WEBVTT - I Am All In…Again: She’s Going to Have the First Cup of Tea (Season 3 E5 “Eight O’Clock at the Oasis”)

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<v Speaker 1>I am all in again.

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<v Speaker 2>I am all in again with Scott Patterson and iHeartRadio Podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in Podcast one

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<v Speaker 1>eleven productions, iHeartRadio Media, iHeart Podcast and with our special guest,

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<v Speaker 1>Colin Egglesfield. He's someone you might recognize from All My Children,

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<v Speaker 1>melrose Place, a little film called Something balld in a

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<v Speaker 1>guest role in Gilmore Girls Season four. Welcome Colin. How

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<v Speaker 1>are you doing? Pal?

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<v Speaker 3>I'm doing well, Scott. Good to see you.

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<v Speaker 1>Good, good good. Emily and Laurel I and Peyton? What

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<v Speaker 1>are we think in here? Emily invites Laurel I to

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<v Speaker 1>an auction for her society, Matrons League and Antiques. Shell

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<v Speaker 1>wants to go. There's an auction, there's all kinds of

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<v Speaker 1>things happening. John Hamm shows up. It's total in Sanity's

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<v Speaker 1>drinking wine. I didn't know John Hamm was a wine

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<v Speaker 1>drinker that that early in his career. So she meets

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<v Speaker 1>Peyton at Emily's event. Should she have been more cautious

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<v Speaker 1>about pursuing this turkey? He turns out to be a

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<v Speaker 1>real dud? Was this a careless oversight? Colin? In your estimation? Please?

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<v Speaker 4>No?

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<v Speaker 3>Come on, it's John Ham, dude, Like, why would you

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<v Speaker 3>How could you say no to John Ham?

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<v Speaker 1>It was a huge day. No, you just say they.

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<v Speaker 3>Madmen and Don Draper. So it's cool to see him

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<v Speaker 3>in early version of him before he got his big break.

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<v Speaker 3>But no, man, how could you say no to to

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<v Speaker 3>to charming Peyton slash John Ham?

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<v Speaker 1>I was named Peyton? What Peyton Sheridan Peyton Shell? Peyton

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<v Speaker 1>wasn't I can't remember something Peyton Sherwood yeacked at anyway, Uh.

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<v Speaker 3>I don't believe her though, I from how he met

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<v Speaker 3>her at the bar. I mean he's got his jet,

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<v Speaker 3>invited her to David Bowie. I mean, I I have

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<v Speaker 3>a sneaking suspicion that he wasn't the drip that she

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<v Speaker 3>made him sound out to be.

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<v Speaker 1>I think you think he tanked it on purpose because

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<v Speaker 1>he didn't want to see her again.

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<v Speaker 3>I don't know. Maybe it was because she talked so fast.

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<v Speaker 1>I mean, that's sacrilegious, really to say something like that.

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<v Speaker 1>You better be careful, man. I know, no, but you

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<v Speaker 1>know it's a it's a it's a possibility. But I

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<v Speaker 1>think I think by the way she look they just

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<v Speaker 1>they didn't connect. I kind of believed her.

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<v Speaker 3>Yeah, I mean she she has so much charisma. She

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<v Speaker 3>is more of a I mean, how can you not

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<v Speaker 3>fall in love with Loralai? Obviously she's got she's charming,

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<v Speaker 3>she's beautiful, she's she's witty, she's cute, endearing, and I

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<v Speaker 3>could see where Peyton probably being a little more of

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<v Speaker 3>a upper crust kind of a stiff where it wouldn't

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<v Speaker 3>necessarily work out. But here's the thing, you know, there's

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<v Speaker 3>the physical attraction. So obviously they look good together. And

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<v Speaker 3>I think this is what happens in relationships, where you

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<v Speaker 3>physically fall for someone and you kind of overlook some

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<v Speaker 3>of the things that maybe are red flags in the beginning,

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<v Speaker 3>but because you're so attracted to them, you overlook them,

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<v Speaker 3>and then before you know it, you're in a relationship

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<v Speaker 3>physically and not speaking from experience or anything, and you're like,

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<v Speaker 3>you wake up one day and you're like, maybe I

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<v Speaker 3>really don't know this person as well as I thought

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<v Speaker 3>I did. Even though they are beautiful and I'm attracted

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<v Speaker 3>to them, some of the things that are coming out

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<v Speaker 3>of their mouth are not so attractive.

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<v Speaker 1>You know what. She was just too smart for him.

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<v Speaker 1>He couldn't care. Probably all right, So Laura I cantinues

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<v Speaker 1>to fight for her independence from Emily and Richard's world.

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<v Speaker 1>Do you think this reassures why she separates herself from

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<v Speaker 1>their community?

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<v Speaker 3>You know it was. The episode raised a really good point,

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<v Speaker 3>and I really liked the way that Loralai brought up that, look, mom, dad,

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<v Speaker 3>it's nothing that I'm doing intentionally to hurt you guys.

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<v Speaker 3>I'm just I went on a date, Like why are

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<v Speaker 3>you putting all of your baggage onto me? And I

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<v Speaker 3>think that's a very common thing where parents have maybe

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<v Speaker 3>certain expectations about what we do and what they think.

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<v Speaker 1>We should be doing.

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<v Speaker 3>But I honestly I thought it was I mean, I

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<v Speaker 3>could see both ways. I think it was unfair that

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<v Speaker 3>they put that kind of onus on Lauraai when she

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<v Speaker 3>was just trying to go on a date. But I

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<v Speaker 3>could also see in certain circles where there's a protocol,

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<v Speaker 3>like her father said. And what I did like about

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<v Speaker 3>what her father said was your mother drinks gets her

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<v Speaker 3>tea first, and she's used to getting her tea first.

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<v Speaker 3>And I don't understand her world. You may not understand

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<v Speaker 3>her world, but because she's my wife, I am damn

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<v Speaker 3>well going to make sure that my wife gets her

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<v Speaker 3>tea first, And I think that is what maybe is

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<v Speaker 3>missing in a lot of relationships.

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<v Speaker 1>Do you think Laura Lean was being selfish by not

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<v Speaker 1>considering Emily in the first place.

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<v Speaker 3>I think her parents should have have talked to her

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<v Speaker 3>at dinner when she first asks for the phone number.

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<v Speaker 3>I think her mom should have said, by the way,

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<v Speaker 3>if you do go out with him, please keep this

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<v Speaker 3>in mind that his mom is in my social circle,

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<v Speaker 3>and so please, whatever you do, just be polite and

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<v Speaker 3>know that if if anything go sideways or whatever, this

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<v Speaker 3>may have a detrimental effect. Yeah.

