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Speaker 1: On the Doll Cast, the questions asked if movies have

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Speaker 1: women in them, are all their discussions just boyfriends and husbands,

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Speaker 1: or do they have individualism the patriarchy? Zef and best

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Speaker 1: start changing it with the beck Del Cast. Hi, Welcome

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Speaker 1: to the beck Doell Cast. My name is Jamie, my

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Speaker 1: name is Caitlin, and this is our podcast about how

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Speaker 1: women are portrayed in movies. And uh, we use the

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Speaker 1: Bechdel test, which let's lay it out for you. It's

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Speaker 1: based on test invented by author Alison Bechdel. It is

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Speaker 1: a test that you have to put up, Oh God, okay,

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Speaker 1: I'm doing so well. Uh, there has to be a

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Speaker 1: scene in the thing you're watching that has two women

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Speaker 1: in it, preferably with names. We say, with names, with names, assertive, okay,

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Speaker 1: and they are talking about something that is not a man.

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Speaker 1: That's all it takes. That's all it takes. But wouldn't

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Speaker 1: you know what A lot of movies don't us the

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Speaker 1: Bectel test. Uh, it's yeah, no, yeah, it's it's too bad.

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Speaker 1: It's a damn shame. It's a goddamn shame. It's a

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Speaker 1: goddamn shame. However, it's the world we live in and

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Speaker 1: I'm okay, how are you. I'm doing pretty well. I'm

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Speaker 1: about to crack open a small bottle of chardonnay. I

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Speaker 1: didn't have time, not just any Oh no, I'm sorry. Well,

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Speaker 1: I'll be the drunk one on this episode. Uh, it's

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Speaker 1: not just any schardon ay, it's Crane Lake chardon ay

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Speaker 1: and it comes in a plastic bottle. I'm sorry. As

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Speaker 1: someone who's drank whine out of plastic bottles plenty of times.

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Speaker 1: What's wrong with that? There's nothing wrong with that. I

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Speaker 1: just wanted to, you know, I wanted to seem relatable.

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Speaker 1: You know, I'm not one of these fancy glass bottle

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Speaker 1: drinking Caitlin's usually drinking out of a glass bottle while

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Speaker 1: I'm drinking my Mike's hard trying to trying to keep

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Speaker 1: it real Hollywood to eat, you're out in another It's

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Speaker 1: just not today. I'm I'm with the the proletariat class

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Speaker 1: with my plastic bottle that I will recycle. Yeah, welcome back,

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Speaker 1: Welcome back to her anyway. So we talked about movies,

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Speaker 1: specifically about the portrayal of women in the movies, and

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Speaker 1: we have a guest every episode. Today is no different. No,

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Speaker 1: nor will it ever be. I'm excited yesterday. She has

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Speaker 1: her own podcast, whoa what does? She called Your Booze

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Speaker 1: Your News, where she and her co host get very

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Speaker 1: drunk and then say the news and it's a lot

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Speaker 1: of fun. And she's a comedian and she's very funny.

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Speaker 1: Georgia Brooks, Hi, Hi, thanks for being here. Oh my god,

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Speaker 1: thanks for having me. I can't wait to talk about

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Speaker 1: boys together. That's what we're doing, right, talk about boys.

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Speaker 1: Who do you have a crush on? Oh my god?

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Speaker 1: And I don't even want to talk about right now.

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Speaker 1: I have a rough week. And if you're going to

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Speaker 1: talk about your rough week here, we're going to have

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Speaker 1: to change the subject to boys, right. Sorry, um, sorry,

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Speaker 1: this is this podcast? Oh never Well Exchangers Past the

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Speaker 1: backdult Test. Yeah, well, that's like our intro basically of Hi,

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Speaker 1: I'm Jamie. Hi, I'm Caitlin. We did it. We have names.

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Speaker 1: We're not that we're talking about women, we're talking to

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Speaker 1: about ourselves. Really, I'm Caitlin, I'm Jamie. Very self involved

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Speaker 1: for talking about the movie. So it's like the whole

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Speaker 1: podcast past. Although sometimes we do spend a lot of

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Speaker 1: time talking about Alfred Molina. That's me. We got an

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Speaker 1: audible aris, donta laugh. I think Alfred Molina actually okay

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Speaker 1: to transition into the movie we're talking about today. I'm

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Speaker 1: surprised Alfred Molina was not in this movie. I think

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Speaker 1: that this he would have been a good fit. I

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Speaker 1: love seeing Alfred Molina in a vest. This is a

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Speaker 1: very vest heavy movie. I love seeing Alfred Molina playing

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Speaker 1: too type, not against type. I don't like to see

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Speaker 1: him challenge himself googling who you're talking about by the

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Speaker 1: Oh my gosh, he's the beef kick. Oh my god,

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Speaker 1: I just saw him in an episode of Shetland. Really yeah,

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Speaker 1: I need to watch it. I think that I need

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Speaker 1: to like lock myself in my home and watch everything

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Speaker 1: he's ever been in and uh and come out a

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Speaker 1: new person, come out of Guru. But Alfremlea unfortunately is

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Speaker 1: not in this movie. But it seems like he could

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Speaker 1: be totally he would be a great fit. So glad

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Speaker 1: I looked it up so I could talk he aesthetically.

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Speaker 1: Now I'm thinking about he aesthetically works very well for

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Speaker 1: can we say it the Mommy Fraser that one the

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Speaker 1: roller coaster movie. Yes, if you've ever been to Universal Studios.

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Speaker 1: Can I just say I like, told my boyfriend was like,

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Speaker 1: I gotta watch Georgia the Jungle this week and then

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Speaker 1: time is later, and message him being like, I meant

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Speaker 1: the mommymy totally alright. Because Brendan Frasers in Georgia the Jungle,

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Speaker 1: I think that's not Georgia the Jungle too. I got confused.

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Speaker 1: There's someone who is just as handsome and mad as him.

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Speaker 1: Did you know that Alfred Moina is a series regular

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Speaker 1: in Angi Tribecca. No I did not. I didn't either.

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Speaker 1: I haven't seen Untili Tribeca. Now I'm gonna watch it.

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Speaker 1: I mean I knew he was on Feudecca if we could,

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Speaker 1: I honestly wouldn't mind if we if we talked about

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Speaker 1: boys the whole time. I love talking about boys, especially

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Speaker 1: when boys are Alfredia. Also, can I say, like, I

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Speaker 1: know this is controversial, but Brandon Fraser rewatching the movie,

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Speaker 1: and by rewatching, I mean I honestly, once I started

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Speaker 1: watching the Mummy yesterday, I was like, oh, I haven't

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Speaker 1: seen this before. Oh perfect, I had never seen this movie.

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Speaker 1: I didn't know that I hadn't seen it because I'm

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Speaker 1: probably because I was thinking about George of the Jungle.

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Speaker 1: I thought i'd seen it because I've been on the

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Speaker 1: roller coaster so much. And that's true because there's a

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Speaker 1: video of Brendan Fraser in character that used to be

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Speaker 1: at the end of the roller coaster. It's the only

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Speaker 1: thing that is the only like video tie in that's

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Speaker 1: better than the Brendan Fraser saying at the end of

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Speaker 1: the ride, WHOA, that was pretty crazy. Anyways, remember to

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Speaker 1: unbuckle your seat belts like that was literally what the

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Speaker 1: video was. A little fact that's still his only gig.

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Speaker 1: He still gets royalties from that rollercoaster video. But the

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Speaker 1: only one that's better, if you're listening at home is

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Speaker 1: look up the Bill Paxton Rest in Paradise Twister Experience video.

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Speaker 1: It's not a ride that exists anymore. It's literally one

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Speaker 1: of those like Hollywood things where you go in and

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Speaker 1: you just watch a set from Twister blowsh it around,

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Speaker 1: and then at the end there's a video of Bill

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Speaker 1: Paxton saying, Wow, the majesty of Nature. Check out Twister.

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Speaker 1: It came out, this ride existed is recently is five

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Speaker 1: years ago where uh in Florida. It was like I

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Speaker 1: think it was like, yeah, like Universal Studios in Florida.

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Speaker 1: I mean, this is the second movie we've done now

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Speaker 1: that has had a dater. Can you guys do Pirates

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Speaker 1: of the Cab. We're gonna do the Country Bears. We're

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Speaker 1: gonna do you guys are gonna do Song in the

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Speaker 1: South anytimes? Oh No, that is a roller coaster movie.

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Speaker 1: It's like my favorite roller coaster and it's problematic on

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Speaker 1: literal mountains, isn't that Yeah? Yeah, yeah, and they're like,

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Speaker 1: let's change it. Let's not change it. I'm sure somebody

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Speaker 1: will also do Jurassic Park. I would love the Drastic Park.

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Speaker 1: Raft ride is fine. I love it. Well, there's a

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Speaker 1: place called Paramount, Canada's Wonderland, and I bet they've got

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Speaker 1: a lot of rides based on movies that you guys

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Speaker 1: just don't know. Our rides about Raider, there's a room,

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Speaker 1: no way. Yeah, I would almost got to go to Killa.

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Speaker 1: I would almost prefer that to well, I don't know.

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Speaker 1: There's also the one with the guy who jumped on

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Speaker 1: the couch Tom Cruise. He's in the new movie movie

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Speaker 1: What's the What's the movie? Top Gun? There's a top

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Speaker 1: Gun ride there too. Way. Yeah, rules kicks the shift

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Speaker 1: out of that twist to ride. It wasn't even ride,

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Speaker 1: you just stared at it. Oh wait, here's another good time.

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Speaker 1: This is a roller coaster podcast. Now. I love and

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Speaker 1: my mom. I've never seen my mom more excited than

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Speaker 1: to go on the Aerosmith roller coaster in Orlando, Florida.

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Speaker 1: For some reason, the Disney Corporation took it upon itself.

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Speaker 1: You know who needs to be adapted into a roller

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Speaker 1: coaster The band Arrowsmith. I mean, they're not wrong there,

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Speaker 1: it's they're a great band. They're from from my hometown,

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Speaker 1: for crying out loud, there from Boston. Um. So my

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Speaker 1: mom like she she used to be a roadie for

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Speaker 1: the Beaver Brown Band. She was there their their road

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Speaker 1: sled or whatever she did. I don't know. I don't

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Speaker 1: know exactly what she did with the Beaver Brown band,

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Speaker 1: but she let's call her right like Joe, what was

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Speaker 1: your affiliation? She doesn't like to talk about it. So

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Speaker 1: I think she was the Red Slide um, but she

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Speaker 1: she aspired to be the Aerosmith roads that never got there.

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Speaker 1: We went to Disney World when I was like twelve,

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Speaker 1: and she all she wanted to do was gone the

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Speaker 1: Aerosmith roller coaster and was thrilled because when you're in

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Speaker 1: the waiting area because it's an in demand roller coaster,

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Speaker 1: there's lines there. Can that be true? But it's a

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Speaker 1: great roller Okay, but there. I was on it last

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Speaker 1: year and I was like, not hold up, but there's

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Speaker 1: a huge like you're waiting in like their studio, and

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Speaker 1: then all of Aaronsmith acts and this short sketch and

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Speaker 1: they're so bad and they're just like, oh my god,

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Speaker 1: we gotta get to tour it the venue. We gotta

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Speaker 1: get to the veneo God, get us to the Greek

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Speaker 1: or like whatever they're saying. Um And Steve Tyler is

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Speaker 1: there and he's like, oh my god, guys, we're going

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Speaker 1: to be late. Hey didn't. Then the appoint it me

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Speaker 1: and they say, hey, can you drive for us? We

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Speaker 1: need some roadies And my mom was like because she

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Speaker 1: wanted to be ready. Yeah, she was thrilled. Oh my god,

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Speaker 1: this is the coaster cast. Anyway, the movie was cool,

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Speaker 1: So you guys hadn't have seen it before. I think

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Speaker 1: I saw it when it first came out in and

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Speaker 1: then never again except for today and yesterday when I

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Speaker 1: watched it twice and then maybe never and never again

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Speaker 1: after this, but it's a time for the recap. Yeah,

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Speaker 1: all right, there, you guys, don't do that. Oh yeah,

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Speaker 1: cut a track right now in every single time. Well, first,

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Speaker 1: I feel like someone was like, Hey, I really want

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Speaker 1: to make an Indiana Jones movie. But I don't have

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Speaker 1: the rights to Indiana Jones, but I want to make

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Speaker 1: an Indiana Jones movie anyway, So I'm gonna make this movie,

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Speaker 1: and I'm not going to care that it's very bad. Probably,

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Speaker 1: I say, I can see that it has such an

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Speaker 1: Jones feel, as Jones accept like a really like a

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Speaker 1: CVS brand Jones. Yeah. But then I was up and up.

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Speaker 1: That's so funny that you think that, because I was thinking, Oh,

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Speaker 1: this is like a better version of National Treasure, which

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Speaker 1: is just another version of Indiana Jones. I love National Treasure.

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Speaker 1: I'm sure it would have could have been a fine movie.

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Speaker 1: Oh no, what's the name of that guy? I wish

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Speaker 1: he was in National Treasure? Another movie he'd fit in great. Well,

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Speaker 1: he is in Raiders of the Lost Dark Alfred Molina is. Oh, yeah,

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Speaker 1: he's in a good one. I'm sorry. Last Crusade is

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Speaker 1: a very good one. Here's something not the best. One

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Speaker 1: will shock you here. I've never seen in Indiana John, No,

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Speaker 1: it won't. It does not shock National Treasure probably five times,

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Speaker 1: so you don't need to see Indiana Jones exactly. That's

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Speaker 1: just think of that but better. But like what if

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Speaker 1: this is better? But I love It's something I know

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Speaker 1: and love the The plot twist in Natural Treasure is

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Speaker 1: daylight saving time. That's a great twist. I love that twist.

