1 00:00:00,280 --> 00:00:04,680 Speaker 1: Dan Dan, When iverbody come to the breakfast club, I 2 00:00:04,760 --> 00:00:11,200 Speaker 1: call this the high Sea lave you joy, I'm not 3 00:00:11,360 --> 00:00:14,600 Speaker 1: even doing it yo, so pet yo? Are you so petty? 4 00:00:15,120 --> 00:00:19,680 Speaker 1: The World's most dangerous morning Sho dj N After this bitch, Angela, 5 00:00:19,880 --> 00:00:22,120 Speaker 1: stay in everybody's business, but in a good way. Charlomagne, 6 00:00:22,160 --> 00:00:25,200 Speaker 1: the the ruler rubbers you the wrong way. The breakfast 7 00:00:25,239 --> 00:00:39,760 Speaker 1: clubs made for everybody. Good morning Usa jojo yo yo 8 00:00:39,840 --> 00:00:41,440 Speaker 1: yo yo yo yo yo yo yo yo yo yo 9 00:00:41,479 --> 00:00:43,239 Speaker 1: yo yo yo yo yo yo yo yo yo yo 10 00:00:43,320 --> 00:00:45,279 Speaker 1: yo yo yo yo yo yo yo yo yo yo 11 00:00:45,360 --> 00:00:48,040 Speaker 1: yo yo yo yo yo yo yo yo. Good morning 12 00:00:48,120 --> 00:00:51,360 Speaker 1: Angela Ye, good money, he'samby Charlomagne. The gut pace to 13 00:00:51,479 --> 00:00:58,320 Speaker 1: the planet is Tuesday, Yes, it's Tuesday. Absolutely. The Luma 14 00:00:58,480 --> 00:01:01,800 Speaker 1: the Luma met Gali was like, what's it called the galla? 15 00:01:01,960 --> 00:01:05,440 Speaker 1: The Illuma naughty met Galla was last Illuma met Galla, Yes, 16 00:01:05,560 --> 00:01:08,839 Speaker 1: Illuma Galla. There's there's a smell in New York City. 17 00:01:08,840 --> 00:01:11,840 Speaker 1: It's the smell of a discarded animal carcasses because they 18 00:01:11,840 --> 00:01:14,320 Speaker 1: were all making their sacrifices last night. Well, the theme 19 00:01:14,400 --> 00:01:17,760 Speaker 1: was heaven really was gall Yeah, that's why you sell 20 00:01:17,800 --> 00:01:21,920 Speaker 1: people dressing, Goddess and church or God in church, the 21 00:01:22,319 --> 00:01:26,400 Speaker 1: same thing, religion, heaven. You know, it all falls into 22 00:01:26,440 --> 00:01:30,480 Speaker 1: the same umbrella. Yes, did you go? No like that. 23 00:01:31,680 --> 00:01:33,119 Speaker 1: I don't know why you've been talking about the met 24 00:01:33,160 --> 00:01:35,920 Speaker 1: Gallas so much yesterday and today. I didn't know that's 25 00:01:35,920 --> 00:01:38,040 Speaker 1: what I thought he was going. Isn't that a thing? 26 00:01:38,959 --> 00:01:40,760 Speaker 1: I mean, I guess I didn't know you would be 27 00:01:41,120 --> 00:01:43,560 Speaker 1: celebity folks. Yeah, we do pop culture. I mean a 28 00:01:43,560 --> 00:01:45,679 Speaker 1: lot of the people that we discussed are have had 29 00:01:45,720 --> 00:01:48,160 Speaker 1: on the show. We're there. I would think I would 30 00:01:48,160 --> 00:01:49,600 Speaker 1: think that would be a thing. I didn't talk about 31 00:01:49,600 --> 00:01:53,200 Speaker 1: it a lot yesterday though, we just actually with somebody 32 00:01:53,240 --> 00:01:55,360 Speaker 1: who was going. Some people were mad about it. The 33 00:01:55,520 --> 00:02:01,240 Speaker 1: Christians Christian fury at met Galla's blasphemous Catholic theme Relaxed Christians, 34 00:02:01,520 --> 00:02:06,280 Speaker 1: God bless yall. Hello, that's a great little segment. Relaxed Christians, 35 00:02:06,280 --> 00:02:09,120 Speaker 1: God bless y'all. You know what? But yeah, yeah, I 36 00:02:09,120 --> 00:02:10,799 Speaker 1: mean I really meant that, though, I really meant God 37 00:02:10,840 --> 00:02:15,359 Speaker 1: bless y'all. Yes. Yes, the theme is Heavenly Bodies, Fashion 38 00:02:15,480 --> 00:02:17,919 Speaker 1: and the cap Imagine drop one of clues bombs for 39 00:02:18,040 --> 00:02:21,440 Speaker 1: Rihanna's heavenly body, damn it, because she definitely got one. Okay, 40 00:02:21,520 --> 00:02:24,320 Speaker 1: Rihanna is built like a kindergarten pencil and I love 41 00:02:24,360 --> 00:02:27,080 Speaker 1: it all right, God bless her. She looks great. Yea 42 00:02:27,680 --> 00:02:31,160 Speaker 1: was there? She? Cardie B looked really look great. J 43 00:02:31,320 --> 00:02:35,840 Speaker 1: low Man drop one the clues bomb for Jennifer Lopez. Man. Oh, 44 00:02:35,960 --> 00:02:38,640 Speaker 1: I didn't expect anything less from her. Yes, but you know, 45 00:02:39,120 --> 00:02:41,320 Speaker 1: Jennifer Lopez is an allusion to a lot of people though, 46 00:02:41,440 --> 00:02:42,799 Speaker 1: because I don't care if you a man old woman. 47 00:02:42,800 --> 00:02:44,120 Speaker 1: Ain't too many of us going to look like that 48 00:02:44,160 --> 00:02:49,280 Speaker 1: at fifty something years old. She was seven. Don't put 49 00:02:49,320 --> 00:02:51,120 Speaker 1: three years on it, rounding and out, you know what 50 00:02:51,120 --> 00:02:55,000 Speaker 1: I'm saying. She said to change proposed. I see that 51 00:02:55,160 --> 00:02:58,560 Speaker 1: congratulations to two chick on the red carpet. How would 52 00:02:58,560 --> 00:03:00,320 Speaker 1: you feel about that if you, as a woman getting 53 00:03:00,360 --> 00:03:02,880 Speaker 1: proposed to on the red carpet like that, Met Gallo, 54 00:03:03,280 --> 00:03:05,520 Speaker 1: I think that's dope. I just feel like when you proposed, 55 00:03:05,520 --> 00:03:07,400 Speaker 1: you should be creating your own moment, you know what 56 00:03:07,480 --> 00:03:10,160 Speaker 1: I'm saying. Like that's the Met Gallas his moment. I've 57 00:03:10,160 --> 00:03:12,000 Speaker 1: never seen anybody do that before, so he kind of 58 00:03:12,240 --> 00:03:14,560 Speaker 1: created a moment within that. Have you ever seen anybody 59 00:03:14,560 --> 00:03:17,120 Speaker 1: do that? No, white pople, probably not Gonnavite two changes back, 60 00:03:17,160 --> 00:03:19,760 Speaker 1: No one like saw he's slowing up our proceeds for 61 00:03:19,840 --> 00:03:22,560 Speaker 1: his proposals for dropping a clue bumper too changed and 62 00:03:22,800 --> 00:03:24,400 Speaker 1: his woman. I think he performed too. I think he 63 00:03:24,480 --> 00:03:26,440 Speaker 1: performed at the met Gallog. I've seen videos of him 64 00:03:26,440 --> 00:03:29,079 Speaker 1: performing and it says it looked incredible. Yes, she did 65 00:03:29,200 --> 00:03:35,320 Speaker 1: as well. Who has Solange? I liked her outfit? Solange? Yes, Solange? Yes, 66 00:03:36,040 --> 00:03:40,920 Speaker 1: I seen Nikki was there? Like to see that. That's 67 00:03:41,280 --> 00:03:43,520 Speaker 1: seeing that. All right, I'm over it now. Okay, who 68 00:03:43,560 --> 00:03:46,040 Speaker 1: got on the show to the Michael B. Jordan here? 69 00:03:46,640 --> 00:03:49,280 Speaker 1: Drop on the clue bumps from Michael B. Jordan. Don't 70 00:03:49,320 --> 00:03:50,520 Speaker 1: need for us to lie and act like Michael B. 71 00:03:50,600 --> 00:03:52,040 Speaker 1: Jordan really here this morning? Right, we could say he 72 00:03:52,040 --> 00:03:55,040 Speaker 1: was here yesterday? Right? Can we talked about him attending 73 00:03:55,080 --> 00:03:58,600 Speaker 1: the met Gallo? Yes you did? Yes, Okay, he did 74 00:03:58,760 --> 00:04:01,080 Speaker 1: lie and act like he's hear in real time this morning. 75 00:04:01,080 --> 00:04:02,840 Speaker 1: But he did stop by yesterday before he went to 76 00:04:02,880 --> 00:04:05,800 Speaker 1: the mac Gallen. Yes, all right, Well he'll be joining 77 00:04:05,840 --> 00:04:10,640 Speaker 1: us this morning when he comes up here. Comes either way, ladies, 78 00:04:10,640 --> 00:04:12,480 Speaker 1: you still get the visual. It'll be on revot TV. 79 00:04:12,760 --> 00:04:15,520 Speaker 1: There you go, Okay, there you Literally when I posted 80 00:04:15,560 --> 00:04:18,200 Speaker 1: the video of him being here this morning, people was like, oh, 81 00:04:18,240 --> 00:04:20,479 Speaker 1: that's when I gotta watch. Oh, all of a sudden, 82 00:04:20,520 --> 00:04:23,080 Speaker 1: now y'all want to watch. You know why I love them? 83 00:04:23,120 --> 00:04:24,720 Speaker 1: Why do they love him? Maybe? I don't know why 84 00:04:24,720 --> 00:04:26,520 Speaker 1: do they love him? So, I mean, I don't know. 85 00:04:26,600 --> 00:04:28,280 Speaker 1: It looks kind of like me. I don't know. I 86 00:04:28,279 --> 00:04:30,599 Speaker 1: don't think I get a lot of comparison. I don't 87 00:04:31,320 --> 00:04:32,960 Speaker 1: think you should reduce men into their looks. You know 88 00:04:32,960 --> 00:04:34,720 Speaker 1: what I'm saying. As a sex symbol myself, I can 89 00:04:34,760 --> 00:04:37,360 Speaker 1: say I'll tell you that it's not a good feeling 90 00:04:37,360 --> 00:04:40,400 Speaker 1: to be objectified all the time. A lot of people 91 00:04:40,440 --> 00:04:42,880 Speaker 1: are going to be watching this morning. I get mistaken 92 00:04:42,880 --> 00:04:46,599 Speaker 1: for him all the time. They were like Michael, Michael Jackson, 93 00:04:46,600 --> 00:04:48,520 Speaker 1: after he went through a transition. After they mistake your 94 00:04:48,560 --> 00:04:51,919 Speaker 1: ass when your yellow transition? Stop it all right, Michael 95 00:04:51,920 --> 00:04:53,480 Speaker 1: didn't went to a transition. Okay, I don't know why 96 00:04:53,520 --> 00:04:55,159 Speaker 1: we act like Michael didn't go from an African American 97 00:04:55,200 --> 00:04:57,159 Speaker 1: to a full fledged white woman. But whatever, God blessed, 98 00:04:57,279 --> 00:04:58,720 Speaker 1: I don't know what you're talking all I know, is 99 00:04:58,760 --> 00:05:01,240 Speaker 1: I get I get today airports sometimes like Michael P. 100 00:05:01,360 --> 00:05:04,359 Speaker 1: Come on up. Oh all right, anyway, Front page, what 101 00:05:04,400 --> 00:05:07,159 Speaker 1: we're talking about. We'll talk about George Zimmerman here is 102 00:05:07,320 --> 00:05:09,600 Speaker 1: back in the courtroom. We'll tell you why he had 103 00:05:09,680 --> 00:05:12,960 Speaker 1: dad jit and like, what's up man y'all out here 104 00:05:13,160 --> 00:05:15,200 Speaker 1: telling you know the crips to go attack Kanye. Why 105 00:05:15,279 --> 00:05:17,120 Speaker 1: George m is still walking around here? And and let's 106 00:05:17,160 --> 00:05:19,840 Speaker 1: talk about graduates at the University of Florida. Find out 107 00:05:19,839 --> 00:05:22,320 Speaker 1: why the school has to apologize to them. Okay, we'll 108 00:05:22,320 --> 00:05:24,159 Speaker 1: get into all that when we come back. And like 109 00:05:24,279 --> 00:05:27,039 Speaker 1: Charlemagne said Michael B. Jordan, they'll be joining us next hour. 110 00:05:27,279 --> 00:05:31,440 Speaker 1: It's the breakfast Cloud morning tj Envy Angela yee, Charlemagne 111 00:05:31,520 --> 00:05:33,560 Speaker 1: the guy we are the breakfast her parents. Stop trying 112 00:05:33,560 --> 00:05:35,240 Speaker 1: to do this dance with your kids. Man, that black 113 00:05:35,240 --> 00:05:36,760 Speaker 1: boy jab you tried it one time. You know you 114 00:05:36,839 --> 00:05:38,720 Speaker 1: got weak knees, all right, that one good knee gonna 115 00:05:38,720 --> 00:05:39,960 Speaker 1: go out on your ass. You never tried to when 116 00:05:39,960 --> 00:05:42,680 Speaker 1: you hopping on one leg before. Absolutely not. All right, Well, 117 00:05:42,720 --> 00:05:46,680 Speaker 1: let's get in some front page news. Cavaliers Cleveland, they 118 00:05:46,680 --> 00:05:49,760 Speaker 1: swept the Toronto Raptors. Uh, they beat them one twenty 119 00:05:49,839 --> 00:05:53,520 Speaker 1: eight ninety three. What was Drake looking like? He wasn't 120 00:05:53,520 --> 00:05:55,200 Speaker 1: at the game that that was a home Cleveland game. 121 00:05:55,200 --> 00:05:56,719 Speaker 1: I'm sure he was upset. I ain't gonna lie man, 122 00:05:56,800 --> 00:05:59,200 Speaker 1: Lebron really be nice for what they did the Raptors 123 00:05:59,240 --> 00:06:03,640 Speaker 1: man so well nothing. Now Philadelphia seventy six is beat 124 00:06:03,680 --> 00:06:05,640 Speaker 1: the Celtics one on three ninety two. The Celtics lead 125 00:06:05,680 --> 00:06:08,680 Speaker 1: a series three two one tonight that Rockets take throw 126 00:06:08,720 --> 00:06:11,320 Speaker 1: on the Jazz and Pelicans take on Golden State Warriors. 127 00:06:11,520 --> 00:06:14,640 Speaker 1: Now let's talk about University of Florida. Yes, there was 128 00:06:14,720 --> 00:06:17,560 Speaker 1: a number of African American students at the University of 129 00:06:17,600 --> 00:06:21,640 Speaker 1: Florida's graduation ceremony who were rushed off the stage. Now, 130 00:06:21,680 --> 00:06:24,719 Speaker 1: apparently some of the students decide to you didn't see 131 00:06:24,760 --> 00:06:27,360 Speaker 1: this video, They decided to do a little quick dance 132 00:06:27,360 --> 00:06:32,599 Speaker 1: when they were going up to get their diplomas. They're excited, 133 00:06:32,800 --> 00:06:36,120 Speaker 1: and there was a faculty member that physically pushed them 134 00:06:36,160 --> 00:06:40,000 Speaker 1: off the stage. Oh, I was a kid, kid actually 135 00:06:40,040 --> 00:06:42,920 Speaker 1: going to get their diplomas. Now, one person posted this 136 00:06:43,000 --> 00:06:46,599 Speaker 1: is absolutely disgusting. These students have paid more than forty 137 00:06:46,600 --> 00:06:48,719 Speaker 1: thousand dollars in tuition, and if they want to dance 138 00:06:48,720 --> 00:06:52,400 Speaker 1: for four seconds, then it's their prerogative. The University of 139 00:06:52,400 --> 00:06:55,120 Speaker 1: Florida tweeted the university is proud of the achievements of 140 00:06:55,120 --> 00:06:57,840 Speaker 1: every single one of our graduates and regrets that any 141 00:06:57,839 --> 00:06:59,919 Speaker 1: celebration of the day may have been diminished by the 142 00:07:00,120 --> 00:07:03,160 Speaker 1: was monitoring a graduation ceremony. Can't you dance? I mean 143 00:07:03,200 --> 00:07:05,200 Speaker 1: we should be able to dance. Don't they say do 144 00:07:05,240 --> 00:07:07,159 Speaker 1: a little I didn't. I didn't. I never walked across 145 00:07:07,200 --> 00:07:09,200 Speaker 1: middle stage. So don't they say, do a little dance 146 00:07:09,200 --> 00:07:11,520 Speaker 1: with your pop? I'm saying I did it. He didn't 147 00:07:11,520 --> 00:07:13,040 Speaker 1: do a dance. Well, I'm gonna tell you. The day 148 00:07:13,040 --> 00:07:15,520 Speaker 1: that I graduated, it was pouring raining, so we didn't 149 00:07:15,560 --> 00:07:17,320 Speaker 1: even wear the outfits we wanted to wear. This my 150 00:07:17,320 --> 00:07:18,760 Speaker 1: little dance is what I did when I got from 151 00:07:18,840 --> 00:07:24,600 Speaker 1: us like it was raining so hard, we just about running. Man, 152 00:07:25,400 --> 00:07:29,880 Speaker 1: your old ass did the snake now connevert to the 153 00:07:30,040 --> 00:07:33,240 Speaker 1: Florida said during one of the weekend's commencement ceremonies, we 154 00:07:33,240 --> 00:07:36,880 Speaker 1: were inappropriately aggressive and the rushing students across the stage. 155 00:07:36,920 --> 00:07:40,120 Speaker 1: I personally apologize and am reaching out to the students involved. 156 00:07:40,120 --> 00:07:42,080 Speaker 1: One of the students in our Fisata, who was she 157 00:07:42,120 --> 00:07:44,200 Speaker 1: was rushed off the stage, said her dance was a 158 00:07:44,280 --> 00:07:46,640 Speaker 1: symbolic gesture and a tribute to her sorority. She said, 159 00:07:46,640 --> 00:07:49,080 Speaker 1: he really aggressively pushed me and put his hands on 160 00:07:49,160 --> 00:07:51,440 Speaker 1: me and really took away that moment of me celebrating 161 00:07:51,480 --> 00:07:53,400 Speaker 1: my gradually do look like security? Why didn't you punch 162 00:07:53,480 --> 00:07:55,120 Speaker 1: him in the face like that? God? Like, why is 163 00:07:55,160 --> 00:07:57,600 Speaker 1: that time? Watch that guy in the glassonfield comfortable up 164 00:07:57,640 --> 00:07:59,280 Speaker 1: to be grammy kids and throwing the people. Don't even 165 00:07:59,280 --> 00:08:00,560 Speaker 1: know who it is. They said he was just an 166 00:08:00,640 --> 00:08:02,440 Speaker 1: usher and they wanted to find out his name. I 167 00:08:02,480 --> 00:08:04,600 Speaker 1: don't even know who was. Yeah, he's just one of 168 00:08:04,600 --> 00:08:07,040 Speaker 1: the people that was. I don't know. It's not like podcast, 169 00:08:07,080 --> 00:08:11,120 Speaker 1: maall cop taking his job too serious? Man, Yeah, ridiculous. 170 00:08:11,760 --> 00:08:15,920 Speaker 1: George Zimmerman he's back in court now, accused of repeatedly 171 00:08:15,960 --> 00:08:19,240 Speaker 1: threatening and harassing and Dennis Warren. Between December sixteenth and 172 00:08:19,280 --> 00:08:21,880 Speaker 1: twenty fifth of the last year. He called him fifty 173 00:08:21,880 --> 00:08:25,200 Speaker 1: five times, left thirty six voicemails, and texted him sixty 174 00:08:25,200 --> 00:08:28,480 Speaker 1: seven times, and sent twenty seven emails over a nine 175 00:08:28,560 --> 00:08:31,640 Speaker 1: day span. Warren's a private investigator who was hired by 176 00:08:31,640 --> 00:08:34,720 Speaker 1: a production company that's working on a documentary about Trey 177 00:08:34,760 --> 00:08:36,840 Speaker 1: Bon Martin's life. But Warren, it sounds like your life 178 00:08:36,920 --> 00:08:38,680 Speaker 1: was threatening. You should have stood your ground. Sounded like 179 00:08:38,679 --> 00:08:40,680 Speaker 1: George Ilman was starting. If you call you that many times, 180 00:08:40,679 --> 00:08:42,400 Speaker 1: it sounds like he was harassing. You should have stood 181 00:08:42,400 --> 00:08:44,480 Speaker 1: your ground on George Delman. Why is he still alive? 182 00:08:45,320 --> 00:08:48,120 Speaker 1: I don't know, but who knows. I hope they get 183 00:08:48,200 --> 00:08:50,160 Speaker 1: him in jail or something. At least what's gonna happen 184 00:08:50,200 --> 00:08:53,080 Speaker 1: to him when he's in jail. It's not gonna be nice. 185 00:08:53,320 --> 00:08:55,640 Speaker 1: All right, Well, last front page News, Get it off 186 00:08:55,679 --> 00:08:58,200 Speaker 1: your chests eight drew five eighty five one oh five one. 187 00:08:58,280 --> 00:08:59,840 Speaker 1: If you're upset, you need to vent. Hit us up 188 00:08:59,880 --> 00:09:02,960 Speaker 1: right now. Maybe had a bad night, or a teacher's 189 00:09:03,040 --> 00:09:05,920 Speaker 1: parent conference or a conference at your kids school where 190 00:09:06,280 --> 00:09:08,760 Speaker 1: personal Yeah, they probably they did. We had a conference 191 00:09:08,840 --> 00:09:10,880 Speaker 1: yesterday about kids learning how to drive, and they were 192 00:09:10,920 --> 00:09:12,680 Speaker 1: kind of I think they were talking down to the parents. 