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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home?

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Speaker 3: Either way, we want to be there.

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Speaker 4: Doesn't matter how much baggage you claim and give us

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Speaker 4: time and aid, termino and gage.

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Speaker 5: We want to send you off instarle.

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Speaker 4: We wanna welcome you back home. Tell us all about it.

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Speaker 5: We scared her? Was it fine? Mal porn? Do you

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Speaker 5: need to ride? Do you need to ride? Do you

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Speaker 5: need to ride? Do you need to ride? Do you

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Speaker 5: need to ride? Do your need to ride?

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Speaker 2: With Karen and Chris welcome to Do you need a ride?

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Speaker 2: This is Chris.

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Speaker 5: Fairbanks and this is Karen Tilgareth.

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Speaker 2: We're back with the episode that we advertised last episode.

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Speaker 4: For the first time only, we did a future tease

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Speaker 4: to a guest because we said we need you audience

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Speaker 4: to do your homework. Listen to the podcast Valley Heat,

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Speaker 4: get to know the guests it's about to come. So

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Speaker 4: when this week comes, you're going to be all butterflies

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Speaker 4: and giggles excited for it a Beatles esque way.

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Speaker 5: For this guest.

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Speaker 2: We are about to validate that feeling in your stomach

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Speaker 2: right now because that guest is currently here. Put your

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Speaker 2: ears together for everyone. For Christian Duguey, whoa so when

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Speaker 2: I announced you, all of a sudden you're Richie Balansuela.

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Speaker 1: Well, well, it's like, actually that was that was kind

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Speaker 1: of halfway between Richie and uh and shake it up.

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Speaker 5: Wasn't it?

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Speaker 1: Oh yeah, kind of like what was what was I singing?

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Speaker 1: Was it?

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Speaker 2: Well?

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Speaker 4: It was the perfect combination because and we don't get

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Speaker 4: dinged by the Beatles or by Regie.

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Speaker 5: Yeah, you're just kind of like celebration.

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Speaker 2: Into Yeah, you don't get sued if you combine dose

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Speaker 2: Lobos with fabulous.

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Speaker 5: There's more than do there's lows.

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Speaker 1: Whenever I think of that Beatles song, I only think

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Speaker 1: about Matthew Broderick singing it in a parade.

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Speaker 2: Oh yeah, it's true, and then people start doing backflaps.

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Speaker 1: If you watch that movie back, it's like there no

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Speaker 1: one knows that it's being filmed. It's actually the parade,

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Speaker 1: and people are just staring the entire time, the entire crowd.

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Speaker 1: I can't believe. Was that like those guys that are

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Speaker 1: doing that wild duck dance that Yeah, that's when the

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Speaker 1: movie kind of turned.

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Speaker 4: For me when that happened and you said, wait a second,

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Speaker 4: there's no plot to this movie.

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Speaker 5: What it was doing?

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Speaker 1: This isn't real, He's not sick.

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Speaker 5: What's happening.

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Speaker 2: I remember being too stressed out to enjoy the parade

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Speaker 2: scene because I knew their car was being taken for

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Speaker 2: a joy ride.

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Speaker 1: Yep, you were thinking about that.

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Speaker 2: Yes, it was an anxious child. It was the trouble

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Speaker 2: coming when I was a kid. All I had nightmares

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Speaker 2: about viscosity and thermal breakdown in your car's engine.

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Speaker 1: And you knew there's no way to reverse miles on

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Speaker 1: the car.

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Speaker 5: That's totally made up.

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Speaker 2: Yeah, but god.

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Speaker 4: That what I thought about. That was the architecture of

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Speaker 4: that home. Yes, And I was like, I've never seen

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Speaker 4: anything like that.

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Speaker 5: That is the way rich people live.

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Speaker 1: Yeah, it really is so cool. It is so cool.

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Speaker 2: Yeah, so many empty promises with that movie. This is

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Speaker 2: what high school it's going to be, right?

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Speaker 1: And how rich is the kid? He's got like the

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Speaker 1: most expensive sampler? Yeah, yes, possible at the time.

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Speaker 2: Yeah, I wanted that room. I wanted his girlfriend. I

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Speaker 2: wanted that architecture.

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Speaker 1: You want a Pulley system that would move a mannequin

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Speaker 1: when you.

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Speaker 2: Yeah, that Pulley system that the mannequin is the only

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Speaker 2: thing I can afford.

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Speaker 4: I want to be able to wear a beret like

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Speaker 4: Mia Sarah in that movie and look like the most

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Speaker 4: gorgeous girl in the world.

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Speaker 5: But it doesn't work for everybody.

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Speaker 2: Yeah, when berets go south quick, yeah they do.

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Speaker 1: That was the time when you would see a movie

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Speaker 1: and everyone would think, Okay, we should all be dressing

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Speaker 1: like that, so we would all dress like in the movie.

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Speaker 1: Everyone had an overcoat like Breakfast Club.

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Speaker 5: Yeah.

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Speaker 1: In high school, I tried to.

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Speaker 4: I tried to wear Molly Ringwold outfits and I didn't

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Speaker 4: look anything like her and was not fan, and yet

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Speaker 4: I was layering and do doing belts diagonally and try.

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Speaker 1: That's amazing. I would love to see a picture of

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Speaker 1: whatever those outfits look like. I have so many insane outfits.

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Speaker 5: From the eighties.

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Speaker 1: From the eighties, rayon shirts. Did you have a chess king?

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Speaker 1: Oh yeah, yeah, yep. They had parachute pants and rayon shirts.

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Speaker 5: Yep. There was a lot of design back then.

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Speaker 4: Because when like I'm on TikTok and I'm on a

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Speaker 4: lot of like eighties nostalgia TikTok's world, they'll just run

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Speaker 4: like they'll just put out like a depeche Mode song

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Speaker 4: and then it'll just be like pages from seventeen magazine,

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Speaker 4: and it's like they're the outfits and the patterns and

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Speaker 4: the pattern combos and the it's like you were for girls.

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Speaker 4: You shopped at the limited you have you had to

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Speaker 4: wear a tank top, a shirt, a knit vest, a

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Speaker 4: belt over the vest, a blazer over all of that.

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Speaker 5: Like it was wild.

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Speaker 1: It was like they're making fun of fashion.

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Speaker 4: It was all sarcastic, but we didn't know that. We

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Speaker 4: were just buying it.

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Speaker 2: I find that when I dance, most of the moves

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Speaker 2: I learned from Molly ring Wild in Breakfast Club. I

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Speaker 2: do the arms, I do that, yeah, but I'm not

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Speaker 2: doing the I should be, you know, pumping my arms

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Speaker 2: and dancing like estimate.

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Speaker 1: That was a weird dance that he did. He didn't

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Speaker 1: make a lot of sense.

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Speaker 2: It's really, to this day a little off putting.

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Speaker 4: It was a jock dance, and jocks are off putting.

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Speaker 4: They can't dance. Yeah, they want to beat like nerds up.

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Speaker 1: It was like a track kind of dance, like he

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Speaker 1: was doing track and dancing.

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Speaker 2: Yeah, that may have just been bad direction, Sorry, John Hughes,

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Speaker 2: but he's like dance like you also wrestle and play football.

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Speaker 2: So it's like, I guess I'll flex and pump my arms.

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Speaker 5: Yeah, yeah, true to the character.

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Speaker 2: Yeah, but it was not to the rhythm of the

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Speaker 2: song that was playing.

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Speaker 5: I do have to.

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Speaker 4: Say that the scene where Emili west of his and

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Speaker 4: the goth nerd girl or the weird girl yeah together

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Speaker 4: Ali she is Alison is one of the most like

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Speaker 4: it was so touching and romantic, Like as a fourteen

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Speaker 4: year old watching it, it's just like the job can

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Speaker 4: be nice.

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Speaker 1: They're so great.

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Speaker 5: But he was so good.

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Speaker 2: Yeah, he was just so believable. Yeah. Yeah, that's a

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Speaker 2: great movie. It was really that was another movie. It's

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Speaker 2: like this is what high school's man be. Like, I'm

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Speaker 2: going to go to detention and everyone's going to accept

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Speaker 2: me there.

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Speaker 1: My dad's going to be like, we won't toll losers

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Speaker 1: in this family, and it'll burn you with cigar.

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Speaker 4: Also when wait, it's the amalgamation of.

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Speaker 5: All the worst dads.

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Speaker 1: One's in cabo ones burning you with cigars.

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Speaker 5: Jesus my mom.

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Speaker 4: So my parents used to watch on Sunday nights Ciskel

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Speaker 4: and Ebert.

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Speaker 5: It would be Siskel and Ebert and then I think

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Speaker 5: Entertainment Tonight.

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Speaker 4: So we had this kind of like block of appointment

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Speaker 4: TV that we always wanted.

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Speaker 1: I loved it so much.

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Speaker 4: And sixty minutes would be when you knew you're it

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Speaker 4: was too late to do your book report.

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Speaker 1: Yeah, I was like, you didn't do your homework?

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Speaker 3: All yeah?

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Speaker 1: Sound theme makes you depressed?

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Speaker 2: Oh yeah?

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Speaker 1: Still?

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Speaker 2: Oh yeah, mash is the sound of me getting a

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Speaker 2: C minus?

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Speaker 5: Yeah for real?

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Speaker 1: Mine is Moonlighting when the movie that's so funny, I'm

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Speaker 1: failing physics.

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Speaker 5: My parents don't know.

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Speaker 4: They're so happy with me right now and they're about

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Speaker 4: to find out something fucked.

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Speaker 1: Wait, what were you gonna say that? I interrupted you.

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Speaker 4: Just that in that we used to always watch ciscl

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Speaker 4: and Ebert, And the week that ciscl and Ebert reviewed

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Speaker 4: sixteen Candles, I'd never heard of John Hughes. I don't

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Speaker 4: think anyone had heard of John Hughes as far as

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Speaker 4: I knew. But that they're like, here's.

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Speaker 5: This charming new teenage comedy. It's called sixteen Candles.

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Speaker 4: Take a look, and the clips starts to roll, and

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Speaker 4: whatever part it was, I don't I don't remember.

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Speaker 5: But I was sitting in my parents all.

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Speaker 2: Uh uh, it's at a memory alarm so much nostalgia.

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Speaker 5: These people don't want to hear this ship.

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Speaker 4: They don't careences But I watched like one minute of

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Speaker 4: that clip and I ran up to the TV and

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Speaker 4: I was just like, oh my god.

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Speaker 5: And I was like, turned around to my mom and

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Speaker 5: you have to take me to this Oh my.

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Speaker 1: God, they got you.

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Speaker 2: Yeah.

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Speaker 4: I was like, whatever this is, I have to see it.

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Speaker 4: I have to see it when it comes out, like,

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Speaker 4: you can't let me miss this.

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Speaker 5: My Mom's like all right.

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Speaker 4: So then when Breakfast Club came out, my mom took

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Speaker 4: me and my friend to see Breakfast Club because she

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Speaker 4: it was the same experiences as sixteen Candles. And she

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Speaker 4: cried at the end of Breakfast Club. And I was like, Mom,

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Speaker 4: why did you cry? And she goes, it's just so

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Speaker 4: hard for teenagers.

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Speaker 2: That's so great.

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Speaker 1: Oh that's great, amazing, it's beautiful. What a beautiful breakfast

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Speaker 1: club experience.

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Speaker 2: Right, that's bad, Mom.

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Speaker 1: You're supposed to be me to me, I.

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Speaker 5: Know, you're supposed to be one of these horrible to.

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Speaker 1: Be like these kids if you're so nice, She's.

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Speaker 5: Like, it's hard for you, guys.

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Speaker 4: I just like, m M, I will be failing for

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Speaker 4: the next I think fifteen to seventeen years.

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Speaker 5: I'm going to delay any kind of ambition.

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Speaker 2: Thanks for their permission. John Hughes. Yeah, that spoke to

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Speaker 2: me a lot. I don't know why. And the sixteen

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Speaker 2: Candles did too. I win. At the end of that movie,

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Speaker 2: the hot hunk with a Porsche, all the cars move

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Speaker 2: and he's there a heart rate. But because I was

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Speaker 2: imagining you know whoever who Yes, at my school, I

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Speaker 2: thought he was a hunk. Oh, I just I related

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Speaker 2: to it, but I you know, I changed the characters

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Speaker 2: a little bit. But yeah, that's how I learned to dance,

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Speaker 2: and I learned to love old Ringwald. Thank you, Molly.

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Speaker 1: She was in something recently. She was in Uh. It

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Speaker 1: was a dramatic drama. She was someone's parent.

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Speaker 4: Yes, I think she's in one of those TV shows

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Speaker 4: like The Secret Lives of College Girls or something.

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Speaker 1: Yeah. I haven't seen that something. I don't know what

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Speaker 1: it was. But she was great.

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Speaker 2: Yeah, yeah, it's good to see her again. I saw

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Speaker 2: it too, I can't remember. We love Molly.

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Speaker 4: We love Molly Ringwoll, We love her success. Her father

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Speaker 4: is a blind jazz musician. That's cool. What Yeah, it's true.

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Speaker 2: Speaking of jazz, yeah, Christian, how are you?

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Speaker 1: Yeah, I'm gonna think of a jazz story.

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Speaker 2: Well are you a jazz you went you're a jazz guy, right?

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Speaker 1: I mean I had to study jazz in music school

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Speaker 1: because when I wanted to studying guitar, the only place

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Speaker 1: place you can do it was that Juilliard or Berkeley

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Speaker 1: and it was either classical or Yeah. I did get

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Speaker 1: into jazz, but it's it is something that I think

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Speaker 1: you have to force yourself to get into right, and

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Speaker 1: then some people don't ever get out and then they're kind.

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Speaker 2: Of jazz wormhole. Yeah, it's the ketamine of music. Have

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Speaker 2: you do upon But much like a vacuum cleaner, the

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Speaker 2: mash theme or the jazz gives me an anxiety when

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Speaker 2: it's on, like I gotta get my life together and

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Speaker 2: the music.

