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Speaker 1: Oh yeah, big episode. We got our guy Filthy Rich

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Speaker 1: from the bay. Shout out to filthy Man. He's actually

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Speaker 1: two time podcast guests. Now we got to chop it

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Speaker 1: Let's get this money, man, and let's get into this

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Speaker 1: interview with Filthy rich Yo Bootleg cap Podcast special guests

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Speaker 1: in here, one of my first guests on the show ever.

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Speaker 1: He's officially back. Man first, Yeah, I think you were

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Speaker 1: like in the first like six or seven episodes when

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Speaker 1: we were doing the chairs in here, Filthy Riches here,

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Speaker 1: what's up man, chilling chilling man in town for to day?

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Speaker 1: You are in town for the day. Is this new

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Speaker 1: jewel where you got? I don't know, I've been having

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Speaker 1: for a while. It's some serious change. You have serious

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Speaker 1: one side of my boy WIFFI Wiffy made both of these.

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Speaker 1: I was gonna say, like the actual links those diamonds

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Speaker 1: are like those are those are serious? That's not no

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Speaker 1: normal shit. I won't do nothing normal around here. Nothing normal. Man.

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Speaker 1: You got the new album out, Motivation purses great title.

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Speaker 1: I do feel like you've probably been the source of

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Speaker 1: motivation and inspiration for a lot of people in terms

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Speaker 1: of just being an independent boss, being a businessman, being

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Speaker 1: somebody who has done you know, when it comes to

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Speaker 1: just longevity in the rap game, not a lot of

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Speaker 1: people have longevity, and a lot of people can support

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Speaker 1: themselves for the amount of time that you've been able

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Speaker 1: to do. So, you know, like you gotta know how

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Speaker 1: to rap, hustle, rap, hustle, break that down doing like

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Speaker 1: everything that comes around rap, if it's versus, if it's videos,

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Speaker 1: if it's you know, different people endorse you. Like you

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Speaker 1: got to know how to really get off your ass

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Speaker 1: and get to it. Like a lot of people just

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Speaker 1: be content and just sit back and you know, like, okay,

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Speaker 1: so really I kind of like I've seen Gym. One

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Speaker 1: night we was out Jim Jones, okay, and he was

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Speaker 1: like he had like three different shows, did like four

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Speaker 1: verses in one night, Like one guy was like for ten, ten,

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Speaker 1: twenty thousand. The other guy went over there and had

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Speaker 1: like sety five hundred, Like he wasn't turning down nothing,

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Speaker 1: just getting it, running it over there, not saying that

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Speaker 1: he was doing the same amount of work for the

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Speaker 1: for the lower but he wasn't turning down nothing. So

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Speaker 1: you got to get up and rap. Hustle. Yeah, I

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Speaker 1: think like if you're independent and you know, there's definitely

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Speaker 1: like there's a way to just super monetize what you're doing.

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Speaker 1: And then you know, we're rapping, all types of different

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Speaker 1: things come like Chelsea just hit me right now, a

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Speaker 1: real bull woman to do something like a freestyle on

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Speaker 1: the block and they supposed to be paying me for

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Speaker 1: it or whatever. Then I just started doing the cameo

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Speaker 1: thing to where you do all you go on cameo

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Speaker 1: and people can like yo if they want to. You

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Speaker 1: even want to do a drop for you or like

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Speaker 1: a happy birthday for So it's like so many different

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Speaker 1: opportunities that rap bring to you that you can you know, hustle. Yeah.

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Speaker 1: I think that a lot of artists leave money on

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Speaker 1: the table. A lot of people because if you're just

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Speaker 1: depending on I never wanted to do that at first,

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Speaker 1: like the shout out stuff, right, I never did it.

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Speaker 1: And one day I'm like, man, let me see, I

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Speaker 1: think I made like three thousand and one cameo now cameo.

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Speaker 1: I just started talking about just off my own, Oh

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Speaker 1: got you got your are you're talking about like if

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Speaker 1: someone like says, hey, Phil, I want to pay you

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Speaker 1: pay my shot out my store. And at first I

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Speaker 1: never was doing that shit. Like I've seen a lot

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Speaker 1: of rappers doing that shit through the pandemic. Boo's he

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Speaker 1: be doing that ship. I'm like, man, let me see.

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Speaker 1: Somebody was like, hey, man, I give you five hundred,

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Speaker 1: post them the story for me my cash efter to me.

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Speaker 1: He synth it and I posted. I'm like, oh there's

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Speaker 1: something here. Yeah, But I never they been asked me

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Speaker 1: to do I give you two thousand to post me

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Speaker 1: on your page. I'm like, hell, now you posted on

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Speaker 1: my page. I just think that there's like a stigma

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Speaker 1: that I think is probably like not accurate in terms

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Speaker 1: of like, you know, I think there's certain artists that

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Speaker 1: like that might not make sense for if you if

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Speaker 1: you're like the Weekend or you're like but if you're

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Speaker 1: an independent artist and you're should be doing it, you

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Speaker 1: should be running it out. Man, Listen that it was

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Speaker 1: good lucky right now, and I already got like two

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Speaker 1: of them already seen. Well, think about it. You just

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Speaker 1: said you got, uh, what's the most amount of money

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Speaker 1: you've gotten for a ig shout out on the story. Yeah,

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Speaker 1: I just towist five hundred, So five hundred bucks. For

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Speaker 1: people who don't know, five hundred dollars is if a

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Speaker 1: million streams is four bands five hundred dollars, my math

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Speaker 1: might be fucked up here. Five hundred bucks is is

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Speaker 1: that one hundred thousand streams? I don't know about this thing,

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Speaker 1: but feel me like you got to do like a

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Speaker 1: serious chunk of streams to make five hundred money, because

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Speaker 1: I know when day may like like three g's just

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Speaker 1: like on some back, I'm like, damn, you have to

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Speaker 1: do it. By everybody coming to meeting, Well, you would

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Speaker 1: have to do almost a million streams on a record

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Speaker 1: to get that, to get that money, And that was

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Speaker 1: what people. It's really a matter of using the music,

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Speaker 1: using the catalog to open up all this other revenue.

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Speaker 1: At first, I started like at two fifty and then

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Speaker 1: I went up to like five and then obviously using

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Speaker 1: the wrap money, using all of that to just launch

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Speaker 1: other businesses. Like we were just talking you breed dogs,

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Speaker 1: about the dog, I did a breathing yesterday and today,

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Speaker 1: h I got puppies. I be doing dog shows. They

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Speaker 1: pay me to do dog shows. I host, judge all

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Speaker 1: types of shit. But that come from being a rapper.

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Speaker 1: How long did have you been doing the dog the

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Speaker 1: dog breeding. I think I got my first dog that

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Speaker 1: I started doing the breathing with probably like just maybe

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Speaker 1: five years ago. Serious money, man, serious money, Like it's

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Speaker 1: a lot of responsibility. Yeah, I had, like I had

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Speaker 1: a whole kennel. I built the whole kennle. I spent

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Speaker 1: like two fifty like the house the backyard, and I

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Speaker 1: built there like like a house in the backyard, and

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Speaker 1: that had like sloughs and eat inside of the house

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Speaker 1: with the drains where they pissing ship and go down

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Speaker 1: to the sewerd and wash out marble floor ac unit.

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Speaker 1: How water heat dogs are living better than some dudes

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Speaker 1: for sure, living better than a lot of people. Yeah.

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Speaker 1: So I mean because I know it's a lot of

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Speaker 1: money involved, so you got to take good care of him. Yeah. No,

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Speaker 1: with the dog thing, it's like like you said, you

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Speaker 1: got to take good care of him. It's a messy

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Speaker 1: it's a messy thing. You got to make sure, you know.

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Speaker 1: Like I'll be trying to convince my wife. I'm like, babe,

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Speaker 1: like you know, because we got the plug. It's the

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Speaker 1: main objective though, it's the longevity We're gonna get this money.

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Speaker 1: You will have to clean some dogs. Ship. I might

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Speaker 1: have to drink off a dog, you know, every once

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Speaker 1: in a while. But when you stud your dogs, do

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Speaker 1: you manually? I've never done it. You have to ask

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Speaker 1: that question. Happens at the veat. That happens, so you

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Speaker 1: take it to the vet. So my boy they do it,

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Speaker 1: does it himself, and he says it's better than the VAT.

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Speaker 1: I don't know how they do it. They take the

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Speaker 1: female and they take the male. The male smells there.

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Speaker 1: They do it right there and then they do it

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Speaker 1: like that. I've never done it. I never will do it. Yeah,

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Speaker 1: because I mean, I guess, like whatever downside to like

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Speaker 1: going to the vat, Like, to me, the real downside

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Speaker 1: you just don't want to pay the money. Well, the

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Speaker 1: real downside is jerking off your dog, Yeah too, but

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Speaker 1: I just feel like, you know, it's always cutting corners

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Speaker 1: with this shit, so it's like, right cool, instead of

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Speaker 1: me paying the vet to do it and then they

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Speaker 1: I've also seen people at home they take the seamen

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Speaker 1: and put it in the girl too. I've seen them,

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Speaker 1: man I didn't win, swear and they put the dog

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Speaker 1: to sleep in front who through the surgery in front

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Speaker 1: of everything? Wit stop shot? So what kind of dogs

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Speaker 1: are you doing? English? English bull dogs? Now, I've had

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Speaker 1: two English bull dogs. My first English bulldogs really didn't

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Speaker 1: have any health problems. My second one day, but I

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Speaker 1: always would hear you know, I got my bulldogs like that.

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Speaker 1: They always have health issues. They exotic, so that's why

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Speaker 1: you can't even breathe them like normally. Also, yeah, they

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Speaker 1: also can't fuck like that can't swim. They can't. They

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Speaker 1: can't fuck like listen, I've thrown my English bulldog into

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Speaker 1: a pool. You swam. But with that being said, probably

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Speaker 1: not the best idea, yeah, because they get tired, they

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Speaker 1: have breathing problems, they have small trachyas. Sometimes they can't

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Speaker 1: eat like bigger food. Gotta make the food soft and

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Speaker 1: slobber a lot. Yeah, Well mine don't really slabber like mine. Listen,

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Speaker 1: I let him out running back in the case. They

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Speaker 1: they they're good. I used to take my dog to

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Speaker 1: the parliamentute heat too long. Yeah no, I have man

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Speaker 1: rest in peace to my guy already gold. Yeah that's

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Speaker 1: happened to my dog. But yeah, no, they they're very

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Speaker 1: they're they're short of breath. That's I had one that

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Speaker 1: was like I ain't never had one like him before.

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Speaker 1: This guy he's chasing the basketball, jumping in the air.

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Speaker 1: He was. That's how my dog was. He was crazy,

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Speaker 1: like I've never had an English woodog like him before.

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Speaker 1: He was. He was different. What other like, uh, business ventures?

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Speaker 1: Do you you know? You got your your your your

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Speaker 1: emerged merch. I had a clothing I mean salon, but

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Speaker 1: I ended up giving to my godmother because due to COVID,

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Speaker 1: like people wasn't trying to come in and people weren't

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Speaker 1: trying to work or whatever. So but I'm launched in again,

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Speaker 1: but just online. Same thing. I had to clothing store,

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Speaker 1: same thing happened. So I'm just launching everything online. I

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Speaker 1: still have a model company in the Bay Area, like

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Speaker 1: ten females for like music video shit artists that want

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Speaker 1: females and videos. And that came about because it was

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Speaker 1: a lot of big rappers that used to come in

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Speaker 1: town and called me like, hey man, some girls girls. Yeah,

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Speaker 1: I'm like shit, I might as well just start doing

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Speaker 1: like this. So put like ten females together, photo shoots, calendars,

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Speaker 1: they do fashion shows, video shoots. Everything that's good money. Hey,

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Speaker 1: that's real shit, because that's the first thing, especially here

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Speaker 1: like in la it happens all the time. Like I

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Speaker 1: have someone come to l a, yo, I need some

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Speaker 1: hods for my shooting. I'm like, bro, do I look

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Speaker 1: like the whole guy? Like I'm fucking I'm married, brother,

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Speaker 1: What you want from me? You know? Like but that's

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Speaker 1: like that that's good money. And that ship. And then

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Speaker 1: my record label and I got a got like ten

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Speaker 1: twelve artists and then my charity giving back what's the

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Speaker 1: charity based around what's called filthy letther kids. So I've

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Speaker 1: been doing that for like maybe like teen years. Dope

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Speaker 1: and like toy drives, Christmas, thanksgiving, back to school. We

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Speaker 1: didn't get celebrity basketball games in my neighborhood at the gym.

