WEBVTT - The Mummy with Georgea Brooks

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<v Speaker 1>On the Doll Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy? Zef and best

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<v Speaker 1>start changing it with the beck Del Cast. Hi, Welcome

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<v Speaker 1>to the beck Doell Cast. My name is Jamie, my

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<v Speaker 1>name is Caitlin, and this is our podcast about how

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<v Speaker 1>women are portrayed in movies. And uh, we use the

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<v Speaker 1>Bechdel test, which let's lay it out for you. It's

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<v Speaker 1>based on test invented by author Alison Bechdel. It is

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<v Speaker 1>a test that you have to put up, Oh God, okay,

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<v Speaker 1>I'm doing so well. Uh, there has to be a

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<v Speaker 1>scene in the thing you're watching that has two women

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<v Speaker 1>in it, preferably with names. We say, with names, with names, assertive, okay,

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<v Speaker 1>and they are talking about something that is not a man.

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<v Speaker 1>That's all it takes. That's all it takes. But wouldn't

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<v Speaker 1>you know what A lot of movies don't us the

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<v Speaker 1>Bectel test. Uh, it's yeah, no, yeah, it's it's too bad.

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<v Speaker 1>It's a damn shame. It's a goddamn shame. It's a

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<v Speaker 1>goddamn shame. However, it's the world we live in and

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<v Speaker 1>I'm okay, how are you. I'm doing pretty well. I'm

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<v Speaker 1>about to crack open a small bottle of chardonnay. I

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<v Speaker 1>didn't have time, not just any Oh no, I'm sorry. Well,

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<v Speaker 1>I'll be the drunk one on this episode. Uh, it's

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<v Speaker 1>not just any schardon ay, it's Crane Lake chardon ay

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<v Speaker 1>and it comes in a plastic bottle. I'm sorry. As

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<v Speaker 1>someone who's drank whine out of plastic bottles plenty of times.

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<v Speaker 1>What's wrong with that? There's nothing wrong with that. I

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<v Speaker 1>just wanted to, you know, I wanted to seem relatable.

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<v Speaker 1>You know, I'm not one of these fancy glass bottle

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<v Speaker 1>drinking Caitlin's usually drinking out of a glass bottle while

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<v Speaker 1>I'm drinking my Mike's hard trying to trying to keep

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<v Speaker 1>it real Hollywood to eat, you're out in another It's

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<v Speaker 1>just not today. I'm I'm with the the proletariat class

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<v Speaker 1>with my plastic bottle that I will recycle. Yeah, welcome back,

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<v Speaker 1>Welcome back to her anyway. So we talked about movies,

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<v Speaker 1>specifically about the portrayal of women in the movies, and

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<v Speaker 1>we have a guest every episode. Today is no different. No,

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<v Speaker 1>nor will it ever be. I'm excited yesterday. She has

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<v Speaker 1>her own podcast, whoa what does? She called Your Booze

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<v Speaker 1>Your News, where she and her co host get very

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<v Speaker 1>drunk and then say the news and it's a lot

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<v Speaker 1>of fun. And she's a comedian and she's very funny.

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<v Speaker 1>Georgia Brooks, Hi, Hi, thanks for being here. Oh my god,

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<v Speaker 1>thanks for having me. I can't wait to talk about

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<v Speaker 1>boys together. That's what we're doing, right, talk about boys.

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<v Speaker 1>Who do you have a crush on? Oh my god?

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<v Speaker 1>And I don't even want to talk about right now.

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<v Speaker 1>I have a rough week. And if you're going to

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<v Speaker 1>talk about your rough week here, we're going to have

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<v Speaker 1>to change the subject to boys, right. Sorry, um, sorry,

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<v Speaker 1>this is this podcast? Oh never Well Exchangers Past the

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<v Speaker 1>backdult Test. Yeah, well, that's like our intro basically of Hi,

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<v Speaker 1>I'm Jamie. Hi, I'm Caitlin. We did it. We have names.

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<v Speaker 1>We're not that we're talking about women, we're talking to

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<v Speaker 1>about ourselves. Really, I'm Caitlin, I'm Jamie. Very self involved

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<v Speaker 1>for talking about the movie. So it's like the whole

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<v Speaker 1>podcast past. Although sometimes we do spend a lot of

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<v Speaker 1>time talking about Alfred Molina. That's me. We got an

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<v Speaker 1>audible aris, donta laugh. I think Alfred Molina actually okay

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<v Speaker 1>to transition into the movie we're talking about today. I'm

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<v Speaker 1>surprised Alfred Molina was not in this movie. I think

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<v Speaker 1>that this he would have been a good fit. I

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<v Speaker 1>love seeing Alfred Molina in a vest. This is a

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<v Speaker 1>very vest heavy movie. I love seeing Alfred Molina playing

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<v Speaker 1>too type, not against type. I don't like to see

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<v Speaker 1>him challenge himself googling who you're talking about by the

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<v Speaker 1>Oh my gosh, he's the beef kick. Oh my god,

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<v Speaker 1>I just saw him in an episode of Shetland. Really yeah,

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<v Speaker 1>I need to watch it. I think that I need

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<v Speaker 1>to like lock myself in my home and watch everything

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<v Speaker 1>he's ever been in and uh and come out a

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<v Speaker 1>new person, come out of Guru. But Alfremlea unfortunately is

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<v Speaker 1>not in this movie. But it seems like he could

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<v Speaker 1>be totally he would be a great fit. So glad

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<v Speaker 1>I looked it up so I could talk he aesthetically.

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<v Speaker 1>Now I'm thinking about he aesthetically works very well for

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<v Speaker 1>can we say it the Mommy Fraser that one the

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<v Speaker 1>roller coaster movie. Yes, if you've ever been to Universal Studios.

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<v Speaker 1>Can I just say I like, told my boyfriend was like,

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<v Speaker 1>I gotta watch Georgia the Jungle this week and then

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<v Speaker 1>time is later, and message him being like, I meant

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<v Speaker 1>the mommymy totally alright. Because Brendan Frasers in Georgia the Jungle,

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<v Speaker 1>I think that's not Georgia the Jungle too. I got confused.

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<v Speaker 1>There's someone who is just as handsome and mad as him.

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<v Speaker 1>Did you know that Alfred Moina is a series regular

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<v Speaker 1>in Angi Tribecca. No I did not. I didn't either.

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<v Speaker 1>I haven't seen Untili Tribeca. Now I'm gonna watch it.

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<v Speaker 1>I mean I knew he was on Feudecca if we could,

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<v Speaker 1>I honestly wouldn't mind if we if we talked about

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<v Speaker 1>boys the whole time. I love talking about boys, especially

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<v Speaker 1>when boys are Alfredia. Also, can I say, like, I

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<v Speaker 1>know this is controversial, but Brandon Fraser rewatching the movie,

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<v Speaker 1>and by rewatching, I mean I honestly, once I started

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<v Speaker 1>watching the Mummy yesterday, I was like, oh, I haven't

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<v Speaker 1>seen this before. Oh perfect, I had never seen this movie.

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<v Speaker 1>I didn't know that I hadn't seen it because I'm

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<v Speaker 1>probably because I was thinking about George of the Jungle.

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<v Speaker 1>I thought i'd seen it because I've been on the

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<v Speaker 1>roller coaster so much. And that's true because there's a

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<v Speaker 1>video of Brendan Fraser in character that used to be

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<v Speaker 1>at the end of the roller coaster. It's the only

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<v Speaker 1>thing that is the only like video tie in that's

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<v Speaker 1>better than the Brendan Fraser saying at the end of

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<v Speaker 1>the ride, WHOA, that was pretty crazy. Anyways, remember to

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<v Speaker 1>unbuckle your seat belts like that was literally what the

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<v Speaker 1>video was. A little fact that's still his only gig.

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<v Speaker 1>He still gets royalties from that rollercoaster video. But the

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<v Speaker 1>only one that's better, if you're listening at home is

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<v Speaker 1>look up the Bill Paxton Rest in Paradise Twister Experience video.

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<v Speaker 1>It's not a ride that exists anymore. It's literally one

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<v Speaker 1>of those like Hollywood things where you go in and

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<v Speaker 1>you just watch a set from Twister blowsh it around,

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<v Speaker 1>and then at the end there's a video of Bill

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<v Speaker 1>Paxton saying, Wow, the majesty of Nature. Check out Twister.

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<v Speaker 1>It came out, this ride existed is recently is five

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<v Speaker 1>years ago where uh in Florida. It was like I

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<v Speaker 1>think it was like, yeah, like Universal Studios in Florida.

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<v Speaker 1>I mean, this is the second movie we've done now

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<v Speaker 1>that has had a dater. Can you guys do Pirates

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<v Speaker 1>of the Cab. We're gonna do the Country Bears. We're

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<v Speaker 1>gonna do you guys are gonna do Song in the

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<v Speaker 1>South anytimes? Oh No, that is a roller coaster movie.

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<v Speaker 1>It's like my favorite roller coaster and it's problematic on

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<v Speaker 1>literal mountains, isn't that Yeah? Yeah, yeah, and they're like,

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<v Speaker 1>let's change it. Let's not change it. I'm sure somebody

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<v Speaker 1>will also do Jurassic Park. I would love the Drastic Park.

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<v Speaker 1>Raft ride is fine. I love it. Well, there's a

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<v Speaker 1>place called Paramount, Canada's Wonderland, and I bet they've got

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<v Speaker 1>a lot of rides based on movies that you guys

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<v Speaker 1>just don't know. Our rides about Raider, there's a room,

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<v Speaker 1>no way. Yeah, I would almost got to go to Killa.

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<v Speaker 1>I would almost prefer that to well, I don't know.

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<v Speaker 1>There's also the one with the guy who jumped on

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<v Speaker 1>the couch Tom Cruise. He's in the new movie movie

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<v Speaker 1>What's the What's the movie? Top Gun? There's a top

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<v Speaker 1>Gun ride there too. Way. Yeah, rules kicks the shift

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<v Speaker 1>out of that twist to ride. It wasn't even ride,

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<v Speaker 1>you just stared at it. Oh wait, here's another good time.

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<v Speaker 1>This is a roller coaster podcast. Now. I love and

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<v Speaker 1>my mom. I've never seen my mom more excited than

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<v Speaker 1>to go on the Aerosmith roller coaster in Orlando, Florida.

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<v Speaker 1>For some reason, the Disney Corporation took it upon itself.

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<v Speaker 1>You know who needs to be adapted into a roller

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<v Speaker 1>coaster The band Arrowsmith. I mean, they're not wrong there,

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<v Speaker 1>it's they're a great band. They're from from my hometown,

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<v Speaker 1>for crying out loud, there from Boston. Um. So my

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<v Speaker 1>mom like she she used to be a roadie for

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<v Speaker 1>the Beaver Brown Band. She was there their their road

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<v Speaker 1>sled or whatever she did. I don't know. I don't

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<v Speaker 1>know exactly what she did with the Beaver Brown band,

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<v Speaker 1>but she let's call her right like Joe, what was

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<v Speaker 1>your affiliation? She doesn't like to talk about it. So

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<v Speaker 1>I think she was the Red Slide um, but she

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<v Speaker 1>she aspired to be the Aerosmith roads that never got there.

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<v Speaker 1>We went to Disney World when I was like twelve,

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<v Speaker 1>and she all she wanted to do was gone the

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<v Speaker 1>Aerosmith roller coaster and was thrilled because when you're in

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<v Speaker 1>the waiting area because it's an in demand roller coaster,

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<v Speaker 1>there's lines there. Can that be true? But it's a

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<v Speaker 1>great roller Okay, but there. I was on it last

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<v Speaker 1>year and I was like, not hold up, but there's

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<v Speaker 1>a huge like you're waiting in like their studio, and

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<v Speaker 1>then all of Aaronsmith acts and this short sketch and

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<v Speaker 1>they're so bad and they're just like, oh my god,

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<v Speaker 1>we gotta get to tour it the venue. We gotta

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<v Speaker 1>get to the veneo God, get us to the Greek

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<v Speaker 1>or like whatever they're saying. Um And Steve Tyler is

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<v Speaker 1>there and he's like, oh my god, guys, we're going

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<v Speaker 1>to be late. Hey didn't. Then the appoint it me

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<v Speaker 1>and they say, hey, can you drive for us? We

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<v Speaker 1>need some roadies And my mom was like because she

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<v Speaker 1>wanted to be ready. Yeah, she was thrilled. Oh my god,

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<v Speaker 1>this is the coaster cast. Anyway, the movie was cool,

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<v Speaker 1>So you guys hadn't have seen it before. I think

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<v Speaker 1>I saw it when it first came out in and

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<v Speaker 1>then never again except for today and yesterday when I

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<v Speaker 1>watched it twice and then maybe never and never again

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<v Speaker 1>after this, but it's a time for the recap. Yeah,

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<v Speaker 1>all right, there, you guys, don't do that. Oh yeah,

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<v Speaker 1>cut a track right now in every single time. Well, first,

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<v Speaker 1>I feel like someone was like, Hey, I really want

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<v Speaker 1>to make an Indiana Jones movie. But I don't have

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<v Speaker 1>the rights to Indiana Jones, but I want to make

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<v Speaker 1>an Indiana Jones movie anyway, So I'm gonna make this movie,

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<v Speaker 1>and I'm not going to care that it's very bad. Probably,

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<v Speaker 1>I say, I can see that it has such an

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<v Speaker 1>Jones feel, as Jones accept like a really like a

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<v Speaker 1>CVS brand Jones. Yeah. But then I was up and up.

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<v Speaker 1>That's so funny that you think that, because I was thinking, Oh,

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<v Speaker 1>this is like a better version of National Treasure, which

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<v Speaker 1>is just another version of Indiana Jones. I love National Treasure.

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<v Speaker 1>I'm sure it would have could have been a fine movie.

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<v Speaker 1>Oh no, what's the name of that guy? I wish

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<v Speaker 1>he was in National Treasure? Another movie he'd fit in great. Well,

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<v Speaker 1>he is in Raiders of the Lost Dark Alfred Molina is. Oh, yeah,

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<v Speaker 1>he's in a good one. I'm sorry. Last Crusade is

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<v Speaker 1>a very good one. Here's something not the best. One

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<v Speaker 1>will shock you here. I've never seen in Indiana John, No,

0:11:43.480 --> 0:11:46.680
<v Speaker 1>it won't. It does not shock National Treasure probably five times,

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<v Speaker 1>so you don't need to see Indiana Jones exactly. That's

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<v Speaker 1>just think of that but better. But like what if

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<v Speaker 1>this is better? But I love It's something I know

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<v Speaker 1>and love the The plot twist in Natural Treasure is

0:11:59.120 --> 0:12:03.760
<v Speaker 1>daylight saving time. That's a great twist. I love that twist.

