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So go to buy 17 00:00:51,520 --> 00:00:54,960 Speaker 1: Recon dot com slash I heart to get off your order. 18 00:00:55,120 --> 00:00:59,240 Speaker 1: That's by Recon dot com Slash I Heart for off 19 00:00:59,320 --> 00:01:02,000 Speaker 1: Recon why your list earbuds if you've been eyeing a parent, 20 00:01:02,080 --> 00:01:04,360 Speaker 1: now is the time to get an amazing deal one 21 00:01:04,400 --> 00:01:08,200 Speaker 1: more time by raycon dot com slash. I heart my 22 00:01:08,319 --> 00:01:10,840 Speaker 1: guest today. I'm excited. I'm excited about all my guests. 23 00:01:10,880 --> 00:01:13,319 Speaker 1: But in the literary world, you know, I'm all right, 24 00:01:13,360 --> 00:01:17,319 Speaker 1: I'm gonna sitcom right. So that is nowhere close to 25 00:01:17,480 --> 00:01:20,800 Speaker 1: what these two people do. And they are power couple. 26 00:01:20,840 --> 00:01:23,399 Speaker 1: When I say power couple, New York Times labeled them 27 00:01:23,440 --> 00:01:27,280 Speaker 1: as the most successful literary couple in America, and they're 28 00:01:27,319 --> 00:01:31,000 Speaker 1: doing everything to maintain that type. Please welcome to money 29 00:01:31,040 --> 00:01:36,520 Speaker 1: making Conversation Ashley and Jaquavers Colman. Hey, how you doing? 30 00:01:36,560 --> 00:01:40,679 Speaker 1: My brothers? You to be off? How you? First of all, 31 00:01:40,800 --> 00:01:44,640 Speaker 1: thank you because of you know, I read the book 32 00:01:45,000 --> 00:01:49,080 Speaker 1: until I read the book, The Cartail seven Round Table 33 00:01:49,520 --> 00:01:53,080 Speaker 1: of the Bosses. And the thing about it is that 34 00:01:53,560 --> 00:01:55,280 Speaker 1: you know, if you want to quiz me, you know 35 00:01:55,720 --> 00:01:58,320 Speaker 1: you can quiz me. You know you don't know about 36 00:01:58,320 --> 00:02:01,880 Speaker 1: c J MO. You know we can't go in details. 37 00:02:01,920 --> 00:02:04,720 Speaker 1: But I know, Breeze, you tell him. I tell what 38 00:02:04,800 --> 00:02:06,560 Speaker 1: they've been when him in jail. I can tell you 39 00:02:06,560 --> 00:02:09,360 Speaker 1: about the Dominican Republic. I'm just throwing out some stuff 40 00:02:09,400 --> 00:02:11,720 Speaker 1: to let them know. I know, you know what I'm saying. 41 00:02:12,320 --> 00:02:14,360 Speaker 1: You know, you wanna talk about that drug, I wanna 42 00:02:14,360 --> 00:02:17,560 Speaker 1: talk about my man goes hey, don't don't, don't. Don't 43 00:02:17,600 --> 00:02:20,400 Speaker 1: go there with me. Let y'all know. I did my 44 00:02:20,480 --> 00:02:22,840 Speaker 1: homework and the and the beauty of the book I'm 45 00:02:22,840 --> 00:02:25,640 Speaker 1: gonna tell you about because I got the book, you know, 46 00:02:25,760 --> 00:02:29,320 Speaker 1: on Saturday, and I read it all day Sunday, and 47 00:02:29,360 --> 00:02:32,120 Speaker 1: it was a good read. It was a good read, 48 00:02:32,320 --> 00:02:34,880 Speaker 1: and I wanted before we even get into detail about 49 00:02:34,880 --> 00:02:37,120 Speaker 1: the book, I'm just read this, this statement that I 50 00:02:37,560 --> 00:02:42,519 Speaker 1: pulled offline about the book. The Sag of Love, Loyalty, 51 00:02:42,600 --> 00:02:45,760 Speaker 1: and Crime continues in the next explosive book in the 52 00:02:45,800 --> 00:02:49,160 Speaker 1: Cartel series, from the minds of New York Times bestselling 53 00:02:49,200 --> 00:02:53,280 Speaker 1: authors Astley and to Qualis. After the tragic and Blood 54 00:02:53,440 --> 00:02:57,320 Speaker 1: into the Cartel's Rain, Carter is forced into isolation to 55 00:02:57,400 --> 00:03:00,640 Speaker 1: evade to law. With his wife facing federal largest and 56 00:03:00,680 --> 00:03:03,519 Speaker 1: his dear brother six ft under, Carter has never been 57 00:03:03,639 --> 00:03:06,920 Speaker 1: more alone, his empire at his feet, and there's no 58 00:03:07,000 --> 00:03:10,080 Speaker 1: idea how to rebuild his kingdom. The only thing that 59 00:03:10,200 --> 00:03:11,760 Speaker 1: is certain is that he has to stay out of 60 00:03:11,760 --> 00:03:14,160 Speaker 1: the way. And off the radar of the faiths until 61 00:03:14,200 --> 00:03:16,560 Speaker 1: he can, until he can figure out how to get 62 00:03:16,560 --> 00:03:19,840 Speaker 1: his lady out of prison. Her freedom is guaranteed. Provided 63 00:03:19,960 --> 00:03:22,800 Speaker 1: car to help create and distribute a drug that would 64 00:03:22,800 --> 00:03:26,480 Speaker 1: take the streets by storm. Rubbing elbows with the most notorious, 65 00:03:26,600 --> 00:03:29,799 Speaker 