WEBVTT - Eurovarmints

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<v Speaker 1>Welcome to Creature future production of iHeartRadio. I'm your host

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<v Speaker 1>of Many Parasites, Katie Golden. I studied psychology and evolutionary biology,

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<v Speaker 1>and today on the show Eurovarmns, we're talking about animals

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<v Speaker 1>who belong on stage at Eurovision or not. I guess

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<v Speaker 1>I'm being told that that is against the rules. So

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<v Speaker 1>why are we talking about Eurovision. Well, for starters, as

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<v Speaker 1>an immigrant living in Europe, I have become a convert

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<v Speaker 1>to Eurovision. And secondly, I am very excited to be

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<v Speaker 1>joined by the hosts of Eurovangelists, a podcast all about

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<v Speaker 1>Eurovision and why Americans should maybe start caring. Welcome Jeremy

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<v Speaker 1>Bent and Dmitri Pompeii.

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<v Speaker 2>Hello, thank you so much. Honored to be here. Guys.

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<v Speaker 1>Your podcast really speaks to me because until I moved

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<v Speaker 1>to Europe, I was like barely cognizant of Eurovision, and

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<v Speaker 1>now I love it. I watch it every year.

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<v Speaker 2>It's a very common American condition to be completely unaware

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<v Speaker 2>of your vision but then immediately upon finding out about it,

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<v Speaker 2>falling deeply in love with it.

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<v Speaker 1>Yeah, America brain is like I need to get groceries

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<v Speaker 1>for five weeks every time I go and not knowing

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<v Speaker 1>about Eurovision, yep.

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<v Speaker 2>Yeah, and then European brain is, oh, I'll just go

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<v Speaker 2>to the grocery store every two days, and then also

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<v Speaker 2>I will watch an international song competition every single year.

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<v Speaker 1>That's that's exactly what life is like here.

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<v Speaker 2>Yep, I figured as much.

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<v Speaker 3>So.

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<v Speaker 1>I mean, first of all, I just want to tell

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<v Speaker 1>the listeners and i''ll post links to these in the

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<v Speaker 1>show notes because it's so wonderful you guys shared with

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<v Speaker 1>me an entire list of Eurovision songs that are like

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<v Speaker 1>and have animals in them, and they're incredible. I both

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<v Speaker 1>thank you and curse you for that, because that penguin

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<v Speaker 1>song has been stuck in my head.

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<v Speaker 2>Oh boy, yeah, oh Bengal, it's it's yeah. I apologize

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<v Speaker 2>to your listeners because if they seek it out, it

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<v Speaker 2>is an earworm that never truly leaves you.

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<v Speaker 1>It's sort of like that arc thing in the Indiana

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<v Speaker 1>Jones series where you open it up and your space

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<v Speaker 1>melts off. But it's just like about a penguin.

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<v Speaker 2>And an old man in a penguin costume.

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<v Speaker 1>Oh man, that guy really really like really oscar worthy

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<v Speaker 1>penguin performance there.

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<v Speaker 2>Commits to the bit is what I'll say.

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<v Speaker 1>When was that, like, just give give me the rundown

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<v Speaker 1>on that. When when was that song?

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<v Speaker 2>Yeah?

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<v Speaker 3>That was nineteen that was nineteen eighty. That erovision nineteen eighty.

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<v Speaker 3>That was the entry from Luxembourg that year. Imagine, if

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<v Speaker 3>you will, dear listener, a pair of twins in space

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<v Speaker 3>age David Bowie esque could not be more sequence on

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<v Speaker 3>those suits.

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<v Speaker 1>Yeah, when space could adds.

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<v Speaker 3>They're singing a song about a penguin who wants to

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<v Speaker 3>travel the world and a very old man who I

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<v Speaker 3>believe wrote he can't.

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<v Speaker 1>Be more than sixty years old. Come on to me.

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<v Speaker 2>That's fair, that's fair.

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<v Speaker 3>He comes out dressed as a penguin and acts the

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<v Speaker 3>acts out the sawe. He's searching for meaning. He's dancing

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<v Speaker 3>around the twins at one point give him a spanking.

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<v Speaker 1>They did, you know.

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<v Speaker 3>It's cool and fun, it's cool and normal, and ultimately

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<v Speaker 3>the penguin decides that home is where the heart is

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<v Speaker 3>and he decides to return to his ice flow.

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<v Speaker 1>Well, also, there's like two hot lady penguins that are

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<v Speaker 1>backup seating.

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<v Speaker 2>Yeah, that's true. Dmitri, How did that do in nineteen

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<v Speaker 2>eighty That got ninth place? Wild. That's really good, pretty.

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<v Speaker 1>Good, incredible Eurovision. Like I can definitely see the slow

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<v Speaker 1>ratcheting up of the wackiness of Eurovision, where it probably

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<v Speaker 1>started off being a little more tame, like it's just

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<v Speaker 1>two sort of lovely ladies singing into a microphone, maybe

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<v Speaker 1>be swaying gently. And now we have like rotating cubes

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<v Speaker 1>that people are jumping around and they look it looks

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<v Speaker 1>like a bunch of wrestlers in a bathroom and they're

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<v Speaker 1>all kissing each other and it's beautiful and perfect and

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<v Speaker 1>I love it.

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<v Speaker 2>If you think Katie is just, you know, saying random things,

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<v Speaker 2>she is not. She is referring to specific performances from

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<v Speaker 2>last year's Eurovision, but it's very true. I think something

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<v Speaker 2>people don't realize about Eurovision is that it's been going

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<v Speaker 2>since nineteen fifty six and like nineteen fifty six Eurovision

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<v Speaker 2>is very sedate, is quite quite low key, and twenty

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<v Speaker 2>twenty four Eurovision, you'll find has a different flavor.

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<v Speaker 3>Yeah, I just I am a very proud pop popping

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<v Speaker 3>ranchow because Jeremy on our show is in fact the

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<v Speaker 3>Eurovision Nube.

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<v Speaker 2>That's true. He comes to the show at the least

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<v Speaker 2>amount of Eurovision knowledge.

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<v Speaker 3>Also, yeah, while on the other hand, I come in

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<v Speaker 3>with twenty years of your experiences.

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<v Speaker 2>Only through our show have I met people who know

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<v Speaker 2>more about Eurovision than Dmitri. And it's only a couple

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<v Speaker 2>of people.

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<v Speaker 3>And I am I am but a humble student. I

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<v Speaker 3>am not a pro. There are so many people out

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<v Speaker 3>there who know much.

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<v Speaker 2>More than I agree to disagree.

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<v Speaker 1>Are any of them Americans?

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<v Speaker 3>Though?

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<v Speaker 2>That's like no, I would argue not.

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<v Speaker 3>I would argue I can go toe to toe with

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<v Speaker 3>pretty much any America.

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<v Speaker 2>I would be impressed if I met someone from the

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<v Speaker 2>US who knew more about Eurovision than Dmitri, because we've

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<v Speaker 2>had a couple of guests, one from the UK, one

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<v Speaker 2>from Sweden who are extremely knowledgeable about Eurovision, but they're

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<v Speaker 2>sort of steeped in it, you know.

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<v Speaker 1>Yeah, they're euros so they know they have the vision.

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<v Speaker 2>Yeah they have the vision.

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<v Speaker 1>Yeah. Well one more common about the penguin song, and then.

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<v Speaker 2>I'll forget no, no, it's hard to let go.

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<v Speaker 1>It is about a father penguin, like abandoning his family,

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<v Speaker 1>and I would just like to say that you know

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<v Speaker 1>a lot of penguin species, the father penguin is actually

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<v Speaker 1>quite an attentive.

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<v Speaker 2>They would never do that.

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<v Speaker 1>Yeah, you will sit on the egg. The emperor penguins famously,

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<v Speaker 1>and in other penguin species as well, the male penguin

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<v Speaker 1>gingerly takes care of the egg as well as the

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<v Speaker 1>female penguin. But it is a joint venture there. But

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<v Speaker 1>speaking of birds, let's talk about our first. Let's call

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<v Speaker 1>them contestants. These are animals, folks, but they are on

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<v Speaker 1>It's not really contained to Europe, but it is. I

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<v Speaker 1>think they belong on the Eurovision stage just because of

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<v Speaker 1>the flamboyants, because if you have if you can know,

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<v Speaker 1>like just one thing about Eurovision is it's not necessarily

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<v Speaker 1>about the best music in the world. It's about the

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<v Speaker 1>most outrageous spectacle that can be put on a physical

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<v Speaker 1>stage for you. Have you guys heard of frigate birds?

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<v Speaker 2>Frigate never like the ship a frigate Yes, like the

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<v Speaker 2>ship Okay, they know they know if it was something else, absolutely.

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<v Speaker 1>No, yeah, yeah, forget.

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<v Speaker 2>Bird oh yeah yeah, frigate birds birds you know, like

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<v Speaker 2>when a bird takes a dump on you to go

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<v Speaker 2>frigate bird bird.

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<v Speaker 1>Yes. So they are found in Barbuda, an island in

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<v Speaker 1>the Caribbean, so they are. They participate from August to October,

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<v Speaker 1>so by the time you're listening to this, they probably

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<v Speaker 1>are still going uh there is an important song and

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<v Speaker 1>dance competition.

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<v Speaker 2>Oh okay, now we're so.

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<v Speaker 1>They put on this incredible show during this mating season,

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<v Speaker 1>this magnificent frigate bird mating LC. I'm not hyping them up.

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<v Speaker 1>That species is actually called magnificent frigatebirds and they do indeed, Wow,

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<v Speaker 1>how are you Their performances in something called a lek,

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<v Speaker 1>which is a large stage in which groups of males

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<v Speaker 1>show off their talents competing with each other.

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<v Speaker 2>This is fantastic, amazing, you know.