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<v Speaker 1>I'm so glad I brought this one because I need

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<v Speaker 1>to get drunk immediately. Raiders of the Lost Arc probably

0:12:10.520 --> 0:12:13.440
<v Speaker 1>is the better film, but we all can agree that

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<v Speaker 1>Indiana Jones on the Last Crusade is a much more

0:12:15.920 --> 0:12:19.360
<v Speaker 1>fun movie. And it wasn't really closer two. I know

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<v Speaker 1>it's a really fun one. It was alright anyway, So

0:12:22.520 --> 0:12:26.000
<v Speaker 1>this movie God well, to quote of Brendan Frasier's character,

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<v Speaker 1>I gotta rescue the damsel in distress, kill the bad guy,

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<v Speaker 1>and save the world. I love that line. I was like, boom,

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<v Speaker 1>nailed it, nail on the head. Brandon. I have a

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<v Speaker 1>lot of thoughts about Brandon Fraser. I'm sure you're not

0:12:41.000 --> 0:12:45.680
<v Speaker 1>supprised he buys into my My new theory is that

0:12:45.720 --> 0:12:52.520
<v Speaker 1>Brendan Fraser is ostensibly the rebound boyfriend of actors because

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<v Speaker 1>you do not have to take him seriously. He's fun

0:12:55.679 --> 0:12:59.720
<v Speaker 1>for two hours. The second you hit two hours, he

0:12:59.880 --> 0:13:01.959
<v Speaker 1>is not fun anymore, and you're like, I want to

0:13:02.000 --> 0:13:05.439
<v Speaker 1>go home. And that's that is. That's luckily this movie

0:13:05.480 --> 0:13:08.560
<v Speaker 1>clocks in just over two hours, but ten minutes of

0:13:08.600 --> 0:13:13.199
<v Speaker 1>that is the credits. So yeah, by a mummy, So

0:13:13.280 --> 0:13:18.439
<v Speaker 1>it's like, you're busy. He's got a frinding about him.

0:13:18.520 --> 0:13:22.079
<v Speaker 1>Is like I forgot how hot he was and I

0:13:22.120 --> 0:13:24.160
<v Speaker 1>was like, holy crap, he's so hot. But then by

0:13:24.160 --> 0:13:26.160
<v Speaker 1>the end of the movie you see like where you're like,

0:13:26.520 --> 0:13:29.400
<v Speaker 1>he's just something off hot, you know what I mean,

0:13:29.400 --> 0:13:34.360
<v Speaker 1>when he's wild brand hot. This whole movie is this

0:13:34.600 --> 0:13:37.520
<v Speaker 1>CBS brand. I like, I feel like if you called

0:13:37.600 --> 0:13:39.680
<v Speaker 1>Brendan Fraser's name, he's got the kind of eyes where

0:13:39.679 --> 0:13:42.320
<v Speaker 1>he'd like look over like a like an egrette. He'd

0:13:42.320 --> 0:13:44.880
<v Speaker 1>be like, what like an emu ostrich, what am I

0:13:44.920 --> 0:13:47.280
<v Speaker 1>thinking of? I'm thinking of a large bird. That's how

0:13:47.320 --> 0:13:51.440
<v Speaker 1>I think. I feel like Brendan Frener could lay an

0:13:51.440 --> 0:13:56.200
<v Speaker 1>egg and that's what he's been doing. Lately. I wouldn't

0:13:56.240 --> 0:13:59.360
<v Speaker 1>be surprised if Brendan Fraser. So this is like I

0:13:59.480 --> 0:14:03.080
<v Speaker 1>laid a night I had coldbred coffee for the first

0:14:03.080 --> 0:14:06.400
<v Speaker 1>time today. Oh, that's the last time I had cold

0:14:06.440 --> 0:14:10.160
<v Speaker 1>brew coffee. I had a panic attack. I am story.

0:14:10.280 --> 0:14:11.679
<v Speaker 1>I feel like I'm on the verge of a pan.

0:14:12.440 --> 0:14:15.160
<v Speaker 1>But let's let's ride this way. Let's write it um

0:14:15.200 --> 0:14:19.040
<v Speaker 1>and let's recap the story. We open in like ancient Egypt.

0:14:19.440 --> 0:14:23.360
<v Speaker 1>What years it? We don't know? Something BC something. I

0:14:23.360 --> 0:14:27.440
<v Speaker 1>don't give a funk. If it's before Christ. Yeah, not interesting.

0:14:27.880 --> 0:14:32.480
<v Speaker 1>Let's leave this out of it, Okay, just to clarify.

0:14:32.520 --> 0:14:34.880
<v Speaker 1>So in the beginning, when it's like the BC era,

0:14:35.000 --> 0:14:37.800
<v Speaker 1>and then so what's that chick? Is she like super

0:14:37.840 --> 0:14:43.400
<v Speaker 1>special or something? She's the pharaoh's mistress, mistress mistress? Where's

0:14:43.800 --> 0:14:46.000
<v Speaker 1>we don't know? Do we hear about the wife? I

0:14:46.000 --> 0:14:50.400
<v Speaker 1>don't think so they would talk about something together, I know,

0:14:51.400 --> 0:14:56.640
<v Speaker 1>only woden't have a conversation, just one thing, those two. Um.

0:14:57.240 --> 0:15:01.000
<v Speaker 1>But then she's having an affair with someone else. She

0:15:01.200 --> 0:15:05.840
<v Speaker 1>loves somebody else, which is this man. He's bald and

0:15:06.000 --> 0:15:08.440
<v Speaker 1>that's really honestly, I thought he was when I first

0:15:08.480 --> 0:15:10.640
<v Speaker 1>last movie, I thought it was Billy Zane. I was like,

0:15:10.680 --> 0:15:13.080
<v Speaker 1>that guy's that's Billy Zane. And then I rewatched it

0:15:13.160 --> 0:15:15.560
<v Speaker 1>yesterday and I was like, no, different man who looks

0:15:15.600 --> 0:15:17.720
<v Speaker 1>just like him? Before we start to get bad reviews,

0:15:18.080 --> 0:15:21.600
<v Speaker 1>we're not saying all bald men look alike. I know

0:15:21.680 --> 0:15:25.000
<v Speaker 1>that we we've got to be aware, do you know? What?

0:15:25.240 --> 0:15:27.480
<v Speaker 1>Was crazy? And I know we're still doing the plot

0:15:27.840 --> 0:15:31.200
<v Speaker 1>but we haven't. We've hardly begun. But how like that

0:15:31.280 --> 0:15:35.000
<v Speaker 1>at the beginning, it's like that woman is like us, basically,

0:15:35.040 --> 0:15:37.600
<v Speaker 1>like a sex slave mistress, and then she's in love

0:15:37.640 --> 0:15:41.000
<v Speaker 1>with someone and he loves her, and then yet that

0:15:41.080 --> 0:15:45.080
<v Speaker 1>person who loves her and her become the villain. It's

0:15:45.120 --> 0:15:47.840
<v Speaker 1>like they should be the good guys. Yeah, I was

0:15:47.880 --> 0:15:50.080
<v Speaker 1>a little bit confused about that, Like why are they

0:15:50.080 --> 0:15:54.600
<v Speaker 1>the villains? They've had a ship time, I don't know. Anyways,

0:15:54.760 --> 0:16:00.560
<v Speaker 1>forward also the after Christ the the actress who plays

0:16:00.640 --> 0:16:06.280
<v Speaker 1>the ancient Egyptian lady. Her name is Patricia Velasquez who

0:16:06.280 --> 0:16:10.040
<v Speaker 1>plays Marta on Arrested Development? Whoa which one's Marta on

0:16:10.160 --> 0:16:12.760
<v Speaker 1>Arrested develop She's the one that Michael is in love

0:16:12.800 --> 0:16:18.560
<v Speaker 1>with that date that's fine, yeah, I wanted them to

0:16:18.640 --> 0:16:22.760
<v Speaker 1>make it, I know not and Michael anyway, so they

0:16:23.080 --> 0:16:26.680
<v Speaker 1>they have this like clandestine relationship and the Pharaoh finds out,

0:16:26.720 --> 0:16:28.920
<v Speaker 1>so he's like, you're a bad man. I'm going to

0:16:29.080 --> 0:16:34.720
<v Speaker 1>curse you and not really though before he could curse him, oh,

0:16:34.840 --> 0:16:38.200
<v Speaker 1>the woman they killed him. Well, the woman stabs herself

0:16:38.240 --> 0:16:44.600
<v Speaker 1>and then they they killed the pharaoh first. I don't remember,

0:16:44.640 --> 0:16:49.000
<v Speaker 1>but saying it doesn't really it didn't even It's like,

0:16:49.120 --> 0:16:52.040
<v Speaker 1>this is a why is this movie hard to follow?

0:16:52.120 --> 0:16:55.360
<v Speaker 1>Like it shouldn't be. There's a lot of questions that

0:16:55.400 --> 0:16:57.360
<v Speaker 1>I feel like I would come up with the wrong plot.

0:16:57.440 --> 0:16:59.760
<v Speaker 1>And I tried really hard to pay attention to this movie.

0:17:00.160 --> 0:17:01.680
<v Speaker 1>It's a hard movie to pay attention to it. And

0:17:01.680 --> 0:17:03.400
<v Speaker 1>when I said who cares, I don't mean I didn't

0:17:03.440 --> 0:17:05.680
<v Speaker 1>mean to dismiss you. I meant to say, this movie

0:17:05.760 --> 0:17:07.919
<v Speaker 1>is stupid, who cares what happens in it? I just

0:17:07.920 --> 0:17:10.320
<v Speaker 1>wanted to clarify, right, Yeah, all my fans are going

0:17:10.359 --> 0:17:13.480
<v Speaker 1>to be really mad about it. The Georgia Heads are

0:17:13.480 --> 0:17:19.760
<v Speaker 1>coming after you. Brooks Nation. The bottom one the guy

0:17:19.920 --> 0:17:22.800
<v Speaker 1>becomes a mummy and then put in a tomb, and

0:17:22.880 --> 0:17:25.840
<v Speaker 1>the sarcophagus, and they mummify him while he's alive, so

0:17:25.880 --> 0:17:27.720
<v Speaker 1>he gets put in that thing when he's still alive,

0:17:27.760 --> 0:17:30.680
<v Speaker 1>which is You can tell it scary because his eyes

0:17:30.720 --> 0:17:35.760
<v Speaker 1>are like, no, yeah, this tongue, which is which is

0:17:35.760 --> 0:17:37.480
<v Speaker 1>a bad thing in the beast. How is he going

0:17:37.520 --> 0:17:41.600
<v Speaker 1>to go down on a woman? That's what they're saying. Wait, wait, air,

0:17:44.640 --> 0:17:46.879
<v Speaker 1>is that not how you get down a woman? Just

0:17:47.000 --> 0:17:49.960
<v Speaker 1>gentle blowing. I feel like if you had a nub

0:17:50.000 --> 0:17:52.200
<v Speaker 1>enough a tongue, you could still do it. Yeah, you

0:17:52.200 --> 0:17:54.160
<v Speaker 1>don't have to like really get in there, but yeah,

0:17:54.320 --> 0:18:00.399
<v Speaker 1>a little froggy no, you would you have to do

0:18:00.440 --> 0:18:03.480
<v Speaker 1>if you had a really little tongue. Hypothetically, I'm not

0:18:03.520 --> 0:18:06.359
<v Speaker 1>sorry I got I have a great tongue, um, but

0:18:06.359 --> 0:18:08.159
<v Speaker 1>if you have a little tongue, I have an average

0:18:08.160 --> 0:18:11.520
<v Speaker 1>sized tongue. I drive such a fancy hot car because

0:18:11.560 --> 0:18:20.400
<v Speaker 1>I'm compensating for my tongue, my tongue. But maybe you'd

0:18:20.480 --> 0:18:23.919
<v Speaker 1>have to And everyone at home please picture this happening

0:18:23.920 --> 0:18:28.679
<v Speaker 1>to a vagina. Spread your mouth and suction on to

0:18:28.720 --> 0:18:31.119
<v Speaker 1>get the tongue. Because you can't bring the tongue. The

0:18:31.119 --> 0:18:35.000
<v Speaker 1>tongue has to be brought to well anyway, so there's

0:18:35.040 --> 0:18:39.800
<v Speaker 1>a curse, he's a money or so. Then the future

0:18:39.880 --> 0:18:47.280
<v Speaker 1>comes at the past, is it n it's and then

0:18:47.320 --> 0:18:49.919
<v Speaker 1>it like goes forward more so I was guessing that

0:18:50.000 --> 0:18:53.159
<v Speaker 1>was around five to thirty, but the first ones in

0:18:53.960 --> 0:18:56.560
<v Speaker 1>when Brandon Fraser is still like I only watched this

0:18:56.600 --> 0:19:00.280
<v Speaker 1>movie once, you don't remember the years as is like

0:19:00.520 --> 0:19:04.360
<v Speaker 1>I'm obsessed with like Edwardian culture, which is like nineteen

0:19:05.000 --> 0:19:07.920
<v Speaker 1>nineteen ten. And then right after that and I got, really,

0:19:08.119 --> 0:19:10.720
<v Speaker 1>the one thing I really liked about this movie is

0:19:10.760 --> 0:19:14.840
<v Speaker 1>like the era took place in and also her fashion

0:19:15.640 --> 0:19:20.560
<v Speaker 1>her Yeah, it's she's she's a colonial gal with very

0:19:20.560 --> 0:19:22.840
<v Speaker 1>thin eyebrows. I didn't even know that was Rachel I

0:19:22.840 --> 0:19:27.680
<v Speaker 1>wrote down triggered by eyebrows, eyebrows, very distracting, no idea

0:19:27.760 --> 0:19:30.159
<v Speaker 1>that was her because she has such like rich, luxurious

0:19:30.200 --> 0:19:32.800
<v Speaker 1>eyebrows and they're so overplunched in this movie because I

0:19:32.840 --> 0:19:34.919
<v Speaker 1>was like the style of the time that I did

0:19:34.960 --> 0:19:36.919
<v Speaker 1>not know that was Rachel White until I looked at him.

0:19:37.000 --> 0:19:41.400
<v Speaker 1>She has she has pregnant teenager eyebrows. Those are overplugged

0:19:41.440 --> 0:19:44.040
<v Speaker 1>eyebrows are for pregnant teenagers and people who don't know

0:19:44.080 --> 0:19:48.080
<v Speaker 1>what they're doing. All the pregnant teenagers listening to the podcast.

0:19:48.200 --> 0:19:50.879
<v Speaker 1>We're not trying to put you in a box. Keep listening,

0:19:51.119 --> 0:19:54.160
<v Speaker 1>and you know, think about how your your body, your choice,

0:19:54.440 --> 0:19:56.879
<v Speaker 1>your but also I mean with the baby, but not

0:19:56.920 --> 0:20:00.239
<v Speaker 1>with your eyebrows. And there's no excuse for bad So

0:20:00.359 --> 0:20:04.240
<v Speaker 1>I should just I am dB this, babe, I am dB. Yeah,

0:20:04.280 --> 0:20:07.159
<v Speaker 1>I didn't fit it took I. I have been trying

0:20:07.160 --> 0:20:10.240
<v Speaker 1>to challenge myself to not google things for the second

0:20:10.240 --> 0:20:16.000
<v Speaker 1>I want to google them. No, But like when I

0:20:16.040 --> 0:20:18.280
<v Speaker 1>was watching the movie earlier, I was like, I'm going

0:20:18.359 --> 0:20:20.920
<v Speaker 1>to figure out who this actress is. I know her face,

0:20:21.000 --> 0:20:23.920
<v Speaker 1>but the browser distracting and I didn't get it. I

0:20:23.960 --> 0:20:27.560
<v Speaker 1>had to look it up. Well, it's she looked Hella familiar,

0:20:27.600 --> 0:20:28.800
<v Speaker 1>And by the end of the movie, I was like, oh,

0:20:28.840 --> 0:20:31.439
<v Speaker 1>I've seen her a buttload. Yeah. I think that's the

0:20:31.480 --> 0:20:34.960
<v Speaker 1>technical term, and that's the unit of measurement that I'd

0:20:35.000 --> 0:20:39.080
<v Speaker 1>like to apply. Yeah. So then he gets arrested. Yeah.

