1
00:00:04,600 --> 00:00:10,800
Speaker 1: So, but you know how long I've been looking for

2
00:00:12,160 --> 00:00:14,160
Speaker 1: the next great British rapper.

3
00:00:15,480 --> 00:00:20,799
Speaker 2: Well, yeah, I mean I know because I tried to

4
00:00:20,840 --> 00:00:22,720
Speaker 2: help at the beginning and you told me that I

5
00:00:22,760 --> 00:00:24,120
Speaker 2: have and.

6
00:00:24,160 --> 00:00:26,680
Speaker 3: I quote no ear.

7
00:00:26,960 --> 00:00:30,800
Speaker 2: For British rap And so it's one of the meanest

8
00:00:30,840 --> 00:00:34,480
Speaker 2: things you've ever said to me in our long partnership,

9
00:00:34,479 --> 00:00:36,720
Speaker 2: which is actually a compliment to how kind we are

10
00:00:36,800 --> 00:00:37,400
Speaker 2: to one another.

11
00:00:37,720 --> 00:00:40,320
Speaker 1: And this is me actually, and this is actually me

12
00:00:40,400 --> 00:00:44,519
Speaker 1: coming to you hat in hand because of an experience

13
00:00:44,520 --> 00:00:46,479
Speaker 1: that I had last week. So I'm out to like

14
00:00:46,520 --> 00:00:48,239
Speaker 1: a bunch of different guys who are kind of like

15
00:00:48,280 --> 00:00:50,800
Speaker 1: scouting for me, and I get a call from one

16
00:00:50,880 --> 00:00:54,200
Speaker 1: of these guys and he's like, just like show up

17
00:00:54,240 --> 00:00:57,000
Speaker 1: to the studio. I'm going to send this guy there

18
00:00:57,320 --> 00:01:01,280
Speaker 1: and just like lay something down. And you are like,

19
00:01:01,440 --> 00:01:05,119
Speaker 1: I think you're gonna like what you hear? Like okay,

20
00:01:05,120 --> 00:01:10,479
Speaker 1: like of course, Like and so I go and this

21
00:01:10,480 --> 00:01:16,959
Speaker 1: this guy shows up. His name is Chav Scows and

22
00:01:17,080 --> 00:01:25,000
Speaker 1: he he's wearing a huge like puffy coat and he's grimy.

23
00:01:25,040 --> 00:01:26,520
Speaker 1: He's like caked in grime.

24
00:01:26,959 --> 00:01:28,080
Speaker 3: Yeah. Perfect.

25
00:01:28,760 --> 00:01:32,040
Speaker 1: So I'm like, okay, okay, maybe this is gonna work.

26
00:01:32,080 --> 00:01:32,960
Speaker 3: This might sound good.

27
00:01:33,080 --> 00:01:37,520
Speaker 1: He shuffles in. He's very small. He shuffles in, goes

28
00:01:37,520 --> 00:01:44,600
Speaker 1: into the booth, puts his headphones on, and he's like

29
00:01:44,680 --> 00:01:47,280
Speaker 1: getting like he's just standing there for a minute, and

30
00:01:47,319 --> 00:01:48,160
Speaker 1: then he goes.

31
00:01:49,280 --> 00:01:55,680
Speaker 4: Well because she turns the bloody headphones down right, and

32
00:01:55,680 --> 00:01:59,800
Speaker 4: I'm like, what his bloody headphones are so loud? I

33
00:02:00,080 --> 00:02:03,520
Speaker 4: bet he's about to punch a hole in the bloody

34
00:02:03,520 --> 00:02:04,160
Speaker 4: air drums.

35
00:02:06,160 --> 00:02:07,800
Speaker 1: They're like, oh, okay. And I looked at there on

36
00:02:07,880 --> 00:02:11,440
Speaker 1: like the headphones are on like a on six yep.

37
00:02:13,600 --> 00:02:15,800
Speaker 1: And also no one has said anything since he turned

38
00:02:15,800 --> 00:02:17,760
Speaker 1: them on, and except when I said, what.

39
00:02:18,360 --> 00:02:19,920
Speaker 3: Just the feedback or something?

40
00:02:20,120 --> 00:02:24,400
Speaker 1: Yes, I said okay, I turned on to three. He

41
00:02:24,520 --> 00:02:32,920
Speaker 1: goes still see the bloody loud bite okay. And so

42
00:02:33,240 --> 00:02:36,000
Speaker 1: I tried just like turning it off. It's like, oh,

43
00:02:36,080 --> 00:02:36,799
Speaker 1: that's class fight.

44
00:02:39,120 --> 00:02:41,400
Speaker 3: He needs no headphones, so then he can't and you

45
00:02:41,560 --> 00:02:44,640
Speaker 3: can't him when you when he says that, because I

46
00:02:44,639 --> 00:02:46,600
Speaker 3: said you're welcome, yeah.

47
00:02:46,360 --> 00:02:48,200
Speaker 1: And I had to listen back later for what he said.

48
00:02:48,200 --> 00:02:49,720
Speaker 1: He said it was class.

49
00:02:49,440 --> 00:02:55,200
Speaker 3: He's like, oh, this volume is closed, and.

50
00:02:55,240 --> 00:02:58,480
Speaker 1: So I'm like okay. He's like, drumps the beef for me,

51
00:02:58,520 --> 00:03:04,040
Speaker 1: will your love again? Not something I like? And he

52
00:03:04,080 --> 00:03:05,160
Speaker 1: won't be able to hear the beat?

53
00:03:05,360 --> 00:03:07,720
Speaker 3: Well, oh yeah, because even before this he was like.

54
00:03:08,760 --> 00:03:11,280
Speaker 1: What about your bloody headphones? Right, they're so loud and

55
00:03:11,360 --> 00:03:16,600
Speaker 1: all the way is is no you can hear my

56
00:03:16,919 --> 00:03:21,440
Speaker 1: headphones from.

57
00:03:19,720 --> 00:03:26,440
Speaker 3: In this It might it sounds like Chaz Scouse, Yeah,

58
00:03:26,919 --> 00:03:32,880
Speaker 3: is very sensitive Chav. Chav Scouse is very sensitiveav Scouse

59
00:03:33,120 --> 00:03:36,360
Speaker 3: to I guess white noise basically yes.

60
00:03:37,160 --> 00:03:39,040
Speaker 1: And so I'm like, okay, I turned my headphones down

61
00:03:39,040 --> 00:03:39,520
Speaker 1: to zero.

62
00:03:40,000 --> 00:03:43,760
Speaker 3: Oh that's closs trough the beef for me.

63
00:03:43,800 --> 00:03:47,640
Speaker 1: Will your lovet don't hear it? I don't do anything.

64
00:03:49,560 --> 00:03:56,720
Speaker 1: It's like, all right, cold crumple. When I put my

65
00:03:56,760 --> 00:03:58,800
Speaker 1: head in my mouth, it's mingin. When I see the

66
00:03:58,840 --> 00:04:01,800
Speaker 1: lower am sa, I'm gonna put you all in an

67
00:04:01,960 --> 00:04:06,800
Speaker 1: enemy stew. I'm gonna come around, which is brute. Oh

68
00:04:07,000 --> 00:04:12,720
Speaker 1: that's solid. And again I can't hear any of this.

69
00:04:12,800 --> 00:04:14,640
Speaker 1: My headphones are off. I just see that he's starting

70
00:04:14,640 --> 00:04:18,240
Speaker 1: to walk out of the booth and then out of

71
00:04:18,240 --> 00:04:18,880
Speaker 1: the studio.

72
00:04:19,760 --> 00:04:22,520
Speaker 2: How is this winding around to like an apology to me?

73
00:04:22,760 --> 00:04:26,640
Speaker 1: Because I realize that like, if this is, if this

74
00:04:26,760 --> 00:04:31,039
Speaker 1: is what British rapp. Then I don't have an ear

75
00:04:31,120 --> 00:04:34,400
Speaker 1: for British. If this is what it is, I listened

76
00:04:34,440 --> 00:04:36,919
Speaker 1: back to it. I was like, this is okay. I

77
00:04:36,920 --> 00:04:39,520
Speaker 1: couldn't really understands the first two things he said. I

78
00:04:39,520 --> 00:04:42,240
Speaker 1: couldn't understand at all. He said, when I put my

79
00:04:42,320 --> 00:04:49,920
Speaker 1: hand in my mouth, it's minged, which means I guess

80
00:04:49,960 --> 00:04:55,080
Speaker 1: it means like disgusting. Oh, okay. Then he said, when

81
00:04:55,120 --> 00:04:58,960
Speaker 1: I see the lor I am singing, I don't know

82
00:04:59,040 --> 00:05:02,840
Speaker 1: what that I lo. He's like a bus I think too.

83
00:05:03,960 --> 00:05:05,760
Speaker 1: Oh maybe maybe when.

84
00:05:07,120 --> 00:05:08,360
Speaker 3: He's like a song and dance man.

85
00:05:08,560 --> 00:05:12,160
Speaker 1: Possibly maybe he said, I'm gonna put your eye in

86
00:05:12,240 --> 00:05:17,360
Speaker 1: an enemy steward. That's bars, that's bars, that's that's fire,

87
00:05:17,680 --> 00:05:21,360
Speaker 1: and then something something about a witch's brew. And then

88
00:05:21,440 --> 00:05:28,120
Speaker 1: he's just said that's well, that's sordid. Yeah, that's terrible.

89
00:05:28,160 --> 00:05:30,760
Speaker 1: It's way too sure, it's way too quiet. It's not

90
00:05:30,839 --> 00:05:34,520
Speaker 1: a whole song. There was no beat. It's funny because the.

91
00:05:34,480 --> 00:05:38,080
Speaker 2: Issue with the with the rap is like largely that

92
00:05:38,160 --> 00:05:40,840
Speaker 2: it's so short, and yet the story about it has

93
00:05:40,880 --> 00:05:43,839
Speaker 2: been so long that we haven't talked so all. You

94
00:05:43,880 --> 00:05:47,280
Speaker 2: know so, but I don't know any other way we

95
00:05:47,320 --> 00:05:50,080
Speaker 2: could have done it so long, I don't know any

96
00:05:50,080 --> 00:05:51,039
Speaker 2: other way we could have done it.

97
00:05:51,120 --> 00:05:56,080
Speaker 1: Welcome to Hollywood Handbook, an insider's guide to kicking button

98
00:05:56,120 --> 00:05:58,479
Speaker 1: dropping names in the red carpet lineback hallways of this

99
00:05:58,520 --> 00:05:59,920
Speaker 1: industry we call showbiz.

100
00:06:00,120 --> 00:06:01,880
Speaker 3: Little institution we've created over here.

101
00:06:02,120 --> 00:06:06,760
Speaker 1: We put in the time, coming up on like a

102
00:06:06,920 --> 00:06:14,440
Speaker 1: decade of producing content every single week. Oftentimes people show

103
00:06:14,560 --> 00:06:18,400
Speaker 1: up to the network that we actually helped build and

104
00:06:19,680 --> 00:06:23,320
Speaker 1: through because of the ground work that we laid, building

105
00:06:23,760 --> 00:06:26,360
Speaker 1: a larger audience than we did in last time.

106
00:06:26,600 --> 00:06:29,960
Speaker 3: That's great. It's a compliment to us.

107
00:06:30,040 --> 00:06:32,520
Speaker 2: You know what it says is, wow, you really softened

108
00:06:32,560 --> 00:06:36,120
Speaker 2: the earth, yes, so that these other, you know, beautiful

109
00:06:37,279 --> 00:06:38,240
Speaker 2: flowers could grow.

110
00:06:39,279 --> 00:06:41,000
Speaker 5: What show are you guys talking about?

111
00:06:41,160 --> 00:06:45,599
Speaker 3: Which? What are you talking about? Who are you? I

112
00:06:45,640 --> 00:06:46,599
Speaker 3: haven't introduced twice?

113
00:06:46,640 --> 00:06:50,640
Speaker 1: Two comments from Matt, So just checking the tally here

114
00:06:50,640 --> 00:06:53,440
Speaker 1: we have two comments from Matt and we have zero

115
00:06:53,760 --> 00:06:55,120
Speaker 1: from Nick and Heather.

116
00:06:55,279 --> 00:06:58,719
Speaker 5: The stuff so far is that is that who.

117
00:06:58,600 --> 00:07:02,280
Speaker 2: People want to hear from the most. When they see

118
00:07:02,279 --> 00:07:05,279
Speaker 2: this lineup, they go, well, I hope it's Matt heavy

119
00:07:05,520 --> 00:07:10,320
Speaker 2: this episode. Now, who's here all the time, who constantly

120
00:07:10,360 --> 00:07:11,320
Speaker 2: is on the pro Versic.

121
00:07:11,400 --> 00:07:12,760
Speaker 1: We could never book Heather.

122
00:07:15,600 --> 00:07:19,440
Speaker 3: I've been on the show before you were. You were

123
00:07:19,480 --> 00:07:21,440
Speaker 3: on the show once and it's the Sash show.

124
00:07:21,960 --> 00:07:25,480
Speaker 2: You you you described the show as a slow car

125
00:07:25,560 --> 00:07:29,560
Speaker 2: crash a car, and we took the note, and I

126
00:07:29,600 --> 00:07:34,960
Speaker 2: think you're fine that this is a much faster car crash.

127
00:07:35,560 --> 00:07:38,840
Speaker 2: I think it's gonna feel like we're going at a

128
00:07:38,880 --> 00:07:41,560
Speaker 2: break neck pace. We are going to drive this car

129
00:07:41,720 --> 00:07:44,000
Speaker 2: so fast directly into a building.

130
00:07:45,320 --> 00:07:47,840
Speaker 6: Cool that I'm school, thank you.

131
00:07:48,480 --> 00:07:49,240
Speaker 3: A school, thank you.

132
00:07:50,600 --> 00:07:55,119
Speaker 2: It's Heather and a school for bad people, the School

133
00:07:55,120 --> 00:07:58,240
Speaker 2: for scoundrels. We're driving out schools.

134
00:07:59,200 --> 00:07:59,640
Speaker 5: Take that.

135
00:08:00,120 --> 00:08:00,480
Speaker 3: Mm hmm.

136
00:08:00,880 --> 00:08:02,840
Speaker 5: Does mister Woodcock teach there?

137
00:08:03,400 --> 00:08:08,080
Speaker 1: Mister Woodcock is, he doesn't teach, He doesn't the same poster.