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Speaker 1: Shit you name it. That's dope. Yeah, gotta stop the

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Speaker 1: interview real quick. Got to tell you about our good

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Speaker 1: folks at my Bookie. It's a big weekend in college basketball.

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Speaker 1: We got the Final four finally going the fuck down.

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Speaker 1: I'm taking Duke and that boy and Coach k to

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Speaker 1: run that thing up all the way to the championship. Baby,

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Speaker 1: all right, I like Duke Kansas to make the championship game.

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Speaker 1: Nice little two team parlay right there. Go to my

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Speaker 1: Bookie if you want to get down man and gamble

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Speaker 1: with your boy. We're making this money over here. If

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Speaker 1: you are in one of these states and you don't

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Speaker 1: know how to get your gambling on. When it comes

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Speaker 1: to sports gambling, you always see people talking about it online. Listen,

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Speaker 1: you gotta go to my bookie dot ag sign up

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Speaker 1: for an account. I've been using my bookie for about

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Speaker 1: eight years. And that's no cap, no kids app at all.

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Speaker 1: That's straight up facts. I really am a user of

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Speaker 1: my Bookie. I fuck with my Bookie the long way.

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Speaker 1: Not only can you do those sports gambling, you could

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Speaker 1: go in there and play fucking blackjack with a lady.

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Speaker 1: And I don't know what country she's in, but she's

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Speaker 1: she's twisting that motherfucking ball. You know what I'm saying

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Speaker 1: and then dealing them cards. But go to my bookie.

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Speaker 1: Sign up with the promo code bootleg b oot l

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Speaker 1: e G, and when you make a deposit, your first

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Speaker 1: deposit will get matched up to one thousand dollars. NCAA

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Speaker 1: basketball is about to get wrapped up. They were full

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Speaker 1: force into the NBA playoffs, all right, the one seed

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Speaker 1: Phoenix Suns. Just put all of your money on them.

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Speaker 1: You know, they beat the Warriors the other night. I

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Speaker 1: don't know if you saw that, Cook, I don't know,

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00:14:37,560 --> 00:14:40,480
Speaker 1: did you see that? Eh? Just put all your money

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Speaker 1: on the Suns. But listen, let's get this money. Man.

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Speaker 1: I love sports gambling. Y'all know about me. I'm I

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Speaker 1: just love it. I'm very passionate about it. And there's

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Speaker 1: only one place I put my bets in at. It's

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Speaker 1: my bookie. And I'm not saying that just because they

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Speaker 1: sponsor our podcast. That's the truth. So go to my

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Speaker 1: bookie dot ag. They make it so easy for you

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Speaker 1: to do parlays, the bet all of player props, just

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00:15:01,320 --> 00:15:05,000
Speaker 1: whatever futures, whatever you want. You can bet on fucking WrestleMania, bro,

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Speaker 1: So what are we doing? Go to my bookie dot ag.

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Speaker 1: Sign up right now, use the promo code Bootleg and

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00:15:10,120 --> 00:15:13,360
Speaker 1: they will match your first deposit free money up to

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Speaker 1: one thousand dollars. Let's get back to the interview. Would

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Speaker 1: you ever a lot of artists are doing only fans management.

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Speaker 1: I don't know what that is. It's like only fans management.

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Speaker 1: They're only doing only fans manages. So like, uh, like Tiger,

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Speaker 1: who else did we have up here? Who's doing that? Oh,

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Speaker 1: Adam twenty two does it, but he's not a rapper,

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Speaker 1: So blue Face blue Face perfectly. That's what so blue

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Speaker 1: Face does is so he has like an OnlyFans but

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Speaker 1: he don't fuck on there. He just it's like a

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Speaker 1: reality show. But then he manages girls. Tiger manages girls too,

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Speaker 1: So essentially Tiger's on there fucking okay, But Tiger will

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Speaker 1: have like a girl signed and to his agency and

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Speaker 1: then he promotes them and then he gets a piece

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Speaker 1: of their only fans. Adam twenty two is doing the

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Speaker 1: same thing, okay. Adam twenty two said he's got like

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Speaker 1: a top five earner on only fans that he gets

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Speaker 1: a chunk of I'm like Jesus, it's like kind of like,

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Speaker 1: so what is he like invested into her or is

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Speaker 1: he just promoting her? Promoting her? It's kind of like

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Speaker 1: it feels like digital pimp remember remember the eight Bone

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Speaker 1: I need to get into it, the MJG album Space

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Speaker 1: age pimping. That feels like what they were talking about.

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Speaker 1: They need to give my grills on my get the model,

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Speaker 1: get them to get them, get the filthy models and

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Speaker 1: get them all on only fans and just get your percentage.

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Speaker 1: Is only fans still popping out? I thought that shit

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00:16:41,960 --> 00:16:44,480
Speaker 1: was like it was supposed to go away, but they

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00:16:44,600 --> 00:16:47,880
Speaker 1: realized that if they did, if they got rid of

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Speaker 1: the adult content, that their business would be over. And

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00:16:50,920 --> 00:16:53,400
Speaker 1: so it's still lit. Yeah, but they're not paying like

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Speaker 1: they used to. Like take that. I don't think they

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Speaker 1: think they take longer to pay out. Yeah that I

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Speaker 1: don't know. But at the end of the day, and

346
00:17:00,200 --> 00:17:02,800
Speaker 1: hear about it here and there, I was gonna doing

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Speaker 1: a long time ago. Not me on there fucking or nothing,

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00:17:05,200 --> 00:17:08,000
Speaker 1: but just like showing my lifestyle like just so much

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Speaker 1: it had in my phone where they was like, oh,

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00:17:09,920 --> 00:17:11,919
Speaker 1: you got to get contracts from these girls and you

351
00:17:11,920 --> 00:17:14,080
Speaker 1: gotta have them sign off on this, and you can't

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Speaker 1: post that ship. Just like going out to the club.

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Speaker 1: Bitch is dancing, tworking, fighting, It might be a threesome

354
00:17:20,359 --> 00:17:23,320
Speaker 1: bitches or bitches might be fucking each other whatever. You

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Speaker 1: know what I'm saying. You know what? You know what

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Speaker 1: I do? Uh DDG does who's a rapper. But he

357
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Speaker 1: also he started as a YouTuber, so d d G

358
00:17:32,960 --> 00:17:35,800
Speaker 1: on his only fans pretty much just a giveaway game.

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00:17:36,600 --> 00:17:38,159
Speaker 1: So he'll be like trying to teach you how to

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Speaker 1: go viral on YouTube, like like Batman Kevo. Yeah exactly,

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00:17:42,880 --> 00:17:45,920
Speaker 1: shout out to him, similar to that. Yeah, they pretty

362
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Speaker 1: much like you just go on there and like giving

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Speaker 1: out gaming. Yeah, I feel you got a lot of

364
00:17:50,200 --> 00:17:52,440
Speaker 1: game to give out, Yeah for sure, but you could

365
00:17:52,440 --> 00:17:55,280
Speaker 1: sell it, yeah, sellers. You got to know how to

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Speaker 1: market it. You just gotta know how to market it.

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Speaker 1: I mean marketed with some hosts to you know what

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Speaker 1: I mean, figure it out. You got ten chicks. They're

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Speaker 1: called the Filthy Models. That's teen Filthy ten Filthy team,

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Speaker 1: Filthy Team Filthy. I like that. What was the name

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00:18:09,040 --> 00:18:12,720
Speaker 1: of the Do you remember the team of models that

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Speaker 1: were based in Miami in the early twenty tens that

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Speaker 1: were lit as fun Are you talking about something. Angels,

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Speaker 1: tazzs angels, tazzas angels. That was what happened to that ship.

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Speaker 1: What happened to Taz. Did anybody ever see him? Yeah?

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00:18:31,600 --> 00:18:34,399
Speaker 1: I think so. I thought he was like incognito. I

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00:18:34,400 --> 00:18:36,920
Speaker 1: don't know, but I just remember everybody was all these

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00:18:36,920 --> 00:18:39,080
Speaker 1: like random ass chicks were moving about like the same thing,

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00:18:39,119 --> 00:18:42,320
Speaker 1: like somebody just had some females like model. Prior to

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Speaker 1: only fans, imagine Tazz's angels be running it up on

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Speaker 1: the internet. My sure goodness, he'd have been killing it. Man.

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00:18:48,680 --> 00:18:51,400
Speaker 1: That was way before. Only fans who got on the app.

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Speaker 1: You got ice wear Vessel on the project SETI Hendrix

384
00:18:55,200 --> 00:18:59,600
Speaker 1: SETI Hendrix af and pays my artist tutor bands of

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00:18:59,680 --> 00:19:07,640
Speaker 1: Skinny t Rich the Kid dear my hit. I got

386
00:19:07,640 --> 00:19:10,400
Speaker 1: to look and see do you pay for features at

387
00:19:10,400 --> 00:19:14,600
Speaker 1: this point? No, it's all of that's. I feel like

388
00:19:14,640 --> 00:19:16,960
Speaker 1: if someone that I feel like that would be the case.

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00:19:17,119 --> 00:19:19,720
Speaker 1: There's certain artists that like, I feel like it's got

390
00:19:19,760 --> 00:19:21,600
Speaker 1: to be a respect thing. Yeah, for sure. For sure.

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00:19:22,280 --> 00:19:24,280
Speaker 1: I have before in the back in the day when

392
00:19:24,320 --> 00:19:26,879
Speaker 1: I didn't just trying to rap and hey man, I

393
00:19:26,880 --> 00:19:28,760
Speaker 1: want to hear you on my song type shit and

394
00:19:29,040 --> 00:19:31,040
Speaker 1: not knowing who you are, you not knowing who I

395
00:19:31,080 --> 00:19:33,280
Speaker 1: am type shit. But you know that comes to say

396
00:19:33,320 --> 00:19:35,840
Speaker 1: like that's being biased because you know niggas buy features

397
00:19:35,840 --> 00:19:38,360
Speaker 1: for me all day. That's true. So yeah, I think

398
00:19:38,359 --> 00:19:40,920
Speaker 1: it just also depends. Like if you got a deal

399
00:19:40,960 --> 00:19:44,719
Speaker 1: on a Drake feature, you be like, yo, it's something different,

400
00:19:45,160 --> 00:19:49,640
Speaker 1: But at this point certain features worth paying for. Yeah,

401
00:19:49,800 --> 00:19:53,679
Speaker 1: they end up being relationships later on and the features

402
00:19:53,760 --> 00:19:57,640
Speaker 1: end up being you know, triple double whatever type shit.

403
00:19:57,720 --> 00:20:00,399
Speaker 1: You know what I'm saying. So you it just all

404
00:20:00,400 --> 00:20:03,200
Speaker 1: depends on how the ship, how it was handled. That's

405
00:20:03,200 --> 00:20:05,400
Speaker 1: some real ship. Man, Who are you like right now

406
00:20:05,560 --> 00:20:08,000
Speaker 1: just on some fan ship, like outside of your crew,

407
00:20:08,040 --> 00:20:10,199
Speaker 1: your label? What is the music you're listening to that

408
00:20:10,240 --> 00:20:14,040
Speaker 1: you enjoy? I really just only listened to like all

409
00:20:14,080 --> 00:20:16,199
Speaker 1: my artists are so many of them, you feel me?

