1 00:00:01,280 --> 00:00:03,880 Speaker 1: We got that laugh before your soul and now too 2 00:00:04,000 --> 00:00:08,240 Speaker 1: the into the Frankie on this show. Hey, what's up 3 00:00:08,280 --> 00:00:11,560 Speaker 1: homies Frankie? Uh, this is the Frankie on the show 4 00:00:11,600 --> 00:00:14,680 Speaker 1: podcast Today I got the homeboy came through Chris Ostrata 5 00:00:15,200 --> 00:00:18,759 Speaker 1: for a little quick interview. What's up home Yeah, so 6 00:00:18,840 --> 00:00:21,360 Speaker 1: thanks for coming through, thanks for having me. Um. Yeah, 7 00:00:21,360 --> 00:00:23,639 Speaker 1: so a lot of people, uh, you know, don't know 8 00:00:23,680 --> 00:00:27,520 Speaker 1: that we actually been homies for a long time already. Hyeah. 9 00:00:27,560 --> 00:00:29,720 Speaker 1: Even though you're could be a negative guy a lot 10 00:00:29,760 --> 00:00:32,599 Speaker 1: of times and all about I'm all about a positive kick. Yeah, 11 00:00:32,840 --> 00:00:34,520 Speaker 1: you're not like that. I'm not like that at all. 12 00:00:34,640 --> 00:00:40,160 Speaker 1: I'm massively depressed. I'm a negative person, right right, Um, 13 00:00:40,280 --> 00:00:42,440 Speaker 1: we don't like each other in real life. Yeah, yeah, 14 00:00:42,840 --> 00:00:47,360 Speaker 1: some people are. I told my acting coach my greatest 15 00:00:48,000 --> 00:00:50,919 Speaker 1: thing to overcome will be pretending to like Frankie on 16 00:00:50,960 --> 00:00:52,839 Speaker 1: this show, right right? Right then he said all right, 17 00:00:52,880 --> 00:00:55,480 Speaker 1: well we're gonna work over time and I said great, Yeah, 18 00:00:55,640 --> 00:00:58,360 Speaker 1: I said, challenge accepted. Yeah. Yeah, I mean it goes 19 00:00:58,400 --> 00:00:59,920 Speaker 1: both ways, you know, I mean, because I know it 20 00:01:00,000 --> 00:01:01,280 Speaker 1: a pressure too, but that's how I do it. My 21 00:01:01,280 --> 00:01:04,200 Speaker 1: depression is be like, hey, let's kick it and you're 22 00:01:04,240 --> 00:01:07,160 Speaker 1: not that. So it's kind of like, you know, you 23 00:01:07,200 --> 00:01:09,360 Speaker 1: really kill my vibe. Like if I have to be 24 00:01:09,400 --> 00:01:11,559 Speaker 1: in your presence, you know, it'd be like you happy. 25 00:01:11,680 --> 00:01:13,640 Speaker 1: I'm like, oh, let me go over there and put 26 00:01:13,680 --> 00:01:16,200 Speaker 1: it into that happiness. Oh yeah, yeah, you're definitely that 27 00:01:16,280 --> 00:01:18,919 Speaker 1: dark cloud of my life, you know. Uh. And somehow 28 00:01:18,920 --> 00:01:21,480 Speaker 1: we're able to make money together entertain people, but you're 29 00:01:21,600 --> 00:01:23,440 Speaker 1: very hard. It's very hard to be around. It's like dang, 30 00:01:23,520 --> 00:01:26,880 Speaker 1: you know it suddenly now it's raining, you know, heavy clouds. 31 00:01:29,560 --> 00:01:34,600 Speaker 1: But I remember the first time, uh that we met 32 00:01:34,720 --> 00:01:36,760 Speaker 1: was it's not hoping anymore. But it's a place that 33 00:01:36,760 --> 00:01:39,440 Speaker 1: closed down in Echo Park called the Echoes under Sunset. Yeah. 34 00:01:39,480 --> 00:01:40,959 Speaker 1: It was like a little kind of d I y 35 00:01:41,040 --> 00:01:44,000 Speaker 1: comedy club that they had right there off like Glendale 36 00:01:44,040 --> 00:01:47,080 Speaker 1: in the park, right under the bridge right there, and uh, 37 00:01:47,080 --> 00:01:49,559 Speaker 1: oh man, I love I used to love that place. 38 00:01:49,600 --> 00:01:51,559 Speaker 1: But I remember the first time I saw you there 39 00:01:51,920 --> 00:01:54,080 Speaker 1: and you did about I don't know, maybe ten minutes, 40 00:01:54,840 --> 00:01:57,800 Speaker 1: and uh, I was like, man, you know, it's like, 41 00:01:57,880 --> 00:01:59,680 Speaker 1: because I'm a comedy fan first, you know, I've been 42 00:01:59,680 --> 00:02:03,000 Speaker 1: doing end Up sixteen years now. But it's like when 43 00:02:03,040 --> 00:02:05,480 Speaker 1: you see and I don't care if it's my first 44 00:02:05,480 --> 00:02:07,920 Speaker 1: time see this comedy, is this if they just started 45 00:02:07,960 --> 00:02:12,200 Speaker 1: doing comedy or whatever. Like when you see Homie, home Girl, whatever, 46 00:02:12,240 --> 00:02:14,160 Speaker 1: that just makes you laugh, funny, it gives you that, 47 00:02:14,200 --> 00:02:16,440 Speaker 1: it gives you that life, you get inspired, you know what. 48 00:02:16,680 --> 00:02:18,959 Speaker 1: And then I saw him like da that that fool 49 00:02:19,000 --> 00:02:21,000 Speaker 1: has a show right there, like even in your timing 50 00:02:21,040 --> 00:02:23,839 Speaker 1: and sim that's a that's a show, and uh yeah, 51 00:02:23,960 --> 00:02:26,120 Speaker 1: yeah no, but I was was the first time we met. 52 00:02:26,200 --> 00:02:32,040 Speaker 1: That was like fifteen maybe two sixteen, But I think 53 00:02:32,040 --> 00:02:33,560 Speaker 1: it was like maybe I think it had to be. 54 00:02:34,760 --> 00:02:37,840 Speaker 1: I think about it because we were I remember we 55 00:02:37,960 --> 00:02:41,720 Speaker 1: were homies already and you were doing some gigs with me, 56 00:02:42,320 --> 00:02:44,600 Speaker 1: and because I was like, man, I like, you know, 57 00:02:44,800 --> 00:02:46,360 Speaker 1: I went up to that night and I was like hey, 58 00:02:46,400 --> 00:02:48,320 Speaker 1: and then and then on the road took you on 59 00:02:48,360 --> 00:02:51,040 Speaker 1: the road. But at the time I was doing you know, 60 00:02:51,440 --> 00:02:54,679 Speaker 1: just either l A San Francisco. I was doing those 61 00:02:54,919 --> 00:02:56,360 Speaker 1: show him in tour that you did for me. And 62 00:02:56,400 --> 00:02:58,440 Speaker 1: then uh and then we