1: ruthless leaders of the underworld will get him what he wants, 66 00:03:30,080 --> 00:03:32,560 Speaker 1: but he can win it, but he doesn't know whether 67 00:03:32,600 --> 00:03:36,600 Speaker 1: he can win the game or murderer or money. That's 68 00:03:36,600 --> 00:03:39,640 Speaker 1: what this book about. See see see I'm gonna tell 69 00:03:39,640 --> 00:03:42,080 Speaker 1: you the reason I read that because I'm a fan 70 00:03:42,200 --> 00:03:47,480 Speaker 1: of knockles. Have have y'all seen that? Seriously? Yeah? Okay, 71 00:03:47,480 --> 00:03:50,520 Speaker 1: come on now see see see So you know when 72 00:03:50,560 --> 00:03:55,280 Speaker 1: I read this book May, I was going, man, y'all, yeah, 73 00:03:55,400 --> 00:03:58,160 Speaker 1: y'all been okay, First of all, I'm a I'm a 74 00:03:58,240 --> 00:04:00,760 Speaker 1: look site. Let me calm down the start let's let's 75 00:04:00,760 --> 00:04:05,160 Speaker 1: start from again. In Flip, Michigan. Yes, you know you fifteen? 76 00:04:05,280 --> 00:04:12,920 Speaker 1: You sixteen? Was the police stop you? Okay? Harassing you? Now, Ashley, 77 00:04:13,040 --> 00:04:16,479 Speaker 1: you noticed this? You see all this going down? The 78 00:04:16,520 --> 00:04:21,719 Speaker 1: police accused you of dealing in drugs? Correct Quavers? Yeah? Yeah, 79 00:04:21,720 --> 00:04:25,320 Speaker 1: they was only I was actually surfing the undercover agent 80 00:04:25,400 --> 00:04:28,400 Speaker 1: for about two weeks. So, um, yeah, it was the 81 00:04:28,440 --> 00:04:30,520 Speaker 1: open play for the underplay. They were setting me up 82 00:04:31,400 --> 00:04:34,640 Speaker 1: now now but it was all wrong. But that's so 83 00:04:34,880 --> 00:04:39,760 Speaker 1: after they let you go, Ashley, you called him correct. Yeah, 84 00:04:39,880 --> 00:04:42,680 Speaker 1: he tossed his package in my bushes, and I thought 85 00:04:42,880 --> 00:04:44,480 Speaker 1: so I went and got it out of the bushes 86 00:04:44,520 --> 00:04:47,200 Speaker 1: before the police searched them, and then I called him. 87 00:04:47,200 --> 00:04:50,599 Speaker 1: We had a mutual friend, right right right, it's just 88 00:04:50,720 --> 00:04:55,360 Speaker 1: like a book. We actually used this. I know, you know, 89 00:04:55,520 --> 00:04:59,719 Speaker 1: I know all that get to my interview. I got 90 00:04:59,720 --> 00:05:01,720 Speaker 1: my research on both of y'all. I'm not gonna come 91 00:05:01,760 --> 00:05:03,200 Speaker 1: on this show and act like I don't know who 92 00:05:03,200 --> 00:05:08,600 Speaker 1: I'm talking to. Man, we appreciated my brother, but listen, Maye, 93 00:05:08,640 --> 00:05:11,760 Speaker 1: just it started the union that would last. Well. We 94 00:05:11,760 --> 00:05:15,960 Speaker 1: we've been together with sixteen years. Man. Um, I was 95 00:05:16,040 --> 00:05:18,880 Speaker 1: running from the cops, man, and she literally saved my life. Man. 96 00:05:18,920 --> 00:05:22,160 Speaker 1: She you know, she threw I'm sorry when I threw 97 00:05:22,240 --> 00:05:24,160 Speaker 1: what I had in the bushes, Man, she she picked 98 00:05:24,200 --> 00:05:25,880 Speaker 1: it up and she put it up for me for later. 99 00:05:26,400 --> 00:05:29,080 Speaker 1: So you know we're from Flint, Michigan, Rashaan Man, So 100 00:05:29,160 --> 00:05:32,160 Speaker 1: that means, you know, loyalty has to be earned. But 101 00:05:32,800 --> 00:05:35,720 Speaker 1: I don't love this girl because within the first day 102 00:05:35,760 --> 00:05:37,840 Speaker 1: I met her, she showed me loyalty and that's something 103 00:05:37,880 --> 00:05:40,960 Speaker 1: that I wasn't used to. You know that that kind 104 00:05:40,960 --> 00:05:45,159 Speaker 1: of started the friendship, and that friendship matured into a relationship, 105 00:05:45,240 --> 00:05:48,960 Speaker 1: and then later that relationship um turned into a partnership. 106 00:05:49,000 --> 00:05:53,320 Speaker 1: Man went together. You know, we were families. You know. 107 00:05:53,360 --> 00:05:56,640 Speaker 1: It's interesting, you know that because you know, you guys 108 00:05:56,720 --> 00:05:59,720 Speaker 1: from Flint, Michigan. Let's basically at inner city, and the 109 00:06:00,040 --> 00:06:02,240 Speaker 1: mind of that with with with a with a strong 110 00:06:02,360 --> 00:06:05,160 Speaker 1: literary sense, you know, because I you know, I tell 111 00:06:05,240 --> 00:06:07,400 Speaker 1: people like you know, when I came out of high school. 112 00:06:07,400 --> 00:06:09,719 Speaker 1: You know, I was an honor student and I took 113 00:06:09,720 --> 00:06:12,880 Speaker 1: all honors classes, but I didn't really care about English. 