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<v Speaker 3>If I may make an early Eurovision connection to these birds.

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<v Speaker 3>One of the greatest Eurovision songs of all time is

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<v Speaker 3>the two thousand and nine winning song fairy Tale by

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<v Speaker 3>Alexander Reebuk. It is a Norwegian song and the stage

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<v Speaker 3>performance of the song is literally what you describe.

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<v Speaker 2>That is true.

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<v Speaker 3>Actually it is the It is the port performance of

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<v Speaker 3>what is called the hauling, a tradition in the Nordic

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<v Speaker 3>countries in which men do all sorts of ridiculous physical

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<v Speaker 3>feats to impress women so they'll marry them.

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<v Speaker 1>I didn't realize that Norwegians had lex That's fascinating.

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<v Speaker 2>They like the act that they specifically are performing in

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<v Speaker 2>Alexander Reriebuks reforming is kicking hats off a broom, right well, yeah,

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<v Speaker 2>and that's a thing, that's the real thing that Yeah.

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<v Speaker 1>Maybe that's measuring their physical fitness and ability to sire

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<v Speaker 1>strong children.

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<v Speaker 2>I mean, I will say the guys doing it on

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<v Speaker 2>stage are fit. They are in great shape. I don't

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<v Speaker 2>think I could do what they are doing kick a hat.

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<v Speaker 2>I'm not with that negative attitude. You can.

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<v Speaker 1>I don't know. I kind of feel like I could

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<v Speaker 1>kick a hat off a broom, don't you think?

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<v Speaker 2>But there you got to watch these guys.

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<v Speaker 1>Do it all right, well special, It's just.

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<v Speaker 3>Nice to know that the Animal Kingdom, you know, perhaps

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<v Speaker 3>inspired Norwegian men like, look, those birds have a whole

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<v Speaker 3>stage performance and look at all the chicks they're getting.

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<v Speaker 2>We should do that. I will also say. I will

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<v Speaker 2>also say I have looked up the Magnificent frigate Bird

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<v Speaker 2>and they got a look that would play on a

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<v Speaker 2>Eurovision stage, is what I will say.

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<v Speaker 1>It's angular. They kind of look like a brutalist architecture.

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<v Speaker 2>So Yeah, excellent, strong color story they're telling here. Oh wow, right,

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<v Speaker 2>just looked it up too. Wow. Okay, due's plant for

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<v Speaker 2>the frigate. A lot of drama in that look, is

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<v Speaker 2>what I'll say.

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<v Speaker 1>It's high fashion culture, so I will paint you a

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<v Speaker 1>verbal picture with my word mouth. The largest of their genus,

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<v Speaker 1>the magnificent frigatebird, are sea birds with shiny black feathers,

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<v Speaker 1>a long, hooked beak, and forked tails similar to a swallow.

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<v Speaker 1>They have a wingspan of up to eight feet long,

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<v Speaker 1>which is two point four meters for my European friends,

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<v Speaker 1>and weighs around three pounds, which is over one and

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<v Speaker 1>a half kilograms, so not too heavy but very large,

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<v Speaker 1>perfect for flying about. They have these elegant angles and

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<v Speaker 1>curves like some kind of weird, chunky European race car,

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<v Speaker 1>which allows them to fly up to ninety five miles

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<v Speaker 1>per hour, which is about one hundred and fifty three

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<v Speaker 1>kilometers per hour. Now that speed is probably going to

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<v Speaker 1>be achieved while they are diving, and they are. They're

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<v Speaker 1>very elegant, but they're also menacing. They look a bit

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<v Speaker 1>like pterodactyls, and indeed they terrorize fish and other birds

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<v Speaker 1>that they steal their catches from so they are both

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<v Speaker 1>pirates and hunters until the males decide they want to

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<v Speaker 1>get down with the females. Then they turn into red balloons.

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<v Speaker 2>The pirrating apparently not attractive to the females, but I

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<v Speaker 2>will say I was like, you can tell that this

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<v Speaker 2>is some sort of like sexual attraction characteristic for the frigatebird.

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<v Speaker 2>The male frigatebirds seem to have this like giant red

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<v Speaker 2>balloon under their neck. This is wild.

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<v Speaker 1>This is an inflatable goal or pouch. Now I'm going

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<v Speaker 1>to touch back on the piracy issue here.

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<v Speaker 2>With females later.

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<v Speaker 1>You don't get away with anything on this show. This

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<v Speaker 1>show is about facts.

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<v Speaker 2>Nice try bird.

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<v Speaker 1>Your feelings about birds. So, yeah, the males have something

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<v Speaker 1>called a gol or pouch, and that's this beautiful red sack.

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<v Speaker 1>They inflate it and it's this bright clown nose red

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<v Speaker 1>and they pump it full of air. It forms this

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<v Speaker 1>big red balloon, big and flashy, catches the attention of

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<v Speaker 1>females that are flying overhead, and they do this incredible

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<v Speaker 1>performance with their wings outstretched and then they make this

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<v Speaker 1>sound that is like, well, I'm just gonna let you listen.

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<v Speaker 2>Okay, I'm curious. Yeah, here we go.

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<v Speaker 1>So this is from the Cornell Lab of Ornithology.

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<v Speaker 2>One of our best ornithology labs, one.

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<v Speaker 1>Of our best. And this is was recorded by Martha Fisher.

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<v Speaker 1>So here we go the magnificent frigatebird, who sounds very

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<v Speaker 1>amazing and good. Are you feeling sexually attracted to these birds?

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<v Speaker 2>You know?

0:13:15.280 --> 0:13:17.600
<v Speaker 3>I'm just gonna throw it out here. That is the

0:13:17.640 --> 0:13:19.240
<v Speaker 3>bubble wrap of sounds like.

0:13:19.360 --> 0:13:19.960
<v Speaker 2>I like it.

0:13:20.000 --> 0:13:20.560
<v Speaker 1>It's nice.

0:13:20.600 --> 0:13:22.920
<v Speaker 2>I listen to that for a while. I actually do

0:13:23.040 --> 0:13:25.960
<v Speaker 2>like that sound. I will say, based on the ballooning,

0:13:26.640 --> 0:13:32.040
<v Speaker 2>I expected a very different sound sound. I was expecting

0:13:32.040 --> 0:13:35.280
<v Speaker 2>more of a honk or or a sort of like

0:13:35.840 --> 0:13:37.560
<v Speaker 2>you know when you blow up a balloon and you

0:13:37.600 --> 0:13:40.800
<v Speaker 2>just let it go around a room. Yeah, like like

0:13:40.920 --> 0:13:43.360
<v Speaker 2>kind of an that sound. Because you think this is

0:13:43.400 --> 0:13:46.920
<v Speaker 2>a Looney Tunes character, I mean, I mean you got it.

0:13:47.000 --> 0:13:49.000
<v Speaker 2>In some ways. It is a Loony Tunes It is

0:13:49.480 --> 0:13:49.880
<v Speaker 2>take a.

0:13:49.880 --> 0:13:53.040
<v Speaker 1>Pen in one of these guys and see what happens.

0:13:53.160 --> 0:13:55.000
<v Speaker 2>Oh, don't do that. They're not going to enjoy that.

0:13:55.200 --> 0:13:58.439
<v Speaker 1>No animal's cruelty is highly discouraged on this show.

0:13:59.040 --> 0:14:00.000
<v Speaker 2>But I am curious.

0:14:00.440 --> 0:14:04.679
<v Speaker 1>So they will, so it is incredible to see. I

0:14:04.679 --> 0:14:06.800
<v Speaker 1>do all include a link to it in the show notes.

0:14:06.840 --> 0:14:10.720
<v Speaker 1>But they have this wonderful display. Their wings are outstretched,

0:14:10.720 --> 0:14:13.520
<v Speaker 1>they cut this striking figure, big red balloon, and they're

0:14:13.559 --> 0:14:16.800
<v Speaker 1>making this like sort of weird like bubble wrap sound

0:14:16.840 --> 0:14:19.400
<v Speaker 1>like you said. I love that description of it. And

0:14:20.120 --> 0:14:23.080
<v Speaker 1>they are not only trying to attract females based on

0:14:23.240 --> 0:14:27.040
<v Speaker 1>their performance, their song and this kind of like you know,

0:14:28.280 --> 0:14:31.200
<v Speaker 1>swishing around kind of dance thing that they're doing, they

0:14:31.280 --> 0:14:35.480
<v Speaker 1>have also competed to secure the best spots in the

0:14:35.560 --> 0:14:39.360
<v Speaker 1>mangrove trees on which they are doing their performance. So

0:14:39.400 --> 0:14:41.920
<v Speaker 1>it's this big group and these mangrove trees are so

0:14:42.080 --> 0:14:44.920
<v Speaker 1>close together that it forms it almost looks like just

0:14:44.960 --> 0:14:48.480
<v Speaker 1>this giant group of like hedgy bushes. And then in

0:14:49.000 --> 0:14:52.120
<v Speaker 1>like sort of situated in them are so many of

0:14:52.160 --> 0:14:56.160
<v Speaker 1>these males, like hundreds of them all together, and they

0:14:56.320 --> 0:15:00.000
<v Speaker 1>are buying for a really nice position on these mangrove trees,

0:15:00.000 --> 0:15:04.280
<v Speaker 1>trees where they will build their nests. And the females

0:15:04.440 --> 0:15:08.480
<v Speaker 1>all are the judges, just like in real life, and

0:15:09.040 --> 0:15:13.960
<v Speaker 1>they circle above like these vultures looking for love, and

0:15:14.160 --> 0:15:17.560
<v Speaker 1>they browse for their preferred males, and they select them

0:15:17.640 --> 0:15:21.760
<v Speaker 1>for them based on the call that they make, how beautiful,

0:15:21.840 --> 0:15:26.240
<v Speaker 1>bright and bouncy that weird pouches, and also how good

0:15:26.320 --> 0:15:30.520
<v Speaker 1>their spot is where they are roosting on these mangrove trees.

