avoided talking about

0:25:26.396 --> 0:25:30.996
<v Speaker 1>his surf career. He'd read Mickey's rants about commercialization. He

0:25:31.036 --> 0:25:35.436
<v Speaker 1>didn't want Mickey to know he was a sellout a pro, so.

0:25:35.476 --> 0:25:37.676
<v Speaker 2>I hid the fact that I was a pro surfer

0:25:37.716 --> 0:25:42.636
<v Speaker 2>from him. Okay, he didn't know that I was a

0:25:42.676 --> 0:25:45.996
<v Speaker 2>pro serfer. Any loathed pro servers, even though he was

0:25:46.036 --> 0:25:49.916
<v Speaker 2>the prototype of a pro surfing right.

0:25:51.196 --> 0:25:54.916
<v Speaker 1>But Chris delicately inquired about the surf industry and what

0:25:55.036 --> 0:25:56.916
<v Speaker 1>Mickey thought about other pros.

0:25:57.876 --> 0:26:02.676
<v Speaker 9>I played tennis golf with these guys, Slater and Rabbit.

0:26:03.196 --> 0:26:06.516
<v Speaker 9>You know, they played with tennis and real good golf minutes.

0:26:07.196 --> 0:26:08.756
<v Speaker 9>But I don't get in involved with their lives. I

0:26:08.796 --> 0:26:10.556
<v Speaker 9>just you know, as a exercise.

0:26:10.636 --> 0:26:13.556
<v Speaker 3>And they're really decent to be no problem.

0:26:13.596 --> 0:26:14.076
<v Speaker 8>I mean I don't.

0:26:14.076 --> 0:26:16.436
<v Speaker 3>I don't tell them, you know how they should be relaxing,

0:26:16.436 --> 0:26:18.316
<v Speaker 3>and they don't tell me. So I mean it's let

0:26:18.316 --> 0:26:29.276
<v Speaker 3>them live, no big deal. But I mean I won't.

0:26:29.316 --> 0:26:32.996
<v Speaker 3>I would never do what they do. It's a whole

0:26:32.996 --> 0:26:37.796
<v Speaker 3>different way of looking at me. Who am I to say?

0:26:38.916 --> 0:26:41.796
<v Speaker 7>I think it's more like the industry that the businessmen,

0:26:41.836 --> 0:26:44.476
<v Speaker 7>that everyone in the sport, not the surfers. The surfers

0:26:44.476 --> 0:26:49.556
<v Speaker 7>are just opportunity to say, just take what's given to them.

0:26:49.836 --> 0:26:52.156
<v Speaker 11>You can't you relax? How can you do anything with

0:26:54.116 --> 0:26:56.956
<v Speaker 11>caravans or camera people and going everywhere you go and

0:26:56.996 --> 0:27:06.676
<v Speaker 11>you have no privacy nothing. I don't conserve that lifestyle ridiculous.

0:27:08.156 --> 0:27:11.116
<v Speaker 1>Chris kept his secret for two weeks, the whole time

0:27:11.156 --> 0:27:15.156
<v Speaker 1>they were together. But after Chris had left Jile, Mickey

0:27:15.196 --> 0:27:18.076
<v Speaker 1>discovered the truth at a local restaurant.

0:27:18.596 --> 0:27:22.476
<v Speaker 2>And there was there there's this poster of me surfing

0:27:22.516 --> 0:27:27.796
<v Speaker 2>the pipeline, and Mickey goes, wat's that And apparently he

0:27:27.876 --> 0:27:30.676
<v Speaker 2>tore it off the wall and threw it. I pretended

0:27:30.716 --> 0:27:33.476
<v Speaker 2>like it was on fire, and it was like I

0:27:33.516 --> 0:27:36.916
<v Speaker 2>thought I knew who that kid was. I felt so

0:27:37.076 --> 0:27:41.076
<v Speaker 2>bad and I'm like, in the same breadth though, I'm like,

0:27:41.116 --> 0:27:44.036
<v Speaker 2>fuck you, Mickey, Like you made money surfing. I made

0:27:44.116 --> 0:27:48.116
<v Speaker 2>money surfing and you made money and Chesthai Malibu, the

0:27:48.156 --> 0:27:51.596
<v Speaker 2>wave that you got pissed off was like twenty foot pipeline.