114 00:06:13,000 --> 00:06:14,800 Speaker 1: And I remember when I went to college, I had 115 00:06:14,839 --> 00:06:18,039 Speaker 1: to take remedial English to qualify because I didn't care. 116 00:06:18,120 --> 00:06:20,480 Speaker 1: I didn't care. I didn't know the subject verry now 117 00:06:20,520 --> 00:06:22,560 Speaker 1: and I didn't know the sequence of what would make 118 00:06:22,560 --> 00:06:25,680 Speaker 1: a sentence and the preposition and all those things because 119 00:06:25,720 --> 00:06:28,200 Speaker 1: I didn't realize the importance of it. And that's why 120 00:06:28,560 --> 00:06:31,000 Speaker 1: that's why it's important when I hear you guys, and 121 00:06:31,080 --> 00:06:35,359 Speaker 1: along the way in middle school English and literacy was 122 00:06:35,440 --> 00:06:37,800 Speaker 1: important because, like I said, when I was in middle school, 123 00:06:37,800 --> 00:06:41,880 Speaker 1: I read, you know, I read I read uh uh 124 00:06:41,960 --> 00:06:44,040 Speaker 1: Lord of the Rings when I was in middle school, 125 00:06:44,080 --> 00:06:46,520 Speaker 1: and that book was like nine hundred pages. And so 126 00:06:47,000 --> 00:06:49,480 Speaker 1: I I say that to say that you guys play 127 00:06:49,520 --> 00:06:51,320 Speaker 1: an important role. And that's one of the reasons I 128 00:06:51,360 --> 00:06:53,880 Speaker 1: brought you on the show and I hopefully become friends 129 00:06:53,920 --> 00:06:57,280 Speaker 1: and just constantly communicated on a regular basis, because it's 130 00:06:57,360 --> 00:07:05,200 Speaker 1: important that reading really is fundamental, man, absolutely absolutely, and 131 00:07:05,279 --> 00:07:07,760 Speaker 1: telling stories that you guys are telling. That's why I 132 00:07:07,760 --> 00:07:10,240 Speaker 1: want to let everybody know that, yeah, I'm a sitcom writer, 133 00:07:10,600 --> 00:07:14,480 Speaker 1: you guys are true storytellers. And that's really important because 134 00:07:14,640 --> 00:07:16,640 Speaker 1: when I was reading the book from the opening when 135 00:07:16,640 --> 00:07:18,680 Speaker 1: they're on the private jet and you know, I'm not 136 00:07:18,680 --> 00:07:21,280 Speaker 1: gonna tell a story because we're trying to sell books. 137 00:07:21,280 --> 00:07:23,520 Speaker 1: We're not trying to give away the book, you know, 138 00:07:24,040 --> 00:07:26,600 Speaker 1: you know, but all those things I'm just telling you guys. 139 00:07:26,680 --> 00:07:28,880 Speaker 1: When you read their books and they got they got 140 00:07:28,880 --> 00:07:32,080 Speaker 1: an interesting style because they do transitional time frames. You know, 141 00:07:32,480 --> 00:07:34,440 Speaker 1: you've been this time period and then they take you 142 00:07:34,480 --> 00:07:38,000 Speaker 1: back to to tell you the journey how that moment 143 00:07:38,040 --> 00:07:41,320 Speaker 1: came up to this point and and it's really interesting, 144 00:07:41,640 --> 00:07:45,920 Speaker 1: how did you guys develop your writing style? Um, well, 145 00:07:46,120 --> 00:07:49,400 Speaker 1: I finally believe that being a writer, you can't be 146 00:07:49,440 --> 00:07:52,520 Speaker 1: a writer without being a reader. First. First ate was 147 00:07:52,560 --> 00:07:57,480 Speaker 1: actually out of borders about borders by right, that's a precord. 148 00:07:57,720 --> 00:08:00,400 Speaker 1: You have to fall in love with storytelling in general, right, 149 00:08:00,520 --> 00:08:03,640 Speaker 1: And through doing that, we both really love to read 150 00:08:03,760 --> 00:08:06,640 Speaker 1: as young kids. So through doing that, we wanted to 151 00:08:07,160 --> 00:08:11,160 Speaker 1: write stories that people could relate to, that people could 152 00:08:11,160 --> 00:08:14,400 Speaker 1: find in just okay, when we were young, there were 153 00:08:14,400 --> 00:08:16,720 Speaker 1: no stories or characters that looked like us, that sounded 154 00:08:16,800 --> 00:08:19,360 Speaker 1: like us, or that we're from the areas. That we 155 00:08:19,440 --> 00:08:22,520 Speaker 1: wanted to change that landscape in literature. So now we're writing. 