0:15:31.840 --> 0:15:37.320
<v Speaker 3>Yeah, okay, let me get this straight beautiful plumage song

0:15:37.880 --> 0:15:40.160
<v Speaker 3>that could that sounds like nothing you've ever heard in

0:15:40.240 --> 0:15:45.200
<v Speaker 3>the world. Competing for a higher rank or location or placement,

0:15:45.880 --> 0:15:46.400
<v Speaker 3>this is this.

0:15:46.400 --> 0:15:50.320
<v Speaker 2>Is trying to curry favor with the judges. It's right,

0:15:50.840 --> 0:15:54.520
<v Speaker 2>it's this is your v And I'll also say I

0:15:54.560 --> 0:15:56.840
<v Speaker 2>also looked up mangrove tree because I was like, what

0:15:56.880 --> 0:15:59.480
<v Speaker 2>does a mangrove tree look like? It looks like a

0:15:59.560 --> 0:16:05.560
<v Speaker 2>set of Eurovision song very visually distinctive. I'm like, okay,

0:16:05.600 --> 0:16:06.760
<v Speaker 2>this is all coming together.

0:16:07.240 --> 0:16:10.040
<v Speaker 1>Yes, it is that they have such really they are

0:16:11.600 --> 0:16:16.600
<v Speaker 1>semi aquatic trees actually, yeah, brackish water their roots.

0:16:16.360 --> 0:16:18.680
<v Speaker 2>Which most trees can't stand at all.

0:16:18.760 --> 0:16:21.400
<v Speaker 1>Yeah, that their roots will actually dip into the water.

0:16:21.600 --> 0:16:25.840
<v Speaker 1>One of the most incredible experiences I've ever had was

0:16:26.280 --> 0:16:30.200
<v Speaker 1>this was a long time ago. This This was in

0:16:30.280 --> 0:16:35.160
<v Speaker 1>like twenty I'm gonna say twenty two thousand and nine

0:16:35.240 --> 0:16:38.480
<v Speaker 1>or twenty ten and I was in Puerto Rico and

0:16:38.640 --> 0:16:43.600
<v Speaker 1>there was a kayak tour of this mangrove forest and

0:16:43.840 --> 0:16:47.760
<v Speaker 1>it was during a season where there were these bioluminescent

0:16:48.000 --> 0:16:54.560
<v Speaker 1>diatoms dinoflagellis sorry, and they were like every time you

0:16:54.560 --> 0:16:57.560
<v Speaker 1>would paddle the kayak, you'd see this blue flash in

0:16:57.600 --> 0:17:00.000
<v Speaker 1>the water. They are all these mangrove trees where they're

0:17:00.080 --> 0:17:02.920
<v Speaker 1>roots were dipped into the water. I felt like I

0:17:02.960 --> 0:17:06.199
<v Speaker 1>was about to have like an almost kiss with a

0:17:06.280 --> 0:17:09.960
<v Speaker 1>prince and an evil octopus. I don't know, it felt magical.

0:17:10.560 --> 0:17:14.760
<v Speaker 2>Sure you'd trade your voice for that kind of scenario.

0:17:15.040 --> 0:17:17.080
<v Speaker 1>There we go. I want a man who doesn't care

0:17:17.119 --> 0:17:18.240
<v Speaker 1>what I say or think.

0:17:19.000 --> 0:17:21.760
<v Speaker 2>So, yeah, it would be best if she couldn't speak.

0:17:21.560 --> 0:17:24.800
<v Speaker 1>At all, right, body language, you know, if she just

0:17:24.880 --> 0:17:28.359
<v Speaker 1>knew ASL, then all things would.

0:17:28.080 --> 0:17:31.200
<v Speaker 2>Have been or just write in any language.

0:17:30.960 --> 0:17:37.400
<v Speaker 1>Right yeah? Or gestures you know, like you know octopus,

0:17:37.520 --> 0:17:41.000
<v Speaker 1>wiggle your arms kind of big, giant, bad, evil octopus.

0:17:41.080 --> 0:17:43.600
<v Speaker 1>I feel like I could, you know, everyone, I.

0:17:43.520 --> 0:17:46.080
<v Speaker 2>Would be curious to see the ASL for a witch

0:17:46.119 --> 0:17:48.600
<v Speaker 2>stole my voice.

0:17:49.560 --> 0:17:55.080
<v Speaker 1>Divine stole my voice. Yeah, So I did want to

0:17:55.080 --> 0:17:59.479
<v Speaker 1>touch on an earlier thing you said, Jeremy, I'm going

0:17:59.520 --> 0:18:00.200
<v Speaker 1>to grill you.

0:18:00.240 --> 0:18:02.600
<v Speaker 2>Get ready, okay, Grilly. You said that the.

0:18:02.560 --> 0:18:05.600
<v Speaker 1>Females aren't attracted to piracy, and that may or may

0:18:05.640 --> 0:18:08.360
<v Speaker 1>not be true. But the females are actually the bigger

0:18:08.400 --> 0:18:12.200
<v Speaker 1>pirates than the males. They are literally bigger, and they're

0:18:12.440 --> 0:18:15.639
<v Speaker 1>better pirates. So they are larger than the males in

0:18:15.720 --> 0:18:19.000
<v Speaker 1>part because they do the majority of raising the chicks,

0:18:19.400 --> 0:18:21.560
<v Speaker 1>and they must be tough enough to be able to

0:18:21.640 --> 0:18:24.679
<v Speaker 1>murder a bunch of fish or steal enough fish to

0:18:24.720 --> 0:18:27.959
<v Speaker 1>feed themselves and the chicks. Before you get mad at

0:18:28.000 --> 0:18:31.560
<v Speaker 1>the fathers, they aren't actually the worst fathers. They will

0:18:31.720 --> 0:18:33.960
<v Speaker 1>build the nests. So they help build the nests, okay,

0:18:34.119 --> 0:18:37.440
<v Speaker 1>gather all the time. That's they also help incubate the eggs.

0:18:38.440 --> 0:18:40.600
<v Speaker 1>It's just once the eggs hatch, they're like, all right,

0:18:41.040 --> 0:18:43.359
<v Speaker 1>I'm out of here, Like that's that. Part of my

0:18:43.440 --> 0:18:44.040
<v Speaker 1>life is over.

0:18:44.640 --> 0:18:46.800
<v Speaker 2>I gotta be working on my performance for next year.

0:18:47.080 --> 0:18:49.920
<v Speaker 1>Yeah exactly. I mean to be fair to them, Yes,

0:18:49.960 --> 0:18:52.600
<v Speaker 1>they work very hard on their performances, very hard on

0:18:52.760 --> 0:18:56.400
<v Speaker 1>constructing the nests. But yeah, you see, Actually it's very interesting.

0:18:56.440 --> 0:18:59.200
<v Speaker 1>With a lot of bird species, you have different types

0:18:59.240 --> 0:19:02.879
<v Speaker 1>of relationship where some are monogamous for their whole lives,

0:19:02.880 --> 0:19:05.840
<v Speaker 1>some are monogamous over a breeding season, some are just

0:19:06.680 --> 0:19:11.160
<v Speaker 1>no rules, only what feels good. And sometimes you have

0:19:11.280 --> 0:19:14.440
<v Speaker 1>parental care that's shared by the birds. And often sea

0:19:14.560 --> 0:19:18.640
<v Speaker 1>birds can be quite similar. This kind of sexual dimorphism,

0:19:18.680 --> 0:19:19.600
<v Speaker 1>where one.

0:19:19.480 --> 0:19:21.120
<v Speaker 2>Is one of my favorite phrases.

0:19:21.280 --> 0:19:23.480
<v Speaker 1>Oh yeah, sexual dimorphism.

0:19:23.440 --> 0:19:25.000
<v Speaker 2>What a great sound.

0:19:25.080 --> 0:19:28.800
<v Speaker 1>Yes, it just means that the two sexes look different

0:19:29.480 --> 0:19:32.440
<v Speaker 1>and so like for a lot of aquatic birds. A

0:19:32.480 --> 0:19:35.400
<v Speaker 1>lot of sea birds, especially like the males and females

0:19:35.440 --> 0:19:37.879
<v Speaker 1>are fairly similar, and a lot of that has to

0:19:37.920 --> 0:19:41.399
<v Speaker 1>do with the fact that they both take care of

0:19:41.440 --> 0:19:43.720
<v Speaker 1>the offspring. And you really only see this kind of

0:19:43.760 --> 0:19:49.399
<v Speaker 1>sexual dimorphism when you have one member who is really

0:19:49.640 --> 0:19:52.320
<v Speaker 1>investing a lot more into the care of the offspring,

0:19:52.359 --> 0:19:55.840
<v Speaker 1>because then the other sex, right, the males in that case,

0:19:55.920 --> 0:19:58.880
<v Speaker 1>have to really prove their worth to these females otherwise

0:19:58.880 --> 0:20:01.639
<v Speaker 1>the females are going to be left with this offspring.

0:20:01.640 --> 0:20:06.000
<v Speaker 1>Whereas in other species of birds like albatrosses are very similar.

0:20:06.320 --> 0:20:09.800
<v Speaker 1>There are a lot of seabirds that actually both try

0:20:09.840 --> 0:20:13.680
<v Speaker 1>to impress each other, like puffins, and in these cases

0:20:13.720 --> 0:20:17.080
<v Speaker 1>it's because they both will raise and take care of

0:20:17.119 --> 0:20:19.600
<v Speaker 1>the egg, and both the male and the female are

0:20:19.640 --> 0:20:22.080
<v Speaker 1>trying to assess each other for whether they're going to

0:20:22.160 --> 0:20:24.840
<v Speaker 1>be good parents, rather than just the female trying to

0:20:24.880 --> 0:20:28.440
<v Speaker 1>assess whether the male is really physically fit and is

0:20:28.520 --> 0:20:31.040
<v Speaker 1>gonna stick around long enough to build that nest and

0:20:31.080 --> 0:20:33.600
<v Speaker 1>incubate the egg and then pass on really good genes.

