1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:09,920 --> 00:00:22,320 Speaker 2: I am all in again with Scott Patterson and iHeartRadio Podcast. 3 00:00:22,560 --> 00:00:25,159 Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast one 4 00:00:25,239 --> 00:00:30,480 Speaker 1: eleven productions, iHeartRadio Media, iHeart Podcast and with our special guest, 5 00:00:30,640 --> 00:00:35,960 Speaker 1: Colin Egglesfield. He's someone you might recognize from All My Children, 6 00:00:36,040 --> 00:00:39,760 Speaker 1: melrose Place, a little film called Something balld in a 7 00:00:39,840 --> 00:00:44,279 Speaker 1: guest role in Gilmore Girls Season four. Welcome Colin. How 8 00:00:44,280 --> 00:00:45,040 Speaker 1: are you doing? Pal? 9 00:00:45,760 --> 00:00:47,640 Speaker 3: I'm doing well, Scott. Good to see you. 10 00:00:47,720 --> 00:00:51,640 Speaker 1: Good, good good. Emily and Laurel I and Peyton? What 11 00:00:52,040 --> 00:00:54,400 Speaker 1: are we think in here? Emily invites Laurel I to 12 00:00:54,440 --> 00:01:00,280 Speaker 1: an auction for her society, Matrons League and Antiques. Shell 13 00:01:00,400 --> 00:01:03,320 Speaker 1: wants to go. There's an auction, there's all kinds of 14 00:01:03,400 --> 00:01:06,759 Speaker 1: things happening. John Hamm shows up. It's total in Sanity's 15 00:01:06,800 --> 00:01:09,680 Speaker 1: drinking wine. I didn't know John Hamm was a wine 16 00:01:09,760 --> 00:01:13,520 Speaker 1: drinker that that early in his career. So she meets 17 00:01:13,560 --> 00:01:18,280 Speaker 1: Peyton at Emily's event. Should she have been more cautious 18 00:01:18,319 --> 00:01:21,160 Speaker 1: about pursuing this turkey? He turns out to be a 19 00:01:21,200 --> 00:01:26,479 Speaker 1: real dud? Was this a careless oversight? Colin? In your estimation? Please? 20 00:01:26,600 --> 00:01:26,679 Speaker 4: No? 21 00:01:26,880 --> 00:01:29,759 Speaker 3: Come on, it's John Ham, dude, Like, why would you 22 00:01:30,040 --> 00:01:31,800 Speaker 3: How could you say no to John Ham? 23 00:01:32,600 --> 00:01:35,880 Speaker 1: It was a huge day. No, you just say they. 24 00:01:35,640 --> 00:01:39,520 Speaker 3: Madmen and Don Draper. So it's cool to see him 25 00:01:39,800 --> 00:01:44,959 Speaker 3: in early version of him before he got his big break. 26 00:01:45,160 --> 00:01:48,160 Speaker 3: But no, man, how could you say no to to 27 00:01:49,000 --> 00:01:51,680 Speaker 3: to charming Peyton slash John Ham? 28 00:01:52,320 --> 00:01:57,440 Speaker 1: I was named Peyton? What Peyton Sheridan Peyton Shell? Peyton 29 00:01:57,640 --> 00:02:05,040 Speaker 1: wasn't I can't remember something Peyton Sherwood yeacked at anyway, Uh. 30 00:02:04,160 --> 00:02:08,239 Speaker 3: I don't believe her though, I from how he met 31 00:02:08,280 --> 00:02:10,800 Speaker 3: her at the bar. I mean he's got his jet, 32 00:02:10,840 --> 00:02:15,000 Speaker 3: invited her to David Bowie. I mean, I I have 33 00:02:15,000 --> 00:02:20,400 Speaker 3: a sneaking suspicion that he wasn't the drip that she 34 00:02:20,560 --> 00:02:21,720 Speaker 3: made him sound out to be. 35 00:02:21,840 --> 00:02:24,480 Speaker 1: I think you think he tanked it on purpose because 36 00:02:24,480 --> 00:02:25,640 Speaker 1: he didn't want to see her again. 37 00:02:26,560 --> 00:02:28,680 Speaker 3: I don't know. Maybe it was because she talked so fast. 38 00:02:28,919 --> 00:02:31,919 Speaker 1: I mean, that's sacrilegious, really to say something like that. 39 00:02:34,560 --> 00:02:38,880 Speaker 1: You better be careful, man. I know, no, but you 40 00:02:38,880 --> 00:02:41,760 Speaker 1: know it's a it's a it's a possibility. But I 41 00:02:41,760 --> 00:02:44,600 Speaker 1: think I think by the way she look they just 42 00:02:44,600 --> 00:02:46,560 Speaker 1: they didn't connect. I kind of believed her. 43 00:02:46,840 --> 00:02:49,760 Speaker 3: Yeah, I mean she she has so much charisma. She 44 00:02:49,960 --> 00:02:55,200 Speaker 3: is more of a I mean, how can you not 45 00:02:55,240 --> 00:02:59,200 Speaker 3: fall in love with Loralai? Obviously she's got she's charming, 46 00:02:59,280 --> 00:03:06,280 Speaker 3: she's beautiful, she's she's witty, she's cute, endearing, and I 47 00:03:06,320 --> 00:03:10,520 Speaker 3: could see where Peyton probably being a little more of 48 00:03:10,560 --> 00:03:14,680 Speaker 3: a upper crust kind of a stiff where it wouldn't 49 00:03:14,720 --> 00:03:18,280 Speaker 3: necessarily work out. But here's the thing, you know, there's 50 00:03:18,320 --> 00:03:21,640 Speaker 3: the physical attraction. So obviously they look good together. And 51 00:03:21,680 --> 00:03:23,919 Speaker 3: I think this is what happens in relationships, where you 52 00:03:23,960 --> 00:03:28,080 Speaker 3: physically fall for someone and you kind of overlook some 53 00:03:28,120 --> 00:03:30,920 Speaker 3: of the things that maybe are red flags in the beginning, 54 00:03:30,960 --> 00:03:34,560 Speaker 3: but because you're so attracted to them, you overlook them, 55 00:03:34,720 --> 00:03:36,800 Speaker 3: and then before you know it, you're in a relationship 56 00:03:36,880 --> 00:03:41,920 Speaker 3: physically and not speaking from experience or anything, and you're like, 57 00:03:42,200 --> 00:03:44,760 Speaker 3: you wake up one day and you're like, maybe I 58 00:03:44,800 --> 00:03:46,840 Speaker 3: really don't know this person as well as I thought 59 00:03:46,840 --> 00:03:50,480 Speaker 3: I did. Even though they are beautiful and I'm attracted 60 00:03:50,520 --> 00:03:52,400 Speaker 3: to them, some of the things that are coming out 61 00:03:52,400 --> 00:03:53,720 Speaker 3: of their mouth are not so attractive. 62 00:03:54,240 --> 00:03:55,880 Speaker 1: You know what. She was just too smart for him. 63 00:03:55,920 --> 00:04:00,360 Speaker 1: He couldn't care. Probably all right, So Laura I cantinues 64 00:04:00,400 --> 00:04:04,240 Speaker 1: to fight for her independence from Emily and Richard's world. 65 00:04:04,280 --> 00:04:11,080 Speaker 1: Do you think this reassures why she separates herself from 66 00:04:11,280 --> 00:04:12,240 Speaker 1: their community? 