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Speaker 1: I'm so glad I brought this one because I need

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Speaker 1: to get drunk immediately. Raiders of the Lost Arc probably

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Speaker 1: is the better film, but we all can agree that

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Speaker 1: Indiana Jones on the Last Crusade is a much more

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Speaker 1: fun movie. And it wasn't really closer two. I know

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Speaker 1: it's a really fun one. It was alright anyway, So

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Speaker 1: this movie God well, to quote of Brendan Frasier's character,

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Speaker 1: I gotta rescue the damsel in distress, kill the bad guy,

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Speaker 1: and save the world. I love that line. I was like, boom,

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Speaker 1: nailed it, nail on the head. Brandon. I have a

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Speaker 1: lot of thoughts about Brandon Fraser. I'm sure you're not

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Speaker 1: supprised he buys into my My new theory is that

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Speaker 1: Brendan Fraser is ostensibly the rebound boyfriend of actors because

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Speaker 1: you do not have to take him seriously. He's fun

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Speaker 1: for two hours. The second you hit two hours, he

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Speaker 1: is not fun anymore, and you're like, I want to

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Speaker 1: go home. And that's that is. That's luckily this movie

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Speaker 1: clocks in just over two hours, but ten minutes of

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Speaker 1: that is the credits. So yeah, by a mummy, So

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Speaker 1: it's like, you're busy. He's got a frinding about him.

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Speaker 1: Is like I forgot how hot he was and I

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Speaker 1: was like, holy crap, he's so hot. But then by

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Speaker 1: the end of the movie you see like where you're like,

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Speaker 1: he's just something off hot, you know what I mean,

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Speaker 1: when he's wild brand hot. This whole movie is this

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Speaker 1: CBS brand. I like, I feel like if you called

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Speaker 1: Brendan Fraser's name, he's got the kind of eyes where

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Speaker 1: he'd like look over like a like an egrette. He'd

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Speaker 1: be like, what like an emu ostrich, what am I

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Speaker 1: thinking of? I'm thinking of a large bird. That's how

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Speaker 1: I think. I feel like Brendan Frener could lay an

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Speaker 1: egg and that's what he's been doing. Lately. I wouldn't

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Speaker 1: be surprised if Brendan Fraser. So this is like I

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Speaker 1: laid a night I had coldbred coffee for the first

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Speaker 1: time today. Oh, that's the last time I had cold

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Speaker 1: brew coffee. I had a panic attack. I am story.

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Speaker 1: I feel like I'm on the verge of a pan.

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Speaker 1: But let's let's ride this way. Let's write it um

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Speaker 1: and let's recap the story. We open in like ancient Egypt.

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Speaker 1: What years it? We don't know? Something BC something. I

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Speaker 1: don't give a funk. If it's before Christ. Yeah, not interesting.

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Speaker 1: Let's leave this out of it, Okay, just to clarify.

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Speaker 1: So in the beginning, when it's like the BC era,

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Speaker 1: and then so what's that chick? Is she like super

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Speaker 1: special or something? She's the pharaoh's mistress, mistress mistress? Where's

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Speaker 1: we don't know? Do we hear about the wife? I

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Speaker 1: don't think so they would talk about something together, I know,

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Speaker 1: only woden't have a conversation, just one thing, those two. Um.

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Speaker 1: But then she's having an affair with someone else. She

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Speaker 1: loves somebody else, which is this man. He's bald and

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Speaker 1: that's really honestly, I thought he was when I first

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Speaker 1: last movie, I thought it was Billy Zane. I was like,

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Speaker 1: that guy's that's Billy Zane. And then I rewatched it

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Speaker 1: yesterday and I was like, no, different man who looks

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Speaker 1: just like him? Before we start to get bad reviews,

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Speaker 1: we're not saying all bald men look alike. I know

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Speaker 1: that we we've got to be aware, do you know? What?

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Speaker 1: Was crazy? And I know we're still doing the plot

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Speaker 1: but we haven't. We've hardly begun. But how like that

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Speaker 1: at the beginning, it's like that woman is like us, basically,

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Speaker 1: like a sex slave mistress, and then she's in love

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Speaker 1: with someone and he loves her, and then yet that

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Speaker 1: person who loves her and her become the villain. It's

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Speaker 1: like they should be the good guys. Yeah, I was

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Speaker 1: a little bit confused about that, Like why are they

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Speaker 1: the villains? They've had a ship time, I don't know. Anyways,

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Speaker 1: forward also the after Christ the the actress who plays

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Speaker 1: the ancient Egyptian lady. Her name is Patricia Velasquez who

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Speaker 1: plays Marta on Arrested Development? Whoa which one's Marta on

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Speaker 1: Arrested develop She's the one that Michael is in love

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Speaker 1: with that date that's fine, yeah, I wanted them to

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Speaker 1: make it, I know not and Michael anyway, so they

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Speaker 1: they have this like clandestine relationship and the Pharaoh finds out,

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Speaker 1: so he's like, you're a bad man. I'm going to

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Speaker 1: curse you and not really though before he could curse him, oh,

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Speaker 1: the woman they killed him. Well, the woman stabs herself

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Speaker 1: and then they they killed the pharaoh first. I don't remember,

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Speaker 1: but saying it doesn't really it didn't even It's like,

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Speaker 1: this is a why is this movie hard to follow?

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Speaker 1: Like it shouldn't be. There's a lot of questions that

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Speaker 1: I feel like I would come up with the wrong plot.

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Speaker 1: And I tried really hard to pay attention to this movie.

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Speaker 1: It's a hard movie to pay attention to it. And

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Speaker 1: when I said who cares, I don't mean I didn't

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Speaker 1: mean to dismiss you. I meant to say, this movie

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Speaker 1: is stupid, who cares what happens in it? I just

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Speaker 1: wanted to clarify, right, Yeah, all my fans are going

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Speaker 1: to be really mad about it. The Georgia Heads are

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Speaker 1: coming after you. Brooks Nation. The bottom one the guy

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Speaker 1: becomes a mummy and then put in a tomb, and

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Speaker 1: the sarcophagus, and they mummify him while he's alive, so

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Speaker 1: he gets put in that thing when he's still alive,

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Speaker 1: which is You can tell it scary because his eyes

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Speaker 1: are like, no, yeah, this tongue, which is which is

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Speaker 1: a bad thing in the beast. How is he going

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Speaker 1: to go down on a woman? That's what they're saying. Wait, wait, air,

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Speaker 1: is that not how you get down a woman? Just

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Speaker 1: gentle blowing. I feel like if you had a nub

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Speaker 1: enough a tongue, you could still do it. Yeah, you

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Speaker 1: don't have to like really get in there, but yeah,

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Speaker 1: a little froggy no, you would you have to do

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Speaker 1: if you had a really little tongue. Hypothetically, I'm not

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Speaker 1: sorry I got I have a great tongue, um, but

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Speaker 1: if you have a little tongue, I have an average

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Speaker 1: sized tongue. I drive such a fancy hot car because

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Speaker 1: I'm compensating for my tongue, my tongue. But maybe you'd

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Speaker 1: have to And everyone at home please picture this happening

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Speaker 1: to a vagina. Spread your mouth and suction on to

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Speaker 1: get the tongue. Because you can't bring the tongue. The

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Speaker 1: tongue has to be brought to well anyway, so there's

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Speaker 1: a curse, he's a money or so. Then the future

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Speaker 1: comes at the past, is it n it's and then

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Speaker 1: it like goes forward more so I was guessing that

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Speaker 1: was around five to thirty, but the first ones in

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Speaker 1: when Brandon Fraser is still like I only watched this

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Speaker 1: movie once, you don't remember the years as is like

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Speaker 1: I'm obsessed with like Edwardian culture, which is like nineteen

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Speaker 1: nineteen ten. And then right after that and I got, really,

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Speaker 1: the one thing I really liked about this movie is

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Speaker 1: like the era took place in and also her fashion

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Speaker 1: her Yeah, it's she's she's a colonial gal with very

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Speaker 1: thin eyebrows. I didn't even know that was Rachel I

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Speaker 1: wrote down triggered by eyebrows, eyebrows, very distracting, no idea

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Speaker 1: that was her because she has such like rich, luxurious

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Speaker 1: eyebrows and they're so overplunched in this movie because I

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Speaker 1: was like the style of the time that I did

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Speaker 1: not know that was Rachel White until I looked at him.

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Speaker 1: She has she has pregnant teenager eyebrows. Those are overplugged

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Speaker 1: eyebrows are for pregnant teenagers and people who don't know

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Speaker 1: what they're doing. All the pregnant teenagers listening to the podcast.

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Speaker 1: We're not trying to put you in a box. Keep listening,

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Speaker 1: and you know, think about how your your body, your choice,

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Speaker 1: your but also I mean with the baby, but not

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Speaker 1: with your eyebrows. And there's no excuse for bad So

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Speaker 1: I should just I am dB this, babe, I am dB. Yeah,

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Speaker 1: I didn't fit it took I. I have been trying

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Speaker 1: to challenge myself to not google things for the second

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Speaker 1: I want to google them. No, But like when I

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Speaker 1: was watching the movie earlier, I was like, I'm going

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Speaker 1: to figure out who this actress is. I know her face,

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Speaker 1: but the browser distracting and I didn't get it. I

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Speaker 1: had to look it up. Well, it's she looked Hella familiar,

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Speaker 1: And by the end of the movie, I was like, oh,

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Speaker 1: I've seen her a buttload. Yeah. I think that's the

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Speaker 1: technical term, and that's the unit of measurement that I'd

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Speaker 1: like to apply. Yeah. So then he gets arrested. Yeah.

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Speaker 1: Brendan Fraser is like, I guess, a treasure hunter and

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Speaker 1: he like goes to this lost city, this city of

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Speaker 1: the Dead in Egypt, and there's these people who attack him,

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Speaker 1: and he's like no when he gets arrested, and then

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Speaker 1: intro Rachel Wise as Evelyn and her brother and they

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Speaker 1: worked at this like Library of Antiquities museum also in Egypt.

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Speaker 1: She's a scholar. I forget why she go, right because

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Speaker 1: her brother has this yeah, and I find this map. Now,

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Speaker 1: like this is the map to this city of the dead.

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Speaker 1: So they go and they find it's kind of like

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Speaker 1: to see a national treasure where they steal a constitution

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Speaker 1: and they're like, there's a map on the back and

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Speaker 1: it's a lemon juice. How did you find out? What

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Speaker 1: the No, that's not right. They didn't hold it under

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Speaker 1: a black light. I don't know what they did. It's

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Speaker 1: basically like national treasure, right, Okay, continue Anyway, they pair

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Speaker 1: up with Brendan Fraser and they're like, let's go to

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Speaker 1: this place. They find the city. They go inside these categories.

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Speaker 1: There's a sarcophagus and then they're like this is creepy.

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Speaker 1: And then there's these other people who are also hunting

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Speaker 1: for the treasure in this place. And the twenties everyone

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Speaker 1: really wanted treasure. Everyone loved treasure back then. Not so much.

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Speaker 1: Now there's like no, no, one's seeking wealth anymore. You know.

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Speaker 1: That's why I've made such a killing in the treasure business,

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Speaker 1: because it's an undersaturated profession. I like to steal old

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Speaker 1: paper and be like it's a map and then and

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Speaker 1: then go to different countries and just sunk around. You're

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Speaker 1: very good at that. Yeah, thank you anyway, So they

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Speaker 1: released this Mommy that's in this this tunes because she

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Speaker 1: reads from the book and she finds she didn't read

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Speaker 1: that's the list reading no thank you. She reads from

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Speaker 1: this book. It like awakens this bad mummy guy and

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Speaker 1: he keeps like sucking the life out of people until

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Speaker 1: he's like regenerated. And his whole thing is he wants

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Speaker 1: to be reunited with the woman and he loves what.

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Speaker 1: Oh my god, Aristotle, we got him to say something. Wait,

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Speaker 1: what did you say name right? Did you re watch

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Speaker 1: the movie recently? You just remember? Okay, you just wait?

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Speaker 1: Do you love the Mummy? Oh my god? If you

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Speaker 1: didn't hear him, he said he used to love it.

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Speaker 1: I don't believe how many times have you feel like

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Speaker 1: you've just been waiting to yell at You're like they're

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Speaker 1: gonna get there, They're gonna get there. That's so funny anyway,

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Speaker 1: So he wants to be a twist for us from that.

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Speaker 1: So this mommy guy wants to be reunited with his

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Speaker 1: love whose name is whatever, who cares, And then he

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Speaker 1: know he's like, I'm going to take this one other

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Speaker 1: lady in the story and use her is like the

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Speaker 1: vessel to try to revive my my beloved. And they're like, no,

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Speaker 1: we can't let this happen. So they have to go

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Speaker 1: find this other book that's going to kill him because

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Speaker 1: he's immortal and he can't be killed by any mortal weapons.

