WEBVTT - 9021One on One: Michael Anthony Rawlins

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<v Speaker 1>It's with Jenny Garth and Tori Spelling. Today, you guys,

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<v Speaker 1>we have an exciting Nino to one on one we

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<v Speaker 1>have with us Uh, the actor who portrayed Jordan Bonner,

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<v Speaker 1>who was Andrea's love interest, to name one of his

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<v Speaker 1>roles on the show, UM, played by Michael Anthony rawlins.

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<v Speaker 1>I'm looking at this um head shot of Michael and

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<v Speaker 1>he is so handsome. Yes he is. I'll take that.

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<v Speaker 1>Oh high. You can hear us, I can hear just fine,

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<v Speaker 1>I can see you just fine. First of all, let

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<v Speaker 1>me make a toast. Oh time, Where are you right now?

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<v Speaker 1>I'm in my living room? But where I'm in l A?

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<v Speaker 1>Are you in l A? I is gonna say it's

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<v Speaker 1>five o'clock somewhere. But okay, this is actually a prop

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<v Speaker 1>but it looks like water actually doesn't like a good prop. Um.

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<v Speaker 1>But let that not put a damper on the cheers.

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<v Speaker 1>I just want to make a touch to the original

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<v Speaker 1>nine O two one O G crew. Hey, cheers, cheers.

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<v Speaker 1>So nice to have a little drink of water with you. Yes,

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<v Speaker 1>that was water too. We UM were thrilled to have

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<v Speaker 1>you here because you started on our show when you

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<v Speaker 1>were young, just like us, and you've gone to have

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<v Speaker 1>this great, really fruitful career doing so many great roles

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<v Speaker 1>on television and films, and it's just nice to see that.

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<v Speaker 1>You know, thank you, thank you. When you start this journey,

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<v Speaker 1>you never know where it's gonna lead to. So m

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<v Speaker 1>just be able to stay in the game and have

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<v Speaker 1>some longevity is uh beautiful thing. So what was the

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<v Speaker 1>tell it talk us through the process of when you

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<v Speaker 1>audition you got the part of Jordan's Bonner because you

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<v Speaker 1>had already done like episodes of TV for other shows, right, Yeah,

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<v Speaker 1>I had some. I've done some other shows, but nothing

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<v Speaker 1>that had the profile of your show. Like I remember

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<v Speaker 1>that season three, if I'm not mistaken, weren't you all

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<v Speaker 1>to recover sial boxes? We had a sereal box. Yes,

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<v Speaker 1>it was crazy, honey, shrunk my own h what's the

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<v Speaker 1>one with the banney cheerio is with the b and

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<v Speaker 1>we did a commercial we were on Yeah. Um, so

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<v Speaker 1>it was definitely the highest profile GA that I had

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<v Speaker 1>booked to that point. And I remember when I got

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<v Speaker 1>the audition, I got the call back and I went

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<v Speaker 1>in and I think Jack Bender was the direct there

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<v Speaker 1>of the first episode because I was always supposed to

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<v Speaker 1>do one wow, and it ended up being six episodes, right, yeah, yeah,

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<v Speaker 1>and uh, he gave me an adjustment in the callback,

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<v Speaker 1>I think he said. I think he said, just bring

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<v Speaker 1>it down because the way I was reading Jordan is

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<v Speaker 1>he was upset with the way his high school had

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<v Speaker 1>been depicted as a high school that was in the hood.

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<v Speaker 1>And uh, I brought it down. He said, thank you.

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<v Speaker 1>And I remember getting a call from my manager a

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<v Speaker 1>couple hours later and she said, okay, you're You're on

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<v Speaker 1>the short list, but you have to be approved by

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<v Speaker 1>Aaron Spelling himself. And I was like, really, I'm going

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<v Speaker 1>to be united by Aaron Spelling? What? And then she

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<v Speaker 1>called back, I think it was that night or earlier

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<v Speaker 1>the next day, and said I had to roll. So

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<v Speaker 1>were you so excited, like like, that's a good call

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<v Speaker 1>to get no matter what show it's on, it was.

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<v Speaker 1>It was exciting my I think my manager was standing

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<v Speaker 1>at my My manager at the time was really cool.

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<v Speaker 1>I think it was the first time I saw her

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<v Speaker 1>actually get up and like jump around in her office.

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<v Speaker 1>Even then, once you got the part, you still thought

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<v Speaker 1>it was for one episode or did they know then

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<v Speaker 1>they were no, they didn't don't know that until after

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<v Speaker 1>we shot. It was in the camp. Then my agent

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<v Speaker 1>called and said, yeah, they're bringing you back, and it

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<v Speaker 1>was gonna be um, but they ended up being six.

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<v Speaker 1>And I don't know if you guys know this, but

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<v Speaker 1>they were actually talking about bringing me back the following season.

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<v Speaker 1>So one day I came to set and you know,

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<v Speaker 1>Gabrielle and I were dating on the show, and she

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<v Speaker 1>came up to me. She said, hey, Michael, and she

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<v Speaker 1>was kind of somber, and I was like, hey, Gabby,

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<v Speaker 1>what's up. She said, I gotta tell you something. I said,

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<v Speaker 1>what she goes on pregnant. I said, congratulations, and she

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<v Speaker 1>said yeah, they don't want you to be the father.

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<v Speaker 1>And I was like, okay, so they're gonna write it

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<v Speaker 1>into the show. She's like yeah, And I said, okay, Hey,

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<v Speaker 1>it's nice stopped me gap my career by good luck

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<v Speaker 1>with your baby, right so, And I think that was

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<v Speaker 1>around the I'm not sure wearing a season. I think

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<v Speaker 1>it was like the fourth and fifth episode. So I

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<v Speaker 1>knew that any top of me coming back the phone

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<v Speaker 1>the season, that's a that's a bad break right there.

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<v Speaker 1>You got dealta a dud deal because the baby into

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<v Speaker 1>the show, like they used her pregnant. See that's right,

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<v Speaker 1>that's right. And Jesse I think his name was Jesse, Yes,

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<v Speaker 1>the character. Yeah, yes, you know, all my friends are like, dude,

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<v Speaker 1>that could have been you. I was like, I know,

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<v Speaker 1>leave me alone. I'm going to be crying. I loved

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<v Speaker 1>the character of Jordan Bonner, Like, yeah, we all the

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<v Speaker 1>character of Jesse was cool, but like that would have

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<v Speaker 1>been really cool, like to continue that storyline and you're

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<v Speaker 1>the father and to to focus on you know what

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<v Speaker 1>you did so beautifully already for the show. What's such

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<v Speaker 1>an important pivotal role on the show by you know,

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<v Speaker 1>sort of representing all the the racial inequities that were

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<v Speaker 1>happening in in the you know, the storylines at that time.