67 00:04:12,680 --> 00:04:16,400 Speaker 3: You know it was. The episode raised a really good point, 68 00:04:16,440 --> 00:04:23,000 Speaker 3: and I really liked the way that Loralai brought up that, look, mom, dad, 69 00:04:23,200 --> 00:04:26,719 Speaker 3: it's nothing that I'm doing intentionally to hurt you guys. 70 00:04:27,160 --> 00:04:30,080 Speaker 3: I'm just I went on a date, Like why are 71 00:04:30,120 --> 00:04:33,760 Speaker 3: you putting all of your baggage onto me? And I 72 00:04:33,760 --> 00:04:39,239 Speaker 3: think that's a very common thing where parents have maybe 73 00:04:39,279 --> 00:04:42,480 Speaker 3: certain expectations about what we do and what they think. 74 00:04:42,360 --> 00:04:43,119 Speaker 1: We should be doing. 75 00:04:43,960 --> 00:04:46,560 Speaker 3: But I honestly I thought it was I mean, I 76 00:04:46,600 --> 00:04:48,240 Speaker 3: could see both ways. I think it was unfair that 77 00:04:48,279 --> 00:04:52,480 Speaker 3: they put that kind of onus on Lauraai when she 78 00:04:52,560 --> 00:04:55,479 Speaker 3: was just trying to go on a date. But I 79 00:04:55,480 --> 00:04:59,960 Speaker 3: could also see in certain circles where there's a protocol, 80 00:05:00,279 --> 00:05:04,239 Speaker 3: like her father said. And what I did like about 81 00:05:04,320 --> 00:05:09,600 Speaker 3: what her father said was your mother drinks gets her 82 00:05:09,640 --> 00:05:12,880 Speaker 3: tea first, and she's used to getting her tea first. 83 00:05:13,240 --> 00:05:16,200 Speaker 3: And I don't understand her world. You may not understand 84 00:05:16,200 --> 00:05:20,520 Speaker 3: her world, but because she's my wife, I am damn 85 00:05:20,560 --> 00:05:22,480 Speaker 3: well going to make sure that my wife gets her 86 00:05:22,520 --> 00:05:26,760 Speaker 3: tea first, And I think that is what maybe is 87 00:05:26,800 --> 00:05:28,320 Speaker 3: missing in a lot of relationships. 88 00:05:28,560 --> 00:05:31,600 Speaker 1: Do you think Laura Lean was being selfish by not 89 00:05:31,640 --> 00:05:33,159 Speaker 1: considering Emily in the first place. 90 00:05:33,440 --> 00:05:39,800 Speaker 3: I think her parents should have have talked to her 91 00:05:39,839 --> 00:05:42,440 Speaker 3: at dinner when she first asks for the phone number. 92 00:05:42,560 --> 00:05:44,480 Speaker 3: I think her mom should have said, by the way, 93 00:05:44,600 --> 00:05:48,240 Speaker 3: if you do go out with him, please keep this 94 00:05:48,320 --> 00:05:54,159 Speaker 3: in mind that his mom is in my social circle, 95 00:05:54,400 --> 00:05:58,640 Speaker 3: and so please, whatever you do, just be polite and 96 00:05:58,880 --> 00:06:02,920 Speaker 3: know that if if anything go sideways or whatever, this 97 00:06:03,000 --> 00:06:04,880 Speaker 3: may have a detrimental effect. Yeah. 98 00:06:04,880 --> 00:06:09,800 Speaker 1: But wouldn't Laura I already assume that because Peyton was 99 00:06:09,800 --> 00:06:10,880 Speaker 1: on we know. 100 00:06:10,880 --> 00:06:12,640 Speaker 3: What happens when you assume. 101 00:06:13,000 --> 00:06:15,760 Speaker 1: I don't know. That's a tight little circle there with 102 00:06:15,880 --> 00:06:25,000 Speaker 1: the people that she invited, those are all our friends. 103 00:06:27,400 --> 00:06:30,840 Speaker 3: Did your parents ever place expectations on you that you 104 00:06:30,880 --> 00:06:32,559 Speaker 3: thought were unrealistic. 105 00:06:32,400 --> 00:06:36,440 Speaker 1: Not only every day twenty four to seven? Yeah? Yeah? 106 00:06:36,480 --> 00:06:39,320 Speaker 3: And did they communicate them clearly to you or were 107 00:06:39,360 --> 00:06:40,200 Speaker 3: they just assumed? 108 00:06:41,080 --> 00:06:44,760 Speaker 1: Oh? No, they were very specific about what they expected 109 00:06:44,800 --> 00:06:50,800 Speaker 1: in terms of grades and behavior and social behavior and 110 00:06:50,880 --> 00:06:54,120 Speaker 1: even you know, behavior at the dinner table. Sure. Yeah, 111 00:06:54,440 --> 00:06:58,680 Speaker 1: yeah mm hmm, yeah, yep. And you have kids, right, 112 00:06:59,200 --> 00:07:01,039 Speaker 1: uh huh, I I have a son I do. 113 00:07:01,640 --> 00:07:05,720 Speaker 3: And do you feel that you guys have open communication 114 00:07:06,600 --> 00:07:11,480 Speaker 3: and where you can clearly oh god? Yet absolutely yeah, yeah, 115 00:07:11,520 --> 00:07:12,360 Speaker 3: they're you know, kids. 116 00:07:12,880 --> 00:07:15,800 Speaker 1: Yeah, you have to teach him, yeah, and then they 117 00:07:15,960 --> 00:07:18,840 Speaker 1: and he's teaching us, I think more than we're teaching him. 118 00:07:18,840 --> 00:07:22,800 Speaker 3: But I think some parents only teach when they get 119 00:07:22,960 --> 00:07:26,600 Speaker 3: angry at their kids after they've already done something wrong. 120 00:07:26,760 --> 00:07:29,800 Speaker 3: And it's like, well, I'm a kid. I didn't know 121 00:07:29,960 --> 00:07:34,640 Speaker 3: or I kind of like, yeah, you know, don't yell 122 00:07:34,680 --> 00:07:38,040 Speaker 3: at me, teach me, like right exactly. 123 00:07:38,400 --> 00:07:42,520 Speaker 1: But anyway, all right, so yeah, so she she made 124 00:07:42,520 --> 00:07:46,640 Speaker 1: a simple decision. She didn't happen. Why waste time, not 125 00:07:46,760 --> 00:07:51,040 Speaker 1: going to force it. We're done the just causes the 126 00:07:51,120 --> 00:07:54,480 Speaker 1: usual loo kerfuffle over at the Emily's house. All right, 127 00:07:54,480 --> 00:07:56,880 Speaker 1: now we have Dwaite. What'd you think of this guy 128 00:07:57,680 --> 00:08:00,960 Speaker 1: asking her to you know, the water lawn and water 129 00:08:01,080 --> 00:08:06,440 Speaker 1: the African geraniums whatever they were called, go inside the house. 