WEBVTT - Tea: The Splendid Elixir, Part 3

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<v Speaker 1>Times for drinking tea in idle moments, when bored with poetry,

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<v Speaker 1>thoughts confused, beating time to songs when music stops. Living

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<v Speaker 1>in seclusion, enjoying scholarly pastimes, conversing late at night, studying

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<v Speaker 1>on a sunny day in the bridal chamber, detaining favored guests,

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<v Speaker 1>playing host to scholars or pretty girls, visiting friends returned

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<v Speaker 1>from far away in perfect weather, when skies are overcast,

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<v Speaker 1>watching boats glide past on the canal, midst trees and bamboos,

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<v Speaker 1>when flowers bud and birds chat on hot days by

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<v Speaker 1>a lotus pond, burning incense in the courtyard after tipsy

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<v Speaker 1>guests have left, when the youngsters have gone out on

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<v Speaker 1>visits to secluded temples, when viewing springs and scenic rocks.

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<v Speaker 1>Welcome to Stuff to Blow your Mind production of My

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<v Speaker 1>Heart Radio. Hey you, welcome to stuff to blow your mind.

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<v Speaker 1>This is Robert Lamb and I'm Joe McCormick, and that

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<v Speaker 1>opening up the episode. There, that's the one last key poem. Uh.

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<v Speaker 1>This one is also collected in a History of t

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<v Speaker 1>The Life and Times of the World's Favorite Beverage by

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<v Speaker 1>Laura C. Martin, which is one of my sources for

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<v Speaker 1>these episodes. This is a poem by Sue see Shoe,

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<v Speaker 1>which I like it. You know, I guess it's kind

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<v Speaker 1>of simple format here, but yeah, it's basically saying you

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<v Speaker 1>can drink tea anytime. Anytime is a great time to

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<v Speaker 1>drink tea. But here are some specific examples. So yes,

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<v Speaker 1>pizza in the morning, pizza in the evening. Yeah. So

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<v Speaker 1>this is our third and I think this will be

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<v Speaker 1>our our final for now episode on T. I don't know.

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<v Speaker 1>It's certainly a topic we could always come back to.

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<v Speaker 1>It's a topic we could keep doing. But then if

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<v Speaker 1>we did over to do that, we would be a

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<v Speaker 1>tea podcast. And we're not exclusively a T podcast, but

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<v Speaker 1>there are a lot of great looking, exclusively T related

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<v Speaker 1>podcasts out there. Uh so, certainly feel free to continue

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<v Speaker 1>your T journey with other shows. And if there's a

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<v Speaker 1>particular topic related to T that seems like something we

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<v Speaker 1>should cover, well we can always come back and do that.

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<v Speaker 1>But if you didn't listen to the first two episodes

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<v Speaker 1>on T, I highly recommend you go back and listen

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<v Speaker 1>to those. We talked about, Oh, the botany of tea. Um,

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<v Speaker 1>we talked about a lot of the history of tea.

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<v Speaker 1>We're going to conclude the basic Chinese and Japanese history

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<v Speaker 1>of te in this episode, with a few other bits

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<v Speaker 1>and pieces in there. We also talked about tea mythology

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<v Speaker 1>in the first episode. Now before we move on and

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<v Speaker 1>and also get into some of these uh these interesting tangents.

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<v Speaker 1>I wanted to clarify what we said in the last

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<v Speaker 1>section about the phases of tea because I think this

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<v Speaker 1>can get confusing. So you have kind of like the

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<v Speaker 1>emitive tea level, where it would be tea leaves dropped

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<v Speaker 1>into boiling water, creating a bitter brew. Then you have

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<v Speaker 1>this phase one of tea. This is where you have

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<v Speaker 1>leaves dried and pressed into bricks, and then when you

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<v Speaker 1>go to make it, you cut some of that brick off,

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<v Speaker 1>you put it in water and it ends up being

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<v Speaker 1>kind of coarse in acidic. But this was kind of

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<v Speaker 1>like the first phase, the first uh era of tea.

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<v Speaker 1>Then comes phase two, where the leaves are steam dried

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<v Speaker 1>and ground into a fine powder whipped into hot water.

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<v Speaker 1>This is the Mancha style of tea. It's fresher as

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<v Speaker 1>a fresher grassy or flavor. And then eventually you get

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<v Speaker 1>to phase three, where you have steamed, cut, dried, oxidized,

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<v Speaker 1>and sorted and steeped tea that creates basically most of

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<v Speaker 1>the modern flavors of tea that we think of today. Now,

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<v Speaker 1>there there are plenty of examples that kind of blur

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<v Speaker 1>the line. You can still certainly get brick or cake, etcetera.

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<v Speaker 1>Tease that are oxidized. Um Mancha teas are still used

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<v Speaker 1>as well. Uh so it's um then look at this.

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<v Speaker 1>It's just like a strict evolution of form with past

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<v Speaker 1>forms completely falling away. But I think it is a

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<v Speaker 1>good structure to think of when we think about the

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<v Speaker 1>evolution of tea. And as far as phase three goes,

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<v Speaker 1>we will be getting into that later in this episode. Now, Rob,

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<v Speaker 1>before we do that, you actually inspired me to go

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<v Speaker 1>on a couple of tangents about teapots in this episode,

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<v Speaker 1>because while I am not much of a tea drinker,

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<v Speaker 1>for many years I did have an intimate relationship with

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<v Speaker 1>a tea kettle that lived on my stovetop, and most

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<v Speaker 1>of that relationship was one of strife and agony. I

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<v Speaker 1>really disliked this tea kettle for a number of reasons,

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<v Speaker 1>and and one of them, uh, is as follows, Rob,

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<v Speaker 1>I'm sure you've had this experience a million times, whether

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<v Speaker 1>it's from a poorly designed or vintage tea pot, or

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<v Speaker 1>I guess from any vessel containing liquid. You fill it

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<v Speaker 1>up and you go to pour it out into a

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<v Speaker 1>cup or a bowl, but instead of pouring in a

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<v Speaker 1>steady arc where you aimed it, the liquid coming out

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<v Speaker 1>of the spout clings to the underside of the teapot

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<v Speaker 1>spout and then runs down the side of the pot

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<v Speaker 1>and dribbles all over the table or the floor or

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<v Speaker 1>your pants. I have certainly encountered this before. Fortunately, our

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<v Speaker 1>current teapot it doesn't do this, or at least doesn't

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<v Speaker 1>do this so much. But I have certainly encountered this before.

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<v Speaker 1>The one that I'm thinking of had a very kind

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<v Speaker 1>of wide, round, almost pipe like spout, and uh yeah,

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<v Speaker 1>it did this all the time. So this is a

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<v Speaker 1>phenomenon that is well known in physics. It actually has

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<v Speaker 1>a name. It's called the teapot effect. Though it doesn't

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<v Speaker 1>just happen in teapots, it occurs when pouring from all

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<v Speaker 1>kinds of containers. I think it is probably one of

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<v Speaker 1>the most common sources of spills and stains around the

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<v Speaker 1>kitchen when you know, when you're trying to pour out

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<v Speaker 1>of one container and it just doesn't pour the way

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<v Speaker 1>you intended. It doesn't arc like you meant it too.

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<v Speaker 1>Instead it runs down the side mm hmm. Yeah, And

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<v Speaker 1>I think I have certainly encountered this even more with

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<v Speaker 1>with other pouring vessels. Uh. And the often it will

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<v Speaker 1>be something you know, bright and colorful or sticky that

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<v Speaker 1>I really don't want to get everywhere. I think I

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<v Speaker 1>was trying to think about situations where I encounter it

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<v Speaker 1>the most, and before understanding all of the underlying physics,

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<v Speaker 1>the things that occurred to me worre that it happens

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<v Speaker 1>when you're trying to pour a liquid slowly, especially out

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<v Speaker 1>of a container without a designated pouring lips. So like

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<v Speaker 1>if you're trying to pour liquid, say out of a

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<v Speaker 1>saucepan or out of a drinking glass, that's drible. City.

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<v Speaker 1>Yeah and yeah, especially this will occur, at least in

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<v Speaker 1>my experience, where you have to say, like you're gonna

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<v Speaker 1>pour orange juice out of an orange juice container, and

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<v Speaker 1>the orange juice container has just been opened, it's super

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<v Speaker 1>filled up, you know, so you have this impulse to

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<v Speaker 1>want to pour slowly in order to control the juice

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<v Speaker 1>which is already almost overflowing. But if you do so, yeah,

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<v Speaker 1>you're gonna get that dribble more often than not. You've

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<v Speaker 1>got to commit and really just swash it in there.

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<v Speaker 1>But why does the dribbling happen? Well, it turns out

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<v Speaker 1>the answer is not simple at all, and there have

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<v Speaker 1>been fluid dynamics and rayology papers. Reology is the study

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<v Speaker 1>of how matter flows, so the flow of fluids or

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<v Speaker 1>plastic plastic solids um reyology and fluid dynamics papers on

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<v Speaker 1>this tricky subject going back at least as far as

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<v Speaker 1>the nineteen fifties. UH, there was an investigation of the

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<v Speaker 1>teapot effect that in fact even one an Ignobel Prize

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<v Speaker 1>in nine that you can see how that fits with

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<v Speaker 1>their kind of like a quaint, quirky sense of humor

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<v Speaker 1>like teapots. But it looks like a fairly definitive paper

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<v Speaker 1>on the UH. This question came out in one and

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<v Speaker 1>it was by Bernhard Schickel, Robert I, Bowls and Georgios

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<v Speaker 1>pass called developed liquid film passing a smooth and wedge

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<v Speaker 1>shaped trailing edge small scale analysis and the teapot effect

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<v Speaker 1>at large Reynolds numbers. This was published in the Journal

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<v Speaker 1>of Fluid Mechanics. Again, by the way, if you scroll

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<v Speaker 1>through this paper and check out the diagrams and equations,

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<v Speaker 1>it's almost hilarious, Like you would be shocked how complicated

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<v Speaker 1>this looks. I'm not even going to pretend that I

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<v Speaker 1>could make sense of it. Like I was trying to

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<v Speaker 1>look and hack through this paper. I'm like, oh, this

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<v Speaker 1>is hopeless. So instead I found a good article summarizing

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<v Speaker 1>the results that includes an interview with one of the

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<v Speaker 1>lead authors. Uh. The article was by Jennifer Woollett for

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<v Speaker 1>Ours Technica and UH this paper so it was a

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<v Speaker 1>collaboration between researchers at the Vienna University of Technology and

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<v Speaker 1>University College London. And they say that their their paper

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<v Speaker 1>here is a complete theoretical description of the teapot effect,

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<v Speaker 1>which has eluded these researchers for decades. Finally they've got

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<v Speaker 1>all the forces modeled here correctly, so they can fully

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<v Speaker 1>predict to what what happens with a with a tea

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<v Speaker 1>spout of various designs pouring in different ways. And they

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<v Speaker 1>say the teapot effect has to include inertial viscous and

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<v Speaker 1>capillary forces. So it turns out one of the major

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<v Speaker 1>factors influencing whether the liquid dribbles or not is as

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<v Speaker 1>you and I both intuited from our experience flow rate.

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<v Speaker 1>Uh two people who have like less experience in the kitchen.

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<v Speaker 1>I think this might sound counterintuitive because, as you know,

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<v Speaker 1>you you were saying rob a lot of times when

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<v Speaker 1>you're trying to be careful and not spill something, your

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<v Speaker 1>instinct is to pour slowly because pouring slowly seems like

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<v Speaker 1>it's the careful option, right. But as matches our experience,

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<v Speaker 1>at a higher flow rate, when liquid is coming out

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<v Speaker 1>of the teapot or container faster, this actually makes the

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<v Speaker 1>pouring action less likely to end up dribbling. That is

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<v Speaker 1>how you are more likely to get the arc you're intending.

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<v Speaker 1>It's actually once you start trying to pour slowly, the

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<v Speaker 1>dribbling becomes more likely. Uh. So you know, you can

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<v Speaker 1>imagine all kinds of scenarios here, like if you're trying

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<v Speaker 1>to pour something out slowly to carefully measure a volume

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<v Speaker 1>of liquid into another container like a measuring cup, or

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<v Speaker 1>maybe you're trying to pour something in a slow stream

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<v Speaker 1>to whisk and emulsify it. You've seen people doing that.

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<v Speaker 1>They dribble all the time. Oh yeah, and I'm thinking

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<v Speaker 1>especially like making cocktails and measuring out the various components.

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<v Speaker 1>This is why the sides of your bottles are sticky. Yeah,

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<v Speaker 1>so fast steady pouring dribbles less. Uh. The design of

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<v Speaker 1>the lip of the teapot or pouring container also matters.

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<v Speaker 1>There were some French physicists who wrote a paper on

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<v Speaker 1>this in two and they suggested that you could fight

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<v Speaker 1>the teapot effect by making the lip of the spout

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<v Speaker 1>as thin and as sharp ended as possible, so like

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<v Speaker 1>round tips are more likely to dribble. And apparently it

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<v Speaker 1>also helped to coat the end of the spout in

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<v Speaker 1>water repellent material so that the liquid or water based

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<v Speaker 1>liquid doesn't want to cling to the underside of the lip.

