WEBVTT - Ouroboros: The Tail-Eating Serpent

0:00:03.080 --> 0:00:05.960
<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

0:00:05.960 --> 0:00:14.240
<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

0:00:14.240 --> 0:00:16.640
<v Speaker 1>My name is Robert Lamb and I'm Julie Douglas. Julie,

0:00:16.640 --> 0:00:19.200
<v Speaker 1>those are some interesting ear rings you have on there. Oh,

0:00:19.440 --> 0:00:24.520
<v Speaker 1>thank you, my aura borus ear rings. They are the

0:00:24.600 --> 0:00:28.600
<v Speaker 1>aar borus snake and it's actually curling and biting its

0:00:28.640 --> 0:00:31.280
<v Speaker 1>tail in its mouth. Well that's the illusion actually when

0:00:31.320 --> 0:00:33.720
<v Speaker 1>it's in my ear Yes, the Aora borus. You know,

0:00:34.120 --> 0:00:36.160
<v Speaker 1>we recently did that episode on symbols, and we talked

0:00:36.159 --> 0:00:39.400
<v Speaker 1>a little bit about powerful symbols, ancient symbols, symbols that

0:00:40.040 --> 0:00:43.120
<v Speaker 1>just resonate with meaning and continue to do so just

0:00:43.200 --> 0:00:46.400
<v Speaker 1>across thousands and thousands of years of human history. And

0:00:46.440 --> 0:00:50.240
<v Speaker 1>the aura borus is a fantastic example of this. Uh.

0:00:50.600 --> 0:00:53.199
<v Speaker 1>Sometimes it's depicted as a more of a snake. Sometimes

0:00:53.200 --> 0:00:56.640
<v Speaker 1>it's more of a dragon or a lizard looking creature,

0:00:57.280 --> 0:01:00.400
<v Speaker 1>and it is always biting its own tail and or

0:01:00.480 --> 0:01:03.360
<v Speaker 1>consuming its own tail, So the tail is going in

0:01:03.440 --> 0:01:07.000
<v Speaker 1>the mouth, and it instantly even if you're not familiar

0:01:07.040 --> 0:01:09.840
<v Speaker 1>with any of the the the historic interpretations of the

0:01:09.840 --> 0:01:13.680
<v Speaker 1>o reborus, it instantly draws certain ideas to the forefront

0:01:13.959 --> 0:01:17.840
<v Speaker 1>the idea of on a very simple level, like the

0:01:17.880 --> 0:01:21.720
<v Speaker 1>consumption of oneself auto cannibalism, but also the idea that

0:01:21.880 --> 0:01:23.920
<v Speaker 1>what is what's going to happen? What is happening with

0:01:23.959 --> 0:01:26.360
<v Speaker 1>the serpent eating its own tail? How long can it

0:01:26.400 --> 0:01:32.600
<v Speaker 1>can maintain this, this self devouring movement before it can't

0:01:32.640 --> 0:01:35.200
<v Speaker 1>eat itself anymore? Does it get to the point where

0:01:35.200 --> 0:01:38.560
<v Speaker 1>it just blinks out into nothing or is this a

0:01:38.560 --> 0:01:42.440
<v Speaker 1>continuing cycle? Is it not only eating itself but emerging

0:01:42.480 --> 0:01:46.240
<v Speaker 1>from itself? Okay, so it's the whole idea of like, uh,

0:01:46.640 --> 0:01:50.880
<v Speaker 1>you're either descending into nothingness or you're coming from nothingness. Yeah.

0:01:51.000 --> 0:01:53.040
<v Speaker 1>So I wanted to point out that rat snakes, along

0:01:53.040 --> 0:01:55.080
<v Speaker 1>with some other species of snakes, have been known to

0:01:55.080 --> 0:01:58.320
<v Speaker 1>swallow their tails um in an act of as you say,

0:01:58.360 --> 0:02:01.880
<v Speaker 1>auto cannibalism, although this has seen primarily in captivitying when

0:02:01.880 --> 0:02:05.360
<v Speaker 1>they're cages that are small. Yeah. Um, so it is

0:02:05.400 --> 0:02:09.640
<v Speaker 1>something that exists in nature, but largely the rbrus has,

0:02:09.680 --> 0:02:13.240
<v Speaker 1>as you say, come to symbolize this idea of rebirth,

0:02:13.680 --> 0:02:17.840
<v Speaker 1>uh infinity in this continuity, this this wheel of cycles

0:02:17.840 --> 0:02:21.639
<v Speaker 1>that you've actually talked about before in terms of some Sara. Yeah, yeah,

0:02:21.680 --> 0:02:24.200
<v Speaker 1>I mean it's essentially it's a it's a cosmic serpent,

0:02:24.200 --> 0:02:26.160
<v Speaker 1>and there are a lot of cosmic serpents and world

0:02:26.200 --> 0:02:29.799
<v Speaker 1>serpents in mythology, I mean, ranging from the Leviathan that's

0:02:29.840 --> 0:02:32.440
<v Speaker 1>mentioned in the Old Testament, Uh, comes up in the

0:02:32.440 --> 0:02:37.160
<v Speaker 1>Book of job or the organ Mander, the giant be

0:02:37.320 --> 0:02:40.120
<v Speaker 1>steel serpent that plays a role in Ragnar Rock in

0:02:40.160 --> 0:02:42.560
<v Speaker 1>the End of the World, and the or wards resonates

0:02:42.560 --> 0:02:46.760
<v Speaker 1>with these ideas of self consumption. Uh, it's continuing to emerge,

0:02:46.919 --> 0:02:50.680
<v Speaker 1>and you might even draw that if this process is disturbed,

0:02:50.680 --> 0:02:52.960
<v Speaker 1>it might well mean the end of time. So it's

0:02:52.960 --> 0:02:57.040
<v Speaker 1>a circle of eternity. It takes our linear existence and

0:02:57.080 --> 0:02:59.320
<v Speaker 1>turns it on its head, turns it into the cyclical

0:02:59.480 --> 0:03:04.200
<v Speaker 1>form that at once makes more sense and that it

0:03:04.240 --> 0:03:08.079
<v Speaker 1>ties back to our cyclical understanding of life. But also

0:03:08.400 --> 0:03:10.920
<v Speaker 1>it's kind of mind blowing in and on itself because

0:03:10.919 --> 0:03:13.119
<v Speaker 1>you again you try to figure out how how would

0:03:13.160 --> 0:03:15.120
<v Speaker 1>this work in real life. It's kind of like an

