1 00:00:00,240 --> 00:00:10,840 Speaker 1: It's with Jenny Garth and Tori Spelling. Today, you guys, 2 00:00:10,960 --> 00:00:18,040 Speaker 1: we have an exciting Nino to one on one we 3 00:00:18,120 --> 00:00:22,639 Speaker 1: have with us Uh, the actor who portrayed Jordan Bonner, 4 00:00:22,760 --> 00:00:26,040 Speaker 1: who was Andrea's love interest, to name one of his 5 00:00:26,160 --> 00:00:30,680 Speaker 1: roles on the show, UM, played by Michael Anthony rawlins. 6 00:00:31,400 --> 00:00:35,120 Speaker 1: I'm looking at this um head shot of Michael and 7 00:00:35,200 --> 00:00:39,599 Speaker 1: he is so handsome. Yes he is. I'll take that. 8 00:00:40,920 --> 00:00:45,320 Speaker 1: Oh high. You can hear us, I can hear just fine, 9 00:00:45,400 --> 00:00:48,360 Speaker 1: I can see you just fine. First of all, let 10 00:00:48,400 --> 00:00:53,000 Speaker 1: me make a toast. Oh time, Where are you right now? 11 00:00:53,320 --> 00:00:58,160 Speaker 1: I'm in my living room? But where I'm in l A? 12 00:00:58,160 --> 00:01:00,520 Speaker 1: Are you in l A? I is gonna say it's 13 00:01:00,520 --> 00:01:05,199 Speaker 1: five o'clock somewhere. But okay, this is actually a prop 14 00:01:05,440 --> 00:01:10,920 Speaker 1: but it looks like water actually doesn't like a good prop. Um. 15 00:01:10,959 --> 00:01:13,040 Speaker 1: But let that not put a damper on the cheers. 16 00:01:13,080 --> 00:01:15,959 Speaker 1: I just want to make a touch to the original 17 00:01:16,120 --> 00:01:24,000 Speaker 1: nine O two one O G crew. Hey, cheers, cheers. 18 00:01:24,000 --> 00:01:27,240 Speaker 1: So nice to have a little drink of water with you. Yes, 19 00:01:27,680 --> 00:01:31,080 Speaker 1: that was water too. We UM were thrilled to have 20 00:01:31,160 --> 00:01:34,520 Speaker 1: you here because you started on our show when you 21 00:01:34,560 --> 00:01:36,759 Speaker 1: were young, just like us, and you've gone to have 22 00:01:36,880 --> 00:01:42,080 Speaker 1: this great, really fruitful career doing so many great roles 23 00:01:42,080 --> 00:01:46,000 Speaker 1: on television and films, and it's just nice to see that. 24 00:01:46,360 --> 00:01:51,400 Speaker 1: You know, thank you, thank you. When you start this journey, 25 00:01:51,440 --> 00:01:55,040 Speaker 1: you never know where it's gonna lead to. So m 26 00:01:55,960 --> 00:01:58,480 Speaker 1: just be able to stay in the game and have 27 00:01:58,680 --> 00:02:03,680 Speaker 1: some longevity is uh beautiful thing. So what was the 28 00:02:03,960 --> 00:02:05,720 Speaker 1: tell it talk us through the process of when you 29 00:02:05,760 --> 00:02:08,560 Speaker 1: audition you got the part of Jordan's Bonner because you 30 00:02:08,600 --> 00:02:13,640 Speaker 1: had already done like episodes of TV for other shows, right, Yeah, 31 00:02:13,680 --> 00:02:17,440 Speaker 1: I had some. I've done some other shows, but nothing 32 00:02:17,560 --> 00:02:21,440 Speaker 1: that had the profile of your show. Like I remember 33 00:02:21,560 --> 00:02:24,600 Speaker 1: that season three, if I'm not mistaken, weren't you all 34 00:02:24,760 --> 00:02:29,880 Speaker 1: to recover sial boxes? We had a sereal box. Yes, 35 00:02:30,560 --> 00:02:35,440 Speaker 1: it was crazy, honey, shrunk my own h what's the 36 00:02:35,440 --> 00:02:40,400 Speaker 1: one with the banney cheerio is with the b and 37 00:02:40,440 --> 00:02:45,720 Speaker 1: we did a commercial we were on Yeah. Um, so 38 00:02:45,919 --> 00:02:49,000 Speaker 1: it was definitely the highest profile GA that I had 39 00:02:49,000 --> 00:02:52,520 Speaker 1: booked to that point. And I remember when I got 40 00:02:52,560 --> 00:02:57,200 Speaker 1: the audition, I got the call back and I went 41 00:02:57,240 --> 00:03:00,280 Speaker 1: in and I think Jack Bender was the direct there 42 00:03:00,400 --> 00:03:03,639 Speaker 1: of the first episode because I was always supposed to 43 00:03:03,680 --> 00:03:10,040 Speaker 1: do one wow, and it ended up being six episodes, right, yeah, yeah, 44 00:03:10,120 --> 00:03:16,119 Speaker 1: and uh, he gave me an adjustment in the callback, 45 00:03:18,480 --> 00:03:26,040 Speaker 1: I think he said. I think he said, just bring 46 00:03:26,120 --> 00:03:30,600 Speaker 1: it down because the way I was reading Jordan is 47 00:03:30,760 --> 00:03:34,320 Speaker 1: he was upset with the way his high school had 48 00:03:34,360 --> 00:03:37,680 Speaker 1: been depicted as a high school that was in the hood. 49 00:03:38,320 --> 00:03:41,480 Speaker 1: And uh, I brought it down. He said, thank you. 50 00:03:41,960 --> 00:03:45,160 Speaker 1: And I remember getting a call from my manager a 51 00:03:45,200 --> 00:03:48,520 Speaker 1: couple hours later and she said, okay, you're You're on 52 00:03:48,560 --> 00:03:52,680 Speaker 1: the short list, but you have to be approved by 53 00:03:52,760 --> 00:03:56,680 Speaker 1: Aaron Spelling himself. And I was like, really, I'm going 54 00:03:56,720 --> 00:04:01,800 Speaker 1: to be united by Aaron Spelling? What? And then she 55 00:04:01,920 --> 00:04:04,200 Speaker 1: called back, I think it was that night or earlier 56 00:04:04,240 --> 00:04:06,240 Speaker 1: the next day, and said I had to roll. So 57 00:04:07,520 --> 00:04:10,240 Speaker 1: were you so excited, like like, that's a good call 58 00:04:10,320 --> 00:04:13,360 Speaker 1: to get no matter what show it's on, it was. 59 00:04:14,200 --> 00:04:18,600 Speaker 1: It was exciting my I think my manager was standing 60 00:04:18,720 --> 00:04:21,359 Speaker 1: at my My manager at the time was really cool. 61 00:04:21,480 --> 00:04:23,080 Speaker 1: I think it was the first time I saw her 62 00:04:23,160 --> 00:04:26,440 Speaker 1: actually get up and like jump around in her office. 63 00:04:29,200 --> 00:04:31,440 Speaker 1: Even then, once you got the part, you still thought 64 00:04:31,480 --> 00:04:33,440 Speaker 1: it was for one episode or did they know then 65 00:04:33,480 --> 00:04:37,080 Speaker 1: they were no, they didn't don't know that until after 66 00:04:37,120 --> 00:04:40,480 Speaker 1: we shot. It was in the camp. Then my agent 67 00:04:40,560 --> 00:04:44,080 Speaker 1: called and said, yeah, they're bringing you back, and it 68 00:04:44,160 --> 00:04:46,880 Speaker 1: was gonna be um, but they ended up being six. 69 00:04:46,920 --> 00:04:48,599 Speaker 1: And I don't know if you guys know this, but 70 00:04:49,600 --> 00:04:52,920 Speaker 1: they were actually talking about bringing me back the following season. 71 00:04:54,160 --> 00:04:58,120 Speaker 1: So one day I came to set and you know, 72 00:04:58,200 --> 00:05:02,320 Speaker 1: Gabrielle and I were dating on the show, and she 73 00:05:02,440 --> 00:05:05,120 Speaker 1: came up to me. She said, hey, Michael, and she 74 00:05:05,279 --> 00:05:08,279 Speaker 1: was kind of somber, and I was like, hey, Gabby, 75 00:05:08,360 --> 00:05:10,920 Speaker 1: what's up. She said, I gotta tell you something. I said, 76 00:05:10,960 --> 00:05:14,680 Speaker 1: what she goes on pregnant. I said, congratulations, and she 77 00:05:14,720 --> 00:05:20,320 Speaker 1: said yeah, they don't want you to be the father. 