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<v Speaker 1>And this seems to be because the dribbling is partially

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<v Speaker 1>the result of what the researchers call a hydro capillary effect. Basically,

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<v Speaker 1>whenever you start to pour water based liquid out of

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<v Speaker 1>a container, drops will form on the underside of the

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<v Speaker 1>lip of the edge you're pouring from the like the

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<v Speaker 1>spout of a teapot. So you know, the water is

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<v Speaker 1>coming out of the spout, but then on the underside

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<v Speaker 1>of that spout there's gonna be some droplet formation, and

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<v Speaker 1>the rate at which you pour determines how big those

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<v Speaker 1>drops on the underside of the lip get. A high

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<v Speaker 1>flow rate keeps them small, but a slow pouring allows

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<v Speaker 1>the drops on the underside to become larger. And once

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<v Speaker 1>those drops reach a certain critical size, once they get

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<v Speaker 1>big enough, they actually start to grab hold of the

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<v Speaker 1>water or tea or whatever that's coming out of the

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<v Speaker 1>spout and redirect its flow down the side of the

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<v Speaker 1>container instead of the arc that you're aiming for. Now,

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<v Speaker 1>there was a thing that I was thinking about. This

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<v Speaker 1>is another design feature that I didn't see mentioned in UH,

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<v Speaker 1>in this summary, or in any of the papers I

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<v Speaker 1>was looking at. But it's one that I've seen in

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<v Speaker 1>some kettle designs, UH, and it's a teapot spout. They

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<v Speaker 1>can have an upward arcing curve right before the opening

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<v Speaker 1>of the spout. For example, you see this on some

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<v Speaker 1>goose neck kettles. Rob. I've got an example for you

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<v Speaker 1>to look at here if you scroll down, UH, if

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<v Speaker 1>you try to picture it, it's kind of a curving

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<v Speaker 1>swan neck shape. Um, I don't know why I said

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<v Speaker 1>swan neck. They're they're literally called goose neck. So that

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<v Speaker 1>the curving shape where if you imagine it in pouring

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<v Speaker 1>position and you're you're trying to think how the liquid

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<v Speaker 1>would have to travel to run down the bottom of

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<v Speaker 1>the spout, it would literally have to go sort of

0:12:53.360 --> 0:12:56.320
<v Speaker 1>uphill first before it would be able to run down

0:12:56.320 --> 0:12:58.959
<v Speaker 1>the spout. And I think this also helps it, uh

0:12:59.160 --> 0:13:02.199
<v Speaker 1>not do that. One last thing that I thought was

0:13:02.240 --> 0:13:05.199
<v Speaker 1>pretty interesting, so they had to model all these forces

0:13:05.240 --> 0:13:08.760
<v Speaker 1>that determine whether or not liquid dribbles when it's coming

0:13:08.800 --> 0:13:14.079
<v Speaker 1>out again. Those forces include an inertial, viscous, and capillary forces,

0:13:14.080 --> 0:13:18.120
<v Speaker 1>but there was actually very little role for gravity. Gravity

0:13:18.160 --> 0:13:22.079
<v Speaker 1>does not play a major role in causing the teapot effect,

0:13:22.320 --> 0:13:24.960
<v Speaker 1>meaning that tea pots will still dribble on the Moon

0:13:25.200 --> 0:13:30.360
<v Speaker 1>or in other low gravity environments. That reminds me I

0:13:30.400 --> 0:13:33.319
<v Speaker 1>was looking around for this episode. I briefly looked into

0:13:33.960 --> 0:13:36.280
<v Speaker 1>drinking tea in orbit, and I didn't find anything that

0:13:36.320 --> 0:13:38.959
<v Speaker 1>I was really compelled to include here. But I did

0:13:38.960 --> 0:13:42.640
<v Speaker 1>see some footage of of of an astronaut having their

0:13:42.679 --> 0:13:48.440
<v Speaker 1>tea with chopsticks, like eating the little floating globs of tea. Oh,

0:13:48.559 --> 0:13:51.640
<v Speaker 1>I see out of the atmosphere with with their chopsticks. Yeah,

0:13:51.760 --> 0:13:54.280
<v Speaker 1>just grabbing like so, I guess with the surface tension,

0:13:54.320 --> 0:13:57.240
<v Speaker 1>it's like a little blob of tea floating and then

0:13:57.280 --> 0:13:59.280
<v Speaker 1>you like put the chopsticks in it and it sticks

0:13:59.320 --> 0:14:11.160
<v Speaker 1>to them. Yeah, yeah, thank thank thank, Okay. So that's

0:14:11.160 --> 0:14:15.400
<v Speaker 1>the physical teapot tangent. What about the philosophical teapot tangent. Well,

0:14:15.440 --> 0:14:17.839
<v Speaker 1>I thought it would be interesting to very briefly talk

0:14:18.000 --> 0:14:21.680
<v Speaker 1>about Russell's teapot, one of the most famous teapots in

0:14:21.680 --> 0:14:24.440
<v Speaker 1>the world. It's not a physical artifact. It is a

0:14:24.520 --> 0:14:29.360
<v Speaker 1>thought experiment used by Bertrand Russell to explain a certain

0:14:29.440 --> 0:14:34.200
<v Speaker 1>form of skeptical reasoning, specifically, in his case, to support

0:14:34.360 --> 0:14:36.760
<v Speaker 1>his lack of belief in God, though I think it

0:14:36.800 --> 0:14:40.040
<v Speaker 1>could be applied to other scenarios. Now, I want to

0:14:40.080 --> 0:14:43.560
<v Speaker 1>front load a caveat and say that some theistic philosophers

0:14:43.600 --> 0:14:47.600
<v Speaker 1>think they have good arguments for why Russell's teapot analogy

0:14:47.720 --> 0:14:50.640
<v Speaker 1>does not or should not apply to beliefs about God.

0:14:51.280 --> 0:14:53.880
<v Speaker 1>But even if you're inclined to agree with those critics,

0:14:53.920 --> 0:14:56.520
<v Speaker 1>I think the teapot is useful to think about for

0:14:56.760 --> 0:15:00.480
<v Speaker 1>a more general analogy for different types of leafs that

0:15:00.520 --> 0:15:03.960
<v Speaker 1>we hold and claims that we make. So very very

0:15:03.960 --> 0:15:08.720
<v Speaker 1>brief biographical background. Bertrand Russell lived from eighteen seventy two

0:15:08.840 --> 0:15:12.400
<v Speaker 1>to nineteen seventy He was a famous British philosopher and

0:15:12.440 --> 0:15:16.040
<v Speaker 1>public intellectual who was incredibly influential in a number of

0:15:16.040 --> 0:15:18.800
<v Speaker 1>different fields. So he was pre eminent in his academic

0:15:18.840 --> 0:15:22.920
<v Speaker 1>fields of logic and analytic philosophy, but he was also

0:15:23.200 --> 0:15:26.600
<v Speaker 1>a big cultural figure in in Britain and an advocate

0:15:26.640 --> 0:15:32.080
<v Speaker 1>for political causes such as anti imperialism, socialism, and nuclear disarmament.

0:15:32.720 --> 0:15:37.080
<v Speaker 1>But Russell was also infamous for being non religious. Uh.

0:15:37.120 --> 0:15:40.040
<v Speaker 1>In nineteen fifty two he was asked to write an

0:15:40.160 --> 0:15:43.640
<v Speaker 1>essay for a London magazine called Illustrated, which came to

0:15:43.680 --> 0:15:46.680
<v Speaker 1>be called Is There a God? And Uh? I think

0:15:46.720 --> 0:15:49.520
<v Speaker 1>the essay was actually scrapped and not published in the

0:15:49.560 --> 0:15:53.280
<v Speaker 1>originally intended venue, but Russell expanded upon it later and

0:15:53.480 --> 0:15:57.520
<v Speaker 1>released it. And in the essay, Russell uses the analogy

0:15:57.600 --> 0:16:01.360
<v Speaker 1>of a teapot floating in space to explain his doubts

0:16:01.480 --> 0:16:03.800
<v Speaker 1>about the existence of God. So I'm going to read

0:16:03.880 --> 0:16:06.040
<v Speaker 1>from his essay here, and then we can uh, we

0:16:06.080 --> 0:16:10.160
<v Speaker 1>can analyze a little bit. So Russell says, many Orthodox

0:16:10.200 --> 0:16:13.240
<v Speaker 1>people speak as though it were the business of skeptics

0:16:13.320 --> 0:16:19.120
<v Speaker 1>to disprove received dogmas, rather than of dogmatists to prove them.

0:16:19.160 --> 0:16:21.520
<v Speaker 1>This is, of course a mistake. If I were to

0:16:21.560 --> 0:16:24.680
<v Speaker 1>suggest that between Earth and Mars there is a China

0:16:24.760 --> 0:16:29.120
<v Speaker 1>teapot revolving around the Sun in an elliptical orbit, nobody

0:16:29.160 --> 0:16:32.200
<v Speaker 1>would be able to disprove my assertion, provided I were

0:16:32.240 --> 0:16:35.240
<v Speaker 1>careful to add that the teapot is too small to

0:16:35.280 --> 0:16:39.360
<v Speaker 1>be revealed even by our most powerful telescopes. But if

0:16:39.360 --> 0:16:41.240
<v Speaker 1>I were to go on to say that, since my

0:16:41.280 --> 0:16:46.000
<v Speaker 1>assertion cannot be disproved, it is intolerable presumption on the

0:16:46.040 --> 0:16:48.880
<v Speaker 1>part of human reason to doubt it, I should rightly

0:16:48.920 --> 0:16:52.520
<v Speaker 1>be thought to be talking nonsense. If, however, the existence

0:16:52.520 --> 0:16:55.760
<v Speaker 1>of such a teapot were affirmed in ancient books, taught

0:16:55.760 --> 0:16:59.000
<v Speaker 1>as sacred truth every Sunday, and instilled into the minds

0:16:59.000 --> 0:17:02.520
<v Speaker 1>of children at school, hesitation to believe in its existence

0:17:02.560 --> 0:17:06.080
<v Speaker 1>would become a mark of eccentricity and entitle the doubter

0:17:06.200 --> 0:17:09.520
<v Speaker 1>to the attentions of the psychiatrist. In an enlightened age

0:17:09.720 --> 0:17:13.439
<v Speaker 1>or of the inquisitor at an earlier time. Now to

0:17:13.480 --> 0:17:16.240
<v Speaker 1>take a moment to be fair to Russell's critics, I

0:17:16.280 --> 0:17:18.439
<v Speaker 1>think they make some I'm not sure what I think

0:17:18.480 --> 0:17:21.840
<v Speaker 1>about this, some potentially good points about the belief in

0:17:21.880 --> 0:17:25.840
<v Speaker 1>the teapot not actually being analogous to belief in an

0:17:26.080 --> 0:17:30.240
<v Speaker 1>omnipotent creator God, because they say, for example, the teapot

0:17:30.359 --> 0:17:33.879
<v Speaker 1>is an object in the world that could only plausibly

0:17:34.200 --> 0:17:36.560
<v Speaker 1>have come to orbit the Sun if humans had put

0:17:36.600 --> 0:17:38.960
<v Speaker 1>it there, which we would probably know about if it

0:17:39.040 --> 0:17:42.159
<v Speaker 1>had happened. Meanwhile, God would not be an object in

0:17:42.200 --> 0:17:45.000
<v Speaker 1>the world, but like the creator of the world or

0:17:45.040 --> 0:17:48.560
<v Speaker 1>somehow standing outside the world. And therefore, according to these

0:17:48.600 --> 0:17:52.400
<v Speaker 1>theistic philosophers, the existence of God is like a proposition

0:17:52.480 --> 0:17:55.960
<v Speaker 1>that is just not analogous to the existence of any

0:17:55.960 --> 0:17:58.840
<v Speaker 1>physical object or entity that you could search for in

0:17:58.880 --> 0:18:02.360
<v Speaker 1>physical space. So I think a good way of phrasing

0:18:02.400 --> 0:18:05.320
<v Speaker 1>this objection is that they're saying, well, belief in God

0:18:05.440 --> 0:18:08.639
<v Speaker 1>is not a claim about something that exists in the universe,

0:18:08.920 --> 0:18:12.040
<v Speaker 1>but rather a claim about the way the universe is.

0:18:12.840 --> 0:18:15.720
<v Speaker 1>I'm not going to try to adjudicate that particular dispute

0:18:15.720 --> 0:18:18.040
<v Speaker 1>about whether Russell is right that this is a good

0:18:18.080 --> 0:18:20.800
<v Speaker 1>analogy for religious beliefs in God, or whether the critics

0:18:20.800 --> 0:18:22.960
<v Speaker 1>are right that it is not. But either way, I

0:18:23.000 --> 0:18:25.600
<v Speaker 1>think it is a useful thought experiment in a more

0:18:25.640 --> 0:18:28.639
<v Speaker 1>general sense because it reminds us not to be taken

0:18:28.640 --> 0:18:34.640
<v Speaker 1>in easily by unfalsifiable claims. And uh, there's another thought

0:18:34.680 --> 0:18:37.359
<v Speaker 1>experiment right along these lines that we've talked about on

0:18:37.400 --> 0:18:39.480
<v Speaker 1>the show before. You might if you listen for a while,

0:18:39.480 --> 0:18:42.560
<v Speaker 1>you might remember it. The thought experiment by Carl Sagan,

0:18:42.640 --> 0:18:47.000
<v Speaker 1>The invisible Dragon in his garage. So Carl Sagan says, hey,

0:18:47.160 --> 0:18:50.359
<v Speaker 1>I've got a dragon that lives in my garage. And

0:18:50.400 --> 0:18:52.879
<v Speaker 1>if you doubt this, you you might say, well, okay,

0:18:52.960 --> 0:18:54.720
<v Speaker 1>take me to your garage. I want to see it.