130 00:08:06,480 --> 00:08:08,560 Speaker 1: Spent thirty minutes a day doing this for this guy. 131 00:08:08,880 --> 00:08:10,440 Speaker 1: Didn't even what do you think of this guy's a 132 00:08:10,440 --> 00:08:12,760 Speaker 1: little too much of an imposition, would you have done it? Oh? 133 00:08:12,880 --> 00:08:19,760 Speaker 3: Man? I felt for her because I guess I feel 134 00:08:19,760 --> 00:08:22,000 Speaker 3: like I've been in that situation where you reluctantly say 135 00:08:22,040 --> 00:08:24,680 Speaker 3: yes to something and then they just keep asking for more. 136 00:08:24,680 --> 00:08:30,080 Speaker 3: And a certain point when it came to the going 137 00:08:30,120 --> 00:08:34,360 Speaker 3: inside the house to water the plans or when he 138 00:08:34,440 --> 00:08:37,360 Speaker 3: then asked, I need you to water the lawn three 139 00:08:37,400 --> 00:08:43,840 Speaker 3: times a day instead of ten by myself on my own, 140 00:08:44,000 --> 00:08:48,120 Speaker 3: I probably would have said, you know, listen, dude, this 141 00:08:48,160 --> 00:08:51,560 Speaker 3: is a little ridiculous. But you know, Rory being as 142 00:08:51,559 --> 00:08:54,240 Speaker 3: sweet as he is, that's why it's great to have. 143 00:08:54,600 --> 00:08:56,760 Speaker 3: That's why it started people around you who are like, 144 00:08:56,800 --> 00:08:57,920 Speaker 3: you know what, let's just do this. 145 00:08:59,280 --> 00:09:01,480 Speaker 1: Just think of the lie ability inside his house though, 146 00:09:01,679 --> 00:09:03,520 Speaker 1: I mean they didn't sign away, he didn't sign a 147 00:09:03,559 --> 00:09:07,880 Speaker 1: waiver again well nowadays, yeah, you know, right, exactly right, 148 00:09:08,400 --> 00:09:11,000 Speaker 1: something happens to somebody inside the house and it's trouble 149 00:09:12,679 --> 00:09:14,720 Speaker 1: but good stuff. And I think you know the setup 150 00:09:14,760 --> 00:09:18,360 Speaker 1: for that was just to get just to get soaked, 151 00:09:19,160 --> 00:09:22,520 Speaker 1: run into h Jess and have Jess come in and 152 00:09:23,120 --> 00:09:23,920 Speaker 1: have that scene. 153 00:09:24,000 --> 00:09:27,520 Speaker 3: And I loved how he turned the sprinkler back on 154 00:09:28,080 --> 00:09:31,600 Speaker 3: after he heard that. Who was the other kid that 155 00:09:31,679 --> 00:09:33,440 Speaker 3: was going to come home and help Dean. 156 00:09:33,520 --> 00:09:34,360 Speaker 1: Dean the boyfriend. 157 00:09:34,480 --> 00:09:39,920 Speaker 3: Yeah, yeah, and uh, I guess yeah, I thought that 158 00:09:40,080 --> 00:09:43,520 Speaker 3: was Milo. Then Amilia and I had to go watch 159 00:09:43,559 --> 00:09:46,160 Speaker 3: the credits or at the beginning rewatch it to make 160 00:09:46,400 --> 00:09:49,920 Speaker 3: to see if it really was him. But yeah, it's 161 00:09:49,920 --> 00:09:53,440 Speaker 3: really cool to see actors get their start on Gilmore Girls. 162 00:09:53,440 --> 00:09:56,400 Speaker 3: I mean, Gilmore Girls was one of the first major 163 00:09:56,480 --> 00:10:00,280 Speaker 3: shows that I ever was on and just blessed to 164 00:10:00,360 --> 00:10:02,800 Speaker 3: have been a part of it. And was that the 165 00:10:03,320 --> 00:10:06,199 Speaker 3: fan event that you and I saw each other again? 166 00:10:06,800 --> 00:10:10,040 Speaker 3: Was that like two months ago in New Milford, which 167 00:10:10,080 --> 00:10:13,240 Speaker 3: is great. So just very honored and blessed to be 168 00:10:13,240 --> 00:10:16,920 Speaker 3: a part of the Gilmore Girls community. I will say though, 169 00:10:17,480 --> 00:10:21,840 Speaker 3: I was curious to see if John Ham appeared in 170 00:10:21,880 --> 00:10:24,319 Speaker 3: the next episode because she agreed to go on the 171 00:10:24,360 --> 00:10:28,560 Speaker 3: next date with him. So I was thinking that, Okay, 172 00:10:28,679 --> 00:10:31,559 Speaker 3: well let's see the David Bowie concert and then it 173 00:10:31,679 --> 00:10:34,839 Speaker 3: was nothing like John hamm and Peyton was. It was 174 00:10:34,880 --> 00:10:37,719 Speaker 3: just an afterthought, like what was he even brought up? 175 00:10:38,080 --> 00:10:40,880 Speaker 1: Peyton Sanders Peyton s Yeah, yeah, they can't go to 176 00:10:40,880 --> 00:10:43,560 Speaker 1: a Boie concert thing. Imagine the royalty payment that I 177 00:10:43,559 --> 00:10:45,280 Speaker 1: have to make for Franny Bowie song. 178 00:10:45,920 --> 00:10:48,640 Speaker 3: Yeah, but it was just like it was very I 179 00:10:48,720 --> 00:10:51,120 Speaker 3: was very curious, why just all of a sudden. 180 00:10:50,840 --> 00:10:53,600 Speaker 1: Yeah, don't tease me with Bowie and then and then 181 00:10:54,559 --> 00:10:57,559 Speaker 1: right exactly. I didn't like that at all because I 182 00:10:57,640 --> 00:10:59,120 Speaker 1: knew there wasn't going to be another I knew there 183 00:10:59,120 --> 00:11:00,760 Speaker 1: wasn't going to be a Bowie. So you don't tease 184 00:11:00,760 --> 00:11:03,199 Speaker 1: a Bowie concert and then deny people of Boi concert 185 00:11:03,240 --> 00:11:08,240 Speaker 1: that that in itself, I believe that's actionable and I'm 186 00:11:08,240 --> 00:11:11,880 Speaker 1: consulting my attorney anyway. You know, you think Dwight fits in. 187 00:11:11,920 --> 00:11:14,360 Speaker 1: He's a quirky kind of guy, right, he kind of 188 00:11:14,360 --> 00:11:18,040 Speaker 1: fits right in there. And uh, you know, Bett liberally 189 00:11:18,200 --> 00:11:24,480 Speaker 1: like giving him loreleized cell number. Thanks a lot. But 190 00:11:24,920 --> 00:11:27,520 Speaker 1: you know that's that's the charm of the show, right 191 00:11:28,080 --> 00:11:31,480 Speaker 1: m hm. You know who stole the whole episode for 192 00:11:31,600 --> 00:11:35,640 Speaker 1: me was that giant fish at the end when when 193 00:11:35,640 --> 00:11:39,360 Speaker 1: it was just like listening to his ex wife's abusive 194 00:11:39,400 --> 00:11:42,240 Speaker 1: message and ran out of there, and then the camera 195 00:11:42,280 --> 00:11:45,200 Speaker 1: pans to the aquarium and you just see that giant 196 00:11:45,200 --> 00:11:46,520 Speaker 1: well I don't know what kind of fish it was, 197 00:11:46,600 --> 00:11:51,599 Speaker 1: but it was just like staring at us, you know, like, geez. 198 00:11:52,320 --> 00:11:57,480 Speaker 3: What I like the I like the cuckoo person like 199 00:11:58,520 --> 00:12:04,960 Speaker 3: that was like eight o'clock at the awayssince. 200 00:12:03,400 --> 00:12:07,720 Speaker 1: I've never seen a fish steal a scene that was 201 00:12:07,760 --> 00:12:12,559 Speaker 1: a scene stealing fish actually rewounded a couple of times 202 00:12:12,559 --> 00:12:14,760 Speaker 1: and cracked up just what I did with my mornings. 203 00:12:15,120 --> 00:12:17,199 Speaker 1: This is what it's come to. But I'll tell you, 204 00:12:17,360 --> 00:12:19,319 Speaker 1: if it's going to come to something, it's a good 205 00:12:19,360 --> 00:12:20,959 Speaker 1: thing to have this show to make you laugh. 206 00:12:21,040 --> 00:12:21,160 Speaker 5: Man. 207 00:12:22,040 --> 00:12:24,000 Speaker 3: I liked your scene in the beginning when you were 208 00:12:24,040 --> 00:12:26,880 Speaker 3: complaining about the lactating lady at the table. 