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Speaker 1: Is that what it makes you feel? Like when you

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Speaker 1: hear it, you feel why is that?

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Speaker 2: Yeah? And I'm not talking, I'm it's the flippy toe

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Speaker 2: jazz that my mom less news on headphones about the headphones.

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Speaker 1: So what does it bringing up for you that you

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Speaker 1: feel that way?

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Speaker 2: My heart?

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Speaker 1: I'm okay, okay, but.

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Speaker 2: No, if if someone's like here's Miles Davis or a culture.

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Speaker 2: I get there's certain I'm not saying all jazz.

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Speaker 1: Yeah, but they're so good that you feel like, how

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Speaker 1: come I can't do anything?

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Speaker 2: No, No, it's the it's the it's much like you know,

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Speaker 2: I can appreciate the musicianship of someone like and this

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Speaker 2: is going to be so controversial, but Jimi Hendrix. I

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Speaker 2: know that he was just a guitar aficionado, but I

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Speaker 2: the sound it makes doesn't bling bring pleasant.

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Speaker 1: Right, I don't. I feel the same way. And now people,

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Speaker 1: I mean, I obviously understand that he was amazing. It's

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Speaker 1: just that I think there's a lot of music from

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Speaker 1: the sixties that I can't They just can't quite relate

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Speaker 1: to it. Yeah, it's too psychedelic.

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Speaker 2: Yes, So where did.

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Speaker 5: You study music? Wow, that's great.

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Speaker 1: It's mostly where I just spent my parents' money. And

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Speaker 1: I was terrified the whole time.

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Speaker 4: Was it like whiplash where the people were yelling at you?

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Speaker 1: No, it was just me yelling at me. It's really

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Speaker 1: the same experience. But they're not very nice, you know. Yeah,

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Speaker 1: it can I think that it it's really detrimental to

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Speaker 1: go to it.

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Speaker 2: It's like competitive like school.

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Speaker 1: Yeah, you know, it's like you get there and they're like,

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Speaker 1: you shouldn't be here, or you know, you just feel

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Speaker 1: that way.

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Speaker 2: And that's funny because I and I didn't go to

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Speaker 2: a competitive art school. I majored in art at a

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Speaker 2: normal college. But I felt like they should have been

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Speaker 2: more critical. People got rewarded just for Oh I taped

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Speaker 2: my dreadlock to this, and it's about, yeah, the society.

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Speaker 2: And I'm like, this guy isn't good at art. He

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Speaker 2: didn't grow up drawing his hand over and overlocked in

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Speaker 2: the basement.

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Speaker 1: He's stoned right now.

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Speaker 2: Yes, I him. And and when you had to critique

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Speaker 2: other students' art, I was honest and made people cry.

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Speaker 2: And I was trying to be I didn't know that

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Speaker 2: we were supposed to be nice, but it sounds.

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Speaker 5: Like were you yelling? Was it like a high?

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Speaker 2: I was furious the strokes alone, don't get me, don't

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Speaker 2: get me started on the paint palette. I'm sorry. Shouldn't

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Speaker 2: you be wearing the sunglasses because you're blind? That's a

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Speaker 2: lot of what I did. Uh No, I they were

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Speaker 2: just like everyone as long as you try, And.

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Speaker 5: That's not true.

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Speaker 2: No, it's not. Yeah, in this so much easier we

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Speaker 2: needed more of that at my art school, like you

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Speaker 2: don't have it, you should think about a different major.

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Speaker 2: No one ever said that, but it sounds like at

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Speaker 2: your school.

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Speaker 1: They didn't say. It was just just a feel like

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Speaker 1: I had when I went to school for guitar. The

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Speaker 1: guitar Bassed song died that year. I feel like like

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Speaker 1: it was. It was just a lot of guys with

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Speaker 1: big guitars with those f holes in them, and they

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Speaker 1: played jazz and that's just what they wanted to do.

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Speaker 1: But a lot of us were like, well, we want

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Speaker 1: to be like Eddie van Halen and we want to

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Speaker 1: learn something at school so we can go and be

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Speaker 1: There was this other guitar player named Steve Vi who

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Speaker 1: had studied there, and yeah, it's not something that I was.

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Speaker 1: I didn't really like it that much. But he's a

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Speaker 1: very he's very magnetic and he's fun to listen to

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Speaker 1: talk but like the music is like just too for anetic,

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Speaker 1: but he's so he's just so skilled on guitar. So

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Speaker 1: a lot of people went there because they wanted to

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Speaker 1: learn some music theory and get better without just being

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Speaker 1: broke and playing in a band and right, But so

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Speaker 1: I showed up and I had like a hot pink

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Speaker 1: guitar and they don't like that gigantic whammy bar on it. Wow,

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Speaker 1: that's quite a piece of hardware. And I would hear

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Speaker 1: that all the time.

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Speaker 2: And do still play a lot.

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Speaker 5: Yeah, yeah, Well I.

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Speaker 1: Do all the music on the podcast, so I guess

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Speaker 1: I just play. I play for the music on the show.

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Speaker 2: I didn't know that you made all that music.

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Speaker 5: Yeah, that's cool.

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Speaker 1: In fact, I did. I've done more music for this

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Speaker 1: podcast than I ever did before. I never really recorded

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Speaker 1: music before it. I just kind of I almost gave

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Speaker 1: it up completely.

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Speaker 2: Yeah. That's kind of where I'm at with art. But

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Speaker 2: I know I'll revisit it.

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Speaker 1: You're so great. Oh thanks, Your art's amazing.

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Speaker 2: It's you're not going to talk me into doing it.

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Speaker 5: You do it.

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Speaker 1: You gotta do it.

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Speaker 2: If I had your talent, i'd do it every day.

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Speaker 2: Oh would you? Would you.

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Speaker 1: Every day?

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Speaker 2: Yeah?

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Speaker 1: It's it's uh, Well, when you say you'll do it,

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Speaker 1: what does that mean? Is you are to do it?

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Speaker 4: Get up, crack your knuckles, clear your throat, and sharp

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Speaker 4: and shark and an.

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Speaker 1: Egg yolk and do the thing and put pigment in it.

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Speaker 5: It's a you're constantly playing with eggs. Do you know

355
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Speaker 5: how expensive those are? What are you doing with egg.

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Speaker 2: I don't know why I handmake all my pain.

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Speaker 1: He does tempuo. He makes tempy every morning.

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Speaker 2: See that egg whites and mustard plant. Yeah, it's called

359
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Speaker 2: yellow sunset. It stinks. It's molding and it stinks. No,

360
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Speaker 2: it's it's I don't it's a fear of I was

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Speaker 2: better at this when I was seventeen. I could be

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Speaker 2: that way with skateboarding too, but I'm just happy to

363
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Speaker 2: be doing it at some level. But with art, I

364
00:18:54,920 --> 00:18:57,840
Speaker 2: get frustrated because I'm like, this used to be easier

365
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Speaker 2: for me because I used to do it all the time.

366
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Speaker 2: So I'm just distancing myself.

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Speaker 1: When you say it's easier, you mean that better art?

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Speaker 1: You just the ideas or the execution of just the

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Speaker 1: drawing itself.

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Speaker 2: And the amount of time it takes me. I used

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Speaker 2: to whip stuff out so quickly and it came easy

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Speaker 2: to me, and it's harder.

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Speaker 5: Sure is better, for sure, I mean, especially when it

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Speaker 5: comes to.

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Speaker 2: Art and doing it for a living.

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Speaker 1: It really how they price art's they do it through?

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Speaker 1: How fast?

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Speaker 2: Was I'm afraid it is? How what's your hourly rate.

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00:19:31,560 --> 00:19:33,520
Speaker 2: And that's an answer. I'm like, I'm not going to

380
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Speaker 2: punish myself because I'm getting faster the longer I do this.

381
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Speaker 2: What used to take me twelve hours now takes me six,

382
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Speaker 2: and so I'm making less money and just getting paid

383
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Speaker 2: what like trying to do art commercially for people?

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Speaker 1: Oh, I see what you mean. So you say, when

385
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Speaker 1: you say do it, you would be doing it as

386
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Speaker 1: a contractor, like you would, all right, But I never.

387
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Speaker 2: Wanted to do it to be like, oh, let me

388
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Speaker 2: see if someone will buy my paintings. Meanwhile, I'll cower

389
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Speaker 2: over and live in the studio apartment. And I wanted

390
00:20:06,960 --> 00:20:08,160
Speaker 2: to do Oh well.

391
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Speaker 5: Then you don't deserve fame exactly exactly.

392
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Speaker 2: I just wanted to make a living doing drawings things

393
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Speaker 2: and I did.

394
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Speaker 1: And you did, yeah, some stuff in uh in what

395
00:20:22,840 --> 00:20:25,600
Speaker 1: was the magazine you were? You were? You did some

396
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Speaker 1: stuff for us.

397
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Speaker 5: Slow Drawing Weekly, yes, yes, and.

398
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Speaker 2: Drawing and then the Fast Fast Drawers publication started coming out,

399
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Speaker 2: and I was like, well, well, the whole scene is

400
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Speaker 2: really I guess. Yeah, I like to draw like a

401
00:20:48,840 --> 00:20:50,120
Speaker 2: three toad slot.

402
00:20:50,359 --> 00:20:52,640
Speaker 4: We should talk a little more about Christian's podcast though,

403
00:20:52,720 --> 00:20:53,080
Speaker 4: Oh I know.

404
00:20:53,240 --> 00:20:56,240
Speaker 5: I know it's very popular. I know, And how long

405
00:20:56,240 --> 00:20:57,440
Speaker 5: have you been doing it? Has it been?

406
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Speaker 1: Like I've been doing it a long time, but I

407
00:20:59,000 --> 00:21:01,480
Speaker 1: haven't had a new episode in a long time. I

408
00:21:01,600 --> 00:21:06,480
Speaker 1: have these Patreon episodes, and I have not been able

409
00:21:06,560 --> 00:21:10,399
Speaker 1: to finish a new episode in once. That's one of

410
00:21:10,400 --> 00:21:12,680
Speaker 1: the problems with the show is that it's just takes.

411
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Speaker 2: So long yours, especially when I listen. There's a lot

412
00:21:16,240 --> 00:21:19,040
Speaker 2: of sound design. There's a lot just the one I've

413
00:21:19,119 --> 00:21:22,560
Speaker 2: worked with you on that was like, uh, oh, you

414
00:21:23,359 --> 00:21:26,040
Speaker 2: are making an audio movie.

415
00:21:26,760 --> 00:21:30,520
Speaker 1: Yeah, yeah, it took that. That was a fun scene

416
00:21:30,560 --> 00:21:32,720
Speaker 1: to do. People love that scene so much. By the way,

417
00:21:32,720 --> 00:21:33,679
Speaker 1: if they haven't already told you.

418
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Speaker 5: What was it, can you give us a teaser it was.

419
00:21:36,520 --> 00:21:41,080
Speaker 1: It was a scene where I'm trying to I find

420
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Speaker 1: this car that the police think I've stolen and the

421
00:21:43,240 --> 00:21:46,080
Speaker 1: guy and I'm following it around and it turns out

422
00:21:46,080 --> 00:21:47,959
Speaker 1: to someone that I know, and I follow him all

423
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Speaker 1: the way up to like some pistachio farm on the

424
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Speaker 1: way San Francisco, and then and then I we finally

425
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Speaker 1: get back and I find him at.

426
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Speaker 6: A burger this Burbank burger restaurant, he's at the drive

427
00:22:01,160 --> 00:22:06,239
Speaker 6: through and Chris is playing this character Jordan, and they

428
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Speaker 6: get into a fight.

429
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Speaker 1: It's very funny.

430
00:22:09,000 --> 00:22:12,240
Speaker 2: Yeah, it was. Wait, it was about the Uh. I

431
00:22:12,280 --> 00:22:16,520
Speaker 2: wouldn't admit that's the special sauce had mustard in it, right,

432
00:22:18,160 --> 00:22:20,520
Speaker 2: I don't have mustard. Well, don't worry, because this is

433
00:22:20,680 --> 00:22:23,400
Speaker 2: just a special sauce, but it seems like there's mustard

434
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Speaker 2: in it. And then I wouldn't I wouldn't answer.

435
00:22:26,040 --> 00:22:28,880
Speaker 1: And then he threatens Chris, and Chris is like, bring

436
00:22:28,920 --> 00:22:31,760
Speaker 1: it on, let's burn to the ground.

437
00:22:32,119 --> 00:22:36,640
Speaker 2: Yeah, yeah, but it is I was a karate guy, right, Yeah,

438
00:22:36,680 --> 00:22:38,720
Speaker 2: because you're a karate guy and he's a foosball guy,

439
00:22:38,760 --> 00:22:43,199
Speaker 2: and supposedly some sort of concord between there's like a

440
00:22:43,200 --> 00:22:44,480
Speaker 2: concord between.

441
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Speaker 1: Their their rivalry right now because of negotiations of their

442
00:22:48,200 --> 00:22:50,840
Speaker 1: parking lot. Oh, not supposed to fight. But then you

443
00:22:50,880 --> 00:22:54,239
Speaker 1: guys get into a fight, and then he gets kind

444
00:22:54,280 --> 00:22:57,399
Speaker 1: of foosball arrested, and because.

445
00:22:57,119 --> 00:23:00,359
Speaker 2: There's supposed to be a truce between the foosball and yeah, yeah,

446
00:23:00,640 --> 00:23:03,119
Speaker 2: it's temporary truth. Yeah, where we're breaking the truth.

447
00:23:03,320 --> 00:23:05,199
Speaker 1: And I would not listen to this podcast if I

448
00:23:05,200 --> 00:23:05,960
Speaker 1: heard this description.

449
00:23:07,400 --> 00:23:10,600
Speaker 2: What are you talking about Well, that's because.