410
00:20:16,200 --> 00:20:19,520
Speaker 1: So we always uh critique and everything. I've been trying

411
00:20:19,560 --> 00:20:23,240
Speaker 1: to like drop something every month from the label, like

412
00:20:23,359 --> 00:20:25,879
Speaker 1: on some real master Peat type shit, like like a

413
00:20:25,960 --> 00:20:28,600
Speaker 1: tape every week running it up. Yeah like that. So

414
00:20:28,640 --> 00:20:32,600
Speaker 1: that's how what's this April March? It's about to be April, yeah,

415
00:20:32,840 --> 00:20:35,040
Speaker 1: so we already said for April we're working on May

416
00:20:35,119 --> 00:20:39,919
Speaker 1: now in June. So but other than that, like I listened, uh,

417
00:20:42,400 --> 00:20:44,600
Speaker 1: I've been listening to I was. I was real big

418
00:20:44,640 --> 00:20:47,919
Speaker 1: on baby Money out of Detroit before you got de

419
00:20:47,920 --> 00:20:51,359
Speaker 1: Troy is going crazy man, baby money hard. You know,

420
00:20:51,359 --> 00:20:54,000
Speaker 1: I fuck with the whole Detroit sound right, Yeah, I

421
00:20:54,000 --> 00:20:55,800
Speaker 1: feel like yeah, we always talk about it on the show,

422
00:20:55,840 --> 00:20:57,560
Speaker 1: like how Detroit and the Bay has like a real

423
00:20:59,320 --> 00:21:02,439
Speaker 1: connections honestly obviously dope game wise, you know all of that.

424
00:21:02,480 --> 00:21:03,760
Speaker 1: You know what I'm saying, You know, I just I

425
00:21:03,800 --> 00:21:05,280
Speaker 1: love the culture. You know what I'm saying. I love

426
00:21:05,280 --> 00:21:09,480
Speaker 1: the food, the strip clubs, the jury, the good money hustle.

427
00:21:09,640 --> 00:21:11,800
Speaker 1: You feel me all that ship. You know, I really

428
00:21:11,800 --> 00:21:14,120
Speaker 1: be out there so I can relate to that ship

429
00:21:14,359 --> 00:21:20,320
Speaker 1: Detroit to vibe give don't get it twisted, don't twisted.

430
00:21:20,400 --> 00:21:24,320
Speaker 1: So yeah, we gotta go to the Triple Change immediately.

431
00:21:24,359 --> 00:21:29,119
Speaker 1: We gotta go to Detroit soon, and we're gonna be wherever.

432
00:21:29,320 --> 00:21:31,240
Speaker 1: Wherever the ship's popping off at is where we're gonna

433
00:21:31,240 --> 00:21:32,960
Speaker 1: be at because we gotta go shoot with like three

434
00:21:33,000 --> 00:21:35,240
Speaker 1: or four artists out there, like go see there where

435
00:21:35,240 --> 00:21:36,800
Speaker 1: they grew up and ships. So we're gonna be in

436
00:21:36,840 --> 00:21:38,800
Speaker 1: the in the thick of it. We was in. I

437
00:21:38,840 --> 00:21:40,320
Speaker 1: was like stuck out there for like a week in

438
00:21:40,359 --> 00:21:43,359
Speaker 1: the snow. I couldn't leave, like no flights, like the

439
00:21:43,400 --> 00:21:46,640
Speaker 1: snows like oh wow, like blocking the doors. What area

440
00:21:46,680 --> 00:21:49,400
Speaker 1: of the bay are you from? Oakland Seminary East Oakland? Yeah,

441
00:21:49,400 --> 00:21:53,040
Speaker 1: we were in. We were shooting some ship in Balletjole.

442
00:21:53,160 --> 00:21:55,720
Speaker 1: I won't say with who, but uh, it was hot. Man.

443
00:21:56,400 --> 00:21:58,479
Speaker 1: You won't say with who. No, I'm wonta say with

444
00:21:58,600 --> 00:22:01,040
Speaker 1: with with which are just because it didn't work out.

445
00:22:01,119 --> 00:22:05,080
Speaker 1: But we pulled up in the in the Crest right

446
00:22:05,119 --> 00:22:09,200
Speaker 1: off the freeway SLB. No idea you said the Crest

447
00:22:10,240 --> 00:22:11,800
Speaker 1: ship was hot. Let's just say sh it was hot.

448
00:22:11,880 --> 00:22:15,880
Speaker 1: I mean the Bay hot period, just like Detroit, like Balao, Richmond,

449
00:22:15,920 --> 00:22:19,040
Speaker 1: San Francisco, Oakland, all that ship turned up. Yeah Bay

450
00:22:19,119 --> 00:22:21,159
Speaker 1: right now. I feel like the Bay right now is

451
00:22:21,440 --> 00:22:25,359
Speaker 1: kind of like nationally got a really bad rap because

452
00:22:25,720 --> 00:22:28,760
Speaker 1: when we see a lot of the smash and grab ship,

453
00:22:28,800 --> 00:22:31,320
Speaker 1: when we see a lot of the you know, homeless

454
00:22:31,320 --> 00:22:33,680
Speaker 1: fools going up into the Walgreens and just filling their

455
00:22:33,680 --> 00:22:36,119
Speaker 1: bag with ship and walking, it's all because you know,

456
00:22:36,119 --> 00:22:38,720
Speaker 1: in San Francisco, Like I'll go there once a month,

457
00:22:38,720 --> 00:22:42,720
Speaker 1: you know for Empire ship and the Walgreens like in

458
00:22:42,720 --> 00:22:45,879
Speaker 1: the city and the CBS is are closed them. Ships

459
00:22:45,960 --> 00:22:48,720
Speaker 1: is just but I don't think it was like a

460
00:22:48,840 --> 00:22:51,600
Speaker 1: bad rap, Like I feel like, well no, because I

461
00:22:51,600 --> 00:22:55,040
Speaker 1: think in the city of San Francisco they got that

462
00:22:55,280 --> 00:22:58,400
Speaker 1: law that they can't stop you and the cops will

463
00:22:58,440 --> 00:23:01,359
Speaker 1: prosecute you or arrest you you if you shop lift

464
00:23:01,520 --> 00:23:05,720
Speaker 1: under one thousand dollars. So that's why. So all the

465
00:23:05,760 --> 00:23:07,960
Speaker 1: petty staff ship, so you'll see all these dudes going

466
00:23:08,000 --> 00:23:09,879
Speaker 1: in on their bikes just fucking rolling up in the

467
00:23:09,920 --> 00:23:12,639
Speaker 1: fucking CBS did like a smash and grab out here

468
00:23:12,680 --> 00:23:14,960
Speaker 1: for like they did at Beverly Hills five million or

469
00:23:14,960 --> 00:23:17,480
Speaker 1: some shit. Yeah, that ship was crazy. Did you see

470
00:23:17,480 --> 00:23:19,920
Speaker 1: the video? I just heard about it. Oh the videos crazy,

471
00:23:20,640 --> 00:23:22,600
Speaker 1: Like yeah, I'm like, damn, he's doing that ship everywhere.

472
00:23:22,600 --> 00:23:24,840
Speaker 1: I was at the smash and grab ships everywhere. Was

473
00:23:24,880 --> 00:23:26,960
Speaker 1: that a jeweler in Vegas and they told me that

474
00:23:27,359 --> 00:23:29,040
Speaker 1: they just came in there and did that ship there too.

475
00:23:29,160 --> 00:23:31,200
Speaker 1: That's where it kind of sucks, like if you're in California,

476
00:23:32,280 --> 00:23:35,280
Speaker 1: like because you can't really like you know, some people

477
00:23:35,280 --> 00:23:37,159
Speaker 1: pull some ship like that in Florida, they getting smoked

478
00:23:37,160 --> 00:23:40,960
Speaker 1: by the owner. In California, you probably if you shoot

479
00:23:40,960 --> 00:23:43,199
Speaker 1: the guy, you're probably gonna go to jail before he

480
00:23:43,200 --> 00:23:47,120
Speaker 1: goes to It's crazy, like that's just the gun license ship,

481
00:23:47,160 --> 00:23:49,000
Speaker 1: the gun loass. And I think it's gonna I think

482
00:23:49,000 --> 00:23:52,200
Speaker 1: it's gonna chill out man, in Cali because I feel

483
00:23:52,240 --> 00:23:55,480
Speaker 1: like people are starting to realize. I think they was

484
00:23:55,480 --> 00:23:59,960
Speaker 1: doing all that shit because like the like they was protesting, right,

485
00:24:00,480 --> 00:24:03,240
Speaker 1: m hm, it was just protesting for some somebody somebody

486
00:24:03,240 --> 00:24:05,399
Speaker 1: got killed or something. Well there was the George Floyd

487
00:24:05,400 --> 00:24:07,680
Speaker 1: protest in June, or they were doing all that shit.

488
00:24:07,760 --> 00:24:10,040
Speaker 1: Could of that too. Yeah, it's been crazy, man. Cali's

489
00:24:10,040 --> 00:24:13,520
Speaker 1: been a crazy place the last couple of years. And

490
00:24:13,560 --> 00:24:16,560
Speaker 1: then Yo, So you know the one thing about the

491
00:24:16,560 --> 00:24:19,720
Speaker 1: Bay too that everyone is that's synonymous with the Bay, right,

492
00:24:19,760 --> 00:24:23,520
Speaker 1: it's bipping. Bipping is kind of like there's you'll go

493
00:24:23,520 --> 00:24:25,040
Speaker 1: to the Bay and there's people who just leave all

494
00:24:25,080 --> 00:24:28,000
Speaker 1: their windows down. Not even when you leave the window down,

495
00:24:28,440 --> 00:24:30,879
Speaker 1: you know, like don't come through the window. But I'm

496
00:24:30,880 --> 00:24:33,480
Speaker 1: saying they'll leave the windows down because they're like I'd

497
00:24:33,600 --> 00:24:35,680
Speaker 1: rather you just come into my car and see there's

498
00:24:35,680 --> 00:24:37,639
Speaker 1: nothing in here. Then you break my fucking window and

499
00:24:37,680 --> 00:24:41,240
Speaker 1: I have to replace it. Yeah, okay, cool. Yeah it

500
00:24:41,359 --> 00:24:44,400
Speaker 1: actually happened to me, not to meet personally, but rock

501
00:24:44,520 --> 00:24:48,200
Speaker 1: Nation had came to Oakland. They were trying to sign

502
00:24:48,240 --> 00:24:51,760
Speaker 1: me and the guy had I had wanted to get

503
00:24:51,760 --> 00:24:54,679
Speaker 1: something to eat and I told him like be cool

504
00:24:54,880 --> 00:24:57,440
Speaker 1: like and they went up the street when got something

505
00:24:57,440 --> 00:24:59,960
Speaker 1: to eat and like when they they walked in the store,

506
00:25:00,080 --> 00:25:04,800
Speaker 1: they hit the ship. It's crazy, crazy like but a

507
00:25:04,800 --> 00:25:06,800
Speaker 1: lot of rappers though, like they come out there for Empire,

508
00:25:06,800 --> 00:25:08,919
Speaker 1: they always get their ship hit, like a lot of

509
00:25:08,960 --> 00:25:11,280
Speaker 1: rappers and they jury took out there and all type

510
00:25:11,280 --> 00:25:14,879
Speaker 1: of ship. I think it's very easy to spot a

511
00:25:14,920 --> 00:25:19,400
Speaker 1: rental car. I mean if you're in that profession. Yeah, yeah, yeah,

512
00:25:19,440 --> 00:25:22,040
Speaker 1: if you're in that profession. If you are, you know

513
00:25:22,080 --> 00:25:25,320
Speaker 1: what a rental is just crazy because we we were

514
00:25:25,359 --> 00:25:28,080
Speaker 1: just driving the other day with downtown Oakland were like,

515
00:25:28,119 --> 00:25:30,240
Speaker 1: that's the Bippers right there and they's driving around in

516
00:25:30,240 --> 00:25:32,240
Speaker 1: the cars just doing the circles. You could just you

517
00:25:32,280 --> 00:25:36,080
Speaker 1: could just know that you know what they're doing. Yeah,

518
00:25:36,119 --> 00:25:38,840
Speaker 1: it's pretty crazy, like was it? Because you know I

519
00:25:38,840 --> 00:25:40,800
Speaker 1: feel like bipping in the bay is kind of like

520
00:25:40,840 --> 00:25:43,680
Speaker 1: you know, niggas normal money off that it's just normal.

521
00:25:43,680 --> 00:25:45,240
Speaker 1: I feel like it's kind of like when we think

522
00:25:45,280 --> 00:25:48,399
Speaker 1: of like people people like people get money in the streets.