0:27:51.636 --> 0:27:53.476
<v Speaker 3>So what do you got?

0:27:53.716 --> 0:27:54.756
<v Speaker 2>What shit are you talking?

0:27:55.876 --> 0:27:59.596
<v Speaker 1>Mickey, Chris said was part of surfing's original sin.

0:28:00.796 --> 0:28:06.076
<v Speaker 2>He was complicit in what occurred at Malibou hugely. I

0:28:06.156 --> 0:28:09.316
<v Speaker 2>was able to take money from the man, no problem.

0:28:09.836 --> 0:28:12.476
<v Speaker 2>I did the dance. I was a dancing bear. I

0:28:12.676 --> 0:28:15.396
<v Speaker 2>was Otherwise I was going to be driving a bulldozer

0:28:15.876 --> 0:28:19.156
<v Speaker 2>for my dad. So it's like if I can put

0:28:19.196 --> 0:28:23.596
<v Speaker 2>on like a bright singlet and go, you know, do

0:28:23.716 --> 0:28:27.956
<v Speaker 2>the deal, and I'll get paid for it. Like I

0:28:27.956 --> 0:28:31.876
<v Speaker 2>I did what I did, I got work. And just

0:28:31.916 --> 0:28:35.116
<v Speaker 2>like when I sort of critique modern surfing and what

0:28:35.236 --> 0:28:39.236
<v Speaker 2>it's become, I have to accept my own complicity and it,

0:28:39.436 --> 0:28:42.996
<v Speaker 2>you know, because we made surf films and all that stuff.

0:28:43.036 --> 0:28:43.276
<v Speaker 3>You know.

0:28:47.756 --> 0:28:51.156
<v Speaker 2>There was a kind of an endearing moment where I

0:28:51.196 --> 0:28:57.596
<v Speaker 2>was leaving to head to Antarctica and I said, all right, Mick,

0:28:57.716 --> 0:29:00.196
<v Speaker 2>you know it meant a lot to me, you know.

0:29:00.596 --> 0:29:04.676
<v Speaker 2>And I'm heading out and he goes, I'm going to

0:29:04.716 --> 0:29:08.116
<v Speaker 2>go find that, right, all right, buy new swalks away.

0:29:11.716 --> 0:29:16.076
<v Speaker 1>So that was it. No sentimental moment, no nothing.

0:29:17.596 --> 0:29:20.116
<v Speaker 2>And then we're getting the track and I'm going to

0:29:20.156 --> 0:29:25.236
<v Speaker 2>the bus station and all of a sudden, I hear

0:29:25.276 --> 0:29:27.556
<v Speaker 2>this on the side of the truck. I would go

0:29:27.556 --> 0:29:28.156
<v Speaker 2>where it's Mick.

0:29:29.196 --> 0:29:31.836
<v Speaker 1>Mickey made up some excuse to join Chris on the drive,

0:29:32.476 --> 0:29:36.156
<v Speaker 1>but Chris didn't believe it. He could tell that Mickey

0:29:36.236 --> 0:29:39.396
<v Speaker 1>wasn't ready to say goodbye.

0:29:50.596 --> 0:29:53.196
<v Speaker 5>Might have to take these in case we lose each other.

0:29:56.236 --> 0:29:58.596
<v Speaker 5>Try it out. Just press the side, Yeah, press the

0:29:58.636 --> 0:29:59.236
<v Speaker 5>side and talk.

0:29:59.836 --> 0:30:01.916
<v Speaker 3>Oh why why it's not working?

0:30:02.156 --> 0:30:05.116
<v Speaker 5>Turn your ears on. Oh you're not pushing there.

0:30:05.116 --> 0:30:05.476
<v Speaker 2>You go.

0:30:09.316 --> 0:30:09.956
<v Speaker 3>Over and out.

0:30:14.716 --> 0:30:19.196
<v Speaker 9>Jerry's at three o'clock, I am like coming in loud

0:30:19.236 --> 0:30:19.636
<v Speaker 9>and clear.