0:03:15.120 --> 0:03:18.760
<v Speaker 1>extra painting, like the oldest possible extra painting. As I said,

0:03:18.800 --> 0:03:23.440
<v Speaker 1>the bors dates back to ancient times. Uh, the pretty

0:03:23.480 --> 0:03:26.880
<v Speaker 1>much the earliest one that we've ever encountered comes comes

0:03:26.919 --> 0:03:29.880
<v Speaker 1>from Egypt, from the what we refer to as the

0:03:30.000 --> 0:03:32.160
<v Speaker 1>Enigmatic Book of the nether World. And that's just a

0:03:32.240 --> 0:03:35.040
<v Speaker 1>name we came up for it. It's in great and

0:03:35.480 --> 0:03:37.520
<v Speaker 1>not you and I, but we as modern humans are

0:03:37.720 --> 0:03:40.760
<v Speaker 1>ultimately modern humans. It was fine and found engraved in

0:03:40.760 --> 0:03:44.040
<v Speaker 1>a shrine of Tuton common Uh and in it we

0:03:44.120 --> 0:03:46.880
<v Speaker 1>see a figure named He who rides the hours, and

0:03:47.000 --> 0:03:49.600
<v Speaker 1>both the head and the feet of this figure surrounded

0:03:49.600 --> 0:03:53.040
<v Speaker 1>by an ora bors serpent uh. That is designated is

0:03:53.400 --> 0:03:56.840
<v Speaker 1>me Hin the Enveloper, and that comes from about the

0:03:56.880 --> 0:03:59.680
<v Speaker 1>fourteenth century v C. But elsewhere in China and the

0:03:59.760 --> 0:04:02.480
<v Speaker 1>Near Ease, we see examples of it in the neolithic

0:04:02.560 --> 0:04:05.320
<v Speaker 1>yang Shao culture that thrived in the Yellow River between

0:04:05.320 --> 0:04:08.800
<v Speaker 1>five thousand and three thousand BC, and so it just

0:04:08.840 --> 0:04:11.480
<v Speaker 1>continues to carry on from there. There's some scholars that

0:04:11.520 --> 0:04:13.920
<v Speaker 1>believe that there's a link between the the yin yang

0:04:14.600 --> 0:04:18.960
<v Speaker 1>symbol of the opposing forces swirling together, classic Asian symbol,

0:04:19.200 --> 0:04:22.000
<v Speaker 1>that there's a connection between that and the aura borus

0:04:22.200 --> 0:04:25.440
<v Speaker 1>you see later on. The Gnostics looked at it as

0:04:25.600 --> 0:04:28.760
<v Speaker 1>the soul of the world. The alchemists prized it Uh.

0:04:28.800 --> 0:04:31.520
<v Speaker 1>It ends up interpreted in other mythologies as well, in

0:04:31.600 --> 0:04:35.120
<v Speaker 1>some South American traditions as well as in uh some

0:04:35.160 --> 0:04:37.360
<v Speaker 1>of the ancient Mapa mondays that we were talking about

0:04:37.400 --> 0:04:40.080
<v Speaker 1>in our Sea Monsters episode. You see the Great Tale

0:04:40.080 --> 0:04:42.240
<v Speaker 1>of our in Serpent as a beast that encircles the

0:04:42.279 --> 0:04:45.640
<v Speaker 1>known world or the known oceans. It becomes something that

0:04:45.680 --> 0:04:49.520
<v Speaker 1>represents the limits of our geographical understanding and perhaps our

0:04:49.560 --> 0:04:52.760
<v Speaker 1>cosmic understanding as well. Yeah, that's interesting because in Norse

0:04:52.800 --> 0:04:56.200
<v Speaker 1>mythology it comes to represent this idea of the surcumference

0:04:56.240 --> 0:04:58.480
<v Speaker 1>of the world here right, And I wanted to mention

0:04:58.520 --> 0:05:01.160
<v Speaker 1>that there's a really starkly pet will hand drawn are

0:05:01.160 --> 0:05:04.400
<v Speaker 1>a borus that dates back from or back to ancient Egypt,

0:05:04.440 --> 0:05:06.920
<v Speaker 1>and it has the writing all is one inscribed in

0:05:06.960 --> 0:05:09.440
<v Speaker 1>the middle, which kind of speaks a bit too zen

0:05:09.520 --> 0:05:13.560
<v Speaker 1>buddhism um. So yeah, you have all these different ancient

0:05:14.040 --> 0:05:18.080
<v Speaker 1>civilizations embracing this symbol, and I thought that's really powerful

0:05:18.120 --> 0:05:21.200
<v Speaker 1>and cool and and actually if you look at even

0:05:21.279 --> 0:05:24.960
<v Speaker 1>someone like the German chemist August Cakel who dreamed of

0:05:25.000 --> 0:05:28.039
<v Speaker 1>a snake that seized a talentso mouth of that was

0:05:28.200 --> 0:05:31.839
<v Speaker 1>inspiration for him figuring out that benzine had a ring

0:05:31.920 --> 0:05:36.440
<v Speaker 1>like molecular structure, So it's definitely ingrained in our conscious

0:05:36.440 --> 0:05:38.440
<v Speaker 1>and I think it's interesting that it may even relate

0:05:38.480 --> 0:05:41.719
<v Speaker 1>to the yenang. Yeah. Now, and speaking of consciousness, Carl

0:05:41.760 --> 0:05:44.360
<v Speaker 1>Young had this to say about it. He did. He

0:05:44.720 --> 0:05:47.640
<v Speaker 1>was talking about the alchemist's fundness for the ora borus,

0:05:47.640 --> 0:05:49.719
<v Speaker 1>and he says, the alchemist, who in their own way

0:05:50.080 --> 0:05:53.240
<v Speaker 1>knew more about the nature of the individualization process than

0:05:53.279 --> 0:05:56.000
<v Speaker 1>we moderns do, express this paradox to the symbol of

0:05:56.000 --> 0:05:58.080
<v Speaker 1>the ora borus, the snake that eats its own tail.