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<v Speaker 1>But wouldn't Laura I already assume that because Peyton was

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<v Speaker 1>on we know.

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<v Speaker 3>What happens when you assume.

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<v Speaker 1>I don't know. That's a tight little circle there with

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<v Speaker 1>the people that she invited, those are all our friends.

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<v Speaker 3>Did your parents ever place expectations on you that you

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<v Speaker 3>thought were unrealistic.

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<v Speaker 1>Not only every day twenty four to seven? Yeah? Yeah?

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<v Speaker 3>And did they communicate them clearly to you or were

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<v Speaker 3>they just assumed?

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<v Speaker 1>Oh? No, they were very specific about what they expected

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<v Speaker 1>in terms of grades and behavior and social behavior and

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<v Speaker 1>even you know, behavior at the dinner table. Sure. Yeah,

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<v Speaker 1>yeah mm hmm, yeah, yep. And you have kids, right,

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<v Speaker 1>uh huh, I I have a son I do.

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<v Speaker 3>And do you feel that you guys have open communication

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<v Speaker 3>and where you can clearly oh god? Yet absolutely yeah, yeah,

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<v Speaker 3>they're you know, kids.

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<v Speaker 1>Yeah, you have to teach him, yeah, and then they

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<v Speaker 1>and he's teaching us, I think more than we're teaching him.

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<v Speaker 3>But I think some parents only teach when they get

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<v Speaker 3>angry at their kids after they've already done something wrong.

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<v Speaker 3>And it's like, well, I'm a kid. I didn't know

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<v Speaker 3>or I kind of like, yeah, you know, don't yell

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<v Speaker 3>at me, teach me, like right exactly.

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<v Speaker 1>But anyway, all right, so yeah, so she she made

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<v Speaker 1>a simple decision. She didn't happen. Why waste time, not

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<v Speaker 1>going to force it. We're done the just causes the

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<v Speaker 1>usual loo kerfuffle over at the Emily's house. All right,

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<v Speaker 1>now we have Dwaite. What'd you think of this guy

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<v Speaker 1>asking her to you know, the water lawn and water

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<v Speaker 1>the African geraniums whatever they were called, go inside the house.

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<v Speaker 1>Spent thirty minutes a day doing this for this guy.

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<v Speaker 1>Didn't even what do you think of this guy's a

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<v Speaker 1>little too much of an imposition, would you have done it? Oh?

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<v Speaker 3>Man? I felt for her because I guess I feel

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<v Speaker 3>like I've been in that situation where you reluctantly say

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<v Speaker 3>yes to something and then they just keep asking for more.

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<v Speaker 3>And a certain point when it came to the going

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<v Speaker 3>inside the house to water the plans or when he

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<v Speaker 3>then asked, I need you to water the lawn three

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<v Speaker 3>times a day instead of ten by myself on my own,

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<v Speaker 3>I probably would have said, you know, listen, dude, this

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<v Speaker 3>is a little ridiculous. But you know, Rory being as

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<v Speaker 3>sweet as he is, that's why it's great to have.

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<v Speaker 3>That's why it started people around you who are like,

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<v Speaker 3>you know what, let's just do this.

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<v Speaker 1>Just think of the lie ability inside his house though,

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<v Speaker 1>I mean they didn't sign away, he didn't sign a

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<v Speaker 1>waiver again well nowadays, yeah, you know, right, exactly right,

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<v Speaker 1>something happens to somebody inside the house and it's trouble

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<v Speaker 1>but good stuff. And I think you know the setup

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<v Speaker 1>for that was just to get just to get soaked,

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<v Speaker 1>run into h Jess and have Jess come in and

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<v Speaker 1>have that scene.

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<v Speaker 3>And I loved how he turned the sprinkler back on

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<v Speaker 3>after he heard that. Who was the other kid that

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<v Speaker 3>was going to come home and help Dean.

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<v Speaker 1>Dean the boyfriend.

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<v Speaker 3>Yeah, yeah, and uh, I guess yeah, I thought that

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<v Speaker 3>was Milo. Then Amilia and I had to go watch

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<v Speaker 3>the credits or at the beginning rewatch it to make

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<v Speaker 3>to see if it really was him. But yeah, it's

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<v Speaker 3>really cool to see actors get their start on Gilmore Girls.

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<v Speaker 3>I mean, Gilmore Girls was one of the first major

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<v Speaker 3>shows that I ever was on and just blessed to

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<v Speaker 3>have been a part of it. And was that the

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<v Speaker 3>fan event that you and I saw each other again?

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<v Speaker 3>Was that like two months ago in New Milford, which

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<v Speaker 3>is great. So just very honored and blessed to be

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<v Speaker 3>a part of the Gilmore Girls community. I will say though,

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<v Speaker 3>I was curious to see if John Ham appeared in

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<v Speaker 3>the next episode because she agreed to go on the

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<v Speaker 3>next date with him. So I was thinking that, Okay,

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<v Speaker 3>well let's see the David Bowie concert and then it

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<v Speaker 3>was nothing like John hamm and Peyton was. It was

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<v Speaker 3>just an afterthought, like what was he even brought up?

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<v Speaker 1>Peyton Sanders Peyton s Yeah, yeah, they can't go to

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<v Speaker 1>a Boie concert thing. Imagine the royalty payment that I

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<v Speaker 1>have to make for Franny Bowie song.

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<v Speaker 3>Yeah, but it was just like it was very I

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<v Speaker 3>was very curious, why just all of a sudden.

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<v Speaker 1>Yeah, don't tease me with Bowie and then and then

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<v Speaker 1>right exactly. I didn't like that at all because I

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<v Speaker 1>knew there wasn't going to be another I knew there

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<v Speaker 1>wasn't going to be a Bowie. So you don't tease

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<v Speaker 1>a Bowie concert and then deny people of Boi concert

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<v Speaker 1>that that in itself, I believe that's actionable and I'm

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<v Speaker 1>consulting my attorney anyway. You know, you think Dwight fits in.

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<v Speaker 1>He's a quirky kind of guy, right, he kind of

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<v Speaker 1>fits right in there. And uh, you know, Bett liberally

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<v Speaker 1>like giving him loreleized cell number. Thanks a lot. But

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<v Speaker 1>you know that's that's the charm of the show, right

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<v Speaker 1>m hm. You know who stole the whole episode for

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<v Speaker 1>me was that giant fish at the end when when

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<v Speaker 1>it was just like listening to his ex wife's abusive

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<v Speaker 1>message and ran out of there, and then the camera

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<v Speaker 1>pans to the aquarium and you just see that giant

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<v Speaker 1>well I don't know what kind of fish it was,

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<v Speaker 1>but it was just like staring at us, you know, like, geez.