0:18:55.200 --> 0:18:57.040
<v Speaker 1>And then Sagan says, no, no, no, no, no, you

0:18:57.119 --> 0:19:00.119
<v Speaker 1>got it all wrong. It's an invisible dragon, so you

0:19:00.119 --> 0:19:02.000
<v Speaker 1>shouldn't expect to be able to see it. I mean,

0:19:02.040 --> 0:19:04.080
<v Speaker 1>you can look, but you're not gonna see it. It

0:19:04.240 --> 0:19:07.720
<v Speaker 1>is there, though, And then you could say, well, okay,

0:19:07.760 --> 0:19:10.240
<v Speaker 1>then let's walk around in your garage, you know, with

0:19:10.280 --> 0:19:12.680
<v Speaker 1>our hands out stretched and feel around for it until

0:19:12.720 --> 0:19:16.719
<v Speaker 1>we finally come upon this dragons invisible scaly back, and

0:19:16.800 --> 0:19:19.679
<v Speaker 1>once again Sagan can say, no, no, hold on, it

0:19:19.800 --> 0:19:23.640
<v Speaker 1>is also an incorporeal dragon. It is made of spirit matter,

0:19:23.760 --> 0:19:26.680
<v Speaker 1>not solid matter, So you shouldn't expect to be able

0:19:26.720 --> 0:19:29.240
<v Speaker 1>to touch it. You know that that wouldn't disprove it,

0:19:29.280 --> 0:19:31.480
<v Speaker 1>that you can't feel it, And then you could go

0:19:31.560 --> 0:19:34.119
<v Speaker 1>through more stages. I think he says that it's you

0:19:34.200 --> 0:19:36.400
<v Speaker 1>might suggest, well, what if we use like an infrared

0:19:36.440 --> 0:19:39.160
<v Speaker 1>heat detector, uh, And then he could say no, no,

0:19:39.200 --> 0:19:41.520
<v Speaker 1>it is a it's a dragon that does not produce

0:19:41.560 --> 0:19:43.840
<v Speaker 1>any heat, and so on and so on. You can

0:19:43.840 --> 0:19:47.240
<v Speaker 1>go moving the goal posts of detection always backwards, so

0:19:47.400 --> 0:19:49.879
<v Speaker 1>there's no way to really check and see if the

0:19:49.960 --> 0:19:53.040
<v Speaker 1>dragon is really there. I think the main point of

0:19:53.080 --> 0:19:57.119
<v Speaker 1>both of these analogies, Russell's teapot and Carl Sagan's invisible Dragon,

0:19:58.119 --> 0:20:00.280
<v Speaker 1>is that people can always try to get you to

0:20:00.359 --> 0:20:04.880
<v Speaker 1>believe things by shifting the obligation of evidence onto you

0:20:05.119 --> 0:20:09.200
<v Speaker 1>for doubting the existence, rather than assuming that obligation themselves

0:20:09.280 --> 0:20:12.760
<v Speaker 1>for for claiming the existence. So it's the the attitude

0:20:12.760 --> 0:20:15.720
<v Speaker 1>of if I say X is true and you can't

0:20:15.760 --> 0:20:18.720
<v Speaker 1>disprove it, you must accept it. And this is made

0:20:18.800 --> 0:20:23.320
<v Speaker 1>doubly dangerous by like the rebuke of all potential investigatory tests.

0:20:23.440 --> 0:20:26.159
<v Speaker 1>So in the case of Carl Sagan's dragon, that's like,

0:20:26.240 --> 0:20:29.520
<v Speaker 1>oh no, no, no, it's invisible and you can't touch it. Uh,

0:20:29.720 --> 0:20:31.919
<v Speaker 1>and it wouldn't show up on infrared. But in the

0:20:31.960 --> 0:20:34.680
<v Speaker 1>case of Russell's teapot analogy, it's that, well, the teapot

0:20:34.720 --> 0:20:36.920
<v Speaker 1>is too small to see with any of our telescopes,

0:20:37.000 --> 0:20:39.480
<v Speaker 1>but but I tell you it is there. And the

0:20:39.520 --> 0:20:42.919
<v Speaker 1>point of both of these analogies is essentially I say X,

0:20:43.000 --> 0:20:45.919
<v Speaker 1>if you can't disprove it, you must accept it. Is

0:20:45.960 --> 0:20:48.919
<v Speaker 1>not a legitimate way to reason, because that type of

0:20:49.040 --> 0:20:51.479
<v Speaker 1>argument could be it could be used to force you

0:20:51.520 --> 0:20:54.479
<v Speaker 1>to believe in a teapot orbiting the sun or an

0:20:54.480 --> 0:20:58.720
<v Speaker 1>invisible dragon in the garage. Reasonable claims are based on evidence,

0:20:58.800 --> 0:21:04.120
<v Speaker 1>and most importantly, they are falsifiable. They entail certain physical predictions,

0:21:04.240 --> 0:21:06.720
<v Speaker 1>like you should be able to see what I'm talking

0:21:06.760 --> 0:21:09.440
<v Speaker 1>about if you look here, or you should be able

0:21:09.480 --> 0:21:11.879
<v Speaker 1>to detect, you know, the heat signature of the dragon

0:21:11.920 --> 0:21:15.359
<v Speaker 1>if you look here, And if those predictions turn up false,

0:21:15.440 --> 0:21:19.600
<v Speaker 1>the belief is probably false. Yeah, And so to your point,

0:21:19.680 --> 0:21:21.440
<v Speaker 1>like that one of the big applications here, of course,

0:21:21.520 --> 0:21:24.840
<v Speaker 1>is like conspiracy thinking today, where there are plenty of

0:21:24.880 --> 0:21:27.679
<v Speaker 1>examples of this where it will be some you know,

0:21:28.359 --> 0:21:32.720
<v Speaker 1>ultimately kind of ridiculous or outrageous or perhaps supernatural claim

0:21:32.760 --> 0:21:35.440
<v Speaker 1>and then it's presented as if it is on us

0:21:35.520 --> 0:21:39.359
<v Speaker 1>to disprove this, when really that that's that's not the

0:21:39.359 --> 0:21:41.240
<v Speaker 1>way it goes. And I think you see a more

0:21:41.800 --> 0:21:44.119
<v Speaker 1>or I tend to see a more rational approach to

0:21:44.200 --> 0:21:48.840
<v Speaker 1>this with some of the impossible or currently impossible to

0:21:48.880 --> 0:21:51.640
<v Speaker 1>prove hypotheses so that we've discussed on the show before,

0:21:51.680 --> 0:21:55.960
<v Speaker 1>like say the bacameral mind hypothesis or the stone ape

0:21:56.040 --> 0:21:59.160
<v Speaker 1>hypothesis like these are both I think examples of very

0:21:59.200 --> 0:22:04.600
<v Speaker 1>thought provoking ideas that cannot be proved or disproved, at

0:22:04.640 --> 0:22:08.080
<v Speaker 1>least not currently. And I also don't see the major

0:22:08.480 --> 0:22:14.920
<v Speaker 1>um advocates of these hypotheses demanding that scientists disproved them

0:22:14.920 --> 0:22:17.959
<v Speaker 1>like they seem to. They they understand how Russell's teapot

0:22:18.080 --> 0:22:20.199
<v Speaker 1>or the invisible dragon works here, and they know that

0:22:20.240 --> 0:22:23.400
<v Speaker 1>it's on them to to make the argument and provide

0:22:23.400 --> 0:22:25.560
<v Speaker 1>the proof if there is such a thing. Yes, I mean,

0:22:25.560 --> 0:22:29.120
<v Speaker 1>I think it's fair to play around in speculative territory,

0:22:29.920 --> 0:22:33.720
<v Speaker 1>but to always be hyper conscious to signal and and

0:22:33.800 --> 0:22:36.560
<v Speaker 1>remind yourself and remind others that that's what you're doing.

0:22:36.600 --> 0:22:40.280
<v Speaker 1>We're playing around in speculative territory, rather than getting too

0:22:40.359 --> 0:22:43.440
<v Speaker 1>attached to like a fun and interesting idea that maybe

0:22:43.520 --> 0:22:45.919
<v Speaker 1>doesn't have a lot of strong evidence for it and

0:22:45.960 --> 0:22:49.480
<v Speaker 1>insisting that people should believe it. Yeah, and with time,

0:22:49.520 --> 0:22:53.400
<v Speaker 1>who knows, with time and research, perhaps new evidence will

0:22:53.400 --> 0:22:57.840
<v Speaker 1>come around to support a given hypothesis or idea. But

0:22:57.920 --> 0:23:00.240
<v Speaker 1>then the reverse there may very well happen as well,

0:23:00.440 --> 0:23:02.720
<v Speaker 1>or it could be just something again that's completely in

0:23:02.760 --> 0:23:06.200
<v Speaker 1>the realm of of of of no evidence, where there's

0:23:06.240 --> 0:23:08.240
<v Speaker 1>never going to be any additional evidence to back this

0:23:08.359 --> 0:23:10.359
<v Speaker 1>up one way or the other. But I think one

0:23:10.400 --> 0:23:13.960
<v Speaker 1>of the points that Russell and um Sagan are making here,

0:23:13.960 --> 0:23:16.359
<v Speaker 1>and I totally agree with this, is that if you

0:23:16.440 --> 0:23:20.920
<v Speaker 1>have a good theory, the theory should include within itself

0:23:21.359 --> 0:23:23.960
<v Speaker 1>ways of checking to know if the theory were wrong.

0:23:24.440 --> 0:23:29.400
<v Speaker 1>So a theory should entail predictions about the world, and

0:23:29.800 --> 0:23:32.359
<v Speaker 1>you know, all all our good scientific theories do, and

0:23:32.400 --> 0:23:34.920
<v Speaker 1>then you could go and check if those theories, if

0:23:34.920 --> 0:23:37.520
<v Speaker 1>those predictions turn out true, and if it's a good theory,

0:23:37.640 --> 0:23:40.840
<v Speaker 1>those predictions will turn out true. And if it's there's

0:23:40.840 --> 0:23:43.240
<v Speaker 1>something wrong with the theory, those predictions will not turn

0:23:43.280 --> 0:23:45.560
<v Speaker 1>out true. And if it's a really bad theory, it

0:23:45.720 --> 0:23:48.000
<v Speaker 1>and in fact will not make predictions at all. It

0:23:48.000 --> 0:23:50.800
<v Speaker 1>will just be sort of in this unfalsifiable space where

0:23:50.840 --> 0:23:52.720
<v Speaker 1>it's like, well, there's no way to check if it's true.

0:23:53.080 --> 0:23:56.720
<v Speaker 1>I've also found if you were addressing doubters or your

0:23:56.800 --> 0:24:01.080
<v Speaker 1>enemies within the first couple of paragraphs of laying out

0:24:01.119 --> 0:24:05.159
<v Speaker 1>a given hypothesis, then that's a that's a real red flag.

0:24:05.280 --> 0:24:08.399
<v Speaker 1>Oh my god. Yes, that's one of the best. And

0:24:08.440 --> 0:24:10.919
<v Speaker 1>I've encountered that at least a couple of times. Yeah.

0:24:11.200 --> 0:24:13.359
<v Speaker 1>One last point I want to emphasize, though this is

0:24:13.400 --> 0:24:16.919
<v Speaker 1>also from that Bertrand Russell quote. He goes on to

0:24:17.040 --> 0:24:21.520
<v Speaker 1>argue that the fact that some beliefs are already held

0:24:21.600 --> 0:24:27.280
<v Speaker 1>by many people gives those beliefs a superficial appearance of rationality,

0:24:27.840 --> 0:24:31.440
<v Speaker 1>even if there is no more evidence underlying them. Then

0:24:31.480 --> 0:24:34.480
<v Speaker 1>there is for an obviously absurd belief that you can

0:24:34.520 --> 0:24:37.160
<v Speaker 1>make up on the spot, such as a teapot randomly

0:24:37.200 --> 0:24:40.200
<v Speaker 1>floating in space, and I think this is a really

0:24:40.200 --> 0:24:42.600
<v Speaker 1>good point that people should always keep in mind, because

0:24:43.119 --> 0:24:46.240
<v Speaker 1>even if you are for the most part of skeptical person,

0:24:46.359 --> 0:24:49.520
<v Speaker 1>you will probably have biases along these lines. And I'll

0:24:49.520 --> 0:24:52.520
<v Speaker 1>explain in a second. But according to Russell, it's like,

0:24:52.560 --> 0:24:56.640
<v Speaker 1>we only notice that the teapot claim is absurd because

0:24:56.720 --> 0:24:59.080
<v Speaker 1>it is novel, because he just made it up on

0:24:59.119 --> 0:25:03.359
<v Speaker 1>the spot. If people went around appearing to sincerely believe

0:25:03.400 --> 0:25:06.359
<v Speaker 1>in the teapot, I think it truly would start to

0:25:06.400 --> 0:25:09.800
<v Speaker 1>seem less absurd and it might start to get you know,

0:25:09.920 --> 0:25:13.520
<v Speaker 1>equal time in the panel discussion on the news, like um,

0:25:13.960 --> 0:25:16.800
<v Speaker 1>Like one example, why does it seem I would say,

0:25:16.840 --> 0:25:20.240
<v Speaker 1>even to me, I have no beliefs in the healing

0:25:20.359 --> 0:25:24.160
<v Speaker 1>powers of crystals, but why does it's just feel more

0:25:24.280 --> 0:25:28.560
<v Speaker 1>plausible to me that crystals have literal healing properties then

0:25:28.600 --> 0:25:33.800
<v Speaker 1>that driftwood has literal healing properties. They're both beautiful natural objects.