0:20:33.640 --> 0:20:36.320
<v Speaker 1>So it's all that, you know, it's there's so many

0:20:36.359 --> 0:20:39.320
<v Speaker 1>different dynamics in these birds. And I love this example

0:20:39.440 --> 0:20:42.960
<v Speaker 1>of these frigatebirds. I'm sorry, magnificent frigatebirds.

0:20:43.000 --> 0:20:48.080
<v Speaker 2>There's these respect to the frigatebird. Please, I will, yeah,

0:20:48.160 --> 0:20:52.199
<v Speaker 2>Because it's like like even among primates, like gorillas have

0:20:52.280 --> 0:20:55.040
<v Speaker 2>like a really strong sexual dimorsism where it's like male

0:20:55.080 --> 0:20:58.160
<v Speaker 2>gorillas are sort of huge, but then like bonobos, which

0:20:58.160 --> 0:21:01.760
<v Speaker 2>are sort of closer to humans, are like pretty like

0:21:01.800 --> 0:21:03.679
<v Speaker 2>the males are a little bit bigger, but it's the

0:21:03.720 --> 0:21:08.400
<v Speaker 2>difference is quite small. But because they're a very social primate,

0:21:08.760 --> 0:21:11.680
<v Speaker 2>where like kind of both male and female are doing

0:21:11.720 --> 0:21:15.919
<v Speaker 2>all of the you know, all of the humping they do.

0:21:17.119 --> 0:21:18.680
<v Speaker 2>Like I said, they're a very social animal.

0:21:19.720 --> 0:21:22.880
<v Speaker 3>I think the main takeaway here, especially for you notorious

0:21:22.920 --> 0:21:24.000
<v Speaker 3>woman hater Jeremy.

0:21:24.040 --> 0:21:25.399
<v Speaker 2>Then, is that.

0:21:26.960 --> 0:21:30.280
<v Speaker 3>Is that you know, piracy is not limited by your

0:21:30.359 --> 0:21:35.080
<v Speaker 3>gender in Jeremy, Yeah, women can do anything.

0:21:35.200 --> 0:21:39.119
<v Speaker 2>Jeremy. I said that women weren't attracted to the piracy,

0:21:39.240 --> 0:21:41.520
<v Speaker 2>and that's born out because it turns out that women

0:21:41.600 --> 0:21:48.040
<v Speaker 2>are doing the piracy. But that is an excellent point. Uh,

0:21:49.680 --> 0:21:56.400
<v Speaker 2>They're like, there's a really good Uh, Katie, I'm sure

0:21:56.400 --> 0:21:59.480
<v Speaker 2>you are familiar with the anthropologist David Graber.

0:22:00.160 --> 0:22:01.080
<v Speaker 1>Just tell just tell me.

0:22:02.800 --> 0:22:06.760
<v Speaker 2>Well, he he talked about like, uh, Dawn of Everything

0:22:06.840 --> 0:22:10.520
<v Speaker 2>is like his is this massive, massive book that is

0:22:10.560 --> 0:22:14.919
<v Speaker 2>basically all about how like the Enlightenment in Europe was

0:22:14.960 --> 0:22:17.199
<v Speaker 2>basically like, oh, they went to America and saw how

0:22:17.280 --> 0:22:19.720
<v Speaker 2>Native Americans lived and then brought back all these new

0:22:19.800 --> 0:22:24.480
<v Speaker 2>ideas that like really smart Europeans came up with. And

0:22:24.480 --> 0:22:25.160
<v Speaker 2>then it turned out.

0:22:25.080 --> 0:22:28.840
<v Speaker 3>It's just like let's not burn down everything, yeah, restoring

0:22:28.880 --> 0:22:30.720
<v Speaker 3>the environment. Yeah, And it turns out like, hey, if

0:22:30.760 --> 0:22:33.239
<v Speaker 3>you like teach everyone how to do everything and like

0:22:33.320 --> 0:22:36.200
<v Speaker 3>live collectively, it's very it's much easier and people are

0:22:36.240 --> 0:22:41.560
<v Speaker 3>happier and so like. But one of the examples is

0:22:41.600 --> 0:22:47.040
<v Speaker 3>like there's this sort of like pirate oasis that is

0:22:47.080 --> 0:22:50.159
<v Speaker 3>one of his examples, and it is largely like women

0:22:50.440 --> 0:22:52.360
<v Speaker 3>pirates who are like running things.

0:22:53.520 --> 0:22:55.520
<v Speaker 2>It's wild. It's a fantastic book.

0:22:55.600 --> 0:22:57.639
<v Speaker 1>Yeah, there's a lot of different that. There's a lot

0:22:57.640 --> 0:23:00.760
<v Speaker 1>of cultures in humans where you do you see a

0:23:00.800 --> 0:23:03.840
<v Speaker 1>glimpse into like, yeah, we don't like it's not that

0:23:04.560 --> 0:23:08.240
<v Speaker 1>sort of our typical patriarchal culture that we have. I

0:23:08.280 --> 0:23:10.000
<v Speaker 1>could go on a huge rant, and I won't because

0:23:10.040 --> 0:23:13.320
<v Speaker 1>otherwise I'll get bad podcast reviews. But yeah, you can

0:23:13.359 --> 0:23:15.960
<v Speaker 1>definitely see you can definitely see a lot of really

0:23:16.000 --> 0:23:19.360
<v Speaker 1>interesting human cultures. That does indicate that, Yeah, no, things

0:23:19.359 --> 0:23:22.480
<v Speaker 1>are quite a bit more complex than just like you know,

0:23:22.960 --> 0:23:26.600
<v Speaker 1>man goes out, hits a sabertooth tiger on the head

0:23:26.600 --> 0:23:27.880
<v Speaker 1>and drags it back into the cave.

0:23:28.520 --> 0:23:30.199
<v Speaker 2>Yeah, there's a little bit more at play here, a.

0:23:30.160 --> 0:23:33.200
<v Speaker 1>Little bit more at play. Although man going out hitting

0:23:33.200 --> 0:23:35.600
<v Speaker 1>a sabertooth tiger on the head and dragging it back

0:23:35.640 --> 0:23:37.800
<v Speaker 1>to a cave does sound like something that would happen

0:23:37.840 --> 0:23:40.720
<v Speaker 1>in Eurovision, except that the cave would be a dirty

0:23:40.720 --> 0:23:43.840
<v Speaker 1>bathroom and the sabertooth tiger would be a bunch of

0:23:44.320 --> 0:23:46.280
<v Speaker 1>naked wrestlers who are kissing each other.

0:23:47.200 --> 0:23:50.080
<v Speaker 2>Yeah, that'll honestly checks out sounds accurate.

0:23:50.440 --> 0:23:52.320
<v Speaker 1>All right, Well, we're going to take a quick break

0:23:52.320 --> 0:23:54.800
<v Speaker 1>while you process what I just said, and when we

0:23:54.880 --> 0:24:00.320
<v Speaker 1>get back, we're going to talk about another wonderful contest

0:24:00.359 --> 0:24:03.720
<v Speaker 1>who is coming in to a genre of music that

0:24:03.880 --> 0:24:07.600
<v Speaker 1>is one of my favorite. All Right, guys, I don't

0:24:07.600 --> 0:24:10.560
<v Speaker 1>know if you know this about me, but I really

0:24:10.680 --> 0:24:18.959
<v Speaker 1>like metal, not the you know element or periodic table element,

0:24:19.040 --> 0:24:23.880
<v Speaker 1>but you know, uh, the the sort of musical genre.

0:24:25.680 --> 0:24:28.879
<v Speaker 2>Well you're in luck because in the last ten or

0:24:28.880 --> 0:24:32.280
<v Speaker 2>twenty years at Eurovision there has been a I would

0:24:32.320 --> 0:24:35.560
<v Speaker 2>say a pretty strong current of metal running through the show.

0:24:35.680 --> 0:24:38.440
<v Speaker 3>Yeah, I mean I would say I would say it's

0:24:38.680 --> 0:24:41.720
<v Speaker 3>it was it was just nothing and then truly zero

0:24:41.800 --> 0:24:44.240
<v Speaker 3>and it hasn't left, and then it won in two

0:24:44.280 --> 0:24:46.200
<v Speaker 3>thousand and six, and then it has been a big

0:24:46.240 --> 0:24:47.040
<v Speaker 3>part of it since then.

0:24:47.640 --> 0:24:57.360
<v Speaker 1>Yeah. I was really there was the god, uh the what.

0:24:55.680 --> 0:25:01.679
<v Speaker 2>Was I assume you're money the oh oh at at

0:25:01.760 --> 0:25:09.040
<v Speaker 2>Paris Olympics. Yeah, yeah, oh god, what is that band

0:25:09.320 --> 0:25:10.119
<v Speaker 2>not go Jiro?

0:25:10.280 --> 0:25:10.560
<v Speaker 1>Is it?

0:25:10.840 --> 0:25:12.000
<v Speaker 2>Yeah? Yeah it is Gojira.

0:25:13.280 --> 0:25:16.879
<v Speaker 1>Yeah, and so uh, I thought it was great. They

0:25:16.880 --> 0:25:19.280
<v Speaker 1>did a great performance and it made me feel happy.

0:25:19.280 --> 0:25:21.680
<v Speaker 1>Because it's like, man, Europe is really like I feel

0:25:21.720 --> 0:25:25.440
<v Speaker 1>like metal is becoming a lot more like just mainstream,

0:25:25.480 --> 0:25:28.520
<v Speaker 1>which I'm yeah, totally, I'm not one of these people.