went to like friends know, 63 00:02:58,680 --> 00:03:02,360 Speaker 1: and you know, we we've been doing like smaller, smaller places, 64 00:03:02,400 --> 00:03:05,959 Speaker 1: but they like Passo or Phoenix, I think, right, yeah, 65 00:03:06,480 --> 00:03:08,359 Speaker 1: and this is when I was like just getting going 66 00:03:08,400 --> 00:03:10,840 Speaker 1: and then and then went viral and then we really 67 00:03:10,880 --> 00:03:13,760 Speaker 1: started to hit the road. We started going to all 68 00:03:13,800 --> 00:03:17,480 Speaker 1: parts of the country like Florida, Indiana. Yeah, and that 69 00:03:17,480 --> 00:03:19,200 Speaker 1: that was a lot of fun, man. So yeah, a 70 00:03:19,200 --> 00:03:20,440 Speaker 1: lot of people don't know that we were on the 71 00:03:20,480 --> 00:03:23,000 Speaker 1: road together for over four years, I think, right, and 72 00:03:23,040 --> 00:03:26,240 Speaker 1: then pretty often going out. Yeah, and that was fun, 73 00:03:26,680 --> 00:03:29,280 Speaker 1: and it was just it was hard because you're You're 74 00:03:29,280 --> 00:03:32,320 Speaker 1: a hard person to be around and you're so negative. Absolutely, yeah, 75 00:03:32,360 --> 00:03:33,880 Speaker 1: but the shows were going so good. I was like, hey, 76 00:03:34,000 --> 00:03:37,000 Speaker 1: I gotta keep this wool like. But I almost think 77 00:03:37,000 --> 00:03:40,120 Speaker 1: you like like being miserable in a way because you 78 00:03:40,160 --> 00:03:42,240 Speaker 1: were like you you were like, who can I find 79 00:03:42,240 --> 00:03:45,680 Speaker 1: that miserable? To bring like a rain to my parade? 80 00:03:45,880 --> 00:03:49,080 Speaker 1: And that was me. Yeah I brought that. Yeah. I 81 00:03:49,080 --> 00:03:51,280 Speaker 1: do like beating myself up. Yeah, you like beating yourself 82 00:03:51,320 --> 00:03:53,960 Speaker 1: up emotionally like yeah yeah yeah. I was like time 83 00:03:54,000 --> 00:03:55,840 Speaker 1: I went to you, smile or have a good time 84 00:03:55,880 --> 00:03:57,880 Speaker 1: and just be like smile. Yeah, you would shoot me down, 85 00:03:58,800 --> 00:04:00,840 Speaker 1: come the clouts. I would go, oh there was Frankie 86 00:04:00,840 --> 00:04:03,600 Speaker 1: and I like that. Yeah yeah, fall down yeah yeah, 87 00:04:03,680 --> 00:04:08,560 Speaker 1: but you you would put me back where I'm like company, yeah, company, Yeah, 88 00:04:08,720 --> 00:04:11,440 Speaker 1: because I would get all too happier. I'd be like, yeah, 89 00:04:11,760 --> 00:04:13,760 Speaker 1: you know I'm doing You're like, hey, come down, right down. Yeah. 90 00:04:14,440 --> 00:04:17,400 Speaker 1: The world is still messed up. Yeah yeah, everything still sucks. 91 00:04:17,560 --> 00:04:19,560 Speaker 1: Yeah yeah, you would remind me of that. I'd be like, yeah, 92 00:04:19,600 --> 00:04:22,520 Speaker 1: you're right on being still in have to be in 93 00:04:22,560 --> 00:04:26,000 Speaker 1: my presence or whatever. But you would pay me to 94 00:04:26,000 --> 00:04:29,200 Speaker 1: be miserable around you pretty much. I mean yeah, I 95 00:04:29,240 --> 00:04:31,120 Speaker 1: mean you know, I paid you what I could, but 96 00:04:31,160 --> 00:04:32,560 Speaker 1: I was like, I do it three times. When I'll 97 00:04:32,560 --> 00:04:35,479 Speaker 1: be writing you that check, like man, yeah, but in 98 00:04:35,520 --> 00:04:38,320 Speaker 1: the memo line, you would write for being a miserable 99 00:04:38,320 --> 00:04:41,200 Speaker 1: piece of yeah, like thank you for keeping me yeah 100 00:04:41,279 --> 00:04:44,599 Speaker 1: in my place? Yeah yeah, you know, I'd be like 101 00:04:44,600 --> 00:04:46,800 Speaker 1: I deserve this, you know, I deserved this pain being 102 00:04:46,800 --> 00:04:57,720 Speaker 1: around this pole. So anyway, uh food m ramp to 103 00:04:57,839 --> 00:04:59,919 Speaker 1: customer service. Who do I have the pleasure of speaking 104 00:05:00,000 --> 00:05:03,839 Speaker 1: it today? He is this creeper, I one of those 105 00:05:03,880 --> 00:05:07,320 Speaker 1: robots on me we call ours Carlos. But he's all 106 00:05:07,320 --> 00:05:10,239 Speaker 1: funked up right now. He can't stop ramming the washing 107 00:05:10,279 --> 00:05:13,200 Speaker 1: machine home. He's ramming it all crazy right now. Yeah, 108 00:05:14,240 --> 00:05:17,440 Speaker 1: like mom, and when ye like for a robot, it 109 00:05:17,480 --> 00:05:20,479 Speaker 1: doesn't even know. Well, he's pretty horny, but beyond that, 110 00:05:20,520 --> 00:05:22,680 Speaker 1: on me, I can't even dry my clothes. Hey, so 111 00:05:22,720 --> 00:05:24,920 Speaker 1: it's like a catch twenty two or whatever. They say. 112 00:05:24,960 --> 00:05:27,960 Speaker 1: I'm sorry to hear the Trevior problems with your unit. Hey, well, man, 113 00:05:28,160 --> 00:05:30,360 Speaker 1: I just gonna think it's his unit that's having a problem. 114 00:05:30,360 --> 00:05:32,160 Speaker 1: You know what I'm saying. I'll be up to troubleshoo 115 00:05:32,240 --> 00:05:34,080 Speaker 1: with you over the phone. I'm just gonna need you 116 00:05:34,120 --> 00:05:36,600 Speaker 1: to reach behind it and shut it off. Oh dang, 117 00:05:36,640 --> 00:05:40,040 Speaker 1: a rebold glad I called the professionals. Ay, all right, 118 00:05:40,240 --> 00:05:46,839 Speaker 1: hold up, alright, well, here's a switch right here. Hey, 119 00:05:46,839 --> 00:05:48,360 Speaker 1: so I can help me. Still ramming on me? It 120 00:05:48,360 --> 00:05:52,839 Speaker 1: won't stop. Okay, Let's try something else here. We won't 121 00:05:52,839 --> 00:05:54,840 Speaker 1: be able to reset the main frame on our end 122 00:05:54,880 --> 00:05:58,440 Speaker 1: until he nuts um In the back panel, you'll see 123 00:05:58,440 --> 00:06:01,159 Speaker 1: a green light. Can you read to me what that says? 124 00:06:02,640 --> 00:06:07,640 Speaker 1: Eighteen point two five? Great? Great? Okay, Now I need 125 00:06:07,720 --> 00:06:10,920 Speaker 1: you to look at the source compartment regulator. Okay, can 126 00:06:10,960 --> 00:06:13,200 Speaker 1: you read the last four digits starting with the X 127 00:06:13,240 --> 00:06:16,880 Speaker 1: two point zero zero b? Okay? I see right here? Uh? 128 00:06:16,960 --> 00:06:21,400 Speaker 1: Seven seven five one excellent lastie, just pulled back the 129 00:06:21,440 --> 00:06:23,960 Speaker 1: rear assembly and you'll see the C A D configurator. 