0:25:34.000 --> 0:25:35.720
<v Speaker 1>If you want to fill your house up with them

0:25:35.800 --> 0:25:37.520
<v Speaker 1>or put them by your bedside and all that, I

0:25:37.600 --> 0:25:40.480
<v Speaker 1>think that's wonderful, But I don't think they like literally

0:25:40.560 --> 0:25:45.480
<v Speaker 1>emit vibrations that drive away sickness or something. And I'd

0:25:45.520 --> 0:25:50.320
<v Speaker 1>have to argue that the crystal proposition feels more plausible somehow,

0:25:50.320 --> 0:25:53.159
<v Speaker 1>even though I don't believe it. And the reason is

0:25:53.320 --> 0:25:56.959
<v Speaker 1>that this belief is familiar, and the driftwood belief is not.

0:25:57.160 --> 0:26:00.960
<v Speaker 1>People have been saying this about crystals. People seem to

0:26:01.000 --> 0:26:03.320
<v Speaker 1>believe it, so you just kind there's this feeling in

0:26:03.359 --> 0:26:05.280
<v Speaker 1>your gut. Then it was like, well, there must be

0:26:05.359 --> 0:26:08.040
<v Speaker 1>something to it then, But the fact that people say

0:26:08.080 --> 0:26:11.200
<v Speaker 1>something does not necessarily give it any credence, even though

0:26:11.200 --> 0:26:14.280
<v Speaker 1>it does have this power of giving it the superficial

0:26:14.320 --> 0:26:16.840
<v Speaker 1>appearance of rationality. And you know what, I would say

0:26:16.840 --> 0:26:19.280
<v Speaker 1>exactly the same thing is true of a lot of

0:26:19.320 --> 0:26:21.720
<v Speaker 1>conspiracy beliefs, like you were talking about a minute ago,

0:26:21.800 --> 0:26:26.240
<v Speaker 1>that like, once somebody has said something and appears to

0:26:26.400 --> 0:26:29.800
<v Speaker 1>sincerely believe it, suddenly you kind of have this feeling

0:26:29.840 --> 0:26:32.439
<v Speaker 1>in your gut like, oh, well, maybe there's something to

0:26:32.600 --> 0:26:35.840
<v Speaker 1>that then, Whereas if somebody had said the same thing

0:26:36.119 --> 0:26:39.480
<v Speaker 1>in the context of a thought experiment where they're obviously

0:26:39.600 --> 0:26:43.320
<v Speaker 1>just making up an absurd belief on purpose on the spot,

0:26:43.480 --> 0:26:46.000
<v Speaker 1>it wouldn't have that feeling. Yeah, yeah, I know what

0:26:46.080 --> 0:26:48.760
<v Speaker 1>you mean here. Um, the driftwood is a great example

0:26:48.800 --> 0:26:52.959
<v Speaker 1>because I could imagine it being supported and brought up

0:26:53.040 --> 0:26:55.920
<v Speaker 1>enough if someone were to champion the healing powers of driftwood,

0:26:56.320 --> 0:26:59.800
<v Speaker 1>if there were stores that sold healing driftwood, then that

0:27:00.040 --> 0:27:01.919
<v Speaker 1>that idea would just be out there enough for you

0:27:01.960 --> 0:27:06.800
<v Speaker 1>to sort of buy into it. Likewise, even the teapot um,

0:27:06.840 --> 0:27:10.040
<v Speaker 1>you know, outside of it's it's it's traditional place here

0:27:10.200 --> 0:27:12.480
<v Speaker 1>um as a symbol of how we should think about

0:27:12.720 --> 0:27:15.960
<v Speaker 1>outrageous claims. You could imagine a scenario where someone is

0:27:15.960 --> 0:27:18.000
<v Speaker 1>making an argument like, yeah, we we think there's a

0:27:18.000 --> 0:27:21.240
<v Speaker 1>teapot out there, like there's a face on Mars and

0:27:21.400 --> 0:27:25.840
<v Speaker 1>there is a teapot. How they're floating in space and uh,

0:27:25.880 --> 0:27:27.679
<v Speaker 1>and we need to figure out why it's there. We

0:27:27.760 --> 0:27:30.359
<v Speaker 1>have a few theories, you know. Um. So like if

0:27:30.400 --> 0:27:32.320
<v Speaker 1>you it kind of comes down to the whole situation

0:27:32.680 --> 0:27:37.200
<v Speaker 1>of the old reality off you say a lie enough times,

0:27:37.600 --> 0:27:40.720
<v Speaker 1>then people will begin to believe it on some level,

0:27:40.800 --> 0:27:44.800
<v Speaker 1>Like you've just created the internal reality of the thing

0:27:44.960 --> 0:27:47.080
<v Speaker 1>enough to where people can't quite get it out of

0:27:47.080 --> 0:27:50.480
<v Speaker 1>their mind. I mean, a favorite trick of the political demagogue,

0:27:50.840 --> 0:27:53.160
<v Speaker 1>it's it's kind of scary how much if you just

0:27:53.320 --> 0:27:56.280
<v Speaker 1>say something and now this is an idea that has

0:27:56.320 --> 0:27:59.240
<v Speaker 1>to be discussed and taken seriously, even if there's literally

0:27:59.280 --> 0:28:02.680
<v Speaker 1>no evidence for it at all. Yeah, if there were

0:28:02.680 --> 0:28:04.800
<v Speaker 1>a teapot, though, just for the sake of our arguments,

0:28:05.280 --> 0:28:08.199
<v Speaker 1>do you think it would be a like an ornate

0:28:08.520 --> 0:28:10.840
<v Speaker 1>historical teapot. Do you think it'd be like a simple

0:28:11.560 --> 0:28:13.800
<v Speaker 1>like earthenware teapot, or would it be like a space

0:28:13.840 --> 0:28:17.399
<v Speaker 1>age teapot from another Why are you even asked? Obviously

0:28:17.440 --> 0:28:20.400
<v Speaker 1>it would be a novelty Garfield head teapot. Oh, well

0:28:20.440 --> 0:28:24.320
<v Speaker 1>that's good. Yes, you know what does have healing properties?

0:28:24.520 --> 0:28:28.880
<v Speaker 1>Is Garfield merchandise? Yes, well, to some people it may

0:28:28.920 --> 0:28:33.760
<v Speaker 1>have slight um healing properties. Really, there's a whole comparison

0:28:33.760 --> 0:28:35.359
<v Speaker 1>there you could probbably make to tea. You know, we

0:28:35.600 --> 0:28:37.960
<v Speaker 1>we we again are not going to get into the

0:28:38.000 --> 0:28:41.160
<v Speaker 1>healing powers of tea too much, but outside of any

0:28:41.200 --> 0:28:45.840
<v Speaker 1>actual properties involved in the tea itself, outside of like

0:28:45.880 --> 0:28:48.160
<v Speaker 1>what is like actually happening in your body when you

0:28:48.240 --> 0:28:51.760
<v Speaker 1>drink tea. But by this point, like tea has so

0:28:51.800 --> 0:28:58.640
<v Speaker 1>many ritualistic um associations, cultural associations, and personal associations that

0:28:58.720 --> 0:29:00.960
<v Speaker 1>there is a comfort kind of going back to that

0:29:01.040 --> 0:29:03.160
<v Speaker 1>that poem. There there are all these circumstances where it

0:29:03.280 --> 0:29:05.680
<v Speaker 1>is the right time, it is the appropriate time, it

0:29:05.760 --> 0:29:08.000
<v Speaker 1>is the comforting time to have a cup of tea,

0:29:08.640 --> 0:29:11.440
<v Speaker 1>and uh and therefore, yeah, I mean to at least

0:29:11.480 --> 0:29:13.840
<v Speaker 1>some extent, like any cup of tea is going to

0:29:13.920 --> 0:29:16.320
<v Speaker 1>do you good if you were a t person. Well,

0:29:16.360 --> 0:29:18.200
<v Speaker 1>this gets back to, yeah, what we were talking about

0:29:18.240 --> 0:29:21.120
<v Speaker 1>in the previous episode about the uh, the studies on

0:29:21.200 --> 0:29:25.040
<v Speaker 1>the health effects of tea. I mean, it looks again

0:29:25.080 --> 0:29:28.400
<v Speaker 1>there are a lot of persistent methodological problems with studies

0:29:28.480 --> 0:29:30.480
<v Speaker 1>like this, but it looks on the whole like tea

0:29:30.760 --> 0:29:35.200
<v Speaker 1>may very well have some positive health benefits. But it's

0:29:35.240 --> 0:29:37.880
<v Speaker 1>just really hard to study stuff like this because it's

0:29:37.880 --> 0:29:40.840
<v Speaker 1>not like a new drug that nobody was taking anyway.

0:29:40.880 --> 0:29:44.560
<v Speaker 1>It's something that is deeply enmeshed in culture and in

0:29:44.640 --> 0:29:47.600
<v Speaker 1>people's lives and in all this so it's a lot

0:29:47.720 --> 0:29:52.560
<v Speaker 1>harder to isolate the like chemical mechanical properties of the

0:29:52.640 --> 0:29:55.280
<v Speaker 1>molecules that enter your body when you drink tea, and

0:29:55.320 --> 0:29:58.320
<v Speaker 1>like do these really fight disease? Or when you're studying

0:29:58.320 --> 0:30:02.040
<v Speaker 1>correlations between t use and other health outcomes, is that

0:30:02.080 --> 0:30:05.240
<v Speaker 1>a secondary effect of some other correlation Just because it's

0:30:05.320 --> 0:30:07.440
<v Speaker 1>it's so much a part of human life. It's it's

0:30:07.440 --> 0:30:09.640
<v Speaker 1>so much harder to study. This reminds me of a

0:30:09.680 --> 0:30:11.400
<v Speaker 1>point I may come back to when we talk about

0:30:11.440 --> 0:30:15.360
<v Speaker 1>the the introduction of tea into Japan. Oh well, on

0:30:15.400 --> 0:30:17.880
<v Speaker 1>that note, let's let's get back into uh your notes

0:30:17.920 --> 0:30:20.520
<v Speaker 1>on the history of tea in China and Japan. Now

0:30:20.520 --> 0:30:22.720
<v Speaker 1>where do we leave off with with the history and

0:30:22.760 --> 0:30:25.200
<v Speaker 1>development of tea? In the last episode, I believe we

0:30:25.320 --> 0:30:29.000
<v Speaker 1>pretty much reached the end dynasty. So this was a

0:30:29.080 --> 0:30:33.200
<v Speaker 1>period when the Mongols ruled China from the early twelve

0:30:33.320 --> 0:30:38.000
<v Speaker 1>hundreds through thirteen sixty eight. And as we I believe,

0:30:38.000 --> 0:30:40.400
<v Speaker 1>as we noted in the last episode, when you when

0:30:40.440 --> 0:30:43.880
<v Speaker 1>you have a period of outsider rule in China, historically

0:30:44.080 --> 0:30:47.360
<v Speaker 1>you tend to see a decline in te popularity. And

0:30:47.440 --> 0:30:48.880
<v Speaker 1>I know, we we talked about this a little bit.

0:30:48.880 --> 0:30:50.520
<v Speaker 1>You kind of ask, well, you know why, why is

0:30:50.560 --> 0:30:52.840
<v Speaker 1>that exactly? And I thought, well, this would be a good,

0:30:53.160 --> 0:30:55.400
<v Speaker 1>good example here. I wanted to go a little deeper

0:30:55.640 --> 0:30:57.280
<v Speaker 1>into it. So I looked at a few different sources

0:30:57.320 --> 0:31:01.640
<v Speaker 1>on this particular scenario, because on one level, it's not

0:31:01.680 --> 0:31:04.840
<v Speaker 1>to say that the Mongols didn't like tea. They had

0:31:04.880 --> 0:31:08.360
<v Speaker 1>already been exposed to Chinese tea trade earlier and apparently

0:31:08.400 --> 0:31:11.200
<v Speaker 1>took to it. They valued it as a digestive aid,

0:31:11.240 --> 0:31:13.400
<v Speaker 1>among other things. Some of the sources I was looking

0:31:13.400 --> 0:31:16.640
<v Speaker 1>at pointed out that there were particularities of like the

0:31:16.640 --> 0:31:19.680
<v Speaker 1>traditional Mongol diet where it was nice to have a

0:31:19.680 --> 0:31:22.680
<v Speaker 1>big caffeine punch to sort of move things along, you know.

0:31:23.760 --> 0:31:26.040
<v Speaker 1>And also we have to remember, like there's there's definitely

0:31:26.240 --> 0:31:29.160
<v Speaker 1>cultural transference. I mean, this is one of the sort

0:31:29.200 --> 0:31:32.360
<v Speaker 1>of the famous aspects of of Mongol rule in China

0:31:32.640 --> 0:31:36.040
<v Speaker 1>is that the this the these new rulers take on

0:31:36.040 --> 0:31:39.960
<v Speaker 1>a lot of Chinese cultural things and uh, and so

0:31:40.000 --> 0:31:43.000
<v Speaker 1>that the transference is going to go both ways. But

0:31:43.000 --> 0:31:45.280
<v Speaker 1>but I've seen this mention of a decline and te

0:31:45.400 --> 0:31:50.240
<v Speaker 1>popularity during this period noted in multiple sources. Now there

0:31:50.480 --> 0:31:54.160
<v Speaker 1>is an added wrinkle that I've seen discussed regarding the

0:31:54.200 --> 0:31:57.000
<v Speaker 1>Marco Polo account. Uh, And I don't want to get

0:31:57.000 --> 0:31:58.840
<v Speaker 1>into all the ins and outs of that and arguments

0:31:58.880 --> 0:32:01.960
<v Speaker 1>about like how his roly accurate. We should consider the

0:32:02.000 --> 0:32:07.040
<v Speaker 1>Marco Polo account that account barely mentions tea despite his

0:32:07.120 --> 0:32:10.400
<v Speaker 1>visit supposedly taking place during this time. Um, but we

0:32:10.480 --> 0:32:12.920
<v Speaker 1>know through other sources that there were plenty of tea

0:32:12.920 --> 0:32:17.160
<v Speaker 1>houses still operating during this time period. And I think

0:32:17.160 --> 0:32:19.000
<v Speaker 1>I've seen it argued as well that, Okay, if we

0:32:19.040 --> 0:32:21.560
<v Speaker 1>were to take the Marco Polo account it face value,

0:32:21.840 --> 0:32:25.760
<v Speaker 1>he was ultimately more interested in things that were Mongolian,

0:32:26.560 --> 0:32:30.480
<v Speaker 1>and he saw tea as this non mongol thing and

0:32:30.520 --> 0:32:34.040
<v Speaker 1>therefore didn't pay as much attention to it. Mm hm.

