WEBVTT - Conversations On The Inspirations For Hip Hop

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<v Speaker 1>Speaks to the planet.

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<v Speaker 2>I go by the name of Charlamagne Tha God.

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<v Speaker 3>And guess what, I can't wait to see y'all at

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<v Speaker 3>the third annual Black Effect Podcast Festival. That's right, We're

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<v Speaker 3>coming back to Atlanta, Georgia, Saturday, April twenty six at

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<v Speaker 3>Poeman Yards and it's hosted by none other than Decisions,

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<v Speaker 3>Decisions Man, DyB and Weezy. Okay, we got the R

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<v Speaker 3>and B Money podcast were taking Jay Valentine.

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<v Speaker 2>We got the Women of All.

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<v Speaker 3>Podcasts with Saray Jake Roberts, we got Good Mom's Bad Choices.

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<v Speaker 3>Carrie Champion will be there with her next sports podcast,

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<v Speaker 3>and the Trap Nerds podcast with more to be announced.

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<v Speaker 3>And of course it's bigger than podcasts. We're bringing the

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<v Speaker 3>Black Effect marketplace with black owned businesses plus the food

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<v Speaker 2>All right, listen, you don't want to miss this.

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<v Speaker 3>Tap in and grab your tickets now at Black Effect

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<v Speaker 3>dot Com Flash Podcast Festival.

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<v Speaker 4>Watch up and welcome back to another episode of No

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<v Speaker 4>Sellers Podcast with your hosts now fuck that with your

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<v Speaker 4>load glasses Malone. So now it's like normally I do

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<v Speaker 4>it on Sunday evenings. I do all my pads on

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<v Speaker 4>Sunday evening because it's kind of like a slow day.

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<v Speaker 4>Usually give me enough time to figure out how to

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<v Speaker 4>make a conversation interesting, not like cause you know, I

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<v Speaker 4>don't do it like other people.

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<v Speaker 2>I don't cover weekly topics.

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<v Speaker 1>Do you know?

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<v Speaker 4>This is not like a daily show. So one thing

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<v Speaker 4>like going into season five and those seilings. I always

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<v Speaker 4>try to wrap the idea and something that's grander, I mean,

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<v Speaker 4>a bigger conversation to where if you heard it ten

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<v Speaker 4>years from now, the conversation still could be relevant. Like

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<v Speaker 4>I'm not knocking nobody who looks at this week's topics

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<v Speaker 4>and be like, oh, yeah, well I'm gonna talk about

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<v Speaker 4>this week.

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<v Speaker 2>It's like I try not to do that.

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<v Speaker 4>I try to. I try my best to make a

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<v Speaker 4>grander conversation.

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<v Speaker 1>Ain't the wrong with that? At least you're doing something

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<v Speaker 1>the recently.

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<v Speaker 4>Yeah, you know, and it don't necessarily get you the

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<v Speaker 4>instant weekly They don't get you the instant weekly impact

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<v Speaker 4>if I talked about somebody fighting today or something that

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<v Speaker 4>happened right today. But when you discover the podcast, if

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<v Speaker 4>you discover the podcast five months from now, the conversation

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<v Speaker 4>is still rich. Like people are hitting me every day

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<v Speaker 4>as they discover no ceilings from something we was talking

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<v Speaker 4>about in the third season. That's relevant right now.

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<v Speaker 2>Still what you.

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<v Speaker 1>Do evergreen content, you don't have to worry about that.

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<v Speaker 1>I'm trying not to really cover weekly topics too, because

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<v Speaker 1>just make your podcast get old fast.

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<v Speaker 4>I mean to me, like if I was gonna do

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<v Speaker 4>a weekly like a like a daily topic, I would

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<v Speaker 4>need to do it every day, like the view of something, Yeah,

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<v Speaker 4>Monday through Friday.

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<v Speaker 2>Then I would cover weekly topics.

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<v Speaker 4>But you know, if we given an eye like you know,

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<v Speaker 4>once a week, It's like I'm trying to make sure

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<v Speaker 4>the conversation is rich and wealth and wealthy and knowledge.

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<v Speaker 2>I mean, some kind of perspective that's unique.

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<v Speaker 1>You know. Speaking of that, man, I had a dude

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<v Speaker 1>hit me up man from Detroit. Man, dude is just

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<v Speaker 1>now getting out the Feds. He was a part of that.

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<v Speaker 1>Like they had like a multimillion dollar credit card ring

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<v Speaker 1>going at Walmart.

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<v Speaker 2>Do you remember that. No, I don't know about that.

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<v Speaker 1>They was going to go get you know, using the

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<v Speaker 1>cars to buy gift cards at Walmart. They bought like

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<v Speaker 1>a couple like maybe like five or six million dollars

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<v Speaker 1>worth of gift cards or whatever. Yeah, we gonna have

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<v Speaker 1>him on the show. Man. I want to you know,

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<v Speaker 1>like talking to people like that is just interesting, man.

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<v Speaker 1>Just a criminal mind is so interesting. Bro. We got

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<v Speaker 1>some real genius people in the community. Bro, And which

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<v Speaker 1>community in the black community? Like you know, some of

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<v Speaker 1>these schemes these dudes be pulling off the pretty incredible

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<v Speaker 1>they don't, you know, don't little bit of stuff.

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<v Speaker 4>I try not to say the Black community because it's

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<v Speaker 4>such a unique thing. I always try to say Black

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<v Speaker 4>America because black community is so disingenuous in thought.

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<v Speaker 2>But yeah, I mean.

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<v Speaker 4>It is some It's it's some people that be thinking

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<v Speaker 4>of definitely how to pull some stuff off.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 4>They don't play when it comes to pulling something off,

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<v Speaker 4>you know what I mean. So I respect all of that.

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<v Speaker 1>Yeah, managers now, bro, but.

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<v Speaker 4>Do you wonder like still because it is Gangster Chronicles,

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<v Speaker 4>Like I think that fits gangst the Chronicles, but it

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<v Speaker 4>don't fit the evolution against the rap chronicles.

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<v Speaker 1>Well, you know what, I think we always got a

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<v Speaker 1>place to kind of like us. I think that's where

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<v Speaker 1>the show started at it was throwing those type of people. Sure,

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<v Speaker 1>I think it's cool to bringing in especially you know

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<v Speaker 1>when they reach out to Ukon because they want to

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<v Speaker 1>come on the show, you know, and I think that's good.

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<v Speaker 1>When I kind of like that, I think it's just

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<v Speaker 1>I think I think people make music about stuff like this.

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<v Speaker 1>People make music about scamming out, and I think that's

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<v Speaker 1>where that's where I kind of been envisioning, like kind

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<v Speaker 1>of taking the show is this is getting arcuse. You know,

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<v Speaker 1>this is our seventh season, so it's like I think about, like,

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<v Speaker 1>way can I do it that nobody else is doing.

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<v Speaker 1>I think that's cool to mix like the worlds of

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<v Speaker 1>gangster rap with the actual people. That's like kind of

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<v Speaker 1>like the muse for the gangster rappers.

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<v Speaker 2>Sure, the culture itself.

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<v Speaker 1>Yeah, the culture yourself. Like this dude was a scammering

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<v Speaker 1>and they called They said, what was the name of

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<v Speaker 1>the mom? Where were they names? Let me bread this

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<v Speaker 1>for you right here. Your family was good. I'm from Detroit.

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<v Speaker 1>A few years ago I was making my name on

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<v Speaker 1>the music scene managing artists. I had got picked up

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<v Speaker 1>by the Fairs and received the six year Since I'm

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<v Speaker 1>out now, no snitching. You can look my name with

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<v Speaker 1>Rodney gets five six nine two one dash of three nine.

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<v Speaker 1>But I have an interacing story and me and my

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<v Speaker 1>crew were part of a multi million dollar card ring.

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<v Speaker 1>Just google Rodney gets Walmart Detroit. We the reason they

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<v Speaker 1>changed the system with Walmart and the AT and T stores.

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<v Speaker 1>I feel I got something new to share because the

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<v Speaker 1>average story being told is the violence, drug kingpon story,

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<v Speaker 1>except no fraud, big story that's never been told yet.

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<v Speaker 1>Check us out. And I thought, da this little they

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<v Speaker 1>had a little name for their crew, Dog, and they

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<v Speaker 1>was they've like influenced rap groups in Detroit and everything else.

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<v Speaker 1>And he manages some some dudes now in Detroit and

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<v Speaker 1>the Flint that's kind of popping, like Rio to young Og.

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<v Speaker 2>Yeah.

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<v Speaker 1>And what's the other dude's name on the real assigned

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<v Speaker 1>to peasing, Yeah, yeah, he may manage them and stuff.

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<v Speaker 1>So I thought it was you know, we got a

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<v Speaker 1>really big following in Detroit and Chicago. Man, it's crazy,

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<v Speaker 1>like two of the most outside of LA, like our

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<v Speaker 1>three biggest markets of our fourth biggest markets are all

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<v Speaker 1>cities is known for their gangsterism. Houston, Detroit, Chicago and LA.

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<v Speaker 1>That's why I laugh. No, That's that's why I laugh.

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<v Speaker 4>When people talk to me about they talk about some

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<v Speaker 4>rapper as They'll be like, oh, this rapper did something

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<v Speaker 4>for the culture, and I'm like, what did a rap

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<v Speaker 4>orde for the culture? Like all rappers do is benefit

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<v Speaker 4>from the culture. They don't do anything specifically for the culture.

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<v Speaker 4>But again, that's where that word kind of gets confused

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<v Speaker 4>when or like community, because the words themselves been watered

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<v Speaker 4>down so crazy, like like the culture is the lifestyle itself.

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<v Speaker 4>It's not the artistic expression which is the rapper. It's

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<v Speaker 4>actually what's happening when it comes to how people are living.

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<v Speaker 4>So like somebody will tell me something like, oh, you

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<v Speaker 4>know this artist has been great for the culture, I'm like,

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<v Speaker 4>how are they great for the culture?

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<v Speaker 1>You know what I mean?

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<v Speaker 4>And I appreciate that. I think that's where people like

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<v Speaker 4>Adam twenty two DJ Vlad, people outside of the culture

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<v Speaker 4>dog they see it in its true form, so they

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<v Speaker 4>know exactly who to talk to. While people that were

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<v Speaker 4>brought up with it and in it their whole life

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<v Speaker 4>we kind of trying to Like I had a really

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<v Speaker 4>interesting conversation with my homegirl Barbie today and King and

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<v Speaker 4>they were just telling me how they felt. They were

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<v Speaker 4>telling me how they felt about like you could see

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<v Speaker 4>they're trying to move away from the culture. They like glasses. Man,

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<v Speaker 4>I don't know what we are supposed to do with

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<v Speaker 4>the Crypt store, right, It's like, oh, you know, we

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<v Speaker 4>need to make the Malone store. And I'm like, it's

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<v Speaker 4>funny because people inside of the culture are trying to

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<v Speaker 4>move out of the culture, like they feel like they

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<v Speaker 4>have access to mainstream America.

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<v Speaker 2>Hold on, I.

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<v Speaker 1>Just love like in the middle of class podcast, I

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<v Speaker 1>can get up and say hold on. We usually just

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<v Speaker 1>keep y' all there waiting, crazy, right. I don't know.

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<v Speaker 1>I think I do kind of agree with I think

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<v Speaker 1>I do kind of I was just telling the people,

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<v Speaker 1>see I think I do. I think we all do

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<v Speaker 1>that as we get older, we try to move away

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<v Speaker 1>from the culture. Because it's like I always tell you

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<v Speaker 1>about the Crypt because all I think about now is

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<v Speaker 1>how if something never happened where you know, you did

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<v Speaker 1>get him some Like let's say we got in some

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<v Speaker 1>shit one day, they would probably try to bring your

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<v Speaker 1>crip affiliation up and try to throw you some serious

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<v Speaker 1>time at you. I looked at some cat today they

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<v Speaker 1>gave some time too. They was talking about he was

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<v Speaker 1>a terrorist. Man. I mean, it's definitely gonna be misunderstood

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<v Speaker 1>on a mainstream level for sure. But that's kind of

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<v Speaker 1>the risk you run, you know, being a voice and

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<v Speaker 1>a representation of lifestyle for people in these predicaments. So

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<v Speaker 1>you know it comes with it's risk too, you know

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<v Speaker 1>what I'm saying. But I think that's the confusion, right.

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<v Speaker 4>You take somebody like Vlad or Adam or Flock or

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<v Speaker 4>people that didn't grow up necessarily baptized in street urban culture.

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<v Speaker 4>They I don't know if they water it down as

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<v Speaker 4>much as they Okay, so there's the people who give. Well,

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<v Speaker 4>first off, this is no ceilings. Welcome to the fifth season.

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<v Speaker 4>Thank y'all for getting us to this point. I got

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<v Speaker 4>my big brother, Steve Peter's on vacation. We was behind,

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<v Speaker 4>so we made sure we still got it in to

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<v Speaker 4>have fresh episodes. I didn't want to put up a

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<v Speaker 4>stream for the lunch hour. You know, there are some

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<v Speaker 4>great conversations. I still wanted you to have, you know,

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<v Speaker 4>new places to examine and thought, you know what I'm saying,

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<v Speaker 4>So here we are.

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<v Speaker 1>I think there's part do that.

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<v Speaker 4>You know what I don't know, because I'll give no

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<v Speaker 4>ceilings in the lunch our credit shout out to the

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<v Speaker 4>lunch Table, but like.

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<v Speaker 1>Oh yeah, but you know the people, the people on

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<v Speaker 1>a lunch hour that already heard that conversation, they could

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<v Speaker 1>look forward to no ceilings to hear something fresh and new.