209 00:12:27,120 --> 00:12:29,679 Speaker 1: You know, that was odd. That is so. And here's 210 00:12:29,720 --> 00:12:31,600 Speaker 1: people ask me this question all the time, you know, 211 00:12:31,960 --> 00:12:37,040 Speaker 1: are you like Luke in this circumstance. No, not even close. 212 00:12:38,200 --> 00:12:43,319 Speaker 1: And I have actually intervened in public in situations where 213 00:12:44,080 --> 00:12:48,960 Speaker 1: somebody is giving a woman who's breastfeeding her child a 214 00:12:49,000 --> 00:12:53,760 Speaker 1: hard time about it, and I I'm I've stepped in 215 00:12:53,840 --> 00:12:58,160 Speaker 1: and say, yo, back off, stop it, stop stressing her out, 216 00:12:58,200 --> 00:13:01,480 Speaker 1: and stop stressing her baby out. Just walk. You know, 217 00:13:01,960 --> 00:13:06,400 Speaker 1: it really really pisses me off when people, you know, 218 00:13:07,520 --> 00:13:10,880 Speaker 1: get all offended, and it's. 219 00:13:10,720 --> 00:13:14,760 Speaker 3: Like, I agree, that just makes refer to your your performance. 220 00:13:15,000 --> 00:13:17,400 Speaker 1: I thought you were No, no, I know, but but 221 00:13:17,440 --> 00:13:19,800 Speaker 1: I'm answering the fan question, like, are you like, look 222 00:13:19,840 --> 00:13:23,280 Speaker 1: in this situation, it was uncomfortable to watch that. That's 223 00:13:23,320 --> 00:13:26,160 Speaker 1: the character, that's how he feels. Fine, but I don't 224 00:13:26,200 --> 00:13:29,080 Speaker 1: feel that way in any way, shape or form. You know, 225 00:13:29,280 --> 00:13:30,920 Speaker 1: you got to feed your kid. You gotta feed your kid. 226 00:13:30,920 --> 00:13:33,880 Speaker 1: I mean it's the most you know, natural, natural, natural 227 00:13:33,920 --> 00:13:35,760 Speaker 1: thing you could do, is feed your child. I mean, 228 00:13:35,960 --> 00:13:38,040 Speaker 1: how dare anybody try to interrupt that? 229 00:13:38,160 --> 00:13:40,480 Speaker 3: You know, I mean just go to Europe and you 230 00:13:40,480 --> 00:13:41,560 Speaker 3: see it all over the place. 231 00:13:42,000 --> 00:13:44,720 Speaker 1: Oh yeah, yeah, I don't. I don't get why people 232 00:13:44,760 --> 00:13:48,960 Speaker 1: are so. I don't get it. Yeah, providing nourishment to 233 00:13:49,000 --> 00:13:52,760 Speaker 1: a baby angers people. Okay, yeah, that's weird. 234 00:13:53,000 --> 00:13:57,920 Speaker 3: I'm offended. That's well, that's my own people say, oh 235 00:13:58,040 --> 00:13:59,240 Speaker 3: that I'm offended. 236 00:13:59,440 --> 00:14:03,720 Speaker 1: Well, yeah, that's your problem. Okay. So now laurel I 237 00:14:03,760 --> 00:14:06,120 Speaker 1: and Roy are back for Friday night dinner after the 238 00:14:06,160 --> 00:14:12,800 Speaker 1: Peyton debacle. Emily is predictably cold with laurel I now 239 00:14:12,880 --> 00:14:16,000 Speaker 1: because all her hopes are dashed of maybe traveling in 240 00:14:16,040 --> 00:14:21,160 Speaker 1: Peyton's private jets to Maui as a as an extended family. 241 00:14:21,280 --> 00:14:26,080 Speaker 1: For some birthdays or weddings, who knows. Laura Lai actually 242 00:14:26,120 --> 00:14:29,520 Speaker 1: apologizes and she explains that she had a bad time, 243 00:14:30,360 --> 00:14:35,120 Speaker 1: but she's willing to go to the Bowie concert. What 244 00:14:35,120 --> 00:14:37,640 Speaker 1: do you think about that? You think she should have 245 00:14:37,800 --> 00:14:39,000 Speaker 1: stood her ground or. 246 00:14:40,080 --> 00:14:45,040 Speaker 3: I think she did the right thing. Yeah again, I 247 00:14:45,040 --> 00:14:46,200 Speaker 3: think her parents should have. 248 00:14:46,280 --> 00:14:50,160 Speaker 1: Prefaced take one for the team before. 249 00:14:49,840 --> 00:14:54,280 Speaker 3: Even going on the date. Listen, Yeah, this is maybe 250 00:14:54,320 --> 00:15:00,320 Speaker 3: not a normal situation. Just please be aware of like 251 00:15:00,400 --> 00:15:03,880 Speaker 3: what happens with the dates so that h this was 252 00:15:03,920 --> 00:15:07,560 Speaker 3: avoided from the get go. But I did think it 253 00:15:07,600 --> 00:15:11,320 Speaker 3: was sweet. And I think this is what happens in 254 00:15:11,360 --> 00:15:16,200 Speaker 3: relationships where people dig into whether they think they are 255 00:15:16,280 --> 00:15:19,200 Speaker 3: right and they will not acquiesce and they'll just dig 256 00:15:19,240 --> 00:15:21,680 Speaker 3: their heels in. And this is where I think it 257 00:15:21,680 --> 00:15:25,400 Speaker 3: can cause major riffs in relationships and families. Whereas I 258 00:15:25,480 --> 00:15:29,000 Speaker 3: think Loralai shared with us a very important lesson that 259 00:15:29,040 --> 00:15:31,520 Speaker 3: if you really care about the people and your family, 260 00:15:32,120 --> 00:15:37,360 Speaker 3: that sometimes you may have to choose between being right 261 00:15:37,960 --> 00:15:42,120 Speaker 3: and doing something that is loving for the people that 262 00:15:42,280 --> 00:15:42,920 Speaker 3: you care about. 263 00:15:44,480 --> 00:15:49,040 Speaker 1: Yeah, well said taking one for the team, Right, She 264 00:15:50,000 --> 00:15:52,560 Speaker 1: took one for the team. Good for her, she did, 265 00:15:53,080 --> 00:15:55,400 Speaker 1: and she had a great last line, very funny line 266 00:15:55,440 --> 00:15:59,200 Speaker 1: she takes. She says, Yeah, what was her last line 267 00:15:59,320 --> 00:16:03,520 Speaker 1: to tell are to borrow a sweater for the concert? 268 00:16:03,560 --> 00:16:06,480 Speaker 1: Borrow Rory's sweater for the concert because she liked Rory's 269 00:16:06,920 --> 00:16:09,560 Speaker 1: blue sweater and she should wear blue more often, you know, 270 00:16:09,840 --> 00:16:10,960 Speaker 1: in the first time they come in. 271 00:16:11,200 --> 00:16:13,280 Speaker 3: What was the last she said? I think it was 272 00:16:13,280 --> 00:16:16,600 Speaker 3: a David Bowie lyric at the very end when she 273 00:16:16,720 --> 00:16:19,840 Speaker 3: grabs round, control the major town, control the major top. 274 00:16:20,120 --> 00:16:32,880 Speaker 1: Yeah. Colin, let's talk about you a little bit. You're 275 00:16:32,920 --> 00:16:37,560 Speaker 1: in the season four episode seventeen Girls in bikinis, boys 276 00:16:37,640 --> 00:16:40,560 Speaker 1: doing the Twist, and we had you on a few 277 00:16:40,600 --> 00:16:43,200 Speaker 1: years ago. Talk about it. Yeah, And you've had a 278 00:16:43,240 --> 00:16:46,800 Speaker 1: lot of roles in TV shows. Is this one of 279 00:16:46,840 --> 00:16:51,160 Speaker 1: your fondest memories of being on set for a day? Absolutely. 