138
00:08:08,320 --> 00:08:15,000
Speaker 1: He's the provost, he's in charge of activities. He's organizing

139
00:08:15,040 --> 00:08:17,920
Speaker 1: the Magic Bus event at the school first Caoundrels this year,

140
00:08:17,920 --> 00:08:20,200
Speaker 1: where you just like you get on the magic bus

141
00:08:21,920 --> 00:08:25,240
Speaker 1: and they take you to mystery destination, the Dance of

142
00:08:25,320 --> 00:08:31,640
Speaker 1: the Aquarium. Heather and Campbell are here.

143
00:08:34,280 --> 00:08:37,480
Speaker 6: Yep, that's that's me. I got Matt up at doctor.

144
00:08:37,600 --> 00:08:40,560
Speaker 6: Do you guys want me to introduce the third guest?

145
00:08:41,040 --> 00:08:42,559
Speaker 6: Is that what you're queueing me up here for?

146
00:08:43,559 --> 00:08:44,800
Speaker 3: I would actually kick ass.

147
00:08:45,120 --> 00:08:48,040
Speaker 6: We've also got my my, my friend and co host

148
00:08:48,520 --> 00:08:49,160
Speaker 6: Nick Wiker.

149
00:08:49,320 --> 00:08:56,120
Speaker 1: Hi, Nick, Hi, they congrats. You were on podmasts recently.

150
00:08:57,559 --> 00:09:03,920
Speaker 1: I was checking your feed and you were celebrating yourselves

151
00:09:03,960 --> 00:09:11,439
Speaker 1: over there, retweeting a pod maass mentioned and then pod

152
00:09:11,480 --> 00:09:17,080
Speaker 1: masses the list of all like the best or not

153
00:09:17,080 --> 00:09:21,439
Speaker 1: necessarily the best, but the most notable okay podcast from

154
00:09:21,440 --> 00:09:26,360
Speaker 1: that week. And I saw that, and I thought to myself, Oh,

155
00:09:26,440 --> 00:09:32,040
Speaker 1: pod mass is back, Holy shit, because I just assumed

156
00:09:32,040 --> 00:09:35,160
Speaker 1: it had gone on hiatus for two and a half

157
00:09:35,240 --> 00:09:37,800
Speaker 1: years something easily two and a half years, which is

158
00:09:37,800 --> 00:09:39,880
Speaker 1: the last time that we were mentioned in it, because

159
00:09:39,880 --> 00:09:44,480
Speaker 1: we used to get some burn on pod Mass. And

160
00:09:44,520 --> 00:09:47,439
Speaker 1: then I go back, I scroll through. It's been diligently

161
00:09:47,559 --> 00:09:49,520
Speaker 1: producing this column every single week.

162
00:09:50,760 --> 00:09:52,600
Speaker 3: Is this vulture? What is this ab club?

163
00:09:54,440 --> 00:09:55,400
Speaker 1: What is it's?

164
00:09:55,400 --> 00:09:55,480
Speaker 7: No?

165
00:09:55,520 --> 00:09:58,640
Speaker 8: We were mentioned there too, though, we got we got Yeah,

166
00:09:58,760 --> 00:10:03,520
Speaker 8: it's another sort of n publish. Yeah we got we

167
00:10:03,559 --> 00:10:06,200
Speaker 8: got written up for being good there.

168
00:10:06,240 --> 00:10:10,360
Speaker 3: Also, I thought pod was an app am I thinking

169
00:10:10,360 --> 00:10:11,000
Speaker 3: of something else?

170
00:10:11,720 --> 00:10:14,600
Speaker 5: I think, yeah, you're thinking of something else.

171
00:10:14,640 --> 00:10:16,959
Speaker 3: You are thinking of something No, I actually don't think

172
00:10:17,000 --> 00:10:17,360
Speaker 3: you are.

173
00:10:17,440 --> 00:10:21,040
Speaker 1: I don't think you're thinking of anything. Yeah, I think

174
00:10:21,040 --> 00:10:21,680
Speaker 1: you're lying.

175
00:10:22,920 --> 00:10:26,280
Speaker 3: No, I just saw something that was podcast addict. That's

176
00:10:26,320 --> 00:10:27,400
Speaker 3: what it was. That was the app.

177
00:10:27,760 --> 00:10:31,560
Speaker 5: I could see how you heard.

178
00:10:31,600 --> 00:10:35,520
Speaker 3: What you're thinking of is the word podcast? I guess so, yes,

179
00:10:37,040 --> 00:10:41,480
Speaker 3: I see you guys need help. You guys like what no, no, no.

180
00:10:41,120 --> 00:10:44,760
Speaker 6: Well, how can I facilitate this to make it run

181
00:10:44,840 --> 00:10:45,440
Speaker 6: smooth for you?

182
00:10:45,440 --> 00:10:48,880
Speaker 1: Guys? This is going exactly. You all are just like

183
00:10:49,160 --> 00:10:53,240
Speaker 1: slotting into your role so perfectly, marching to the beat

184
00:10:53,280 --> 00:10:54,520
Speaker 1: of my little drum.

185
00:10:56,440 --> 00:11:00,680
Speaker 2: Okay, I've got a front row seat for the puppet show,

186
00:11:01,640 --> 00:11:07,160
Speaker 2: and all the marionettes came to dance. Hayes twists his

187
00:11:07,240 --> 00:11:09,040
Speaker 2: little fingers up above the stage.

188
00:11:09,600 --> 00:11:17,520
Speaker 1: Last time Heather and was here, we did video game

189
00:11:17,880 --> 00:11:23,040
Speaker 1: adaptation of The Proposal starring Ryan Reynolds.

190
00:11:23,880 --> 00:11:26,240
Speaker 3: Wow do you recall this, Heather end?

191
00:11:26,640 --> 00:11:30,520
Speaker 6: Yeah. There it seemed like there was some miscommunication about

192
00:11:30,520 --> 00:11:33,040
Speaker 6: the fundamentals of what a video game is or what

193
00:11:33,120 --> 00:11:37,120
Speaker 6: it should accomplish. I guess I left with a lot

194
00:11:37,120 --> 00:11:42,880
Speaker 6: of concern for your not just like your exposure to games,

195
00:11:42,920 --> 00:11:48,280
Speaker 6: but your overall worldview. But I mean, if you guys

196
00:11:48,280 --> 00:11:51,200
Speaker 6: want to take another swing at it. The whole crew

197
00:11:51,280 --> 00:11:51,600
Speaker 6: is here.

198
00:11:52,280 --> 00:11:54,720
Speaker 2: Well, we're going to have to take another swing at it,

199
00:11:54,760 --> 00:12:02,040
Speaker 2: because unfortunately, whatever the miscommunication was, it sounded pretty damn

200
00:12:02,120 --> 00:12:05,280
Speaker 2: good to some of the high ups over at Netflix,

201
00:12:05,320 --> 00:12:07,960
Speaker 2: and they went ahead and made a goddamn fucking hit

202
00:12:08,080 --> 00:12:15,120
Speaker 2: movie out of it, and Tika's riffing was sublime. So

203
00:12:16,200 --> 00:12:19,640
Speaker 2: if that isn't the mark of a successful video game

204
00:12:19,679 --> 00:12:23,920
Speaker 2: development podcast episode of Hollywood Handbook, I don't know what is.

205
00:12:24,160 --> 00:12:27,640
Speaker 2: They put Ryan Reynolds in the friggin movie and they

206
00:12:27,679 --> 00:12:29,840
Speaker 2: made him be in the video game, and they made

207
00:12:29,920 --> 00:12:32,240
Speaker 2: him be I assume doing all the things that we

208
00:12:32,280 --> 00:12:35,120
Speaker 2: said he would be doing, included carrying a box, putting

209
00:12:35,120 --> 00:12:37,200
Speaker 2: down a box, having trouble getting go over the box.

210
00:12:37,600 --> 00:12:39,040
Speaker 1: Yeah, so we.

211
00:12:39,080 --> 00:12:41,400
Speaker 3: Got to beat it. We got to come even harder.

212
00:12:41,440 --> 00:12:43,840
Speaker 2: And this time we've got to get some kind of

213
00:12:43,880 --> 00:12:46,440
Speaker 2: trademark or copyright on this thing so that we don't

214
00:12:46,440 --> 00:12:47,400
Speaker 2: get scooped again.

215
00:12:48,440 --> 00:12:52,760
Speaker 3: Because I want my points. Okay, is that the plot

216
00:12:52,800 --> 00:12:54,520
Speaker 3: of Red? Notice what you describing?

217
00:12:54,600 --> 00:12:58,160
Speaker 1: So I understand, And this goes back to the pod

218
00:12:58,240 --> 00:13:03,040
Speaker 1: Mast podcast saying that Seawan is disoriented, that was a

219
00:13:03,040 --> 00:13:08,000
Speaker 1: free guy was of course the twentieth priject Oh free guy. Okay, yes,

220
00:13:08,320 --> 00:13:12,120
Speaker 1: that you could see in theaters. Second deadliest video game

221
00:13:12,200 --> 00:13:13,080
Speaker 1: movie of all time?

222
00:13:14,280 --> 00:13:14,400
Speaker 4: Uh?

223
00:13:15,400 --> 00:13:21,520
Speaker 1: From the in theater experience nestled right in between this

224
00:13:21,720 --> 00:13:27,200
Speaker 1: and second Yes, very yes, where's the first one?

225
00:13:27,800 --> 00:13:28,439
Speaker 3: Huh?

226
00:13:28,480 --> 00:13:28,640
Speaker 8: Oh?

227
00:13:28,720 --> 00:13:30,560
Speaker 3: Sonic the Hedgehog was a super spreader.

228
00:13:30,559 --> 00:13:33,840
Speaker 1: It killed more people than any other movie released in history.

229
00:13:33,920 --> 00:13:38,360
Speaker 2: It was packing theaters full of families immediately before and

230
00:13:38,679 --> 00:13:42,920
Speaker 2: the country was shut down for uh, you know the novel.

231
00:13:43,280 --> 00:13:49,240
Speaker 1: Yeah it killed. Yeah, Sonic killed more people than Hatred. Wow.

232
00:13:49,440 --> 00:13:53,160
Speaker 1: Then just throughout history. Then again like then the emotion

233
00:13:53,400 --> 00:13:58,160
Speaker 1: hatred has has killed. There's that Sonic's fault like that.

234
00:13:58,320 --> 00:14:00,440
Speaker 1: You know, I obviously was not there in tension.

235
00:14:02,280 --> 00:14:07,600
Speaker 2: But you know, it depends who you ask whether the

236
00:14:07,600 --> 00:14:11,040
Speaker 2: intention actually matters. I think, what would a Manuel Kant

237
00:14:11,120 --> 00:14:11,839
Speaker 2: say about this?

238
00:14:14,679 --> 00:14:16,400
Speaker 5: And that's interesting we should steal on that.

239
00:14:16,920 --> 00:14:21,760
Speaker 3: Actually there was a you got a Mic stew cont

240
00:14:21,800 --> 00:14:23,240
Speaker 3: is a philosopher.

241
00:14:24,920 --> 00:14:26,560
Speaker 1: I can't believe you asked you that?

242
00:14:30,080 --> 00:14:33,680
Speaker 3: And the movie also his first editional, The movie I

243
00:14:33,720 --> 00:14:38,000
Speaker 3: Assume had a big death toll was kind of pass

244
00:14:38,080 --> 00:14:39,600
Speaker 3: it now, but toom rate at the Cradle of Life

245
00:14:39,600 --> 00:14:42,160
Speaker 3: because it was such a bomb. I was going to say,

246
00:14:42,240 --> 00:14:45,080
Speaker 3: try to say that earlier, but it didn't really have

247
00:14:45,240 --> 00:14:46,040
Speaker 3: a window for it.

248
00:14:47,160 --> 00:14:49,080
Speaker 8: If we're circling back to stuff we were going to

249
00:14:49,120 --> 00:14:51,040
Speaker 8: say earlier, could I say.

250
00:14:51,000 --> 00:14:53,240
Speaker 1: Let's get it? Yeah, let's do that now. This is

251
00:14:53,240 --> 00:14:55,840
Speaker 1: a great opportunity. I was going to stop.

252
00:14:55,640 --> 00:14:58,240
Speaker 2: Down and Kevin set a timer and maybe every like

253
00:14:58,360 --> 00:15:00,360
Speaker 2: ten minutes or so, we can all just up down

254
00:15:00,440 --> 00:15:02,120
Speaker 2: and say stuff we want to circle back to.

255
00:15:02,360 --> 00:15:04,360
Speaker 3: Okay, yeah, we plug it in earlier or not.

256
00:15:04,600 --> 00:15:05,960
Speaker 5: But I wasn't.

257
00:15:06,080 --> 00:15:08,560
Speaker 8: I was going to say, I wouldn't place the deaths

258
00:15:08,600 --> 00:15:13,160
Speaker 8: of those many on Sonic himself. I would place it

259
00:15:13,200 --> 00:15:17,840
Speaker 8: on everybody who complained about his teeth, because if they

260
00:15:17,840 --> 00:15:19,360
Speaker 8: would have just left it alone, it would have come

261
00:15:19,400 --> 00:15:20,560
Speaker 8: out sooner.

262
00:15:20,480 --> 00:15:23,640
Speaker 1: Regular teeth. Yes, yeah, that was so many lives.

263
00:15:23,720 --> 00:15:25,600
Speaker 5: They would have saved a lot of lives. And honestly,

264
00:15:26,120 --> 00:15:27,120
Speaker 5: you know the animal.

265
00:15:27,320 --> 00:15:29,720
Speaker 1: Developers who buckled to public pressure.

266
00:15:29,480 --> 00:15:31,280
Speaker 5: Yeah, yeah, everybody, all the suits.

267
00:15:31,360 --> 00:15:33,920
Speaker 1: Okay, I guess I'll go outside and ask the birds

268
00:15:33,960 --> 00:15:38,280
Speaker 1: not to sing while I'm at it. If we're asking

269
00:15:39,640 --> 00:15:46,840
Speaker 1: devotees of Sonic the Hedgehog to silently accept top and

270
00:15:46,920 --> 00:15:49,800
Speaker 1: bottom full rows of gruesome Veneers.

271
00:15:52,320 --> 00:15:57,640
Speaker 2: There's something about Mary Matt Dillon esque chomper they make.