78 00:05:21,120 --> 00:05:23,840 Speaker 1: And I was like, okay, so they're gonna write it 79 00:05:23,839 --> 00:05:26,960 Speaker 1: into the show. She's like yeah, And I said, okay, Hey, 80 00:05:26,960 --> 00:05:32,240 Speaker 1: it's nice stopped me gap my career by good luck 81 00:05:32,320 --> 00:05:37,280 Speaker 1: with your baby, right so, And I think that was 82 00:05:37,400 --> 00:05:41,800 Speaker 1: around the I'm not sure wearing a season. I think 83 00:05:41,839 --> 00:05:44,520 Speaker 1: it was like the fourth and fifth episode. So I 84 00:05:44,800 --> 00:05:47,440 Speaker 1: knew that any top of me coming back the phone 85 00:05:47,520 --> 00:05:52,280 Speaker 1: the season, that's a that's a bad break right there. 86 00:05:52,320 --> 00:05:57,560 Speaker 1: You got dealta a dud deal because the baby into 87 00:05:57,640 --> 00:06:00,960 Speaker 1: the show, like they used her pregnant. See that's right, 88 00:06:01,839 --> 00:06:06,760 Speaker 1: that's right. And Jesse I think his name was Jesse, Yes, 89 00:06:07,040 --> 00:06:11,640 Speaker 1: the character. Yeah, yes, you know, all my friends are like, dude, 90 00:06:11,720 --> 00:06:13,400 Speaker 1: that could have been you. I was like, I know, 91 00:06:14,040 --> 00:06:17,839 Speaker 1: leave me alone. I'm going to be crying. I loved 92 00:06:17,920 --> 00:06:20,240 Speaker 1: the character of Jordan Bonner, Like, yeah, we all the 93 00:06:20,360 --> 00:06:22,320 Speaker 1: character of Jesse was cool, but like that would have 94 00:06:22,400 --> 00:06:25,840 Speaker 1: been really cool, like to continue that storyline and you're 95 00:06:25,880 --> 00:06:28,880 Speaker 1: the father and to to focus on you know what 96 00:06:29,080 --> 00:06:32,200 Speaker 1: you did so beautifully already for the show. What's such 97 00:06:32,200 --> 00:06:36,480 Speaker 1: an important pivotal role on the show by you know, 98 00:06:36,640 --> 00:06:41,880 Speaker 1: sort of representing all the the racial inequities that were 99 00:06:41,920 --> 00:06:45,280 Speaker 1: happening in in the you know, the storylines at that time. 100 00:06:45,400 --> 00:06:47,440 Speaker 1: You you played all of that so beautifully, and it 101 00:06:47,440 --> 00:06:50,160 Speaker 1: would have been so impressive to like expand that and 102 00:06:50,320 --> 00:06:53,720 Speaker 1: let that. Yeah, that would lay out great story and 103 00:06:53,839 --> 00:06:56,120 Speaker 1: no offense to gap. But I can't. That's kind of 104 00:06:56,160 --> 00:07:00,680 Speaker 1: shocking that she delivered that information, right, Yeah, I'm like 105 00:07:00,800 --> 00:07:05,000 Speaker 1: outside the makeup trailer probably like like yes, I think 106 00:07:05,080 --> 00:07:07,680 Speaker 1: we're in the sound stage, but you know, Daddy and 107 00:07:07,760 --> 00:07:10,000 Speaker 1: I actually stayed in touch over the years, and I 108 00:07:10,120 --> 00:07:15,880 Speaker 1: think because we were dating on the show, she felt 109 00:07:16,000 --> 00:07:18,320 Speaker 1: like I think I remember saying something in the fact 110 00:07:18,360 --> 00:07:21,200 Speaker 1: that I wanted you to hear it from me because 111 00:07:21,920 --> 00:07:25,480 Speaker 1: you boyfriend and girlfriend on the show, and I know 112 00:07:25,680 --> 00:07:29,360 Speaker 1: how this can, you know, affect someone, and I just 113 00:07:29,440 --> 00:07:31,880 Speaker 1: wanted you to hear it from me. So I think 114 00:07:31,960 --> 00:07:34,560 Speaker 1: she was it was like a caretaker thing for her 115 00:07:35,080 --> 00:07:38,480 Speaker 1: and gotten to know her a little bit over the years. 116 00:07:38,760 --> 00:07:40,680 Speaker 1: I haven't seen her now in a few years, but 117 00:07:41,240 --> 00:07:43,840 Speaker 1: we would bump into each other and hook up. I've 118 00:07:43,880 --> 00:07:47,440 Speaker 1: been to her home and her family. Um, that's who 119 00:07:47,520 --> 00:07:51,320 Speaker 1: she is, you know. So it was unfortunate to hear. 120 00:07:51,520 --> 00:07:55,000 Speaker 1: But I actually when they called me, when my rets 121 00:07:55,040 --> 00:07:58,080 Speaker 1: called me to tell me, I was like, yeah, I 122 00:07:58,920 --> 00:08:00,600 Speaker 1: kind of knew. They're like, why do you tell us? 123 00:08:00,640 --> 00:08:03,040 Speaker 1: I was like, I was kind of hoping it wouldn't manifest, 124 00:08:03,480 --> 00:08:07,920 Speaker 1: but you know, so, but these are the kinds of 125 00:08:08,040 --> 00:08:11,280 Speaker 1: things that we deal with them, this crazy roller coaster 126 00:08:11,440 --> 00:08:15,760 Speaker 1: called the Hollywood career. We we've had Gab on our 127 00:08:15,840 --> 00:08:19,480 Speaker 1: show a couple of times now and we are very 128 00:08:19,520 --> 00:08:22,480 Speaker 1: close with her, and she told us something that kind 129 00:08:22,560 --> 00:08:27,120 Speaker 1: of rocked our worlds, which was, uh, that you guys 130 00:08:27,200 --> 00:08:31,440 Speaker 1: were love interests. It was going somewhere, and we loved it. 131 00:08:31,560 --> 00:08:33,920 Speaker 1: We were both Tory and I were both because we're 132 00:08:33,920 --> 00:08:36,559 Speaker 1: watching the show back. So when that episode came out, 133 00:08:36,920 --> 00:08:38,880 Speaker 1: you guys started to like flirt and you're both at 134 00:08:38,880 --> 00:08:41,640 Speaker 1: the Yale party. We got getting really excited that that 135 00:08:41,760 --> 00:08:46,040 Speaker 1: was about to happen. But she said that that the producers, 136 00:08:47,000 --> 00:08:49,520 Speaker 1: when they started to go a different direction, they wouldn't 137 00:08:49,520 --> 00:08:52,439 Speaker 1: even let you guys kiss, and she felt that it 138 00:08:52,559 --> 00:08:56,520 Speaker 1: was a racial thing like that they weren't going to 139 00:08:56,640 --> 00:08:58,880 Speaker 1: go there. And she told us that when we were 140 00:08:58,920 --> 00:09:01,040 Speaker 1: doing pH now to know, she was like, there was 141 00:09:01,080 --> 00:09:05,240 Speaker 1: a couple of things that happened that wouldn't have happened nowadays. 142 00:09:05,559 --> 00:09:07,080 Speaker 1: But then it was like she wasn't allowed to wear 143 00:09:07,080 --> 00:09:09,080 Speaker 1: a Jewish cross, she wasn't allowed to kiss the black man, 144 00:09:09,200 --> 00:09:12,439 Speaker 1: Like yeah, she kept pointing things out that we were like, what, 145 00:09:12,720 --> 00:09:15,679 Speaker 1: we didn't know this was happening at the time, right right. 146 00:09:15,840 --> 00:09:18,880 Speaker 1: I remember her talking to me about the cross, sorry, 147 00:09:18,920 --> 00:09:20,880 Speaker 1: not a Jewish cross. That made no sense coming from 148 00:09:20,880 --> 00:09:23,640 Speaker 1: the Jewish girl here a Jewish star. She wasn't allowed 149 00:09:23,640 --> 00:09:25,400 Speaker 1: to wear a Jewish star, she wasn't allowed to kiss 150 00:09:25,440 --> 00:09:29,280 Speaker 1: the black Man on camera and it just blew our minds. Yeah, 151 00:09:29,800 --> 00:09:33,640 Speaker 1: it surprised me because to your dad was known as 152 00:09:33,720 --> 00:09:36,960 Speaker 1: an innovator. I mean, I think, if I'm not mistaking 153 00:09:37,000 --> 00:09:41,960 Speaker 1: in revitation for introducing the first situation a couple on TV, 154 00:09:44,120 --> 00:09:47,040 Speaker 1: it was the mon Squad yapp So I was I 155 00:09:47,160 --> 00:09:49,600 Speaker 1: was huge. He was so proud of that and wanted 156 00:09:49,640 --> 00:09:52,439 Speaker 1: to always continue that. So all I could think of, 157 00:09:52,679 --> 00:09:55,280 Speaker 1: And you know my dad, My dad was Jewish, so 158 00:09:55,720 --> 00:09:57,480 Speaker 1: you would have loved a Jewish her on camera, like 159 00:09:57,679 --> 00:10:02,000 Speaker 1: not just crosses and representing you out our our heritage. 