156 00:08:22,520 --> 00:08:26,840 Speaker 1: We're forty books in. We've contributed space on the shelves 157 00:08:26,840 --> 00:08:30,600 Speaker 1: by African American people for African American people. Right right, 158 00:08:31,400 --> 00:08:34,480 Speaker 1: I was reading this article. I've took some snippets. I 159 00:08:34,480 --> 00:08:36,680 Speaker 1: thought there's some very important articles. There's just New York 160 00:08:36,720 --> 00:08:42,320 Speaker 1: Times magazine article written in urban fiction or streetlet has 161 00:08:42,360 --> 00:08:45,640 Speaker 1: been snubbed by the publishing industry and scorned by the 162 00:08:45,720 --> 00:08:49,280 Speaker 1: black intellectuals. Yet these authors may just be the most 163 00:08:49,360 --> 00:08:55,800 Speaker 1: successful literary couple in America. So when I write that, 164 00:08:56,000 --> 00:08:57,839 Speaker 1: when I say that because I know as a writer, 165 00:08:58,000 --> 00:09:02,160 Speaker 1: as an entertainer, people can make judgment on people and 166 00:09:02,200 --> 00:09:04,720 Speaker 1: don't even know the the end goal and end goal 167 00:09:04,920 --> 00:09:09,280 Speaker 1: is about writing creative concepts and storylines that are relatable. 168 00:09:09,400 --> 00:09:13,840 Speaker 1: Isn't that correct? Yeah? Absolutely, man, see it is. I 169 00:09:13,960 --> 00:09:15,960 Speaker 1: love to use that analogy like the roles that grows 170 00:09:15,960 --> 00:09:21,480 Speaker 1: from concrete. When a person or a black intellectual looks 171 00:09:21,520 --> 00:09:24,720 Speaker 1: at this rose and they see all the torn pedals 172 00:09:24,760 --> 00:09:28,000 Speaker 1: and the thorns, they look at it as fa like 173 00:09:28,080 --> 00:09:31,840 Speaker 1: this ugly rose, but they do not take into the 174 00:09:31,960 --> 00:09:35,599 Speaker 1: count of tenacity of that roads to grow through that concrete. 175 00:09:35,840 --> 00:09:38,240 Speaker 1: And it's a reason why it has those broken petals 176 00:09:38,280 --> 00:09:41,640 Speaker 1: and thorns. And that's how we look at our style 177 00:09:41,679 --> 00:09:45,839 Speaker 1: of writing. They look at it like it's something that's 178 00:09:45,840 --> 00:09:49,720 Speaker 1: but needs a literature, but it's not. It's where we 179 00:09:49,800 --> 00:09:52,480 Speaker 1: came from. We're products of our environment and we made 180 00:09:52,480 --> 00:09:55,440 Speaker 1: it beautiful. Like at first they talked about it, but 181 00:09:55,559 --> 00:10:00,040 Speaker 1: then they began to like give us accolaides and of 182 00:10:00,120 --> 00:10:02,320 Speaker 1: what we were doing. There you go, that was the 183 00:10:02,320 --> 00:10:05,280 Speaker 1: plan from the beginning, man, There you go. We kept 184 00:10:05,280 --> 00:10:09,239 Speaker 1: on putting out quality product, um, and kept on being consistent, 185 00:10:09,640 --> 00:10:13,160 Speaker 1: and those sprowns begin to turn into the collapse. And um, 186 00:10:13,160 --> 00:10:15,080 Speaker 1: that's where we're at now. Man. We we're thirty two 187 00:10:15,160 --> 00:10:19,240 Speaker 1: years old, man, and wow, and we made history. Man, 188 00:10:19,240 --> 00:10:20,840 Speaker 1: We're gonna keep on home making it. You know, I'm 189 00:10:20,880 --> 00:10:23,240 Speaker 1: gonna tell you something. I don't know who the black 190 00:10:23,280 --> 00:10:26,800 Speaker 1: intellectual else, but I am a black intellectual. Do you 191 00:10:27,600 --> 00:10:29,840 Speaker 1: if there's a club out there, every shot McDonald's in 192 00:10:29,920 --> 00:10:33,959 Speaker 1: that club. Okay, you know I got em me sitting 193 00:10:34,000 --> 00:10:37,120 Speaker 1: on the shell I got I got image awards sitting 194 00:10:37,120 --> 00:10:41,559 Speaker 1: on my shell. I just sold four million books for HarperCollins. 195 00:10:42,080 --> 00:10:45,679 Speaker 1: I didn't put two blockbuster movies in the theater. I'm 196 00:10:45,679 --> 00:10:48,040 Speaker 1: gonna tell you, y'all, some young people don't ever let 197 00:10:48,080 --> 00:10:52,120 Speaker 1: nobody tell you who you are. Don't ever let nobody 198 00:10:52,200 --> 00:10:55,640 Speaker 1: tell you what you're exposed to do. It. Didn't understand 199 00:10:55,679 --> 00:10:59,080 Speaker 1: your journey, understand the shoes that you're walking. I'm telling you, 200 00:10:59,320 --> 00:11:02,280 Speaker 1: I picked that look up. I didn't put it down. 201 00:11:02,320 --> 00:11:04,480 Speaker 1: I went and got me a couple of sandwiches, and 202 00:11:04,480 --> 00:11:07,640 Speaker 1: I would eat my sandwiches, and and I put it down. 203 00:11:07,720 --> 00:11:09,520 Speaker 1: And my wife said, you don't watch the football game. 204 00:11:09,760 --> 00:11:13,160 Speaker 1: I didn't watch no football game on Sunday because because 205 00:11:13,160 --> 00:11:16,480 Speaker 1: I'm gonna just tell you something. I enjoyed the storytelling. 