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Speaker 1: So they're like scrambling around and he's like unleashing all

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Speaker 1: these plagues on the city and they're like, no, how

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Speaker 1: do we do this? And then there's all these other

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Speaker 1: mommies who come up and attack them, and a bunch

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Speaker 1: of people die, and then finally they find the book

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Speaker 1: they need and they kill him the end and they

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Speaker 1: fall in love and right and Brandon fall in love. Yes,

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Speaker 1: who saw that coming? Rick? I love that the hero

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Speaker 1: of this Egyptian movie is Rick O'Connell. Sounds like a

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Speaker 1: neighbor I would have Is that the brother? Uh No,

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Speaker 1: that's Brendan Rick O'Connell. Rick O'Connell. The guy who plays Benny,

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Speaker 1: who is presumably an Egyptian character, is played by a

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Speaker 1: guy named Kevin O'Connor. That must probably a white guy

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Speaker 1: and probably example of Hollywood. Hollywood whitewashing. This movie is very,

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Speaker 1: very very guilty of whitewashing. If we're looking at it

418
00:24:36,320 --> 00:24:39,639
Speaker 1: in a macro way, it's, you know, three white leads

419
00:24:39,840 --> 00:24:44,080
Speaker 1: in a country of now white people. All the villains

420
00:24:44,640 --> 00:24:49,080
Speaker 1: are you know, the slightly brown, slightly brown we I

421
00:24:49,080 --> 00:24:54,160
Speaker 1: mean were they're just ethnically ambiguous. Well the Egyptian played

422
00:24:54,160 --> 00:24:58,840
Speaker 1: by Patricia she's Hispanic, right, yeah, I mean they were

423
00:24:58,880 --> 00:25:04,840
Speaker 1: like a anything money pigments, yeah, which uh And but

424
00:25:05,000 --> 00:25:08,240
Speaker 1: you know even the way that like like everyone who

425
00:25:08,280 --> 00:25:10,720
Speaker 1: lives in Egypt who is not American or British is

426
00:25:10,760 --> 00:25:14,680
Speaker 1: like they're dumb or they're violent, and we're we're here

427
00:25:14,720 --> 00:25:17,600
Speaker 1: to talk about women, but you know, we're addressing it's

428
00:25:17,640 --> 00:25:22,399
Speaker 1: hard to talk about women with this movie. We literally

429
00:25:22,480 --> 00:25:24,840
Speaker 1: have to talk about other things. I do have something

430
00:25:25,440 --> 00:25:30,560
Speaker 1: I would like to address. It's very serious. So the

431
00:25:30,600 --> 00:25:33,800
Speaker 1: reason we're doing this episode because there's a new Money

432
00:25:33,840 --> 00:25:38,040
Speaker 1: installment coming out starring not Brandon Fraser but Tom Cruise,

433
00:25:38,040 --> 00:25:41,200
Speaker 1: the guy who jumped on the couch. Isn't that weird?

434
00:25:41,280 --> 00:25:44,080
Speaker 1: Usually when there's a new movie and they put a

435
00:25:44,119 --> 00:25:46,480
Speaker 1: new person and they don't pick someone who's the same

436
00:25:46,520 --> 00:25:48,640
Speaker 1: age as the original, dude, you know what I mean?

437
00:25:49,520 --> 00:25:56,640
Speaker 1: You just didn't cast him last time. Brandon Fraser uh

438
00:25:56,960 --> 00:25:59,880
Speaker 1: is if nothing else, and he's a lot of things.

439
00:26:00,200 --> 00:26:03,480
Speaker 1: He's a class act brand. Fraser released a statement upon

440
00:26:03,600 --> 00:26:07,399
Speaker 1: not being cast in The Money reboot and being bumped

441
00:26:07,440 --> 00:26:10,560
Speaker 1: by Tom Cruise, and it's maybe the saddest thing. Oh God, please,

442
00:26:10,600 --> 00:26:13,280
Speaker 1: I've ever written my life. Here's what Mr Fraser had

443
00:26:13,320 --> 00:26:17,840
Speaker 1: to say. Quote. I am flattered as Tom Cruise is

444
00:26:17,880 --> 00:26:21,359
Speaker 1: a really big movie star. There are many movies made

445
00:26:21,400 --> 00:26:23,359
Speaker 1: before the one that I was lucky to be a

446
00:26:23,400 --> 00:26:26,199
Speaker 1: part of, which, speaking in the sense of you know,

447
00:26:26,400 --> 00:26:29,480
Speaker 1: history of time, a lot of movies. I am certain

448
00:26:29,560 --> 00:26:32,400
Speaker 1: this one will be unique. I have met Tom before

449
00:26:32,720 --> 00:26:35,359
Speaker 1: and he is a nice guy. He will be great,

450
00:26:35,440 --> 00:26:39,320
Speaker 1: and the film will be exciting, and get your tissues out.

451
00:26:39,920 --> 00:26:42,520
Speaker 1: I will buy the ticket to watch it on the

452
00:26:42,560 --> 00:26:46,600
Speaker 1: opening day. Imagine if Brendan Fraser had to pay for

453
00:26:46,640 --> 00:26:50,160
Speaker 1: a ticket to the Mummy. I think we should start

454
00:26:50,160 --> 00:26:54,200
Speaker 1: a Kickstarter get him a therapy dog and a free

455
00:26:54,200 --> 00:26:57,679
Speaker 1: ticket to the Mummy because this because Homeboy is is

456
00:26:58,080 --> 00:27:01,240
Speaker 1: torn up. He's torn up about it. It's just sad

457
00:27:01,280 --> 00:27:03,960
Speaker 1: because it's like he could use it, you know, he

458
00:27:04,000 --> 00:27:07,080
Speaker 1: could use it, and he shines. I enjoyed him in

459
00:27:07,680 --> 00:27:10,560
Speaker 1: Luny Tunes back in Action in two thousand three. What's

460
00:27:10,560 --> 00:27:14,920
Speaker 1: that movie he's in, Um Georgia the Jungle. Yeah, yeah,

461
00:27:15,040 --> 00:27:17,080
Speaker 1: I want to see a reboot that you're in called

462
00:27:17,240 --> 00:27:21,399
Speaker 1: Georgia of the jung So does everybody here that Hollywood?

463
00:27:23,359 --> 00:27:26,800
Speaker 1: But yeah, let's talk about Evelyn, who I did not.

464
00:27:27,359 --> 00:27:30,200
Speaker 1: I didn't even know her name until halfway through the movie. Yeah, same,

465
00:27:30,640 --> 00:27:32,400
Speaker 1: because I was like, oh, Evelyn is a great name.

466
00:27:32,640 --> 00:27:34,959
Speaker 1: I remembered Evie because I was like, that's a Pokemon.

467
00:27:38,080 --> 00:27:43,600
Speaker 1: Let's just from the top her. The way she's introduced.

468
00:27:44,200 --> 00:27:46,960
Speaker 1: What a goof right, she's putting books away in her library.

469
00:27:47,040 --> 00:27:49,800
Speaker 1: What a weird introduction to this character. Yeah, because it

470
00:27:49,800 --> 00:27:52,439
Speaker 1: doesn't even she never looks that way again, Like she

471
00:27:52,640 --> 00:27:54,960
Speaker 1: had glasses on maybe or something. She looked like a

472
00:27:55,080 --> 00:27:57,800
Speaker 1: super nerd and then that was the end of that.

473
00:27:58,000 --> 00:28:00,679
Speaker 1: And she's like super clumsy because like she's on this

474
00:28:00,760 --> 00:28:03,000
Speaker 1: ladder trying to put these books away, and then the

475
00:28:03,080 --> 00:28:08,760
Speaker 1: ladder like somehow becomes suspended upright, and gravity stops existing

476
00:28:08,840 --> 00:28:12,280
Speaker 1: for thirty seconds or so, and she's like kind of

477
00:28:12,560 --> 00:28:15,200
Speaker 1: balancing on this ladder and she's almost like they're still,

478
00:28:16,480 --> 00:28:20,400
Speaker 1: and then she finally tips over and knocks like twenty

479
00:28:20,400 --> 00:28:25,960
Speaker 1: bookcases down dominoes. And then this mean guy comes in.

480
00:28:26,040 --> 00:28:28,600
Speaker 1: He's like, you fix this, you fix it. He's like,

481
00:28:28,640 --> 00:28:30,400
Speaker 1: why are you Why do I even hire you? Yeah,

482
00:28:30,440 --> 00:28:32,560
Speaker 1: you suck. And she does stand up for herself and

483
00:28:32,600 --> 00:28:35,040
Speaker 1: she's like, because I can read ancient in Egypt, I

484
00:28:35,080 --> 00:28:39,040
Speaker 1: know what hi, your rhoglyphics are and the most that's

485
00:28:39,080 --> 00:28:41,960
Speaker 1: the way exactly what she says. Well, I mean it's

486
00:28:42,080 --> 00:28:46,960
Speaker 1: like the most expository dialogue ever. I went to college,

487
00:28:47,120 --> 00:28:50,960
Speaker 1: and I know the pictures they made inside the triangles

488
00:28:51,320 --> 00:28:54,960
Speaker 1: and and the guys like, you know what actually is?

489
00:28:55,000 --> 00:28:57,720
Speaker 1: Because your parents have a lot of money? Did he

490
00:28:57,800 --> 00:29:03,000
Speaker 1: say that to blame us? Girl? What do you know

491
00:29:03,080 --> 00:29:07,320
Speaker 1: about misery? Hey? Titanic check the guy who plays Mr.

492
00:29:07,480 --> 00:29:10,920
Speaker 1: Is may Is in this movie and the guy who

493
00:29:10,920 --> 00:29:15,920
Speaker 1: plays another character whose name that scene with violent swimming

494
00:29:16,160 --> 00:29:20,400
Speaker 1: that I was like, oh no, because they go overboard. Yeah,

495
00:29:20,680 --> 00:29:24,760
Speaker 1: there's that. And the guy who plays Captain Winston have

496
00:29:25,040 --> 00:29:28,320
Speaker 1: Lock who like pilots their playing back to the city.

497
00:29:29,160 --> 00:29:33,720
Speaker 1: Guy who says famous character cath I cosplayed in him.

498
00:29:35,000 --> 00:29:38,160
Speaker 1: He plays the guy in Titanic who after Jack like

499
00:29:38,440 --> 00:29:41,240
Speaker 1: saves Rose on the back of the ship. And then

500
00:29:41,240 --> 00:29:43,200
Speaker 1: everyone's like did he save her or was he trying

501
00:29:43,240 --> 00:29:44,920
Speaker 1: to rape er? We don't know? And then he's like, no,

502
00:29:45,000 --> 00:29:46,960
Speaker 1: I saved her. And he's like, well, the boy's a hero.

503
00:29:47,080 --> 00:29:52,480
Speaker 1: Then that guy that's a deep cut yes, yes, yes, yeah, yeah,

504
00:29:52,520 --> 00:29:59,160
Speaker 1: you're right there. And then yeah, Mrs May plays on Chamberlain.

505
00:30:00,040 --> 00:30:03,840
Speaker 1: He end doesn't He the guy from Titanic and from

506
00:30:03,880 --> 00:30:11,600
Speaker 1: this movie. He's also the bad guy in Jamani. Oh sorry,

507
00:30:12,000 --> 00:30:16,640
Speaker 1: there's a movie coming out with Kevin Harrison. I think

508
00:30:16,640 --> 00:30:20,840
Speaker 1: it's Kevin Harden. What's his name? The Rock? Okay, I'm back.

509
00:30:22,280 --> 00:30:26,400
Speaker 1: We I mean, story plot wise, we have not yet

510
00:30:26,400 --> 00:30:28,800
Speaker 1: gotten to the part with Britain Frasher in a cage

511
00:30:28,800 --> 00:30:31,800
Speaker 1: because I've been waiting. Oh, we just jumped right over

512
00:30:31,840 --> 00:30:37,160
Speaker 1: that arrested for a reason that I can't decipher. I'm

513
00:30:37,200 --> 00:30:41,080
Speaker 1: not sure. Then he almost gets hung. He's indicage. He

514
00:30:41,120 --> 00:30:44,360
Speaker 1: looks exactly like he looked well Georgia the younger. Yes,

515
00:30:44,520 --> 00:30:48,480
Speaker 1: I'm like, is that how long has he been in

516
00:30:48,480 --> 00:30:51,720
Speaker 1: the jail? We don't know. Um, we were I was

517
00:30:51,760 --> 00:30:55,080
Speaker 1: talking about how how Ellen's character is introduced. Yeah, we

518
00:30:55,080 --> 00:30:57,680
Speaker 1: haven't talked about her brother yet. Remember how her brother

519
00:30:57,760 --> 00:31:00,400
Speaker 1: is introduced when she comes like in to the room

520
00:31:00,400 --> 00:31:03,080
Speaker 1: and then he pretends to be like a skeleton mummy,

521
00:31:03,960 --> 00:31:08,400
Speaker 1: like such a shitty brother move. And I originally thought

522
00:31:08,400 --> 00:31:09,920
Speaker 1: it was going to go in the direction of, like,

523
00:31:10,120 --> 00:31:13,720
Speaker 1: this is her husband and like or her fiance. I

524
00:31:13,760 --> 00:31:15,680
Speaker 1: thought it was going to be somebody who liked her,

525
00:31:15,720 --> 00:31:17,400
Speaker 1: who was a ship bag, you know what I mean.

526
00:31:17,480 --> 00:31:20,080
Speaker 1: And then I'm glad it ended up being her brother too,

527
00:31:20,240 --> 00:31:22,200
Speaker 1: because when we got to like we're like, oh whatever,

528
00:31:22,600 --> 00:31:24,680
Speaker 1: I just want to love story to be able to happen,

529
00:31:24,760 --> 00:31:26,560
Speaker 1: and I don't want anything to get in the way

530
00:31:26,600 --> 00:31:28,800
Speaker 1: of that. Like I like that it was just her brother,

531
00:31:28,880 --> 00:31:30,720
Speaker 1: so that heat there was nothing getting in the way

532
00:31:30,720 --> 00:31:34,280
Speaker 1: of her and whatever his name is that theirs sure,

533
00:31:34,400 --> 00:31:36,400
Speaker 1: but it's like there wasn't like a she gets mad

534
00:31:36,440 --> 00:31:38,520
Speaker 1: at him because that guy told a lie, and it's like,

535
00:31:38,600 --> 00:31:41,240
Speaker 1: fucking forget. I just want everyone to like be in love.

536
00:31:41,960 --> 00:31:45,880
Speaker 1: I don't want any external opposing forces. Egypt is enough

537
00:31:46,040 --> 00:31:49,600
Speaker 1: too close to Yeah, I mean Egypt. We're already in

538
00:31:49,640 --> 00:31:54,240
Speaker 1: the trenches. There in the trenches. Let's talk about how

539
00:31:54,440 --> 00:31:58,360
Speaker 1: after she and her brother are introduced, they go to

540
00:31:58,440 --> 00:32:02,600
Speaker 1: the cage that Brandon Fraser is hanging out in because

541
00:32:02,600 --> 00:32:07,200
Speaker 1: he's been arrested for whatever reason, rashing around, Right, how

542
00:32:07,240 --> 00:32:10,000
Speaker 1: long has he been in there? Because he is effectively feral.

