1 00:00:04,800 --> 00:00:08,920 Speaker 1: In nineteen seventy, South African jazz musician Hugh Masekela was 2 00:00:08,960 --> 00:00:12,840 Speaker 1: thinking about what he wanted to do next. Two years earlier, 3 00:00:12,880 --> 00:00:16,360 Speaker 1: he co founded a record company called Chisa Records. Then 4 00:00:16,520 --> 00:00:19,600 Speaker 1: he had a huge hit song in the US, the 5 00:00:19,640 --> 00:00:22,640 Speaker 1: Song of the Summer in sixty eight. It's called Graysin 6 00:00:22,720 --> 00:00:25,880 Speaker 1: in the Grass. His new ambitions were triggered by that 7 00:00:26,000 --> 00:00:29,640 Speaker 1: taste of success. Now both he and his Chiser Records 8 00:00:29,680 --> 00:00:33,040 Speaker 1: co founder want more, but not just for themselves, for 9 00:00:33,120 --> 00:00:33,640 Speaker 1: the people. 10 00:00:34,159 --> 00:00:38,040 Speaker 2: His co founder was Stuart Levine, who he met a 11 00:00:38,080 --> 00:00:41,960 Speaker 2: young Jewish kid saxophone player at Manhattan School of Music. 12 00:00:42,320 --> 00:00:46,239 Speaker 1: That's Hugh Masekela's son, Seleema Masekela. As he recalls it, 13 00:00:46,320 --> 00:00:47,839 Speaker 1: his father and Stuart. 14 00:00:47,560 --> 00:00:51,479 Speaker 2: Levine would end up becoming like the bestest of friends, 15 00:00:51,800 --> 00:00:54,920 Speaker 2: and they would end up moving to Los Angeles. And 16 00:00:55,320 --> 00:00:58,000 Speaker 2: Stu was a lot like my father was just never 17 00:00:58,080 --> 00:01:02,120 Speaker 2: about anything square, you know, like if it was square, 18 00:01:02,320 --> 00:01:05,440 Speaker 2: like why would we even be involved. So they wanted 19 00:01:05,440 --> 00:01:09,119 Speaker 2: to constantly be pushing and creating some shit that people 20 00:01:09,160 --> 00:01:10,440 Speaker 2: didn't know or experience. 21 00:01:13,600 --> 00:01:17,479 Speaker 1: The two iconoclasts took their musical mission seriously, and by 22 00:01:17,560 --> 00:01:21,200 Speaker 1: nineteen seventy one, Hugh Masekela wanted to explore new and 23 00:01:21,480 --> 00:01:24,800 Speaker 1: old musical territory. At the same time, he wanted to 24 00:01:24,880 --> 00:01:27,920 Speaker 1: combine the old jazz he'd learned in America with the 25 00:01:28,040 --> 00:01:31,720 Speaker 1: new afrobeat jazz he heard coming out of nations in Africa. 26 00:01:32,200 --> 00:01:35,840 Speaker 1: This impulse resulted in his album, Hugh Masekela and the 27 00:01:36,000 --> 00:01:39,280 Speaker 1: Union of South Africa. His braiding and blending of the 28 00:01:39,319 --> 00:01:42,120 Speaker 1: sounds he was after made his life feel worth living. 29 00:01:42,560 --> 00:01:45,120 Speaker 1: If he was exiled, if he couldn't go home to 30 00:01:45,160 --> 00:01:48,480 Speaker 1: South Africa due to apartheid era politics in his homeland, 31 00:01:49,000 --> 00:01:52,000 Speaker 1: well then he could find a new homeland in the 32 00:01:52,040 --> 00:01:56,880 Speaker 1: shared heritage of music. Masekela never gave in to bitterness 33 00:01:57,000 --> 00:01:59,920 Speaker 1: or anger. Instead, he remained. 34 00:02:00,040 --> 00:02:05,880 Speaker 2: Mildly curious and incredibly open to investigate everyone's not only 35 00:02:05,920 --> 00:02:08,600 Speaker 2: everyone's music, but everyone's culture and how they got there, 36 00:02:08,600 --> 00:02:12,000 Speaker 2: and what their experiences were in the manners in which 37 00:02:12,120 --> 00:02:14,280 Speaker 2: they might be catching hell at home. 38 00:02:14,919 --> 00:02:19,000 Speaker 1: That last phrase, that's where he truly found connection folks 39 00:02:19,000 --> 00:02:22,280 Speaker 1: who were also quote catching hell at home. It's the 40 00:02:22,320 --> 00:02:26,160 Speaker 1: same phrase Ali used in his road trip with Joe Frasier. 41 00:02:26,120 --> 00:02:29,520 Speaker 2: And so he identified the downtrodden or oppressed, and he 42 00:02:29,600 --> 00:02:31,440 Speaker 2: stood up for them. And if you were from a 43 00:02:31,480 --> 00:02:34,040 Speaker 2: place where people were catching how that meant that the 44 00:02:34,120 --> 00:02:35,800 Speaker 2: music was probably also really good. 45 00:02:36,600 --> 00:02:41,360 Speaker 1: This became his unofficial musical philosophy. Together, he and Stuart 46 00:02:41,440 --> 00:02:45,880 Speaker 1: Levine continued to explore. They continued to forge new musical 47 00:02:45,880 --> 00:02:50,800 Speaker 1: connections with artists in countries like Guinea, Nigeria, Ghana and 48 00:02:50,840 --> 00:02:54,400 Speaker 1: in the meantime, Hugh Masekela and Stuart Levine did what 49 00:02:54,560 --> 00:02:57,639 Speaker 1: they did best. They kept pushing at the frontiers, trying 50 00:02:57,680 --> 00:03:00,680 Speaker 1: to find new sounds as the sixties gave way to 51 00:03:00,760 --> 00:03:03,280 Speaker 1: the seventies. They didn't know it at the time, They 52 00:03:03,360 --> 00:03:07,239 Speaker 1: couldn't know it, but they were creating the artistic foundation 53 00:03:07,400 --> 00:03:11,240 Speaker 1: for an epic three day music festival to come, an 54 00:03:11,240 --> 00:03:28,560 Speaker 1: event that would be called Zaire seventy four. Welcome to Rumble, 55 00:03:28,760 --> 00:03:32,359 Speaker 1: Ali Foreman and the Soul of seventy four. I'm your host, 56 00:03:32,480 --> 00:03:36,040 Speaker 1: Zarn Burnett, the third from iHeart Podcast and School of Humans. 57 00:03:36,200 --> 00:03:45,600 Speaker 1: This is Rumble. Previously on Rumble. 58 00:03:45,560 --> 00:03:49,600 Speaker 3: We must stand up and say I'm black, but I'm black. 59 00:03:49,360 --> 00:03:52,080 Speaker 4: And beautiful, pretty sious. 60 00:03:52,080 --> 00:03:54,320 Speaker 5: This really tough guy comes from a deep poverty, from 61 00:03:54,320 --> 00:03:57,520 Speaker 5: the South. He's always a little insecurity, small for a heavyweight. 62 00:03:57,800 --> 00:04:00,880 Speaker 6: As much as we love Ali in retrospect, he was 63 00:04:01,080 --> 00:04:03,680 Speaker 6: as ugly and racial as he had to be to 64 00:04:03,720 --> 00:04:04,640 Speaker 6: get under their skin. 65 00:04:04,880 --> 00:04:08,280 Speaker 7: He can promote the fight without calling him a gorilla. 66 00:04:08,560 --> 00:04:12,000 Speaker 8: Where's Joe Fraser? Where's the White Folks? Champion? 67 00:04:21,920 --> 00:04:26,279 Speaker 1: March eighth, nineteen seventy one, Madison Square Guard the fight 68 00:04:26,680 --> 00:04:29,880 Speaker 1: of the century. It's the place to be for everyone 69 00:04:29,960 --> 00:04:33,320 Speaker 1: who is anyone in New York City. As the newspaper 70 00:04:33,360 --> 00:04:35,680 Speaker 1: The Alberton later reports, the. 71 00:04:35,680 --> 00:04:38,599 Speaker 9: Soul brothers and sisters, flamboyant and their minx and feathers 72 00:04:38,680 --> 00:04:42,680 Speaker 9: rubbed elbows with government chiefs, tycoons, sports heroes and astronauts. 73 00:04:42,680 --> 00:04:45,920 Speaker 9: Monday night at the spectacular heavyweight title fight between Joe 74 00:04:45,920 --> 00:04:47,280 Speaker 9: Frasier and Muhammad. 75 00:04:46,920 --> 00:04:51,480 Speaker 1: Ali, big stars turn up. The young and stylish roll 76 00:04:51,560 --> 00:04:58,760 Speaker 1: out to see and be seen. There's Frank Sinatra, Sammy Davis, Junior, 77 00:04:58,920 --> 00:05:03,720 Speaker 1: Miles Davis, Dianana Ross, Hugh Hefner, Barbara Streisian, Diane Keaton, 78 00:05:03,920 --> 00:05:08,520 Speaker 1: Ted Kennedy, the Apollo fourteen astronauts, the Italian actor Marcello 79 00:05:08,640 --> 00:05:13,159 Speaker 1: master Roiani, and also Colonel Harlan Sanders of Kentucky Fried 80 00:05:13,240 --> 00:05:17,200 Speaker 1: Chicken fame all together at Madison Square Garden. But also 81 00:05:17,640 --> 00:05:19,920 Speaker 1: there are surprises like Bob Dylan. 82 00:05:20,560 --> 00:05:23,720 Speaker 5: It was just a great reminder that this was bigger 83 00:05:23,760 --> 00:05:25,440 Speaker 5: than the super Bowl. It was bigger than a dozen 84 00:05:25,600 --> 00:05:28,760 Speaker 5: super Bowls. If Taylor Swift would have been there were 85 00:05:28,760 --> 00:05:29,760 Speaker 5: happening today, right. 86 00:05:30,440 --> 00:05:32,640 Speaker 1: Even the President is in on this fight. 87 00:05:32,839 --> 00:05:36,960 Speaker 5: Nixon's wapping it from the White House. This was the event, 88 00:05:37,080 --> 00:05:39,359 Speaker 5: not just the sporting event. It was the event of 89 00:05:39,520 --> 00:05:41,880 Speaker 5: the decade, really, and it was just a sign of 90 00:05:41,880 --> 00:05:44,719 Speaker 5: how the times were changing. To the civil rights movement 91 00:05:44,800 --> 00:05:47,520 Speaker 5: was over, and you see just this cultural shift where 92 00:05:47,560 --> 00:05:50,880 Speaker 5: people are living this successively. You know Grand Way and 93 00:05:51,360 --> 00:05:53,520 Speaker 5: dressing up like crazy for a boxing match, and that 94 00:05:53,600 --> 00:05:54,839 Speaker 5: was unheard of before. 95 00:06:00,240 --> 00:06:04,000 Speaker 1: Inside, it's an orgy of fabrics and colors, a riot 96 00:06:04,160 --> 00:06:07,839 Speaker 1: of style. One newspaper notes the fashions of a particular 97 00:06:07,920 --> 00:06:12,560 Speaker 1: DC woman quote resplendent in gold velvet hotpants and quilted 98 00:06:12,640 --> 00:06:16,360 Speaker 1: velvet coat, and also one Philadelphia woman who was quote 99 00:06:16,400 --> 00:06:19,599 Speaker 1: attired in a gut show outfit of pink crushed velvet. 100 00:06:20,279 --> 00:06:22,719 Speaker 9: It was obvious that this was more than a fistfight. 101 00:06:23,320 --> 00:06:26,440 Speaker 9: It was a happening an event long to be remembered 102 00:06:26,480 --> 00:06:28,320 Speaker 9: after other events have been forgotten. 103 00:06:28,760 --> 00:06:31,640 Speaker 4: Its social impact was seen everywhere. 104 00:06:32,600 --> 00:06:35,560 Speaker 1: Sportswriter Mark Kriegel was eight or nine years old at 105 00:06:35,560 --> 00:06:35,920 Speaker 1: the time. 106 00:06:36,400 --> 00:06:40,200 Speaker 6: I'm a little kid, and I remember, like, something extraordinary 107 00:06:40,279 --> 00:06:42,320 Speaker 6: is happening in the world of grown ups because I 108 00:06:42,320 --> 00:06:44,560 Speaker 6: live on Eighth Avenue. I lived like two blocks from 109 00:06:44,560 --> 00:06:47,839 Speaker 6: the garden, and I remember the Kleague lights up, and 110 00:06:47,880 --> 00:06:49,640 Speaker 6: I remember talking to kids in PS. 111 00:06:49,720 --> 00:06:50,240 Speaker 8: Thirty three. 