130 00:06:24,279 --> 00:06:27,600 Speaker 1: I need you to decrease the parameters, okay, and I'll 131 00:06:27,640 --> 00:06:33,760 Speaker 1: match up the levels with the schematics in the manual. Okay. Next, okay, 132 00:06:34,000 --> 00:06:36,680 Speaker 1: do you have a vacuum nearby? Of course? Going on 133 00:06:36,800 --> 00:06:40,000 Speaker 1: right here? Okay, go ahead and turn that on. Go 134 00:06:40,160 --> 00:06:43,680 Speaker 1: around the house and turn on any appliance as you have. Okay, 135 00:06:43,720 --> 00:06:46,960 Speaker 1: could be a blender, microwave, or TV. Okay, Le'll just 136 00:06:47,000 --> 00:06:49,400 Speaker 1: turn them all on. Okay, all right, now here goes 137 00:06:49,400 --> 00:07:00,719 Speaker 1: out blendard. Okay, that microwave and that TV. Okay, got it? 138 00:07:00,720 --> 00:07:05,000 Speaker 1: Oh dagn hold me, oh dang, he's getting all excited 139 00:07:05,040 --> 00:07:11,520 Speaker 1: and marsh he drop get it, Carlos. This was about 140 00:07:11,520 --> 00:07:14,680 Speaker 1: the blood. He's about the blood cream. Okay, now now 141 00:07:14,720 --> 00:07:17,200 Speaker 1: we're talking. That should do the trick. We just need 142 00:07:17,240 --> 00:07:21,080 Speaker 1: to over stimulate the computer in order to reset the system. Okay, 143 00:07:21,400 --> 00:07:24,680 Speaker 1: all shoot, all get it. Carlos. He's like having like 144 00:07:24,680 --> 00:07:27,440 Speaker 1: a three summing or eight nab or some or ione. 145 00:07:27,760 --> 00:07:32,320 Speaker 1: It's like a plant's orgy on me. It loans like 146 00:07:32,480 --> 00:07:49,440 Speaker 1: general me, my homie in there, get down home. Boy. Okay, well, 147 00:07:49,480 --> 00:07:54,560 Speaker 1: it sounds like he's really getting after it there, because 148 00:07:54,560 --> 00:07:58,120 Speaker 1: summer third is about that. You did it. This was 149 00:07:58,200 --> 00:08:03,840 Speaker 1: a Carlos Carlos. Yeah, it was passed out. They just 150 00:08:03,840 --> 00:08:07,000 Speaker 1: bust it all crazy. All right, sounds like that's gonna 151 00:08:07,000 --> 00:08:09,200 Speaker 1: do it. Should be able to reset a signal to 152 00:08:09,240 --> 00:08:11,440 Speaker 1: remove Carlos stress levels and he'll be running back to 153 00:08:11,480 --> 00:08:15,120 Speaker 1: normal again. Okay, okay, now go ahead and try it 154 00:08:15,120 --> 00:08:23,560 Speaker 1: while I'll have you on the phone here. Okay, Hey Carlos, Carlos, Hey, 155 00:08:23,840 --> 00:08:26,000 Speaker 1: good morning on me. Hey, so I'm just good. You're 156 00:08:26,000 --> 00:08:27,400 Speaker 1: gonna have to clean up the mass say you made 157 00:08:27,400 --> 00:08:34,480 Speaker 1: a mess with your robot Balo or whatever a customer 158 00:08:34,559 --> 00:08:37,480 Speaker 1: service hold me, Hey, thanks for the help. Hey, I 159 00:08:37,480 --> 00:08:39,600 Speaker 1: guess it's true what they say, you know, like when 160 00:08:39,640 --> 00:08:41,439 Speaker 1: you're stressed out and that you know crazy, you might 161 00:08:41,440 --> 00:08:43,319 Speaker 1: just need to empty out your levels if you know 162 00:08:43,360 --> 00:08:45,120 Speaker 1: what I'm saying, you know, like bust a nut or whatever. 163 00:08:45,160 --> 00:08:48,920 Speaker 1: You Okay, no problem, creeper, You and Carlos enjoyed the 164 00:08:48,960 --> 00:08:51,680 Speaker 1: rest of your day. All right, thank you on me? Hey, 165 00:08:51,840 --> 00:08:55,120 Speaker 1: say thank you Carlos to the customer service. Thank you 166 00:08:55,200 --> 00:09:02,360 Speaker 1: customer service. All right, we're going on me. M m 167 00:09:02,559 --> 00:09:08,480 Speaker 1: h m whom we got that laugh before your soul 168 00:09:08,800 --> 00:09:11,520 Speaker 1: and now too then to the freaky you're on this show. 169 00:09:13,520 --> 00:09:15,800 Speaker 1: But yeah, homie, I remember you were on the road, 170 00:09:15,840 --> 00:09:18,040 Speaker 1: You're already starting to work on this fool, and you 171 00:09:18,040 --> 00:09:20,520 Speaker 1: were spitball me like what it was going. I was like, dang, 172 00:09:20,600 --> 00:09:23,000 Speaker 1: this is gonna be dope. And then it kind of grew, 173 00:09:23,200 --> 00:09:25,880 Speaker 1: you know with the homies, uh you know my Angle 174 00:09:25,920 --> 00:09:28,720 Speaker 1: brist and Pat Bishop, Jake Wiseman shout out to those fools. 