206 00:11:16,640 --> 00:11:20,439 Speaker 1: I enjoyed the and I'm gonna keep telling everybody because 207 00:11:20,440 --> 00:11:22,480 Speaker 1: now I gotta go back and read the series now, 208 00:11:22,800 --> 00:11:25,880 Speaker 1: because it's interesting in my life. Because you know, like 209 00:11:25,920 --> 00:11:28,720 Speaker 1: I told you, in middle school, I read, read, read, 210 00:11:29,360 --> 00:11:30,960 Speaker 1: and then when I got out of the middle school, 211 00:11:31,080 --> 00:11:34,200 Speaker 1: I was just running and racing and just dealing with stuff. 212 00:11:34,320 --> 00:11:36,920 Speaker 1: But man, y'all, you guys have brought me back into 213 00:11:36,920 --> 00:11:40,080 Speaker 1: the fold with this book. Man, we love it. Man, 214 00:11:40,360 --> 00:11:43,240 Speaker 1: that that means so much to We really appreciate you 215 00:11:43,320 --> 00:11:46,240 Speaker 1: taking up the time and really just understanding our writing 216 00:11:46,520 --> 00:11:49,200 Speaker 1: and reading it. Man, that means the world, said I 217 00:11:49,200 --> 00:11:51,800 Speaker 1: would just tell you something. You know, I want people 218 00:11:51,800 --> 00:11:53,440 Speaker 1: to understand this. We're gonna be right back because it's 219 00:11:53,440 --> 00:11:56,520 Speaker 1: going another break with the with the best. New York 220 00:11:56,559 --> 00:12:01,720 Speaker 1: Times is said the most accomplished and successful literary writing 221 00:12:01,800 --> 00:12:04,920 Speaker 1: couple in America. Be right back with more money making conversation. 222 00:12:04,960 --> 00:12:10,880 Speaker 1: Don't y'all go nowhere to be back with more money 223 00:12:10,920 --> 00:12:14,040 Speaker 1: making conversation on the phone. New York Times and labeled 224 00:12:14,080 --> 00:12:17,200 Speaker 1: them as the most successful literary couple in America and 225 00:12:17,240 --> 00:12:19,920 Speaker 1: they're doing everything and a hold of that matter on 226 00:12:19,960 --> 00:12:24,679 Speaker 1: the phone with Astling and Joe Craves Koba, you guys back, Yeah, 227 00:12:25,200 --> 00:12:28,080 Speaker 1: I want to talk about this right quick. It was 228 00:12:28,280 --> 00:12:31,160 Speaker 1: read just about this deal you guys have you have 229 00:12:31,160 --> 00:12:33,679 Speaker 1: a deal you signed with Warner Brothers Studio at NBC 230 00:12:33,840 --> 00:12:37,280 Speaker 1: Universal to develop television projects. And you also agreed to 231 00:12:37,320 --> 00:12:40,800 Speaker 1: an audio exclusive deal with Audible, a company owned by 232 00:12:40,840 --> 00:12:43,520 Speaker 1: Amazon dot Com, A deal that's the first of his 233 00:12:43,679 --> 00:12:48,000 Speaker 1: kind with fiction writers. Okay, I yet now talk to 234 00:12:48,040 --> 00:12:51,800 Speaker 1: me about that. Uh, well, we're forty books in so 235 00:12:51,880 --> 00:12:56,000 Speaker 1: we're just looking for new ways to tell. It was 236 00:12:56,240 --> 00:12:59,880 Speaker 1: a um effected progression for us to move into television 237 00:12:59,880 --> 00:13:02,840 Speaker 1: and him absolutely when l A, we just found a 238 00:13:02,880 --> 00:13:05,840 Speaker 1: world of opportunities that we're just creatives out there that 239 00:13:05,880 --> 00:13:10,040 Speaker 1: we're willing to partner with us to our story to 240 00:13:10,200 --> 00:13:12,880 Speaker 1: the screen. Um. We were very lucky to link up 241 00:13:12,920 --> 00:13:17,360 Speaker 1: with Warner Brothers and Universal Cable Productions to create two 242 00:13:17,400 --> 00:13:22,000 Speaker 1: television shows. So we're bringing our content to the sub 243 00:13:22,120 --> 00:13:24,560 Speaker 1: screen where we're able to tell the types of stories 244 00:13:24,960 --> 00:13:27,880 Speaker 1: that we want to tell with people that look like us. 245 00:13:27,920 --> 00:13:31,599 Speaker 1: So we're very very fortunate to become in as executive producers, 246 00:13:31,679 --> 00:13:34,440 Speaker 1: not as um staff writers in the room. So we're 247 00:13:34,440 --> 00:13:36,960 Speaker 1: controlling the type of shows that we're shaping. There, you 248 00:13:37,040 --> 00:13:40,240 Speaker 1: go right there, That's all I wanted to hear. Were 249 00:13:41,520 --> 00:13:44,960 Speaker 1: because I'm gonna tell you something. People out there, you know, 250 00:13:46,040 --> 00:13:49,160 Speaker 1: I get frustrated when super talented people to you guys 251 00:13:49,240 --> 00:13:51,480 Speaker 1: like see you throw that number out there forty like 252 00:13:51,559 --> 00:13:56,560 Speaker 1: it was nothing. You really need to stop talking to me, Ashley. 