112 00:06:50,400 --> 00:06:55,000 Speaker 6: Oh, but I remember something momentous was happening. I knew 113 00:06:55,040 --> 00:06:57,760 Speaker 6: that on one side were like the hippie kind of people, 114 00:06:57,880 --> 00:07:00,560 Speaker 6: and like the black panthers were on one side and 115 00:07:00,600 --> 00:07:02,520 Speaker 6: the hard hats were on the other side. That was 116 00:07:02,560 --> 00:07:04,680 Speaker 6: the only way I could sort of distinguish it culturally. 117 00:07:04,720 --> 00:07:07,240 Speaker 6: But I knew that it was immense. 118 00:07:11,080 --> 00:07:15,000 Speaker 1: It's a zenith moment in American culture. Also, it's a 119 00:07:15,080 --> 00:07:19,400 Speaker 1: morality play wherein the culture war can play out embodied 120 00:07:19,440 --> 00:07:25,600 Speaker 1: in two powerful black men, two undefeated champions, Ali versus Frasier. 121 00:07:26,000 --> 00:07:28,600 Speaker 1: To take us back to that moment in time, Ali's 122 00:07:28,640 --> 00:07:31,760 Speaker 1: biographer Jonathan Ig adds an important context. 123 00:07:32,320 --> 00:07:34,360 Speaker 5: It's also the seventies and we're into this age of 124 00:07:34,640 --> 00:07:35,480 Speaker 5: super hype. 125 00:07:36,120 --> 00:07:37,880 Speaker 1: What that means for boxing. 126 00:07:38,120 --> 00:07:39,920 Speaker 5: Is this is really when we start to see the 127 00:07:40,000 --> 00:07:43,440 Speaker 5: mythology of Ali taking hold. That he's not just a 128 00:07:43,480 --> 00:07:47,000 Speaker 5: great boxer, he's this cultural figure. And I think it's 129 00:07:47,040 --> 00:07:49,120 Speaker 5: because he's been gone for three and a half years. 130 00:07:49,400 --> 00:07:51,880 Speaker 5: This mythology has built up around him, because when he 131 00:07:51,960 --> 00:07:55,560 Speaker 5: left the ring, he was, you know, an artist. He 132 00:07:55,680 --> 00:07:57,960 Speaker 5: was you know, the Barishtakov of boxing. He was just 133 00:07:58,000 --> 00:08:00,720 Speaker 5: beautiful to behold. He seemed like he wasn't being touched 134 00:08:00,840 --> 00:08:03,400 Speaker 5: by his opponents in the ring. He was too fast 135 00:08:03,400 --> 00:08:04,080 Speaker 5: and too strong. 136 00:08:04,600 --> 00:08:07,800 Speaker 1: The mythology, Jonathan Ig references was the product of the 137 00:08:07,840 --> 00:08:11,760 Speaker 1: intelligencia of the day. Think writers like Norman Mahler and 138 00:08:11,840 --> 00:08:15,880 Speaker 1: George Plimpton. They'd pen essays in notable publications, and they 139 00:08:16,120 --> 00:08:20,640 Speaker 1: deeply consider the question of Muhammad Ali as the modern superman. 140 00:08:21,320 --> 00:08:24,080 Speaker 5: And these journalists now think of themselves as being you know, 141 00:08:24,520 --> 00:08:26,760 Speaker 5: literary giants, and Ali becomes. 142 00:08:26,480 --> 00:08:27,640 Speaker 7: One of their favorite characters. 143 00:08:27,640 --> 00:08:29,600 Speaker 5: So they have an interest too in puffing him up 144 00:08:29,600 --> 00:08:33,559 Speaker 5: and elevating his status, turning him into a godlike creature. 145 00:08:33,600 --> 00:08:36,240 Speaker 5: And meanwhile, Joe Fraser is just you know, just a fighter, 146 00:08:36,400 --> 00:08:37,080 Speaker 5: just a boxer. 147 00:08:37,640 --> 00:08:40,920 Speaker 1: Norman Mahler covers Ali and Fraser's Fight of the Century 148 00:08:40,960 --> 00:08:44,640 Speaker 1: for a cover story for Life Magazine. Being that it's Mailer, 149 00:08:44,720 --> 00:08:46,600 Speaker 1: he focuses on ego. 150 00:08:47,360 --> 00:08:50,560 Speaker 10: It is the great word of the twentieth century. If 151 00:08:50,559 --> 00:08:52,760 Speaker 10: there is a single word our century has added to 152 00:08:52,800 --> 00:08:56,920 Speaker 10: the potentiality of language, it is ego. Muhammad Ali begins 153 00:08:56,920 --> 00:08:59,680 Speaker 10: with the most unsettling ego of all. What kills us 154 00:08:59,720 --> 00:09:04,080 Speaker 10: about aka Cassius Clay is that the disagreement is inside us. 155 00:09:04,559 --> 00:09:06,880 Speaker 10: He is fascinating. The more we don't want to think 156 00:09:06,880 --> 00:09:09,880 Speaker 10: about him, the more we are obliged to. There's a 157 00:09:09,920 --> 00:09:13,960 Speaker 10: reason for it. He is America's greatest ego. He is also, 158 00:09:14,320 --> 00:09:16,760 Speaker 10: as I am going to try to show, the swiftest 159 00:09:16,760 --> 00:09:18,640 Speaker 10: embodiment of human intelligence we. 160 00:09:18,600 --> 00:09:19,240 Speaker 1: Have had yet. 161 00:09:20,160 --> 00:09:22,800 Speaker 10: He is the very spirit of the twentieth century. 162 00:09:26,200 --> 00:09:29,240 Speaker 1: Just as every story needs the conflict, so does a 163 00:09:29,320 --> 00:09:33,960 Speaker 1: story need a villain. Muhammad Ali instinctively understood this, and 164 00:09:34,040 --> 00:09:38,240 Speaker 1: so he makes Joe Frasier his. When Ali hypes their 165 00:09:38,320 --> 00:09:41,800 Speaker 1: upcoming super fight, he frames it as him the people's champ, 166 00:09:41,880 --> 00:09:43,320 Speaker 1: fighting against the man. 167 00:09:44,080 --> 00:09:47,640 Speaker 6: It's the way their stories resonate with the public that 168 00:09:47,800 --> 00:09:52,120 Speaker 6: determines who's rooting for and who's rooting against and what 169 00:09:52,200 --> 00:09:55,439 Speaker 6: type of meaning they've freighted themselves with. 170 00:09:55,520 --> 00:09:56,920 Speaker 8: So Ali got all the. 171 00:09:56,880 --> 00:10:00,679 Speaker 1: Cool people and Norman Mahler just kidding Norman. When the 172 00:10:00,720 --> 00:10:03,760 Speaker 1: two undefeated champions finally meet in the ring for their 173 00:10:03,760 --> 00:10:07,480 Speaker 1: fight of the century, the fight promoters expect one billion 174 00:10:07,559 --> 00:10:10,240 Speaker 1: people to watch the fight. At the time, there are 175 00:10:10,280 --> 00:10:14,000 Speaker 1: only three point seven billion people on the planet. Joe 176 00:10:14,000 --> 00:10:25,559 Speaker 1: Frasier is ready, Ali is ready, and the world is ready. 177 00:10:26,520 --> 00:10:30,040 Speaker 1: The fight is scheduled for fifteen rounds, and as expected, 178 00:10:30,120 --> 00:10:31,600 Speaker 1: the first few are punishing. 179 00:10:33,720 --> 00:10:35,840 Speaker 3: I sent a powerful message in the fourth round when 180 00:10:35,840 --> 00:10:37,920 Speaker 3: I nailed him on the jaw with the left and 181 00:10:38,040 --> 00:10:40,079 Speaker 3: saw by the look on his face that it shook it. 182 00:10:40,559 --> 00:10:41,240 Speaker 11: I kept out. 183 00:10:41,160 --> 00:10:45,360 Speaker 1: There over and over again. Their bodies take the beating. 184 00:10:45,640 --> 00:10:48,040 Speaker 3: But even as I pounded it, he was acting like 185 00:10:48,080 --> 00:10:50,920 Speaker 3: he was still in command, talking his stuff while blood 186 00:10:50,960 --> 00:10:54,760 Speaker 3: trickled from his nose. Don't you know I'm God, play, 187 00:10:54,880 --> 00:10:58,440 Speaker 3: yelled out after I landed a few good shots on him, 188 00:10:58,480 --> 00:11:02,559 Speaker 3: pinning him against the ropes. God, you in the wrong 189 00:11:02,600 --> 00:11:03,240 Speaker 3: place tonight. 190 00:11:04,360 --> 00:11:09,479 Speaker 1: Ultimately, the first few rounds are an even exchange of pam. Meanwhile, 191 00:11:09,559 --> 00:11:12,560 Speaker 1: Ali is starting to suffer from mortal doubts. 192 00:11:12,640 --> 00:11:14,440 Speaker 8: I never fought anyone with so much drive. 193 00:11:15,040 --> 00:11:17,840 Speaker 12: I have a new found respect for Joe sometimes his 194 00:11:17,960 --> 00:11:18,920 Speaker 12: time and his rhythm. 195 00:11:18,920 --> 00:11:22,120 Speaker 8: It's uncanny. He moves in, takes two and comes up. 196 00:11:22,520 --> 00:11:25,360 Speaker 1: Joe Frazier is relentless in his pursuit. 197 00:11:25,160 --> 00:11:28,440 Speaker 12: Even though I'm hitting him four blows to one. His 198 00:11:28,600 --> 00:11:30,600 Speaker 12: hooks get to me more and more. 199 00:11:31,520 --> 00:11:34,400 Speaker 8: I gotta do something about it. The six is coming up. 200 00:11:35,120 --> 00:11:37,720 Speaker 12: I know I'm ahead in points, but I already know 201 00:11:38,080 --> 00:11:39,920 Speaker 12: I'll need a miracle to hind it in six. 202 00:11:40,440 --> 00:11:44,720 Speaker 1: That miracle never arrives. The fight continues on well past 203 00:11:44,880 --> 00:11:48,200 Speaker 1: the sixth round. By Pops watched the fight with his friends, 204 00:11:48,200 --> 00:11:50,800 Speaker 1: and he remembered all the bets they'd made on the fight, 205 00:11:51,160 --> 00:11:51,960 Speaker 1: and how. 206 00:11:52,160 --> 00:11:54,839 Speaker 13: Seventh round came and went, and so that I don't care. 207 00:11:54,880 --> 00:11:57,400 Speaker 13: You know, he's gonna went on points, but Joe was 208 00:11:57,400 --> 00:11:59,480 Speaker 13: whipping him. Joe was really whipping them. 209 00:11:59,720 --> 00:12:04,040 Speaker 1: In the ninth round, Ali unleashes an absolute fury of punches. 210 00:12:04,600 --> 00:12:07,680 Speaker 1: At this point, both men are exhausted. It feels like 211 00:12:07,760 --> 00:12:11,160 Speaker 1: Ali is desperate to end the match, but Joe Fraser 212 00:12:11,200 --> 00:12:12,520 Speaker 1: takes it. He takes it all. 213 00:12:13,120 --> 00:12:17,840 Speaker 12: Ha something has gone out of me. I feel tired 214 00:12:18,040 --> 00:12:20,880 Speaker 12: and the fight is now half over. I know from 215 00:12:20,920 --> 00:12:24,120 Speaker 12: experience that if I hold on, I will grow stronger. 216 00:12:24,760 --> 00:12:27,440 Speaker 12: But the air and my lungs is hocked, my arms 217 00:12:27,440 --> 00:12:29,960 Speaker 12: are heavy. I look out of the crowd. 218 00:12:30,880 --> 00:12:34,240 Speaker 8: I think how the world is watching. I've got to 219 00:12:34,240 --> 00:12:35,320 Speaker 8: do what I said out will do. 220 00:12:36,440 --> 00:12:39,600 Speaker 1: But he is smoking, true to his name, smoking, Joe 221 00:12:39,679 --> 00:12:43,439 Speaker 1: Fraser doesn't take a backstep the whole fight. Fraser just 222 00:12:43,559 --> 00:12:49,640 Speaker 1: keeps coming at Ali. In the eleventh round, Joe Fraser's 223 00:12:49,679 --> 00:12:51,360 Speaker 1: patience finally pays off. 224 00:12:51,880 --> 00:12:54,960 Speaker 7: Ali finally opened up and jove software he was looking for. 225 00:12:55,320 --> 00:12:58,559 Speaker 3: I begin use of this head for better practice. Left 226 00:12:58,559 --> 00:13:02,200 Speaker 3: took left hook, lay back to the ropes and wait 227 00:13:02,240 --> 00:13:03,120 Speaker 3: for me to follow up. 228 00:13:03,520 --> 00:13:05,520 Speaker 11: Okay, Butterfly, you asked for it. 229 00:13:06,160 --> 00:13:10,720 Speaker 12: Frazier's bobbing, weaving more confident than ever. Suddenly he dips 230 00:13:10,760 --> 00:13:13,320 Speaker 12: under my right and comes up with the hardest hook 231 00:13:13,400 --> 00:13:15,079 Speaker 12: I ever taken in my life, and. 232 00:13:15,200 --> 00:13:19,640 Speaker 1: Boom, one of Joe's staggering left hooks finally connects. 