0:32:34.040 --> 0:32:36.880
<v Speaker 1>So you could say maybe he especially because he's interested

0:32:36.920 --> 0:32:41.560
<v Speaker 1>in trade, he's interested in in dealing with the cultural

0:32:41.640 --> 0:32:44.080
<v Speaker 1>artifacts of say, the dominant culture at the time, the

0:32:44.080 --> 0:32:47.400
<v Speaker 1>politically dominant culture. Yeah, and I think it. It would

0:32:47.400 --> 0:32:49.440
<v Speaker 1>also line up with some of the things I've read

0:32:49.440 --> 0:32:52.600
<v Speaker 1>about how the Mongols they didn't like outlock tea or anything,

0:32:53.080 --> 0:32:57.720
<v Speaker 1>but he became just another beverage during this period, so

0:32:57.800 --> 0:33:00.560
<v Speaker 1>they valued it, but they didn't ail as they did,

0:33:01.080 --> 0:33:05.040
<v Speaker 1>uh like we see in UM previous and subsequent dynasties

0:33:05.040 --> 0:33:07.280
<v Speaker 1>in China. And I was reading about some of this

0:33:07.520 --> 0:33:10.320
<v Speaker 1>on All the Tea in China from nineteen ninety book

0:33:10.360 --> 0:33:13.520
<v Speaker 1>by Choo and Cramer. But now another source I was

0:33:13.560 --> 0:33:19.280
<v Speaker 1>looking at is by Valerie Sartor. This was published in UM,

0:33:19.360 --> 0:33:22.400
<v Speaker 1>the American Journal of Chinese Studies. In two thousand and

0:33:22.480 --> 0:33:24.920
<v Speaker 1>seven is a paper title All the Tea in China

0:33:25.000 --> 0:33:28.520
<v Speaker 1>The Political Impact of Tea. Again. They're both that the

0:33:28.560 --> 0:33:31.040
<v Speaker 1>previous book you talked about in this paper both called

0:33:31.040 --> 0:33:33.760
<v Speaker 1>all the Tea in China It's just irresistible. You gotta

0:33:33.800 --> 0:33:37.200
<v Speaker 1>go with it, okay anyway. In in in this paper,

0:33:37.520 --> 0:33:41.200
<v Speaker 1>Startup points out that the Mongol rule in China again

0:33:41.240 --> 0:33:44.000
<v Speaker 1>the in dynasty didn't put as much emphasis on Chinese

0:33:44.040 --> 0:33:46.400
<v Speaker 1>tea culture or pay a lot of attention to traditional

0:33:46.440 --> 0:33:50.000
<v Speaker 1>tea customs. However, they definitely liked it. They adopted the

0:33:50.040 --> 0:33:53.440
<v Speaker 1>salting of their tea and mixing it with milk, and

0:33:53.640 --> 0:33:56.960
<v Speaker 1>at the same time, traditional Chinese tea houses remain popular

0:33:57.000 --> 0:34:10.719
<v Speaker 1>hangouts for scholars and poets. In two thousand fives Tea

0:34:10.800 --> 0:34:13.799
<v Speaker 1>and Chinese Culture by Ling Wang, it's pointed out that

0:34:13.840 --> 0:34:16.799
<v Speaker 1>the Mongol rule during the End dynasty was not not

0:34:16.920 --> 0:34:20.359
<v Speaker 1>only ruled by a non Han ethnic minority, it also

0:34:20.400 --> 0:34:23.480
<v Speaker 1>filled many of its key positions with ethnic minorities as well.

0:34:23.880 --> 0:34:26.640
<v Speaker 1>Wang points out that while the Mongols during this time

0:34:26.680 --> 0:34:29.640
<v Speaker 1>really took to tea, they also pushed things towards a

0:34:29.680 --> 0:34:33.839
<v Speaker 1>mass produced product for the masses. And pushed away from

0:34:33.960 --> 0:34:37.040
<v Speaker 1>uh you know, the more like say, exotic animal shaped

0:34:37.040 --> 0:34:40.359
<v Speaker 1>tea cakes that have been popular in China prior, uh

0:34:40.600 --> 0:34:43.719
<v Speaker 1>to their coming to power. So uh, you know, again,

0:34:43.760 --> 0:34:47.319
<v Speaker 1>I think it's a more complicated, seeming historical issue than

0:34:47.400 --> 0:34:50.080
<v Speaker 1>one might expect. But but but I wonder if we

0:34:50.160 --> 0:34:52.720
<v Speaker 1>might think of it as being kind of a cultural

0:34:52.760 --> 0:34:55.359
<v Speaker 1>shift away from the glamor of tea as opposed to

0:34:55.360 --> 0:34:57.880
<v Speaker 1>like a you know, an abandonment of tea or or

0:34:57.960 --> 0:35:02.920
<v Speaker 1>a decline of tea really was still valued culturally among

0:35:02.920 --> 0:35:05.239
<v Speaker 1>the Chinese as a beverage and a medicine, but it

0:35:05.320 --> 0:35:08.560
<v Speaker 1>wasn't maintained as a socially elite thing with a kind

0:35:08.560 --> 0:35:12.200
<v Speaker 1>of trickle down effects of that social elitism, uh that

0:35:12.239 --> 0:35:15.319
<v Speaker 1>you would see during this time period. I see. So

0:35:15.400 --> 0:35:18.200
<v Speaker 1>in these uh, these sort of dormant periods that we

0:35:18.200 --> 0:35:21.040
<v Speaker 1>were talking about in that that push and pull uh

0:35:21.280 --> 0:35:25.280
<v Speaker 1>uh pattern in the last episode, Like in this example,

0:35:25.320 --> 0:35:27.600
<v Speaker 1>it's not that tea really went away or that people

0:35:27.600 --> 0:35:31.040
<v Speaker 1>stopped drinking tea, but just that it became less significant

0:35:31.560 --> 0:35:37.520
<v Speaker 1>as a as a political and social elite signifier. Yeah. Yeah,

0:35:37.600 --> 0:35:39.960
<v Speaker 1>And you know, I bet we can compare this in

0:35:40.320 --> 0:35:43.239
<v Speaker 1>a limited sense to to various trends. You know, you'll have,

0:35:43.320 --> 0:35:46.719
<v Speaker 1>say a particular style of cocktail, and this is would

0:35:46.719 --> 0:35:48.799
<v Speaker 1>deal with a much shorter period of time. But like

0:35:48.840 --> 0:35:51.440
<v Speaker 1>a particular cocktail comes out, it's exciting, but then it

0:35:51.520 --> 0:35:55.560
<v Speaker 1>just becomes another cocktail, and and and the attention given

0:35:55.600 --> 0:35:59.200
<v Speaker 1>to it, uh, you know, definitely goes down the the

0:35:59.400 --> 0:36:02.520
<v Speaker 1>Your average experience of this cocktail is maybe a bit

0:36:02.600 --> 0:36:05.759
<v Speaker 1>mediocre until such time as someone brings it back and

0:36:05.800 --> 0:36:08.920
<v Speaker 1>starts pushing the boundaries again and figuring out, like what

0:36:08.960 --> 0:36:11.319
<v Speaker 1>works about this cocktail, what can I improve upon, what

0:36:11.480 --> 0:36:14.279
<v Speaker 1>new twist can I do to it? And in what

0:36:14.320 --> 0:36:17.160
<v Speaker 1>ways can I go back to the original version of

0:36:17.200 --> 0:36:20.839
<v Speaker 1>this cocktail? That sort of thing. So but but either way,

0:36:21.200 --> 0:36:23.800
<v Speaker 1>during the Mongol rule, I think we can generalize and

0:36:23.840 --> 0:36:27.200
<v Speaker 1>say that tea culture had stagnated a bit. Nobody seemed

0:36:27.200 --> 0:36:29.920
<v Speaker 1>to have been advancing tea so much or pushing the

0:36:29.920 --> 0:36:33.400
<v Speaker 1>boundaries of tea. But then you have the establishment of

0:36:33.440 --> 0:36:36.759
<v Speaker 1>the Ming dynasty in thirteen sixty eight, and it's in

0:36:36.800 --> 0:36:40.680
<v Speaker 1>this dynasty we see yet another revival of tea. And

0:36:40.719 --> 0:36:42.000
<v Speaker 1>it's not to say that it's as simple as the

0:36:42.080 --> 0:36:44.920
<v Speaker 1>Ming dynasty simply announcing hey te's back on the menu,

0:36:45.080 --> 0:36:48.200
<v Speaker 1>because again it was never off the menu. Uh And,

0:36:48.239 --> 0:36:52.040
<v Speaker 1>in fact, according to weighing in uh tea and Chinese culture,

0:36:52.239 --> 0:36:55.560
<v Speaker 1>the tea loving scholarly class they were somewhat cracked down

0:36:55.640 --> 0:36:59.240
<v Speaker 1>on during this Initially during this period, as we're various

0:36:59.280 --> 0:37:03.120
<v Speaker 1>other perceived rats um as the Ming solidified their rule.

0:37:03.640 --> 0:37:06.800
<v Speaker 1>Though interestingly enough, one of the founding hung Wu Emperor's

0:37:06.800 --> 0:37:09.920
<v Speaker 1>sons became a key scholar and proponent of tea during

0:37:09.920 --> 0:37:12.920
<v Speaker 1>this time. This was an individual by the name of

0:37:13.040 --> 0:37:16.839
<v Speaker 1>Zoo Kwon, and he wrote a manual on t and

0:37:16.960 --> 0:37:19.759
<v Speaker 1>much of the Ming tea ceremony culture to follow would

0:37:19.800 --> 0:37:23.239
<v Speaker 1>be based on the ideas presented in this manual, um

0:37:23.480 --> 0:37:28.920
<v Speaker 1>kea as this ritualized cleanser of the soul. So on

0:37:28.920 --> 0:37:33.000
<v Speaker 1>one hand, yes, you have imperial folks pushing tea again,

0:37:33.280 --> 0:37:36.240
<v Speaker 1>accepting tea, you can get kind of that that trickled

0:37:36.280 --> 0:37:40.560
<v Speaker 1>down attraction to the beverage again. But it's also during

0:37:40.560 --> 0:37:43.160
<v Speaker 1>this period that we interphase three of tea, in which

0:37:43.640 --> 0:37:48.200
<v Speaker 1>uh tea has picked, withered, dried, rolled, and oxidized. There's

0:37:48.200 --> 0:37:51.279
<v Speaker 1>the result is dried, loose leaf tea that can then

0:37:51.320 --> 0:37:53.799
<v Speaker 1>be steeped for a set number of minutes to create

0:37:53.840 --> 0:37:57.239
<v Speaker 1>a smooth and rich beverage. Um. It was easier to

0:37:57.320 --> 0:37:59.920
<v Speaker 1>process this way, as Laura C. Martin points out in

0:38:00.120 --> 0:38:02.960
<v Speaker 1>History of Tea, and it better enables the incorporation of

0:38:03.040 --> 0:38:06.560
<v Speaker 1>dried fruits and spices as well as flowers. All these

0:38:06.560 --> 0:38:10.000
<v Speaker 1>were ingredients that the Chinese tea enthusiasts during this day

0:38:10.000 --> 0:38:13.360
<v Speaker 1>and tea masters definitely explored, and you see this a

0:38:13.360 --> 0:38:16.279
<v Speaker 1>lot in tea today as well. Also during this time,

0:38:16.280 --> 0:38:19.680
<v Speaker 1>the home will Emperor himself proclaims that only this new

0:38:19.719 --> 0:38:21.960
<v Speaker 1>method of loose leaf tea is going to be acceptable

0:38:22.000 --> 0:38:25.640
<v Speaker 1>as tribute. Uh so it t tributes made to to

0:38:25.760 --> 0:38:28.160
<v Speaker 1>the emperor and his household. They have to be this

0:38:28.239 --> 0:38:31.920
<v Speaker 1>new phase three t The scholarly class apparently held out

0:38:31.920 --> 0:38:34.920
<v Speaker 1>a little bit longer, sticking to their older traditions, traditions

0:38:34.960 --> 0:38:38.560
<v Speaker 1>again that they had they had stuck to through foreign rule.