0:05:58.480 --> 0:06:00.560
<v Speaker 1>The ora borus has been said to have a meaning

0:06:00.600 --> 0:06:03.520
<v Speaker 1>of infinity or wholeness. In the age old image of

0:06:03.520 --> 0:06:06.599
<v Speaker 1>the ara Borus lies the thought of devouring oneself and

0:06:06.640 --> 0:06:10.800
<v Speaker 1>turning oneself into a circulatory process, for it was clear

0:06:10.839 --> 0:06:13.599
<v Speaker 1>to the more astute alchemist that the prima material of

0:06:13.640 --> 0:06:16.400
<v Speaker 1>the art was man himself. The ora Borus is a

0:06:16.480 --> 0:06:20.040
<v Speaker 1>dramatic symbol for the integration and assimilation of the opposite

0:06:20.320 --> 0:06:23.560
<v Speaker 1>of the shadow. This feedback process is at the same

0:06:23.600 --> 0:06:25.880
<v Speaker 1>time a symbol of immortality, since it is said of

0:06:25.920 --> 0:06:28.400
<v Speaker 1>the ara Borus that he slays himself and brings himself

0:06:28.440 --> 0:06:31.800
<v Speaker 1>to life. Fertilizes himself and gives birth to himself. He

0:06:31.839 --> 0:06:35.560
<v Speaker 1>symbolizes the one who proceeds from the clash of opposites,

0:06:35.640 --> 0:06:38.760
<v Speaker 1>and he therefore constitutes the secret of the prima material,

0:06:38.960 --> 0:06:43.560
<v Speaker 1>which unquestionably stems from man's consciousness. Now, of course, I

0:06:43.600 --> 0:06:46.200
<v Speaker 1>can't help to wonder if the Matrix ever really worked

0:06:46.200 --> 0:06:49.400
<v Speaker 1>the Ora Borus into its plotlines. It should have if

0:06:49.400 --> 0:06:51.120
<v Speaker 1>it hadn't, because it's got the whole the one thing though,

0:06:51.160 --> 0:06:52.440
<v Speaker 1>I was kind of tuning out a little bit in

0:06:52.440 --> 0:06:53.880
<v Speaker 1>the third one, but it seems like that's where it

0:06:53.880 --> 0:06:57.760
<v Speaker 1>would have shown up. Um. Well, okay, so maybe maybe

0:06:57.800 --> 0:07:01.760
<v Speaker 1>the Matrix didn't take hold of that imagery. But you know,

0:07:01.920 --> 0:07:03.960
<v Speaker 1>as we said, this did get kind of buried into

0:07:03.960 --> 0:07:08.360
<v Speaker 1>people's consciousness. And then of course you have or subconscious

0:07:08.760 --> 0:07:11.760
<v Speaker 1>you have people taking on the r brs in a

0:07:11.840 --> 0:07:15.040
<v Speaker 1>folk tale like fashion and sort of incorporating into the boogeyman,

0:07:15.080 --> 0:07:19.040
<v Speaker 1>which is interesting. You're talking about hoop snakes, I believe, Um, yes, now,

0:07:19.080 --> 0:07:21.640
<v Speaker 1>this is this is a creature that stems from lumberjack

0:07:21.800 --> 0:07:25.239
<v Speaker 1>folklore of Wisconsin in Minnesota during the nineteenth and early

0:07:25.240 --> 0:07:28.320
<v Speaker 1>twentieth century. The they're often generally just referred to in

0:07:28.360 --> 0:07:31.240
<v Speaker 1>general as the fearsome critters. And I really believe this

0:07:31.320 --> 0:07:36.360
<v Speaker 1>is an underappreciated area of monsters, probably because, I mean,

0:07:36.440 --> 0:07:38.400
<v Speaker 1>part of it is that, on one hand, these monsters

0:07:38.440 --> 0:07:40.920
<v Speaker 1>were used to sort of describe weird noises that you'd

0:07:40.960 --> 0:07:44.200
<v Speaker 1>encounter in a lonely landscape. But they were also used

0:07:44.200 --> 0:07:46.520
<v Speaker 1>to lighten the mood around camp. So they were they

0:07:46.560 --> 0:07:49.560
<v Speaker 1>were silly, they were exaggerated, they were fun. And so

0:07:50.120 --> 0:07:51.640
<v Speaker 1>the example of the hoop snake is here you have

0:07:51.680 --> 0:07:56.239
<v Speaker 1>a highly colored snake and extremely poisonous and aggressive of course,

0:07:56.760 --> 0:07:59.720
<v Speaker 1>like any monster should be. And it moves by taking

0:07:59.720 --> 0:08:02.400
<v Speaker 1>its hail in its mouth and then jumping up and

0:08:02.480 --> 0:08:05.600
<v Speaker 1>rolling like a hoop at high speeds. So again it's

0:08:05.640 --> 0:08:08.240
<v Speaker 1>it's a it's a predator. It'll definitely come after a human.

0:08:08.320 --> 0:08:13.880
<v Speaker 1>The lumberjack, so specifically lumberjacks. When you're wearing those check shirts,

0:08:14.040 --> 0:08:16.640
<v Speaker 1>your your toast, Yeah, they see you, and you're making

0:08:16.680 --> 0:08:18.880
<v Speaker 1>all that noise of that axe. And so the hoop

0:08:18.920 --> 0:08:20.640
<v Speaker 1>snakes running at you. What are you gonna do? What's

0:08:20.640 --> 0:08:22.680
<v Speaker 1>your defense? This thing just barreling towards you. You know,

0:08:22.720 --> 0:08:25.560
<v Speaker 1>it's just poisonous, is all get out my ax, you

0:08:26.200 --> 0:08:29.040
<v Speaker 1>no accident, gonna work one move, one move? What do

0:08:29.080 --> 0:08:31.760
<v Speaker 1>you do? Uh well, oh I jumped through it. Yes,

0:08:31.840 --> 0:08:34.720
<v Speaker 1>you dive through the center of the hoop, and then

0:08:34.800 --> 0:08:37.400
<v Speaker 1>a This confuses the hoop snake, and then the the

0:08:38.040 --> 0:08:40.520
<v Speaker 1>the hoop snake cannot stop. It just keeps on rolling.