0:30:21.676 --> 0:30:22.956
<v Speaker 5>Yes you are, sir.

0:30:23.276 --> 0:30:26.436
<v Speaker 12>I think I'm gonna need backup. Sending back up at

0:30:26.476 --> 0:30:32.396
<v Speaker 12>five o'clock, candle a thing for you. I haven't got

0:30:32.396 --> 0:30:33.636
<v Speaker 12>my welfare trick yet.

0:30:42.836 --> 0:30:43.676
<v Speaker 3>How do you turn him up?

0:30:45.996 --> 0:30:48.916
<v Speaker 1>Chris and Mickey stayed in touch after the trip. They

0:30:48.956 --> 0:30:52.116
<v Speaker 1>even had dinner in Santa Barbara, near Mickey's dad's house.

0:30:53.076 --> 0:30:56.836
<v Speaker 1>This must have been pretty soon before Mickey died. Chris

0:30:56.876 --> 0:30:59.716
<v Speaker 1>has a story about the dinner. I've heard a lot

0:30:59.756 --> 0:31:02.676
<v Speaker 1>of Mickey Dora stories by now, but this one is

0:31:02.756 --> 0:31:03.276
<v Speaker 1>my favorite.

0:31:06.076 --> 0:31:08.276
<v Speaker 2>Mickey had told me I'm going to find her right

0:31:09.436 --> 0:31:12.876
<v Speaker 2>in Chile when I left. But the way the Southern

0:31:12.956 --> 0:31:17.036
<v Speaker 2>Hemisphere works, all the swell comes this, it's all lefts.

0:31:17.716 --> 0:31:20.196
<v Speaker 2>There's a couple rights, but it's all lefts.

0:31:21.876 --> 0:31:25.036
<v Speaker 1>Remember Mickey had spurned that beautiful wave he and Chris

0:31:25.076 --> 0:31:28.076
<v Speaker 1>surfed in Chile because it was a left and Mickey

0:31:28.076 --> 0:31:28.956
<v Speaker 1>preferred to go right.

0:31:29.476 --> 0:31:36.956
<v Speaker 2>So we go to dinner and I took my brother

0:31:37.076 --> 0:31:40.756
<v Speaker 2>Keith with me. And my brother we look like twins.

0:31:41.236 --> 0:31:44.356
<v Speaker 2>So Keith has used the restaurant and he goes, who

0:31:44.436 --> 0:31:48.876
<v Speaker 2>is that? Who's that guy? It's my fucking brother. And

0:31:48.916 --> 0:31:50.916
<v Speaker 2>then he pulls out a slide and he goes, I

0:31:50.956 --> 0:31:55.676
<v Speaker 2>found the right. I found the right, and he's making

0:31:55.716 --> 0:31:58.956
<v Speaker 2>sure to do it before my brother gets back. And

0:31:58.996 --> 0:32:03.716
<v Speaker 2>he holds up this slide and it's a left that

0:32:03.796 --> 0:32:08.996
<v Speaker 2>he turned the slide backwards, like it's clearly backwards, and

0:32:09.196 --> 0:32:11.636
<v Speaker 2>he's like, I found it, like kind of like I

0:32:11.716 --> 0:32:14.276
<v Speaker 2>missed out on it, you know, and then my brother

0:32:14.316 --> 0:32:17.516
<v Speaker 2>comes back and he's like this stuffs it in his fucking.

0:32:20.836 --> 0:32:24.436
<v Speaker 1>For Chris, Mickey's surfing style is seductive, but it's his

0:32:24.596 --> 0:32:29.356
<v Speaker 1>attitude towards surfing that he admires most. Mickey represented the

0:32:29.396 --> 0:32:32.916
<v Speaker 1>rebel soul of surfing. Of course, he wanted to plug

0:32:32.956 --> 0:32:33.316
<v Speaker 1>into that.

0:32:34.476 --> 0:32:37.196
<v Speaker 2>My favorite surfers are the guys that are doing amazing

0:32:37.276 --> 0:32:44.276
<v Speaker 2>things in a subtle way. But really the thing about

0:32:44.356 --> 0:32:48.556
<v Speaker 2>Mick that is the most lasting it was fuck society.