160 00:10:02,040 --> 00:10:04,120 Speaker 1: But like, I can only think that the network at 161 00:10:04,160 --> 00:10:06,839 Speaker 1: the time just wasn't into it. It had to have 162 00:10:06,920 --> 00:10:08,520 Speaker 1: been that, I wonder. I wish I could go back 163 00:10:08,559 --> 00:10:10,679 Speaker 1: and ask my dad, like, what was the fight there? 164 00:10:10,720 --> 00:10:13,720 Speaker 1: Which again those things because it was Fox and they 165 00:10:13,800 --> 00:10:17,720 Speaker 1: were also known for beating breaking them all exactly. They 166 00:10:17,800 --> 00:10:19,840 Speaker 1: brought us in a would be in color like they 167 00:10:19,920 --> 00:10:24,000 Speaker 1: were the edgy new for network. It just makes no 168 00:10:24,120 --> 00:10:29,280 Speaker 1: sense to us. Did we know so you heard that too? Yeah? Yeah, um, 169 00:10:30,040 --> 00:10:31,959 Speaker 1: like was it actually in the script and then didn't 170 00:10:31,960 --> 00:10:34,400 Speaker 1: happen or never even made it into the script? The kiss? 171 00:10:35,120 --> 00:10:38,040 Speaker 1: I think I have my script somewhere because I remember 172 00:10:38,080 --> 00:10:40,679 Speaker 1: asking you guys to sign them, so it's kind of 173 00:10:40,880 --> 00:10:43,160 Speaker 1: keep safe for me that I've held on to. I 174 00:10:43,280 --> 00:10:46,640 Speaker 1: don't remember seeing that in the script. I just remember 175 00:10:46,679 --> 00:10:49,440 Speaker 1: Gabby when she stopped me to me, I saw her 176 00:10:49,520 --> 00:10:52,679 Speaker 1: take off the cross like she got the cross, and 177 00:10:53,040 --> 00:10:56,240 Speaker 1: we had a conversation about it. But I don't remember 178 00:10:56,400 --> 00:11:00,400 Speaker 1: there being at kids, you know. I just I think 179 00:11:00,480 --> 00:11:05,199 Speaker 1: the closest we got physically on the show was we 180 00:11:05,360 --> 00:11:10,679 Speaker 1: actually held hands. I think that's the closest we got 181 00:11:10,760 --> 00:11:13,120 Speaker 1: on the show, and we I think in a couple 182 00:11:13,160 --> 00:11:15,599 Speaker 1: of scenes we were standing show on the shoulder, but 183 00:11:16,160 --> 00:11:22,040 Speaker 1: nothing remotely over. Wow. Yeah, if you could go back 184 00:11:22,080 --> 00:11:25,319 Speaker 1: in time, what would you tell the writers and the 185 00:11:25,440 --> 00:11:29,160 Speaker 1: producers if you had, if you had the opportunity, I 186 00:11:29,240 --> 00:11:32,760 Speaker 1: would say, let's be ahead of the diversity postion to 187 00:11:32,840 --> 00:11:39,719 Speaker 1: do it now, you know, um, be on the forefront. Uh. 188 00:11:40,880 --> 00:11:47,679 Speaker 1: It was what you know, it wasn't so outside the 189 00:11:47,840 --> 00:11:52,080 Speaker 1: box to have inter racial people dating at that time, 190 00:11:52,960 --> 00:11:56,120 Speaker 1: you know, to your dad had already done it in 191 00:11:56,200 --> 00:12:03,079 Speaker 1: the seventies. Yeah, so come on, guys, Yeah, you know none. 192 00:12:03,200 --> 00:12:08,199 Speaker 1: Tuno was a young show. Your target demo was young 193 00:12:08,320 --> 00:12:11,439 Speaker 1: if anybody's going to embrace that storyline, it would have 194 00:12:11,480 --> 00:12:14,160 Speaker 1: been a youth. The youth is always leading the revolution, 195 00:12:14,320 --> 00:12:28,680 Speaker 1: so I think it would have been embrace. I remember 196 00:12:28,720 --> 00:12:31,160 Speaker 1: at the time though, that there was a lot of 197 00:12:31,240 --> 00:12:33,760 Speaker 1: fan backlash with nine O, two and O because people 198 00:12:33,800 --> 00:12:36,000 Speaker 1: are saying there's no diversity, it's an all white cast 199 00:12:36,760 --> 00:12:39,920 Speaker 1: of main characters. And I remember my dad being so 200 00:12:40,280 --> 00:12:44,959 Speaker 1: deeply hurt by that because that that was always his thing, 201 00:12:45,559 --> 00:12:48,079 Speaker 1: Like he was so into diversity and pushing it and 202 00:12:48,160 --> 00:12:51,000 Speaker 1: pushing the limits when it wasn't even done on TV, so, 203 00:12:51,720 --> 00:12:53,439 Speaker 1: you know, and they kept saying it was you know, 204 00:12:53,600 --> 00:12:55,559 Speaker 1: they never said like, oh, could it be you know, 205 00:12:56,440 --> 00:13:00,400 Speaker 1: the network, it was always Aaron Spelling doesn't put people 206 00:13:00,400 --> 00:13:04,800 Speaker 1: on the show, and it's like, that's not true. That's 207 00:13:04,840 --> 00:13:09,280 Speaker 1: what they do, you know. The season before season two, 208 00:13:09,960 --> 00:13:14,599 Speaker 1: I actually auditioned to play via Vivica Fox's brother for 209 00:13:14,720 --> 00:13:18,400 Speaker 1: that family was Richard rown Tree. Right, Oh, that was 210 00:13:18,480 --> 00:13:21,559 Speaker 1: the first time I read for the casting director whose 211 00:13:21,679 --> 00:13:24,800 Speaker 1: name escapes me. You remember who cast the show? Was 212 00:13:24,840 --> 00:13:31,160 Speaker 1: it Joanna right at the time, Jore No, it wasn't. 213 00:13:31,559 --> 00:13:34,120 Speaker 1: I didn't read for Joe anyway. I think she did 214 00:13:34,160 --> 00:13:38,640 Speaker 1: the original casting cast and came after. Anyway, I remember 215 00:13:38,800 --> 00:13:43,720 Speaker 1: going in and uh, I read she brought me back 216 00:13:43,760 --> 00:13:48,199 Speaker 1: for producers and then I didn't get it. But what 217 00:13:48,400 --> 00:13:54,120 Speaker 1: I heard happened was that Richard Rowntree wanted more money 218 00:13:54,520 --> 00:13:57,000 Speaker 1: if they were like they were supposed to recur they 219 00:13:57,040 --> 00:14:00,760 Speaker 1: only ended up doing right, They inevitably wanted them, yeah, 220 00:14:00,960 --> 00:14:04,360 Speaker 1: as to fold them into the main cast, right right. 221 00:14:04,640 --> 00:14:07,719 Speaker 1: But from what I understand, Richard Rowntree wasn't getting the 222 00:14:07,800 --> 00:14:10,480 Speaker 1: love he thought he deserved, and Spike he thought he deserved. 