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<v Speaker 1>You feel what I'm saying. It's like me with gangst

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<v Speaker 1>the chronicles. I never put up I try not to

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<v Speaker 1>ever put up like used material. You feel what I'm saying.

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<v Speaker 1>It's like because it's not good. I think we've been

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<v Speaker 1>around too long and our audio audience is way too

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<v Speaker 1>big for us just to be kind of bullshiting with

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<v Speaker 1>people like that.

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<v Speaker 2>You know, you know it's funny.

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<v Speaker 4>I really feel like I should put fresh material up

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<v Speaker 4>on Tuesday, right, and then give them the three episodes

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<v Speaker 4>because there's a group of people who never heard the

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<v Speaker 4>Lunch Table on YouTube, on digital soapbox, on the stream.

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<v Speaker 4>So I notice all of these conversations are so rich

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<v Speaker 4>and I mean intellectually they are so special.

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<v Speaker 2>You feel me.

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<v Speaker 4>So it's like, but back to the point Adams last flock, Oh,

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<v Speaker 4>different people they see the value in street urban culture,

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<v Speaker 4>not hip hop, where it's the artistic expression of street

0:11:46.640 --> 0:11:51.080
<v Speaker 4>urban culture or the elemental expression, but the actual culture itself,

0:11:51.400 --> 0:11:55.199
<v Speaker 4>you know, not the round place Master Jay in his essence,

0:11:55.679 --> 0:11:58.960
<v Speaker 4>and they see the value in it. Meanwhile, we're running

0:11:59.000 --> 0:12:01.200
<v Speaker 4>away from street urban culture.

0:12:01.600 --> 0:12:04.160
<v Speaker 1>I'm gonna tell you what all these dudes do, and

0:12:04.240 --> 0:12:08.080
<v Speaker 1>they got successful programs supporting y'all call me a hater.

0:12:08.200 --> 0:12:10.160
<v Speaker 1>I'm far from hater. I maud with them dudes do.

0:12:10.200 --> 0:12:12.640
<v Speaker 1>They do a very good job of what they do.

0:12:13.320 --> 0:12:15.840
<v Speaker 1>And I can't really say Vlad, but I noticed Adam

0:12:15.880 --> 0:12:19.120
<v Speaker 1>has moved more to urban culture. And it's find that

0:12:19.240 --> 0:12:21.800
<v Speaker 1>funny because once he visited the gainst the chronicles, he

0:12:21.840 --> 0:12:23.680
<v Speaker 1>went back to his shows trying to do gangster shit

0:12:23.760 --> 0:12:26.520
<v Speaker 1>because he just was so like trying to figure out

0:12:26.559 --> 0:12:28.280
<v Speaker 1>what it was. And I guess in his mind that's

0:12:28.320 --> 0:12:30.240
<v Speaker 1>what it was that we was doing or whatever, you know,

0:12:32.160 --> 0:12:36.080
<v Speaker 1>because Alex Alonso to me, he kind of you know,

0:12:36.200 --> 0:12:39.040
<v Speaker 1>Alex Alonzo on what's my other man's name? From over

0:12:39.080 --> 0:12:44.080
<v Speaker 1>there from sixties from Princeshaw. Yeah, fact, huh, Jev Mac,

0:12:44.960 --> 0:12:48.000
<v Speaker 1>keV Mac. I think keV Mac and Alex Alonzo are

0:12:48.080 --> 0:12:50.360
<v Speaker 1>kind of like the inventors of the hood blog. You

0:12:50.400 --> 0:12:52.440
<v Speaker 1>feel what I'm saying of going straight to the hood

0:12:52.480 --> 0:12:54.719
<v Speaker 1>and talking to different people from the hood. I think

0:12:54.760 --> 0:12:57.200
<v Speaker 1>what Gangster Chronicles did. I think we kind of was

0:12:57.240 --> 0:12:59.240
<v Speaker 1>the evolution of what they were doing, in which we

0:12:59.280 --> 0:13:02.319
<v Speaker 1>had people actually sitting down having conversations with them. You

0:13:02.320 --> 0:13:04.480
<v Speaker 1>feel what I'm saying the podcast formatte you had a

0:13:04.520 --> 0:13:07.679
<v Speaker 1>guy who was kind of like the sociality, just the

0:13:09.600 --> 0:13:12.959
<v Speaker 1>police officer with loose, loose morol code. You feel I'm

0:13:12.960 --> 0:13:15.280
<v Speaker 1>saying that the crooked officer with somebody.

0:13:15.000 --> 0:13:15.720
<v Speaker 2>When we came up.

0:13:16.840 --> 0:13:19.600
<v Speaker 4>When we came up with gangst the Chronicles, I always

0:13:19.640 --> 0:13:24.680
<v Speaker 4>saw it as the criminal, the criminologists, and the person

0:13:24.720 --> 0:13:29.000
<v Speaker 4>who saws the crime. So the premise was built on crime, right,

0:13:29.679 --> 0:13:32.760
<v Speaker 4>and it made sense for that caz versus like I

0:13:32.800 --> 0:13:35.959
<v Speaker 4>always tell you what you eight and let's say somebody

0:13:35.960 --> 0:13:39.360
<v Speaker 4>else in gangst the rap, the conversation ship shift against

0:13:39.360 --> 0:13:39.680
<v Speaker 4>the rap.

0:13:40.800 --> 0:13:44.440
<v Speaker 1>Yeah, but you know what, hold on, hold on.

0:13:44.640 --> 0:13:49.400
<v Speaker 4>But I do think there's a value that other people

0:13:49.720 --> 0:13:53.400
<v Speaker 4>outside are they see the value in. But I'm telling

0:13:53.400 --> 0:13:56.800
<v Speaker 4>you it's because we don't see value and inspiration. Like

0:13:56.840 --> 0:13:58.760
<v Speaker 4>It's funny when I listen to people talk to me

0:13:58.840 --> 0:14:02.240
<v Speaker 4>about street urban culture and they see it as degenerates

0:14:02.280 --> 0:14:06.480
<v Speaker 4>like I think that's how like like like, uh, what's

0:14:06.480 --> 0:14:08.800
<v Speaker 4>the man from a what was Samuel L.

0:14:08.840 --> 0:14:10.599
<v Speaker 2>Jackson's character in Django.

0:14:11.920 --> 0:14:19.960
<v Speaker 1>Jingo? What's what's his name, Stevens. That's how I feel like,

0:14:20.240 --> 0:14:23.680
<v Speaker 1>But that's how I feel people look at like he

0:14:23.720 --> 0:14:26.800
<v Speaker 1>would he would have been calling slaves, degenerates or lazy.

0:14:27.520 --> 0:14:30.760
<v Speaker 4>So when I watch somebody like a black man in America,

0:14:31.240 --> 0:14:33.280
<v Speaker 4>you know what I mean, who trying to follow the

0:14:33.360 --> 0:14:36.880
<v Speaker 4>laws and shit talk about people who trying to get ahead,

0:14:37.080 --> 0:14:39.880
<v Speaker 4>like without caring about the laws, they call them degenerates.

0:14:39.880 --> 0:14:44.480
<v Speaker 4>I'm like that always gives me like like house negro vibes,

0:14:44.520 --> 0:14:46.280
<v Speaker 4>you know what I'm saying, Like I don't like that. Like,

0:14:46.320 --> 0:14:49.480
<v Speaker 4>don't get me wrong, I'm not encouraging brothers to go

0:14:49.560 --> 0:14:50.800
<v Speaker 4>out and commit crimes.

0:14:50.880 --> 0:14:52.120
<v Speaker 2>Like that's not what I'm saying.

0:14:52.200 --> 0:14:55.280
<v Speaker 4>I'm telling you I don't judge brothers who go out

0:14:55.320 --> 0:14:59.560
<v Speaker 4>and commit crimes because I always I realize every law

0:14:59.640 --> 0:15:03.880
<v Speaker 4>here has been made to keep us, you know, back.

0:15:04.080 --> 0:15:07.160
<v Speaker 4>So it's like, how could you really be a pro

0:15:07.280 --> 0:15:10.160
<v Speaker 4>black person in America and be like, well, I'm gonna

0:15:10.200 --> 0:15:12.920
<v Speaker 4>follow the rules, Like if you was following the rules

0:15:12.920 --> 0:15:15.400
<v Speaker 4>two hundred years ago, you know what I mean, Like,

0:15:15.680 --> 0:15:16.760
<v Speaker 4>it ain't that different.

0:15:19.760 --> 0:15:22.160
<v Speaker 1>I think it goes twofold little bro. I think it's

0:15:22.240 --> 0:15:24.800
<v Speaker 1>like this. I definitely agree with you. I think every

0:15:24.920 --> 0:15:28.120
<v Speaker 1>law pretty much written in this country has been written

0:15:28.120 --> 0:15:32.680
<v Speaker 1>to impede the black man. I believe that people are intimidated.

0:15:33.000 --> 0:15:35.600
<v Speaker 1>I think people are intimidated by us man for so

0:15:35.640 --> 0:15:37.760
<v Speaker 1>many reasons. And I think it's kind of like a

0:15:37.760 --> 0:15:40.000
<v Speaker 1>guilt guilt trip. You feel what I'm saying That people

0:15:40.040 --> 0:15:42.280
<v Speaker 1>know that their answers don't did stuff wrong, and in

0:15:42.360 --> 0:15:45.000
<v Speaker 1>most cases they've done stuff wrong. I never will forget

0:15:45.840 --> 0:15:49.960
<v Speaker 1>one time. You know. I've always been an executive gee

0:15:50.040 --> 0:15:53.360
<v Speaker 1>right boy, and this cat that I work with, man,

0:15:53.400 --> 0:15:55.640
<v Speaker 1>you know, from one of the supplier houses. Man, I

0:15:55.720 --> 0:15:57.520
<v Speaker 1>keep their names out of us so we don't get suited.

0:15:57.560 --> 0:16:00.760
<v Speaker 1>Now with a supplier houses. He had called me about

0:16:01.200 --> 0:16:03.880
<v Speaker 1>something that we had to do in Atlanta, right, and

0:16:03.920 --> 0:16:06.640
<v Speaker 1>I said, okay. He called me back by asking, and

0:16:06.680 --> 0:16:08.400
<v Speaker 1>I figured that because he kind of called me right back,

0:16:08.480 --> 0:16:10.200
<v Speaker 1>or I said, you know what, maybe he forgot to

0:16:10.200 --> 0:16:13.000
<v Speaker 1>tell me something. I hear him in the background going,

0:16:13.120 --> 0:16:16.720
<v Speaker 1>you fucking nigger, you black b word you this and that,

0:16:17.160 --> 0:16:20.480
<v Speaker 1>you shit color. He just had so many colorful ways

0:16:20.520 --> 0:16:23.200
<v Speaker 1>to call somebody black dog. I was just kind of

0:16:23.320 --> 0:16:26.360
<v Speaker 1>like shock. So, you know, you kind of sitting in

0:16:26.360 --> 0:16:30.040
<v Speaker 1>the phone and you're listening to somebody, and so then

0:16:30.080 --> 0:16:31.880
<v Speaker 1>I just hung up. Then he called me back, like

0:16:31.880 --> 0:16:34.360
<v Speaker 1>I said, oh man, my bad. I was talking to

0:16:34.400 --> 0:16:36.920
<v Speaker 1>one of my friends and we play around a certain

0:16:37.000 --> 0:16:39.680
<v Speaker 1>kind of way, and I just laughed. I said, Man,

0:16:39.720 --> 0:16:41.800
<v Speaker 1>if you're gonna be a racist man, you gotta be hard.

0:16:41.840 --> 0:16:43.920
<v Speaker 1>I said, that's what I don't respect about y'all praised

0:16:43.920 --> 0:16:47.560
<v Speaker 1>as motherfucker's in LA and the West Coast. Y'all would

0:16:47.560 --> 0:16:49.680
<v Speaker 1>be prejudiced and the motherfucker but act like y'all like

0:16:49.760 --> 0:16:52.400
<v Speaker 1>black people. The white people back home as prazied as

0:16:52.440 --> 0:16:54.160
<v Speaker 1>they really praised us. They just said, fuck you. I'm

0:16:54.160 --> 0:16:57.600
<v Speaker 1>glad you gird that, you black motherfucker. I can respect

0:16:57.600 --> 0:16:58.240
<v Speaker 1>that a lot more.

0:17:00.000 --> 0:17:02.080
<v Speaker 2>Don't know about all that I'm just saying.

0:17:02.120 --> 0:17:05.040
<v Speaker 1>But think about it. G the people in Ohio to

0:17:05.119 --> 0:17:08.440
<v Speaker 1>me aren't the threat. I would be more concerned about

0:17:08.440 --> 0:17:12.160
<v Speaker 1>the motherfucker asking like he liked me, and that motherfucker's

0:17:12.160 --> 0:17:15.199
<v Speaker 1>moving covertly. The motherfucker back to the crib. I know

0:17:15.200 --> 0:17:19.920
<v Speaker 1>where they're staying Mmm, yeah, you see what I'm saying.

0:17:20.080 --> 0:17:21.560
<v Speaker 1>I know where they see and they tell you.

0:17:22.800 --> 0:17:25.280
<v Speaker 4>But before we get looser and start going, you know

0:17:25.320 --> 0:17:28.399
<v Speaker 4>what I mean, like all over the place. Back to

0:17:28.600 --> 0:17:32.280
<v Speaker 4>I digress to the point of like the inspiration has value,

0:17:32.359 --> 0:17:37.720
<v Speaker 4>street urban culture itself has value. So I get why

0:17:38.320 --> 0:17:41.280
<v Speaker 4>you know Gangster Chronicles has a value. I just think

0:17:41.800 --> 0:17:44.439
<v Speaker 4>it'd be better if we like pushed it to SBTV.