233 00:13:20,840 --> 00:13:23,160 Speaker 11: I nailed him with another left that sent him riling 234 00:13:23,240 --> 00:13:23,920 Speaker 11: into the ropes. 235 00:13:25,080 --> 00:13:27,640 Speaker 1: It flung me back across the ring, but the ring 236 00:13:27,760 --> 00:13:31,240 Speaker 1: ropes catch him keep him upright. If all Lee fell 237 00:13:31,440 --> 00:13:33,360 Speaker 1: anywhere else he would have hit Candis. 238 00:13:33,559 --> 00:13:34,839 Speaker 8: I'm almost out on my feet. 239 00:13:35,000 --> 00:13:37,480 Speaker 3: He was really hurt and tried to find the ropes 240 00:13:37,520 --> 00:13:39,839 Speaker 3: to get his balance. I staggered him again with a 241 00:13:39,920 --> 00:13:42,080 Speaker 3: left cook and caught Hi whistle right up of cuts. 242 00:13:43,040 --> 00:13:48,800 Speaker 1: All these legs go rubbery, but he's saved when the 243 00:13:48,880 --> 00:13:53,400 Speaker 1: fight is now an endurance contest, Will against will, Might 244 00:13:53,640 --> 00:13:58,920 Speaker 1: against might, round after round, blow after a blow, competing 245 00:13:59,080 --> 00:14:02,000 Speaker 1: chance breakout in crowd one half chance. 246 00:14:02,160 --> 00:14:05,480 Speaker 8: Oi Oi Oi, Will. 247 00:14:05,520 --> 00:14:06,679 Speaker 1: The other half is chanting. 248 00:14:06,840 --> 00:14:07,480 Speaker 8: Knock him out. 249 00:14:07,559 --> 00:14:08,880 Speaker 1: Joe, knock him out. 250 00:14:09,000 --> 00:14:10,400 Speaker 8: Joe, knock him out. 251 00:14:10,520 --> 00:14:14,520 Speaker 1: Joe, there's one more round to go. In the fifteenth 252 00:14:14,559 --> 00:14:15,560 Speaker 1: and final round. 253 00:14:15,880 --> 00:14:18,280 Speaker 3: Fay came out ad vesciblit for that final round as 254 00:14:18,320 --> 00:14:20,040 Speaker 3: if he knew he needed a knockout to win. 255 00:14:21,760 --> 00:14:25,280 Speaker 1: But Joe Fraser keeps charging at her like a mad bull. 256 00:14:25,520 --> 00:14:26,760 Speaker 1: He keeps that pressure on. 257 00:14:27,120 --> 00:14:29,480 Speaker 3: As he steps toward me. I dip down and let 258 00:14:29,560 --> 00:14:32,480 Speaker 3: fly another left. Heaves my feet to throw a looping 259 00:14:32,560 --> 00:14:34,760 Speaker 3: shot that landed against the right side of his face. 260 00:14:37,160 --> 00:14:41,200 Speaker 1: He finally catches Ali unguarded. Joe Fraser hits Ali with 261 00:14:41,240 --> 00:14:42,800 Speaker 1: the full force of his anger. 262 00:14:43,720 --> 00:14:45,760 Speaker 8: It almost explodes against my head. 263 00:14:46,080 --> 00:14:48,120 Speaker 7: He feel so hard that he fell before anybody can 264 00:14:48,160 --> 00:14:48,840 Speaker 7: see him fall. 265 00:14:49,840 --> 00:14:52,680 Speaker 1: There's no ring ropes to catch him. This time. Ali 266 00:14:52,840 --> 00:14:58,840 Speaker 1: goes down, his back hits canvas, his feet. 267 00:14:58,640 --> 00:15:01,960 Speaker 3: Went up in the air and he was hit boom 268 00:15:02,080 --> 00:15:04,480 Speaker 3: and then it was missed. Him on his butt, his 269 00:15:04,680 --> 00:15:07,720 Speaker 3: legs kicking up into the air, the very picture of 270 00:15:07,760 --> 00:15:08,480 Speaker 3: a beaten man. 271 00:15:10,160 --> 00:15:13,200 Speaker 8: I don't remember going down, only being down. 272 00:15:13,400 --> 00:15:14,160 Speaker 11: Tell you the truth. 273 00:15:15,040 --> 00:15:17,520 Speaker 3: It was not a killer shot, but at landed right 274 00:15:17,560 --> 00:15:20,760 Speaker 3: on the foot on a very worn out man, and 275 00:15:20,840 --> 00:15:23,120 Speaker 3: the roar it set off was like from the belly 276 00:15:23,160 --> 00:15:23,880 Speaker 3: of a beast. 277 00:15:26,200 --> 00:15:29,200 Speaker 1: Ali's knocked down, but he's not knocked. 278 00:15:28,800 --> 00:15:32,720 Speaker 12: Out, looking up and hearing the count and knowing I 279 00:15:32,760 --> 00:15:34,440 Speaker 12: had no business being down. 280 00:15:35,280 --> 00:15:38,200 Speaker 1: All these springs back up before the RAF can count 281 00:15:38,200 --> 00:15:39,240 Speaker 1: eight the. 282 00:15:39,320 --> 00:15:43,440 Speaker 12: Rules from the crowded in my ear jong Jong Jong, 283 00:15:43,720 --> 00:15:45,200 Speaker 12: Joe Joe phrase. 284 00:15:46,880 --> 00:15:51,320 Speaker 1: But that was it, and Ali knows it. He's been defeated. 285 00:15:53,520 --> 00:15:57,240 Speaker 1: After the end of the fifteenth round, the judges and 286 00:15:57,280 --> 00:16:01,359 Speaker 1: the ring announcer make it official by your NaN's. 287 00:16:01,040 --> 00:16:03,600 Speaker 11: Decision, undisputed everywhere. 288 00:16:03,720 --> 00:16:06,440 Speaker 8: Heavin Joe Fraser that. 289 00:16:07,640 --> 00:16:11,680 Speaker 11: I raised my handsome victory, thank the Lord, and with 290 00:16:11,800 --> 00:16:15,440 Speaker 11: a bloody mouth told Clay, I kicked your ass. 291 00:16:16,320 --> 00:16:17,920 Speaker 1: There was no disputing that. 292 00:16:20,280 --> 00:16:22,040 Speaker 8: Joe has come over to my corner. 293 00:16:22,600 --> 00:16:26,040 Speaker 12: You put up a great fight, he says, his face 294 00:16:26,120 --> 00:16:28,360 Speaker 12: so swollen, I could hardly see his. 295 00:16:28,320 --> 00:16:32,960 Speaker 8: Eyes, but I know he's looking at me. You the champ, 296 00:16:33,480 --> 00:16:35,680 Speaker 8: I say. He seems to like that. 297 00:16:36,360 --> 00:16:38,720 Speaker 12: It's the first time as a pro that I have 298 00:16:38,840 --> 00:16:41,400 Speaker 12: to acknowledge another man standing over me. 299 00:16:42,040 --> 00:16:45,840 Speaker 1: Muhammad Ali is the loser for the first time ever. 300 00:16:46,480 --> 00:16:50,040 Speaker 1: The rest of the world is shocked by Ali once again, 301 00:16:50,560 --> 00:16:52,840 Speaker 1: but not my pops, though he was too pleased with 302 00:16:52,960 --> 00:16:55,600 Speaker 1: himself and his man smoking Joe Frasier. 303 00:16:55,960 --> 00:16:56,960 Speaker 7: I was hard to deal with. 304 00:16:57,880 --> 00:17:02,440 Speaker 13: On the way home, I kept explaining, I can explain 305 00:17:02,480 --> 00:17:03,080 Speaker 13: how it happened. 306 00:17:04,720 --> 00:17:08,000 Speaker 1: Meanwhile, as Jonathan I wrote in his biography of Ali, 307 00:17:08,440 --> 00:17:12,320 Speaker 1: quote in the White House, President Nixon rejoiced cheering the 308 00:17:12,359 --> 00:17:16,760 Speaker 1: defeat of that draft dodger asshole Joe Frasier had done it. 309 00:17:16,880 --> 00:17:20,520 Speaker 1: He was the undisputed heavyweight champion of the world. 310 00:17:21,240 --> 00:17:23,960 Speaker 11: Hear that undisputed champion. 311 00:17:26,320 --> 00:17:29,480 Speaker 3: I was twenty seven years old, and that would never 312 00:17:29,560 --> 00:17:35,800 Speaker 3: be another night like that in my life. 313 00:17:41,000 --> 00:17:43,600 Speaker 1: After the fight of the century is over and won, 314 00:17:43,800 --> 00:17:47,480 Speaker 1: Ali's cornerman Bundini. Brown takes his fighter to the hospital 315 00:17:47,680 --> 00:17:51,640 Speaker 1: to check his jaw. Ali's treated and released. Meanwhile, when 316 00:17:51,680 --> 00:17:53,959 Speaker 1: Joe Fraser walks out of the ring, he weighs a 317 00:17:54,000 --> 00:17:56,960 Speaker 1: full ten pounds less than he weighed when he started 318 00:17:57,000 --> 00:18:01,080 Speaker 1: the fight, and the next day Joe Fraser is in 319 00:18:01,119 --> 00:18:02,040 Speaker 1: the hospital too. 320 00:18:02,840 --> 00:18:05,720 Speaker 13: He took everything Ali had. They put each other in 321 00:18:05,720 --> 00:18:08,640 Speaker 13: the hospital. I think Ali should have quit after. 322 00:18:08,440 --> 00:18:12,679 Speaker 1: That fight, Ali argues, Fraser's hospital trip is all the 323 00:18:12,760 --> 00:18:16,280 Speaker 1: proof anyone needs that he won their fight. The people 324 00:18:16,400 --> 00:18:19,879 Speaker 1: seem to agree with Ali. Without a decisive ko, it 325 00:18:19,960 --> 00:18:23,480 Speaker 1: doesn't really feel like Ali lost. In an interview with 326 00:18:23,560 --> 00:18:27,639 Speaker 1: Playboy magazine, Howard Cosell comments on the strange never enough 327 00:18:27,760 --> 00:18:31,960 Speaker 1: status of Joe Fraser. He says, quote, I feel sorry 328 00:18:31,960 --> 00:18:32,720 Speaker 1: for Joe Fraser. 329 00:18:33,040 --> 00:18:35,720 Speaker 14: He's the heavyweight champion of the world, but a lot 330 00:18:35,760 --> 00:18:39,240 Speaker 14: of people don't accept him as that, and quite understandably, 331 00:18:39,400 --> 00:18:42,679 Speaker 14: it's killing him inside. He fought Ali as hard as 332 00:18:42,720 --> 00:18:47,120 Speaker 14: he could and beat him, and yet nobody really accepts him, 333 00:18:47,320 --> 00:18:48,919 Speaker 14: and so he's grown to hate Ali. 334 00:18:49,880 --> 00:18:53,919 Speaker 1: The Philadelphia Daily News considers the question from a different angle, 335 00:18:54,359 --> 00:19:02,200 Speaker 1: with the headline quote, is Joe white Man's champ now? 336 00:19:02,600 --> 00:19:06,720 Speaker 1: That was not the conversation. Down at the barbershops. To 337 00:19:06,840 --> 00:19:09,640 Speaker 1: check on that, I asked my pops about what he 338 00:19:09,720 --> 00:19:13,160 Speaker 1: remembered of Joe Frasier and Ali's rivalry being him. He 339 00:19:13,240 --> 00:19:17,119 Speaker 1: made a novel comparison. My pops compared Ali's hype to 340 00:19:17,200 --> 00:19:21,919 Speaker 1: this racial dynamic that OJ Simpson benefited from. Now, for 341 00:19:22,040 --> 00:19:24,760 Speaker 1: some listeners, I warn you my father uses a language 342 00:19:24,760 --> 00:19:27,520 Speaker 1: that can be deemed offensive to the ear, but does 343 00:19:27,560 --> 00:19:31,000 Speaker 1: so in order to explain how Ali's racist taunts were 344 00:19:31,040 --> 00:19:35,480 Speaker 1: similar to OJ Simpson's murder trial verdict. Here's how he 345 00:19:35,520 --> 00:19:36,399 Speaker 1: put it to a friend. 