193 00:09:12,720 --> 00:09:15,280 Speaker 1: They were telling the parents, well, when your kids drive 194 00:09:15,360 --> 00:09:17,000 Speaker 1: your car, you should make the sure they do this. 195 00:09:17,080 --> 00:09:18,720 Speaker 1: And maybe I was like that, they're my kids, I 196 00:09:18,840 --> 00:09:20,920 Speaker 1: know what I'm doing. But maybe you dropped your cell 197 00:09:20,960 --> 00:09:23,480 Speaker 1: phone and the screen smashed on it, and you still 198 00:09:23,480 --> 00:09:25,280 Speaker 1: have to walk around with this broken cell phone. But 199 00:09:25,320 --> 00:09:27,280 Speaker 1: that's your fault for not having a screen saving a 200 00:09:27,280 --> 00:09:29,960 Speaker 1: screen case. No, you know what. I was going running 201 00:09:29,960 --> 00:09:31,920 Speaker 1: and I was putting it in the little arm band 202 00:09:31,920 --> 00:09:35,079 Speaker 1: in the park and it fell gas a little glassovers 203 00:09:36,559 --> 00:09:38,280 Speaker 1: teaching your kids how to drive though, No, no, they're 204 00:09:38,320 --> 00:09:40,400 Speaker 1: not teaching. They had a conference for the parents and 205 00:09:40,440 --> 00:09:42,319 Speaker 1: they were telling the parents what the parents should be 206 00:09:42,400 --> 00:09:44,240 Speaker 1: doing for their kids. And I'm like, I know how 207 00:09:44,280 --> 00:09:46,280 Speaker 1: to raise my daughter. I know how to tell her 208 00:09:46,280 --> 00:09:48,120 Speaker 1: how to drive. I know how to tell how to merge. 209 00:09:48,200 --> 00:09:49,440 Speaker 1: I know how to tell her how to watch for 210 00:09:49,440 --> 00:09:51,760 Speaker 1: eight t willers, I do this like, don't have a 211 00:09:51,760 --> 00:09:54,400 Speaker 1: conference for me, F driver, is there in your school? 212 00:09:54,520 --> 00:09:57,440 Speaker 1: I ain't say that drivers have to watch that movie 213 00:09:57,520 --> 00:10:00,319 Speaker 1: Highway of Death I had to watch yesterday with I 214 00:10:00,320 --> 00:10:02,280 Speaker 1: didn't want to watch it yesterday. But anyway, get it 215 00:10:02,320 --> 00:10:04,000 Speaker 1: off your chests. Call us now, it's the breakfast club. 216 00:10:04,000 --> 00:10:08,320 Speaker 1: Good morning. Is your time to get it off your chests, 217 00:10:08,440 --> 00:10:10,720 Speaker 1: whether you're man or blast. So people to have the 218 00:10:10,760 --> 00:10:12,480 Speaker 1: same industry. We want to hear from you on the 219 00:10:12,520 --> 00:10:18,160 Speaker 1: breakfast club. Hello, who's this? What's up? Envy? What's up? Raft? 220 00:10:18,720 --> 00:10:25,079 Speaker 1: Heyst what else? Now? I'm telling telling listening. That's like 221 00:10:25,160 --> 00:10:27,400 Speaker 1: WoT people that be like going through people's phone and 222 00:10:27,520 --> 00:10:30,079 Speaker 1: getting mad when they find stuff in peoples phone? What 223 00:10:30,240 --> 00:10:32,360 Speaker 1: you finding some what's somebody finding your phone? Trying to 224 00:10:32,440 --> 00:10:38,360 Speaker 1: picture of another man's button, your boyfriend's phone charge. I 225 00:10:38,400 --> 00:10:40,640 Speaker 1: don't have a boyfriend, but no, not even my phone. 226 00:10:40,640 --> 00:10:43,760 Speaker 1: I had to custom my cousin boyfriend now because she 227 00:10:43,920 --> 00:10:46,880 Speaker 1: she like, she went to Vegas on Friday, right and 228 00:10:47,320 --> 00:10:49,960 Speaker 1: before she left her dude, who's not even really her 229 00:10:50,040 --> 00:10:52,199 Speaker 1: dude because they want to break right now, like went 230 00:10:52,240 --> 00:10:54,520 Speaker 1: through her phone and was like reading me and her 231 00:10:54,559 --> 00:10:57,240 Speaker 1: messages and he called himself trying to let me have 232 00:10:57,400 --> 00:10:59,679 Speaker 1: it because you see, oh, you had to let him 233 00:10:59,720 --> 00:11:01,520 Speaker 1: know that you was gay real quick. When he called like, look, 234 00:11:01,559 --> 00:11:04,480 Speaker 1: I don't even want no poem his cousin. That's my cousin. 235 00:11:04,800 --> 00:11:06,040 Speaker 1: It was like all I said. I was like yo, 236 00:11:06,120 --> 00:11:08,439 Speaker 1: because though she was like su, I was like have 237 00:11:08,559 --> 00:11:11,600 Speaker 1: a safe trip. She was like okay, and I was like, girl, 238 00:11:11,720 --> 00:11:16,040 Speaker 1: try at least too new for me. What I'm saying, Yeah, 239 00:11:16,280 --> 00:11:18,840 Speaker 1: I would have jumped on your ass too, literally when 240 00:11:18,840 --> 00:11:23,280 Speaker 1: I was jumped on respectful travel. Yes, I was playing 241 00:11:23,360 --> 00:11:25,800 Speaker 1: with her and she replied she was. She was like, 242 00:11:26,360 --> 00:11:30,480 Speaker 1: I might try three laugh out loud. Oh yeah, I'm 243 00:11:30,520 --> 00:11:32,920 Speaker 1: getting I'm getting the same chop of Donald Glover had 244 00:11:32,960 --> 00:11:34,559 Speaker 1: and this is America video and I'm letting both of 245 00:11:34,640 --> 00:11:37,920 Speaker 1: y'all have you were a bad influence now And his defense, 246 00:11:38,000 --> 00:11:39,679 Speaker 1: he was just joking and no one was supposed to 247 00:11:39,720 --> 00:11:42,719 Speaker 1: see those text messages exactly like this, this is this 248 00:11:42,840 --> 00:11:45,599 Speaker 1: is my cousin. So he gonna call me, don't be 249 00:11:45,679 --> 00:11:48,440 Speaker 1: encouraging my woman to cheat. I don't don't be encouraging 250 00:11:48,480 --> 00:11:50,680 Speaker 1: my woman to cheat travel. I mean when he called 251 00:11:50,679 --> 00:11:52,640 Speaker 1: me talso, don't be telling my girl to aspect of 252 00:11:52,760 --> 00:11:55,160 Speaker 1: anybody else. He's right if he liked about to go in. 253 00:11:55,240 --> 00:11:57,640 Speaker 1: It was like, because I don't want to have any issues, 254 00:11:57,840 --> 00:12:00,760 Speaker 1: and so I'm not really gonna up to him and 255 00:12:00,880 --> 00:12:03,280 Speaker 1: told him, don't be calling Traf. You were wrong. You 256 00:12:03,320 --> 00:12:07,079 Speaker 1: were definitely you were wrong. Traf just admitted. Okay, call 257 00:12:07,160 --> 00:12:09,599 Speaker 1: him back and apologize, and remember, Trav, when you go 258 00:12:09,679 --> 00:12:12,199 Speaker 1: to Vegas, what happened in Vegas days? And you what 259 00:12:14,360 --> 00:12:19,000 Speaker 1: what I've never heard of. That was Hello, who's this? Heysta, Mari, 260 00:12:19,440 --> 00:12:22,000 Speaker 1: Hey Mamma, get it off your chess. I'm just calling 261 00:12:22,120 --> 00:12:25,199 Speaker 1: to say I'm blast. I have a wonderful job that 262 00:12:25,280 --> 00:12:27,480 Speaker 1: I started to for us to go at Harvard University. 263 00:12:27,559 --> 00:12:30,240 Speaker 1: I'm from Boston. Hey, slew to Harvard. My daughter wants 264 00:12:30,280 --> 00:12:33,000 Speaker 1: to go to Harvard. It's a It's a great school. 265 00:12:33,160 --> 00:12:35,199 Speaker 1: And then I'm also blacked because I just closed on 266 00:12:35,280 --> 00:12:38,920 Speaker 1: my house last Monday and I'm moving in this week. Oh, congratulation, 267 00:12:39,280 --> 00:12:41,439 Speaker 1: what a great feeling. I need to trap you it is. 268 00:12:41,760 --> 00:12:45,439 Speaker 1: It's amazing. My daughter, I want to start out my 269 00:12:45,520 --> 00:12:47,559 Speaker 1: daughter read up? Oh somebody got you already? How old 270 00:12:47,640 --> 00:12:51,280 Speaker 1: is reading? Oh yeah? Oh congratulates to the man who 271 00:12:51,320 --> 00:12:54,120 Speaker 1: trapped you booth. Oh yeah, we've been together for nine years. Hey, 272 00:12:55,120 --> 00:12:57,880 Speaker 1: congratulations are closing out? Yea at home? That is one 273 00:12:57,880 --> 00:13:00,440 Speaker 1: of the most exciting things you could have have resolutely 274 00:13:00,760 --> 00:13:03,720 Speaker 1: it is. It's amazing. And have a bless dad. Listen 275 00:13:03,800 --> 00:13:09,160 Speaker 1: to you guys every morning. There's amazing your wild I 276 00:13:09,280 --> 00:13:13,120 Speaker 1: heard that before I heard that. Hello, who's this? Trying 277 00:13:13,120 --> 00:13:16,400 Speaker 1: to change the stigma of crazy gee from the Freak City. 278 00:13:16,760 --> 00:13:19,679 Speaker 1: Oh god boy, what do you want I've got to 279 00:13:19,720 --> 00:13:22,120 Speaker 1: get it off my chest now. I want to ask Albomn, 280 00:13:22,520 --> 00:13:25,719 Speaker 1: why do you think your supporters need another book from 281 00:13:25,760 --> 00:13:29,480 Speaker 1: you talking about your anxiety and your authority. This is 282 00:13:29,520 --> 00:13:34,000 Speaker 1: really taking advantage of us, now, aren't you. I did 283 00:13:34,040 --> 00:13:36,600 Speaker 1: I did release uh, I did announce my second book 284 00:13:36,600 --> 00:13:39,360 Speaker 1: will be released as fall. It's called Chook One Anxiety 285 00:13:39,440 --> 00:13:41,240 Speaker 1: playing tricks on me. But you're right, I don't know 286 00:13:41,320 --> 00:13:42,959 Speaker 1: if they needed but I wrote it. So if you 287 00:13:43,000 --> 00:13:47,320 Speaker 1: want it available, another thing? Chaba, man, you know something? 288 00:13:48,000 --> 00:13:49,640 Speaker 1: You can't ask me if I know something, man, because 289 00:13:49,640 --> 00:13:52,000 Speaker 1: I don't know anything. I'm just sitting there. I don't 290 00:13:52,120 --> 00:13:55,440 Speaker 1: understand why you have anxiety. I mean, you know it's 291 00:13:55,480 --> 00:13:58,160 Speaker 1: not like everything happened before you want, like you weren't 292 00:13:58,200 --> 00:14:01,559 Speaker 1: taught to everything. You've got all these reason I understand 293 00:14:01,720 --> 00:14:05,200 Speaker 1: you haven't liked because you sold your soul you up 294 00:14:05,240 --> 00:14:07,360 Speaker 1: to get to where you're at. Your body gave his 295 00:14:07,440 --> 00:14:10,439 Speaker 1: butt up. Chad hasn't been confirmed to denied, but he 296 00:14:10,559 --> 00:14:12,880 Speaker 1: might have gave his button something. Somebody with my type 297 00:14:12,880 --> 00:14:18,320 Speaker 1: of anxiety would be scared to get this button. All right, bro, 298 00:14:18,520 --> 00:14:19,960 Speaker 1: if I getting my butt up, I'd be at the 299 00:14:20,000 --> 00:14:21,680 Speaker 1: met Galli last night would gave you would been last 300 00:14:21,680 --> 00:14:23,560 Speaker 1: I'd have been at the Metal. You've been a bad bitch. 301 00:14:24,200 --> 00:14:26,560 Speaker 1: Get it off your chests and I'm five eight, five 302 00:14:26,640 --> 00:14:28,760 Speaker 1: one or five one. If you're upset, you need to 303 00:14:28,840 --> 00:14:30,600 Speaker 1: vent here this now, it's the breakfast club. The morning, 304 00:14:31,200 --> 00:14:36,520 Speaker 1: the breakfast club. This is your time to get it 305 00:14:36,560 --> 00:14:40,560 Speaker 1: off your chest. Whether you're man, blast from you on 306 00:14:40,640 --> 00:14:44,520 Speaker 1: the breakfast club. But you got something on your mind. Hello, 307 00:14:44,640 --> 00:14:48,040 Speaker 1: who's this's good to smike from Brooklyn? What's problem broke? 308 00:14:48,040 --> 00:14:50,120 Speaker 1: Get it off your chest. I understand it's some people 309 00:14:50,160 --> 00:14:52,000 Speaker 1: that be having their bad days or whatever. It's a 310 00:14:52,120 --> 00:14:55,760 Speaker 1: right hotty smell right. I love how this is going. 311 00:14:57,160 --> 00:14:59,920 Speaker 1: You older her own or whatever, or you forget from 312 00:15:00,040 --> 00:15:03,480 Speaker 1: my co work would be every single day she'd be 313 00:15:03,560 --> 00:15:07,440 Speaker 1: smelling like zoo dirt every day and I've never heard 314 00:15:07,440 --> 00:15:09,640 Speaker 1: of that zu dirt. I don't understand how I'm supposed 315 00:15:09,640 --> 00:15:12,280 Speaker 1: to like tell her like, yo, you stink. You gotta 316 00:15:12,320 --> 00:15:14,400 Speaker 1: you gotta get a woman. You gotta get a woman. 317 00:15:14,440 --> 00:15:16,320 Speaker 1: You gotta get a woman to tell another woman that 318 00:15:16,440 --> 00:15:19,760 Speaker 1: she stinking. Unless you're sleeping with sad woman. I see 319 00:15:20,000 --> 00:15:23,400 Speaker 1: that woman. If you're not sleeping with her. Did somebody 320 00:15:23,400 --> 00:15:25,640 Speaker 1: else maybe get her a nice little gift basket of 321 00:15:25,800 --> 00:15:28,600 Speaker 1: some soaps and lotions and smell gate. I don't even 322 00:15:28,680 --> 00:15:30,840 Speaker 1: think she did it, because it's everybody in my job, 323 00:15:31,280 --> 00:15:33,360 Speaker 1: you know, saying that. Yo. She stays, she smells like 324 00:15:33,920 --> 00:15:36,120 Speaker 1: Drews or whatever. It's just a nasty It's just a 325 00:15:36,240 --> 00:15:38,600 Speaker 1: nasty smell. I wonder what that could be from will 326 00:15:38,640 --> 00:15:40,440 Speaker 1: make her a ghetto gift basket and in that gift 327 00:15:40,480 --> 00:15:44,120 Speaker 1: basket have the yodorant soul, you know what I'm saying, 328 00:15:44,720 --> 00:15:48,160 Speaker 1: lima salt. Maybe maybe it's her diet. Every times that 329 00:15:48,200 --> 00:15:49,720 Speaker 1: she'd be having a nerd be like, oh, you know 330 00:15:49,880 --> 00:15:54,400 Speaker 1: stinking here, Like, uh, does you know you? I'm gonna 331 00:15:54,400 --> 00:15:59,280 Speaker 1: tell you something. If she was around me saying no, no, no, 332 00:15:59,320 --> 00:16:01,800 Speaker 1: if you with her and she blurts out, its stink 333 00:16:01,880 --> 00:16:03,880 Speaker 1: and it's hurt. It stinks in here, Yeah, because it's you, 334 00:16:04,200 --> 00:16:06,760 Speaker 1: that's when you gotta let her have it. You got 335 00:16:06,840 --> 00:16:09,160 Speaker 1: to let no, no, no, you got to let her 336 00:16:09,200 --> 00:16:11,960 Speaker 1: have it. Right then, I'm not gonna lie. This happened 337 00:16:11,960 --> 00:16:15,160 Speaker 1: to somebody that well, one of my ex co workers 338 00:16:15,800 --> 00:16:17,880 Speaker 1: used to smell really bad and we actually had to 339 00:16:18,000 --> 00:16:24,120 Speaker 1: take him to the side, and I would. I actually 340 00:16:24,200 --> 00:16:27,000 Speaker 1: had to tell him and say, you know, there's a 341 00:16:27,120 --> 00:16:28,840 Speaker 1: little bit of an odor. And I don't know what 342 00:16:28,960 --> 00:16:31,400 Speaker 1: it is, but I think it was his clothes because 343 00:16:31,400 --> 00:16:32,920 Speaker 1: he used to wear his coat, and the coat he 344 00:16:32,960 --> 00:16:35,600 Speaker 1: would never watch it and that smelled really bad, and 345 00:16:36,040 --> 00:16:38,440 Speaker 1: he just I don't know, he just didn't shower every day. 346 00:16:38,440 --> 00:16:40,520 Speaker 1: I don't know what it was, but we told him, gee, hello, 347 00:16:40,640 --> 00:16:43,680 Speaker 1: who's this da? This is what's up? Broke? Get it 348 00:16:43,680 --> 00:16:45,760 Speaker 1: off her chest. I go to a different college than 349 00:16:45,840 --> 00:16:47,640 Speaker 1: my girlfriend. I just wanted to tell her. I love 350 00:16:47,920 --> 00:16:51,320 Speaker 1: so much. Pok this out And she graduated with a 351 00:16:51,440 --> 00:16:56,760 Speaker 1: fourth point though, and she's just doing great things. Soon 352 00:16:56,840 --> 00:16:59,000 Speaker 1: as she wakes up and leaves that other guy's dorm, um, 353 00:16:59,080 --> 00:17:00,800 Speaker 1: I'm sure that's somebody. He'll tell her. You gave her 354 00:17:00,800 --> 00:17:06,359 Speaker 1: all girls, what you mean listening to y'all every day 355 00:17:06,480 --> 00:17:10,800 Speaker 1: for the last two years. So you think because she 356 00:17:10,920 --> 00:17:13,399 Speaker 1: goes to an all girls school, she's say She definitely 357 00:17:13,480 --> 00:17:16,440 Speaker 1: says next and I know they party while, but you 358 00:17:16,480 --> 00:17:18,600 Speaker 1: think lean away for to steal your girl? Doesn't you 359 00:17:18,680 --> 00:17:22,000 Speaker 1: tell them, huh, what's what's your girlfriend's name? Shout her 360 00:17:22,040 --> 00:17:27,680 Speaker 1: out and tell her congratulation that love Underscore launch. That 361 00:17:27,880 --> 00:17:30,440 Speaker 1: is so sweet. He's in that all girls school and 362 00:17:30,560 --> 00:17:32,760 Speaker 1: it's some girl in there doing what DJ Kali won't 363 00:17:32,760 --> 00:17:35,320 Speaker 1: do to his wife. Right now, okay, which is which 364 00:17:35,359 --> 00:17:39,120 Speaker 1: is eat that boom boom? Alright, good luck last good night, y'all, 365 00:17:39,480 --> 00:17:42,000 Speaker 1: good night, all right, good night. Get it off your chest. 366 00:17:42,080 --> 00:17:44,320 Speaker 1: Eight hundred five eight five one on five one. If 367 00:17:44,320 --> 00:17:45,840 Speaker 1: you're upset, you need to vent, you can hit this 368 00:17:45,960 --> 00:17:49,240 Speaker 1: right now. Even got rumors on the way, Yes, Bryson Teller. 369 00:17:49,400 --> 00:17:52,800 Speaker 1: He has admitted that he's having some issues, and we'll 370 00:17:52,840 --> 00:17:55,160 Speaker 1: tell you what those issues are. All right, we'll get 371 00:17:55,160 --> 00:17:56,840 Speaker 1: into all that when we come back. Keep a lock 372 00:17:56,920 --> 00:18:02,760 Speaker 1: this to Breakfast Club. Good morning, the Breakfast Club. Morning. 373 00:18:02,800 --> 00:18:06,480 Speaker 1: Everybody is DJ Envy Angela Yee Shalamne the guy. We 374 00:18:06,600 --> 00:18:09,040 Speaker 1: are the Breakfast Club. Let's get to the room as 375 00:18:09,080 --> 00:18:15,720 Speaker 1: a soap Bryson Till. Listen, it's just oh go report, guys, 376 00:18:17,320 --> 00:18:22,320 Speaker 1: It's report Breakfast Club. Bryson Tiller has just revealed that 377 00:18:22,440 --> 00:18:25,480 Speaker 1: he was battling depression. Now he had put on Twitter 378 00:18:25,560 --> 00:18:27,560 Speaker 1: almost halfway through the year. How you doing on the 379 00:18:27,600 --> 00:18:30,800 Speaker 1: goals you set for yourself? In January somebody responded, man, 380 00:18:30,880 --> 00:18:32,719 Speaker 1: nobody want to hear that. It's halfway through the year 381 00:18:32,720 --> 00:18:34,960 Speaker 1: and you haven't dropped anything brought Like I said before, 382 00:18:35,040 --> 00:18:38,720 Speaker 1: you show no loyalty to your fans. Well, he responded, wrong, 383 00:18:38,960 --> 00:18:41,760 Speaker 1: I love them, Just trying my hardest not to disappoint 384 00:18:41,880 --> 00:18:44,800 Speaker 1: like I did before. And somebody else said, well, at 385 00:18:44,880 --> 00:18:47,200 Speaker 1: least you know it, and then he went on to 386 00:18:47,680 --> 00:18:50,080 Speaker 1: give his own explanation. He said, One, I was depressed 387 00:18:50,119 --> 00:18:51,720 Speaker 1: before I made that album, and you can hear it 388 00:18:51,800 --> 00:18:54,320 Speaker 1: in the music as far as his second album, True Toself. 