0:17:46.480 --> 0:17:49.520
<v Speaker 1>Man, I don't know all that changing shit, man. I

0:17:49.560 --> 0:17:51.719
<v Speaker 1>think I think it's going where it needs to go

0:17:51.760 --> 0:17:53.680
<v Speaker 1>with the gangst the rap stuff. It's like I think

0:17:53.720 --> 0:17:58.480
<v Speaker 1>when you overthink stuff, man, it becomes less spontaneous and

0:17:58.560 --> 0:18:03.720
<v Speaker 1>it starts you don't think things belong to certain drawers,

0:18:03.760 --> 0:18:06.000
<v Speaker 1>not really. I think that's how shit gets.

0:18:05.800 --> 0:18:08.600
<v Speaker 2>Stayed your drawers and your T shirt and the same drug.

0:18:08.680 --> 0:18:11.200
<v Speaker 1>I think that makes it interesting sometimes because everybody is

0:18:11.200 --> 0:18:13.880
<v Speaker 1>putting they shit in certain drawers. Everybody has their life

0:18:13.960 --> 0:18:16.639
<v Speaker 1>kind of categorize. But this should be here initially here

0:18:16.640 --> 0:18:18.880
<v Speaker 1>when it should be like, just do whatever the fuck

0:18:18.920 --> 0:18:22.560
<v Speaker 1>you want to whatever it's dope. I'm gonna tell you somethinghere.

0:18:22.680 --> 0:18:24.880
<v Speaker 1>You know that most did you know that most hip?

0:18:25.160 --> 0:18:28.160
<v Speaker 1>Let me tell you an interest in fact, most hip

0:18:28.200 --> 0:18:30.960
<v Speaker 1>hop records that are hits out the key. You know that, right?

0:18:32.280 --> 0:18:32.560
<v Speaker 2>Sure?

0:18:32.560 --> 0:18:35.560
<v Speaker 4>But hip hop is hip hop is not correct, But

0:18:35.600 --> 0:18:37.880
<v Speaker 4>that's what I'm saying. So if hip hop is not correct,

0:18:38.119 --> 0:18:40.359
<v Speaker 4>I actually lived my life more with hip hop stock

0:18:40.800 --> 0:18:42.959
<v Speaker 4>see g. You know, what's the person For a person

0:18:43.000 --> 0:18:45.520
<v Speaker 4>to be so into the culture like you are and

0:18:45.600 --> 0:18:47.840
<v Speaker 4>really a part of it, you really more like a

0:18:47.840 --> 0:18:49.760
<v Speaker 4>school teacher or something. You probably live your life more

0:18:49.800 --> 0:18:51.760
<v Speaker 4>like a school teacher. A person that does a lot

0:18:51.800 --> 0:18:56.080
<v Speaker 4>of thinking, real deliver first, not necessarily. I used to

0:18:56.119 --> 0:18:59.040
<v Speaker 4>think how you thought where it was just what's dope?

0:19:00.280 --> 0:19:00.359
<v Speaker 1>Is?

0:19:00.400 --> 0:19:04.200
<v Speaker 4>Now I understand what brings the business to the business, right,

0:19:04.240 --> 0:19:09.159
<v Speaker 4>It's like it's like it's like I get why In

0:19:09.240 --> 0:19:12.879
<v Speaker 4>and Out does better business than all kinds of.

0:19:12.920 --> 0:19:17.520
<v Speaker 2>Other restaurants, especially Hamburger Man.

0:19:17.640 --> 0:19:20.760
<v Speaker 4>So even to say like a mediocre Hamburger as you

0:19:20.880 --> 0:19:23.840
<v Speaker 4>referenced it, right, it is doing so well. It's because

0:19:23.840 --> 0:19:28.199
<v Speaker 4>it's the consistency and quality and they're specialists.

0:19:28.880 --> 0:19:32.159
<v Speaker 1>We're talking food. Not nobody can see they not you

0:19:32.280 --> 0:19:35.520
<v Speaker 1>know what, In and Out is a very California specific thing,

0:19:35.520 --> 0:19:37.639
<v Speaker 1>and they're in Dallas. They're not as big and Deablas

0:19:37.640 --> 0:19:41.040
<v Speaker 1>as they are out here, they're not in Dallashit. Yeah

0:19:41.040 --> 0:19:42.360
<v Speaker 1>they are, yeah there down there.

0:19:42.400 --> 0:19:45.680
<v Speaker 2>Then they just started, but it's only a matter of time.

0:19:45.800 --> 0:19:46.360
<v Speaker 2>So it's like.

0:19:49.000 --> 0:19:51.399
<v Speaker 4>I was having this conversation with the same with Barbie

0:19:51.440 --> 0:19:53.919
<v Speaker 4>and King and they were just they they keep trying

0:19:53.960 --> 0:19:56.840
<v Speaker 4>to make Walmart, and I'm like, Walmart only works because

0:19:56.840 --> 0:19:57.600
<v Speaker 4>it's dirt cheap.

0:19:58.359 --> 0:20:00.520
<v Speaker 2>If Walmart was expensive, wouldn't work.

0:20:03.440 --> 0:20:07.199
<v Speaker 4>Like when people spend money, when they invest energy and

0:20:07.280 --> 0:20:10.320
<v Speaker 4>time and money into something, they really want a specialist,

0:20:11.000 --> 0:20:12.399
<v Speaker 4>you know what I'm saying. So I just think that

0:20:15.119 --> 0:20:17.639
<v Speaker 4>I think that's why people do better outside of that

0:20:17.680 --> 0:20:19.560
<v Speaker 4>grew up that grew up out of it, Like like

0:20:19.640 --> 0:20:22.959
<v Speaker 4>we grew up inside of street urban culture, but people

0:20:22.960 --> 0:20:26.400
<v Speaker 4>who grew up outside of it, like they know exactly

0:20:26.440 --> 0:20:28.760
<v Speaker 4>what it is, so they've got to play that.

0:20:29.200 --> 0:20:32.360
<v Speaker 1>You think about this, there are more people like that

0:20:32.400 --> 0:20:35.520
<v Speaker 1>than there are, like people that understand what street coach reels.

0:20:35.680 --> 0:20:37.520
<v Speaker 1>That's the problem. Now you got a bunch of weird

0:20:37.560 --> 0:20:41.520
<v Speaker 1>motherfuckers watching weird motherfuckers online all get their thing off

0:20:41.600 --> 0:20:43.879
<v Speaker 1>what they think street urban coach reels. And it's crazy.

0:20:44.800 --> 0:20:46.800
<v Speaker 4>But I don't think they even worried about what street

0:20:46.880 --> 0:20:49.320
<v Speaker 4>urban culture is. I think the people that do know,

0:20:49.960 --> 0:20:52.480
<v Speaker 4>they have the consistency of it. Like no Jumper like

0:20:52.600 --> 0:20:55.720
<v Speaker 4>Flad like like those platforms.

0:20:55.800 --> 0:20:59.040
<v Speaker 1>So you think, so you think jump street urban coach reels.

0:21:00.040 --> 0:21:02.920
<v Speaker 4>Yeah, that's why they keep going to get guys from

0:21:02.920 --> 0:21:03.840
<v Speaker 4>the street urban coaching.

0:21:04.400 --> 0:21:06.080
<v Speaker 1>I don't think they know. I think they go get

0:21:06.080 --> 0:21:08.840
<v Speaker 1>people that they do know that they pretty much know where.

0:21:08.880 --> 0:21:11.280
<v Speaker 1>I don't think it's them though. I think it's pretty

0:21:11.359 --> 0:21:14.160
<v Speaker 1>much the other people on there. It's like this, when

0:21:14.160 --> 0:21:16.320
<v Speaker 1>you had the Homies A D and all them over there.

0:21:16.320 --> 0:21:18.240
<v Speaker 1>It was the same shit. You know, you keep going

0:21:18.320 --> 0:21:20.360
<v Speaker 1>to going to go get the same thing. They made

0:21:20.440 --> 0:21:22.040
<v Speaker 1>it crack. But the thing is, you know what I

0:21:22.040 --> 0:21:24.959
<v Speaker 1>will say, and I ain't gonna do that to Adam.

0:21:25.240 --> 0:21:27.800
<v Speaker 1>Adam is very he's very in tune. Now. I will

0:21:27.840 --> 0:21:31.040
<v Speaker 1>say this about that motherfucker. I really fucked with his

0:21:31.080 --> 0:21:32.720
<v Speaker 1>show when he was doing the hip hop shit, the

0:21:32.800 --> 0:21:34.280
<v Speaker 1>kind of because you know, I like that kind of

0:21:34.400 --> 0:21:39.679
<v Speaker 1>I like some of that underground shit, you know, I

0:21:39.720 --> 0:21:43.280
<v Speaker 1>think it's very interesting. So you know, I liked some

0:21:43.320 --> 0:21:45.720
<v Speaker 1>of that early stuff, Like I liked when he had

0:21:45.840 --> 0:21:49.679
<v Speaker 1>like when he was messing with like the the trippy red.

0:21:50.160 --> 0:21:52.320
<v Speaker 4>I did Adam, I did Adam with you parking must

0:21:52.359 --> 0:21:54.600
<v Speaker 4>died when he was at the bike shop. But he

0:21:54.760 --> 0:21:58.119
<v Speaker 4>was also going to the artistic expression of street urban coaching.

0:21:59.040 --> 0:21:59.520
<v Speaker 2>It's like.

0:22:00.960 --> 0:22:04.920
<v Speaker 4>It's like soul food versus actually just using the seasoning itself.

0:22:05.320 --> 0:22:08.399
<v Speaker 4>So now he's realized, like, I don't got to go

0:22:08.560 --> 0:22:12.560
<v Speaker 4>through the artistic expression to get to the culture. Like

0:22:12.640 --> 0:22:15.960
<v Speaker 4>I'll just go get shout out to Nami four Extras.

0:22:16.000 --> 0:22:18.760
<v Speaker 4>I just go get somebody from the culture. I go

0:22:18.840 --> 0:22:20.880
<v Speaker 4>get brick Baby from six to so, I go get

0:22:21.040 --> 0:22:24.520
<v Speaker 4>for Extras from forty. I'm gonna go get the culture itself.

0:22:24.560 --> 0:22:26.320
<v Speaker 4>I'm gonna get Sharp Sharp as a pimp.

0:22:26.600 --> 0:22:29.159
<v Speaker 1>But but all those people really from hip hop culture.

0:22:29.160 --> 0:22:31.800
<v Speaker 1>It's like the four Extra dude is. He's a rapper,

0:22:32.280 --> 0:22:34.200
<v Speaker 1>but he's more known for this other stuff. I heard

0:22:34.200 --> 0:22:38.560
<v Speaker 1>his music and it was very mundane.

0:22:39.720 --> 0:22:44.119
<v Speaker 4>His music wasn't good, but that's not so this is

0:22:44.119 --> 0:22:47.800
<v Speaker 4>another I have you asking people what's good? You just

0:22:47.920 --> 0:22:50.960
<v Speaker 4>call in and out right a regular mediocre burger.

0:22:51.400 --> 0:22:54.640
<v Speaker 1>Yeah, I'm gonna say, and I won't say four Extra

0:22:54.720 --> 0:22:57.000
<v Speaker 1>is whack. He definitely has something there, but it's kind

0:22:57.000 --> 0:22:59.560
<v Speaker 1>of mundane. It's something I've heard before. It's nothing unique

0:22:59.560 --> 0:23:00.400
<v Speaker 1>about what he does.

0:23:00.600 --> 0:23:03.480
<v Speaker 4>You missing the point of why it's going to be

0:23:03.600 --> 0:23:09.960
<v Speaker 4>successful or why like Jello, Yes, because people don't buy,

0:23:10.160 --> 0:23:14.280
<v Speaker 4>people don't just listen. He no more successful as an

0:23:14.320 --> 0:23:17.760
<v Speaker 4>online character. Ain't nobody goes streaming that ship? I bet

0:23:17.840 --> 0:23:18.520
<v Speaker 4>you that to you.

0:23:18.760 --> 0:23:20.600
<v Speaker 1>Donna lost a couple of bets to me, trust me,

0:23:20.680 --> 0:23:23.880
<v Speaker 1>I know he's there's nothing unique like when you think

0:23:23.920 --> 0:23:26.719
<v Speaker 1>about these other individuals that are in street urban culture.

0:23:27.040 --> 0:23:29.080
<v Speaker 4>You want one bet because you know somebody that was

0:23:29.119 --> 0:23:30.760
<v Speaker 4>helping on a case. You ain't one through that.

0:23:31.000 --> 0:23:33.399
<v Speaker 1>No, I'm telling you about this music because I know

0:23:33.840 --> 0:23:37.320
<v Speaker 1>a little bit more about you. I've seen about you more.

0:23:37.600 --> 0:23:39.560
<v Speaker 1>It's like, that's the thing about you trying to tell

0:23:39.600 --> 0:23:41.360
<v Speaker 1>these images, Bro, that's not gonna work.

0:23:42.119 --> 0:23:44.800
<v Speaker 2>It's worked every time for who?

0:23:45.080 --> 0:23:48.960
<v Speaker 1>For who else? You think every rapper that successful really

0:23:49.160 --> 0:23:52.080
<v Speaker 1>got talent and rap. Some of them got got good songs.

0:23:52.080 --> 0:23:56.560
<v Speaker 1>Hell yeah, Cardi b got good records, cracking ass records.

0:23:56.840 --> 0:23:58.200
<v Speaker 2>Had a bunch of people write records.

0:23:58.200 --> 0:24:01.160
<v Speaker 1>It was an image, don't They was jamming records regardless

0:24:01.200 --> 0:24:03.000
<v Speaker 1>who wrote.