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<v Speaker 1>You you played all of that so beautifully, and it

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<v Speaker 1>would have been so impressive to like expand that and

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<v Speaker 1>let that. Yeah, that would lay out great story and

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<v Speaker 1>no offense to gap. But I can't. That's kind of

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<v Speaker 1>shocking that she delivered that information, right, Yeah, I'm like

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<v Speaker 1>outside the makeup trailer probably like like yes, I think

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<v Speaker 1>we're in the sound stage, but you know, Daddy and

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<v Speaker 1>I actually stayed in touch over the years, and I

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<v Speaker 1>think because we were dating on the show, she felt

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<v Speaker 1>like I think I remember saying something in the fact

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<v Speaker 1>that I wanted you to hear it from me because

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<v Speaker 1>you boyfriend and girlfriend on the show, and I know

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<v Speaker 1>how this can, you know, affect someone, and I just

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<v Speaker 1>wanted you to hear it from me. So I think

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<v Speaker 1>she was it was like a caretaker thing for her

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<v Speaker 1>and gotten to know her a little bit over the years.

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<v Speaker 1>I haven't seen her now in a few years, but

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<v Speaker 1>we would bump into each other and hook up. I've

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<v Speaker 1>been to her home and her family. Um, that's who

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<v Speaker 1>she is, you know. So it was unfortunate to hear.

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<v Speaker 1>But I actually when they called me, when my rets

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<v Speaker 1>called me to tell me, I was like, yeah, I

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<v Speaker 1>kind of knew. They're like, why do you tell us?

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<v Speaker 1>I was like, I was kind of hoping it wouldn't manifest,

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<v Speaker 1>but you know, so, but these are the kinds of

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<v Speaker 1>things that we deal with them, this crazy roller coaster

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<v Speaker 1>called the Hollywood career. We we've had Gab on our

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<v Speaker 1>show a couple of times now and we are very

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<v Speaker 1>close with her, and she told us something that kind

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<v Speaker 1>of rocked our worlds, which was, uh, that you guys

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<v Speaker 1>were love interests. It was going somewhere, and we loved it.

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<v Speaker 1>We were both Tory and I were both because we're

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<v Speaker 1>watching the show back. So when that episode came out,

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<v Speaker 1>you guys started to like flirt and you're both at

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<v Speaker 1>the Yale party. We got getting really excited that that

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<v Speaker 1>was about to happen. But she said that that the producers,

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<v Speaker 1>when they started to go a different direction, they wouldn't

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<v Speaker 1>even let you guys kiss, and she felt that it

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<v Speaker 1>was a racial thing like that they weren't going to

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<v Speaker 1>go there. And she told us that when we were

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<v Speaker 1>doing pH now to know, she was like, there was

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<v Speaker 1>a couple of things that happened that wouldn't have happened nowadays.

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<v Speaker 1>But then it was like she wasn't allowed to wear

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<v Speaker 1>a Jewish cross, she wasn't allowed to kiss the black man,

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<v Speaker 1>Like yeah, she kept pointing things out that we were like, what,

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<v Speaker 1>we didn't know this was happening at the time, right right.

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<v Speaker 1>I remember her talking to me about the cross, sorry,

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<v Speaker 1>not a Jewish cross. That made no sense coming from

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<v Speaker 1>the Jewish girl here a Jewish star. She wasn't allowed

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<v Speaker 1>to wear a Jewish star, she wasn't allowed to kiss

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<v Speaker 1>the black Man on camera and it just blew our minds. Yeah,

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<v Speaker 1>it surprised me because to your dad was known as

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<v Speaker 1>an innovator. I mean, I think, if I'm not mistaking

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<v Speaker 1>in revitation for introducing the first situation a couple on TV,

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<v Speaker 1>it was the mon Squad yapp So I was I

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<v Speaker 1>was huge. He was so proud of that and wanted

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<v Speaker 1>to always continue that. So all I could think of,

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<v Speaker 1>And you know my dad, My dad was Jewish, so

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<v Speaker 1>you would have loved a Jewish her on camera, like

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<v Speaker 1>not just crosses and representing you out our our heritage.

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<v Speaker 1>But like, I can only think that the network at

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<v Speaker 1>the time just wasn't into it. It had to have

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<v Speaker 1>been that, I wonder. I wish I could go back

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<v Speaker 1>and ask my dad, like, what was the fight there?

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<v Speaker 1>Which again those things because it was Fox and they

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<v Speaker 1>were also known for beating breaking them all exactly. They

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<v Speaker 1>brought us in a would be in color like they

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<v Speaker 1>were the edgy new for network. It just makes no

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<v Speaker 1>sense to us. Did we know so you heard that too? Yeah? Yeah, um,

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<v Speaker 1>like was it actually in the script and then didn't

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<v Speaker 1>happen or never even made it into the script? The kiss?

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<v Speaker 1>I think I have my script somewhere because I remember

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<v Speaker 1>asking you guys to sign them, so it's kind of

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<v Speaker 1>keep safe for me that I've held on to. I

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<v Speaker 1>don't remember seeing that in the script. I just remember

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<v Speaker 1>Gabby when she stopped me to me, I saw her

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<v Speaker 1>take off the cross like she got the cross, and

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<v Speaker 1>we had a conversation about it. But I don't remember

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<v Speaker 1>there being at kids, you know. I just I think

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<v Speaker 1>the closest we got physically on the show was we

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<v Speaker 1>actually held hands. I think that's the closest we got

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<v Speaker 1>on the show, and we I think in a couple

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<v Speaker 1>of scenes we were standing show on the shoulder, but

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<v Speaker 1>nothing remotely over. Wow. Yeah, if you could go back

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<v Speaker 1>in time, what would you tell the writers and the

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<v Speaker 1>producers if you had, if you had the opportunity, I

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<v Speaker 1>would say, let's be ahead of the diversity postion to

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<v Speaker 1>do it now, you know, um, be on the forefront. Uh.

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<v Speaker 1>It was what you know, it wasn't so outside the

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<v Speaker 1>box to have inter racial people dating at that time,

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<v Speaker 1>you know, to your dad had already done it in

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<v Speaker 1>the seventies. Yeah, so come on, guys, Yeah, you know none.

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<v Speaker 1>Tuno was a young show. Your target demo was young

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<v Speaker 1>if anybody's going to embrace that storyline, it would have

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<v Speaker 1>been a youth. The youth is always leading the revolution,

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<v Speaker 1>so I think it would have been embrace. I remember

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<v Speaker 1>at the time though, that there was a lot of

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<v Speaker 1>fan backlash with nine O, two and O because people

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<v Speaker 1>are saying there's no diversity, it's an all white cast

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<v Speaker 1>of main characters. And I remember my dad being so

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<v Speaker 1>deeply hurt by that because that that was always his thing,

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<v Speaker 1>Like he was so into diversity and pushing it and

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<v Speaker 1>pushing the limits when it wasn't even done on TV, so,

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<v Speaker 1>you know, and they kept saying it was you know,

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<v Speaker 1>they never said like, oh, could it be you know,

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<v Speaker 1>the network, it was always Aaron Spelling doesn't put people

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<v Speaker 1>on the show, and it's like, that's not true. That's

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<v Speaker 1>what they do, you know. The season before season two,

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<v Speaker 1>I actually auditioned to play via Vivica Fox's brother for

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<v Speaker 1>that family was Richard rown Tree. Right, Oh, that was

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<v Speaker 1>the first time I read for the casting director whose

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<v Speaker 1>name escapes me. You remember who cast the show? Was

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<v Speaker 1>it Joanna right at the time, Jore No, it wasn't.