272
00:15:57,960 --> 00:16:00,680
Speaker 6: I hope they make the same design choices with Mario

273
00:16:01,320 --> 00:16:04,160
Speaker 6: with Chris Pratt, like they just make him look like

274
00:16:04,200 --> 00:16:05,040
Speaker 6: a human.

275
00:16:04,800 --> 00:16:10,480
Speaker 3: Being, dealithic humid teeth. That would be smart because they

276
00:16:10,480 --> 00:16:12,720
Speaker 3: can get ahead of any other controversy if there's just

277
00:16:12,760 --> 00:16:15,160
Speaker 3: the backlash to the teeth, they can be like, Okay,

278
00:16:15,160 --> 00:16:17,360
Speaker 3: we fixed the teeth. Yeah, and then ever all be

279
00:16:17,400 --> 00:16:18,440
Speaker 3: excited for the movie.

280
00:16:18,800 --> 00:16:22,960
Speaker 5: Give him like real fucked up teeth, Austin Powers style.

281
00:16:24,960 --> 00:16:26,680
Speaker 1: Little eye, little beady eyes.

282
00:16:27,200 --> 00:16:40,560
Speaker 2: Yeah, just always like a little sweat on his mustache crumbs. Yeah,

283
00:16:40,720 --> 00:16:43,400
Speaker 2: Mario just looks like he really needs to wipe his face.

284
00:16:43,600 --> 00:16:46,880
Speaker 5: Yeah, he looks like he stinks one wet armpit.

285
00:16:51,520 --> 00:16:55,240
Speaker 1: So we gotta do a new game. Our major IP

286
00:16:55,520 --> 00:16:58,760
Speaker 1: has been seized by twenty f.

287
00:17:01,160 --> 00:17:01,480
Speaker 3: Uh.

288
00:17:02,400 --> 00:17:04,440
Speaker 1: We can come up. We we do have some existing IP.

289
00:17:04,640 --> 00:17:08,360
Speaker 1: We have Fight have Her mm hmmm uh, Fight Have Her.

290
00:17:08,359 --> 00:17:11,640
Speaker 1: Fast Drive is a property of ours that we've developed

291
00:17:11,680 --> 00:17:12,200
Speaker 1: on the show.

292
00:17:17,520 --> 00:17:21,560
Speaker 2: Voice talent didn't really nail their piece of it, so

293
00:17:21,760 --> 00:17:24,240
Speaker 2: they were a little resistant to some of the ideas.

294
00:17:23,800 --> 00:17:27,640
Speaker 1: Of the game, and it wasn't did you have attacked

295
00:17:27,680 --> 00:17:28,440
Speaker 1: on how we needed it?

296
00:17:29,800 --> 00:17:35,080
Speaker 5: Who'd you have attached? Oh you got you got him?

297
00:17:35,119 --> 00:17:35,959
Speaker 5: He couldn't even do it.

298
00:17:38,160 --> 00:17:39,359
Speaker 1: Yeah we could do it.

299
00:17:40,720 --> 00:17:43,040
Speaker 3: Okay, fight have Her?

300
00:17:43,760 --> 00:17:46,640
Speaker 1: Uh we didn't actually explore like kind of who fight

301
00:17:46,720 --> 00:17:48,679
Speaker 1: have her is in the first one, So maybe we

302
00:17:48,680 --> 00:17:51,920
Speaker 1: can get into this a little bit. Fight have Her.

303
00:17:53,040 --> 00:17:59,080
Speaker 1: His fighting style is to only choke, only put both

304
00:17:59,119 --> 00:18:04,400
Speaker 1: hands completely around the neck of his opponent and choke them.

305
00:18:05,800 --> 00:18:10,919
Speaker 1: And he competes in these kind of like underground fights.

306
00:18:11,080 --> 00:18:15,600
Speaker 1: But there are like obviously that's not allowed, right, Yeah,

307
00:18:15,720 --> 00:18:20,000
Speaker 1: like there are some It's looser than like a traditional

308
00:18:20,040 --> 00:18:21,480
Speaker 1: boxing match or something, but.

309
00:18:21,520 --> 00:18:25,240
Speaker 3: Like that, there's some etiquette. Yeah, and you're you're really

310
00:18:25,240 --> 00:18:29,320
Speaker 3: not supposed to to hand choke every person you see.

311
00:18:30,960 --> 00:18:33,919
Speaker 3: Also sounds like could just be cinematically stagnant, you know,

312
00:18:34,000 --> 00:18:37,280
Speaker 3: thinking of it as a film, Like I feel like,

313
00:18:37,280 --> 00:18:40,520
Speaker 3: how many ways can you shoot that? Yeah? Well his

314
00:18:40,640 --> 00:18:43,960
Speaker 3: hair changes color? M hm, Okay, that's cool.

315
00:18:44,080 --> 00:18:47,840
Speaker 2: So there is something like happening in the frame. It

316
00:18:47,920 --> 00:18:52,160
Speaker 2: takes a very long time to render.

317
00:18:52,720 --> 00:18:54,800
Speaker 6: Are we talking about the game now.

318
00:18:55,080 --> 00:18:58,959
Speaker 1: Or no, we're talking about the property. Okay, it's the

319
00:18:59,000 --> 00:19:00,880
Speaker 1: property we have of it.

320
00:19:01,000 --> 00:19:06,160
Speaker 2: To my mind, It's like, can we combine this then

321
00:19:06,280 --> 00:19:09,720
Speaker 2: with another movie? Like we had so much success adapting

322
00:19:09,760 --> 00:19:19,240
Speaker 2: the proposal. You immediately, I guess, think of Flight Club,

323
00:19:19,280 --> 00:19:24,720
Speaker 2: but I don't want to do that, right, But off

324
00:19:24,880 --> 00:19:29,000
Speaker 2: of that, would we want to do.

325
00:19:32,280 --> 00:19:33,200
Speaker 3: First Wives Club?

326
00:19:34,359 --> 00:19:37,919
Speaker 1: Yeah, that's what he was going to say.

327
00:19:38,160 --> 00:19:43,240
Speaker 3: Okay, I'll say that the multiverse is big, and we

328
00:19:43,359 --> 00:19:46,119
Speaker 3: see this in video games right now. You know, they

329
00:19:46,200 --> 00:19:49,000
Speaker 3: just actually released it. They're working on a WB multiverse

330
00:19:49,040 --> 00:19:51,159
Speaker 3: fighting game that's combining a bunch of their different properties.

331
00:19:51,200 --> 00:19:53,240
Speaker 3: They're doing the same way that a Nickelodeon fighting game

332
00:19:53,280 --> 00:19:55,200
Speaker 3: has been released. Of course, Super Smash Brothers with the

333
00:19:55,280 --> 00:19:58,479
Speaker 3: Nintendo progenitor of the genre. So it's it strikes me

334
00:19:58,520 --> 00:20:03,439
Speaker 3: as probably the correct moment to combine a couple of

335
00:20:03,440 --> 00:20:05,760
Speaker 3: properties and see what happens. I mean, people are excited

336
00:20:05,800 --> 00:20:06,040
Speaker 3: for that.

337
00:20:08,400 --> 00:20:13,840
Speaker 2: Okay, So what you're saying is we get Elizabeth Berkeley

338
00:20:13,920 --> 00:20:18,199
Speaker 2: from First Wives Club, We try to get Goldie if

339
00:20:18,240 --> 00:20:23,600
Speaker 2: we can, but then we combine that, possibly with not

340
00:20:23,720 --> 00:20:26,400
Speaker 2: someone from Fight Club, but maybe one of the actors

341
00:20:26,400 --> 00:20:29,879
Speaker 2: from Fight Club. We get Jarldo from Dallas Buyers Club.

342
00:20:30,320 --> 00:20:33,639
Speaker 1: Yes, and do we get someone from book Club? Do

343
00:20:33,720 --> 00:20:36,800
Speaker 1: we see if candy from book Club is available.

344
00:20:36,400 --> 00:20:41,280
Speaker 2: Can we get the book Club candy? That is now

345
00:20:41,320 --> 00:20:44,440
Speaker 2: feeling like okay, and this is a game and everyone's

346
00:20:44,560 --> 00:20:45,520
Speaker 2: just choking each other?

347
00:20:45,680 --> 00:20:46,240
Speaker 3: Is this right?

348
00:20:47,400 --> 00:20:53,080
Speaker 1: Yes? They all yes. Their move is two heads choke

349
00:20:53,160 --> 00:20:54,119
Speaker 1: each other to death.

350
00:20:55,040 --> 00:20:59,520
Speaker 8: What so that's the move set for every fighter in

351
00:20:59,560 --> 00:21:00,000
Speaker 8: this game.

352
00:21:00,560 --> 00:21:03,560
Speaker 2: Every button basically activates. You need to show.

353
00:21:03,960 --> 00:21:10,280
Speaker 1: Yeah, so Heather and I can see Heather skeptical, and

354
00:21:10,600 --> 00:21:13,600
Speaker 1: I knew this was going to be an issue. Heather

355
00:21:13,720 --> 00:21:15,840
Speaker 1: only appears in projects that have a question mark on

356
00:21:15,920 --> 00:21:24,399
Speaker 1: the title, and so we can make it the first

357
00:21:24,520 --> 00:21:29,280
Speaker 1: Wives Club after're lied first.

358
00:21:30,720 --> 00:21:34,119
Speaker 6: Yeah, I mean, if you if you need an endorsement

359
00:21:34,320 --> 00:21:39,640
Speaker 6: or like, I go ahead. I I have no precipice

360
00:21:39,760 --> 00:21:42,880
Speaker 6: from which to hoole. I can't judge anything you guys

361
00:21:42,920 --> 00:21:43,760
Speaker 6: are talking about.

362
00:21:44,240 --> 00:21:47,320
Speaker 1: It's pescipice. It's pronounced papist mm hmm.

363
00:21:48,880 --> 00:21:52,560
Speaker 8: I was gonna say, Heather, you're you're like a fighting

364
00:21:52,600 --> 00:21:55,880
Speaker 8: game champ, so your expertise actually really come.

365
00:21:55,800 --> 00:22:00,000
Speaker 5: In handy here, you know, because this is your realhose.

366
00:22:00,880 --> 00:22:03,760
Speaker 8: I'm thinking if everybody has the same choke, the two

367
00:22:03,800 --> 00:22:07,840
Speaker 8: handed choke move, there's got to be some variety in

368
00:22:07,920 --> 00:22:09,840
Speaker 8: at least what they say.

369
00:22:10,560 --> 00:22:12,840
Speaker 3: Yeah, you kind of want the rock paper scissors sort

370
00:22:12,840 --> 00:22:15,359
Speaker 3: of dynamic. You know in a fighting game where you

371
00:22:15,440 --> 00:22:18,200
Speaker 3: got the big, tough guy, you know, you've got the fast,

372
00:22:18,280 --> 00:22:20,280
Speaker 3: quick guy. You know, everyone has kind of a different

373
00:22:20,320 --> 00:22:22,879
Speaker 3: sort of move set and a different sort of strategy

374
00:22:22,880 --> 00:22:25,840
Speaker 3: that you'd employ. But if we're talking about everyone has

375
00:22:26,119 --> 00:22:29,320
Speaker 3: the same move then I guess you got to do

376
00:22:29,320 --> 00:22:29,919
Speaker 3: it up with.

377
00:22:30,000 --> 00:22:33,040
Speaker 1: Well, it's something of a prisoner's dilemma, isn't it? Okay,

378
00:22:33,760 --> 00:22:43,119
Speaker 1: isn't it both players elected to choke, their hands just

379
00:22:43,240 --> 00:22:46,679
Speaker 1: kind of like glance off each other and they just

380
00:22:46,760 --> 00:22:48,480
Speaker 1: keep sort of like banging into each other.

381
00:22:48,680 --> 00:22:50,920
Speaker 2: They can break each other's fingers. That's something if you

382
00:22:51,040 --> 00:22:53,560
Speaker 2: go to choke, okay, time you can't bend each other's fingers.

383
00:22:54,640 --> 00:22:57,960
Speaker 2: Fingers Okay, but does it do any like?

384
00:22:58,000 --> 00:22:58,600
Speaker 3: Does it matter?

385
00:22:59,400 --> 00:23:02,280
Speaker 1: One player? And there's a rest button as well, so

386
00:23:02,359 --> 00:23:05,080
Speaker 1: you can either choke or rest.

387
00:23:05,240 --> 00:23:07,679
Speaker 3: That see, Okay, So then you need have some strategic

388
00:23:07,800 --> 00:23:11,359
Speaker 3: value ad for for resting, because if you're just gonna

389
00:23:11,359 --> 00:23:15,600
Speaker 3: make yourself more vulnerable to being choked there to rest.

390
00:23:15,880 --> 00:23:21,200
Speaker 2: To be clear, there's only one Eames chair, okay, and

391
00:23:21,280 --> 00:23:25,680
Speaker 2: so if if one player elects to rest, the other

392
00:23:25,800 --> 00:23:28,040
Speaker 2: can still press the rest button, but they end up

393
00:23:28,119 --> 00:23:31,080
Speaker 2: kind of like wandering around, like looking for somewhere to sit.

394
00:23:31,720 --> 00:23:32,000
Speaker 1: Got it.

395
00:23:32,040 --> 00:23:34,040
Speaker 3: So there's sort of a musical chairs element there. You

396
00:23:34,080 --> 00:23:38,119
Speaker 3: can unlock like a hammock that is off screen, and

397
00:23:38,119 --> 00:23:39,280
Speaker 3: then the player just leaves.

398
00:23:40,520 --> 00:23:44,359
Speaker 6: Okay, I'm concerned about some of the AI implications what

399
00:23:44,440 --> 00:23:50,719
Speaker 6: you've just described. I mean, I understand press press X

400
00:23:50,800 --> 00:23:57,520
Speaker 6: to rest and you and one player get yeah, pacipist.

401
00:23:57,640 --> 00:24:00,960
Speaker 6: Let's say you're a pacifist and you want to rest,

402
00:24:01,160 --> 00:24:03,320
Speaker 6: so you sit down in the Eames chair. What you

403
00:24:03,400 --> 00:24:06,840
Speaker 6: did describe that if the other player presses rest, if

404
00:24:06,840 --> 00:24:12,880
Speaker 6: they wander around aimlessly. And that's where my concern comes in, because.

405
00:24:12,880 --> 00:24:19,919
Speaker 1: That's aipplications, is that they could effectively wander into meat space.