450
00:23:10,359 --> 00:23:12,000
Speaker 1: They're like, I know, I don't want to hear it.

451
00:23:13,000 --> 00:23:15,240
Speaker 2: That's because we're not talking about all the folly work

452
00:23:15,320 --> 00:23:15,640
Speaker 2: you do.

453
00:23:15,760 --> 00:23:19,280
Speaker 4: Yes, and when you cut ahead of lettuce in half

454
00:23:19,320 --> 00:23:21,960
Speaker 4: and then smash it together, you make it sound like

455
00:23:22,000 --> 00:23:22,439
Speaker 4: a horse.

456
00:23:22,680 --> 00:23:25,879
Speaker 1: Would you believe that the carrot sound is celery? No?

457
00:23:25,960 --> 00:23:27,640
Speaker 5: Wow, that's wild.

458
00:23:28,200 --> 00:23:30,440
Speaker 1: I've got those. I've got wood blocks for shoes.

459
00:23:33,240 --> 00:23:35,240
Speaker 5: Every episode takes place in Denmark.

460
00:23:39,440 --> 00:23:41,800
Speaker 2: This podcast is clog heavy.

461
00:23:41,920 --> 00:23:42,960
Speaker 5: It's very well.

462
00:23:42,960 --> 00:23:45,640
Speaker 1: It's funny you say that because the sound effect library

463
00:23:45,760 --> 00:23:48,959
Speaker 1: that I usually use for some of the extra stuff,

464
00:23:49,080 --> 00:23:51,760
Speaker 1: they're always Norwegian, and so if you listen to the

465
00:23:51,800 --> 00:23:55,920
Speaker 1: crowd sounds, they're all speaking norm I can't for some reason.

466
00:23:55,960 --> 00:24:00,240
Speaker 1: They It's really one of their main exports is crowd sounds.

467
00:24:00,040 --> 00:24:07,520
Speaker 2: That's great. I've always thought that would be the funnest job,

468
00:24:07,920 --> 00:24:11,000
Speaker 2: is to go into a sound studio and just punch me,

469
00:24:11,520 --> 00:24:15,960
Speaker 2: walk on gravel, go make bird noises, just be.

470
00:24:17,160 --> 00:24:20,000
Speaker 4: Do you remember that trailerly Artist that used to run

471
00:24:20,080 --> 00:24:23,120
Speaker 4: before movies that was like I think it was basically

472
00:24:23,119 --> 00:24:27,000
Speaker 4: an ad for the La Times, but they showed fully

473
00:24:27,080 --> 00:24:30,200
Speaker 4: artists at work. And one of the things was they

474
00:24:30,240 --> 00:24:32,680
Speaker 4: smashed this head of lettuce, and I was just like,

475
00:24:32,760 --> 00:24:33,960
Speaker 4: what the fuck is that for?

476
00:24:34,359 --> 00:24:35,119
Speaker 2: What sound?

477
00:24:35,359 --> 00:24:36,399
Speaker 5: Are you trying to tell me.

478
00:24:38,080 --> 00:24:40,320
Speaker 2: That they couldn't show it because there's probably a horror

479
00:24:40,400 --> 00:24:44,080
Speaker 2: movie someone's brain getting smashed in. Oh maybe, yeah, lettuce

480
00:24:44,119 --> 00:24:45,680
Speaker 2: smash and heads. The lettuce is great.

481
00:24:45,720 --> 00:24:50,240
Speaker 1: They go through a lot of lettuce in fully studios.

482
00:24:50,280 --> 00:24:51,560
Speaker 1: Some of it.

483
00:24:51,800 --> 00:24:55,160
Speaker 5: Blumhouse is just like back it up over here through

484
00:24:55,160 --> 00:24:56,159
Speaker 5: the elephant doors.

485
00:24:56,400 --> 00:25:00,880
Speaker 2: Blue Mouse just has a farmer's market in there. Lobby. Yeah,

486
00:25:00,880 --> 00:25:04,960
Speaker 2: this is the wrong let Yeah, this lettuce is better

487
00:25:05,040 --> 00:25:05,959
Speaker 2: for sex scenes.

488
00:25:07,040 --> 00:25:10,040
Speaker 4: Don't forget to grab me some celery carrots because will

489
00:25:10,119 --> 00:25:11,320
Speaker 4: mean sullary carrots.

490
00:25:11,640 --> 00:25:15,159
Speaker 1: I said that because the sound of carrot eating in

491
00:25:15,200 --> 00:25:18,520
Speaker 1: the Bugs Bunny was celery apparently, Is that true? Yeah,

492
00:25:18,560 --> 00:25:21,280
Speaker 1: he was eating mel blanks, eating celery and spinning into

493
00:25:21,280 --> 00:25:21,719
Speaker 1: a bucket.

494
00:25:23,040 --> 00:25:26,160
Speaker 5: That's so god damn. I love Bugs Bunny. I know

495
00:25:27,000 --> 00:25:27,640
Speaker 5: that was the thing.

496
00:25:27,640 --> 00:25:30,560
Speaker 4: And when I used to hate going to school and

497
00:25:30,600 --> 00:25:34,439
Speaker 4: be like so oppressed by the politics of like socializing

498
00:25:34,480 --> 00:25:36,920
Speaker 4: at school, then I was like, you just need to act.

499
00:25:36,720 --> 00:25:38,760
Speaker 5: Like bugs Bunny. It's like, I don't know how he

500
00:25:38,760 --> 00:25:39,840
Speaker 5: does it, but that's the goal.

501
00:25:40,440 --> 00:25:43,679
Speaker 1: Yeah. He always he's just sort of like, eh, you know,

502
00:25:43,720 --> 00:25:44,879
Speaker 1: whatever it is, I.

503
00:25:44,880 --> 00:25:49,439
Speaker 2: Don't Yeah, it does work. Someone threatens you and he's like,

504
00:25:49,440 --> 00:25:52,199
Speaker 2: oh are you now, Like, yeah, he's kind of a

505
00:25:52,240 --> 00:25:56,200
Speaker 2: tough guy. Bugs Bunny is like he is not intimidated

506
00:25:56,240 --> 00:25:56,880
Speaker 2: by ship.

507
00:25:56,840 --> 00:25:57,920
Speaker 5: But not by guns.

508
00:25:57,920 --> 00:26:00,760
Speaker 4: He has shotguns, shotguns and his face and he just

509
00:26:00,760 --> 00:26:02,399
Speaker 4: sticks his fingers into.

510
00:26:02,160 --> 00:26:05,879
Speaker 1: The very violent. It's true. There was the shotgun with

511
00:26:05,920 --> 00:26:08,160
Speaker 1: the double barrel truck. And then there was a pot

512
00:26:08,320 --> 00:26:11,200
Speaker 1: where he was just like like it was a sauna

513
00:26:11,240 --> 00:26:12,760
Speaker 1: for him. There was like a spa.

514
00:26:13,440 --> 00:26:16,480
Speaker 5: Remember he got into and shut well.

515
00:26:16,520 --> 00:26:19,360
Speaker 2: It was so dark that to sarcastically be like, I'm

516
00:26:19,359 --> 00:26:21,320
Speaker 2: not intimidated by this witch.

517
00:26:23,320 --> 00:26:24,920
Speaker 1: Who was gonna cook him? I can't remember. I think

518
00:26:24,920 --> 00:26:27,320
Speaker 1: it was the witch, right, Oh was it witch? It

519
00:26:27,400 --> 00:26:29,199
Speaker 1: was a witch. There was a witch in it.

520
00:26:29,400 --> 00:26:31,040
Speaker 2: I think the one that would.

521
00:26:30,920 --> 00:26:32,680
Speaker 5: Jump and bobby pins would come out of her hair.

522
00:26:33,200 --> 00:26:33,800
Speaker 1: I don't remember.

523
00:26:34,080 --> 00:26:36,440
Speaker 5: She'd get really mad and it would be like boy, and.

524
00:26:36,400 --> 00:26:38,919
Speaker 1: It was I don't know why. I don't remember the

525
00:26:38,960 --> 00:26:41,159
Speaker 1: bobby pins the witch one.

526
00:26:42,800 --> 00:26:46,760
Speaker 4: But then there was also the big monster that loved

527
00:26:46,800 --> 00:26:50,600
Speaker 4: him and gave him like haircut or a massage no,

528
00:26:50,760 --> 00:26:53,560
Speaker 4: Bugs Bunny gave him a haircut and parted his hair

529
00:26:53,560 --> 00:26:55,000
Speaker 4: down the middle of that big red guy.

530
00:26:55,119 --> 00:26:56,840
Speaker 1: It was like an of mice and men kind of

531
00:26:56,880 --> 00:26:59,439
Speaker 1: thing where he was the bugs Bunny was the rabbit.

532
00:27:00,119 --> 00:27:01,639
Speaker 5: You love him and him?

533
00:27:02,080 --> 00:27:05,200
Speaker 2: Oh, yeah, that's right.

534
00:27:05,480 --> 00:27:07,600
Speaker 5: That's all we did every day after school.

535
00:27:07,760 --> 00:27:10,800
Speaker 1: Was Bugs Bunny? Right, yeap? What was the cartoon that

536
00:27:10,920 --> 00:27:13,920
Speaker 1: was on before you went to school in the morning.

537
00:27:13,960 --> 00:27:16,960
Speaker 1: Did you watch cartoons in the morning, Rocky and goal Winkle. Yeah.

538
00:27:17,240 --> 00:27:19,320
Speaker 5: And my dad would laugh his ass off.

539
00:27:19,240 --> 00:27:21,119
Speaker 4: When we didn't get any of the references, and he

540
00:27:21,160 --> 00:27:24,200
Speaker 4: would be laughing at all the reference because there would

541
00:27:24,200 --> 00:27:26,280
Speaker 4: be all those kinds of like puns and stuff that

542
00:27:26,320 --> 00:27:28,000
Speaker 4: like weren't for kids, they were for the parents.

543
00:27:28,080 --> 00:27:30,399
Speaker 1: Yeah, and political references that you had no idea what

544
00:27:30,480 --> 00:27:31,040
Speaker 1: was happening.

545
00:27:31,320 --> 00:27:34,520
Speaker 4: Well, Natasha and Boris, it was a whole Cold War reference,

546
00:27:34,600 --> 00:27:35,560
Speaker 4: and of course we're.

547
00:27:35,359 --> 00:27:36,679
Speaker 1: Just like big brainwashed.

548
00:27:36,840 --> 00:27:38,560
Speaker 5: Yeah, it's like a witch and a little guy.

549
00:27:38,600 --> 00:27:41,800
Speaker 4: But it's like, no, actually, the adults know this, this

550
00:27:41,840 --> 00:27:43,320
Speaker 4: is about Stalin or whatever.

551
00:27:43,920 --> 00:27:47,520
Speaker 2: Yeah, I think that I I just now I'm remembering.

552
00:27:47,600 --> 00:27:51,119
Speaker 2: I got dropped off at a retired couple's home that

553
00:27:51,240 --> 00:27:53,879
Speaker 2: was right by my not that close. I still had

554
00:27:53,880 --> 00:27:57,800
Speaker 2: to walk like three blocks and as a first grader,

555
00:27:57,840 --> 00:28:00,359
Speaker 2: But I watched Tom and Jerry and it was so

556
00:28:01,440 --> 00:28:05,240
Speaker 2: there'd be sword fights where like limbs get chopped off. Yeah,

557
00:28:05,280 --> 00:28:09,639
Speaker 2: and you could see it's like a oh, a pink

558
00:28:09,680 --> 00:28:14,639
Speaker 2: cylinder with a white bone, like it was very violent.

559
00:28:14,720 --> 00:28:16,520
Speaker 1: Or they would tie someone to a spicott and then

560
00:28:16,560 --> 00:28:17,560
Speaker 1: put them over a flame.

561
00:28:17,840 --> 00:28:18,119
Speaker 5: Yeah.

562
00:28:18,240 --> 00:28:19,320
Speaker 2: A lot of torture.

563
00:28:19,840 --> 00:28:23,400
Speaker 1: Yeah, just a lot of repressed I think it had

564
00:28:23,440 --> 00:28:24,800
Speaker 1: something to do with World War two.

565
00:28:25,040 --> 00:28:29,359
Speaker 2: Yeah. Yeah, I shouldn't have been watching that sword play.

566
00:28:29,880 --> 00:28:32,680
Speaker 1: What about sword play?

567
00:28:34,240 --> 00:28:35,280
Speaker 5: That's inappropriate?

568
00:28:35,640 --> 00:28:38,920
Speaker 1: Did you what else was on after school? Did you

569
00:28:39,040 --> 00:28:43,200
Speaker 1: have Gilligan's Island and Gilligan's Island and what was the

570
00:28:43,200 --> 00:28:43,600
Speaker 1: other one?

571
00:28:43,880 --> 00:28:44,600
Speaker 5: Three's Company?

572
00:28:44,680 --> 00:28:48,160
Speaker 1: Free Company? I actually old enough and I watched it

573
00:28:48,240 --> 00:28:48,920
Speaker 1: at night.

574
00:28:49,080 --> 00:28:53,920
Speaker 2: At night when it was on before the superstation. Yeah,

575
00:28:53,960 --> 00:28:56,760
Speaker 2: I watched all that stuff at superstation WTB.

576
00:28:57,040 --> 00:28:59,760
Speaker 1: Yeah, this was before the superstation. This was like, well,

577
00:28:59,760 --> 00:29:02,800
Speaker 1: what's gonna happen next week? That's how Oh wow you

578
00:29:03,680 --> 00:29:04,080
Speaker 1: with Jack?

579
00:29:04,160 --> 00:29:07,960
Speaker 5: Next week appointment TV for you? Will he act gay? Secretly?

580
00:29:08,040 --> 00:29:08,240
Speaker 2: Gay?

581
00:29:08,280 --> 00:29:08,560
Speaker 5: Again?

582
00:29:10,560 --> 00:29:14,720
Speaker 1: Will this sexual misunderstanding? Bed?