0:08:40.600 --> 0:08:45.000
<v Speaker 1>So that's how the lumberjacks supposedly survived the motions of

0:08:45.040 --> 0:08:47.079
<v Speaker 1>the hoop snake. Yeah, I love it because I love

0:08:47.080 --> 0:08:49.400
<v Speaker 1>this idea that you have a snake taking its tail

0:08:49.440 --> 0:08:52.319
<v Speaker 1>into its mouth and all of a sudden becoming you know, mobile,

0:08:52.760 --> 0:08:55.560
<v Speaker 1>and just rolling after someone and then trying to sting

0:08:55.640 --> 0:08:59.560
<v Speaker 1>someone with its tail. So it's great imagery. But while

0:08:59.600 --> 0:09:02.040
<v Speaker 1>the hoop or also called the mud snake, cannot stay

0:09:02.080 --> 0:09:05.079
<v Speaker 1>with its tail, it does have a hard spine back

0:09:06.120 --> 0:09:10.320
<v Speaker 1>that could draw blood when it thrashes vigorously. So some

0:09:10.400 --> 0:09:12.880
<v Speaker 1>of this is observing snakes in the way they lay

0:09:12.920 --> 0:09:15.600
<v Speaker 1>around and and and may appear to have a hoop

0:09:15.679 --> 0:09:18.440
<v Speaker 1>like form, and and thinking, hey, you know what if

0:09:18.440 --> 0:09:19.960
<v Speaker 1>that thing were to take its tail in its mouth

0:09:20.360 --> 0:09:22.640
<v Speaker 1>like this sort of image that's ingrained in my psyche,

0:09:23.080 --> 0:09:25.520
<v Speaker 1>and it were to roll around like a like a

0:09:25.520 --> 0:09:28.440
<v Speaker 1>hoop toy, well, and in fact that actually does happen,

0:09:28.760 --> 0:09:31.760
<v Speaker 1>although not with snakes, right. Yes. The the amazing thing

0:09:31.800 --> 0:09:35.760
<v Speaker 1>about this is that there are creatures that are you know,

0:09:36.240 --> 0:09:40.520
<v Speaker 1>serpentine in form essentially, that do roll up. And certainly

0:09:40.720 --> 0:09:42.640
<v Speaker 1>a lot of creatures roll up, I mean humans when

0:09:42.720 --> 0:09:45.319
<v Speaker 1>when we get in our fetal position for a little

0:09:45.520 --> 0:09:48.280
<v Speaker 1>you know, lonely sleep or something, or are you know

0:09:48.400 --> 0:09:52.040
<v Speaker 1>cats sleeping on the couch whatever, A lot of creatures

0:09:52.120 --> 0:09:54.440
<v Speaker 1>roll up into a form. But they don't roll across

0:09:54.480 --> 0:09:57.680
<v Speaker 1>the ground in that curled form. But you do see

0:09:57.679 --> 0:09:59.800
<v Speaker 1>that in at least a couple of usually, but you

0:09:59.840 --> 0:10:01.960
<v Speaker 1>do see this activity in a couple of different creators.

0:10:02.000 --> 0:10:06.080
<v Speaker 1>First of all, the mount Lyle salamander, and uh, like

0:10:06.120 --> 0:10:09.480
<v Speaker 1>a lot of salamanders, it curls up, but it also

0:10:09.559 --> 0:10:13.120
<v Speaker 1>uses this as a no nonsense defense measure. Um. It

0:10:13.120 --> 0:10:15.560
<v Speaker 1>makes its home on the steep slopes of California's Sierra

0:10:15.640 --> 0:10:18.880
<v Speaker 1>Nevada Mountains. And what does this sucker do if something

0:10:18.920 --> 0:10:22.160
<v Speaker 1>threatened it, Well, it curls up, rolls away, or if

0:10:22.200 --> 0:10:25.120
<v Speaker 1>it needs to get down that steep terrain really quickly.

0:10:25.400 --> 0:10:28.840
<v Speaker 1>What's the best way to do it? Roll up, roll up? Yeah,

0:10:28.920 --> 0:10:31.240
<v Speaker 1>and just then you're going down the hill. Yeah, because

0:10:31.240 --> 0:10:34.160
<v Speaker 1>then all of your like internal origans are all protected too,

0:10:34.200 --> 0:10:36.240
<v Speaker 1>because you know, not only from a predator, but if

0:10:36.240 --> 0:10:39.360
<v Speaker 1>you're going down rocky terrain and you're bumping along the way,

0:10:39.600 --> 0:10:42.720
<v Speaker 1>it makes sense that you would, you know, decrease the

0:10:42.720 --> 0:10:46.680
<v Speaker 1>friction on your body and increase locomotion as you're going down. Yeah.

0:10:46.720 --> 0:10:48.480
<v Speaker 1>And it's by these kind of rubbery too, so it

0:10:48.520 --> 0:10:50.520
<v Speaker 1>absorbs the impact of the bounce. This it's not like

0:10:50.559 --> 0:10:52.160
<v Speaker 1>if you were I would roll up in a ball

0:10:52.559 --> 0:10:54.720
<v Speaker 1>and then head off down a steep slope. It would

0:10:55.160 --> 0:10:58.160
<v Speaker 1>break us. But if we put a little salamander suit on, yeah,

0:10:58.280 --> 0:11:00.360
<v Speaker 1>well maybe then and then we curled. I wonder if

0:11:00.360 --> 0:11:02.120
<v Speaker 1>there's ever been a superhero that does this, has like

0:11:02.160 --> 0:11:04.880
<v Speaker 1>a salamander suit, and they kind of do They can

0:11:05.000 --> 0:11:06.840
<v Speaker 1>roll kind of like Metroid. I guess when they need

0:11:06.880 --> 0:11:10.000
<v Speaker 1>a barrel over some enemies or get away from him.

0:11:10.040 --> 0:11:13.600
<v Speaker 1>I like this, like Sally the Salamander superhero. Yeah. Yeah,

0:11:14.000 --> 0:11:17.880
<v Speaker 1>or by the way, it could be a great transhuman feature,

0:11:18.520 --> 0:11:21.200
<v Speaker 1>Yes right, because I wouldn't mind that honestly, I could

0:11:21.280 --> 0:11:23.680
<v Speaker 1>roll down some hills, yes, and there you know, And

0:11:23.679 --> 0:11:25.520
<v Speaker 1>the cool thing about this is it's not just this

0:11:25.559 --> 0:11:29.719
<v Speaker 1>one salamander that does it. There's also the pearl moth caterpillar,

0:11:30.280 --> 0:11:32.000
<v Speaker 1>and this one does a similar thing. If it meets

0:11:32.000 --> 0:11:35.880
<v Speaker 1>a predator, it anchors it's rear to the ground, recoils rapidly,

0:11:35.960 --> 0:11:40.760
<v Speaker 1>and then rolls away backward like a tire mouth to tail.