389 00:18:54,320 --> 00:18:56,520 Speaker 1: Then that's no excuse to Mary J. Blode is depressed 390 00:18:56,520 --> 00:18:59,240 Speaker 1: when she made My Life and I was amazing, He said, too. Statistically, 391 00:18:59,320 --> 00:19:01,160 Speaker 1: we didn't do that great because of it. And three. 392 00:19:01,560 --> 00:19:03,960 Speaker 1: Depression ended in twenty seventeen, and I've been working hard 393 00:19:04,040 --> 00:19:06,520 Speaker 1: ever since. Stay tuned. Shouldn't you put your depression in 394 00:19:06,560 --> 00:19:08,879 Speaker 1: your music? Though? Well, I guess it works different for 395 00:19:08,960 --> 00:19:11,280 Speaker 1: some people. Maybe I just didn't feel like going out 396 00:19:11,320 --> 00:19:13,800 Speaker 1: and promoting and working like that, so you never did 397 00:19:13,840 --> 00:19:15,479 Speaker 1: that anyway, though he never really went out and promoted. 398 00:19:15,640 --> 00:19:18,400 Speaker 1: Or if you're really depressed and they're forcing you to record, 399 00:19:18,520 --> 00:19:20,720 Speaker 1: then you're probably not making your best work, right, so 400 00:19:20,880 --> 00:19:23,040 Speaker 1: it can happen some people and maybe do a great 401 00:19:23,119 --> 00:19:24,880 Speaker 1: jobs and people it doesn't work that way. I still 402 00:19:24,880 --> 00:19:26,360 Speaker 1: don't know I Bryson till it looks like and I've 403 00:19:26,400 --> 00:19:28,520 Speaker 1: met him before. Yeah, all I see is a brother 404 00:19:28,560 --> 00:19:29,840 Speaker 1: would have had on That's all I can think of. Well, 405 00:19:29,920 --> 00:19:32,040 Speaker 1: this music is not too hype anyway, so imagine him 406 00:19:32,040 --> 00:19:34,639 Speaker 1: being depressed and putting their music out amazing, all right. 407 00:19:34,760 --> 00:19:37,800 Speaker 1: Nicki Minaj has announced her new album while she was 408 00:19:37,920 --> 00:19:39,879 Speaker 1: on the red carpet at the met Gallet. Here's what 409 00:19:39,960 --> 00:19:41,800 Speaker 1: she said, But I just let the world know that 410 00:19:41,960 --> 00:19:46,960 Speaker 1: my album is coming on June fifteen. All right. She 411 00:19:47,080 --> 00:19:49,320 Speaker 1: has to put out two videos Barbie things internally on 412 00:19:49,359 --> 00:19:50,920 Speaker 1: a Friday, like we told doing. Those are going to 413 00:19:50,960 --> 00:19:53,639 Speaker 1: be on the upcoming album as well. I'll definitely be 414 00:19:53,760 --> 00:19:57,280 Speaker 1: checking for Nikki's new album. Her and Cardiv chatting with 415 00:19:57,359 --> 00:19:59,119 Speaker 1: each other at the met galat like seeing that I 416 00:19:59,160 --> 00:20:02,000 Speaker 1: haven't seen the Nikki's new video though you didn't want. 417 00:20:02,000 --> 00:20:04,399 Speaker 1: I watched them up here. They're not America. That's why 418 00:20:04,440 --> 00:20:07,280 Speaker 1: I didn't watch him. This is America. You're saying, Okay, 419 00:20:07,640 --> 00:20:09,720 Speaker 1: all right, two chains mean in the meantime, on the 420 00:20:09,760 --> 00:20:12,840 Speaker 1: Red Carpet has proposed to Nikisha Ward, who is his 421 00:20:13,000 --> 00:20:15,399 Speaker 1: long time partner. Now, I thought they were already married, 422 00:20:15,680 --> 00:20:18,639 Speaker 1: but I guess they've been together for like over ten years, 423 00:20:18,720 --> 00:20:20,840 Speaker 1: so maybe officially you kind of are. They have three 424 00:20:20,920 --> 00:20:24,359 Speaker 1: kids together, and so he did propose. Now I've been 425 00:20:24,400 --> 00:20:26,640 Speaker 1: reading all these different reports about what happened. Some people 426 00:20:26,680 --> 00:20:29,080 Speaker 1: are saying that he wanted to upgrade that engagement ring, 427 00:20:29,520 --> 00:20:31,879 Speaker 1: so that's why he did that. And some people are 428 00:20:31,920 --> 00:20:33,879 Speaker 1: saying they were married already, but he wanted to make 429 00:20:33,920 --> 00:20:36,080 Speaker 1: it official because they've been together for so long. But 430 00:20:36,119 --> 00:20:39,560 Speaker 1: they do have heaven, Harmony and Halo together three children, 431 00:20:39,680 --> 00:20:43,200 Speaker 1: So that's pretty exciting. When you had the lifelong commitment 432 00:20:43,280 --> 00:20:45,560 Speaker 1: like marriage, you gotta know that you are absolutely in 433 00:20:45,640 --> 00:20:47,160 Speaker 1: it for the long haul with this person. So after 434 00:20:47,240 --> 00:20:49,600 Speaker 1: ten years and three kids, hey you sure? He posted 435 00:20:49,680 --> 00:20:52,600 Speaker 1: a picture of himself on Instagram saying she said, yes, bra, 436 00:20:53,040 --> 00:20:57,000 Speaker 1: So congratulations, congratulations to two chains, to that happy couple. Well, 437 00:20:57,080 --> 00:21:00,080 Speaker 1: I was one kid in about fourteen fifteen years, I 438 00:21:00,160 --> 00:21:03,840 Speaker 1: finally proposed. All right, Well that's great news. Janet Jackson 439 00:21:03,960 --> 00:21:05,880 Speaker 1: is going to get the Icon Award at the Billboard 440 00:21:05,960 --> 00:21:08,280 Speaker 1: Music Awards this year. That's going to be happening on 441 00:21:08,440 --> 00:21:11,119 Speaker 1: May twentieth, and it will be broadcasting live from the 442 00:21:11,240 --> 00:21:15,520 Speaker 1: MGM Grand Grand Garden Arena. So congratulations to Janet Jackson. 443 00:21:15,600 --> 00:21:18,280 Speaker 1: She's also going to perform probably clude bambs with Janet Jackson, 444 00:21:18,440 --> 00:21:20,520 Speaker 1: who she deserves that right. Her performance is going to 445 00:21:20,560 --> 00:21:24,360 Speaker 1: be her first performance on television in nine years. Better 446 00:21:24,440 --> 00:21:29,320 Speaker 1: make sure them joints loose. She was looking good. I'm 447 00:21:29,359 --> 00:21:31,840 Speaker 1: not gonna lie. She looked really good for I saw 448 00:21:31,960 --> 00:21:34,359 Speaker 1: her on tour. She has she had a lot of 449 00:21:34,400 --> 00:21:36,720 Speaker 1: performance in this social media air. It's a different experience 450 00:21:36,760 --> 00:21:39,160 Speaker 1: she's been on tour. People would have killed her. You're 451 00:21:39,160 --> 00:21:41,000 Speaker 1: going to a deep depression. You have a bad showing 452 00:21:41,080 --> 00:21:44,320 Speaker 1: now that leave her alone. We love Janet Jackson, so 453 00:21:44,440 --> 00:21:47,159 Speaker 1: congratulations to her, all right. Told me I was handling one. 454 00:21:47,280 --> 00:21:49,520 Speaker 1: Y'all may not believe me. She lies. She takes it 455 00:21:49,600 --> 00:21:51,639 Speaker 1: back right now. She's just tweeted, I don't have a record, 456 00:21:52,880 --> 00:21:54,600 Speaker 1: but I met her like in two thousand and six, 457 00:21:54,680 --> 00:21:57,400 Speaker 1: two thousands and she told me I was handing. Maybe 458 00:21:57,840 --> 00:22:00,320 Speaker 1: it's gonna have my old faced, your old face. I 459 00:22:00,320 --> 00:22:02,040 Speaker 1: don't know if she's being nice in that, but she's 460 00:22:02,080 --> 00:22:04,639 Speaker 1: probably being nice. It worked for me. All right, Thank you, Janet, 461 00:22:04,800 --> 00:22:07,120 Speaker 1: all right, thank you for those rumors. When we come back, 462 00:22:07,640 --> 00:22:09,840 Speaker 1: Michael B. Jordan will be joining us and we're kicking 463 00:22:09,880 --> 00:22:11,240 Speaker 1: with him when we come back. Don't move. It's the 464 00:22:11,240 --> 00:22:15,160 Speaker 1: Breakfast Club. Good morning, b j Envy Angela Yee, Charlomagne 465 00:22:15,200 --> 00:22:17,560 Speaker 1: the guy. We are the Breakfast Club. We got a 466 00:22:17,600 --> 00:22:20,520 Speaker 1: special guest in the building. I'm telling you sex sex 467 00:22:20,560 --> 00:22:30,680 Speaker 1: symbol extraordinare okay, Jesus brush Michael in the Michael B. 468 00:22:32,240 --> 00:22:35,720 Speaker 1: Will All the ladies and all the fellows like Michael B. Jordan. Okay, 469 00:22:35,960 --> 00:22:38,320 Speaker 1: ask him to take your shirt on now. Oh man, man, 470 00:22:39,280 --> 00:22:44,719 Speaker 1: real quick, real quick, awkward. Jesus's the movement going on now. 471 00:22:44,760 --> 00:22:50,600 Speaker 1: And you guys can't just harass Michael. You got to 472 00:22:50,640 --> 00:22:55,919 Speaker 1: say that. You have to say. Listen, how are you, sir? 473 00:22:56,040 --> 00:22:57,920 Speaker 1: I'm doing good man. How is your life changed since 474 00:22:58,280 --> 00:23:01,800 Speaker 1: Black Panther? It's insane. Uh, it's uh, you know, kind 475 00:23:01,840 --> 00:23:04,159 Speaker 1: of known before. I guess now it's just it's I 476 00:23:04,200 --> 00:23:06,960 Speaker 1: can't go anywhere. Malls off limits. You know what I'm saying. Postmates, 477 00:23:07,000 --> 00:23:08,679 Speaker 1: you know what I'm saying. My Postmates bill went through 478 00:23:08,720 --> 00:23:12,160 Speaker 1: the roof on the house. It's just a it's incredible, 479 00:23:12,200 --> 00:23:14,480 Speaker 1: especially with the kids, the next generation man, just seeing 480 00:23:14,520 --> 00:23:16,560 Speaker 1: them kind of how excited they've been, you know, after 481 00:23:16,600 --> 00:23:18,520 Speaker 1: the seeing the movie and it's kind of their reaction 482 00:23:18,600 --> 00:23:21,160 Speaker 1: to me walking around has been has been pretty incredible. 483 00:23:21,160 --> 00:23:23,600 Speaker 1: Incredible that buried me in the ocean with my ancestor, 484 00:23:23,680 --> 00:23:25,600 Speaker 1: that jumped from ships because they knew death was better 485 00:23:25,640 --> 00:23:29,320 Speaker 1: than Bondage. Who wrote that line, I was Ryan Man. Wow, Yeah, Ryan, 486 00:23:29,520 --> 00:23:32,600 Speaker 1: Ryan Cooler's uh, he's incredible man. We just wanted to, 487 00:23:32,920 --> 00:23:34,840 Speaker 1: you know, really get the essence of what kill Monger 488 00:23:34,960 --> 00:23:37,560 Speaker 1: was trying to was trying to say, and you know, 489 00:23:37,920 --> 00:23:40,200 Speaker 1: going in change, trying to you know, trying to trying 490 00:23:40,240 --> 00:23:42,520 Speaker 1: to live. It wasn't really on his agenda. He was 491 00:23:42,600 --> 00:23:44,359 Speaker 1: willing to die for what he believed in. Then you know, 492 00:23:44,640 --> 00:23:47,040 Speaker 1: going out what his answers did was was proving his point. 493 00:23:47,160 --> 00:23:48,560 Speaker 1: I think I think he won. I think he got 494 00:23:48,600 --> 00:23:50,760 Speaker 1: his point across in the end. See you seem to 495 00:23:50,800 --> 00:23:52,359 Speaker 1: Chryl to actually go back to Oakland. You know what 496 00:23:52,359 --> 00:23:54,600 Speaker 1: I'm saying. By the buildings really like you know, open 497 00:23:54,680 --> 00:23:56,720 Speaker 1: up the borders of Wakanda. So that was you know, 498 00:23:56,800 --> 00:24:02,120 Speaker 1: kill Monger's victory during that time that you did Black Panther. Yeah, 499 00:24:02,240 --> 00:24:05,359 Speaker 1: for most of my characters in general, um, not for television, 500 00:24:05,400 --> 00:24:07,479 Speaker 1: but for film. I like to write a diary from 501 00:24:07,560 --> 00:24:09,520 Speaker 1: like the earliest memory of a character up until the 502 00:24:09,560 --> 00:24:11,160 Speaker 1: first page of the script. It just kind of gives 503 00:24:11,200 --> 00:24:14,600 Speaker 1: me like a backstory, a subtext to always know where 504 00:24:14,640 --> 00:24:16,560 Speaker 1: my characters are at, so always kind of like keep 505 00:24:16,600 --> 00:24:18,560 Speaker 1: those So I got a like a you know, a 506 00:24:18,720 --> 00:24:21,240 Speaker 1: crate full of like meat notebooks of like all my 507 00:24:21,359 --> 00:24:23,080 Speaker 1: characters that I played thus far, and it's kind of 508 00:24:23,400 --> 00:24:26,280 Speaker 1: memory do anything that you think, oh no, maybe like 509 00:24:26,320 --> 00:24:27,840 Speaker 1: maybe when it's all sitting done, or like you know, 510 00:24:27,880 --> 00:24:29,240 Speaker 1: at the end of it, you know, something that people 511 00:24:29,400 --> 00:24:30,960 Speaker 1: kind of look back on and just kind of get 512 00:24:31,000 --> 00:24:33,520 Speaker 1: a subtext to all the characters that that's actually a 513 00:24:33,560 --> 00:24:35,240 Speaker 1: good idea. I don't think something like that, never really 514 00:24:35,280 --> 00:24:36,760 Speaker 1: thought about it like that. Well, let's break it down. 515 00:24:36,840 --> 00:24:39,439 Speaker 1: Let's go to begin. What made what made what introduced 516 00:24:39,440 --> 00:24:41,040 Speaker 1: you to this character? Why did you want to play 517 00:24:41,119 --> 00:24:43,200 Speaker 1: kill Ryan Cool? Yeah? I mean he just called me 518 00:24:43,280 --> 00:24:49,760 Speaker 1: up and I was like, ya might using this movie. Nah. 519 00:24:49,960 --> 00:24:53,479 Speaker 1: It was like it wasn't even um, just as soon 520 00:24:53,560 --> 00:24:56,119 Speaker 1: as he got the job pretty much. He hit me 521 00:24:56,200 --> 00:24:58,080 Speaker 1: up a little bit after that, and we're just like, yo, 522 00:24:58,160 --> 00:25:00,600 Speaker 1: you want to play this kill Monger, I'm saying, the villain. 523 00:25:00,640 --> 00:25:01,600 Speaker 1: I think it would be a good move from me. 524 00:25:01,640 --> 00:25:03,720 Speaker 1: I was like, all right, cool, you would you win too? Commerce? 525 00:25:03,880 --> 00:25:05,359 Speaker 1: You win too? Yeah. It was a big comic guy 526 00:25:05,400 --> 00:25:08,199 Speaker 1: growing up, Marvel and DC more Marvel, Okay, I mean 527 00:25:08,240 --> 00:25:09,920 Speaker 1: I always like like Batman, you know what I'm saying. 528 00:25:10,040 --> 00:25:11,480 Speaker 1: But that man might have been the best one. The 529 00:25:11,560 --> 00:25:12,760 Speaker 1: best one, you know what I'm saying. He was like 530 00:25:13,119 --> 00:25:14,679 Speaker 1: for me, he was just the smartest. He was always 531 00:25:14,720 --> 00:25:16,600 Speaker 1: like a like ahead of everybody else. He had ways 532 00:25:16,600 --> 00:25:18,240 Speaker 1: to kill everybody just in case they started tripping. I 533 00:25:18,240 --> 00:25:20,600 Speaker 1: always thought that was like super dope. But Marvel was 534 00:25:20,640 --> 00:25:22,479 Speaker 1: always like top nine if But they were jumping out 535 00:25:22,480 --> 00:25:24,359 Speaker 1: the window online saying Batman could beat thing. Though. That 536 00:25:24,440 --> 00:25:26,600 Speaker 1: ain't happening. No never, no, no, no, no, He's not 537 00:25:26,680 --> 00:25:29,600 Speaker 1: that smart. It wasn't gonna happen. It's always been a 538 00:25:29,640 --> 00:25:31,919 Speaker 1: big comic but guy growing up. But so playing kill 539 00:25:32,040 --> 00:25:34,959 Speaker 1: Manger was like a no brainer for sure. And it's 540 00:25:35,000 --> 00:25:36,600 Speaker 1: my first time playing the villain. How did you prepare 541 00:25:36,600 --> 00:25:38,360 Speaker 1: it for the role? Like, did you have to bulk up? 542 00:25:38,680 --> 00:25:40,080 Speaker 1: Was it a lot of training? Did you watch a 543 00:25:40,119 --> 00:25:42,240 Speaker 1: lot of videos of black men getting shot by police 544 00:25:42,240 --> 00:25:44,600 Speaker 1: and not really get angry at way? No, I mean 545 00:25:44,680 --> 00:25:46,800 Speaker 1: that didn't. I mean, that's not too hard, you know 546 00:25:46,840 --> 00:25:48,320 Speaker 1: what I'm saying. Like for me, it was more or 547 00:25:48,400 --> 00:25:56,040 Speaker 1: less a sorry allergies, No, just not. It ain't that 548 00:25:56,119 --> 00:25:57,760 Speaker 1: hard for me out there. I'm good, I'm good, I'm good, 549 00:25:57,800 --> 00:26:00,879 Speaker 1: I'm good. Um No, it's when the things were like, uh, 550 00:26:01,640 --> 00:26:03,800 Speaker 1: it took me to a dark place this character not 551 00:26:03,880 --> 00:26:06,520 Speaker 1: even a dark place, but I just isolated, you know 552 00:26:06,520 --> 00:26:07,800 Speaker 1: what I mean. Like it was one of those things 553 00:26:07,840 --> 00:26:09,879 Speaker 1: where you know, kill Monger, what he was fighting for 554 00:26:11,240 --> 00:26:14,440 Speaker 1: wasn't too far from you know, what the culture was 555 00:26:14,480 --> 00:26:16,240 Speaker 1: feeling at the moment. You know what I'm saying. It 556 00:26:16,320 --> 00:26:18,680 Speaker 1: was an opportunity for me to kind of express I 557 00:26:18,760 --> 00:26:21,720 Speaker 1: think with our generation it's feeling right now, you know, 558 00:26:21,840 --> 00:26:23,280 Speaker 1: through my art, you know what I'm saying. And that 559 00:26:23,400 --> 00:26:25,480 Speaker 1: was that was like a real liberating you know what 560 00:26:25,480 --> 00:26:27,440 Speaker 1: I'm saying, feeling for me. So you know, I spent 561 00:26:27,480 --> 00:26:28,840 Speaker 1: a lot of time away from my family. I didn't 562 00:26:28,840 --> 00:26:30,119 Speaker 1: really talk to my mom and my dad, you know, 563 00:26:30,160 --> 00:26:32,040 Speaker 1: what I'm saying, Like my brothers and sisters and stuff 564 00:26:32,080 --> 00:26:34,680 Speaker 1: like that. You know, I was you know, I worked 565 00:26:34,680 --> 00:26:36,119 Speaker 1: out a lot. It was a sad place, man. I 566 00:26:36,200 --> 00:26:38,159 Speaker 1: just kind of like stayed to myself. And so the 567 00:26:38,200 --> 00:26:40,840 Speaker 1: physical aspect was that was the easy part. Mentally, kind 568 00:26:40,840 --> 00:26:42,480 Speaker 1: of going to that lonely place and willing to do 569 00:26:42,600 --> 00:26:45,440 Speaker 1: whatever it takes to kind of freeze people was the 570 00:26:45,880 --> 00:26:48,240 Speaker 1: not that was the more challenging part, you know I'm saying. 571 00:26:48,280 --> 00:26:49,680 Speaker 1: But it was a lot of fun too. What about 572 00:26:49,680 --> 00:26:51,920 Speaker 1: white women? Did you cut off white women during that? Man? 573 00:26:52,640 --> 00:26:55,119 Speaker 1: Why would that? I go back there? I like women period, 574 00:26:55,200 --> 00:27:02,960 Speaker 1: all women. Everybody's on the table, Okay, yeah, everybody. Everybody's 575 00:27:03,000 --> 00:27:04,920 Speaker 1: on the table, man, everybody. How much how much it 576 00:27:05,000 --> 00:27:09,719 Speaker 1: kill marking philosophy do you agree with? Um? I mean 577 00:27:10,320 --> 00:27:12,359 Speaker 1: I feel like, first of all, it's a movie, you 578 00:27:12,400 --> 00:27:13,760 Speaker 1: know what I'm saying. So there's a lot of things 579 00:27:13,960 --> 00:27:16,320 Speaker 1: that kill Marker has to do to service the character, 580 00:27:16,400 --> 00:27:17,680 Speaker 1: you know what I'm saying, to service the story, you 581 00:27:17,680 --> 00:27:19,760 Speaker 1: know what I'm saying. To the challenge to Challa, he's 582 00:27:19,760 --> 00:27:21,240 Speaker 1: a tool, you know what I'm saying in that movie. 