583
00:29:15,120 --> 00:29:17,400
Speaker 2: No, No, it's just gonna keep.

584
00:29:17,240 --> 00:29:20,520
Speaker 5: Going, will missus roper ever get any Oh?

585
00:29:20,640 --> 00:29:23,120
Speaker 1: That was all our jokes, oh Stanley.

586
00:29:23,360 --> 00:29:26,400
Speaker 5: Oh, and then she'd be in a big momo.

587
00:29:27,600 --> 00:29:32,280
Speaker 2: What I don't remember, but I've been reminded from videos

588
00:29:32,320 --> 00:29:35,480
Speaker 2: on my phone is that he would break the is

589
00:29:35,520 --> 00:29:38,000
Speaker 2: that the third wall or the fourth wall and look

590
00:29:38,080 --> 00:29:39,320
Speaker 2: right into camera.

591
00:29:39,160 --> 00:29:41,560
Speaker 5: Yeah yeah, and make a face you.

592
00:29:41,560 --> 00:29:43,680
Speaker 1: Do that face where he kind of like it wasn't

593
00:29:43,680 --> 00:29:45,880
Speaker 1: twiddling as Oh he put his pinky on its side

594
00:29:45,920 --> 00:29:46,240
Speaker 1: of his.

595
00:29:46,400 --> 00:29:51,080
Speaker 2: Mouth, yeah kind of, yeah, he did a sides. He

596
00:29:51,200 --> 00:29:52,560
Speaker 2: was a Shakespearean actor.

597
00:29:52,840 --> 00:29:54,480
Speaker 5: He was a horned up old man.

598
00:29:54,840 --> 00:29:55,800
Speaker 2: Was he a horned up.

599
00:29:55,800 --> 00:29:58,720
Speaker 4: That's well, because he was always like he was like,

600
00:29:59,000 --> 00:30:01,360
Speaker 4: I'm catching you guys, I was sleeping together.

601
00:30:01,600 --> 00:30:04,360
Speaker 5: And then Jack would be like, and I.

602
00:30:04,320 --> 00:30:08,080
Speaker 4: Have to say, for the time, John Ritter played like

603
00:30:08,280 --> 00:30:10,880
Speaker 4: I'm the gay neighbor very respectfully.

604
00:30:10,960 --> 00:30:12,760
Speaker 2: Yeah. Yeah, yeah, but.

605
00:30:12,840 --> 00:30:15,840
Speaker 4: It was this idea of like that idea that that

606
00:30:15,840 --> 00:30:19,000
Speaker 4: would exist at all was blowing this guy's.

607
00:30:18,720 --> 00:30:22,800
Speaker 2: Ponds right, yes, but yes, yeah, but they did try

608
00:30:22,800 --> 00:30:25,320
Speaker 2: and make it like the normal viewpoint should be like,

609
00:30:25,440 --> 00:30:26,360
Speaker 2: what's the big deal?

610
00:30:26,760 --> 00:30:30,640
Speaker 1: Yes, yes, And he was an old he was like, what.

611
00:30:30,600 --> 00:30:32,680
Speaker 5: Are you kids doing in here? There's no way you're not.

612
00:30:33,320 --> 00:30:35,520
Speaker 1: And every episode was him listening through a doors.

613
00:30:35,560 --> 00:30:36,280
Speaker 2: Yeah, that's funny.

614
00:30:36,320 --> 00:30:38,120
Speaker 1: There, turn that and put that in there.

615
00:30:38,760 --> 00:30:43,840
Speaker 2: What he was not chicken?

616
00:30:43,960 --> 00:30:45,520
Speaker 5: And yeah, no.

617
00:30:45,560 --> 00:30:49,520
Speaker 2: You gotta really stuff it in there. Give it a

618
00:30:49,520 --> 00:30:50,200
Speaker 2: little elbow.

619
00:30:50,280 --> 00:30:53,680
Speaker 4: Grease, mister roper, stop assuming and go into the kitchen.

620
00:30:54,040 --> 00:30:56,360
Speaker 1: Yes, oh that's so funny.

621
00:30:56,480 --> 00:30:59,920
Speaker 2: That's interesting though that he wasn't giving his wife any

622
00:31:00,200 --> 00:31:03,640
Speaker 2: sexual attention, but he was obsessed with what was going

623
00:31:03,680 --> 00:31:06,720
Speaker 2: on with Jack Tripper, with the youngsters youth.

624
00:31:07,120 --> 00:31:10,080
Speaker 1: Yes, it's one of those actors that you'll see him

625
00:31:10,320 --> 00:31:12,880
Speaker 1: younger in, like The Rockford Files and some of those

626
00:31:12,920 --> 00:31:17,440
Speaker 1: older syndicated shows. I saw Rockford recently where it was

627
00:31:17,520 --> 00:31:18,320
Speaker 1: Leslie Nielsen.

628
00:31:19,160 --> 00:31:21,880
Speaker 2: Oh yeah, his dramatic early career.

629
00:31:21,960 --> 00:31:25,480
Speaker 1: And it was directed by Patrick McGowan, who is the

630
00:31:26,080 --> 00:31:29,479
Speaker 1: best villain in any movie I've ever seen one. Well,

631
00:31:29,520 --> 00:31:31,760
Speaker 1: first he was the guy in the Prisoner, which was

632
00:31:31,800 --> 00:31:35,720
Speaker 1: such a weird show. But he was also Edward the

633
00:31:35,800 --> 00:31:41,280
Speaker 1: Longshanks in The Brave Heart. Yes, he was so funny.

634
00:31:41,480 --> 00:31:45,120
Speaker 2: Yeah, I think, oh boy, it's hard you conjure a

635
00:31:45,200 --> 00:31:46,920
Speaker 2: face and then it kind of picks.

636
00:31:48,000 --> 00:31:52,360
Speaker 1: Remember he's he's got like this long blonde hair. He

637
00:31:52,400 --> 00:31:56,080
Speaker 1: almost looks like Peter O'Toole, and he's very svelled. He's

638
00:31:56,160 --> 00:32:00,680
Speaker 1: very gaunt. And remember when his son, his son is

639
00:32:00,720 --> 00:32:02,600
Speaker 1: gay and he hates him for being gay. And he

640
00:32:02,680 --> 00:32:05,719
Speaker 1: has a boyfriend who he's trying to appoint as a

641
00:32:05,760 --> 00:32:10,640
Speaker 1: military commander of some kind. And the guy is the guy.

642
00:32:10,760 --> 00:32:13,120
Speaker 1: The boyfriend says something to the king goes, who is

643
00:32:13,160 --> 00:32:16,360
Speaker 1: this man has no business talking to me or something

644
00:32:16,400 --> 00:32:18,960
Speaker 1: like that, and then he gives him some advice and

645
00:32:19,040 --> 00:32:20,400
Speaker 1: then he goes, tell me, what would you do? And

646
00:32:20,400 --> 00:32:23,120
Speaker 1: then Patrick mcgoon just pushes him out a window and

647
00:32:23,200 --> 00:32:26,320
Speaker 1: yeats him. It was the darkest moment.

648
00:32:26,520 --> 00:32:26,960
Speaker 2: Whoa.

649
00:32:27,080 --> 00:32:30,200
Speaker 5: But also true, I mean like based on history.

650
00:32:30,880 --> 00:32:35,400
Speaker 4: Yeah, yeah, like really happened, because that was all historically accurate.

651
00:32:35,600 --> 00:32:36,480
Speaker 5: It's insane.

652
00:32:37,400 --> 00:32:40,800
Speaker 2: Back then, pushing someone out the window was the most

653
00:32:40,800 --> 00:32:45,360
Speaker 2: efficient whale way of feeling with a problems.

654
00:32:44,800 --> 00:32:45,720
Speaker 5: So satisfying.

655
00:32:45,760 --> 00:32:48,880
Speaker 4: It's almost like on the level of hanging up on

656
00:32:48,960 --> 00:32:51,200
Speaker 4: the phone with somebody, were like hanging up on someone.

657
00:32:51,200 --> 00:32:53,400
Speaker 1: We had arcades where you could just push people.

658
00:32:53,480 --> 00:32:58,560
Speaker 2: Yeah, it's so good. Air conditioning does climate controlled rooms

659
00:32:58,600 --> 00:33:02,479
Speaker 2: have saved so many lives because windows aren't open that's right.

660
00:33:02,640 --> 00:33:03,120
Speaker 1: It's true.

661
00:33:03,280 --> 00:33:04,160
Speaker 5: They're still true.

662
00:33:04,200 --> 00:33:06,160
Speaker 1: You don't even considered pushing someone up them.

663
00:33:06,440 --> 00:33:09,440
Speaker 4: But we also had after school, we had Star Trek,

664
00:33:09,880 --> 00:33:12,760
Speaker 4: which I didn't like, but we would watch anyway because

665
00:33:12,760 --> 00:33:15,040
Speaker 4: we were we just didn't want to stop watching TV,

666
00:33:15,680 --> 00:33:18,960
Speaker 4: so you'd have cartoon cartoon, cartoon block. You knew when

667
00:33:19,000 --> 00:33:21,880
Speaker 4: Star Trek started that you were getting closer to like

668
00:33:22,360 --> 00:33:23,720
Speaker 4: it's the sun's going down.

669
00:33:23,920 --> 00:33:26,440
Speaker 1: Yeah, you started remembering your life again. Yes, you're like, oh,

670
00:33:26,520 --> 00:33:27,400
Speaker 1: I'm not happy.

671
00:33:27,560 --> 00:33:30,360
Speaker 4: I got I better go grab some saltines and figure

672
00:33:30,400 --> 00:33:33,000
Speaker 4: this shit out. And then I would just sit there

673
00:33:33,000 --> 00:33:36,160
Speaker 4: and watch a show that made me uncomfortable, was stupid.

674
00:33:36,360 --> 00:33:39,200
Speaker 4: I didn't like it. And I know I have a

675
00:33:39,240 --> 00:33:42,440
Speaker 4: comprehensive knowledge of Star Trek.

676
00:33:42,600 --> 00:33:42,920
Speaker 1: You do.

677
00:33:43,080 --> 00:33:44,440
Speaker 5: We wouldn't stop watching it yet.

678
00:33:44,520 --> 00:33:47,120
Speaker 1: You know all of the because I've been watching some

679
00:33:47,160 --> 00:33:47,880
Speaker 1: of them recently.

680
00:33:48,520 --> 00:33:52,080
Speaker 5: So crazy, they are insane. What about the planet where

681
00:33:52,120 --> 00:33:53,360
Speaker 5: it's all the children.

682
00:33:55,920 --> 00:33:58,320
Speaker 1: And they're such mean kids, they're horrible.

683
00:33:58,440 --> 00:34:01,680
Speaker 5: Yeah, so many weird things.

684
00:34:01,720 --> 00:34:06,160
Speaker 1: All of the sets looked like they had rated other sets,

685
00:34:06,560 --> 00:34:07,400
Speaker 1: built sets.

686
00:34:08,000 --> 00:34:09,240
Speaker 5: They did love borrowing.

687
00:34:09,640 --> 00:34:12,799
Speaker 1: I was like, we have this, we have this sort

688
00:34:12,840 --> 00:34:17,719
Speaker 1: of renaissance living room. They use it, Okay, So they

689
00:34:17,800 --> 00:34:19,680
Speaker 1: land in the.

690
00:34:19,120 --> 00:34:23,839
Speaker 5: Planet Casino planet. Yeah, there's a lot of that ship

691
00:34:23,880 --> 00:34:25,319
Speaker 5: where you're like, this is not a.

692
00:34:25,239 --> 00:34:27,640
Speaker 2: Planeteah, you didn't even try it. Have you ever been

693
00:34:27,680 --> 00:34:31,040
Speaker 2: to the what used to be the Swiss Family Robinson

694
00:34:31,160 --> 00:34:36,160
Speaker 2: treehouse at Disneyland and they without they left, Like you know,

695
00:34:36,239 --> 00:34:41,040
Speaker 2: there's like a little what are you? A place where

696
00:34:41,080 --> 00:34:44,760
Speaker 2: you comb your hair and get pretty, a bathroom, an area,

697
00:34:46,600 --> 00:34:50,760
Speaker 2: a vanity, there's like a big thank you. Next clue

698
00:34:51,440 --> 00:34:55,960
Speaker 2: you put them on your face. No, not a mustache,

699
00:34:56,040 --> 00:34:56,920
Speaker 2: but teeth.

700
00:35:00,320 --> 00:35:01,560
Speaker 5: You put them on your face.

701
00:35:01,920 --> 00:35:03,399
Speaker 1: Yeah, I'm sorry, that's time.

702
00:35:04,680 --> 00:35:07,560
Speaker 2: Sorry, I know. On my grandma she puts her teeth

703
00:35:07,560 --> 00:35:11,080
Speaker 2: in a glass and then puts my monterfit and my

704
00:35:11,080 --> 00:35:14,120
Speaker 2: my grandpa when he smiled, there's a mustache. Tis Now.

705
00:35:16,840 --> 00:35:18,719
Speaker 1: That's the version of the game show where there you

706
00:35:18,760 --> 00:35:21,080
Speaker 1: didn't get your points back if you had a good enoughication.

707
00:35:21,520 --> 00:35:23,960
Speaker 5: Just like here was my thinking is that game show?

708
00:35:24,000 --> 00:35:24,719
Speaker 5: Hero is my thing?

709
00:35:24,800 --> 00:35:25,680
Speaker 1: What was you thinking?

710
00:35:27,000 --> 00:35:29,840
Speaker 2: Log about your twenty five thousand dollars pyramid on acid?

711
00:35:31,880 --> 00:35:35,480
Speaker 2: In this chaos they left all the Swiss Family Robinson stuff,

712
00:35:35,480 --> 00:35:39,080
Speaker 2: but then just put a figurine from Tarzan or something

713
00:35:39,080 --> 00:35:43,439
Speaker 2: they'd be like, so that you know there there's still

714
00:35:43,480 --> 00:35:46,320
Speaker 2: had the curtains and all that. They didn't even try.