280 00:16:51,560 --> 00:16:53,080 Speaker 1: I was new to Hollywood. 281 00:16:53,280 --> 00:16:56,640 Speaker 3: I think I was maybe twenty seven or twenty eight 282 00:16:56,720 --> 00:17:00,240 Speaker 3: years old, and my agent called me up that morning 283 00:17:00,720 --> 00:17:03,640 Speaker 3: and said, Hey, I'm sending you an audition for Gilmore Girls. 284 00:17:03,800 --> 00:17:06,600 Speaker 3: It's down in I think it was like Manhattan Beach 285 00:17:06,760 --> 00:17:12,480 Speaker 3: or Redondo, And he said, the audition is this morning, 286 00:17:12,520 --> 00:17:14,800 Speaker 3: and if you get the role, you're working today. 287 00:17:16,119 --> 00:17:18,880 Speaker 1: No, I quickly printed a lunch. Oh yeah. 288 00:17:18,920 --> 00:17:21,000 Speaker 3: So I was like, oh yeah, thanks a lot for 289 00:17:21,040 --> 00:17:24,200 Speaker 3: the heads up. But that's how TV and film works. 290 00:17:24,240 --> 00:17:26,919 Speaker 3: It works very quickly, and as you know, and so 291 00:17:26,960 --> 00:17:30,040 Speaker 3: I printed out the sides and I jumped in, you know, shower, 292 00:17:30,119 --> 00:17:33,120 Speaker 3: jumped in my car and driving down from West Hollywood 293 00:17:33,160 --> 00:17:36,640 Speaker 3: to to I think it was Redondo, you know, looking 294 00:17:36,760 --> 00:17:39,159 Speaker 3: trying to memorize my lines while I'm like making sure 295 00:17:39,200 --> 00:17:42,000 Speaker 3: I'm not running through red lights. And finally got down 296 00:17:42,040 --> 00:17:45,240 Speaker 3: there and I walked into where they had rented this 297 00:17:45,440 --> 00:17:48,960 Speaker 3: little motel right on the beach, and so they brought 298 00:17:49,040 --> 00:17:52,119 Speaker 3: us up to where the casting was and there was like, 299 00:17:52,200 --> 00:17:54,159 Speaker 3: I don't know, it must have been like fifteen or 300 00:17:54,200 --> 00:17:57,439 Speaker 3: twenty other guys. So we're all sitting there waiting, and 301 00:17:57,480 --> 00:18:00,600 Speaker 3: one by one they brought us in and audition came 302 00:18:00,640 --> 00:18:03,399 Speaker 3: back out. And then it was one of those moments 303 00:18:03,600 --> 00:18:06,439 Speaker 3: where I mean it was it was magical because the 304 00:18:06,440 --> 00:18:09,560 Speaker 3: casting director comes out and she says, okay, everyone can 305 00:18:09,640 --> 00:18:13,480 Speaker 3: leave except for Colin. I was like, all right, amazing. 306 00:18:13,119 --> 00:18:13,640 Speaker 1: This is cool. 307 00:18:14,040 --> 00:18:16,720 Speaker 3: And then she comes up and says, hey, Colin, thanks 308 00:18:16,760 --> 00:18:19,200 Speaker 3: so much for your audition. You know you were great. 309 00:18:19,640 --> 00:18:21,600 Speaker 3: But we have one more actor that's on his way 310 00:18:21,640 --> 00:18:24,399 Speaker 3: over here, so if you wouldn't mind just sticking around. 311 00:18:25,000 --> 00:18:28,080 Speaker 3: And I'm like, oh, I'm sitting there waiting, And it 312 00:18:28,119 --> 00:18:30,199 Speaker 3: must have been like fifteen or twenty minutes, and finally 313 00:18:30,240 --> 00:18:34,600 Speaker 3: this guy walks in. And I had been studying with 314 00:18:34,680 --> 00:18:38,359 Speaker 3: this acting coach named Chris Fields. And in Chris Field's 315 00:18:38,359 --> 00:18:40,880 Speaker 3: acting class, there was this guy named Dan and he 316 00:18:40,960 --> 00:18:45,960 Speaker 3: was like this more experienced, really good looking guy, super confident, 317 00:18:46,320 --> 00:18:49,000 Speaker 3: like everyone wanted to be like Dan in acting class. 318 00:18:49,119 --> 00:18:52,600 Speaker 3: And so when Dan then Dan walks in and I'm 319 00:18:52,640 --> 00:18:55,040 Speaker 3: just like, oh, I mean, I might as well leave 320 00:18:55,119 --> 00:18:59,119 Speaker 3: right now. Here's Dan. He's gonna smoke this audition and 321 00:18:59,160 --> 00:19:02,000 Speaker 3: I might as well just like head back to West Hollywood. 322 00:19:02,560 --> 00:19:05,960 Speaker 3: So he's like, hey, man, what's going on. I'm like, hey, Dan, 323 00:19:06,119 --> 00:19:09,640 Speaker 3: good to see you. So he goes in audition, comes 324 00:19:09,680 --> 00:19:11,760 Speaker 3: back out, and you know, he's got a smile on 325 00:19:11,800 --> 00:19:14,040 Speaker 3: his face when he comes back out and sits down, 326 00:19:15,040 --> 00:19:18,400 Speaker 3: and then she comes back out and says, all right, Dan, 327 00:19:18,520 --> 00:19:22,240 Speaker 3: thanks so much, Colin, you can go to wardrobe. And 328 00:19:22,280 --> 00:19:27,040 Speaker 3: I was like, holy crap, man, like so it was 329 00:19:27,760 --> 00:19:30,480 Speaker 3: it was pretty special and just to be on that, 330 00:19:30,560 --> 00:19:33,919 Speaker 3: you know, obviously a hit show. So early on in 331 00:19:33,920 --> 00:19:37,439 Speaker 3: my career, I'd come from soap opera, but that was 332 00:19:37,480 --> 00:19:41,359 Speaker 3: my first I had done Law and Order SVU. I 333 00:19:41,359 --> 00:19:43,600 Speaker 3: played a mail escort. But other than other than that, 334 00:19:44,160 --> 00:19:45,400 Speaker 3: not so much on my resume. 335 00:19:45,720 --> 00:19:49,840 Speaker 1: And how did Dan end up doing? How's he been doing? 336 00:19:49,880 --> 00:19:51,240 Speaker 1: Did he did he book some stuff? 337 00:19:51,320 --> 00:19:54,040 Speaker 3: You know? I I think I saw him in an 338 00:19:54,119 --> 00:19:56,720 Speaker 3: episode of something else, but I have I've lost touch 339 00:19:56,760 --> 00:20:00,520 Speaker 3: with him. But uh yeah, I'm not I'm not quite sure. 340 00:20:00,600 --> 00:20:03,040 Speaker 3: I'm sure he's I'm sure he's doing all right. 341 00:20:03,800 --> 00:20:06,959 Speaker 1: Yeah, Well that's a that's a great story. Yeah, you 342 00:20:07,000 --> 00:20:08,480 Speaker 1: had there, that was stressful for you? 343 00:20:08,760 --> 00:20:11,919 Speaker 3: Oh yeah, I mean, how was your audition for Gilmore Girls? 