523
00:25:48,520 --> 00:25:51,160
Speaker 1: That's rich off that. That's what I'm saying, like crazy,

524
00:25:51,280 --> 00:25:53,959
Speaker 1: like motherfuckersn't called me with all type of ship before,

525
00:25:54,240 --> 00:25:55,800
Speaker 1: and I'd be like, a motherfucker left this in the

526
00:25:55,880 --> 00:25:59,680
Speaker 1: car like who? It's almost like opening a fortune cookie,

527
00:25:59,760 --> 00:26:01,040
Speaker 1: like who, you never know what you're going to get

528
00:26:01,040 --> 00:26:03,080
Speaker 1: ship in their car? Like that's crazy. I would never

529
00:26:03,119 --> 00:26:05,760
Speaker 1: leave this shit without saying, obviously, what's the craziest thing

530
00:26:05,760 --> 00:26:08,320
Speaker 1: you've heard? Someone getting out of someone's car? That's like,

531
00:26:08,359 --> 00:26:13,439
Speaker 1: what the fuck? Someone left that two hundred thousand like

532
00:26:13,600 --> 00:26:18,119
Speaker 1: faux five, watches, purses, all type of shit, like can

533
00:26:18,119 --> 00:26:20,200
Speaker 1: you imagine leaving? I was like, damn, who the fuck

534
00:26:20,280 --> 00:26:22,320
Speaker 1: is this? Like is this like owner or something? Someone

535
00:26:22,359 --> 00:26:24,520
Speaker 1: left two hundred k in their car one thousand? I

536
00:26:24,520 --> 00:26:26,600
Speaker 1: know some rappers from Prey and got ribbed too. And

537
00:26:26,640 --> 00:26:30,439
Speaker 1: when I rib got bipped too for the jury, I

538
00:26:30,480 --> 00:26:33,960
Speaker 1: got hit in Burbank. Someone followed me from the bank.

539
00:26:34,560 --> 00:26:39,399
Speaker 1: I stopped at a UPS to get something notarized, and

540
00:26:39,440 --> 00:26:42,240
Speaker 1: I had fifteen bands under my seat cash and they

541
00:26:42,240 --> 00:26:46,760
Speaker 1: took that ship. I was sick. Waitit wait they bipped

542
00:26:46,800 --> 00:26:50,120
Speaker 1: the car. Yeah, but I don't understand why people leave

543
00:26:50,200 --> 00:26:52,920
Speaker 1: shit like that in car. Well, bro, imagine I'm in Burbank.

544
00:26:53,160 --> 00:26:55,760
Speaker 1: It don't matter. I'm keeping my shit on. So this

545
00:26:55,800 --> 00:26:58,320
Speaker 1: is where I'm at. There's the UPS store. I park

546
00:26:58,440 --> 00:27:02,280
Speaker 1: like right there, right, I'm in and out. You thought

547
00:27:02,320 --> 00:27:07,439
Speaker 1: she was in it. They was in and out. I

548
00:27:07,440 --> 00:27:10,720
Speaker 1: get on my true detective ship. I figure out that

549
00:27:10,760 --> 00:27:13,800
Speaker 1: they followed me from the Bank of America. So before

550
00:27:13,960 --> 00:27:16,199
Speaker 1: I went to Bank of America, or after I went

551
00:27:16,200 --> 00:27:19,439
Speaker 1: to Bank of America, I got gas, so I fucking

552
00:27:19,480 --> 00:27:21,320
Speaker 1: paid the owner of the gas station to give me

553
00:27:21,320 --> 00:27:23,480
Speaker 1: the footage to see the car that pulled in behind

554
00:27:23,520 --> 00:27:25,440
Speaker 1: me and waited and followed me out. So I had

555
00:27:25,880 --> 00:27:28,600
Speaker 1: like a steal of the kind of car. I fucking

556
00:27:28,800 --> 00:27:33,320
Speaker 1: found their trash they threw away. They threw away McDonald's.

557
00:27:33,320 --> 00:27:35,320
Speaker 1: I tried to get the plate number, but I could

558
00:27:35,440 --> 00:27:37,520
Speaker 1: it was too blurry. Bro, I was all my ship

559
00:27:37,600 --> 00:27:40,080
Speaker 1: though I sent. I had a homie in Chattanooga who

560
00:27:40,119 --> 00:27:42,800
Speaker 1: works at a CSI thing. I sent him to McDonald's

561
00:27:42,840 --> 00:27:46,600
Speaker 1: trash from the fingerprint. I'm like, bro, because I'm thinking,

562
00:27:46,680 --> 00:27:48,879
Speaker 1: like I'm gonna get this money back. I'm not gonna

563
00:27:48,880 --> 00:27:50,480
Speaker 1: deal with the cops because they ain't gonna do shit.

564
00:27:50,560 --> 00:27:51,919
Speaker 1: So I'm like, don't let me find out who these

565
00:27:51,920 --> 00:27:53,720
Speaker 1: people are. It's bad for them, you know what I'm saying.

566
00:27:54,200 --> 00:27:59,199
Speaker 1: And I just I was, man, I almost had these motherfuckers. Bro.

567
00:27:59,280 --> 00:28:02,480
Speaker 1: I was so, oh, you ain't supposed to be Yeah,

568
00:28:02,560 --> 00:28:04,520
Speaker 1: never again. But I think though, if they followed you

569
00:28:04,560 --> 00:28:06,840
Speaker 1: from did all that, then they probably was just on

570
00:28:06,920 --> 00:28:09,400
Speaker 1: trying to bip you know what happened, That's what I'm saying.

571
00:28:09,480 --> 00:28:12,200
Speaker 1: So that's a whole lot so once I couldn't figure

572
00:28:12,200 --> 00:28:16,760
Speaker 1: it out. The cops they said that a lady followed

573
00:28:16,760 --> 00:28:18,520
Speaker 1: me out of the bank. A lady was like she

574
00:28:18,720 --> 00:28:20,840
Speaker 1: was like she kept like resetting herself on the line,

575
00:28:20,880 --> 00:28:23,880
Speaker 1: because you remember during COVID the bank lines are crazy.

576
00:28:24,800 --> 00:28:27,320
Speaker 1: So the late there was a girl in the bank

577
00:28:27,800 --> 00:28:29,960
Speaker 1: was just watching to see who was walking out with money,

578
00:28:31,240 --> 00:28:33,399
Speaker 1: and then she followed me out. They got in the

579
00:28:33,480 --> 00:28:36,480
Speaker 1: car and then followed me out. I didn't even really

580
00:28:37,000 --> 00:28:40,080
Speaker 1: go to the line you call like order money and shit,

581
00:28:40,160 --> 00:28:43,239
Speaker 1: like that yeah. Well, really what happened was I went

582
00:28:43,280 --> 00:28:46,120
Speaker 1: there to get to open a business account, and I

583
00:28:46,160 --> 00:28:48,840
Speaker 1: brought the money to open the account. We're supposed to

584
00:28:48,880 --> 00:28:51,800
Speaker 1: open an account for a publishing company. But my writer,

585
00:28:52,400 --> 00:28:55,560
Speaker 1: who I was opening with, oh the bank money. So

586
00:28:55,560 --> 00:28:57,200
Speaker 1: they're like, if he's going to be on the account,

587
00:28:57,240 --> 00:28:59,280
Speaker 1: we can't give you the account. If I pull up

588
00:28:59,280 --> 00:29:04,480
Speaker 1: with fifteen banks and I'm like, well, shit, I got

589
00:29:04,480 --> 00:29:08,320
Speaker 1: all this money on me. Can I just deposit this

590
00:29:08,360 --> 00:29:09,800
Speaker 1: into my account? She's like yeah, but you just gotta

591
00:29:09,800 --> 00:29:11,640
Speaker 1: wait in the line. And I was like, man, fuck

592
00:29:11,720 --> 00:29:13,920
Speaker 1: all this. Man, I like, I ain't waiting this fucking line.

593
00:29:14,160 --> 00:29:16,680
Speaker 1: I fucking never again did that before too, but I'm

594
00:29:16,760 --> 00:29:19,560
Speaker 1: kind of like cool with the people now, so never again. Man.

595
00:29:19,800 --> 00:29:22,400
Speaker 1: We got to stop the interview right now. Listen, man,

596
00:29:22,880 --> 00:29:24,600
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597
00:29:24,600 --> 00:29:26,880
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598
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599
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600
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601
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602
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603
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604
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605
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606
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610
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618
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620
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621
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622
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623
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624
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625
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626
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633
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Speaker 1: Put it on the screen bootleg at checkout. All you

634
00:31:15,200 --> 00:31:16,680
Speaker 1: got to do is pay fight dollars shipping and they're

635
00:31:16,680 --> 00:31:19,920
Speaker 1: gonna give you your first month of blue Choo for free.

636
00:31:20,360 --> 00:31:23,400
Speaker 1: That's right. You can try blue Choo for free. Go

637
00:31:23,480 --> 00:31:26,360
Speaker 1: to blue choo dot com, use the promo code Bootleg

638
00:31:26,400 --> 00:31:30,440
Speaker 1: and receive your first month free. Man oh man, I

639
00:31:30,480 --> 00:31:32,440
Speaker 1: am a user of the blue Choo and I fox

640
00:31:32,520 --> 00:31:34,040
Speaker 1: with a show to shout out to blue Choo. Let's

641
00:31:34,040 --> 00:31:36,840
Speaker 1: get back to the interview. What else I mean? Obviously,

642
00:31:36,920 --> 00:31:39,880
Speaker 1: you know, with you and the label, like having ten

643
00:31:39,960 --> 00:31:41,800
Speaker 1: or twelve artists, a lot of people to look over

644
00:31:41,840 --> 00:31:46,240
Speaker 1: a lot of people's lives, a lot of careers. That's

645
00:31:46,280 --> 00:31:47,880
Speaker 1: why I've been kind of like trying to fall back

646
00:31:47,880 --> 00:31:49,840
Speaker 1: from me doing the music so I could like folcus

647
00:31:49,840 --> 00:31:53,480
Speaker 1: on a lot of responsibility, a lot of bandwidth. Sure,

648
00:31:53,640 --> 00:31:56,760
Speaker 1: how are you dealing with all that? Man? I ain't

649
00:31:56,760 --> 00:31:59,960
Speaker 1: gonna It's been easy. You know. We just had f

650
00:32:00,200 --> 00:32:02,560
Speaker 1: D weekend in Vegas. I have run out this big

651
00:32:02,600 --> 00:32:04,880
Speaker 1: old mansion or whatever. It's like twenty one rooms in it.

652
00:32:06,960 --> 00:32:08,800
Speaker 1: We got a lot of work done. A lot of

653
00:32:08,880 --> 00:32:14,160
Speaker 1: artists came, producers, engineers, shot a lot of videos. It's

654
00:32:14,240 --> 00:32:16,120
Speaker 1: been doing different little things like that to where I

655
00:32:16,120 --> 00:32:18,160
Speaker 1: could like sit down and really be hands on with

656
00:32:18,240 --> 00:32:21,400
Speaker 1: everything and you know, and explain how this should worked.

657
00:32:21,960 --> 00:32:24,080
Speaker 1: But it's really been easy to keep it real. It

658
00:32:24,120 --> 00:32:26,960
Speaker 1: ain't been too hard, like probably just like one artist

659
00:32:27,040 --> 00:32:28,760
Speaker 1: here and there. So yeah, no, I know, I just

660
00:32:28,800 --> 00:32:30,280
Speaker 1: know because you know, I work with artists, and I

661
00:32:30,320 --> 00:32:32,160
Speaker 1: know it could be a lot. Yeah, it can be.

662
00:32:32,640 --> 00:32:35,720
Speaker 1: It can't be. But you know me, like, I've been

663
00:32:35,720 --> 00:32:37,480
Speaker 1: doing this shit for so long, so I know how

664
00:32:37,520 --> 00:32:39,200
Speaker 1: to like you know what I'm saying, like, and you're

665
00:32:39,240 --> 00:32:40,920
Speaker 1: not doing it by yourself. You got you got a team,

666
00:32:40,960 --> 00:32:43,200
Speaker 1: I'm sure, me and Chelsea. Yeah, shout out to Chelsea.