715
00:35:46,400 --> 00:35:48,920
Speaker 2: They're like, ah, people will be happy they're in a tree.

716
00:35:50,480 --> 00:35:52,080
Speaker 2: I was really disappointed.

717
00:35:52,160 --> 00:35:53,040
Speaker 5: It's so different.

718
00:35:53,320 --> 00:35:55,560
Speaker 2: And then in the Pirates of the Gribbean, like they're

719
00:35:55,880 --> 00:35:59,480
Speaker 2: there used to be or Caribbean there used to be

720
00:36:00,120 --> 00:36:04,480
Speaker 2: choice like things that scared me, like a scary pirate

721
00:36:04,520 --> 00:36:08,520
Speaker 2: with an angry face chasing after a lady and pulling

722
00:36:08,520 --> 00:36:12,240
Speaker 2: our shirt and I'm like, oh I I my parents

723
00:36:12,320 --> 00:36:16,120
Speaker 2: have taught me enough to know that's nefarious. Yes, And

724
00:36:16,120 --> 00:36:18,520
Speaker 2: then I go back in my teenage years and she's

725
00:36:18,680 --> 00:36:22,239
Speaker 2: just got a hot, freshly baked pie and he's chasing her.

726
00:36:22,280 --> 00:36:25,239
Speaker 2: But all they did is still an angry face because they.

727
00:36:25,120 --> 00:36:27,560
Speaker 1: Have a tone. You gotta get that pie.

728
00:36:28,400 --> 00:36:30,520
Speaker 2: I'm so hungry.

729
00:36:31,960 --> 00:36:34,680
Speaker 5: This is sailor with a hankering for bake goods.

730
00:36:34,960 --> 00:36:37,200
Speaker 1: Didn't he do one where the woman's chasing the guy?

731
00:36:37,680 --> 00:36:42,719
Speaker 2: Yeah, yeah, but the joke was he was handsome and

732
00:36:42,800 --> 00:36:44,880
Speaker 2: she wasn't anything to write home about.

733
00:36:45,080 --> 00:36:46,600
Speaker 1: We got to be wrong about something here.

734
00:36:46,960 --> 00:36:52,080
Speaker 2: Yeah, let's focus on the chase. Well, it's not you know,

735
00:36:52,719 --> 00:36:56,560
Speaker 2: we're well, just lean into the fat cham Yeah, okay,

736
00:36:56,600 --> 00:36:58,160
Speaker 2: that's fun. People still like that.

737
00:36:58,239 --> 00:37:01,880
Speaker 4: Did you guys ever see the Star Trek where Captain

738
00:37:01,960 --> 00:37:05,840
Speaker 4: Kirk is just fighting this lizard monster on a planet

739
00:37:05,880 --> 00:37:07,760
Speaker 4: and that's the entire episode?

740
00:37:07,800 --> 00:37:09,239
Speaker 1: Is that the one with the music and he has

741
00:37:09,280 --> 00:37:14,200
Speaker 1: the stick? That's like that.

742
00:37:15,400 --> 00:37:19,960
Speaker 2: I only know how that because in a very specific moment,

743
00:37:20,040 --> 00:37:23,960
Speaker 2: and the Cable Guy not Larry, but yes I did, Jim,

744
00:37:24,120 --> 00:37:28,799
Speaker 2: not Larry but Jim Carrey. He does. There's some I

745
00:37:28,800 --> 00:37:31,239
Speaker 2: don't remember when there is a fight scene where they

746
00:37:31,360 --> 00:37:36,120
Speaker 2: use that music and he foldings all the sound effects

747
00:37:36,120 --> 00:37:41,400
Speaker 2: with his mouth and I love that guy. Yeah, it's

748
00:37:41,520 --> 00:37:45,120
Speaker 2: that's that's another movie that's worth watching it again.

749
00:37:45,239 --> 00:37:45,759
Speaker 5: Cable Guy.

750
00:37:46,000 --> 00:37:49,080
Speaker 1: Yeah, I think they're going to show it at that

751
00:37:49,880 --> 00:37:54,280
Speaker 1: theater show. Oh really yeah, Cable Vista.

752
00:37:54,440 --> 00:37:57,880
Speaker 2: Yes, finally went there to watch Friendship.

753
00:37:58,160 --> 00:37:59,840
Speaker 1: That's where I saw it.

754
00:38:00,040 --> 00:38:01,160
Speaker 5: What's Friendship?

755
00:38:01,600 --> 00:38:06,920
Speaker 2: It is Tim Robinson Paul Rudd in a very strange

756
00:38:06,960 --> 00:38:10,879
Speaker 2: but hilarious movie. Yeah, it's worth it.

757
00:38:11,040 --> 00:38:11,400
Speaker 5: Okay.

758
00:38:12,400 --> 00:38:14,640
Speaker 2: It's one of those movies you watch where you're like, oh,

759
00:38:14,640 --> 00:38:16,200
Speaker 2: I should write a weird script.

760
00:38:16,719 --> 00:38:20,239
Speaker 5: Yeah yeah, I could get away with this.

761
00:38:20,520 --> 00:38:22,600
Speaker 2: Yeah, it doesn't need to be perfect. Just put some

762
00:38:22,800 --> 00:38:23,680
Speaker 2: great people that.

763
00:38:23,719 --> 00:38:27,800
Speaker 5: Are likable in it and get it going, get it going.

764
00:38:28,320 --> 00:38:31,200
Speaker 4: If you had to, Christian, if you have to recommend

765
00:38:31,719 --> 00:38:35,000
Speaker 4: a movie, what's your first movie that you recommend to people?

766
00:38:35,040 --> 00:38:38,880
Speaker 1: It comes to mind that is really well. I really

767
00:38:38,880 --> 00:38:41,239
Speaker 1: love what about Bob I do.

768
00:38:42,160 --> 00:38:43,959
Speaker 5: It's a movie. I saw that in the theater.

769
00:38:44,120 --> 00:38:46,279
Speaker 1: I love it. I watch it maybe once every a

770
00:38:46,320 --> 00:38:48,160
Speaker 1: couple of months. It just makes you laughing. Now. I

771
00:38:48,239 --> 00:38:50,000
Speaker 1: just know it back to back right.

772
00:38:50,400 --> 00:38:53,319
Speaker 2: Yeah. For me, it's Arthur. I make people watch it.

773
00:38:53,440 --> 00:38:59,920
Speaker 2: Oh yeah, yes, I love Some Cross.

774
00:39:00,960 --> 00:39:03,600
Speaker 1: That is a fun movie. I loved that movie when

775
00:39:03,600 --> 00:39:04,440
Speaker 1: I was a kid.

776
00:39:04,640 --> 00:39:05,280
Speaker 5: So funny.

777
00:39:05,400 --> 00:39:07,759
Speaker 2: I think it is like something my dad made me

778
00:39:07,800 --> 00:39:11,400
Speaker 2: watch over and over, like pay attention to this joke. Yeah, listener,

779
00:39:11,480 --> 00:39:15,120
Speaker 2: Sir John Gielgood, he was just John Geelgood back then.

780
00:39:17,080 --> 00:39:20,200
Speaker 1: Before What about you Ka? What would your yeah movie?

781
00:39:20,640 --> 00:39:23,000
Speaker 4: I mean, I think if it was like a fast one.

782
00:39:23,280 --> 00:39:25,640
Speaker 4: I like to imagine situations where people ask you for

783
00:39:25,719 --> 00:39:29,640
Speaker 4: recommendations right now, so it be I would be pressed.

784
00:39:29,920 --> 00:39:31,520
Speaker 1: Yeah, and I.

785
00:39:31,440 --> 00:39:34,200
Speaker 5: Think it would be Ama daeis I do.

786
00:39:34,320 --> 00:39:35,080
Speaker 1: I love that movie.

787
00:39:35,120 --> 00:39:38,359
Speaker 4: It's such a like whole thing that happens, and it's

788
00:39:38,520 --> 00:39:42,719
Speaker 4: very rich and kind of like what more could you want? Yes,

789
00:39:43,120 --> 00:39:45,240
Speaker 4: and it's I don't know. I can watch that movie

790
00:39:45,400 --> 00:39:46,680
Speaker 4: over and over, like I was.

791
00:39:46,680 --> 00:39:50,440
Speaker 2: Great, and then he was like a drug wayward drug

792
00:39:50,520 --> 00:39:52,879
Speaker 2: son in Parenthood. But what happened to him?

793
00:39:53,000 --> 00:39:54,200
Speaker 1: I wonder that a lot.

794
00:39:54,960 --> 00:39:57,520
Speaker 5: Yeah, he was like a Broadway guy.

795
00:39:58,800 --> 00:40:01,040
Speaker 4: I know people that took act lessons from him in

796
00:40:01,440 --> 00:40:04,160
Speaker 4: New York City or maybe his husband. I think he

797
00:40:04,360 --> 00:40:08,200
Speaker 4: like did theater and then but just ultimately kind of retired.

798
00:40:09,000 --> 00:40:14,200
Speaker 1: For that's my He was also in uh Dominic and

799
00:40:14,440 --> 00:40:17,439
Speaker 1: he was in a movie with Ray Liota where.

800
00:40:17,280 --> 00:40:18,680
Speaker 5: Oh, where he was like mentally ill.

801
00:40:18,880 --> 00:40:21,520
Speaker 1: Yeah, oh he was, Yeah, he was like he was

802
00:40:21,600 --> 00:40:23,080
Speaker 1: like mentally paired somehow.

803
00:40:23,160 --> 00:40:26,080
Speaker 2: I can remember what it was nice and.

804
00:40:25,440 --> 00:40:29,520
Speaker 1: It was called it was called Dominic and Eugene.

805
00:40:29,560 --> 00:40:32,760
Speaker 5: I think, yes, yeah, he's a good actor.

806
00:40:33,040 --> 00:40:35,120
Speaker 1: He is great. Ama Das is funny because it was

807
00:40:35,520 --> 00:40:38,919
Speaker 1: I saw it when I was in music school and

808
00:40:38,960 --> 00:40:40,960
Speaker 1: it just made me so depressed because it was like

809
00:40:41,040 --> 00:40:45,520
Speaker 1: I felt like Saliary, Yeah, we're all that guy.

810
00:40:45,800 --> 00:40:49,280
Speaker 5: We're all fucking Saliary. There are very few Ama Dasses.

811
00:40:50,520 --> 00:40:52,960
Speaker 4: That's kind of how I always felt in stand up,

812
00:40:53,000 --> 00:40:55,279
Speaker 4: where it'd be like every night, I'd be back in

813
00:40:55,320 --> 00:40:57,439
Speaker 4: the back wringing my hands together and being.

814
00:40:57,400 --> 00:40:59,040
Speaker 5: Like, you're not that good.

815
00:40:59,800 --> 00:41:00,839
Speaker 2: I can't get good.

816
00:41:01,000 --> 00:41:01,799
Speaker 5: You're not that good.

817
00:41:01,960 --> 00:41:05,799
Speaker 4: I Meanwhile, people are just destroying the Oh God, why

818
00:41:05,840 --> 00:41:09,880
Speaker 4: can't I have it?

819
00:41:11,840 --> 00:41:16,080
Speaker 1: And that's funny because I was thinking of he was

820
00:41:16,120 --> 00:41:19,400
Speaker 1: in this movie called slam Dance Too, and he made

821
00:41:19,520 --> 00:41:23,799
Speaker 1: oil paints with he made temper of paints. I think

822
00:41:23,840 --> 00:41:26,120
Speaker 1: that's how I knew how Tempera paints were.

823
00:41:26,040 --> 00:41:28,560
Speaker 2: Making really is that he makes.

824
00:41:28,200 --> 00:41:30,200
Speaker 1: Them with an egg yolk at the beginning of.

825
00:41:30,120 --> 00:41:31,600
Speaker 2: It and mustard plant.

826
00:41:32,120 --> 00:41:35,560
Speaker 5: Maybe Tempera paints related to the food.

827
00:41:35,880 --> 00:41:37,920
Speaker 1: Well, it's I think it must have a reference to

828
00:41:38,000 --> 00:41:43,240
Speaker 1: egg of some kind. I don't know. I don't know

829
00:41:43,480 --> 00:41:44,880
Speaker 1: really remember what the movie.

830
00:41:45,080 --> 00:41:48,320
Speaker 2: Maybe the I think the reason where it is because

831
00:41:48,360 --> 00:41:51,880
Speaker 2: with eggs, much like wet paint, it is temporary because

832
00:41:51,880 --> 00:41:55,320
Speaker 2: it's about to become a picture or an omelet.

833
00:41:56,200 --> 00:41:57,120
Speaker 5: Okay, just.

834
00:41:59,200 --> 00:42:04,239
Speaker 2: In this trash, we'll get your podcast. Keep these pants,

835
00:42:05,360 --> 00:42:09,920
Speaker 2: get in their naked Hey, Christian, what was the sometimes

836
00:42:09,920 --> 00:42:14,239
Speaker 2: on this podcast people do their jokes. You had a

837
00:42:15,160 --> 00:42:18,319
Speaker 2: when I very first met you. It was we just

838
00:42:18,360 --> 00:42:21,520
Speaker 2: were on a show together at some brewery and you

839
00:42:21,560 --> 00:42:25,000
Speaker 2: had a you had a I had just seen Ghosts

840
00:42:25,000 --> 00:42:29,359
Speaker 2: of the Musical, which I've raved about a ghost the musical, Yeah,

841
00:42:29,440 --> 00:42:33,600
Speaker 2: the movie ghost and I at first I was laughing,

842
00:42:33,800 --> 00:42:36,520
Speaker 2: I like a child, because they'd be just talking and

843
00:42:36,560 --> 00:42:38,680
Speaker 2: then all of a sudden start singing. But then I

844
00:42:38,719 --> 00:42:44,000
Speaker 2: loved it because of the practical visual effects of like

845
00:42:44,239 --> 00:42:46,239
Speaker 2: you know, when the ghosts take the guy away, they

846
00:42:46,280 --> 00:42:50,800
Speaker 2: project They projected ghosts on a mesh screen in front

847
00:42:50,840 --> 00:42:53,040
Speaker 2: of the stage or in the foreground, and what and

848
00:42:53,080 --> 00:42:57,920
Speaker 2: so they all these layers of action. Whoever put that

849
00:42:57,960 --> 00:43:03,520
Speaker 2: show together visually was amazing and it was his his

850
00:43:03,640 --> 00:43:04,200
Speaker 2: later work.