406
00:24:20,000 --> 00:24:23,679
Speaker 6: As you say, Uh, it's not what I said, and

407
00:24:23,720 --> 00:24:26,880
Speaker 6: that was not I mean, that's a different concern maybe.

408
00:24:26,640 --> 00:24:30,639
Speaker 3: That you have, but I don't have. Kevin, can we

409
00:24:30,680 --> 00:24:33,280
Speaker 3: double back either? Are we at the time yet?

410
00:24:33,280 --> 00:24:34,440
Speaker 7: Where thirty seconds left?

411
00:24:34,440 --> 00:24:36,639
Speaker 2: I would have said, but we thirty seconds left? Okay,

412
00:24:36,680 --> 00:24:38,399
Speaker 2: I'll save it for thirty seconds, go ahead.

413
00:24:38,760 --> 00:24:42,440
Speaker 6: I just feel like that's a complicated action to have

414
00:24:43,880 --> 00:24:48,840
Speaker 6: a procedurally generated behavior based on just you could just

415
00:24:48,920 --> 00:24:50,920
Speaker 6: have them want to sit.

416
00:24:51,320 --> 00:24:54,520
Speaker 2: Maybe just point to the camera when the thirty seconds

417
00:24:54,560 --> 00:24:54,840
Speaker 2: is up.

418
00:24:55,040 --> 00:25:01,360
Speaker 6: Oh okay, yep, meant me five four three too and.

419
00:25:02,840 --> 00:25:15,280
Speaker 2: Recipes got it. So I think, like, I hear your concern. Absolutely,

420
00:25:15,800 --> 00:25:20,280
Speaker 2: I don't understand the concern mm hmm, just because I

421
00:25:20,280 --> 00:25:23,560
Speaker 2: don't really like I guess I didn't hear it.

422
00:25:23,840 --> 00:25:27,520
Speaker 1: I know I I hear it for sure, but I

423
00:25:27,600 --> 00:25:29,720
Speaker 1: don't get it. I don't like it.

424
00:25:31,720 --> 00:25:35,880
Speaker 3: Okay, I'll say that technically to to to what Heather said.

425
00:25:35,880 --> 00:25:38,280
Speaker 3: Technically that's there's not as much of an obstacle there.

426
00:25:38,320 --> 00:25:42,119
Speaker 3: It's fairly easy to have a I wander aimlessly. You

427
00:25:42,160 --> 00:25:45,120
Speaker 3: can sort of establish a messh that's going to Yeah,

428
00:25:45,320 --> 00:25:50,640
Speaker 3: that's what I But but is that a but there's

429
00:25:50,720 --> 00:25:54,280
Speaker 3: one thing that like, it's one you can you can

430
00:25:54,280 --> 00:25:59,600
Speaker 3: build an aich. The cliche you say in game development

431
00:25:59,640 --> 00:26:01,400
Speaker 3: is you can. It's easy to build a hard AI.

432
00:26:01,480 --> 00:26:04,879
Speaker 3: It's hard to build a fun AI. So, like, is

433
00:26:04,920 --> 00:26:08,600
Speaker 3: does that add to the fun that's so character wandering aimlessly? Well,

434
00:26:08,600 --> 00:26:11,840
Speaker 3: it's not a joke. It's like I'm cracking up, I do.

435
00:26:11,960 --> 00:26:14,520
Speaker 3: I mean, it's not like a it's a guidance.

436
00:26:14,160 --> 00:26:18,000
Speaker 2: For it is I mean probably it's it's intentionally pithy

437
00:26:18,080 --> 00:26:20,840
Speaker 2: and clever, and it's it's a joke.

438
00:26:20,920 --> 00:26:23,159
Speaker 1: I mean, it's a joke.

439
00:26:23,119 --> 00:26:27,480
Speaker 8: That's like over the urinals that like game development studio, bathrooms, banks,

440
00:26:27,480 --> 00:26:28,040
Speaker 8: people laugh.

441
00:26:28,720 --> 00:26:31,520
Speaker 3: M easy to build a hard AI. It's hard to

442
00:26:31,560 --> 00:26:35,040
Speaker 3: build a fun AI. Fun of course could just say

443
00:26:35,119 --> 00:26:38,680
Speaker 3: easy AI. Yeah, well I don't. I mean, I don't

444
00:26:38,680 --> 00:26:42,160
Speaker 3: think they're synonymous because also it's not hard to build

445
00:26:42,160 --> 00:26:44,399
Speaker 3: an easy AI. It's also pretty.

446
00:26:44,160 --> 00:26:45,919
Speaker 5: Easy, we know.

447
00:26:46,040 --> 00:26:53,800
Speaker 1: I mean, like honestly, the the plot so far sucks. Yeah,

448
00:26:54,640 --> 00:26:56,640
Speaker 1: I mean, like you know, I get like you guys

449
00:26:56,680 --> 00:27:00,879
Speaker 1: are so obsessed with like the gameplay and all this stuff,

450
00:27:00,920 --> 00:27:02,680
Speaker 1: but like it's.

451
00:27:02,480 --> 00:27:06,080
Speaker 2: Like all a fucking story. Yeah, like what's the story?

452
00:27:06,160 --> 00:27:09,400
Speaker 2: Like I don't care, you know, obviously I don't care.

453
00:27:09,720 --> 00:27:11,840
Speaker 3: They look they're gonna break each other's fingers, they're gonna

454
00:27:11,920 --> 00:27:13,960
Speaker 3: choke each other, you know, or they're gonna sit down

455
00:27:14,000 --> 00:27:14,520
Speaker 3: and rest.

456
00:27:15,000 --> 00:27:17,520
Speaker 2: What I want to know is what makes them tick?

457
00:27:17,960 --> 00:27:19,720
Speaker 2: Why are they doing these things?

458
00:27:20,040 --> 00:27:24,320
Speaker 1: And so we're starting you in for obviously Middlebury College,

459
00:27:24,400 --> 00:27:34,080
Speaker 1: nineteen sixty nine, Annie Elise Brenda and Cynthia. They are graduating.

460
00:27:35,560 --> 00:27:41,280
Speaker 1: They are getting ready to pose in the commemorative graduation picture.

461
00:27:43,720 --> 00:27:48,760
Speaker 1: So this, this to me, is the first like like

462
00:27:49,480 --> 00:27:53,639
Speaker 1: the thing that you can control is all for them.

463
00:27:54,400 --> 00:27:57,680
Speaker 1: You only have one joystick and they're all wandering around.

464
00:27:59,280 --> 00:28:03,880
Speaker 1: It's easy. That is actually easy to do.

465
00:28:03,880 --> 00:28:06,160
Speaker 3: And you have to line up so that you get

466
00:28:06,160 --> 00:28:07,439
Speaker 3: them all in the shot.

467
00:28:08,280 --> 00:28:11,840
Speaker 2: Heather's note was not was like wandering around is going

468
00:28:11,880 --> 00:28:15,439
Speaker 2: to be difficult. What would be easier is to create

469
00:28:15,480 --> 00:28:20,600
Speaker 2: a desire within the AI to make them want to

470
00:28:20,680 --> 00:28:25,960
Speaker 2: have them yearn to sit and rest. Honestly, it's kind

471
00:28:26,000 --> 00:28:28,160
Speaker 2: of beautiful, if naive.

472
00:28:31,359 --> 00:28:33,520
Speaker 1: So we need to get this picture even just to

473
00:28:33,560 --> 00:28:35,959
Speaker 1: get to the next scene when Cynthia is going to

474
00:28:35,960 --> 00:28:42,520
Speaker 1: be gazing at it, the four of them on on

475
00:28:42,520 --> 00:28:45,960
Speaker 1: on on graduation day.

476
00:28:47,320 --> 00:28:49,120
Speaker 3: I mean, I know you want to focus on plot,

477
00:28:49,120 --> 00:28:51,160
Speaker 3: but it's just hard to divorce it from gameplay because

478
00:28:51,160 --> 00:28:53,120
Speaker 3: if we're talking about a fighting game, those are ones

479
00:28:53,160 --> 00:28:56,080
Speaker 3: that are not traditionally narrative driven. It's like, you don't

480
00:28:56,080 --> 00:28:59,080
Speaker 3: think of Mortal Kombat and oh I can selve this,

481
00:28:59,320 --> 00:28:59,920
Speaker 3: I can solve this.

482
00:29:00,080 --> 00:29:09,200
Speaker 2: Us forget everything you think you know about fighting games.

483
00:29:08,880 --> 00:29:13,480
Speaker 2: If it's not traditionally like this. That's a good thing

484
00:29:14,200 --> 00:29:17,560
Speaker 2: because we're here. We're not here to stand on ceremony

485
00:29:18,120 --> 00:29:21,480
Speaker 2: and follow the rules and color inside the lines.

486
00:29:21,640 --> 00:29:24,880
Speaker 3: Jack. I'm also that I actually brought in this team,

487
00:29:24,960 --> 00:29:28,480
Speaker 3: this brain trust is to break the fucking mold.

488
00:29:28,640 --> 00:29:35,840
Speaker 1: Man. I'm also not necessarily interested in making my consumer,

489
00:29:36,720 --> 00:29:39,280
Speaker 1: who's really a gast in my mind for this experience,

490
00:29:40,000 --> 00:29:45,760
Speaker 1: complicit in whatever comes as a result of this fight.

491
00:29:46,800 --> 00:29:50,920
Speaker 1: What they're there to do is basically report on it

492
00:29:50,960 --> 00:29:55,520
Speaker 1: and take a picture M and so to observe a

493
00:29:55,560 --> 00:30:01,680
Speaker 1: lived experience. These four women are all choking each other.

494
00:30:01,920 --> 00:30:02,240
Speaker 3: M m.

495
00:30:04,280 --> 00:30:08,680
Speaker 1: It's graduation day of Middlebury College nineteen sixty nine. Your

496
00:30:08,840 --> 00:30:12,080
Speaker 1: job is to I mean, they're wandering around, but obviously

497
00:30:12,160 --> 00:30:14,480
Speaker 1: if they come into contact with each other, they will

498
00:30:14,520 --> 00:30:22,960
Speaker 1: start start to choke immediately. Okay, you have to get

499
00:30:22,960 --> 00:30:27,720
Speaker 1: this this picture of them.

500
00:30:27,760 --> 00:30:29,880
Speaker 3: So your goal is to try to snap a shot

501
00:30:30,200 --> 00:30:34,240
Speaker 3: of all four of them strangling each other while like,

502
00:30:34,360 --> 00:30:37,560
Speaker 3: but you have to wait until they're abortioned. Mm hmm,

503
00:30:38,000 --> 00:30:40,000
Speaker 3: I mean that would work. That's not the goal.

504
00:30:41,280 --> 00:30:42,120
Speaker 1: As we explained it.

505
00:30:42,240 --> 00:30:46,000
Speaker 3: Yeah, we but that would allow you to move on

506
00:30:46,080 --> 00:30:46,920
Speaker 3: to the next level.

507
00:30:47,000 --> 00:30:50,560
Speaker 8: And so I know that we're not. We're not talking

508
00:30:50,560 --> 00:30:56,840
Speaker 8: about gameplay. We're not, but it sounds like the fighting

509
00:30:57,680 --> 00:31:00,520
Speaker 8: now is not part of it, and it is now

510
00:31:00,640 --> 00:31:06,840
Speaker 8: more of like a Pokemon Snap like game where instead

511
00:31:06,840 --> 00:31:09,120
Speaker 8: of taking pictures of the.

512
00:31:09,200 --> 00:31:12,960
Speaker 1: Scene happened already, we're just like, we're just like, what

513
00:31:13,000 --> 00:31:17,360
Speaker 1: do you think the entire game is like taking a picture?

514
00:31:18,360 --> 00:31:20,440
Speaker 8: No, it's just it seems like so we're not going

515
00:31:20,520 --> 00:31:22,160
Speaker 8: to do that multiple times throughout.

516
00:31:22,200 --> 00:31:23,840
Speaker 1: It's over. We're done, Okay.

517
00:31:24,360 --> 00:31:26,080
Speaker 5: I was just voicing concerns.

518
00:31:26,440 --> 00:31:31,600
Speaker 1: Now it's nineteen ninety six mm hm, and Cynthia is

519
00:31:31,640 --> 00:31:34,760
Speaker 1: tearfully gazing at the picture of them on graduation day.

520
00:31:34,960 --> 00:31:40,360
Speaker 1: She's very wealthy. She's living in a luxurious penthouse, and

521
00:31:40,800 --> 00:31:45,760
Speaker 1: she has requested that her maid male letters to the

522
00:31:45,920 --> 00:31:50,040
Speaker 1: other three friends in this photo, Annie, Alice, and Brenda.

523
00:31:50,520 --> 00:31:54,440
Speaker 6: Her she asks her maid to do that. She she

524
00:31:54,640 --> 00:31:56,160
Speaker 6: doesn't write her own friends.

525
00:31:57,880 --> 00:31:59,720
Speaker 1: I think she's written the letters.

526
00:32:00,200 --> 00:32:02,840
Speaker 3: Oh, she's or dictated them.

527
00:32:02,920 --> 00:32:06,640
Speaker 1: Yeah, she's yeah, And you know they're potentially even in

528
00:32:06,720 --> 00:32:08,880
Speaker 1: the envelope stamped. Obviously the maid is going to be

529
00:32:08,960 --> 00:32:15,440
Speaker 1: licking them. But everything else is in place.

530
00:32:16,920 --> 00:32:21,240
Speaker 2: We need to establish her status, right, It's very important

531
00:32:21,720 --> 00:32:26,600
Speaker 2: to the story that we know that this monstrous choking

532
00:32:26,680 --> 00:32:32,560
Speaker 2: machine is in fact extremely wealthy and has and has employees.

533
00:32:35,160 --> 00:32:39,719
Speaker 2: If you would rather she choked the maid that, I'll listen.

534
00:32:39,880 --> 00:32:42,520
Speaker 2: I mean, that's sort of interesting to me. I think

535
00:32:43,520 --> 00:32:45,040
Speaker 2: the letters won't get mailed.

536
00:32:45,160 --> 00:32:47,200
Speaker 3: I also think, like, we're not going to be rooting

537
00:32:47,280 --> 00:32:50,200
Speaker 3: for her if she chokes her maid right away. Well,

538
00:32:50,200 --> 00:32:53,080
Speaker 3: but you have to keep in mind that the player

539
00:32:53,960 --> 00:32:57,400
Speaker 3: themselves are thinking that they are a character in this.