0:11:40.920 --> 0:11:42.600
<v Speaker 1>Oh no, it gets even better in this. It's like

0:11:42.679 --> 0:11:45.280
<v Speaker 1>very start to start to slay. Is that when it

0:11:45.440 --> 0:11:49.040
<v Speaker 1>rears up and it curls into that wheel, it does

0:11:49.080 --> 0:11:51.680
<v Speaker 1>a it's kind of springs backwards, so it's a back

0:11:51.720 --> 0:11:54.679
<v Speaker 1>flip into a like an inverted tire form, and then

0:11:54.679 --> 0:11:56.960
<v Speaker 1>it rolls away. Yeah, and it's bright green and so

0:11:57.040 --> 0:11:59.040
<v Speaker 1>it's sort of like beautiful and and then there's a

0:11:59.040 --> 0:12:03.840
<v Speaker 1>bunch of music playing in the background of multicultural instruments. Yeah.

0:12:03.880 --> 0:12:07.040
<v Speaker 1>So so these are both creatures great examples of hoops

0:12:07.080 --> 0:12:11.640
<v Speaker 1>snake like abilities in actual animals. Yeah. And the cool

0:12:11.679 --> 0:12:14.360
<v Speaker 1>thing about that caterpillar is that it moves some forty

0:12:14.440 --> 0:12:18.360
<v Speaker 1>times faster than its normal pace, and it goes from

0:12:18.480 --> 0:12:22.520
<v Speaker 1>flat and stationary to rolling in about sixty milliseconds. I mean,

0:12:22.600 --> 0:12:26.079
<v Speaker 1>that's an insane short amount of time. They're in fact um,

0:12:26.240 --> 0:12:29.959
<v Speaker 1>this is inspired AI designers to look at this particular

0:12:30.000 --> 0:12:35.160
<v Speaker 1>bit of biomimicry in robotics for that very reason. Alright,

0:12:35.160 --> 0:12:39.920
<v Speaker 1>so we've talked about the wheeling around curling up, but

0:12:39.960 --> 0:12:42.920
<v Speaker 1>I don't hear any tailbiting. Well, for tail bitting, we

0:12:42.960 --> 0:12:46.400
<v Speaker 1>need to go to the armadillo girdled lizard, which was

0:12:46.440 --> 0:12:53.479
<v Speaker 1>formerly known as prince no it's formally known as Cordialis catafractice,

0:12:53.720 --> 0:12:57.880
<v Speaker 1>but now is or a Boris catafractice. So it's actually

0:12:58.000 --> 0:13:01.240
<v Speaker 1>named for the world consuming serpent. Because this particular South

0:13:01.240 --> 0:13:04.000
<v Speaker 1>African lizard, it's a small little guy six and a

0:13:04.080 --> 0:13:07.160
<v Speaker 1>half to eight and a half inches or centimeters in length,

0:13:07.400 --> 0:13:11.080
<v Speaker 1>and when threatened they curl up, they bite the tip

0:13:11.080 --> 0:13:13.880
<v Speaker 1>of their tail and sort of hold themselves there. So

0:13:13.960 --> 0:13:16.600
<v Speaker 1>when they're doing this they're curling up there, they're very spiny.

0:13:16.640 --> 0:13:18.920
<v Speaker 1>They have all these spiny scales, so when they curl

0:13:19.000 --> 0:13:21.760
<v Speaker 1>up in the ball like that, they're they're covering their

0:13:22.280 --> 0:13:25.319
<v Speaker 1>vulnerable bellies. Yeah. I was thinking about how their names

0:13:25.320 --> 0:13:28.960
<v Speaker 1>are so descriptive, the girdled lizard, the armadilla girdled lizard,

0:13:29.000 --> 0:13:33.520
<v Speaker 1>because it really does look like these rowse girdling of

0:13:33.640 --> 0:13:36.120
<v Speaker 1>plates that are fringed with those spiky points, and so

0:13:36.160 --> 0:13:38.120
<v Speaker 1>as you say, when it curls up and it's just

0:13:39.480 --> 0:13:41.120
<v Speaker 1>you don't even want to touch it, you don't even

0:13:41.160 --> 0:13:43.280
<v Speaker 1>try to get to it soft under a belly. Yeah,

0:13:43.320 --> 0:13:46.320
<v Speaker 1>and they look absolutely adorable. If you do a Google

0:13:46.360 --> 0:13:48.319
<v Speaker 1>image search on these guys, or if you do a

0:13:48.720 --> 0:13:51.440
<v Speaker 1>YouTube search, you'll probably find find a clip from one

0:13:51.440 --> 0:13:54.880
<v Speaker 1>of Attonborough's BBC shows where he's blowing up and plucking

0:13:54.880 --> 0:13:56.840
<v Speaker 1>one out of the rocks and holding it up because

0:13:56.880 --> 0:13:59.240
<v Speaker 1>they'll they'll bite their little tails and they look like

0:13:59.280 --> 0:14:02.320
<v Speaker 1>just an a door rble, like beautiful sculpted or a boris,

0:14:02.600 --> 0:14:05.480
<v Speaker 1>and they'll remain that way for some time because they're threatened.

0:14:05.520 --> 0:14:07.559
<v Speaker 1>So they're they're like, well, I'm not taking any chances.

0:14:07.559 --> 0:14:10.880
<v Speaker 1>I'm gonna stay here biting my own tail, holding myself

0:14:10.880 --> 0:14:14.280
<v Speaker 1>in place in this defensive posture until I know everything's clear.

0:14:14.600 --> 0:14:16.160
<v Speaker 1>You know. In terms of design, I was thinking that

0:14:16.160 --> 0:14:18.920
<v Speaker 1>they look like something Cleopatra would have worn. Yeah, and

0:14:19.000 --> 0:14:22.080
<v Speaker 1>she was that said bring me one of those visits

0:14:22.120 --> 0:14:25.080
<v Speaker 1>to wrap around my wrists. And apparently they're a popular

0:14:25.120 --> 0:14:28.480
<v Speaker 1>pet as well for some people. Now, of course, it's

0:14:28.480 --> 0:14:30.360
<v Speaker 1>important to note that they while they are biting their

0:14:30.400 --> 0:14:32.920
<v Speaker 1>own tail, they are not eating their own tail. We

0:14:32.960 --> 0:14:37.480
<v Speaker 1>mentioned some examples of certainly zoocosis situations where an animal

0:14:37.520 --> 0:14:39.880
<v Speaker 1>that is disturbed in some way, shape or form will

0:14:39.880 --> 0:14:42.400
<v Speaker 1>start chewing on its tail. They're they're also tales of

0:14:42.440 --> 0:14:45.360
<v Speaker 1>mammals and and other creatures that bite on their own

0:14:45.360 --> 0:14:47.440
<v Speaker 1>tailor or eat part of their own tail. And it's

0:14:47.480 --> 0:14:50.760
<v Speaker 1>generally just a sad case. But there there there are

0:14:50.920 --> 0:14:54.720
<v Speaker 1>situations where eating your own tail is just perfectly okay

0:14:54.760 --> 0:14:58.200
<v Speaker 1>and perfectly economical. I'm talking about, for instance, the leopard gecko,

0:14:58.720 --> 0:15:03.560
<v Speaker 1>which is one of uh one of many um which

0:15:03.600 --> 0:15:05.400
<v Speaker 1>is one of many of the lizards that can detached

0:15:05.440 --> 0:15:08.680
<v Speaker 1>its own tail as a protective measure. You know, the deal.