851
00:43:05,920 --> 00:43:06,640
Speaker 1: This was racing.

852
00:43:07,000 --> 00:43:11,239
Speaker 2: But what was your new kid converse? Do feel comfortable

853
00:43:11,280 --> 00:43:13,600
Speaker 2: conversationally doing that joke?

854
00:43:14,280 --> 00:43:15,920
Speaker 5: But also do it in a show voice?

855
00:43:16,239 --> 00:43:22,759
Speaker 1: Yes, yes, you think, Hey you guys, I love this guy.

856
00:43:23,239 --> 00:43:26,080
Speaker 1: He was the guy that says, hey you guys, I love.

857
00:43:27,480 --> 00:43:30,440
Speaker 2: An audience member. Honey, I'm so glad we sat up front.

858
00:43:30,480 --> 00:43:31,240
Speaker 1: Hey you guys.

859
00:43:31,440 --> 00:43:31,720
Speaker 2: Uh.

860
00:43:32,520 --> 00:43:34,000
Speaker 1: I don't remember what the joke. What was? It was

861
00:43:34,000 --> 00:43:36,040
Speaker 1: a drug about musical, right, it was so it was

862
00:43:36,160 --> 00:43:39,560
Speaker 1: like it was it was, but I don't remember the

863
00:43:39,600 --> 00:43:41,920
Speaker 1: problem with every joke is how do you get into it.

864
00:43:42,040 --> 00:43:42,840
Speaker 2: I'm so sorry.

865
00:43:42,960 --> 00:43:44,439
Speaker 1: It's like, how do you get into a joke?

866
00:43:44,520 --> 00:43:47,279
Speaker 2: I can't believe I did the thing that everyone does

867
00:43:47,320 --> 00:43:49,719
Speaker 2: on an airplane or a chair lift. And I'm like, oh,

868
00:43:49,760 --> 00:43:51,200
Speaker 2: you're a comedian, tell me a joke.

869
00:43:51,320 --> 00:43:53,160
Speaker 1: But yeah, I'll help you.

870
00:43:53,080 --> 00:43:53,719
Speaker 5: Get into it.

871
00:43:54,080 --> 00:43:54,319
Speaker 1: Okay.

872
00:43:54,400 --> 00:43:57,040
Speaker 4: We'll give you kind of an opener, a soft opener

873
00:43:57,280 --> 00:43:59,600
Speaker 4: to that, and then you can kind of trampling your

874
00:43:59,640 --> 00:44:01,120
Speaker 4: way to the actual material.

875
00:44:01,160 --> 00:44:04,080
Speaker 2: Okay, Okay, So and I'm in on this too.

876
00:44:04,239 --> 00:44:06,360
Speaker 4: How about it's a how about you start with a

877
00:44:06,400 --> 00:44:07,400
Speaker 4: little local work.

878
00:44:07,480 --> 00:44:11,279
Speaker 5: So we'll say you're in Omaha, right right? Yeah, how

879
00:44:11,360 --> 00:44:12,200
Speaker 5: you guys doing tonight?

880
00:44:12,360 --> 00:44:13,399
Speaker 2: Yeah, it's good to be here.

881
00:44:14,719 --> 00:44:16,160
Speaker 5: There's hardly any people here.

882
00:44:17,200 --> 00:44:20,239
Speaker 1: We're here immediately.

883
00:44:20,400 --> 00:44:21,080
Speaker 2: You don't count.

884
00:44:21,160 --> 00:44:22,600
Speaker 5: Okay, now we're in your joke.

885
00:44:22,640 --> 00:44:28,759
Speaker 1: Ready, go hey you guys. Ever, notice that would be

886
00:44:28,840 --> 00:44:31,680
Speaker 1: really funny to set up you guys, ever, notice how

887
00:44:33,000 --> 00:44:37,640
Speaker 1: I set up this joke? What was it? It was

888
00:44:37,719 --> 00:44:41,560
Speaker 1: like it was it was about how musicals are, like

889
00:44:41,719 --> 00:44:45,280
Speaker 1: they're they're not songs, they're every every line of dialogue

890
00:44:45,360 --> 00:44:48,000
Speaker 1: is song. It was from Ley Miz And it was

891
00:44:48,040 --> 00:44:49,960
Speaker 1: like you came into my house and you asked me

892
00:44:50,040 --> 00:44:53,000
Speaker 1: for walt to when I told you my own drink

893
00:44:53,080 --> 00:44:56,399
Speaker 1: tea Like that wasn't a song?

894
00:44:58,719 --> 00:45:00,520
Speaker 2: Yes, okay, that's what it was.

895
00:45:00,880 --> 00:45:04,160
Speaker 1: The normal Yeah that, And I don't remember how it

896
00:45:04,239 --> 00:45:04,839
Speaker 1: was set up.

897
00:45:05,480 --> 00:45:07,200
Speaker 5: It was set up by slamming people.

898
00:45:06,960 --> 00:45:09,160
Speaker 1: From omaha, Oh that's what it was.

899
00:45:09,280 --> 00:45:10,160
Speaker 5: No, you just did it.

900
00:45:11,080 --> 00:45:14,800
Speaker 2: I don't remember that in a weird, convoluted way. I

901
00:45:15,719 --> 00:45:17,719
Speaker 2: do this with a lot of things. I was just

902
00:45:17,800 --> 00:45:20,959
Speaker 2: trying to get you to sing. You have a good

903
00:45:21,040 --> 00:45:25,600
Speaker 2: singing voice. Yeah, I remember seeing you do that joke,

904
00:45:25,640 --> 00:45:28,359
Speaker 2: and I'm like, not only was that funny, I think

905
00:45:28,400 --> 00:45:31,000
Speaker 2: this guy has a million musical theater background.

906
00:45:31,080 --> 00:45:32,759
Speaker 1: I remember one of the problems with the joke was

907
00:45:32,880 --> 00:45:35,479
Speaker 1: does it sound like I'm trying to be a good

908
00:45:35,560 --> 00:45:37,080
Speaker 1: singer in this right?

909
00:45:37,680 --> 00:45:41,359
Speaker 2: I do remember quietly accusing you of that in my

910
00:45:41,520 --> 00:45:45,840
Speaker 2: head way to showcase your other talents.

911
00:45:45,239 --> 00:45:48,359
Speaker 4: Double threatening everybody, these triple threateners.

912
00:45:49,640 --> 00:45:52,880
Speaker 2: Why don't you do a little dance too, you guy?

913
00:45:53,480 --> 00:45:55,040
Speaker 2: How do you start to let you know he's a

914
00:45:55,080 --> 00:45:57,480
Speaker 2: good dancer? To how do we start?

915
00:45:57,800 --> 00:45:59,680
Speaker 1: How do you start shows? When you do stand up? Like,

916
00:45:59,719 --> 00:46:01,239
Speaker 1: how do you start them? Will you go out and

917
00:46:01,239 --> 00:46:02,919
Speaker 1: you go what do you what do you say?

918
00:46:03,120 --> 00:46:05,840
Speaker 2: Well, first I fumble with the mic stand something. I

919
00:46:06,000 --> 00:46:11,400
Speaker 2: still I still can't figure out why it's there. I'll

920
00:46:11,600 --> 00:46:14,719
Speaker 2: pull it out and hopefully the chord comes out of

921
00:46:14,760 --> 00:46:17,120
Speaker 2: the mic, and then I go fuck. And then I

922
00:46:17,239 --> 00:46:20,759
Speaker 2: sat at aside never to use it again. Yes, why

923
00:46:20,800 --> 00:46:22,439
Speaker 2: can't we just be handed a mic?

924
00:46:22,600 --> 00:46:22,799
Speaker 4: Yeah?

925
00:46:22,880 --> 00:46:25,719
Speaker 1: I always. I always had trouble with putting the mic

926
00:46:25,840 --> 00:46:27,160
Speaker 1: back into the thing.

927
00:46:27,840 --> 00:46:30,799
Speaker 2: At the end aftward, like I still do.

928
00:46:30,960 --> 00:46:32,839
Speaker 1: It's like still part of the show, and I'm up there,

929
00:46:32,960 --> 00:46:35,160
Speaker 1: like trying to put the mic click clack.

930
00:46:35,239 --> 00:46:37,080
Speaker 4: All of a sudden, it's like there's all these extra

931
00:46:37,160 --> 00:46:40,160
Speaker 4: noises that you're like, do everybody, did anybody ever go

932
00:46:40,200 --> 00:46:41,080
Speaker 4: to the grocery store?

933
00:46:42,000 --> 00:46:45,279
Speaker 5: Clock clungk client clumb to the grocery store? You ever?

934
00:46:46,000 --> 00:46:49,760
Speaker 4: Guys A real loud guys as you're trying to hold

935
00:46:49,800 --> 00:46:51,719
Speaker 4: the thing and fit the thing the thing.

936
00:46:52,960 --> 00:46:56,520
Speaker 2: My favorite is where a joke falls flat and then

937
00:46:57,160 --> 00:47:00,239
Speaker 2: the comic goes, ah, what.

938
00:47:00,239 --> 00:47:03,880
Speaker 1: Else and what else? What else?

939
00:47:04,239 --> 00:47:04,760
Speaker 2: What else?

940
00:47:04,880 --> 00:47:08,080
Speaker 1: What else? And if I say what else? I would

941
00:47:08,120 --> 00:47:11,319
Speaker 1: go into a tailspin in my head and forget every joke.

942
00:47:12,800 --> 00:47:13,400
Speaker 5: Uh.

943
00:47:13,400 --> 00:47:16,880
Speaker 4: My friend Kiaren Edison was the She was the host

944
00:47:17,080 --> 00:47:19,920
Speaker 4: when Jimmy Walker came and played the San Francisco improv.

945
00:47:19,960 --> 00:47:20,680
Speaker 5: When I first.

946
00:47:20,480 --> 00:47:22,319
Speaker 2: Started me JJ Walker.

947
00:47:23,480 --> 00:47:27,120
Speaker 4: And he in between every one liner, he would then

948
00:47:27,160 --> 00:47:32,960
Speaker 4: go much to talk about, much to discuss, and much.

949
00:47:32,800 --> 00:47:35,600
Speaker 5: To talk about, much to discuss, every single time.

950
00:47:35,719 --> 00:47:38,200
Speaker 4: So she would say it all like it became a

951
00:47:38,239 --> 00:47:42,160
Speaker 4: thing she had to say, so funny, much.

952
00:47:42,040 --> 00:47:44,280
Speaker 1: To talk about, much to discuss.

953
00:47:43,960 --> 00:47:45,520
Speaker 5: Much to discuss.

954
00:47:46,000 --> 00:47:50,200
Speaker 2: Yeah, there there's there's this a comic named Dusty Sleigh

955
00:47:50,280 --> 00:47:55,439
Speaker 2: that I watched. Uh yeah, he wears trucker hats and

956
00:47:55,560 --> 00:47:59,000
Speaker 2: uh he is funny. It's great jokes. But he in

957
00:47:59,040 --> 00:48:01,920
Speaker 2: between jokes was doing we're having fun. This is a

958
00:48:01,960 --> 00:48:06,560
Speaker 2: good time. We're having fun, he said between almost to

959
00:48:06,719 --> 00:48:08,799
Speaker 2: it's like, Okay, he's doing it too much. But then

960
00:48:08,840 --> 00:48:11,759
Speaker 2: he kept he laid into it even more. He'd say,

961
00:48:12,000 --> 00:48:14,440
Speaker 2: we're having fun. This is good, We're having fun. This

962
00:48:14,520 --> 00:48:17,839
Speaker 2: is a fun time. Oh, he's not gonna And then

963
00:48:17,880 --> 00:48:20,879
Speaker 2: I started really laughing at it, you know, like when

964
00:48:22,080 --> 00:48:24,920
Speaker 2: something goes on too long and you think it should stop,

965
00:48:24,960 --> 00:48:28,040
Speaker 2: and then it keeps going and then everyone laughs on purpose.

966
00:48:28,239 --> 00:48:32,560
Speaker 2: I don't know, and I think so. So I'm on

967
00:48:32,600 --> 00:48:37,320
Speaker 2: the fence between I don't know and I think so. Uh, yeah,

968
00:48:37,560 --> 00:48:38,120
Speaker 2: it's Uh.

969
00:48:38,400 --> 00:48:40,080
Speaker 1: Are you doing it a lot? Are you doing a

970
00:48:40,120 --> 00:48:41,200
Speaker 1: lot of stand up lately?

971
00:48:41,560 --> 00:48:43,320
Speaker 2: No one is it's dead?

972
00:48:43,800 --> 00:48:44,279
Speaker 1: Was it dead?

973
00:48:44,640 --> 00:48:50,280
Speaker 2: I've been midlife crisis, skating in the mornings, skateboarding, helping

974
00:48:51,160 --> 00:48:52,040
Speaker 2: my comedy career.

975
00:48:52,239 --> 00:48:54,960
Speaker 1: No, I mean, is helping you in your state of mind?