175 00:09:29,320 --> 00:09:31,319 Speaker 1: And then Fred Armison stepped on. I remember you told 176 00:09:31,320 --> 00:09:34,480 Speaker 1: me you're like, hey, like Fred arms and step as 177 00:09:34,480 --> 00:09:36,920 Speaker 1: an executive producer. It was a really nice guy because 178 00:09:37,000 --> 00:09:39,440 Speaker 1: like super helpful when I went to like meetings with 179 00:09:39,559 --> 00:09:41,319 Speaker 1: us to go so to like pitch the show to 180 00:09:41,440 --> 00:09:44,439 Speaker 1: networks and stuff. Yeah, that was dope, man. And then 181 00:09:44,640 --> 00:09:50,200 Speaker 1: Jonathan Grab Yeah yeah he was he was cool man. Um. 182 00:09:50,240 --> 00:09:52,360 Speaker 1: But yeah, I remember always telling you like, because this 183 00:09:52,400 --> 00:09:54,560 Speaker 1: fool would always be like, you know, we'd be on 184 00:09:54,600 --> 00:09:56,560 Speaker 1: the road and he'd go he'd go right to the 185 00:09:56,640 --> 00:09:59,679 Speaker 1: hotel lobby. Um, you know because at the time we 186 00:09:59,679 --> 00:10:02,640 Speaker 1: were like her hotel room to room, so we're like 187 00:10:02,720 --> 00:10:05,360 Speaker 1: really just stuck with each other, always kicking it. Um. 188 00:10:05,440 --> 00:10:07,600 Speaker 1: But he'd go to the hotel be writing right right 189 00:10:07,600 --> 00:10:08,920 Speaker 1: and right after the show, you go right back to 190 00:10:08,920 --> 00:10:11,760 Speaker 1: the hotel room, writing, writing, writing, and then uh, and 191 00:10:11,800 --> 00:10:13,560 Speaker 1: I would always tell you, I'm like, damn, you're gonna 192 00:10:13,600 --> 00:10:15,000 Speaker 1: give me a job one day. Watch you get me 193 00:10:15,040 --> 00:10:17,280 Speaker 1: a job one day. And then then one day my 194 00:10:17,480 --> 00:10:20,560 Speaker 1: nightmare came through, and then I gave you a job. Yeah, 195 00:10:20,800 --> 00:10:24,760 Speaker 1: but then I was in your life, never getting rid 196 00:10:24,760 --> 00:10:30,320 Speaker 1: of this. But yeah, honestly, it was like a dream 197 00:10:30,320 --> 00:10:33,000 Speaker 1: come true to me because you know, our community needed 198 00:10:33,000 --> 00:10:35,760 Speaker 1: a show like this, and uh, you know, just like 199 00:10:35,800 --> 00:10:38,439 Speaker 1: you know, I'm a comedy fan person, just like if 200 00:10:38,720 --> 00:10:40,079 Speaker 1: even if I had nothing to do, And I always 201 00:10:40,080 --> 00:10:42,240 Speaker 1: tell you, like my familia, even my mom, like she's like, man, 202 00:10:42,679 --> 00:10:44,400 Speaker 1: even if you weren't in the show, I would love 203 00:10:44,400 --> 00:10:46,680 Speaker 1: it like that I does. She goes, she was texting 204 00:10:46,679 --> 00:10:49,360 Speaker 1: me all this crazy stuff like finally finally someone did it, 205 00:10:49,440 --> 00:10:51,760 Speaker 1: like you nailed it. He nailed it, like the authenticity 206 00:10:51,800 --> 00:10:54,600 Speaker 1: of it everything, and and uh, those were all things 207 00:10:54,640 --> 00:10:57,080 Speaker 1: that are important to me already. And then having you 208 00:10:57,160 --> 00:10:59,600 Speaker 1: there and then you know, and your sister even doing 209 00:10:59,640 --> 00:11:01,200 Speaker 1: the horn roll up like down to the t hold 210 00:11:01,200 --> 00:11:03,840 Speaker 1: me the details. It's like the words of the thing, 211 00:11:03,960 --> 00:11:06,960 Speaker 1: the language, everything on me. It was like, you know, 212 00:11:07,000 --> 00:11:09,440 Speaker 1: I just felt like I was right there, like that 213 00:11:09,520 --> 00:11:11,200 Speaker 1: show is familia to me, you know what I mean. 214 00:11:11,240 --> 00:11:13,200 Speaker 1: I was channeling all this thing. And then the character, 215 00:11:13,559 --> 00:11:16,040 Speaker 1: you know, Louisa, you know you created it was like 216 00:11:16,440 --> 00:11:19,120 Speaker 1: you know what they envisioned to be, you know, you 217 00:11:19,160 --> 00:11:22,360 Speaker 1: guys envisioned to be a different a bigger, like tougher, 218 00:11:22,440 --> 00:11:25,240 Speaker 1: more obvious, like you know, more on the nose kind 219 00:11:25,240 --> 00:11:27,439 Speaker 1: of depiction. And then when we couldn't find that person, 220 00:11:27,480 --> 00:11:30,600 Speaker 1: and then when we auditioned you, I was like hoping, 221 00:11:30,760 --> 00:11:33,840 Speaker 1: praying that you wouldn't be right for it, and then 222 00:11:33,960 --> 00:11:35,600 Speaker 1: when I saw you were right for it, I went, 223 00:11:36,120 --> 00:11:40,400 Speaker 1: goddamn it, now I have to hire this fool. And 224 00:11:40,400 --> 00:11:46,600 Speaker 1: then I set the nightmare continuence. Yeah yeah, well but yeah, 225 00:11:46,679 --> 00:11:48,880 Speaker 1: and then you you auditioned for it, and you were 226 00:11:48,920 --> 00:11:51,640 Speaker 1: just so funny and it felt like reverse Friday, like uh, 227 00:11:52,360 --> 00:11:54,520 Speaker 1: like I was the ice Cube character and you're Chris Stucker. 228 00:11:55,080 --> 00:11:58,840 Speaker 1: All right, yeah, and when it was funny too. I 229 00:11:58,880 --> 00:12:00,880 Speaker 1: love that how the I said, the cast and crew 230 00:12:00,960 --> 00:12:04,080 Speaker 1: they saw that hard relationship is very similar in real 231 00:12:04,120 --> 00:12:05,880 Speaker 1: life to what it is on camera. I think that's 232 00:12:05,880 --> 00:12:08,200 Speaker 1: what helps us something each other. Yeah, We're always talking 233 00:12:08,480 --> 00:12:10,360 Speaker 1: to each other and were like always making fun of 234 00:12:10,360 --> 00:12:14,080 Speaker 1: each other, always making jokes. Yeah yeah, just just all that, 235 00:12:14,160 --> 00:12:16,599 Speaker 1: just talky popas all day to each other. Like I 236 00:12:16,600 --> 00:12:19,760 Speaker 1: remember our airplanes would just be talking ship, talky ship. 237 00:12:19,840 --> 00:12:23,120 Speaker 1: That's how we would get through, yeah whatever, just like flights, 238 00:12:23,160 --> 00:12:25,000 Speaker 1: you gotta talk to you to each other. And then 239 00:12:25,000 --> 00:12:30,240 Speaker 1: we were tak a nap wick up like yeah, call 240 00:12:30,320 --> 00:12:33,480 Speaker 1: my lady, tell her I hate Frankie's ruining my life. 241 00:12:33,679 --> 00:12:36,839 Speaker 1: Things like that. Oh yeah, yeah, you know, I kept 242 00:12:36,880 --> 00:12:38,520 Speaker 1: having to read for the part. And then you you know, 243 00:12:38,800 --> 00:12:41,520 Speaker 1: you fought for me because you