0:15:08.720 --> 0:15:12.080
<v Speaker 1>They're threatened, they jettison the tail, The tail flops around

0:15:12.080 --> 0:15:15.640
<v Speaker 1>and spasms, and then they run off. It's on one level,

0:15:15.680 --> 0:15:19.080
<v Speaker 1>it's like leaving a decoy behind to distract a predator.

0:15:19.280 --> 0:15:22.000
<v Speaker 1>But also it's kind of a bribe, saying, look, you're

0:15:22.000 --> 0:15:24.040
<v Speaker 1>not gonna eat me, but I'm gonna leave this delicious tail.

0:15:24.400 --> 0:15:26.440
<v Speaker 1>And in fact, the tails tend to have a lot

0:15:26.440 --> 0:15:28.760
<v Speaker 1>of resources in them. Uh So you know that's a

0:15:28.840 --> 0:15:33.440
<v Speaker 1>it's a nice fatty piece of meat. So what happens

0:15:33.640 --> 0:15:37.320
<v Speaker 1>if the gecko gets away and then comes back and

0:15:37.360 --> 0:15:39.640
<v Speaker 1>finds that the predator that threatened it, or what it

0:15:39.680 --> 0:15:41.560
<v Speaker 1>thought was a predator, the threat that did not eat

0:15:41.600 --> 0:15:44.680
<v Speaker 1>that tail portion, Well, I mean that could be dinner, right, yeah,

0:15:44.760 --> 0:15:47.680
<v Speaker 1>I mean why wasted? It's just pure economy. You know,

0:15:47.720 --> 0:15:50.160
<v Speaker 1>if you accidentally dropped twenty bucks out of your wallet

0:15:50.480 --> 0:15:51.840
<v Speaker 1>and then you walked away, and you came back and

0:15:51.880 --> 0:15:53.760
<v Speaker 1>nobody else had found it, you put that up back

0:15:53.840 --> 0:15:55.200
<v Speaker 1>up and put it back in your wallet, and and

0:15:55.280 --> 0:15:57.520
<v Speaker 1>the gecko does the same thing. It's like, well, if

0:15:57.520 --> 0:15:59.240
<v Speaker 1>you're not gonna eat that piece of me that I

0:15:59.360 --> 0:16:01.840
<v Speaker 1>dropped to bribe you, then I'm going to eat it

0:16:01.880 --> 0:16:05.080
<v Speaker 1>myself and take those important nutrients and all that important

0:16:05.160 --> 0:16:07.760
<v Speaker 1>energy back into myself, which is the basis of the

0:16:07.880 --> 0:16:11.480
<v Speaker 1>arborous idea right off life sustaining it's giving up and

0:16:11.520 --> 0:16:14.960
<v Speaker 1>sustaining itself in one fluid movement. So that's the and

0:16:15.000 --> 0:16:19.440
<v Speaker 1>again it's a happier vision of animals eating themselves. All right,

0:16:19.640 --> 0:16:21.560
<v Speaker 1>let's take a quick break, and when we get back

0:16:21.600 --> 0:16:32.200
<v Speaker 1>we will talk about a storm arborous on Saturn. All right,

0:16:32.280 --> 0:16:34.240
<v Speaker 1>We're back and we're going to talk about the storm

0:16:34.360 --> 0:16:38.240
<v Speaker 1>that bit its own tail. This is so exciting to me. Yes,

0:16:38.360 --> 0:16:41.480
<v Speaker 1>this is pretty crazy. So first of all, let's talk

0:16:41.480 --> 0:16:45.360
<v Speaker 1>about storms here on Earth, particularly hurricanes. Okay, on Earth,

0:16:45.400 --> 0:16:48.360
<v Speaker 1>a hurricane feeds off the energy of warm water, okay,

0:16:49.000 --> 0:16:50.760
<v Speaker 1>and it leaves a cold water awake, and it just

0:16:50.800 --> 0:16:52.800
<v Speaker 1>grows more and more and more powerful. We all know

0:16:52.880 --> 0:16:54.840
<v Speaker 1>the deal with. Watch them move in, watching the weather

0:16:54.920 --> 0:16:57.720
<v Speaker 1>channel and whatnot, and they grow more and more powerful,

0:16:57.760 --> 0:16:59.320
<v Speaker 1>and then they hit land. And when they hit land,

0:16:59.320 --> 0:17:01.440
<v Speaker 1>there's a lot of this struction. But then they lose

0:17:01.480 --> 0:17:04.919
<v Speaker 1>their energy because mountains will they sort of include them, right,

0:17:04.960 --> 0:17:07.720
<v Speaker 1>and their energy dissipates. Yeah, they can't. They can't feed

0:17:07.760 --> 0:17:10.399
<v Speaker 1>off of the land. They need to feed off of

0:17:10.480 --> 0:17:16.000
<v Speaker 1>the warm water. But Saturn, this massive planet that doesn't

0:17:16.040 --> 0:17:19.800
<v Speaker 1>have these land forms that could impede storms, which happens

0:17:19.840 --> 0:17:24.720
<v Speaker 1>all atmospheric disturbance. It's glorious. Yeah, And in this case,

0:17:24.760 --> 0:17:27.360
<v Speaker 1>what you what you had happened and this this could

0:17:27.480 --> 0:17:29.560
<v Speaker 1>Back in two thousand ten, this was Ford Well It's

0:17:29.560 --> 0:17:34.400
<v Speaker 1>first detective December track by Cassini's radio and plasma wave

0:17:34.520 --> 0:17:39.639
<v Speaker 1>subsystem and imaging cameras and a storm, massive storm erupts

0:17:39.640 --> 0:17:43.720
<v Speaker 1>around thirty degrees north latitude and it begins to move

0:17:43.800 --> 0:17:47.840
<v Speaker 1>and eventually, within months the storm wraps around the entire planet,