223 00:14:10,720 --> 00:14:14,640 Speaker 1: And that's what torpedo that story. Like, I could be wrong, 224 00:14:14,960 --> 00:14:20,600 Speaker 1: I think I agree with him the same, but that's 225 00:14:20,600 --> 00:14:23,760 Speaker 1: what I understand. And so when I came back to 226 00:14:23,880 --> 00:14:27,440 Speaker 1: read for season for the character in season three, I 227 00:14:27,640 --> 00:14:32,160 Speaker 1: remember it was a guest star. So there were like 228 00:14:32,360 --> 00:14:35,760 Speaker 1: four scenes. They were like twelve pages, and it was 229 00:14:35,840 --> 00:14:38,080 Speaker 1: on a Monday, and I spent the weekend working on it. 230 00:14:38,480 --> 00:14:40,920 Speaker 1: When I got there, the Castle rector said, so we're 231 00:14:40,920 --> 00:14:44,920 Speaker 1: just gonna do one scene, and I was like, I 232 00:14:45,160 --> 00:14:50,000 Speaker 1: hate right, and it still happens, But I was said 233 00:14:50,040 --> 00:14:52,240 Speaker 1: to myself, I was having this internal battle and I 234 00:14:52,320 --> 00:14:54,920 Speaker 1: was like, am I gonna stand up for myself right now, 235 00:14:55,080 --> 00:14:56,840 Speaker 1: or am I just gonna do the scene? And I said, 236 00:14:56,880 --> 00:15:01,760 Speaker 1: you know, uh, she picked the scene. It would be 237 00:15:01,880 --> 00:15:04,240 Speaker 1: one thing if she said pick a scene and you 238 00:15:04,320 --> 00:15:06,960 Speaker 1: could pick the scene that you thought best showcase your character. 239 00:15:07,480 --> 00:15:10,000 Speaker 1: She picked the scene, and I said, her name is Diane. 240 00:15:10,080 --> 00:15:12,480 Speaker 1: Her first name is Diane. It just came to me. 241 00:15:12,560 --> 00:15:15,240 Speaker 1: I can't remember her last name, but she said, I said, Diane. 242 00:15:15,320 --> 00:15:18,280 Speaker 1: I said, I think the character is better showcased in 243 00:15:18,440 --> 00:15:22,240 Speaker 1: this scene and she said really. I said, yeah, I 244 00:15:22,320 --> 00:15:24,680 Speaker 1: think that's where the meat is. And she said, well, 245 00:15:24,960 --> 00:15:26,760 Speaker 1: why don't you do the scene I asked you to do, 246 00:15:26,960 --> 00:15:29,240 Speaker 1: and then if you do well, you can have the entree. 247 00:15:29,440 --> 00:15:36,320 Speaker 1: And I was like, Earl, it's called Mike bluff, so 248 00:15:36,640 --> 00:15:41,440 Speaker 1: I was about to have that coming either, so I 249 00:15:41,560 --> 00:15:44,640 Speaker 1: didn't see she picked. She said, okay, Michael, you get 250 00:15:44,680 --> 00:15:48,680 Speaker 1: your entrede today. See I wanted to do which is 251 00:15:49,200 --> 00:15:51,440 Speaker 1: the scene where me and Brandon meet for the first time, 252 00:15:53,080 --> 00:15:55,880 Speaker 1: And I thought that was clearly the best scene out 253 00:15:55,920 --> 00:15:59,080 Speaker 1: of before. And I did it and she goes, I 254 00:15:59,120 --> 00:16:01,600 Speaker 1: want you to come back and producers, and I came 255 00:16:01,640 --> 00:16:05,200 Speaker 1: back and I got the role. But yeah, it's interesting 256 00:16:05,280 --> 00:16:07,440 Speaker 1: just how I guess I was destined to be on 257 00:16:07,560 --> 00:16:11,240 Speaker 1: the show because I have a vision for this. Oh, 258 00:16:11,280 --> 00:16:15,160 Speaker 1: I'm glad you you spoke up. That's not good to know. 259 00:16:16,200 --> 00:16:18,560 Speaker 1: It's one of those moments in your career as an 260 00:16:18,640 --> 00:16:21,680 Speaker 1: actor if you take a stand, if you're not afraid 261 00:16:21,720 --> 00:16:24,840 Speaker 1: to take a stand, it cannot only make a change, 262 00:16:24,960 --> 00:16:28,520 Speaker 1: but it empowers you. And you know, when you're starting 263 00:16:28,560 --> 00:16:30,680 Speaker 1: off in this business and you've done a few things, 264 00:16:30,760 --> 00:16:32,720 Speaker 1: but you haven't done a lot. You're trying to take 265 00:16:32,760 --> 00:16:35,520 Speaker 1: your career to the next step, to the next level. 266 00:16:36,720 --> 00:16:39,640 Speaker 1: It's moments like those that can end up defining your career, 267 00:16:40,080 --> 00:16:42,800 Speaker 1: you know. And after that audition, I would walk in 268 00:16:42,880 --> 00:16:45,720 Speaker 1: the room with much more confident and feel like I 269 00:16:45,880 --> 00:16:48,160 Speaker 1: belong instead of doing my best work in the rear 270 00:16:48,240 --> 00:16:55,400 Speaker 1: view mirror in my car the way home. Yes, yeah, wow, 271 00:16:55,840 --> 00:17:01,240 Speaker 1: that's a good lesson for actors out there everywhere. Really 272 00:17:01,720 --> 00:17:05,240 Speaker 1: find your voice when you need it for so short 273 00:17:05,320 --> 00:17:08,399 Speaker 1: a period of time, so you know, take the Like 274 00:17:09,000 --> 00:17:10,800 Speaker 1: that was the first time I took the room. As 275 00:17:10,840 --> 00:17:14,440 Speaker 1: they say, because you are here in class, take the room. 276 00:17:14,760 --> 00:17:17,359 Speaker 1: It's your time. Take the room. And I really hadn't 277 00:17:17,400 --> 00:17:21,000 Speaker 1: felt like I've taken the room until that moment. That's 278 00:17:21,000 --> 00:17:22,960 Speaker 1: when I took the room for the first time. I 279 00:17:23,080 --> 00:17:25,520 Speaker 1: hope I ever have another audition, because I'm going to 280 00:17:25,640 --> 00:17:29,000 Speaker 1: take the room. Take it. I've never taken a room 281 00:17:29,040 --> 00:17:32,119 Speaker 1: in an audition. I'm the worst audition. I don't know 282 00:17:32,119 --> 00:17:35,320 Speaker 1: about you, guys, but she always says that clearly not 283 00:17:36,200 --> 00:17:40,480 Speaker 1: so much. So next time I'm thinking of you. Okay, 284 00:17:42,000 --> 00:17:44,119 Speaker 1: was this one of those auditions have you ever had? 285 00:17:44,119 --> 00:17:46,520 Speaker 1: I mean we've had them, Like the auditions where you're like, oh, 286 00:17:47,359 --> 00:17:48,879 Speaker 1: this is my part, I'm getting it, and you do 287 00:17:49,040 --> 00:17:50,760 Speaker 1: get it. You're like, see, I was right, I knew it, 288 00:17:50,840 --> 00:17:53,600 Speaker 1: and the ones where they were like, amazing, do you 289 00:17:53,640 --> 00:17:55,840 Speaker 1: want me to change anything? No, it was perfect. You're like, 290 00:17:56,040 --> 00:18:00,440 Speaker 1: I'm not getting this, Like did you feel that when 291 00:18:00,480 --> 00:18:04,440 Speaker 1: I when I left the callback, I felt like I 292 00:18:04,680 --> 00:18:07,600 Speaker 1: had done a good job. But I've been doing it 293 00:18:07,680 --> 00:18:09,879 Speaker 1: long enough to know that that really didn't mean anything 294 00:18:09,960 --> 00:18:12,680 Speaker 1: because a lot of times when I feel like I 295 00:18:12,800 --> 00:18:18,159 Speaker 1: hit it out of the park, crickets, when I stunk 296 00:18:18,280 --> 00:18:22,919 Speaker 1: up the room. Yeah, they want a book, what exactly 297 00:18:23,520 --> 00:18:25,600 Speaker 1: is There's no rhyme or reason. It's what they have 298 00:18:25,760 --> 00:18:29,360 Speaker 1: in their minds, what they want and sometimes that that comes. 