were like you saw it. Yeah, 244 00:12:41,640 --> 00:12:43,120 Speaker 1: I mean I know I saw it, but it wasn't 245 00:12:43,120 --> 00:12:44,640 Speaker 1: my place to be like hey, like you know, I'm 246 00:12:44,679 --> 00:12:47,240 Speaker 1: not a cocky photo be like, but you you saw it, 247 00:12:47,240 --> 00:12:48,560 Speaker 1: and I saw it, and you were like you went 248 00:12:48,600 --> 00:12:50,880 Speaker 1: to bad for me, and you and another homie, and 249 00:12:50,880 --> 00:12:53,600 Speaker 1: then eventually other people are like I started seeing it, 250 00:12:54,280 --> 00:12:55,800 Speaker 1: but it was all because of you, homie, and then 251 00:12:56,559 --> 00:12:58,880 Speaker 1: what came out, and I mean even though it was 252 00:12:58,960 --> 00:13:01,480 Speaker 1: very regret of my like yeah, yeah, but we're not really, 253 00:13:03,720 --> 00:13:06,200 Speaker 1: But I remember I was like, damn when we remember 254 00:13:06,640 --> 00:13:07,960 Speaker 1: I said, one day you're gonna give you a job. 255 00:13:08,040 --> 00:13:09,920 Speaker 1: Then here we are, and you're kind of like, you know, 256 00:13:09,920 --> 00:13:11,960 Speaker 1: I'm kind of lightweight my boss on the set, you know, 257 00:13:12,040 --> 00:13:13,880 Speaker 1: and I'll be like when just when they put me 258 00:13:13,920 --> 00:13:15,800 Speaker 1: in the dinosaur costume, you know, I'm like, I'm like 259 00:13:15,840 --> 00:13:17,880 Speaker 1: putting out a dinosaur costume, but I'm looking at you, like, 260 00:13:18,080 --> 00:13:20,160 Speaker 1: all right, anything for you on me? Yeah, you know, 261 00:13:20,320 --> 00:13:23,240 Speaker 1: like and I was sweating by eyes off it there 262 00:13:23,280 --> 00:13:24,960 Speaker 1: with the ice pack around, I think, and all that. 263 00:13:25,000 --> 00:13:27,240 Speaker 1: But I love that episode. Oh man, so but the 264 00:13:27,280 --> 00:13:32,120 Speaker 1: finished product came out so funny. Man. Yeah, but we're 265 00:13:32,160 --> 00:13:35,800 Speaker 1: gonna put you in more suits more like next year. 266 00:13:35,840 --> 00:13:38,200 Speaker 1: It's not going to be another dinosaurs suit and a 267 00:13:38,200 --> 00:13:40,400 Speaker 1: lot more suits, yeah, a lot more sap I think 268 00:13:40,400 --> 00:13:42,920 Speaker 1: we already. I don't know we need more suits, more 269 00:13:42,920 --> 00:13:45,920 Speaker 1: dinosaurs suits. People a little bit. People said, we've got 270 00:13:45,960 --> 00:13:47,920 Speaker 1: a lot of messages saying like, oh, we would love 271 00:13:47,960 --> 00:13:51,800 Speaker 1: to see him and like and a lot more dinosaur 272 00:13:51,880 --> 00:13:54,800 Speaker 1: suits and like different episodes. And I said, whatever the 273 00:13:54,800 --> 00:13:58,440 Speaker 1: people want, na, But but you know, people, we could 274 00:13:58,440 --> 00:14:00,680 Speaker 1: probably do some other stuff. But the people want it, 275 00:14:01,600 --> 00:14:03,320 Speaker 1: you know, and you and you love the people. You're 276 00:14:03,320 --> 00:14:05,240 Speaker 1: always like um for the people and this and that. 277 00:14:05,360 --> 00:14:08,120 Speaker 1: So yeah, but the people don't understand it. I don't 278 00:14:08,120 --> 00:14:10,160 Speaker 1: need to be sweating my mask off and a dinosaur 279 00:14:10,200 --> 00:14:13,040 Speaker 1: suit everything they sent us message just though, So we're 280 00:14:13,080 --> 00:14:16,520 Speaker 1: doing it. It'll be funny. He loves the people, he 281 00:14:16,559 --> 00:14:20,040 Speaker 1: always says, I do it, but yeah, not you so much. 282 00:14:20,080 --> 00:14:23,640 Speaker 1: But yeah, not me, but the people. You love them? 283 00:14:23,680 --> 00:14:25,080 Speaker 1: All right, you heard it here first on me. You 284 00:14:25,160 --> 00:14:27,440 Speaker 1: see me in a suit the next season there. You 285 00:14:27,480 --> 00:14:29,800 Speaker 1: know that you came from this for it. Yeah, if 286 00:14:29,800 --> 00:14:33,000 Speaker 1: you die of a heat stroke, they would blame us. Okay, 287 00:14:33,120 --> 00:14:35,600 Speaker 1: yeah you won't. That wouldn't affect you though. You'd be like, hey, 288 00:14:35,640 --> 00:14:37,880 Speaker 1: if it happens, you know, he signed up for it, 289 00:14:38,200 --> 00:14:39,840 Speaker 1: you know, I go if you want it. If you 290 00:14:39,880 --> 00:14:44,160 Speaker 1: wanted to do this, I'd be like the nightmares over 291 00:14:46,720 --> 00:15:02,240 Speaker 1: assholes you know that time? Yeah you do? Wow, you 292 00:15:02,400 --> 00:15:07,080 Speaker 1: get over look, get over me. Hermo sa Bonita. The 293 00:15:07,160 --> 00:15:09,960 Speaker 1: wish she looks, the wish she moves while representing for 294 00:15:10,040 --> 00:15:14,520 Speaker 1: the people. The way you dance surround the place makes 295 00:15:14,560 --> 00:15:18,120 Speaker 1: me say, oh wow, I like this. I like this, 296 00:15:18,480 --> 00:15:22,680 Speaker 1: so I said hello, how you're doing? And you say, oh, 297 00:15:22,720 --> 00:15:25,560 Speaker 1: I know you. I said, oh really, she said yeah. 298 00:15:25,720 --> 00:15:29,160 Speaker 1: Then I said, oh oh, it's the life of slam. 299 00:15:29,320 --> 00:15:55,080 Speaker 1: No campo lookt over look get over Hermo Sabonita, the 300 00:15:55,160 --> 00:15:57,960 Speaker 1: wish she looks, the wish she moves while representing for 301 00:15:58,080 --> 00:16:10,680 Speaker 1: the people. Che Solment will come. We got that nactor 302 00:16:10,800 --> 00:16:13,520 Speaker 1: for your soul and now too the into the Frankie 303 00:16:13,560 --> 00:16:18,040 Speaker 1: king you on this show. Mm um um um um 304 00:16:18,520 --> 00:16:23,880 Speaker 1: m whom day, what's up? Everybody's Rudy Rodrigue this year 305 00:16:23,960 --> 00:16:28,040 Speaker 1: speaking on behalf of Music Mayhem Warehouse this weekend and 306 00:16:28,120 --> 00:16:31,240 Speaker 1: this weekend only, come on down the Music Mayhem Warehouse. 