346 00:19:36,400 --> 00:19:38,680 Speaker 13: He said, I'm watching it on TV. I'm at a bar, 347 00:19:39,480 --> 00:19:42,440 Speaker 13: and the verdict just came on and all the black 348 00:19:42,480 --> 00:19:46,400 Speaker 13: people in here jumped up and started cheering. We said, 349 00:19:46,440 --> 00:19:49,640 Speaker 13: what I winded cheering that I mean? I said, well, 350 00:19:49,760 --> 00:19:53,080 Speaker 13: it's a very simple concept. It's called the nack one. 351 00:19:53,280 --> 00:19:54,600 Speaker 13: He said what I said. 352 00:19:55,000 --> 00:19:55,400 Speaker 8: One. 353 00:19:55,560 --> 00:19:57,600 Speaker 7: Black people don't have to know what the contest was 354 00:19:57,680 --> 00:19:59,040 Speaker 7: the one, know, did they? 355 00:19:59,240 --> 00:20:03,720 Speaker 13: When that's all they're so used to seeing black people 356 00:20:03,800 --> 00:20:07,040 Speaker 13: being cheated out of their position, being given a fucked 357 00:20:07,119 --> 00:20:10,960 Speaker 13: up decision by a judge that if a black person wins, 358 00:20:11,200 --> 00:20:15,119 Speaker 13: it's a satisfaction that's unrelated to the issue at hand. 359 00:20:15,400 --> 00:20:16,800 Speaker 13: But this is one more time where we're going to 360 00:20:16,880 --> 00:20:19,000 Speaker 13: catch a short in. Whether we did it or not 361 00:20:19,080 --> 00:20:22,479 Speaker 13: didn't matter before, so now it can't matter now. So 362 00:20:23,040 --> 00:20:23,440 Speaker 13: we won. 363 00:20:26,880 --> 00:20:30,679 Speaker 1: Olie knew Black America would celebrate his wins if he 364 00:20:30,720 --> 00:20:34,160 Speaker 1: made sure that he was always undeniably the black one 365 00:20:34,400 --> 00:20:38,120 Speaker 1: in the fight. Jonathan I concurs that olie knew how 366 00:20:38,119 --> 00:20:41,520 Speaker 1: to navigate racial narratives in a way no one else could. 367 00:20:41,840 --> 00:20:44,000 Speaker 1: He just had an instinct for it. 368 00:20:44,000 --> 00:20:47,399 Speaker 5: It's so complicated as things tend to get with Ali. 369 00:20:47,840 --> 00:20:50,959 Speaker 5: You know, he's basically a black separatist, and he's not 370 00:20:51,000 --> 00:20:53,800 Speaker 5: interested integrated, and he calls white people the devil, and 371 00:20:53,880 --> 00:20:57,119 Speaker 5: yet he loves having all white fans, he loves entertaining 372 00:20:57,160 --> 00:21:01,159 Speaker 5: the and even like plague into stereotypes with white people. 373 00:21:01,480 --> 00:21:03,280 Speaker 5: You know, he's got this gag where he goes up 374 00:21:03,320 --> 00:21:06,040 Speaker 5: to people and pretends he's outraged and he says, did 375 00:21:06,080 --> 00:21:07,160 Speaker 5: you just call me the N word? 376 00:21:07,600 --> 00:21:07,719 Speaker 6: Like? 377 00:21:08,000 --> 00:21:09,960 Speaker 5: And he pretends like he's outraged and he's gonna beat 378 00:21:10,000 --> 00:21:12,320 Speaker 5: somebody up for this, and he's just totally making it 379 00:21:12,400 --> 00:21:14,040 Speaker 5: up to just get a rise and get some laughs 380 00:21:14,040 --> 00:21:16,520 Speaker 5: out of it, Like, how do you wrap your head 381 00:21:16,520 --> 00:21:16,919 Speaker 5: around that? 382 00:21:17,320 --> 00:21:19,919 Speaker 1: But somehow he still walks the color line. 383 00:21:20,240 --> 00:21:22,560 Speaker 5: He's also the symbol of black pride, right Like you 384 00:21:22,600 --> 00:21:25,400 Speaker 5: could argue that the black power movement takes its you know. 385 00:21:25,440 --> 00:21:29,080 Speaker 1: Fifth for Ali, and he's this absolute. 386 00:21:28,720 --> 00:21:33,000 Speaker 5: Pivotal symbol of black pride, black dignity, inspiring them, as says, 387 00:21:33,040 --> 00:21:36,200 Speaker 5: And he's yucking it up with Jerry Lewis and Liberachi 388 00:21:36,400 --> 00:21:40,639 Speaker 5: and playing into stereotypes about black people all the time. 389 00:21:41,320 --> 00:21:44,080 Speaker 5: How nobody else could do that and get away with it? 390 00:21:44,640 --> 00:21:48,359 Speaker 1: And that's how, thanks to Ali, a man as black 391 00:21:48,400 --> 00:21:51,879 Speaker 1: as Joe Frasier ends up being called the white man's champ, 392 00:21:52,200 --> 00:21:56,959 Speaker 1: which defies all logic. Joe Frasier is inarguably one of 393 00:21:57,000 --> 00:22:01,000 Speaker 1: the blackest people on the planet in nineteen seventy, yet 394 00:22:01,040 --> 00:22:05,719 Speaker 1: Ali's narrative has this undeniable energy. As Norman Mahler pointed 395 00:22:05,720 --> 00:22:08,800 Speaker 1: out earlier, Ali's story and more to the point, his 396 00:22:09,080 --> 00:22:13,040 Speaker 1: ego is irresistible to the press, and this ego is 397 00:22:13,080 --> 00:22:16,560 Speaker 1: the reason why even after he loses the Fight of 398 00:22:16,600 --> 00:22:19,840 Speaker 1: the Century, Ali still argues that. 399 00:22:20,040 --> 00:22:23,600 Speaker 12: Joel Fraser can't go anywhere without running into black militants. 400 00:22:24,160 --> 00:22:27,320 Speaker 12: Angela Davis supporters black Muslims. 401 00:22:27,359 --> 00:22:28,439 Speaker 8: All of them are for me. 402 00:22:29,400 --> 00:22:33,000 Speaker 12: Joe Fraser represents all that is wrong with white America. 403 00:22:33,960 --> 00:22:38,240 Speaker 12: I represent everyone wanting a new system. Joel Fraser can't 404 00:22:38,280 --> 00:22:42,400 Speaker 12: go anywhere without people telling him you didn't whip them. 405 00:22:42,800 --> 00:22:45,600 Speaker 12: He'll never be the champion until he beats me twice. 406 00:22:46,480 --> 00:22:51,560 Speaker 1: Ali also knows the press will reliably turn that into 407 00:22:51,800 --> 00:22:57,679 Speaker 1: the story. Three months after Joe Fraser defeated him in 408 00:22:57,720 --> 00:23:01,080 Speaker 1: the ring, Muhammad Ali wins a far different fight. He 409 00:23:01,240 --> 00:23:04,840 Speaker 1: escapes from the overhanging threat of federal prison in the 410 00:23:04,880 --> 00:23:08,520 Speaker 1: summer of seventy one. On June twenty eighth, the Supreme 411 00:23:08,720 --> 00:23:13,000 Speaker 1: Court rules that Muhammad Ali is not guilty of the 412 00:23:13,160 --> 00:23:20,560 Speaker 1: charge of draft evasion. The Court's decision is unanimous. Ali 413 00:23:20,720 --> 00:23:24,280 Speaker 1: is once again free to fight in the boxing ring 414 00:23:24,400 --> 00:23:29,399 Speaker 1: whenever and wherever, against whomever he wants. The People's Champ 415 00:23:29,480 --> 00:23:33,399 Speaker 1: moves quickly to schedule a rematch against his most hated rival. 416 00:23:33,920 --> 00:23:38,560 Speaker 1: Their next bout is billed as Super Fight two. However, 417 00:23:38,920 --> 00:23:41,800 Speaker 1: before Ali can step into the ring to face Joe 418 00:23:41,880 --> 00:23:45,639 Speaker 1: Fraser and win back his title, a new contender steps 419 00:23:45,720 --> 00:23:48,520 Speaker 1: onto the scene. George the Giant. 420 00:23:50,760 --> 00:23:52,600 Speaker 7: When I shook hands with Jeorge Former. 421 00:23:53,320 --> 00:23:54,720 Speaker 1: His hand just. 422 00:23:54,800 --> 00:23:59,080 Speaker 13: Kind of just enveloped my whole wrist almost not said 423 00:23:59,880 --> 00:24:01,080 Speaker 13: he hit Ali with. 424 00:24:01,240 --> 00:24:04,480 Speaker 7: Any part of his body, He'll kill it. 425 00:24:05,200 --> 00:24:06,640 Speaker 11: He would kill this man. 426 00:24:07,280 --> 00:24:10,399 Speaker 5: George Foreman was a great fighter, you know, and he 427 00:24:10,560 --> 00:24:10,760 Speaker 5: was a. 428 00:24:10,960 --> 00:24:15,200 Speaker 15: Big Foreman is a guy who he didn't have much 429 00:24:15,280 --> 00:24:17,720 Speaker 15: going for him, but he had boxing, and he had 430 00:24:17,720 --> 00:24:20,120 Speaker 15: his strength, and he had his determination. 431 00:24:20,960 --> 00:24:26,199 Speaker 16: George Foreman did not have the intellect, the foresight, or 432 00:24:26,359 --> 00:24:31,200 Speaker 16: even the wisdom and the education that Ali had. 433 00:24:31,720 --> 00:24:34,560 Speaker 2: George Foreman was very serious and quiet, you know, and 434 00:24:34,600 --> 00:24:37,879 Speaker 2: I also think he was maybe incredibly confident. He was 435 00:24:37,880 --> 00:24:40,639 Speaker 2: gonna talk with his gloves and you know, not with 436 00:24:40,720 --> 00:24:41,200 Speaker 2: his mouth. 437 00:24:41,880 --> 00:24:43,680 Speaker 1: I didn't ever get close to Foreman. 438 00:24:44,000 --> 00:24:44,680 Speaker 7: Nobody did. 439 00:24:44,760 --> 00:24:47,239 Speaker 6: Really, you don't just become a fighter. I don't care 440 00:24:47,280 --> 00:24:51,360 Speaker 6: what anyone says. Somewhere in your story there's some profound abuse. 441 00:24:51,600 --> 00:24:52,600 Speaker 6: There's something in there. 442 00:24:54,320 --> 00:24:58,000 Speaker 1: In nineteen ninety five, George Foreman published his autobiography with 443 00:24:58,080 --> 00:25:02,160 Speaker 1: the very on brand title by George. In the book 444 00:25:02,200 --> 00:25:06,160 Speaker 1: of his life, Foreman recalled his childhood poverty. As author 445 00:25:06,280 --> 00:25:08,520 Speaker 1: Lewis Ehrenberg explains. 446 00:25:08,200 --> 00:25:11,800 Speaker 15: He grew up in the Bloody Fifth Ward, very poor. 447 00:25:12,680 --> 00:25:16,760 Speaker 15: His mother had to work two jobs to support her 448 00:25:16,960 --> 00:25:17,840 Speaker 15: large family. 449 00:25:18,920 --> 00:25:22,679 Speaker 1: Born in Marshall, Texas, George Foreman was the fourth child 450 00:25:22,720 --> 00:25:27,080 Speaker 1: of Nancy and J. D. Foreman. George was an enormous baby, 451 00:25:27,240 --> 00:25:31,440 Speaker 1: ten pounds. Even as an infant, he exhibited insane strength. 452 00:25:31,680 --> 00:25:34,679 Speaker 1: His aunt remembered how he'd crawl around in yanke children 453 00:25:34,720 --> 00:25:38,960 Speaker 1: down to his level on the floor. Unfortunately for young George, 454 00:25:39,200 --> 00:25:42,760 Speaker 1: his parents split up before he was school aged. That 455 00:25:42,840 --> 00:25:46,320 Speaker 1: left his single mother alone to care for the seven kids. 456 00:25:46,760 --> 00:25:51,600 Speaker 1: She struggled mightily. Here's one striking image from his memory. 457 00:25:51,800 --> 00:25:54,880 Speaker 1: On Friday nights, after working two jobs, his mother. 458 00:25:54,840 --> 00:25:57,960 Speaker 17: Would bring home a single hamburger and break it into 459 00:25:58,000 --> 00:26:04,880 Speaker 17: eight pieces. Got a taste, I remember thinking, boy, that's 460 00:26:05,000 --> 00:26:06,280 Speaker 17: rich Man's fool. 461 00:26:08,119 --> 00:26:08,840 Speaker 8: A hamburger. 462 00:26:09,680 --> 00:26:13,159 Speaker 1: His siblings liked to regularly tease him that he was 463 00:26:13,280 --> 00:26:13,920 Speaker 1: a bastard. 