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<v Speaker 3>What I like the I like the cuckoo person like

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<v Speaker 3>that was like eight o'clock at the awayssince.

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<v Speaker 1>I've never seen a fish steal a scene that was

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<v Speaker 1>a scene stealing fish actually rewounded a couple of times

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<v Speaker 1>and cracked up just what I did with my mornings.

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<v Speaker 1>This is what it's come to. But I'll tell you,

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<v Speaker 1>if it's going to come to something, it's a good

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<v Speaker 1>thing to have this show to make you laugh.

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<v Speaker 5>Man.

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<v Speaker 3>I liked your scene in the beginning when you were

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<v Speaker 3>complaining about the lactating lady at the table.

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<v Speaker 1>You know, that was odd. That is so. And here's

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<v Speaker 1>people ask me this question all the time, you know,

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<v Speaker 1>are you like Luke in this circumstance. No, not even close.

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<v Speaker 1>And I have actually intervened in public in situations where

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<v Speaker 1>somebody is giving a woman who's breastfeeding her child a

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<v Speaker 1>hard time about it, and I I'm I've stepped in

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<v Speaker 1>and say, yo, back off, stop it, stop stressing her out,

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<v Speaker 1>and stop stressing her baby out. Just walk. You know,

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<v Speaker 1>it really really pisses me off when people, you know,

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<v Speaker 1>get all offended, and it's.

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<v Speaker 3>Like, I agree, that just makes refer to your your performance.

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<v Speaker 1>I thought you were No, no, I know, but but

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<v Speaker 1>I'm answering the fan question, like, are you like, look

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<v Speaker 1>in this situation, it was uncomfortable to watch that. That's

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<v Speaker 1>the character, that's how he feels. Fine, but I don't

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<v Speaker 1>feel that way in any way, shape or form. You know,

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<v Speaker 1>you got to feed your kid. You gotta feed your kid.

0:13:30.920 --> 0:13:33.880
<v Speaker 1>I mean it's the most you know, natural, natural, natural

0:13:33.920 --> 0:13:35.760
<v Speaker 1>thing you could do, is feed your child. I mean,

0:13:35.960 --> 0:13:38.040
<v Speaker 1>how dare anybody try to interrupt that?

0:13:38.160 --> 0:13:40.480
<v Speaker 3>You know, I mean just go to Europe and you

0:13:40.480 --> 0:13:41.560
<v Speaker 3>see it all over the place.

0:13:42.000 --> 0:13:44.720
<v Speaker 1>Oh yeah, yeah, I don't. I don't get why people

0:13:44.760 --> 0:13:48.960
<v Speaker 1>are so. I don't get it. Yeah, providing nourishment to

0:13:49.000 --> 0:13:52.760
<v Speaker 1>a baby angers people. Okay, yeah, that's weird.

0:13:53.000 --> 0:13:57.920
<v Speaker 3>I'm offended. That's well, that's my own people say, oh

0:13:58.040 --> 0:13:59.240
<v Speaker 3>that I'm offended.

0:13:59.440 --> 0:14:03.720
<v Speaker 1>Well, yeah, that's your problem. Okay. So now laurel I

0:14:03.760 --> 0:14:06.120
<v Speaker 1>and Roy are back for Friday night dinner after the

0:14:06.160 --> 0:14:12.800
<v Speaker 1>Peyton debacle. Emily is predictably cold with laurel I now

0:14:12.880 --> 0:14:16.000
<v Speaker 1>because all her hopes are dashed of maybe traveling in

0:14:16.040 --> 0:14:21.160
<v Speaker 1>Peyton's private jets to Maui as a as an extended family.

0:14:21.280 --> 0:14:26.080
<v Speaker 1>For some birthdays or weddings, who knows. Laura Lai actually

0:14:26.120 --> 0:14:29.520
<v Speaker 1>apologizes and she explains that she had a bad time,

0:14:30.360 --> 0:14:35.120
<v Speaker 1>but she's willing to go to the Bowie concert. What

0:14:35.120 --> 0:14:37.640
<v Speaker 1>do you think about that? You think she should have

0:14:37.800 --> 0:14:39.000
<v Speaker 1>stood her ground or.

0:14:40.080 --> 0:14:45.040
<v Speaker 3>I think she did the right thing. Yeah again, I

0:14:45.040 --> 0:14:46.200
<v Speaker 3>think her parents should have.

0:14:46.280 --> 0:14:50.160
<v Speaker 1>Prefaced take one for the team before.

0:14:49.840 --> 0:14:54.280
<v Speaker 3>Even going on the date. Listen, Yeah, this is maybe

0:14:54.320 --> 0:15:00.320
<v Speaker 3>not a normal situation. Just please be aware of like

0:15:00.400 --> 0:15:03.880
<v Speaker 3>what happens with the dates so that h this was

0:15:03.920 --> 0:15:07.560
<v Speaker 3>avoided from the get go. But I did think it

0:15:07.600 --> 0:15:11.320
<v Speaker 3>was sweet. And I think this is what happens in

0:15:11.360 --> 0:15:16.200
<v Speaker 3>relationships where people dig into whether they think they are

0:15:16.280 --> 0:15:19.200
<v Speaker 3>right and they will not acquiesce and they'll just dig

0:15:19.240 --> 0:15:21.680
<v Speaker 3>their heels in. And this is where I think it

0:15:21.680 --> 0:15:25.400
<v Speaker 3>can cause major riffs in relationships and families. Whereas I

0:15:25.480 --> 0:15:29.000
<v Speaker 3>think Loralai shared with us a very important lesson that

0:15:29.040 --> 0:15:31.520
<v Speaker 3>if you really care about the people and your family,

0:15:32.120 --> 0:15:37.360
<v Speaker 3>that sometimes you may have to choose between being right

0:15:37.960 --> 0:15:42.120
<v Speaker 3>and doing something that is loving for the people that

0:15:42.280 --> 0:15:42.920
<v Speaker 3>you care about.

0:15:44.480 --> 0:15:49.040
<v Speaker 1>Yeah, well said taking one for the team, Right, She

0:15:50.000 --> 0:15:52.560
<v Speaker 1>took one for the team. Good for her, she did,

0:15:53.080 --> 0:15:55.400
<v Speaker 1>and she had a great last line, very funny line

0:15:55.440 --> 0:15:59.200
<v Speaker 1>she takes. She says, Yeah, what was her last line

0:15:59.320 --> 0:16:03.520
<v Speaker 1>to tell are to borrow a sweater for the concert?