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<v Speaker 1>I didn't read for Joe anyway. I think she did

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<v Speaker 1>the original casting cast and came after. Anyway, I remember

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<v Speaker 1>going in and uh, I read she brought me back

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<v Speaker 1>for producers and then I didn't get it. But what

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<v Speaker 1>I heard happened was that Richard Rowntree wanted more money

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<v Speaker 1>if they were like they were supposed to recur they

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<v Speaker 1>only ended up doing right, They inevitably wanted them, yeah,

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<v Speaker 1>as to fold them into the main cast, right right.

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<v Speaker 1>But from what I understand, Richard Rowntree wasn't getting the

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<v Speaker 1>love he thought he deserved, and Spike he thought he deserved.

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<v Speaker 1>And that's what torpedo that story. Like, I could be wrong,

0:14:14.960 --> 0:14:20.600
<v Speaker 1>I think I agree with him the same, but that's

0:14:20.600 --> 0:14:23.760
<v Speaker 1>what I understand. And so when I came back to

0:14:23.880 --> 0:14:27.440
<v Speaker 1>read for season for the character in season three, I

0:14:27.640 --> 0:14:32.160
<v Speaker 1>remember it was a guest star. So there were like

0:14:32.360 --> 0:14:35.760
<v Speaker 1>four scenes. They were like twelve pages, and it was

0:14:35.840 --> 0:14:38.080
<v Speaker 1>on a Monday, and I spent the weekend working on it.

0:14:38.480 --> 0:14:40.920
<v Speaker 1>When I got there, the Castle rector said, so we're

0:14:40.920 --> 0:14:44.920
<v Speaker 1>just gonna do one scene, and I was like, I

0:14:45.160 --> 0:14:50.000
<v Speaker 1>hate right, and it still happens, But I was said

0:14:50.040 --> 0:14:52.240
<v Speaker 1>to myself, I was having this internal battle and I

0:14:52.320 --> 0:14:54.920
<v Speaker 1>was like, am I gonna stand up for myself right now,

0:14:55.080 --> 0:14:56.840
<v Speaker 1>or am I just gonna do the scene? And I said,

0:14:56.880 --> 0:15:01.760
<v Speaker 1>you know, uh, she picked the scene. It would be

0:15:01.880 --> 0:15:04.240
<v Speaker 1>one thing if she said pick a scene and you

0:15:04.320 --> 0:15:06.960
<v Speaker 1>could pick the scene that you thought best showcase your character.

0:15:07.480 --> 0:15:10.000
<v Speaker 1>She picked the scene, and I said, her name is Diane.

0:15:10.080 --> 0:15:12.480
<v Speaker 1>Her first name is Diane. It just came to me.

0:15:12.560 --> 0:15:15.240
<v Speaker 1>I can't remember her last name, but she said, I said, Diane.

0:15:15.320 --> 0:15:18.280
<v Speaker 1>I said, I think the character is better showcased in

0:15:18.440 --> 0:15:22.240
<v Speaker 1>this scene and she said really. I said, yeah, I

0:15:22.320 --> 0:15:24.680
<v Speaker 1>think that's where the meat is. And she said, well,

0:15:24.960 --> 0:15:26.760
<v Speaker 1>why don't you do the scene I asked you to do,

0:15:26.960 --> 0:15:29.240
<v Speaker 1>and then if you do well, you can have the entree.

0:15:29.440 --> 0:15:36.320
<v Speaker 1>And I was like, Earl, it's called Mike bluff, so

0:15:36.640 --> 0:15:41.440
<v Speaker 1>I was about to have that coming either, so I

0:15:41.560 --> 0:15:44.640
<v Speaker 1>didn't see she picked. She said, okay, Michael, you get

0:15:44.680 --> 0:15:48.680
<v Speaker 1>your entrede today. See I wanted to do which is

0:15:49.200 --> 0:15:51.440
<v Speaker 1>the scene where me and Brandon meet for the first time,

0:15:53.080 --> 0:15:55.880
<v Speaker 1>And I thought that was clearly the best scene out

0:15:55.920 --> 0:15:59.080
<v Speaker 1>of before. And I did it and she goes, I

0:15:59.120 --> 0:16:01.600
<v Speaker 1>want you to come back and producers, and I came

0:16:01.640 --> 0:16:05.200
<v Speaker 1>back and I got the role. But yeah, it's interesting

0:16:05.280 --> 0:16:07.440
<v Speaker 1>just how I guess I was destined to be on

0:16:07.560 --> 0:16:11.240
<v Speaker 1>the show because I have a vision for this. Oh,

0:16:11.280 --> 0:16:15.160
<v Speaker 1>I'm glad you you spoke up. That's not good to know.

0:16:16.200 --> 0:16:18.560
<v Speaker 1>It's one of those moments in your career as an

0:16:18.640 --> 0:16:21.680
<v Speaker 1>actor if you take a stand, if you're not afraid

0:16:21.720 --> 0:16:24.840
<v Speaker 1>to take a stand, it cannot only make a change,

0:16:24.960 --> 0:16:28.520
<v Speaker 1>but it empowers you. And you know, when you're starting

0:16:28.560 --> 0:16:30.680
<v Speaker 1>off in this business and you've done a few things,

0:16:30.760 --> 0:16:32.720
<v Speaker 1>but you haven't done a lot. You're trying to take

0:16:32.760 --> 0:16:35.520
<v Speaker 1>your career to the next step, to the next level.

0:16:36.720 --> 0:16:39.640
<v Speaker 1>It's moments like those that can end up defining your career,

0:16:40.080 --> 0:16:42.800
<v Speaker 1>you know. And after that audition, I would walk in

0:16:42.880 --> 0:16:45.720
<v Speaker 1>the room with much more confident and feel like I

0:16:45.880 --> 0:16:48.160
<v Speaker 1>belong instead of doing my best work in the rear

0:16:48.240 --> 0:16:55.400
<v Speaker 1>view mirror in my car the way home. Yes, yeah, wow,

0:16:55.840 --> 0:17:01.240
<v Speaker 1>that's a good lesson for actors out there everywhere. Really

0:17:01.720 --> 0:17:05.240
<v Speaker 1>find your voice when you need it for so short

0:17:05.320 --> 0:17:08.399
<v Speaker 1>a period of time, so you know, take the Like

0:17:09.000 --> 0:17:10.800
<v Speaker 1>that was the first time I took the room. As

0:17:10.840 --> 0:17:14.440
<v Speaker 1>they say, because you are here in class, take the room.

0:17:14.760 --> 0:17:17.359
<v Speaker 1>It's your time. Take the room. And I really hadn't

0:17:17.400 --> 0:17:21.000
<v Speaker 1>felt like I've taken the room until that moment. That's

0:17:21.000 --> 0:17:22.960
<v Speaker 1>when I took the room for the first time. I

0:17:23.080 --> 0:17:25.520
<v Speaker 1>hope I ever have another audition, because I'm going to

0:17:25.640 --> 0:17:29.000
<v Speaker 1>take the room. Take it. I've never taken a room

0:17:29.040 --> 0:17:32.119
<v Speaker 1>in an audition. I'm the worst audition. I don't know

0:17:32.119 --> 0:17:35.320
<v Speaker 1>about you, guys, but she always says that clearly not

0:17:36.200 --> 0:17:40.480
<v Speaker 1>so much. So next time I'm thinking of you. Okay,

0:17:42.000 --> 0:17:44.119
<v Speaker 1>was this one of those auditions have you ever had?