583 00:27:21,440 --> 00:27:23,080 Speaker 1: But there's a lot of it that you know. I mean, 584 00:27:23,080 --> 00:27:24,680 Speaker 1: you grew up in a press society. You know, I'm 585 00:27:24,680 --> 00:27:28,840 Speaker 1: saying systemic society. You know you're gonna create kill markers 586 00:27:29,000 --> 00:27:31,200 Speaker 1: like you you can't create that. So I feel like this, 587 00:27:31,840 --> 00:27:33,440 Speaker 1: there's something that I agree with, the something that I don't. 588 00:27:33,520 --> 00:27:35,159 Speaker 1: He's an extreme version of what I think a lot 589 00:27:35,200 --> 00:27:36,840 Speaker 1: of people feel today. And it was happening. I was 590 00:27:37,000 --> 00:27:38,359 Speaker 1: like glad to kind of be able to play that 591 00:27:38,480 --> 00:27:40,200 Speaker 1: character and like bring that to the screen. And that's 592 00:27:40,200 --> 00:27:42,200 Speaker 1: why I'm a little double the little cree jabs he 593 00:27:42,280 --> 00:27:50,040 Speaker 1: gave me just now. Did you anticipate the movie would 594 00:27:50,040 --> 00:27:51,840 Speaker 1: have the impact that it was going to have when 595 00:27:51,880 --> 00:27:54,280 Speaker 1: you were filming it. I mean I thought we I 596 00:27:54,400 --> 00:27:56,320 Speaker 1: thought we had something special, you know, if we all 597 00:27:56,400 --> 00:27:57,760 Speaker 1: kind of did our jobs, you know what I'm saying 598 00:27:57,800 --> 00:28:00,159 Speaker 1: from behind the camera in front of the camera. I 599 00:28:00,400 --> 00:28:02,920 Speaker 1: never imagine that it was going to have the reach 600 00:28:03,320 --> 00:28:06,480 Speaker 1: that it did. I did. I told Ryan last summer, 601 00:28:06,960 --> 00:28:08,440 Speaker 1: I said, you know, black panps are gonna make of 602 00:28:08,480 --> 00:28:10,720 Speaker 1: a billion dollars And he was like, what I said, 603 00:28:10,720 --> 00:28:13,240 Speaker 1: I'm telling you because you don't have all the Marvel fans. Yeah, 604 00:28:13,320 --> 00:28:15,320 Speaker 1: every black person in America who ain't even up on 605 00:28:15,359 --> 00:28:17,240 Speaker 1: comments gonna go see it's gonna do with a billion, 606 00:28:17,440 --> 00:28:19,080 Speaker 1: and then we didn't really account for I think people 607 00:28:19,160 --> 00:28:20,960 Speaker 1: going to see it three, four or five times. I 608 00:28:21,000 --> 00:28:24,560 Speaker 1: saw it three times. That's that's what many people buying 609 00:28:24,600 --> 00:28:27,920 Speaker 1: out the theaters as well, being able to like take 610 00:28:28,000 --> 00:28:30,360 Speaker 1: kids that wouldn't necessarily have the opportunity or the means 611 00:28:30,440 --> 00:28:31,960 Speaker 1: to go see the film. So it was it was 612 00:28:32,080 --> 00:28:33,960 Speaker 1: a it was a big deal and it's kind of like, 613 00:28:34,480 --> 00:28:36,399 Speaker 1: it's kind of surreal, but the impact hasn't really hit 614 00:28:36,440 --> 00:28:38,360 Speaker 1: me right now. It's still like because it's still living 615 00:28:38,400 --> 00:28:41,080 Speaker 1: and still you know, so I think the real impact 616 00:28:41,160 --> 00:28:44,960 Speaker 1: for me personally won't happen until, you know, years later 617 00:28:45,400 --> 00:28:47,120 Speaker 1: it des really settles. But you can see the shift 618 00:28:47,120 --> 00:28:49,160 Speaker 1: because Denzel. Denzel was like, Yo, Michael can have all 619 00:28:49,200 --> 00:28:55,000 Speaker 1: my old holes. That's what he said. Next it was 620 00:28:55,280 --> 00:28:56,680 Speaker 1: that was a cool interview I did with him in 621 00:28:56,680 --> 00:28:58,400 Speaker 1: the New York Times man, honestly, just to be able 622 00:28:58,440 --> 00:29:00,200 Speaker 1: to have a conversation with him, you know, and just 623 00:29:00,680 --> 00:29:02,720 Speaker 1: split those gems and being able to like, you know, 624 00:29:03,640 --> 00:29:05,560 Speaker 1: hear him kind of like you know, keep that wisdom. 625 00:29:05,720 --> 00:29:08,000 Speaker 1: Was it was a big dealer. He said, you next, 626 00:29:08,080 --> 00:29:10,440 Speaker 1: it's a lot of pressure, bro a little bit. Not 627 00:29:10,560 --> 00:29:12,520 Speaker 1: for me. It's like, I mean, I'm just gonna keep 628 00:29:12,560 --> 00:29:14,160 Speaker 1: doing what I've been doing, you know what I'm saying, Like, 629 00:29:14,240 --> 00:29:16,240 Speaker 1: you know, creating a production company, you know, Outline of 630 00:29:16,280 --> 00:29:19,760 Speaker 1: Society was a big deal for me, um because I realized, 631 00:29:19,800 --> 00:29:21,720 Speaker 1: like the true powers behind the camera. You know what 632 00:29:21,760 --> 00:29:24,120 Speaker 1: I'm saying. Everybody wants to, you know, be in front 633 00:29:24,120 --> 00:29:26,040 Speaker 1: of the camera, be star, be famous. You know what 634 00:29:26,080 --> 00:29:27,680 Speaker 1: I'm saying. All that good stuff, and that's cool and 635 00:29:27,760 --> 00:29:29,960 Speaker 1: fun and all that good stuff. But you know, when 636 00:29:29,960 --> 00:29:31,480 Speaker 1: you got to make the decisions when you get a 637 00:29:31,600 --> 00:29:34,200 Speaker 1: chance to employ people, but key people of color. You 638 00:29:34,240 --> 00:29:35,760 Speaker 1: know what I'm saying. Women, you know what I'm saying, 639 00:29:35,840 --> 00:29:38,560 Speaker 1: Like in in those positions that are really going to 640 00:29:38,640 --> 00:29:40,680 Speaker 1: make a difference. That's when you really started to see 641 00:29:40,680 --> 00:29:42,840 Speaker 1: some all right. We got more with Michael B. Jordan 642 00:29:42,880 --> 00:29:44,960 Speaker 1: when we come back. Keep it locked as the Breakfast Club, 643 00:29:45,000 --> 00:29:50,640 Speaker 1: Go Morning, the Breakfast Club. More than everybody is DJ 644 00:29:51,120 --> 00:29:54,520 Speaker 1: Envy Angela Yee, Charlemagne the guy we all the Breakfast Club. 645 00:29:54,600 --> 00:29:57,920 Speaker 1: Michael B. Jordan's in the building, Yee. It's fairy Hift 646 00:29:58,200 --> 00:30:01,760 Speaker 1: that is from your production company, a co production between 647 00:30:01,920 --> 00:30:05,760 Speaker 1: um you know hbo um and um ramin Arni's who's 648 00:30:06,440 --> 00:30:08,880 Speaker 1: our director with his production company as well, And it 649 00:30:09,000 --> 00:30:12,760 Speaker 1: was my first you know, real project that I got 650 00:30:12,840 --> 00:30:15,640 Speaker 1: a chance to produce. So that was nah very much. So, 651 00:30:16,000 --> 00:30:17,400 Speaker 1: you know, to go from like Wallace on the Wire, 652 00:30:17,440 --> 00:30:19,280 Speaker 1: you know, being casted in front of the camera. So, 653 00:30:19,440 --> 00:30:23,160 Speaker 1: you know, fifteen years later, being able to like produce something, 654 00:30:23,520 --> 00:30:25,320 Speaker 1: it was a it was a milestone for I wondered 655 00:30:25,360 --> 00:30:27,240 Speaker 1: what y'all was going to do after Black Panther. So 656 00:30:27,600 --> 00:30:30,120 Speaker 1: what you mean like this in general, like like what's 657 00:30:30,120 --> 00:30:32,840 Speaker 1: the next role you take when you do something that monumental? Yeah, 658 00:30:32,960 --> 00:30:38,000 Speaker 1: So why farn five one? Um? I think because it's 659 00:30:38,040 --> 00:30:39,920 Speaker 1: so relevant to what's going on today. You know what 660 00:30:39,960 --> 00:30:42,880 Speaker 1: I'm saying with like media control, you know, anti intellectualism, 661 00:30:42,960 --> 00:30:44,640 Speaker 1: you know what I'm saying, The fact that you know, 662 00:30:45,080 --> 00:30:47,760 Speaker 1: free thought, freethinking, all the distractions that we have due 663 00:30:47,760 --> 00:30:50,400 Speaker 1: to technology. You know what I'm saying, propaganda, et cetera, 664 00:30:50,440 --> 00:30:53,120 Speaker 1: et cetera. You know what Ray Bradberry did you know 665 00:30:53,200 --> 00:30:55,200 Speaker 1: over sixty years ago it was still very much so 666 00:30:55,320 --> 00:30:57,920 Speaker 1: relevant today And we wrote that movie before the you know, 667 00:30:58,000 --> 00:30:59,920 Speaker 1: the presidential election, So It's like there's a lot of 668 00:31:00,040 --> 00:31:03,880 Speaker 1: things that are in this film that that are very 669 00:31:04,800 --> 00:31:07,840 Speaker 1: real today. Um, obviously there's some changes due to like 670 00:31:07,920 --> 00:31:10,680 Speaker 1: new technology, and I did the digital area that error 671 00:31:10,720 --> 00:31:12,560 Speaker 1: that we live in. We incorporated a lot of like, 672 00:31:12,640 --> 00:31:15,360 Speaker 1: you know, kind of futuristic sci fi things, but it's 673 00:31:15,360 --> 00:31:17,920 Speaker 1: in the near future like things that we were like, okay, cool, 674 00:31:17,920 --> 00:31:19,800 Speaker 1: we can see if we go ten more years down 675 00:31:19,840 --> 00:31:22,040 Speaker 1: the road, we could probably be in that situation right now. 676 00:31:22,120 --> 00:31:23,880 Speaker 1: So that's one of the reasons why I really wanted 677 00:31:23,880 --> 00:31:26,080 Speaker 1: to step into that character and played that role. You 678 00:31:26,160 --> 00:31:27,560 Speaker 1: knew it was gonna be a TV movie or he 679 00:31:27,600 --> 00:31:30,200 Speaker 1: didn't care. No, I knew it's gonna be on HBO. Okay, okay, 680 00:31:30,360 --> 00:31:32,600 Speaker 1: I mean for me, honestly, it was it was it 681 00:31:32,680 --> 00:31:37,040 Speaker 1: was an opportunity to aid to that story, be able 682 00:31:37,080 --> 00:31:38,800 Speaker 1: to produce something, get a credit you know what I'm 683 00:31:38,800 --> 00:31:40,640 Speaker 1: saying under my production company, to get some real state 684 00:31:40,760 --> 00:31:42,640 Speaker 1: with the credibility of HBO. You know what I'm saying, 685 00:31:42,680 --> 00:31:44,440 Speaker 1: To be able to like, you know, have my logo 686 00:31:44,520 --> 00:31:46,760 Speaker 1: go up right after HBO. It's like, okay, cool. That 687 00:31:46,840 --> 00:31:48,719 Speaker 1: instantly gives my my company a lot of a lot 688 00:31:48,760 --> 00:31:51,640 Speaker 1: of cashe and then um, yeah in the story I believed, 689 00:31:51,720 --> 00:31:53,280 Speaker 1: you know, working with Michael Shannon. Also, you know what 690 00:31:53,320 --> 00:31:55,400 Speaker 1: I'm saying, it's like a credible actor. So it was 691 00:31:55,480 --> 00:31:56,960 Speaker 1: it was a win win for me all the right around. 692 00:31:57,040 --> 00:31:58,600 Speaker 1: But what got what got you into acting? I know 693 00:31:58,680 --> 00:32:01,160 Speaker 1: you you were raised a New YEP a lot of 694 00:32:01,200 --> 00:32:02,760 Speaker 1: times to do it is probably one of those places 695 00:32:02,800 --> 00:32:06,880 Speaker 1: where it's one of the somebody. I mean we often 696 00:32:07,040 --> 00:32:10,720 Speaker 1: called city feel me. So what got you into acting? Um, 697 00:32:11,000 --> 00:32:14,200 Speaker 1: I mean it was, uh, it was random. My mom 698 00:32:14,360 --> 00:32:16,840 Speaker 1: has lucus or whatever. She was going to a doctor's 699 00:32:16,840 --> 00:32:18,640 Speaker 1: appointment when I was like eleven years old. I was 700 00:32:18,680 --> 00:32:21,080 Speaker 1: sitting in the waiting room. She came out. The receptionist 701 00:32:21,120 --> 00:32:22,720 Speaker 1: was like, Yo, do you want to Um, you know 702 00:32:22,760 --> 00:32:24,320 Speaker 1: you should get your son in the modeling. I started 703 00:32:24,320 --> 00:32:26,520 Speaker 1: out modeling for like Toys, Russ and Models. I told 704 00:32:26,560 --> 00:32:31,360 Speaker 1: you that elevened cud of out. She had she had 705 00:32:31,400 --> 00:32:33,240 Speaker 1: two sons that was in the business. She's probably like 706 00:32:33,440 --> 00:32:35,040 Speaker 1: my mom was probably talking to her, you know, some 707 00:32:35,120 --> 00:32:37,600 Speaker 1: other appointments about you know, we pourrowing up. You know 708 00:32:37,600 --> 00:32:39,920 Speaker 1: what I'm say, like making extra bucks. It was easy 709 00:32:39,920 --> 00:32:41,560 Speaker 1: to come to the city, go to like go see 710 00:32:41,600 --> 00:32:44,560 Speaker 1: you know, quick booking whatever whatever, and m and I 711 00:32:44,600 --> 00:32:47,040 Speaker 1: guess over time I started booking, So I guess over 712 00:32:47,120 --> 00:32:49,600 Speaker 1: the next year or so, my agent was just like, yo, 713 00:32:49,720 --> 00:32:51,000 Speaker 1: do you want to like start going out for like, 714 00:32:51,600 --> 00:32:54,880 Speaker 1: you know, commercials and background and extra working all that stuff. 715 00:32:54,880 --> 00:32:57,280 Speaker 1: And then it just slowly evolved into acting. Like I 716 00:32:57,360 --> 00:33:01,040 Speaker 1: never really liked took acting seriously until probably The Wire 717 00:33:01,920 --> 00:33:05,760 Speaker 1: and being around like in Dress and David Simon and 718 00:33:06,040 --> 00:33:08,520 Speaker 1: JD Williams and Andre Royal and all these like all 719 00:33:08,560 --> 00:33:11,240 Speaker 1: the phenomenal veteran actors on that show. You're like, your Mike, 720 00:33:11,280 --> 00:33:13,680 Speaker 1: you can actually do something with this. You can make 721 00:33:13,720 --> 00:33:15,080 Speaker 1: a career out of this. And that's when I kind 722 00:33:15,120 --> 00:33:17,040 Speaker 1: of started taking it seriously. So you've had a relationship 723 00:33:17,040 --> 00:33:20,320 Speaker 1: with HBO for a while. Yeah, yeah, it's been it's 724 00:33:20,360 --> 00:33:22,800 Speaker 1: been like sixteen years. A lot more respect now, I'm sure, 725 00:33:23,040 --> 00:33:24,600 Speaker 1: without a doubt. I mean it's gross, you know what 726 00:33:24,600 --> 00:33:26,160 Speaker 1: I mean. I kind of like paid my dues as 727 00:33:26,200 --> 00:33:27,960 Speaker 1: a kid and kind of grew into the man that 728 00:33:28,040 --> 00:33:30,280 Speaker 1: I am today and looking back at I was, I 729 00:33:30,320 --> 00:33:32,320 Speaker 1: guess I was a child actor. But it wasn't like 730 00:33:32,360 --> 00:33:34,080 Speaker 1: I got too much too fast where I was like 731 00:33:34,400 --> 00:33:37,040 Speaker 1: emotionally not able to handle what was going on. So 732 00:33:37,280 --> 00:33:39,320 Speaker 1: you're gonna see me on a you know, running the 733 00:33:39,360 --> 00:33:41,520 Speaker 1: street going crazy. You know what I'm saying, No drug habits. 734 00:33:42,680 --> 00:33:44,880 Speaker 1: I got a good family. Like my family, my friends, 735 00:33:44,960 --> 00:33:47,120 Speaker 1: everybody kind of keeps me grounded. And if you ever 736 00:33:47,160 --> 00:33:48,760 Speaker 1: around me and my friends, he's like, damn, you might 737 00:33:48,800 --> 00:33:50,520 Speaker 1: need some new friends because they hate you. They keep 738 00:33:50,560 --> 00:33:52,280 Speaker 1: it real with me, they touch you know what I'm saying. 739 00:33:52,320 --> 00:33:53,800 Speaker 1: They just they keep me home. You used to live 740 00:33:53,840 --> 00:34:00,680 Speaker 1: with your parents, they live with me position. But it's like, 741 00:34:00,760 --> 00:34:02,080 Speaker 1: why wouldn't not you know what I'm saying. If you 742 00:34:02,080 --> 00:34:03,400 Speaker 1: get an opportunity, you make the money, you know what 743 00:34:03,440 --> 00:34:04,920 Speaker 1: I'm saying, making enough money to be able to take 744 00:34:04,920 --> 00:34:06,440 Speaker 1: care of your family that took care of you, get 745 00:34:06,440 --> 00:34:09,360 Speaker 1: your whole life. While wouldn't you move? You know what 746 00:34:09,400 --> 00:34:11,000 Speaker 1: I'm saying. And I'm never home. You feel like you 747 00:34:11,040 --> 00:34:12,960 Speaker 1: got short shafted for black panthers. And speaking of money, 748 00:34:13,040 --> 00:34:15,320 Speaker 1: but I mean I was looking at the salaries that 749 00:34:16,040 --> 00:34:19,040 Speaker 1: you didn't look too chunky. If you look at the salary, 750 00:34:19,040 --> 00:34:20,719 Speaker 1: what do they say me like? Maybe two million? I 751 00:34:20,760 --> 00:34:22,520 Speaker 1: don't know. I mean, I'm just man, that's probably wrong. 752 00:34:23,080 --> 00:34:24,320 Speaker 1: How are you How are you getting how you getting 753 00:34:24,320 --> 00:34:28,600 Speaker 1: these numbers? Where you getting these nonms from what I'm saying, 754 00:34:28,600 --> 00:34:29,959 Speaker 1: That's what fool if you want to so I'm putting 755 00:34:29,960 --> 00:34:31,919 Speaker 1: everything you read on end of it ain't true true, true, 756 00:34:31,920 --> 00:34:33,000 Speaker 1: you know what I'm saying. But Noah, but that's one 757 00:34:33,040 --> 00:34:34,160 Speaker 1: of those things. Were like you live with your mom, 758 00:34:34,200 --> 00:34:41,719 Speaker 1: and that's why I'm asking man. Yeah, yeah, yeah, that's 759 00:34:41,760 --> 00:34:43,480 Speaker 1: one of those things. We're like, you know, at the 760 00:34:43,560 --> 00:34:45,399 Speaker 1: end of the day, like Marvel's Marvel, and you gotta 761 00:34:45,440 --> 00:34:47,200 Speaker 1: be do what's best for the project at that stage 762 00:34:47,200 --> 00:34:48,880 Speaker 1: in the game. You know what I'm saying. We're you know, 763 00:34:49,160 --> 00:34:51,520 Speaker 1: individually in our acting careers, we're all kind of like, 764 00:34:51,640 --> 00:34:53,680 Speaker 1: you know, featuring our quote. We're doing what we gotta do. 765 00:34:54,120 --> 00:34:59,239 Speaker 1: You climbing that letter. And you have a Netflix movie too, Netflix, Yeah, 766 00:34:59,520 --> 00:35:01,799 Speaker 1: I gotta, um, I gotta a show that I um 767 00:35:02,160 --> 00:35:05,800 Speaker 1: that I sold to Netflix. Raising Den It's about a 768 00:35:05,920 --> 00:35:08,560 Speaker 1: single mom raising her an eight year old with superpowers. 