0:16:03.560 --> 0:16:06.480
<v Speaker 1>Borrow Rory's sweater for the concert because she liked Rory's

0:16:06.920 --> 0:16:09.560
<v Speaker 1>blue sweater and she should wear blue more often, you know,

0:16:09.840 --> 0:16:10.960
<v Speaker 1>in the first time they come in.

0:16:11.200 --> 0:16:13.280
<v Speaker 3>What was the last she said? I think it was

0:16:13.280 --> 0:16:16.600
<v Speaker 3>a David Bowie lyric at the very end when she

0:16:16.720 --> 0:16:19.840
<v Speaker 3>grabs round, control the major town, control the major top.

0:16:20.120 --> 0:16:32.880
<v Speaker 1>Yeah. Colin, let's talk about you a little bit. You're

0:16:32.920 --> 0:16:37.560
<v Speaker 1>in the season four episode seventeen Girls in bikinis, boys

0:16:37.640 --> 0:16:40.560
<v Speaker 1>doing the Twist, and we had you on a few

0:16:40.600 --> 0:16:43.200
<v Speaker 1>years ago. Talk about it. Yeah, And you've had a

0:16:43.240 --> 0:16:46.800
<v Speaker 1>lot of roles in TV shows. Is this one of

0:16:46.840 --> 0:16:51.160
<v Speaker 1>your fondest memories of being on set for a day? Absolutely.

0:16:51.560 --> 0:16:53.080
<v Speaker 1>I was new to Hollywood.

0:16:53.280 --> 0:16:56.640
<v Speaker 3>I think I was maybe twenty seven or twenty eight

0:16:56.720 --> 0:17:00.240
<v Speaker 3>years old, and my agent called me up that morning

0:17:00.720 --> 0:17:03.640
<v Speaker 3>and said, Hey, I'm sending you an audition for Gilmore Girls.

0:17:03.800 --> 0:17:06.600
<v Speaker 3>It's down in I think it was like Manhattan Beach

0:17:06.760 --> 0:17:12.480
<v Speaker 3>or Redondo, And he said, the audition is this morning,

0:17:12.520 --> 0:17:14.800
<v Speaker 3>and if you get the role, you're working today.

0:17:16.119 --> 0:17:18.880
<v Speaker 1>No, I quickly printed a lunch. Oh yeah.

0:17:18.920 --> 0:17:21.000
<v Speaker 3>So I was like, oh yeah, thanks a lot for

0:17:21.040 --> 0:17:24.200
<v Speaker 3>the heads up. But that's how TV and film works.

0:17:24.240 --> 0:17:26.919
<v Speaker 3>It works very quickly, and as you know, and so

0:17:26.960 --> 0:17:30.040
<v Speaker 3>I printed out the sides and I jumped in, you know, shower,

0:17:30.119 --> 0:17:33.120
<v Speaker 3>jumped in my car and driving down from West Hollywood

0:17:33.160 --> 0:17:36.640
<v Speaker 3>to to I think it was Redondo, you know, looking

0:17:36.760 --> 0:17:39.159
<v Speaker 3>trying to memorize my lines while I'm like making sure

0:17:39.200 --> 0:17:42.000
<v Speaker 3>I'm not running through red lights. And finally got down

0:17:42.040 --> 0:17:45.240
<v Speaker 3>there and I walked into where they had rented this

0:17:45.440 --> 0:17:48.960
<v Speaker 3>little motel right on the beach, and so they brought

0:17:49.040 --> 0:17:52.119
<v Speaker 3>us up to where the casting was and there was like,

0:17:52.200 --> 0:17:54.159
<v Speaker 3>I don't know, it must have been like fifteen or

0:17:54.200 --> 0:17:57.439
<v Speaker 3>twenty other guys. So we're all sitting there waiting, and

0:17:57.480 --> 0:18:00.600
<v Speaker 3>one by one they brought us in and audition came

0:18:00.640 --> 0:18:03.399
<v Speaker 3>back out. And then it was one of those moments

0:18:03.600 --> 0:18:06.439
<v Speaker 3>where I mean it was it was magical because the

0:18:06.440 --> 0:18:09.560
<v Speaker 3>casting director comes out and she says, okay, everyone can

0:18:09.640 --> 0:18:13.480
<v Speaker 3>leave except for Colin. I was like, all right, amazing.

0:18:13.119 --> 0:18:13.640
<v Speaker 1>This is cool.

0:18:14.040 --> 0:18:16.720
<v Speaker 3>And then she comes up and says, hey, Colin, thanks

0:18:16.760 --> 0:18:19.200
<v Speaker 3>so much for your audition. You know you were great.

0:18:19.640 --> 0:18:21.600
<v Speaker 3>But we have one more actor that's on his way

0:18:21.640 --> 0:18:24.399
<v Speaker 3>over here, so if you wouldn't mind just sticking around.

0:18:25.000 --> 0:18:28.080
<v Speaker 3>And I'm like, oh, I'm sitting there waiting, And it

0:18:28.119 --> 0:18:30.199
<v Speaker 3>must have been like fifteen or twenty minutes, and finally

0:18:30.240 --> 0:18:34.600
<v Speaker 3>this guy walks in. And I had been studying with

0:18:34.680 --> 0:18:38.359
<v Speaker 3>this acting coach named Chris Fields. And in Chris Field's

0:18:38.359 --> 0:18:40.880
<v Speaker 3>acting class, there was this guy named Dan and he

0:18:40.960 --> 0:18:45.960
<v Speaker 3>was like this more experienced, really good looking guy, super confident,

0:18:46.320 --> 0:18:49.000
<v Speaker 3>like everyone wanted to be like Dan in acting class.

0:18:49.119 --> 0:18:52.600
<v Speaker 3>And so when Dan then Dan walks in and I'm

0:18:52.640 --> 0:18:55.040
<v Speaker 3>just like, oh, I mean, I might as well leave

0:18:55.119 --> 0:18:59.119
<v Speaker 3>right now. Here's Dan. He's gonna smoke this audition and

0:18:59.160 --> 0:19:02.000
<v Speaker 3>I might as well just like head back to West Hollywood.