540
00:32:57,880 --> 00:33:01,040
Speaker 3: So maybe if we give the player some agency of like, hey,

541
00:33:01,080 --> 00:33:03,040
Speaker 3: you have a choice here. Do you want to take

542
00:33:03,120 --> 00:33:05,600
Speaker 3: the good path and have your maide mail your letters?

543
00:33:05,680 --> 00:33:08,160
Speaker 3: Do you want to take the dark path and choke

544
00:33:08,200 --> 00:33:10,560
Speaker 3: out your maid and mail the letters yourself, or throw

545
00:33:10,600 --> 00:33:12,800
Speaker 3: the mails and throw the letters in the trash.

546
00:33:13,160 --> 00:33:16,320
Speaker 8: So in this scenario, it is good to employ a

547
00:33:16,360 --> 00:33:19,440
Speaker 8: maid and it is bad to do something yourself.

548
00:33:20,280 --> 00:33:22,880
Speaker 3: Well, if you if you choker, I would say, I'd

549
00:33:22,880 --> 00:33:24,320
Speaker 3: say the choking is probably what makes.

550
00:33:24,160 --> 00:33:25,920
Speaker 1: Depends on what the thing you do yourself is.

551
00:33:26,000 --> 00:33:26,360
Speaker 3: I guess.

552
00:33:26,440 --> 00:33:30,400
Speaker 6: I guess that's compensated for our creative involvement in this title.

553
00:33:30,640 --> 00:33:33,440
Speaker 6: Because I'm beginning to be there seems to be a

554
00:33:33,480 --> 00:33:40,719
Speaker 6: lot of unwritten material here, and I feel like, if

555
00:33:40,720 --> 00:33:42,479
Speaker 6: you guys are going to move forward with this, that

556
00:33:42,520 --> 00:33:45,360
Speaker 6: the three of us are doing some heavy lifting here.

557
00:33:45,640 --> 00:33:49,280
Speaker 3: Well too, did you either did you not say you're

558
00:33:49,400 --> 00:33:51,160
Speaker 3: you're Do you not have your lawyer take a look

559
00:33:52,000 --> 00:33:54,880
Speaker 3: at this at the advance of this podcast?

560
00:33:55,200 --> 00:33:56,320
Speaker 6: No?

561
00:33:56,320 --> 00:33:59,240
Speaker 3: No, yeah, my guy looked over it. He said it was,

562
00:34:00,720 --> 00:34:02,600
Speaker 3: you know, a guy.

563
00:34:03,040 --> 00:34:04,240
Speaker 1: Oh Nicker's a guy.

564
00:34:04,360 --> 00:34:07,280
Speaker 5: Okay, my maid mm hm.

565
00:34:08,400 --> 00:34:12,120
Speaker 1: So so the maid is like, we've gotten the maid

566
00:34:12,160 --> 00:34:15,920
Speaker 1: to leave on her little land. And now Cynthia walks

567
00:34:15,920 --> 00:34:20,080
Speaker 1: outside on the balcony balcony of her penthouse, and she

568
00:34:20,640 --> 00:34:26,040
Speaker 1: attempts to commit suicide m hmm, jumping to her death.

569
00:34:26,120 --> 00:34:29,160
Speaker 1: She has learned through the tabloids that her ex husband, Gil,

570
00:34:30,080 --> 00:34:34,359
Speaker 1: who Cynthia made wealthy through her connections, has the day

571
00:34:34,400 --> 00:34:39,200
Speaker 1: before married as much younger bred mm hm. You the player,

572
00:34:41,360 --> 00:34:42,200
Speaker 1: you are, mister.

573
00:34:42,040 --> 00:34:45,960
Speaker 7: B Thirty seconds, you are.

574
00:34:47,640 --> 00:34:53,600
Speaker 1: Four floors down, You open a window, you stretch out

575
00:34:53,640 --> 00:34:57,960
Speaker 1: to like and enjoy the day, and the goal is

576
00:34:58,000 --> 00:35:06,080
Speaker 1: to hang your pajamas outside on the clothesline just in

577
00:35:06,200 --> 00:35:11,359
Speaker 1: time to catch Cynthia on her way down.

578
00:35:12,480 --> 00:35:16,200
Speaker 3: You know, movie had a high death count. I think

579
00:35:16,440 --> 00:35:19,479
Speaker 3: was the video game movie Need for Speed with Aaron

580
00:35:19,520 --> 00:35:21,960
Speaker 3: Paul because it was such a bomb.

581
00:35:25,880 --> 00:35:28,440
Speaker 2: I guess one thing I almost said was that Hayes

582
00:35:28,480 --> 00:35:30,560
Speaker 2: went to great lengths to explain that we did not

583
00:35:30,719 --> 00:35:33,960
Speaker 2: want the player to be complicit in whatever fight took place.

584
00:35:34,040 --> 00:35:37,279
Speaker 2: And then Nick's like next pitch was that perhaps the

585
00:35:37,280 --> 00:35:38,959
Speaker 2: player could choose to choke the maid.

586
00:35:41,800 --> 00:35:42,560
Speaker 3: Okay, that's fair.

587
00:35:43,520 --> 00:35:47,000
Speaker 2: Is mister Bean in the movie mister Bean is well

588
00:35:49,200 --> 00:35:51,719
Speaker 2: mister Bean in the same way as the game You

589
00:35:53,560 --> 00:35:55,359
Speaker 2: the camera in the movie.

590
00:35:55,120 --> 00:35:59,040
Speaker 1: Is mister Bean. It's heavily implied. Got it. You and

591
00:35:59,120 --> 00:36:01,759
Speaker 1: the game like you don't see mister Bean like you

592
00:36:01,840 --> 00:36:04,720
Speaker 1: are mister Bean's eyes. You and habit mister Bean.

593
00:36:05,040 --> 00:36:08,279
Speaker 6: In this fighting game it's a first person's perspective and

594
00:36:08,320 --> 00:36:09,720
Speaker 6: you only see arms.

595
00:36:10,520 --> 00:36:13,120
Speaker 1: Yes, it was mister Bean taking the picture back at

596
00:36:13,360 --> 00:36:18,239
Speaker 1: Middlebury College. It's mister Bean hanging his pajamas out to.

597
00:36:18,280 --> 00:36:22,400
Speaker 8: Dry ken If I know that you said, wandering AI

598
00:36:22,600 --> 00:36:26,480
Speaker 8: is easy Nick to to sort of create a more sense.

599
00:36:26,280 --> 00:36:29,600
Speaker 1: Of like really like where like where Like.

600
00:36:31,280 --> 00:36:32,799
Speaker 8: I was gonna say, no, these a I would just

601
00:36:32,800 --> 00:36:35,880
Speaker 8: be fucking losing their minds, cracking up because mister Bean

602
00:36:36,000 --> 00:36:38,520
Speaker 8: is there. It would just make more sense if they're like,

603
00:36:38,680 --> 00:36:43,040
Speaker 8: miss that's mister I'm laughing. They'd be going nuts just

604
00:36:43,080 --> 00:36:46,120
Speaker 8: seeing him making his faces and slipping on you know,

605
00:36:46,360 --> 00:36:48,120
Speaker 8: loose fish whatever.

606
00:36:48,239 --> 00:36:52,600
Speaker 3: But also in mister Bean's reality, people don't find his

607
00:36:52,640 --> 00:36:54,160
Speaker 3: buffoonery particularly funny.

608
00:36:54,239 --> 00:36:56,279
Speaker 5: That's obnoxious, and this is.

609
00:36:56,280 --> 00:36:58,080
Speaker 3: Why often frustrating them.

610
00:36:58,360 --> 00:37:01,799
Speaker 8: Yeah, yeah, maybe maybe the upset now to that point

611
00:37:01,840 --> 00:37:04,560
Speaker 8: they're like, oh great, it's this fucking lunatic, this guy.

612
00:37:04,920 --> 00:37:06,680
Speaker 6: I like the one where he makes a salad in

613
00:37:06,719 --> 00:37:14,320
Speaker 6: a sock. That's my favorite one. He puts lettuce in

614
00:37:14,400 --> 00:37:17,040
Speaker 6: a sock next to a businessman. He's sitting on a

615
00:37:17,040 --> 00:37:19,840
Speaker 6: bench next to a businessman and he puts lettuce in

616
00:37:19,880 --> 00:37:21,719
Speaker 6: the sock and he swings it around so he can

617
00:37:21,800 --> 00:37:22,440
Speaker 6: dry it off.

618
00:37:23,080 --> 00:37:25,520
Speaker 1: Yeah, and that's a salad spinner. Yeah.

619
00:37:25,560 --> 00:37:28,279
Speaker 2: In that same episode, he's making a sandwich right next

620
00:37:28,280 --> 00:37:29,000
Speaker 2: to the businessman.

621
00:37:30,840 --> 00:37:31,840
Speaker 6: Maybe that's it, I don't know.

622
00:37:31,880 --> 00:37:35,000
Speaker 3: And he's got like a jar child, He's got like

623
00:37:35,040 --> 00:37:36,239
Speaker 3: a jar of.

624
00:37:37,840 --> 00:37:40,839
Speaker 2: Like sardines but they're like alive, and so he's next

625
00:37:40,880 --> 00:37:43,080
Speaker 2: to the businessman and he'll reach it and he'll pull

626
00:37:43,080 --> 00:37:44,880
Speaker 2: one out and he'll kind of like listen to it

627
00:37:45,320 --> 00:37:47,640
Speaker 2: and then he'll slam it against the bench as.

628
00:37:47,440 --> 00:37:50,560
Speaker 3: Hard as he could in this lad in the sandwich. Yes,

629
00:37:50,840 --> 00:37:52,439
Speaker 3: and I saw it, I thought, and that was also

630
00:37:52,480 --> 00:37:53,960
Speaker 3: my favorite. I thought it was the funniest one I

631
00:37:54,000 --> 00:37:56,000
Speaker 3: ever saw. And then I was telling my sister about it,

632
00:37:56,120 --> 00:37:59,359
Speaker 3: demonstrating it. And as I went to demonstrate slamming the

633
00:37:59,440 --> 00:38:02,480
Speaker 3: sardine against the edge of the counter in my kitchen,

634
00:38:02,800 --> 00:38:05,520
Speaker 3: I actually hit my hands so hard on the counter

635
00:38:05,600 --> 00:38:06,880
Speaker 3: that I split it open.

636
00:38:07,120 --> 00:38:08,000
Speaker 5: Oh my god.

637
00:38:08,760 --> 00:38:11,719
Speaker 3: So as I'm recounting the buffoonery of mister Bean, I

638
00:38:11,840 --> 00:38:15,560
Speaker 3: split my don't start bleeding all over the kitchen in

639
00:38:15,640 --> 00:38:16,440
Speaker 3: the middle of my life.

640
00:38:16,480 --> 00:38:18,440
Speaker 2: And then he does this like it's gonna be so

641
00:38:18,520 --> 00:38:21,040
Speaker 2: funny to hear me. Tell you what mister Bean did.

642
00:38:22,239 --> 00:38:24,800
Speaker 3: It was very mister bean Askee, and my life imitated

643
00:38:24,880 --> 00:38:25,319
Speaker 3: art in that.

644
00:38:26,239 --> 00:38:29,240
Speaker 8: They ought to put one of those jackass style warnings

645
00:38:29,280 --> 00:38:32,320
Speaker 8: in front of mister Bean to not attempt anything.

646
00:38:31,680 --> 00:38:33,600
Speaker 1: Don't yeah, don't.

647
00:38:33,360 --> 00:38:35,239
Speaker 5: Even try it. He's do you know who this is?

648
00:38:36,480 --> 00:38:38,520
Speaker 5: It's Bean Baby.

649
00:38:39,520 --> 00:38:40,680
Speaker 3: Forget about a baby.

650
00:38:41,080 --> 00:38:47,720
Speaker 5: Forget about a baby.

651
00:38:47,920 --> 00:38:51,520
Speaker 1: The Need for Speed made two hundred and three million

652
00:38:51,560 --> 00:38:55,520
Speaker 1: dollars on a budget of sixty six million. Dollars. Okay,

653
00:38:55,640 --> 00:38:56,760
Speaker 1: And to Nick that's.

654
00:38:56,640 --> 00:38:59,399
Speaker 5: Like, yeah, Nick, what did your movie grow?

655
00:38:59,640 --> 00:39:03,239
Speaker 1: People? It was? It was so bad. Nick, who would

656
00:39:03,360 --> 00:39:07,400
Speaker 1: be capable of imagining two hundred three million dollars in

657
00:39:07,440 --> 00:39:08,040
Speaker 1: his dreams?

658
00:39:08,080 --> 00:39:11,600
Speaker 3: Tonight? I thought it was less successful. Maybe I was

659
00:39:11,640 --> 00:39:12,640
Speaker 3: just thinking domestically.

660
00:39:13,560 --> 00:39:15,280
Speaker 5: Maybe critically is what you're thinking.

661
00:39:15,480 --> 00:39:18,799
Speaker 3: I might have been thinking critically, Yeah, yeah, Maybe you're

662
00:39:18,800 --> 00:39:21,360
Speaker 3: trying to come up with an example that didn't directly

663
00:39:21,360 --> 00:39:22,560
Speaker 3: attack as his family.

664
00:39:23,680 --> 00:39:33,640
Speaker 1: Oh, Cradle of Life. The two thousand and three tomb Raider. Yes, okay,

665
00:39:34,320 --> 00:39:37,000
Speaker 1: grossed one hundred and sixty million on a ninety five

666
00:39:37,000 --> 00:39:38,440
Speaker 1: million dollar budget.

667
00:39:38,680 --> 00:39:41,279
Speaker 2: Well, but you put it marketing in there, and what

668
00:39:41,320 --> 00:39:46,640
Speaker 2: you're finding is there actually taking a loss your.

669
00:39:46,480 --> 00:39:48,040
Speaker 3: Family didn't work on You think if she?

670
00:39:48,239 --> 00:39:48,920
Speaker 5: You think if she?

671
00:39:49,200 --> 00:39:52,759
Speaker 1: You think if Angelina had said I'm willing to come

672
00:39:52,800 --> 00:39:55,399
Speaker 1: back for round three, they wouldn't have made another one

673
00:39:55,440 --> 00:39:55,759
Speaker 1: of those.

674
00:39:56,239 --> 00:39:57,480
Speaker 3: I think they probably would have.

675
00:39:58,840 --> 00:40:01,759
Speaker 6: Didn't you make another one without her?