344 00:20:11,920 --> 00:20:15,560 Speaker 1: Though? Pretty easy, breezy. You know, it was just to 345 00:20:15,600 --> 00:20:18,720 Speaker 1: be a guest star in the pilot. And I just 346 00:20:18,760 --> 00:20:22,159 Speaker 1: went in and did a scene. And you know, I 347 00:20:22,200 --> 00:20:24,159 Speaker 1: was supposed to prep two scenes, but there was a 348 00:20:24,200 --> 00:20:27,119 Speaker 1: type all on the sides that said duke on the 349 00:20:27,119 --> 00:20:28,760 Speaker 1: other scene. So I didn't prep it and they told 350 00:20:28,800 --> 00:20:31,000 Speaker 1: me to prep it outside five minutes, came back and 351 00:20:31,960 --> 00:20:35,720 Speaker 1: did it. Left. I wasn't. I felt a good vibe 352 00:20:35,760 --> 00:20:37,840 Speaker 1: in the room, right, you know, you know, you feel 353 00:20:37,880 --> 00:20:41,000 Speaker 1: the vibe or not right. Usually it's like pretty awkward 354 00:20:41,119 --> 00:20:44,080 Speaker 1: sometimes you know, and it's like, you know, it's not right. Yep. 355 00:20:44,119 --> 00:20:48,000 Speaker 1: But this one felt really right. The part felt really right. Whatever. 356 00:20:48,080 --> 00:20:51,960 Speaker 1: But I hadn't invested everything in it. I had three 357 00:20:52,000 --> 00:20:55,600 Speaker 1: auditions that day. I was running around town. I was 358 00:20:55,640 --> 00:20:57,280 Speaker 1: on the west side. I had to get back to 359 00:20:57,400 --> 00:20:59,080 Speaker 1: I was teaching an acting class. So I had to 360 00:20:59,119 --> 00:21:02,439 Speaker 1: get back and I do the second audition, i'd do 361 00:21:02,480 --> 00:21:04,199 Speaker 1: the third audition. I had to drive all the way 362 00:21:04,200 --> 00:21:07,280 Speaker 1: across town and bumper to bumper traffic. I was going 363 00:21:07,320 --> 00:21:09,879 Speaker 1: to be late, so I I, you know, I didn't 364 00:21:09,920 --> 00:21:12,879 Speaker 1: really you know, I was just like I went in 365 00:21:12,920 --> 00:21:15,840 Speaker 1: there and I was a little impatient with him. I 366 00:21:15,880 --> 00:21:17,080 Speaker 1: was cool with him, but I was like, all right, 367 00:21:17,160 --> 00:21:18,600 Speaker 1: let's go. I gotta do this. I gotta get out 368 00:21:18,600 --> 00:21:18,800 Speaker 1: of here. 369 00:21:20,840 --> 00:21:23,120 Speaker 3: And so that was the audition that did they bring 370 00:21:23,160 --> 00:21:24,000 Speaker 3: you back to tests? 371 00:21:24,320 --> 00:21:27,200 Speaker 1: No, no, no, it was just that was the only 372 00:21:27,240 --> 00:21:30,359 Speaker 1: audition I got on the back door. And then you know, 373 00:21:30,520 --> 00:21:32,960 Speaker 1: worked out on set when we shot the pilot, and 374 00:21:32,960 --> 00:21:35,520 Speaker 1: then they offered two episodes, and they offered four episodes, 375 00:21:35,560 --> 00:21:38,960 Speaker 1: and we just you know, held firm and said just 376 00:21:39,000 --> 00:21:40,480 Speaker 1: give us a deal. And they gave us a deal, 377 00:21:40,680 --> 00:21:46,200 Speaker 1: so awesome. Bought a bing, bought a boom, right, yeah, yeah, 378 00:21:46,280 --> 00:21:47,920 Speaker 1: one of those things. One of those things. 379 00:21:48,119 --> 00:21:52,959 Speaker 3: Do you miss the the in person auditions and doing that? 380 00:21:53,119 --> 00:21:56,560 Speaker 1: I do, Yeah, I do, I really really do. I 381 00:21:56,640 --> 00:21:58,879 Speaker 1: just I just did an audition that I you know, 382 00:21:58,920 --> 00:22:03,040 Speaker 1: you put on tape. Now. Yeah, so the first time, 383 00:22:03,520 --> 00:22:05,040 Speaker 1: and I've been doing this for a couple of years, 384 00:22:05,080 --> 00:22:07,239 Speaker 1: right that this has been happening for for you know, 385 00:22:07,359 --> 00:22:10,520 Speaker 1: five six, seven years now that you're you're doing it 386 00:22:10,560 --> 00:22:14,560 Speaker 1: on your cell phone. And but this last one was 387 00:22:14,640 --> 00:22:20,199 Speaker 1: for a Sydney Sweeney film and so I, you know, 388 00:22:20,240 --> 00:22:22,560 Speaker 1: I set up the camera and I, you know, I 389 00:22:22,600 --> 00:22:24,639 Speaker 1: put the wardrobe on, I did the whole thing. But 390 00:22:25,720 --> 00:22:29,000 Speaker 1: you know, you can do good work. It doesn't really matter, right, 391 00:22:29,040 --> 00:22:32,399 Speaker 1: They just need to see the work. But I don't know. 392 00:22:32,440 --> 00:22:34,920 Speaker 1: And in a lot of ways, it's it's far more 393 00:22:34,960 --> 00:22:37,280 Speaker 1: convenient you get you don't A big chunk of your 394 00:22:37,359 --> 00:22:42,040 Speaker 1: day isn't taken. And uh, you know, driving and parking 395 00:22:42,160 --> 00:22:44,600 Speaker 1: and sitting because it's always a long walk from the 396 00:22:44,640 --> 00:22:48,520 Speaker 1: parking lot. It's one hundred degrees. 397 00:22:48,840 --> 00:22:52,720 Speaker 3: You have to park at Warner Brothers Lot seven and then. 398 00:22:52,640 --> 00:22:57,360 Speaker 1: Crush right, take a taxi down bar Ham. 399 00:22:57,359 --> 00:23:03,160 Speaker 3: And then walk through you know, giant studios to get 400 00:23:03,200 --> 00:23:05,240 Speaker 3: to the one little casting office. 401 00:23:05,480 --> 00:23:08,680 Speaker 1: Yeah right, you pass like five movie stars and fourteen 402 00:23:08,720 --> 00:23:10,800 Speaker 1: TV stars and you feel smaller. And by the time 403 00:23:10,800 --> 00:23:12,480 Speaker 1: you get there, yeah, Paul. 404 00:23:12,600 --> 00:23:16,400 Speaker 3: And a gladiator and a dwarf, and. 405 00:23:16,520 --> 00:23:22,639 Speaker 5: You just it's it's, I don't know, yeah, like running 406 00:23:22,640 --> 00:23:26,000 Speaker 5: the gauntlet, right, yeah, it's like, well, then you get there, 407 00:23:26,040 --> 00:23:28,840 Speaker 5: you're sweaty, you don't feel too good, and. 408 00:23:28,920 --> 00:23:32,080 Speaker 3: You see seven other guys from hit TV shows and 409 00:23:32,080 --> 00:23:36,080 Speaker 3: you're like, I'm never gonna get right. 410 00:23:37,359 --> 00:23:40,600 Speaker 1: Yeah. Yeah, you know, I learned how to be you know, 411 00:23:40,720 --> 00:23:42,960 Speaker 1: if if you're a little bit obnoxious in the room 412 00:23:43,920 --> 00:23:45,919 Speaker 1: and you throw them off their game, you know you 413 00:23:45,920 --> 00:23:48,199 Speaker 1: can get the edge, you know. Guess you're kind of 414 00:23:48,240 --> 00:23:53,760 Speaker 1: loud and sort of happy. Yeah, you take one innocent victim, 415 00:23:53,800 --> 00:23:55,080 Speaker 1: you said, I said, what's up? 416 00:23:55,119 --> 00:23:55,280 Speaker 2: Man? 417 00:23:55,320 --> 00:23:58,160 Speaker 1: How you you know, you just start chattering and everybody 418 00:23:58,200 --> 00:23:59,240 Speaker 1: just looks, you know, they give you. 419 00:23:59,640 --> 00:24:02,000 Speaker 3: Reach and grab potato chips out of there. 