976
00:48:55,120 --> 00:49:00,360
Speaker 2: Yeah, totally, but no. I do stand up once or

977
00:49:00,360 --> 00:49:03,600
Speaker 2: twice a week, sure, but sometimes I'll go a whole

978
00:49:03,600 --> 00:49:06,479
Speaker 2: month and I'll realize suddenly, Wow, I haven't done stand

979
00:49:06,560 --> 00:49:10,200
Speaker 2: up all month, and I have to go. I'm being

980
00:49:10,200 --> 00:49:13,759
Speaker 2: paid to do shows in this other city and I

981
00:49:13,800 --> 00:49:17,000
Speaker 2: have to shake off the rest. And so I would

982
00:49:17,040 --> 00:49:19,600
Speaker 2: like to be doing it more often, but I honestly

983
00:49:19,640 --> 00:49:23,239
Speaker 2: it's a product of me in doing life a little more.

984
00:49:24,520 --> 00:49:25,799
Speaker 1: I haven't done it in.

985
00:49:27,719 --> 00:49:30,720
Speaker 2: I want you to, but I'm someone that always wants

986
00:49:30,760 --> 00:49:31,400
Speaker 2: other people to do.

987
00:49:31,520 --> 00:49:34,320
Speaker 1: I want to until it's time to do it, and

988
00:49:34,400 --> 00:49:35,160
Speaker 1: I'm like, I definitely.

989
00:49:35,840 --> 00:49:38,799
Speaker 4: Then you just lose the will to live and you're like, oh,

990
00:49:38,960 --> 00:49:41,160
Speaker 4: you call up and you're like, sorry, I broke my ankle.

991
00:49:41,280 --> 00:49:43,360
Speaker 1: I'm sorry that I was having a fantasy that I

992
00:49:43,400 --> 00:49:44,440
Speaker 1: was going to do that.

993
00:49:44,600 --> 00:49:48,680
Speaker 4: Old me does not represent future me, which is now

994
00:49:48,760 --> 00:49:49,279
Speaker 4: present me.

995
00:49:49,320 --> 00:49:49,640
Speaker 1: At all.

996
00:49:49,960 --> 00:49:52,160
Speaker 5: Yeah, get me out of this fucking shit.

997
00:49:53,000 --> 00:49:57,920
Speaker 2: Yeah, I know. I like the person you've become. I

998
00:49:57,960 --> 00:50:01,480
Speaker 2: mean both of you. Yeah, that goes for both of you.

999
00:50:01,800 --> 00:50:04,120
Speaker 5: It's just my less comment.

1000
00:50:04,520 --> 00:50:08,920
Speaker 2: Yes, yeah, no, I like you you old you and

1001
00:50:09,000 --> 00:50:12,360
Speaker 2: knew you. Both of you had good and bad parts.

1002
00:50:13,160 --> 00:50:17,000
Speaker 2: I like the new news a majority of each of you.

1003
00:50:17,239 --> 00:50:19,720
Speaker 5: As the new person, we're doing our best.

1004
00:50:19,960 --> 00:50:23,440
Speaker 2: But the old you, Christian was just a comic that

1005
00:50:23,480 --> 00:50:28,239
Speaker 2: I enjoyed watching. But then you now I enjoy it.

1006
00:50:28,920 --> 00:50:30,759
Speaker 2: I'm not fishing, but do you want to go with me?

1007
00:50:30,840 --> 00:50:31,239
Speaker 2: If I do?

1008
00:50:32,200 --> 00:50:32,359
Speaker 1: Go?

1009
00:50:32,440 --> 00:50:33,280
Speaker 2: What fishing?

1010
00:50:34,000 --> 00:50:37,200
Speaker 1: Yeah, I'll go fishing. Where what are we fishing for?

1011
00:50:37,800 --> 00:50:38,680
Speaker 3: Compliments?

1012
00:50:39,200 --> 00:50:42,840
Speaker 2: The water is fine? And then the hook pulls me

1013
00:50:42,920 --> 00:50:48,880
Speaker 2: out of the car naked in the trash can I uh?

1014
00:50:49,840 --> 00:50:54,000
Speaker 2: I'm my point, my, it's good to good to have

1015
00:50:54,120 --> 00:50:54,279
Speaker 2: you here.

1016
00:50:54,960 --> 00:50:58,600
Speaker 1: Oh thanks, that was the point. Yeah, the point is

1017
00:50:58,640 --> 00:50:59,239
Speaker 1: I like you.

1018
00:51:00,520 --> 00:51:03,320
Speaker 5: I meant to tell you earlier, seven years earlier.

1019
00:51:03,600 --> 00:51:08,520
Speaker 2: How did you get involved with that show Ridiculousness, which

1020
00:51:08,600 --> 00:51:15,440
Speaker 2: is to my two worlds, comedy and skateboarding. It was colliding,

1021
00:51:15,520 --> 00:51:16,000
Speaker 2: it was.

1022
00:51:18,360 --> 00:51:20,920
Speaker 1: I was in the grounde at the time when I

1023
00:51:20,920 --> 00:51:24,160
Speaker 1: got into reality TVs. We had kids, and I write

1024
00:51:24,200 --> 00:51:25,960
Speaker 1: a job and then I ended up doing it for

1025
00:51:26,000 --> 00:51:28,960
Speaker 1: like fifteen years. Great, and before I knew it, I

1026
00:51:29,040 --> 00:51:30,359
Speaker 1: was producing a clip show.

1027
00:51:30,480 --> 00:51:33,200
Speaker 2: Yeah, so at Skateboarder. That's about my age that I

1028
00:51:33,239 --> 00:51:34,879
Speaker 2: grew up watching Rob.

1029
00:51:36,000 --> 00:51:40,200
Speaker 5: Yeah, I don't tell me about ridiculousness.

1030
00:51:39,560 --> 00:51:42,680
Speaker 2: But I'm telling you about I'll tell you he was

1031
00:51:42,800 --> 00:51:46,160
Speaker 2: in these skate films that were really important to me.

1032
00:51:46,560 --> 00:51:49,600
Speaker 2: That weren't. I mean, all of his video parts had

1033
00:51:49,640 --> 00:51:53,600
Speaker 2: like Dinosaur Junior, and so they give a false sense

1034
00:51:53,600 --> 00:51:55,160
Speaker 2: of I didn't know he was like more of a

1035
00:51:55,239 --> 00:51:55,919
Speaker 2: hip hop guy.

1036
00:51:56,760 --> 00:51:56,960
Speaker 1: Yeah.

1037
00:51:57,040 --> 00:52:03,080
Speaker 2: Later, but all of a sudden he became this based

1038
00:52:03,120 --> 00:52:07,440
Speaker 2: on gimmick or a bit. They did four escape video

1039
00:52:07,480 --> 00:52:09,960
Speaker 2: where he brought his own security guard in case he

1040
00:52:10,000 --> 00:52:12,200
Speaker 2: got kicked out of a Yeah, and that.

1041
00:52:12,200 --> 00:52:15,719
Speaker 1: Was I think that was Reuben Fleischer. I think was

1042
00:52:15,760 --> 00:52:19,920
Speaker 1: directing that. That was his idea, if it was Rob's idea.

1043
00:52:19,880 --> 00:52:23,640
Speaker 2: Wow, Yeah, And that turned into it's just so big.

1044
00:52:23,680 --> 00:52:25,560
Speaker 1: And I lived in that house for a while. I rended,

1045
00:52:25,800 --> 00:52:29,400
Speaker 1: you're killing I rented it for some price that I

1046
00:52:29,840 --> 00:52:31,600
Speaker 1: would not be able to actually live in the house.

1047
00:52:31,640 --> 00:52:33,560
Speaker 1: For what it costs to live in that house, I

1048
00:52:33,600 --> 00:52:37,279
Speaker 1: was renting it for maybe half, like three thousand a month.

1049
00:52:37,440 --> 00:52:38,840
Speaker 5: Shit, that's insane.

1050
00:52:39,239 --> 00:52:42,840
Speaker 1: Yeah, it was crazy. He was filled with rats. No really,

1051
00:52:42,960 --> 00:52:46,440
Speaker 1: it was like I have so many terrible stories where

1052
00:52:46,480 --> 00:52:49,240
Speaker 1: I like would catch a rat and then I wouldn't

1053
00:52:49,280 --> 00:52:51,440
Speaker 1: know what to do with the rat. There was all

1054
00:52:51,480 --> 00:52:55,880
Speaker 1: this what by the one time there was this rat

1055
00:52:56,040 --> 00:52:57,800
Speaker 1: in the kitchen, it was you do know what the

1056
00:52:57,800 --> 00:52:59,279
Speaker 1: house looked like, right, It was just kind of an

1057
00:52:59,360 --> 00:53:00,000
Speaker 1: open space.

1058
00:53:00,320 --> 00:53:01,120
Speaker 2: Yeah. Yeah.

1059
00:53:01,160 --> 00:53:05,160
Speaker 1: And so the kids were maybe seven at the time,

1060
00:53:05,200 --> 00:53:08,520
Speaker 1: they're twins, and there were like five levels to this

1061
00:53:08,640 --> 00:53:13,520
Speaker 1: weird presure type house, and the kitchen was on the

1062
00:53:13,520 --> 00:53:16,759
Speaker 1: top level. And there's this rat that kept getting into

1063
00:53:16,760 --> 00:53:17,240
Speaker 1: the kitchen.

1064
00:53:17,600 --> 00:53:19,760
Speaker 2: A rat, Yeah, you saw all that time.

1065
00:53:20,000 --> 00:53:22,520
Speaker 1: Well, I would hear him and I knew it was

1066
00:53:22,560 --> 00:53:25,040
Speaker 1: a rat because there were rats that would die in

1067
00:53:25,080 --> 00:53:29,560
Speaker 1: the traps. So I was like, oh, I got to

1068
00:53:29,560 --> 00:53:32,680
Speaker 1: get that rat. And so I went up, thinking you're

1069
00:53:32,719 --> 00:53:34,960
Speaker 1: not going to get the rat, You're just gonna scare

1070
00:53:34,960 --> 00:53:37,840
Speaker 1: it away. So I hear it in the sink, and

1071
00:53:37,960 --> 00:53:40,800
Speaker 1: I go up and I grab a you know those swiffers, Yeah,

1072
00:53:40,840 --> 00:53:43,319
Speaker 1: just a river swiffer, and I grab it and I

1073
00:53:43,719 --> 00:53:45,279
Speaker 1: and I see it and I go for it, and

1074
00:53:45,320 --> 00:53:47,920
Speaker 1: I bring it down and I have the rat under

1075
00:53:47,960 --> 00:53:51,279
Speaker 1: the swiffer. So now last thing that I wanted was

1076
00:53:51,320 --> 00:53:55,000
Speaker 1: to have that rat. And then my son comes upstairs.

1077
00:53:55,480 --> 00:53:58,640
Speaker 1: It's like six or seven. He's like, what do you have?

1078
00:53:58,719 --> 00:54:03,000
Speaker 1: I'm like a bug. He goes let me see, and

1079
00:54:03,040 --> 00:54:05,759
Speaker 1: he comes up and go, don't come up here. I mean,

1080
00:54:05,880 --> 00:54:08,879
Speaker 1: I scared the hell out of him. I've never seen

1081
00:54:08,960 --> 00:54:12,120
Speaker 1: him stop so quickly. I still feel terrible for it.

1082
00:54:14,239 --> 00:54:14,960
Speaker 1: And what happened?

1083
00:54:14,960 --> 00:54:16,000
Speaker 2: How did you get rid of it?

1084
00:54:16,120 --> 00:54:18,399
Speaker 1: I put it. I kind of brushed it back into

1085
00:54:18,400 --> 00:54:20,239
Speaker 1: the little vent that he came out of, and they

1086
00:54:20,239 --> 00:54:23,240
Speaker 1: would push there was this little vent under this island

1087
00:54:23,360 --> 00:54:25,359
Speaker 1: and they would push it out just so.

1088
00:54:25,320 --> 00:54:27,319
Speaker 2: It was more of a as you were.

1089
00:54:27,520 --> 00:54:29,480
Speaker 1: So I might have heard him. I don't know, but

1090
00:54:29,600 --> 00:54:30,960
Speaker 1: I thought about it for a long time.

1091
00:54:32,880 --> 00:54:33,479
Speaker 5: There's no way.

1092
00:54:34,160 --> 00:54:38,040
Speaker 1: They're like, they're like again, you know, it's like we

1093
00:54:38,200 --> 00:54:41,120
Speaker 1: put traps and sometimes I'm just dying in the wall

1094
00:54:41,360 --> 00:54:41,959
Speaker 1: for some reason.

1095
00:54:42,160 --> 00:54:44,120
Speaker 5: Yea everywhere.

1096
00:54:45,480 --> 00:54:49,320
Speaker 2: God, yeah, And there was a level.

1097
00:54:49,400 --> 00:54:52,960
Speaker 1: There was so much drainage when it rained that there

1098
00:54:53,080 --> 00:54:57,399
Speaker 1: was two or three inches of water in the entryway

1099
00:54:57,560 --> 00:55:01,000
Speaker 1: every rainy And I got one of those water backs

1100
00:55:01,040 --> 00:55:02,279
Speaker 1: and I would suck it all up.

1101
00:55:03,200 --> 00:55:07,960
Speaker 2: Never so, was Rob living there at the time.

1102
00:55:07,880 --> 00:55:10,279
Speaker 1: Or no, No, I was just he had moved out

1103
00:55:10,400 --> 00:55:13,680
Speaker 1: and had okay, needed someone to rent it.

1104
00:55:13,719 --> 00:55:15,480
Speaker 5: Was it in like Santa Clarita or something.

1105
00:55:15,640 --> 00:55:21,319
Speaker 1: No, it's right up in the the hills there off

1106
00:55:21,360 --> 00:55:21,799
Speaker 1: a bar um.

1107
00:55:22,200 --> 00:55:29,040
Speaker 4: Oh wow, that's crazy. You know. Ruben Fleischer directed The

1108
00:55:29,120 --> 00:55:31,719
Speaker 4: Girl's Guitar Club like short film.

1109
00:55:31,880 --> 00:55:32,560
Speaker 1: I didn't know that.