0:20:39.400 --> 0:20:42.399
<v Speaker 1>Brendan Fraser is like, I guess, a treasure hunter and

0:20:42.440 --> 0:20:45.040
<v Speaker 1>he like goes to this lost city, this city of

0:20:45.040 --> 0:20:48.879
<v Speaker 1>the Dead in Egypt, and there's these people who attack him,

0:20:48.880 --> 0:20:50.480
<v Speaker 1>and he's like no when he gets arrested, and then

0:20:51.240 --> 0:20:55.359
<v Speaker 1>intro Rachel Wise as Evelyn and her brother and they

0:20:55.359 --> 0:20:59.640
<v Speaker 1>worked at this like Library of Antiquities museum also in Egypt.

0:21:00.000 --> 0:21:04.800
<v Speaker 1>She's a scholar. I forget why she go, right because

0:21:04.840 --> 0:21:09.159
<v Speaker 1>her brother has this yeah, and I find this map. Now,

0:21:09.160 --> 0:21:10.960
<v Speaker 1>like this is the map to this city of the dead.

0:21:11.240 --> 0:21:14.520
<v Speaker 1>So they go and they find it's kind of like

0:21:14.600 --> 0:21:17.000
<v Speaker 1>to see a national treasure where they steal a constitution

0:21:17.040 --> 0:21:19.000
<v Speaker 1>and they're like, there's a map on the back and

0:21:19.200 --> 0:21:22.120
<v Speaker 1>it's a lemon juice. How did you find out? What

0:21:22.200 --> 0:21:24.440
<v Speaker 1>the No, that's not right. They didn't hold it under

0:21:24.440 --> 0:21:26.240
<v Speaker 1>a black light. I don't know what they did. It's

0:21:26.320 --> 0:21:31.200
<v Speaker 1>basically like national treasure, right, Okay, continue Anyway, they pair

0:21:31.400 --> 0:21:33.399
<v Speaker 1>up with Brendan Fraser and they're like, let's go to

0:21:33.400 --> 0:21:36.439
<v Speaker 1>this place. They find the city. They go inside these categories.

0:21:36.920 --> 0:21:40.520
<v Speaker 1>There's a sarcophagus and then they're like this is creepy.

0:21:40.560 --> 0:21:42.719
<v Speaker 1>And then there's these other people who are also hunting

0:21:42.720 --> 0:21:44.959
<v Speaker 1>for the treasure in this place. And the twenties everyone

0:21:45.040 --> 0:21:49.400
<v Speaker 1>really wanted treasure. Everyone loved treasure back then. Not so much.

0:21:49.440 --> 0:21:52.320
<v Speaker 1>Now there's like no, no, one's seeking wealth anymore. You know.

0:21:52.400 --> 0:21:54.719
<v Speaker 1>That's why I've made such a killing in the treasure business,

0:21:54.920 --> 0:21:59.040
<v Speaker 1>because it's an undersaturated profession. I like to steal old

0:21:59.040 --> 0:22:01.960
<v Speaker 1>paper and be like it's a map and then and

0:22:02.000 --> 0:22:04.880
<v Speaker 1>then go to different countries and just sunk around. You're

0:22:05.080 --> 0:22:08.320
<v Speaker 1>very good at that. Yeah, thank you anyway, So they

0:22:08.440 --> 0:22:12.840
<v Speaker 1>released this Mommy that's in this this tunes because she

0:22:12.920 --> 0:22:16.200
<v Speaker 1>reads from the book and she finds she didn't read

0:22:16.960 --> 0:22:22.040
<v Speaker 1>that's the list reading no thank you. She reads from

0:22:22.080 --> 0:22:24.840
<v Speaker 1>this book. It like awakens this bad mummy guy and

0:22:24.840 --> 0:22:27.000
<v Speaker 1>he keeps like sucking the life out of people until

0:22:27.000 --> 0:22:29.080
<v Speaker 1>he's like regenerated. And his whole thing is he wants

0:22:29.119 --> 0:22:33.480
<v Speaker 1>to be reunited with the woman and he loves what.

0:22:33.640 --> 0:22:37.120
<v Speaker 1>Oh my god, Aristotle, we got him to say something. Wait,

0:22:37.160 --> 0:22:42.800
<v Speaker 1>what did you say name right? Did you re watch

0:22:42.880 --> 0:22:46.320
<v Speaker 1>the movie recently? You just remember? Okay, you just wait?

0:22:46.359 --> 0:22:51.919
<v Speaker 1>Do you love the Mummy? Oh my god? If you

0:22:51.920 --> 0:22:53.959
<v Speaker 1>didn't hear him, he said he used to love it.

0:22:54.200 --> 0:22:58.240
<v Speaker 1>I don't believe how many times have you feel like

0:22:58.240 --> 0:23:01.520
<v Speaker 1>you've just been waiting to yell at You're like they're

0:23:01.520 --> 0:23:06.000
<v Speaker 1>gonna get there, They're gonna get there. That's so funny anyway,

0:23:06.040 --> 0:23:08.439
<v Speaker 1>So he wants to be a twist for us from that.

0:23:09.600 --> 0:23:11.840
<v Speaker 1>So this mommy guy wants to be reunited with his

0:23:11.920 --> 0:23:15.040
<v Speaker 1>love whose name is whatever, who cares, And then he

0:23:15.359 --> 0:23:17.280
<v Speaker 1>know he's like, I'm going to take this one other

0:23:17.400 --> 0:23:21.240
<v Speaker 1>lady in the story and use her is like the

0:23:21.359 --> 0:23:25.040
<v Speaker 1>vessel to try to revive my my beloved. And they're like, no,

0:23:25.160 --> 0:23:26.639
<v Speaker 1>we can't let this happen. So they have to go

0:23:26.720 --> 0:23:28.720
<v Speaker 1>find this other book that's going to kill him because

0:23:28.760 --> 0:23:31.320
<v Speaker 1>he's immortal and he can't be killed by any mortal weapons.

0:23:31.720 --> 0:23:34.040
<v Speaker 1>So they're like scrambling around and he's like unleashing all

0:23:34.080 --> 0:23:37.280
<v Speaker 1>these plagues on the city and they're like, no, how

0:23:37.280 --> 0:23:38.760
<v Speaker 1>do we do this? And then there's all these other

0:23:38.840 --> 0:23:41.320
<v Speaker 1>mommies who come up and attack them, and a bunch

0:23:41.359 --> 0:23:43.680
<v Speaker 1>of people die, and then finally they find the book

0:23:43.720 --> 0:23:48.160
<v Speaker 1>they need and they kill him the end and they

0:23:48.200 --> 0:23:53.520
<v Speaker 1>fall in love and right and Brandon fall in love. Yes,

0:23:54.480 --> 0:23:58.119
<v Speaker 1>who saw that coming? Rick? I love that the hero

0:23:58.359 --> 0:24:03.560
<v Speaker 1>of this Egyptian movie is Rick O'Connell. Sounds like a

0:24:03.600 --> 0:24:07.160
<v Speaker 1>neighbor I would have Is that the brother? Uh No,

0:24:07.240 --> 0:24:16.080
<v Speaker 1>that's Brendan Rick O'Connell. Rick O'Connell. The guy who plays Benny,

0:24:16.160 --> 0:24:19.919
<v Speaker 1>who is presumably an Egyptian character, is played by a

0:24:19.960 --> 0:24:25.080
<v Speaker 1>guy named Kevin O'Connor. That must probably a white guy

0:24:25.720 --> 0:24:32.600
<v Speaker 1>and probably example of Hollywood. Hollywood whitewashing. This movie is very,

0:24:32.720 --> 0:24:36.280
<v Speaker 1>very very guilty of whitewashing. If we're looking at it

0:24:36.320 --> 0:24:39.639
<v Speaker 1>in a macro way, it's, you know, three white leads

0:24:39.840 --> 0:24:44.080
<v Speaker 1>in a country of now white people. All the villains

0:24:44.640 --> 0:24:49.080
<v Speaker 1>are you know, the slightly brown, slightly brown we I

0:24:49.080 --> 0:24:54.160
<v Speaker 1>mean were they're just ethnically ambiguous. Well the Egyptian played

0:24:54.160 --> 0:24:58.840
<v Speaker 1>by Patricia she's Hispanic, right, yeah, I mean they were

0:24:58.880 --> 0:25:04.840
<v Speaker 1>like a anything money pigments, yeah, which uh And but

0:25:05.000 --> 0:25:08.240
<v Speaker 1>you know even the way that like like everyone who

0:25:08.280 --> 0:25:10.720
<v Speaker 1>lives in Egypt who is not American or British is

0:25:10.760 --> 0:25:14.680
<v Speaker 1>like they're dumb or they're violent, and we're we're here

0:25:14.720 --> 0:25:17.600
<v Speaker 1>to talk about women, but you know, we're addressing it's

0:25:17.640 --> 0:25:22.399
<v Speaker 1>hard to talk about women with this movie. We literally

0:25:22.480 --> 0:25:24.840
<v Speaker 1>have to talk about other things. I do have something

0:25:25.440 --> 0:25:30.560
<v Speaker 1>I would like to address. It's very serious. So the

0:25:30.600 --> 0:25:33.800
<v Speaker 1>reason we're doing this episode because there's a new Money

0:25:33.840 --> 0:25:38.040
<v Speaker 1>installment coming out starring not Brandon Fraser but Tom Cruise,

0:25:38.040 --> 0:25:41.200
<v Speaker 1>the guy who jumped on the couch. Isn't that weird?

0:25:41.280 --> 0:25:44.080
<v Speaker 1>Usually when there's a new movie and they put a

0:25:44.119 --> 0:25:46.480
<v Speaker 1>new person and they don't pick someone who's the same

0:25:46.520 --> 0:25:48.640
<v Speaker 1>age as the original, dude, you know what I mean?

0:25:49.520 --> 0:25:56.640
<v Speaker 1>You just didn't cast him last time. Brandon Fraser uh

0:25:56.960 --> 0:25:59.880
<v Speaker 1>is if nothing else, and he's a lot of things.

0:26:00.200 --> 0:26:03.480
<v Speaker 1>He's a class act brand. Fraser released a statement upon

0:26:03.600 --> 0:26:07.399
<v Speaker 1>not being cast in The Money reboot and being bumped

0:26:07.440 --> 0:26:10.560
<v Speaker 1>by Tom Cruise, and it's maybe the saddest thing. Oh God, please,

0:26:10.600 --> 0:26:13.280
<v Speaker 1>I've ever written my life. Here's what Mr Fraser had

0:26:13.320 --> 0:26:17.840
<v Speaker 1>to say. Quote. I am flattered as Tom Cruise is

0:26:17.880 --> 0:26:21.359
<v Speaker 1>a really big movie star. There are many movies made

0:26:21.400 --> 0:26:23.359
<v Speaker 1>before the one that I was lucky to be a

0:26:23.400 --> 0:26:26.199
<v Speaker 1>part of, which, speaking in the sense of you know,

0:26:26.400 --> 0:26:29.480
<v Speaker 1>history of time, a lot of movies. I am certain

0:26:29.560 --> 0:26:32.400
<v Speaker 1>this one will be unique. I have met Tom before

0:26:32.720 --> 0:26:35.359
<v Speaker 1>and he is a nice guy. He will be great,

0:26:35.440 --> 0:26:39.320
<v Speaker 1>and the film will be exciting, and get your tissues out.

0:26:39.920 --> 0:26:42.520
<v Speaker 1>I will buy the ticket to watch it on the

0:26:42.560 --> 0:26:46.600
<v Speaker 1>opening day. Imagine if Brendan Fraser had to pay for

0:26:46.640 --> 0:26:50.160
<v Speaker 1>a ticket to the Mummy. I think we should start

0:26:50.160 --> 0:26:54.200
<v Speaker 1>a Kickstarter get him a therapy dog and a free

0:26:54.200 --> 0:26:57.679
<v Speaker 1>ticket to the Mummy because this because Homeboy is is

0:26:58.080 --> 0:27:01.240
<v Speaker 1>torn up. He's torn up about it. It's just sad

0:27:01.280 --> 0:27:03.960
<v Speaker 1>because it's like he could use it, you know, he

0:27:04.000 --> 0:27:07.080
<v Speaker 1>could use it, and he shines. I enjoyed him in

0:27:07.680 --> 0:27:10.560
<v Speaker 1>Luny Tunes back in Action in two thousand three. What's

0:27:10.560 --> 0:27:14.920
<v Speaker 1>that movie he's in, Um Georgia the Jungle. Yeah, yeah,

0:27:15.040 --> 0:27:17.080
<v Speaker 1>I want to see a reboot that you're in called

0:27:17.240 --> 0:27:21.399
<v Speaker 1>Georgia of the jung So does everybody here that Hollywood?

0:27:23.359 --> 0:27:26.800
<v Speaker 1>But yeah, let's talk about Evelyn, who I did not.

0:27:27.359 --> 0:27:30.200
<v Speaker 1>I didn't even know her name until halfway through the movie. Yeah, same,

0:27:30.640 --> 0:27:32.400
<v Speaker 1>because I was like, oh, Evelyn is a great name.

0:27:32.640 --> 0:27:34.959
<v Speaker 1>I remembered Evie because I was like, that's a Pokemon.

0:27:38.080 --> 0:27:43.600
<v Speaker 1>Let's just from the top her. The way she's introduced.

0:27:44.200 --> 0:27:46.960
<v Speaker 1>What a goof right, she's putting books away in her library.

0:27:47.040 --> 0:27:49.800
<v Speaker 1>What a weird introduction to this character. Yeah, because it

0:27:49.800 --> 0:27:52.439
<v Speaker 1>doesn't even she never looks that way again, Like she

0:27:52.640 --> 0:27:54.960
<v Speaker 1>had glasses on maybe or something. She looked like a

0:27:55.080 --> 0:27:57.800
<v Speaker 1>super nerd and then that was the end of that.

0:27:58.000 --> 0:28:00.679
<v Speaker 1>And she's like super clumsy because like she's on this

0:28:00.760 --> 0:28:03.000
<v Speaker 1>ladder trying to put these books away, and then the

0:28:03.080 --> 0:28:08.760
<v Speaker 1>ladder like somehow becomes suspended upright, and gravity stops existing

0:28:08.840 --> 0:28:12.280
<v Speaker 1>for thirty seconds or so, and she's like kind of

0:28:12.560 --> 0:28:15.200
<v Speaker 1>balancing on this ladder and she's almost like they're still,

0:28:16.480 --> 0:28:20.400
<v Speaker 1>and then she finally tips over and knocks like twenty

0:28:20.400 --> 0:28:25.960
<v Speaker 1>bookcases down dominoes. And then this mean guy comes in.