420 00:24:02,400 --> 00:24:08,440 Speaker 1: Right, you gotta have audition room game. Yeah right, it's 421 00:24:08,480 --> 00:24:11,320 Speaker 1: a thing. It is a thing. It is a thing, man, 422 00:24:11,359 --> 00:24:12,480 Speaker 1: that's a it's a whole war. 423 00:24:12,600 --> 00:24:12,760 Speaker 4: Man. 424 00:24:12,800 --> 00:24:15,160 Speaker 1: It's like, I'm getting this role, and I'm gonna jack 425 00:24:15,200 --> 00:24:16,280 Speaker 1: you up to get this. 426 00:24:16,240 --> 00:24:18,879 Speaker 3: Role, or at least I'm gonna make you remember me. 427 00:24:19,359 --> 00:24:21,600 Speaker 1: How many how many times have you been sitting there 428 00:24:21,680 --> 00:24:25,560 Speaker 1: nervously waiting, waiting, waiting, and then some boisterous idiot walks 429 00:24:25,600 --> 00:24:29,040 Speaker 1: in right and he throws you off your gain? You 430 00:24:29,040 --> 00:24:31,280 Speaker 1: don't want to Oh, hey man, good to see you. 431 00:24:31,320 --> 00:24:31,439 Speaker 4: Bro. 432 00:24:31,680 --> 00:24:34,720 Speaker 3: Well you're looking wow, man, you look so handsome. And 433 00:24:35,040 --> 00:24:36,680 Speaker 3: what have you been dude, you've been working out? 434 00:24:37,119 --> 00:24:37,399 Speaker 4: Wow? 435 00:24:37,720 --> 00:24:39,760 Speaker 3: I'm like, shut the f up. 436 00:24:40,240 --> 00:24:43,640 Speaker 1: Just go over there. But he's in your head now, 437 00:24:43,800 --> 00:24:47,080 Speaker 1: and so that works that I was, that's intentional, my. 438 00:24:47,080 --> 00:24:49,560 Speaker 3: Head down, looking at my sides, pretending I was like 439 00:24:50,080 --> 00:24:52,760 Speaker 3: studying them so and I wouldn't even look at whoever 440 00:24:52,800 --> 00:24:54,920 Speaker 3: would walk in the room until I would walk out. 441 00:24:55,240 --> 00:24:58,960 Speaker 3: And then cause, yeah, some guys just like to chit chat, 442 00:24:59,080 --> 00:25:01,639 Speaker 3: and I think they literally do that to try to 443 00:25:01,680 --> 00:25:02,560 Speaker 3: throw you off your game. 444 00:25:02,680 --> 00:25:05,960 Speaker 1: Oh there's no question. Yeah, no, it's it's you gotta 445 00:25:05,960 --> 00:25:10,000 Speaker 1: have game. But no, no, no, I didn't do that on 446 00:25:10,040 --> 00:25:13,000 Speaker 1: that one on the on the Gilmore audition, it was 447 00:25:13,119 --> 00:25:16,600 Speaker 1: just you know, I didn't wait very long. They saw 448 00:25:16,640 --> 00:25:20,880 Speaker 1: me right away. That's good. Yeah, yeah, it was pretty quick. 449 00:25:21,640 --> 00:25:23,359 Speaker 1: It's not like they were waiting for me or anything. 450 00:25:23,359 --> 00:25:25,399 Speaker 1: But it was like I signed in and then I 451 00:25:25,440 --> 00:25:28,600 Speaker 1: sat down for like seems like a minute, and they said, 452 00:25:28,600 --> 00:25:30,720 Speaker 1: all right, they're writing and I went in, Yeah, no 453 00:25:30,760 --> 00:25:32,120 Speaker 1: big deal, mm hmm. 454 00:25:32,359 --> 00:25:32,520 Speaker 4: Yeah. 455 00:25:32,520 --> 00:25:36,520 Speaker 1: I wish they were all like that, right. Yeah. 456 00:25:36,640 --> 00:25:40,199 Speaker 3: I started producing my own projects so they don't have 457 00:25:40,280 --> 00:25:44,480 Speaker 3: to do that process because it's just so annoying having 458 00:25:44,640 --> 00:25:49,399 Speaker 3: to audition and wait until you get chosen. So I 459 00:25:49,480 --> 00:25:52,760 Speaker 3: just produced a film in Chicago a couple of months ago, 460 00:25:52,840 --> 00:25:55,360 Speaker 3: and it's fun being on the other side getting to 461 00:25:55,600 --> 00:25:58,720 Speaker 3: choose the other actors, and it's just amazing just watching 462 00:25:59,480 --> 00:26:03,320 Speaker 3: when actor submit, you can definitely tell the actors that 463 00:26:03,320 --> 00:26:05,280 Speaker 3: have done the work and have prepared and the other 464 00:26:05,280 --> 00:26:08,080 Speaker 3: ones that are just kind of like trying to figure 465 00:26:08,080 --> 00:26:10,360 Speaker 3: out the like have you read this? Did you even 466 00:26:10,400 --> 00:26:12,760 Speaker 3: look at this before you turn the camera on. It's 467 00:26:13,119 --> 00:26:16,040 Speaker 3: it's incredible, like how unprepared some actors are. 468 00:26:16,359 --> 00:26:20,800 Speaker 1: But I understand, you know, auditioning is an acting, it's 469 00:26:20,880 --> 00:26:23,120 Speaker 1: just a it's a show. You just put on your 470 00:26:23,160 --> 00:26:26,159 Speaker 1: gun slinger. You're a gunslinger and you go in and 471 00:26:26,200 --> 00:26:28,320 Speaker 1: you flip the psychology and you take the room. And 472 00:26:28,320 --> 00:26:30,240 Speaker 1: that's that's what you have to learn how to do 473 00:26:30,760 --> 00:26:33,399 Speaker 1: shots on right, because it's not about act I mean, 474 00:26:33,440 --> 00:26:37,200 Speaker 1: it's like and if you're the if you have a process, 475 00:26:37,240 --> 00:26:40,640 Speaker 1: if you have any kind of process in place, right, 476 00:26:41,800 --> 00:26:45,320 Speaker 1: don't want to make choices right away, and you really can't, 477 00:26:45,600 --> 00:26:50,440 Speaker 1: and you and auditioning forces you to make choices. And 478 00:26:50,800 --> 00:26:53,199 Speaker 1: that's why I was bad at it for for a 479 00:26:53,320 --> 00:26:56,640 Speaker 1: long time until I figured out, you know what, let 480 00:26:56,680 --> 00:27:00,199 Speaker 1: them see your process. Don't give them something complet lee, 481 00:27:00,359 --> 00:27:03,480 Speaker 1: but let them see that you have a process, you know, 482 00:27:03,720 --> 00:27:05,480 Speaker 1: and that you have an idea here. 483 00:27:05,680 --> 00:27:08,040 Speaker 3: So what would that look like for you? 484 00:27:08,080 --> 00:27:12,560 Speaker 1: Going with my first impressions, like trusting my instincts, my 485 00:27:12,640 --> 00:27:16,520 Speaker 1: initial instincts when I read the script and then you 486 00:27:16,560 --> 00:27:19,959 Speaker 1: get a feeling, you get a vibe, and then something 487 00:27:20,040 --> 00:27:24,160 Speaker 1: happens when you just sort of read the dialogue you know, flatly, 488 00:27:24,400 --> 00:27:26,320 Speaker 1: and then you go oh, and then choices are kind 489 00:27:26,320 --> 00:27:29,240 Speaker 1: of made for you instinctually. And I go with that. 490 00:27:30,000 --> 00:27:33,119 Speaker 3: So how would you show them that process when you 491 00:27:33,160 --> 00:27:33,600 Speaker 3: walked in. 492 00:27:33,560 --> 00:27:38,000 Speaker 1: The room, turn around, you tell them I just want 493 00:27:38,040 --> 00:27:41,400 Speaker 1: to take a minute. Okay, yeah, then you turn around, 494 00:27:41,520 --> 00:27:49,800 Speaker 1: turn your back on him. You count to about thirty seriously, seriously, 495 00:27:49,920 --> 00:27:51,520 Speaker 1: and then you turn around and you go all right, 496 00:27:51,520 --> 00:27:53,800 Speaker 1: I'm ready because now you have their attention. 