667
00:32:43,360 --> 00:32:46,440
Speaker 1: Me and Chelsea that's who you know who who helped

668
00:32:46,440 --> 00:32:51,160
Speaker 1: me with everything, and also my caraman Seem Colux. That's dope. Yeah,

669
00:32:51,200 --> 00:32:54,280
Speaker 1: they just did shout to Empire. The documentary that they

670
00:32:54,280 --> 00:32:56,160
Speaker 1: did about you was it last year? It came out

671
00:32:56,280 --> 00:33:00,000
Speaker 1: last year. Philip Beasley album. Yeah, yeah, Yeah, that was

672
00:33:00,080 --> 00:33:02,040
Speaker 1: dope to kind of just see like kind of behind

673
00:33:02,080 --> 00:33:04,800
Speaker 1: the scenes, like different side of You. It was a

674
00:33:04,800 --> 00:33:06,680
Speaker 1: lot more that we didn't use. I think we're gonna

675
00:33:06,680 --> 00:33:10,400
Speaker 1: do another one, but yeah, I just did that. Like

676
00:33:10,680 --> 00:33:12,680
Speaker 1: I was kind of like transition. I was really trying

677
00:33:12,680 --> 00:33:14,360
Speaker 1: to fall back on doing the music myself because I

678
00:33:14,400 --> 00:33:16,160
Speaker 1: want to be able to give my artists in the

679
00:33:16,200 --> 00:33:21,600
Speaker 1: label hundred percent. How many albums do you have in

680
00:33:21,640 --> 00:33:27,080
Speaker 1: your catalog that are on Spotify right now? We lost count, Like,

681
00:33:27,160 --> 00:33:29,760
Speaker 1: give me like a over one hundred, over one hundred.

682
00:33:30,280 --> 00:33:32,760
Speaker 1: I think I dropped twelve tapes in like one year

683
00:33:32,880 --> 00:33:34,120
Speaker 1: to see if I could do it, and those are

684
00:33:34,160 --> 00:33:38,640
Speaker 1: all on the DSPs. Jesus man, those twelve that came up,

685
00:33:38,680 --> 00:33:41,920
Speaker 1: that was all on Empire. So I've been putting on

686
00:33:42,040 --> 00:33:44,760
Speaker 1: music like oh wait, so when you have that much catalog,

687
00:33:45,720 --> 00:33:47,880
Speaker 1: because you know, I always try to tell artists if

688
00:33:47,920 --> 00:33:51,000
Speaker 1: you're gonna stay independent, Like a lot of time, artists

689
00:33:51,080 --> 00:33:53,960
Speaker 1: overthink shit, yeah they never put music out, or they

690
00:33:54,000 --> 00:33:55,960
Speaker 1: overthinking and they sit on their hands too long. It's

691
00:33:56,000 --> 00:33:57,480
Speaker 1: like to me, I'm like, yo, run it up, because

692
00:33:57,520 --> 00:34:00,720
Speaker 1: that's your residual income. What has been your biggest check

693
00:34:00,960 --> 00:34:03,000
Speaker 1: off of your catalog in a month you've done off

694
00:34:03,000 --> 00:34:04,400
Speaker 1: of streams? If you don't mind, I don't want to

695
00:34:04,400 --> 00:34:06,840
Speaker 1: be in your pots. Seventy five thousand. That's great, man,

696
00:34:07,360 --> 00:34:10,960
Speaker 1: that's amazing. Seventy five thousand. And it came. I remember

697
00:34:10,960 --> 00:34:16,200
Speaker 1: I first got my first five g's and then because

698
00:34:16,239 --> 00:34:19,399
Speaker 1: I used to just put out just mixtapes, I used

699
00:34:19,440 --> 00:34:21,640
Speaker 1: to just run my mixtapes through Empire. Before I was

700
00:34:21,680 --> 00:34:24,120
Speaker 1: that Empire, I was dealing with urban life at right back,

701
00:34:24,800 --> 00:34:31,799
Speaker 1: and I uhould just be twenty thirty fifty and then

702
00:34:31,920 --> 00:34:35,239
Speaker 1: uh and then god, he starts seeing the numbers. It

703
00:34:35,360 --> 00:34:37,279
Speaker 1: was like, hey, we need to do an album. This

704
00:34:37,360 --> 00:34:40,239
Speaker 1: before I even did this is the first album I

705
00:34:40,280 --> 00:34:43,200
Speaker 1: deal with Empires in twenty sixteen. Real Niggas back in style.

706
00:34:43,880 --> 00:34:45,400
Speaker 1: So it's like, hey, we need to do a single

707
00:34:45,560 --> 00:34:48,640
Speaker 1: and then and then based the single round the album.

708
00:34:48,800 --> 00:34:52,000
Speaker 1: This is before I did the album, like we need to,

709
00:34:52,120 --> 00:34:53,799
Speaker 1: we need to, we need to get it going. So

710
00:34:53,880 --> 00:34:56,360
Speaker 1: I made that single make a Living with Sue, and

711
00:34:56,400 --> 00:34:58,279
Speaker 1: then I finally did the album. Other than that, I

712
00:34:58,360 --> 00:35:02,520
Speaker 1: was just running tape series some city money man's neighbor starts,

713
00:35:02,520 --> 00:35:04,680
Speaker 1: just running through them, doing millions of views on the

714
00:35:04,760 --> 00:35:07,239
Speaker 1: videos and all the type of shit. So shit. And

715
00:35:07,280 --> 00:35:10,640
Speaker 1: I think also back then, like YouTube paid a lot more. Yeah,

716
00:35:10,719 --> 00:35:12,920
Speaker 1: the YouTube money was great back then. Yeah, it was

717
00:35:12,960 --> 00:35:15,439
Speaker 1: a lot different because the other what was dope about

718
00:35:15,480 --> 00:35:18,920
Speaker 1: back then was if you had a distribution deal, they

719
00:35:18,960 --> 00:35:21,320
Speaker 1: didn't touch your YouTube money, so you were getting the

720
00:35:21,400 --> 00:35:24,560
Speaker 1: YouTube bag over here and then the iTunes over here.

721
00:35:24,600 --> 00:35:27,880
Speaker 1: But now it's all all combined into one, which I'm like, damn,

722
00:35:28,480 --> 00:35:32,479
Speaker 1: because that YouTube money was great yea, so it paid

723
00:35:32,520 --> 00:35:34,759
Speaker 1: way better than the streaming shit. So that's how that

724
00:35:34,880 --> 00:35:38,359
Speaker 1: used to work too. So I mean, you know, that's

725
00:35:38,360 --> 00:35:40,359
Speaker 1: why I'm able to be you know, like I get

726
00:35:40,400 --> 00:35:42,880
Speaker 1: paid twenty a show still to this day. You know

727
00:35:42,920 --> 00:35:44,799
Speaker 1: what I'm saying, we're turning ten to fifteen a verse.

728
00:35:45,239 --> 00:35:48,680
Speaker 1: That's big. So you go to a city post up.

729
00:35:48,680 --> 00:35:50,920
Speaker 1: I'm in the city. If you got your bag right,

730
00:35:50,960 --> 00:35:52,879
Speaker 1: come get the verse you No, I'll add this show

731
00:35:52,880 --> 00:35:56,600
Speaker 1: in KC. Not too long ago. Shit, before I even

732
00:35:56,640 --> 00:35:58,399
Speaker 1: got in the club, somebody was in the front waiting

733
00:35:58,480 --> 00:36:02,480
Speaker 1: to averse. So when I'm backing up, security like, hey,

734
00:36:02,480 --> 00:36:04,680
Speaker 1: this guy right here and talk to you, like, what's up.

735
00:36:04,840 --> 00:36:06,600
Speaker 1: I'm trying to do it verse, I'm like, okay, cool.

736
00:36:08,040 --> 00:36:10,560
Speaker 1: He asked me the price, gave me the number. He

737
00:36:10,560 --> 00:36:12,080
Speaker 1: didn't even go on the show. He left when you

738
00:36:12,160 --> 00:36:13,759
Speaker 1: go get the bag together, told me to pull up

739
00:36:13,760 --> 00:36:16,520
Speaker 1: on him when I was doing with the show. I

740
00:36:16,600 --> 00:36:18,480
Speaker 1: ended up pulling up on him after I was done

741
00:36:18,480 --> 00:36:20,040
Speaker 1: with the show. So manyo, I had a meet and

742
00:36:20,040 --> 00:36:24,720
Speaker 1: greet that day the show the verse and then missed

743
00:36:24,760 --> 00:36:27,560
Speaker 1: me doing the verse with him. Someone else came and

744
00:36:27,640 --> 00:36:30,239
Speaker 1: did a verse with him in a video all in

745
00:36:30,320 --> 00:36:31,920
Speaker 1: one night, so I didn't get back to the room

746
00:36:32,080 --> 00:36:35,279
Speaker 1: till like like six in the morning. Jesus just ran

747
00:36:35,360 --> 00:36:39,200
Speaker 1: it up. Not all that should like that be Boosy

748
00:36:39,280 --> 00:36:40,920
Speaker 1: be doing it ship like that, and you know just

749
00:36:40,960 --> 00:36:42,800
Speaker 1: on the road is running that ship up type of

750
00:36:42,800 --> 00:36:46,319
Speaker 1: ship yeah, Boozie is he don't get for sure, He's

751
00:36:46,360 --> 00:36:50,160
Speaker 1: a real rap hustler, fucking rap hustling for real. Who's

752
00:36:50,160 --> 00:36:53,640
Speaker 1: somebody who inspires you because you're such a boss you

753
00:36:53,640 --> 00:36:57,719
Speaker 1: do your entrepreneurial ship. But who's an artist or just

754
00:36:57,719 --> 00:36:59,440
Speaker 1: someone in the game that's inspired you a lot that

755
00:36:59,480 --> 00:37:02,719
Speaker 1: you get more from. I fuck with Meek Tough, I

756
00:37:02,760 --> 00:37:07,359
Speaker 1: fuck with little Baby Tough Ross. I fuck with anybody.

757
00:37:07,640 --> 00:37:10,440
Speaker 1: I fuck with anybody that's like, you know, aspiring. You

758
00:37:10,440 --> 00:37:12,600
Speaker 1: know what I'm saying. People I can relate to. People

759
00:37:12,600 --> 00:37:15,680
Speaker 1: I can see you know that been through something and

760
00:37:16,160 --> 00:37:19,840
Speaker 1: really you know, living a dream and and you know,

761
00:37:19,880 --> 00:37:21,520
Speaker 1: happy where they are in life type ship, you know

762
00:37:21,520 --> 00:37:24,040
Speaker 1: what I'm saying, taking care of their family, putting they

763
00:37:24,080 --> 00:37:27,200
Speaker 1: niggas in position, you know what I'm saying, and just

764
00:37:27,320 --> 00:37:29,800
Speaker 1: motivating them a person to go harder, you know what

765
00:37:29,800 --> 00:37:32,640
Speaker 1: I'm saying, And never being content with it. That's what

766
00:37:32,840 --> 00:37:35,399
Speaker 1: Like I don't even check my bank account. I will

767
00:37:35,400 --> 00:37:37,919
Speaker 1: not like, I will not look at it. Why because

768
00:37:37,920 --> 00:37:39,200
Speaker 1: I don't want to know what. I don't want to

769
00:37:39,239 --> 00:37:41,719
Speaker 1: know because I don't want to be content because if

770
00:37:41,760 --> 00:37:43,800
Speaker 1: you see it, you might be like I could chill out.