0:17:44.119 --> 0:17:46.520
<v Speaker 1>I mean we've had them, Like the auditions where you're like, oh,

0:17:47.359 --> 0:17:48.879
<v Speaker 1>this is my part, I'm getting it, and you do

0:17:49.040 --> 0:17:50.760
<v Speaker 1>get it. You're like, see, I was right, I knew it,

0:17:50.840 --> 0:17:53.600
<v Speaker 1>and the ones where they were like, amazing, do you

0:17:53.640 --> 0:17:55.840
<v Speaker 1>want me to change anything? No, it was perfect. You're like,

0:17:56.040 --> 0:18:00.440
<v Speaker 1>I'm not getting this, Like did you feel that when

0:18:00.480 --> 0:18:04.440
<v Speaker 1>I when I left the callback, I felt like I

0:18:04.680 --> 0:18:07.600
<v Speaker 1>had done a good job. But I've been doing it

0:18:07.680 --> 0:18:09.879
<v Speaker 1>long enough to know that that really didn't mean anything

0:18:09.960 --> 0:18:12.680
<v Speaker 1>because a lot of times when I feel like I

0:18:12.800 --> 0:18:18.159
<v Speaker 1>hit it out of the park, crickets, when I stunk

0:18:18.280 --> 0:18:22.919
<v Speaker 1>up the room. Yeah, they want a book, what exactly

0:18:23.520 --> 0:18:25.600
<v Speaker 1>is There's no rhyme or reason. It's what they have

0:18:25.760 --> 0:18:29.360
<v Speaker 1>in their minds, what they want and sometimes that that comes.

0:18:29.440 --> 0:18:31.560
<v Speaker 1>That happens where some an actor comes in and changes

0:18:31.640 --> 0:18:35.280
<v Speaker 1>their minds like you did that and that's awesome. Oh

0:18:35.400 --> 0:18:39.960
<v Speaker 1>thank you, that's so good. So um, what is good you?

0:18:40.600 --> 0:18:42.840
<v Speaker 1>What's going on for you now? Like tell us where

0:18:42.960 --> 0:18:46.119
<v Speaker 1>you are and what you're doing? Tell you what's taking

0:18:46.240 --> 0:18:48.560
<v Speaker 1>up the majority of my time right now? If you

0:18:48.640 --> 0:18:53.800
<v Speaker 1>can see my T shirt, it says dead ever. So

0:18:54.560 --> 0:18:58.040
<v Speaker 1>I have a fourteen year old who has followed in

0:18:58.160 --> 0:19:01.960
<v Speaker 1>my footsteps. He actually wee last week just wrapped a

0:19:02.080 --> 0:19:05.560
<v Speaker 1>movie called Heart of a Lion, which is a sony

0:19:05.640 --> 0:19:10.480
<v Speaker 1>picture about the Xbox and champion George Foreman. Oh gosh, wow,

0:19:11.320 --> 0:19:16.320
<v Speaker 1>yeah he George Foreman as a kid. That's amazing. It's

0:19:16.320 --> 0:19:21.040
<v Speaker 1>being directed or was directed by George Tillman, who's known

0:19:21.119 --> 0:19:24.320
<v Speaker 1>for Soul Food, They Hate You Give, Notorious b I G.

0:19:25.400 --> 0:19:28.640
<v Speaker 1>And his mom is being played by Sonya son from

0:19:28.680 --> 0:19:34.359
<v Speaker 1>The Wire and The Shy talk about intense. Um, so

0:19:34.440 --> 0:19:36.760
<v Speaker 1>it's liked you better bring your a game because your

0:19:36.840 --> 0:19:41.879
<v Speaker 1>mom don't play. Oh wow, were you nervous because you

0:19:42.040 --> 0:19:43.840
<v Speaker 1>had to be with him on set? Right? Or did

0:19:43.880 --> 0:19:47.080
<v Speaker 1>he have somebody else? I'm more nervous for him than

0:19:47.160 --> 0:19:51.440
<v Speaker 1>he is for himself. You know, Um, when it's a

0:19:51.480 --> 0:19:54.040
<v Speaker 1>big audition, I'm like, I'm the one that needs to

0:19:54.119 --> 0:19:57.280
<v Speaker 1>calm down and breathe. He's fine. So you are what

0:19:57.400 --> 0:20:01.320
<v Speaker 1>do they call it, what you're stage teach? Now? I

0:20:01.440 --> 0:20:05.040
<v Speaker 1>guess I am, yeah, I mean, you know, he's uh.

0:20:05.880 --> 0:20:08.639
<v Speaker 1>He started. We lived in Chicago for five years from

0:20:08.720 --> 0:20:13.119
<v Speaker 1>twenty nineteen and that's where he really got started. He

0:20:13.240 --> 0:20:15.560
<v Speaker 1>had an agent here in l A before we left,

0:20:16.080 --> 0:20:17.960
<v Speaker 1>and he was auditioning a little bit, but when we

0:20:18.000 --> 0:20:21.680
<v Speaker 1>got to Chicago he really took off. He started doing theater.

0:20:22.400 --> 0:20:25.159
<v Speaker 1>He did uh Last Stop on Market Street, which is

0:20:25.200 --> 0:20:27.960
<v Speaker 1>the world premiere in the Chicago Children's Theater. And he

0:20:28.040 --> 0:20:31.119
<v Speaker 1>started on stage, interestingly enough, at the good Man in

0:20:31.320 --> 0:20:35.320
<v Speaker 1>Chicago doing the four yeth anniversary at a Christmas Carol,

0:20:35.800 --> 0:20:40.440
<v Speaker 1>and it was really surreal because he played. One of

0:20:40.480 --> 0:20:42.359
<v Speaker 1>the roles he played was Turkey Boy, which is a

0:20:42.440 --> 0:20:44.840
<v Speaker 1>little English kid that comes on at the end and

0:20:44.920 --> 0:20:47.320
<v Speaker 1>has a scene with Scrooge. So you have to do

0:20:47.400 --> 0:20:50.080
<v Speaker 1>a British accent. And I was born in one of England,

0:20:50.280 --> 0:20:54.320
<v Speaker 1>so at that age I had that accent. So seeing

0:20:54.400 --> 0:20:59.480
<v Speaker 1>the poor child on stage doing a British accent at

0:20:59.520 --> 0:21:02.120
<v Speaker 1>the same age that you were when you had that accent.

0:21:02.520 --> 0:21:05.600
<v Speaker 1>It was like it was one of those moments. I

0:21:05.720 --> 0:21:10.760
<v Speaker 1>was just like, I got goose bumps. You're so proud.

0:21:11.000 --> 0:21:14.560
<v Speaker 1>I love it. I am I and I'd be proud

0:21:14.600 --> 0:21:17.439
<v Speaker 1>of him regardless. I mean, he just he just got

0:21:17.520 --> 0:21:20.720
<v Speaker 1>an award. I think it's called the President's Award for

0:21:20.800 --> 0:21:24.200
<v Speaker 1>Outstanding Achievement that I didn't even know existed, along with

0:21:24.320 --> 0:21:29.360
<v Speaker 1>being a Distinguished Honished student for grade eight. Um, he's

0:21:29.359 --> 0:21:31.520
<v Speaker 1>got a four point on g p A. I never

0:21:31.600 --> 0:21:46.800
<v Speaker 1>had a four point I feel shamed right now. You're hilarious. Yeah,

0:21:46.920 --> 0:21:48.919
<v Speaker 1>he's a good kid. I got lucky. He's a good kid.