0:28:26.040 --> 0:28:28.600
<v Speaker 1>He's like, you fix this, you fix it. He's like,

0:28:28.640 --> 0:28:30.400
<v Speaker 1>why are you Why do I even hire you? Yeah,

0:28:30.440 --> 0:28:32.560
<v Speaker 1>you suck. And she does stand up for herself and

0:28:32.600 --> 0:28:35.040
<v Speaker 1>she's like, because I can read ancient in Egypt, I

0:28:35.080 --> 0:28:39.040
<v Speaker 1>know what hi, your rhoglyphics are and the most that's

0:28:39.080 --> 0:28:41.960
<v Speaker 1>the way exactly what she says. Well, I mean it's

0:28:42.080 --> 0:28:46.960
<v Speaker 1>like the most expository dialogue ever. I went to college,

0:28:47.120 --> 0:28:50.960
<v Speaker 1>and I know the pictures they made inside the triangles

0:28:51.320 --> 0:28:54.960
<v Speaker 1>and and the guys like, you know what actually is?

0:28:55.000 --> 0:28:57.720
<v Speaker 1>Because your parents have a lot of money? Did he

0:28:57.800 --> 0:29:03.000
<v Speaker 1>say that to blame us? Girl? What do you know

0:29:03.080 --> 0:29:07.320
<v Speaker 1>about misery? Hey? Titanic check the guy who plays Mr.

0:29:07.480 --> 0:29:10.920
<v Speaker 1>Is may Is in this movie and the guy who

0:29:10.920 --> 0:29:15.920
<v Speaker 1>plays another character whose name that scene with violent swimming

0:29:16.160 --> 0:29:20.400
<v Speaker 1>that I was like, oh no, because they go overboard. Yeah,

0:29:20.680 --> 0:29:24.760
<v Speaker 1>there's that. And the guy who plays Captain Winston have

0:29:25.040 --> 0:29:28.320
<v Speaker 1>Lock who like pilots their playing back to the city.

0:29:29.160 --> 0:29:33.720
<v Speaker 1>Guy who says famous character cath I cosplayed in him.

0:29:35.000 --> 0:29:38.160
<v Speaker 1>He plays the guy in Titanic who after Jack like

0:29:38.440 --> 0:29:41.240
<v Speaker 1>saves Rose on the back of the ship. And then

0:29:41.240 --> 0:29:43.200
<v Speaker 1>everyone's like did he save her or was he trying

0:29:43.240 --> 0:29:44.920
<v Speaker 1>to rape er? We don't know? And then he's like, no,

0:29:45.000 --> 0:29:46.960
<v Speaker 1>I saved her. And he's like, well, the boy's a hero.

0:29:47.080 --> 0:29:52.480
<v Speaker 1>Then that guy that's a deep cut yes, yes, yes, yeah, yeah,

0:29:52.520 --> 0:29:59.160
<v Speaker 1>you're right there. And then yeah, Mrs May plays on Chamberlain.

0:30:00.040 --> 0:30:03.840
<v Speaker 1>He end doesn't He the guy from Titanic and from

0:30:03.880 --> 0:30:11.600
<v Speaker 1>this movie. He's also the bad guy in Jamani. Oh sorry,

0:30:12.000 --> 0:30:16.640
<v Speaker 1>there's a movie coming out with Kevin Harrison. I think

0:30:16.640 --> 0:30:20.840
<v Speaker 1>it's Kevin Harden. What's his name? The Rock? Okay, I'm back.

0:30:22.280 --> 0:30:26.400
<v Speaker 1>We I mean, story plot wise, we have not yet

0:30:26.400 --> 0:30:28.800
<v Speaker 1>gotten to the part with Britain Frasher in a cage

0:30:28.800 --> 0:30:31.800
<v Speaker 1>because I've been waiting. Oh, we just jumped right over

0:30:31.840 --> 0:30:37.160
<v Speaker 1>that arrested for a reason that I can't decipher. I'm

0:30:37.200 --> 0:30:41.080
<v Speaker 1>not sure. Then he almost gets hung. He's indicage. He

0:30:41.120 --> 0:30:44.360
<v Speaker 1>looks exactly like he looked well Georgia the younger. Yes,

0:30:44.520 --> 0:30:48.480
<v Speaker 1>I'm like, is that how long has he been in

0:30:48.480 --> 0:30:51.720
<v Speaker 1>the jail? We don't know. Um, we were I was

0:30:51.760 --> 0:30:55.080
<v Speaker 1>talking about how how Ellen's character is introduced. Yeah, we

0:30:55.080 --> 0:30:57.680
<v Speaker 1>haven't talked about her brother yet. Remember how her brother

0:30:57.760 --> 0:31:00.400
<v Speaker 1>is introduced when she comes like in to the room

0:31:00.400 --> 0:31:03.080
<v Speaker 1>and then he pretends to be like a skeleton mummy,

0:31:03.960 --> 0:31:08.400
<v Speaker 1>like such a shitty brother move. And I originally thought

0:31:08.400 --> 0:31:09.920
<v Speaker 1>it was going to go in the direction of, like,

0:31:10.120 --> 0:31:13.720
<v Speaker 1>this is her husband and like or her fiance. I

0:31:13.760 --> 0:31:15.680
<v Speaker 1>thought it was going to be somebody who liked her,

0:31:15.720 --> 0:31:17.400
<v Speaker 1>who was a ship bag, you know what I mean.

0:31:17.480 --> 0:31:20.080
<v Speaker 1>And then I'm glad it ended up being her brother too,

0:31:20.240 --> 0:31:22.200
<v Speaker 1>because when we got to like we're like, oh whatever,

0:31:22.600 --> 0:31:24.680
<v Speaker 1>I just want to love story to be able to happen,

0:31:24.760 --> 0:31:26.560
<v Speaker 1>and I don't want anything to get in the way

0:31:26.600 --> 0:31:28.800
<v Speaker 1>of that. Like I like that it was just her brother,

0:31:28.880 --> 0:31:30.720
<v Speaker 1>so that heat there was nothing getting in the way

0:31:30.720 --> 0:31:34.280
<v Speaker 1>of her and whatever his name is that theirs sure,

0:31:34.400 --> 0:31:36.400
<v Speaker 1>but it's like there wasn't like a she gets mad

0:31:36.440 --> 0:31:38.520
<v Speaker 1>at him because that guy told a lie, and it's like,

0:31:38.600 --> 0:31:41.240
<v Speaker 1>fucking forget. I just want everyone to like be in love.

0:31:41.960 --> 0:31:45.880
<v Speaker 1>I don't want any external opposing forces. Egypt is enough

0:31:46.040 --> 0:31:49.600
<v Speaker 1>too close to Yeah, I mean Egypt. We're already in

0:31:49.640 --> 0:31:54.240
<v Speaker 1>the trenches. There in the trenches. Let's talk about how

0:31:54.440 --> 0:31:58.360
<v Speaker 1>after she and her brother are introduced, they go to

0:31:58.440 --> 0:32:02.600
<v Speaker 1>the cage that Brandon Fraser is hanging out in because

0:32:02.600 --> 0:32:07.200
<v Speaker 1>he's been arrested for whatever reason, rashing around, Right, how

0:32:07.240 --> 0:32:10.000
<v Speaker 1>long has he been in there? Because he is effectively feral.

0:32:10.400 --> 0:32:14.280
<v Speaker 1>When he bursts into that cage, he's like like, he's

0:32:14.360 --> 0:32:18.560
<v Speaker 1>like screaming, I don't rashing around kissing him. It wouldn't

0:32:18.600 --> 0:32:20.640
<v Speaker 1>take that long to be come like that in a

0:32:20.720 --> 0:32:24.080
<v Speaker 1>jail cell I don't, probably not, especially if you're untethered

0:32:24.120 --> 0:32:27.440
<v Speaker 1>as Brendan Fraser. But that's what I wanted to talk about.

0:32:27.480 --> 0:32:30.160
<v Speaker 1>He just like he's like, come your closer, I gotta

0:32:30.200 --> 0:32:32.240
<v Speaker 1>tell you something. And then he kisses her and we're

0:32:32.280 --> 0:32:35.440
<v Speaker 1>like but she seems fine with it, which is like, well,

0:32:35.560 --> 0:32:38.320
<v Speaker 1>she liked it, but she's like I didn't like it.

0:32:38.720 --> 0:32:40.880
<v Speaker 1>She's ritten by a man who also read the g I.

0:32:40.960 --> 0:32:45.440
<v Speaker 1>Joe movies. Just keep things in perspective. Well, I was like, Okay,

0:32:45.640 --> 0:32:48.600
<v Speaker 1>why did that happen? Why didn't anyone make that choice?

0:32:48.640 --> 0:32:50.560
<v Speaker 1>And then she does like kind of push back a

0:32:50.600 --> 0:32:54.360
<v Speaker 1>little bit. She's like, how dare you? And then she

0:32:54.480 --> 0:32:58.360
<v Speaker 1>keeps She's like, you have bad manners and why why

0:32:58.480 --> 0:33:01.240
<v Speaker 1>did you kiss me? And he's like, I was about

0:33:01.240 --> 0:33:03.239
<v Speaker 1>to be hanged. It seemed like a good idea at

0:33:03.240 --> 0:33:06.840
<v Speaker 1>the time. And then then pulls out a gun. Okay,

0:33:06.880 --> 0:33:08.440
<v Speaker 1>I know you have a lot of He pulls out

0:33:08.440 --> 0:33:11.479
<v Speaker 1>a gun. Well, he like slam after he says that

0:33:11.560 --> 0:33:14.760
<v Speaker 1>line about like just I was in a cage, so

0:33:15.080 --> 0:33:17.600
<v Speaker 1>you pretty much do every want a cage? Like, he

0:33:17.760 --> 0:33:21.680
<v Speaker 1>slaps down all of his artillery in front of her,

0:33:21.720 --> 0:33:24.600
<v Speaker 1>and I'm just like, this is a weird choice. Also,

0:33:24.760 --> 0:33:28.440
<v Speaker 1>before he meets Evie and even before he kisses her,

0:33:29.000 --> 0:33:36.520
<v Speaker 1>he calls her abroad. Yeah, like she'll do it, that's

0:33:36.520 --> 0:33:41.080
<v Speaker 1>actually historical for a fourth she'll do for a fourth kiss.

0:33:41.120 --> 0:33:44.400
<v Speaker 1>I'm George of the Jungle. Also Brendon Fraser controversy. All

0:33:44.400 --> 0:33:46.600
<v Speaker 1>the Fraser heads out there, let me know what you think.

0:33:46.880 --> 0:33:50.560
<v Speaker 1>I don't remember if Brendan Fraser has an auty belly

0:33:50.600 --> 0:33:54.320
<v Speaker 1>button or if the guy in George of the Jungle

0:33:54.360 --> 0:33:56.360
<v Speaker 1>too has an autie belly button. One of them has

0:33:56.400 --> 0:33:59.800
<v Speaker 1>an autie belly button. I hope it's Brendan because I

0:34:00.080 --> 0:34:04.960
<v Speaker 1>have an Audie. The audie community as very oppressed, especially

0:34:04.960 --> 0:34:08.319
<v Speaker 1>in Hollywood, and is it even safe to say that

0:34:08.360 --> 0:34:11.560
<v Speaker 1>on their don't even maybe ended this audi and prouty

0:34:11.880 --> 0:34:17.160
<v Speaker 1>is what I'm saying. Brand it's Brandon Frazer. I'm gonna

0:34:17.200 --> 0:34:22.879
<v Speaker 1>look up as tummy pressure ebbs. So, first of all,

0:34:23.040 --> 0:34:29.040
<v Speaker 1>whenever you kiss someone without their permission, technically it's sexual assault.

0:34:29.560 --> 0:34:33.439
<v Speaker 1>So that happened. And then there's this story beat where

0:34:33.480 --> 0:34:35.880
<v Speaker 1>she's like kind of swooning over it. She's like in

0:34:35.960 --> 0:34:40.359
<v Speaker 1>her when she's no Like before that, she's like she's

0:34:40.400 --> 0:34:43.320
<v Speaker 1>in her room on the boat because they're heading towards

0:34:43.320 --> 0:34:46.520
<v Speaker 1>this City of the Dead, and she's like trying to

0:34:46.600 --> 0:34:49.839
<v Speaker 1>read and she's like so hot and bothered. And then

0:34:49.840 --> 0:34:52.640
<v Speaker 1>she's like, oh, come on, girl, what wasn't even that

0:34:52.680 --> 0:34:55.760
<v Speaker 1>good of a kiss? Like clearly she's apparently thinking about

0:34:55.760 --> 0:34:57.400
<v Speaker 1>this kiss, but we saw the kiss and we know

0:34:57.440 --> 0:34:59.719
<v Speaker 1>it wasn't that good, so she must be in love. Yeah,

0:35:00.000 --> 0:35:03.839
<v Speaker 1>well that's not okay, You're right, I hear you, especially

0:35:03.920 --> 0:35:07.200
<v Speaker 1>because that I was like, oh, yeah, this is so weird.

0:35:07.239 --> 0:35:12.040
<v Speaker 1>Because it's always unacceptable obviously, but if a villain character

0:35:12.080 --> 0:35:14.520
<v Speaker 1>had done that, I'd be like, oh, we're supposed to

0:35:14.600 --> 0:35:16.400
<v Speaker 1>know he's a bad guy. He doesn't respect one. This

0:35:16.480 --> 0:35:19.799
<v Speaker 1>is the hero of the movie, right, who pretty much

0:35:19.800 --> 0:35:25.000
<v Speaker 1>in our introduction, Farrell Fraser bursts out, you know, he's

0:35:25.520 --> 0:35:29.040
<v Speaker 1>foaming or whatever, and then and then he immediately assaults

0:35:29.280 --> 0:35:32.279
<v Speaker 1>a man with his fist and then a woman with

0:35:32.360 --> 0:35:36.080
<v Speaker 1>his mouth, and it's just it's just like, oh, yeah,

0:35:36.719 --> 0:35:38.840
<v Speaker 1>just buy rules, can't wait to go on the roller coaster,

0:35:38.960 --> 0:35:42.160
<v Speaker 1>like it's just weird. Well, and then there a couple

0:35:42.160 --> 0:35:45.640
<v Speaker 1>of minutes after that, whenever there there's this like public

0:35:45.760 --> 0:35:49.319
<v Speaker 1>hanging ceremony where he's about to be hung. She's trying

0:35:49.320 --> 0:35:52.279
<v Speaker 1>to barter with this guy who's like in charge of

0:35:52.440 --> 0:35:54.680
<v Speaker 1>hanging him, I guess. And then she's like, I'll pay

0:35:54.719 --> 0:35:57.880
<v Speaker 1>you a hundred pounds and he's like, no, I'm a

0:35:57.960 --> 0:36:00.680
<v Speaker 1>lonely man. What else can you give? And he puts

0:36:00.800 --> 0:36:04.440
<v Speaker 1>his hand on her knee, and so she was assaulted

0:36:04.480 --> 0:36:08.800
<v Speaker 1>twice in a row, but she does she doesn't, and

0:36:08.840 --> 0:36:11.840
<v Speaker 1>then she laps his hand and then the whole crowd laughs,

0:36:11.880 --> 0:36:18.120
<v Speaker 1>proving that women are funny. This is pretty cool. It was,

0:36:19.000 --> 0:36:22.080
<v Speaker 1>and it is kind of cool that she saves him,

0:36:22.280 --> 0:36:25.719
<v Speaker 1>like a rolls or reverse, that woman saves the man.