676
00:40:02,360 --> 00:40:08,320
Speaker 1: Yes? Well it is also a financial success. Yes yeah,

677
00:40:08,840 --> 00:40:12,520
Speaker 1: was one of the best reviewed Rotten Tomatoes video gave

678
00:40:12,560 --> 00:40:13,800
Speaker 1: adaptations of all time.

679
00:40:15,680 --> 00:40:19,480
Speaker 3: I met about Rampage like twelve years ago, and I

680
00:40:19,520 --> 00:40:21,480
Speaker 3: was like, that's a great idea for him. That's that's

681
00:40:21,480 --> 00:40:23,759
Speaker 3: the video game property that should be a movie. Yeah,

682
00:40:23,840 --> 00:40:26,759
Speaker 3: and then they come out about it. Yeah, someone they

683
00:40:26,800 --> 00:40:28,640
Speaker 3: were like, they're like, hey, we're gonna we're thinking of

684
00:40:28,680 --> 00:40:33,359
Speaker 3: making rampage. I was just like, sure, anyway, that's as far.

685
00:40:33,280 --> 00:40:34,920
Speaker 1: As that's what I met about today.

686
00:40:36,280 --> 00:40:40,479
Speaker 3: Anyway, the movie comes out and they eliminate the best part,

687
00:40:40,600 --> 00:40:44,400
Speaker 3: which is that they're like little they're like regular people

688
00:40:44,800 --> 00:40:48,040
Speaker 3: who turn into giant monsters. And then when they get

689
00:40:48,480 --> 00:40:51,799
Speaker 3: shot by you know, rocket propelled grenades and helicopter fire

690
00:40:51,920 --> 00:40:55,279
Speaker 3: enough they turn into they streaked down and naked little people.

691
00:40:55,400 --> 00:40:55,600
Speaker 5: Yeah.

692
00:40:57,320 --> 00:40:59,120
Speaker 3: Yeah, that was like the best part of the arcade game.

693
00:40:59,239 --> 00:41:01,880
Speaker 1: And they go away, they got rid of it, and

694
00:41:01,880 --> 00:41:05,400
Speaker 1: they're really really tiny. Little little kid. Wiger is like

695
00:41:05,520 --> 00:41:08,319
Speaker 1: pressing his face against the screen so he could like

696
00:41:08,480 --> 00:41:10,680
Speaker 1: really see if they actually.

697
00:41:10,320 --> 00:41:14,319
Speaker 3: Have they didn't get their hand there in time is the.

698
00:41:14,840 --> 00:41:18,719
Speaker 8: Closet I heard if you get the high score that

699
00:41:18,800 --> 00:41:19,640
Speaker 8: you could see it.

700
00:41:20,800 --> 00:41:23,799
Speaker 3: Ralph's pack in a fucking rocket downstairs.

701
00:41:26,400 --> 00:41:27,680
Speaker 1: You could just tell.

702
00:41:30,040 --> 00:41:35,600
Speaker 6: My favorite part about that game is punching motion. The

703
00:41:35,640 --> 00:41:40,319
Speaker 6: punch is also the same action for EAT, and I

704
00:41:40,320 --> 00:41:42,600
Speaker 6: think it would have been funny in the movie. If

705
00:41:42,920 --> 00:41:46,680
Speaker 6: we had seen that, like to like to move your

706
00:41:46,719 --> 00:41:49,280
Speaker 6: hand as fast as a punch to grab a person

707
00:41:50,320 --> 00:41:51,880
Speaker 6: to eat them would be really cool.

708
00:41:53,400 --> 00:41:54,759
Speaker 3: I'd pay, I'd pay.

709
00:41:54,960 --> 00:41:56,080
Speaker 6: No, they didn't do that.

710
00:41:57,480 --> 00:42:02,080
Speaker 1: And you don't have an opinion on seeing them live

711
00:42:02,160 --> 00:42:10,960
Speaker 1: action nude factors, I mean covering themselves shame ashamed?

712
00:42:11,040 --> 00:42:13,600
Speaker 6: Yeah, yeah, either either way would have been okay with me.

713
00:42:13,880 --> 00:42:17,160
Speaker 2: Victims of a scientific experiment gone wrong. Then he humiliated

714
00:42:17,200 --> 00:42:19,680
Speaker 2: on top of it after being physically.

715
00:42:19,600 --> 00:42:22,560
Speaker 8: Also shot at by like the military. They didn't do

716
00:42:22,600 --> 00:42:25,320
Speaker 8: it on purpose, they got big on accident.

717
00:42:28,000 --> 00:42:30,919
Speaker 3: Yeah, I guess some. I guess I didn't miss that part, Nick,

718
00:42:30,960 --> 00:42:32,400
Speaker 3: But I'm not the video game guy.

719
00:42:33,040 --> 00:42:35,720
Speaker 1: Made four hundred and twenty eight million on a budget

720
00:42:35,760 --> 00:42:38,600
Speaker 1: of one hundred and twenty million. But no, let's do

721
00:42:38,760 --> 00:42:45,000
Speaker 1: your version to the Nick version where it's a little

722
00:42:45,840 --> 00:42:46,760
Speaker 1: naked guy.

723
00:42:49,640 --> 00:42:53,120
Speaker 5: Who's like embarrassed, who's that meeting?

724
00:42:53,200 --> 00:42:56,360
Speaker 2: Feeling ashamed of his body. They're still talking about that meeting.

725
00:42:56,160 --> 00:42:58,840
Speaker 3: Coming up there, like it's all he wanted to talk about.

726
00:42:58,920 --> 00:43:00,680
Speaker 5: He wouldn't stop shaking me when he said it.

727
00:43:00,719 --> 00:43:03,040
Speaker 3: Well, they get so big that their clothes are Ah,

728
00:43:03,200 --> 00:43:04,399
Speaker 3: you know what I mean, and a lot of times

729
00:43:04,440 --> 00:43:07,040
Speaker 3: they're kind of up against the building, so they're hiding,

730
00:43:07,120 --> 00:43:09,839
Speaker 3: like I assume they have some monster stuff. But when

731
00:43:09,840 --> 00:43:12,400
Speaker 3: they get small man, then it's humans tough there, and

732
00:43:12,440 --> 00:43:13,520
Speaker 3: then they're just facing you.

733
00:43:15,360 --> 00:43:18,640
Speaker 6: I feel like I feel like I had a friend

734
00:43:18,680 --> 00:43:21,920
Speaker 6: who worked at that company, and their complaint was that

735
00:43:22,040 --> 00:43:25,319
Speaker 6: Nick kept saying, and you'll cast me, and I'll be

736
00:43:25,400 --> 00:43:30,440
Speaker 6: the guy he cast me, which was what made it uncomfortable.

737
00:43:29,840 --> 00:43:31,839
Speaker 3: Right, buddy. He was like, you gotta have an actor

738
00:43:31,840 --> 00:43:33,560
Speaker 3: who's willing to really sell it.

739
00:43:33,800 --> 00:43:36,200
Speaker 1: I'll show you it would look like this, and I

740
00:43:36,239 --> 00:43:38,239
Speaker 1: promise I'll cover it all the way up.

741
00:43:40,920 --> 00:43:43,759
Speaker 3: I thought it could be more like a cameo. If

742
00:43:43,760 --> 00:43:49,920
Speaker 3: any peaks out, we'll just shoot it both ways. If

743
00:43:49,960 --> 00:43:55,040
Speaker 3: any people will shoot it, what well, just so you

744
00:43:55,080 --> 00:43:57,160
Speaker 3: have options in the edit. I mean, you don't want

745
00:43:57,160 --> 00:44:00,879
Speaker 3: to make that decision on the day. Let's test it.

746
00:44:01,080 --> 00:44:03,200
Speaker 2: We'll get a test audience in and they'll see it

747
00:44:03,200 --> 00:44:05,280
Speaker 2: peaking out or they'll see it normal.

748
00:44:09,680 --> 00:44:15,879
Speaker 1: Okay, we'll think about it. What's there to think about.

749
00:44:17,000 --> 00:44:18,720
Speaker 1: I'm not even gonna charge you any money.

750
00:44:20,640 --> 00:44:22,839
Speaker 3: We have to get this fight, have thing figured out,

751
00:44:23,239 --> 00:44:25,640
Speaker 3: because he's not the game.

752
00:44:27,320 --> 00:44:29,800
Speaker 8: So far the First Wives from the First Wives Club

753
00:44:30,360 --> 00:44:31,760
Speaker 8: and mister Bean.

754
00:44:31,600 --> 00:44:35,239
Speaker 1: And this happens. The fight has not even in there.

755
00:44:36,040 --> 00:44:39,600
Speaker 3: Yeah, what seems like a natural place to introduce him

756
00:44:39,920 --> 00:44:43,120
Speaker 3: is after you know, the female lead has this life

757
00:44:43,200 --> 00:44:48,960
Speaker 3: crisis and then maybe the pajamas Lands of the pajamas

758
00:44:49,000 --> 00:44:50,360
Speaker 3: and who's there to meet her?

759
00:44:50,800 --> 00:44:51,359
Speaker 1: Fight have her?

760
00:44:52,480 --> 00:44:52,879
Speaker 3: Mm hmm.

761
00:44:53,600 --> 00:44:56,440
Speaker 1: And mister Bean is like watching this happen. We're in

762
00:44:56,480 --> 00:44:57,880
Speaker 1: mister Bean's flat.

763
00:45:00,600 --> 00:45:01,360
Speaker 3: It's his BOV.

764
00:45:02,360 --> 00:45:05,000
Speaker 1: Yeah, it's his pov. So like, why is fight have

765
00:45:05,080 --> 00:45:05,520
Speaker 1: her there?

766
00:45:06,480 --> 00:45:11,560
Speaker 3: I think maybe he had, uh the key to the

767
00:45:11,560 --> 00:45:12,280
Speaker 3: wrong apartment.

768
00:45:14,080 --> 00:45:16,880
Speaker 1: He goes all the way in, He to the wrong apartment.

769
00:45:18,040 --> 00:45:22,040
Speaker 2: Yeah, and he and he went to the wrong apartment

770
00:45:22,080 --> 00:45:24,800
Speaker 2: to use the key, like he tested different apartments until

771
00:45:25,520 --> 00:45:29,200
Speaker 2: the key worked.

772
00:45:28,840 --> 00:45:34,839
Speaker 1: And he enters and he's not immediately like, oh, this

773
00:45:34,920 --> 00:45:37,440
Speaker 1: is not my five, this is mister Bean's here. Well

774
00:45:37,440 --> 00:45:39,759
Speaker 1: maybe he does a string of Christmas cards that mister

775
00:45:39,840 --> 00:45:44,480
Speaker 1: Bean wrote to himself. I don't think this is my flat.

776
00:45:45,160 --> 00:45:47,960
Speaker 3: Well, maybe he was just moving in and he got

777
00:45:48,000 --> 00:45:50,839
Speaker 3: the like, here's the keys to your new place, fight

778
00:45:50,920 --> 00:45:54,719
Speaker 3: have her? He just signed a lease and he's on

779
00:45:54,760 --> 00:45:55,319
Speaker 3: the wrong hald.

780
00:45:55,560 --> 00:45:58,200
Speaker 2: Mister Bean that would happen to mister Bean, that you're

781
00:45:58,239 --> 00:46:00,800
Speaker 2: all moved in and then your landlord has basically rented

782
00:46:00,840 --> 00:46:05,360
Speaker 2: your flat now to a menace to a fight har

783
00:46:05,960 --> 00:46:08,719
Speaker 2: And you're just sort of like, you know, putting out

784
00:46:08,760 --> 00:46:11,080
Speaker 2: your laundry to dry for the day. You turn your back,

785
00:46:11,120 --> 00:46:14,239
Speaker 2: a woman falls straight in your pajamas lands like sort

786
00:46:14,280 --> 00:46:16,759
Speaker 2: of scarecrow style, all puffed out in your onesie. You

787
00:46:16,760 --> 00:46:18,879
Speaker 2: don't even see it. You turn out because the door

788
00:46:18,920 --> 00:46:21,520
Speaker 2: is opening, and the fight hars, like, oh what are

789
00:46:21,520 --> 00:46:22,760
Speaker 2: you doing in my flat?

790
00:46:22,880 --> 00:46:23,160
Speaker 5: Bean?

791
00:46:23,920 --> 00:46:26,959
Speaker 2: And he's British. I guess maybe that was the British rapper.

792
00:46:26,960 --> 00:46:28,040
Speaker 2: I got that stuck in my head.

793
00:46:28,120 --> 00:46:28,600
Speaker 1: Yeah, maybe.

794
00:46:28,680 --> 00:46:32,120
Speaker 3: And mister Bean's British. He's British but he doesn't speak.

795
00:46:32,400 --> 00:46:37,440
Speaker 3: But it's but the First Wives Clubs they're not. We

796
00:46:37,520 --> 00:46:38,359
Speaker 3: figure it out later.

797
00:46:40,160 --> 00:46:44,600
Speaker 2: They could be Yeah, they could be, well do we

798
00:46:44,640 --> 00:46:46,440
Speaker 2: want to make the First Wives Club British?

799
00:46:46,520 --> 00:46:48,319
Speaker 1: Like, let's decide.

800
00:46:49,880 --> 00:46:51,279
Speaker 5: We can get it both ways.

801
00:46:51,760 --> 00:46:56,359
Speaker 1: We could get both well, let's just shoot it both ways.

802
00:46:57,560 --> 00:46:59,680
Speaker 8: Because you know, we could the things you can do

803
00:46:59,719 --> 00:47:02,600
Speaker 8: these with games, we could like sort of dynamically insert

804
00:47:02,800 --> 00:47:06,200
Speaker 8: different dialogue, you know, options. So like, let's say sure,

805
00:47:06,640 --> 00:47:09,759
Speaker 8: And there's a there's a part where one of the

806
00:47:09,800 --> 00:47:15,160
Speaker 8: wives is like, is just having a normal conversation in

807
00:47:15,160 --> 00:47:19,200
Speaker 8: in you know plane, not British speak, and then things

808
00:47:19,280 --> 00:47:20,960
Speaker 8: get a little tense and then she starts throwing a

809
00:47:21,000 --> 00:47:23,160
Speaker 8: brother or two in there, you know, and then that's

810
00:47:23,360 --> 00:47:24,879
Speaker 8: sort of then you can sort of insert that maybe

811
00:47:24,880 --> 00:47:30,200
Speaker 8: she starts running and starts saying come off it, you know, uh,

812
00:47:30,239 --> 00:47:32,400
Speaker 8: what's all this? Then that kind of stuff, and like,

813
00:47:32,440 --> 00:47:35,360
Speaker 8: based on your behavior, I'm not chuffed right now.