771
00:37:43,880 --> 00:37:45,520
Speaker 1: I don't want to do it, like you have someone

772
00:37:45,560 --> 00:37:47,960
Speaker 1: checking your bank account for you. I have accounting the

773
00:37:48,120 --> 00:37:51,319
Speaker 1: doing it now because and then every time something gets spent,

774
00:37:51,520 --> 00:37:54,040
Speaker 1: it sends me a text I got you, But I

775
00:37:54,040 --> 00:37:56,200
Speaker 1: don't never want to know what's in it to where

776
00:37:56,200 --> 00:37:58,600
Speaker 1: I just be like, okay, I got five mill I

777
00:37:58,640 --> 00:38:01,600
Speaker 1: can just relax. No, I don't never like I get

778
00:38:01,600 --> 00:38:03,400
Speaker 1: mad if something like I don't even check the receipt

779
00:38:03,440 --> 00:38:05,879
Speaker 1: like oh yeah, I got they give me a receipt,

780
00:38:05,960 --> 00:38:07,600
Speaker 1: I won't even look at it like they asked me

781
00:38:07,719 --> 00:38:10,120
Speaker 1: to receet. I say, no, that's funny. Yeah, Like I

782
00:38:10,160 --> 00:38:12,680
Speaker 1: don't want to be like, oh I could just sit

783
00:38:12,760 --> 00:38:15,080
Speaker 1: back and do nothing right. I just feel like at

784
00:38:15,080 --> 00:38:16,719
Speaker 1: that time being, if you do it, then somebody else

785
00:38:16,760 --> 00:38:18,160
Speaker 1: can come in and take that spot. Like I always

786
00:38:18,360 --> 00:38:20,880
Speaker 1: just want to work, keep working harder and harder and harder,

787
00:38:20,880 --> 00:38:24,040
Speaker 1: and never I figured out. I figured out, But I'm

788
00:38:24,080 --> 00:38:28,279
Speaker 1: not just I won't do it. Uh. You obviously went

789
00:38:28,280 --> 00:38:31,719
Speaker 1: through one of the more in my opinion, dope rap

790
00:38:31,800 --> 00:38:34,480
Speaker 1: beefs recently because you guys kept it on our own record,

791
00:38:34,440 --> 00:38:37,600
Speaker 1: are you and Masie? It was bothly. That was like

792
00:38:37,920 --> 00:38:39,960
Speaker 1: three years ago, two years ago. I don't know that's how,

793
00:38:40,080 --> 00:38:42,040
Speaker 1: but it was to me, it was like dope because

794
00:38:42,040 --> 00:38:44,799
Speaker 1: it reminded me of, like, you know, just some ship

795
00:38:44,960 --> 00:38:47,560
Speaker 1: that I grew up on, people keeping it up, putting

796
00:38:47,600 --> 00:38:50,719
Speaker 1: dope songs out. Yeah, because I feel like nowadays, man,

797
00:38:50,760 --> 00:38:53,000
Speaker 1: like we saw King Vaughan, you know that ship with Kwondo.

798
00:38:53,160 --> 00:38:55,560
Speaker 1: I don't think he had a rap beef with what

799
00:38:56,920 --> 00:38:59,239
Speaker 1: That's what I'm saying. It wasn't even like that's the

800
00:38:59,280 --> 00:39:02,200
Speaker 1: weirdest thing about out the Dirk and Young Boy thing.

801
00:39:02,200 --> 00:39:03,840
Speaker 1: I'm like, you guys aren't even from the same city.

802
00:39:03,880 --> 00:39:06,279
Speaker 1: I'm so confused. This is strictly some hip hop shit.

803
00:39:06,360 --> 00:39:08,160
Speaker 1: I think that shit was like over a bitch or something,

804
00:39:08,160 --> 00:39:09,600
Speaker 1: But I just thought it was dope. That Like, I

805
00:39:09,840 --> 00:39:11,960
Speaker 1: feel like you guys did that shit the right way

806
00:39:11,960 --> 00:39:14,400
Speaker 1: because you guys have mutual homies. You guys got mutual business,

807
00:39:14,480 --> 00:39:17,279
Speaker 1: and you guys had obviously a disagreement and it ended

808
00:39:17,360 --> 00:39:19,680
Speaker 1: up on record and it was what it was and

809
00:39:19,760 --> 00:39:22,959
Speaker 1: everyone moved on. Yeah for sure. You know me, I don't.

810
00:39:23,239 --> 00:39:25,320
Speaker 1: I don't hold no grudges. I ain't mad at nobody,

811
00:39:25,360 --> 00:39:28,439
Speaker 1: you know what I'm saying. Like I've been doing my thing.

812
00:39:28,680 --> 00:39:31,279
Speaker 1: Fel'm continued doing my thing, you know, So I don't

813
00:39:31,280 --> 00:39:34,720
Speaker 1: wake up every day thinking about, you know, the past

814
00:39:34,800 --> 00:39:36,920
Speaker 1: or anything else. I'd be focused on the future. It's

815
00:39:36,920 --> 00:39:40,600
Speaker 1: a beautiful thing, man, when you like see some of

816
00:39:40,640 --> 00:39:46,919
Speaker 1: these younger artists who you might fuck with. I feel

817
00:39:46,960 --> 00:39:49,359
Speaker 1: like recently we've just seen so much bullshit going on

818
00:39:49,440 --> 00:39:52,440
Speaker 1: in terms of just people keeping one foot in, one

819
00:39:52,440 --> 00:39:54,319
Speaker 1: foot out on the rap shit. And you know, we

820
00:39:54,320 --> 00:39:57,080
Speaker 1: see people losing their freedom pou shisty, we see people

821
00:39:57,080 --> 00:40:00,239
Speaker 1: losing their life. We see a lot so much going on, Like, like,

822
00:40:00,280 --> 00:40:03,000
Speaker 1: what would be some advice you would give to some

823
00:40:03,080 --> 00:40:07,239
Speaker 1: of those younger artists who maybe haven't I tell my

824
00:40:07,320 --> 00:40:09,320
Speaker 1: artists all the time not to even make this record,

825
00:40:09,960 --> 00:40:12,520
Speaker 1: not to even fall into the negativity, and understand it's

826
00:40:12,560 --> 00:40:14,759
Speaker 1: come with the music game. Everybody not gonna like you.

827
00:40:15,000 --> 00:40:17,920
Speaker 1: It's gonna be a lot of people from your past

828
00:40:18,000 --> 00:40:20,080
Speaker 1: to remember or I remember he wasn't doing this. I

829
00:40:20,120 --> 00:40:22,359
Speaker 1: remember he didn't have this like hater type shit. You

830
00:40:22,320 --> 00:40:23,759
Speaker 1: get what I'm saying. So it comes with it. You

831
00:40:23,800 --> 00:40:25,719
Speaker 1: gotta have tough skin for it. And if you ain't

832
00:40:25,760 --> 00:40:28,200
Speaker 1: ready for hate, you ain't ready for success. But then

833
00:40:28,239 --> 00:40:31,279
Speaker 1: also you got to understand too when you when you

834
00:40:31,440 --> 00:40:35,680
Speaker 1: coming from the hood or the trenches, and you give

835
00:40:35,719 --> 00:40:39,319
Speaker 1: these kids money. I never had money before. And they

836
00:40:39,360 --> 00:40:42,000
Speaker 1: also had this streat mentality, Like it's like they feel

837
00:40:42,000 --> 00:40:44,840
Speaker 1: like they can't be touched and don't really care about

838
00:40:44,920 --> 00:40:47,600
Speaker 1: the certain things that they should be worried about until

839
00:40:47,640 --> 00:40:50,000
Speaker 1: later on, you know what I'm saying. So that's like

840
00:40:50,040 --> 00:40:54,360
Speaker 1: why I never choose to like pop ecstasy or appeals

841
00:40:54,360 --> 00:40:56,239
Speaker 1: and shit like that, because a lot of people from

842
00:40:56,239 --> 00:40:58,040
Speaker 1: my neighborhood used to get high and then they wake

843
00:40:58,120 --> 00:41:01,520
Speaker 1: up not knowing what they did. Ter on in the

844
00:41:01,520 --> 00:41:04,360
Speaker 1: interrogation room. Wow, you know what I'm saying, they'd be like,

845
00:41:04,400 --> 00:41:07,200
Speaker 1: what the fuck happened last night? So like, and I

846
00:41:07,280 --> 00:41:09,080
Speaker 1: knew a lot of people from my neighborhood lost their

847
00:41:09,120 --> 00:41:13,239
Speaker 1: mind like early, like like young dudes like twenty years old,

848
00:41:13,360 --> 00:41:16,279
Speaker 1: like smoking crack now because he donet pop the bad

849
00:41:16,280 --> 00:41:19,200
Speaker 1: ecstasy pill and fucked him off. And this was like

850
00:41:19,239 --> 00:41:23,160
Speaker 1: a fly nigga that used to hoop and get good

851
00:41:23,160 --> 00:41:25,319
Speaker 1: grades in school, you know what I'm saying. So I'm like, man,

852
00:41:25,320 --> 00:41:27,399
Speaker 1: I don't never want to play with myself like that,

853
00:41:27,840 --> 00:41:30,000
Speaker 1: you know what I'm saying, because I've seen how you know,

854
00:41:30,160 --> 00:41:31,440
Speaker 1: just like how they doing it right now, how they

855
00:41:31,520 --> 00:41:33,279
Speaker 1: pressing up the pills which they found the all type

856
00:41:33,280 --> 00:41:35,399
Speaker 1: shit like that people dying like this was back then,

857
00:41:36,040 --> 00:41:37,760
Speaker 1: Like you know what I'm saying, This was the heype

858
00:41:37,760 --> 00:41:42,320
Speaker 1: movement days when Nigga's popping six exit pills losing their mind.

859
00:41:42,560 --> 00:41:44,560
Speaker 1: You know what I'm saying, Like, hell nah, Like you

860
00:41:44,680 --> 00:41:46,680
Speaker 1: never got down with that, shiit? No? I never. I

861
00:41:46,680 --> 00:41:48,480
Speaker 1: only think I ever did was smoke with you. Sip sirr?

862
00:41:48,760 --> 00:41:51,560
Speaker 1: That was it? Do you still say it? Nah? I've

863
00:41:51,560 --> 00:41:53,600
Speaker 1: been stopped alone time ago. Was that hard to stop?

864
00:41:53,640 --> 00:41:55,200
Speaker 1: Because I know some people say it's pretty tough to

865
00:41:55,200 --> 00:41:59,600
Speaker 1: get off? No, it wasn't hard. My whole thing I was.

866
00:41:59,640 --> 00:42:02,080
Speaker 1: I was amusing, I was getting too high. It wasn't

867
00:42:02,080 --> 00:42:04,560
Speaker 1: hard for when I kicked it. It was like I

868
00:42:04,640 --> 00:42:07,160
Speaker 1: damned her, like not paying attention when I would be

869
00:42:07,200 --> 00:42:09,319
Speaker 1: doing that. Damned there probably sip a brick in the day.

870
00:42:09,960 --> 00:42:11,480
Speaker 1: You know what I'm saying, because I used to. When

871
00:42:11,480 --> 00:42:13,360
Speaker 1: I used to buy a pint. I used to have

872
00:42:13,440 --> 00:42:15,520
Speaker 1: like the twenty ounce cream sodas and I pour like

873
00:42:15,560 --> 00:42:17,200
Speaker 1: a four in there in each one of them, and

874
00:42:17,239 --> 00:42:20,680
Speaker 1: I done drunk like four of them, and I'm fucked off,

875
00:42:20,719 --> 00:42:22,120
Speaker 1: you know what I'm saying, not even knowing. I shoot

876
00:42:22,120 --> 00:42:24,520
Speaker 1: a video. I actually I shot a video. Somebody came

877
00:42:24,600 --> 00:42:26,320
Speaker 1: in town paid me for a verse in the video.

878
00:42:26,360 --> 00:42:29,160
Speaker 1: I shot the video. I drunk one right here doing

879
00:42:29,160 --> 00:42:31,120
Speaker 1: this scene. One at this scene, one at this scene,

880
00:42:31,120 --> 00:42:34,160
Speaker 1: one of this scene. That's the whole brick. Yo. That's

881
00:42:34,200 --> 00:42:36,359
Speaker 1: crazy because I'm not even paying attention to what I'm

882
00:42:36,400 --> 00:42:38,520
Speaker 1: doing it. So it's so good. But you know they

883
00:42:38,520 --> 00:42:41,040
Speaker 1: say something that something that's that good, ain't that's too

884
00:42:41,080 --> 00:42:45,400
Speaker 1: good for you? So when they I woke up, you know,

885
00:42:48,760 --> 00:42:51,040
Speaker 1: I woke up fucked up one day and I was like, man,

886
00:42:51,080 --> 00:42:53,799
Speaker 1: if I make it, man, I'm done. And I just

887
00:42:53,880 --> 00:42:57,879
Speaker 1: been done ever since. Damn. Yeah that's good man. Yeah,

888
00:42:57,920 --> 00:42:59,960
Speaker 1: I feel like, you know, the lean thing is like I'll,

889
00:43:00,480 --> 00:43:02,840
Speaker 1: like you said, it's something that people really enjoy, but

890
00:43:02,880 --> 00:43:07,680
Speaker 1: it's also like it's like your body dependent on it,

891
00:43:06,920 --> 00:43:09,680
Speaker 1: and it's just like if you're drinking a good ass

892
00:43:09,719 --> 00:43:12,920
Speaker 1: soda and you just keep drinking that ship over and

893
00:43:12,960 --> 00:43:15,000
Speaker 1: over and it's gonna keep drinking it, but you're not

894
00:43:15,120 --> 00:43:17,840
Speaker 1: knowing that the sugar or whatever, the caffeine or whatever's

895
00:43:17,840 --> 00:43:21,960
Speaker 1: fucking you up. You don't even realize it until Yeah,

896
00:43:21,960 --> 00:43:24,239
Speaker 1: that's real ship. You talked about the rock Nation ship.