0:36:25.960 --> 0:36:30.000
<v Speaker 1>She's a good with some exception like getting too horny

0:36:30.040 --> 0:36:33.759
<v Speaker 1>to read a book. Who hasn't I'm like, I could

0:36:33.800 --> 0:36:36.000
<v Speaker 1>think of an example of maybe a time that that

0:36:36.160 --> 0:36:39.040
<v Speaker 1>has happened to me. But she's a pretty good character.

0:36:39.120 --> 0:36:42.400
<v Speaker 1>But this is I think like symptomatic of blockbusters of

0:36:42.840 --> 0:36:45.759
<v Speaker 1>you know, Princess Leia, because we see Evie in a

0:36:45.880 --> 0:36:50.480
<v Speaker 1>very LAist style sex prison where she's like chained to

0:36:50.480 --> 0:36:53.279
<v Speaker 1>the sarcophagus brand and all that, and it's like, we

0:36:53.400 --> 0:36:56.799
<v Speaker 1>have one solid female protagonist and the main problem is

0:36:57.560 --> 0:37:00.319
<v Speaker 1>a all the male characters and be there's one for

0:37:00.320 --> 0:37:01.680
<v Speaker 1>her to talk to, which I feel like it's a

0:37:01.680 --> 0:37:04.279
<v Speaker 1>problem We've come up on this podcast again and again again. Yeah,

0:37:04.280 --> 0:37:07.200
<v Speaker 1>it's like they had she had no chance there. She

0:37:07.320 --> 0:37:10.200
<v Speaker 1>only could talk to those dudes because there was just

0:37:10.239 --> 0:37:13.480
<v Speaker 1>no And also like, but to be fair, she chose

0:37:13.520 --> 0:37:15.839
<v Speaker 1>that life of adventure and most women don't do that.

0:37:16.200 --> 0:37:18.120
<v Speaker 1>But at one point she's like, I'm not an adventurer.

0:37:18.160 --> 0:37:22.120
<v Speaker 1>I'm a librarian. I'm just like okay, cool, and then

0:37:22.320 --> 0:37:25.280
<v Speaker 1>she passes out on him, and he doesn't. He knows

0:37:25.320 --> 0:37:28.800
<v Speaker 1>that passed out means no, And I think that's really great.

0:37:28.920 --> 0:37:32.760
<v Speaker 1>Who drunk the sand means well? And that's a great

0:37:32.840 --> 0:37:36.960
<v Speaker 1>message for young men like Aristotle who are watching at

0:37:36.960 --> 0:37:39.960
<v Speaker 1>the time. Yeah, because he kisses the air because she's like,

0:37:40.000 --> 0:37:42.520
<v Speaker 1>I'm gonna kiss you, and then she passes out and

0:37:42.560 --> 0:37:44.680
<v Speaker 1>then and so he just like he kisses the air

0:37:44.719 --> 0:37:47.719
<v Speaker 1>because you knows he can't kiss her. Great, even more

0:37:47.760 --> 0:37:51.200
<v Speaker 1>assault than he's already assaulted her. Well, what happened. What

0:37:51.239 --> 0:37:52.960
<v Speaker 1>they were trying to show is that he was like

0:37:53.160 --> 0:37:56.280
<v Speaker 1>the bad boy and then she kind of like made

0:37:56.360 --> 0:38:01.120
<v Speaker 1>him a good boy. She fixed him. She fixed him.

0:38:01.400 --> 0:38:05.000
<v Speaker 1>I think that that's impressive because I this is not

0:38:05.040 --> 0:38:06.879
<v Speaker 1>a protagonist that jumped out to me as I could

0:38:06.920 --> 0:38:10.440
<v Speaker 1>fix him, and I think I could fix almost everybody. Brendan,

0:38:10.600 --> 0:38:14.120
<v Speaker 1>he's a wild I wouldn't want to leash that Bengal tiger,

0:38:14.280 --> 0:38:16.600
<v Speaker 1>you know what I mean. She also wasn't trying to

0:38:16.640 --> 0:38:19.399
<v Speaker 1>fix him. It just happened, do you know what I mean?

0:38:19.520 --> 0:38:22.319
<v Speaker 1>She was very busy and very excited about all of

0:38:22.360 --> 0:38:24.799
<v Speaker 1>the history around her, and she wasn't even trying to

0:38:24.840 --> 0:38:27.760
<v Speaker 1>She was horny for history. She was horny for history

0:38:27.760 --> 0:38:31.080
<v Speaker 1>and he was He was horny adjacent. She was like

0:38:31.160 --> 0:38:35.520
<v Speaker 1>no woman he's ever met. Now I'm putting plotlines in that. Well,

0:38:35.520 --> 0:38:37.359
<v Speaker 1>we don't even know if he's ever met a woman before.

0:38:37.440 --> 0:38:39.520
<v Speaker 1>We've never seen him in a scene with another woman.

0:38:40.480 --> 0:38:44.600
<v Speaker 1>She could be his first woman that he's met. Maybe

0:38:44.800 --> 0:38:49.320
<v Speaker 1>now there's a movie, let's talk about it. I'm thinking

0:38:49.440 --> 0:38:52.920
<v Speaker 1>Ricky Gervais for the lead. I wanted to talk a

0:38:52.960 --> 0:38:56.640
<v Speaker 1>little bit about the scene on the boat where one

0:38:56.920 --> 0:39:02.160
<v Speaker 1>while she does save Brendan Fraser from being hanged, then

0:39:02.360 --> 0:39:04.279
<v Speaker 1>he has to go and save her because he's bad.

0:39:04.280 --> 0:39:06.680
<v Speaker 1>Guys on the boat who are like the guardians of

0:39:06.840 --> 0:39:10.360
<v Speaker 1>the exact who they were lost city. Okay, they're just

0:39:10.400 --> 0:39:13.239
<v Speaker 1>trying to keep that money in right, I think. Cool. Yeah,

0:39:13.239 --> 0:39:17.120
<v Speaker 1>So they come in attack and she gets saved by

0:39:17.320 --> 0:39:21.520
<v Speaker 1>Brandon and then he's like he picks her up, throws

0:39:21.560 --> 0:39:24.640
<v Speaker 1>her into the water. What ocean would that have been.

0:39:25.000 --> 0:39:27.600
<v Speaker 1>I don't think it was an ocean. I think it

0:39:27.680 --> 0:39:33.360
<v Speaker 1>was the Nile. That's when my mom went swimming in

0:39:33.400 --> 0:39:37.080
<v Speaker 1>the Nile. Really, that's cool. It's go on an expedition

0:39:37.160 --> 0:39:39.920
<v Speaker 1>and dig up some bones. That's what I call sex

0:39:40.800 --> 0:39:47.000
<v Speaker 1>going on an expedition. Wow, it sounds like you're doing phones.

0:39:48.280 --> 0:39:51.560
<v Speaker 1>But then I actually, I'm sorry, I'm not digging them up.

0:39:51.680 --> 0:39:55.319
<v Speaker 1>I'm burying those bones. If you catch your sting men

0:39:55.440 --> 0:39:58.160
<v Speaker 1>and burying their penises, I got it with my vagina

0:39:58.280 --> 0:40:02.400
<v Speaker 1>with your whoa, So you're vagina is the dog? Like, okay,

0:40:02.520 --> 0:40:04.200
<v Speaker 1>I think I was thinking if you're a vagina is

0:40:04.200 --> 0:40:07.960
<v Speaker 1>the shovel. Oh yeah, I guess So you know what's

0:40:08.000 --> 0:40:11.960
<v Speaker 1>interesting about this movie? So he keeps saving her with

0:40:12.040 --> 0:40:14.799
<v Speaker 1>her his muscles, and she keeps saving him with her

0:40:15.080 --> 0:40:20.640
<v Speaker 1>wit and knowledge. Perfect exchange between them is one of

0:40:20.719 --> 0:40:24.879
<v Speaker 1>my favorites where Brendan Frascher's character is insistent on being

0:40:25.360 --> 0:40:29.480
<v Speaker 1>a fucking weird idiot, where she goes, you know your history,

0:40:29.600 --> 0:40:33.839
<v Speaker 1>and he says, I know my treasures to double down

0:40:33.840 --> 0:40:38.480
<v Speaker 1>and like, I'm a fucking idiot. I'm not smart, which

0:40:38.520 --> 0:40:40.480
<v Speaker 1>I appreciate. I love it when a man's like, guess what,

0:40:40.640 --> 0:40:43.160
<v Speaker 1>I'm not smart. Yeah, I'm stupid, and it's like, you know,

0:40:43.280 --> 0:40:46.160
<v Speaker 1>usually you're right. That brings me to the scene whenever

0:40:46.200 --> 0:40:49.399
<v Speaker 1>they're trying to haggle with the guy who's selling them

0:40:49.440 --> 0:40:52.000
<v Speaker 1>camels and like no, we only went Flora camels. And

0:40:52.040 --> 0:40:54.080
<v Speaker 1>then Brendan Frascher's like, well, we could have gotten them

0:40:54.080 --> 0:40:56.120
<v Speaker 1>for free. All you needed to do was give them

0:40:56.120 --> 0:41:00.880
<v Speaker 1>your sister, suggesting that Jonathan should have sold Lynn. I

0:41:00.920 --> 0:41:03.560
<v Speaker 1>think at the camel, I think even worse than that

0:41:03.560 --> 0:41:06.360
<v Speaker 1>that it was just Brennan making a joke, which is

0:41:06.400 --> 0:41:08.080
<v Speaker 1>even worse. You don't even like I don't even think

0:41:08.080 --> 0:41:10.759
<v Speaker 1>he was real about that, but he was just like, like,

0:41:10.960 --> 0:41:15.799
<v Speaker 1>I hate when dudes make jokes. Are bad at cond

0:41:15.840 --> 0:41:19.200
<v Speaker 1>They're so bad at a great at comedy. Men are bad.

0:41:19.520 --> 0:41:21.239
<v Speaker 1>I hate you're just the fact. I hate to come

0:41:21.280 --> 0:41:25.160
<v Speaker 1>to Brendon's defense, but what a compliment to be worth

0:41:25.239 --> 0:41:29.680
<v Speaker 1>four whole camel? I mean like most men would be like, oh,

0:41:29.719 --> 0:41:32.080
<v Speaker 1>you know, like on the Camel rating system, fourth pretty

0:41:32.120 --> 0:41:37.600
<v Speaker 1>high if you're like using the humps as measurement, like,

0:41:39.040 --> 0:41:41.400
<v Speaker 1>but women have a bunch of humps. If we remember

0:41:41.520 --> 0:41:47.359
<v Speaker 1>from that, what a great album? Check it out? Then

0:41:52.960 --> 0:41:59.040
<v Speaker 1>you can't see that laugh anyway, Yes, true, Jimmy, camels

0:41:59.040 --> 0:42:01.600
<v Speaker 1>are each of us worth. I'm a four camel girl.

0:42:01.680 --> 0:42:04.680
<v Speaker 1>Trust me. I've been with men who have tried to

0:42:04.719 --> 0:42:07.799
<v Speaker 1>sell me for our camels and He's like, I'll take

0:42:07.800 --> 0:42:12.360
<v Speaker 1>no four cigarettes. I'll take the lesson four cigarettes or

0:42:12.440 --> 0:42:18.320
<v Speaker 1>this one not even speaking in cartons, like my girlfriend,

0:42:18.440 --> 0:42:21.479
<v Speaker 1>if you give me four cigarettes, she's your girlfriend. Now.

0:42:22.880 --> 0:42:26.080
<v Speaker 1>I would never date a smoker. Okay I did once

0:42:26.160 --> 0:42:29.839
<v Speaker 1>actually get mean, not just smoke shame everyone. We're gonna

0:42:29.880 --> 0:42:32.279
<v Speaker 1>get some emails about this. You guys are smoke shamers.

0:42:32.480 --> 0:42:34.439
<v Speaker 1>And this is a really nice shirt that my only

0:42:34.440 --> 0:42:37.560
<v Speaker 1>smoker boyfriend got me. Worth it? What is it? White

0:42:37.560 --> 0:42:39.719
<v Speaker 1>men can't jump? Wit men can't jump? Cool? Yeah, I've

0:42:39.719 --> 0:42:41.840
<v Speaker 1>never seen that movie. It's good. It's good. It's a

0:42:41.840 --> 0:42:43.840
<v Speaker 1>good movie. Check it out. He also gave me the

0:42:43.920 --> 0:42:49.319
<v Speaker 1>chicken d I'll link you to his Facebook profile. You ye,

0:42:49.520 --> 0:42:51.439
<v Speaker 1>shout out. As long as we're talking about boys still,

0:42:51.480 --> 0:42:55.520
<v Speaker 1>I think the podcast is going great. The next thing

0:42:55.560 --> 0:42:58.840
<v Speaker 1>I wanted to bring up was Mr. Is Me, who's

0:42:59.400 --> 0:43:01.520
<v Speaker 1>real actor's name we don't know, but we know him

0:43:01.560 --> 0:43:04.680
<v Speaker 1>as Mrs May from Titanic. He's sort of with this

0:43:04.800 --> 0:43:11.000
<v Speaker 1>other group of Americans, Americans. They're the Americans. Right off,

0:43:11.520 --> 0:43:14.000
<v Speaker 1>I was just saying a line from Titanic. I heard

0:43:14.000 --> 0:43:15.680
<v Speaker 1>it at the end of the first VHS, one of

0:43:15.680 --> 0:43:19.359
<v Speaker 1>our favorite lines of course, and he is referring to

0:43:19.800 --> 0:43:23.440
<v Speaker 1>Brendan and friends, and he's like, they're led by a woman.

0:43:23.760 --> 0:43:26.960
<v Speaker 1>What is a woman now, which is obviously to like

0:43:27.000 --> 0:43:32.600
<v Speaker 1>show that like, we're not rooting for these guys. They're

0:43:32.680 --> 0:43:34.840
<v Speaker 1>they're bad and they say horrible things like that, and

0:43:34.880 --> 0:43:37.840
<v Speaker 1>they're wrong. They're wrong because in the next scene, Evelyn

0:43:37.840 --> 0:43:41.400
<v Speaker 1>says she's basically rattling off all the things she knows

0:43:41.440 --> 0:43:47.280
<v Speaker 1>about hieroglyphs and the legends and mythology. Everybody knows treasurer

0:43:47.680 --> 0:43:52.520
<v Speaker 1>but she knows history knowledge, but they doesn't know ed.