769 00:35:08,680 --> 00:35:12,160 Speaker 1: It's told to the Miles perspective um or superhero kid. 770 00:35:12,320 --> 00:35:15,600 Speaker 1: Oh yeah, yeah, single black mom, you know, raising a kid, 771 00:35:15,680 --> 00:35:18,440 Speaker 1: and uh, you know producing that as well. So I'm 772 00:35:18,440 --> 00:35:20,360 Speaker 1: actually I'm being in as well. I'm starting in it 773 00:35:20,440 --> 00:35:22,360 Speaker 1: for a couple episodes. That was the trade off, you know, 774 00:35:22,560 --> 00:35:24,080 Speaker 1: when you when you get to that certain point of 775 00:35:24,960 --> 00:35:28,080 Speaker 1: you know, making production deals right now as an actor, 776 00:35:28,480 --> 00:35:30,520 Speaker 1: you gotta kind of like negotiate a little bit and 777 00:35:30,560 --> 00:35:32,080 Speaker 1: you know, trade yourself off a little bit for a 778 00:35:32,120 --> 00:35:34,560 Speaker 1: couple of episodes to get that producer credit to get 779 00:35:34,640 --> 00:35:36,080 Speaker 1: that show on the air. So that was one of 780 00:35:36,120 --> 00:35:38,680 Speaker 1: those things. But Netflix is an incredible home to work with, 781 00:35:38,760 --> 00:35:41,200 Speaker 1: great collaborators. They believe in the creatives. They give us 782 00:35:41,200 --> 00:35:42,879 Speaker 1: a lot of control to go off and do our things. 783 00:35:42,920 --> 00:35:45,400 Speaker 1: So I teamed up with macro Charles King over there. 784 00:35:45,640 --> 00:35:48,160 Speaker 1: He's amazing and um yeah, man, we got with getting 785 00:35:48,200 --> 00:35:49,920 Speaker 1: ready to start shooting at the summer. So let's talk 786 00:35:49,960 --> 00:35:53,319 Speaker 1: about these women. Man, you know what's going on? Why well, 787 00:35:53,320 --> 00:35:54,759 Speaker 1: why everybody want to know about what I'm doing on 788 00:35:54,840 --> 00:35:56,960 Speaker 1: my life. You've gotten to be disciplined, Michael, because they 789 00:35:57,120 --> 00:36:00,400 Speaker 1: on you all right now. They on you now. Recently, 790 00:36:00,440 --> 00:36:02,359 Speaker 1: this girl from Temple got into your DMS and brought 791 00:36:02,400 --> 00:36:04,439 Speaker 1: you a smoothie and you pulled up on she didn't 792 00:36:04,760 --> 00:36:07,799 Speaker 1: and you pulled up I love like, Hey, you brought 793 00:36:07,840 --> 00:36:14,800 Speaker 1: your smoothie and you pulled up on it. If you 794 00:36:14,920 --> 00:36:18,120 Speaker 1: read the internet, I declined to smoothie. Okay, she didn't 795 00:36:18,120 --> 00:36:22,960 Speaker 1: buy me, no smooth Let's what happen. This happened, so 796 00:36:23,040 --> 00:36:24,640 Speaker 1: you want to go see it. Listen this, No, no, 797 00:36:24,880 --> 00:36:27,560 Speaker 1: this is what happened. Right. So this got right here? Boy? 798 00:36:28,080 --> 00:36:30,960 Speaker 1: So uh, we're shooting at tip the university and our 799 00:36:31,000 --> 00:36:32,960 Speaker 1: base camp is behind the door rooms. I was coming 800 00:36:32,960 --> 00:36:34,440 Speaker 1: out of here and make a trailer. It was in 801 00:36:34,480 --> 00:36:36,920 Speaker 1: the windows. Went crazy, blah blah blah. Yeah, yeah. I 802 00:36:37,000 --> 00:36:38,960 Speaker 1: went out, talked to a couple of them through the window, 803 00:36:39,040 --> 00:36:41,399 Speaker 1: just like you know, show them some lovel tasically went 804 00:36:41,480 --> 00:36:43,320 Speaker 1: off of the cook I was like, cool, cook me 805 00:36:43,360 --> 00:36:47,279 Speaker 1: something whatever, just being nice. They slided my DMS. Where 806 00:36:47,320 --> 00:36:49,360 Speaker 1: can I see the food? I answered? A couple of 807 00:36:49,440 --> 00:36:51,400 Speaker 1: them said cool, just come down and meet me at 808 00:36:51,400 --> 00:36:54,040 Speaker 1: my at the base camp. I'll tell the security to 809 00:36:54,120 --> 00:36:57,080 Speaker 1: chill out. Went out there, gave me a flake some 810 00:36:57,239 --> 00:36:59,399 Speaker 1: other friends. I told her bring her friends. We took 811 00:36:59,480 --> 00:37:01,520 Speaker 1: some pictures. You ate it. That was it. I took 812 00:37:01,560 --> 00:37:03,560 Speaker 1: a couple of bikes. You're not worried about period, but 813 00:37:04,280 --> 00:37:09,800 Speaker 1: come on, come on, how they get you that's roots voodoo. 814 00:37:10,520 --> 00:37:13,439 Speaker 1: I mean, nah, I took good bikes whatever, man cool, 815 00:37:13,719 --> 00:37:16,040 Speaker 1: I mean whatever that what I'm saying, I took good bikes. 816 00:37:16,080 --> 00:37:18,960 Speaker 1: It was cool. And let's tell page come in man, shot, 817 00:37:19,120 --> 00:37:23,160 Speaker 1: I need to shoot for my couple of bikes. It 818 00:37:23,239 --> 00:37:24,840 Speaker 1: was cool though, back end of the day like that 819 00:37:25,000 --> 00:37:26,960 Speaker 1: was the craziest thing a girl has done to get 820 00:37:26,960 --> 00:37:29,680 Speaker 1: your attention as they need them. Popped about your crib, 821 00:37:30,360 --> 00:37:34,840 Speaker 1: laid in your bed and you see see the blonde 822 00:37:34,880 --> 00:37:36,799 Speaker 1: right there. She said, know what she's been talking about 823 00:37:36,840 --> 00:37:41,399 Speaker 1: in your ass for muchly. I had her own video 824 00:37:41,480 --> 00:37:44,160 Speaker 1: saying Jordan's as she don't even want to come in 825 00:37:44,239 --> 00:37:47,160 Speaker 1: here now. Out of control, you have control telling you 826 00:37:47,200 --> 00:37:52,080 Speaker 1: what you say. Out of control energy that they have 827 00:37:52,239 --> 00:37:54,560 Speaker 1: with Michael B. Jordan. How that rumor has it that 828 00:37:54,680 --> 00:37:58,680 Speaker 1: he's in a relationship. So I'm really look, I'm chilling, man, 829 00:37:58,719 --> 00:38:02,560 Speaker 1: I keep I keep my I'm keep on personal like that. Okay, 830 00:38:02,600 --> 00:38:05,880 Speaker 1: I'm keeping that. I'm chilling. We got more with Michael B. 831 00:38:06,440 --> 00:38:08,880 Speaker 1: Jordan actor when we come back, keep a lock as 832 00:38:08,920 --> 00:38:13,840 Speaker 1: the breakfast Club the morning morning. Everybody is DJ Envy, 833 00:38:14,000 --> 00:38:17,200 Speaker 1: Angela Yee, Charlomagne, the guy. We are the breakfast club. 834 00:38:17,280 --> 00:38:19,759 Speaker 1: We have Michael B. Jordan in the building. Now, what 835 00:38:19,960 --> 00:38:22,680 Speaker 1: is the craziest thing a female fan has done for you? 836 00:38:23,000 --> 00:38:25,160 Speaker 1: I mean, I don't know. It's one fan in Philly, 837 00:38:25,160 --> 00:38:27,800 Speaker 1: I guess made a cut out of me and like, 838 00:38:27,960 --> 00:38:31,680 Speaker 1: you know, actually took me to promt out exactly and 839 00:38:31,920 --> 00:38:33,279 Speaker 1: that was a little extreme, you know what I'm saying. 840 00:38:33,320 --> 00:38:35,239 Speaker 1: So I responded back to it. So she got my 841 00:38:35,320 --> 00:38:37,080 Speaker 1: attention with that one. Yeah, she got my attention with 842 00:38:37,120 --> 00:38:38,960 Speaker 1: that one. So, I mean, I'm not a rapper like 843 00:38:39,040 --> 00:38:40,600 Speaker 1: these rappers be having like you know what, I'm seeing 844 00:38:40,600 --> 00:38:43,120 Speaker 1: these fans and stuff going crazy. I think musician fans 845 00:38:43,200 --> 00:38:44,759 Speaker 1: and like active fans are different, you know. I mean 846 00:38:44,760 --> 00:38:46,279 Speaker 1: I think it's a different type of like, you know, 847 00:38:46,360 --> 00:38:48,480 Speaker 1: obsession a little bit. So I don't really get too 848 00:38:48,520 --> 00:38:51,360 Speaker 1: many crazy, crazy, crazy fans of a woman throwing her 849 00:38:51,360 --> 00:38:53,400 Speaker 1: panties on the stage if you were a singer in 850 00:38:53,640 --> 00:38:58,360 Speaker 1: the acting world, screenshot at her without parties on. I 851 00:38:58,440 --> 00:39:02,239 Speaker 1: don't know, man, I don't I listen to Tiffany Hatish, Yeah, 852 00:39:02,360 --> 00:39:05,759 Speaker 1: my family, But she told me something. I don't even 853 00:39:05,760 --> 00:39:07,200 Speaker 1: know if I should be repeating this, but oh man, 854 00:39:07,360 --> 00:39:11,759 Speaker 1: so don't no listen She says, she's not shaving her 855 00:39:11,800 --> 00:39:14,640 Speaker 1: pupid hair until she has sex with you. Okay, now 856 00:39:14,680 --> 00:39:16,759 Speaker 1: you know it's gonna be hot this summer. Do do 857 00:39:17,120 --> 00:39:19,319 Speaker 1: you want to have her down there all bush? Can 858 00:39:19,360 --> 00:39:20,719 Speaker 1: you make that happen? I know you're gonna see her 859 00:39:20,760 --> 00:39:22,279 Speaker 1: the night at the met Gallas, So you're gonna put 860 00:39:22,280 --> 00:39:24,800 Speaker 1: that on me? Yes? What you mean, ain't gonna do me? 861 00:39:25,040 --> 00:39:26,480 Speaker 1: Let her walk around with a bush? I ain't gonna 862 00:39:26,520 --> 00:39:28,040 Speaker 1: doing me. I never this first time I'm hearing about it. 863 00:39:28,320 --> 00:39:33,239 Speaker 1: How long those this was yesterday? No, she know she's 864 00:39:33,239 --> 00:39:36,399 Speaker 1: talking about I've been growing it. That'd be a good 865 00:39:36,440 --> 00:39:38,239 Speaker 1: look for you. She a real live African princess. And 866 00:39:38,320 --> 00:39:40,239 Speaker 1: why don't you do stand up? R man? You don't 867 00:39:40,280 --> 00:39:41,840 Speaker 1: think about it? What's up? No? I know, I know? 868 00:39:41,920 --> 00:39:46,520 Speaker 1: Whyn't you have to stand up? Black man? Oh? You? 869 00:39:46,680 --> 00:39:49,080 Speaker 1: Oh you got a relationship. Why y'all trying to bait 870 00:39:49,160 --> 00:39:52,399 Speaker 1: me into answering this goddamn question. I'm chilling, I'm chilling. 871 00:39:52,440 --> 00:39:54,440 Speaker 1: I'm chilling. What is this white woman's name that you? 872 00:39:55,040 --> 00:39:57,319 Speaker 1: What are you talking about? What do you talking about? 873 00:39:57,680 --> 00:40:01,400 Speaker 1: Why you cleave me alone? Or anyway or anything or 874 00:40:01,440 --> 00:40:04,040 Speaker 1: anything's asking? I'm just asking man, I'm chilling, man, So 875 00:40:04,160 --> 00:40:05,719 Speaker 1: no real interest in Tiffany had This is what you're 876 00:40:05,719 --> 00:40:09,560 Speaker 1: telling Tiffany's dope. So oh that's a good You're saying 877 00:40:09,560 --> 00:40:11,400 Speaker 1: You're not going to bait him in this interview. Is 878 00:40:11,440 --> 00:40:12,880 Speaker 1: basically all I'm telling you is when you see her 879 00:40:12,920 --> 00:40:14,239 Speaker 1: the night at the met Gallas, you got a full 880 00:40:14,280 --> 00:40:15,759 Speaker 1: bush down there, So what should I said? It's on 881 00:40:15,880 --> 00:40:18,400 Speaker 1: you and on me to get it removed. You were 882 00:40:18,400 --> 00:40:20,680 Speaker 1: a friend, right, yeah, one time? Why can't you can't 883 00:40:20,680 --> 00:40:22,360 Speaker 1: You can't convince her to take care of that. She 884 00:40:22,480 --> 00:40:27,200 Speaker 1: wanted you. She said she's not back and this is over, 885 00:40:27,600 --> 00:40:29,000 Speaker 1: and then you gotta think about all the money she's 886 00:40:29,000 --> 00:40:30,279 Speaker 1: gonna make in the future. Man, that's a good y'all 887 00:40:30,280 --> 00:40:34,320 Speaker 1: can build your own what I'm saying, and together, you 888 00:40:34,360 --> 00:40:41,439 Speaker 1: don't think so leave me alone doing all these roles. 889 00:40:41,600 --> 00:40:43,319 Speaker 1: You have to be very fitting in shape. You think 890 00:40:43,320 --> 00:40:46,120 Speaker 1: you can do something where you actually had to gain, 891 00:40:46,239 --> 00:40:49,880 Speaker 1: say sixty pounds out of shape. I can't wait you 892 00:40:49,920 --> 00:40:52,080 Speaker 1: would do that? Oh man, I can't wait. Just like said, 893 00:40:52,160 --> 00:40:53,680 Speaker 1: I got to do it soon because like the older 894 00:40:53,719 --> 00:40:55,080 Speaker 1: you get, the harder it is to get back in 895 00:40:55,160 --> 00:40:56,839 Speaker 1: the shape. But I really can't wait to like play 896 00:40:56,840 --> 00:40:58,560 Speaker 1: a role, or I gotta put on a lot of weight. 897 00:40:58,600 --> 00:41:02,680 Speaker 1: I could just eat, not work out, it'll be awesome. 898 00:41:02,800 --> 00:41:04,560 Speaker 1: Right now, we're in the middle of the shooting Create two, 899 00:41:04,640 --> 00:41:07,440 Speaker 1: and it's like my body's like, woof, I am tired. 900 00:41:07,760 --> 00:41:09,800 Speaker 1: I am tired, tired. Was there any part of you 901 00:41:09,880 --> 00:41:11,359 Speaker 1: that didn't want to come back and do Create too? 902 00:41:11,400 --> 00:41:14,480 Speaker 1: Because Ryan wasn't doing it in the beginning, I was. 903 00:41:14,560 --> 00:41:17,400 Speaker 1: I was a little hesitant, honestly. Um, you know, it 904 00:41:17,480 --> 00:41:19,239 Speaker 1: was something that we started, we created, you know, but 905 00:41:19,280 --> 00:41:21,040 Speaker 1: he came on board and he's you know, he's producing 906 00:41:21,080 --> 00:41:23,279 Speaker 1: it as well, so he still has his fingerprints on it. 907 00:41:23,320 --> 00:41:27,239 Speaker 1: He's still involved. But in the beginning, you know, uh, yeah, 908 00:41:27,320 --> 00:41:30,040 Speaker 1: it was a little hesitation there. But Stephen Cables when 909 00:41:30,080 --> 00:41:32,360 Speaker 1: we finally got him, we locked down to a director. 910 00:41:32,400 --> 00:41:35,600 Speaker 1: He's from Cleveland, Um, you know, went to usc Um. 911 00:41:35,880 --> 00:41:38,000 Speaker 1: You know, he did this film called The Land. You know, 912 00:41:38,160 --> 00:41:40,120 Speaker 1: did a lot of made a lot of noise and sundance. 913 00:41:40,160 --> 00:41:42,840 Speaker 1: He's an incredible filmmaker and we're really lucky to have 914 00:41:42,960 --> 00:41:44,880 Speaker 1: him because we're he's putting his fingerprints on it too, 915 00:41:45,000 --> 00:41:46,920 Speaker 1: so we're good. We're in good shape. I don't like 916 00:41:47,040 --> 00:41:49,400 Speaker 1: the premise though you don't even know the premise. Stopped 917 00:41:49,400 --> 00:41:51,760 Speaker 1: reading the Internet, stopped reading the Internet, and the Russian 918 00:41:51,800 --> 00:41:54,680 Speaker 1: it's so predictable. Like first about the second one, the 919 00:41:54,680 --> 00:41:57,120 Speaker 1: sequel was really tough, okay too to anything. It's really 920 00:41:57,160 --> 00:41:58,360 Speaker 1: hard to make you know what I'm saying, and to 921 00:41:58,480 --> 00:42:01,200 Speaker 1: really like bringing nostalgic back and tie in, you know 922 00:42:01,200 --> 00:42:03,600 Speaker 1: what I'm saying with Rocky and and and still give 923 00:42:03,719 --> 00:42:06,200 Speaker 1: Creed his own legacy and like Branshaw off down and 924 00:42:06,440 --> 00:42:08,759 Speaker 1: you know, give Creed his home, his own lane. There's 925 00:42:08,760 --> 00:42:11,240 Speaker 1: a there's a there's a natural tieing. There's not natural 926 00:42:11,320 --> 00:42:13,520 Speaker 1: balance there between making a second one a little bit 927 00:42:13,520 --> 00:42:15,160 Speaker 1: bigger than the first one. You know what I'm saying. 928 00:42:15,480 --> 00:42:17,680 Speaker 1: We didn't have a true bad guy. It wasn't a 929 00:42:17,760 --> 00:42:20,799 Speaker 1: real antagonist in the first film. Um, it was really 930 00:42:20,800 --> 00:42:23,040 Speaker 1: about the origin story of a dinner. So this one 931 00:42:23,080 --> 00:42:24,560 Speaker 1: we want to try to, you know, make things a 932 00:42:24,560 --> 00:42:27,920 Speaker 1: little bit more spicy during this one, because the first one, 933 00:42:28,080 --> 00:42:30,719 Speaker 1: we want to flight together. And I look over at 934 00:42:30,840 --> 00:42:35,480 Speaker 1: Envy and he's crying. For the record, your shirt was 935 00:42:35,520 --> 00:42:44,719 Speaker 1: off when he was crying. I'm not sure sure it 936 00:42:44,800 --> 00:42:50,680 Speaker 1: was a little awkward. I don't even know what. Maybe cry. 937 00:42:50,680 --> 00:42:54,920 Speaker 1: It was a little tear came down. You know, you're like, 938 00:42:54,960 --> 00:42:58,359 Speaker 1: you're naturally more emotional when you're playing in there, You're 939 00:42:58,440 --> 00:43:02,520 Speaker 1: more you're you're more likely to cry. Watching what I'm 940 00:43:02,520 --> 00:43:08,800 Speaker 1: saying now, I read it on the internet. Speaking of 941 00:43:08,800 --> 00:43:10,600 Speaker 1: the internet, this is America. I saw you tweeting that 942 00:43:10,680 --> 00:43:12,200 Speaker 1: you I mean, you posting on Instagram how much you 943 00:43:12,440 --> 00:43:15,000 Speaker 1: enjoyed that video. Yeah, man, it's incredible. I think it's 944 00:43:15,040 --> 00:43:17,600 Speaker 1: like right on time. Honestly, Um, you know, I feel 945 00:43:17,640 --> 00:43:20,200 Speaker 1: like Donald. You know, we were actually kicking it last night. 946 00:43:20,320 --> 00:43:22,920 Speaker 1: We were, Um, we were hanging out last night. He's 947 00:43:22,960 --> 00:43:24,880 Speaker 1: in town for the met and stuff like that. We were, 948 00:43:25,080 --> 00:43:26,920 Speaker 1: you know, singing his praises and stuff all night. Man. 949 00:43:26,920 --> 00:43:28,960 Speaker 1: We had a good time. But um, I feel like 950 00:43:29,040 --> 00:43:31,920 Speaker 1: Donald is the distraction. You know what I'm saying, Child's 951 00:43:31,920 --> 00:43:35,759 Speaker 1: gaming up. Child's game is distraction to what's really going on. 952 00:43:36,360 --> 00:43:38,080 Speaker 1: You know what I'm saying in the world right now, 953 00:43:38,239 --> 00:43:40,160 Speaker 1: just as much as we're distracted by everything else that's 954 00:43:40,200 --> 00:43:41,839 Speaker 1: going on and not really pay attention to the world 955 00:43:41,880 --> 00:43:46,120 Speaker 1: around us. So I encourage people to watch the video, 956 00:43:46,600 --> 00:43:49,960 Speaker 1: but don't look at it at child, try not to. Yeah, 957 00:43:50,040 --> 00:43:52,120 Speaker 1: could you see the pale horse in the background? Exactly 958 00:43:52,200 --> 00:43:55,160 Speaker 1: what the cop call following up on their cell phone, 959 00:43:55,239 --> 00:43:57,320 Speaker 1: according everything. You know what I'm saying, you see you 960 00:43:57,400 --> 00:43:59,560 Speaker 1: see uh you know Donald, you know what I'm saying. Shoot, ma, man, 961 00:43:59,800 --> 00:44:02,200 Speaker 1: I'm saying, Traymon Martins. I'm saying, popping on the head 962 00:44:02,280 --> 00:44:05,399 Speaker 1: or whatever. But then also seeing him Trayvon Martin. Isn't 963 00:44:05,400 --> 00:44:08,200 Speaker 1: it tray his father. No, it's not, it's not, it's not. 964 00:44:08,719 --> 00:44:11,480 Speaker 1: It's another artist. It's another Yes, it's an artist, all right, 965 00:44:11,600 --> 00:44:14,239 Speaker 1: miss boke. A lot of people thought that, yeah, that 966 00:44:15,080 --> 00:44:17,479 Speaker 1: it wasn't okay cool. I saw the resemblance and okay, 967 00:44:17,560 --> 00:44:20,239 Speaker 1: all good. But anyway, but you see the way guncre know, 968 00:44:20,280 --> 00:44:21,640 Speaker 1: I'm saying, way for the gun. You know what I'm saying, 969 00:44:21,680 --> 00:44:24,680 Speaker 1: nightly the way, but the body is dragged away people exactly. 