0:38:38.960 --> 0:38:42.680
<v Speaker 1>But even they eventually realize, hey, oolong tea is really

0:38:42.719 --> 0:38:46.560
<v Speaker 1>good and they start drinking new long tea instead. Okay,

0:38:46.560 --> 0:38:50.319
<v Speaker 1>so they've got the larger process that includes oxidation like

0:38:50.360 --> 0:38:52.400
<v Speaker 1>we talked about last time. But am I correct that

0:38:52.440 --> 0:38:56.000
<v Speaker 1>too long? That's a medium level oxidation tea. Right, it's

0:38:56.000 --> 0:38:58.839
<v Speaker 1>not as oxidazed as like black tea, but it's more

0:38:58.920 --> 0:39:02.040
<v Speaker 1>than green tea. Yeah, so I didn't read a whole

0:39:02.040 --> 0:39:04.520
<v Speaker 1>lot on Oolong or Woolong tea. But but perhaps there

0:39:04.560 --> 0:39:06.560
<v Speaker 1>was kind of like a meeting of halfway there where

0:39:06.560 --> 0:39:08.920
<v Speaker 1>they're like, oh, but this one's just a little bit oxidized,

0:39:08.920 --> 0:39:13.000
<v Speaker 1>you know. Now new types of tea also means okay,

0:39:13.080 --> 0:39:15.520
<v Speaker 1>we have we we have new methods of brewing it,

0:39:15.560 --> 0:39:18.919
<v Speaker 1>so we need new tea paraphernalia. And so it's during

0:39:18.960 --> 0:39:21.759
<v Speaker 1>this time to come back to the teapot that that

0:39:21.920 --> 0:39:25.360
<v Speaker 1>historians think that the true teapot was possibly born. Now.

0:39:25.400 --> 0:39:29.120
<v Speaker 1>Prior to this one would use open pans and wide

0:39:29.120 --> 0:39:32.040
<v Speaker 1>mouth bowls to brew your tea in. But they discovered

0:39:32.080 --> 0:39:34.320
<v Speaker 1>now that okay, if you have a small covered container,

0:39:34.400 --> 0:39:37.399
<v Speaker 1>this is going to bring out more flavor. But it's

0:39:37.600 --> 0:39:39.560
<v Speaker 1>at the same time, it's thought that the invention of

0:39:39.560 --> 0:39:42.879
<v Speaker 1>the teapot was largely more of a repurposing of pre

0:39:42.920 --> 0:39:46.400
<v Speaker 1>existing wine ewers and and then adapting the design for

0:39:46.520 --> 0:39:50.239
<v Speaker 1>tea um So, for instance, the handle being placed on

0:39:50.239 --> 0:39:52.600
<v Speaker 1>the side of the teapot as opposed to on top

0:39:52.640 --> 0:39:55.400
<v Speaker 1>of the teapot for easier access, though of course we

0:39:55.600 --> 0:39:57.600
<v Speaker 1>still have a lot of teapots today we have to

0:39:57.640 --> 0:40:00.600
<v Speaker 1>handle on top that kind of folds the side. Also

0:40:00.760 --> 0:40:03.719
<v Speaker 1>smaller pots, because while it might make sense to have

0:40:03.760 --> 0:40:05.840
<v Speaker 1>a larger pot that you have filled with wine to

0:40:05.960 --> 0:40:08.759
<v Speaker 1>distribute at a party or something, if you're making tea

0:40:08.800 --> 0:40:10.799
<v Speaker 1>in it, you don't want to make so much tea

0:40:10.840 --> 0:40:14.760
<v Speaker 1>in the pot that everything gets oversteeped. Because you oversteep

0:40:14.760 --> 0:40:16.360
<v Speaker 1>your tea, it's going to take on a bitter and

0:40:16.400 --> 0:40:20.000
<v Speaker 1>undesirable flavor. Um. I imagine many of you out there

0:40:20.000 --> 0:40:22.160
<v Speaker 1>have encountered this before. Perhaps you get a pot of

0:40:22.160 --> 0:40:25.000
<v Speaker 1>tea at a restaurant and there are not enough of

0:40:25.040 --> 0:40:26.840
<v Speaker 1>you drinking it, or you're drinking it at such a

0:40:26.880 --> 0:40:29.520
<v Speaker 1>slow pace that by the end it's pretty strong and

0:40:29.520 --> 0:40:33.160
<v Speaker 1>maybe a bit bitter. Sorry, this got me thinking about,

0:40:33.239 --> 0:40:35.080
<v Speaker 1>with the invention of the teapot, if there are any

0:40:35.120 --> 0:40:37.799
<v Speaker 1>older like of these tea poems, if any of them

0:40:37.840 --> 0:40:41.280
<v Speaker 1>mentioned the dreaded dribbling like as the teapot effect reference

0:40:41.360 --> 0:40:44.080
<v Speaker 1>that far back. I wonder when the first person to

0:40:44.239 --> 0:40:47.440
<v Speaker 1>notice it in writing was, Oh, this is a great question.

0:40:47.480 --> 0:40:49.439
<v Speaker 1>We have to come back to this because I bet

0:40:49.480 --> 0:40:52.319
<v Speaker 1>there's an answer, because these these texts that were coming

0:40:52.360 --> 0:40:55.880
<v Speaker 1>out on tea culture were so exhaustive about all the

0:40:55.960 --> 0:40:58.439
<v Speaker 1>dudes and don't there has to be something in there

0:40:58.440 --> 0:41:01.359
<v Speaker 1>about the I'm surely forbidden don't of dribbling your tea

0:41:01.480 --> 0:41:05.000
<v Speaker 1>during a high class tea service. Like if it doesn't

0:41:05.239 --> 0:41:08.320
<v Speaker 1>like cheerly it exists in the in in in Chinese

0:41:08.320 --> 0:41:12.239
<v Speaker 1>and or Japanese literature. Yeah, had the instruction must be

0:41:12.280 --> 0:41:16.359
<v Speaker 1>to poor with confidence. Yes, Now there are other advancements

0:41:16.360 --> 0:41:19.560
<v Speaker 1>here too. For example, light colored porcelain ceramics became all

0:41:19.560 --> 0:41:21.319
<v Speaker 1>the rage as they allowed you to show off the

0:41:21.400 --> 0:41:25.719
<v Speaker 1>natural color of a particular tea better. Blue underglazes were

0:41:25.760 --> 0:41:29.320
<v Speaker 1>also quite popular. And there's also a special earthenware teapot

0:41:29.440 --> 0:41:33.360
<v Speaker 1>known as a using that was quite popular as well.

0:41:33.760 --> 0:41:37.560
<v Speaker 1>This was I think it it basically means like purple earthenware,

0:41:37.840 --> 0:41:41.319
<v Speaker 1>but it wasn't necessarily purple. But it was an earthenware

0:41:41.640 --> 0:41:45.560
<v Speaker 1>teapot that was essentially seasoned by the tea. And they

0:41:45.560 --> 0:41:47.880
<v Speaker 1>could also be quite beautiful. But there are some mentions

0:41:47.880 --> 0:41:51.239
<v Speaker 1>in the the old writings about tea that like, oh,

0:41:51.400 --> 0:41:53.120
<v Speaker 1>we have a nice tea here, but you're serving it

0:41:53.160 --> 0:41:55.640
<v Speaker 1>out of the wrong pot. You need a properly seasoned pot,

0:41:55.680 --> 0:41:57.840
<v Speaker 1>otherwise it's just not gonna taste from it. Now, we

0:41:57.880 --> 0:42:00.839
<v Speaker 1>mentioned oolong tea already, but obviously this is the time

0:42:00.920 --> 0:42:03.920
<v Speaker 1>during which black tea is discovered. You know that we

0:42:03.960 --> 0:42:06.560
<v Speaker 1>could realize that we can have this, this this highly

0:42:06.560 --> 0:42:09.960
<v Speaker 1>oxidized black or red tea as it's generally referred to

0:42:10.760 --> 0:42:14.360
<v Speaker 1>in China, and as Mary lou and Robert J. Heyest

0:42:14.400 --> 0:42:17.920
<v Speaker 1>discussed in the Story of Tea, a Cultural History and

0:42:18.000 --> 0:42:19.880
<v Speaker 1>drinking guide we came out in two thousand and seven.

0:42:20.520 --> 0:42:23.799
<v Speaker 1>The discovery of black tea oxidation as a process was

0:42:23.800 --> 0:42:28.640
<v Speaker 1>originally thought only suitable for barbarians and foreigners. Well, it

0:42:28.640 --> 0:42:31.240
<v Speaker 1>makes me wonder, as I'm sure you know many UH

0:42:31.480 --> 0:42:35.280
<v Speaker 1>food inventions have an origin like this. Was this discovered

0:42:35.320 --> 0:42:38.640
<v Speaker 1>by accident? Was it like the tea? The tea leaves

0:42:38.640 --> 0:42:41.400
<v Speaker 1>got bruised up and smashed and then left around for

0:42:41.440 --> 0:42:43.880
<v Speaker 1>a while, and they turned dark and and all that

0:42:44.040 --> 0:42:46.960
<v Speaker 1>is it ruined? Oh No, turns out it actually tastes great.

0:42:47.280 --> 0:42:49.279
<v Speaker 1>You know. I think I ran across the story or

0:42:49.280 --> 0:42:52.279
<v Speaker 1>two to that effect, But then I couldn't rEFInd the

0:42:52.320 --> 0:42:55.600
<v Speaker 1>story when I was finalizing my notes here, but yeah,

0:42:55.640 --> 0:42:57.600
<v Speaker 1>I feel like there was at least one story about

0:42:57.600 --> 0:43:01.200
<v Speaker 1>like some discarded tea ship sense that an army came

0:43:01.239 --> 0:43:06.200
<v Speaker 1>across or something to that effect. Um. But but the

0:43:06.400 --> 0:43:08.719
<v Speaker 1>other interesting thing about this is that, like the resulting

0:43:08.760 --> 0:43:12.800
<v Speaker 1>tea would simply keep longer and could therefore be shipped further,

0:43:13.600 --> 0:43:16.879
<v Speaker 1>both by land and by sea. And so the brick

0:43:16.960 --> 0:43:21.080
<v Speaker 1>tea that started reaching Mongolia and Tibet that would be

0:43:21.160 --> 0:43:25.799
<v Speaker 1>black brick tea. Meanwhile, green tea bricks, uh, those more

0:43:25.840 --> 0:43:29.279
<v Speaker 1>easily suffered from overheating from freezing and they and it

0:43:29.320 --> 0:43:32.600
<v Speaker 1>often developed mold in damp environments. So yeah, we get

0:43:32.600 --> 0:43:35.160
<v Speaker 1>into the situation where the farther out you're sending your tea,

0:43:35.400 --> 0:43:37.399
<v Speaker 1>the more it makes sense for it to be black tea.

0:43:37.520 --> 0:43:40.319
<v Speaker 1>And perhaps early on you're just like, well, yeah, send

0:43:40.320 --> 0:43:42.920
<v Speaker 1>that black stuff out of here. That's that's going to Mongolia,

0:43:42.960 --> 0:43:45.440
<v Speaker 1>that's going to Tibet. But then of course over time

0:43:45.640 --> 0:43:48.440
<v Speaker 1>it catches on, people start experimenting with it, and you

0:43:48.480 --> 0:43:51.839
<v Speaker 1>get so many splendid black teas as well. But at

0:43:51.880 --> 0:43:54.680
<v Speaker 1>the same time, black tea of course becomes the tea

0:43:54.800 --> 0:43:57.239
<v Speaker 1>to catch on in the Western world. And catch on

0:43:57.320 --> 0:44:00.160
<v Speaker 1>by storm. Uh. There there's a good great deal of

0:44:00.719 --> 0:44:02.319
<v Speaker 1>of Martin's a History of Tea that of course just

0:44:02.360 --> 0:44:05.960
<v Speaker 1>deals with this, like how te reaches uh Europe and

0:44:06.280 --> 0:44:09.160
<v Speaker 1>how it I mean, because it's so crazy to think

0:44:09.200 --> 0:44:11.839
<v Speaker 1>about this as well, like modern Britain and not even

0:44:11.840 --> 0:44:16.640
<v Speaker 1>modern but historically Britain and tea so inseparable. Um, like

0:44:16.719 --> 0:44:19.000
<v Speaker 1>it is held up as this thoroughly British thing, but

0:44:19.080 --> 0:44:22.799
<v Speaker 1>of course it is entirely an import one interesting thing.

0:44:22.880 --> 0:44:25.600
<v Speaker 1>This is something we've we've we've discussed on an older

0:44:25.600 --> 0:44:28.520
<v Speaker 1>episode of the show. But like thinking again about black

0:44:28.560 --> 0:44:32.160
<v Speaker 1>tea being considered this thoroughly British thing and yet at

0:44:32.160 --> 0:44:34.520
<v Speaker 1>the same time there seems to have been at least

0:44:34.520 --> 0:44:37.480
<v Speaker 1>a mild panic in Britain in the nineteenth century about

0:44:37.520 --> 0:44:42.360
<v Speaker 1>green tea making people hallucinate unlike proper black tea. Of course,

0:44:44.280 --> 0:44:46.360
<v Speaker 1>it's almost like people don't realize they come from the

0:44:46.400 --> 0:44:49.640
<v Speaker 1>same plant. Yeah, like you're talking about the same botanical

0:44:49.680 --> 0:44:53.520
<v Speaker 1>origin here. They're both key but yeah, black tea is

0:44:53.800 --> 0:44:58.200
<v Speaker 1>h is British, but green tea is something to mistrust

0:44:58.560 --> 0:45:02.800
<v Speaker 1>and again interious foreign substance that may have the devil

0:45:02.840 --> 0:45:05.640
<v Speaker 1>inside it. Yeah, and there's a Again, there's an older

0:45:05.680 --> 0:45:08.320
<v Speaker 1>episode of the show about this, But the scenarios seemed

0:45:08.320 --> 0:45:11.799
<v Speaker 1>to have basically involved three factors. Mistrust of a tea

0:45:11.880 --> 0:45:15.239
<v Speaker 1>scene as foreign or unusual, and I think this was

0:45:15.280 --> 0:45:17.960
<v Speaker 1>also backed up by a popular ghost story that was

0:45:18.000 --> 0:45:20.400
<v Speaker 1>written in the time during this time period about the

0:45:20.640 --> 0:45:24.680
<v Speaker 1>dangers of green tea, also possible contaminants of the tea.