543
00:32:10,400 --> 00:32:14,280
Speaker 1: When he bursts into that cage, he's like like, he's

544
00:32:14,360 --> 00:32:18,560
Speaker 1: like screaming, I don't rashing around kissing him. It wouldn't

545
00:32:18,600 --> 00:32:20,640
Speaker 1: take that long to be come like that in a

546
00:32:20,720 --> 00:32:24,080
Speaker 1: jail cell I don't, probably not, especially if you're untethered

547
00:32:24,120 --> 00:32:27,440
Speaker 1: as Brendan Fraser. But that's what I wanted to talk about.

548
00:32:27,480 --> 00:32:30,160
Speaker 1: He just like he's like, come your closer, I gotta

549
00:32:30,200 --> 00:32:32,240
Speaker 1: tell you something. And then he kisses her and we're

550
00:32:32,280 --> 00:32:35,440
Speaker 1: like but she seems fine with it, which is like, well,

551
00:32:35,560 --> 00:32:38,320
Speaker 1: she liked it, but she's like I didn't like it.

552
00:32:38,720 --> 00:32:40,880
Speaker 1: She's ritten by a man who also read the g I.

553
00:32:40,960 --> 00:32:45,440
Speaker 1: Joe movies. Just keep things in perspective. Well, I was like, Okay,

554
00:32:45,640 --> 00:32:48,600
Speaker 1: why did that happen? Why didn't anyone make that choice?

555
00:32:48,640 --> 00:32:50,560
Speaker 1: And then she does like kind of push back a

556
00:32:50,600 --> 00:32:54,360
Speaker 1: little bit. She's like, how dare you? And then she

557
00:32:54,480 --> 00:32:58,360
Speaker 1: keeps She's like, you have bad manners and why why

558
00:32:58,480 --> 00:33:01,240
Speaker 1: did you kiss me? And he's like, I was about

559
00:33:01,240 --> 00:33:03,239
Speaker 1: to be hanged. It seemed like a good idea at

560
00:33:03,240 --> 00:33:06,840
Speaker 1: the time. And then then pulls out a gun. Okay,

561
00:33:06,880 --> 00:33:08,440
Speaker 1: I know you have a lot of He pulls out

562
00:33:08,440 --> 00:33:11,479
Speaker 1: a gun. Well, he like slam after he says that

563
00:33:11,560 --> 00:33:14,760
Speaker 1: line about like just I was in a cage, so

564
00:33:15,080 --> 00:33:17,600
Speaker 1: you pretty much do every want a cage? Like, he

565
00:33:17,760 --> 00:33:21,680
Speaker 1: slaps down all of his artillery in front of her,

566
00:33:21,720 --> 00:33:24,600
Speaker 1: and I'm just like, this is a weird choice. Also,

567
00:33:24,760 --> 00:33:28,440
Speaker 1: before he meets Evie and even before he kisses her,

568
00:33:29,000 --> 00:33:36,520
Speaker 1: he calls her abroad. Yeah, like she'll do it, that's

569
00:33:36,520 --> 00:33:41,080
Speaker 1: actually historical for a fourth she'll do for a fourth kiss.

570
00:33:41,120 --> 00:33:44,400
Speaker 1: I'm George of the Jungle. Also Brendon Fraser controversy. All

571
00:33:44,400 --> 00:33:46,600
Speaker 1: the Fraser heads out there, let me know what you think.

572
00:33:46,880 --> 00:33:50,560
Speaker 1: I don't remember if Brendan Fraser has an auty belly

573
00:33:50,600 --> 00:33:54,320
Speaker 1: button or if the guy in George of the Jungle

574
00:33:54,360 --> 00:33:56,360
Speaker 1: too has an autie belly button. One of them has

575
00:33:56,400 --> 00:33:59,800
Speaker 1: an autie belly button. I hope it's Brendan because I

576
00:34:00,080 --> 00:34:04,960
Speaker 1: have an Audie. The audie community as very oppressed, especially

577
00:34:04,960 --> 00:34:08,319
Speaker 1: in Hollywood, and is it even safe to say that

578
00:34:08,360 --> 00:34:11,560
Speaker 1: on their don't even maybe ended this audi and prouty

579
00:34:11,880 --> 00:34:17,160
Speaker 1: is what I'm saying. Brand it's Brandon Frazer. I'm gonna

580
00:34:17,200 --> 00:34:22,879
Speaker 1: look up as tummy pressure ebbs. So, first of all,

581
00:34:23,040 --> 00:34:29,040
Speaker 1: whenever you kiss someone without their permission, technically it's sexual assault.

582
00:34:29,560 --> 00:34:33,439
Speaker 1: So that happened. And then there's this story beat where

583
00:34:33,480 --> 00:34:35,880
Speaker 1: she's like kind of swooning over it. She's like in

584
00:34:35,960 --> 00:34:40,359
Speaker 1: her when she's no Like before that, she's like she's

585
00:34:40,400 --> 00:34:43,320
Speaker 1: in her room on the boat because they're heading towards

586
00:34:43,320 --> 00:34:46,520
Speaker 1: this City of the Dead, and she's like trying to

587
00:34:46,600 --> 00:34:49,839
Speaker 1: read and she's like so hot and bothered. And then

588
00:34:49,840 --> 00:34:52,640
Speaker 1: she's like, oh, come on, girl, what wasn't even that

589
00:34:52,680 --> 00:34:55,760
Speaker 1: good of a kiss? Like clearly she's apparently thinking about

590
00:34:55,760 --> 00:34:57,400
Speaker 1: this kiss, but we saw the kiss and we know

591
00:34:57,440 --> 00:34:59,719
Speaker 1: it wasn't that good, so she must be in love. Yeah,

592
00:35:00,000 --> 00:35:03,839
Speaker 1: well that's not okay, You're right, I hear you, especially

593
00:35:03,920 --> 00:35:07,200
Speaker 1: because that I was like, oh, yeah, this is so weird.

594
00:35:07,239 --> 00:35:12,040
Speaker 1: Because it's always unacceptable obviously, but if a villain character

595
00:35:12,080 --> 00:35:14,520
Speaker 1: had done that, I'd be like, oh, we're supposed to

596
00:35:14,600 --> 00:35:16,400
Speaker 1: know he's a bad guy. He doesn't respect one. This

597
00:35:16,480 --> 00:35:19,799
Speaker 1: is the hero of the movie, right, who pretty much

598
00:35:19,800 --> 00:35:25,000
Speaker 1: in our introduction, Farrell Fraser bursts out, you know, he's

599
00:35:25,520 --> 00:35:29,040
Speaker 1: foaming or whatever, and then and then he immediately assaults

600
00:35:29,280 --> 00:35:32,279
Speaker 1: a man with his fist and then a woman with

601
00:35:32,360 --> 00:35:36,080
Speaker 1: his mouth, and it's just it's just like, oh, yeah,

602
00:35:36,719 --> 00:35:38,840
Speaker 1: just buy rules, can't wait to go on the roller coaster,

603
00:35:38,960 --> 00:35:42,160
Speaker 1: like it's just weird. Well, and then there a couple

604
00:35:42,160 --> 00:35:45,640
Speaker 1: of minutes after that, whenever there there's this like public

605
00:35:45,760 --> 00:35:49,319
Speaker 1: hanging ceremony where he's about to be hung. She's trying

606
00:35:49,320 --> 00:35:52,279
Speaker 1: to barter with this guy who's like in charge of

607
00:35:52,440 --> 00:35:54,680
Speaker 1: hanging him, I guess. And then she's like, I'll pay

608
00:35:54,719 --> 00:35:57,880
Speaker 1: you a hundred pounds and he's like, no, I'm a

609
00:35:57,960 --> 00:36:00,680
Speaker 1: lonely man. What else can you give? And he puts

610
00:36:00,800 --> 00:36:04,440
Speaker 1: his hand on her knee, and so she was assaulted

611
00:36:04,480 --> 00:36:08,800
Speaker 1: twice in a row, but she does she doesn't, and

612
00:36:08,840 --> 00:36:11,840
Speaker 1: then she laps his hand and then the whole crowd laughs,

613
00:36:11,880 --> 00:36:18,120
Speaker 1: proving that women are funny. This is pretty cool. It was,

614
00:36:19,000 --> 00:36:22,080
Speaker 1: and it is kind of cool that she saves him,

615
00:36:22,280 --> 00:36:25,719
Speaker 1: like a rolls or reverse, that woman saves the man.

616
00:36:25,960 --> 00:36:30,000
Speaker 1: She's a good with some exception like getting too horny

617
00:36:30,040 --> 00:36:33,759
Speaker 1: to read a book. Who hasn't I'm like, I could

618
00:36:33,800 --> 00:36:36,000
Speaker 1: think of an example of maybe a time that that

619
00:36:36,160 --> 00:36:39,040
Speaker 1: has happened to me. But she's a pretty good character.

620
00:36:39,120 --> 00:36:42,400
Speaker 1: But this is I think like symptomatic of blockbusters of

621
00:36:42,840 --> 00:36:45,759
Speaker 1: you know, Princess Leia, because we see Evie in a

622
00:36:45,880 --> 00:36:50,480
Speaker 1: very LAist style sex prison where she's like chained to

623
00:36:50,480 --> 00:36:53,279
Speaker 1: the sarcophagus brand and all that, and it's like, we

624
00:36:53,400 --> 00:36:56,799
Speaker 1: have one solid female protagonist and the main problem is

625
00:36:57,560 --> 00:37:00,319
Speaker 1: a all the male characters and be there's one for

626
00:37:00,320 --> 00:37:01,680
Speaker 1: her to talk to, which I feel like it's a

627
00:37:01,680 --> 00:37:04,279
Speaker 1: problem We've come up on this podcast again and again again. Yeah,

628
00:37:04,280 --> 00:37:07,200
Speaker 1: it's like they had she had no chance there. She

629
00:37:07,320 --> 00:37:10,200
Speaker 1: only could talk to those dudes because there was just

630
00:37:10,239 --> 00:37:13,480
Speaker 1: no And also like, but to be fair, she chose

631
00:37:13,520 --> 00:37:15,839
Speaker 1: that life of adventure and most women don't do that.

632
00:37:16,200 --> 00:37:18,120
Speaker 1: But at one point she's like, I'm not an adventurer.

633
00:37:18,160 --> 00:37:22,120
Speaker 1: I'm a librarian. I'm just like okay, cool, and then

634
00:37:22,320 --> 00:37:25,280
Speaker 1: she passes out on him, and he doesn't. He knows

635
00:37:25,320 --> 00:37:28,800
Speaker 1: that passed out means no, And I think that's really great.

636
00:37:28,920 --> 00:37:32,760
Speaker 1: Who drunk the sand means well? And that's a great

637
00:37:32,840 --> 00:37:36,960
Speaker 1: message for young men like Aristotle who are watching at

638
00:37:36,960 --> 00:37:39,960
Speaker 1: the time. Yeah, because he kisses the air because she's like,

639
00:37:40,000 --> 00:37:42,520
Speaker 1: I'm gonna kiss you, and then she passes out and

640
00:37:42,560 --> 00:37:44,680
Speaker 1: then and so he just like he kisses the air

641
00:37:44,719 --> 00:37:47,719
Speaker 1: because you knows he can't kiss her. Great, even more

642
00:37:47,760 --> 00:37:51,200
Speaker 1: assault than he's already assaulted her. Well, what happened. What

643
00:37:51,239 --> 00:37:52,960
Speaker 1: they were trying to show is that he was like

644
00:37:53,160 --> 00:37:56,280
Speaker 1: the bad boy and then she kind of like made

645
00:37:56,360 --> 00:38:01,120
Speaker 1: him a good boy. She fixed him. She fixed him.

646
00:38:01,400 --> 00:38:05,000
Speaker 1: I think that that's impressive because I this is not

647
00:38:05,040 --> 00:38:06,879
Speaker 1: a protagonist that jumped out to me as I could

648
00:38:06,920 --> 00:38:10,440
Speaker 1: fix him, and I think I could fix almost everybody. Brendan,

649
00:38:10,600 --> 00:38:14,120
Speaker 1: he's a wild I wouldn't want to leash that Bengal tiger,

650
00:38:14,280 --> 00:38:16,600
Speaker 1: you know what I mean. She also wasn't trying to

651
00:38:16,640 --> 00:38:19,399
Speaker 1: fix him. It just happened, do you know what I mean?

652
00:38:19,520 --> 00:38:22,319
Speaker 1: She was very busy and very excited about all of

653
00:38:22,360 --> 00:38:24,799
Speaker 1: the history around her, and she wasn't even trying to

654
00:38:24,840 --> 00:38:27,760
Speaker 1: She was horny for history. She was horny for history

655
00:38:27,760 --> 00:38:31,080
Speaker 1: and he was He was horny adjacent. She was like

656
00:38:31,160 --> 00:38:35,520
Speaker 1: no woman he's ever met. Now I'm putting plotlines in that. Well,

657
00:38:35,520 --> 00:38:37,359
Speaker 1: we don't even know if he's ever met a woman before.

658
00:38:37,440 --> 00:38:39,520
Speaker 1: We've never seen him in a scene with another woman.

659
00:38:40,480 --> 00:38:44,600
Speaker 1: She could be his first woman that he's met. Maybe

660
00:38:44,800 --> 00:38:49,320
Speaker 1: now there's a movie, let's talk about it. I'm thinking

661
00:38:49,440 --> 00:38:52,920
Speaker 1: Ricky Gervais for the lead. I wanted to talk a

662
00:38:52,960 --> 00:38:56,640
Speaker 1: little bit about the scene on the boat where one

663
00:38:56,920 --> 00:39:02,160
Speaker 1: while she does save Brendan Fraser from being hanged, then

664
00:39:02,360 --> 00:39:04,279
Speaker 1: he has to go and save her because he's bad.