0:25:28.920 --> 0:25:30.840
<v Speaker 1>I don't want it to become mainstream. That's good. I

0:25:30.880 --> 0:25:32.720
<v Speaker 1>want to hear more of it and have it.

0:25:32.560 --> 0:25:36.520
<v Speaker 2>And also like go Jira, a very well regarded French

0:25:36.720 --> 0:25:39.560
<v Speaker 2>metal band, like of the bands that you could have

0:25:39.640 --> 0:25:43.920
<v Speaker 2>put in the Olympics opening ceremonies to play metal. Yeah,

0:25:44.119 --> 0:25:46.360
<v Speaker 2>GoJ You're an excellent choice, very very good.

0:25:46.440 --> 0:25:48.600
<v Speaker 3>This is the official call out to go Jira. Give

0:25:48.600 --> 0:25:50.480
<v Speaker 3>it a try, give your vision a shot. You know

0:25:50.720 --> 0:25:52.560
<v Speaker 3>you got the money, you can do it.

0:25:52.760 --> 0:25:55.080
<v Speaker 2>I believe in you. Risk it. Guys.

0:25:57.240 --> 0:25:59.000
<v Speaker 1>Yeah, I don't know. They might feel like that's kind

0:25:59.000 --> 0:26:02.520
<v Speaker 1>of a reach, but yeah, the the but they had

0:26:02.520 --> 0:26:05.520
<v Speaker 1>a beautiful performance. And the thing that made me angry

0:26:05.680 --> 0:26:08.920
<v Speaker 1>was that I think it was the like the was

0:26:09.080 --> 0:26:12.360
<v Speaker 1>it was either like the Canadian broadcast or the Yeah,

0:26:12.359 --> 0:26:16.040
<v Speaker 1>I think it was the Canadian broadcasters kept talking over

0:26:16.760 --> 0:26:22.440
<v Speaker 1>the and I well, like they would not do that

0:26:22.480 --> 0:26:24.920
<v Speaker 1>for any of the other musical acts. But like there's

0:26:25.000 --> 0:26:28.399
<v Speaker 1>this assumption that oh, because it's metal, that's just background noise.

0:26:28.440 --> 0:26:31.359
<v Speaker 1>We can talk now and it's like, guys, it's like music.

0:26:31.480 --> 0:26:34.520
<v Speaker 1>Also look Mary Antoinette, just like art form. Mary Antoinette

0:26:34.560 --> 0:26:37.000
<v Speaker 1>has like streamers coming out of her neck hole that

0:26:37.040 --> 0:26:39.200
<v Speaker 1>look like blood. It's so cool, Like, shut up, I

0:26:39.240 --> 0:26:40.160
<v Speaker 1>want to watch this.

0:26:41.119 --> 0:26:45.160
<v Speaker 3>Absolutely like metal is a one of the greatest Eurovision songs,

0:26:45.520 --> 0:26:48.000
<v Speaker 3>not even there's there's been some great metal songs, but

0:26:48.000 --> 0:26:50.560
<v Speaker 3>I'm thinking of the one that occurred in twenty nineteen.

0:26:51.119 --> 0:26:51.840
<v Speaker 2>This is called it.

0:26:51.880 --> 0:26:56.200
<v Speaker 3>This is Hittari's song, and it's basically a song about

0:26:56.240 --> 0:26:59.639
<v Speaker 3>how evil will prevail. And they imagine this world in

0:26:59.640 --> 0:27:02.400
<v Speaker 3>which all the worst things have happened. The worst people

0:27:02.480 --> 0:27:06.080
<v Speaker 3>are running every country, the climate has collapsed, the environment

0:27:06.119 --> 0:27:07.800
<v Speaker 3>is unbreathable, evil has.

0:27:07.640 --> 0:27:11.520
<v Speaker 2>Efficient what an impossible scenario, especially in twenty nineteen.

0:27:11.920 --> 0:27:16.080
<v Speaker 3>I know, shocking truly, And then there's there's a there's

0:27:16.119 --> 0:27:18.320
<v Speaker 3>a little fleck of hope at the end of the

0:27:18.320 --> 0:27:21.359
<v Speaker 3>song is like this doesn't have to happen, we don't

0:27:21.440 --> 0:27:24.800
<v Speaker 3>have to let this occur. It's a metal song that

0:27:24.960 --> 0:27:28.320
<v Speaker 3>on its glance, at first glance, could be terrifying or

0:27:28.359 --> 0:27:32.120
<v Speaker 3>confusing or unsettling, which it is, but it also has

0:27:32.119 --> 0:27:34.720
<v Speaker 3>something beautiful to say about not giving up hope and

0:27:34.880 --> 0:27:37.400
<v Speaker 3>making improvements to the world in which we live.

0:27:37.520 --> 0:27:38.280
<v Speaker 2>I mean this is.

0:27:38.280 --> 0:27:40.399
<v Speaker 1>An art form, yeah, absolutely, I mean there are a

0:27:40.440 --> 0:27:44.320
<v Speaker 1>lot of metal I mean, personally, my choice of metal

0:27:44.320 --> 0:27:46.600
<v Speaker 1>bands tend to be like progressive metal, so it's already

0:27:46.600 --> 0:27:51.040
<v Speaker 1>a little more soft, a little more ethereal. But like, yeah,

0:27:51.040 --> 0:27:52.920
<v Speaker 1>there's definitely a lot of like metal bands. Where you're

0:27:52.920 --> 0:27:55.800
<v Speaker 1>listening to it, it sounds super scary, like they're gonna

0:27:56.040 --> 0:27:58.840
<v Speaker 1>tell you something about how like satan is, you know,

0:27:58.880 --> 0:28:00.760
<v Speaker 1>eating your eyeballs or something, But then it turns out

0:28:00.800 --> 0:28:03.879
<v Speaker 1>it has like a pro environment is or yeah, like

0:28:04.119 --> 0:28:06.440
<v Speaker 1>it could be something about like hey, you should join

0:28:06.440 --> 0:28:10.040
<v Speaker 1>a union, or like hey, the environment is cool. But

0:28:10.080 --> 0:28:11.800
<v Speaker 1>they're just singing it in this kind of like rob

0:28:13.200 --> 0:28:16.159
<v Speaker 1>no voice, and that's you know, we're going to do

0:28:16.200 --> 0:28:16.560
<v Speaker 1>that again.

0:28:16.640 --> 0:28:20.000
<v Speaker 2>By the way, my brother in law is a is

0:28:20.040 --> 0:28:24.600
<v Speaker 2>a very very good musician, but specifically bass player. Like

0:28:25.480 --> 0:28:28.000
<v Speaker 2>I've seen him play based many times with a number

0:28:28.000 --> 0:28:29.920
<v Speaker 2>of different bands, and I think the only bass player

0:28:29.960 --> 0:28:31.760
<v Speaker 2>I've ever seen in real life who I think is

0:28:31.800 --> 0:28:37.560
<v Speaker 2>better than him his Thundercat. But he currently tours with

0:28:37.840 --> 0:28:40.840
<v Speaker 2>a band called Number twelve. Looks just like you which

0:28:40.920 --> 0:28:45.600
<v Speaker 2>is taken from a Twilight Zone episode and actually truly

0:28:45.640 --> 0:28:48.960
<v Speaker 2>one of my all time favorite Twilight Zone episodes. But

0:28:49.080 --> 0:28:51.680
<v Speaker 2>they're they're a pretty long running metal band that has

0:28:51.760 --> 0:28:56.280
<v Speaker 2>that kind of vocal and like I went to see

0:28:56.280 --> 0:28:58.719
<v Speaker 2>them when they played in La because he was he

0:28:58.800 --> 0:29:03.760
<v Speaker 2>was staying at our apartment, and like that kind of

0:29:03.840 --> 0:29:06.240
<v Speaker 2>vocal does turn me off a little bit, but also

0:29:06.280 --> 0:29:10.360
<v Speaker 2>the music is really good, So yeah.

0:29:09.200 --> 0:29:11.959
<v Speaker 1>I get it, though, I get your perspective.

0:29:12.280 --> 0:29:14.240
<v Speaker 2>Yeah, but I but I think metal is like is

0:29:14.800 --> 0:29:18.000
<v Speaker 2>like pretty much every genre of music. Like we all

0:29:18.080 --> 0:29:20.120
<v Speaker 2>had friends in college who are like, I listened to

0:29:20.200 --> 0:29:23.720
<v Speaker 2>everything except country and rap, right. It was like that

0:29:23.840 --> 0:29:26.320
<v Speaker 2>was such a thing in the two thousands where it

0:29:26.120 --> 0:29:28.920
<v Speaker 2>was like, yeah, but there is good country music and

0:29:28.960 --> 0:29:31.240
<v Speaker 2>there is good rap music. You just don't want to

0:29:31.520 --> 0:29:33.640
<v Speaker 2>identify with those genre.

0:29:34.080 --> 0:29:36.600
<v Speaker 1>Well, but like it's also just like I only I

0:29:36.880 --> 0:29:41.360
<v Speaker 1>don't listen to like essentially like music that's poetry and

0:29:41.480 --> 0:29:45.680
<v Speaker 1>music that has I don't know, any sort of rural

0:29:45.720 --> 0:29:47.760
<v Speaker 1>element to it. And then you're like, if you put

0:29:47.800 --> 0:29:49.560
<v Speaker 1>it that way, then it's like, Okay, that's really weird.

0:29:49.600 --> 0:29:51.440
<v Speaker 3>Though, what do you mean, Yeah, that's messed up, dude,

0:29:52.280 --> 0:29:54.080
<v Speaker 3>exclusively Gregorian Chit.