0:21:49.080 --> 0:21:53.240
<v Speaker 1>His name is Kai Katie I and he just goes

0:21:53.280 --> 0:21:56.400
<v Speaker 1>by his first name. That's it. That's all he needs

0:21:56.440 --> 0:22:00.800
<v Speaker 1>to go by. I love it. Wow, I'm kind gratulations.

0:22:01.640 --> 0:22:04.280
<v Speaker 1>Thank you. I'm still in the game, you know, I'm still,

0:22:04.760 --> 0:22:07.200
<v Speaker 1>like most of the rank and file members of the

0:22:07.240 --> 0:22:10.439
<v Speaker 1>screen actors, still playing the auditional game. I had one

0:22:10.480 --> 0:22:14.879
<v Speaker 1>today actually, and my son, ensuring Love, had an audition

0:22:14.960 --> 0:22:17.920
<v Speaker 1>for nine one one two. It's do tomorrow and it's

0:22:17.920 --> 0:22:20.000
<v Speaker 1>for the same episode. But we don't we don't have

0:22:20.080 --> 0:22:22.720
<v Speaker 1>any scenes together. Oh that'd be really fun if you

0:22:23.080 --> 0:22:25.040
<v Speaker 1>got it. Like one of these days, can we just

0:22:25.200 --> 0:22:30.080
<v Speaker 1>work together? Are you auditioning from your home like we

0:22:30.240 --> 0:22:33.080
<v Speaker 1>all are? Will we ever, Jenny, will we ever get

0:22:33.119 --> 0:22:34.960
<v Speaker 1>to go in the room and actually take the wak

0:22:35.000 --> 0:22:36.920
<v Speaker 1>the room. I think it's gonna be a lot easier

0:22:37.000 --> 0:22:40.480
<v Speaker 1>for me to take my living room than their office room.

0:22:40.880 --> 0:22:45.639
<v Speaker 1>So I'm happy with the way. Yeah, so happy about

0:22:45.720 --> 0:22:47.680
<v Speaker 1>self tapes because I was like, oh good, I don't

0:22:47.680 --> 0:22:49.600
<v Speaker 1>have to worry about the nerves are screwing up, Like

0:22:49.680 --> 0:22:52.520
<v Speaker 1>I'll actually just do good work. But I missed the

0:22:52.600 --> 0:22:54.920
<v Speaker 1>room a little bit. I missed the power, you know,

0:22:55.080 --> 0:22:58.359
<v Speaker 1>like seeing people respond and laugh, the energy laugh like

0:22:58.520 --> 0:23:03.280
<v Speaker 1>you know something exactly. Yeah, I feel the same as you, Tori.

0:23:03.480 --> 0:23:08.520
<v Speaker 1>I'm like, I like you like the control. Like I've

0:23:08.840 --> 0:23:11.640
<v Speaker 1>been doing some writing and directing two of short films

0:23:11.760 --> 0:23:14.720
<v Speaker 1>and some of them have been in festivals, one won

0:23:14.840 --> 0:23:19.960
<v Speaker 1>one an award, And so if you have aspirations beyond acting,

0:23:20.760 --> 0:23:24.760
<v Speaker 1>you love the control of your audition. But I told myself,

0:23:24.800 --> 0:23:27.400
<v Speaker 1>I said, you know, I don't know. I think self

0:23:27.480 --> 0:23:29.240
<v Speaker 1>taping is here to stay. I mean, we were doing

0:23:29.280 --> 0:23:32.240
<v Speaker 1>it before COVID, but I think it's here to stay

0:23:32.240 --> 0:23:35.440
<v Speaker 1>in a bigger way. But I think if you're like

0:23:36.119 --> 0:23:39.359
<v Speaker 1>shortlisted for a series or leading the film, you're gonna

0:23:39.400 --> 0:23:43.719
<v Speaker 1>have to go in the room. You know, let's help. Yeah. Um,

0:23:44.040 --> 0:23:46.560
<v Speaker 1>And I said, don't get too comfortable, because I think

0:23:46.960 --> 0:23:49.119
<v Speaker 1>at some point down the road it's gonna be a

0:23:49.240 --> 0:23:51.320
<v Speaker 1>mix of the two where you're going in the room.

0:23:51.400 --> 0:23:55.840
<v Speaker 1>Sometimes the self tape like a hybrid. Yeah, I like

0:23:55.920 --> 0:23:59.560
<v Speaker 1>a hybrid exactly. And going in the room is it's uh,

0:24:00.160 --> 0:24:02.080
<v Speaker 1>especially I haven't done in a while. You know, we

0:24:02.160 --> 0:24:06.440
<v Speaker 1>can be I'm anticipating like having dry mouths. You know,

0:24:06.600 --> 0:24:10.840
<v Speaker 1>you get cotton mouths when you're really nervous, when you

0:24:10.960 --> 0:24:14.879
<v Speaker 1>can't talk. But the energy, I think is what we

0:24:14.960 --> 0:24:18.119
<v Speaker 1>all missed the most. You know. It's like doing theater,

0:24:18.280 --> 0:24:21.040
<v Speaker 1>that energy you get. Like when we moved to Chicago,

0:24:21.160 --> 0:24:24.040
<v Speaker 1>I hadn't done theater in six years, and the first

0:24:24.160 --> 0:24:28.399
<v Speaker 1>show I was so nervous in the wings. Like when

0:24:28.440 --> 0:24:31.240
<v Speaker 1>I was younger doing theater, they would hold me back

0:24:31.280 --> 0:24:34.080
<v Speaker 1>in the wings to go, you're not on yet, flow

0:24:34.160 --> 0:24:37.680
<v Speaker 1>your role, And now doing theater all these years later,

0:24:37.920 --> 0:24:43.920
<v Speaker 1>they're like, you know that's your cue. Go, So yeah,

0:24:44.080 --> 0:24:46.000
<v Speaker 1>I'm kind of looking forward to going back in the

0:24:46.119 --> 0:24:49.119
<v Speaker 1>room sometimes, but I think I like the kind of

0:24:49.240 --> 0:24:52.040
<v Speaker 1>hybrid situation that we're in now. You know, sometimes you're

0:24:52.080 --> 0:24:55.399
<v Speaker 1>at home sometimes during the room, So I guess you

0:24:55.480 --> 0:25:00.240
<v Speaker 1>have to wait and see how you get it. Yea,

0:25:05.840 --> 0:25:11.680
<v Speaker 1>m m. So Jordan was on the show for six episodes,

0:25:11.760 --> 0:25:14.680
<v Speaker 1>which for recurring like that was a big deal, like

0:25:14.800 --> 0:25:18.000
<v Speaker 1>six episodes, and do you feel like, what was like

0:25:18.080 --> 0:25:20.880
<v Speaker 1>do you still get recognized as Jordan Bonner? And back then,

0:25:21.000 --> 0:25:23.000
<v Speaker 1>what was it like when people like when he became

0:25:23.080 --> 0:25:24.960
<v Speaker 1>so big on the show, what was it like the