0:45:24.800 --> 0:45:29.320
<v Speaker 1>And also there were some uh, sort of bad actors

0:45:29.360 --> 0:45:32.279
<v Speaker 1>and the tea market here who thought, well, we need

0:45:32.320 --> 0:45:35.759
<v Speaker 1>to make this color more exciting for Western customers, and

0:45:35.800 --> 0:45:40.080
<v Speaker 1>so they were throwing in some perhaps um less than

0:45:40.120 --> 0:45:42.880
<v Speaker 1>healthy substances to try to enhance the coloration of the

0:45:42.880 --> 0:45:46.880
<v Speaker 1>green tea. Oh. This may be a completely spurious connection,

0:45:46.920 --> 0:45:50.000
<v Speaker 1>but it also makes me think of the English association

0:45:50.160 --> 0:45:53.840
<v Speaker 1>between the color green and like the jealousy of the fairies.

0:45:54.239 --> 0:45:57.759
<v Speaker 1>Oh yeah, you know, I'm I don't recall there if

0:45:57.800 --> 0:46:00.399
<v Speaker 1>anybody called out that connection, but I use we see

0:46:00.440 --> 0:46:02.880
<v Speaker 1>that they're being this sort of color theory, uh and

0:46:02.960 --> 0:46:05.480
<v Speaker 1>color a version already present in a given culture, and

0:46:05.520 --> 0:46:09.520
<v Speaker 1>then you have these other that could potentially enhance these

0:46:09.520 --> 0:46:12.360
<v Speaker 1>other reasons that we're seeing at the time to be

0:46:12.480 --> 0:46:16.640
<v Speaker 1>suspicious of green tea. Yeah, like a green dress invites curses,

0:46:16.680 --> 0:46:19.919
<v Speaker 1>what would a green beverage do? Yeah. But the other

0:46:19.920 --> 0:46:22.719
<v Speaker 1>thing worth keeping in mind too is that there is

0:46:22.760 --> 0:46:26.719
<v Speaker 1>an actual possible link between caffeine and hallucination. Uh. And

0:46:26.840 --> 0:46:29.200
<v Speaker 1>this link is not all that shocking when you consider

0:46:29.239 --> 0:46:33.880
<v Speaker 1>the relationships between anxiety stimulants and the mind's just natural

0:46:33.880 --> 0:46:38.120
<v Speaker 1>potential for hallucinations for various reasons. Yeah. But would there

0:46:38.160 --> 0:46:41.080
<v Speaker 1>be more caffeine and the green teeth than the black tea?

0:46:41.160 --> 0:46:44.920
<v Speaker 1>I thought it was usually the other way around. Um. Yes,

0:46:45.120 --> 0:46:48.120
<v Speaker 1>But then also a lot of that comes down to

0:46:48.719 --> 0:46:51.200
<v Speaker 1>how long you're steeping something, and you know, how how

0:46:51.239 --> 0:46:54.000
<v Speaker 1>often you're consuming it. I guess, um, like if you're

0:46:54.000 --> 0:46:56.200
<v Speaker 1>having enough green tea during the course of a day.

0:46:56.920 --> 0:46:58.680
<v Speaker 1>I mean. The other part of it is that that

0:46:58.840 --> 0:47:01.920
<v Speaker 1>an individual's substability to caffeine is going to vary from

0:47:01.960 --> 0:47:07.120
<v Speaker 1>person to person. Um. But I guess one way to

0:47:07.120 --> 0:47:10.120
<v Speaker 1>look at it is, Yeah, if caffeine potentially enhance his stress,

0:47:10.640 --> 0:47:13.080
<v Speaker 1>then this could cause the body to release more cortisol.

0:47:13.719 --> 0:47:17.360
<v Speaker 1>And another explanation that I remember from that episode was

0:47:17.360 --> 0:47:20.920
<v Speaker 1>that people who use caffeine a lot, say three or

0:47:20.960 --> 0:47:24.360
<v Speaker 1>more cups of coffee per day are simply more prone

0:47:24.360 --> 0:47:27.799
<v Speaker 1>to mental health associations that cause hallucinations. So you know,

0:47:27.840 --> 0:47:30.719
<v Speaker 1>they're various various ways to tease it apart, there's nothing

0:47:30.719 --> 0:47:34.319
<v Speaker 1>special about green tea itself, unless it is, of course,

0:47:34.360 --> 0:47:37.319
<v Speaker 1>has some sort of horrible substance added to it potentially, uh,

0:47:37.400 --> 0:47:41.000
<v Speaker 1>to make it more hallucinogenic. But yeah, it's just kind

0:47:41.040 --> 0:47:44.440
<v Speaker 1>of interesting in terms of the britishness or foreign nature

0:47:44.440 --> 0:47:57.840
<v Speaker 1>of tea has perceived in England in the nineteenth century. Alright,

0:47:57.920 --> 0:48:00.279
<v Speaker 1>one final area. We again, We're not gonna follow tea

0:48:00.320 --> 0:48:03.640
<v Speaker 1>all around the world and cover all the various variations

0:48:03.680 --> 0:48:07.239
<v Speaker 1>and customs on this show, but I think it is

0:48:07.280 --> 0:48:09.600
<v Speaker 1>important to at least touch on Japanese tea culture in

0:48:09.640 --> 0:48:13.200
<v Speaker 1>history a bit as well, because uh, like, knowing when

0:48:13.600 --> 0:48:17.920
<v Speaker 1>and how tea reaches Japan is also important because the

0:48:17.960 --> 0:48:21.560
<v Speaker 1>because Japanese culture has contributed so much to our global

0:48:21.680 --> 0:48:24.480
<v Speaker 1>understanding and appreciation of tea. In fact, a number of

0:48:24.480 --> 0:48:27.680
<v Speaker 1>the teas that I drink our Chinese teas. But I

0:48:27.719 --> 0:48:29.600
<v Speaker 1>did make sure that I was drinking a Japanese tea

0:48:29.760 --> 0:48:31.960
<v Speaker 1>when I was working on this section of the notes. Oh,

0:48:32.000 --> 0:48:35.359
<v Speaker 1>which one is that is a delightful Karagani tea, which

0:48:35.360 --> 0:48:37.280
<v Speaker 1>is a green tea. This one's made I think mostly

0:48:37.320 --> 0:48:40.600
<v Speaker 1>from stems, and like a lot of green teas, you

0:48:40.640 --> 0:48:42.520
<v Speaker 1>have to be You can't just go Willie Nillion there

0:48:42.520 --> 0:48:45.520
<v Speaker 1>and start steeping it at any temperature and for any

0:48:45.560 --> 0:48:47.520
<v Speaker 1>amount of time. It's not one of the kind of

0:48:47.520 --> 0:48:49.279
<v Speaker 1>slot I like a good sloppy tea that I can

0:48:49.320 --> 0:48:52.359
<v Speaker 1>accidentally forget about and come back two and it's it's

0:48:52.400 --> 0:48:53.759
<v Speaker 1>no worse for a wear. This is when you have

0:48:53.800 --> 0:48:56.520
<v Speaker 1>to be precise with But if you if you just

0:48:56.560 --> 0:48:59.800
<v Speaker 1>give it the appropriate amount of time, at the appropriate temperature,

0:49:00.080 --> 0:49:04.560
<v Speaker 1>it's thoroughly delightful, very smooth, green tea. So tea culture,

0:49:05.080 --> 0:49:06.680
<v Speaker 1>as I was reading in most of my main source

0:49:06.719 --> 0:49:10.360
<v Speaker 1>of this was Martin, but tea culture was originally introduced

0:49:10.400 --> 0:49:15.319
<v Speaker 1>into Japan via Buddhism during the reign of Prince of Shautaku,

0:49:15.400 --> 0:49:19.359
<v Speaker 1>who lived five seventy four through six. This is a

0:49:19.400 --> 0:49:23.279
<v Speaker 1>semi legendary figure, though there's nothing to legendary about the

0:49:23.280 --> 0:49:26.239
<v Speaker 1>basic premise here. Uh So, this is not a story

0:49:26.280 --> 0:49:31.600
<v Speaker 1>that involves the machinations of gods or supernatural deities. Basically,

0:49:31.640 --> 0:49:35.200
<v Speaker 1>you had scholars traveling to China during this time studying

0:49:35.239 --> 0:49:38.560
<v Speaker 1>Buddhism and in the process also learning to drink and

0:49:38.640 --> 0:49:42.160
<v Speaker 1>cultivate tea. Now, this is definitely the Phase one era

0:49:42.320 --> 0:49:45.640
<v Speaker 1>of tea at this point, So there's the there's that

0:49:45.840 --> 0:49:48.560
<v Speaker 1>that level of T technology that they have. This is

0:49:48.600 --> 0:49:50.719
<v Speaker 1>the two level of T technology that they're bringing back

0:49:50.800 --> 0:49:54.879
<v Speaker 1>with them. Phase one would have been the brick form. Yeah,

0:49:55.000 --> 0:49:59.000
<v Speaker 1>the brick form that did not have as enhanced flavor

0:49:59.040 --> 0:50:01.720
<v Speaker 1>profile as most of the teas we think of today. Okay,

0:50:02.000 --> 0:50:04.560
<v Speaker 1>and it was a luxury item at first, mostly imported,

0:50:04.880 --> 0:50:07.399
<v Speaker 1>but it was during the reign of Emperor Shomu, who

0:50:07.440 --> 0:50:11.600
<v Speaker 1>lived UH seven oh one through seven fifties six uh

0:50:11.719 --> 0:50:14.319
<v Speaker 1>it was he helped popularize it more by serving it

0:50:14.360 --> 0:50:17.279
<v Speaker 1>to monks, particularly. There's a story about him serving it

0:50:17.320 --> 0:50:20.360
<v Speaker 1>to monks during this day long reading of Buddhist scriptures

0:50:20.360 --> 0:50:22.000
<v Speaker 1>and they're like, what is this and he's like, drinking

0:50:22.040 --> 0:50:26.000
<v Speaker 1>It's gonna enhance everything you're doing today, trust me, And supposedly,

0:50:26.160 --> 0:50:29.760
<v Speaker 1>um they end up embracing it up until the ninth

0:50:29.760 --> 0:50:33.719
<v Speaker 1>century when Sino Japanese relations strained somewhat. There is a

0:50:33.719 --> 0:50:37.400
<v Speaker 1>lot of cultural transference there with tea customs and practices

0:50:37.480 --> 0:50:40.319
<v Speaker 1>entering into Japan from China, much of it tied to

0:50:40.320 --> 0:50:43.960
<v Speaker 1>Buddhist practices and the tastes of the Imperial court at

0:50:44.000 --> 0:50:47.799
<v Speaker 1>that time. In the ninth century, however, diplomatic ties between

0:50:47.800 --> 0:50:50.840
<v Speaker 1>the country's dried up and tea culture in Japan didn't

0:50:50.880 --> 0:50:54.880
<v Speaker 1>really progress for a good three centuries. Its popularity decrease

0:50:55.120 --> 0:50:57.879
<v Speaker 1>and its use was then limited mostly to monasteries, which

0:50:57.920 --> 0:51:00.480
<v Speaker 1>is interesting because all this kind of mirrors what we

0:51:00.520 --> 0:51:03.960
<v Speaker 1>saw during Mongol rule in China. But then during the

0:51:03.960 --> 0:51:07.680
<v Speaker 1>twelfth century, relations between Japan and China improved, and it's

0:51:07.760 --> 0:51:11.280
<v Speaker 1>during this period that the Monk as I introduced both

0:51:11.480 --> 0:51:16.280
<v Speaker 1>the Rinzai Zen Buddhism practice as well as whipped tea

0:51:16.560 --> 0:51:20.359
<v Speaker 1>to Japan. So this is phase two once more with

0:51:20.440 --> 0:51:23.400
<v Speaker 1>the with a si here he's advocating tea as a

0:51:23.520 --> 0:51:26.960
<v Speaker 1>key tool for Zen Buddhist practitioners as well as a

0:51:27.040 --> 0:51:32.040
<v Speaker 1>quote divine remedy and supreme gift of heaven. Uh Martin

0:51:32.120 --> 0:51:35.520
<v Speaker 1>writes that a side proclaimed tea as the cure for

0:51:35.760 --> 0:51:40.520
<v Speaker 1>loss of appetite, illness is caused by poor drinking water, paralysis, boils,

0:51:40.920 --> 0:51:43.239
<v Speaker 1>and what we would come to know of as a

0:51:43.239 --> 0:51:46.400
<v Speaker 1>as a thyamine deficiency. He saw Tea drinking is something

0:51:46.400 --> 0:51:49.439
<v Speaker 1>that benefited each organ in a different way, as well

0:51:49.480 --> 0:51:52.239
<v Speaker 1>as the spiritual aspects of a person as well. Just

0:51:52.280 --> 0:51:54.680
<v Speaker 1>so that's everywhere it could go to leak into all

0:51:54.719 --> 0:51:58.279
<v Speaker 1>your organs and into your spiritual structures, and it's just

0:51:58.280 --> 0:52:01.439
<v Speaker 1>gonna cleanse everything out and make every better. Tea is great,

0:52:01.480 --> 0:52:04.000
<v Speaker 1>But I love these different moments in history where like

0:52:04.080 --> 0:52:07.680
<v Speaker 1>somebody discovers tea and then they're like, it does everything,

0:52:07.840 --> 0:52:11.799
<v Speaker 1>and they you know, they really get on the tea terrain. Yeah.