0:24:03.720 --> 0:24:06.840
<v Speaker 4>So you could take so you could take somebody from

0:24:07.040 --> 0:24:10.280
<v Speaker 4>street urban culture like a stripper culture. Put her in

0:24:10.359 --> 0:24:13.000
<v Speaker 4>with somebody that can write good record as long as

0:24:13.000 --> 0:24:15.720
<v Speaker 4>she has a decent and I mean her ship is decent.

0:24:16.400 --> 0:24:19.159
<v Speaker 4>She barely could wrap the words, like the words are

0:24:19.200 --> 0:24:21.080
<v Speaker 4>too much for her mouth. And I can hear it,

0:24:21.440 --> 0:24:24.359
<v Speaker 4>but the average person can't hear it. So all you

0:24:24.440 --> 0:24:26.960
<v Speaker 4>got to do is take somebody from the street urban culture,

0:24:27.040 --> 0:24:30.320
<v Speaker 4>like a stripper, develop her brand who.

0:24:30.359 --> 0:24:32.240
<v Speaker 1>Lets you get off on Cardi like that Cardi do

0:24:32.280 --> 0:24:32.640
<v Speaker 1>her ship.

0:24:32.720 --> 0:24:36.119
<v Speaker 4>Though I'm not getting off on Cardi. I'm just saying

0:24:36.200 --> 0:24:39.160
<v Speaker 4>Cardi is no different than for extras. She's weapon.

0:24:42.080 --> 0:24:43.119
<v Speaker 2>No if.

0:24:43.320 --> 0:24:45.320
<v Speaker 4>Honestly, I didn't like when she did Christ, But that's

0:24:45.359 --> 0:24:47.640
<v Speaker 4>not what I'm talking about. That's that's not that's irrelevant.

0:24:47.640 --> 0:24:50.040
<v Speaker 4>I'm telling you she's not somebody who's a career rapper.

0:24:50.320 --> 0:24:54.120
<v Speaker 4>She's not a career writer. She's not this dope MC like.

0:24:53.359 --> 0:24:57.320
<v Speaker 1>She she got some ship to her. She got off

0:24:57.359 --> 0:25:01.240
<v Speaker 1>every time I'm talking, but she got some shit to her.

0:25:01.840 --> 0:25:04.199
<v Speaker 4>That's not what I'm saying. Still, I'm not saying she

0:25:04.280 --> 0:25:06.880
<v Speaker 4>don't have good records. I'm telling you somebody's writing great

0:25:06.920 --> 0:25:09.280
<v Speaker 4>record for it. I'm telling you this is a perfect example.

0:25:09.520 --> 0:25:12.280
<v Speaker 4>If you take somebody like four Extras who is developing

0:25:12.320 --> 0:25:15.280
<v Speaker 4>his brand. People could register what the street urban culture

0:25:15.320 --> 0:25:18.160
<v Speaker 4>brand is and you put them with problem and problems

0:25:18.160 --> 0:25:20.560
<v Speaker 4>start to write some shit for him. It would be

0:25:20.640 --> 0:25:23.359
<v Speaker 4>the biggest thing because this is not about music. It's

0:25:23.400 --> 0:25:27.000
<v Speaker 4>about culture first music, So it would probably it might work.

0:25:27.040 --> 0:25:31.600
<v Speaker 4>Then it might work then, but that's what I'm saying.

0:25:31.600 --> 0:25:33.680
<v Speaker 4>It might work then I'm telling you now as it is,

0:25:33.960 --> 0:25:36.760
<v Speaker 4>and that's if he would let somebody develop him. You

0:25:36.800 --> 0:25:39.120
<v Speaker 4>feel what I'm saying, Like, I don't know if that's possible.

0:25:39.880 --> 0:25:43.560
<v Speaker 4>Of course it is, man, Everybody can't be taught.

0:25:43.600 --> 0:25:48.119
<v Speaker 1>Though. I'll tell you this about that's one album still

0:25:48.200 --> 0:25:50.160
<v Speaker 1>and I'm gonna tell you, yeah, she does. She's scared

0:25:50.200 --> 0:25:52.000
<v Speaker 1>to put out something else. And that's a whole nother story.

0:25:52.040 --> 0:25:54.879
<v Speaker 1>But I'm gonna tell you, like this, bro, the problem

0:25:54.920 --> 0:25:56.520
<v Speaker 1>with some of these dudes is you know why I

0:25:56.560 --> 0:25:58.840
<v Speaker 1>would never invest into one of these little young dudes

0:25:58.880 --> 0:26:01.560
<v Speaker 1>some game culture. You'll lose your money. If I put

0:26:01.640 --> 0:26:03.800
<v Speaker 1>fifty sixty Brad, we put fifty two, one hundred racks

0:26:03.840 --> 0:26:05.719
<v Speaker 1>to one of these kids, we lose our Money's they

0:26:05.840 --> 0:26:08.000
<v Speaker 1>either be in fucking dead or they gonna be in jail.

0:26:08.200 --> 0:26:10.479
<v Speaker 1>This little motherfucker is stupid. Why are you gonna get

0:26:10.480 --> 0:26:13.639
<v Speaker 1>a Snoop dog? Now? Snoop as sense dog. It was

0:26:13.640 --> 0:26:16.600
<v Speaker 1>a way difference between him and the other dude, Snoop

0:26:16.640 --> 0:26:23.399
<v Speaker 1>as sence life. But he also had an immense talent

0:26:23.600 --> 0:26:25.639
<v Speaker 1>that got coopled with a dude that was able to

0:26:25.720 --> 0:26:28.400
<v Speaker 1>really mold that talent. Snoop was the ship dog.

0:26:29.440 --> 0:26:32.159
<v Speaker 2>I'm not saying I'm telling you what happened to.

0:26:32.200 --> 0:26:34.840
<v Speaker 1>Dogs, stupid stealer ship Snoop is.

0:26:35.240 --> 0:26:36.040
<v Speaker 2>I'm gonna tell you this.

0:26:36.640 --> 0:26:39.520
<v Speaker 1>We always talk about these to these new people dog,

0:26:39.560 --> 0:26:41.359
<v Speaker 1>and that's true. We can do that because it's all

0:26:41.400 --> 0:26:47.639
<v Speaker 1>about youth, right. Snoop Doggy Dog is the greatest, probably

0:26:47.680 --> 0:26:50.680
<v Speaker 1>the greatest rapper of all time, the most long standing career.

0:26:50.880 --> 0:26:53.720
<v Speaker 1>I would say him in too short for the greatest

0:26:54.000 --> 0:26:57.960
<v Speaker 1>sport is not as too short, it's not as much

0:26:57.960 --> 0:27:03.760
<v Speaker 1>of an international friend. But these guys have amazing careers. Dog,

0:27:04.080 --> 0:27:06.359
<v Speaker 1>They're staying at test of time. Snooper is in the

0:27:06.400 --> 0:27:08.640
<v Speaker 1>men's talent. Snoop is a generational talent.

0:27:09.640 --> 0:27:12.240
<v Speaker 4>I'm not disagreeing with that, but I keep telling you

0:27:12.240 --> 0:27:15.159
<v Speaker 4>your confusion like I was saying earlier is that the

0:27:15.280 --> 0:27:19.679
<v Speaker 4>general population can identify great talent, And I'm telling you

0:27:19.720 --> 0:27:20.080
<v Speaker 4>they can.

0:27:20.840 --> 0:27:22.359
<v Speaker 1>For the most part, they get it right. They do

0:27:22.400 --> 0:27:25.040
<v Speaker 1>a good job of getting the right. No, they don't

0:27:25.119 --> 0:27:27.480
<v Speaker 1>because these people that you mentioning, gee, they only go

0:27:27.600 --> 0:27:30.040
<v Speaker 1>so far. Like look at this. If people didn't know

0:27:30.040 --> 0:27:32.639
<v Speaker 1>what was happening, Kendrick wouldn't be sailing like he do.

0:27:32.800 --> 0:27:36.199
<v Speaker 1>People recognize, Okay, he is very good. That's why he's

0:27:36.680 --> 0:27:39.640
<v Speaker 1>That's why bro. I listened to the radio today when

0:27:39.640 --> 0:27:42.800
<v Speaker 1>I was in the car. Out of ten songs that

0:27:42.840 --> 0:27:45.399
<v Speaker 1>they may play every thirty minutes, six of them, motherfuckers

0:27:45.400 --> 0:27:45.679
<v Speaker 1>are his.

0:27:47.400 --> 0:27:48.840
<v Speaker 2>You ever know why that is?

0:27:49.600 --> 0:27:53.000
<v Speaker 4>Yeah, But I think you're conflating different things and dodge

0:27:53.040 --> 0:27:56.000
<v Speaker 4>situation again, it's a different situations.

0:27:56.080 --> 0:27:57.000
<v Speaker 2>Let's rewind back.

0:27:57.480 --> 0:28:00.359
<v Speaker 4>I'm telling you hip hop is street urban culture built

0:28:00.400 --> 0:28:03.160
<v Speaker 4>on top of Black music. I'm telling you hip hop

0:28:03.240 --> 0:28:07.000
<v Speaker 4>are really is not necessarily the greatest, most musical genre

0:28:07.080 --> 0:28:10.680
<v Speaker 4>of music. It's very much a street urban cultural thing

0:28:10.720 --> 0:28:13.760
<v Speaker 4>built on top of Black music. Like listening to G

0:28:13.960 --> 0:28:16.359
<v Speaker 4>Thing shout out to Dre and Dogg. It's not quite

0:28:16.440 --> 0:28:18.840
<v Speaker 4>listening to Leon Haywood. I want to do something freaky

0:28:19.320 --> 0:28:22.679
<v Speaker 4>Like it's still a level of musicality that exists in

0:28:22.800 --> 0:28:25.480
<v Speaker 4>Leon Haywood's original version of I Want to Do Something

0:28:25.480 --> 0:28:28.280
<v Speaker 4>Freaky to You versus Doctor Dre and Dog's g Thing,

0:28:28.760 --> 0:28:35.000
<v Speaker 4>But with dogs and Dre's g Thing even surpasses the musicality.

0:28:35.119 --> 0:28:37.520
<v Speaker 4>Like you said, the music version or the talent of

0:28:37.600 --> 0:28:41.240
<v Speaker 4>Leon Haywood is in street urban culture, which gives it

0:28:41.320 --> 0:28:44.800
<v Speaker 4>this unique perspective that represents such a minute prop of

0:28:44.840 --> 0:28:47.480
<v Speaker 4>the United States of America or even the world's population,

0:28:48.040 --> 0:28:52.720
<v Speaker 4>and that type of styling of music with just a

0:28:52.960 --> 0:28:57.560
<v Speaker 4>good amount, just a good amount of musicality creates the

0:28:57.680 --> 0:28:58.640
<v Speaker 4>biggest records.

0:28:59.040 --> 0:29:01.640
<v Speaker 2>Like and this is where me and you always.

0:29:01.240 --> 0:29:04.640
<v Speaker 4>Disagree at do you feel like hip hop is about music?

0:29:04.800 --> 0:29:08.000
<v Speaker 4>I realized for sure you're wrong. Now I listen to

0:29:08.040 --> 0:29:11.040
<v Speaker 4>you your time, but I know you're wrong on this right.

0:29:11.200 --> 0:29:14.280
<v Speaker 4>It is more about street urban culture built on top

0:29:14.360 --> 0:29:16.400
<v Speaker 4>of black music. So you could have some of the

0:29:16.520 --> 0:29:20.440
<v Speaker 4>fast musical people in the world, but they will not

0:29:20.520 --> 0:29:23.400
<v Speaker 4>be able to pass and hip hop because hip hop

0:29:23.520 --> 0:29:24.960
<v Speaker 4>first is about it.

0:29:25.240 --> 0:29:28.200
<v Speaker 1>Let me ask you this, Tyler the creator, like, like,

0:29:28.240 --> 0:29:29.920
<v Speaker 1>where is he at? He's not a game band?

0:29:31.760 --> 0:29:35.080
<v Speaker 2>What is game? See now? You're being ignorant, But I'm.

0:29:36.560 --> 0:29:38.600
<v Speaker 1>Your whole life of street urban culture. You know, damn

0:29:38.600 --> 0:29:40.200
<v Speaker 1>Will Street urban culture don't got nothing to do with

0:29:40.720 --> 0:29:43.880
<v Speaker 1>thing is. He's more of a skateboard culture. That's more

0:29:43.920 --> 0:29:44.840
<v Speaker 1>skateboard culture, bro.

0:29:45.160 --> 0:29:48.360
<v Speaker 4>So that don't say Tyler because Tyler is a street skater.

0:29:48.720 --> 0:29:49.760
<v Speaker 4>He's street urban coaching.

0:29:50.600 --> 0:29:55.120
<v Speaker 1>That's that's he's a skater dog gun Will Smith very successful.

0:29:55.160 --> 0:29:59.000
<v Speaker 1>Tell you he got punched in the face. Who Will Smith?

0:29:59.040 --> 0:30:01.240
<v Speaker 1>When he was doing his thing. It's all kind of people.

0:30:01.560 --> 0:30:03.480
<v Speaker 4>Give you a number that you keep acting like these

0:30:03.520 --> 0:30:05.680
<v Speaker 4>people are not street urban culture, like there's some kind

0:30:05.760 --> 0:30:06.400
<v Speaker 4>of musicians.

0:30:06.400 --> 0:30:07.120
<v Speaker 2>None of these people.

0:30:08.200 --> 0:30:10.800
<v Speaker 1>What you're saying is you're saying that the hard body

0:30:10.880 --> 0:30:13.880
<v Speaker 1>gang bangers from South Central, if they get mobile, somebody

0:30:13.920 --> 0:30:15.840
<v Speaker 1>gonn write them a rep. They gonna be up there.

0:30:16.560 --> 0:30:18.120
<v Speaker 1>What they crippled in their rhymes.