970 00:44:24,760 --> 00:44:26,239 Speaker 1: So there's a lot of little things in there that 971 00:44:26,440 --> 00:44:29,080 Speaker 1: I feel like it's super important. And he's a genius, 972 00:44:29,160 --> 00:44:31,560 Speaker 1: hero is an amazing to the director. Um, there's a 973 00:44:31,600 --> 00:44:33,719 Speaker 1: lot of Atlanta, you know what I'm saying, and all 974 00:44:33,760 --> 00:44:36,840 Speaker 1: of his childish music videos. So yeah, man, it's a 975 00:44:37,280 --> 00:44:38,480 Speaker 1: it was a good video. I loved it. I just 976 00:44:38,560 --> 00:44:41,080 Speaker 1: wish that in that one scene where he shot the choir, 977 00:44:41,080 --> 00:44:42,800 Speaker 1: I wish it was a white person actually shooting the 978 00:44:42,880 --> 00:44:46,080 Speaker 1: choir instead of it could have been Teddy Perkins because 979 00:44:46,080 --> 00:44:49,200 Speaker 1: I don't feel I feel like people. I don't like 980 00:44:49,280 --> 00:44:51,480 Speaker 1: the optics of black people killing black people. I see 981 00:44:51,480 --> 00:44:52,920 Speaker 1: what you're saying. Yeah, Yeah, it might have been a 982 00:44:52,960 --> 00:44:56,080 Speaker 1: little bit more like clear yea what he's trying to say. Yeah, 983 00:44:56,080 --> 00:44:57,600 Speaker 1: Because I mean, if you're white and you're watching that, 984 00:44:57,640 --> 00:44:59,719 Speaker 1: all you see is black and black killing black people. Yeah. 985 00:44:59,719 --> 00:45:01,400 Speaker 1: I see what I mean, and it reinforces the negative 986 00:45:01,400 --> 00:45:03,880 Speaker 1: stereotype you already have of us anyway. But other than that, 987 00:45:03,920 --> 00:45:07,440 Speaker 1: I thought it was a genius video. Iconic video goes down, 988 00:45:07,560 --> 00:45:09,600 Speaker 1: legendary Michael Lee Jordan gotta get about it. He got 989 00:45:09,680 --> 00:45:12,319 Speaker 1: some TV to do. It's very busy, but we really 990 00:45:12,320 --> 00:45:16,080 Speaker 1: appreciate you for stopping. I always tell people from Hollywood, 991 00:45:16,120 --> 00:45:19,000 Speaker 1: especially the black actors, they forget about their black basis, 992 00:45:19,040 --> 00:45:20,319 Speaker 1: you know what I'm saying. So it's good to see 993 00:45:20,360 --> 00:45:22,880 Speaker 1: y'all still coming back. Rush off to the white people. No, 994 00:45:23,120 --> 00:45:27,879 Speaker 1: not on. I never lose touch man, never lose touch. 995 00:45:27,960 --> 00:45:31,400 Speaker 1: Bro Alright, I appreciate you guys. Absolutely. It's Michael B. Jordan. 996 00:45:31,560 --> 00:45:37,040 Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. Want 997 00:45:37,080 --> 00:45:40,759 Speaker 1: to get everybody is DJ Envy, Angela Yee, Charlomagne the guy. 998 00:45:40,840 --> 00:45:42,520 Speaker 1: We all the Breakfast Club. Let's get to the rumors. 999 00:45:42,600 --> 00:45:46,560 Speaker 1: Let's talk all Kelly. This is the rumor report with 1000 00:45:46,800 --> 00:45:56,759 Speaker 1: Angela Breakfast Clubs. But Kelly as coming to Lifetime. That's right, 1001 00:45:56,800 --> 00:46:00,279 Speaker 1: there's gonna be a documentary series about the women who 1002 00:46:00,320 --> 00:46:05,279 Speaker 1: have fallen under the spell of R. Kelly. Now was 1003 00:46:05,280 --> 00:46:07,000 Speaker 1: doing a Lifetime movie. I was like, who would play 1004 00:46:07,000 --> 00:46:09,400 Speaker 1: a Kelly in a Lifetime movie? Well, you know what somebody? 1005 00:46:09,560 --> 00:46:11,640 Speaker 1: I wonder if some Well no, it's a docuseries. But 1006 00:46:11,719 --> 00:46:14,800 Speaker 1: the projects are part of Lifetime Stop Violence Against Women campaign. 1007 00:46:14,880 --> 00:46:17,759 Speaker 1: So it's a bunch of programs that bring awareness to 1008 00:46:17,760 --> 00:46:21,439 Speaker 1: abusive behaviors. So Dream Hampton trump on the Clues Bombs 1009 00:46:21,440 --> 00:46:24,840 Speaker 1: for Dream Hampton will be executive producing. Who to Dream Hampton? 1010 00:46:24,880 --> 00:46:27,560 Speaker 1: I saw her last week and I know he can't 1011 00:46:27,600 --> 00:46:29,400 Speaker 1: be too excited about this, but it's going to be 1012 00:46:29,480 --> 00:46:32,320 Speaker 1: interviews with survivors and people from R. Kelly's in a 1013 00:46:32,400 --> 00:46:36,040 Speaker 1: circle who are coming forward with new allegations about his sexual, mental, 1014 00:46:36,080 --> 00:46:38,800 Speaker 1: and physical Who cans with all, Kelly's not gonna be 1015 00:46:38,880 --> 00:46:41,480 Speaker 1: too pleased with Okay, and tell all Kelly comes and 1016 00:46:41,680 --> 00:46:48,640 Speaker 1: confesses to his sins. Whoa, he definitely did that a 1017 00:46:48,680 --> 00:46:52,640 Speaker 1: matter of second, Okay, pornography, well, well that was it 1018 00:46:52,680 --> 00:46:54,160 Speaker 1: was it was I was a child when I watched it. 1019 00:46:54,239 --> 00:46:57,320 Speaker 1: That was twenty years ago, all right, So yeah, we 1020 00:46:57,600 --> 00:46:59,719 Speaker 1: definitely don't care what he's gonna say. But he has 1021 00:46:59,760 --> 00:47:02,279 Speaker 1: been denying all of this and saying these women are 1022 00:47:02,320 --> 00:47:05,480 Speaker 1: adults and consenting, and they actually have just put out 1023 00:47:05,520 --> 00:47:10,040 Speaker 1: footage on TMZ of R Kelly and Joycelyn Savage, one 1024 00:47:10,080 --> 00:47:13,560 Speaker 1: of the girls that he is with actually walking around 1025 00:47:13,600 --> 00:47:16,719 Speaker 1: the mall in Chicago shopping looking very much like a couple. 1026 00:47:17,400 --> 00:47:21,000 Speaker 1: Joycelyn's family says that she's part of his alleged sex cult, 1027 00:47:21,120 --> 00:47:24,000 Speaker 1: so she's been brainwashed. And that's how it's amazing how 1028 00:47:24,040 --> 00:47:26,040 Speaker 1: you can't run from the sins of your path though, 1029 00:47:26,120 --> 00:47:28,640 Speaker 1: like karma always catches up to you in some way, 1030 00:47:28,719 --> 00:47:31,480 Speaker 1: shape or fall. Ten years later, that's what years later, 1031 00:47:31,800 --> 00:47:35,439 Speaker 1: forty years what I'm saying. So whatever, all right, Meek 1032 00:47:35,520 --> 00:47:37,279 Speaker 1: Mill is going to be doing a sit down with 1033 00:47:37,400 --> 00:47:40,160 Speaker 1: Angie Martinez and that's for Angie Martinez is new one 1034 00:47:40,360 --> 00:47:42,880 Speaker 1: of one series that's going to be launching on Title 1035 00:47:43,920 --> 00:47:46,640 Speaker 1: Angie Martinez. So that's happening today at noon and the 1036 00:47:46,840 --> 00:47:49,319 Speaker 1: entire show will be live streamed on Title. So it's 1037 00:47:49,320 --> 00:47:52,200 Speaker 1: a new series of interview specials that Angie's going to 1038 00:47:52,280 --> 00:47:55,560 Speaker 1: be hosting, and it's going to be in depth discussions 1039 00:47:56,239 --> 00:47:59,239 Speaker 1: beyond the hard work, talent and occasional luck to identify 1040 00:47:59,360 --> 00:48:03,200 Speaker 1: the intent and unique characteristics that have allowed individuals to 1041 00:48:03,320 --> 00:48:05,800 Speaker 1: achieve greatness in their respective fields. So Meek Mail is 1042 00:48:05,840 --> 00:48:08,279 Speaker 1: kicking it off. I really enjoyed Meek mil on what 1043 00:48:08,400 --> 00:48:10,680 Speaker 1: was that dating line? On Sunday Nay. And the reason 1044 00:48:10,719 --> 00:48:12,279 Speaker 1: I enjoyed it is because I'm happy that all of 1045 00:48:12,280 --> 00:48:15,360 Speaker 1: this light is being shined on, you know, criminal justice 1046 00:48:15,360 --> 00:48:17,520 Speaker 1: res for him. Because I thought about it, was like damn, 1047 00:48:17,560 --> 00:48:19,520 Speaker 1: I was on probation for ten years too. Yeah, they 1048 00:48:19,560 --> 00:48:21,640 Speaker 1: gave me ten years probation too. They didn't give me ten. 1049 00:48:21,719 --> 00:48:23,400 Speaker 1: They gave me like Fodo, but I kept getting in 1050 00:48:23,440 --> 00:48:25,080 Speaker 1: trouble so they would give me more. But I was 1051 00:48:25,160 --> 00:48:27,640 Speaker 1: just on for ten years and they give me. Oh, 1052 00:48:27,840 --> 00:48:30,399 Speaker 1: I definitely should be a few times. No, they gave 1053 00:48:30,440 --> 00:48:32,200 Speaker 1: me ten and you had well, I was in Virginia. 1054 00:48:32,280 --> 00:48:34,480 Speaker 1: So they gave you a plea where if you take 1055 00:48:34,520 --> 00:48:36,359 Speaker 1: it to trial or you take ten years probation. Which 1056 00:48:36,360 --> 00:48:39,640 Speaker 1: one You're gonna take ten years probation. And I always 1057 00:48:39,640 --> 00:48:41,000 Speaker 1: just thought it was a money thing because you gotta 1058 00:48:41,000 --> 00:48:42,680 Speaker 1: pay your money every month whatever. Whatever. I thought they 1059 00:48:42,680 --> 00:48:44,239 Speaker 1: would keeping me on because it was easy money. And 1060 00:48:44,320 --> 00:48:46,200 Speaker 1: my mom and dad were so happy when that ten 1061 00:48:46,280 --> 00:48:47,879 Speaker 1: years was up. They were worried for ten years, worried 1062 00:48:47,880 --> 00:48:50,000 Speaker 1: about if anything happened, you're going straight to jail and 1063 00:48:50,560 --> 00:48:52,360 Speaker 1: called the cops on you, and you don't even do anything, 1064 00:48:52,400 --> 00:48:54,279 Speaker 1: and you end up going, Yes, you can't even be 1065 00:48:54,440 --> 00:48:57,440 Speaker 1: around somebody who has FELA needs to somebody else who 1066 00:48:57,480 --> 00:48:59,839 Speaker 1: was on probation. Me and my father was in jail together. 1067 00:49:00,120 --> 00:49:01,239 Speaker 1: My father lived in the same house. What the hell 1068 00:49:01,239 --> 00:49:03,399 Speaker 1: I'm supposed to do? So I just think I thought 1069 00:49:03,440 --> 00:49:04,840 Speaker 1: about that while I was watching it, and I was like, 1070 00:49:04,920 --> 00:49:06,600 Speaker 1: and it really is design for used to fail. And 1071 00:49:06,719 --> 00:49:09,080 Speaker 1: like Meek Mail said, he could have been in Starbucks. 1072 00:49:09,560 --> 00:49:12,000 Speaker 1: Those two black men that were in Starbucks mind in 1073 00:49:12,000 --> 00:49:14,400 Speaker 1: their business, waiting for their meeting, and the cops were 1074 00:49:14,480 --> 00:49:16,000 Speaker 1: called on them, and he could have went to jail 1075 00:49:16,000 --> 00:49:17,920 Speaker 1: because that could have been a probation violation for him. 1076 00:49:17,960 --> 00:49:19,440 Speaker 1: If that was him, Well, kind of coffee you think 1077 00:49:19,480 --> 00:49:22,080 Speaker 1: we would have ordered Little Lad Tom? Maybe? All right, now, 1078 00:49:22,520 --> 00:49:24,800 Speaker 1: since we're talking about rack Nation, let's talk about jay Z. 1079 00:49:25,040 --> 00:49:28,040 Speaker 1: Now he is going to have to take the stand. 1080 00:49:28,560 --> 00:49:31,920 Speaker 1: He had previously ignored two subpoenas from the Securities and 1081 00:49:32,040 --> 00:49:35,120 Speaker 1: Exchange Commissions, so now he's going to have to give 1082 00:49:35,160 --> 00:49:40,320 Speaker 1: investigators some time. And look, they're looking into his licensing firm, Iconics. 1083 00:49:40,360 --> 00:49:43,040 Speaker 1: They had licensed to rock Aware, and they're saying that 1084 00:49:43,520 --> 00:49:45,719 Speaker 1: basically the issue is whether or not jay Z knew 1085 00:49:45,760 --> 00:49:49,800 Speaker 1: about this scheme, which was that Iconics was basically fronting 1086 00:49:49,840 --> 00:49:52,200 Speaker 1: all this money to rock Aware even though they knew 1087 00:49:52,560 --> 00:49:54,960 Speaker 1: that they were in the red. So basically, they had 1088 00:49:55,080 --> 00:49:58,160 Speaker 1: valued the brand at over one hundred and sixty nine 1089 00:49:58,200 --> 00:50:00,759 Speaker 1: million dollars, but it really was their four million and 1090 00:50:00,800 --> 00:50:02,879 Speaker 1: they were just getting money from investors. I hope there's 1091 00:50:02,880 --> 00:50:04,520 Speaker 1: some lawyers in there with a sense of humans. As 1092 00:50:04,560 --> 00:50:06,719 Speaker 1: soon as jay Z takes to stand, one of them goes, now, 1093 00:50:06,800 --> 00:50:11,080 Speaker 1: mister Carter, about those seventy two Brickshee lost? Well, I 1094 00:50:11,120 --> 00:50:12,759 Speaker 1: don't know if it's really taking the stand. I was 1095 00:50:13,200 --> 00:50:14,759 Speaker 1: being dramatic, but he is going to have to sit 1096 00:50:14,840 --> 00:50:18,080 Speaker 1: down and talk to these Securities and Exchange Commission. So 1097 00:50:18,160 --> 00:50:21,200 Speaker 1: they're gonna find out today exactly how much time he's 1098 00:50:21,200 --> 00:50:23,879 Speaker 1: going to have to give investigators that are looking looking 1099 00:50:23,920 --> 00:50:27,480 Speaker 1: into the licensing firm Iconics. All right, I'm Anela Yee 1100 00:50:27,520 --> 00:50:29,719 Speaker 1: and that is your rumor report. Thank you, miss ye 1101 00:50:29,920 --> 00:50:32,279 Speaker 1: Charla Bank, Yes, will you give me that down Listen. 1102 00:50:32,320 --> 00:50:34,880 Speaker 1: I need the staff and faculty of the University of 1103 00:50:34,920 --> 00:50:36,719 Speaker 1: Florida to come to the front of the congregation. We'd 1104 00:50:36,719 --> 00:50:38,759 Speaker 1: like to have a war with them. The one place 1105 00:50:38,840 --> 00:50:41,759 Speaker 1: in Florida that shouldn't be crazy acting crazy, but they 1106 00:50:41,800 --> 00:50:43,799 Speaker 1: can't help it. It's Florida, all right. We'll get into 1107 00:50:43,840 --> 00:50:45,279 Speaker 1: that when we come back. Keep it locked. As to 1108 00:50:45,280 --> 00:50:48,600 Speaker 1: breakfast club, good morning, it's gonna be a dusting because 1109 00:50:48,680 --> 00:50:53,000 Speaker 1: right now you want some real It's time for Donkey 1110 00:50:53,080 --> 00:50:54,840 Speaker 1: of the Day. So if we ever feel I need 1111 00:50:54,920 --> 00:51:00,600 Speaker 1: to be a doctor man with the heat I had 1112 00:51:00,640 --> 00:51:06,520 Speaker 1: becomes Donkey of the day. The practice club bitches. Yes, 1113 00:51:06,640 --> 00:51:09,120 Speaker 1: sonkey today for Tuesday May eighth, go to the faculty 1114 00:51:09,160 --> 00:51:13,040 Speaker 1: and staff into University of Florida, specifically President Kent Fuchs, 1115 00:51:13,560 --> 00:51:15,960 Speaker 1: because he sat right there and watched everything I'm about 1116 00:51:15,960 --> 00:51:18,680 Speaker 1: to explain to you and didn't do anything about it, 1117 00:51:18,800 --> 00:51:20,680 Speaker 1: and he could have. Now here's the thing. You know 1118 00:51:20,719 --> 00:51:23,399 Speaker 1: what your uncle Shaula always tells you, the craziest people 1119 00:51:23,440 --> 00:51:26,040 Speaker 1: in America come from the Bronx and all of Florida. 1120 00:51:26,239 --> 00:51:28,440 Speaker 1: And people from Florida usually agree with me on this 1121 00:51:28,560 --> 00:51:30,560 Speaker 1: all they get upset about me saying that. But this 1122 00:51:30,680 --> 00:51:34,000 Speaker 1: story is different because my mentions on social media are 1123 00:51:34,040 --> 00:51:36,080 Speaker 1: filled with people telling me to give it to the 1124 00:51:36,200 --> 00:51:39,560 Speaker 1: University of Florida as a faculty staff record label and 1125 00:51:39,719 --> 00:51:42,000 Speaker 1: mother eprin crew because of what happens at the school's 1126 00:51:42,000 --> 00:51:44,640 Speaker 1: commissiment ceremony. Now, I have never had the pleasure of 1127 00:51:44,760 --> 00:51:47,520 Speaker 1: walking across the stage of the graduation. I got kicked 1128 00:51:47,560 --> 00:51:50,319 Speaker 1: out of two high schools, Berkeley High School in Monks 1129 00:51:50,360 --> 00:51:52,959 Speaker 1: Corn of South Carolina and Scrafford High School. And Who's Creek, 1130 00:51:52,960 --> 00:51:55,560 Speaker 1: South Carolina, respectfully, maybe that was Latch in South Calina, 1131 00:51:55,600 --> 00:51:57,040 Speaker 1: I don't remember. Well. I got arrested out of the 1132 00:51:57,040 --> 00:51:58,919 Speaker 1: Scraft High School. But I'm saying all that to say 1133 00:51:59,080 --> 00:52:01,520 Speaker 1: my highest level of education is high school. Okay, And 1134 00:52:01,520 --> 00:52:03,359 Speaker 1: I received my diploma in night school, so I didn't 1135 00:52:03,360 --> 00:52:06,120 Speaker 1: get to walk across a walk across any stage. Okay. 1136 00:52:06,200 --> 00:52:08,920 Speaker 1: But I've been to several graduations from elementary schools, the 1137 00:52:09,040 --> 00:52:11,640 Speaker 1: high schools, the colleges, and one thing I know for sure, 1138 00:52:11,960 --> 00:52:15,400 Speaker 1: people celebrate when they walk across that stage. Okay. The 1139 00:52:15,560 --> 00:52:18,160 Speaker 1: sole purpose the graduation is to do a little dance 1140 00:52:18,320 --> 00:52:21,279 Speaker 1: to the pomping circumstance. But not in Florida. Okay. The 1141 00:52:21,360 --> 00:52:23,719 Speaker 1: only thing that historically makes sense in Florida is the 1142 00:52:23,760 --> 00:52:26,279 Speaker 1: beautiful weather and the crazy. And the crazy was on 1143 00:52:26,360 --> 00:52:29,720 Speaker 1: full display during this commencement ceremony because a faculty member 1144 00:52:30,640 --> 00:52:34,640 Speaker 1: who social media is identifying as Alexander David Jacobs was 1145 00:52:34,719 --> 00:52:38,000 Speaker 1: there spoiling all the fun. Okay. See, when these kids 1146 00:52:38,040 --> 00:52:40,080 Speaker 1: were receiving their diplomas and wanted to do a quick 1147 00:52:40,120 --> 00:52:44,440 Speaker 1: celebratory dance, this man, who has not been officially identified 1148 00:52:44,480 --> 00:52:48,719 Speaker 1: as Alexander David Jacobs, but they're saying it was Alexander 1149 00:52:48,800 --> 00:52:50,960 Speaker 1: David Jacobs, was acting like he was a security for 1150 00:52:51,080 --> 00:52:53,280 Speaker 1: a rap artist. Okay. You ever seen those videos online 1151 00:52:53,360 --> 00:52:56,080 Speaker 1: when rappers be performing and then people rushed to stage 1152 00:52:56,080 --> 00:52:58,799 Speaker 1: and the rappers security tackles them and it rushes them 1153 00:52:58,840 --> 00:53:01,640 Speaker 1: off the stage. That's what this man, who was identified 1154 00:53:01,920 --> 00:53:05,279 Speaker 1: by social media as Alexander David Jacobs, was doing. Let's 1155 00:53:05,280 --> 00:53:07,600 Speaker 1: go to NBC News with the report police. It's supposed 1156 00:53:07,640 --> 00:53:09,840 Speaker 1: to be a moment you never for debt, But for 1157 00:53:09,920 --> 00:53:14,160 Speaker 1: these University of Florida students, graduation went from a celebration 1158 00:53:14,440 --> 00:53:17,440 Speaker 1: to an insult. Nafisa Ata and all of our toulousemans 1159 00:53:17,480 --> 00:53:19,920 Speaker 1: say they were among the students rushed off stage this 1160 00:53:20,040 --> 00:53:23,760 Speaker 1: weekend doing a UF commencement ceremony, and several students walked 1161 00:53:23,840 --> 00:53:27,000 Speaker 1: up to get their diplomas they started dancing. Though graduates 1162 00:53:27,040 --> 00:53:30,120 Speaker 1: of all races were rushed along, these students say minorities 1163 00:53:30,120 --> 00:53:33,279 Speaker 1: who were more aggressively yanked off stage. The video has 1164 00:53:33,360 --> 00:53:36,800 Speaker 1: drawn outrage on social media. UF has not identified the 1165 00:53:36,880 --> 00:53:39,920 Speaker 1: faculty members, saying the incident is under review. These students 1166 00:53:39,960 --> 00:53:43,319 Speaker 1: say the president was on stage and did nothing. Hey, 1167 00:53:43,400 --> 00:53:45,560 Speaker 1: when I watched a video one hundred times, but then 1168 00:53:45,560 --> 00:53:48,720 Speaker 1: I got to hear things about situations being under review. 