253 00:13:56,640 --> 00:13:59,960 Speaker 1: You we can't talk no more. Oh if we fall 254 00:14:00,000 --> 00:14:02,040 Speaker 1: of their books in you know, and we went to 255 00:14:02,080 --> 00:14:04,800 Speaker 1: Hollywood and thought we'd find some new avenues to express 256 00:14:04,840 --> 00:14:11,040 Speaker 1: our vision. But you said control because it's important because 257 00:14:11,160 --> 00:14:15,040 Speaker 1: people see things a certain way, and because they're writers, 258 00:14:15,040 --> 00:14:18,120 Speaker 1: they don't have the life experience. And if if you 259 00:14:18,240 --> 00:14:22,120 Speaker 1: hold onto anything, hold onto your name and your brand. 260 00:14:22,160 --> 00:14:24,680 Speaker 1: Because I'm gonna tell you something. I've been an executively 261 00:14:24,720 --> 00:14:26,760 Speaker 1: do so I've been a writer. I should always tell 262 00:14:26,800 --> 00:14:29,800 Speaker 1: us to Steve Harvey as a Steve, I can get 263 00:14:29,800 --> 00:14:32,360 Speaker 1: a job the next day. If your show get counsel. 264 00:14:33,200 --> 00:14:36,400 Speaker 1: If your show get counsel, your name is tarnished. So 265 00:14:36,520 --> 00:14:41,000 Speaker 1: always know this is that your brand. It's what got 266 00:14:41,040 --> 00:14:44,520 Speaker 1: you there. And if you don't respect it and control it. 267 00:14:45,000 --> 00:14:47,560 Speaker 1: And I don't care what names they call you, I 268 00:14:47,560 --> 00:14:50,840 Speaker 1: don't if they kill you, y'all jerks, y'all asses or whatever. 269 00:14:52,320 --> 00:14:55,440 Speaker 1: You control your image, man, because they will get a 270 00:14:55,520 --> 00:14:58,160 Speaker 1: job someplace else and they don't even know you. I'm 271 00:14:58,200 --> 00:15:00,160 Speaker 1: gonna just tell you. The writers who come on There's show, 272 00:15:00,200 --> 00:15:02,280 Speaker 1: they don't know you. They may have read and half 273 00:15:02,320 --> 00:15:05,080 Speaker 1: a book, read, a little clip from a New York 274 00:15:05,080 --> 00:15:08,720 Speaker 1: Times article, went in there, pitched, and then on your 275 00:15:08,720 --> 00:15:11,840 Speaker 1: show based on some other work they did on other dramas. 276 00:15:11,880 --> 00:15:16,720 Speaker 1: So your brand control is important. Hit me on that, absolutely, 277 00:15:16,840 --> 00:15:21,520 Speaker 1: that's excellent advice. And learn how to direct too. Okay, 278 00:15:21,640 --> 00:15:23,480 Speaker 1: that way you can knock that director out of that 279 00:15:23,600 --> 00:15:27,480 Speaker 1: chair and you start directing and controlling your whole brand, 280 00:15:27,520 --> 00:15:30,040 Speaker 1: because you guys have something special. And the reason I 281 00:15:30,040 --> 00:15:33,760 Speaker 1: say that because when I read, uh, the Cartel seven, 282 00:15:34,400 --> 00:15:37,680 Speaker 1: I just saw the whole series. You know you guys right, 283 00:15:37,800 --> 00:15:41,080 Speaker 1: so good man, It's like I just I just saw. 284 00:15:41,240 --> 00:15:44,480 Speaker 1: I just felt like every chapter was another episode you 285 00:15:44,520 --> 00:15:47,600 Speaker 1: feel me, and so it was like every episode it 286 00:15:47,680 --> 00:15:49,320 Speaker 1: was like because I'm a big fan of you know, 287 00:15:49,320 --> 00:15:51,960 Speaker 1: I'm gonna just tell you this. When Power came out, 288 00:15:52,040 --> 00:15:53,920 Speaker 1: and I'm not trying to compare what you do the Power, 289 00:15:54,200 --> 00:15:56,360 Speaker 1: but that it's that gritty genre. You know what I'm 290 00:15:56,360 --> 00:15:58,880 Speaker 1: saying where a show like that wasn't supposed to make 291 00:15:58,880 --> 00:16:01,280 Speaker 1: it on TV. Go t with like that in the past, 292 00:16:01,320 --> 00:16:04,040 Speaker 1: ain't made it on TV. And I'll be perfectly honest, 293 00:16:04,280 --> 00:16:06,200 Speaker 1: when they told me fifty six was tied to it, 294 00:16:06,480 --> 00:16:08,760 Speaker 1: I turned my friend, go, this ain't gonna make it. 295 00:16:09,120 --> 00:16:13,320 Speaker 1: This ain't I ain't gonna watch this crap. I am 296 00:16:13,360 --> 00:16:17,120 Speaker 1: the biggest power of fan you can find. Because in 297 00:16:17,200 --> 00:16:20,000 Speaker 1: the end, this is why I know you guys can 298 00:16:20,080 --> 00:16:24,200 Speaker 1: be successful with this, because your series is about family. 299 00:16:25,200 --> 00:16:30,040 Speaker 1: Your series is really about parody and that emotion. If 300 00:16:30,040 --> 00:16:33,280 Speaker 1: you look at Knarckles, the series that's just about family. 301 00:16:33,720 --> 00:16:35,880 Speaker 1: If you look at if you look at the series 302 00:16:35,920 --> 00:16:39,960 Speaker 1: with Power, that's really about two parents who making mistakes, 303 00:16:40,040 --> 00:16:41,560 Speaker 1: really trying to take care of their family. This just 304 00:16:41,560 --> 00:16:44,320 Speaker 1: happened to be drug dealers. Just have to be drug dealers. 