0:30:19.360 --> 0:30:23.040
<v Speaker 4>The world Never you're being intellectually lazy. I never said that.

0:30:23.080 --> 0:30:26.360
<v Speaker 4>You're being ridiculous. No, I'm just telling you what you're saying.

0:30:27.240 --> 0:30:29.080
<v Speaker 1>He play it back to you.

0:30:29.520 --> 0:30:32.280
<v Speaker 2>Don't worry everybody listening. They gonna realize I didn't say.

0:30:32.080 --> 0:30:34.680
<v Speaker 1>That that's what they can do. They gonna know exactly

0:30:34.760 --> 0:30:38.400
<v Speaker 1>gonna say still, he was right. She was on some bs.

0:30:39.320 --> 0:30:42.800
<v Speaker 4>I never said what you're saying. You and Charlomagne favorite

0:30:42.800 --> 0:30:44.960
<v Speaker 4>go to is whenever I talk about street urban culture,

0:30:45.000 --> 0:30:46.840
<v Speaker 4>you make it about gang banging.

0:30:46.640 --> 0:30:48.440
<v Speaker 1>Because that's what it is about you. That's why you

0:30:48.480 --> 0:30:51.800
<v Speaker 1>call it. Instead of calling your store Glass of Malone

0:30:51.920 --> 0:30:54.560
<v Speaker 1>Store or the Glass of Malone Space, you had to

0:30:54.600 --> 0:30:56.040
<v Speaker 1>call it the Crypt Store because you that.

0:30:56.360 --> 0:30:59.520
<v Speaker 4>You because I realized hip hop is not about me.

0:31:00.040 --> 0:31:02.040
<v Speaker 4>It's about us. I keep telling you. Hip hop is

0:31:02.080 --> 0:31:04.600
<v Speaker 4>not the story of me. It's the story of we.

0:31:06.080 --> 0:31:08.880
<v Speaker 2>And the we that I am a part of. It's

0:31:09.040 --> 0:31:14.080
<v Speaker 2>crips in bloods of Los Angeles. So the Crypt Store

0:31:14.240 --> 0:31:16.720
<v Speaker 2>is the WE store, even though I am the Crypt

0:31:16.880 --> 0:31:19.360
<v Speaker 2>the lope, it's the WE store.

0:31:21.480 --> 0:31:26.720
<v Speaker 1>Me. What's the kid out of New York's married to

0:31:27.400 --> 0:31:35.760
<v Speaker 1>the umbrella? Is married to what's the chicken Umbrella? Is he? No?

0:31:36.040 --> 0:31:38.040
<v Speaker 1>But what does gang banker have to do anything that

0:31:38.200 --> 0:31:42.200
<v Speaker 1>you just said? You said the street urban culture, the crips. No,

0:31:42.400 --> 0:31:44.440
<v Speaker 1>that's the part that I am. A sap is a

0:31:44.480 --> 0:31:48.640
<v Speaker 1>part of the A set. Yeah, asap mobs and hip

0:31:48.640 --> 0:31:50.840
<v Speaker 1>hop stuff, good boys and some good boys stuff.

0:31:52.080 --> 0:31:57.480
<v Speaker 4>It's not good boys running around New York terrorizing people.

0:31:58.520 --> 0:32:00.680
<v Speaker 2>He just got off a trial for shooting one of

0:32:00.680 --> 0:32:01.200
<v Speaker 2>the members.

0:32:01.800 --> 0:32:04.200
<v Speaker 1>Yeah, for self defense. He's a man. I didn't say

0:32:04.200 --> 0:32:06.640
<v Speaker 1>he was a pussy. What do you think gaming is

0:32:06.640 --> 0:32:08.680
<v Speaker 1>shooting somebody? Because it's just what Thursday?

0:32:08.920 --> 0:32:10.560
<v Speaker 2>Just because I would shoot somebody.

0:32:10.600 --> 0:32:14.959
<v Speaker 1>G if somebody acting like something a gang banging is different.

0:32:16.360 --> 0:32:17.800
<v Speaker 2>Do you think people just to shoot each other?

0:32:18.240 --> 0:32:18.560
<v Speaker 1>Colors?

0:32:18.640 --> 0:32:22.800
<v Speaker 2>Random ship you're lying to have and I'm and men find.

0:32:25.040 --> 0:32:28.600
<v Speaker 1>That you saying is random? No, But the thing is

0:32:28.920 --> 0:32:31.480
<v Speaker 1>is like this. You have people who are gangsters, you

0:32:31.560 --> 0:32:34.160
<v Speaker 1>have gang bangers, people who have no sense of just

0:32:34.160 --> 0:32:36.800
<v Speaker 1>pressing people for nothing. What's up? Cuse? What's up? Blood?

0:32:36.840 --> 0:32:40.040
<v Speaker 2>That has nothing to do with That's an ignorant person.

0:32:40.080 --> 0:32:43.400
<v Speaker 4>It don't matter if that person was a police officer,

0:32:44.000 --> 0:32:47.800
<v Speaker 4>a gang member, anything, He's still an ignorant. Motherfucking he's

0:32:47.840 --> 0:32:49.880
<v Speaker 4>gonna be tripping that. Don't you act like gangs has

0:32:49.920 --> 0:32:51.320
<v Speaker 4>something to do with it. They don't be like, hey,

0:32:51.320 --> 0:32:52.640
<v Speaker 4>go around and just press people.

0:32:52.720 --> 0:32:55.440
<v Speaker 1>Everybody else follow the rules. Everybody else tend to follow

0:32:55.440 --> 0:32:56.960
<v Speaker 1>the rules of society.

0:32:57.600 --> 0:32:59.800
<v Speaker 4>That don't make sense. We just said Tyler the creator

0:32:59.840 --> 0:33:02.080
<v Speaker 4>is a street skater. They're gonna skate where they want to.

0:33:02.120 --> 0:33:04.080
<v Speaker 4>That's one of the oldest, not the street skater. And

0:33:04.080 --> 0:33:05.440
<v Speaker 4>now I said he was a skater, he'd probably be

0:33:05.520 --> 0:33:07.400
<v Speaker 4>skating with guys in Santa Monica for all we know.

0:33:08.800 --> 0:33:10.960
<v Speaker 4>So you think he skates where you're supposed to skate

0:33:11.000 --> 0:33:12.440
<v Speaker 4>only at.

0:33:12.200 --> 0:33:15.320
<v Speaker 1>Oh no, no skater does that. All skaters have a

0:33:15.320 --> 0:33:22.040
<v Speaker 1>little All skaters have rebellion within them wherever they want to. Well,

0:33:22.120 --> 0:33:24.640
<v Speaker 1>see you equating that the gangster stuff. See, I'm gonna

0:33:24.640 --> 0:33:24.960
<v Speaker 1>tell you that.

0:33:25.120 --> 0:33:27.960
<v Speaker 2>Your you're a Quainton Street.

0:33:28.040 --> 0:33:29.960
<v Speaker 1>So let me ask you this. The boy that got

0:33:29.960 --> 0:33:33.200
<v Speaker 1>a big record. From what I understand, he turned the

0:33:33.280 --> 0:33:36.840
<v Speaker 1>ball boy with that whoa whoa, I heard he turned

0:33:36.880 --> 0:33:37.480
<v Speaker 1>it out.

0:33:38.160 --> 0:33:41.920
<v Speaker 4>Sure is he street urban coaching. Sure his dad is

0:33:42.000 --> 0:33:45.560
<v Speaker 4>LeVar Ball. That's like Chris, that's like your son, your

0:33:45.560 --> 0:33:47.520
<v Speaker 4>son street urban culture. He didn't grow up in the ghetto,

0:33:47.560 --> 0:33:52.600
<v Speaker 4>but you was daddy. Yeah, so he get it past.

0:33:52.640 --> 0:33:57.280
<v Speaker 2>Then it's not a pass. But that's what raised some asshole.

0:33:57.320 --> 0:33:59.680
<v Speaker 4>Probably he was probably raised with his daddy calling in

0:33:59.720 --> 0:34:05.360
<v Speaker 4>my eyes, sohole, carly my nigga at seven, LeVar Ball

0:34:05.560 --> 0:34:09.760
<v Speaker 4>when LiAngelo Ball came home at five years old, because somebody.

0:34:09.440 --> 0:34:11.960
<v Speaker 2>Was hitting him, and he told Lvar.

0:34:12.080 --> 0:34:14.279
<v Speaker 1>You know what LeVar told him, when you go back

0:34:14.320 --> 0:34:15.759
<v Speaker 1>to school, hit that motherfucker.

0:34:15.840 --> 0:34:18.160
<v Speaker 4>LaVar Ball did not tell that little boy. He did

0:34:18.200 --> 0:34:21.080
<v Speaker 4>not tell Jello go find a principal and tell on him.

0:34:21.360 --> 0:34:23.960
<v Speaker 4>He said, if somebody put their hands on you, you

0:34:24.000 --> 0:34:26.280
<v Speaker 4>need to hit him back. That's the first hip hop lesson.

0:34:26.280 --> 0:34:28.719
<v Speaker 4>That's the first street urban culture lesson that most of

0:34:28.800 --> 0:34:34.239
<v Speaker 4>us learn. If that though, no, that's not some Pete's mother,

0:34:34.600 --> 0:34:37.520
<v Speaker 4>Peat's mother told him go find the principal, and Pete's

0:34:37.560 --> 0:34:40.319
<v Speaker 4>father told him, do not do anything. Don't put your

0:34:40.360 --> 0:34:42.799
<v Speaker 4>hands on nobody. I don't want to get sued. I'm

0:34:42.800 --> 0:34:47.040
<v Speaker 4>pretty sure. Guess what they're white people. It's black white

0:34:47.040 --> 0:34:51.719
<v Speaker 4>suburban Yeah, it's some black suburban people too. I don't

0:34:51.760 --> 0:34:54.680
<v Speaker 4>think will Smith told Willow go find the prince.

0:34:54.800 --> 0:34:56.920
<v Speaker 1>I think will Smith definitely told somebody if they put

0:34:56.920 --> 0:34:58.919
<v Speaker 1>their hands on him, the scrap back. I don't think

0:34:58.960 --> 0:34:59.399
<v Speaker 1>will there.

0:34:59.320 --> 0:35:02.400
<v Speaker 4>Was no pomp, but you it's not See see how

0:35:02.400 --> 0:35:04.600
<v Speaker 4>you're conflating the two. It's not about being a punk.

0:35:05.000 --> 0:35:08.319
<v Speaker 4>Street urban culture is not following the rules. It's not

0:35:08.440 --> 0:35:12.120
<v Speaker 4>about punks or not punks. There's regular, everyday civilian people

0:35:12.120 --> 0:35:14.759
<v Speaker 4>who follow the rules that are not punks. Street urban

0:35:14.800 --> 0:35:17.919
<v Speaker 4>culture is when you don't follow the rules, like when

0:35:17.920 --> 0:35:19.920
<v Speaker 4>you go to scoorl somebody put your hands on you.

0:35:19.960 --> 0:35:22.680
<v Speaker 4>The rules are to go get a tense teacher or

0:35:22.719 --> 0:35:25.960
<v Speaker 4>tell a principal. Right, that's the rules I.

0:35:26.040 --> 0:35:29.000
<v Speaker 1>Was talking to put their hands on you. I remember

0:35:29.040 --> 0:35:31.279
<v Speaker 1>I was running home one time and my mama was

0:35:31.400 --> 0:35:33.920
<v Speaker 1>there talking on the phone. Do you remember how your

0:35:34.000 --> 0:35:35.960
<v Speaker 1>mama used to have the phone call with the stretch

0:35:36.000 --> 0:35:37.960
<v Speaker 1>way across the house. No matter where they was at,

0:35:38.120 --> 0:35:39.960
<v Speaker 1>they could be in the backyard on the damn phone,

0:35:40.000 --> 0:35:42.640
<v Speaker 1>the phone stretching out there. She was in the kitchen

0:35:42.880 --> 0:35:45.280
<v Speaker 1>washing dishes, and I had to run past the window,

0:35:45.480 --> 0:35:47.160
<v Speaker 1>and she saw me run up the things, saw some

0:35:47.239 --> 0:35:49.480
<v Speaker 1>nigga down at the end with a full beer, and

0:35:49.520 --> 0:35:50.880
<v Speaker 1>I tried to get in the door. She locked the

0:35:50.920 --> 0:35:52.959
<v Speaker 1>door on me, put the lest She said, she said,

0:35:52.960 --> 0:35:55.239
<v Speaker 1>what you running? She said, what's you running from that punk?

0:35:55.320 --> 0:35:56.719
<v Speaker 1>For it? She said, you better go out there and

0:35:56.719 --> 0:35:59.600
<v Speaker 1>whoop his ass. And guess what I did, you whooped it.

0:36:00.080 --> 0:36:01.439
<v Speaker 1>I whooped out there and whooped his ass.

0:36:01.960 --> 0:36:05.160
<v Speaker 2>Because Irene was raising somebody a street urban culture.

0:36:06.120 --> 0:36:08.359
<v Speaker 1>She wasn't after now, she said, hold on, Betty, put

0:36:08.400 --> 0:36:10.960
<v Speaker 1>the phone that's on. Wouldn't do this in the house

0:36:11.000 --> 0:36:14.520
<v Speaker 1>and call the police, the proper authorities. So again, you

0:36:14.640 --> 0:36:17.520
<v Speaker 1>keep trying to see this. Dude had to be about

0:36:18.000 --> 0:36:20.640
<v Speaker 1>three or four years older than me. Yeah, but you

0:36:20.680 --> 0:36:21.400
<v Speaker 1>probably was too much.

0:36:21.480 --> 0:36:21.920
<v Speaker 2>Is bigger?