0:29:54.680 --> 0:29:57.640
<v Speaker 2>Yeah, no joke that I'm interested. I will say I'm

0:29:57.640 --> 0:29:59.880
<v Speaker 2>interested in that guy. What's that guy? I thought?

0:30:00.240 --> 0:30:04.520
<v Speaker 1>Sleep to gregoryan Chance though, Oh sure, I do mess

0:30:04.560 --> 0:30:06.760
<v Speaker 1>around with Gregory and Chance, But I do mess around

0:30:06.760 --> 0:30:09.400
<v Speaker 1>with all music because I think all music can be good.

0:30:09.520 --> 0:30:13.239
<v Speaker 2>I completely agree, because it's like because like, yeah, it's like,

0:30:13.280 --> 0:30:15.760
<v Speaker 2>do I love all country music? It's like, no, I'm

0:30:15.800 --> 0:30:17.760
<v Speaker 2>not going to rep for like bro country, but I'm

0:30:17.760 --> 0:30:19.600
<v Speaker 2>also not going to pretend that I don't listen to

0:30:19.640 --> 0:30:22.240
<v Speaker 2>like Willie Nelson or like Orville Peck for a more

0:30:22.280 --> 0:30:26.480
<v Speaker 2>recently part, Dolly park God's Sake Dolly part like.

0:30:26.400 --> 0:30:28.840
<v Speaker 1>If you don't like Dolly Porton, there's something wrong with you,

0:30:29.120 --> 0:30:30.000
<v Speaker 1>But obviously.

0:30:29.800 --> 0:30:32.280
<v Speaker 2>Most of them like anyway, we'll get into our country

0:30:32.320 --> 0:30:34.200
<v Speaker 2>discussion on a different podcast, But yeah, I.

0:30:34.200 --> 0:30:37.240
<v Speaker 1>Understand maybe like that so that that type of voice

0:30:37.280 --> 0:30:39.760
<v Speaker 1>is called a death growl, and it does not appeal

0:30:39.800 --> 0:30:42.400
<v Speaker 1>to everyone. I get it, Like I like, I do

0:30:42.520 --> 0:30:45.720
<v Speaker 1>like progressive metal the most, and there's not as much

0:30:45.760 --> 0:30:49.240
<v Speaker 1>death growl in that, but some metal is really primarily

0:30:49.640 --> 0:30:53.000
<v Speaker 1>that death grawl, and a really good death growl I

0:30:53.040 --> 0:30:56.480
<v Speaker 1>think can be really exciting when I hear it too much,

0:30:56.520 --> 0:31:00.080
<v Speaker 1>my own throat starts to hurt, kind of in sympathy.

0:31:00.280 --> 0:31:05.320
<v Speaker 1>But there is our next Eurovarmint competition entrant is one

0:31:05.360 --> 0:31:08.440
<v Speaker 1>of the world's best heavy metal death growlers.

0:31:08.680 --> 0:31:11.040
<v Speaker 2>Oh okay, okay.

0:31:10.600 --> 0:31:12.560
<v Speaker 1>Can you guys just like guess, like, what what what

0:31:12.600 --> 0:31:14.360
<v Speaker 1>do you think would be the best at this?

0:31:14.560 --> 0:31:17.200
<v Speaker 2>Well? I have I have seen the death metal Rooster

0:31:17.520 --> 0:31:21.680
<v Speaker 2>video where they've edited some heavy metal riffs under a

0:31:21.760 --> 0:31:25.080
<v Speaker 2>rooster going pretty full out, and it does work, you

0:31:25.120 --> 0:31:25.720
<v Speaker 2>know what I mean?

0:31:26.080 --> 0:31:28.480
<v Speaker 1>Have you seen me? Have you seen the animal version

0:31:28.600 --> 0:31:31.400
<v Speaker 1>of let the bodies hit the floor with the bodies.

0:31:31.280 --> 0:31:34.959
<v Speaker 2>But sounds great? Well, look the look that up.

0:31:35.520 --> 0:31:39.840
<v Speaker 1>Anyways, the best animal who just really masters this death

0:31:39.880 --> 0:31:43.040
<v Speaker 1>growl is the howler monkey. Have you guys heard of hower?

0:31:43.480 --> 0:31:46.200
<v Speaker 3>Yeah, of course, yes, yes, that was right there on

0:31:46.240 --> 0:31:49.200
<v Speaker 3>the in the name, much like the magnificent friggin bird.

0:31:49.320 --> 0:31:52.320
<v Speaker 2>Yet they're not giving it away. They are giving it. Yeah,

0:31:52.360 --> 0:31:55.640
<v Speaker 2>there's no mystery here. Yeah, these howls the howler monkeys.

0:31:55.680 --> 0:31:58.560
<v Speaker 1>Yeah, these are called the kick ass howler monkeys. That's

0:31:58.600 --> 0:32:03.840
<v Speaker 1>their literal form, So howler monkeys. They are actually multiple

0:32:03.840 --> 0:32:07.080
<v Speaker 1>species of howler monkeys. They are a genus of monkey

0:32:07.200 --> 0:32:10.560
<v Speaker 1>who live in South America and the tropics. They are

0:32:10.800 --> 0:32:15.800
<v Speaker 1>capable of incredible death growls, incredible sounds. There are many

0:32:15.880 --> 0:32:18.960
<v Speaker 1>species like I mentioned, with fur ranging from black to

0:32:19.000 --> 0:32:24.120
<v Speaker 1>brown to red like red red fur. It's really really pretty.

0:32:24.800 --> 0:32:28.640
<v Speaker 1>They have these wide set faces, these large shaggy jowls,

0:32:28.640 --> 0:32:31.280
<v Speaker 1>and they grow from around two to three feet, which

0:32:31.480 --> 0:32:34.960
<v Speaker 1>is about sixty to ninety centimeters, not including their tail,

0:32:34.960 --> 0:32:36.880
<v Speaker 1>which is super long as well. They have a long,

0:32:36.960 --> 0:32:40.280
<v Speaker 1>prehensile tail. They live in the trees, and of course

0:32:40.600 --> 0:32:44.080
<v Speaker 1>they howl. So I am going to let you listen

0:32:44.120 --> 0:32:46.560
<v Speaker 1>to this. This is a red howler monkey from the

0:32:46.640 --> 0:32:57.480
<v Speaker 1>Houston Zoo.

0:33:00.760 --> 0:33:04.520
<v Speaker 2>Like it works, Yeah right.

0:33:03.720 --> 0:33:06.000
<v Speaker 3>We put you this way. My best friend in the

0:33:06.040 --> 0:33:08.120
<v Speaker 3>world is actually in a metal band. He's the lead

0:33:08.160 --> 0:33:10.200
<v Speaker 3>singer Great American Ghosts.

0:33:10.280 --> 0:33:10.800
<v Speaker 2>Check him out.

0:33:11.960 --> 0:33:14.440
<v Speaker 3>I want to tell him to go down to the

0:33:14.520 --> 0:33:17.200
<v Speaker 3>Houston Zoo and pick this monkey up and put him

0:33:17.240 --> 0:33:20.560
<v Speaker 3>on the next album because that was terrifying and I

0:33:20.600 --> 0:33:21.080
<v Speaker 3>loved it.

0:33:22.360 --> 0:33:27.480
<v Speaker 1>Yes, it's fantastic. So they make these wonderful, wonderful death

0:33:27.520 --> 0:33:31.680
<v Speaker 1>growls that can be very very loud as well heard

0:33:31.760 --> 0:33:36.000
<v Speaker 1>over long, long distances, and so in this case, it

0:33:36.080 --> 0:33:39.160
<v Speaker 1>is mostly the males doing this. I'm sad to say

0:33:39.200 --> 0:33:42.560
<v Speaker 1>that in real life and in how well, I guess

0:33:42.560 --> 0:33:45.760
<v Speaker 1>howler monkeys are also real life, but in human metal

0:33:45.800 --> 0:33:50.320
<v Speaker 1>bands and monkey metal bands, males dominate the death growling space.

0:33:50.320 --> 0:33:54.840
<v Speaker 1>Although there are some very accomplished female death growlers out there,

0:33:55.160 --> 0:33:57.880
<v Speaker 1>I mean, just look them up. I can't remember their

0:33:57.960 --> 0:34:01.080
<v Speaker 1>names because I don't have Dimitri's brain can remember everything.

0:34:02.960 --> 0:34:06.920
<v Speaker 2>Our greatest resource on euro evangelists. I try my best,

0:34:07.000 --> 0:34:07.760
<v Speaker 2>Thank you so much.

0:34:08.160 --> 0:34:11.440
<v Speaker 1>So. Typically males are larger than females and they do

0:34:11.520 --> 0:34:15.920
<v Speaker 1>the majority of this loud howling, and they do it

0:34:16.040 --> 0:34:19.920
<v Speaker 1>to attract females to stake out their territory. It is

0:34:20.160 --> 0:34:24.319
<v Speaker 1>a form of communication that can be from like hey,

0:34:24.600 --> 0:34:27.080
<v Speaker 1>I'm a hot sexy male, come check me out, to

0:34:27.800 --> 0:34:31.640
<v Speaker 1>like back off, this is my area, to like, hey,

0:34:31.680 --> 0:34:36.839
<v Speaker 1>I'm over here, what's up? So many different types of communications.

0:34:36.280 --> 0:34:38.560
<v Speaker 3>Somebody ways to communicate? How many ways kind of goes

0:34:38.560 --> 0:34:43.200
<v Speaker 3>into the whole death growl you know, art form, because

0:34:43.280 --> 0:34:46.479
<v Speaker 3>even in the music, it's not always anger that's being

0:34:46.520 --> 0:34:49.960
<v Speaker 3>portrayed here. It often is, but it is there's so

0:34:49.960 --> 0:34:53.480
<v Speaker 3>many different messages that you can communicate through. Through that

0:34:53.600 --> 0:34:55.960
<v Speaker 3>type of singing. So I'm glad to know that the

0:34:56.000 --> 0:34:59.160
<v Speaker 3>animal kingdom operates exactly the same way, and I hope

0:34:59.200 --> 0:35:03.200
<v Speaker 3>it's incredibly a thing because the type in my humble experience,

0:35:03.200 --> 0:35:05.560
<v Speaker 3>the type of women who like that music are always

0:35:05.600 --> 0:35:09.520
<v Speaker 3>really cool. So yeah, yeah, cowler monkeys are the same way.