0:19:02.560 --> 0:19:05.960
<v Speaker 3>So he's like, hey, man, what's going on. I'm like, hey, Dan,

0:19:06.119 --> 0:19:09.640
<v Speaker 3>good to see you. So he goes in audition, comes

0:19:09.680 --> 0:19:11.760
<v Speaker 3>back out, and you know, he's got a smile on

0:19:11.800 --> 0:19:14.040
<v Speaker 3>his face when he comes back out and sits down,

0:19:15.040 --> 0:19:18.400
<v Speaker 3>and then she comes back out and says, all right, Dan,

0:19:18.520 --> 0:19:22.240
<v Speaker 3>thanks so much, Colin, you can go to wardrobe. And

0:19:22.280 --> 0:19:27.040
<v Speaker 3>I was like, holy crap, man, like so it was

0:19:27.760 --> 0:19:30.480
<v Speaker 3>it was pretty special and just to be on that,

0:19:30.560 --> 0:19:33.919
<v Speaker 3>you know, obviously a hit show. So early on in

0:19:33.920 --> 0:19:37.439
<v Speaker 3>my career, I'd come from soap opera, but that was

0:19:37.480 --> 0:19:41.359
<v Speaker 3>my first I had done Law and Order SVU. I

0:19:41.359 --> 0:19:43.600
<v Speaker 3>played a mail escort. But other than other than that,

0:19:44.160 --> 0:19:45.400
<v Speaker 3>not so much on my resume.

0:19:45.720 --> 0:19:49.840
<v Speaker 1>And how did Dan end up doing? How's he been doing?

0:19:49.880 --> 0:19:51.240
<v Speaker 1>Did he did he book some stuff?

0:19:51.320 --> 0:19:54.040
<v Speaker 3>You know? I I think I saw him in an

0:19:54.119 --> 0:19:56.720
<v Speaker 3>episode of something else, but I have I've lost touch

0:19:56.760 --> 0:20:00.520
<v Speaker 3>with him. But uh yeah, I'm not I'm not quite sure.

0:20:00.600 --> 0:20:03.040
<v Speaker 3>I'm sure he's I'm sure he's doing all right.

0:20:03.800 --> 0:20:06.959
<v Speaker 1>Yeah, Well that's a that's a great story. Yeah, you

0:20:07.000 --> 0:20:08.480
<v Speaker 1>had there, that was stressful for you?

0:20:08.760 --> 0:20:11.919
<v Speaker 3>Oh yeah, I mean, how was your audition for Gilmore Girls?

0:20:11.920 --> 0:20:15.560
<v Speaker 1>Though? Pretty easy, breezy. You know, it was just to

0:20:15.600 --> 0:20:18.720
<v Speaker 1>be a guest star in the pilot. And I just

0:20:18.760 --> 0:20:22.159
<v Speaker 1>went in and did a scene. And you know, I

0:20:22.200 --> 0:20:24.159
<v Speaker 1>was supposed to prep two scenes, but there was a

0:20:24.200 --> 0:20:27.119
<v Speaker 1>type all on the sides that said duke on the

0:20:27.119 --> 0:20:28.760
<v Speaker 1>other scene. So I didn't prep it and they told

0:20:28.800 --> 0:20:31.000
<v Speaker 1>me to prep it outside five minutes, came back and

0:20:31.960 --> 0:20:35.720
<v Speaker 1>did it. Left. I wasn't. I felt a good vibe

0:20:35.760 --> 0:20:37.840
<v Speaker 1>in the room, right, you know, you know, you feel

0:20:37.880 --> 0:20:41.000
<v Speaker 1>the vibe or not right. Usually it's like pretty awkward

0:20:41.119 --> 0:20:44.080
<v Speaker 1>sometimes you know, and it's like, you know, it's not right. Yep.

0:20:44.119 --> 0:20:48.000
<v Speaker 1>But this one felt really right. The part felt really right. Whatever.

0:20:48.080 --> 0:20:51.960
<v Speaker 1>But I hadn't invested everything in it. I had three

0:20:52.000 --> 0:20:55.600
<v Speaker 1>auditions that day. I was running around town. I was

0:20:55.640 --> 0:20:57.280
<v Speaker 1>on the west side. I had to get back to

0:20:57.400 --> 0:20:59.080
<v Speaker 1>I was teaching an acting class. So I had to

0:20:59.119 --> 0:21:02.439
<v Speaker 1>get back and I do the second audition, i'd do

0:21:02.480 --> 0:21:04.199
<v Speaker 1>the third audition. I had to drive all the way

0:21:04.200 --> 0:21:07.280
<v Speaker 1>across town and bumper to bumper traffic. I was going

0:21:07.320 --> 0:21:09.879
<v Speaker 1>to be late, so I I, you know, I didn't

0:21:09.920 --> 0:21:12.879
<v Speaker 1>really you know, I was just like I went in

0:21:12.920 --> 0:21:15.840
<v Speaker 1>there and I was a little impatient with him. I

0:21:15.880 --> 0:21:17.080
<v Speaker 1>was cool with him, but I was like, all right,

0:21:17.160 --> 0:21:18.600
<v Speaker 1>let's go. I gotta do this. I gotta get out

0:21:18.600 --> 0:21:18.800
<v Speaker 1>of here.

0:21:20.840 --> 0:21:23.120
<v Speaker 3>And so that was the audition that did they bring

0:21:23.160 --> 0:21:24.000
<v Speaker 3>you back to tests?

0:21:24.320 --> 0:21:27.200
<v Speaker 1>No, no, no, it was just that was the only

0:21:27.240 --> 0:21:30.359
<v Speaker 1>audition I got on the back door. And then you know,

0:21:30.520 --> 0:21:32.960
<v Speaker 1>worked out on set when we shot the pilot, and

0:21:32.960 --> 0:21:35.520
<v Speaker 1>then they offered two episodes, and they offered four episodes,

0:21:35.560 --> 0:21:38.960
<v Speaker 1>and we just you know, held firm and said just

0:21:39.000 --> 0:21:40.480
<v Speaker 1>give us a deal. And they gave us a deal,

0:21:40.680 --> 0:21:46.200
<v Speaker 1>so awesome. Bought a bing, bought a boom, right, yeah, yeah,

0:21:46.280 --> 0:21:47.920
<v Speaker 1>one of those things. One of those things.

0:21:48.119 --> 0:21:52.959
<v Speaker 3>Do you miss the the in person auditions and doing that?