0:36:23.000 --> 0:36:24.680
<v Speaker 1>Yeah, well he had a beard and shit though, that

0:36:24.760 --> 0:36:27.759
<v Speaker 1>dude was Leon. Shout to Leon. He's probably in the

0:36:27.760 --> 0:36:31.040
<v Speaker 1>prison right now. He was just destined to go on

0:36:31.040 --> 0:36:36.360
<v Speaker 1>the wrong path. So all I'm saying to you still

0:36:36.520 --> 0:36:41.120
<v Speaker 1>is all to you is street urban culture.

0:36:41.160 --> 0:36:44.759
<v Speaker 4>Don't mean you're some kind of gang member, like a

0:36:44.800 --> 0:36:46.960
<v Speaker 4>gang member is just an organized bunch of people.

0:36:47.160 --> 0:36:48.160
<v Speaker 2>They're not even organized.

0:36:48.200 --> 0:36:49.959
<v Speaker 4>It's a group of people that are together that break

0:36:49.960 --> 0:36:54.520
<v Speaker 4>the rules, even like like a tightler like I tell you,

0:36:54.520 --> 0:36:57.320
<v Speaker 4>even a tighter like a skater like from street urban culture.

0:36:57.640 --> 0:36:59.640
<v Speaker 1>They go, they got friends they break the rules with.

0:36:59.760 --> 0:37:03.560
<v Speaker 1>If you do something, if you yeah, if you do something,

0:37:03.560 --> 0:37:04.440
<v Speaker 1>one of them our future.

0:37:04.520 --> 0:37:07.399
<v Speaker 4>Do ask the little singer dude, what's the little singer dude?

0:37:07.440 --> 0:37:08.799
<v Speaker 4>That's that's the game.

0:37:10.480 --> 0:37:11.160
<v Speaker 1>He squabbled.

0:37:11.239 --> 0:37:12.000
<v Speaker 2>Chris Brown.

0:37:13.320 --> 0:37:14.040
<v Speaker 1>Beat Chris Brown.

0:37:15.280 --> 0:37:17.840
<v Speaker 4>I don't know if he wanted to fight Chris Chriss

0:37:17.840 --> 0:37:19.719
<v Speaker 4>squabb a little bit. But I'm saying he put up

0:37:19.719 --> 0:37:20.440
<v Speaker 4>a squabble.

0:37:24.680 --> 0:37:26.960
<v Speaker 1>It don't matter. He didn't go tell them, He didn't

0:37:26.960 --> 0:37:28.800
<v Speaker 1>go obey the rules and go tell the police.

0:37:29.120 --> 0:37:37.400
<v Speaker 2>He squabbled him down rules. When you don't upbraid the rules,

0:37:37.440 --> 0:37:38.800
<v Speaker 2>you ain't no different than.

0:37:38.640 --> 0:37:40.799
<v Speaker 1>A crypt Oh No, I want to find out why

0:37:40.840 --> 0:37:44.000
<v Speaker 1>I'm to squabbing now. Did he touch Christopher Bluey ba

0:37:44.000 --> 0:37:44.760
<v Speaker 1>axon or something.

0:37:45.560 --> 0:37:48.000
<v Speaker 4>This ain't no gay, This ain't no gossip column. Still,

0:37:49.480 --> 0:37:51.960
<v Speaker 4>this ain't TMZ, I ain't Harvey, ain't no.

0:37:53.520 --> 0:37:53.800
<v Speaker 1>Whatever.

0:37:54.080 --> 0:37:56.319
<v Speaker 2>Yeah, I don't do gossip. That's not what we do

0:37:56.360 --> 0:37:57.560
<v Speaker 2>on those sitting We don't gossip.

0:37:58.440 --> 0:38:01.520
<v Speaker 1>That's not gossip. That's a real I don't care why

0:38:01.560 --> 0:38:04.440
<v Speaker 1>they fought. They squabbled, that's all I cared about. They

0:38:04.480 --> 0:38:07.160
<v Speaker 1>squabbled each other, they got cracking that shit. It don't

0:38:07.160 --> 0:38:10.799
<v Speaker 1>matter what it was over. And I expect nothing less

0:38:10.800 --> 0:38:12.920
<v Speaker 1>from Frank Ocean because he grew up in street every culture.

0:38:12.960 --> 0:38:15.640
<v Speaker 1>Same thanks for Chris Brown. Chris Brown, it ain't about

0:38:15.640 --> 0:38:18.160
<v Speaker 1>the powerby report. You grew up in street every culture,

0:38:18.200 --> 0:38:20.799
<v Speaker 1>for sure. His mama told him, don't let nobody put

0:38:20.800 --> 0:38:27.760
<v Speaker 1>their hands on you. That's the expectation gang gang member.

0:38:28.600 --> 0:38:32.839
<v Speaker 2>That's not about gang still, it's Chris and non gang member.

0:38:33.440 --> 0:38:35.479
<v Speaker 1>No, I'm gonna tell you why the people you're trying

0:38:35.520 --> 0:38:38.799
<v Speaker 1>to gag member the first time somebody put your hand

0:38:38.840 --> 0:38:39.920
<v Speaker 1>on your son, what you tell them?

0:38:40.040 --> 0:38:43.120
<v Speaker 2>Go tell the principals exactly.

0:38:43.800 --> 0:38:47.680
<v Speaker 1>Hell, you better fight you, but not be letting nobody

0:38:47.760 --> 0:38:48.480
<v Speaker 1>put their hands on you.

0:38:49.320 --> 0:38:49.719
<v Speaker 2>Mm hmm.

0:38:50.719 --> 0:38:52.640
<v Speaker 1>But not be letting nobody put their hands on you.

0:38:53.000 --> 0:38:57.759
<v Speaker 1>He's a gang member. Yeah.

0:38:57.800 --> 0:38:59.200
<v Speaker 2>What separate me and Chris.

0:39:00.560 --> 0:39:04.560
<v Speaker 1>The fact that you at Krip What that means you

0:39:04.640 --> 0:39:09.680
<v Speaker 1>are a criminals smooth standing in the gang, supposed stepping

0:39:09.760 --> 0:39:11.880
<v Speaker 1>with still a villain smacking up all the holes.

0:39:16.640 --> 0:39:19.680
<v Speaker 4>Anyway, I'm just saying, I know that you have this

0:39:19.920 --> 0:39:24.240
<v Speaker 4>ridiculous expectations of gangsters or gang members or gang bangers.

0:39:26.040 --> 0:39:30.000
<v Speaker 1>You know what, For me, I'm surprised I'm not a

0:39:30.080 --> 0:39:32.680
<v Speaker 1>gang banger man, because I'm gonna tell you this, All

0:39:32.760 --> 0:39:35.360
<v Speaker 1>my friends, every friend I have, with the exception of

0:39:35.480 --> 0:39:38.439
<v Speaker 1>probably one or two, are from somewhere and not saying

0:39:38.440 --> 0:39:40.759
<v Speaker 1>that the most prolific gang bangers, but they're from a

0:39:40.840 --> 0:39:42.200
<v Speaker 1>gang and what.

0:39:42.239 --> 0:39:44.080
<v Speaker 2>They're supposed to be because we all grew up in

0:39:44.160 --> 0:39:44.600
<v Speaker 2>the coaching.

0:39:46.160 --> 0:39:48.080
<v Speaker 1>They are from a gang. There the game that I'm

0:39:48.080 --> 0:39:49.600
<v Speaker 1>just arounded by criminals.

0:39:53.080 --> 0:39:55.440
<v Speaker 2>That's what happened. I just don't understand.

0:39:56.640 --> 0:39:58.439
<v Speaker 4>And it goes back to the point that I'm saying

0:39:58.520 --> 0:40:02.520
<v Speaker 4>Still it's like, I I just hate that when I

0:40:02.600 --> 0:40:05.920
<v Speaker 4>say street urban culture, y'all automatically go to gang bangers.

0:40:06.680 --> 0:40:08.480
<v Speaker 1>Well, I think that's what you're talking about. Bro. You

0:40:08.600 --> 0:40:12.080
<v Speaker 1>promote a lot of gang stuff. How I can't promote it.

0:40:12.840 --> 0:40:13.480
<v Speaker 2>I didn't.

0:40:16.440 --> 0:40:19.080
<v Speaker 4>You have to say at the Crypt store because it's

0:40:19.120 --> 0:40:22.239
<v Speaker 4>about we, it's not the ray kuin stores, the Woo

0:40:22.360 --> 0:40:22.960
<v Speaker 4>Tang store.

0:40:24.680 --> 0:40:27.440
<v Speaker 1>Well, wake Down probably got his own store though.

0:40:27.840 --> 0:40:30.239
<v Speaker 2>Yeah, but it ain't popping like the Wu Tang store.

0:40:31.560 --> 0:40:35.760
<v Speaker 1>Because it's a different I would probably agree.

0:40:37.320 --> 0:40:39.560
<v Speaker 2>So how y'all will get mad because I understand the

0:40:39.640 --> 0:40:41.080
<v Speaker 2>wire And this is what I read.

0:40:41.320 --> 0:40:43.120
<v Speaker 1>Don said it's the movement the week, but he said

0:40:43.360 --> 0:40:45.480
<v Speaker 1>it ain't no Big three, it's just big me. He

0:40:45.600 --> 0:40:49.360
<v Speaker 1>single week and like Dang with the program, but his

0:40:49.560 --> 0:40:55.600
<v Speaker 1>movement is PG Lang and power rules. See again the

0:40:55.640 --> 0:41:00.560
<v Speaker 1>gang stuff for the pow room now big group of friends.

0:41:01.160 --> 0:41:02.879
<v Speaker 1>Since he let people know that there was the prior

0:41:03.200 --> 0:41:06.839
<v Speaker 1>program over there, he saw the game more records. That's

0:41:06.920 --> 0:41:09.640
<v Speaker 1>because more people can be PI rules than they could

0:41:09.680 --> 0:41:15.719
<v Speaker 1>just be one person. I want to be represented. Still,

0:41:15.760 --> 0:41:17.760
<v Speaker 1>we get mad when we get a person in position

0:41:17.840 --> 0:41:20.160
<v Speaker 1>that don't represent us. Imagine a black man going out

0:41:20.200 --> 0:41:22.600
<v Speaker 1>just doing whatever you want to, like Kanye, you get mad.

0:41:22.800 --> 0:41:25.520
<v Speaker 1>You want them to represent you. That's what makes hip

0:41:25.560 --> 0:41:28.680
<v Speaker 1>hop special compared to other genres. It's let me heard

0:41:28.719 --> 0:41:34.839
<v Speaker 1>this hip hop on the line, he teetered the line, Yes,

0:41:35.520 --> 0:41:40.000
<v Speaker 1>he's about far away from me. Bro. I see the

0:41:40.040 --> 0:41:42.520
<v Speaker 1>stuff that Kanye be doing. Man, but I don't know

0:41:42.600 --> 0:41:44.840
<v Speaker 1>if he hip hop more so that is he's a

0:41:44.960 --> 0:41:46.200
<v Speaker 1>narcissist or something like that.

0:41:47.440 --> 0:41:48.960
<v Speaker 2>Hip hop people could be narcissists.

0:41:49.840 --> 0:41:53.479
<v Speaker 1>He's a very narcissistic dude. Man. I love Kanye's music,

0:41:53.560 --> 0:41:55.880
<v Speaker 1>you know, like Kanye is in Craig that's genius. But

0:41:56.440 --> 0:42:01.160
<v Speaker 1>I think he's very narcissistic. I mean, you don't know him. Huh,

0:42:02.000 --> 0:42:04.480
<v Speaker 1>you don't know. I know from what I see. From

0:42:04.520 --> 0:42:08.520
<v Speaker 1>what I see he has a narcissistic viewpoint. Is how

0:42:08.560 --> 0:42:09.560
<v Speaker 1>he's marketing himself.

0:42:10.880 --> 0:42:14.160
<v Speaker 2>Mm hmm. All you know is how he's marketing himself.

0:42:14.880 --> 0:42:18.279
<v Speaker 4>It's like McDonald's one hundred percent beef patties because that's

0:42:18.280 --> 0:42:19.240
<v Speaker 4>how they market himself.

0:42:19.640 --> 0:42:22.920
<v Speaker 1>I will tell you this about Kanye West, man, Kanye

0:42:23.040 --> 0:42:25.520
<v Speaker 1>West got some of the best music of this last century,

0:42:25.560 --> 0:42:26.600
<v Speaker 1>the last hundred years.

0:42:29.040 --> 0:42:30.400
<v Speaker 2>I wouldn't go that far, but I'm with you.

0:42:31.400 --> 0:42:36.200
<v Speaker 1>Kanye got some call stuff that Beautiful Morning. It's okay,

0:42:37.000 --> 0:42:42.040
<v Speaker 1>beautiful Morning, man, that's that song is dope. I like

0:42:42.160 --> 0:42:46.160
<v Speaker 1>Ultralight being more than that on that album The Flashing Lights.

0:42:47.920 --> 0:42:50.640
<v Speaker 1>That's hard. Oh man, I'm gonna tell you. Can't tell

0:42:50.719 --> 0:42:52.400
<v Speaker 1>me that. It is probably one of the hardest hip

0:42:52.400 --> 0:42:53.640
<v Speaker 1>hop songs of all time.

0:42:54.600 --> 0:42:56.839
<v Speaker 2>It's his song. But I like what you know about

0:42:56.880 --> 0:43:02.600
<v Speaker 2>that more and can't tell me nothing. Sign producer.

0:43:03.440 --> 0:43:05.360
<v Speaker 1>I think everybody would disagree with you want that.

0:43:06.360 --> 0:43:08.560
<v Speaker 2>I don't, man, Look y'all don't really have soul.