0:35:09.760 --> 0:35:13.879
<v Speaker 1>In my experience. Yes, women who like metal are very cool.

0:35:16.360 --> 0:35:18.400
<v Speaker 2>Little homersm there, that's okay.

0:35:18.680 --> 0:35:23.759
<v Speaker 1>So the yeah. So there are essentially two types of

0:35:24.080 --> 0:35:28.680
<v Speaker 1>howler monkey social groups among these species, and this gets

0:35:28.680 --> 0:35:33.000
<v Speaker 1>into really interesting kind of It's a great detail that

0:35:33.080 --> 0:35:35.400
<v Speaker 1>I love to talk about because it teaches you a

0:35:35.400 --> 0:35:39.919
<v Speaker 1>lot about evolution and it's also silly. So there are

0:35:40.400 --> 0:35:43.360
<v Speaker 1>social groups in some species where there's basically one male

0:35:44.040 --> 0:35:46.600
<v Speaker 1>who has a bunch of females. Will call them groupies.

0:35:46.680 --> 0:35:49.680
<v Speaker 1>I don't know, it's just it's a it's a mating structure,

0:35:50.160 --> 0:35:54.000
<v Speaker 1>and he will have a really, really loud howl.

0:35:54.840 --> 0:35:56.680
<v Speaker 2>It is not it is not our place to judge

0:35:56.680 --> 0:35:58.000
<v Speaker 2>the howler monkey polycule.

0:35:58.239 --> 0:36:04.240
<v Speaker 1>Look man strokes for different folks, different howls for different monkeys.

0:36:04.600 --> 0:36:09.319
<v Speaker 1>So the other social group style is multiple males that

0:36:09.440 --> 0:36:12.319
<v Speaker 1>don't maybe have as powerful of a howl, and then

0:36:12.400 --> 0:36:16.439
<v Speaker 1>multiple females, So you know, another just a different type

0:36:16.480 --> 0:36:18.839
<v Speaker 1>of polycule. One's a little more mormon, one's a little

0:36:18.920 --> 0:36:19.920
<v Speaker 1>more like tumbler.

0:36:20.760 --> 0:36:21.920
<v Speaker 2>Okay, sure.

0:36:24.120 --> 0:36:29.600
<v Speaker 1>They So the living situation actually depends on two of

0:36:29.680 --> 0:36:34.480
<v Speaker 1>the male's body parts, the hyoid bone and the testes.

0:36:34.800 --> 0:36:36.960
<v Speaker 1>So I guess that. I mean, you could say that's

0:36:36.960 --> 0:36:39.359
<v Speaker 1>three body parts. But okay, the hyoid bone and the

0:36:39.400 --> 0:36:43.880
<v Speaker 1>testes testies. I don't know if I need to explain it.

0:36:43.920 --> 0:36:46.719
<v Speaker 3>If I do, if you're I went to school in America,

0:36:46.800 --> 0:36:48.200
<v Speaker 3>can you explain what the testes do?

0:36:48.600 --> 0:36:51.600
<v Speaker 1>The testes are an organ that produce sperm, which are

0:36:51.760 --> 0:36:55.960
<v Speaker 1>the genetic messengers that are used to pass down the

0:36:56.040 --> 0:37:00.239
<v Speaker 1>genes of the male howler monkey hopefully to the next generation.

0:37:00.360 --> 0:37:04.640
<v Speaker 1>So very important. Now, the hyoid bone I probably don't

0:37:04.640 --> 0:37:06.560
<v Speaker 1>even need to explain that. Everyone's familiar with.

0:37:06.760 --> 0:37:08.480
<v Speaker 2>I'm well acquainted with the highway.

0:37:08.520 --> 0:37:12.320
<v Speaker 3>Who among us has not encountered the hyoid bone?

0:37:12.840 --> 0:37:15.320
<v Speaker 2>But I guess, I guess if a young person is listening,

0:37:15.400 --> 0:37:18.799
<v Speaker 2>but maybe the children in the audience who don't know it.

0:37:18.840 --> 0:37:20.840
<v Speaker 1>Yet, A baby out there doesn't know what a hired

0:37:20.880 --> 0:37:25.080
<v Speaker 1>bone is is found in mammals, including humans. You've got

0:37:25.080 --> 0:37:29.640
<v Speaker 1>one too, unless something's wrong and it helps inkor you

0:37:29.960 --> 0:37:31.400
<v Speaker 1>sure you're looking around.

0:37:33.560 --> 0:37:35.400
<v Speaker 2>Reach for your hyoid bone right now.

0:37:35.880 --> 0:37:39.160
<v Speaker 3>Uh oh nosing.

0:37:40.239 --> 0:37:44.440
<v Speaker 1>So it is a bone that helps anchor our tongues,

0:37:44.600 --> 0:37:48.160
<v Speaker 1>lower mouth, and larynx. It's actually the only bone in

0:37:48.160 --> 0:37:52.160
<v Speaker 1>the human body that isn't attached to another bone. If

0:37:52.160 --> 0:37:55.960
<v Speaker 1>everything's proceeding, is typical for human body.

0:37:56.160 --> 0:37:58.439
<v Speaker 2>So just a loose sky just floating around.

0:37:58.640 --> 0:38:01.320
<v Speaker 1>It's a loose guy just floating around. It's attached to muscles,

0:38:01.880 --> 0:38:04.200
<v Speaker 1>not attached to other bones. So it's short of sort

0:38:04.239 --> 0:38:06.440
<v Speaker 1>of shaped like the forehead of an ox. It's got

0:38:06.440 --> 0:38:10.360
<v Speaker 1>these two horn like structures. And the hyoid bone shape

0:38:10.760 --> 0:38:13.880
<v Speaker 1>determines things from like it helps us swallow, It keeps

0:38:13.920 --> 0:38:19.600
<v Speaker 1>our tongues anchored down. It also helps our larynx function.

0:38:19.760 --> 0:38:24.640
<v Speaker 1>And so in these hawler monkeys, the size of the

0:38:24.719 --> 0:38:28.520
<v Speaker 1>hyoid bone, I mean, in all how howler monkey males,

0:38:28.520 --> 0:38:32.200
<v Speaker 1>actually the hyoid bone is quite in large. It's very big.

0:38:32.760 --> 0:38:37.600
<v Speaker 1>And so the bigger the hyoid bone, the louder the call.

0:38:38.840 --> 0:38:43.840
<v Speaker 1>So in haler monkeys that have these really really loud culls,

0:38:44.000 --> 0:38:46.200
<v Speaker 1>and then they basically have this sort of like you know,

0:38:46.640 --> 0:38:49.840
<v Speaker 1>the mormon structure of like one male in a polecule

0:38:50.120 --> 0:38:53.480
<v Speaker 1>with a bunch of females. They have this huge hyoid bone.

0:38:53.520 --> 0:38:55.920
<v Speaker 1>But guys, there's a cust Can you guess what that is?

0:38:58.560 --> 0:39:01.640
<v Speaker 3>I'd imagine that having such a huge high odbone kind

0:39:01.640 --> 0:39:04.640
<v Speaker 3>of limits what else can be done with the vocals.

0:39:04.680 --> 0:39:06.799
<v Speaker 3>Imagine it's howling and maybe nothing else.

0:39:06.840 --> 0:39:10.120
<v Speaker 1>Maybe that I mean, they don't talk for sure, But you.

0:39:10.120 --> 0:39:11.759
<v Speaker 2>Remember how that's the only reason why.

0:39:11.800 --> 0:39:14.719
<v Speaker 1>I mean, you remember when I mentioned these testes. There's

0:39:14.760 --> 0:39:17.279
<v Speaker 1>a simple little rhyme you can use to remember it.

0:39:17.680 --> 0:39:22.080
<v Speaker 1>The louder the call, the smaller the balls. So, uh,

0:39:22.960 --> 0:39:27.480
<v Speaker 1>the testes size is inversely correlated with the hyoid bone size.

0:39:27.480 --> 0:39:31.360
<v Speaker 1>So the bigger the hyoid bone actually the smaller the testes.

0:39:31.480 --> 0:39:35.040
<v Speaker 1>It's called an evolutionary tradeoff. This is actually a pattern

0:39:35.040 --> 0:39:38.320
<v Speaker 1>that you see in multiple species where whether it's a weapon,

0:39:38.440 --> 0:39:42.160
<v Speaker 1>whether it's the loudness of their call. Sometimes when you

0:39:42.239 --> 0:39:46.440
<v Speaker 1>invest heavily into one thing, like say a weapon size,

0:39:46.560 --> 0:39:48.520
<v Speaker 1>or in the case of this howler monkey, the size

0:39:48.520 --> 0:39:51.680
<v Speaker 1>of the hyoid bone, there's a bit of a trade

0:39:51.719 --> 0:39:55.880
<v Speaker 1>off where the testes shrink because you're investing less resources

0:39:55.920 --> 0:39:57.960
<v Speaker 1>into say testes size.

0:39:58.840 --> 0:40:03.359
<v Speaker 2>In the world of video games, we call that min max. Yeah,

0:40:03.400 --> 0:40:05.560
<v Speaker 2>I do like that. The Howler monkey is sort of

0:40:05.640 --> 0:40:08.759
<v Speaker 2>like a self regulating like the developers put in a

0:40:08.760 --> 0:40:11.040
<v Speaker 2>lot of like balancing, so it's like, wow, you can

0:40:11.120 --> 0:40:13.480
<v Speaker 2>really go crazy on the hyoid bone, but then your

0:40:13.520 --> 0:40:16.439
<v Speaker 2>testes are put all your attribute points in the hyoid bone.