0:21:53.119 --> 0:21:56.560
<v Speaker 1>I do, Yeah, I do, I really really do. I

0:21:56.640 --> 0:21:58.879
<v Speaker 1>just I just did an audition that I you know,

0:21:58.920 --> 0:22:03.040
<v Speaker 1>you put on tape. Now. Yeah, so the first time,

0:22:03.520 --> 0:22:05.040
<v Speaker 1>and I've been doing this for a couple of years,

0:22:05.080 --> 0:22:07.239
<v Speaker 1>right that this has been happening for for you know,

0:22:07.359 --> 0:22:10.520
<v Speaker 1>five six, seven years now that you're you're doing it

0:22:10.560 --> 0:22:14.560
<v Speaker 1>on your cell phone. And but this last one was

0:22:14.640 --> 0:22:20.199
<v Speaker 1>for a Sydney Sweeney film and so I, you know,

0:22:20.240 --> 0:22:22.560
<v Speaker 1>I set up the camera and I, you know, I

0:22:22.600 --> 0:22:24.639
<v Speaker 1>put the wardrobe on, I did the whole thing. But

0:22:25.720 --> 0:22:29.000
<v Speaker 1>you know, you can do good work. It doesn't really matter, right,

0:22:29.040 --> 0:22:32.399
<v Speaker 1>They just need to see the work. But I don't know.

0:22:32.440 --> 0:22:34.920
<v Speaker 1>And in a lot of ways, it's it's far more

0:22:34.960 --> 0:22:37.280
<v Speaker 1>convenient you get you don't A big chunk of your

0:22:37.359 --> 0:22:42.040
<v Speaker 1>day isn't taken. And uh, you know, driving and parking

0:22:42.160 --> 0:22:44.600
<v Speaker 1>and sitting because it's always a long walk from the

0:22:44.640 --> 0:22:48.520
<v Speaker 1>parking lot. It's one hundred degrees.

0:22:48.840 --> 0:22:52.720
<v Speaker 3>You have to park at Warner Brothers Lot seven and then.

0:22:52.640 --> 0:22:57.360
<v Speaker 1>Crush right, take a taxi down bar Ham.

0:22:57.359 --> 0:23:03.160
<v Speaker 3>And then walk through you know, giant studios to get

0:23:03.200 --> 0:23:05.240
<v Speaker 3>to the one little casting office.

0:23:05.480 --> 0:23:08.680
<v Speaker 1>Yeah right, you pass like five movie stars and fourteen

0:23:08.720 --> 0:23:10.800
<v Speaker 1>TV stars and you feel smaller. And by the time

0:23:10.800 --> 0:23:12.480
<v Speaker 1>you get there, yeah, Paul.

0:23:12.600 --> 0:23:16.400
<v Speaker 3>And a gladiator and a dwarf, and.

0:23:16.520 --> 0:23:22.639
<v Speaker 5>You just it's it's, I don't know, yeah, like running

0:23:22.640 --> 0:23:26.000
<v Speaker 5>the gauntlet, right, yeah, it's like, well, then you get there,

0:23:26.040 --> 0:23:28.840
<v Speaker 5>you're sweaty, you don't feel too good, and.

0:23:28.920 --> 0:23:32.080
<v Speaker 3>You see seven other guys from hit TV shows and

0:23:32.080 --> 0:23:36.080
<v Speaker 3>you're like, I'm never gonna get right.

0:23:37.359 --> 0:23:40.600
<v Speaker 1>Yeah. Yeah, you know, I learned how to be you know,

0:23:40.720 --> 0:23:42.960
<v Speaker 1>if if you're a little bit obnoxious in the room

0:23:43.920 --> 0:23:45.919
<v Speaker 1>and you throw them off their game, you know you

0:23:45.920 --> 0:23:48.199
<v Speaker 1>can get the edge, you know. Guess you're kind of

0:23:48.240 --> 0:23:53.760
<v Speaker 1>loud and sort of happy. Yeah, you take one innocent victim,

0:23:53.800 --> 0:23:55.080
<v Speaker 1>you said, I said, what's up?

0:23:55.119 --> 0:23:55.280
<v Speaker 2>Man?

0:23:55.320 --> 0:23:58.160
<v Speaker 1>How you you know, you just start chattering and everybody

0:23:58.200 --> 0:23:59.240
<v Speaker 1>just looks, you know, they give you.

0:23:59.640 --> 0:24:02.000
<v Speaker 3>Reach and grab potato chips out of there.

0:24:02.400 --> 0:24:08.440
<v Speaker 1>Right, you gotta have audition room game. Yeah right, it's

0:24:08.480 --> 0:24:11.320
<v Speaker 1>a thing. It is a thing. It is a thing, man,

0:24:11.359 --> 0:24:12.480
<v Speaker 1>that's a it's a whole war.

0:24:12.600 --> 0:24:12.760
<v Speaker 4>Man.

0:24:12.800 --> 0:24:15.160
<v Speaker 1>It's like, I'm getting this role, and I'm gonna jack

0:24:15.200 --> 0:24:16.280
<v Speaker 1>you up to get this.

0:24:16.240 --> 0:24:18.879
<v Speaker 3>Role, or at least I'm gonna make you remember me.

0:24:19.359 --> 0:24:21.600
<v Speaker 1>How many how many times have you been sitting there

0:24:21.680 --> 0:24:25.560
<v Speaker 1>nervously waiting, waiting, waiting, and then some boisterous idiot walks

0:24:25.600 --> 0:24:29.040
<v Speaker 1>in right and he throws you off your gain? You

0:24:29.040 --> 0:24:31.280
<v Speaker 1>don't want to Oh, hey man, good to see you.

0:24:31.320 --> 0:24:31.439
<v Speaker 4>Bro.

0:24:31.680 --> 0:24:34.720
<v Speaker 3>Well you're looking wow, man, you look so handsome. And

0:24:35.040 --> 0:24:36.680
<v Speaker 3>what have you been dude, you've been working out?

0:24:37.119 --> 0:24:37.399
<v Speaker 4>Wow?

0:24:37.720 --> 0:24:39.760
<v Speaker 3>I'm like, shut the f up.

0:24:40.240 --> 0:24:43.640
<v Speaker 1>Just go over there. But he's in your head now,

0:24:43.800 --> 0:24:47.080
<v Speaker 1>and so that works that I was, that's intentional, my.

0:24:47.080 --> 0:24:49.560
<v Speaker 3>Head down, looking at my sides, pretending I was like

0:24:50.080 --> 0:24:52.760
<v Speaker 3>studying them so and I wouldn't even look at whoever

0:24:52.800 --> 0:24:54.920
<v Speaker 3>would walk in the room until I would walk out.

0:24:55.240 --> 0:24:58.960
<v Speaker 3>And then cause, yeah, some guys just like to chit chat,

0:24:59.080 --> 0:25:01.639
<v Speaker 3>and I think they literally do that to try to

0:25:01.680 --> 0:25:02.560
<v Speaker 3>throw you off your game.