0:43:08.600 --> 0:43:12.520
<v Speaker 1>I have soul. So see that's you. If somebody don't

0:43:12.560 --> 0:43:15.839
<v Speaker 1>agree with you, everybody is wrong and you right. Yes,

0:43:16.080 --> 0:43:20.680
<v Speaker 1>another narcissistic ways, your narcissistic crypt ways or God sent

0:43:20.800 --> 0:43:23.600
<v Speaker 1>me to be yourherd. That's what your things should be.

0:43:23.840 --> 0:43:27.239
<v Speaker 1>That's what your name should be. Glasses the n C

0:43:27.640 --> 0:43:34.880
<v Speaker 1>and your like GM no more G No you know

0:43:35.000 --> 0:43:38.239
<v Speaker 1>what n seed the Narcissistic.

0:43:37.719 --> 0:43:44.680
<v Speaker 4>Crypt Narcissistic Podcast, Narcissist Narcissistic because I don't let you

0:43:44.800 --> 0:43:46.520
<v Speaker 4>have ignorant ideas around me.

0:43:47.000 --> 0:43:52.640
<v Speaker 1>You just want to have narcissistic view. I'm asking if

0:43:52.680 --> 0:43:55.080
<v Speaker 1>you don't agree with him, you don't have no soul.

0:43:56.680 --> 0:43:59.399
<v Speaker 4>Listen, I'm telling you you got mad as I said

0:43:59.440 --> 0:44:01.839
<v Speaker 4>a difference, and you could have just left it there.

0:44:01.880 --> 0:44:03.359
<v Speaker 2>You could have said, you know what, that's your song.

0:44:03.560 --> 0:44:04.239
<v Speaker 2>You know what you did?

0:44:04.320 --> 0:44:07.560
<v Speaker 4>You tell me the rest of y'all don't agree, Oh well,

0:44:07.640 --> 0:44:10.439
<v Speaker 4>you know more people that don't mean y'all. Right, y'all

0:44:10.600 --> 0:44:13.799
<v Speaker 4>really have ship taste. Y'all may make Donald's no more

0:44:13.880 --> 0:44:14.640
<v Speaker 4>restaurant in the world.

0:44:14.960 --> 0:44:17.440
<v Speaker 1>So you didn't like Father stretching, stretch my hands.

0:44:18.239 --> 0:44:20.880
<v Speaker 2>I think it's cool. I'm not a big into that.

0:44:22.040 --> 0:44:24.080
<v Speaker 1>That's a dope because you know you don't want to

0:44:24.200 --> 0:44:26.000
<v Speaker 1>see you like the easy hip hop pep it ain't

0:44:26.000 --> 0:44:28.000
<v Speaker 1>going fump, but the Crypt.

0:44:30.560 --> 0:44:34.080
<v Speaker 4>Like being on that Old Lady and the Babies. I

0:44:34.239 --> 0:44:36.399
<v Speaker 4>like Altright being on that album more. It's a song

0:44:36.480 --> 0:44:38.560
<v Speaker 4>before that, and they got more soul. Old Lady and

0:44:38.640 --> 0:44:43.120
<v Speaker 4>All the Babies with my three eighty frantish I'm burning

0:44:43.239 --> 0:44:44.000
<v Speaker 4>with the dirty hand.

0:44:44.280 --> 0:44:45.360
<v Speaker 1>That's what she was like like this.

0:44:48.000 --> 0:44:52.200
<v Speaker 2>I like like being on that album. That's a song

0:44:52.320 --> 0:44:54.759
<v Speaker 2>or two before that that has more soul.

0:44:55.719 --> 0:44:59.920
<v Speaker 1>Did you like Niggas and Pears? Sure, it's my god,

0:45:02.760 --> 0:45:07.000
<v Speaker 1>that's the hippo boy between it. Yep, shout out a

0:45:07.040 --> 0:45:13.040
<v Speaker 1>little bro. Did you like Carnival? Uh? I like it?

0:45:13.520 --> 0:45:15.320
<v Speaker 2>I like everything that Ty Dollar songes.

0:45:17.200 --> 0:45:19.480
<v Speaker 1>How about Flashing Lights is another Genia song.

0:45:20.160 --> 0:45:23.560
<v Speaker 4>It's one of my favorite Kanye songs. That was my

0:45:23.680 --> 0:45:25.279
<v Speaker 4>favorite Kanye West album is Yay?

0:45:26.800 --> 0:45:30.439
<v Speaker 1>Yeah Kanye. You know he got some good albums, man. Yeah.

0:45:30.640 --> 0:45:33.200
<v Speaker 1>I think though, I think, you know, with Genia is

0:45:33.320 --> 0:45:36.359
<v Speaker 1>like him. I think Kenner Lamar is probably surpassed where

0:45:36.360 --> 0:45:39.360
<v Speaker 1>he at now, though, would you think so?

0:45:39.520 --> 0:45:42.239
<v Speaker 4>I mean, what's funny is before gn next, I had

0:45:42.280 --> 0:45:45.399
<v Speaker 4>a hard time putting the homie on the same level

0:45:45.480 --> 0:45:47.200
<v Speaker 4>as the guys I grew up to. I thought he

0:45:47.440 --> 0:45:51.840
<v Speaker 4>was their version of their generation. I mean, their version

0:45:53.160 --> 0:45:57.960
<v Speaker 4>of this generation. That's the Snoop and Cube of their generation, right,

0:45:58.040 --> 0:46:00.200
<v Speaker 4>So I looked at it that way. Now I have

0:46:00.360 --> 0:46:04.080
<v Speaker 4>to kind of after after this last twelve months, now

0:46:04.160 --> 0:46:07.640
<v Speaker 4>he's slipped into my generation. He's like on the guys

0:46:07.680 --> 0:46:10.799
<v Speaker 4>that I grew up enjoying. He's on their neck. He's

0:46:10.840 --> 0:46:14.640
<v Speaker 4>on dogs neck, he's on cubes neck, he's on Dre's neck.

0:46:14.760 --> 0:46:17.480
<v Speaker 4>He's on like the best of the best guys that

0:46:17.560 --> 0:46:19.520
<v Speaker 4>I grew up listening to here on the ass.

0:46:19.640 --> 0:46:23.040
<v Speaker 1>So then you know what, I you something dope hip

0:46:23.040 --> 0:46:27.520
<v Speaker 1>hop breeds the other dope hip hop because every generation

0:46:27.680 --> 0:46:30.160
<v Speaker 1>we have a dude that's like that dude, right, then

0:46:30.200 --> 0:46:33.160
<v Speaker 1>it's somebody younger that comes and kind of does a

0:46:33.200 --> 0:46:35.280
<v Speaker 1>little bit better than he did, you know, not necessarily

0:46:35.360 --> 0:46:39.359
<v Speaker 1>smashing or whatever, but hip hop. I'm really excited now

0:46:39.400 --> 0:46:41.160
<v Speaker 1>to see where hip hop is gonna go. Man, I

0:46:41.200 --> 0:46:45.200
<v Speaker 1>think hip hop is gonna be just fine. I think

0:46:45.280 --> 0:46:45.840
<v Speaker 1>hipp I don't know.

0:46:45.920 --> 0:46:46.279
<v Speaker 2>I don't know.

0:46:47.080 --> 0:46:48.960
<v Speaker 4>I don't think J Cole had stepped out of there.

0:46:49.040 --> 0:46:52.560
<v Speaker 4>And when at what Niles and his predecessions are, he

0:46:52.640 --> 0:46:53.440
<v Speaker 4>hasn't quite.

0:46:56.840 --> 0:46:57.440
<v Speaker 2>Fantastic.

0:46:58.560 --> 0:47:01.520
<v Speaker 4>But I'm saying he's more of a generation than he

0:47:01.760 --> 0:47:04.560
<v Speaker 4>is becoming all time when like I haven't found the

0:47:04.680 --> 0:47:07.160
<v Speaker 4>right reasons to make him pursue not like put him

0:47:07.160 --> 0:47:11.919
<v Speaker 4>in the same category as Nas all his predecessors, the best,

0:47:12.000 --> 0:47:18.000
<v Speaker 4>the best of his predecessors, so like he quite hasn't

0:47:18.040 --> 0:47:21.960
<v Speaker 4>had this outcast moment, his his NAS moment. You know,

0:47:22.160 --> 0:47:25.600
<v Speaker 4>those the big guys in his styling of music.

0:47:26.880 --> 0:47:30.480
<v Speaker 1>You knew who I think you know who I think

0:47:30.600 --> 0:47:34.680
<v Speaker 1>Dotty is right now. I think that is where I

0:47:34.920 --> 0:47:37.480
<v Speaker 1>three three thousand was in the culture. But like just

0:47:37.680 --> 0:47:40.600
<v Speaker 1>more don't even have a solo album, so we're not

0:47:40.640 --> 0:47:42.600
<v Speaker 1>gonna do that. Yeah, but that's what I'm saying. That

0:47:42.880 --> 0:47:45.279
<v Speaker 1>is more magnified. But that sounds a lot like him.

0:47:45.680 --> 0:47:48.440
<v Speaker 2>You could tell there is no Andre at three thousand,

0:47:48.480 --> 0:47:49.400
<v Speaker 2>there's only our casts.

0:47:51.960 --> 0:47:54.800
<v Speaker 1>You sound ridiculous. One of the greatest raptors ever. No,

0:47:55.239 --> 0:47:57.440
<v Speaker 1>he's part of one of the greatest group seven he

0:47:57.480 --> 0:47:59.960
<v Speaker 1>doesn't have. So he's a great artist. He's a very

0:48:00.200 --> 0:48:02.920
<v Speaker 1>lauded and critically, you know, critically acclaimed. They love him.

0:48:03.080 --> 0:48:06.560
<v Speaker 2>No outcast is critically a claim. He doesn't happen any

0:48:08.120 --> 0:48:08.720
<v Speaker 2>great rappers.

0:48:08.719 --> 0:48:12.160
<v Speaker 1>They always mixed nine three three thousand. That's because they're ridiculous.

0:48:12.200 --> 0:48:14.960
<v Speaker 1>He's not a solo rapper. They don't agree with you.

0:48:15.400 --> 0:48:18.040
<v Speaker 1>They mixed him for a reason. He's very dope.

0:48:18.440 --> 0:48:20.960
<v Speaker 2>Yeah, but they also ignorant. That's cool, they're just wrong.

0:48:22.000 --> 0:48:25.160
<v Speaker 1>Who's wrong? So everybody. So all these great writers and

0:48:25.200 --> 0:48:28.080
<v Speaker 1>bloggers just they just got it wrong. You got it right.

0:48:28.239 --> 0:48:30.399
<v Speaker 2>I mean you would at least would imagine somebody needs

0:48:30.400 --> 0:48:32.360
<v Speaker 2>to have a solo song to be in this conversation.

0:48:35.840 --> 0:48:38.200
<v Speaker 1>He wanted to the man didn't want to rap no more.

0:48:38.239 --> 0:48:39.319
<v Speaker 1>You know what I think happened to them?

0:48:39.800 --> 0:48:41.800
<v Speaker 2>Why he never put a solo song before this?

0:48:43.200 --> 0:48:47.360
<v Speaker 1>He did have a solo song. He did, Yes, he did. No,

0:48:47.640 --> 0:48:50.759
<v Speaker 1>he has one solo song, Mom and dad, because they

0:48:51.360 --> 0:48:55.040
<v Speaker 1>understand he had a whole album. That's not that's an

0:48:55.080 --> 0:48:58.520
<v Speaker 1>outcast album. He had a whole album on an outcast album.

0:48:58.560 --> 0:49:01.080
<v Speaker 1>But he had a whole one. But you miss me exactly.

0:49:02.360 --> 0:49:02.920
<v Speaker 2>Listen, and.

0:49:04.640 --> 0:49:08.239
<v Speaker 4>He doesn't even need to have an album. It's just

0:49:08.320 --> 0:49:11.759
<v Speaker 4>a McDonald album. All you're doing is McDonald's to me.

0:49:11.920 --> 0:49:13.920
<v Speaker 4>All you're doing is telling me McDonald's I don't care

0:49:13.920 --> 0:49:17.920
<v Speaker 4>about what I'm telling you, and has went out of

0:49:18.040 --> 0:49:23.120
<v Speaker 4>his way. You speak, let me speak without you catering

0:49:23.160 --> 0:49:26.480
<v Speaker 4>to people's ignorance. Andre three thousand has went out his

0:49:26.600 --> 0:49:29.000
<v Speaker 4>way to not be a solo artist, only for you

0:49:29.160 --> 0:49:30.040
<v Speaker 4>to keep trying to.

0:49:30.080 --> 0:49:31.160
<v Speaker 2>Make him a solo artist.

0:49:32.120 --> 0:49:34.480
<v Speaker 4>I'm not doing it. Out Cast is one of the

0:49:34.560 --> 0:49:39.840
<v Speaker 4>greatest critically acclaimed acts of all time. Andre three thousand

0:49:39.920 --> 0:49:42.480
<v Speaker 4>has a flu album. I don't quite know the critique

0:49:42.800 --> 0:49:48.480
<v Speaker 4>or that's his solo album. There's no rapping on it,

0:49:49.400 --> 0:49:50.319
<v Speaker 4>not even one verse.

0:49:53.120 --> 0:49:55.760
<v Speaker 1>And you know what, and his verses were so potent

0:49:56.160 --> 0:49:57.560
<v Speaker 1>in the group that he's.

0:49:58.880 --> 0:49:59.520
<v Speaker 2>Just one hat.

0:49:59.760 --> 0:50:02.000
<v Speaker 4>His versus are just one half of a great song.

0:50:08.800 --> 0:50:11.239
<v Speaker 4>Is one third of a great song. Big Boy is

0:50:11.280 --> 0:50:16.680
<v Speaker 4>a great verse, and there's probably a great hook. I

0:50:16.760 --> 0:50:20.680
<v Speaker 4>don't understand. Look, man, sometimes we don't have to do

0:50:20.840 --> 0:50:21.560
<v Speaker 4>public opinion.