464 00:26:14,560 --> 00:26:18,480 Speaker 17: Sometimes they say you're not really are brother, And though 465 00:26:18,520 --> 00:26:22,320 Speaker 17: I never considered the words anything other than a mean joke, 466 00:26:22,840 --> 00:26:26,480 Speaker 17: I hated that tease most of all. I am to 467 00:26:26,720 --> 00:26:30,000 Speaker 17: your brother, I'd say, trying to beat on them as punishment, 468 00:26:30,760 --> 00:26:32,359 Speaker 17: I am your brother. 469 00:26:33,440 --> 00:26:37,560 Speaker 1: On the daily, Foreman dealt with shame and embarrassment at 470 00:26:37,600 --> 00:26:41,119 Speaker 1: his school. His nickname was Shoe Booty. You see, his 471 00:26:41,160 --> 00:26:44,400 Speaker 1: family was so poor he wore mismatched handy down shoes, 472 00:26:44,520 --> 00:26:46,760 Speaker 1: a shoe on one foot and a boot on the other. 473 00:26:47,280 --> 00:26:52,919 Speaker 1: There was one constant in his childhood fighting First. Foreman 474 00:26:53,040 --> 00:26:55,880 Speaker 1: learned to fight his older siblings, any of them, all 475 00:26:55,960 --> 00:26:57,040 Speaker 1: of them at once. 476 00:26:57,200 --> 00:27:01,840 Speaker 17: From the time I was six, possibly even before I 477 00:27:01,960 --> 00:27:03,800 Speaker 17: wanted to fight anyone. 478 00:27:03,880 --> 00:27:07,840 Speaker 1: By age nine, George Foreman was regularly getting into fights 479 00:27:07,880 --> 00:27:11,440 Speaker 1: at school. His mother tried to discipline her boy, and 480 00:27:11,680 --> 00:27:14,840 Speaker 1: by her own admission, his mother quote whipped him almost 481 00:27:14,880 --> 00:27:18,320 Speaker 1: every other day. But adding more violence to his life 482 00:27:18,440 --> 00:27:23,000 Speaker 1: did no good. Somehow, everyone ignored the obvious fact that 483 00:27:23,080 --> 00:27:26,199 Speaker 1: George Foreman was a sensitive child. His violence was his 484 00:27:26,320 --> 00:27:30,720 Speaker 1: response to a cruel world. Meanwhile, like Joe Frasier, it 485 00:27:30,720 --> 00:27:33,960 Speaker 1: didn't take long for George Foreman to figure out school 486 00:27:34,080 --> 00:27:38,240 Speaker 1: wasn't for him. Soon he replaced education with day drinking. 487 00:27:38,600 --> 00:27:40,960 Speaker 1: A junior high dropout quick to anger. 488 00:27:40,840 --> 00:27:47,040 Speaker 15: He gets involved in dreek crime, gang activity, smoking dope, 489 00:27:47,160 --> 00:27:52,600 Speaker 15: drinking in public, robbing people, beating up people, getting in fights. 490 00:27:53,480 --> 00:27:57,280 Speaker 15: I mean, he is not on a path toward glory. 491 00:27:57,480 --> 00:27:58,440 Speaker 15: Let's put it that way. 492 00:28:00,600 --> 00:28:03,760 Speaker 1: At age fifteen, George Foreman stood six feet tall and 493 00:28:03,800 --> 00:28:06,639 Speaker 1: weighed one hundred and eighty five pounds, and at this 494 00:28:06,760 --> 00:28:10,920 Speaker 1: point his interests are cheap rock, gut wine, smoking pot 495 00:28:10,920 --> 00:28:15,000 Speaker 1: with his friends, and swallowing pills. Most days he pretended 496 00:28:15,000 --> 00:28:17,560 Speaker 1: to leave home headed for school, but since he'd dropped out, 497 00:28:17,560 --> 00:28:20,520 Speaker 1: he'd go get drunk. At night. He'd get in fights. 498 00:28:20,880 --> 00:28:22,680 Speaker 1: As George Foreman once put it. 499 00:28:22,960 --> 00:28:24,160 Speaker 11: I was my own game. 500 00:28:24,760 --> 00:28:27,800 Speaker 1: As a childhood friend recalled quote, I've seen him do 501 00:28:27,920 --> 00:28:29,520 Speaker 1: is pull a knife on him, say I'm gonna cut 502 00:28:29,560 --> 00:28:31,720 Speaker 1: your throat. He'd just take it away from them. I 503 00:28:31,920 --> 00:28:34,040 Speaker 1: never saw him use a knife. He didn't even have to. 504 00:28:34,320 --> 00:28:39,320 Speaker 1: His fist was bad enough. Despite the odds stacked high 505 00:28:39,360 --> 00:28:42,320 Speaker 1: against him, George Foreman decided he wasn't gonna stay in 506 00:28:42,360 --> 00:28:45,280 Speaker 1: the bloody fifth ward. His moment of choice came to 507 00:28:45,360 --> 00:28:52,600 Speaker 1: him like a jarring epiphany. Imagine young George Foreman running 508 00:28:52,640 --> 00:28:55,840 Speaker 1: from the cops after a street mugging went sideways. 509 00:28:56,320 --> 00:29:00,480 Speaker 15: He is hiding out from the police, lying on underneath 510 00:29:00,480 --> 00:29:06,280 Speaker 15: a shotgun shack in one of the poorest black communities, 511 00:29:07,040 --> 00:29:09,880 Speaker 15: and if he had been caught, he would have gone 512 00:29:09,920 --> 00:29:11,880 Speaker 15: to jail, perhaps for a long time. 513 00:29:12,520 --> 00:29:16,280 Speaker 1: Lying silent in the dirt and mud, praying to God 514 00:29:16,360 --> 00:29:19,640 Speaker 1: the police and their dogs didn't find him. George is 515 00:29:19,760 --> 00:29:21,120 Speaker 1: struck by the thought. 516 00:29:21,160 --> 00:29:26,080 Speaker 15: His mother had a really hard life, was institutionalized for depression, 517 00:29:26,200 --> 00:29:28,760 Speaker 15: and he feels he wants to give something back to her. 518 00:29:29,200 --> 00:29:33,520 Speaker 1: The other thing that saved George Foreman a government program. 519 00:29:33,800 --> 00:29:37,320 Speaker 15: At the same time, he sees an ad for the 520 00:29:37,480 --> 00:29:38,360 Speaker 15: Job Corps. 521 00:29:38,800 --> 00:29:41,960 Speaker 1: He's sixteen, killing time in a pool hall midday when 522 00:29:42,000 --> 00:29:45,240 Speaker 1: he sees two of his heroes on the flickering TV screen. 523 00:29:45,680 --> 00:29:48,840 Speaker 17: Jim Brown and Johnny Unitis were talking about how you 524 00:29:48,840 --> 00:29:52,120 Speaker 17: could get a new start, and I went crazy. They 525 00:29:52,160 --> 00:29:53,680 Speaker 17: were both big heroes. 526 00:29:53,320 --> 00:29:56,920 Speaker 1: In my life. The two football icons were urging young 527 00:29:56,960 --> 00:29:59,680 Speaker 1: men to sign up for the Job Corps, where they 528 00:29:59,680 --> 00:30:05,440 Speaker 1: would receive skills training, practice self discipline, and receive moral guidance. 529 00:30:05,840 --> 00:30:08,240 Speaker 1: It was a place where disadvantage Jews could learn the 530 00:30:08,280 --> 00:30:11,840 Speaker 1: skill sets they'd require to begin to make something of themselves. 531 00:30:12,240 --> 00:30:15,640 Speaker 1: Foreman knew the Job Corps was his last best chance 532 00:30:15,720 --> 00:30:16,920 Speaker 1: to save his own life. 533 00:30:17,360 --> 00:30:20,720 Speaker 15: At first, he goes to Oregon and he's in like 534 00:30:20,760 --> 00:30:22,040 Speaker 15: an idyllic setting. 535 00:30:22,520 --> 00:30:25,520 Speaker 17: Only in movies and picture books had I seen such 536 00:30:26,000 --> 00:30:29,640 Speaker 17: such beautiful places, and never did I anticipate that I 537 00:30:29,640 --> 00:30:34,640 Speaker 17: would actually find myself in one green hills, winding streams, 538 00:30:34,680 --> 00:30:35,640 Speaker 17: in oh. 539 00:30:35,640 --> 00:30:36,800 Speaker 11: That fresh sweet air. 540 00:30:37,720 --> 00:30:42,360 Speaker 17: This was the place of my heroes and fantasies, and 541 00:30:42,480 --> 00:30:43,480 Speaker 17: where I now live. 542 00:30:44,560 --> 00:30:48,640 Speaker 1: Foreman experienced how those fictional stories could be made real, 543 00:30:49,080 --> 00:30:52,080 Speaker 1: how that could be his story, and he fell in 544 00:30:52,320 --> 00:30:56,600 Speaker 1: love with his new life. True to the TV ads 545 00:30:56,640 --> 00:30:59,719 Speaker 1: out there in the west, Foreman learned a couple trades, 546 00:31:00,080 --> 00:31:04,160 Speaker 1: bricklaying and carpentry. He also earned his ged his high 547 00:31:04,160 --> 00:31:09,280 Speaker 1: school equivalency diploma. Foreman was functionally illiterate when he quit 548 00:31:09,360 --> 00:31:12,920 Speaker 1: junior high, but in the Job Corps he learned to read. 549 00:31:13,480 --> 00:31:18,200 Speaker 1: This program vastly expands his horizons. Yet he still had 550 00:31:18,480 --> 00:31:21,680 Speaker 1: all that anger stored up inside. He was still hot 551 00:31:21,720 --> 00:31:26,000 Speaker 1: tempered and still quick to fight, and he was still gargantuan. 552 00:31:26,360 --> 00:31:28,880 Speaker 15: He doesn't know how to get along with other folks, 553 00:31:29,000 --> 00:31:32,960 Speaker 15: and basically he does what he did at home. He 554 00:31:33,160 --> 00:31:37,040 Speaker 15: attempts to make himself the king of the jungle by 555 00:31:37,080 --> 00:31:41,280 Speaker 15: beating up other people and establishing his dominance, and he 556 00:31:41,320 --> 00:31:43,360 Speaker 15: nearly gets kicked out of the job Corps. 557 00:31:43,480 --> 00:31:45,800 Speaker 1: However, luckily for Foreman. 558 00:31:45,640 --> 00:31:49,280 Speaker 15: He makes some friends who say, you know, if you 559 00:31:49,600 --> 00:31:52,400 Speaker 15: like to fight so much, why don't you become a boxer, 560 00:31:53,200 --> 00:31:57,320 Speaker 15: and this gets him interested in the boxing program. 561 00:31:57,480 --> 00:32:01,120 Speaker 1: Foreman graduates from the Job Corps. He stays involved in 562 00:32:01,160 --> 00:32:04,520 Speaker 1: the federal program by becoming a counselor. He's sent down 563 00:32:04,520 --> 00:32:09,480 Speaker 1: to Pleasanton, California, near Oakland, where the boxing program is located. 564 00:32:09,800 --> 00:32:12,080 Speaker 1: It's there where Foreman meets a man who will be 565 00:32:12,200 --> 00:32:14,400 Speaker 1: integral to his new life path. 566 00:32:14,680 --> 00:32:18,120 Speaker 15: The coach Doc brought Us, who essentially acts as a 567 00:32:18,160 --> 00:32:19,800 Speaker 15: second father to him. 568 00:32:20,120 --> 00:32:24,280 Speaker 1: Nick Doc Brotus was a Job Corps vocational director and 569 00:32:24,360 --> 00:32:26,880 Speaker 1: the man who introduces Foreman to boxing. 570 00:32:29,600 --> 00:32:32,440 Speaker 15: Tries to keep him on the straight and narrow and 571 00:32:32,560 --> 00:32:37,040 Speaker 15: also teach him boxing skills, of boxing, discipline, and a 572 00:32:37,080 --> 00:32:38,840 Speaker 15: certain moral sensibility. 573 00:32:39,960 --> 00:32:44,240 Speaker 1: In December of nineteen sixty six, Foreman laces up boxing 574 00:32:44,280 --> 00:32:47,560 Speaker 1: gloves for the first time. He steps into the boxing 575 00:32:47,640 --> 00:32:51,760 Speaker 1: ring with a much smaller veteran boxer who soundly beats it. 576 00:32:52,320 --> 00:32:54,880 Speaker 1: For the young man, who believes he's king of the jungle, 577 00:32:55,240 --> 00:32:59,600 Speaker 1: a one man gang, this public defeat is humiliating. 