0:43:57.160 --> 0:44:00.680
<v Speaker 1>But so the problem is, like he like, they're led

0:44:00.680 --> 0:44:02.160
<v Speaker 1>by a woman. What does a woman know? And then

0:44:02.160 --> 0:44:05.080
<v Speaker 1>in a few scenes later, Brendan Fetchers like he's talking

0:44:05.120 --> 0:44:08.680
<v Speaker 1>to Evelyn and he's like, why are you here? Yeah,

0:44:09.080 --> 0:44:13.239
<v Speaker 1>so it's like, um, because she's helping your expedition, you

0:44:13.360 --> 0:44:16.439
<v Speaker 1>motherfucker well, And she does, I mean almost at every

0:44:16.440 --> 0:44:18.920
<v Speaker 1>opportunity she has to stand up for herself, and he

0:44:19.040 --> 0:44:21.120
<v Speaker 1>does stand up for herself, which is why I think

0:44:21.160 --> 0:44:24.400
<v Speaker 1>she's a good character. She's always advocating for how smart

0:44:24.520 --> 0:44:27.440
<v Speaker 1>she really does seem to be, even though it's not

0:44:27.600 --> 0:44:31.400
<v Speaker 1>plot relevant very often. And she also is like, do

0:44:31.480 --> 0:44:35.360
<v Speaker 1>you think she's a suffragette. It's around that time. I

0:44:35.400 --> 0:44:37.160
<v Speaker 1>don't think she thinks she has the right to vote,

0:44:37.200 --> 0:44:40.600
<v Speaker 1>and it's a damn shame. So while her her strength

0:44:40.880 --> 0:44:45.080
<v Speaker 1>is knowledge and she knows a lot about history, specifically

0:44:45.440 --> 0:44:47.919
<v Speaker 1>ancient Egyptian history, but she seems to have some huge

0:44:47.960 --> 0:44:52.840
<v Speaker 1>blind spots in her knowledge because she doesn't because she

0:44:52.960 --> 0:44:57.400
<v Speaker 1>doesn't know enough to not read from a book called

0:44:57.960 --> 0:45:02.279
<v Speaker 1>the Book of the Dead. She was too, because that's

0:45:02.280 --> 0:45:05.839
<v Speaker 1>what awakens the mummy. I like that you have known that.

0:45:06.280 --> 0:45:08.399
<v Speaker 1>I mean she doesn't believe in things she can't see.

0:45:08.440 --> 0:45:13.839
<v Speaker 1>She said, that's true, anything would come up. She wasn't

0:45:13.840 --> 0:45:17.040
<v Speaker 1>super It's weird because she is superstitious at certain parts

0:45:17.160 --> 0:45:19.239
<v Speaker 1>of the movie, and then another part she's like, I

0:45:19.239 --> 0:45:21.640
<v Speaker 1>don't believe it, and yeah, like she she's like, no,

0:45:21.920 --> 0:45:25.080
<v Speaker 1>there's rumors that this city is trial. She says in

0:45:25.080 --> 0:45:28.080
<v Speaker 1>the beginning, She's like, if I don't see, I don't

0:45:28.080 --> 0:45:31.279
<v Speaker 1>believe it. And it's like Eve, one must pick. But

0:45:31.400 --> 0:45:33.919
<v Speaker 1>the scene where she steals the book I loved because

0:45:33.960 --> 0:45:37.040
<v Speaker 1>she steals it from this guy who's like drunk, he

0:45:37.200 --> 0:45:41.840
<v Speaker 1>passes out. She takes is that Mrs Name oh god,

0:45:41.920 --> 0:45:45.400
<v Speaker 1>I think he made it his headlines thank you, that

0:45:45.480 --> 0:45:48.640
<v Speaker 1>was for you. And then she brings it over to

0:45:48.640 --> 0:45:51.400
<v Speaker 1>Brendan and Brendan's like, it seems like he's joking. He's like,

0:45:51.440 --> 0:45:55.200
<v Speaker 1>don't read the monk. Don't. They're flirting, right, but then

0:45:55.400 --> 0:45:57.320
<v Speaker 1>once she reads it and something bad happens, He's like,

0:45:57.360 --> 0:46:00.040
<v Speaker 1>I told you not to read the book. Like you

0:46:00.120 --> 0:46:03.799
<v Speaker 1>were flirting with her, you would have read it if

0:46:03.840 --> 0:46:07.960
<v Speaker 1>you could read. He was he was being manipulative. He's like, hey,

0:46:08.000 --> 0:46:10.360
<v Speaker 1>I don't she I told her. I told her not

0:46:10.440 --> 0:46:12.480
<v Speaker 1>to read the book. And she's like I'm sorry. And

0:46:12.520 --> 0:46:15.600
<v Speaker 1>then and then Mr is May is like in the

0:46:15.680 --> 0:46:19.400
<v Speaker 1>right even though he's like the dumb alcoholic where he's like,

0:46:19.640 --> 0:46:21.840
<v Speaker 1>we told her not to read the book. I feel

0:46:21.880 --> 0:46:24.160
<v Speaker 1>like every dumb man in the scene ends up being right,

0:46:24.239 --> 0:46:26.839
<v Speaker 1>and that's frustrating. I feel like there's a lot of

0:46:26.920 --> 0:46:30.240
<v Speaker 1>like in this movie, characters who should are the bad guys,

0:46:30.280 --> 0:46:32.160
<v Speaker 1>but then they're the good guys, and then they're the

0:46:32.239 --> 0:46:34.760
<v Speaker 1>bad guys. Like I feel like there's a lot of mix. Yeah,

0:46:35.560 --> 0:46:38.080
<v Speaker 1>fid you know more like real life? This is like

0:46:38.120 --> 0:46:41.279
<v Speaker 1>what did he eat? The documentary? Because we're like chef

0:46:41.320 --> 0:46:46.280
<v Speaker 1>salad next in there. What do you guys think happens

0:46:46.280 --> 0:46:50.319
<v Speaker 1>in the Mummy Returns? I think he comes back. Have

0:46:50.360 --> 0:46:53.600
<v Speaker 1>you seen it? Do you know? Only did he nod?

0:46:53.760 --> 0:47:00.720
<v Speaker 1>He like gave this like stupid moment. You bitches haven't

0:47:00.760 --> 0:47:05.319
<v Speaker 1>seen the Mummy Returns? Uh? Well, I don't know. I

0:47:05.360 --> 0:47:07.560
<v Speaker 1>mean we're using for a yardstick of a movie. I

0:47:07.600 --> 0:47:11.759
<v Speaker 1>have seen the return of Jaffar. Jaffar returns in that one,

0:47:11.840 --> 0:47:15.880
<v Speaker 1>so one might assume the Mommy returns that Jafar returns.

0:47:16.640 --> 0:47:23.480
<v Speaker 1>Then I used to have a crush on Jaffar. Jaffar

0:47:24.120 --> 0:47:31.520
<v Speaker 1>is hot, the which animals, Jaffar the evil, the evil brother. Uncle,

0:47:34.920 --> 0:47:41.200
<v Speaker 1>who's from? You have said every Disney movie? That's not

0:47:41.280 --> 0:47:47.200
<v Speaker 1>a lab far right? He is he the parrot? No,

0:47:47.400 --> 0:47:58.040
<v Speaker 1>he's the good cat right, that's Oh, it's the bad guy. Yes. Oh,

0:47:58.280 --> 0:48:02.040
<v Speaker 1>I don't know why I thought it was ana. I

0:48:02.040 --> 0:48:04.600
<v Speaker 1>think we should start a podcast about straight to video sequels.

0:48:04.640 --> 0:48:06.840
<v Speaker 1>You guys should do like mini shows that are just

0:48:06.920 --> 0:48:09.799
<v Speaker 1>sequels and you don't have a guest. Maybe m It's

0:48:09.840 --> 0:48:14.000
<v Speaker 1>not a bad idea. I claimed the copyright for them,

0:48:14.040 --> 0:48:15.759
<v Speaker 1>but you guys can have it, but just always give

0:48:15.800 --> 0:48:20.160
<v Speaker 1>me credit. Credit at the top. The director of the Mummy,

0:48:20.280 --> 0:48:24.800
<v Speaker 1>Stephen Summers, has an impressive resume if you were an

0:48:24.840 --> 0:48:27.320
<v Speaker 1>aggro white dude who wants to be leading a movie.

0:48:27.920 --> 0:48:32.600
<v Speaker 1>He wrote, wrote, he wrote and did the Mummy Good

0:48:32.600 --> 0:48:34.920
<v Speaker 1>for him here, and he also wrote The Mummy Returns

0:48:35.160 --> 0:48:38.680
<v Speaker 1>Juries out on what Happened. He also wrote Revenge of

0:48:38.719 --> 0:48:42.800
<v Speaker 1>the Mummy, The Ride. He wrote the roller Coaster video

0:48:44.160 --> 0:48:47.000
<v Speaker 1>Road the roller Coaster too. I bet he is on

0:48:47.040 --> 0:48:51.000
<v Speaker 1>the rolle riding the roller coaster that one when that

0:48:51.040 --> 0:48:53.240
<v Speaker 1>would make sense, know that if it's like the Mummy,

0:48:53.400 --> 0:48:55.880
<v Speaker 1>there's fire and a jump scare and then you go

0:48:55.920 --> 0:49:01.080
<v Speaker 1>backwards like there's like a a grama Brendan Fraser at

0:49:01.080 --> 0:49:02.640
<v Speaker 1>the end of Fraser comes at the end and says,

0:49:02.840 --> 0:49:06.040
<v Speaker 1>unbuckle your seat, exactly what sex with Me is like.

0:49:06.080 --> 0:49:09.600
<v Speaker 1>And then he wrote The Mummy, Tomb of the Dragon Emperor,

0:49:10.080 --> 0:49:12.640
<v Speaker 1>and then he also wrote G I Joe, The Rise

0:49:12.640 --> 0:49:15.600
<v Speaker 1>of Cobra. Okay, he mixed it up there and Van

0:49:15.640 --> 0:49:18.400
<v Speaker 1>helsing that really bad one. The next thing I wanted

0:49:18.440 --> 0:49:23.160
<v Speaker 1>to talk about was I'm here to keep it. It's

0:49:23.160 --> 0:49:25.480
<v Speaker 1>not even irrelevant thing. I know. I'm not. I'm not.

0:49:25.680 --> 0:49:29.319
<v Speaker 1>I'm good I'm doing good, you're doing great. Okay. What scene.

0:49:29.560 --> 0:49:34.880
<v Speaker 1>So it's after they've unleashed the Mummy. They go back

0:49:34.920 --> 0:49:38.279
<v Speaker 1>to the city I think Cairo maybe, yeah, probably a

0:49:38.360 --> 0:49:41.000
<v Speaker 1>good bet. And they're in a hotel, I think, and

0:49:41.320 --> 0:49:42.920
<v Speaker 1>they're like, all right, we're gonna have to go back

0:49:42.920 --> 0:49:44.560
<v Speaker 1>because we really suck this up. We're gonna have to

0:49:44.600 --> 0:49:47.880
<v Speaker 1>go fix it. Brendan Fraser does not want Evelyn to

0:49:47.880 --> 0:49:51.160
<v Speaker 1>go along, so he picks her up and then he

0:49:51.400 --> 0:49:53.680
<v Speaker 1>throws her on a bed and then he locks her

0:49:53.719 --> 0:49:56.799
<v Speaker 1>in a room. And to be fair, she's very she's

0:49:56.880 --> 0:49:58.600
<v Speaker 1>very angry about it, and she's fighting back. She's like,

0:49:58.640 --> 0:50:00.399
<v Speaker 1>I can't know, I want to go with you, guys,

0:50:00.440 --> 0:50:02.440
<v Speaker 1>don't don't leave me here. But it was just like,

0:50:02.520 --> 0:50:05.000
<v Speaker 1>come on, Brendon, do you don't have to pick her

0:50:05.080 --> 0:50:08.120
<v Speaker 1>up and hurl her across the room? He had he

0:50:08.400 --> 0:50:12.480
<v Speaker 1>had to her. There are so many scraps that gets

0:50:12.480 --> 0:50:15.439
<v Speaker 1>into in this movie. If someone would just let her

0:50:15.719 --> 0:50:19.440
<v Speaker 1>hold a gun. She never holds a gun. Does she

0:50:19.520 --> 0:50:21.440
<v Speaker 1>ever hold agun? There's a scene where they're in like

0:50:21.760 --> 0:50:24.760
<v Speaker 1>they're like around the campfire and like a noise happened.

0:50:24.800 --> 0:50:26.680
<v Speaker 1>So he's like, hold this and he shoves the rifle

0:50:26.719 --> 0:50:29.080
<v Speaker 1>in her hands, but then he comes back and gets it.

0:50:29.600 --> 0:50:35.200
<v Speaker 1>In most scenes, Brendan Fraser has two guns. He's not

0:50:35.320 --> 0:50:37.719
<v Speaker 1>a pouch full of weapons. Wait and talk about your

0:50:37.719 --> 0:50:40.120
<v Speaker 1>gun theory. So I have not a theory. These are

0:50:40.200 --> 0:50:46.280
<v Speaker 1>fats um. So I started counting the number of times

0:50:46.360 --> 0:50:48.720
<v Speaker 1>where there's a scene in the movie where a character

0:50:48.800 --> 0:50:51.520
<v Speaker 1>either pulls out a gun or the scene starts and

0:50:51.560 --> 0:50:55.000
<v Speaker 1>guns are already drawn or are being fired. And this

0:50:55.000 --> 0:50:56.960
<v Speaker 1>this is just scenes. So it's like, not even the

0:50:57.000 --> 0:50:59.319
<v Speaker 1>number of times this happens. This is just scenes where

0:50:59.320 --> 0:51:01.920
<v Speaker 1>this happens in. Within a scene, it could happen. I

0:51:01.960 --> 0:51:04.160
<v Speaker 1>feel like they put them away and they're like, actually

0:51:04.239 --> 0:51:06.680
<v Speaker 1>gonna come come back out again. So this is strictly

0:51:06.719 --> 0:51:09.640
<v Speaker 1>just the scenes that this happens in. It is I

0:51:09.719 --> 0:51:14.279
<v Speaker 1>counted twenty one scenes in the movie where characters like, hey,

0:51:14.320 --> 0:51:16.919
<v Speaker 1>it's been seven seconds since I've drawn a gun. Better

0:51:16.920 --> 0:51:18.919
<v Speaker 1>do it again. There's only eight scenes in this movie.

0:51:19.680 --> 0:51:23.279
<v Speaker 1>The joke is that weapons don't kill the mommy, So

0:51:23.320 --> 0:51:26.399
<v Speaker 1>what the funk? Exactly that's true. They only kill each

0:51:26.440 --> 0:51:30.399
<v Speaker 1>other with a weapon. Man, It's like once a gun

0:51:30.520 --> 0:51:34.080
<v Speaker 1>is used to shoot a scare beetle once it's used

0:51:34.120 --> 0:51:36.839
<v Speaker 1>to shoot the mirrors, to just tilt the mirror so

0:51:36.880 --> 0:51:41.000
<v Speaker 1>that the light they like the reflections, so like guns

0:51:41.000 --> 0:51:48.080
<v Speaker 1>are used. The thing that really bummed me out about

0:51:48.360 --> 0:51:52.280
<v Speaker 1>Evie was I was on her side. There were shitty

0:51:52.480 --> 0:51:55.840
<v Speaker 1>she was being assaulted all the time, but at least

0:51:56.080 --> 0:51:59.960
<v Speaker 1>she had a character. She had a set of skills

0:52:00.040 --> 0:52:03.080
<v Speaker 1>and knowledge and like she was a capable female protagonist

0:52:03.200 --> 0:52:06.799
<v Speaker 1>until like the last half hour where she's pretty effectively

0:52:06.920 --> 0:52:09.520
<v Speaker 1>taken out of action, until at the end of the

0:52:09.560 --> 0:52:12.320
<v Speaker 1>movie where she's like this is where like the Damsel

0:52:12.360 --> 0:52:16.239
<v Speaker 1>in Distress line comes in, where she's taken by the

0:52:16.280 --> 0:52:20.480
<v Speaker 1>bald guy a k a. The Mommy them. Oh yeah,

0:52:20.480 --> 0:52:24.239
<v Speaker 1>the mommy poor Man's Billy Zane. This is called the

0:52:24.280 --> 0:52:28.520
<v Speaker 1>bald guy. And then the bald guy returns, not to

0:52:28.560 --> 0:52:31.319
<v Speaker 1>be confused with the bald women rule the bald Guy

0:52:31.440 --> 0:52:35.840
<v Speaker 1>to the Dragon Emperor. Right cool, because she's like strapped

0:52:35.880 --> 0:52:40.000
<v Speaker 1>to a slab. She's like in Princess Leah, like she's

0:52:40.080 --> 0:52:44.240
<v Speaker 1>put in a hot outfit and restrained. Where was that from?