0:25:02.680 --> 0:25:05.960
<v Speaker 1>Oh there's no question. Yeah, no, it's it's you gotta

0:25:05.960 --> 0:25:10.000
<v Speaker 1>have game. But no, no, no, I didn't do that on

0:25:10.040 --> 0:25:13.000
<v Speaker 1>that one on the on the Gilmore audition, it was

0:25:13.119 --> 0:25:16.600
<v Speaker 1>just you know, I didn't wait very long. They saw

0:25:16.640 --> 0:25:20.880
<v Speaker 1>me right away. That's good. Yeah, yeah, it was pretty quick.

0:25:21.640 --> 0:25:23.359
<v Speaker 1>It's not like they were waiting for me or anything.

0:25:23.359 --> 0:25:25.399
<v Speaker 1>But it was like I signed in and then I

0:25:25.440 --> 0:25:28.600
<v Speaker 1>sat down for like seems like a minute, and they said,

0:25:28.600 --> 0:25:30.720
<v Speaker 1>all right, they're writing and I went in, Yeah, no

0:25:30.760 --> 0:25:32.120
<v Speaker 1>big deal, mm hmm.

0:25:32.359 --> 0:25:32.520
<v Speaker 4>Yeah.

0:25:32.520 --> 0:25:36.520
<v Speaker 1>I wish they were all like that, right. Yeah.

0:25:36.640 --> 0:25:40.199
<v Speaker 3>I started producing my own projects so they don't have

0:25:40.280 --> 0:25:44.480
<v Speaker 3>to do that process because it's just so annoying having

0:25:44.640 --> 0:25:49.399
<v Speaker 3>to audition and wait until you get chosen. So I

0:25:49.480 --> 0:25:52.760
<v Speaker 3>just produced a film in Chicago a couple of months ago,

0:25:52.840 --> 0:25:55.360
<v Speaker 3>and it's fun being on the other side getting to

0:25:55.600 --> 0:25:58.720
<v Speaker 3>choose the other actors, and it's just amazing just watching

0:25:59.480 --> 0:26:03.320
<v Speaker 3>when actor submit, you can definitely tell the actors that

0:26:03.320 --> 0:26:05.280
<v Speaker 3>have done the work and have prepared and the other

0:26:05.280 --> 0:26:08.080
<v Speaker 3>ones that are just kind of like trying to figure

0:26:08.080 --> 0:26:10.360
<v Speaker 3>out the like have you read this? Did you even

0:26:10.400 --> 0:26:12.760
<v Speaker 3>look at this before you turn the camera on. It's

0:26:13.119 --> 0:26:16.040
<v Speaker 3>it's incredible, like how unprepared some actors are.

0:26:16.359 --> 0:26:20.800
<v Speaker 1>But I understand, you know, auditioning is an acting, it's

0:26:20.880 --> 0:26:23.120
<v Speaker 1>just a it's a show. You just put on your

0:26:23.160 --> 0:26:26.159
<v Speaker 1>gun slinger. You're a gunslinger and you go in and

0:26:26.200 --> 0:26:28.320
<v Speaker 1>you flip the psychology and you take the room. And

0:26:28.320 --> 0:26:30.240
<v Speaker 1>that's that's what you have to learn how to do

0:26:30.760 --> 0:26:33.399
<v Speaker 1>shots on right, because it's not about act I mean,

0:26:33.440 --> 0:26:37.200
<v Speaker 1>it's like and if you're the if you have a process,

0:26:37.240 --> 0:26:40.640
<v Speaker 1>if you have any kind of process in place, right,

0:26:41.800 --> 0:26:45.320
<v Speaker 1>don't want to make choices right away, and you really can't,

0:26:45.600 --> 0:26:50.440
<v Speaker 1>and you and auditioning forces you to make choices. And

0:26:50.800 --> 0:26:53.199
<v Speaker 1>that's why I was bad at it for for a

0:26:53.320 --> 0:26:56.640
<v Speaker 1>long time until I figured out, you know what, let

0:26:56.680 --> 0:27:00.199
<v Speaker 1>them see your process. Don't give them something complet lee,

0:27:00.359 --> 0:27:03.480
<v Speaker 1>but let them see that you have a process, you know,

0:27:03.720 --> 0:27:05.480
<v Speaker 1>and that you have an idea here.

0:27:05.680 --> 0:27:08.040
<v Speaker 3>So what would that look like for you?

0:27:08.080 --> 0:27:12.560
<v Speaker 1>Going with my first impressions, like trusting my instincts, my

0:27:12.640 --> 0:27:16.520
<v Speaker 1>initial instincts when I read the script and then you

0:27:16.560 --> 0:27:19.959
<v Speaker 1>get a feeling, you get a vibe, and then something

0:27:20.040 --> 0:27:24.160
<v Speaker 1>happens when you just sort of read the dialogue you know, flatly,

0:27:24.400 --> 0:27:26.320
<v Speaker 1>and then you go oh, and then choices are kind

0:27:26.320 --> 0:27:29.240
<v Speaker 1>of made for you instinctually. And I go with that.

0:27:30.000 --> 0:27:33.119
<v Speaker 3>So how would you show them that process when you

0:27:33.160 --> 0:27:33.600
<v Speaker 3>walked in.

0:27:33.560 --> 0:27:38.000
<v Speaker 1>The room, turn around, you tell them I just want

0:27:38.040 --> 0:27:41.400
<v Speaker 1>to take a minute. Okay, yeah, then you turn around,

0:27:41.520 --> 0:27:49.800
<v Speaker 1>turn your back on him. You count to about thirty seriously, seriously,

0:27:49.920 --> 0:27:51.520
<v Speaker 1>and then you turn around and you go all right,

0:27:51.520 --> 0:27:53.800
<v Speaker 1>I'm ready because now you have their attention.

0:27:54.240 --> 0:27:54.720
<v Speaker 2>Yeah.

0:27:54.920 --> 0:27:57.080
<v Speaker 3>I would do that, just not that long.

0:27:57.119 --> 0:27:58.840
<v Speaker 1>But that's oh yeah, thirty second.

0:27:59.240 --> 0:28:01.600
<v Speaker 3>Oh yeah, that's that's ballard.

0:28:01.720 --> 0:28:08.560
<v Speaker 1>Sometimes it doesn't work though, like, okay, come on, it's like,

0:28:08.680 --> 0:28:10.720
<v Speaker 1>do you mind we have a lot of twenty.