578 00:33:01,720 --> 00:33:06,600 Speaker 15: He realizes that he can be beaten by a discipline fighter, 579 00:33:06,680 --> 00:33:08,840 Speaker 15: by even of a lesser weight. 580 00:33:09,200 --> 00:33:12,640 Speaker 1: Foreman doesn't return to the boxing gym for days. He 581 00:33:12,720 --> 00:33:15,560 Speaker 1: licks his wounds and nurses his pride, but he doesn't 582 00:33:15,600 --> 00:33:20,080 Speaker 1: stay away long. Doc Brotus is happy to welcome him back. Eventually, 583 00:33:20,200 --> 00:33:24,479 Speaker 1: Doc sets up Foreman's first amateur fight, and George Foreman 584 00:33:25,080 --> 00:33:31,040 Speaker 1: never shows again. Doc Brotus welcomes him back into the gym. 585 00:33:31,160 --> 00:33:35,120 Speaker 1: Doc gets George back training regularly, and he gets him 586 00:33:35,160 --> 00:33:39,880 Speaker 1: to believe he can become a real pro boxer. George 587 00:33:39,880 --> 00:33:45,120 Speaker 1: Foreman's first amateur fight last just one round because Foreman 588 00:33:45,440 --> 00:33:50,400 Speaker 1: easily knocks out the other boxer. This gets him to 589 00:33:50,440 --> 00:33:53,680 Speaker 1: train more seriously. He begins to build an amateur career, 590 00:33:53,720 --> 00:33:55,840 Speaker 1: which points him towards the Olympics. 591 00:33:56,800 --> 00:34:00,560 Speaker 15: Nineteen sixty eight is a real flash point in sports 592 00:34:00,680 --> 00:34:06,040 Speaker 15: history because of the attempted boycott of the sixty eight 593 00:34:06,200 --> 00:34:22,600 Speaker 15: Olympics in Mexico City. 594 00:34:15,640 --> 00:34:26,880 Speaker 1: Singer, songwriter and activist Miriam Micaybo had become world famous 595 00:34:26,920 --> 00:34:30,440 Speaker 1: thanks to Harry Belafonte, the Caribbean born singer who first 596 00:34:30,440 --> 00:34:33,279 Speaker 1: convinced her to come to the US and uplifted her 597 00:34:33,360 --> 00:34:37,040 Speaker 1: incredible talent. In the early to mid sixties, Harry Belafonte's 598 00:34:37,080 --> 00:34:40,200 Speaker 1: word was gold as my pop remembers. 599 00:34:40,160 --> 00:34:44,120 Speaker 13: Which trusted Harry Belafonte completely, you know, and he was 600 00:34:44,160 --> 00:34:45,399 Speaker 13: basically sponsoring her. 601 00:34:45,880 --> 00:34:48,920 Speaker 1: As a result, she became a big star in America, 602 00:34:49,120 --> 00:34:51,920 Speaker 1: which meant in nineteen sixty seven when Mickaba released her 603 00:34:52,000 --> 00:34:54,960 Speaker 1: new hit song Pata Pata as part of an album 604 00:34:55,000 --> 00:34:58,520 Speaker 1: of the same name. The song became a huge global 605 00:34:58,600 --> 00:34:59,400 Speaker 1: success for her. 606 00:35:01,040 --> 00:35:08,520 Speaker 16: Panta Mata is dance, we do know Johanna's rug way, 607 00:35:08,520 --> 00:35:14,360 Speaker 16: and everybody stunts to move as soon as Panada stops. 608 00:35:19,120 --> 00:35:22,520 Speaker 1: Miriam was given the loving nickname Mama Africa by her 609 00:35:22,560 --> 00:35:26,080 Speaker 1: fans for good reason. Her love shone out from her 610 00:35:26,239 --> 00:35:30,320 Speaker 1: like a mother's love. Her voice soothed like a mother's voice. 611 00:35:30,640 --> 00:35:33,360 Speaker 1: Even her confidence was like that of a mother to 612 00:35:33,480 --> 00:35:37,080 Speaker 1: her African family, the one she was exiled from by 613 00:35:37,080 --> 00:35:40,720 Speaker 1: her own homeland. But like a wise mother, she knew 614 00:35:40,760 --> 00:35:44,600 Speaker 1: she couldn't give in to self pitying bitterness. Instead, she 615 00:35:44,760 --> 00:35:47,640 Speaker 1: called in joy. You can hear it in her songs. 616 00:35:47,760 --> 00:35:48,680 Speaker 1: In her voice. 617 00:35:48,880 --> 00:35:53,000 Speaker 13: She wouldn't sing it against anybody, singing for all the 618 00:35:53,040 --> 00:35:56,239 Speaker 13: Africans who had been spread around the world and had 619 00:35:56,239 --> 00:35:59,400 Speaker 13: been separated from themselves, said she was saying. 620 00:35:59,320 --> 00:36:02,040 Speaker 7: We know where you are. We haven't lost track of you, 621 00:36:02,440 --> 00:36:05,600 Speaker 7: and we all hi together on this earth. 622 00:36:05,880 --> 00:36:08,600 Speaker 13: No matter how this shit happened, here we are and 623 00:36:08,680 --> 00:36:12,479 Speaker 13: you felt more connected to Africa with her than anybody else. 624 00:36:13,160 --> 00:36:17,360 Speaker 1: The title Pata Pata translates as touch, touch, and the 625 00:36:17,440 --> 00:36:21,400 Speaker 1: song is named after a traditional dance between lovers. For Miriam, 626 00:36:21,680 --> 00:36:25,160 Speaker 1: the song kindled feelings of reconnection to the homeland. She 627 00:36:25,239 --> 00:36:29,239 Speaker 1: expressed a feeling that many other dispossessed people shared. For 628 00:36:29,440 --> 00:36:33,920 Speaker 1: Black Americans, her song aroused longings for a homeland they 629 00:36:33,960 --> 00:36:35,600 Speaker 1: didn't know they were missing. 630 00:36:36,000 --> 00:36:38,959 Speaker 13: She was beautiful, She could sing, but you could feel 631 00:36:38,960 --> 00:36:41,640 Speaker 13: her emotion even though you didn't know a single word 632 00:36:41,680 --> 00:36:42,240 Speaker 13: in the song. 633 00:36:42,520 --> 00:36:45,279 Speaker 7: The emotion carried the meaning and that's the way her 634 00:36:45,320 --> 00:36:45,800 Speaker 7: shit was. 635 00:36:46,440 --> 00:36:49,880 Speaker 1: My pop still remembers Mary mckeebay's appearances on The Ed 636 00:36:50,000 --> 00:36:51,040 Speaker 1: Sullivan Show. 637 00:36:51,320 --> 00:36:53,040 Speaker 13: And seeing they had black people on TV all the 638 00:36:53,040 --> 00:36:55,760 Speaker 13: time in the six days that wasn't it was unusual. 639 00:36:56,160 --> 00:36:59,000 Speaker 13: So on Sunday night when Ned Sulltheran came on, if 640 00:36:59,040 --> 00:37:02,120 Speaker 13: there was anybody blas on that show, everybody in the 641 00:37:02,160 --> 00:37:04,160 Speaker 13: family had to come in the living room, sit on the. 642 00:37:04,120 --> 00:37:05,560 Speaker 7: Floor and watch it. 643 00:37:05,680 --> 00:37:09,680 Speaker 13: Sammy Davis Junior, Duke Ellington Pearl Bailey. I don't give 644 00:37:09,719 --> 00:37:11,840 Speaker 13: him up who it was if they were black on TV. 645 00:37:11,920 --> 00:37:14,360 Speaker 13: He had to come watch it. Mary mckiba, come on, 646 00:37:14,440 --> 00:37:15,200 Speaker 13: get jazz in. 647 00:37:15,200 --> 00:37:20,600 Speaker 1: His But then after she recorded the album Pata Pata, 648 00:37:20,719 --> 00:37:23,680 Speaker 1: Mary Micaba had a falling out with her creative partner, 649 00:37:23,760 --> 00:37:28,120 Speaker 1: Harry Belafonte, and things changed. For one, she fell in 650 00:37:28,120 --> 00:37:32,360 Speaker 1: love with another freedom fighter, the militant Stokely Carmichael. He 651 00:37:32,520 --> 00:37:36,560 Speaker 1: was the former spokesperson for the Student Nonviolent Coordinating Committee 652 00:37:36,800 --> 00:37:40,080 Speaker 1: turned black Panther. He was the guy who first coined 653 00:37:40,120 --> 00:37:43,279 Speaker 1: the term black power, and in March of sixty eight, 654 00:37:43,680 --> 00:37:47,759 Speaker 1: mckiba married him. Naturally, Carmichael was considered a threat by 655 00:37:47,760 --> 00:37:52,080 Speaker 1: the FBI. He lived under constant surveillance, so when mckiba 656 00:37:52,200 --> 00:37:55,280 Speaker 1: married him, she also became a threat to the FBI. 657 00:37:55,880 --> 00:37:59,080 Speaker 1: And she also had a profound influence on her radical 658 00:37:59,200 --> 00:38:02,840 Speaker 1: husband and Harriet Bellefonte's autobiography. 659 00:38:02,160 --> 00:38:03,600 Speaker 7: He described it quite well. 660 00:38:04,040 --> 00:38:07,160 Speaker 13: He said, Stokely would have been walking around wearing blue 661 00:38:07,239 --> 00:38:08,920 Speaker 13: jeans and bib overhauls. 662 00:38:09,520 --> 00:38:10,840 Speaker 7: He married me and mckeeba. 663 00:38:11,239 --> 00:38:13,719 Speaker 13: Next time I saw him, he had on a suck 664 00:38:13,800 --> 00:38:18,360 Speaker 13: broqute top, sook britches and an ivory handlet, walking cane, 665 00:38:18,480 --> 00:38:19,880 Speaker 13: and had developed an accent. 666 00:38:21,200 --> 00:38:25,480 Speaker 1: There was another change after their marriage. Kiba lost a 667 00:38:25,680 --> 00:38:29,759 Speaker 1: large portion of her fan base, particularly the white moderates, 668 00:38:30,080 --> 00:38:33,000 Speaker 1: much like a Lei experienced when he resisted the draft, 669 00:38:33,239 --> 00:38:37,200 Speaker 1: but for a very different reason. Mikiba's new husband openly 670 00:38:37,239 --> 00:38:40,880 Speaker 1: called for violence against the white power structure, which white 671 00:38:40,880 --> 00:38:45,520 Speaker 1: moderates personalized as violence aimed not at systems and at institutions, 672 00:38:45,560 --> 00:38:49,200 Speaker 1: but at them. Not to mention, Stokely, Carmichael, who later 673 00:38:49,360 --> 00:38:53,080 Speaker 1: changed his name to Quame Terrey, was introducing Miriam Mackaba 674 00:38:53,160 --> 00:38:56,759 Speaker 1: to a whole host of other black militants, while she 675 00:38:57,160 --> 00:39:01,720 Speaker 1: was introducing him to heads of state like African liberation leaders, 676 00:39:02,320 --> 00:39:06,960 Speaker 1: and the couple also regularly met with communist leaders in Africa. 677 00:39:07,560 --> 00:39:10,880 Speaker 1: That's how this pair of black radicals became an enemy 678 00:39:10,920 --> 00:39:16,360 Speaker 1: of both the FBI and the CIA. The newlyweds were followed, 679 00:39:16,480 --> 00:39:20,200 Speaker 1: snooped on by field agents, and eves dropped via hidden microphones. 680 00:39:20,400 --> 00:39:24,359 Speaker 1: Miriam Micaba's FBI file, which is available online, is two 681 00:39:24,600 --> 00:39:28,800 Speaker 1: hundred and ninety two pages long. The document details how 682 00:39:29,000 --> 00:39:32,480 Speaker 1: the people close to her who she trusted, were secretly 683 00:39:32,520 --> 00:39:38,520 Speaker 1: betraying her as FBI informants. Miriam Micaba was spied on everywhere, anywhere, 684 00:39:38,560 --> 00:39:42,160 Speaker 1: she spoke, everywhere, she played music. This was the spirit 685 00:39:42,239 --> 00:39:45,480 Speaker 1: of the times in sixty eight. There was this general 686 00:39:45,600 --> 00:39:50,600 Speaker 1: paranoia and race based anxiety, terrifying so many in America, 687 00:39:51,200 --> 00:40:00,000 Speaker 1: while at the same time it was uniting so many others. 