0:25:25.000 --> 0:25:30.080
<v Speaker 1>fan reaction when you would go out, I got recognized

0:25:30.320 --> 0:25:39.000
<v Speaker 1>for some We did that so probably through like two

0:25:39.160 --> 0:25:45.320
<v Speaker 1>thousands and early two thousand's, I would say, I mean

0:25:45.400 --> 0:25:48.680
<v Speaker 1>early twenty tenths, like for a long time, and people,

0:25:49.200 --> 0:25:52.080
<v Speaker 1>you know, nine two and oh fans were rabid, so

0:25:52.280 --> 0:26:00.200
<v Speaker 1>they would be like Jordan Bonner, hands up, and it

0:26:00.359 --> 0:26:02.520
<v Speaker 1>was and they would tell you about the episode or

0:26:02.600 --> 0:26:05.520
<v Speaker 1>one of the six episodes and give you the storyline

0:26:05.960 --> 0:26:09.359
<v Speaker 1>like they were serious. And it was like that for

0:26:09.480 --> 0:26:12.000
<v Speaker 1>at least twenty years after doing the show. It's just

0:26:12.280 --> 0:26:16.040
<v Speaker 1>the last few years and you know, I am proudly

0:26:16.160 --> 0:26:21.320
<v Speaker 1>bald now, so I'm not rocking the flattop anymore. So

0:26:21.440 --> 0:26:25.159
<v Speaker 1>it's kind and I have facial hair that's gray, so

0:26:26.160 --> 0:26:29.359
<v Speaker 1>if I shave it, though I tend to get people

0:26:29.400 --> 0:26:31.680
<v Speaker 1>will still pick me up. And I've noticed you. You

0:26:31.840 --> 0:26:37.520
<v Speaker 1>look the same to me, thank you. Um. But yeah,

0:26:37.560 --> 0:26:41.280
<v Speaker 1>at the time when it aired, yeah, I got recognized

0:26:41.320 --> 0:26:44.639
<v Speaker 1>a lot more than I had ever been in my career.

0:26:45.359 --> 0:26:47.960
<v Speaker 1>And I remember my my dad coming to town and

0:26:48.080 --> 0:26:51.760
<v Speaker 1>we were at remember Mrs Gouches before it was wiled

0:26:51.800 --> 0:26:55.560
<v Speaker 1>by Whole food Oh my god, yes, god, Mrs that

0:26:55.680 --> 0:26:58.960
<v Speaker 1>was like that, sor And I remember you never picked

0:26:59.000 --> 0:27:06.000
<v Speaker 1>to that place. You made me go there to get brags. Yeah. Yeah,

0:27:06.320 --> 0:27:08.399
<v Speaker 1>they had all the good stuff and we were very

0:27:08.480 --> 0:27:10.359
<v Speaker 1>upset that they were being bottled by Whole Foods. I

0:27:10.400 --> 0:27:13.960
<v Speaker 1>remember signing a petition to stop it from happening. It

0:27:14.040 --> 0:27:16.680
<v Speaker 1>didn't work. It didn't work. We didn't get it done.

0:27:17.600 --> 0:27:20.600
<v Speaker 1>Corporate America. What are you gonna do? But um, I

0:27:20.800 --> 0:27:22.879
<v Speaker 1>was saying, Mrs cootch is one time with my dad

0:27:23.440 --> 0:27:28.200
<v Speaker 1>and a few people were pointing in whispering, and I

0:27:28.320 --> 0:27:31.800
<v Speaker 1>knew it was happening, but because they didn't approach me

0:27:31.920 --> 0:27:35.000
<v Speaker 1>or anything, I just kept it moving. And my dad said,

0:27:35.560 --> 0:27:37.879
<v Speaker 1>don't you see those people pointing at you and talking

0:27:37.960 --> 0:27:39.920
<v Speaker 1>to you what I said or pointing at you? And

0:27:40.000 --> 0:27:43.560
<v Speaker 1>I said, yeah, that I do. He goes so soon

0:27:43.560 --> 0:27:47.120
<v Speaker 1>as you go over and talking to me about saying, well,

0:27:47.720 --> 0:27:50.639
<v Speaker 1>if I did that, we wouldn't get anything done. I

0:27:50.800 --> 0:27:53.720
<v Speaker 1>love the fans, but if they come up and they

0:27:53.760 --> 0:27:56.520
<v Speaker 1>acknowledge you, that's when you haven't exchange. But I'm not

0:27:56.680 --> 0:27:59.520
<v Speaker 1>going out of my kna go hey, do you guys

0:27:59.600 --> 0:28:03.680
<v Speaker 1>reckon as me? Right? Yeah, that that would be a

0:28:03.760 --> 0:28:07.840
<v Speaker 1>little weird, but it must have been for you guys,

0:28:08.119 --> 0:28:10.640
<v Speaker 1>like it was huge. So how did you guys deal

0:28:10.720 --> 0:28:16.119
<v Speaker 1>with it? I mean it's always different, Like every it

0:28:16.160 --> 0:28:19.800
<v Speaker 1>seems like every encounter has a different energy about it,

0:28:19.880 --> 0:28:22.480
<v Speaker 1>like a different way to handle it. Right, Like there's

0:28:22.520 --> 0:28:25.440
<v Speaker 1>those fans that you have to give them your undivided

0:28:25.480 --> 0:28:28.960
<v Speaker 1>attention and time because they are so passionate and so devoted,

0:28:29.040 --> 0:28:32.480
<v Speaker 1>and we we love those fans and our show has

0:28:32.520 --> 0:28:39.200
<v Speaker 1>a lot of them, thank goodness. Seel Yeah, yeah, yeah,

0:28:39.240 --> 0:28:43.640
<v Speaker 1>I mean that's why I think for us it just

0:28:43.760 --> 0:28:47.840
<v Speaker 1>became such a constant way of life, Like I know

0:28:48.040 --> 0:28:51.520
<v Speaker 1>for me, like people would see like your dad seeing

0:28:51.560 --> 0:28:53.760
<v Speaker 1>that people were seeing you. I wouldn't have seen it.

0:28:54.560 --> 0:28:57.200
<v Speaker 1>It just kind of in order to have a normal life,

0:28:57.760 --> 0:29:00.320
<v Speaker 1>like I would just navigate and I didn't even see it.

0:29:00.400 --> 0:29:03.160
<v Speaker 1>It was like, you know, white noise. Yeah, and then

0:29:03.280 --> 0:29:05.200
<v Speaker 1>people would be like, oh my god, those people are

0:29:05.240 --> 0:29:06.920
<v Speaker 1>freaking out. I'd be like what people Like, I didn't

0:29:06.920 --> 0:29:09.160
<v Speaker 1>even notice it. And then when I did, like, of course,

0:29:09.240 --> 0:29:11.959
<v Speaker 1>I would like be with them and say like hi,

0:29:12.160 --> 0:29:15.000
<v Speaker 1>and and give them hugs. But in order to do

0:29:15.080 --> 0:29:17.040
<v Speaker 1>your daily routine, you kind of just had to like

0:29:17.680 --> 0:29:19.320
<v Speaker 1>go through life and not be like, oh my god,

0:29:19.360 --> 0:29:24.280
<v Speaker 1>oh my god, everyone's looking at me. Yeah, yeah, yeah,

0:29:24.440 --> 0:29:30.320
<v Speaker 1>I think um. Somebody told me early on. I can't

0:29:30.320 --> 0:29:32.960
<v Speaker 1>remember who they were talking about specifically, but they said,

0:29:33.040 --> 0:29:35.520
<v Speaker 1>this person is one of the biggest stars in the

0:29:35.600 --> 0:29:38.760
<v Speaker 1>world and they just they do their own grocery shopping.