1110
00:55:32,800 --> 00:55:33,640
Speaker 5: Yeah he was.

1111
00:55:33,719 --> 00:55:35,680
Speaker 4: And it was like he was just kind of around

1112
00:55:35,719 --> 00:55:37,239
Speaker 4: and was like, hey, you guys should do a thing,

1113
00:55:37,239 --> 00:55:39,359
Speaker 4: and it's like sounds good and then he's just like

1114
00:55:39,480 --> 00:55:42,120
Speaker 4: one of the biggest directors there is, so like that's cool.

1115
00:55:42,719 --> 00:55:46,080
Speaker 5: Wow, he's the best. I love that man.

1116
00:55:47,120 --> 00:55:49,920
Speaker 2: Did he do stand up or am I thinking of

1117
00:55:49,960 --> 00:55:50,920
Speaker 2: a different Fleischer?

1118
00:55:50,960 --> 00:55:55,040
Speaker 1: No, but he did a he did a you need

1119
00:55:55,040 --> 00:55:55,680
Speaker 1: a storytelling?

1120
00:55:56,040 --> 00:55:59,520
Speaker 4: You're thinking of Charles Fleischer, the voice of Roger rabbites.

1121
00:56:00,880 --> 00:56:01,120
Speaker 5: Yep.

1122
00:56:02,080 --> 00:56:03,560
Speaker 1: I saw him do stand up once.

1123
00:56:03,760 --> 00:56:05,080
Speaker 5: Great stuff, right, I.

1124
00:56:05,040 --> 00:56:07,600
Speaker 1: Mean I don't I was so young and I wanted

1125
00:56:07,640 --> 00:56:08,479
Speaker 1: to do stand up.

1126
00:56:09,000 --> 00:56:11,200
Speaker 5: And You're like, I can't do this many voices.

1127
00:56:11,600 --> 00:56:14,719
Speaker 1: Yeah, it's like you would do all these voices and

1128
00:56:14,960 --> 00:56:18,080
Speaker 1: it was that do you guys know that there was

1129
00:56:18,120 --> 00:56:23,239
Speaker 1: another improv in Santa Monica. Yes, and back in like

1130
00:56:23,520 --> 00:56:26,719
Speaker 1: the I think it was like the early nineties. I

1131
00:56:26,880 --> 00:56:29,400
Speaker 1: moved here and I wanted to do stand up and

1132
00:56:29,440 --> 00:56:34,280
Speaker 1: you would go to the improv in Hollywood or whatever

1133
00:56:34,320 --> 00:56:36,399
Speaker 1: it is, LA and then they and then you would

1134
00:56:36,400 --> 00:56:38,560
Speaker 1: sign up. In a month later, you would go to

1135
00:56:38,600 --> 00:56:41,640
Speaker 1: the Santa Monica one yeah, and it would be packed

1136
00:56:41,880 --> 00:56:43,160
Speaker 1: really for an open mic.

1137
00:56:43,480 --> 00:56:45,640
Speaker 5: And it was downstairs, right, it was like.

1138
00:56:45,680 --> 00:56:48,800
Speaker 1: Upper yeah, yeah, you went downstairs and so I signed

1139
00:56:48,840 --> 00:56:53,680
Speaker 1: up and then I I didn't practice stand up, was

1140
00:56:53,680 --> 00:56:54,840
Speaker 1: just like, oh, you go to an open mic and

1141
00:56:54,920 --> 00:56:56,520
Speaker 1: you do stand up. So I wrote jokes for like

1142
00:56:56,560 --> 00:56:58,440
Speaker 1: a month and I got there and it was packed,

1143
00:56:58,760 --> 00:57:00,560
Speaker 1: and just before I called my name, It's like, I'm

1144
00:57:00,600 --> 00:57:02,560
Speaker 1: not doing this.

1145
00:57:04,040 --> 00:57:07,719
Speaker 2: Well, yeah, you were protecting your future feelings. Now I

1146
00:57:07,760 --> 00:57:10,399
Speaker 2: could have gone south and then you would have never

1147
00:57:11,520 --> 00:57:15,400
Speaker 2: your whole life, what have You'd be just playing guitars

1148
00:57:15,440 --> 00:57:21,200
Speaker 2: with Steve Vai Right now. I'm glad, Yeah, I'm glad.

1149
00:57:21,360 --> 00:57:21,840
Speaker 2: I'm glad.

1150
00:57:23,280 --> 00:57:25,240
Speaker 5: Christian. Did you have anything you want to plug or

1151
00:57:25,280 --> 00:57:25,880
Speaker 5: talk about?

1152
00:57:27,000 --> 00:57:29,400
Speaker 1: Well, I'm gonna try speaking of stand up, I'm trying

1153
00:57:29,440 --> 00:57:35,960
Speaker 1: to do I'm doing a live Valley heat at a house.

1154
00:57:36,440 --> 00:57:39,160
Speaker 1: It's like fifty or sixty seats. It's free. It's like

1155
00:57:39,160 --> 00:57:41,360
Speaker 1: a it's like a dry run of a show for

1156
00:57:41,440 --> 00:57:44,200
Speaker 1: Largo at the end of the summer. Oh great, but

1157
00:57:45,200 --> 00:57:47,160
Speaker 1: I don't know if there's any tickets left. It's on

1158
00:57:47,320 --> 00:57:48,160
Speaker 1: June twenty eighth.

1159
00:57:48,680 --> 00:57:51,800
Speaker 2: And have you chosen the house yet or just yeah,

1160
00:57:51,840 --> 00:57:52,480
Speaker 2: it's someone's.

1161
00:57:52,640 --> 00:57:54,480
Speaker 1: It's like this house that he does like a lot

1162
00:57:54,520 --> 00:57:58,160
Speaker 1: of events and like a lot of fundraisers and stuff.

1163
00:57:58,200 --> 00:58:01,880
Speaker 5: So maybe people could aim for the Largo show in August.

1164
00:58:01,960 --> 00:58:03,640
Speaker 1: They could, Well, I don't know when that's going to be.

1165
00:58:03,720 --> 00:58:06,840
Speaker 1: But so I'm plugging something that doesn't exist.

1166
00:58:06,600 --> 00:58:12,480
Speaker 2: Right, That's what I've been doing it for years. That's edgy. Yeah,

1167
00:58:13,000 --> 00:58:16,720
Speaker 2: and that's again, look for me in the next major movie.

1168
00:58:17,760 --> 00:58:19,640
Speaker 2: I'm plugging something that doesn't exist.

1169
00:58:19,720 --> 00:58:24,480
Speaker 1: Yeah, exactly. Yeah, I'm going to be touring, touring with

1170
00:58:24,520 --> 00:58:26,200
Speaker 1: the show in a few years.

1171
00:58:26,440 --> 00:58:28,840
Speaker 2: I'd like to plug the Christian and I are going

1172
00:58:28,920 --> 00:58:31,200
Speaker 2: to dust off the bowling balls and go bowling.

1173
00:58:31,360 --> 00:58:33,760
Speaker 1: Yeah we do need to bowl, Yeah we do. You

1174
00:58:33,800 --> 00:58:34,560
Speaker 1: still have your ball?

1175
00:58:34,800 --> 00:58:38,080
Speaker 2: I do, It's in storage, but I'll pull it out.

1176
00:58:38,280 --> 00:58:40,080
Speaker 5: I love bowling if you want to invite me.

1177
00:58:40,200 --> 00:58:42,480
Speaker 1: Oh wait, this is one thing I wanted to say it.

1178
00:58:42,600 --> 00:58:45,280
Speaker 1: So I have this idea for a podcast, right, yeah,

1179
00:58:45,360 --> 00:58:48,360
Speaker 1: your podcast, maybe think of it. But it's you record

1180
00:58:48,760 --> 00:58:51,960
Speaker 1: a support call. Every episode is just you talking to

1181
00:58:52,160 --> 00:58:56,080
Speaker 1: like an insurance representative, right Or they say you're recording.

1182
00:58:56,080 --> 00:58:58,480
Speaker 1: You say, well, I'm recording to and this is a podcast.

1183
00:58:58,920 --> 00:58:59,919
Speaker 2: Oh my god.

1184
00:59:00,200 --> 00:59:03,400
Speaker 1: But you could have a guest also, yes, oh that's great.

1185
00:59:03,560 --> 00:59:05,520
Speaker 1: Is it great or not? It probably isn't. I mean,

1186
00:59:05,760 --> 00:59:06,800
Speaker 1: none of us are ever going to do.

1187
00:59:06,840 --> 00:59:07,440
Speaker 5: It depends on.

1188
00:59:08,960 --> 00:59:12,120
Speaker 4: Because I can remember the times where I've called support

1189
00:59:12,280 --> 00:59:14,880
Speaker 4: and gotten people who actually helped me and were nice

1190
00:59:14,880 --> 00:59:17,160
Speaker 4: to me. And it would be so fun to be

1191
00:59:17,160 --> 00:59:18,880
Speaker 4: able to re listen because there was a woman one

1192
00:59:18,880 --> 00:59:21,800
Speaker 4: time and I can't. It was insurance. It was something

1193
00:59:22,000 --> 00:59:26,360
Speaker 4: very dense, and I was like absolutely overwhelmed and I

1194
00:59:26,400 --> 00:59:28,600
Speaker 4: couldn't handle myself on the phone because I would get

1195
00:59:28,600 --> 00:59:31,200
Speaker 4: someone and I'd be like, yes, sing, I'm trying to

1196
00:59:31,680 --> 00:59:33,840
Speaker 4: and then I would like cry or would you like

1197
00:59:34,240 --> 00:59:36,720
Speaker 4: way too emotional and people are just like ma'am.

1198
00:59:36,800 --> 00:59:38,800
Speaker 1: Yeah, ma'am, this is too much for me.

1199
00:59:39,080 --> 00:59:42,320
Speaker 4: Maybe and then this lovely lady who sounded like she

1200
00:59:42,400 --> 00:59:45,120
Speaker 4: was from South Carolina, where she's like, oh, honey, I've

1201
00:59:45,120 --> 00:59:46,000
Speaker 4: been through this before.

1202
00:59:46,040 --> 00:59:49,760
Speaker 5: And I was like, she's here, and she fucking solved.

1203
00:59:49,400 --> 00:59:53,840
Speaker 4: It, called me honey four times and like truly cured me.

1204
00:59:54,160 --> 00:59:54,400
Speaker 1: Yeah.

1205
00:59:54,760 --> 00:59:58,280
Speaker 2: I love those. And then you you go through the steps. Yes,

1206
00:59:58,440 --> 01:00:03,360
Speaker 2: I do actually want to give this person a positive review. Yeah, yes, yeah,

1207
01:00:04,120 --> 01:00:06,560
Speaker 2: I think that what you just described as just a

1208
01:00:06,680 --> 01:00:08,320
Speaker 2: funny joeybe.

1209
01:00:08,360 --> 01:00:11,360
Speaker 1: It's funny in yeah, in theory, but really it would

1210
01:00:11,360 --> 01:00:12,240
Speaker 1: be like being on a hill.

1211
01:00:12,840 --> 01:00:16,120
Speaker 2: Well good, And I said, Okay, if I record this,

1212
01:00:16,600 --> 01:00:20,439
Speaker 2: I'm recording. Also, this is a podcast. That's so there

1213
01:00:20,480 --> 01:00:20,920
Speaker 2: you go.

1214
01:00:20,920 --> 01:00:23,680
Speaker 4: And then you start calling jails. Where else do we

1215
01:00:23,720 --> 01:00:27,600
Speaker 4: get recorded on the phone? Shtch out some ideas?

1216
01:00:27,960 --> 01:00:30,600
Speaker 1: Yeah, do you have to tell you this call is

1217
01:00:30,600 --> 01:00:32,560
Speaker 1: being recorded? You are being recorded?

1218
01:00:32,640 --> 01:00:38,240
Speaker 2: No, you are you? I am welcome to my podcast.

1219
01:00:38,280 --> 01:00:43,240
Speaker 2: Are you wearing a wire? Everyone's recording on their own.

1220
01:00:43,480 --> 01:00:46,080
Speaker 5: Yes, it's the podcast quality assurance.

1221
01:00:46,720 --> 01:00:49,360
Speaker 2: Oh I like that. Okay, we're gonna work shot, we

1222
01:00:49,440 --> 01:00:49,720
Speaker 2: have to.

1223
01:00:50,560 --> 01:00:55,280
Speaker 4: Yes, Yes, Christian Dugay one of the great Thank you.

1224
01:00:55,240 --> 01:00:57,200
Speaker 1: Thank you so much for having me here. Y.

1225
01:00:57,240 --> 01:01:04,000
Speaker 2: Yeah, I think you're okay too. You've been listening listener

1226
01:01:09,680 --> 01:01:17,360
Speaker 2: another Southwestern themed episode of d y n a R.

1227
01:01:25,280 --> 01:01:27,720
Speaker 3: This has been an exactly right production.

1228
01:01:28,200 --> 01:01:30,440
Speaker 5: Our senior producer is Annalise Nelson.

1229
01:01:30,840 --> 01:01:32,240
Speaker 3: Mixed by Edson Troy.

1230
01:01:32,680 --> 01:01:34,560
Speaker 4: Our talent booker is Patrick Cotner.

1231
01:01:34,840 --> 01:01:37,360
Speaker 3: Theme song by Karen Kilgareth.

1232
01:01:37,200 --> 01:01:38,640
Speaker 5: Artwork by Chris Fairbanks.

1233
01:01:38,880 --> 01:01:41,960
Speaker 4: Follow the show on Instagram, Twitter, and Facebook at dinar

1234
01:01:42,080 --> 01:01:45,160
Speaker 4: podcast That's d y n a R Podcast.

1235
01:01:45,560 --> 01:01:49,160
Speaker 2: For more information, go to exactly rightmedia dot com.

1236
01:01:49,160 --> 01:01:51,400
Speaker 5: Thank you, Oh You're welcome