897
00:43:25,560 --> 00:43:27,279
Speaker 1: I remember hearing about that. I think I think you

898
00:43:27,320 --> 00:43:29,759
Speaker 1: told me about it before. What what made you initially

899
00:43:30,840 --> 00:43:35,640
Speaker 1: not want to sign shout out the rock Nation? Who's

900
00:43:35,640 --> 00:43:40,120
Speaker 1: trying to sign you? Earl damn okay? Fuck with dang

901
00:43:40,160 --> 00:43:43,440
Speaker 1: still to this day, and its not necessarily him is

902
00:43:43,480 --> 00:43:48,520
Speaker 1: the one who who wanted what they wanted, but he

903
00:43:48,680 --> 00:43:52,280
Speaker 1: was the one who brought the situation, you know, together.

904
00:43:52,680 --> 00:43:56,799
Speaker 1: But they just wanted to my past catalog and the

905
00:43:56,840 --> 00:43:59,200
Speaker 1: masters and it's a super now and that's what the

906
00:43:59,320 --> 00:44:01,680
Speaker 1: mind you just was right before COVID. So if I

907
00:44:01,680 --> 00:44:03,359
Speaker 1: would have did that, I was just been paying them

908
00:44:03,360 --> 00:44:07,680
Speaker 1: for nothing. So they wanted so they wanted to sign you,

909
00:44:08,440 --> 00:44:10,839
Speaker 1: and then all your catalog they want to come bring

910
00:44:10,880 --> 00:44:15,040
Speaker 1: it over, and that's fucking crazy. And it was just

911
00:44:15,040 --> 00:44:17,600
Speaker 1: saying like we're gonna build this and we're gonna tour

912
00:44:17,640 --> 00:44:20,319
Speaker 1: with this person and all that and all that, and

913
00:44:20,360 --> 00:44:22,399
Speaker 1: I was just like, I'm like, man, we can start

914
00:44:22,400 --> 00:44:25,359
Speaker 1: from here, Like if you want to start from new

915
00:44:25,400 --> 00:44:29,680
Speaker 1: music going for I can't do it back. Luckily I didn't,

916
00:44:29,960 --> 00:44:31,279
Speaker 1: you know what I'm saying, And shout out to like

917
00:44:31,320 --> 00:44:33,200
Speaker 1: I said, shout out to rock Nation for the opportunity.

918
00:44:33,239 --> 00:44:34,920
Speaker 1: But they do a lot of artists like that, and

919
00:44:34,960 --> 00:44:37,120
Speaker 1: they was naming off all the other artists that got

920
00:44:37,120 --> 00:44:39,160
Speaker 1: the same type of deals and this is and this. Yeah,

921
00:44:39,200 --> 00:44:43,080
Speaker 1: but that's not that's not a good deal, not at all.

922
00:44:43,200 --> 00:44:45,759
Speaker 1: And I don't know, especially not for independent artists that's

923
00:44:45,760 --> 00:44:48,600
Speaker 1: been living off music to where now I gotta wait

924
00:44:48,640 --> 00:44:50,440
Speaker 1: for y'all and I gotta get it's like, damn, y'all

925
00:44:50,440 --> 00:44:53,239
Speaker 1: don't have nothing to do with these albums. Yeah, why

926
00:44:53,280 --> 00:44:57,520
Speaker 1: would you add all that red tape right right right

927
00:44:57,560 --> 00:45:00,840
Speaker 1: after that, I mean right after that pandemic, So it

928
00:45:00,880 --> 00:45:03,200
Speaker 1: wouldn't it wouldn't have been no shows, no nothing. I

929
00:45:03,200 --> 00:45:06,000
Speaker 1: would have just been it would have been stuck because

930
00:45:06,280 --> 00:45:08,640
Speaker 1: you can't just drop when you want now. No, not

931
00:45:08,680 --> 00:45:10,680
Speaker 1: even that, Like the whole thing was they were going

932
00:45:10,719 --> 00:45:13,399
Speaker 1: to put me on tour. I'm supposed to be doing

933
00:45:13,400 --> 00:45:15,080
Speaker 1: this and doing that, but all that was shut down

934
00:45:15,239 --> 00:45:16,879
Speaker 1: to the pandemic. So I wouldn't even getting no money.

935
00:45:16,880 --> 00:45:18,600
Speaker 1: I should be giving you all money for free, thank god.

936
00:45:18,600 --> 00:45:21,840
Speaker 1: That Yeah, yeah, you would have just been Yeah, where's

937
00:45:21,880 --> 00:45:25,520
Speaker 1: the perks there? That's crazy? Yo, we got to stop

938
00:45:25,560 --> 00:45:27,840
Speaker 1: the interview real quick. Shout out to our presenting sponsor,

939
00:45:27,920 --> 00:45:30,880
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940
00:45:30,960 --> 00:45:32,719
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941
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942
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Speaker 1: the most comfortable socks in the world. And I'm not

943
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944
00:45:39,600 --> 00:45:43,439
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945
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946
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947
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948
00:45:54,120 --> 00:45:56,120
Speaker 1: you want to wear some underwear with pizza on them,

949
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950
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951
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952
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953
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954
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955
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956
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957
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Speaker 1: socksofficial dot com use the promo code bootleg keV. That's

958
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Speaker 1: one word together, bootleg keV. We should talk to them

959
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960
00:46:35,040 --> 00:46:38,200
Speaker 1: will get twenty percent off at checkout one more time.

961
00:46:38,239 --> 00:46:40,719
Speaker 1: Go to odds sooxsofficial dot com save twenty percent off

962
00:46:40,920 --> 00:46:43,400
Speaker 1: using that promo code bootleg keV. Let's get back to

963
00:46:43,400 --> 00:46:45,799
Speaker 1: the interview. Yeah, any artists, if you have catalog and

964
00:46:46,000 --> 00:46:48,840
Speaker 1: you try to sign a deal, and now it's different

965
00:46:48,880 --> 00:46:50,680
Speaker 1: if they just say we just want to distribute it,

966
00:46:50,960 --> 00:46:53,880
Speaker 1: you know, because that's a different situation. But if they're like, no,

967
00:46:53,960 --> 00:46:58,359
Speaker 1: bring bring your catalog over to our label, that I'd go,

968
00:46:58,360 --> 00:47:01,080
Speaker 1: go fuck yourself. The short to understand too. So how

969
00:47:01,080 --> 00:47:02,400
Speaker 1: I look at it as you know a lot of

970
00:47:02,440 --> 00:47:04,960
Speaker 1: people that complain about the artists putting out too much music.

971
00:47:05,000 --> 00:47:07,080
Speaker 1: I'm not signed to a record label, so why would

972
00:47:07,120 --> 00:47:10,160
Speaker 1: I not put out as much as you I can?

973
00:47:10,239 --> 00:47:12,680
Speaker 1: Because that's where I get paid from. So it's a

974
00:47:12,760 --> 00:47:16,240
Speaker 1: numbers game, man. Yeah, So if I'm getting paid whatever

975
00:47:16,239 --> 00:47:18,160
Speaker 1: I'm getting paid off each album, why would I not

976
00:47:18,239 --> 00:47:20,800
Speaker 1: keep dropping the numbers game? Like when you're on a major.

977
00:47:20,840 --> 00:47:23,160
Speaker 1: They want you to drop an album, then tour a year,

978
00:47:23,600 --> 00:47:25,680
Speaker 1: and then come back and dropped in because they putting

979
00:47:25,719 --> 00:47:30,080
Speaker 1: the money up before you and and everything else. Yeah,

980
00:47:30,160 --> 00:47:32,000
Speaker 1: they can tell you what song they don't want on here,

981
00:47:32,400 --> 00:47:35,960
Speaker 1: what picture they don't want. I done heard artists like, okay,

982
00:47:36,000 --> 00:47:37,520
Speaker 1: they want me to sign over here, but they wanted

983
00:47:37,520 --> 00:47:39,760
Speaker 1: me to take off my tattoos or cut my drade

984
00:47:40,160 --> 00:47:41,840
Speaker 1: like that. They want to control you because they putting

985
00:47:41,840 --> 00:47:43,600
Speaker 1: the money up, So they want you to look a

986
00:47:43,600 --> 00:47:45,200
Speaker 1: certain way, they want you to wrap a certain way.

987
00:47:45,200 --> 00:47:48,360
Speaker 1: This is what they feel will work. I feel like

988
00:47:48,480 --> 00:47:54,000
Speaker 1: artists nowadays are at least becoming more transparent and understanding

989
00:47:54,040 --> 00:47:57,000
Speaker 1: that they might be in shitty deals inventing that. You know,

990
00:47:57,120 --> 00:47:59,040
Speaker 1: like we've seen me, we've seen yg. We've seen a

991
00:47:59,040 --> 00:48:01,759
Speaker 1: lot of people be like, yo, I didn't get no

992
00:48:01,840 --> 00:48:04,520
Speaker 1: money off my music. Because what happens is you take

993
00:48:04,640 --> 00:48:07,759
Speaker 1: the advance, and that has to if you take if

994
00:48:07,760 --> 00:48:09,680
Speaker 1: you get a million, that's just an easy number to

995
00:48:09,680 --> 00:48:13,080
Speaker 1: work with. A million dollars on a major label, you're

996
00:48:13,120 --> 00:48:17,239
Speaker 1: probably only owning seven to twelve percent of your user

997
00:48:17,360 --> 00:48:19,160
Speaker 1: so much just to get that million back, because they go,

998
00:48:19,480 --> 00:48:21,480
Speaker 1: you got to make that ship back over ten times

999
00:48:21,520 --> 00:48:24,359
Speaker 1: before you recoup. It's like, bro, that's hard to do.