0:17:48.640 --> 0:17:52.720
<v Speaker 1>stretching about one nine thousand miles or three thousand kilometers

0:17:52.760 --> 0:17:56.520
<v Speaker 1>in circumference. Uh, thundering, throwing, lightning, just going crazy, just

0:17:57.400 --> 0:17:59.679
<v Speaker 1>a type of storm of the intensity of which we

0:17:59.680 --> 0:18:02.399
<v Speaker 1>can we can scarcely imagine here on Earth. And he

0:18:02.440 --> 0:18:05.080
<v Speaker 1>goes all the way on the planet and reaches its beginning,

0:18:05.160 --> 0:18:08.320
<v Speaker 1>reaches its tail. Yeah, because shortly after that that bright,

0:18:08.680 --> 0:18:11.399
<v Speaker 1>turbulent head of the storm emerged this is according to

0:18:11.440 --> 0:18:14.119
<v Speaker 1>fizz dot org and started moving west. It spawned a

0:18:14.160 --> 0:18:17.800
<v Speaker 1>clockwise spinning vortex that drifted slowly. So you're talking about

0:18:18.080 --> 0:18:22.040
<v Speaker 1>seven months, as you say, covering that one hundred and

0:18:22.119 --> 0:18:26.919
<v Speaker 1>ninety thousand miles or three hundred thousand kilometers in circumference,

0:18:27.240 --> 0:18:31.479
<v Speaker 1>this massive stormhead meeting itself. And what happens when it

0:18:31.520 --> 0:18:34.720
<v Speaker 1>meets itself, Well, like an r barus, it sort of

0:18:34.800 --> 0:18:37.959
<v Speaker 1>disappears into itself and it's a it's a huge mystery

0:18:37.960 --> 0:18:39.960
<v Speaker 1>to scientist because we're not quite sure why the storm

0:18:40.000 --> 0:18:43.920
<v Speaker 1>would behave that way, but it's crazy. You can look

0:18:43.960 --> 0:18:45.919
<v Speaker 1>up the images of this on online, and it's just

0:18:46.000 --> 0:18:49.639
<v Speaker 1>it's you know, intense stormy the entire planet and thrashed

0:18:49.640 --> 0:18:52.760
<v Speaker 1>for two hundred one days. And this is this is

0:18:52.800 --> 0:18:55.720
<v Speaker 1>amazing to me. It's updraft erupted with an intensity that

0:18:55.800 --> 0:18:58.960
<v Speaker 1>would have sucked out the entire volume of our atmosphere

0:18:59.280 --> 0:19:04.119
<v Speaker 1>in one fifty days. That is how massive it is.

0:19:04.480 --> 0:19:06.600
<v Speaker 1>That's a great word for it. But to be fair,

0:19:06.640 --> 0:19:09.000
<v Speaker 1>I mean, Saturn is eighty three times larger than Earth,

0:19:09.080 --> 0:19:11.440
<v Speaker 1>so we're talking about different stats here. Yeah, and it's

0:19:11.480 --> 0:19:14.480
<v Speaker 1>just an entirely different kettle of fish when it comes

0:19:14.480 --> 0:19:17.679
<v Speaker 1>to the atmospheric disturbances that can occur there, as is

0:19:18.480 --> 0:19:21.280
<v Speaker 1>typified by on Jupiter. They're the great Red storm that

0:19:21.359 --> 0:19:24.000
<v Speaker 1>of course looks like a giant red eye. That's that's

0:19:24.000 --> 0:19:27.160
<v Speaker 1>an intensity of storm that again, it's just not even

0:19:27.200 --> 0:19:30.600
<v Speaker 1>possible on Earth and scarcely can even be imagined by us.

0:19:30.760 --> 0:19:34.840
<v Speaker 1>I know, I think I smell in episode of brewing here. Alright,

0:19:34.880 --> 0:19:37.399
<v Speaker 1>So what other type of our bars do we have

0:19:37.560 --> 0:19:41.720
<v Speaker 1>outside of nature? We have something called a nano ar borus,

0:19:41.800 --> 0:19:45.000
<v Speaker 1>and chemists of the Script's Research Institute in California they

0:19:45.000 --> 0:19:49.959
<v Speaker 1>created this nanotol which is an our brand molecular switch

0:19:50.280 --> 0:19:53.120
<v Speaker 1>that looks like an oar borus. It's molecular tail coils

0:19:53.240 --> 0:19:56.280
<v Speaker 1>up and around it, it's sort of like right up

0:19:56.280 --> 0:19:59.359
<v Speaker 1>to its cup like head, and the molecule is used

0:19:59.400 --> 0:20:03.200
<v Speaker 1>to detect metals, toxins, and other pollutants in our environment.

0:20:03.240 --> 0:20:05.760
<v Speaker 1>It's really cool because it's default position is the r

0:20:05.840 --> 0:20:09.840
<v Speaker 1>boris pocisition, but when it encounters a metal ion, its

0:20:09.920 --> 0:20:13.400
<v Speaker 1>middle section bends around that ion and then that springs

0:20:13.440 --> 0:20:16.040
<v Speaker 1>it open. So it's a good way to figure out

0:20:16.080 --> 0:20:20.240
<v Speaker 1>whether or not um there are metallic impurities present, or

0:20:20.560 --> 0:20:23.280
<v Speaker 1>if you've remediated an area of pollutants. Is a good

0:20:23.280 --> 0:20:25.640
<v Speaker 1>way to go back and see if it's actually been

0:20:25.720 --> 0:20:30.320
<v Speaker 1>completely removed from from that soil. And Ben Coxworth, writing

0:20:30.359 --> 0:20:34.520
<v Speaker 1>for Gizmeg, made the effought very astute observation that the

0:20:34.600 --> 0:20:37.119
<v Speaker 1>our borus, which is, as we have pointed out earlier

0:20:37.160 --> 0:20:41.879
<v Speaker 1>associated with alchemy, has kind of come full circle with

0:20:41.960 --> 0:20:46.639
<v Speaker 1>its ability to perhaps detect gold. Yeah, because what is

0:20:46.720 --> 0:20:50.960
<v Speaker 1>nanotechnology if not some form of alchemy? You know, that's right?

0:20:51.320 --> 0:20:53.240
<v Speaker 1>So now are we going to see people coming to

0:20:53.320 --> 0:20:56.360
<v Speaker 1>beaches with these instead of the little metal detectors? Yeah,

0:20:56.359 --> 0:21:01.440
<v Speaker 1>they're just unleash a little um of classroom for goo um.