299 00:18:29,440 --> 00:18:31,560 Speaker 1: That happens where some an actor comes in and changes 300 00:18:31,640 --> 00:18:35,280 Speaker 1: their minds like you did that and that's awesome. Oh 301 00:18:35,400 --> 00:18:39,960 Speaker 1: thank you, that's so good. So um, what is good you? 302 00:18:40,600 --> 00:18:42,840 Speaker 1: What's going on for you now? Like tell us where 303 00:18:42,960 --> 00:18:46,119 Speaker 1: you are and what you're doing? Tell you what's taking 304 00:18:46,240 --> 00:18:48,560 Speaker 1: up the majority of my time right now? If you 305 00:18:48,640 --> 00:18:53,800 Speaker 1: can see my T shirt, it says dead ever. So 306 00:18:54,560 --> 00:18:58,040 Speaker 1: I have a fourteen year old who has followed in 307 00:18:58,160 --> 00:19:01,960 Speaker 1: my footsteps. He actually wee last week just wrapped a 308 00:19:02,080 --> 00:19:05,560 Speaker 1: movie called Heart of a Lion, which is a sony 309 00:19:05,640 --> 00:19:10,480 Speaker 1: picture about the Xbox and champion George Foreman. Oh gosh, wow, 310 00:19:11,320 --> 00:19:16,320 Speaker 1: yeah he George Foreman as a kid. That's amazing. It's 311 00:19:16,320 --> 00:19:21,040 Speaker 1: being directed or was directed by George Tillman, who's known 312 00:19:21,119 --> 00:19:24,320 Speaker 1: for Soul Food, They Hate You Give, Notorious b I G. 313 00:19:25,400 --> 00:19:28,640 Speaker 1: And his mom is being played by Sonya son from 314 00:19:28,680 --> 00:19:34,359 Speaker 1: The Wire and The Shy talk about intense. Um, so 315 00:19:34,440 --> 00:19:36,760 Speaker 1: it's liked you better bring your a game because your 316 00:19:36,840 --> 00:19:41,879 Speaker 1: mom don't play. Oh wow, were you nervous because you 317 00:19:42,040 --> 00:19:43,840 Speaker 1: had to be with him on set? Right? Or did 318 00:19:43,880 --> 00:19:47,080 Speaker 1: he have somebody else? I'm more nervous for him than 319 00:19:47,160 --> 00:19:51,440 Speaker 1: he is for himself. You know, Um, when it's a 320 00:19:51,480 --> 00:19:54,040 Speaker 1: big audition, I'm like, I'm the one that needs to 321 00:19:54,119 --> 00:19:57,280 Speaker 1: calm down and breathe. He's fine. So you are what 322 00:19:57,400 --> 00:20:01,320 Speaker 1: do they call it, what you're stage teach? Now? I 323 00:20:01,440 --> 00:20:05,040 Speaker 1: guess I am, yeah, I mean, you know, he's uh. 324 00:20:05,880 --> 00:20:08,639 Speaker 1: He started. We lived in Chicago for five years from 325 00:20:08,720 --> 00:20:13,119 Speaker 1: twenty nineteen and that's where he really got started. He 326 00:20:13,240 --> 00:20:15,560 Speaker 1: had an agent here in l A before we left, 327 00:20:16,080 --> 00:20:17,960 Speaker 1: and he was auditioning a little bit, but when we 328 00:20:18,000 --> 00:20:21,680 Speaker 1: got to Chicago he really took off. He started doing theater. 329 00:20:22,400 --> 00:20:25,159 Speaker 1: He did uh Last Stop on Market Street, which is 330 00:20:25,200 --> 00:20:27,960 Speaker 1: the world premiere in the Chicago Children's Theater. And he 331 00:20:28,040 --> 00:20:31,119 Speaker 1: started on stage, interestingly enough, at the good Man in 332 00:20:31,320 --> 00:20:35,320 Speaker 1: Chicago doing the four yeth anniversary at a Christmas Carol, 333 00:20:35,800 --> 00:20:40,440 Speaker 1: and it was really surreal because he played. One of 334 00:20:40,480 --> 00:20:42,359 Speaker 1: the roles he played was Turkey Boy, which is a 335 00:20:42,440 --> 00:20:44,840 Speaker 1: little English kid that comes on at the end and 336 00:20:44,920 --> 00:20:47,320 Speaker 1: has a scene with Scrooge. So you have to do 337 00:20:47,400 --> 00:20:50,080 Speaker 1: a British accent. And I was born in one of England, 338 00:20:50,280 --> 00:20:54,320 Speaker 1: so at that age I had that accent. So seeing 339 00:20:54,400 --> 00:20:59,480 Speaker 1: the poor child on stage doing a British accent at 340 00:20:59,520 --> 00:21:02,120 Speaker 1: the same age that you were when you had that accent. 341 00:21:02,520 --> 00:21:05,600 Speaker 1: It was like it was one of those moments. I 342 00:21:05,720 --> 00:21:10,760 Speaker 1: was just like, I got goose bumps. You're so proud. 343 00:21:11,000 --> 00:21:14,560 Speaker 1: I love it. I am I and I'd be proud 344 00:21:14,600 --> 00:21:17,439 Speaker 1: of him regardless. I mean, he just he just got 345 00:21:17,520 --> 00:21:20,720 Speaker 1: an award. I think it's called the President's Award for 346 00:21:20,800 --> 00:21:24,200 Speaker 1: Outstanding Achievement that I didn't even know existed, along with 347 00:21:24,320 --> 00:21:29,360 Speaker 1: being a Distinguished Honished student for grade eight. Um, he's 348 00:21:29,359 --> 00:21:31,520 Speaker 1: got a four point on g p A. I never 349 00:21:31,600 --> 00:21:46,800 Speaker 1: had a four point I feel shamed right now. You're hilarious. Yeah, 350 00:21:46,920 --> 00:21:48,919 Speaker 1: he's a good kid. I got lucky. He's a good kid. 351 00:21:49,080 --> 00:21:53,240 Speaker 1: His name is Kai Katie I and he just goes 352 00:21:53,280 --> 00:21:56,400 Speaker 1: by his first name. That's it. That's all he needs 353 00:21:56,440 --> 00:22:00,800 Speaker 1: to go by. I love it. Wow, I'm kind gratulations. 354 00:22:01,640 --> 00:22:04,280 Speaker 1: Thank you. I'm still in the game, you know, I'm still, 355 00:22:04,760 --> 00:22:07,200 Speaker 1: like most of the rank and file members of the 356 00:22:07,240 --> 00:22:10,439 Speaker 1: screen actors, still playing the auditional game. I had one 357 00:22:10,480 --> 00:22:14,879 Speaker 1: today actually, and my son, ensuring Love, had an audition 358 00:22:14,960 --> 00:22:17,920 Speaker 1: for nine one one two. It's do tomorrow and it's 359 00:22:17,920 --> 00:22:20,000 Speaker 1: for the same episode. But we don't we don't have 360 00:22:20,080 --> 00:22:22,720 Speaker 1: any scenes together. Oh that'd be really fun if you 361 00:22:23,080 --> 00:22:25,040 Speaker 1: got it. Like one of these days, can we just 362 00:22:25,200 --> 00:22:30,080 Speaker 1: work together? Are you auditioning from your home like we 363 00:22:30,240 --> 00:22:33,080 Speaker 1: all are? Will we ever, Jenny, will we ever get 364 00:22:33,119 --> 00:22:34,960 Speaker 1: to go in the room and actually take the wak 365 00:22:35,000 --> 00:22:36,920 Speaker 1: the room. I think it's gonna be a lot easier 366 00:22:37,000 --> 00:22:40,480 Speaker 1: for me to take my living room than their office room. 367 00:22:40,880 --> 00:22:45,639 Speaker 1: So I'm happy with the way. Yeah, so happy about 368 00:22:45,720 --> 00:22:47,680 Speaker 1: self tapes because I was like, oh good, I don't 369 00:22:47,680 --> 00:22:49,600 Speaker 1: have to worry about the nerves are screwing up, Like 370 00:22:49,680 --> 00:22:52,520 Speaker 1: I'll actually just do good work. But I missed the 371 00:22:52,600 --> 00:22:54,920 Speaker 1: room a little bit. I missed the power, you know, 372 00:22:55,080 --> 00:22:58,359 Speaker 1: like seeing people respond and laugh, the energy laugh like 373 00:22:58,520 --> 00:23:03,280 Speaker 1: you know something exactly. Yeah, I feel the same as you, Tori. 374 00:23:03,480 --> 00:23:08,520 Speaker 1: I'm like, I like you like the control. Like I've 375 00:23:08,840 --> 00:23:11,640 Speaker 1: been doing some writing and directing two of short films 376 00:23:11,760 --> 00:23:14,720 Speaker 1: and some of them have been in festivals, one won 377 00:23:14,840 --> 00:23:19,960 Speaker 1: one an award, And so if you have aspirations beyond acting, 378 00:23:20,760 --> 00:23:24,760 Speaker 1: you love the control of your audition. But I told myself, 379 00:23:24,800 --> 00:23:27,400 Speaker 1: I said, you know, I don't know. I think self 380 00:23:27,480 --> 00:23:29,240 Speaker 1: taping is here to stay. I mean, we were doing 381 00:23:29,280 --> 00:23:32,240 Speaker 1: it before COVID, but I think it's here to stay 382 00:23:32,240 --> 00:23:35,440 Speaker 1: in a bigger way. But I think if you're like 383 00:23:36,119 --> 00:23:39,359 Speaker 1: shortlisted for a series or leading the film, you're gonna 384 00:23:39,400 --> 00:23:43,719 Speaker 1: have to go in the room. You know, let's help. Yeah. Um, 385 00:23:44,040 --> 00:23:46,560 Speaker 1: And I said, don't get too comfortable, because I think 386 00:23:46,960 --> 00:23:49,119 Speaker 1: at some point down the road it's gonna be a 387 00:23:49,240 --> 00:23:51,320 Speaker 1: mix of the two where you're going in the room. 388 00:23:51,400 --> 00:23:55,840 Speaker 1: Sometimes the self tape like a hybrid. Yeah, I like 389 00:23:55,920 --> 00:23:59,560 Speaker 1: a hybrid exactly. And going in the room is it's uh, 390 00:24:00,160 --> 00:24:02,080 Speaker 1: especially I haven't done in a while. You know, we 391 00:24:02,160 --> 00:24:06,440 Speaker 1: can be I'm anticipating like having dry mouths. You know, 392 00:24:06,600 --> 00:24:10,840 Speaker 1: you get cotton mouths when you're really nervous, when you 393 00:24:10,960 --> 00:24:14,879 Speaker 1: can't talk. But the energy, I think is what we 394 00:24:14,960 --> 00:24:18,119 Speaker 1: all missed the most. You know. It's like doing theater, 395 00:24:18,280 --> 00:24:21,040 Speaker 1: that energy you get. Like when we moved to Chicago, 396 00:24:21,160 --> 00:24:24,040 Speaker 1: I hadn't done theater in six years, and the first 397 00:24:24,160 --> 00:24:28,399 Speaker 1: show I was so nervous in the wings. Like when 398 00:24:28,440 --> 00:24:31,240 Speaker 1: I was younger doing theater, they would hold me back 399 00:24:31,280 --> 00:24:34,080 Speaker 1: in the wings to go, you're not on yet, flow 400 00:24:34,160 --> 00:24:37,680 Speaker 1: your role, And now doing theater all these years later, 401 00:24:37,920 --> 00:24:43,920 Speaker 1: they're like, you know that's your cue. Go, So yeah, 402 00:24:44,080 --> 00:24:46,000 Speaker 1: I'm kind of looking forward to going back in the 403 00:24:46,119 --> 00:24:49,119 Speaker 1: room sometimes, but I think I like the kind of 404 00:24:49,240 --> 00:24:52,040 Speaker 1: hybrid situation that we're in now. You know, sometimes you're 405 00:24:52,080 --> 00:24:55,399 Speaker 1: at home sometimes during the room, So I guess you 406 00:24:55,480 --> 00:25:00,240 Speaker 1: have to wait and see how you get it. Yea, 407 00:25:05,840 --> 00:25:11,680 Speaker 1: m m. So Jordan was on the show for six episodes, 408 00:25:11,760 --> 00:25:14,680 Speaker 1: which for recurring like that was a big deal, like 409 00:25:14,800 --> 00:25:18,000 Speaker 1: six episodes, and do you feel like, what was like 410 00:25:18,080 --> 00:25:20,880 Speaker 1: do you still get recognized as Jordan Bonner? And back then, 411 00:25:21,000 --> 00:25:23,000 Speaker 1: what was it like when people like when he became 412 00:25:23,080 --> 00:25:24,960 Speaker 1: so big on the show, what was it like the 413 00:25:25,000 --> 00:25:30,080 Speaker 1: fan reaction when you would go out, I got recognized 414 00:25:30,320 --> 00:25:39,000 Speaker 1: for some We did that so probably through like two 415 00:25:39,160 --> 00:25:45,320 Speaker 1: thousands and early two thousand's, I would say, I mean 416 00:25:45,400 --> 00:25:48,680 Speaker 1: early twenty tenths, like for a long time, and people, 417 00:25:49,200 --> 00:25:52,080 Speaker 1: you know, nine two and oh fans were rabid, so 418 00:25:52,280 --> 00:26:00,200 Speaker 1: they would be like Jordan Bonner, hands up, and it 419 00:26:00,359 --> 00:26:02,520 Speaker 1: was and they would tell you about the episode or 420 00:26:02,600 --> 00:26:05,520 Speaker 1: one of the six episodes and give you the storyline 421 00:26:05,960 --> 00:26:09,359 Speaker 1: like they were serious. And it was like that for 422 00:26:09,480 --> 00:26:12,000 Speaker 1: at least twenty years after doing the show. It's just 423 00:26:12,280 --> 00:26:16,040 Speaker 1: the last few years and you know, I am proudly 424 00:26:16,160 --> 00:26:21,320 Speaker 1: bald now, so I'm not rocking the flattop anymore. So 425 00:26:21,440 --> 00:26:25,159 Speaker 1: it's kind and I have facial hair that's gray, so 426 00:26:26,160 --> 00:26:29,359 Speaker 1: if I shave it, though I tend to get people 427 00:26:29,400 --> 00:26:31,680 Speaker 1: will still pick me up. And I've noticed you. You 428 00:26:31,840 --> 00:26:37,520 Speaker 1: look the same to me, thank you. Um. But yeah, 429 00:26:37,560 --> 00:26:41,280 Speaker 1: at the time when it aired, yeah, I got recognized 430 00:26:41,320 --> 00:26:44,639 Speaker 1: a lot more than I had ever been in my career. 431 00:26:45,359 --> 00:26:47,960 Speaker 1: And I remember my my dad coming to town and 432 00:26:48,080 --> 00:26:51,760 Speaker 1: we were at remember Mrs Gouches before it was wiled 433 00:26:51,800 --> 00:26:55,560 Speaker 1: by Whole food Oh my god, yes, god, Mrs that 434 00:26:55,680 --> 00:26:58,960 Speaker 1: was like that, sor And I remember you never picked 435 00:26:59,000 --> 00:27:06,000 Speaker 1: to that place. You made me go there to get brags. Yeah. Yeah, 436 00:27:06,320 --> 00:27:08,399 Speaker 1: they had all the good stuff and we were very 437 00:27:08,480 --> 00:27:10,359 Speaker 1: upset that they were being bottled by Whole Foods. I 438 00:27:10,400 --> 00:27:13,960 Speaker 1: remember signing a petition to stop it from happening. It 439 00:27:14,040 --> 00:27:16,680 Speaker 1: didn't work. It didn't work. We didn't get it done. 440 00:27:17,600 --> 00:27:20,600 Speaker 1: Corporate America. What are you gonna do? But um, I 441 00:27:20,800 --> 00:27:22,879 Speaker 1: was saying, Mrs cootch is one time with my dad 442 00:27:23,440 --> 00:27:28,200 Speaker 1: and a few people were pointing in whispering, and I 443 00:27:28,320 --> 00:27:31,800 Speaker 1: knew it was happening, but because they didn't approach me 444 00:27:31,920 --> 00:27:35,000 Speaker 1: or anything, I just kept it moving. And my dad said, 445 00:27:35,560 --> 00:27:37,879 Speaker 1: don't you see those people pointing at you and talking 446 00:27:37,960 --> 00:27:39,920 Speaker 1: to you what I said or pointing at you? And 447 00:27:40,000 --> 00:27:43,560 Speaker 1: I said, yeah, that I do. He goes so soon 448 00:27:43,560 --> 00:27:47,120 Speaker 1: as you go over and talking to me about saying, well, 449 00:27:47,720 --> 00:27:50,639 Speaker 1: if I did that, we wouldn't get anything done. I 450 00:27:50,800 --> 00:27:53,720 Speaker 1: love the fans, but if they come up and they 451 00:27:53,760 --> 00:27:56,520 Speaker 1: acknowledge you, that's when you haven't exchange. But I'm not 452 00:27:56,680 --> 00:27:59,520 Speaker 1: going out of my kna go hey, do you guys 453 00:27:59,600 --> 00:28:03,680 Speaker 1: reckon as me? Right? Yeah, that that would be a 454 00:28:03,760 --> 00:28:07,840 Speaker 1: little weird, but it must have been for you guys, 455 00:28:08,119 --> 00:28:10,640 Speaker 1: like it was huge. So how did you guys deal 456 00:28:10,720 --> 00:28:16,119 Speaker 