307 00:16:31,400 --> 00:16:33,760 Speaker 1: We've got so many good deals that you be illegal. 308 00:16:35,640 --> 00:16:39,440 Speaker 1: We've got all Wander six string acoustic by the zaying 309 00:16:39,880 --> 00:16:45,320 Speaker 1: ourselves from the ninety nine dollars, or how about the 310 00:16:45,360 --> 00:16:49,560 Speaker 1: brand your electric guitar by Divil for only one twenty 311 00:16:49,680 --> 00:16:56,160 Speaker 1: nine nine nine. It's a still You've got morning nine 312 00:16:56,200 --> 00:17:01,000 Speaker 1: dollars piplos from Wine birl d Man Ingenuity in that 313 00:17:01,200 --> 00:17:06,360 Speaker 1: classic sound you know it's a Winberg introducing our door 314 00:17:06,480 --> 00:17:09,680 Speaker 1: Bustle sale of the season on brand new sitars by 315 00:17:09,720 --> 00:17:13,200 Speaker 1: the Number one sitar manufacturing the world. Yeah, you guessed it, 316 00:17:13,520 --> 00:17:22,320 Speaker 1: Johnny Cooper. Yeah, brother, that's a Johnny Coop do all right, 317 00:17:23,320 --> 00:17:31,240 Speaker 1: take me there, Johnny, take me home baby. Yeah. As surprise, surprise, 318 00:17:31,400 --> 00:17:35,280 Speaker 1: you have twenty five them in edition Heroes signed by 319 00:17:35,320 --> 00:17:41,160 Speaker 1: the one and only Solomon Old Couple, only twenty five 320 00:17:41,200 --> 00:17:44,680 Speaker 1: of them and for the low low price of four thousand, 321 00:17:44,800 --> 00:17:49,840 Speaker 1: nine hundred and ninety nine dollars. It's come on down 322 00:17:49,840 --> 00:17:52,800 Speaker 1: to this fan warehouse for our biggest sales on instruments 323 00:17:52,840 --> 00:17:57,600 Speaker 1: with prices solo. We must be insane. God bless our 324 00:17:57,680 --> 00:18:03,159 Speaker 1: fishing wildlife bums now. But it was it was so 325 00:18:03,240 --> 00:18:07,639 Speaker 1: cool man like doing the doing the show. Uh it was, 326 00:18:07,800 --> 00:18:09,560 Speaker 1: I mean it was long days and all that, and 327 00:18:09,840 --> 00:18:12,760 Speaker 1: I know I was like twelve thirteen hour days. Were 328 00:18:12,800 --> 00:18:14,959 Speaker 1: there every day, you know, I remember, you know they 329 00:18:14,960 --> 00:18:17,040 Speaker 1: would they would always have to put the black couples 330 00:18:17,040 --> 00:18:19,280 Speaker 1: on me, the tattoos every morning. So a lot of 331 00:18:19,320 --> 00:18:22,240 Speaker 1: times my call times would be four thirty five am 332 00:18:22,320 --> 00:18:24,160 Speaker 1: and they're just because they have to put the tattoos 333 00:18:24,160 --> 00:18:27,480 Speaker 1: on me and you know, do the makeup and all that. Um. 334 00:18:27,640 --> 00:18:29,040 Speaker 1: So I remember it was just like we had no 335 00:18:29,160 --> 00:18:30,919 Speaker 1: life like that was our life. It was just like 336 00:18:31,240 --> 00:18:33,520 Speaker 1: every day, every day home. They were like three to 337 00:18:33,640 --> 00:18:35,920 Speaker 1: four months. Yeah, like it just over three months for me. 338 00:18:36,200 --> 00:18:38,240 Speaker 1: And then uh, and then you were going through a 339 00:18:38,280 --> 00:18:40,360 Speaker 1: lot of stuff at the time, and I was just like, man, 340 00:18:40,440 --> 00:18:43,280 Speaker 1: I just remember being, um, I hate telling you this 341 00:18:43,320 --> 00:18:45,960 Speaker 1: because I know you don't really like you're not about positive. 342 00:18:46,000 --> 00:18:47,240 Speaker 1: I was really but I was really proud of you, 343 00:18:47,359 --> 00:18:48,560 Speaker 1: you know what I mean. I was just like as 344 00:18:48,600 --> 00:18:52,080 Speaker 1: a homie, as just like a fellow comedian. I was like, man, 345 00:18:52,119 --> 00:18:55,280 Speaker 1: I both did it, you know, and just like, uh, 346 00:18:55,400 --> 00:18:57,919 Speaker 1: you know, you're like, you know, like one of the 347 00:18:57,960 --> 00:19:01,320 Speaker 1: realest schools that I know, and and um, you know, 348 00:19:01,359 --> 00:19:03,720 Speaker 1: and you're like first generation, like your your mom is 349 00:19:04,000 --> 00:19:06,080 Speaker 1: your mom, and your parents are straight from there's like 350 00:19:06,119 --> 00:19:09,200 Speaker 1: my hour Elitos from you know, Sycatecas. Your mom is 351 00:19:09,520 --> 00:19:12,480 Speaker 1: from Psycho, you know, from the same same region a Maybo, 352 00:19:12,560 --> 00:19:15,440 Speaker 1: which is families from Mexico. My parents moved here in 353 00:19:15,560 --> 00:19:19,720 Speaker 1: the eighties. Yeah, so man, it was just so cool 354 00:19:19,760 --> 00:19:21,840 Speaker 1: to see see that happen for you. And then uh, 355 00:19:22,040 --> 00:19:24,359 Speaker 1: and then your mom retired while we were still filming 356 00:19:24,400 --> 00:19:28,600 Speaker 1: you retired. She was retired from a janitor. That episode 357 00:19:29,200 --> 00:19:33,560 Speaker 1: six called Los Botas where the mom character steals toilet 358 00:19:33,560 --> 00:19:39,320 Speaker 1: paper from work was baked off of my s mom 359 00:19:39,400 --> 00:19:41,960 Speaker 1: used to bring home totlet toilet paper from her job, 360 00:19:42,119 --> 00:19:44,920 Speaker 1: which was the worst, big toilet paper that didn't even 361 00:19:44,960 --> 00:19:49,159 Speaker 1: fit on the wall, the big odustrial roll, the worst. 