0:32:50.076 --> 0:32:53.396
<v Speaker 2>It was fuck everybody. I'm going to do it whatever

0:32:53.436 --> 0:32:56.716
<v Speaker 2>I want, whenever I want, the way I want, and

0:32:56.756 --> 0:33:01.276
<v Speaker 2>that like that really, you know, if we go into

0:33:01.316 --> 0:33:05.436
<v Speaker 2>the sixties, seventies and even early eighties, you know, and

0:33:05.516 --> 0:33:09.396
<v Speaker 2>that carried on into punk rock and skating and and

0:33:09.476 --> 0:33:12.556
<v Speaker 2>roll and all that, you know, it was fuck everybody,

0:33:13.116 --> 0:33:15.116
<v Speaker 2>like I'm not going to do it your way. I'm

0:33:15.156 --> 0:33:17.636
<v Speaker 2>going to do it my way, you know, And it

0:33:17.676 --> 0:33:20.196
<v Speaker 2>doesn't It's not just in the water, it's on land.

0:33:21.236 --> 0:33:27.836
<v Speaker 2>That's the most lasting signature of Mickey Dora to me

0:33:29.036 --> 0:33:29.676
<v Speaker 2>do it my way.

0:33:33.276 --> 0:33:37.516
<v Speaker 1>Listening to Chris, I think he identifies with Mickey's disappointment too,

0:33:37.916 --> 0:33:40.636
<v Speaker 1>that the California of old is disappearing.

0:33:41.796 --> 0:33:45.116
<v Speaker 2>The ocean was a gift to him, as it is

0:33:45.156 --> 0:33:47.676
<v Speaker 2>for all of us, you know. I mean, he talked

0:33:47.716 --> 0:33:51.036
<v Speaker 2>to me about like riding horses up into the canyon

0:33:51.316 --> 0:33:56.196
<v Speaker 2>and catching trout to beach blanket bingo. And he watched

0:33:56.436 --> 0:34:00.516
<v Speaker 2>La turn into an absolute shit show and it pissed

0:34:00.596 --> 0:34:04.796
<v Speaker 2>him off to no end, as it should have. He

0:34:04.916 --> 0:34:08.676
<v Speaker 2>watched the La River turn into concrete and he said,

0:34:08.716 --> 0:34:11.476
<v Speaker 2>fuck y'all, I'm not cool with this.

0:34:14.676 --> 0:34:17.156
<v Speaker 1>There was one more story Chris wanted to tell me.

0:34:17.956 --> 0:34:20.156
<v Speaker 1>This one had stayed with him because it was so

0:34:20.276 --> 0:34:25.316
<v Speaker 1>mysterious and painful and unresolved, and it was about the

0:34:25.356 --> 0:34:30.116
<v Speaker 1>person in Mickey's family circle. You almost never hear about Ramona,

0:34:30.476 --> 0:34:33.836
<v Speaker 1>his mom, who Mickey seemed to worship as a little

0:34:33.876 --> 0:34:36.796
<v Speaker 1>boy and who had basically abandoned him.

0:34:38.396 --> 0:34:43.076
<v Speaker 2>One night, We're in this cabin where we were gifted

0:34:43.116 --> 0:34:46.116
<v Speaker 2>a place to say. I was staying on the couch

0:34:47.116 --> 0:34:50.036
<v Speaker 2>and he got the bedroom like there was a little bedroom.

0:34:52.636 --> 0:34:53.036
<v Speaker 3>And.

0:34:54.516 --> 0:34:54.996
<v Speaker 5>He was.

0:34:57.236 --> 0:35:01.436
<v Speaker 2>Besmirching his mother pretty heavily and saying how I never

0:35:01.476 --> 0:35:04.476
<v Speaker 2>got anything from her and that she didn't take care

0:35:04.516 --> 0:35:13.676
<v Speaker 2>of him, and I just listened, and that next morning

0:35:14.636 --> 0:35:19.476
<v Speaker 2>I wanted to go surfing and he wasn't up, and

0:35:19.516 --> 0:35:21.876
<v Speaker 2>I was like, oh, that's kind of curious. So I

0:35:21.956 --> 0:35:26.956
<v Speaker 2>went up and he was laying there awake, and there

0:35:26.996 --> 0:35:32.436
<v Speaker 2>was a picture of his mother with two candles on

0:35:32.516 --> 0:35:34.756
<v Speaker 2>each side.