305 00:16:44,640 --> 00:16:47,280 Speaker 1: There ain't no different to somebody that ibm ain't nobody 306 00:16:47,280 --> 00:16:50,760 Speaker 1: different somebody Amazon dot Com. It's just that their lifestyle, 307 00:16:50,760 --> 00:16:53,240 Speaker 1: little bit interest because they kill people, they beat up people, 308 00:16:53,280 --> 00:16:57,480 Speaker 1: ruff them up. That's all y'all do. But that's that's 309 00:16:57,480 --> 00:16:59,600 Speaker 1: the that's the enlightening part. That's why I know you 310 00:16:59,680 --> 00:17:02,680 Speaker 1: are't something special. The thing I think is even bigger 311 00:17:03,080 --> 00:17:07,480 Speaker 1: opportunity for you guys is that audio booking. Because man, 312 00:17:08,000 --> 00:17:11,720 Speaker 1: that digital platform, y'all will own a team. And I'm 313 00:17:11,720 --> 00:17:14,760 Speaker 1: not just talking just to the urban culture, y'all will 314 00:17:14,760 --> 00:17:18,160 Speaker 1: own it with everybody because to read, if you get 315 00:17:19,280 --> 00:17:21,720 Speaker 1: I'm just so excited for y'all, man, because I read 316 00:17:21,760 --> 00:17:25,120 Speaker 1: your book and I feel honored man that I got 317 00:17:25,119 --> 00:17:28,240 Speaker 1: to read something that excited me as a as a 318 00:17:28,280 --> 00:17:31,800 Speaker 1: guy in the creative space. You guys got it going on, man, 319 00:17:31,880 --> 00:17:35,000 Speaker 1: you guys really got it going on. And if nobody 320 00:17:35,040 --> 00:17:38,040 Speaker 1: has read your book, please read your book because it 321 00:17:38,200 --> 00:17:41,439 Speaker 1: is a joy, It is a journey, It is a 322 00:17:41,920 --> 00:17:45,360 Speaker 1: is a is a was a a force of nature, 323 00:17:45,920 --> 00:17:48,800 Speaker 1: literary nature that y'all putting out there on a regular basis. Man, 324 00:17:49,000 --> 00:17:52,120 Speaker 1: y'all doing it. Man, y'all doing it. Thank you, thank you, 325 00:17:52,160 --> 00:17:55,239 Speaker 1: thank you. Man. We really appreciate it, man, because you know, 326 00:17:55,320 --> 00:17:57,520 Speaker 1: I'm a fan of audio books. I don't know how 327 00:17:57,520 --> 00:18:00,520 Speaker 1: they're gonna do these books. Uh, this is gonna read 328 00:18:00,560 --> 00:18:02,600 Speaker 1: the books. How they're gonna do the audio books, How 329 00:18:02,600 --> 00:18:06,000 Speaker 1: they're gonna do it well. When um Audible approached us 330 00:18:06,040 --> 00:18:09,200 Speaker 1: for this new and innovative way to tell stories, they 331 00:18:09,240 --> 00:18:12,960 Speaker 1: wanted to to be um different from an audio books. 332 00:18:13,280 --> 00:18:15,840 Speaker 1: Wanted to from like a theatrical field. There you go, 333 00:18:17,760 --> 00:18:21,160 Speaker 1: now you go, Now you go, boy, boy, stop talking 334 00:18:21,200 --> 00:18:26,119 Speaker 1: to me. Stop talking to me. Stopped talking to me. Brother, 335 00:18:26,680 --> 00:18:29,480 Speaker 1: That's how you're doing. You hear the door open up, 336 00:18:29,680 --> 00:18:33,200 Speaker 1: You hear a gun fire pile, You hear the slap pile, 337 00:18:34,960 --> 00:18:39,920 Speaker 1: when the plane crash. You hear the crash boom ro 338 00:18:40,880 --> 00:18:42,760 Speaker 1: when they step out of the sou you're the running 339 00:18:42,760 --> 00:18:47,720 Speaker 1: water cut off. That's right, that's right, brother, Brother. Put 340 00:18:47,720 --> 00:18:50,440 Speaker 1: that deal together for us, man, and you know we're 341 00:18:50,440 --> 00:18:53,879 Speaker 1: gonna we're gonna make a movie for your ears, man, Man, 342 00:18:54,240 --> 00:18:56,800 Speaker 1: because if I grew up, Man, I'm gonna tell you something, man. 343 00:18:57,200 --> 00:19:01,600 Speaker 1: When I put together to Steve Harvey Radio franchise, I'm 344 00:19:01,640 --> 00:19:05,200 Speaker 1: a fan of of old school radio. You know, back 345 00:19:05,200 --> 00:19:07,959 Speaker 1: in the day when you have a radio and everybody 346 00:19:08,000 --> 00:19:10,359 Speaker 1: will sit around the radio and they hear them old 347 00:19:10,440 --> 00:19:14,879 Speaker 1: stories hit as symbol and all that stuff. That's the 348 00:19:15,040 --> 00:19:21,280 Speaker 1: radio that you guys are about to do for the millennials. Absolutely, absolutely, 349 00:19:21,480 --> 00:19:23,600 Speaker 1: and I can't wait to the world here this man. 350 00:19:23,600 --> 00:19:26,840 Speaker 1: I'm really about to just give them, you know, just 