362 00:19:51,440 --> 00:19:53,239 Speaker 1: I know. Like a lot of people tell me, they're like, hey, 363 00:19:53,280 --> 00:19:55,320 Speaker 1: Los what is that's my favorite episode? Some people tell 364 00:19:55,320 --> 00:19:57,119 Speaker 1: me that's her favorite episode, and I'm like, hey, you know, 365 00:19:57,480 --> 00:19:59,760 Speaker 1: Chris's mom was really a janitor because I love that 366 00:19:59,760 --> 00:20:03,320 Speaker 1: that opening scene and the music, everything is oh man, 367 00:20:03,320 --> 00:20:06,399 Speaker 1: it's so gangster, just her in the cut like nobody 368 00:20:06,440 --> 00:20:10,040 Speaker 1: noticed and just thinking all the cans cleaning and then 369 00:20:10,119 --> 00:20:13,720 Speaker 1: steal the toilet paper, stay flurs all that if you 370 00:20:13,840 --> 00:20:17,320 Speaker 1: just know it, you know, have you known your family 371 00:20:17,320 --> 00:20:20,240 Speaker 1: and all that, And then just like watching that episode 372 00:20:20,240 --> 00:20:22,520 Speaker 1: of like, oh that it's so dupe. Probably is so 373 00:20:22,680 --> 00:20:24,600 Speaker 1: because it's comes from a real place, and I think 374 00:20:24,600 --> 00:20:26,440 Speaker 1: that's why it's resonating with so many people. So it's 375 00:20:26,480 --> 00:20:28,879 Speaker 1: just like a lot of people the show's authentic, and 376 00:20:28,920 --> 00:20:32,199 Speaker 1: it's like and then we're always talking ship to each 377 00:20:32,200 --> 00:20:35,480 Speaker 1: other in real life, so that translated our chemistry translated 378 00:20:35,520 --> 00:20:37,040 Speaker 1: to the on camera. You know, it just worked out 379 00:20:37,040 --> 00:20:39,479 Speaker 1: and it was just like bam, only let's go like 380 00:20:39,680 --> 00:20:44,560 Speaker 1: and so from getting each other into headlocks before cameras. Yeah, yeah, 381 00:20:45,440 --> 00:20:48,800 Speaker 1: when the cameras were started, man, because being on the road, 382 00:20:48,840 --> 00:20:52,080 Speaker 1: like we'll be going city to city, like you know, 383 00:20:52,080 --> 00:20:53,919 Speaker 1: in the budget, we had to share a room, like 384 00:20:53,960 --> 00:20:55,960 Speaker 1: you know, we're sharing a room and you know, when 385 00:20:55,960 --> 00:20:59,160 Speaker 1: you're just in somebody's tight space like that all the time, 386 00:20:59,200 --> 00:21:01,000 Speaker 1: like we would really we were never going to get 387 00:21:01,000 --> 00:21:02,360 Speaker 1: in a fight, but we were just just to get 388 00:21:02,400 --> 00:21:06,159 Speaker 1: that out and then just like get on each other's nerves. 389 00:21:06,720 --> 00:21:08,239 Speaker 1: Then we would get like two or three days off 390 00:21:08,240 --> 00:21:09,840 Speaker 1: from each other during the week and then it's like, hey, 391 00:21:09,840 --> 00:21:11,800 Speaker 1: it's Thursday night and we gotta go to the next place. 392 00:21:11,840 --> 00:21:17,000 Speaker 1: We'll see Frankie again America. And then it was going 393 00:21:17,080 --> 00:21:19,360 Speaker 1: to making the show and do it Spady twalk two 394 00:21:19,400 --> 00:21:27,400 Speaker 1: hours a day again. Positive I'm dead in Fine, uh 395 00:21:27,440 --> 00:21:31,600 Speaker 1: but yeah for those listening and watching, please tune in, 396 00:21:31,720 --> 00:21:36,080 Speaker 1: please share this fool episodes not streaming out Hulu. Hopefully 397 00:21:36,119 --> 00:21:38,920 Speaker 1: we get a season two. Yeah, hopefully by the time 398 00:21:38,960 --> 00:21:43,000 Speaker 1: this episode, as we're already announced the second season. But yeah, 399 00:21:43,040 --> 00:21:44,840 Speaker 1: we'll see about that. So what's coming up for you 400 00:21:44,880 --> 00:21:48,359 Speaker 1: other than uh, you know, working on the second season 401 00:21:48,359 --> 00:21:50,560 Speaker 1: of the show, just doing stand up, going back to 402 00:21:50,640 --> 00:21:52,919 Speaker 1: stand up. I never stopped doing stand up. I love it, 403 00:21:53,119 --> 00:21:55,680 Speaker 1: And so working on stand up and making sure that 404 00:21:56,520 --> 00:22:01,159 Speaker 1: I'm writing new material and then I'm performing off and yeah, yeah, man, 405 00:22:01,200 --> 00:22:02,720 Speaker 1: it was crazy. We were so busy with the show 406 00:22:02,760 --> 00:22:05,000 Speaker 1: that it was like, you know, the stand up kind 407 00:22:05,000 --> 00:22:06,440 Speaker 1: of took a back seat for a while, just a 408 00:22:06,480 --> 00:22:08,520 Speaker 1: little bit, just for like maybe two or three months. 409 00:22:08,560 --> 00:22:11,760 Speaker 1: But then it was unhappy to be doing stand up. Yeah, yeah, 410 00:22:11,800 --> 00:22:13,800 Speaker 1: me too, homie. And it was like, you said, you 411 00:22:14,000 --> 00:22:15,920 Speaker 1: working on that new material because I had so much 412 00:22:16,320 --> 00:22:18,879 Speaker 1: stuff from being on lockdown in the pandemic and now 413 00:22:18,880 --> 00:22:20,840 Speaker 1: I'm getting tired of those strokes. I'm like, even though 414 00:22:20,880 --> 00:22:23,359 Speaker 1: i haven't put them on camera, or I'm like, I'm like, 415 00:22:23,359 --> 00:22:25,720 Speaker 1: oh man, just feeling I want I want something fresh, 416 00:22:25,800 --> 00:22:29,040 Speaker 1: something new. Yeah, So, you know, been working on that. 417 00:22:29,119 --> 00:22:31,320 Speaker 1: And it's just cool that when people discover that we 418 00:22:31,480 --> 00:22:33,080 Speaker 1: that we are stand ups and that's how we started, 419 00:22:33,119 --> 00:22:35,760 Speaker 1: that's how we met each other and all that, because 420 00:22:35,840 --> 00:22:39,280 Speaker 1: even when you know, even when like to went borrow 421 00:22:39,320 --> 00:22:40,959 Speaker 1: all that and I was doing shows, people were like 422 00:22:41,000 --> 00:22:42,840 Speaker 1: not knowing what to expect, and They're like, oh, shoot, 423 00:22:42,920 --> 00:22:44,800 Speaker 1: this one does stand up and I'm like, yeah, only 424 00:22:44,840 --> 00:22:47,680 Speaker 1: like been doing it. Yeah, it's been it's been sick. 425 00:22:47,800 --> 00:22:49,480 Speaker 1: This is sixteen years this year for me since I 426 00:22:49,480 --> 00:22:51,359 Speaker 1: started doing stand up. And then I know you've been 427 00:22:51,359 --> 00:22:54,399 Speaker 1: doing it a long time too, and so eight nine years, 428 00:22:54,480 --> 00:22:57,280 Speaker 1: eight and nine years. Yeah, yeah, it's been a while. 