0:35:35.596 --> 0:35:38.756
<v Speaker 1>Did you know if she was already dead at that point?

0:35:38.836 --> 0:35:38.996
<v Speaker 13>Oh?

0:35:39.156 --> 0:35:42.596
<v Speaker 5>She was long dead, right, Yeah.

0:35:41.556 --> 0:35:45.916
<v Speaker 2>But it was like that wasn't for show. He didn't

0:35:45.956 --> 0:35:48.316
<v Speaker 2>know I was going to climb the ladder up to

0:35:48.436 --> 0:35:52.916
<v Speaker 2>his little loft. It showed me that like he truly was,

0:35:52.956 --> 0:35:57.716
<v Speaker 2>like when he speaks in these sort of code and

0:35:58.676 --> 0:36:03.316
<v Speaker 2>is here nor there and then back again, like he

0:36:03.436 --> 0:36:07.236
<v Speaker 2>really that really was him. It wasn't all show, is

0:36:07.276 --> 0:36:12.716
<v Speaker 2>my point. I've been trying to figure that out since

0:36:12.796 --> 0:36:16.716
<v Speaker 2>two thousand. I don't know what the hell that worked out.

0:36:16.836 --> 0:36:20.796
<v Speaker 2>You know, he didn't say anything super mean spirited, but

0:36:20.876 --> 0:36:22.956
<v Speaker 2>it was like, my mom didn't take care of me,

0:36:23.156 --> 0:36:26.796
<v Speaker 2>you know, she basically you know, didn't didn't you know,

0:36:27.196 --> 0:36:34.956
<v Speaker 2>just turned me out, really, you know, And yeah, I've

0:36:34.996 --> 0:36:37.876
<v Speaker 2>never I really thought a lot about that, and I'm like, wow,

0:36:38.436 --> 0:36:43.236
<v Speaker 2>like that psychologically, like what it meant is that he

0:36:43.236 --> 0:36:48.516
<v Speaker 2>he was maybe venting because he was hurt by that,

0:36:48.636 --> 0:36:58.156
<v Speaker 2>you know, and wishes things would have been different. Maybe.

0:37:00.436 --> 0:37:04.116
<v Speaker 1>After the Chili trip, Mickey's health declined. He got a

0:37:04.156 --> 0:37:08.236
<v Speaker 1>diagnosis of pancreatic cancer. In November two thousand and one,

0:37:08.396 --> 0:37:12.356
<v Speaker 1>his patrons Quicksilver Bottom a round trip ticket back to California,

0:37:12.796 --> 0:37:18.356
<v Speaker 1>first class. The return portion was just a kindness. Everyone

0:37:18.436 --> 0:37:23.476
<v Speaker 1>knew Mickey was leaving France for good. Miklosch was still alive.

0:37:24.156 --> 0:37:27.116
<v Speaker 1>He lived another twenty years to the age of one

0:37:27.196 --> 0:37:31.596
<v Speaker 1>hundred and seven. So from France, Mickey went to Montecito

0:37:31.956 --> 0:37:35.876
<v Speaker 1>and spent his last days at his father's house, lying

0:37:35.996 --> 0:37:40.356
<v Speaker 1>naked in the sun. He died in early January two

0:37:40.356 --> 0:37:44.316
<v Speaker 1>thousand and two. He never went back to the beach

0:37:44.396 --> 0:37:47.556
<v Speaker 1>that made him famous. But on the day he died,

0:37:47.996 --> 0:38:00.796
<v Speaker 1>someone painted the wall at Malibu Dora Lives. But Mickey

0:38:01.476 --> 0:38:03.236
<v Speaker 1>still had a few tricks up his sleeve.