0:52:44.440 --> 0:52:48.920
<v Speaker 1>A right? I wish she had underneath? Oh yeah, it's

0:52:48.960 --> 0:52:51.640
<v Speaker 1>like did he just They're like, we've got some we've

0:52:51.680 --> 0:52:55.160
<v Speaker 1>got a wardrobe in this pyramid like there because it

0:52:55.200 --> 0:52:59.360
<v Speaker 1>fits just so, but that that sucks. Like watching basically

0:52:59.480 --> 0:53:02.760
<v Speaker 1>the whole bimactic scene where she's literally in the center

0:53:02.880 --> 0:53:06.200
<v Speaker 1>of the screen beside a dead woman, beside a dead

0:53:06.200 --> 0:53:09.160
<v Speaker 1>woman changed the first thing able to participate ever seen

0:53:09.200 --> 0:53:15.000
<v Speaker 1>two women together one is dead money. And then Brendan Fraser,

0:53:15.080 --> 0:53:19.520
<v Speaker 1>who I cannot imagine was trained in any way for

0:53:19.560 --> 0:53:22.840
<v Speaker 1>these fights because he just seems to be you know,

0:53:23.160 --> 0:53:29.040
<v Speaker 1>flailin flailin Fraser, just lunging at probably like tennis balls

0:53:29.040 --> 0:53:31.920
<v Speaker 1>on sticks that weren't real c g I mummies yet

0:53:31.920 --> 0:53:36.240
<v Speaker 1>and he's like, uh, um, he did kind of help

0:53:36.360 --> 0:53:39.759
<v Speaker 1>save the thing because her dumb, dumb brother couldn't read

0:53:39.800 --> 0:53:43.239
<v Speaker 1>the thing. She was trying to tell him, does it

0:53:43.320 --> 0:53:46.719
<v Speaker 1>look like a bird a stork? And then she's like, oh,

0:53:46.760 --> 0:53:50.080
<v Speaker 1>it's this word and then true. But she is in

0:53:50.160 --> 0:53:53.719
<v Speaker 1>that moment still pretty helplessive and helpless. Um, but I

0:53:53.760 --> 0:53:56.040
<v Speaker 1>did at least she was doing. I wrote that down too,

0:53:56.080 --> 0:53:59.000
<v Speaker 1>and like, well, at least she participated. She wasn't like

0:53:59.120 --> 0:54:01.680
<v Speaker 1>forgetting all of her skill set for you know what

0:54:01.719 --> 0:54:03.680
<v Speaker 1>I mean, Like when they're just like Negate the fact

0:54:03.760 --> 0:54:06.239
<v Speaker 1>that she has any skills whatsoever for the sake of

0:54:06.960 --> 0:54:09.960
<v Speaker 1>damsel in distress. Yeah, she does have skills. I just

0:54:10.000 --> 0:54:13.600
<v Speaker 1>hate that that they like like she should have saved him.

0:54:13.800 --> 0:54:16.719
<v Speaker 1>That should have been the twist. Well because at the

0:54:16.840 --> 0:54:19.279
<v Speaker 1>end I and he had like one hand free, and

0:54:19.320 --> 0:54:23.360
<v Speaker 1>you know in that skeleton, mummy hand grabs something and

0:54:23.400 --> 0:54:26.680
<v Speaker 1>then grabs the mummy hand. And I thought that she

0:54:26.880 --> 0:54:29.560
<v Speaker 1>was going to do like the final blow and would

0:54:29.640 --> 0:54:34.280
<v Speaker 1>get the mommy, But she doesn't, write Brendan Fraser takes

0:54:34.280 --> 0:54:38.040
<v Speaker 1>a dead person's hand and does it trigger. I mean, overall,

0:54:38.280 --> 0:54:42.799
<v Speaker 1>the men in the story, which is of them, are

0:54:43.640 --> 0:54:48.120
<v Speaker 1>overall consumed by greed and they mostly resort to violence,

0:54:48.120 --> 0:54:51.959
<v Speaker 1>whereas the one woman character who we see generally has

0:54:52.200 --> 0:54:56.080
<v Speaker 1>integrity and she provides a lot of information that's necessary

0:54:56.120 --> 0:54:59.359
<v Speaker 1>for the progression of the story. And she is kind

0:54:59.400 --> 0:55:02.120
<v Speaker 1>of active, and I mean like different things she does

0:55:02.360 --> 0:55:06.239
<v Speaker 1>or different bits of information that she says, let's the

0:55:06.239 --> 0:55:12.360
<v Speaker 1>story move forward. She participates. She participates. Wow, we really lowered.

0:55:14.000 --> 0:55:15.920
<v Speaker 1>You know, it could be better, it could be worse.

0:55:16.120 --> 0:55:18.120
<v Speaker 1>She doesn't have one of those moments that I always

0:55:18.160 --> 0:55:20.560
<v Speaker 1>talked about in Hate and Summer Blockbusters where the one

0:55:20.600 --> 0:55:25.040
<v Speaker 1>female protagonist does something and goes told, you boys, look

0:55:25.120 --> 0:55:28.400
<v Speaker 1>like I just kicked something really hard and it broke.

0:55:28.760 --> 0:55:31.600
<v Speaker 1>And then they're like, oh, we're so areny, Like so

0:55:31.640 --> 0:55:33.960
<v Speaker 1>that was good. She just did what she was good

0:55:33.960 --> 0:55:38.160
<v Speaker 1>at and no one was like, oh that, although there

0:55:38.239 --> 0:55:40.920
<v Speaker 1>is a moment where um, this is after the Mummy

0:55:40.960 --> 0:55:44.040
<v Speaker 1>has like captured her and taken her and like he's

0:55:44.080 --> 0:55:46.480
<v Speaker 1>bringing her back to the City of the Dead, and

0:55:46.800 --> 0:55:49.680
<v Speaker 1>the Mummy is like making this big sandstorm and the

0:55:49.800 --> 0:55:53.680
<v Speaker 1>plane flying into it, and the ball guys always be

0:55:53.760 --> 0:55:59.200
<v Speaker 1>making sandstorms, and the sandstorm is like overcoming the plane

0:55:59.200 --> 0:56:01.000
<v Speaker 1>that there are all in that, like Brendan Fraser and

0:56:01.040 --> 0:56:03.719
<v Speaker 1>all those guys are in and she's like, oh my god,

0:56:03.719 --> 0:56:05.600
<v Speaker 1>they're about to die. She's you're going to kill them.

0:56:05.880 --> 0:56:08.960
<v Speaker 1>So to distract the Mummy, she goes up to him

0:56:09.040 --> 0:56:11.000
<v Speaker 1>and it's like, oh, she about to punch him. She's

0:56:10.960 --> 0:56:12.360
<v Speaker 1>about to kick him in the balls, like to make

0:56:12.440 --> 0:56:16.120
<v Speaker 1>him lose his concentration. Instead, she kisses him, which like,

0:56:16.440 --> 0:56:19.239
<v Speaker 1>I have conflicting feelings about because on one hand, I'm like, yes,

0:56:19.360 --> 0:56:22.600
<v Speaker 1>I too. Whenever I can try to use my sexuality

0:56:22.680 --> 0:56:26.560
<v Speaker 1>to confuse and distract men, but that's not like were

0:56:26.600 --> 0:56:31.000
<v Speaker 1>you taught that from movies like The Mommy. Probably I

0:56:31.040 --> 0:56:34.799
<v Speaker 1>would have rather. I would have rather she had gone

0:56:34.880 --> 0:56:37.120
<v Speaker 1>up to him and like punched him in the face

0:56:37.200 --> 0:56:40.160
<v Speaker 1>or punched him in the dick. But she's really adds

0:56:40.880 --> 0:56:44.520
<v Speaker 1>that's what she's Fraser did. She's doing a kiss is

0:56:44.520 --> 0:56:48.840
<v Speaker 1>a stun gun, right, Yeah, she's she learned that assault

0:56:48.880 --> 0:56:55.400
<v Speaker 1>trick from her so she can beat Then she and

0:56:55.520 --> 0:56:59.560
<v Speaker 1>Brendan Fraser do share a consensual kiss at the very end,

0:56:59.680 --> 0:57:02.319
<v Speaker 1>little bit too long for me, I mean, and for

0:57:02.400 --> 0:57:04.759
<v Speaker 1>her brother. He was in having a right because then

0:57:04.800 --> 0:57:08.719
<v Speaker 1>he's like, maybe I should kiss this camel, which I

0:57:08.760 --> 0:57:11.040
<v Speaker 1>think would have been a really groundbreaking moment for cinema.

0:57:11.120 --> 0:57:14.240
<v Speaker 1>Hat he kissed the camel? Are right? Yeah, totally, especially

0:57:14.239 --> 0:57:16.000
<v Speaker 1>if that camel was a dude, which is what he

0:57:16.680 --> 0:57:21.360
<v Speaker 1>wanted to Yeah, that was implied. I really hate that.

0:57:21.440 --> 0:57:23.680
<v Speaker 1>I mean, it's like, why don't you just be gay

0:57:23.760 --> 0:57:28.080
<v Speaker 1>and not make this a thing very heteronormative movie. It's

0:57:28.160 --> 0:57:31.280
<v Speaker 1>like it's like Michelle and Gilmore Girls the original run.

0:57:31.320 --> 0:57:35.720
<v Speaker 1>It's like, let's just say I know, because it's just

0:57:35.760 --> 0:57:38.479
<v Speaker 1>like it's after a while if you have a gay

0:57:38.560 --> 0:57:41.600
<v Speaker 1>character in the mix long enough and don't say it.

0:57:41.600 --> 0:57:45.080
<v Speaker 1>It almost becomes worse, like we're just totally everyone else

0:57:45.160 --> 0:57:48.720
<v Speaker 1>is fucking right and left. Like, let's acknowledge this character. Clearly,

0:57:48.880 --> 0:57:53.000
<v Speaker 1>they're always hot. Let's let him fuck totally. Thank god

0:57:53.040 --> 0:57:57.320
<v Speaker 1>he found his partner. Yes, Frederick, I have nothing to

0:57:57.320 --> 0:58:02.280
<v Speaker 1>contribute to this conversations. I've not seen that show. I

0:58:02.480 --> 0:58:06.480
<v Speaker 1>love that so much. It's mye of the Indiana Jones movies.

0:58:07.200 --> 0:58:10.000
<v Speaker 1>I was too busy watching Gilmore Girls, probably almost as

0:58:10.000 --> 0:58:14.000
<v Speaker 1>many times as I've seen The Drinks. Okay, I have

0:58:14.040 --> 0:58:16.920
<v Speaker 1>a question about the Bechdel tests in this movie. Tying

0:58:16.960 --> 0:58:21.200
<v Speaker 1>all the themes together, does this movie actually pass the

0:58:21.240 --> 0:58:25.520
<v Speaker 1>beck Del test? Because the two women fought each other

0:58:25.640 --> 0:58:28.560
<v Speaker 1>for quite a long time in the tomb. I don't

0:58:28.600 --> 0:58:30.520
<v Speaker 1>know how. I don't know if they even exchange one word,

0:58:30.560 --> 0:58:32.920
<v Speaker 1>but they were certainly fighting, and it wasn't over a man.

0:58:33.000 --> 0:58:36.120
<v Speaker 1>It was about being alive. Well, they're interacting, but because

0:58:36.120 --> 0:58:39.760
<v Speaker 1>they're not speaking, pass there at least there are two

0:58:39.960 --> 0:58:42.560
<v Speaker 1>I mean, congratulations to this movie for having two women

0:58:42.640 --> 0:58:46.320
<v Speaker 1>in the same scene, but yeah, that's all we get

0:58:46.320 --> 0:58:48.760
<v Speaker 1>out of this one. So no, it doesn't pass the test.

0:58:48.800 --> 0:58:51.040
<v Speaker 1>I would say that it does not what's going on?

0:58:51.320 --> 0:58:57.200
<v Speaker 1>What being weird? Yeah? Oh, I think you're being fine,

0:58:57.320 --> 0:58:59.120
<v Speaker 1>But I guess I don't hang out with you as much.

0:58:59.440 --> 0:59:02.600
<v Speaker 1>Even though that said, I keep trying to hang out.

0:59:02.600 --> 0:59:05.600
<v Speaker 1>I keep texting and you're like, I'm busy. Sorry. I

0:59:05.640 --> 0:59:09.240
<v Speaker 1>love how Canadian your story. I wasn't going to point

0:59:09.280 --> 0:59:15.360
<v Speaker 1>it out. What I appreciate weird? Okay, actually, okay, So

0:59:15.720 --> 0:59:18.920
<v Speaker 1>let's just because I thought maybe it passed the Bechdel

0:59:18.960 --> 0:59:22.120
<v Speaker 1>test because she fought with the female money and that

0:59:22.200 --> 0:59:24.080
<v Speaker 1>was quite a long time, and that wasn't over a boy.

0:59:24.320 --> 0:59:28.080
<v Speaker 1>But well, words are not exchanged, which is one of

0:59:28.080 --> 0:59:31.160
<v Speaker 1>the caveats of the Backdel tests. I mean, they got

0:59:31.240 --> 0:59:36.000
<v Speaker 1>so closely, just forgot to write lines. Maybe there was

0:59:36.040 --> 0:59:38.320
<v Speaker 1>some dialogue and it just ended up on the cutting

0:59:38.360 --> 0:59:40.840
<v Speaker 1>room floor, but that was the only opportunity. There was

0:59:40.960 --> 0:59:43.840
<v Speaker 1>literally no other women in the movie, not even extra

0:59:44.120 --> 0:59:47.360
<v Speaker 1>don't even in the crowded scenes. One of those weird

0:59:47.520 --> 0:59:50.880
<v Speaker 1>Hollywood movies where it's like women don't exist here. Evie

0:59:51.200 --> 0:59:54.720
<v Speaker 1>is Smurfette, and we don't know, we don't know how

0:59:54.880 --> 0:59:58.439
<v Speaker 1>this world came to exist. Yeah, right, it's crazy. How

0:59:58.440 --> 1:00:02.600
<v Speaker 1>did they repopulate are a worms? No, do you think

1:00:04.200 --> 1:00:08.600
<v Speaker 1>passes the vital test? I would guess not, just to

1:00:08.600 --> 1:00:19.439
<v Speaker 1>talk to the mom. Oh no, I don't think Aladdin does.