0:21:01.480 --> 0:21:04.040
<v Speaker 1>You know two other things here about the horra borus.

0:21:04.119 --> 0:21:09.400
<v Speaker 1>One I was reminded by by Young's quote he mentions feedback.

0:21:10.200 --> 0:21:12.280
<v Speaker 1>When you think of a feedback loop, a feedback loop,

0:21:12.320 --> 0:21:14.720
<v Speaker 1>this is sort of an aa borous in its way

0:21:14.800 --> 0:21:16.600
<v Speaker 1>in some own sense. You know. It's like sound leaves

0:21:16.680 --> 0:21:20.000
<v Speaker 1>speaker goes back through the microphone into the same system

0:21:20.200 --> 0:21:21.960
<v Speaker 1>and it just gets louder and louder and becomes that

0:21:22.000 --> 0:21:26.840
<v Speaker 1>awful whining. I've also read some theories regarding wormholes, cosmic

0:21:26.840 --> 0:21:30.879
<v Speaker 1>wormholes that a cosmic wormhole would create would create a

0:21:30.920 --> 0:21:33.840
<v Speaker 1>feedback loop and then would destroy itself in the process,

0:21:34.640 --> 0:21:38.080
<v Speaker 1>and much like our storm horra bors exactly and uh.

0:21:38.320 --> 0:21:41.320
<v Speaker 1>And then there's another really cool thing that links our

0:21:41.359 --> 0:21:44.760
<v Speaker 1>a borus and science a little bit uh here possibly

0:21:45.359 --> 0:21:46.840
<v Speaker 1>And for this I want you to to want you to

0:21:46.840 --> 0:21:48.720
<v Speaker 1>think about this all right, A glowing world serpent that

0:21:48.800 --> 0:21:53.320
<v Speaker 1>encompasses the earth where we're might ancient man see something

0:21:53.680 --> 0:21:57.560
<v Speaker 1>that that summons this idea, especially if you were to

0:21:57.600 --> 0:22:01.520
<v Speaker 1>travel north or south. Oh, I don't know, Robert Lamley,

0:22:01.560 --> 0:22:05.920
<v Speaker 1>it on me Aurora borealis. You know, I was reading

0:22:05.920 --> 0:22:09.240
<v Speaker 1>a paper titled the Aura borus as an auroral phenomenon,

0:22:09.520 --> 0:22:12.280
<v Speaker 1>and it argues that considering the antiquity of the theme

0:22:12.320 --> 0:22:15.560
<v Speaker 1>and it's near universality, it's a geographic link with the

0:22:15.560 --> 0:22:18.800
<v Speaker 1>outmost boundaries of the world descriptions of glowing and radiation.

0:22:19.280 --> 0:22:21.720
<v Speaker 1>They the authors argued that it might just have its

0:22:21.720 --> 0:22:25.800
<v Speaker 1>origins in a human observation of intense auroral phenomena, including

0:22:25.800 --> 0:22:30.280
<v Speaker 1>a plasma instability type known as dio cotton instability, witnessed

0:22:30.280 --> 0:22:33.000
<v Speaker 1>by humans towards the end of the Neolithic period. So

0:22:33.560 --> 0:22:37.240
<v Speaker 1>you think that would further reinforce what they saw on

0:22:37.600 --> 0:22:40.720
<v Speaker 1>their terrestrial world, which is, you know, perhaps a snake

0:22:40.920 --> 0:22:42.560
<v Speaker 1>biting its own tail and then looking up at the

0:22:42.600 --> 0:22:47.280
<v Speaker 1>sky illuminated snake in front of them. Yeah. I don't

0:22:47.280 --> 0:22:49.080
<v Speaker 1>know if I could I completely. I mean, they make

0:22:49.119 --> 0:22:51.000
<v Speaker 1>a really nice argument for it in the paper. I

0:22:51.000 --> 0:22:53.679
<v Speaker 1>don't know if I buy it, because it seems like

0:22:54.119 --> 0:22:58.560
<v Speaker 1>an idea that it's so universal that it may stem

0:22:58.640 --> 0:23:01.400
<v Speaker 1>from several different sources, you know. All right, So there

0:23:01.440 --> 0:23:04.480
<v Speaker 1>you have it, the Aora borus, the hoop snake. Some

0:23:04.800 --> 0:23:10.000
<v Speaker 1>real world and real off world examples of of how

0:23:10.080 --> 0:23:12.880
<v Speaker 1>this actually occurs. How and how we may have thought

0:23:12.880 --> 0:23:15.560
<v Speaker 1>it up to beginning. As always, we'd love to hear

0:23:15.600 --> 0:23:17.200
<v Speaker 1>from everyone out there. What do you think? What do

0:23:17.240 --> 0:23:19.200
<v Speaker 1>you think of the aora borus? What if your attachment

0:23:19.280 --> 0:23:20.960
<v Speaker 1>to the oora borus? What do you think when you

0:23:21.000 --> 0:23:22.800
<v Speaker 1>look at the symbol? Do you have a tattooed on

0:23:22.840 --> 0:23:25.640
<v Speaker 1>your body? I know it's a pretty popular symbol out there,

0:23:25.680 --> 0:23:28.520
<v Speaker 1>and there's a number of different artistic interpretations of it

0:23:28.600 --> 0:23:31.200
<v Speaker 1>that are pretty amazing. Let us know. You can find

0:23:31.240 --> 0:23:32.880
<v Speaker 1>us in all the usual places. You can find us

0:23:32.960 --> 0:23:36.200
<v Speaker 1>on social media Facebook, Twitter, Tumbler, all that, but the

0:23:36.400 --> 0:23:38.320
<v Speaker 1>big place is Stuff to Blow your Mind dot com.

0:23:38.400 --> 0:23:41.640
<v Speaker 1>There you'll find all of our blogs, our videos, our

0:23:41.720 --> 0:23:45.880
<v Speaker 1>audio podcast. You'll find links to all these social media

0:23:45.920 --> 0:23:48.239
<v Speaker 1>things I discussed earlier. And how else can they get

0:23:48.280 --> 0:23:50.280
<v Speaker 1>in touch with us? Well, they can send us an

0:23:50.280 --> 0:23:58.600
<v Speaker 1>email at blow the Mind at discovery dot com. For

0:23:58.760 --> 0:24:01.280
<v Speaker 1>more on this and thousands of other topics, visit how

0:24:01.320 --> 0:24:07.840
<v Speaker 1>Stuff Works dot com. M