351 00:19:26,880 --> 00:19:30,440 Speaker 1: bring back the theater of the mind. Hey man, hey, brother, 352 00:19:30,880 --> 00:19:34,320 Speaker 1: you understand what you're about to do. I know you 353 00:19:34,359 --> 00:19:37,320 Speaker 1: know because you're already visionary both for y'all. Y'all been 354 00:19:37,440 --> 00:19:41,160 Speaker 1: y'all been together our fifteen sixteen years old. God put 355 00:19:41,200 --> 00:19:44,520 Speaker 1: you all together. She saw you made that phone call. 356 00:19:44,640 --> 00:19:46,560 Speaker 1: Y'all be together, doing it right for the books. He 357 00:19:47,160 --> 00:19:50,600 Speaker 1: but I'm telling you on this digital side, it can 358 00:19:50,640 --> 00:19:59,120 Speaker 1: be in Spanish, being Russian, being French, Japanese. Absolutely, I'm 359 00:19:59,160 --> 00:20:08,120 Speaker 1: telling you all love got criminals in their lives Spanish. 360 00:20:09,440 --> 00:20:11,800 Speaker 1: I'll just tell you something. I'm just happy I knew 361 00:20:11,880 --> 00:20:15,080 Speaker 1: y'all will. And that's all because I know next year 362 00:20:15,119 --> 00:20:16,800 Speaker 1: this time I'm gonna say, can I get them back 363 00:20:16,840 --> 00:20:20,040 Speaker 1: on the show. Well, they gotta check their scared shod. 364 00:20:21,200 --> 00:20:23,440 Speaker 1: They gotta check that scarc because you know they big 365 00:20:23,640 --> 00:20:28,399 Speaker 1: now you know, because I'll tell you something, man, I 366 00:20:28,560 --> 00:20:31,399 Speaker 1: please do me a favor. When when you when you launch, 367 00:20:31,600 --> 00:20:34,800 Speaker 1: when you launch your your your your book line because 368 00:20:34,840 --> 00:20:36,840 Speaker 1: I'm more excited than the TV. I got the TV, 369 00:20:37,480 --> 00:20:40,840 Speaker 1: but that that digital front with the audio audio books, man, 370 00:20:41,440 --> 00:20:46,040 Speaker 1: that's a special special opportunity. I knew what the impact 371 00:20:46,080 --> 00:20:50,320 Speaker 1: that the audios had on the Steve Harvey books when 372 00:20:50,320 --> 00:20:52,600 Speaker 1: we when when we did the audio books, they went 373 00:20:52,640 --> 00:20:55,639 Speaker 1: through the roof. The sales went through the roof. Because 374 00:20:55,640 --> 00:20:58,320 Speaker 1: people want to drive around, they want to just listen. 375 00:20:58,359 --> 00:21:01,199 Speaker 1: They don't have time to be reading these long trips 376 00:21:01,280 --> 00:21:03,359 Speaker 1: or they're on the airplane. I just want to just 377 00:21:03,359 --> 00:21:07,040 Speaker 1: sit around the house outside and listen. And y'all gonna 378 00:21:07,080 --> 00:21:09,280 Speaker 1: do the books that I'm asking you guys to do. 379 00:21:09,320 --> 00:21:11,320 Speaker 1: And you already said, Rashan, you need to shut up. 380 00:21:11,680 --> 00:21:15,040 Speaker 1: We already got that in the words. You know, we're 381 00:21:15,080 --> 00:21:17,399 Speaker 1: pitching up some ideas like we're willing food food. We 382 00:21:17,560 --> 00:21:24,359 Speaker 1: already there. Stop talking to us food, my man, my lady. 383 00:21:24,760 --> 00:21:29,399 Speaker 1: I'm a fan. And anytime y'all need Rashaan McDonald for 384 00:21:29,480 --> 00:21:33,320 Speaker 1: any advice, y'all just call me. It ain't That's what 385 00:21:33,400 --> 00:21:36,000 Speaker 1: money making conversations about. And I will be there to 386 00:21:36,000 --> 00:21:40,200 Speaker 1: give your advice. On Zak's producers. People want to represent you, 387 00:21:40,800 --> 00:21:43,040 Speaker 1: people who got ideas for you, that's what I'm here for, 388 00:21:43,520 --> 00:21:47,399 Speaker 1: to take my knowledge and help shape an opportunity of 389 00:21:47,480 --> 00:21:50,639 Speaker 1: success for you too. Okay, well, thank you man, We 390 00:21:50,640 --> 00:21:52,760 Speaker 1: truly appreciate that. Man. We're gonna fow that up and 391 00:21:52,760 --> 00:21:55,920 Speaker 1: put it in our back pockets. Just just just don't 392 00:21:55,920 --> 00:21:59,640 Speaker 1: sit on this too long, you know. Just hey, man, 393 00:21:59,680 --> 00:22:02,399 Speaker 1: thank you out vote for column. So they're the best, y'all. 394 00:22:02,880 --> 00:22:05,880 Speaker 1: Please please google them today. They're the best, and I'm 395 00:22:05,880 --> 00:22:07,760 Speaker 1: gonna have them back in the spring because guess what, 396 00:22:08,440 --> 00:22:11,720 Speaker 1: God dy good and God they can right. You need 397 00:22:11,800 --> 00:22:15,280 Speaker 1: to check out the wireless earbuds from Recon. 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