0:29:39.480 --> 0:29:42.360
<v Speaker 1>They don't have any bodyguards or anything. And he said,

0:29:42.400 --> 0:29:48.560
<v Speaker 1>I think the people that, unless it's a very unique situation,

0:29:49.160 --> 0:29:51.520
<v Speaker 1>the people that don't have bodyguards and just go about

0:29:51.560 --> 0:29:55.280
<v Speaker 1>their lives in a in a regular way are fine.

0:29:55.840 --> 0:29:58.920
<v Speaker 1>It's like the bigger you make of it, the bigger

0:29:59.240 --> 0:30:03.040
<v Speaker 1>it becomes. Like you can attract all that madness if

0:30:03.080 --> 0:30:08.240
<v Speaker 1>you don't navigate that space careful. Very true. I didn't

0:30:08.280 --> 0:30:11.680
<v Speaker 1>know that was even an option back then, to have

0:30:11.760 --> 0:30:15.440
<v Speaker 1>somebody else do your grocery shopping, or to have a bodyguard,

0:30:15.520 --> 0:30:17.760
<v Speaker 1>like we had bodyguards on set in our real life,

0:30:17.840 --> 0:30:19.640
<v Speaker 1>Like we didn't just have a bodyguard as we went

0:30:19.680 --> 0:30:22.000
<v Speaker 1>and did our errands during the day, and we didn't

0:30:22.000 --> 0:30:24.880
<v Speaker 1>have instat cart or like things like that. So yeah,

0:30:25.040 --> 0:30:27.080
<v Speaker 1>you just had to write like you did your own

0:30:27.080 --> 0:30:30.400
<v Speaker 1>grocery shopping, Like what was the alternative? You had to

0:30:30.480 --> 0:30:34.520
<v Speaker 1>put your armor on and go out into the world. Yeah, yeah,

0:30:34.760 --> 0:30:37.880
<v Speaker 1>we had. There were times. There were like times when

0:30:37.920 --> 0:30:40.560
<v Speaker 1>it was harder than than other times, and you had

0:30:40.600 --> 0:30:44.680
<v Speaker 1>to kind of adapt and be flexible and give yourself

0:30:44.680 --> 0:30:49.040
<v Speaker 1>a little a little break because it was challenging for

0:30:49.160 --> 0:30:51.880
<v Speaker 1>sure at times, and it still can be like even

0:30:52.040 --> 0:30:54.920
<v Speaker 1>you know, just going out sometimes you gotta like psych

0:30:55.000 --> 0:30:56.920
<v Speaker 1>yourself up. I mean I do, I have to psych

0:30:57.000 --> 0:30:58.960
<v Speaker 1>myself up to go. I'm going out in the world.

0:30:59.120 --> 0:31:02.440
<v Speaker 1>And because I live my life like I'm just a

0:31:02.560 --> 0:31:05.040
<v Speaker 1>normal person. I'm a mom, I have dogs, I run

0:31:05.160 --> 0:31:06.760
<v Speaker 1>my house like I have to do all the things

0:31:06.840 --> 0:31:09.000
<v Speaker 1>like we're normal people. But when you go out and

0:31:09.080 --> 0:31:11.720
<v Speaker 1>then you get recognized, you're like, wait, what, I'm not

0:31:11.880 --> 0:31:17.320
<v Speaker 1>normal like that. It's confusing messaging. Yeah. Yeah, and when

0:31:17.560 --> 0:31:22.040
<v Speaker 1>when you have kids, I think it's even trickier. It is,

0:31:22.160 --> 0:31:25.360
<v Speaker 1>especially when they're little because they don't understand. Like one

0:31:25.360 --> 0:31:27.840
<v Speaker 1>of mine were smaller, they'd be like, we were just

0:31:28.000 --> 0:31:29.960
<v Speaker 1>we're here to have fun. We want to go, you know,

0:31:30.280 --> 0:31:32.320
<v Speaker 1>do this and be at Chuck E Cheese and like

0:31:32.400 --> 0:31:34.000
<v Speaker 1>people were wanting to talk to me and they're like,

0:31:34.040 --> 0:31:37.520
<v Speaker 1>come on, and those are the bands like you can't, yeah,

0:31:37.680 --> 0:31:41.840
<v Speaker 1>be rude. Yeah, they don't get it at their kids. Yeah. Yeah.

0:31:42.400 --> 0:31:45.880
<v Speaker 1>I remember getting escorted to set one day. There was

0:31:45.920 --> 0:31:50.040
<v Speaker 1>a knock on my door. Um, it might have been

0:31:50.040 --> 0:31:52.680
<v Speaker 1>an episode the second or third episode I did. There's

0:31:52.680 --> 0:31:54.240
<v Speaker 1>a knock on my door and I opened the door

0:31:54.280 --> 0:31:56.600
<v Speaker 1>to the trailer and there were two bodyguards standing there

0:31:57.000 --> 0:31:59.680
<v Speaker 1>and they were like. I was like, hey, they're like

0:32:00.000 --> 0:32:01.520
<v Speaker 1>here to escort you to set. And I was like,

0:32:02.640 --> 0:32:05.360
<v Speaker 1>I think you're ever wrong. Trailer. Jason's trailer's right there,

0:32:06.680 --> 0:32:10.080
<v Speaker 1>and they're like, well, you're seen as with Jason and

0:32:10.400 --> 0:32:12.360
<v Speaker 1>he's gonna need an escort to set. And I was

0:32:12.480 --> 0:32:16.040
<v Speaker 1>like okay, And I really didn't clue in yet until

0:32:16.080 --> 0:32:17.800
<v Speaker 1>I came out of my trailer and then we stopped

0:32:17.800 --> 0:32:19.920
<v Speaker 1>in his trailer, and then the four of us walked

0:32:19.960 --> 0:32:22.960
<v Speaker 1>the set and we were shooting at the high school

0:32:23.080 --> 0:32:26.840
<v Speaker 1>and there were girls on the feds. It was like

0:32:27.000 --> 0:32:31.080
<v Speaker 1>being inside of Beatles footage. They were screaming and crying

0:32:31.280 --> 0:32:35.000
<v Speaker 1>and I was like, oh my god to see it

0:32:35.120 --> 0:32:38.080
<v Speaker 1>up close. And I remember turning to Jason and I said,

0:32:38.560 --> 0:32:41.600
<v Speaker 1>so this is your life and I will never forget this.