497 00:27:54,240 --> 00:27:54,720 Speaker 2: Yeah. 498 00:27:54,920 --> 00:27:57,080 Speaker 3: I would do that, just not that long. 499 00:27:57,119 --> 00:27:58,840 Speaker 1: But that's oh yeah, thirty second. 500 00:27:59,240 --> 00:28:01,600 Speaker 3: Oh yeah, that's that's ballard. 501 00:28:01,720 --> 00:28:08,560 Speaker 1: Sometimes it doesn't work though, like, okay, come on, it's like, 502 00:28:08,680 --> 00:28:10,720 Speaker 1: do you mind we have a lot of twenty. 503 00:28:10,600 --> 00:28:15,600 Speaker 3: Other actors out there. Come on, and you turn around 504 00:28:15,680 --> 00:28:18,000 Speaker 3: to be not to. 505 00:28:17,960 --> 00:28:24,479 Speaker 1: Be anything, to get their minds off of the fact 506 00:28:24,880 --> 00:28:28,920 Speaker 1: that they have multiple offers out to big names. Yeah, 507 00:28:29,000 --> 00:28:32,639 Speaker 1: whose agents are giving them headaches, and now they have 508 00:28:32,720 --> 00:28:36,040 Speaker 1: to deal with you, a total unknown right when you 509 00:28:36,080 --> 00:28:39,400 Speaker 1: were unknown, and it's like they're not interested. You got 510 00:28:39,400 --> 00:28:40,920 Speaker 1: to get there. How do you get their attention? You 511 00:28:40,920 --> 00:28:43,280 Speaker 1: got it? That's the game. It's like, how do you 512 00:28:43,360 --> 00:28:46,240 Speaker 1: get their attention? How do you get them to focus 513 00:28:46,320 --> 00:28:50,760 Speaker 1: on you and stop thinking about you know, mister Superstar 514 00:28:51,120 --> 00:28:53,320 Speaker 1: rejected their first two offers. 515 00:28:53,600 --> 00:28:56,640 Speaker 3: I would do things like I auditioned for I remember 516 00:28:56,760 --> 00:29:01,880 Speaker 3: Tarzan was being made at WB and I in the 517 00:29:01,920 --> 00:29:03,600 Speaker 3: middle of one of the scenes, I just did a 518 00:29:03,680 --> 00:29:07,480 Speaker 3: cartwheel and like landed to like to start the scene, 519 00:29:07,680 --> 00:29:10,760 Speaker 3: like I was like, landing as Tarzan. That's great from 520 00:29:10,760 --> 00:29:13,080 Speaker 3: a rock and then and you can tell like they 521 00:29:13,120 --> 00:29:14,120 Speaker 3: all start smiling. 522 00:29:14,560 --> 00:29:15,600 Speaker 1: That's fantastic. 523 00:29:15,880 --> 00:29:17,440 Speaker 3: Yeah, because you had to do something. 524 00:29:17,480 --> 00:29:19,400 Speaker 1: I remember, get that energy going. 525 00:29:19,640 --> 00:29:23,400 Speaker 3: I brought a six pack of coronas to uh the 526 00:29:23,440 --> 00:29:25,680 Speaker 3: head of casting at Warner Brothers. 527 00:29:26,080 --> 00:29:28,360 Speaker 1: Who is it, Marian Dherty and for film or TV 528 00:29:28,840 --> 00:29:32,960 Speaker 1: for a film. I don't know if Marion was still there, not. 529 00:29:32,880 --> 00:29:35,480 Speaker 3: Sure if she's still there, but things like that because 530 00:29:35,520 --> 00:29:39,320 Speaker 3: I I auditioned for I think it was Badman, like 531 00:29:39,440 --> 00:29:42,160 Speaker 3: years later and she was like, she was like, thanks 532 00:29:42,160 --> 00:29:45,280 Speaker 3: for those six packs for the coronas. And I was like, 533 00:29:45,960 --> 00:29:48,160 Speaker 3: you I go, you remembered. 534 00:29:48,360 --> 00:29:51,320 Speaker 1: She was like A don't huh. That's good, right, you 535 00:29:51,400 --> 00:29:54,160 Speaker 1: gotta do something different, right, that's brilliant. All right, So 536 00:29:54,280 --> 00:29:58,160 Speaker 1: we're kind of out of time. You got to come back, Colin. 537 00:29:58,280 --> 00:30:01,080 Speaker 1: Thanks so much, nice child. Put it up with you, buddy, 538 00:30:01,240 --> 00:30:04,960 Speaker 1: and luck with everything, and please thank you do come 539 00:30:05,040 --> 00:30:08,360 Speaker 1: back because this is these shorter segments about forty minutes. 540 00:30:08,360 --> 00:30:09,040 Speaker 1: It's not enough time. 541 00:30:09,040 --> 00:30:11,280 Speaker 3: By the way, can I plug my latest film that 542 00:30:11,440 --> 00:30:14,800 Speaker 3: just came please do. It's called Where the Wind Blows. 543 00:30:15,320 --> 00:30:21,000 Speaker 3: And it stars myself, Ashley Elaine, Trevor Donovan, Rob Mays, 544 00:30:21,320 --> 00:30:26,560 Speaker 3: Michelle Hurd, Lachlan Murdoch and c Thomas Howell. And it's 545 00:30:26,560 --> 00:30:31,760 Speaker 3: set in eighteen ninety in the Old Pioneer West. It's written, 546 00:30:31,800 --> 00:30:34,800 Speaker 3: it's based on a best selling novel by Carolyn Fife, 547 00:30:35,440 --> 00:30:42,680 Speaker 3: and it's a it's a romancy old Western cowboy type film. 548 00:30:43,080 --> 00:30:46,560 Speaker 1: Where the Wind Blows Colin Egglesfield and you have your 549 00:30:46,560 --> 00:30:51,160 Speaker 1: own podcast, Beyond Impact Podcast That's Right, which helps professionals 550 00:30:51,160 --> 00:30:54,440 Speaker 1: with public speaking. Colin, thank you for your time. Thanks Scott, 551 00:30:54,440 --> 00:30:56,479 Speaker 1: it's great to see it. We will see you again 552 00:30:57,040 --> 00:30:59,360 Speaker 1: in the not too distant future. Be well, my friend. 553 00:30:59,680 --> 00:30:59,880 Speaker 3: Thanks. 554 00:31:00,560 --> 00:31:02,360 Speaker 1: We're gonna wrap this up here. Thanks to the best 555 00:31:02,400 --> 00:31:05,160 Speaker 1: fans on the planet. Keep the cards and letters coming, 556 00:31:06,000 --> 00:31:09,480 Speaker 1: uh we need them, We want them. Love the feedback, 557 00:31:09,520 --> 00:31:11,120 Speaker 1: and remember where you lead, we will follow. 558 00:31:11,160 --> 00:31:42,000 Speaker 4: Stay safe, everyone, Everybody talks again. 559 00:31:42,080 --> 00:31:46,160 Speaker 1: Follow us on Instagram at I Am all In podcast 560 00:31:46,240 --> 00:32:00,960 Speaker 1: and email us at Gilmour at iHeartRadio dot com.