665
00:39:04,280 --> 00:39:06,680
Speaker 1: Guys on the boat who are like the guardians of

666
00:39:06,840 --> 00:39:10,360
Speaker 1: the exact who they were lost city. Okay, they're just

667
00:39:10,400 --> 00:39:13,239
Speaker 1: trying to keep that money in right, I think. Cool. Yeah,

668
00:39:13,239 --> 00:39:17,120
Speaker 1: So they come in attack and she gets saved by

669
00:39:17,320 --> 00:39:21,520
Speaker 1: Brandon and then he's like he picks her up, throws

670
00:39:21,560 --> 00:39:24,640
Speaker 1: her into the water. What ocean would that have been.

671
00:39:25,000 --> 00:39:27,600
Speaker 1: I don't think it was an ocean. I think it

672
00:39:27,680 --> 00:39:33,360
Speaker 1: was the Nile. That's when my mom went swimming in

673
00:39:33,400 --> 00:39:37,080
Speaker 1: the Nile. Really, that's cool. It's go on an expedition

674
00:39:37,160 --> 00:39:39,920
Speaker 1: and dig up some bones. That's what I call sex

675
00:39:40,800 --> 00:39:47,000
Speaker 1: going on an expedition. Wow, it sounds like you're doing phones.

676
00:39:48,280 --> 00:39:51,560
Speaker 1: But then I actually, I'm sorry, I'm not digging them up.

677
00:39:51,680 --> 00:39:55,319
Speaker 1: I'm burying those bones. If you catch your sting men

678
00:39:55,440 --> 00:39:58,160
Speaker 1: and burying their penises, I got it with my vagina

679
00:39:58,280 --> 00:40:02,400
Speaker 1: with your whoa, So you're vagina is the dog? Like, okay,

680
00:40:02,520 --> 00:40:04,200
Speaker 1: I think I was thinking if you're a vagina is

681
00:40:04,200 --> 00:40:07,960
Speaker 1: the shovel. Oh yeah, I guess So you know what's

682
00:40:08,000 --> 00:40:11,960
Speaker 1: interesting about this movie? So he keeps saving her with

683
00:40:12,040 --> 00:40:14,799
Speaker 1: her his muscles, and she keeps saving him with her

684
00:40:15,080 --> 00:40:20,640
Speaker 1: wit and knowledge. Perfect exchange between them is one of

685
00:40:20,719 --> 00:40:24,879
Speaker 1: my favorites where Brendan Frascher's character is insistent on being

686
00:40:25,360 --> 00:40:29,480
Speaker 1: a fucking weird idiot, where she goes, you know your history,

687
00:40:29,600 --> 00:40:33,839
Speaker 1: and he says, I know my treasures to double down

688
00:40:33,840 --> 00:40:38,480
Speaker 1: and like, I'm a fucking idiot. I'm not smart, which

689
00:40:38,520 --> 00:40:40,480
Speaker 1: I appreciate. I love it when a man's like, guess what,

690
00:40:40,640 --> 00:40:43,160
Speaker 1: I'm not smart. Yeah, I'm stupid, and it's like, you know,

691
00:40:43,280 --> 00:40:46,160
Speaker 1: usually you're right. That brings me to the scene whenever

692
00:40:46,200 --> 00:40:49,399
Speaker 1: they're trying to haggle with the guy who's selling them

693
00:40:49,440 --> 00:40:52,000
Speaker 1: camels and like no, we only went Flora camels. And

694
00:40:52,040 --> 00:40:54,080
Speaker 1: then Brendan Frascher's like, well, we could have gotten them

695
00:40:54,080 --> 00:40:56,120
Speaker 1: for free. All you needed to do was give them

696
00:40:56,120 --> 00:41:00,880
Speaker 1: your sister, suggesting that Jonathan should have sold Lynn. I

697
00:41:00,920 --> 00:41:03,560
Speaker 1: think at the camel, I think even worse than that

698
00:41:03,560 --> 00:41:06,360
Speaker 1: that it was just Brennan making a joke, which is

699
00:41:06,400 --> 00:41:08,080
Speaker 1: even worse. You don't even like I don't even think

700
00:41:08,080 --> 00:41:10,759
Speaker 1: he was real about that, but he was just like, like,

701
00:41:10,960 --> 00:41:15,799
Speaker 1: I hate when dudes make jokes. Are bad at cond

702
00:41:15,840 --> 00:41:19,200
Speaker 1: They're so bad at a great at comedy. Men are bad.

703
00:41:19,520 --> 00:41:21,239
Speaker 1: I hate you're just the fact. I hate to come

704
00:41:21,280 --> 00:41:25,160
Speaker 1: to Brendon's defense, but what a compliment to be worth

705
00:41:25,239 --> 00:41:29,680
Speaker 1: four whole camel? I mean like most men would be like, oh,

706
00:41:29,719 --> 00:41:32,080
Speaker 1: you know, like on the Camel rating system, fourth pretty

707
00:41:32,120 --> 00:41:37,600
Speaker 1: high if you're like using the humps as measurement, like,

708
00:41:39,040 --> 00:41:41,400
Speaker 1: but women have a bunch of humps. If we remember

709
00:41:41,520 --> 00:41:47,359
Speaker 1: from that, what a great album? Check it out? Then

710
00:41:52,960 --> 00:41:59,040
Speaker 1: you can't see that laugh anyway, Yes, true, Jimmy, camels

711
00:41:59,040 --> 00:42:01,600
Speaker 1: are each of us worth. I'm a four camel girl.

712
00:42:01,680 --> 00:42:04,680
Speaker 1: Trust me. I've been with men who have tried to

713
00:42:04,719 --> 00:42:07,799
Speaker 1: sell me for our camels and He's like, I'll take

714
00:42:07,800 --> 00:42:12,360
Speaker 1: no four cigarettes. I'll take the lesson four cigarettes or

715
00:42:12,440 --> 00:42:18,320
Speaker 1: this one not even speaking in cartons, like my girlfriend,

716
00:42:18,440 --> 00:42:21,479
Speaker 1: if you give me four cigarettes, she's your girlfriend. Now.

717
00:42:22,880 --> 00:42:26,080
Speaker 1: I would never date a smoker. Okay I did once

718
00:42:26,160 --> 00:42:29,839
Speaker 1: actually get mean, not just smoke shame everyone. We're gonna

719
00:42:29,880 --> 00:42:32,279
Speaker 1: get some emails about this. You guys are smoke shamers.

720
00:42:32,480 --> 00:42:34,439
Speaker 1: And this is a really nice shirt that my only

721
00:42:34,440 --> 00:42:37,560
Speaker 1: smoker boyfriend got me. Worth it? What is it? White

722
00:42:37,560 --> 00:42:39,719
Speaker 1: men can't jump? Wit men can't jump? Cool? Yeah, I've

723
00:42:39,719 --> 00:42:41,840
Speaker 1: never seen that movie. It's good. It's good. It's a

724
00:42:41,840 --> 00:42:43,840
Speaker 1: good movie. Check it out. He also gave me the

725
00:42:43,920 --> 00:42:49,319
Speaker 1: chicken d I'll link you to his Facebook profile. You ye,

726
00:42:49,520 --> 00:42:51,439
Speaker 1: shout out. As long as we're talking about boys still,

727
00:42:51,480 --> 00:42:55,520
Speaker 1: I think the podcast is going great. The next thing

728
00:42:55,560 --> 00:42:58,840
Speaker 1: I wanted to bring up was Mr. Is Me, who's

729
00:42:59,400 --> 00:43:01,520
Speaker 1: real actor's name we don't know, but we know him

730
00:43:01,560 --> 00:43:04,680
Speaker 1: as Mrs May from Titanic. He's sort of with this

731
00:43:04,800 --> 00:43:11,000
Speaker 1: other group of Americans, Americans. They're the Americans. Right off,

732
00:43:11,520 --> 00:43:14,000
Speaker 1: I was just saying a line from Titanic. I heard

733
00:43:14,000 --> 00:43:15,680
Speaker 1: it at the end of the first VHS, one of

734
00:43:15,680 --> 00:43:19,359
Speaker 1: our favorite lines of course, and he is referring to

735
00:43:19,800 --> 00:43:23,440
Speaker 1: Brendan and friends, and he's like, they're led by a woman.

736
00:43:23,760 --> 00:43:26,960
Speaker 1: What is a woman now, which is obviously to like

737
00:43:27,000 --> 00:43:32,600
Speaker 1: show that like, we're not rooting for these guys. They're

738
00:43:32,680 --> 00:43:34,840
Speaker 1: they're bad and they say horrible things like that, and

739
00:43:34,880 --> 00:43:37,840
Speaker 1: they're wrong. They're wrong because in the next scene, Evelyn

740
00:43:37,840 --> 00:43:41,400
Speaker 1: says she's basically rattling off all the things she knows

741
00:43:41,440 --> 00:43:47,280
Speaker 1: about hieroglyphs and the legends and mythology. Everybody knows treasurer

742
00:43:47,680 --> 00:43:52,520
Speaker 1: but she knows history knowledge, but they doesn't know ed.

743
00:43:57,160 --> 00:44:00,680
Speaker 1: But so the problem is, like he like, they're led

744
00:44:00,680 --> 00:44:02,160
Speaker 1: by a woman. What does a woman know? And then

745
00:44:02,160 --> 00:44:05,080
Speaker 1: in a few scenes later, Brendan Fetchers like he's talking

746
00:44:05,120 --> 00:44:08,680
Speaker 1: to Evelyn and he's like, why are you here? Yeah,

747
00:44:09,080 --> 00:44:13,239
Speaker 1: so it's like, um, because she's helping your expedition, you

748
00:44:13,360 --> 00:44:16,439
Speaker 1: motherfucker well, And she does, I mean almost at every

749
00:44:16,440 --> 00:44:18,920
Speaker 1: opportunity she has to stand up for herself, and he

750
00:44:19,040 --> 00:44:21,120
Speaker 1: does stand up for herself, which is why I think

751
00:44:21,160 --> 00:44:24,400
Speaker 1: she's a good character. She's always advocating for how smart

752
00:44:24,520 --> 00:44:27,440
Speaker 1: she really does seem to be, even though it's not

753
00:44:27,600 --> 00:44:31,400
Speaker 1: plot relevant very often. And she also is like, do

754
00:44:31,480 --> 00:44:35,360
Speaker 1: you think she's a suffragette. It's around that time. I

755
00:44:35,400 --> 00:44:37,160
Speaker 1: don't think she thinks she has the right to vote,

756
00:44:37,200 --> 00:44:40,600
Speaker 1: and it's a damn shame. So while her her strength

757
00:44:40,880 --> 00:44:45,080
Speaker 1: is knowledge and she knows a lot about history, specifically

758
00:44:45,440 --> 00:44:47,919
Speaker 1: ancient Egyptian history, but she seems to have some huge

759
00:44:47,960 --> 00:44:52,840
Speaker 1: blind spots in her knowledge because she doesn't because she

760
00:44:52,960 --> 00:44:57,400
Speaker 1: doesn't know enough to not read from a book called

761
00:44:57,960 --> 00:45:02,279
Speaker 1: the Book of the Dead. She was too, because that's

762
00:45:02,280 --> 00:45:05,839
Speaker 1: what awakens the mummy. I like that you have known that.

763
00:45:06,280 --> 00:45:08,399
Speaker 1: I mean she doesn't believe in things she can't see.

764
00:45:08,440 --> 00:45:13,839
Speaker 1: She said, that's true, anything would come up. She wasn't

765
00:45:13,840 --> 00:45:17,040
Speaker 1: super It's weird because she is superstitious at certain parts

766
00:45:17,160 --> 00:45:19,239
Speaker 1: of the movie, and then another part she's like, I

767
00:45:19,239 --> 00:45:21,640
Speaker 1: don't believe it, and yeah, like she she's like, no,

768
00:45:21,920 --> 00:45:25,080
Speaker 1: there's rumors that this city is trial. She says in

769
00:45:25,080 --> 00:45:28,080
Speaker 1: the beginning, She's like, if I don't see, I don't

770
00:45:28,080 --> 00:45:31,279
Speaker 1: believe it. And it's like Eve, one must pick. But

771
00:45:31,400 --> 00:45:33,919
Speaker 1: the scene where she steals the book I loved because

772
00:45:33,960 --> 00:45:37,040
Speaker 1: she steals it from this guy who's like drunk, he

773
00:45:37,200 --> 00:45:41,840
Speaker 1: passes out. She takes is that Mrs Name oh god,

774
00:45:41,920 --> 00:45:45,400
Speaker 1: I think he made it his headlines thank you, that

775
00:45:45,480 --> 00:45:48,640
Speaker 1: was for you. And then she brings it over to

776
00:45:48,640 --> 00:45:51,400
Speaker 1: Brendan and Brendan's like, it seems like he's joking. He's like,

777
00:45:51,440 --> 00:45:55,200
Speaker 1: don't read the monk. Don't. They're flirting, right, but then

778
00:45:55,400 --> 00:45:57,320
Speaker 1: once she reads it and something bad happens, He's like,

779
00:45:57,360 --> 00:46:00,040
Speaker 1: I told you not to read the book. Like you

780
00:46:00,120 --> 00:46:03,799
Speaker 1: were flirting with her, you would have read it if

781
00:46:03,840 --> 00:46:07,960
Speaker 1: you could read. He was he was being manipulative. He's like, hey,

782
00:46:08,000 --> 00:46:10,360
Speaker 1: I don't she I told her. I told her not

783
00:46:10,440 --> 00:46:12,480
Speaker 1: to read the book. And she's like I'm sorry. And

784
00:46:12,520 --> 00:46:15,600
Speaker 1: then and then Mr is May is like in the

785
00:46:15,680 --> 00:46:19,400
Speaker 1: right even though he's like the dumb alcoholic where he's like,

786
00:46:19,640 --> 00:46:21,840
Speaker 1: we told her not to read the book. I feel

787
00:46:21,880 --> 00:46:24,160
Speaker 1: like every dumb man in the scene ends up being right,

788
00:46:24,239 --> 00:46:26,839
Speaker 1: and that's frustrating. I feel like there's a lot of

789
00:46:26,920 --> 00:46:30,240
Speaker 1: like in this movie, characters who should are the bad guys,

790
00:46:30,280 --> 00:46:32,160
Speaker 1: but then they're the good guys, and then they're the

791
00:46:32,239 --> 00:46:34,760
Speaker 1: bad guys. Like I feel like there's a lot of mix. Yeah,

792
00:46:35,560 --> 00:46:38,080
Speaker 1: fid you know more like real life? This is like

793
00:46:38,120 --> 00:46:41,279
Speaker 1: what did he eat? The documentary? Because we're like chef

794
00:46:41,320 --> 00:46:46,280
Speaker 1: salad next in there. What do you guys think happens

795
00:46:46,280 --> 00:46:50,319
Speaker 1: in the Mummy Returns? I think he comes back. Have

796
00:46:50,360 --> 00:46:53,600
Speaker 1: you seen it? Do you know? Only did he nod?