814
00:47:35,280 --> 00:47:39,040
Speaker 1: In the game, Like depending on how you treat like

815
00:47:39,280 --> 00:47:44,080
Speaker 1: NPCs and like whether or not you like take things

816
00:47:44,120 --> 00:47:46,719
Speaker 1: that aren't yours, there could be like a meter that

817
00:47:46,840 --> 00:47:51,719
Speaker 1: tracks like how British your character is at at any

818
00:47:51,760 --> 00:47:53,000
Speaker 1: given moment.

819
00:47:53,440 --> 00:47:59,800
Speaker 8: Yeah, sort of like the meter in Like that's.

820
00:47:57,960 --> 00:48:00,120
Speaker 3: Interesting if there's a separate screen that you go to

821
00:48:00,400 --> 00:48:03,120
Speaker 3: check your British meter, or maybe it forces you to

822
00:48:03,160 --> 00:48:04,440
Speaker 3: look at it every ye.

823
00:48:04,640 --> 00:48:06,840
Speaker 1: But you'll need a different thing, like a separate monitor.

824
00:48:06,960 --> 00:48:10,399
Speaker 8: It's like it's like your wanted meter in Grant aft Ato.

825
00:48:10,400 --> 00:48:13,319
Speaker 8: When you've done too many crimes, the police start to

826
00:48:13,400 --> 00:48:15,680
Speaker 8: take you notice, right, So if you have one star,

827
00:48:16,200 --> 00:48:18,160
Speaker 8: you know, that's sort of like, hey, like everybody's got

828
00:48:18,160 --> 00:48:21,080
Speaker 8: one star, not super not super big deal. Everybody does crime.

829
00:48:21,560 --> 00:48:24,600
Speaker 8: But if you got five star, that's actually really bad.

830
00:48:24,640 --> 00:48:26,000
Speaker 8: Now there's like tanks.

831
00:48:25,719 --> 00:48:30,439
Speaker 1: Now Ice, Now Ice is after you. Yeah, they're even

832
00:48:30,480 --> 00:48:34,799
Speaker 1: like British that you actually have to like you are

833
00:48:34,840 --> 00:48:36,160
Speaker 1: at risk of deportation.

834
00:48:36,600 --> 00:48:39,040
Speaker 5: Yeah, they're like they're not They're not happy with it.

835
00:48:39,040 --> 00:48:41,520
Speaker 3: They're twenty one savage. I mean you're at that point,

836
00:48:41,560 --> 00:48:44,480
Speaker 3: you're twenty one savage and yeah, come get you. Absolutely

837
00:48:45,120 --> 00:48:47,400
Speaker 3: why we bring in the Green Card franchise?

838
00:48:48,680 --> 00:48:51,640
Speaker 5: Not isis? Ice is Okay?

839
00:48:51,800 --> 00:48:53,280
Speaker 6: I was like, why are they deporting?

840
00:48:53,719 --> 00:48:56,879
Speaker 8: They're probably not happy about it either for being honest. No,

841
00:48:56,960 --> 00:48:58,960
Speaker 8: I sus they might get to you first before Ice does.

842
00:48:59,440 --> 00:49:02,279
Speaker 3: Yeah. Probably don't approve of the music in the game.

843
00:49:03,200 --> 00:49:04,719
Speaker 1: Music's not allowed over there.

844
00:49:05,520 --> 00:49:06,000
Speaker 3: I don't think.

845
00:49:06,040 --> 00:49:06,879
Speaker 1: I think. I don't think.

846
00:49:06,920 --> 00:49:07,000
Speaker 8: So.

847
00:49:09,160 --> 00:49:11,400
Speaker 5: Reading a lot about what's allowed and what's not allowed

848
00:49:11,440 --> 00:49:12,360
Speaker 5: with isis Nick.

849
00:49:12,920 --> 00:49:14,520
Speaker 3: I was thinking more when you were talking about the

850
00:49:14,520 --> 00:49:17,000
Speaker 3: Grand Theft daughter Meter at the Grand Theft Autometer, I

851
00:49:17,080 --> 00:49:19,720
Speaker 3: was thinking more of the mass effect paragon or renegade scale,

852
00:49:20,280 --> 00:49:23,080
Speaker 3: which is kind of like a morality compass, and as

853
00:49:23,080 --> 00:49:25,680
Speaker 3: you progress, as you take more noble actions, you become

854
00:49:25,719 --> 00:49:28,480
Speaker 3: more paragon. As you take more rebellious actions, you become

855
00:49:28,480 --> 00:49:29,920
Speaker 3: more renegade. It could be the same sort of thing

856
00:49:29,920 --> 00:49:30,960
Speaker 3: with your Britishness.

857
00:49:31,160 --> 00:49:34,760
Speaker 8: I I guess I made the reference I made because

858
00:49:34,840 --> 00:49:37,480
Speaker 8: more people would know what I was talking about.

859
00:49:37,880 --> 00:49:38,240
Speaker 1: Okay.

860
00:49:40,000 --> 00:49:42,400
Speaker 6: I feel like I neglected at the top of this

861
00:49:42,480 --> 00:49:46,200
Speaker 6: podcast to say something that I should have that would inform.

862
00:49:45,920 --> 00:49:47,880
Speaker 1: Is this the time? Are we doing that right now?

863
00:49:48,560 --> 00:49:49,799
Speaker 5: Like we missed one.

864
00:49:52,160 --> 00:49:54,279
Speaker 1: Or the thing that we would have said. I think

865
00:49:54,320 --> 00:49:57,880
Speaker 1: it's soon, Kevin. Do we wanna there's this in five minutes?

866
00:49:57,920 --> 00:49:59,640
Speaker 7: But when we miss one, so I can stick this

867
00:49:59,680 --> 00:50:01,160
Speaker 7: in the one that we missed.

868
00:50:01,000 --> 00:50:02,799
Speaker 1: Okay, and then we'll just bump the other one back.

869
00:50:02,840 --> 00:50:03,120
Speaker 8: Okay.

870
00:50:03,360 --> 00:50:06,279
Speaker 6: Great, So it would be like time traveling because it'll

871
00:50:06,320 --> 00:50:08,440
Speaker 6: be like you guys heard this and then.

872
00:50:08,600 --> 00:50:09,200
Speaker 3: Just moved on.

873
00:50:09,760 --> 00:50:13,320
Speaker 6: Which is that I got. I got my booster yesterday.

874
00:50:13,560 --> 00:50:17,240
Speaker 6: My girlfriend and I both got our boosters, and she's fine.

875
00:50:17,600 --> 00:50:20,520
Speaker 6: But I have one hundred and two fever and my

876
00:50:20,960 --> 00:50:24,200
Speaker 6: lymph nodes have swollen up like golf balls, and I

877
00:50:24,719 --> 00:50:29,120
Speaker 6: am in so much pain that I can't It's hard for.

878
00:50:29,040 --> 00:50:32,680
Speaker 3: Me to track this conversation as a result of the

879
00:50:32,719 --> 00:50:34,360
Speaker 3: booster or the podcast itself.

880
00:50:35,239 --> 00:50:38,040
Speaker 6: I honestly, I'm giving you guys the benefit of the

881
00:50:38,080 --> 00:50:42,440
Speaker 6: doubt and saying it's the booster here, I'm in.

882
00:50:41,880 --> 00:50:46,440
Speaker 1: The fact that your girlfriend is fine, Like I think

883
00:50:46,480 --> 00:50:51,959
Speaker 1: that like they missed or something. Where did you go?

884
00:50:52,520 --> 00:50:55,080
Speaker 6: I went to CVS to get my booster and I

885
00:50:55,120 --> 00:50:56,799
Speaker 6: also got the flu shot at the same time.

886
00:50:56,880 --> 00:50:57,560
Speaker 1: Candy there.

887
00:50:58,080 --> 00:51:01,200
Speaker 3: Yeah, I think they have like high seat and like

888
00:51:01,320 --> 00:51:02,360
Speaker 3: juice musts and stuff.

889
00:51:02,640 --> 00:51:03,719
Speaker 6: I was nervous.

890
00:51:04,040 --> 00:51:04,800
Speaker 3: I was nervous.

891
00:51:05,200 --> 00:51:07,400
Speaker 6: I have I woke up in the middle of the

892
00:51:07,480 --> 00:51:11,440
Speaker 6: night covered in sweat, one hundred and one fever that's.

893
00:51:11,280 --> 00:51:11,960
Speaker 7: Only gone up.

894
00:51:12,440 --> 00:51:13,880
Speaker 6: But she's fine.

895
00:51:14,760 --> 00:51:17,360
Speaker 1: Yeah, okay, So what do we rock in?

896
00:51:17,440 --> 00:51:19,000
Speaker 3: I mean, my brain is fried?

897
00:51:19,920 --> 00:51:21,000
Speaker 1: What label are we?

898
00:51:21,360 --> 00:51:25,480
Speaker 6: I'm a moderna girl. Yeah, Apa Docta got it and

899
00:51:25,640 --> 00:51:27,120
Speaker 6: he didn't mind. You didn't mind it at all?

900
00:51:27,440 --> 00:51:30,719
Speaker 5: No, Yeah, we we. You do know though, that I

901
00:51:30,760 --> 00:51:32,080
Speaker 5: am built different.

902
00:51:32,800 --> 00:51:33,799
Speaker 1: Mm hmmm Yeah.

903
00:51:34,320 --> 00:51:38,960
Speaker 3: I got the Maderna booster just like a week ago myself.

904
00:51:39,440 --> 00:51:42,560
Speaker 5: Wow, Pfizer gang, rise up.

905
00:51:44,200 --> 00:51:46,840
Speaker 3: Oh you're bragging about not having a reaction to the

906
00:51:46,880 --> 00:51:47,560
Speaker 3: Pfiser one.

907
00:51:48,280 --> 00:51:50,000
Speaker 5: But I also got a flu shot at the same time.

908
00:51:50,200 --> 00:51:58,400
Speaker 3: Fake honey, honey, that one's fake. It only works if

909
00:51:58,400 --> 00:52:06,239
Speaker 3: we keep it so cold, little baby vaccine popsicle, Get

910
00:52:06,280 --> 00:52:07,200
Speaker 3: the fun out of here.

911
00:52:07,920 --> 00:52:10,400
Speaker 1: We didn't get into the box mechanics at all.

912
00:52:11,520 --> 00:52:13,560
Speaker 3: You want to go No.

913
00:52:13,200 --> 00:52:15,560
Speaker 6: No, I just I wanted to give you guys something.

914
00:52:15,480 --> 00:52:17,160
Speaker 3: We have to, like, some context.

915
00:52:17,719 --> 00:52:19,480
Speaker 1: We can't just like keep doing this.

916
00:52:20,000 --> 00:52:22,080
Speaker 6: For what was happening to me when I if I

917
00:52:22,120 --> 00:52:25,239
Speaker 6: looked like I was in pain or was going from

918
00:52:25,280 --> 00:52:27,000
Speaker 6: pale to red, from pale.

919
00:52:26,719 --> 00:52:28,480
Speaker 1: To look last time you did the show?

920
00:52:28,680 --> 00:52:35,160
Speaker 3: Yeah, okay, great, I got I got one for next

921
00:52:35,200 --> 00:52:40,240
Speaker 3: time we go. Okay, great, Its.

922
00:52:40,120 --> 00:52:46,360
Speaker 1: Locked and loaded, Kevin two devil sticks together.

923
00:52:51,600 --> 00:52:53,400
Speaker 6: I feel like I feel like it might help us

924
00:52:53,400 --> 00:52:55,160
Speaker 6: if we know where we're headed. So can you guys

925
00:52:55,160 --> 00:52:57,919
Speaker 6: give me some shape of the ending on this game?

926
00:52:58,800 --> 00:52:59,160
Speaker 1: Yeah?

927
00:52:59,200 --> 00:53:03,360
Speaker 3: Definitely greatly. Yeah, do you want to go first?

928
00:53:03,840 --> 00:53:03,920
Speaker 4: Me?

929
00:53:04,360 --> 00:53:05,920
Speaker 6: No, that I asked a question.

930
00:53:06,719 --> 00:53:10,600
Speaker 1: I that's not how you said you you were hoping

931
00:53:10,640 --> 00:53:13,960
Speaker 1: to be cut in on this what you were hoping

932
00:53:14,000 --> 00:53:14,480
Speaker 1: to make one?

933
00:53:15,880 --> 00:53:17,320
Speaker 3: I don't remember.

934
00:53:17,480 --> 00:53:20,000
Speaker 1: I don't remember being so crass I was. It must

935
00:53:20,000 --> 00:53:23,080
Speaker 1: have been the shot mm hmmm. Yes, just a minute

936
00:53:23,120 --> 00:53:24,120
Speaker 1: ago you were saying, like.

937
00:53:24,200 --> 00:53:28,920
Speaker 2: Yeah, towering you might have endeavor by bringing up the

938
00:53:29,040 --> 00:53:30,960
Speaker 2: ugly business of the financial end.

939
00:53:31,480 --> 00:53:35,279
Speaker 6: I remember that part of I was concerned because it

940
00:53:35,320 --> 00:53:38,720
Speaker 6: felt like you you boys didn't have a clear idea,

941
00:53:38,800 --> 00:53:41,440
Speaker 6: and it felt, it felt, frankly, like Nick Wiger was

942
00:53:41,480 --> 00:53:43,799
Speaker 6: doing some some real shaping of this.

943
00:53:44,160 --> 00:53:45,240
Speaker 1: Ideas have been ours?

944
00:53:45,400 --> 00:53:48,080
Speaker 2: What the stuff that Nick Wiger and Matt had been

945
00:53:48,080 --> 00:53:50,480
Speaker 2: doing is going? Like that reminds me of this other

946
00:53:50,560 --> 00:53:54,399
Speaker 2: game that that's kind of like the meter in Grand

947
00:53:54,440 --> 00:53:58,040
Speaker 2: Theft Auto. It's like, yeah, no, ship, pal, that's why

948
00:53:58,080 --> 00:53:59,000
Speaker 2: we fucking did it.

949
00:53:59,280 --> 00:54:00,480
Speaker 3: That is it?