688 00:40:01,440 --> 00:40:05,120 Speaker 1: Mlka's assassination in April of sixty eight sparks a summer 689 00:40:05,160 --> 00:40:08,919 Speaker 1: of protests and uprisings in cities all across the nation, 690 00:40:09,560 --> 00:40:12,800 Speaker 1: and that is the cultural backdrop for that year's Summer Olympics. 691 00:40:13,080 --> 00:40:15,919 Speaker 1: As author Lewis Ehrenberg explains. 692 00:40:15,600 --> 00:40:19,200 Speaker 15: Nineteen sixty eight is a real flash point in sports 693 00:40:19,280 --> 00:40:24,120 Speaker 15: history because of the attempted boycott of the Olympics in 694 00:40:24,200 --> 00:40:28,359 Speaker 15: Mexico City, leading the charge as Harry Edwards, a sociology 695 00:40:28,480 --> 00:40:31,040 Speaker 15: professor at San Jose State. 696 00:40:31,480 --> 00:40:35,399 Speaker 1: Edwards believed that as segregation was ending, black students could 697 00:40:35,480 --> 00:40:40,120 Speaker 1: now enjoy new opportunities, yet they were still being mistreated 698 00:40:40,120 --> 00:40:42,799 Speaker 1: and exploited by their colleges and universities. 699 00:40:42,920 --> 00:40:46,759 Speaker 15: African American athletes were brought onto campus, but they weren't 700 00:40:46,760 --> 00:40:49,960 Speaker 15: given any kind of equality. They were there to serve 701 00:40:50,000 --> 00:40:54,120 Speaker 15: the track program or the university's image. But you know, 702 00:40:54,320 --> 00:40:59,120 Speaker 15: the coaches frowned upon interracial dating. It was difficult for 703 00:40:59,239 --> 00:41:00,680 Speaker 15: the athletes to get housing. 704 00:41:01,200 --> 00:41:04,360 Speaker 1: Even as the star athletes one glory for their schools, 705 00:41:04,520 --> 00:41:08,680 Speaker 1: they were treated like second class citizens. However, these young 706 00:41:08,760 --> 00:41:11,840 Speaker 1: black athletes have a new hero, a champion who's shown 707 00:41:11,880 --> 00:41:15,880 Speaker 1: them how to fight against prejudice. His name Mohammad Ali. 708 00:41:16,239 --> 00:41:20,200 Speaker 1: Inspired by their fellow olympian, the young black track stars 709 00:41:20,200 --> 00:41:24,320 Speaker 1: announced plans to boycott the sixty eight Games. The resulting 710 00:41:24,440 --> 00:41:28,600 Speaker 1: international embarrassment would become a clear and urgent demand for 711 00:41:28,760 --> 00:41:29,840 Speaker 1: change in the US. 712 00:41:30,400 --> 00:41:34,160 Speaker 15: The athletes claim that it's important to think not of 713 00:41:34,200 --> 00:41:39,520 Speaker 15: their athletic success, but of the political implications of supporting 714 00:41:39,800 --> 00:41:44,200 Speaker 15: racial policies of the US government and the Vietnam War 715 00:41:44,480 --> 00:41:48,120 Speaker 15: and the stripping of Ali's title because of his opposition 716 00:41:48,280 --> 00:41:51,280 Speaker 15: to Vietnam. So there's a number of things that come together, 717 00:41:51,520 --> 00:41:55,680 Speaker 15: and it's a very difficult issue boycotting the Olympics. 718 00:41:55,960 --> 00:41:59,320 Speaker 1: And when word gets back to Muhammad Ali, the people's 719 00:41:59,400 --> 00:42:00,879 Speaker 1: champ tells the press. 720 00:42:00,640 --> 00:42:03,960 Speaker 15: He supports the attempt to boycott the Olympics. 721 00:42:04,480 --> 00:42:08,760 Speaker 1: Their hero has their back. Publicly, this matters a great 722 00:42:08,880 --> 00:42:12,520 Speaker 1: deal to the Olympic athletes. Because don't forget, they're young, 723 00:42:13,000 --> 00:42:16,680 Speaker 1: and they're doing this on the world stage now for 724 00:42:16,719 --> 00:42:20,120 Speaker 1: the People's champ Ale gets to see how his brave 725 00:42:20,239 --> 00:42:24,240 Speaker 1: stance against the draft has deeply inspired the next generation. 726 00:42:25,040 --> 00:42:28,800 Speaker 1: Save for one notable exception, George Foreman. 727 00:42:29,120 --> 00:42:32,640 Speaker 15: The problem is that it comes every four years, and 728 00:42:32,719 --> 00:42:36,920 Speaker 15: if amateur athletes don't get in the year they're eligible 729 00:42:37,280 --> 00:42:39,440 Speaker 15: four years later, they're too old. 730 00:42:39,920 --> 00:42:42,840 Speaker 1: Keep in mind, Foreman is in his prime. He can't, 731 00:42:42,920 --> 00:42:46,359 Speaker 1: or rather he won't, dream of giving up everything he's 732 00:42:46,360 --> 00:42:49,200 Speaker 1: worked for or give up his goal of making his 733 00:42:49,360 --> 00:42:50,160 Speaker 1: mother proud. 734 00:42:51,880 --> 00:42:54,880 Speaker 15: For a guy like Foreman, this is his big opportunity. 735 00:42:55,080 --> 00:42:59,160 Speaker 15: He didn't turn pro He's gonna fight in Mexico City, 736 00:42:59,280 --> 00:43:03,560 Speaker 15: and the idea boycotting just doesn't make any sense to him. 737 00:43:03,920 --> 00:43:07,600 Speaker 1: Foreman gets approached about boycotting the Olympics, but he thinks 738 00:43:07,600 --> 00:43:09,919 Speaker 1: the planned protest is kind of tone deaf. 739 00:43:10,239 --> 00:43:16,200 Speaker 15: George Foreman, who is not a college student, feels that 740 00:43:16,320 --> 00:43:20,040 Speaker 15: the boycotters, when they come and speak to the prospective 741 00:43:20,080 --> 00:43:24,719 Speaker 15: Olympic athletes, really are you know, middle class who have 742 00:43:24,840 --> 00:43:28,120 Speaker 15: no understanding of what poor blacks are going through, which 743 00:43:28,120 --> 00:43:31,480 Speaker 15: I think is an exaggeration. But Foreman makes that case 744 00:43:31,520 --> 00:43:32,720 Speaker 15: in his autobiography. 745 00:43:33,320 --> 00:43:37,200 Speaker 1: What he misunderstands is how the proposed sixty eight Olympics 746 00:43:37,200 --> 00:43:40,359 Speaker 1: boycott would become an acid test for the future of 747 00:43:40,400 --> 00:43:43,040 Speaker 1: Black America. It raises the question. 748 00:43:43,200 --> 00:43:47,799 Speaker 15: Should black athletes support their conscience? Should they support the 749 00:43:48,280 --> 00:43:52,400 Speaker 15: policies of US government? What is their role? It raises 750 00:43:52,520 --> 00:43:58,080 Speaker 15: questions about sports as a not just a sandbox for 751 00:43:58,239 --> 00:44:02,920 Speaker 15: you know, entertainment for sports fans, but there's something serious 752 00:44:02,960 --> 00:44:07,000 Speaker 15: going on in politics. And this draws on Ali's example 753 00:44:07,040 --> 00:44:07,600 Speaker 15: as well. 754 00:44:08,080 --> 00:44:11,320 Speaker 1: The intended boycott doesn't go off as planned, but athletes 755 00:44:11,360 --> 00:44:14,000 Speaker 1: still support the cause and find workarounds. 756 00:44:14,480 --> 00:44:18,360 Speaker 15: It's decided that since they can't boycott the Olympics as such, 757 00:44:18,880 --> 00:44:23,279 Speaker 15: what each person would find, especially his own way to 758 00:44:23,800 --> 00:44:29,920 Speaker 15: protest the racism of the American government of the sporting establishment. 759 00:44:29,760 --> 00:44:33,400 Speaker 1: Most notably the track stars John Carlos and Tommy Smith. 760 00:44:37,920 --> 00:44:42,080 Speaker 15: After the two twenty meter race run by Tommy Smith, 761 00:44:42,200 --> 00:44:44,200 Speaker 15: third was John Carlos. 762 00:44:44,560 --> 00:44:47,840 Speaker 1: As the young Black Olympians stand on the Winders podium 763 00:44:47,880 --> 00:44:50,840 Speaker 1: to receive their medals, instead of waving to the crowd, 764 00:44:51,280 --> 00:44:54,920 Speaker 1: they solemnly bow their heads and they raise their fists. 765 00:44:55,320 --> 00:45:00,160 Speaker 1: On each fist is a black glove, the black power salute. 766 00:45:00,239 --> 00:45:04,560 Speaker 1: It's a powerful, silent protest. The winners show their defiance 767 00:45:04,880 --> 00:45:09,840 Speaker 1: and solidarity in combination with white Australian Olympian Peter Norman's 768 00:45:09,840 --> 00:45:12,520 Speaker 1: display of a human rights pin. The three of them, 769 00:45:12,640 --> 00:45:16,320 Speaker 1: black and white athletes alike stand together on the world 770 00:45:16,320 --> 00:45:20,360 Speaker 1: stage beneath that pair of raised black fists. 771 00:45:20,960 --> 00:45:25,399 Speaker 15: They're in their socks, they have their heads bowed, and 772 00:45:25,480 --> 00:45:30,000 Speaker 15: they're quiet and respectful, but they're stating their point of view. 773 00:45:30,480 --> 00:45:33,799 Speaker 1: Tommy Smith describes the scene on the Olympic pedestal as 774 00:45:33,880 --> 00:45:35,840 Speaker 1: quote an arch of unity. 775 00:45:39,719 --> 00:45:43,239 Speaker 15: Well, this just sets off a firestorm and they get 776 00:45:43,440 --> 00:45:48,280 Speaker 15: kicked out of the Olympic village. Their careers are essentially ruined. 777 00:45:48,920 --> 00:45:50,560 Speaker 15: So where does Foreman come in? 778 00:45:52,920 --> 00:45:56,680 Speaker 1: Like Joe Frazier, Foreman is aware America is far from perfect, 779 00:45:56,920 --> 00:45:59,640 Speaker 1: but he believes the USA is still the best country 780 00:45:59,640 --> 00:46:03,120 Speaker 1: in the world. He's proud to call himself an American. 781 00:46:03,800 --> 00:46:07,920 Speaker 17: This was nineteen sixty eight, the height of the Cold War. 782 00:46:08,920 --> 00:46:12,680 Speaker 17: All the terrible images of the Soviet athletes flooded my mind. 783 00:46:13,480 --> 00:46:18,440 Speaker 17: Robots exercising and hip deep snow, guys with nuclear fists. 784 00:46:19,280 --> 00:46:22,920 Speaker 17: To beat them, you needed to be James Bond in 785 00:46:22,960 --> 00:46:27,280 Speaker 17: a magic briefcase like From Russia with Love Plus. 786 00:46:27,400 --> 00:46:31,280 Speaker 1: His trainer Dick Sadler, strategically keeps Foreman away from any 787 00:46:31,320 --> 00:46:34,200 Speaker 1: and all of the political talk in order to keep 788 00:46:34,239 --> 00:46:37,560 Speaker 1: his fighter focused on his time in the ring. Looking back, 789 00:46:38,120 --> 00:46:41,640 Speaker 1: Foreman later recalled with regret how at the time he 790 00:46:41,719 --> 00:46:44,440 Speaker 1: was unaware of the gravity of the protest and the 791 00:46:44,480 --> 00:46:47,560 Speaker 1: state violence. He was in his own bubble. 792 00:46:47,760 --> 00:46:50,440 Speaker 17: Back at the village. That night, someone said that he 793 00:46:50,640 --> 00:46:53,680 Speaker 17: talked to John Carlos. John says for you to just 794 00:46:53,760 --> 00:46:56,160 Speaker 17: go out there and do your thing. He told me 795 00:46:57,000 --> 00:46:59,880 Speaker 17: you go ahead and win the gold. Is that what 796 00:47:00,040 --> 00:47:03,040 Speaker 17: he said? I asked, Yeah, he doesn't want you to quit. 797 00:47:03,080 --> 00:47:06,000 Speaker 17: He's pulling for you. You have to go out there 798 00:47:06,800 --> 00:47:10,520 Speaker 17: a little older and wiser. Now, I think it's highly 799 00:47:10,600 --> 00:47:14,120 Speaker 17: doubtful that John Carlos actually passed along this message. 