797
00:46:53,760 --> 00:47:00,720
Speaker 1: He like gave this like stupid moment. You bitches haven't

798
00:47:00,760 --> 00:47:05,319
Speaker 1: seen the Mummy Returns? Uh? Well, I don't know. I

799
00:47:05,360 --> 00:47:07,560
Speaker 1: mean we're using for a yardstick of a movie. I

800
00:47:07,600 --> 00:47:11,759
Speaker 1: have seen the return of Jaffar. Jaffar returns in that one,

801
00:47:11,840 --> 00:47:15,880
Speaker 1: so one might assume the Mommy returns that Jafar returns.

802
00:47:16,640 --> 00:47:23,480
Speaker 1: Then I used to have a crush on Jaffar. Jaffar

803
00:47:24,120 --> 00:47:31,520
Speaker 1: is hot, the which animals, Jaffar the evil, the evil brother. Uncle,

804
00:47:34,920 --> 00:47:41,200
Speaker 1: who's from? You have said every Disney movie? That's not

805
00:47:41,280 --> 00:47:47,200
Speaker 1: a lab far right? He is he the parrot? No,

806
00:47:47,400 --> 00:47:58,040
Speaker 1: he's the good cat right, that's Oh, it's the bad guy. Yes. Oh,

807
00:47:58,280 --> 00:48:02,040
Speaker 1: I don't know why I thought it was ana. I

808
00:48:02,040 --> 00:48:04,600
Speaker 1: think we should start a podcast about straight to video sequels.

809
00:48:04,640 --> 00:48:06,840
Speaker 1: You guys should do like mini shows that are just

810
00:48:06,920 --> 00:48:09,799
Speaker 1: sequels and you don't have a guest. Maybe m It's

811
00:48:09,840 --> 00:48:14,000
Speaker 1: not a bad idea. I claimed the copyright for them,

812
00:48:14,040 --> 00:48:15,759
Speaker 1: but you guys can have it, but just always give

813
00:48:15,800 --> 00:48:20,160
Speaker 1: me credit. Credit at the top. The director of the Mummy,

814
00:48:20,280 --> 00:48:24,800
Speaker 1: Stephen Summers, has an impressive resume if you were an

815
00:48:24,840 --> 00:48:27,320
Speaker 1: aggro white dude who wants to be leading a movie.

816
00:48:27,920 --> 00:48:32,600
Speaker 1: He wrote, wrote, he wrote and did the Mummy Good

817
00:48:32,600 --> 00:48:34,920
Speaker 1: for him here, and he also wrote The Mummy Returns

818
00:48:35,160 --> 00:48:38,680
Speaker 1: Juries out on what Happened. He also wrote Revenge of

819
00:48:38,719 --> 00:48:42,800
Speaker 1: the Mummy, The Ride. He wrote the roller Coaster video

820
00:48:44,160 --> 00:48:47,000
Speaker 1: Road the roller Coaster too. I bet he is on

821
00:48:47,040 --> 00:48:51,000
Speaker 1: the rolle riding the roller coaster that one when that

822
00:48:51,040 --> 00:48:53,240
Speaker 1: would make sense, know that if it's like the Mummy,

823
00:48:53,400 --> 00:48:55,880
Speaker 1: there's fire and a jump scare and then you go

824
00:48:55,920 --> 00:49:01,080
Speaker 1: backwards like there's like a a grama Brendan Fraser at

825
00:49:01,080 --> 00:49:02,640
Speaker 1: the end of Fraser comes at the end and says,

826
00:49:02,840 --> 00:49:06,040
Speaker 1: unbuckle your seat, exactly what sex with Me is like.

827
00:49:06,080 --> 00:49:09,600
Speaker 1: And then he wrote The Mummy, Tomb of the Dragon Emperor,

828
00:49:10,080 --> 00:49:12,640
Speaker 1: and then he also wrote G I Joe, The Rise

829
00:49:12,640 --> 00:49:15,600
Speaker 1: of Cobra. Okay, he mixed it up there and Van

830
00:49:15,640 --> 00:49:18,400
Speaker 1: helsing that really bad one. The next thing I wanted

831
00:49:18,440 --> 00:49:23,160
Speaker 1: to talk about was I'm here to keep it. It's

832
00:49:23,160 --> 00:49:25,480
Speaker 1: not even irrelevant thing. I know. I'm not. I'm not.

833
00:49:25,680 --> 00:49:29,319
Speaker 1: I'm good I'm doing good, you're doing great. Okay. What scene.

834
00:49:29,560 --> 00:49:34,880
Speaker 1: So it's after they've unleashed the Mummy. They go back

835
00:49:34,920 --> 00:49:38,279
Speaker 1: to the city I think Cairo maybe, yeah, probably a

836
00:49:38,360 --> 00:49:41,000
Speaker 1: good bet. And they're in a hotel, I think, and

837
00:49:41,320 --> 00:49:42,920
Speaker 1: they're like, all right, we're gonna have to go back

838
00:49:42,920 --> 00:49:44,560
Speaker 1: because we really suck this up. We're gonna have to

839
00:49:44,600 --> 00:49:47,880
Speaker 1: go fix it. Brendan Fraser does not want Evelyn to

840
00:49:47,880 --> 00:49:51,160
Speaker 1: go along, so he picks her up and then he

841
00:49:51,400 --> 00:49:53,680
Speaker 1: throws her on a bed and then he locks her

842
00:49:53,719 --> 00:49:56,799
Speaker 1: in a room. And to be fair, she's very she's

843
00:49:56,880 --> 00:49:58,600
Speaker 1: very angry about it, and she's fighting back. She's like,

844
00:49:58,640 --> 00:50:00,399
Speaker 1: I can't know, I want to go with you, guys,

845
00:50:00,440 --> 00:50:02,440
Speaker 1: don't don't leave me here. But it was just like,

846
00:50:02,520 --> 00:50:05,000
Speaker 1: come on, Brendon, do you don't have to pick her

847
00:50:05,080 --> 00:50:08,120
Speaker 1: up and hurl her across the room? He had he

848
00:50:08,400 --> 00:50:12,480
Speaker 1: had to her. There are so many scraps that gets

849
00:50:12,480 --> 00:50:15,439
Speaker 1: into in this movie. If someone would just let her

850
00:50:15,719 --> 00:50:19,440
Speaker 1: hold a gun. She never holds a gun. Does she

851
00:50:19,520 --> 00:50:21,440
Speaker 1: ever hold agun? There's a scene where they're in like

852
00:50:21,760 --> 00:50:24,760
Speaker 1: they're like around the campfire and like a noise happened.

853
00:50:24,800 --> 00:50:26,680
Speaker 1: So he's like, hold this and he shoves the rifle

854
00:50:26,719 --> 00:50:29,080
Speaker 1: in her hands, but then he comes back and gets it.

855
00:50:29,600 --> 00:50:35,200
Speaker 1: In most scenes, Brendan Fraser has two guns. He's not

856
00:50:35,320 --> 00:50:37,719
Speaker 1: a pouch full of weapons. Wait and talk about your

857
00:50:37,719 --> 00:50:40,120
Speaker 1: gun theory. So I have not a theory. These are

858
00:50:40,200 --> 00:50:46,280
Speaker 1: fats um. So I started counting the number of times

859
00:50:46,360 --> 00:50:48,720
Speaker 1: where there's a scene in the movie where a character

860
00:50:48,800 --> 00:50:51,520
Speaker 1: either pulls out a gun or the scene starts and

861
00:50:51,560 --> 00:50:55,000
Speaker 1: guns are already drawn or are being fired. And this

862
00:50:55,000 --> 00:50:56,960
Speaker 1: this is just scenes. So it's like, not even the

863
00:50:57,000 --> 00:50:59,319
Speaker 1: number of times this happens. This is just scenes where

864
00:50:59,320 --> 00:51:01,920
Speaker 1: this happens in. Within a scene, it could happen. I

865
00:51:01,960 --> 00:51:04,160
Speaker 1: feel like they put them away and they're like, actually

866
00:51:04,239 --> 00:51:06,680
Speaker 1: gonna come come back out again. So this is strictly

867
00:51:06,719 --> 00:51:09,640
Speaker 1: just the scenes that this happens in. It is I

868
00:51:09,719 --> 00:51:14,279
Speaker 1: counted twenty one scenes in the movie where characters like, hey,

869
00:51:14,320 --> 00:51:16,919
Speaker 1: it's been seven seconds since I've drawn a gun. Better

870
00:51:16,920 --> 00:51:18,919
Speaker 1: do it again. There's only eight scenes in this movie.

871
00:51:19,680 --> 00:51:23,279
Speaker 1: The joke is that weapons don't kill the mommy, So

872
00:51:23,320 --> 00:51:26,399
Speaker 1: what the funk? Exactly that's true. They only kill each

873
00:51:26,440 --> 00:51:30,399
Speaker 1: other with a weapon. Man, It's like once a gun

874
00:51:30,520 --> 00:51:34,080
Speaker 1: is used to shoot a scare beetle once it's used

875
00:51:34,120 --> 00:51:36,839
Speaker 1: to shoot the mirrors, to just tilt the mirror so

876
00:51:36,880 --> 00:51:41,000
Speaker 1: that the light they like the reflections, so like guns

877
00:51:41,000 --> 00:51:48,080
Speaker 1: are used. The thing that really bummed me out about

878
00:51:48,360 --> 00:51:52,280
Speaker 1: Evie was I was on her side. There were shitty

879
00:51:52,480 --> 00:51:55,840
Speaker 1: she was being assaulted all the time, but at least

880
00:51:56,080 --> 00:51:59,960
Speaker 1: she had a character. She had a set of skills

881
00:52:00,040 --> 00:52:03,080
Speaker 1: and knowledge and like she was a capable female protagonist

882
00:52:03,200 --> 00:52:06,799
Speaker 1: until like the last half hour where she's pretty effectively

883
00:52:06,920 --> 00:52:09,520
Speaker 1: taken out of action, until at the end of the

884
00:52:09,560 --> 00:52:12,320
Speaker 1: movie where she's like this is where like the Damsel

885
00:52:12,360 --> 00:52:16,239
Speaker 1: in Distress line comes in, where she's taken by the

886
00:52:16,280 --> 00:52:20,480
Speaker 1: bald guy a k a. The Mommy them. Oh yeah,

887
00:52:20,480 --> 00:52:24,239
Speaker 1: the mommy poor Man's Billy Zane. This is called the

888
00:52:24,280 --> 00:52:28,520
Speaker 1: bald guy. And then the bald guy returns, not to

889
00:52:28,560 --> 00:52:31,319
Speaker 1: be confused with the bald women rule the bald Guy

890
00:52:31,440 --> 00:52:35,840
Speaker 1: to the Dragon Emperor. Right cool, because she's like strapped

891
00:52:35,880 --> 00:52:40,000
Speaker 1: to a slab. She's like in Princess Leah, like she's

892
00:52:40,080 --> 00:52:44,240
Speaker 1: put in a hot outfit and restrained. Where was that from?

893
00:52:44,440 --> 00:52:48,920
Speaker 1: A right? I wish she had underneath? Oh yeah, it's

894
00:52:48,960 --> 00:52:51,640
Speaker 1: like did he just They're like, we've got some we've

895
00:52:51,680 --> 00:52:55,160
Speaker 1: got a wardrobe in this pyramid like there because it

896
00:52:55,200 --> 00:52:59,360
Speaker 1: fits just so, but that that sucks. Like watching basically

897
00:52:59,480 --> 00:53:02,760
Speaker 1: the whole bimactic scene where she's literally in the center

898
00:53:02,880 --> 00:53:06,200
Speaker 1: of the screen beside a dead woman, beside a dead

899
00:53:06,200 --> 00:53:09,160
Speaker 1: woman changed the first thing able to participate ever seen

900
00:53:09,200 --> 00:53:15,000
Speaker 1: two women together one is dead money. And then Brendan Fraser,

901
00:53:15,080 --> 00:53:19,520
Speaker 1: who I cannot imagine was trained in any way for

902
00:53:19,560 --> 00:53:22,840
Speaker 1: these fights because he just seems to be you know,

903
00:53:23,160 --> 00:53:29,040
Speaker 1: flailin flailin Fraser, just lunging at probably like tennis balls

904
00:53:29,040 --> 00:53:31,920
Speaker 1: on sticks that weren't real c g I mummies yet

905
00:53:31,920 --> 00:53:36,240
Speaker 1: and he's like, uh, um, he did kind of help

906
00:53:36,360 --> 00:53:39,759
Speaker 1: save the thing because her dumb, dumb brother couldn't read

907
00:53:39,800 --> 00:53:43,239
Speaker 1: the thing. She was trying to tell him, does it

908
00:53:43,320 --> 00:53:46,719
Speaker 1: look like a bird a stork? And then she's like, oh,

909
00:53:46,760 --> 00:53:50,080
Speaker 1: it's this word and then true. But she is in

910
00:53:50,160 --> 00:53:53,719
Speaker 1: that moment still pretty helplessive and helpless. Um, but I

911
00:53:53,760 --> 00:53:56,040
Speaker 1: did at least she was doing. I wrote that down too,

912
00:53:56,080 --> 00:53:59,000
Speaker 1: and like, well, at least she participated. She wasn't like

913
00:53:59,120 --> 00:54:01,680
Speaker 1: forgetting all of her skill set for you know what

914
00:54:01,719 --> 00:54:03,680
Speaker 1: I mean, Like when they're just like Negate the fact

915
00:54:03,760 --> 00:54:06,239
Speaker 1: that she has any skills whatsoever for the sake of

916
00:54:06,960 --> 00:54:09,960
Speaker 1: damsel in distress. Yeah, she does have skills. I just

917
00:54:10,000 --> 00:54:13,600
Speaker 1: hate that that they like like she should have saved him.