1169 00:53:49,000 --> 00:53:51,000 Speaker 1: How many times you got to review something? Okay? Now, 1170 00:53:51,040 --> 00:53:52,600 Speaker 1: I don't know if this was racist, but the damn 1171 00:53:52,600 --> 00:53:55,239 Speaker 1: show was rude and my question is why. Okay, these 1172 00:53:55,320 --> 00:53:57,839 Speaker 1: kids have paid more than forty grand intuition due, Gonna 1173 00:53:57,880 --> 00:54:00,239 Speaker 1: be in debt for a while, maybe forever, all right, 1174 00:54:00,320 --> 00:54:02,160 Speaker 1: Gonna have a hard time finding the job when they 1175 00:54:02,200 --> 00:54:04,000 Speaker 1: get out. Probably been busting they ask for more than 1176 00:54:04,080 --> 00:54:06,080 Speaker 1: four years, and you can't let them dance for a 1177 00:54:06,160 --> 00:54:08,480 Speaker 1: few seconds after their name is called. I wish one 1178 00:54:08,480 --> 00:54:10,000 Speaker 1: of these kids would have punched that dude in the face. 1179 00:54:10,360 --> 00:54:12,560 Speaker 1: I'm dead ass series. Okay, this is one of the 1180 00:54:12,680 --> 00:54:15,640 Speaker 1: times where I wanted Florida to really be as crazy 1181 00:54:15,640 --> 00:54:18,440 Speaker 1: as I know Florida can be. There's absolutely no reason 1182 00:54:18,680 --> 00:54:21,439 Speaker 1: for you to be ruining these young adults moment. Okay, 1183 00:54:21,520 --> 00:54:24,680 Speaker 1: and the president kid Fuchs just sat there and didn't 1184 00:54:24,960 --> 00:54:27,160 Speaker 1: you know, tell this member of the faculty to stop 1185 00:54:27,200 --> 00:54:32,160 Speaker 1: being the fun police. Yo? And he's really like, they 1186 00:54:32,280 --> 00:54:34,720 Speaker 1: rushed into stage and it's an artist, a comedian performing 1187 00:54:35,040 --> 00:54:38,160 Speaker 1: and guy stop all right? Now? The President released his 1188 00:54:38,239 --> 00:54:39,839 Speaker 1: lay mass statement. Let's see what he had to say. 1189 00:54:39,960 --> 00:54:43,440 Speaker 1: I also want you to know that we inappropriately physically 1190 00:54:43,560 --> 00:54:45,839 Speaker 1: rushed a number of students across the stage and one 1191 00:54:45,880 --> 00:54:49,120 Speaker 1: of our commencements. Really and I want to personally apologize 1192 00:54:49,239 --> 00:54:52,000 Speaker 1: for us doing that. On behalf of myself and also 1193 00:54:52,080 --> 00:54:55,160 Speaker 1: the University of Florida. I want you, all our students 1194 00:54:55,239 --> 00:54:57,920 Speaker 1: to know that we've changed that practice, and we also 1195 00:54:58,040 --> 00:55:00,680 Speaker 1: want each one of you to know that we celebrate you, 1196 00:55:01,200 --> 00:55:04,640 Speaker 1: your graduation and your accomplishments. Now, if the president just 1197 00:55:04,760 --> 00:55:08,959 Speaker 1: admitted to physically assaulting people and russian him off stage, 1198 00:55:08,960 --> 00:55:12,200 Speaker 1: what the helliday and reviewing? Okay, and f changing your practice? 1199 00:55:12,239 --> 00:55:14,239 Speaker 1: All right, don't tell me you're celebrating me, and you 1200 00:55:14,280 --> 00:55:17,120 Speaker 1: wouldn't even let me celebrate. All right. There's only two 1201 00:55:17,200 --> 00:55:20,200 Speaker 1: ways to fix this, okay. Every student who was physically 1202 00:55:20,239 --> 00:55:22,839 Speaker 1: assaulted and thrown off that stage, every student who got 1203 00:55:22,880 --> 00:55:25,040 Speaker 1: treated the way Uncle Phil used to treat Jazzy Jeff 1204 00:55:25,040 --> 00:55:27,040 Speaker 1: on Fresh Prince of bel Air. The students should come 1205 00:55:27,080 --> 00:55:29,880 Speaker 1: together and do a class action lawsuit against the University 1206 00:55:29,880 --> 00:55:33,120 Speaker 1: of Florida. Is that possible? You think you think they 1207 00:55:33,160 --> 00:55:35,040 Speaker 1: could come together and sue as a group, as a crew. 1208 00:55:35,600 --> 00:55:39,560 Speaker 1: The president just admitted I don't know. Okay, Well, if 1209 00:55:39,640 --> 00:55:42,719 Speaker 1: that doesn't work, then University of Florida should erase all 1210 00:55:42,800 --> 00:55:46,880 Speaker 1: their student loans. I'm serious. They aren't getting that moment back. Okay, 1211 00:55:46,960 --> 00:55:49,120 Speaker 1: that's the day. So many of those kids have dreamed 1212 00:55:49,200 --> 00:55:51,440 Speaker 1: up for so long and you ruined it. So I 1213 00:55:51,560 --> 00:55:54,280 Speaker 1: hope they either file a class action lawsuit, if that's possible, 1214 00:55:54,320 --> 00:55:57,040 Speaker 1: against the University of Florida. Are the University of Florida 1215 00:55:57,040 --> 00:55:59,560 Speaker 1: should have raised all the kids student loans after least 1216 00:55:59,600 --> 00:56:02,319 Speaker 1: cut this in loans and half. Okay, it's only right, 1217 00:56:02,560 --> 00:56:04,320 Speaker 1: all right, And once again, I can't prove that this 1218 00:56:04,440 --> 00:56:06,879 Speaker 1: was racist, but it was definitely rude. All right. Please 1219 00:56:06,920 --> 00:56:09,600 Speaker 1: give the University of Florida President W. Kent Foods, the 1220 00:56:09,719 --> 00:56:11,799 Speaker 1: faculty and staff, and this man who has not yet 1221 00:56:11,840 --> 00:56:15,040 Speaker 1: been identified as Aladanda David Jacobs the biggest he hall. 1222 00:56:15,040 --> 00:56:20,120 Speaker 1: Please give him some sweet sounds in the hand with 1223 00:56:20,120 --> 00:56:25,160 Speaker 1: tones let my boy sing, you are the donkey O 1224 00:56:26,600 --> 00:56:41,319 Speaker 1: the day you are the donkey the he All right, 1225 00:56:41,440 --> 00:56:43,360 Speaker 1: I was pronouncing the president's name all wrong? How do 1226 00:56:43,360 --> 00:56:46,239 Speaker 1: you pronounce it? You know? I can't pronounce nothing at all. 1227 00:56:46,320 --> 00:56:50,200 Speaker 1: I mean, I was but prounce fu hs. How would 1228 00:56:50,200 --> 00:56:52,480 Speaker 1: you happennounce all? I mess with you. Well, if y'all 1229 00:56:52,520 --> 00:56:55,680 Speaker 1: want to have a little petty party, you can go 1230 00:56:55,840 --> 00:57:01,520 Speaker 1: to at president fuc a h fuc A zero. There 1231 00:57:01,600 --> 00:57:08,360 Speaker 1: you go, f you c h U. You can go 1232 00:57:08,400 --> 00:57:11,879 Speaker 1: to his page and put university if you c hu 1233 00:57:12,760 --> 00:57:14,759 Speaker 1: have a little petty party and his uh and his 1234 00:57:14,880 --> 00:57:18,800 Speaker 1: mentions right now at President Fuchs, I definitely would not say, 1235 00:57:19,320 --> 00:57:21,360 Speaker 1: all right, p R E F I D E N 1236 00:57:21,440 --> 00:57:25,400 Speaker 1: T f U c h S. Just put f you Fuchs? 1237 00:57:25,600 --> 00:57:27,880 Speaker 1: All right, there you go, put f you Fuchs. That's 1238 00:57:27,880 --> 00:57:31,560 Speaker 1: the petty part. Are you gonna have this morning? Fu Fuchs? Okay? 1239 00:57:31,800 --> 00:57:33,720 Speaker 1: All right, well thank you for that. Donkey to day. 1240 00:57:35,960 --> 00:57:38,560 Speaker 1: What man? I hate when your little bage brain thought 1241 00:57:39,680 --> 00:57:42,120 Speaker 1: I do. And I don't want to tell y'all what 1242 00:57:42,200 --> 00:57:46,240 Speaker 1: because you're gonna judge me what I thought about a story? Right, 1243 00:57:50,480 --> 00:57:52,200 Speaker 1: you know what? I think? You hesitating too much? You 1244 00:57:52,240 --> 00:57:56,760 Speaker 1: khaki colored? Ye tell what you know? He flew me 1245 00:57:56,840 --> 00:58:01,080 Speaker 1: out one time, all right, Kelly? All right, Oh that's 1246 00:58:01,120 --> 00:58:05,240 Speaker 1: why they had nothing to do with all Kelly, So 1247 00:58:05,480 --> 00:58:06,880 Speaker 1: this is on your mind. I just thought about it 1248 00:58:06,920 --> 00:58:10,040 Speaker 1: because he did the rumor report, right, So all Kelly, 1249 00:58:10,080 --> 00:58:11,680 Speaker 1: pe on you. That's why you so yellow? He didn't that. 1250 00:58:11,760 --> 00:58:14,040 Speaker 1: Peel me all, Kelly, you're in the same complexion of you. 1251 00:58:14,880 --> 00:58:17,560 Speaker 1: What happened? He flew me out? Okay, Chicago, right, you 1252 00:58:17,600 --> 00:58:19,480 Speaker 1: had to fly out situation? He did fly me out. 1253 00:58:19,520 --> 00:58:21,800 Speaker 1: He put me up in a hotel. Right, why are 1254 00:58:21,800 --> 00:58:23,360 Speaker 1: you looking at me like that? And then he realized 1255 00:58:23,400 --> 00:58:25,200 Speaker 1: you were too open? No, that's the true, it's true. 1256 00:58:25,240 --> 00:58:27,720 Speaker 1: He wanted me to DJ for him. Right, he flew 1257 00:58:27,800 --> 00:58:29,760 Speaker 1: me out. What news are you looking for it? Don't 1258 00:58:29,760 --> 00:58:31,280 Speaker 1: stop looking for music. No, you try to put on 1259 00:58:31,360 --> 00:58:33,640 Speaker 1: some sensual We don't tell your story and stop stalling, 1260 00:58:33,800 --> 00:58:36,960 Speaker 1: he flew report. Yeah, let's sleep for rumor, apart up 1261 00:58:37,000 --> 00:58:39,360 Speaker 1: next and shoot your shot. You don't tease me like that. No, 1262 00:58:39,520 --> 00:58:42,760 Speaker 1: goddamn good ass story. Shoot your shot is next. You 1263 00:58:42,880 --> 00:58:52,520 Speaker 1: got flown uptown up Definitely. I was already in the next. 1264 00:58:53,080 --> 00:58:55,320 Speaker 1: If you want to highlight somebody, you can shoot your 1265 00:58:55,360 --> 00:58:58,640 Speaker 1: shot someone out the mind. It's the breakfast club, going 1266 00:58:58,760 --> 00:59:10,840 Speaker 1: to shoot your shots next the breakfast club. It's time 1267 00:59:10,880 --> 00:59:12,720 Speaker 1: to shoot your shot. To shoot your shot with the 1268 00:59:12,800 --> 00:59:16,240 Speaker 1: breakfast Club. Just one chance. Don't mess it up, mess 1269 00:59:16,280 --> 00:59:18,640 Speaker 1: it up, mess it up. We have Tyson on online. Tyson, 1270 00:59:18,680 --> 00:59:21,200 Speaker 1: Good morning morning, how y'all doing. How's it going? Man? 1271 00:59:21,200 --> 00:59:23,560 Speaker 1: Will you want to shoot your shot with? Shoot my 1272 00:59:23,640 --> 00:59:29,680 Speaker 1: shot with my wife Kendra? We've been years, yeah, but 1273 00:59:29,800 --> 00:59:32,880 Speaker 1: we we've been separated the last like ten months or so, 1274 00:59:33,760 --> 00:59:37,600 Speaker 1: and uh, you know, it's just all kinds of different things. 1275 00:59:39,960 --> 00:59:42,480 Speaker 1: I mean, you know, with the kids and everything, her 1276 00:59:42,560 --> 00:59:45,400 Speaker 1: feeling like I am, I'm not doing my part of 1277 00:59:45,800 --> 00:59:48,800 Speaker 1: coddling them, undermining and and I have my hole of 1278 00:59:48,840 --> 00:59:51,320 Speaker 1: insecurities because she was making more than me. So as 1279 00:59:51,360 --> 00:59:53,600 Speaker 1: a man, I really didn't you know, necessarily take one 1280 00:59:53,680 --> 00:59:56,400 Speaker 1: to that and all things lady to that kind of stuff. 1281 00:59:56,440 --> 00:59:58,960 Speaker 1: And you know, I've spent all this time really thinking 1282 00:59:59,000 --> 01:00:01,080 Speaker 1: about it. And she's the one that I want to 1283 01:00:01,120 --> 01:00:02,680 Speaker 1: be lest you know, I want to fight for her. 1284 01:00:02,720 --> 01:00:04,320 Speaker 1: I want to fight for our family. I want our 1285 01:00:04,400 --> 01:00:07,000 Speaker 1: kids to have a you know, a whole house that 1286 01:00:07,080 --> 01:00:09,240 Speaker 1: they go up there with a mom and dad. That's 1287 01:00:09,280 --> 01:00:11,400 Speaker 1: dope that y'all took ten months off and you really 1288 01:00:11,480 --> 01:00:13,880 Speaker 1: reflected on the things that happened in your relationship that 1289 01:00:13,960 --> 01:00:15,760 Speaker 1: you could have improved on. Did you do it by 1290 01:00:15,920 --> 01:00:19,840 Speaker 1: choice or do I mean made you do it? You know? Not? Bean, Look, 1291 01:00:19,960 --> 01:00:21,720 Speaker 1: once you gets separated, you know, I mean, it's not 1292 01:00:21,840 --> 01:00:23,440 Speaker 1: really much of a choice there. You kind of have 1293 01:00:23,560 --> 01:00:25,240 Speaker 1: to do the work that you don't, you know. And 1294 01:00:25,720 --> 01:00:27,600 Speaker 1: I really try to take that time to reflect on 1295 01:00:27,680 --> 01:00:30,240 Speaker 1: myself and I be honest with you, man, y'all been 1296 01:00:30,280 --> 01:00:34,120 Speaker 1: separated five years? Y'all divorced? No? Ten months? Are you? 1297 01:00:34,480 --> 01:00:39,960 Speaker 1: What the hell? For five years and separated for ten months? Oh? Man? Well, 1298 01:00:39,960 --> 01:00:41,560 Speaker 1: I'm gonna tell you something. That other penis you've been 1299 01:00:41,600 --> 01:00:43,600 Speaker 1: getting for the past ten months, man, might be great. 1300 01:00:43,640 --> 01:00:44,840 Speaker 1: So I don't know if you want to come back 1301 01:00:44,880 --> 01:00:47,200 Speaker 1: to you. Yeah, ten months seems like a long time. Man. 1302 01:00:47,720 --> 01:00:49,440 Speaker 1: Why why didn't you think about this a month ago? 1303 01:00:49,560 --> 01:00:51,840 Speaker 1: Like seven months ago? I mean, it's not that I 1304 01:00:51,920 --> 01:00:54,040 Speaker 1: haven't been thinking about it, you know, it's just really 1305 01:00:54,600 --> 01:00:57,200 Speaker 1: about putting myself out there and being vulnerable. You're going. 1306 01:00:57,920 --> 01:00:59,640 Speaker 1: I mean, it's not an easy thing to say. You know, 1307 01:01:00,040 --> 01:01:02,200 Speaker 1: he's my faults and my mistakes and these are the 1308 01:01:02,280 --> 01:01:04,000 Speaker 1: things I need to hold up too. But I'm willing 1309 01:01:04,040 --> 01:01:05,600 Speaker 1: to do it because it might be gone. Bro, I'm 1310 01:01:05,680 --> 01:01:10,720 Speaker 1: gonest with you. I want to girls gone. You know. 1311 01:01:10,880 --> 01:01:13,400 Speaker 1: I'm sure that these are issues that it seems like 1312 01:01:13,480 --> 01:01:15,880 Speaker 1: you guys can potentially resolve. It's not like you guys 1313 01:01:15,920 --> 01:01:18,160 Speaker 1: don't love each other, right, Chela me? Maybe? Right? You 1314 01:01:18,240 --> 01:01:21,000 Speaker 1: better hope that Tyson. You guys, you guys still have 1315 01:01:21,120 --> 01:01:23,800 Speaker 1: been keeping in contact because you have kids together. Yeah, 1316 01:01:24,000 --> 01:01:26,360 Speaker 1: you know what I mean. We haven't been completely you know, 1317 01:01:26,600 --> 01:01:28,360 Speaker 1: like ghost at each other. We just you know, we've 1318 01:01:28,400 --> 01:01:30,600 Speaker 1: been separated, so down like business to me. Have you 1319 01:01:30,680 --> 01:01:33,600 Speaker 1: had sex with her in those past ten months? And 1320 01:01:34,120 --> 01:01:37,600 Speaker 1: I mean I'm not trying everything. I'm a raised, a gentleman. 1321 01:01:37,720 --> 01:01:40,040 Speaker 1: Have y'all had sex with in the past. Do you 1322 01:01:40,080 --> 01:01:42,440 Speaker 1: feel like she still loves you? I feel like she 1323 01:01:42,560 --> 01:01:47,280 Speaker 1: does yees. Yeah as a friend. Yeah, there was still 1324 01:01:47,320 --> 01:01:49,600 Speaker 1: something that somebody told me one time. You never leave 1325 01:01:49,640 --> 01:01:51,439 Speaker 1: a house because once you once you out that house, 1326 01:01:51,520 --> 01:01:53,600 Speaker 1: you might be out forever. Once you leave that house, 1327 01:01:53,640 --> 01:01:56,840 Speaker 1: another penis comes in it. That's not true. Sometimes people 1328 01:01:56,920 --> 01:01:58,920 Speaker 1: say breaks all the time and get back together. As 1329 01:01:59,000 --> 01:02:01,840 Speaker 1: long as you guys are willing to work on your relationship, 1330 01:02:01,920 --> 01:02:03,880 Speaker 1: y'all respect each other and you still love each other. 1331 01:02:04,000 --> 01:02:06,760 Speaker 1: But sometimes disagreements aren't about whether or not we love 1332 01:02:06,840 --> 01:02:08,920 Speaker 1: each other. It's about other things. We call her and 1333 01:02:09,040 --> 01:02:11,000 Speaker 1: she tells you that she's pregnant. We're about to find out. 1334 01:02:11,080 --> 01:02:12,920 Speaker 1: Let's let's call it, what's gonna call it when we 1335 01:02:13,000 --> 01:02:18,680 Speaker 1: come back? All right, he's nervous now, all right, keep 1336 01:02:18,720 --> 01:02:21,080 Speaker 1: it lock. That's the breakfast club, Good morning, telling everybody 1337 01:02:21,240 --> 01:02:24,800 Speaker 1: is DJ Envy, Angela Gee, Charlomagne, the guy. We are 1338 01:02:24,880 --> 01:02:27,880 Speaker 1: the Breakfast Club. We're in the middle of shoots his shot. 1339 01:02:28,000 --> 01:02:30,280 Speaker 1: Now Tyson's on the line. He's about to call his wife, 1340 01:02:30,360 --> 01:02:47,960 Speaker 1: well maybe wife Kendra. Hello, Hey Kendra, Hey Tyson, what 1341 01:02:48,120 --> 01:02:53,080 Speaker 1: do you what do you want? I'm calling because look, 1342 01:02:53,360 --> 01:02:55,920 Speaker 1: I don't think he's been brought between us recently. You know, 1343 01:02:56,000 --> 01:03:00,120 Speaker 1: we've been separated, got up and down homes, but a 1344 01:03:00,160 --> 01:03:03,120 Speaker 1: lot of thinking at the time, and you're the only 1345 01:03:03,160 --> 01:03:04,920 Speaker 1: person I don't want to be with. You know, you 1346 01:03:05,040 --> 01:03:07,120 Speaker 1: mean the world to me. I want us to have 1347 01:03:07,200 --> 01:03:09,280 Speaker 1: a family. I want our kids to have a mom 1348 01:03:09,320 --> 01:03:13,280 Speaker 1: and dad together, and I want us to start completely 1349 01:03:13,560 --> 01:03:16,520 Speaker 1: from scratch. You know, can can we can we do 1350 01:03:16,640 --> 01:03:19,200 Speaker 1: it all over again, husband and wife, the whole you 1351 01:03:19,280 --> 01:03:22,160 Speaker 1: know that holy matrimony. I want. I want that with us. 1352 01:03:22,240 --> 01:03:24,160 Speaker 1: I want to do it again and do it right 1353 01:03:24,240 --> 01:03:28,400 Speaker 1: this time. I've actually been developing a friendship with someone. 