800 00:47:15,480 --> 00:47:17,719 Speaker 1: So what does Foreman do? 801 00:47:18,640 --> 00:47:19,600 Speaker 15: He went on fighting. 802 00:47:22,480 --> 00:47:25,000 Speaker 1: George Foreman steps into the ring in the sixty eight 803 00:47:25,040 --> 00:47:29,680 Speaker 1: Olympic Games and he dominates, just like he always does. 804 00:47:30,360 --> 00:47:32,919 Speaker 15: In the middle of all this turmoil, he knocks out 805 00:47:33,520 --> 00:47:35,400 Speaker 15: three Russian fighters. 806 00:47:38,200 --> 00:47:44,200 Speaker 1: Then Foreman's big moment arrives his final gold winning victory. 807 00:47:45,560 --> 00:47:48,280 Speaker 17: Before going to the ring, I filled my robe pocket 808 00:47:48,320 --> 00:47:50,360 Speaker 17: with some beads a girlfriend had given me in a 809 00:47:50,440 --> 00:47:53,319 Speaker 17: small American flag one of the assistant US coaches had 810 00:47:53,320 --> 00:47:54,200 Speaker 17: given me for luck. 811 00:47:55,000 --> 00:47:58,000 Speaker 1: He stands there on the world stage. All that he 812 00:47:58,040 --> 00:48:01,480 Speaker 1: has gone through flashes through his mind and he uses 813 00:48:01,560 --> 00:48:02,320 Speaker 1: his platform. 814 00:48:03,160 --> 00:48:07,319 Speaker 15: Foreman whips out a flags tiny American flag, kisses it 815 00:48:07,400 --> 00:48:10,279 Speaker 15: and waves it in the ring, and then waves it 816 00:48:10,320 --> 00:48:14,480 Speaker 15: on the middle stand as well. And this is perceived 817 00:48:14,520 --> 00:48:19,680 Speaker 15: as a direct attack on Carlos and Smith and a 818 00:48:19,840 --> 00:48:26,160 Speaker 15: patriotic display by a good Negro as opposed to these bad, dangerous, 819 00:48:26,400 --> 00:48:30,040 Speaker 15: almost fascistic with the glove fist black athletes. 820 00:48:30,760 --> 00:48:34,120 Speaker 13: And George won and got the flag and waving around. 821 00:48:34,360 --> 00:48:37,960 Speaker 13: I think people got confused. George is an American citizen. 822 00:48:38,719 --> 00:48:41,880 Speaker 13: He just won the Olympics for the United States, and 823 00:48:41,960 --> 00:48:42,760 Speaker 13: he was excited. 824 00:48:43,520 --> 00:48:46,800 Speaker 17: I meant the waving to say, this is an American 825 00:48:46,840 --> 00:48:49,680 Speaker 17: who won this medal. I meant it in a way 826 00:48:49,760 --> 00:48:54,600 Speaker 17: that was much bigger than ordinary patriotism. It was about identity. 827 00:48:55,480 --> 00:48:58,200 Speaker 13: What flag was he supposed to wave? You know, like 828 00:48:58,280 --> 00:49:00,239 Speaker 13: he was basically saying, no, this is our country too. 829 00:49:00,280 --> 00:49:02,799 Speaker 13: So I want to remind you of why we protesting. Yeah, 830 00:49:02,840 --> 00:49:05,200 Speaker 13: so that didn't bother me at all. I respected it. 831 00:49:06,080 --> 00:49:09,440 Speaker 13: An American, That's who I was. I was waving the 832 00:49:09,440 --> 00:49:12,480 Speaker 13: flag as much for myself as for my country. I 833 00:49:12,600 --> 00:49:14,920 Speaker 13: was letting everyone know who I was and at the 834 00:49:14,960 --> 00:49:18,240 Speaker 13: same time saying that I was proud to be an American. 835 00:49:19,080 --> 00:49:23,320 Speaker 15: Foreman was grateful to America for what they had done 836 00:49:23,400 --> 00:49:27,160 Speaker 15: for him and presumably for black men in general. 837 00:49:29,280 --> 00:49:33,120 Speaker 1: But what other folks see is a black man supporting 838 00:49:33,160 --> 00:49:37,440 Speaker 1: the Vietnam War and its racialized violence. They see Foreman 839 00:49:37,719 --> 00:49:42,720 Speaker 1: counter protesting the brave black track athletes taking a righteous stand, 840 00:49:43,120 --> 00:49:46,239 Speaker 1: and the contrast could not have been more stark. His 841 00:49:46,719 --> 00:49:52,880 Speaker 1: tiny USA flag is unforgettable, and for some it's unforgivable. 842 00:49:52,760 --> 00:49:57,400 Speaker 15: That flag waving becomes like a symbolic gesture, which is 843 00:49:57,600 --> 00:50:02,200 Speaker 15: as important, I think as the gloved fist, because for 844 00:50:02,400 --> 00:50:07,440 Speaker 15: middle class whites, they're tired of the complaining, the protests, 845 00:50:07,600 --> 00:50:12,440 Speaker 15: the riots, the notion that America is a failed society. 846 00:50:13,080 --> 00:50:15,960 Speaker 1: Whether he intended it or not, George Foreman has picked 847 00:50:15,960 --> 00:50:17,560 Speaker 1: a side in the culture wars. 848 00:50:18,400 --> 00:50:21,680 Speaker 15: He expects to come back with a gold medal, to 849 00:50:21,719 --> 00:50:26,120 Speaker 15: be honored by his community and American general and that 850 00:50:26,200 --> 00:50:26,920 Speaker 15: doesn't happen. 851 00:50:27,520 --> 00:50:31,680 Speaker 1: Remember, George Foreman is sensitive, prone to embarrassment and shame. 852 00:50:32,239 --> 00:50:35,560 Speaker 1: Now he's the Olympic heavyweight Champion of the world, but 853 00:50:35,800 --> 00:50:39,120 Speaker 1: just like that, he's shoe booty all over again. 854 00:50:39,840 --> 00:50:43,200 Speaker 15: When Foreman comes back from the Olympics, he visits his 855 00:50:43,320 --> 00:50:48,160 Speaker 15: old haunts in Houston, and his old running buddies are upset. 856 00:50:48,360 --> 00:50:51,520 Speaker 15: Younger people in the black community treat him as a trader. 857 00:50:52,080 --> 00:50:55,560 Speaker 15: This controversy continues into the nineteen seventies. 858 00:50:56,320 --> 00:50:58,800 Speaker 1: So when Foreman makes his way back home he's a 859 00:50:58,840 --> 00:51:03,200 Speaker 1: folk hero. He only a hero for anxious white moderates 860 00:51:03,200 --> 00:51:07,040 Speaker 1: and conservative black churchgoers, the folks that Nixon likes to 861 00:51:07,040 --> 00:51:11,160 Speaker 1: call his silent majority. In fact, when Foreman gets back 862 00:51:11,200 --> 00:51:14,480 Speaker 1: to Houston in the summer of sixty eight, Richard Nixon's 863 00:51:14,560 --> 00:51:17,480 Speaker 1: running for president of the United States. He even approaches 864 00:51:17,560 --> 00:51:22,600 Speaker 1: Foreman for his public support. Instead, Foreman decides to become 865 00:51:22,640 --> 00:51:27,200 Speaker 1: a supporter of Nixon's opponent, Hubert Humphrey, who's lbj's VP 866 00:51:27,719 --> 00:51:31,040 Speaker 1: and is partially responsible for the job Court initiative that 867 00:51:31,120 --> 00:51:34,680 Speaker 1: changed Foreman's life path. So soon enough. 868 00:51:34,600 --> 00:51:38,000 Speaker 15: He's on the stage with him in various places. He's 869 00:51:38,000 --> 00:51:41,240 Speaker 15: wearing the gold medal. He's waving the flag. 870 00:51:41,840 --> 00:51:45,880 Speaker 1: And with that, Foreman's fate is sealed. His story is written, 871 00:51:46,280 --> 00:51:51,040 Speaker 1: or so it would appear. Back to Fight writer Mark Kriegel, to. 872 00:51:50,960 --> 00:51:53,920 Speaker 6: Me, there are two kinds of fighters, fighters with a 873 00:51:54,000 --> 00:51:57,719 Speaker 6: story and fighters without a story. The fighters who have 874 00:51:57,760 --> 00:52:01,680 Speaker 6: a story you're invested in, and that, aside from being 875 00:52:01,680 --> 00:52:05,760 Speaker 6: able to fight, is probably fighter's most valuablester his story 876 00:52:06,040 --> 00:52:06,680 Speaker 6: or her story. 877 00:52:07,680 --> 00:52:10,839 Speaker 1: Now it was time for George Foreman's story to take 878 00:52:10,840 --> 00:52:19,200 Speaker 1: over boxing. Next time on Rumble. 879 00:52:20,280 --> 00:52:23,640 Speaker 13: George Jackson, Angela Davis, Black Panthers. 880 00:52:23,680 --> 00:52:26,320 Speaker 7: All of this urban political. 881 00:52:25,880 --> 00:52:28,520 Speaker 8: Intensity was all occurring at the same time. 882 00:52:28,840 --> 00:52:31,239 Speaker 13: Marshall y'all called me and adm if I wanted to 883 00:52:31,280 --> 00:52:34,200 Speaker 13: go play with Bbking, I said, oh yeah sure. 884 00:52:37,080 --> 00:52:40,719 Speaker 18: Rumble is a production of School of Humans and iHeart Podcasts. 885 00:52:41,360 --> 00:52:44,479 Speaker 18: Rumble is written and hosted by Zaren Burnett. The third 886 00:52:45,120 --> 00:52:49,560 Speaker 18: produced and directed by Julia Chriscau. Sound design and scoring 887 00:52:49,880 --> 00:52:54,360 Speaker 18: by Jesse Niswanger. Original music by Jordan Manley and TJ. 888 00:52:54,480 --> 00:52:57,400 Speaker 4: Merritt. Our senior producer is Amelia Brock. 889 00:52:57,760 --> 00:53:03,320 Speaker 18: Series concept by Gary strom Executive producers are Jason English, 890 00:53:03,600 --> 00:53:07,840 Speaker 18: Sean ty Tone, Gary Stromberg, Virginia Prescott, L. C. 891 00:53:08,000 --> 00:53:09,840 Speaker 4: Crowley and Brandon Barr. 892 00:53:10,080 --> 00:53:16,040 Speaker 18: Production manager Daisy Church, fact checker Savannah Hugley. Additional producing 893 00:53:16,160 --> 00:53:20,399 Speaker 18: by Claire Keating and John Washington. Legal services provided by 894 00:53:20,600 --> 00:53:22,040 Speaker 18: Connol Hanley PC. 895 00:53:22,680 --> 00:53:24,680 Speaker 4: Casting director Julia Chriscau. 896 00:53:24,880 --> 00:53:30,279 Speaker 18: Episode three cast Abraham Amka as Mohammad Ali, Arthur Dent 897 00:53:30,520 --> 00:53:35,080 Speaker 18: as Joe Fraser, Jonah Weston as Norman Mahler, Anthony Brandon 898 00:53:35,120 --> 00:53:39,960 Speaker 18: Walker as George Foreman, Wayne j As Howard Cosell, Julia 899 00:53:40,000 --> 00:53:45,560 Speaker 18: Chriscau as news reporter. Casting support services provided by Breakdown Express. 900 00:53:45,840 --> 00:53:49,360 Speaker 18: Special thanks to Lewis Ehrenberg. Check out his book Rumble 901 00:53:49,400 --> 00:53:52,400 Speaker 18: in the Jungle. It's a great resource. Also thanks to 902 00:53:52,520 --> 00:53:56,640 Speaker 18: Jonathan I for his book Ali a Life, And finally 903 00:53:56,960 --> 00:54:00,920 Speaker 18: thanks to Zarens pops Zeke, who ground this material like 904 00:54:00,960 --> 00:54:03,319 Speaker 18: no one else. If you like the show, let us know. 905 00:54:04,000 --> 00:54:07,200 Speaker 4: Like subscribe, leave five star reviews. It really helps. 906 00:54:07,840 --> 00:54:10,360 Speaker 18: Also check out our show notes for a full list 907 00:54:10,360 --> 00:54:13,560 Speaker 18: of reference materials.