918
00:54:13,800 --> 00:54:16,719
Speaker 1: That should have been the twist. Well because at the

919
00:54:16,840 --> 00:54:19,279
Speaker 1: end I and he had like one hand free, and

920
00:54:19,320 --> 00:54:23,360
Speaker 1: you know in that skeleton, mummy hand grabs something and

921
00:54:23,400 --> 00:54:26,680
Speaker 1: then grabs the mummy hand. And I thought that she

922
00:54:26,880 --> 00:54:29,560
Speaker 1: was going to do like the final blow and would

923
00:54:29,640 --> 00:54:34,280
Speaker 1: get the mommy, But she doesn't, write Brendan Fraser takes

924
00:54:34,280 --> 00:54:38,040
Speaker 1: a dead person's hand and does it trigger. I mean, overall,

925
00:54:38,280 --> 00:54:42,799
Speaker 1: the men in the story, which is of them, are

926
00:54:43,640 --> 00:54:48,120
Speaker 1: overall consumed by greed and they mostly resort to violence,

927
00:54:48,120 --> 00:54:51,959
Speaker 1: whereas the one woman character who we see generally has

928
00:54:52,200 --> 00:54:56,080
Speaker 1: integrity and she provides a lot of information that's necessary

929
00:54:56,120 --> 00:54:59,359
Speaker 1: for the progression of the story. And she is kind

930
00:54:59,400 --> 00:55:02,120
Speaker 1: of active, and I mean like different things she does

931
00:55:02,360 --> 00:55:06,239
Speaker 1: or different bits of information that she says, let's the

932
00:55:06,239 --> 00:55:12,360
Speaker 1: story move forward. She participates. She participates. Wow, we really lowered.

933
00:55:14,000 --> 00:55:15,920
Speaker 1: You know, it could be better, it could be worse.

934
00:55:16,120 --> 00:55:18,120
Speaker 1: She doesn't have one of those moments that I always

935
00:55:18,160 --> 00:55:20,560
Speaker 1: talked about in Hate and Summer Blockbusters where the one

936
00:55:20,600 --> 00:55:25,040
Speaker 1: female protagonist does something and goes told, you boys, look

937
00:55:25,120 --> 00:55:28,400
Speaker 1: like I just kicked something really hard and it broke.

938
00:55:28,760 --> 00:55:31,600
Speaker 1: And then they're like, oh, we're so areny, Like so

939
00:55:31,640 --> 00:55:33,960
Speaker 1: that was good. She just did what she was good

940
00:55:33,960 --> 00:55:38,160
Speaker 1: at and no one was like, oh that, although there

941
00:55:38,239 --> 00:55:40,920
Speaker 1: is a moment where um, this is after the Mummy

942
00:55:40,960 --> 00:55:44,040
Speaker 1: has like captured her and taken her and like he's

943
00:55:44,080 --> 00:55:46,480
Speaker 1: bringing her back to the City of the Dead, and

944
00:55:46,800 --> 00:55:49,680
Speaker 1: the Mummy is like making this big sandstorm and the

945
00:55:49,800 --> 00:55:53,680
Speaker 1: plane flying into it, and the ball guys always be

946
00:55:53,760 --> 00:55:59,200
Speaker 1: making sandstorms, and the sandstorm is like overcoming the plane

947
00:55:59,200 --> 00:56:01,000
Speaker 1: that there are all in that, like Brendan Fraser and

948
00:56:01,040 --> 00:56:03,719
Speaker 1: all those guys are in and she's like, oh my god,

949
00:56:03,719 --> 00:56:05,600
Speaker 1: they're about to die. She's you're going to kill them.

950
00:56:05,880 --> 00:56:08,960
Speaker 1: So to distract the Mummy, she goes up to him

951
00:56:09,040 --> 00:56:11,000
Speaker 1: and it's like, oh, she about to punch him. She's

952
00:56:10,960 --> 00:56:12,360
Speaker 1: about to kick him in the balls, like to make

953
00:56:12,440 --> 00:56:16,120
Speaker 1: him lose his concentration. Instead, she kisses him, which like,

954
00:56:16,440 --> 00:56:19,239
Speaker 1: I have conflicting feelings about because on one hand, I'm like, yes,

955
00:56:19,360 --> 00:56:22,600
Speaker 1: I too. Whenever I can try to use my sexuality

956
00:56:22,680 --> 00:56:26,560
Speaker 1: to confuse and distract men, but that's not like were

957
00:56:26,600 --> 00:56:31,000
Speaker 1: you taught that from movies like The Mommy. Probably I

958
00:56:31,040 --> 00:56:34,799
Speaker 1: would have rather. I would have rather she had gone

959
00:56:34,880 --> 00:56:37,120
Speaker 1: up to him and like punched him in the face

960
00:56:37,200 --> 00:56:40,160
Speaker 1: or punched him in the dick. But she's really adds

961
00:56:40,880 --> 00:56:44,520
Speaker 1: that's what she's Fraser did. She's doing a kiss is

962
00:56:44,520 --> 00:56:48,840
Speaker 1: a stun gun, right, Yeah, she's she learned that assault

963
00:56:48,880 --> 00:56:55,400
Speaker 1: trick from her so she can beat Then she and

964
00:56:55,520 --> 00:56:59,560
Speaker 1: Brendan Fraser do share a consensual kiss at the very end,

965
00:56:59,680 --> 00:57:02,319
Speaker 1: little bit too long for me, I mean, and for

966
00:57:02,400 --> 00:57:04,759
Speaker 1: her brother. He was in having a right because then

967
00:57:04,800 --> 00:57:08,719
Speaker 1: he's like, maybe I should kiss this camel, which I

968
00:57:08,760 --> 00:57:11,040
Speaker 1: think would have been a really groundbreaking moment for cinema.

969
00:57:11,120 --> 00:57:14,240
Speaker 1: Hat he kissed the camel? Are right? Yeah, totally, especially

970
00:57:14,239 --> 00:57:16,000
Speaker 1: if that camel was a dude, which is what he

971
00:57:16,680 --> 00:57:21,360
Speaker 1: wanted to Yeah, that was implied. I really hate that.

972
00:57:21,440 --> 00:57:23,680
Speaker 1: I mean, it's like, why don't you just be gay

973
00:57:23,760 --> 00:57:28,080
Speaker 1: and not make this a thing very heteronormative movie. It's

974
00:57:28,160 --> 00:57:31,280
Speaker 1: like it's like Michelle and Gilmore Girls the original run.

975
00:57:31,320 --> 00:57:35,720
Speaker 1: It's like, let's just say I know, because it's just

976
00:57:35,760 --> 00:57:38,479
Speaker 1: like it's after a while if you have a gay

977
00:57:38,560 --> 00:57:41,600
Speaker 1: character in the mix long enough and don't say it.

978
00:57:41,600 --> 00:57:45,080
Speaker 1: It almost becomes worse, like we're just totally everyone else

979
00:57:45,160 --> 00:57:48,720
Speaker 1: is fucking right and left. Like, let's acknowledge this character. Clearly,

980
00:57:48,880 --> 00:57:53,000
Speaker 1: they're always hot. Let's let him fuck totally. Thank god

981
00:57:53,040 --> 00:57:57,320
Speaker 1: he found his partner. Yes, Frederick, I have nothing to

982
00:57:57,320 --> 00:58:02,280
Speaker 1: contribute to this conversations. I've not seen that show. I

983
00:58:02,480 --> 00:58:06,480
Speaker 1: love that so much. It's mye of the Indiana Jones movies.

984
00:58:07,200 --> 00:58:10,000
Speaker 1: I was too busy watching Gilmore Girls, probably almost as

985
00:58:10,000 --> 00:58:14,000
Speaker 1: many times as I've seen The Drinks. Okay, I have

986
00:58:14,040 --> 00:58:16,920
Speaker 1: a question about the Bechdel tests in this movie. Tying

987
00:58:16,960 --> 00:58:21,200
Speaker 1: all the themes together, does this movie actually pass the

988
00:58:21,240 --> 00:58:25,520
Speaker 1: beck Del test? Because the two women fought each other

989
00:58:25,640 --> 00:58:28,560
Speaker 1: for quite a long time in the tomb. I don't

990
00:58:28,600 --> 00:58:30,520
Speaker 1: know how. I don't know if they even exchange one word,

991
00:58:30,560 --> 00:58:32,920
Speaker 1: but they were certainly fighting, and it wasn't over a man.

992
00:58:33,000 --> 00:58:36,120
Speaker 1: It was about being alive. Well, they're interacting, but because

993
00:58:36,120 --> 00:58:39,760
Speaker 1: they're not speaking, pass there at least there are two

994
00:58:39,960 --> 00:58:42,560
Speaker 1: I mean, congratulations to this movie for having two women

995
00:58:42,640 --> 00:58:46,320
Speaker 1: in the same scene, but yeah, that's all we get

996
00:58:46,320 --> 00:58:48,760
Speaker 1: out of this one. So no, it doesn't pass the test.

997
00:58:48,800 --> 00:58:51,040
Speaker 1: I would say that it does not what's going on?

998
00:58:51,320 --> 00:58:57,200
Speaker 1: What being weird? Yeah? Oh, I think you're being fine,

999
00:58:57,320 --> 00:58:59,120
Speaker 1: But I guess I don't hang out with you as much.

1000
00:58:59,440 --> 00:59:02,600
Speaker 1: Even though that said, I keep trying to hang out.

1001
00:59:02,600 --> 00:59:05,600
Speaker 1: I keep texting and you're like, I'm busy. Sorry. I

1002
00:59:05,640 --> 00:59:09,240
Speaker 1: love how Canadian your story. I wasn't going to point

1003
00:59:09,280 --> 00:59:15,360
Speaker 1: it out. What I appreciate weird? Okay, actually, okay, So

1004
00:59:15,720 --> 00:59:18,920
Speaker 1: let's just because I thought maybe it passed the Bechdel

1005
00:59:18,960 --> 00:59:22,120
Speaker 1: test because she fought with the female money and that

1006
00:59:22,200 --> 00:59:24,080
Speaker 1: was quite a long time, and that wasn't over a boy.

1007
00:59:24,320 --> 00:59:28,080
Speaker 1: But well, words are not exchanged, which is one of

1008
00:59:28,080 --> 00:59:31,160
Speaker 1: the caveats of the Backdel tests. I mean, they got

1009
00:59:31,240 --> 00:59:36,000
Speaker 1: so closely, just forgot to write lines. Maybe there was

1010
00:59:36,040 --> 00:59:38,320
Speaker 1: some dialogue and it just ended up on the cutting

1011
00:59:38,360 --> 00:59:40,840
Speaker 1: room floor, but that was the only opportunity. There was

1012
00:59:40,960 --> 00:59:43,840
Speaker 1: literally no other women in the movie, not even extra

1013
00:59:44,120 --> 00:59:47,360
Speaker 1: don't even in the crowded scenes. One of those weird

1014
00:59:47,520 --> 00:59:50,880
Speaker 1: Hollywood movies where it's like women don't exist here. Evie

1015
00:59:51,200 --> 00:59:54,720
Speaker 1: is Smurfette, and we don't know, we don't know how

1016
00:59:54,880 --> 00:59:58,439
Speaker 1: this world came to exist. Yeah, right, it's crazy. How

1017
00:59:58,440 --> 01:00:02,600
Speaker 1: did they repopulate are a worms? No, do you think

1018
01:00:04,200 --> 01:00:08,600
Speaker 1: passes the vital test? I would guess not, just to

1019
01:00:08,600 --> 01:00:19,439
Speaker 1: talk to the mom. Oh no, I don't think Aladdin does.

1020
01:00:19,920 --> 01:00:22,600
Speaker 1: Aladdin doesn't. I don't because she's the only girl, right,

1021
01:00:22,600 --> 01:00:25,960
Speaker 1: except for like women in the streets, the ones who

1022
01:00:26,000 --> 01:00:28,840
Speaker 1: are so horny for Aladdin. They're like pushing their tips

1023
01:00:28,880 --> 01:00:32,640
Speaker 1: together and they're like, yeah, but those are just creations

1024
01:00:32,640 --> 01:00:38,320
Speaker 1: of the genie. Those aren't even real women creation. Man,

1025
01:00:38,560 --> 01:00:41,920
Speaker 1: do you think that on the roller coaster of the

1026
01:00:41,960 --> 01:00:44,480
Speaker 1: Return of the Money there it passes the Bechtel tests?