1:00:19.920 --> 1:00:22.600
<v Speaker 1>Aladdin doesn't. I don't because she's the only girl, right,

1:00:22.600 --> 1:00:25.960
<v Speaker 1>except for like women in the streets, the ones who

1:00:26.000 --> 1:00:28.840
<v Speaker 1>are so horny for Aladdin. They're like pushing their tips

1:00:28.880 --> 1:00:32.640
<v Speaker 1>together and they're like, yeah, but those are just creations

1:00:32.640 --> 1:00:38.320
<v Speaker 1>of the genie. Those aren't even real women creation. Man,

1:00:38.560 --> 1:00:41.920
<v Speaker 1>do you think that on the roller coaster of the

1:00:41.960 --> 1:00:44.480
<v Speaker 1>Return of the Money there it passes the Bechtel tests?

1:00:44.480 --> 1:00:48.000
<v Speaker 1>Like women on that roller coaster talking about there's no

1:00:48.040 --> 1:00:50.360
<v Speaker 1>one in on the roller coaster. Except if we were

1:00:50.400 --> 1:00:52.560
<v Speaker 1>on the roller coaster doing a live podcast, which, hey,

1:00:52.640 --> 1:00:56.120
<v Speaker 1>let's do it. That roller coaster could pass the vital

1:00:56.160 --> 1:00:58.720
<v Speaker 1>test if we were not talking about if we weren't

1:00:58.760 --> 1:01:02.560
<v Speaker 1>gossiping about boys on the money roller coaster. Let's talk

1:01:02.560 --> 1:01:07.240
<v Speaker 1>about politics, a female politicians. I know that history is

1:01:07.280 --> 1:01:11.320
<v Speaker 1>not science, technology or mathematics or whatever the E stands

1:01:11.360 --> 1:01:14.120
<v Speaker 1>for women's STEM, but I want to I'm going to

1:01:14.240 --> 1:01:16.760
<v Speaker 1>give it to her. I think that Evie is a

1:01:16.760 --> 1:01:19.800
<v Speaker 1>woman in stem because like for her, she said, well,

1:01:19.840 --> 1:01:22.080
<v Speaker 1>she's a woman in well, yeah, she's a woman in

1:01:22.160 --> 1:01:28.000
<v Speaker 1>like sheem but she's history but isn't isn't like anthropology

1:01:28.040 --> 1:01:31.560
<v Speaker 1>a type of science, like a social science, archeology and

1:01:31.560 --> 1:01:35.920
<v Speaker 1>any social science. Yes, so it counts. Yeah, well done,

1:01:36.160 --> 1:01:39.600
<v Speaker 1>totally team effort. I was a doubter, but now I'm

1:01:39.600 --> 1:01:43.000
<v Speaker 1>a believer. Yeah. Does anyone have any final thoughts about

1:01:43.040 --> 1:01:45.520
<v Speaker 1>the movie that they want to share? I loved the

1:01:45.560 --> 1:01:49.840
<v Speaker 1>Return of Jaffar. Was a really fun movie. Unfortunately doesn't

1:01:49.840 --> 1:01:55.840
<v Speaker 1>pass the Backtel test. But in conclusion, Farrell Fraser ruled,

1:01:56.160 --> 1:01:59.080
<v Speaker 1>I love Brendan Fraser. I don't love Rick O'Connell. No

1:01:59.200 --> 1:02:08.440
<v Speaker 1>he's not. Oh my god, he started. It's not his

1:02:08.560 --> 1:02:13.560
<v Speaker 1>best character for sure. No, No, he's got other characters.

1:02:14.320 --> 1:02:16.240
<v Speaker 1>Drive to the Jungle. He was a movie called like

1:02:16.360 --> 1:02:21.600
<v Speaker 1>Bedazzled or something, but like, is that what it's called? Yeah, uh,

1:02:21.680 --> 1:02:24.640
<v Speaker 1>let's write the movie. I don't know out of what.

1:02:25.240 --> 1:02:30.480
<v Speaker 1>Oh well, we have a very prestigious and you know

1:02:30.560 --> 1:02:35.120
<v Speaker 1>it's prestigious when you pronounce it prestigious. A very prestigious

1:02:35.840 --> 1:02:41.240
<v Speaker 1>rating scale on a zero to five nipple scale. Oh right, right, right,

1:02:41.280 --> 1:02:44.720
<v Speaker 1>right now, you've listened to an episode. Sorry, um, so

1:02:44.880 --> 1:02:47.560
<v Speaker 1>we rate the movie based on its portrayal of women

1:02:47.640 --> 1:02:50.640
<v Speaker 1>on the nipple scale. I will go first, I will

1:02:50.680 --> 1:02:56.200
<v Speaker 1>give it a two because Evelyn, just isolating her is

1:02:56.320 --> 1:02:59.880
<v Speaker 1>not a terrible character. I don't especially like her. I'm

1:03:00.000 --> 1:03:02.280
<v Speaker 1>ever going to be like, oh, my favorite character Evelyn

1:03:02.360 --> 1:03:05.680
<v Speaker 1>or anything like that. She does contribute to this story

1:03:06.160 --> 1:03:09.920
<v Speaker 1>generally pretty minimally. But she is probably the smartest character,

1:03:10.040 --> 1:03:13.480
<v Speaker 1>definitely the most knowledgeable about the things that are happening

1:03:13.480 --> 1:03:17.480
<v Speaker 1>in the movie and the history that's relevant to the

1:03:17.520 --> 1:03:20.840
<v Speaker 1>story and everything like that. But she like she keeps

1:03:20.880 --> 1:03:24.480
<v Speaker 1>being tossed around by men. She's being antagonized by men

1:03:24.560 --> 1:03:26.400
<v Speaker 1>a lot of the time. She has to be saved

1:03:26.440 --> 1:03:29.280
<v Speaker 1>a bunch of times, although she does save Brendan Fraser

1:03:29.520 --> 1:03:32.280
<v Speaker 1>a couple of times. But overall, because she's like the

1:03:32.320 --> 1:03:37.360
<v Speaker 1>only woman that has any substantial screen time whatsoever, it's

1:03:37.400 --> 1:03:39.400
<v Speaker 1>just not great, Like let's see more women, Let's give

1:03:39.400 --> 1:03:41.560
<v Speaker 1>her more women. Let's I don't know, also, like give

1:03:41.600 --> 1:03:43.800
<v Speaker 1>her maybe a more cathartic moment at the end, like

1:03:44.040 --> 1:03:46.640
<v Speaker 1>something like a big like oh, I need to last

1:03:47.080 --> 1:03:50.520
<v Speaker 1>minutes of the movie kill Yeah. So because of that,

1:03:50.760 --> 1:03:56.240
<v Speaker 1>um yeah, two nipples. They both belong to the young

1:03:56.600 --> 1:04:00.680
<v Speaker 1>lady at the beginning, the mistress, because I don't know

1:04:00.720 --> 1:04:03.920
<v Speaker 1>if you can see her nipples or not, but somebody, someone,

1:04:04.240 --> 1:04:09.960
<v Speaker 1>someone out there, someone has someone, someone's probably joke saw

1:04:09.960 --> 1:04:13.600
<v Speaker 1>those nips. I'll give it to nipples as well. You

1:04:13.600 --> 1:04:16.840
<v Speaker 1>pretty much said everything I thought about e V. She's again,

1:04:17.080 --> 1:04:20.400
<v Speaker 1>as with all summer blockbusters, she's a fine character. There's

1:04:20.440 --> 1:04:22.360
<v Speaker 1>just no one for her to talk to, and she's

1:04:22.400 --> 1:04:26.520
<v Speaker 1>assaulted several times, which I think is a pretty consistent

1:04:26.600 --> 1:04:31.520
<v Speaker 1>feature in blockbusters to this day. I'm going to give

1:04:31.560 --> 1:04:36.320
<v Speaker 1>my nipples to Farrell Fraser when he's wilder than they're

1:04:36.320 --> 1:04:41.480
<v Speaker 1>probably frothing those nipples there, they're okay, listen, these nips

1:04:41.560 --> 1:04:46.760
<v Speaker 1>are foamy. I give it to foamy nips. I'm gonna

1:04:46.840 --> 1:04:49.880
<v Speaker 1>give it. I honestly, I'm just gonna give it one

1:04:49.960 --> 1:04:55.360
<v Speaker 1>nip because a movie. I didn't like the movie, and UM,

1:04:55.360 --> 1:04:58.000
<v Speaker 1>sorry that we made you watch it. It's not your fault.

1:04:58.040 --> 1:05:00.640
<v Speaker 1>I said I would do it, and I did it,

1:05:00.800 --> 1:05:06.760
<v Speaker 1>and and I'm giving one nipple simply for the outfits. Um,

1:05:06.800 --> 1:05:08.480
<v Speaker 1>and I guess I'll give it to the Mummy because

1:05:08.480 --> 1:05:11.240
<v Speaker 1>he's taken body parts anyways. So yeah, it was how

1:05:11.240 --> 1:05:13.680
<v Speaker 1>many Nipsey hasn't Yeah, I just get he can go

1:05:13.720 --> 1:05:17.280
<v Speaker 1>in his collection. He's like ed guyne Georgia. I would

1:05:17.320 --> 1:05:19.680
<v Speaker 1>just say I would love if this was the point

1:05:19.680 --> 1:05:22.240
<v Speaker 1>in the podcast where you're like, actually, I think I

1:05:22.240 --> 1:05:32.400
<v Speaker 1>watched Georgia everything. Oh man, I watched Return of Your

1:05:32.480 --> 1:05:36.320
<v Speaker 1>Far georg watched Georgia the Jungle. Caitlin did watch The Mommy,

1:05:37.200 --> 1:05:44.240
<v Speaker 1>which is good, Thank God, thank and Aristotle. Aristotle how

1:05:44.320 --> 1:05:49.680
<v Speaker 1>much he loved was shouted literally the highlight of the plot,

1:05:50.240 --> 1:05:52.240
<v Speaker 1>and there was a lot of highlights. Yeah, I've had

1:05:52.240 --> 1:05:55.360
<v Speaker 1>a great time here today. The best time this is

1:05:55.360 --> 1:05:57.520
<v Speaker 1>going in the Hall of Fame. This podcast gets five

1:05:57.600 --> 1:05:59.520
<v Speaker 1>nipples because that's the amount of nipples we gave it.

1:06:01.360 --> 1:06:04.960
<v Speaker 1>You have another thing also, The Mommy returns gave us

1:06:04.960 --> 1:06:07.840
<v Speaker 1>the gift of doing the rock Johnson. That's true. That

1:06:07.920 --> 1:06:11.400
<v Speaker 1>was his breakout role, was it? Yeah? Oh right, he

1:06:11.520 --> 1:06:15.720
<v Speaker 1>was like a pharaoh, a pharaoh Scorpi king. Wait, that

1:06:15.800 --> 1:06:19.040
<v Speaker 1>wasn't even Summer also wrote and directed. So this podcast

1:06:19.040 --> 1:06:21.480
<v Speaker 1>gets five nipples. There's five nipples at this table. I

1:06:21.520 --> 1:06:25.560
<v Speaker 1>only have one, so it's all good. I lost to

1:06:25.640 --> 1:06:35.040
<v Speaker 1>pull the frost bite to froth by it. Oh yeah,

1:06:35.840 --> 1:06:43.440
<v Speaker 1>cracked myself up well known a few weeks if that

1:06:43.480 --> 1:06:49.680
<v Speaker 1>was actually funny or not, it was. I'm drunk off

1:06:49.720 --> 1:06:52.560
<v Speaker 1>of this plastic now. You know. We are on your

1:06:52.560 --> 1:06:56.800
<v Speaker 1>boozy news. We get so wasted so quick. Well hey,

1:06:56.960 --> 1:07:00.400
<v Speaker 1>speaking of that, let's first of all, Georgian, thank you

1:07:00.480 --> 1:07:02.760
<v Speaker 1>so much for being here, right, absolutely pleasure, Thank you

1:07:02.840 --> 1:07:05.680
<v Speaker 1>for having me. Where can people find you online? Um,

1:07:05.720 --> 1:07:12.160
<v Speaker 1>Georgia Brooks dot com. It's my homepage. Great and um

1:07:12.200 --> 1:07:16.040
<v Speaker 1>I'm also at Georgia Brooks on all the things. And

1:07:18.240 --> 1:07:21.480
<v Speaker 1>are you still laughing at frost? Is it frost or

1:07:21.480 --> 1:07:25.160
<v Speaker 1>did you think my audition was funny? I'm laughing because

1:07:25.160 --> 1:07:34.320
<v Speaker 1>you said frost bite. Thank god? Thank I mean, like,

1:07:34.320 --> 1:07:36.320
<v Speaker 1>I couldn't have done it without you. It's true, it's

1:07:36.400 --> 1:07:41.120
<v Speaker 1>jam was so funny, but then you it. It's like

1:07:41.320 --> 1:07:45.040
<v Speaker 1>yes and ended is please come see our improv team,

1:07:45.360 --> 1:07:51.880
<v Speaker 1>the Return of Jafar. Yeah, it's full of lions. It's

1:07:51.920 --> 1:07:55.240
<v Speaker 1>basically the like our team is called the Return of Jaffar,

1:07:55.320 --> 1:07:58.480
<v Speaker 1>but we just show up and we watched The Lion King. Absolutely,

1:07:58.840 --> 1:08:01.880
<v Speaker 1>oh my god. Okay, So your website um oh yeah,

1:08:01.960 --> 1:08:04.080
<v Speaker 1>and then download your booze your news. It's with me

1:08:04.120 --> 1:08:07.160
<v Speaker 1>and Blake Wexler and Stephen Ray Morris is our producer,

1:08:07.160 --> 1:08:09.840
<v Speaker 1>but he's like on it all the time, talking and

1:08:10.160 --> 1:08:12.280
<v Speaker 1>we get really drunk and then we do the news

1:08:13.000 --> 1:08:16.360
<v Speaker 1>and I listened to it. It's very funny. It's such

1:08:16.360 --> 1:08:18.920
<v Speaker 1>a depressing time right now. It's literally the only thing

1:08:18.920 --> 1:08:23.719
<v Speaker 1>I'm doing right now that I'm proud of. Wow. Yeah,

1:08:23.960 --> 1:08:26.840
<v Speaker 1>listen to that. Follow that and and follow my cat,

1:08:27.120 --> 1:08:32.559
<v Speaker 1>follow your Cato spins Joe Joe underscore Sphinx because he's

1:08:32.560 --> 1:08:35.759
<v Speaker 1>got no fur and he's got a sister named Sage.

1:08:36.000 --> 1:08:38.600
<v Speaker 1>I'm hooked. Yeah, I'm gonna follow right now. Please do.

1:08:38.720 --> 1:08:43.080
<v Speaker 1>It's so worth your time. Well, I think we're gonna

1:08:43.160 --> 1:08:47.040
<v Speaker 1>come away from this better people deaf Yeah, okay, Bud,

1:08:48.960 --> 1:08:51.840
<v Speaker 1>I'm great. Georgia, thanks again. We'll have you back. This

1:08:51.880 --> 1:08:55.880
<v Speaker 1>has been a blast. And m hey bye bye bye