1: with it? I mean it's always different, Like every it 457 00:28:16,160 --> 00:28:19,800 Speaker 1: seems like every encounter has a different energy about it, 458 00:28:19,880 --> 00:28:22,480 Speaker 1: like a different way to handle it. Right, Like there's 459 00:28:22,520 --> 00:28:25,440 Speaker 1: those fans that you have to give them your undivided 460 00:28:25,480 --> 00:28:28,960 Speaker 1: attention and time because they are so passionate and so devoted, 461 00:28:29,040 --> 00:28:32,480 Speaker 1: and we we love those fans and our show has 462 00:28:32,520 --> 00:28:39,200 Speaker 1: a lot of them, thank goodness. Seel Yeah, yeah, yeah, 463 00:28:39,240 --> 00:28:43,640 Speaker 1: I mean that's why I think for us it just 464 00:28:43,760 --> 00:28:47,840 Speaker 1: became such a constant way of life, Like I know 465 00:28:48,040 --> 00:28:51,520 Speaker 1: for me, like people would see like your dad seeing 466 00:28:51,560 --> 00:28:53,760 Speaker 1: that people were seeing you. I wouldn't have seen it. 467 00:28:54,560 --> 00:28:57,200 Speaker 1: It just kind of in order to have a normal life, 468 00:28:57,760 --> 00:29:00,320 Speaker 1: like I would just navigate and I didn't even see it. 469 00:29:00,400 --> 00:29:03,160 Speaker 1: It was like, you know, white noise. Yeah, and then 470 00:29:03,280 --> 00:29:05,200 Speaker 1: people would be like, oh my god, those people are 471 00:29:05,240 --> 00:29:06,920 Speaker 1: freaking out. I'd be like what people Like, I didn't 472 00:29:06,920 --> 00:29:09,160 Speaker 1: even notice it. And then when I did, like, of course, 473 00:29:09,240 --> 00:29:11,959 Speaker 1: I would like be with them and say like hi, 474 00:29:12,160 --> 00:29:15,000 Speaker 1: and and give them hugs. But in order to do 475 00:29:15,080 --> 00:29:17,040 Speaker 1: your daily routine, you kind of just had to like 476 00:29:17,680 --> 00:29:19,320 Speaker 1: go through life and not be like, oh my god, 477 00:29:19,360 --> 00:29:24,280 Speaker 1: oh my god, everyone's looking at me. Yeah, yeah, yeah, 478 00:29:24,440 --> 00:29:30,320 Speaker 1: I think um. Somebody told me early on. I can't 479 00:29:30,320 --> 00:29:32,960 Speaker 1: remember who they were talking about specifically, but they said, 480 00:29:33,040 --> 00:29:35,520 Speaker 1: this person is one of the biggest stars in the 481 00:29:35,600 --> 00:29:38,760 Speaker 1: world and they just they do their own grocery shopping. 482 00:29:39,480 --> 00:29:42,360 Speaker 1: They don't have any bodyguards or anything. And he said, 483 00:29:42,400 --> 00:29:48,560 Speaker 1: I think the people that, unless it's a very unique situation, 484 00:29:49,160 --> 00:29:51,520 Speaker 1: the people that don't have bodyguards and just go about 485 00:29:51,560 --> 00:29:55,280 Speaker 1: their lives in a in a regular way are fine. 486 00:29:55,840 --> 00:29:58,920 Speaker 1: It's like the bigger you make of it, the bigger 487 00:29:59,240 --> 00:30:03,040 Speaker 1: it becomes. Like you can attract all that madness if 488 00:30:03,080 --> 00:30:08,240 Speaker 1: you don't navigate that space careful. Very true. I didn't 489 00:30:08,280 --> 00:30:11,680 Speaker 1: know that was even an option back then, to have 490 00:30:11,760 --> 00:30:15,440 Speaker 1: somebody else do your grocery shopping, or to have a bodyguard, 491 00:30:15,520 --> 00:30:17,760 Speaker 1: like we had bodyguards on set in our real life, 492 00:30:17,840 --> 00:30:19,640 Speaker 1: Like we didn't just have a bodyguard as we went 493 00:30:19,680 --> 00:30:22,000 Speaker 1: and did our errands during the day, and we didn't 494 00:30:22,000 --> 00:30:24,880 Speaker 1: have instat cart or like things like that. So yeah, 495 00:30:25,040 --> 00:30:27,080 Speaker 1: you just had to write like you did your own 496 00:30:27,080 --> 00:30:30,400 Speaker 1: grocery shopping, Like what was the alternative? You had to 497 00:30:30,480 --> 00:30:34,520 Speaker 1: put your armor on and go out into the world. Yeah, yeah, 498 00:30:34,760 --> 00:30:37,880 Speaker 1: we had. There were times. There were like times when 499 00:30:37,920 --> 00:30:40,560 Speaker 1: it was harder than than other times, and you had 500 00:30:40,600 --> 00:30:44,680 Speaker 1: to kind of adapt and be flexible and give yourself 501 00:30:44,680 --> 00:30:49,040 Speaker 1: a little a little break because it was challenging for 502 00:30:49,160 --> 00:30:51,880 Speaker 1: sure at times, and it still can be like even 503 00:30:52,040 --> 00:30:54,920 Speaker 1: you know, just going out sometimes you gotta like psych 504 00:30:55,000 --> 00:30:56,920 Speaker 1: yourself up. I mean I do, I have to psych 505 00:30:57,000 --> 00:30:58,960 Speaker 1: myself up to go. I'm going out in the world. 506 00:30:59,120 --> 00:31:02,440 Speaker 1: And because I live my life like I'm just a 507 00:31:02,560 --> 00:31:05,040 Speaker 1: normal person. I'm a mom, I have dogs, I run 508 00:31:05,160 --> 00:31:06,760 Speaker 1: my house like I have to do all the things 509 00:31:06,840 --> 00:31:09,000 Speaker 1: like we're normal people. But when you go out and 510 00:31:09,080 --> 00:31:11,720 Speaker 1: then you get recognized, you're like, wait, what, I'm not 511 00:31:11,880 --> 00:31:17,320 Speaker 1: normal like that. It's confusing messaging. Yeah. Yeah, and when 512 00:31:17,560 --> 00:31:22,040 Speaker 1: when you have kids, I think it's even trickier. It is, 513 00:31:22,160 --> 00:31:25,360 Speaker 1: especially when they're little because they don't understand. Like one 514 00:31:25,360 --> 00:31:27,840 Speaker 1: of mine were smaller, they'd be like, we were just 515 00:31:28,000 --> 00:31:29,960 Speaker 1: we're here to have fun. We want to go, you know, 516 00:31:30,280 --> 00:31:32,320 Speaker 1: do this and be at Chuck E Cheese and like 517 00:31:32,400 --> 00:31:34,000 Speaker 1: people were wanting to talk to me and they're like, 518 00:31:34,040 --> 00:31:37,520 Speaker 1: come on, and those are the bands like you can't, yeah, 519 00:31:37,680 --> 00:31:41,840 Speaker 1: be rude. Yeah, they don't get it at their kids. Yeah. Yeah. 520 00:31:42,400 --> 00:31:45,880 Speaker 1: I remember getting escorted to set one day. There was 521 00:31:45,920 --> 00:31:50,040 Speaker 1: a knock on my door. Um, it might have been 522 00:31:50,040 --> 00:31:52,680 Speaker 1: an episode the second or third episode I did. There's 523 00:31:52,680 --> 00:31:54,240 Speaker 1: a knock on my door and I opened the door 524 00:31:54,280 --> 00:31:56,600 Speaker 1: to the trailer and there were two bodyguards standing there 525 00:31:57,000 --> 00:31:59,680 Speaker 1: and they were like. I was like, hey, they're like 526 00:32:00,000 --> 00:32:01,520 Speaker 1: here to escort you to set. And I was like, 527 00:32:02,640 --> 00:32:05,360 Speaker 1: I think you're ever wrong. Trailer. Jason's trailer's right there, 528 00:32:06,680 --> 00:32:10,080 Speaker 1: and they're like, well, you're seen as with Jason and 529 00:32:10,400 --> 00:32:12,360 Speaker 1: he's gonna need an escort to set. And I was 530 00:32:12,480 --> 00:32:16,040 Speaker 1: like okay, And I really didn't clue in yet until 531 00:32:16,080 --> 00:32:17,800 Speaker 1: I came out of my