1027
01:00:44,480 --> 01:00:48,000
Speaker 1: Like women on that roller coaster talking about there's no

1028
01:00:48,040 --> 01:00:50,360
Speaker 1: one in on the roller coaster. Except if we were

1029
01:00:50,400 --> 01:00:52,560
Speaker 1: on the roller coaster doing a live podcast, which, hey,

1030
01:00:52,640 --> 01:00:56,120
Speaker 1: let's do it. That roller coaster could pass the vital

1031
01:00:56,160 --> 01:00:58,720
Speaker 1: test if we were not talking about if we weren't

1032
01:00:58,760 --> 01:01:02,560
Speaker 1: gossiping about boys on the money roller coaster. Let's talk

1033
01:01:02,560 --> 01:01:07,240
Speaker 1: about politics, a female politicians. I know that history is

1034
01:01:07,280 --> 01:01:11,320
Speaker 1: not science, technology or mathematics or whatever the E stands

1035
01:01:11,360 --> 01:01:14,120
Speaker 1: for women's STEM, but I want to I'm going to

1036
01:01:14,240 --> 01:01:16,760
Speaker 1: give it to her. I think that Evie is a

1037
01:01:16,760 --> 01:01:19,800
Speaker 1: woman in stem because like for her, she said, well,

1038
01:01:19,840 --> 01:01:22,080
Speaker 1: she's a woman in well, yeah, she's a woman in

1039
01:01:22,160 --> 01:01:28,000
Speaker 1: like sheem but she's history but isn't isn't like anthropology

1040
01:01:28,040 --> 01:01:31,560
Speaker 1: a type of science, like a social science, archeology and

1041
01:01:31,560 --> 01:01:35,920
Speaker 1: any social science. Yes, so it counts. Yeah, well done,

1042
01:01:36,160 --> 01:01:39,600
Speaker 1: totally team effort. I was a doubter, but now I'm

1043
01:01:39,600 --> 01:01:43,000
Speaker 1: a believer. Yeah. Does anyone have any final thoughts about

1044
01:01:43,040 --> 01:01:45,520
Speaker 1: the movie that they want to share? I loved the

1045
01:01:45,560 --> 01:01:49,840
Speaker 1: Return of Jaffar. Was a really fun movie. Unfortunately doesn't

1046
01:01:49,840 --> 01:01:55,840
Speaker 1: pass the Backtel test. But in conclusion, Farrell Fraser ruled,

1047
01:01:56,160 --> 01:01:59,080
Speaker 1: I love Brendan Fraser. I don't love Rick O'Connell. No

1048
01:01:59,200 --> 01:02:08,440
Speaker 1: he's not. Oh my god, he started. It's not his

1049
01:02:08,560 --> 01:02:13,560
Speaker 1: best character for sure. No, No, he's got other characters.

1050
01:02:14,320 --> 01:02:16,240
Speaker 1: Drive to the Jungle. He was a movie called like

1051
01:02:16,360 --> 01:02:21,600
Speaker 1: Bedazzled or something, but like, is that what it's called? Yeah, uh,

1052
01:02:21,680 --> 01:02:24,640
Speaker 1: let's write the movie. I don't know out of what.

1053
01:02:25,240 --> 01:02:30,480
Speaker 1: Oh well, we have a very prestigious and you know

1054
01:02:30,560 --> 01:02:35,120
Speaker 1: it's prestigious when you pronounce it prestigious. A very prestigious

1055
01:02:35,840 --> 01:02:41,240
Speaker 1: rating scale on a zero to five nipple scale. Oh right, right, right,

1056
01:02:41,280 --> 01:02:44,720
Speaker 1: right now, you've listened to an episode. Sorry, um, so

1057
01:02:44,880 --> 01:02:47,560
Speaker 1: we rate the movie based on its portrayal of women

1058
01:02:47,640 --> 01:02:50,640
Speaker 1: on the nipple scale. I will go first, I will

1059
01:02:50,680 --> 01:02:56,200
Speaker 1: give it a two because Evelyn, just isolating her is

1060
01:02:56,320 --> 01:02:59,880
Speaker 1: not a terrible character. I don't especially like her. I'm

1061
01:03:00,000 --> 01:03:02,280
Speaker 1: ever going to be like, oh, my favorite character Evelyn

1062
01:03:02,360 --> 01:03:05,680
Speaker 1: or anything like that. She does contribute to this story

1063
01:03:06,160 --> 01:03:09,920
Speaker 1: generally pretty minimally. But she is probably the smartest character,

1064
01:03:10,040 --> 01:03:13,480
Speaker 1: definitely the most knowledgeable about the things that are happening

1065
01:03:13,480 --> 01:03:17,480
Speaker 1: in the movie and the history that's relevant to the

1066
01:03:17,520 --> 01:03:20,840
Speaker 1: story and everything like that. But she like she keeps

1067
01:03:20,880 --> 01:03:24,480
Speaker 1: being tossed around by men. She's being antagonized by men

1068
01:03:24,560 --> 01:03:26,400
Speaker 1: a lot of the time. She has to be saved

1069
01:03:26,440 --> 01:03:29,280
Speaker 1: a bunch of times, although she does save Brendan Fraser

1070
01:03:29,520 --> 01:03:32,280
Speaker 1: a couple of times. But overall, because she's like the

1071
01:03:32,320 --> 01:03:37,360
Speaker 1: only woman that has any substantial screen time whatsoever, it's

1072
01:03:37,400 --> 01:03:39,400
Speaker 1: just not great, Like let's see more women, Let's give

1073
01:03:39,400 --> 01:03:41,560
Speaker 1: her more women. Let's I don't know, also, like give

1074
01:03:41,600 --> 01:03:43,800
Speaker 1: her maybe a more cathartic moment at the end, like

1075
01:03:44,040 --> 01:03:46,640
Speaker 1: something like a big like oh, I need to last

1076
01:03:47,080 --> 01:03:50,520
Speaker 1: minutes of the movie kill Yeah. So because of that,

1077
01:03:50,760 --> 01:03:56,240
Speaker 1: um yeah, two nipples. They both belong to the young

1078
01:03:56,600 --> 01:04:00,680
Speaker 1: lady at the beginning, the mistress, because I don't know

1079
01:04:00,720 --> 01:04:03,920
Speaker 1: if you can see her nipples or not, but somebody, someone,

1080
01:04:04,240 --> 01:04:09,960
Speaker 1: someone out there, someone has someone, someone's probably joke saw

1081
01:04:09,960 --> 01:04:13,600
Speaker 1: those nips. I'll give it to nipples as well. You

1082
01:04:13,600 --> 01:04:16,840
Speaker 1: pretty much said everything I thought about e V. She's again,

1083
01:04:17,080 --> 01:04:20,400
Speaker 1: as with all summer blockbusters, she's a fine character. There's

1084
01:04:20,440 --> 01:04:22,360
Speaker 1: just no one for her to talk to, and she's

1085
01:04:22,400 --> 01:04:26,520
Speaker 1: assaulted several times, which I think is a pretty consistent

1086
01:04:26,600 --> 01:04:31,520
Speaker 1: feature in blockbusters to this day. I'm going to give

1087
01:04:31,560 --> 01:04:36,320
Speaker 1: my nipples to Farrell Fraser when he's wilder than they're

1088
01:04:36,320 --> 01:04:41,480
Speaker 1: probably frothing those nipples there, they're okay, listen, these nips

1089
01:04:41,560 --> 01:04:46,760
Speaker 1: are foamy. I give it to foamy nips. I'm gonna

1090
01:04:46,840 --> 01:04:49,880
Speaker 1: give it. I honestly, I'm just gonna give it one

1091
01:04:49,960 --> 01:04:55,360
Speaker 1: nip because a movie. I didn't like the movie, and UM,

1092
01:04:55,360 --> 01:04:58,000
Speaker 1: sorry that we made you watch it. It's not your fault.

1093
01:04:58,040 --> 01:05:00,640
Speaker 1: I said I would do it, and I did it,

1094
01:05:00,800 --> 01:05:06,760
Speaker 1: and and I'm giving one nipple simply for the outfits. Um,

1095
01:05:06,800 --> 01:05:08,480
Speaker 1: and I guess I'll give it to the Mummy because

1096
01:05:08,480 --> 01:05:11,240
Speaker 1: he's taken body parts anyways. So yeah, it was how

1097
01:05:11,240 --> 01:05:13,680
Speaker 1: many Nipsey hasn't Yeah, I just get he can go

1098
01:05:13,720 --> 01:05:17,280
Speaker 1: in his collection. He's like ed guyne Georgia. I would

1099
01:05:17,320 --> 01:05:19,680
Speaker 1: just say I would love if this was the point

1100
01:05:19,680 --> 01:05:22,240
Speaker 1: in the podcast where you're like, actually, I think I

1101
01:05:22,240 --> 01:05:32,400
Speaker 1: watched Georgia everything. Oh man, I watched Return of Your

1102
01:05:32,480 --> 01:05:36,320
Speaker 1: Far georg watched Georgia the Jungle. Caitlin did watch The Mommy,

1103
01:05:37,200 --> 01:05:44,240
Speaker 1: which is good, Thank God, thank and Aristotle. Aristotle how

1104
01:05:44,320 --> 01:05:49,680
Speaker 1: much he loved was shouted literally the highlight of the plot,

1105
01:05:50,240 --> 01:05:52,240
Speaker 1: and there was a lot of highlights. Yeah, I've had

1106
01:05:52,240 --> 01:05:55,360
Speaker 1: a great time here today. The best time this is

1107
01:05:55,360 --> 01:05:57,520
Speaker 1: going in the Hall of Fame. This podcast gets five

1108
01:05:57,600 --> 01:05:59,520
Speaker 1: nipples because that's the amount of nipples we gave it.

1109
01:06:01,360 --> 01:06:04,960
Speaker 1: You have another thing also, The Mommy returns gave us

1110
01:06:04,960 --> 01:06:07,840
Speaker 1: the gift of doing the rock Johnson. That's true. That

1111
01:06:07,920 --> 01:06:11,400
Speaker 1: was his breakout role, was it? Yeah? Oh right, he

1112
01:06:11,520 --> 01:06:15,720
Speaker 1: was like a pharaoh, a pharaoh Scorpi king. Wait, that

1113
01:06:15,800 --> 01:06:19,040
Speaker 1: wasn't even Summer also wrote and directed. So this podcast

1114
01:06:19,040 --> 01:06:21,480
Speaker 1: gets five nipples. There's five nipples at this table. I

1115
01:06:21,520 --> 01:06:25,560
Speaker 1: only have one, so it's all good. I lost to

1116
01:06:25,640 --> 01:06:35,040
Speaker 1: pull the frost bite to froth by it. Oh yeah,

1117
01:06:35,840 --> 01:06:43,440
Speaker 1: cracked myself up well known a few weeks if that

1118
01:06:43,480 --> 01:06:49,680
Speaker 1: was actually funny or not, it was. I'm drunk off

1119
01:06:49,720 --> 01:06:52,560
Speaker 1: of this plastic now. You know. We are on your

1120
01:06:52,560 --> 01:06:56,800
Speaker 1: boozy news. We get so wasted so quick. Well hey,

1121
01:06:56,960 --> 01:07:00,400
Speaker 1: speaking of that, let's first of all, Georgian, thank you

1122
01:07:00,480 --> 01:07:02,760
Speaker 1: so much for being here, right, absolutely pleasure, Thank you

1123
01:07:02,840 --> 01:07:05,680
Speaker 1: for having me. Where can people find you online? Um,

1124
01:07:05,720 --> 01:07:12,160
Speaker 1: Georgia Brooks dot com. It's my homepage. Great and um

1125
01:07:12,200 --> 01:07:16,040
Speaker 1: I'm also at Georgia Brooks on all the things. And

1126
01:07:18,240 --> 01:07:21,480
Speaker 1: are you still laughing at frost? Is it frost or

1127
01:07:21,480 --> 01:07:25,160
Speaker 1: did you think my audition was funny? I'm laughing because

1128
01:07:25,160 --> 01:07:34,320
Speaker 1: you said frost bite. Thank god? Thank I mean, like,

1129
01:07:34,320 --> 01:07:36,320
Speaker 1: I couldn't have done it without you. It's true, it's

1130
01:07:36,400 --> 01:07:41,120
Speaker 1: jam was so funny, but then you it. It's like

1131
01:07:41,320 --> 01:07:45,040
Speaker 1: yes and ended is please come see our improv team,

1132
01:07:45,360 --> 01:07:51,880
Speaker 1: the Return of Jafar. Yeah, it's full of lions. It's

1133
01:07:51,920 --> 01:07:55,240
Speaker 1: basically the like our team is called the Return of Jaffar,

1134
01:07:55,320 --> 01:07:58,480
Speaker 1: but we just show up and we watched The Lion King. Absolutely,

1135
01:07:58,840 --> 01:08:01,880
Speaker 1: oh my god. Okay, So your website um oh yeah,

1136
01:08:01,960 --> 01:08:04,080
Speaker 1: and then download your booze your news. It's with me

1137
01:08:04,120 --> 01:08:07,160
Speaker 1: and Blake Wexler and Stephen Ray Morris is our producer,

1138
01:08:07,160 --> 01:08:09,840
Speaker 1: but he's like on it all the time, talking and

1139
01:08:10,160 --> 01:08:12,280
Speaker 1: we get really drunk and then we do the news

1140
01:08:13,000 --> 01:08:16,360
Speaker 1: and I listened to it. It's very funny. It's such

1141
01:08:16,360 --> 01:08:18,920
Speaker 1: a depressing time right now. It's literally the only thing

1142
01:08:18,920 --> 01:08:23,719
Speaker 1: I'm doing right now that I'm proud of. Wow. Yeah,

1143
01:08:23,960 --> 01:08:26,840
Speaker 1: listen to that. Follow that and and follow my cat,

1144
01:08:27,120 --> 01:08:32,559
Speaker 1: follow your Cato spins Joe Joe underscore Sphinx because he's

1145
01:08:32,560 --> 01:08:35,759
Speaker 1: got no fur and he's got a sister named Sage.

1146
01:08:36,000 --> 01:08:38,600
Speaker 1: I'm hooked. Yeah, I'm gonna follow right now. Please do.

1147
01:08:38,720 --> 01:08:43,080
Speaker 1: It's so worth your time. Well, I think we're gonna

1148
01:08:43,160 --> 01:08:47,040
Speaker 1: come away from this better people deaf Yeah, okay, Bud,

1149
01:08:48,960 --> 01:08:51,840
Speaker 1: I'm great. Georgia, thanks again. We'll have you back. This

1150
01:08:51,880 --> 01:08:55,880
Speaker 1: has been a blast. And m hey bye bye bye