429 00:22:57,320 --> 00:22:59,080 Speaker 1: And you're kind of like even when I met you, man, 430 00:22:59,119 --> 00:23:01,119 Speaker 1: you've always been like like an old soul, like a 431 00:23:01,160 --> 00:23:03,800 Speaker 1: student of the game, you know, like and you are 432 00:23:03,880 --> 00:23:06,200 Speaker 1: like that, You're always reading something about you know, punk 433 00:23:06,280 --> 00:23:09,400 Speaker 1: rock culture or or you know, just and then you'll share, 434 00:23:09,520 --> 00:23:11,600 Speaker 1: you'll share a little tidbits with me, and I'm like, dang, 435 00:23:11,960 --> 00:23:14,080 Speaker 1: like this school knows us up, you know. Yeah, so 436 00:23:14,320 --> 00:23:17,760 Speaker 1: yeah anything that. Yeah, I just love keeping up with ship. 437 00:23:17,800 --> 00:23:20,880 Speaker 1: But also just like you know, figuring out new material 438 00:23:20,960 --> 00:23:23,320 Speaker 1: for stand up and stuff like that, writing new stand up. 439 00:23:23,400 --> 00:23:26,320 Speaker 1: That's that's what really gets me excited. Yeah, damn, I 440 00:23:26,359 --> 00:23:28,520 Speaker 1: just can't believe I've known you almost ten years now. Yeah, 441 00:23:29,520 --> 00:23:33,480 Speaker 1: that's crazy. I can't believe we're still keep it as 442 00:23:33,520 --> 00:23:36,760 Speaker 1: much as like how different we're like you're just hey, 443 00:23:36,800 --> 00:23:40,800 Speaker 1: the world whatever. And then you're all like, I like people. 444 00:23:41,400 --> 00:23:45,520 Speaker 1: That's not how I talk. A told me what I don't. 445 00:23:46,480 --> 00:23:50,600 Speaker 1: That's more you that you're like my face like one love, 446 00:23:50,720 --> 00:23:54,119 Speaker 1: one lovey about that one love. Yes, you're not like that. 447 00:23:54,640 --> 00:23:58,000 Speaker 1: I don't like that. Not everybody's cool. Yeah, some people 448 00:23:58,000 --> 00:24:00,800 Speaker 1: are cool and some yeah yeah, no, I know that. 449 00:24:00,880 --> 00:24:03,120 Speaker 1: But you don't like that. You're all like, well, one love, 450 00:24:05,160 --> 00:24:08,200 Speaker 1: bad days don't exist. I don't know. I'm realistic. I 451 00:24:08,240 --> 00:24:09,600 Speaker 1: don't say like that. I mean I have to kick 452 00:24:09,640 --> 00:24:11,879 Speaker 1: it with you a lot of days. So but I 453 00:24:11,880 --> 00:24:15,320 Speaker 1: bring you back to reality. Yeah yeah, all right, yeah, 454 00:24:15,560 --> 00:24:17,760 Speaker 1: like a rainy day or whatever, cloudy day, all right. 455 00:24:18,160 --> 00:24:20,720 Speaker 1: And like I said, I'm excited for people to see 456 00:24:20,720 --> 00:24:22,960 Speaker 1: you do stand up. And you've got some I know 457 00:24:22,960 --> 00:24:25,560 Speaker 1: you've got some dates coming up. You've got one in Miami, right, Yeah, 458 00:24:25,600 --> 00:24:28,320 Speaker 1: I'm playing the Miami in prob October twenty nine and 459 00:24:28,400 --> 00:24:32,440 Speaker 1: thirty a Saturday and Sunday, October ninety. Yeah, be out 460 00:24:32,440 --> 00:24:35,080 Speaker 1: there with comedian Mike Menendez was a really funny comment. 461 00:24:35,359 --> 00:24:38,879 Speaker 1: Cool cool, alright, So Miami, get your tickets before they're gone, homie. 462 00:24:39,200 --> 00:24:42,359 Speaker 1: And then uh yeah, I'll be in uh Vegas October 463 00:24:42,880 --> 00:24:45,680 Speaker 1: twenty one and twenty second at the Tropicana at the 464 00:24:45,720 --> 00:24:48,640 Speaker 1: Laugh Factory out there, so Vegas. Hope, hopefully I'll see 465 00:24:48,640 --> 00:24:52,920 Speaker 1: you there. Um yeah, Homie, thanks for coming through, kicking in. Thanks, 466 00:24:53,320 --> 00:24:56,760 Speaker 1: Thanks for being a good homie, you know, balancing me 467 00:24:56,760 --> 00:25:00,800 Speaker 1: out with your negative vibes. Yeah on me. I'm always 468 00:25:00,840 --> 00:25:02,960 Speaker 1: rooting for you. I'm so proud of you, and I'm 469 00:25:03,000 --> 00:25:05,880 Speaker 1: excited to keep killing it with you. And all right enough, 470 00:25:07,800 --> 00:25:11,720 Speaker 1: stay miserable everyone, you don't read that positive ship point. 471 00:25:13,040 --> 00:25:24,679 Speaker 1: All right, y'all, thanks for tuning in. Much love, che 472 00:25:25,760 --> 00:25:28,400 Speaker 1: sent there for tuning into another episode of The Frankie 473 00:25:28,480 --> 00:25:31,080 Speaker 1: in your next show. For sending by Will Ferrell's Big 474 00:25:31,080 --> 00:25:34,600 Speaker 1: Funny Players Network. Shout out to the homies Haigns Olivia, 475 00:25:35,040 --> 00:25:38,719 Speaker 1: Nick the Homie earned dog here in the studio, James Fritz, 476 00:25:38,800 --> 00:25:43,520 Speaker 1: Kevin Kamia, Bobby d J Buzz, the legendary soul assassins 477 00:25:43,560 --> 00:25:46,040 Speaker 1: by me. You know how we do, Homie. Thank you 478 00:25:46,080 --> 00:25:48,200 Speaker 1: for giving it. I saw an opportunity on the get 479 00:25:48,280 --> 00:25:50,119 Speaker 1: down and if you get a chance, told me it's 480 00:25:50,119 --> 00:25:53,080 Speaker 1: go ahead and rank and review the podcast or continue 481 00:25:53,119 --> 00:25:55,679 Speaker 1: living your life. We'll see you on the next episode 482 00:25:55,920 --> 00:25:58,920 Speaker 1: of The Frankie Next Show. That's what's soft right there. 483 00:26:00,080 --> 00:26:00,560 Speaker 1: Sixteen