trailer and then we stopped 532 00:32:17,800 --> 00:32:19,920 Speaker 1: in his trailer, and then the four of us walked 533 00:32:19,960 --> 00:32:22,960 Speaker 1: the set and we were shooting at the high school 534 00:32:23,080 --> 00:32:26,840 Speaker 1: and there were girls on the feds. It was like 535 00:32:27,000 --> 00:32:31,080 Speaker 1: being inside of Beatles footage. They were screaming and crying 536 00:32:31,280 --> 00:32:35,000 Speaker 1: and I was like, oh my god to see it 537 00:32:35,120 --> 00:32:38,080 Speaker 1: up close. And I remember turning to Jason and I said, 538 00:32:38,560 --> 00:32:41,600 Speaker 1: so this is your life and I will never forget this. 539 00:32:42,440 --> 00:32:44,960 Speaker 1: His shoulders went up like this. He just he just 540 00:32:45,080 --> 00:32:52,240 Speaker 1: kind of sighed. We went yeah, and I was like, whoa, 541 00:32:52,480 --> 00:32:54,600 Speaker 1: that's a lot of weight. You could feel the weight 542 00:32:54,800 --> 00:32:58,280 Speaker 1: on him, the weight of celebrity, And in that moment, 543 00:32:58,360 --> 00:33:01,720 Speaker 1: I said to myself, you know, I don't need to 544 00:33:01,800 --> 00:33:05,520 Speaker 1: be crazy famous. I just want to work. I'd rather 545 00:33:05,680 --> 00:33:08,160 Speaker 1: not deal with all of that and just kind of 546 00:33:08,240 --> 00:33:11,120 Speaker 1: be one of those actors that people see and recognize, 547 00:33:11,160 --> 00:33:13,080 Speaker 1: but they don't know who you are. They don't know 548 00:33:13,200 --> 00:33:15,680 Speaker 1: what you see. When they're just like, hey, there's that actor. 549 00:33:15,800 --> 00:33:17,720 Speaker 1: What's his name, what's he been in? But they don't know, 550 00:33:18,160 --> 00:33:20,640 Speaker 1: so you can kind of roll anonymously, you know what 551 00:33:20,720 --> 00:33:25,600 Speaker 1: I'm saying, but I will never forget that moment. Yeah, 552 00:33:25,880 --> 00:33:29,360 Speaker 1: I mean I think it's still happening today, like you know, 553 00:33:29,640 --> 00:33:34,400 Speaker 1: a famous the Beast, and there's no there's no like 554 00:33:35,160 --> 00:33:37,160 Speaker 1: nobody tells you how to deal with it, and nobody 555 00:33:37,160 --> 00:33:39,440 Speaker 1: tell us how to deal with it. And I think, 556 00:33:39,600 --> 00:33:42,760 Speaker 1: like now, because of the Internet and because we have 557 00:33:42,840 --> 00:33:46,440 Speaker 1: so much exposure to everything, we know, like people that 558 00:33:46,520 --> 00:33:48,800 Speaker 1: are coming up now know what it's going to be like. 559 00:33:48,920 --> 00:33:52,120 Speaker 1: But back then, nobody warned us. Nobody warned Jason and 560 00:33:52,200 --> 00:33:53,960 Speaker 1: Luke what was going to happen to their lives on 561 00:33:54,040 --> 00:33:58,680 Speaker 1: that level. And we just I'm so grateful and proud 562 00:33:58,760 --> 00:34:01,680 Speaker 1: of everybody for making it out alive, you know, just 563 00:34:02,440 --> 00:34:06,120 Speaker 1: getting through it and and and I think everybody dealt 564 00:34:06,160 --> 00:34:10,760 Speaker 1: with it pretty well. Yeah. Yeah, it's uh, it's tricky 565 00:34:10,800 --> 00:34:13,640 Speaker 1: and you you know, going in that it's that it 566 00:34:13,719 --> 00:34:18,920 Speaker 1: could happen. But like you said, there's one book, so 567 00:34:19,400 --> 00:34:22,320 Speaker 1: we should make one. We should write a book. You should. 568 00:34:23,000 --> 00:34:27,920 Speaker 1: How does yeal of fame? Celebrity now is even crazier 569 00:34:28,400 --> 00:34:34,239 Speaker 1: with social media. It's not snill, it's next level. I 570 00:34:34,280 --> 00:34:38,080 Speaker 1: mean I've had the conversation with my son and just 571 00:34:38,280 --> 00:34:40,879 Speaker 1: told him like he did a movie. His first movie 572 00:34:40,960 --> 00:34:44,759 Speaker 1: was Timmy Failure. Mistakes were made and it came out 573 00:34:44,840 --> 00:34:48,600 Speaker 1: on Disney Plus as one of their initial original movies. 574 00:34:49,040 --> 00:34:52,720 Speaker 1: And so he dealt with it at school because everybody 575 00:34:52,840 --> 00:34:57,200 Speaker 1: was like, oh my god, there's from Timmy Failure and uh, 576 00:34:58,200 --> 00:35:00,040 Speaker 1: he said, Daddy, you were right, And he said, and 577 00:35:00,040 --> 00:35:01,440 Speaker 1: where kids that came up to me and talked to 578 00:35:01,520 --> 00:35:04,200 Speaker 1: me and wanted to be my friend who never talked 579 00:35:04,200 --> 00:35:07,320 Speaker 1: to me before, you know, ignored me, even kids in 580 00:35:07,400 --> 00:35:10,279 Speaker 1: my own class. And I said, yeah, it's one of 581 00:35:10,360 --> 00:35:13,960 Speaker 1: the downsides that you have to deal with. So you know, 582 00:35:15,680 --> 00:35:20,479 Speaker 1: keep your friends closer and enemies closer. You know, you'll 583 00:35:20,520 --> 00:35:24,120 Speaker 1: know who's genuine and who's not. But I think it's 584 00:35:24,160 --> 00:35:28,480 Speaker 1: a trickier thing, so hard for kids to navigate than 585 00:35:28,640 --> 00:35:32,440 Speaker 1: for adult It's still hard. I still don't sometimes make 586 00:35:32,480 --> 00:35:34,879 Speaker 1: the right choice and don't realize because you want people 587 00:35:34,920 --> 00:35:37,799 Speaker 1: to like you for you, and you forget like, oh, 588 00:35:37,920 --> 00:35:40,440 Speaker 1: I just went into it and I even thought, of 589 00:35:40,560 --> 00:35:42,160 Speaker 1: course they like me for me, and then you're like, oh, 590 00:35:42,400 --> 00:35:45,399 Speaker 1: there's that. I forgot that part of it. Yeah. Yeah, 591 00:35:45,560 --> 00:35:49,279 Speaker 1: so it's hard. So good chatting with you, Mike, so 592 00:35:49,440 --> 00:35:53,040 Speaker 1: great to see your face. We could do this for 593 00:35:53,160 --> 00:36:00,799 Speaker 1: at I love it. It's our favorite thing to do, right. 594 00:36:01,200 --> 00:36:03,680 Speaker 1: We're very appreciative that you came on today with us, 595 00:36:03,760 --> 00:36:06,719 Speaker 1: and the fans will be so happy to get to 596 00:36:07,040 --> 00:36:10,920 Speaker 1: see you and hear what we're talking about with you. Well, 597 00:36:10,960 --> 00:36:13,880 Speaker 1: I'm honored that you guys reached out. I'm glad you did. 598 00:36:13,960 --> 00:36:18,279 Speaker 1: It's good to see you and hopefully in some uh 599 00:36:18,960 --> 00:36:21,799 Speaker 1: when the world returns to his access, maybe we can 600 00:36:21,840 --> 00:36:24,840 Speaker 1: see each other person or something. I know it's true. 601 00:36:25,880 --> 00:36:28,480 Speaker 1: We're gonna set that you and your son get to 602 00:36:28,560 --> 00:36:33,239 Speaker 1: be in a project together. Would be fabulous. Yes, yes, yes, 603 00:36:33,800 --> 00:36:37,520 Speaker 1: all body parts crossed. But I'm definitely gonna channel. I'm 604 00:36:37,520 --> 00:36:40,560 Speaker 1: gonna take I'm gonna take the room my next opportunity 605 00:36:41,040 --> 00:36:47,200 Speaker 1: because of you. Thank you. So good to see you, Jenny. Good, 606 00:36:47,600 --> 00:36:53,680 Speaker 1: good to see you. Thank you back at you. Bye,