1000
00:48:24,800 --> 00:48:26,880
Speaker 1: So that's where all the other things and endorsements and

1001
00:48:26,920 --> 00:48:28,880
Speaker 1: everything else come in. That's what they're living off of

1002
00:48:28,960 --> 00:48:30,759
Speaker 1: in the shows and shit. Yeah, but when that shit

1003
00:48:30,840 --> 00:48:33,000
Speaker 1: drives up, that's where you would see these artists during

1004
00:48:33,000 --> 00:48:35,919
Speaker 1: the pandemic like, man, fuck my label, I ain't see

1005
00:48:35,960 --> 00:48:38,280
Speaker 1: no money since. And then they get back trapping again,

1006
00:48:38,440 --> 00:48:42,120
Speaker 1: and then they get caught up. Nah. I think that's

1007
00:48:42,200 --> 00:48:44,799
Speaker 1: really what COVID did, was it made y'all realize, yo,

1008
00:48:44,760 --> 00:48:47,080
Speaker 1: know all these motherfuckers for the most part, you know,

1009
00:48:47,120 --> 00:48:48,719
Speaker 1: and these are good guys that fuck with a lot

1010
00:48:48,719 --> 00:48:51,799
Speaker 1: of them. But when you take that easy upfront check,

1011
00:48:52,280 --> 00:48:56,120
Speaker 1: you're signing off on a lot of bullshit in that deal. Yeah,

1012
00:48:56,239 --> 00:48:58,640
Speaker 1: I mean you got to make that. Fuck it, make

1013
00:48:58,640 --> 00:49:01,600
Speaker 1: that given. Tell you a friend what they want back,

1014
00:49:02,480 --> 00:49:05,319
Speaker 1: and and I don't feel bad. And if you're not

1015
00:49:05,360 --> 00:49:07,520
Speaker 1: able to make that back, bro, I don't feel bad

1016
00:49:07,520 --> 00:49:10,600
Speaker 1: because you signed the fucking deal like you, we're talking

1017
00:49:10,640 --> 00:49:13,960
Speaker 1: grown ass men. You signed a contract like you either

1018
00:49:14,000 --> 00:49:15,919
Speaker 1: you needed the money, you don't took an advance before

1019
00:49:16,680 --> 00:49:20,799
Speaker 1: took advance. But it's different. I feel like it's it's

1020
00:49:20,880 --> 00:49:23,879
Speaker 1: different splits. Yeah, it's different, but you can't sell your soul,

1021
00:49:24,120 --> 00:49:25,680
Speaker 1: you know what I'm saying. And it took an advance before,

1022
00:49:25,760 --> 00:49:28,480
Speaker 1: but I made mine back I recouped, So yeah, that's

1023
00:49:28,520 --> 00:49:30,600
Speaker 1: how it works. So now a lot of them take

1024
00:49:30,600 --> 00:49:33,040
Speaker 1: the advance. Imagine if you get off. Imagine if you

1025
00:49:33,160 --> 00:49:36,640
Speaker 1: only get eight percent, how hard it is to recoup that. Now,

1026
00:49:36,680 --> 00:49:38,880
Speaker 1: if you do like a distro situation and you got

1027
00:49:38,920 --> 00:49:42,279
Speaker 1: an eighty, twenty, sixty, forty, ninety ten, whatever, it's a

1028
00:49:42,320 --> 00:49:44,960
Speaker 1: lot easier to recoup. But if you have eight percent

1029
00:49:45,000 --> 00:49:48,600
Speaker 1: out of one hundred, that means ninety two pennies of

1030
00:49:48,680 --> 00:49:51,879
Speaker 1: every dollar goes into the labor's pocket and only eight

1031
00:49:52,000 --> 00:49:55,200
Speaker 1: cents And you don't get the eight That eight cents

1032
00:49:55,239 --> 00:49:57,920
Speaker 1: goes towards your balance that you oh, that you oh

1033
00:49:58,080 --> 00:50:00,200
Speaker 1: even go in your pocket. It does not go on

1034
00:50:00,320 --> 00:50:03,399
Speaker 1: your pocket. You gotta fuck forever to pay that shit

1035
00:50:03,480 --> 00:50:07,440
Speaker 1: up forever. You gotta be fucking the weekend or somebody,

1036
00:50:07,480 --> 00:50:09,560
Speaker 1: you know what I mean. You gotta be drake like

1037
00:50:09,880 --> 00:50:11,640
Speaker 1: you know what I mean, Like it's like good luck,

1038
00:50:11,680 --> 00:50:13,640
Speaker 1: you know, I don't think people understand like when you

1039
00:50:13,680 --> 00:50:15,520
Speaker 1: look at you know i'd be looking at people's numbers

1040
00:50:16,000 --> 00:50:19,080
Speaker 1: except be like, Okay, if he did twenty million streams

1041
00:50:19,120 --> 00:50:23,000
Speaker 1: times twenty times four thousand, I mean shit, you know

1042
00:50:23,040 --> 00:50:25,520
Speaker 1: what I mean? Like, I mean, that's cool money, you

1043
00:50:25,560 --> 00:50:29,120
Speaker 1: know what I mean. But like you know, like how

1044
00:50:29,120 --> 00:50:32,279
Speaker 1: are you? What's your overhead? What's your overhead? A lot

1045
00:50:32,320 --> 00:50:33,839
Speaker 1: of these you gotta understand too. A lot of these

1046
00:50:33,920 --> 00:50:39,680
Speaker 1: rappers like that's all they ever did was rap, so

1047
00:50:39,680 --> 00:50:42,160
Speaker 1: they don't have many really other hustles or whatever. So

1048
00:50:42,280 --> 00:50:44,239
Speaker 1: like if they get that money and fuck that money off,

1049
00:50:44,239 --> 00:50:48,160
Speaker 1: it's over. And it happens more often than not, especially

1050
00:50:48,239 --> 00:50:50,520
Speaker 1: your first deal. Most people's first deal is all bad.

1051
00:50:51,480 --> 00:50:54,919
Speaker 1: Go buy chains, call, bring all the homies on the road,

1052
00:50:56,080 --> 00:50:59,400
Speaker 1: all of all the drugs, all this shit. Man, you

1053
00:50:59,520 --> 00:51:03,520
Speaker 1: are you pretty? Like you? Do you travel deeper? Like

1054
00:51:03,560 --> 00:51:05,160
Speaker 1: did you move around with a lot of people or

1055
00:51:07,480 --> 00:51:09,680
Speaker 1: like like home or are you talking about like out

1056
00:51:09,680 --> 00:51:12,120
Speaker 1: of town? Let's say you out of town. Like for

1057
00:51:12,280 --> 00:51:17,080
Speaker 1: my writer, it's like four rooms and five flights. That's

1058
00:51:17,080 --> 00:51:20,920
Speaker 1: not bad. Yeah, that's not bad. I recently tried to

1059
00:51:20,960 --> 00:51:23,120
Speaker 1: book an artist for a show or for a club,

1060
00:51:23,160 --> 00:51:27,640
Speaker 1: and they wanted fifteen flights, and I was like, well,

1061
00:51:27,640 --> 00:51:29,880
Speaker 1: this isn't gonna work. Guys. You know I've seen some

1062
00:51:29,920 --> 00:51:32,640
Speaker 1: shit like that. I got booked for a show with

1063
00:51:32,760 --> 00:51:36,480
Speaker 1: the artist before, and that niggashit was crazy. It was

1064
00:51:36,560 --> 00:51:42,360
Speaker 1: like he wanted twenty five chicken wings, fifty lobster tails.

1065
00:51:42,520 --> 00:51:45,680
Speaker 1: He wanted like some crazy shit. Didn't even eat none

1066
00:51:45,680 --> 00:51:47,840
Speaker 1: of it. That's how it came and came there and

1067
00:51:47,880 --> 00:51:51,000
Speaker 1: counted it like he came to the He came there

1068
00:51:51,040 --> 00:51:52,680
Speaker 1: and counted this shit like I didn't book him. I

1069
00:51:52,760 --> 00:51:54,400
Speaker 1: was on the show with him, but the guy was

1070
00:51:54,400 --> 00:51:57,359
Speaker 1: telling me, like his writer, how crazy shit was. But

1071
00:51:57,760 --> 00:51:59,040
Speaker 1: you know, if you the promoter, you agree to I

1072
00:51:59,080 --> 00:52:01,879
Speaker 1: could say, hey, I won't five Latina women in the room,

1073
00:52:01,920 --> 00:52:05,640
Speaker 1: but as naked rolling blunts for me, and I won't

1074
00:52:05,960 --> 00:52:09,799
Speaker 1: a gallon of a gallon of Eminem's all green. And

1075
00:52:09,840 --> 00:52:12,080
Speaker 1: if you agree to it, you gotta provide to provide it.

1076
00:52:12,120 --> 00:52:14,560
Speaker 1: That's real up to you. There it is, man, all right, Well,

1077
00:52:14,600 --> 00:52:18,560
Speaker 1: look the album is out motivational purposes. Uh talk about

1078
00:52:18,760 --> 00:52:20,960
Speaker 1: the April slate of your artist that you got dropping

1079
00:52:22,040 --> 00:52:27,160
Speaker 1: so April first, I'm Friday. Next Friday, we got to

1080
00:52:27,280 --> 00:52:29,960
Speaker 1: the bands dropping HBO two. I met him nice guy,

1081
00:52:30,120 --> 00:52:35,239
Speaker 1: Funny Guy, Skinny te just drop, just bangs, just drive.

1082
00:52:36,400 --> 00:52:38,600
Speaker 1: We got Loso, we got a little Steve, we got

1083
00:52:38,600 --> 00:52:42,480
Speaker 1: a little Tray, we got Rascal Fetti. He just dropped

1084
00:52:42,920 --> 00:52:44,680
Speaker 1: you know, we got my nephew, he twelve years old,

1085
00:52:44,800 --> 00:52:47,480
Speaker 1: Jay Money. Oh ship, Yeah, he just dropped the t

1086
00:52:47,680 --> 00:52:50,399
Speaker 1: Are you helping him? Right? No? He writes his own ship.

1087
00:52:50,560 --> 00:52:55,360
Speaker 1: Everything is got videos, he do everything and so he

1088
00:52:54,680 --> 00:52:58,839
Speaker 1: he went of a cond that's fucking that's lit. Yeah, yeah, yeah.

1089
00:52:58,880 --> 00:53:02,480
Speaker 1: So we're just working man. We just I'm about to

1090
00:53:02,520 --> 00:53:07,080
Speaker 1: drop a fo D compilation album on May knife. It's

1091
00:53:07,080 --> 00:53:10,400
Speaker 1: called The Infrastructure fifty Rich Presents fo D. So I

1092
00:53:10,520 --> 00:53:13,040
Speaker 1: like that. That's the next big move for everybody. Got

1093
00:53:13,040 --> 00:53:15,600
Speaker 1: the whole label on there. So and then from there

1094
00:53:15,640 --> 00:53:19,400
Speaker 1: we just just pushing out tapes. I think Skinny and Steve,

1095
00:53:19,840 --> 00:53:21,680
Speaker 1: I mean, Skinny and Steve got an album coming out,

1096
00:53:22,520 --> 00:53:26,319
Speaker 1: Stuck on Seminary for Tutor and Skinny got album coming out.

1097
00:53:26,719 --> 00:53:31,880
Speaker 1: Cardiers and Rolexus we got wiped out the Sacramento. He

1098
00:53:32,120 --> 00:53:34,359
Speaker 1: the next thing up by the sack. Shout out the sack,

1099
00:53:34,480 --> 00:53:37,319
Speaker 1: Yeah for sure, shouts a Stockton too stockings. Yeah right

1100
00:53:37,360 --> 00:53:39,520
Speaker 1: now short with the e V k movement. Yeah, yeah,

1101
00:53:39,520 --> 00:53:41,880
Speaker 1: we got we got slowly on the album too, on

1102
00:53:41,920 --> 00:53:46,200
Speaker 1: the FOD infrastructure. So uh, lots at a lot of

1103
00:53:46,200 --> 00:53:48,600
Speaker 1: good lots. It's gonna be a busy year. Yeah, it's

1104
00:53:48,640 --> 00:53:50,960
Speaker 1: never not a busy year for you. Got to man,

1105
00:53:51,200 --> 00:53:54,759
Speaker 1: your calmest year in the last ten years where you

1106
00:53:54,760 --> 00:53:56,600
Speaker 1: were like like where you put out the least amount

1107
00:53:56,600 --> 00:53:59,840
Speaker 1: of music maybe last year. Last year it was like

1108
00:54:01,120 --> 00:54:03,640
Speaker 1: two tapes, maybe three, No, it was three. It was

1109
00:54:03,640 --> 00:54:06,960
Speaker 1: a it was a Philip Beasley and I had a

1110
00:54:07,000 --> 00:54:13,080
Speaker 1: group album with Tutor and then solidified, So it was

1111
00:54:13,120 --> 00:54:15,440
Speaker 1: only three tapes that year. Most people can't get three

1112
00:54:15,480 --> 00:54:17,719
Speaker 1: tapes out in their whole career. So other than that,

1113
00:54:17,719 --> 00:54:20,640
Speaker 1: everything else been turned up there it is, Man, appreciate

1114
00:54:20,680 --> 00:54:25,120
Speaker 1: you pulling up coming through your motivational purpose. Make sure

1115
00:54:25,160 --> 00:54:28,839
Speaker 1: y'all go get you an English bulldog, English Bulldog Real

1116
00:54:28,880 --> 00:54:32,920
Speaker 1: Bullies backing style. May ninth is the FOD project infrastructure

1117
00:54:33,000 --> 00:54:36,439
Speaker 1: dropping May ninth. Man, we're trying to take this shit

1118
00:54:36,520 --> 00:54:38,919
Speaker 1: over man with a new no limit Man, no limit.

1119
00:54:38,960 --> 00:54:39,799
Speaker 1: I like it. Let's go