0:28:10.600 --> 0:28:15.600
<v Speaker 3>Other actors out there. Come on, and you turn around

0:28:15.680 --> 0:28:18.000
<v Speaker 3>to be not to.

0:28:17.960 --> 0:28:24.479
<v Speaker 1>Be anything, to get their minds off of the fact

0:28:24.880 --> 0:28:28.920
<v Speaker 1>that they have multiple offers out to big names. Yeah,

0:28:29.000 --> 0:28:32.639
<v Speaker 1>whose agents are giving them headaches, and now they have

0:28:32.720 --> 0:28:36.040
<v Speaker 1>to deal with you, a total unknown right when you

0:28:36.080 --> 0:28:39.400
<v Speaker 1>were unknown, and it's like they're not interested. You got

0:28:39.400 --> 0:28:40.920
<v Speaker 1>to get there. How do you get their attention? You

0:28:40.920 --> 0:28:43.280
<v Speaker 1>got it? That's the game. It's like, how do you

0:28:43.360 --> 0:28:46.240
<v Speaker 1>get their attention? How do you get them to focus

0:28:46.320 --> 0:28:50.760
<v Speaker 1>on you and stop thinking about you know, mister Superstar

0:28:51.120 --> 0:28:53.320
<v Speaker 1>rejected their first two offers.

0:28:53.600 --> 0:28:56.640
<v Speaker 3>I would do things like I auditioned for I remember

0:28:56.760 --> 0:29:01.880
<v Speaker 3>Tarzan was being made at WB and I in the

0:29:01.920 --> 0:29:03.600
<v Speaker 3>middle of one of the scenes, I just did a

0:29:03.680 --> 0:29:07.480
<v Speaker 3>cartwheel and like landed to like to start the scene,

0:29:07.680 --> 0:29:10.760
<v Speaker 3>like I was like, landing as Tarzan. That's great from

0:29:10.760 --> 0:29:13.080
<v Speaker 3>a rock and then and you can tell like they

0:29:13.120 --> 0:29:14.120
<v Speaker 3>all start smiling.

0:29:14.560 --> 0:29:15.600
<v Speaker 1>That's fantastic.

0:29:15.880 --> 0:29:17.440
<v Speaker 3>Yeah, because you had to do something.

0:29:17.480 --> 0:29:19.400
<v Speaker 1>I remember, get that energy going.

0:29:19.640 --> 0:29:23.400
<v Speaker 3>I brought a six pack of coronas to uh the

0:29:23.440 --> 0:29:25.680
<v Speaker 3>head of casting at Warner Brothers.

0:29:26.080 --> 0:29:28.360
<v Speaker 1>Who is it, Marian Dherty and for film or TV

0:29:28.840 --> 0:29:32.960
<v Speaker 1>for a film. I don't know if Marion was still there, not.

0:29:32.880 --> 0:29:35.480
<v Speaker 3>Sure if she's still there, but things like that because

0:29:35.520 --> 0:29:39.320
<v Speaker 3>I I auditioned for I think it was Badman, like

0:29:39.440 --> 0:29:42.160
<v Speaker 3>years later and she was like, she was like, thanks

0:29:42.160 --> 0:29:45.280
<v Speaker 3>for those six packs for the coronas. And I was like,

0:29:45.960 --> 0:29:48.160
<v Speaker 3>you I go, you remembered.

0:29:48.360 --> 0:29:51.320
<v Speaker 1>She was like A don't huh. That's good, right, you

0:29:51.400 --> 0:29:54.160
<v Speaker 1>gotta do something different, right, that's brilliant. All right, So

0:29:54.280 --> 0:29:58.160
<v Speaker 1>we're kind of out of time. You got to come back, Colin.

0:29:58.280 --> 0:30:01.080
<v Speaker 1>Thanks so much, nice child. Put it up with you, buddy,

0:30:01.240 --> 0:30:04.960
<v Speaker 1>and luck with everything, and please thank you do come

0:30:05.040 --> 0:30:08.360
<v Speaker 1>back because this is these shorter segments about forty minutes.

0:30:08.360 --> 0:30:09.040
<v Speaker 1>It's not enough time.

0:30:09.040 --> 0:30:11.280
<v Speaker 3>By the way, can I plug my latest film that

0:30:11.440 --> 0:30:14.800
<v Speaker 3>just came please do. It's called Where the Wind Blows.

0:30:15.320 --> 0:30:21.000
<v Speaker 3>And it stars myself, Ashley Elaine, Trevor Donovan, Rob Mays,

0:30:21.320 --> 0:30:26.560
<v Speaker 3>Michelle Hurd, Lachlan Murdoch and c Thomas Howell. And it's

0:30:26.560 --> 0:30:31.760
<v Speaker 3>set in eighteen ninety in the Old Pioneer West. It's written,

0:30:31.800 --> 0:30:34.800
<v Speaker 3>it's based on a best selling novel by Carolyn Fife,

0:30:35.440 --> 0:30:42.680
<v Speaker 3>and it's a it's a romancy old Western cowboy type film.

0:30:43.080 --> 0:30:46.560
<v Speaker 1>Where the Wind Blows Colin Egglesfield and you have your

0:30:46.560 --> 0:30:51.160
<v Speaker 1>own podcast, Beyond Impact Podcast That's Right, which helps professionals

0:30:51.160 --> 0:30:54.440
<v Speaker 1>with public speaking. Colin, thank you for your time. Thanks Scott,

0:30:54.440 --> 0:30:56.479
<v Speaker 1>it's great to see it. We will see you again

0:30:57.040 --> 0:30:59.360
<v Speaker 1>in the not too distant future. Be well, my friend.

0:30:59.680 --> 0:30:59.880
<v Speaker 3>Thanks.

0:31:00.560 --> 0:31:02.360
<v Speaker 1>We're gonna wrap this up here. Thanks to the best

0:31:02.400 --> 0:31:05.160
<v Speaker 1>fans on the planet. Keep the cards and letters coming,

0:31:06.000 --> 0:31:09.480
<v Speaker 1>uh we need them, We want them. Love the feedback,

0:31:09.520 --> 0:31:11.120
<v Speaker 1>and remember where you lead, we will follow.

0:31:11.160 --> 0:31:42.000
<v Speaker 4>Stay safe, everyone, Everybody talks again.

0:31:42.080 --> 0:31:46.160
<v Speaker 1>Follow us on Instagram at I Am all In podcast

0:31:46.240 --> 0:32:00.960
<v Speaker 1>and email us at Gilmour at iHeartRadio dot com.