0:52:11.960 --> 0:52:13.600
<v Speaker 1>I do like that. Again, it comes back to something

0:52:13.640 --> 0:52:15.600
<v Speaker 1>we talked about in the in the last episode about

0:52:15.920 --> 0:52:19.480
<v Speaker 1>tea being healthier than just normal drinking water that hasn't

0:52:19.520 --> 0:52:22.520
<v Speaker 1>been brought up to the boiling point. Yeah. So, initially

0:52:22.960 --> 0:52:26.040
<v Speaker 1>tea was really popular monasteries and among the ruling class,

0:52:26.080 --> 0:52:28.200
<v Speaker 1>but then it spread to pretty much everyone. It also

0:52:28.239 --> 0:52:31.600
<v Speaker 1>became highly ritualized during this time. At the time of

0:52:31.600 --> 0:52:34.400
<v Speaker 1>the samurai, for example, it became part of the bushido code.

0:52:34.800 --> 0:52:36.800
<v Speaker 1>So if you were a member of the elite warrior

0:52:36.920 --> 0:52:39.960
<v Speaker 1>class in Japan, you were yeah, you're expected to be

0:52:40.080 --> 0:52:42.719
<v Speaker 1>able to kill people with your sword, but you were

0:52:42.760 --> 0:52:46.799
<v Speaker 1>expected to apply yourself to say poetry and tea customs

0:52:46.960 --> 0:52:50.239
<v Speaker 1>when you were not fighting or training to fight. By

0:52:50.239 --> 0:52:53.920
<v Speaker 1>the mid fourteenth century, tea houses were a popular secular

0:52:53.960 --> 0:52:55.960
<v Speaker 1>hangout as well, and it seems to have taken on

0:52:56.000 --> 0:52:58.480
<v Speaker 1>a not only a secular air, but kind of a

0:52:58.520 --> 0:53:01.360
<v Speaker 1>boisterous quality as well. They're apparently a number of tales

0:53:01.440 --> 0:53:05.520
<v Speaker 1>of tea drinking exploits. Uh. Some of these exploits were

0:53:05.560 --> 0:53:08.200
<v Speaker 1>tied to just drinking a whole lot of tea their

0:53:08.239 --> 0:53:12.280
<v Speaker 1>accounts of like fifty cups a hundred cups. Though I'm

0:53:12.320 --> 0:53:15.000
<v Speaker 1>I don't think this is necessarily for an individual, but

0:53:15.080 --> 0:53:18.320
<v Speaker 1>maybe more for like a group or a table, okay,

0:53:18.400 --> 0:53:21.279
<v Speaker 1>because I mean warning like you can't actually get too

0:53:21.360 --> 0:53:24.400
<v Speaker 1>much caffeine and be careful there. Yeah yeah, yeah, don't

0:53:24.520 --> 0:53:26.600
<v Speaker 1>do not try and drink fifty cups. But I think

0:53:26.600 --> 0:53:28.680
<v Speaker 1>this would be like a party, like a large group

0:53:28.920 --> 0:53:30.640
<v Speaker 1>and they're just drinking a lot of tea and they're

0:53:30.719 --> 0:53:32.440
<v Speaker 1>keeping track about many they were going through. It could

0:53:32.440 --> 0:53:34.600
<v Speaker 1>be wrong, but I think that's the case. They were

0:53:34.640 --> 0:53:39.600
<v Speaker 1>also more refined um tea drinking exploits tied to contests

0:53:39.600 --> 0:53:42.200
<v Speaker 1>that would take place to see if you could identify

0:53:42.200 --> 0:53:44.759
<v Speaker 1>a tea by the taste or say taste of tea

0:53:44.880 --> 0:53:47.560
<v Speaker 1>and determine what region it's from. That sort of thing,

0:53:48.200 --> 0:53:50.520
<v Speaker 1>and the tea service during this time was also formalized

0:53:50.560 --> 0:53:52.719
<v Speaker 1>as a part of politics. So really it's like in

0:53:52.880 --> 0:53:56.760
<v Speaker 1>every level of the socioeconomic structure t ends up finding

0:53:56.760 --> 0:53:59.960
<v Speaker 1>a place. Uh T culture would come to impact very

0:54:00.200 --> 0:54:03.440
<v Speaker 1>levels of design as well, from the physical instruments of

0:54:03.480 --> 0:54:07.239
<v Speaker 1>tea brewing of course in Japan, but also um this

0:54:07.280 --> 0:54:09.920
<v Speaker 1>would end up being tied into the the architecture of

0:54:09.960 --> 0:54:13.200
<v Speaker 1>tea huts that were specially designed to like blend into

0:54:13.239 --> 0:54:15.359
<v Speaker 1>the natural environment and be part of this sort of

0:54:15.760 --> 0:54:20.200
<v Speaker 1>like nature based understanding of tea and tea drinking. Speaking

0:54:20.239 --> 0:54:23.440
<v Speaker 1>of pouring with confidence to avoid the tea pot effect

0:54:23.480 --> 0:54:27.120
<v Speaker 1>that I mentioned earlier, I've watched some video of Japanese

0:54:27.200 --> 0:54:31.480
<v Speaker 1>tea masters from today at work, UH and man I

0:54:31.600 --> 0:54:36.400
<v Speaker 1>really notice a a pouring with confidence kind of ethic

0:54:36.480 --> 0:54:39.000
<v Speaker 1>to them, Like it's it's interesting to watch their actions

0:54:39.080 --> 0:54:42.480
<v Speaker 1>because uh in the ones I've seen, they are of

0:54:42.520 --> 0:54:45.399
<v Speaker 1>course very precise with their movements, so it's not it's

0:54:45.440 --> 0:54:48.160
<v Speaker 1>the opposite of sloppy, but it is also very like

0:54:48.360 --> 0:54:53.040
<v Speaker 1>forceful and deliberate, confident pouring. It is not uh not delicate,

0:54:53.120 --> 0:54:57.759
<v Speaker 1>little little anything that would result in dribbling. Yeah. Like

0:54:57.800 --> 0:54:59.879
<v Speaker 1>I say, I know that some of these tea master

0:55:00.040 --> 0:55:03.560
<v Speaker 1>is in their works have to have to tackle, uh

0:55:03.640 --> 0:55:06.200
<v Speaker 1>the avoidance of dribbling and how you avoid dribbling in

0:55:06.239 --> 0:55:09.359
<v Speaker 1>these various tea ceremonies. You know, I don't know about you, Joe,

0:55:09.400 --> 0:55:11.319
<v Speaker 1>but another this is something that comes up for me

0:55:11.360 --> 0:55:14.520
<v Speaker 1>and I know was just surely avoided by by experts

0:55:14.520 --> 0:55:17.240
<v Speaker 1>in the field, But in the re steeping of tea bags,

0:55:17.560 --> 0:55:20.560
<v Speaker 1>one error that that we have to keep looking out

0:55:20.600 --> 0:55:22.720
<v Speaker 1>for in my house is you you have an already

0:55:22.719 --> 0:55:25.400
<v Speaker 1>wet tea bag and you're going to do your second

0:55:25.480 --> 0:55:27.680
<v Speaker 1>or third steep, you put it in there, you have

0:55:27.760 --> 0:55:30.320
<v Speaker 1>some new hot water added. If the tea bag is

0:55:30.400 --> 0:55:32.960
<v Speaker 1>kind of partially hanging over the edge of the of

0:55:33.080 --> 0:55:36.480
<v Speaker 1>the the tea cup or the mug, then you'll have

0:55:36.520 --> 0:55:39.640
<v Speaker 1>this kind of wicking effect where the water comes up

0:55:39.680 --> 0:55:41.880
<v Speaker 1>through the tea bag and then gets all over the countertop.

0:55:41.960 --> 0:55:43.959
<v Speaker 1>If you ever had this occurtain, yeah, I I didn't

0:55:43.960 --> 0:55:47.319
<v Speaker 1>know what you're talking about. Yeah, yeah, So another great

0:55:47.320 --> 0:55:50.040
<v Speaker 1>way to make a big mess with tea different kind

0:55:50.080 --> 0:55:54.759
<v Speaker 1>of capillary action, I would guess, yeah, yeah, yeah, capillary

0:55:54.760 --> 0:55:58.719
<v Speaker 1>action sounds it sounds like a better explanation, but but yeah,

0:55:58.840 --> 0:56:02.879
<v Speaker 1>it do make a mess. Well, I've enjoyed this tea journey, Rob, Yeah.

0:56:03.000 --> 0:56:05.640
<v Speaker 1>Like I said, this was not an attempt to provide

0:56:05.680 --> 0:56:09.640
<v Speaker 1>an exhaustive and all inclusive understanding of tea, but hopefully

0:56:09.719 --> 0:56:13.080
<v Speaker 1>sort of drive home like the basic evolution of tea

0:56:13.280 --> 0:56:16.400
<v Speaker 1>and and where a lot of the most important movements

0:56:16.400 --> 0:56:19.719
<v Speaker 1>and tea were taking place, because again, we have such

0:56:19.800 --> 0:56:23.239
<v Speaker 1>a rich tea global culture out there to appreciate. Now,

0:56:23.280 --> 0:56:26.040
<v Speaker 1>we didn't even get into like all the various salted

0:56:26.120 --> 0:56:29.799
<v Speaker 1>and buttered tea traditions. And again we're already at this point.

0:56:29.840 --> 0:56:31.319
<v Speaker 1>I don't think we've gotten to share any of these

0:56:31.400 --> 0:56:33.279
<v Speaker 1>in listening mail yet, but we're already hearing from some

0:56:33.320 --> 0:56:36.359
<v Speaker 1>folks about some of their favorite ways to prepare tea,

0:56:36.800 --> 0:56:40.440
<v Speaker 1>things that are either personally or culturally important to them. Uh.

0:56:40.520 --> 0:56:42.319
<v Speaker 1>So we would love to hear from everyone out there.

0:56:42.320 --> 0:56:45.799
<v Speaker 1>If there's a particular tea you love, let us know.

0:56:46.520 --> 0:56:49.319
<v Speaker 1>For my own part and doing this recording especially, I

0:56:49.400 --> 0:56:52.240
<v Speaker 1>have a bit of a sore throat and a cold

0:56:52.440 --> 0:56:56.719
<v Speaker 1>cough going on, and I depended heavily on a poert

0:56:57.440 --> 0:57:00.680
<v Speaker 1>called Evil Snake King in nor only. I just take

0:57:00.680 --> 0:57:02.799
<v Speaker 1>it straight, but for this I added a lot of

0:57:02.800 --> 0:57:05.799
<v Speaker 1>honey to it. So normally I don't put anything into

0:57:05.800 --> 0:57:07.879
<v Speaker 1>the teeth that I drink, but man, if my throat

0:57:07.920 --> 0:57:10.800
<v Speaker 1>is a little bit sore, I can add some some honey,

0:57:10.960 --> 0:57:14.719
<v Speaker 1>maybe even some limon to that and it'll really get

0:57:14.760 --> 0:57:17.840
<v Speaker 1>me through. Well, May the Evil Snake King breathe all

0:57:17.880 --> 0:57:22.360
<v Speaker 1>his curses into whatever whatever microbe is infecting your throat

0:57:22.480 --> 0:57:25.480
<v Speaker 1>or virus, blast them on out of there. Yeah. Plus,

0:57:25.600 --> 0:57:29.320
<v Speaker 1>I just bought this piece of driftwood, uh, just just arrived.

0:57:29.480 --> 0:57:33.320
<v Speaker 1>It's supposed to have a healing properties if you Yeah,

0:57:33.320 --> 0:57:35.240
<v Speaker 1>I have to swallow it and strap it to my neck.

0:57:35.600 --> 0:57:39.200
<v Speaker 1>I'm gonna be good. Great, all right, so yeah right in.

0:57:39.320 --> 0:57:41.800
<v Speaker 1>We'd love to hear from everyone out there about tea

0:57:41.920 --> 0:57:45.360
<v Speaker 1>and tea culture in your life. If you have, perhaps

0:57:45.400 --> 0:57:47.840
<v Speaker 1>you have some answers to our questions about the tea

0:57:47.920 --> 0:57:52.680
<v Speaker 1>dribbling uh advice from the tea masters of old uh.

0:57:52.840 --> 0:57:54.840
<v Speaker 1>In the In the meantime, check out other episodes of

0:57:54.840 --> 0:57:56.520
<v Speaker 1>Stuff to Blow your Mind. Our core episodes come out

0:57:56.520 --> 0:57:58.360
<v Speaker 1>on Tuesdays and Thursdays and the Stuff to Blow Your

0:57:58.360 --> 0:58:01.520
<v Speaker 1>Mind podcast feed um days we do those listener mail episodes.

0:58:01.520 --> 0:58:04.160
<v Speaker 1>On Wednesdays we do a short form artifact or monster fact,

0:58:04.400 --> 0:58:06.760
<v Speaker 1>and on Friday's we satisfied most serious concerns and just

0:58:06.800 --> 0:58:09.720
<v Speaker 1>talk about a strange film. Huge thanks to our audio

0:58:09.800 --> 0:58:12.360
<v Speaker 1>producer J. J. Pauseway. If you would like to get

0:58:12.400 --> 0:58:14.680
<v Speaker 1>in touch with us with feedback on this episode or

0:58:14.680 --> 0:58:16.960
<v Speaker 1>any other, to suggest a topic for the future, or

0:58:17.040 --> 0:58:19.480
<v Speaker 1>just to say hello, you can email us at contact

0:58:19.560 --> 0:58:29.840
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0:58:29.840 --> 0:58:32.360
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