950
00:54:00,520 --> 00:54:02,960
Speaker 2: Are you a paragon or a renegade? Like all none

951
00:54:03,000 --> 00:54:05,880
Speaker 2: of that ship is going into the game. They're just

952
00:54:05,920 --> 00:54:07,919
Speaker 2: describing what we already told them is in the game.

953
00:54:08,280 --> 00:54:11,640
Speaker 2: Every substantive idea has come from Hayes.

954
00:54:12,480 --> 00:54:15,279
Speaker 3: Okay, so far, all right?

955
00:54:15,920 --> 00:54:16,360
Speaker 5: So why not?

956
00:54:16,640 --> 00:54:23,399
Speaker 1: So give me repurposing catches for movies that he met on.

957
00:54:24,800 --> 00:54:29,479
Speaker 2: He's like shoehorning in these movie meetings and the last

958
00:54:29,480 --> 00:54:33,239
Speaker 2: time he was relevant?

959
00:54:36,080 --> 00:54:36,520
Speaker 6: How about?

960
00:54:36,960 --> 00:54:40,760
Speaker 3: So what's the end the wave of video game adaptations? Huh?

961
00:54:41,120 --> 00:54:42,440
Speaker 3: So I don't I don't know how I miss that.

962
00:54:42,480 --> 00:54:45,919
Speaker 3: I mean, I just I have just I sah, that's

963
00:54:45,920 --> 00:54:47,200
Speaker 3: where the studios are too.

964
00:54:48,120 --> 00:54:52,400
Speaker 1: That's thirty seconds. Oh we just finished. We were so

965
00:54:53,360 --> 00:54:58,400
Speaker 1: we would have been able to get the new shamed man.

966
00:54:59,000 --> 00:55:03,720
Speaker 5: Idea Sonic two in the can already.

967
00:55:05,400 --> 00:55:07,960
Speaker 1: Yeah, plenty of time to show up for Sonic two.

968
00:55:08,320 --> 00:55:13,279
Speaker 6: Oh no, they really got to release it on two

969
00:55:13,280 --> 00:55:14,839
Speaker 6: to twenty two.

970
00:55:17,320 --> 00:55:21,719
Speaker 3: Okay, Kevin just gave me the signal. Imagine if mister

971
00:55:21,760 --> 00:55:26,320
Speaker 3: Bean got his hands on one of those long CBS receipts. Okay,

972
00:55:27,320 --> 00:55:34,000
Speaker 3: that's funny. Yeah, that's good. It'd be pretty funny.

973
00:55:36,600 --> 00:55:39,520
Speaker 1: Yeah, well we say stuff, you.

974
00:55:39,440 --> 00:55:40,920
Speaker 6: Know, toilet paper.

975
00:55:43,840 --> 00:55:45,120
Speaker 3: Sorry, I'm sick too.

976
00:55:48,320 --> 00:55:50,640
Speaker 1: We need to we need an end, Heather, so like

977
00:55:50,840 --> 00:55:55,719
Speaker 1: we we have to finish the Oh my god, that

978
00:55:56,040 --> 00:55:58,640
Speaker 1: christ Yeah, I got my pack.

979
00:55:58,719 --> 00:56:01,399
Speaker 3: Everybody, but I show up.

980
00:56:02,920 --> 00:56:07,720
Speaker 1: I show up and I'm technically here for this show.

981
00:56:10,280 --> 00:56:10,560
Speaker 7: All right?

982
00:56:10,880 --> 00:56:11,760
Speaker 1: Ever, tell you different?

983
00:56:12,480 --> 00:56:12,960
Speaker 6: How about this?

984
00:56:13,040 --> 00:56:13,319
Speaker 1: All right?

985
00:56:13,440 --> 00:56:19,520
Speaker 6: Ready, they get back from Narnia and they they've got

986
00:56:19,560 --> 00:56:22,680
Speaker 6: the little goat guy with them, and they make it

987
00:56:22,680 --> 00:56:25,040
Speaker 6: all the way back to the school and he gets

988
00:56:25,040 --> 00:56:31,560
Speaker 6: his diploma like he's always wanted, and then fight have

989
00:56:31,680 --> 00:56:38,120
Speaker 6: her chokes out the dean the provost credits. How's that

990
00:56:38,200 --> 00:56:42,920
Speaker 6: for the ending?

991
00:56:43,360 --> 00:56:43,680
Speaker 3: Also?

992
00:56:43,719 --> 00:56:46,680
Speaker 6: How how robust is the editing on this show, like

993
00:56:47,000 --> 00:56:49,759
Speaker 6: the poet in post? How how many of these silences

994
00:56:49,760 --> 00:56:51,000
Speaker 6: do you guys plan on cutting?

995
00:56:52,000 --> 00:56:54,080
Speaker 1: I haven't heard the show. You know, Kevin's in charge

996
00:56:54,080 --> 00:56:54,560
Speaker 1: of that stuff.

997
00:56:54,760 --> 00:56:57,319
Speaker 7: I typically add them because it feels pretty tight during

998
00:56:57,320 --> 00:56:59,920
Speaker 7: the recording. I just like to let this baby breathe.

999
00:57:00,239 --> 00:57:03,120
Speaker 3: Okay, give me. We're leaving the space for the audience

1000
00:57:03,200 --> 00:57:06,719
Speaker 3: to crack up or just to think some of this shit.

1001
00:57:06,960 --> 00:57:08,799
Speaker 3: It's like, you want to give him a little while

1002
00:57:08,880 --> 00:57:10,840
Speaker 3: to go, holy shit, let that sink in.

1003
00:57:11,120 --> 00:57:14,520
Speaker 1: You know you on everyone on whose line is like

1004
00:57:14,560 --> 00:57:19,000
Speaker 1: oh me, oh me, Now just stand there for a minute,

1005
00:57:19,120 --> 00:57:21,480
Speaker 1: just like chill the full out.

1006
00:57:21,640 --> 00:57:24,200
Speaker 2: Set a good example, Like did you get that American

1007
00:57:24,200 --> 00:57:27,200
Speaker 2: culture is just like go go go stress, stress stress.

1008
00:57:27,640 --> 00:57:29,040
Speaker 1: It's fucking killing us.

1009
00:57:29,480 --> 00:57:32,120
Speaker 2: Like just get on TV and set a good example

1010
00:57:32,240 --> 00:57:35,160
Speaker 2: and just chill out and go like I yeah, okay,

1011
00:57:35,280 --> 00:57:39,080
Speaker 2: I'm gonna do like, you know, a spaghetti western style

1012
00:57:39,200 --> 00:57:42,040
Speaker 2: scene in a minute, Like, but just let me fucking

1013
00:57:43,320 --> 00:57:44,520
Speaker 2: gather my thoughts.

1014
00:57:45,560 --> 00:57:47,160
Speaker 5: I know it hasn't been ten minutes yet, but I

1015
00:57:47,200 --> 00:57:47,720
Speaker 5: have something.

1016
00:57:48,080 --> 00:57:54,360
Speaker 7: Okay, nice eight minutes, Matt eight, only eight.

1017
00:57:54,240 --> 00:57:54,880
Speaker 1: Minutes to go?

1018
00:57:55,360 --> 00:57:58,520
Speaker 5: Can you edit it? Sooner. Can you like make it

1019
00:57:58,560 --> 00:58:02,840
Speaker 5: seem like ten minutes went past? Okay and five four?

1020
00:58:06,040 --> 00:58:10,720
Speaker 8: I think that the goat should be either Michael Jordan

1021
00:58:12,040 --> 00:58:13,560
Speaker 8: or Jim Brewer.

1022
00:58:14,640 --> 00:58:15,760
Speaker 1: M hm m hm.

1023
00:58:17,760 --> 00:58:21,040
Speaker 8: And it's like depending on your paragon level or your

1024
00:58:21,520 --> 00:58:22,200
Speaker 8: what is the other one?

1025
00:58:22,280 --> 00:58:22,480
Speaker 5: Nick?

1026
00:58:22,760 --> 00:58:31,000
Speaker 1: Sorry, Kevin? Can you put the eight minutes in? Can you?

1027
00:58:31,800 --> 00:58:33,360
Speaker 3: Can you re insert the eight minutes?

1028
00:58:33,440 --> 00:58:34,080
Speaker 5: You can put it back.

1029
00:58:34,160 --> 00:58:37,680
Speaker 3: It's just to give people more time between that they

1030
00:58:37,760 --> 00:58:38,280
Speaker 3: might need it.

1031
00:58:40,000 --> 00:58:42,040
Speaker 6: Who is the second man in the two men that

1032
00:58:42,080 --> 00:58:42,680
Speaker 6: you mentioned?

1033
00:58:43,600 --> 00:58:45,800
Speaker 3: Which adaka Michael Jordan.

1034
00:58:45,880 --> 00:58:46,920
Speaker 6: Who's the other person?

1035
00:58:47,600 --> 00:58:51,960
Speaker 8: Jim Brewer, the gold boy from Saturday Night Live, the

1036
00:58:54,080 --> 00:58:57,760
Speaker 8: he's got a he's a comedian, Okay, gotcha?

1037
00:58:58,640 --> 00:58:59,440
Speaker 3: Anti vax?

1038
00:58:59,480 --> 00:59:03,000
Speaker 1: I believe Yeah. I actually think we can get Heather here.

1039
00:59:03,800 --> 00:59:06,600
Speaker 1: I don't think she knows now, but I think we can't.

1040
00:59:06,600 --> 00:59:09,080
Speaker 1: I think, Matt, if you do a couple more things,

1041
00:59:09,320 --> 00:59:11,600
Speaker 1: I think we can, She'll be like, Oh, that's who

1042
00:59:11,640 --> 00:59:13,640
Speaker 1: Jim Brewer is. Don't you think?

1043
00:59:14,560 --> 00:59:16,720
Speaker 3: I mean you've seen half Baked, You've seen half based

1044
00:59:16,960 --> 00:59:20,400
Speaker 3: half baked. Nope, Okay, now I'm not sure we're going.

1045
00:59:20,400 --> 00:59:22,280
Speaker 1: To be that's making it.

1046
00:59:22,640 --> 00:59:28,480
Speaker 5: Have you seen Fox News recently? Nope, okay, because.

1047
00:59:28,280 --> 00:59:32,040
Speaker 6: I know you picked Michael Jordan because he's the goat, right.

1048
00:59:32,040 --> 00:59:36,600
Speaker 5: That's not why, But yeah, well he was.

1049
00:59:39,520 --> 00:59:42,320
Speaker 1: He had his own show. He was on Premium Blend

1050
00:59:42,400 --> 00:59:42,720
Speaker 1: a lot.

1051
00:59:44,440 --> 00:59:45,439
Speaker 3: I remember that one.

1052
00:59:45,480 --> 00:59:48,000
Speaker 2: What was the one where they used to like act

1053
00:59:48,080 --> 00:59:51,040
Speaker 2: out the stand ups act you know what I mean,

1054
00:59:51,120 --> 00:59:52,840
Speaker 2: Like the standards were telling the story and they'd have

1055
00:59:52,880 --> 00:59:55,280
Speaker 2: like a filmed version of the story.

1056
00:59:54,960 --> 00:59:58,800
Speaker 1: That was happening cats Uptown. It was animated. It was

1057
00:59:58,800 --> 00:59:59,760
Speaker 1: like a live action.

1058
01:00:00,520 --> 01:00:01,960
Speaker 3: So this like.

1059
01:00:02,080 --> 01:00:06,120
Speaker 2: History No, no, no, it was a stand up like

1060
01:00:06,240 --> 01:00:08,600
Speaker 2: it was a half hour stand up show. Was it

1061
01:00:08,640 --> 01:00:10,479
Speaker 2: wasn't Premium Blend right, it was.

1062
01:00:13,080 --> 01:00:13,320
Speaker 7: Wait.

1063
01:00:13,360 --> 01:00:16,840
Speaker 6: The concept was that we will show actors.

1064
01:00:17,440 --> 01:00:19,080
Speaker 2: No, it would be like the stand would be telling

1065
01:00:19,080 --> 01:00:20,720
Speaker 2: the story of like you know whatever. I think Jim

1066
01:00:20,760 --> 01:00:23,040
Speaker 2: Brewers one was like something about like either like picking

1067
01:00:23,120 --> 01:00:24,840
Speaker 2: up a hitchhiker or somehow there was like it was

1068
01:00:24,880 --> 01:00:29,320
Speaker 2: a live action or something act watching shorties that they

1069
01:00:29,440 --> 01:00:30,880
Speaker 2: okay that they did.

1070
01:00:32,080 --> 01:00:38,960
Speaker 7: No Uptown Comedy Club from nineteen ninety two, No Saturday

1071
01:00:39,040 --> 01:00:41,200
Speaker 7: Night live on History.

1072
01:00:41,280 --> 01:00:42,520
Speaker 1: It was Saturday Night.

1073
01:00:42,520 --> 01:00:45,520
Speaker 2: It was thank you, none of you remember that they'd

1074
01:00:45,520 --> 01:00:47,520
Speaker 2: be acting out these comedy actors.

1075
01:00:48,080 --> 01:00:51,440
Speaker 1: The ideas.

1076
01:00:52,720 --> 01:00:56,280
Speaker 3: J Moore got into trouble for that. It's about gasping

1077
01:00:56,320 --> 01:01:00,760
Speaker 3: for air time. Yeah I remember that. Yeah, I remember

1078
01:01:00,760 --> 01:01:01,800
Speaker 3: everything from that book.

1079
01:01:03,560 --> 01:01:07,560
Speaker 7: Okay, what about the director's cut of the game, any addition?

1080
01:01:07,720 --> 01:01:20,680
Speaker 1: We know we have to everyone is so sick by.

1081
01:01:17,200 --> 01:01:20,360
Speaker 7: This week on the Patreon Carl and Asan remember John Madden,

1082
01:01:20,560 --> 01:01:23,320
Speaker 7: the Boys read their diary entries with Lily Sullivan, and

1083
01:01:23,360 --> 01:01:27,080
Speaker 7: The Flagrant Ones are mostly talking all things basketball. Check

1084
01:01:27,120 --> 01:01:30,040
Speaker 7: out these bonus podcasts and videos of the full episodes,

1085
01:01:30,200 --> 01:01:33,320
Speaker 7: including today's with Nick, Heather and Maatt at patreon dot

1086
01:01:33,360 --> 01:01:34,840
Speaker 7: com Slash the Flagrant Ones