1354 01:03:28,560 --> 01:03:33,920 Speaker 1: You know, who's who's your friend. I know all about 1355 01:03:34,040 --> 01:03:36,200 Speaker 1: Diamond and the fact that you proposed to her like 1356 01:03:36,280 --> 01:03:39,320 Speaker 1: a few weeks ago. Well, okay, okay, hold that for 1357 01:03:39,400 --> 01:03:42,960 Speaker 1: a second. This is the Breakfast Club way Kendra. This 1358 01:03:43,080 --> 01:03:46,440 Speaker 1: is Angela Yee Charlemagne and Envy. Oh, good morning, Drew. 1359 01:03:49,080 --> 01:03:50,880 Speaker 1: Where are breaking up with you? You didn't tell us this. 1360 01:03:51,080 --> 01:03:52,800 Speaker 1: Wait a minute now, so Kendre, you messing with a 1361 01:03:52,840 --> 01:03:56,520 Speaker 1: woman now, No, I'm not messing with a woman. He 1362 01:03:56,600 --> 01:03:59,680 Speaker 1: was messing with you proposed to someone else. I thought 1363 01:03:59,760 --> 01:04:03,680 Speaker 1: Kendrew was out here eating all the program calid nuts now, Candra, 1364 01:04:03,920 --> 01:04:05,840 Speaker 1: I just want to be clear. We only intervened because 1365 01:04:05,880 --> 01:04:08,320 Speaker 1: Tyson told us that y'all took ten months off and 1366 01:04:08,400 --> 01:04:09,920 Speaker 1: he really wanted to be with you. He loved you. 1367 01:04:10,000 --> 01:04:11,480 Speaker 1: He's been taking that time to think. He didn't tell 1368 01:04:11,520 --> 01:04:15,040 Speaker 1: us anything about dying. He said he was insecure. Tyson, 1369 01:04:15,080 --> 01:04:16,480 Speaker 1: anything you want to say, does the cat have your 1370 01:04:16,520 --> 01:04:19,240 Speaker 1: tongue as well? I mean I don't. I don't know what. 1371 01:04:19,360 --> 01:04:20,920 Speaker 1: I don't know what Diamond has been telling you. I 1372 01:04:21,000 --> 01:04:24,400 Speaker 1: mean proposed. That's that's a real aggressive word. Anybody like 1373 01:04:24,520 --> 01:04:30,360 Speaker 1: proposed the Diamond? Are you? That's what he says now, 1374 01:04:30,800 --> 01:04:33,080 Speaker 1: And I'm glad she said no, you're broke as No, 1375 01:04:33,200 --> 01:04:36,080 Speaker 1: let me tell you something. Don't know none around my children. 1376 01:04:40,080 --> 01:04:45,439 Speaker 1: We don't want you in our lives. I can't believe 1377 01:04:45,480 --> 01:04:48,960 Speaker 1: itbody put me behind. I am so sorry for wasting 1378 01:04:49,000 --> 01:04:52,880 Speaker 1: your time this morning. He didn't. It's so bad. I mean, 1379 01:04:53,000 --> 01:04:55,280 Speaker 1: this is just ridiculous. I'm disgusting. I mean, I'm glad 1380 01:04:55,320 --> 01:04:58,640 Speaker 1: to hear from you guys, but no, thank you. Wow, yeah, 1381 01:04:58,760 --> 01:05:01,520 Speaker 1: no thank you. We're not into away, Tyson. Sorry, this 1382 01:05:01,720 --> 01:05:05,320 Speaker 1: is not an accurate representation of what's to happen. You're 1383 01:05:05,320 --> 01:05:12,200 Speaker 1: gonna give Diamond that fake diamond. Bye, damn sad. I'm 1384 01:05:12,280 --> 01:05:15,680 Speaker 1: sorry for wasting your time, all our time. Yeah all right, well, 1385 01:05:15,680 --> 01:05:18,040 Speaker 1: I's shoot your shot. We got rumors on the way. Ye, yes, 1386 01:05:18,160 --> 01:05:20,200 Speaker 1: we are going to talk about Friday. Find out how 1387 01:05:20,320 --> 01:05:22,680 Speaker 1: much the cast I Friday got paid for that original movie, 1388 01:05:22,720 --> 01:05:26,400 Speaker 1: and see why maybe Chris Tucker didn't come back right away. 1389 01:05:26,680 --> 01:05:28,240 Speaker 1: We got all that and all. Coming up next is 1390 01:05:28,280 --> 01:05:38,280 Speaker 1: The Breakfast Club. Good morning, it's about the report angela 1391 01:05:38,400 --> 01:05:42,480 Speaker 1: ye on the Breakfast Club. So for everybody waiting for 1392 01:05:42,680 --> 01:05:45,920 Speaker 1: that Next Friday, were not Next Friday, but another Friday movie? 1393 01:05:46,800 --> 01:05:49,520 Speaker 1: What is happening with that? Well? John Witherspoon is down 1394 01:05:49,600 --> 01:05:51,720 Speaker 1: to do it. But he was on Glad TV and 1395 01:05:51,800 --> 01:05:53,680 Speaker 1: he talked about how much they made when they did 1396 01:05:53,800 --> 01:05:56,040 Speaker 1: the first one. Here's what he said two million dollars. 1397 01:05:56,080 --> 01:05:58,560 Speaker 1: We got paid five thousand dollars piece to do that movie. 1398 01:05:58,760 --> 01:06:00,960 Speaker 1: The movie grow three hundred million, and they're not going 1399 01:06:01,000 --> 01:06:02,640 Speaker 1: to come back and say we made a Look, we 1400 01:06:02,720 --> 01:06:04,240 Speaker 1: made a lot of money. Gonna give you all the bonus, 1401 01:06:04,320 --> 01:06:07,400 Speaker 1: ain't boo. That don't happen in Hollywood. So what happened 1402 01:06:07,560 --> 01:06:10,240 Speaker 1: with Chris Tucker and his involvement in Friday making with 1403 01:06:10,560 --> 01:06:13,680 Speaker 1: Jackie Chan with that Rush Hour making twenty million? I 1404 01:06:13,720 --> 01:06:17,240 Speaker 1: wouldn't go back to Friday either. Who five thousand dollars? Yeah, 1405 01:06:17,320 --> 01:06:19,240 Speaker 1: because at the time I think the budget for the 1406 01:06:19,320 --> 01:06:21,480 Speaker 1: whole movie was one hundred grand. No, it was two million. 1407 01:06:21,560 --> 01:06:23,360 Speaker 1: He said two million. Yeah, he said it cost two 1408 01:06:23,360 --> 01:06:25,400 Speaker 1: million to make. He just said that. J Poo told 1409 01:06:25,400 --> 01:06:27,439 Speaker 1: me once to cost one hundred thousand dollars. Two million 1410 01:06:27,440 --> 01:06:29,400 Speaker 1: dollars a lot of money back then. There's a lot 1411 01:06:29,440 --> 01:06:32,200 Speaker 1: of a movie that was only shot on two different locations. 1412 01:06:32,240 --> 01:06:34,560 Speaker 1: But like you said, the movie grows three hundred million dollars, 1413 01:06:34,640 --> 01:06:37,040 Speaker 1: So that was that. But you agreed to whatever salary 1414 01:06:37,120 --> 01:06:39,160 Speaker 1: you agreed to, So it is what it is. And 1415 01:06:39,240 --> 01:06:40,880 Speaker 1: plus all of them were young, en up and coming 1416 01:06:40,920 --> 01:06:43,439 Speaker 1: back then, like who John Hullion wasn't young and number coming. 1417 01:06:43,480 --> 01:06:45,560 Speaker 1: I mean, he wasn't young, but he wasn't like bang 1418 01:06:45,640 --> 01:06:48,080 Speaker 1: bang bang John. You know what he said For the 1419 01:06:48,160 --> 01:06:51,919 Speaker 1: next Friday, his pay went to four hundred thousand dollars. Yeah, 1420 01:06:52,480 --> 01:06:54,600 Speaker 1: this had to be like his first movie Friday. That 1421 01:06:54,680 --> 01:06:56,360 Speaker 1: had to be like a lot of that first movies. Now, 1422 01:06:56,400 --> 01:06:58,520 Speaker 1: in addition to the fact that Chris Tucker went ahead 1423 01:06:58,560 --> 01:07:01,760 Speaker 1: and did the Rush Hour movie after that, he said 1424 01:07:01,880 --> 01:07:04,640 Speaker 1: that Chris Tucker also had distanced himself from the smoky 1425 01:07:04,720 --> 01:07:07,000 Speaker 1: character for other reasons, as we know, because he got 1426 01:07:07,040 --> 01:07:10,120 Speaker 1: religious and the church council did not want to glorify 1427 01:07:10,280 --> 01:07:12,240 Speaker 1: kids smoking weed. The preachers got to him and said, so, 1428 01:07:12,320 --> 01:07:13,880 Speaker 1: you can't be in a movie where the smoking weed 1429 01:07:13,920 --> 01:07:15,840 Speaker 1: and stuff. But now it is legal. Yeah, Chris got 1430 01:07:15,960 --> 01:07:17,800 Speaker 1: to stop using that excuse because weed is legal now 1431 01:07:17,840 --> 01:07:19,680 Speaker 1: he could be in the movie using He could be 1432 01:07:19,800 --> 01:07:21,400 Speaker 1: using a movie from a distinal purposes. You know what 1433 01:07:21,440 --> 01:07:22,840 Speaker 1: I'm saying. You could have changed his life, gave it 1434 01:07:22,880 --> 01:07:24,080 Speaker 1: to God, but still be using the weed from a 1435 01:07:24,120 --> 01:07:26,200 Speaker 1: disginal purposes. It's all kind of ways to write that role, 1436 01:07:26,440 --> 01:07:28,960 Speaker 1: all right, now, Rita Aura, she says that she was 1437 01:07:29,040 --> 01:07:32,680 Speaker 1: discriminated against on Rock Nation because she is a woman. Now, 1438 01:07:32,680 --> 01:07:35,360 Speaker 1: if you guys remember everything that happened, she had filed 1439 01:07:35,360 --> 01:07:38,080 Speaker 1: a lawsuit back in twenty fifteen, saying that they neglected her. 1440 01:07:38,200 --> 01:07:40,920 Speaker 1: She said, when she got signed, the senior executives were 1441 01:07:41,000 --> 01:07:43,440 Speaker 1: very involved with her as an artist, but now there 1442 01:07:43,480 --> 01:07:45,960 Speaker 1: were just fewer resources available and the company had a 1443 01:07:46,080 --> 01:07:48,920 Speaker 1: revolving door of executives. Well, Rock Nation did counters through 1444 01:07:48,960 --> 01:07:51,480 Speaker 1: readA Aura for two point four million dollars. They did 1445 01:07:51,560 --> 01:07:54,680 Speaker 1: settle amicably back in twenty sixteen, But now she's saying 1446 01:07:54,720 --> 01:07:57,040 Speaker 1: that things might have favored better for her under the 1447 01:07:57,120 --> 01:07:59,400 Speaker 1: label had she been a man. She said to the 1448 01:07:59,440 --> 01:08:01,600 Speaker 1: Sunday Time Times, I want to find the right word here, 1449 01:08:01,880 --> 01:08:04,080 Speaker 1: and maybe this is my interpretation, but I do feel 1450 01:08:04,080 --> 01:08:06,840 Speaker 1: like I discriminated against because I was a woman. I 1451 01:08:06,920 --> 01:08:09,760 Speaker 1: almost felt and maybe this is just my interpretation. I 1452 01:08:09,800 --> 01:08:11,920 Speaker 1: could have had a better chance if I'd been mad. 1453 01:08:12,000 --> 01:08:13,400 Speaker 1: I mean, I can't think of too many other women 1454 01:08:13,400 --> 01:08:15,200 Speaker 1: that was signed the Rock Nation. I know Bridget Kelly 1455 01:08:15,280 --> 01:08:17,680 Speaker 1: was signing the Rock I think, no, she's not no 1456 01:08:17,760 --> 01:08:20,599 Speaker 1: more Rihanna. So I mean, who is she comparing this too? 1457 01:08:21,640 --> 01:08:24,800 Speaker 1: Maybe she's saying because she wasn't a man. Maybe she 1458 01:08:24,880 --> 01:08:27,680 Speaker 1: was too much like Rihanna. She did anybody ever think 1459 01:08:27,720 --> 01:08:30,160 Speaker 1: about that? I remember jay Z himself personally walked up 1460 01:08:30,200 --> 01:08:34,920 Speaker 1: and had him drinking tequilo with Tom Palmer. I don't 1461 01:08:34,920 --> 01:08:37,479 Speaker 1: know the Indian outs of what happened with her particular situation, 1462 01:08:37,680 --> 01:08:40,840 Speaker 1: but that's just how she feels. So it is Tara 1463 01:08:40,920 --> 01:08:42,920 Speaker 1: Marie feels the same way. Tiara Marie feels like. There 1464 01:08:42,960 --> 01:08:45,200 Speaker 1: was no rock Nation when Tierra Marie was signed. It 1465 01:08:45,280 --> 01:08:47,920 Speaker 1: was a Rockefeller. Why do you think Tiara Marie took 1466 01:08:48,080 --> 01:08:50,479 Speaker 1: If Rihanna took off for Tarran Marie didn't, well, Tierra 1467 01:08:50,560 --> 01:08:53,720 Speaker 1: Marie took responsibility for herself, saying that she was very 1468 01:08:53,800 --> 01:08:55,880 Speaker 1: young and she just wasn't doing what she was shouldn't work. 1469 01:08:56,400 --> 01:08:57,960 Speaker 1: He read need or need to do the same thing 1470 01:08:57,960 --> 01:09:00,000 Speaker 1: because rid Or did not have the records that rihannad 1471 01:09:00,040 --> 01:09:01,800 Speaker 1: and I like reader, but come on stop, I don't 1472 01:09:01,800 --> 01:09:05,200 Speaker 1: even know what records she has exactly. I don't know. No, 1473 01:09:05,400 --> 01:09:07,120 Speaker 1: I can't think of too many artists. Jay Z walks 1474 01:09:07,160 --> 01:09:09,479 Speaker 1: to the radio station and sits down with and has 1475 01:09:09,560 --> 01:09:12,200 Speaker 1: to kill her. He ain't never did that with Jakeolepe 1476 01:09:12,280 --> 01:09:14,120 Speaker 1: and Jake Hole on a Rock Nation. Have you ever 1477 01:09:14,200 --> 01:09:17,720 Speaker 1: seen jay Z? But you're talking about men. She's talking 1478 01:09:17,760 --> 01:09:19,960 Speaker 1: about women, so I can't listen. I'm not gonna tell 1479 01:09:20,040 --> 01:09:22,000 Speaker 1: Rido or I don't know what her experience was. I 1480 01:09:22,040 --> 01:09:24,040 Speaker 1: don't know. I'm just saying, have you ever seen Jaz 1481 01:09:24,080 --> 01:09:25,639 Speaker 1: walking to a Radis station and sit down with Jacole 1482 01:09:25,760 --> 01:09:28,040 Speaker 1: and do an interview a Walley or any of those 1483 01:09:28,040 --> 01:09:29,760 Speaker 1: other guys that was on the Rock Nation. No, he 1484 01:09:29,840 --> 01:09:31,840 Speaker 1: did that with Ridor. But that's why Wallet left too, 1485 01:09:31,880 --> 01:09:37,439 Speaker 1: because jay Z didn't take All right, Now, let's talk 1486 01:09:37,439 --> 01:09:40,479 Speaker 1: about some first week numbers. Now, the first week number 1487 01:09:40,560 --> 01:09:44,240 Speaker 1: projections are in for a Racier Merged triple album. Uh, 1488 01:09:44,479 --> 01:09:48,240 Speaker 1: if you guys, have you guys heard between fifty five 1489 01:09:48,320 --> 01:09:51,920 Speaker 1: and sixty thousand is what they are predicting that album 1490 01:09:52,000 --> 01:09:53,000 Speaker 1: is going to do. Now, I don't know if that 1491 01:09:53,120 --> 01:09:55,880 Speaker 1: includes the fact that it's a triple album and that 1492 01:09:56,000 --> 01:09:57,920 Speaker 1: gets tripled. I don't know how that works. How much 1493 01:09:57,960 --> 01:10:00,960 Speaker 1: did they do they suspect to do between fifty five 1494 01:10:01,000 --> 01:10:04,599 Speaker 1: and sixty thousand? All right, but let's talk about post Malone. 1495 01:10:04,960 --> 01:10:07,439 Speaker 1: He got his first number one on the Billboard two 1496 01:10:07,560 --> 01:10:10,720 Speaker 1: hundred Albums chart and he had the biggest streaming week 1497 01:10:10,840 --> 01:10:15,200 Speaker 1: ever for an album Mayonnaise Music, and that's for Beer 1498 01:10:15,280 --> 01:10:18,840 Speaker 1: Bonds and Bentley, four hundred and sixty one thousand equivalent 1499 01:10:18,960 --> 01:10:23,080 Speaker 1: album units for post Malone. And he has eighteen songs 1500 01:10:23,160 --> 01:10:26,160 Speaker 1: on the Hot one hundred, So all eighteen tracks are 1501 01:10:26,240 --> 01:10:28,800 Speaker 1: on that Hot one hundred, and that means that he 1502 01:10:28,960 --> 01:10:31,800 Speaker 1: is only the third act to ever do that. So 1503 01:10:32,080 --> 01:10:35,040 Speaker 1: congratulations to post Malone. People insult me when they asked 1504 01:10:35,040 --> 01:10:38,080 Speaker 1: me if I've heard post Malone album, Yo, no good 1505 01:10:38,120 --> 01:10:40,200 Speaker 1: own Dan, Well, I'm not listening to no damn post Malone. 1506 01:10:40,280 --> 01:10:42,519 Speaker 1: All right, you can't but help it. Hear songs up here. Now, 1507 01:10:42,640 --> 01:10:45,080 Speaker 1: Drake has the record for the most simultaneous entries. He 1508 01:10:45,120 --> 01:10:47,640 Speaker 1: has twenty four. So, like we said, post Malone and 1509 01:10:47,720 --> 01:10:50,920 Speaker 1: The Weekend both have eighteen tracks simultaneous. Well, congratulations to 1510 01:10:51,040 --> 01:10:53,000 Speaker 1: Drake on The Weekend. All right, I'm angela yea, And 1511 01:10:53,040 --> 01:10:54,960 Speaker 1: that is your rumor reports. All right, and let me 1512 01:10:55,000 --> 01:10:57,880 Speaker 1: just tell you guys, tell us I was telling you earlier. Oh, 1513 01:10:58,040 --> 01:11:00,559 Speaker 1: this is the rumor report. Hold on, this is an exclusion. Yeah. 1514 01:11:00,600 --> 01:11:03,080 Speaker 1: So all, Kelly reached out to me and wanted me 1515 01:11:03,120 --> 01:11:05,760 Speaker 1: to be his tour DJ. Wow. Well it was just 1516 01:11:05,840 --> 01:11:07,799 Speaker 1: before the tape of after I think this was before. 1517 01:11:07,880 --> 01:11:11,439 Speaker 1: This was before the tape. He flew me out to Chicago. 1518 01:11:12,560 --> 01:11:14,120 Speaker 1: He flew me out to Chicago. I was a young 1519 01:11:14,200 --> 01:11:16,840 Speaker 1: buck back then. He flew me out to Chicago, not 1520 01:11:16,880 --> 01:11:19,120 Speaker 1: the youngest one of all Kelly's bucks. Put me up 1521 01:11:19,120 --> 01:11:22,120 Speaker 1: in a hotel, and then he just never called me. 1522 01:11:22,560 --> 01:11:25,200 Speaker 1: Just just let me in the hotel by myself. Let 1523 01:11:25,280 --> 01:11:28,280 Speaker 1: me get the strict Kelly flew you out to Chicago. 1524 01:11:28,520 --> 01:11:31,280 Speaker 1: To Chicago, you're a wiffle colored negro. I am a 1525 01:11:31,320 --> 01:11:33,800 Speaker 1: wiffle color, the same color as the urine that comes 1526 01:11:33,840 --> 01:11:35,479 Speaker 1: out of all Kelly's penuts. I don't know what color 1527 01:11:38,800 --> 01:11:40,880 Speaker 1: he flew to Chicago. He did, and when you got 1528 01:11:40,960 --> 01:11:42,960 Speaker 1: to he stopped answering the phone. He did. He just 1529 01:11:43,040 --> 01:11:45,479 Speaker 1: had you sitting in the hotel room. Sure did, man, 1530 01:11:45,760 --> 01:11:48,240 Speaker 1: you got sons, bro. I didn't had to tell nobody that. 1531 01:11:50,320 --> 01:11:55,879 Speaker 1: But actually, actually that rejection was your protection. That rejection 1532 01:11:56,200 --> 01:11:58,720 Speaker 1: was possibly your protection from an all Kelly erection. O 1533 01:12:00,880 --> 01:12:03,320 Speaker 1: my goodness. All right, we vote, We'll see you the 1534 01:12:03,400 --> 01:12:06,080 Speaker 1: Mark People's Choice mixes up. Next is the Breakfast Club. 1535 01:12:06,120 --> 01:12:06,519 Speaker 1: Good morning,