0:38:05.236 --> 0:38:07.236
<v Speaker 13>We found out after he died that he had four

0:38:07.316 --> 0:38:09.476
<v Speaker 13>hundred thousand dollars in US was bank acount out, but

0:38:10.396 --> 0:38:13.276
<v Speaker 13>he didn't go afterwards. He was living like a poor man,

0:38:13.356 --> 0:38:17.076
<v Speaker 13>and he, you know, went from hand to mouth and

0:38:17.276 --> 0:38:18.596
<v Speaker 13>acted like a poor person.

0:38:19.156 --> 0:38:21.796
<v Speaker 1>That's Bob Simpson, the lawyer who knew Mickey at the

0:38:21.876 --> 0:38:25.716
<v Speaker 1>end of his life. Mickey for years had pretended to

0:38:25.756 --> 0:38:29.956
<v Speaker 1>be destitute. That turned out to be another ruse in

0:38:30.036 --> 0:38:31.556
<v Speaker 1>a long line of ruses.

0:38:33.156 --> 0:38:35.796
<v Speaker 8>And the thing that's so strange about the whole Mickey thing,

0:38:35.876 --> 0:38:38.396
<v Speaker 8>he didn't have to do any of it. It was

0:38:38.436 --> 0:38:39.516
<v Speaker 8>all unnecessary.

0:38:40.636 --> 0:38:43.716
<v Speaker 1>This is Denny Auburg, the surfer who knew Mickey way

0:38:43.756 --> 0:38:45.396
<v Speaker 1>back in the fifties in Malibu.

0:38:46.556 --> 0:38:48.596
<v Speaker 8>Any dark thing that he did, he could have done

0:38:48.636 --> 0:38:55.396
<v Speaker 8>it in another way. His dad had money. He didn't

0:38:55.436 --> 0:38:57.356
<v Speaker 8>have to do it, you know. But that's that thing,

0:38:57.436 --> 0:39:01.476
<v Speaker 8>that little quirk where he just kind of like he

0:39:01.596 --> 0:39:03.516
<v Speaker 8>just wanted to see if he could get away with it.

0:39:03.556 --> 0:39:06.036
<v Speaker 8>I don't know. I don't I'm not a psychologist, but

0:39:07.716 --> 0:39:10.036
<v Speaker 8>like a lot of people to struck, you know.

0:39:18.356 --> 0:39:22.356
<v Speaker 1>Next time on Lost Hills, what Mickey left behind.

0:39:25.636 --> 0:39:31.716
<v Speaker 14>There are sixty four letters from all over the world

0:39:31.836 --> 0:39:33.756
<v Speaker 14>with addresses and stamps.

0:39:34.716 --> 0:39:35.956
<v Speaker 3>Wow, this is a dance.

0:39:36.636 --> 0:39:38.396
<v Speaker 14>Yeah. I had to let them sit for a couple

0:39:38.436 --> 0:39:41.116
<v Speaker 14>of weeks before I actually would open them to get

0:39:41.316 --> 0:39:43.156
<v Speaker 14>I'm head right, you know, to be sure I was

0:39:43.196 --> 0:39:44.836
<v Speaker 14>ready to read some of this stuff.

0:39:47.396 --> 0:39:50.756
<v Speaker 1>That's next In the final episode of the Dark Prince

0:39:51.356 --> 0:39:56.676
<v Speaker 1>a nasty piece of work. Lost Tills is written and

0:39:56.716 --> 0:40:00.276
<v Speaker 1>reported by me Dana Goodyear. It's created by me and

0:40:00.356 --> 0:40:04.156
<v Speaker 1>Ben Adair and produced by Western Sound and Pushkin Industries.

0:40:04.956 --> 0:40:07.956
<v Speaker 1>Subscribe to Pushkin Plus and you can binge the entire

0:40:08.036 --> 0:40:11.756
<v Speaker 1>season right now ad free. Find Pushkin Plus on the

0:40:11.756 --> 0:40:14.996
<v Speaker 1>Lost Tail show page in Apple Podcasts, or at pushkin

0:40:15.116 --> 0:40:16.916
<v Speaker 1>dot fm slash plus