0:32:42.440 --> 0:32:44.960
<v Speaker 1>His shoulders went up like this. He just he just

0:32:45.080 --> 0:32:52.240
<v Speaker 1>kind of sighed. We went yeah, and I was like, whoa,

0:32:52.480 --> 0:32:54.600
<v Speaker 1>that's a lot of weight. You could feel the weight

0:32:54.800 --> 0:32:58.280
<v Speaker 1>on him, the weight of celebrity, And in that moment,

0:32:58.360 --> 0:33:01.720
<v Speaker 1>I said to myself, you know, I don't need to

0:33:01.800 --> 0:33:05.520
<v Speaker 1>be crazy famous. I just want to work. I'd rather

0:33:05.680 --> 0:33:08.160
<v Speaker 1>not deal with all of that and just kind of

0:33:08.240 --> 0:33:11.120
<v Speaker 1>be one of those actors that people see and recognize,

0:33:11.160 --> 0:33:13.080
<v Speaker 1>but they don't know who you are. They don't know

0:33:13.200 --> 0:33:15.680
<v Speaker 1>what you see. When they're just like, hey, there's that actor.

0:33:15.800 --> 0:33:17.720
<v Speaker 1>What's his name, what's he been in? But they don't know,

0:33:18.160 --> 0:33:20.640
<v Speaker 1>so you can kind of roll anonymously, you know what

0:33:20.720 --> 0:33:25.600
<v Speaker 1>I'm saying, but I will never forget that moment. Yeah,

0:33:25.880 --> 0:33:29.360
<v Speaker 1>I mean I think it's still happening today, like you know,

0:33:29.640 --> 0:33:34.400
<v Speaker 1>a famous the Beast, and there's no there's no like

0:33:35.160 --> 0:33:37.160
<v Speaker 1>nobody tells you how to deal with it, and nobody

0:33:37.160 --> 0:33:39.440
<v Speaker 1>tell us how to deal with it. And I think,

0:33:39.600 --> 0:33:42.760
<v Speaker 1>like now, because of the Internet and because we have

0:33:42.840 --> 0:33:46.440
<v Speaker 1>so much exposure to everything, we know, like people that

0:33:46.520 --> 0:33:48.800
<v Speaker 1>are coming up now know what it's going to be like.

0:33:48.920 --> 0:33:52.120
<v Speaker 1>But back then, nobody warned us. Nobody warned Jason and

0:33:52.200 --> 0:33:53.960
<v Speaker 1>Luke what was going to happen to their lives on

0:33:54.040 --> 0:33:58.680
<v Speaker 1>that level. And we just I'm so grateful and proud

0:33:58.760 --> 0:34:01.680
<v Speaker 1>of everybody for making it out alive, you know, just

0:34:02.440 --> 0:34:06.120
<v Speaker 1>getting through it and and and I think everybody dealt

0:34:06.160 --> 0:34:10.760
<v Speaker 1>with it pretty well. Yeah. Yeah, it's uh, it's tricky

0:34:10.800 --> 0:34:13.640
<v Speaker 1>and you you know, going in that it's that it

0:34:13.719 --> 0:34:18.920
<v Speaker 1>could happen. But like you said, there's one book, so

0:34:19.400 --> 0:34:22.320
<v Speaker 1>we should make one. We should write a book. You should.

0:34:23.000 --> 0:34:27.920
<v Speaker 1>How does yeal of fame? Celebrity now is even crazier

0:34:28.400 --> 0:34:34.239
<v Speaker 1>with social media. It's not snill, it's next level. I

0:34:34.280 --> 0:34:38.080
<v Speaker 1>mean I've had the conversation with my son and just

0:34:38.280 --> 0:34:40.879
<v Speaker 1>told him like he did a movie. His first movie

0:34:40.960 --> 0:34:44.759
<v Speaker 1>was Timmy Failure. Mistakes were made and it came out

0:34:44.840 --> 0:34:48.600
<v Speaker 1>on Disney Plus as one of their initial original movies.

0:34:49.040 --> 0:34:52.720
<v Speaker 1>And so he dealt with it at school because everybody

0:34:52.840 --> 0:34:57.200
<v Speaker 1>was like, oh my god, there's from Timmy Failure and uh,

0:34:58.200 --> 0:35:00.040
<v Speaker 1>he said, Daddy, you were right, And he said, and

0:35:00.040 --> 0:35:01.440
<v Speaker 1>where kids that came up to me and talked to

0:35:01.520 --> 0:35:04.200
<v Speaker 1>me and wanted to be my friend who never talked

0:35:04.200 --> 0:35:07.320
<v Speaker 1>to me before, you know, ignored me, even kids in

0:35:07.400 --> 0:35:10.279
<v Speaker 1>my own class. And I said, yeah, it's one of

0:35:10.360 --> 0:35:13.960
<v Speaker 1>the downsides that you have to deal with. So you know,

0:35:15.680 --> 0:35:20.479
<v Speaker 1>keep your friends closer and enemies closer. You know, you'll

0:35:20.520 --> 0:35:24.120
<v Speaker 1>know who's genuine and who's not. But I think it's

0:35:24.160 --> 0:35:28.480
<v Speaker 1>a trickier thing, so hard for kids to navigate than

0:35:28.640 --> 0:35:32.440
<v Speaker 1>for adult It's still hard. I still don't sometimes make

0:35:32.480 --> 0:35:34.879
<v Speaker 1>the right choice and don't realize because you want people

0:35:34.920 --> 0:35:37.799
<v Speaker 1>to like you for you, and you forget like, oh,

0:35:37.920 --> 0:35:40.440
<v Speaker 1>I just went into it and I even thought, of

0:35:40.560 --> 0:35:42.160
<v Speaker 1>course they like me for me, and then you're like, oh,

0:35:42.400 --> 0:35:45.399
<v Speaker 1>there's that. I forgot that part of it. Yeah. Yeah,

0:35:45.560 --> 0:35:49.279
<v Speaker 1>so it's hard. So good chatting with you, Mike, so

0:35:49.440 --> 0:35:53.040
<v Speaker 1>great to see your face. We could do this for

0:35:53.160 --> 0:36:00.799
<v Speaker 1>at I love it. It's our favorite thing to do, right.

0:36:01.200 --> 0:36:03.680
<v Speaker 1>We're very appreciative that you came on today with us,

0:36:03.760 --> 0:36:06.719
<v Speaker 1>and the fans will be so happy to get to

0:36:07.040 --> 0:36:10.920
<v Speaker 1>see you and hear what we're talking about with you. Well,

0:36:10.960 --> 0:36:13.880
<v Speaker 1>I'm honored that you guys reached out. I'm glad you did.

0:36:13.960 --> 0:36:18.279
<v Speaker 1>It's good to see you and hopefully in some uh

0:36:18.960 --> 0:36:21.799
<v Speaker 1>when the world returns to his access, maybe we can

0:36:21.840 --> 0:36:24.840
<v Speaker 1>see each other person or something. I know it's true.

0:36:25.880 --> 0:36:28.480
<v Speaker 1>We're gonna set that you and your son get to

0:36:28.560 --> 0:36:33.239
<v Speaker 1>be in a project together. Would be fabulous. Yes, yes, yes,

0:36:33.800 --> 0:36:37.520
<v Speaker 1>all body parts crossed. But I'm definitely gonna channel. I'm

0:36:37.520 --> 0:36:40.560
<v Speaker 1>gonna take I'm gonna take the room my next opportunity

0:36:41.040 --> 0:36:47.200
<v Speaker 1>because of you. Thank you. So good to see you, Jenny. Good,

0:36:47.600 --> 0:36:53.680
<v Speaker 1>good to see you. Thank you back at you. Bye,