0:50:22.520 --> 0:50:24.279
<v Speaker 1>I ain't doing public opinion. I'm gonna tell you what

0:50:24.400 --> 0:50:28.480
<v Speaker 1>it is. I mean, three thousand might actually be the

0:50:28.600 --> 0:50:34.880
<v Speaker 1>go prime Mindree three thousand was so artistically phenomenal Andre

0:50:35.040 --> 0:50:38.759
<v Speaker 1>three thousand, it is. He's a He's a phenomenal artist.

0:50:39.160 --> 0:50:43.839
<v Speaker 1>It ain't nothing going with Andre in that company. There's

0:50:43.920 --> 0:50:50.080
<v Speaker 1>no Andre three thousand. That's only Outcast, Outcast, Andre three thousand,

0:50:50.480 --> 0:50:53.520
<v Speaker 1>three thousand, it's one of the greatest raferences of all time. Gee,

0:50:53.719 --> 0:50:54.040
<v Speaker 1>where you.

0:50:54.080 --> 0:50:56.439
<v Speaker 2>Getting the greatest groups of all time?

0:50:56.560 --> 0:50:57.960
<v Speaker 1>No, he is. You're trying not to get it to

0:50:58.080 --> 0:51:01.319
<v Speaker 1>him because you probably never even listening to him. I've

0:51:01.400 --> 0:51:05.480
<v Speaker 1>heard every Outcast album what's his verse on players ball

0:51:07.000 --> 0:51:11.799
<v Speaker 1>stop as it's a verse on a great song. It's

0:51:11.840 --> 0:51:14.480
<v Speaker 1>beginning to look a lot like ones follow my every.

0:51:16.880 --> 0:51:19.840
<v Speaker 4>Doing one half of an outcast song for me, I

0:51:20.040 --> 0:51:23.200
<v Speaker 4>know outcast album. I'm telling you there's no Andre three

0:51:23.239 --> 0:51:26.480
<v Speaker 4>thousand albums, so to compare Kendrick, who has six or

0:51:26.560 --> 0:51:27.600
<v Speaker 4>seven solo albums.

0:51:27.719 --> 0:51:30.200
<v Speaker 1>Then the corner of my cadillact my heart does not

0:51:30.239 --> 0:51:32.680
<v Speaker 1>gonna put the pat for no rat. I'm leaning back

0:51:32.719 --> 0:51:35.560
<v Speaker 1>my elbows out the window because I can ENDU feels

0:51:35.640 --> 0:51:38.239
<v Speaker 1>my body. Where's the party? Oh? That nigga was hard

0:51:38.360 --> 0:51:43.040
<v Speaker 1>dog the way y'all disrespect, I hope big boys slap

0:51:43.080 --> 0:51:50.120
<v Speaker 1>you on your face. Big boy is hard too, Like, no,

0:51:50.400 --> 0:51:54.000
<v Speaker 1>don't do what you're doing herd y'all because y'all are

0:51:54.280 --> 0:51:58.800
<v Speaker 1>y'all are the greatest disrespect to Big Boy ever in

0:51:58.960 --> 0:52:00.920
<v Speaker 1>this great one. It's one of the greats of all time.

0:52:01.000 --> 0:52:06.160
<v Speaker 1>They booth was great. They're a part of our make

0:52:06.280 --> 0:52:11.320
<v Speaker 1>Big Boy look bad. There is no Andre. Andre is

0:52:11.400 --> 0:52:15.759
<v Speaker 1>a flu Andre three Stacks is a flutist as a

0:52:15.840 --> 0:52:18.920
<v Speaker 1>solo actor. Andre three Stacks as an older man, that's

0:52:18.960 --> 0:52:19.680
<v Speaker 1>what he choose to do.

0:52:20.920 --> 0:52:23.839
<v Speaker 4>No, he only asked one album as a solo album,

0:52:23.880 --> 0:52:25.520
<v Speaker 4>and it's a flu album. He's a flutist.

0:52:26.920 --> 0:52:28.759
<v Speaker 1>He's a rapper. He come back and rapp anytime he

0:52:28.840 --> 0:52:32.640
<v Speaker 1>wants you. You don't hold on. This is what Genius

0:52:33.080 --> 0:52:36.959
<v Speaker 1>says about him. Often regarded as one of the best

0:52:37.080 --> 0:52:41.760
<v Speaker 1>rappers of all time. Atlantic George is Andre and Atlanta

0:52:41.800 --> 0:52:44.279
<v Speaker 1>George is Andre and Loren Benjamin, better known by his

0:52:44.400 --> 0:52:48.200
<v Speaker 1>stage name Andre three thousand. It's also a singer, songwriter,

0:52:48.640 --> 0:52:52.600
<v Speaker 1>record producer, multi instrumentalist, and actor, best known for his

0:52:52.719 --> 0:52:55.280
<v Speaker 1>work as one half of the hip hop dual Outcast

0:52:55.600 --> 0:53:00.880
<v Speaker 1>along with his partner and Ryan big Boy allten. Regarded

0:53:00.960 --> 0:53:04.120
<v Speaker 1>as one of the greatest rappers ever, Genius said.

0:53:03.960 --> 0:53:08.600
<v Speaker 2>This, I don't understand why you're telling me what Genia.

0:53:08.440 --> 0:53:11.880
<v Speaker 1>Said, because there's a million other people who agree with me.

0:53:12.880 --> 0:53:16.080
<v Speaker 2>Y'all ignorant. There's a million people that think niggas just

0:53:16.120 --> 0:53:17.000
<v Speaker 2>still all the time too.

0:53:18.080 --> 0:53:20.880
<v Speaker 1>No, no, gee, he's a good rapper. Why you why

0:53:20.960 --> 0:53:26.719
<v Speaker 1>you refuse that solo? He's not a solo act. Itbody

0:53:27.719 --> 0:53:31.160
<v Speaker 1>comparing He didn't have.

0:53:33.920 --> 0:53:37.160
<v Speaker 4>I got to have own, so on, hold on, you're

0:53:37.239 --> 0:53:40.279
<v Speaker 4>comparing it to a solo act. I'm telling you he's

0:53:40.320 --> 0:53:42.400
<v Speaker 4>part of one of he's probably part of the greatest

0:53:42.520 --> 0:53:44.719
<v Speaker 4>rap group of all time. I'm telling you he didn't

0:53:44.760 --> 0:53:47.840
<v Speaker 4>do any more heavy lifting than his partner or the

0:53:47.920 --> 0:53:52.919
<v Speaker 4>production was very heavy lifting. So you said carry big boy.

0:53:53.840 --> 0:53:56.600
<v Speaker 1>No, I didn't say that. You just what is he doing.

0:53:58.520 --> 0:54:00.400
<v Speaker 1>I'm gonna tell you now that he got one of

0:54:00.440 --> 0:54:02.720
<v Speaker 1>the best catalogs in hip hop brother solo.

0:54:04.520 --> 0:54:06.480
<v Speaker 2>There is no solo, so it's only our cast, one

0:54:06.520 --> 0:54:07.880
<v Speaker 2>of the greatest catalogs.

0:54:08.360 --> 0:54:10.640
<v Speaker 1>And Grade three thousand, one of the greatest rappers ever.

0:54:12.200 --> 0:54:13.719
<v Speaker 2>He's not. He's not a solo artist.

0:54:14.560 --> 0:54:15.799
<v Speaker 1>It don't matter. He don't have to be. He don't

0:54:15.840 --> 0:54:18.840
<v Speaker 1>have to be to be a great rapper. Talking about that,

0:54:19.280 --> 0:54:21.920
<v Speaker 1>so you're saying, because you're saying records, record sales are

0:54:22.000 --> 0:54:27.200
<v Speaker 1>quit quite greatness, what does record sells have to do anything. No,

0:54:27.400 --> 0:54:29.080
<v Speaker 1>because you said that he was a solo artist. So

0:54:29.160 --> 0:54:31.640
<v Speaker 1>you're saying will say that the niggas that don't sell

0:54:31.680 --> 0:54:32.480
<v Speaker 1>records of white too.

0:54:33.360 --> 0:54:35.400
<v Speaker 2>No, I'm telling you he's not a solo artist.

0:54:36.360 --> 0:54:39.840
<v Speaker 1>He could be if he wanted to. I don't agree.

0:54:40.080 --> 0:54:42.400
<v Speaker 1>I don't think he thought he could if he was.

0:54:42.440 --> 0:54:45.080
<v Speaker 1>So if he was, he wasn't so selfish, So just

0:54:45.239 --> 0:54:47.279
<v Speaker 1>not a meat person. See you a meat person? You

0:54:47.360 --> 0:54:51.520
<v Speaker 1>know I'm gonna do the solo album. Mister, you're mad

0:54:51.560 --> 0:54:53.520
<v Speaker 1>because I won't name my website after me, and I

0:54:53.680 --> 0:54:56.560
<v Speaker 1>name it after us, and you mad about it. Name

0:54:56.680 --> 0:55:00.000
<v Speaker 1>that cryptstory dot com criminal organization?

0:55:02.440 --> 0:55:04.120
<v Speaker 2>So was not Turner? You mad at him too?

0:55:05.080 --> 0:55:08.480
<v Speaker 1>No, what Matt Turner was rebel for a cause? You

0:55:08.560 --> 0:55:10.560
<v Speaker 1>don't think that. I you don't think I rebel for

0:55:10.640 --> 0:55:13.719
<v Speaker 1>a cause. I think the crypts Do you know for

0:55:13.840 --> 0:55:15.640
<v Speaker 1>what it stands for? A Yeah, I don't think everybody

0:55:15.680 --> 0:55:19.359
<v Speaker 1>out there cripping for necessary for justice? So then why

0:55:19.360 --> 0:55:22.960
<v Speaker 1>are you telling me what everybody else doing? I don't

0:55:23.000 --> 0:55:24.520
<v Speaker 1>think so. You might be one of them. You might

0:55:24.560 --> 0:55:26.720
<v Speaker 1>be one in a million, one, one in twenty thousands

0:55:29.480 --> 0:55:33.960
<v Speaker 1>in L A G. Maybe a couple tens of thousands.

0:55:35.120 --> 0:55:44.640
<v Speaker 1>You don't think it's hundreds of thousands, no special special everybody. Oh, Charles,

0:55:46.080 --> 0:55:46.360
<v Speaker 1>I just.

0:55:46.360 --> 0:55:48.200
<v Speaker 2>Don't understand what what like?

0:55:48.360 --> 0:55:48.840
<v Speaker 1>When did that?

0:55:49.120 --> 0:55:51.279
<v Speaker 4>That's crazy? You just get on these things and just

0:55:51.400 --> 0:55:54.640
<v Speaker 4>be entertaining. I thought you'd be really having a real conversation.

0:55:54.760 --> 0:55:57.200
<v Speaker 1>You just be having a real conversation. Bro, I'm telling

0:55:57.200 --> 0:55:58.879
<v Speaker 1>you what's on my mind. I think I am free

0:55:59.160 --> 0:56:01.520
<v Speaker 1>and the other agree with me, so I can't be

0:56:01.640 --> 0:56:04.000
<v Speaker 1>too far off. He is one of the greatest rappers

0:56:04.040 --> 0:56:06.319
<v Speaker 1>of all time. A lot of things. People will agree

0:56:06.320 --> 0:56:09.400
<v Speaker 1>with you on stef Yeah, they agree with me on this.

0:56:09.480 --> 0:56:12.719
<v Speaker 1>But you can do a poll. You can do a pole.

0:56:13.120 --> 0:56:16.120
<v Speaker 1>It's Andre is put up there in the polls Andre

0:56:16.360 --> 0:56:18.200
<v Speaker 1>three thousand and top five rappers.

0:56:19.040 --> 0:56:21.320
<v Speaker 4>You don't think there's something wrong with asking the general

0:56:21.400 --> 0:56:23.360
<v Speaker 4>public something that they don't have information on.

0:56:24.239 --> 0:56:27.279
<v Speaker 1>They do, they know what they're like to here, but

0:56:27.360 --> 0:56:30.640
<v Speaker 1>they don't. They never heard and thousand. They never heard

0:56:30.680 --> 0:56:36.320
<v Speaker 1>an Andred thousand songs before? Yes, they have there. What

0:56:36.480 --> 0:56:42.000
<v Speaker 1>was the one he had? Use you all that man?

0:56:42.080 --> 0:56:46.120
<v Speaker 1>That great? That's four rappers on the Yeah, he had

0:56:46.160 --> 0:56:50.520
<v Speaker 1>the heart. Watch Guard your heart, three stats. Just watch

0:56:50.560 --> 0:56:53.239
<v Speaker 1>your heart. Watch y'all for G three stacks, Watch y'all

0:56:53.280 --> 0:56:55.520
<v Speaker 1>for G. Watch y'all for G. To see three stats,

0:56:55.719 --> 0:56:58.320
<v Speaker 1>Watch out for G, Watch out for G three stacks,

0:56:58.400 --> 0:56:59.000
<v Speaker 1>Watch out for G.

0:57:02.880 --> 0:57:05.440
<v Speaker 4>But looking out for tuning in to the Note Senters podcast.

0:57:05.760 --> 0:57:08.520
<v Speaker 4>Please do us a favorite, subscribe, rate, comment, and share.

0:57:08.960 --> 0:57:11.359
<v Speaker 4>This episode was recorded right here on the West coast

0:57:11.400 --> 0:57:14.360
<v Speaker 4>of the USA. It produced about the Black Effect podcast

0:57:14.480 --> 0:57:16.800
<v Speaker 4>network and Not Heard Radio Year