0:40:16.480 --> 0:40:18.480
<v Speaker 1>They should have they should have done that in Balder's

0:40:18.560 --> 0:40:19.120
<v Speaker 1>Gate three.

0:40:19.800 --> 0:40:24.000
<v Speaker 3>Yeah right, go nuts or your high eyed bone and

0:40:24.360 --> 0:40:27.120
<v Speaker 3>beg three.

0:40:26.600 --> 0:40:31.080
<v Speaker 1>Because you could see the outcome of those particular character choices. Anyway,

0:40:32.000 --> 0:40:35.960
<v Speaker 1>So the ones that have the smaller hyoid bones but

0:40:36.120 --> 0:40:38.880
<v Speaker 1>larger testies are the ones who live in these groups

0:40:38.880 --> 0:40:42.120
<v Speaker 1>that are more like a tumbler polycule. There's multiple males

0:40:42.160 --> 0:40:46.160
<v Speaker 1>and also multiple females, Whereas the ones with the really

0:40:46.239 --> 0:40:49.359
<v Speaker 1>loud call the big hyoid bone but smaller testes are

0:40:49.360 --> 0:40:51.919
<v Speaker 1>the ones that are more Mormon. There there's the one

0:40:52.400 --> 0:40:54.600
<v Speaker 1>one male. I don't write to me. I know that

0:40:54.760 --> 0:40:57.759
<v Speaker 1>modern Mormonism doesn't do this, but whatever.

0:40:57.600 --> 0:41:02.280
<v Speaker 2>I do, I do like that. The female Hower monkeys

0:41:02.640 --> 0:41:05.279
<v Speaker 2>who go for that big hyoid bone are kind of

0:41:05.320 --> 0:41:10.080
<v Speaker 2>like size queens when it comes to the I need

0:41:10.080 --> 0:41:12.480
<v Speaker 2>a guy just screaming in my ear as loud as

0:41:12.560 --> 0:41:13.440
<v Speaker 2>humanly possible.

0:41:13.680 --> 0:41:17.400
<v Speaker 1>My my sort of philosophy is that everyone's a size queen,

0:41:17.440 --> 0:41:19.759
<v Speaker 1>But it just depends what the size of the thing is,

0:41:20.040 --> 0:41:22.960
<v Speaker 1>you know. Yeah, Like for me, it's empathy. It's the

0:41:23.000 --> 0:41:24.480
<v Speaker 1>size of the empathy that matters.

0:41:24.960 --> 0:41:27.800
<v Speaker 2>Yeah, good answer, good answer.

0:41:28.239 --> 0:41:30.200
<v Speaker 3>I'm glad you told me this in advance, because I

0:41:30.280 --> 0:41:31.759
<v Speaker 3>was gonna I was gonna put that I have a

0:41:31.880 --> 0:41:35.120
<v Speaker 3>huge highway bone in matating profiles, and now I do

0:41:35.239 --> 0:41:36.320
<v Speaker 3>not want to do that anything.

0:41:36.360 --> 0:41:40.560
<v Speaker 2>Yeah, you got to Dmitri when Dmitri starts howling baby. Yeah.

0:41:40.600 --> 0:41:44.600
<v Speaker 1>And so this is really interesting because what is happening here, right,

0:41:44.640 --> 0:41:47.400
<v Speaker 1>why you have these different social groups, is that you

0:41:47.560 --> 0:41:51.399
<v Speaker 1>have a competition happening on different levels. For the species

0:41:51.640 --> 0:41:54.480
<v Speaker 1>where the males have these big hyoide bones, the competition

0:41:54.640 --> 0:41:58.399
<v Speaker 1>is happening with their calls, right, like they and then

0:41:58.400 --> 0:42:00.640
<v Speaker 1>they don't have to compete as much in terms of

0:42:00.680 --> 0:42:03.160
<v Speaker 1>their testes size, right. And I'm not even talking about

0:42:03.160 --> 0:42:06.480
<v Speaker 1>the females like being into big Testies or small testies.

0:42:06.840 --> 0:42:10.319
<v Speaker 1>It is literally when you have smaller testees, you got

0:42:10.400 --> 0:42:14.360
<v Speaker 1>fewer soldiers, right, You have less sperm to play around

0:42:14.400 --> 0:42:16.839
<v Speaker 1>with you can clip that and put that out out

0:42:16.880 --> 0:42:20.400
<v Speaker 1>of context. But yeah, right, it's a numbers game. And

0:42:20.480 --> 0:42:24.160
<v Speaker 1>so if you are mating, if you're a bunch of

0:42:24.200 --> 0:42:27.400
<v Speaker 1>males and say you're mating with the same female, right, uh,

0:42:27.760 --> 0:42:31.759
<v Speaker 1>you want to have more sperm to compete with other

0:42:31.840 --> 0:42:34.360
<v Speaker 1>males and so that it's more likely that one of

0:42:34.400 --> 0:42:36.759
<v Speaker 1>your guys is going to get in there and reach

0:42:36.920 --> 0:42:41.160
<v Speaker 1>the cross the finish line first. So but if you've

0:42:41.200 --> 0:42:44.040
<v Speaker 1>already secured your females, like I have the best death

0:42:44.080 --> 0:42:47.239
<v Speaker 1>browl around and you guys are loyal to me, and

0:42:47.360 --> 0:42:49.640
<v Speaker 1>also I'm intimidating to other males, so they're not going

0:42:49.719 --> 0:42:51.640
<v Speaker 1>to come around and try to fight me, then you

0:42:51.680 --> 0:42:55.040
<v Speaker 1>don't need to compete as much on testes size. So yeah,

0:42:55.040 --> 0:42:57.200
<v Speaker 1>I mean it is. It is a really interesting like

0:42:57.280 --> 0:43:01.280
<v Speaker 1>these howler monkeys really demonstrate this very interesting evolutionary trend

0:43:01.320 --> 0:43:04.720
<v Speaker 1>that you see also from from insects to mammals to fish,

0:43:04.840 --> 0:43:07.200
<v Speaker 1>Like this kind of like trade off thing and sexual

0:43:07.239 --> 0:43:11.719
<v Speaker 1>selection and like the difference between say sperm competition and

0:43:11.760 --> 0:43:16.759
<v Speaker 1>like actual like competition with say weapons or vocals. It

0:43:17.320 --> 0:43:20.520
<v Speaker 1>abounds in animals and maybe Eurovision, I don't know, fellas

0:43:20.520 --> 0:43:22.520
<v Speaker 1>what do you think I.

0:43:22.600 --> 0:43:26.320
<v Speaker 3>Mean, that's a great point. There's now oftentimes there you

0:43:26.360 --> 0:43:30.640
<v Speaker 3>go Oftentimes in Eurovision, you know the people, it's it's

0:43:30.719 --> 0:43:33.560
<v Speaker 3>the visual spectacle gets a lot of hype and people

0:43:33.640 --> 0:43:36.200
<v Speaker 3>tend to forget that it is in fact a song contest.

0:43:36.600 --> 0:43:37.879
<v Speaker 2>But there are some there are.

0:43:37.840 --> 0:43:40.799
<v Speaker 3>Some performances, especially even in this last year. The guy

0:43:40.800 --> 0:43:43.640
<v Speaker 3>who came in fourth place was a way. It was

0:43:43.640 --> 0:43:46.680
<v Speaker 3>a French ballot and not much in terms of staging,

0:43:46.760 --> 0:43:50.400
<v Speaker 3>visual almost nothing, really almost nothing terms of staging. But

0:43:50.600 --> 0:43:56.080
<v Speaker 3>the voice was so peerless. That's got that got him

0:43:56.080 --> 0:43:57.760
<v Speaker 3>all the points he needed to get for fourth place.

0:43:58.080 --> 0:44:00.440
<v Speaker 3>It just goes to show that the voice alone, and

0:44:00.600 --> 0:44:03.040
<v Speaker 3>we've seen this multiple times in Eurovision. People who do

0:44:03.200 --> 0:44:07.800
<v Speaker 3>call what is a parking bark. It's just them nothing else,

0:44:08.200 --> 0:44:11.400
<v Speaker 3>singing into a microphone, and because of the quality of

0:44:11.400 --> 0:44:14.640
<v Speaker 3>that voice, they often find themselves getting great ranking.

0:44:14.680 --> 0:44:17.080
<v Speaker 2>If you've got the goods when it comes to the singing,

0:44:17.880 --> 0:44:21.560
<v Speaker 2>you might be okay. It's one people Eurovision before it's

0:44:21.640 --> 0:44:24.040
<v Speaker 2>best to maybe have a little of both.

0:44:24.160 --> 0:44:26.720
<v Speaker 1>Streamers at least put some streamers.

0:44:26.280 --> 0:44:29.799
<v Speaker 2>In there on do something but like or cover your.

0:44:29.800 --> 0:44:32.520
<v Speaker 1>Drum set and crochet they did that last year or

0:44:32.560 --> 0:44:33.000
<v Speaker 1>this year.

0:44:33.120 --> 0:44:36.520
<v Speaker 2>That's right, do what you gotta do. But sometimes that

0:44:36.680 --> 0:44:37.480
<v Speaker 2>voice is enough.

0:44:37.840 --> 0:44:40.799
<v Speaker 1>Yeah, yeah, no, I mean exactly. So there's trade offs

0:44:40.800 --> 0:44:44.759
<v Speaker 1>in Eurovision. There's trade offs and monkey testes as well.

0:44:45.200 --> 0:44:48.080
<v Speaker 2>So you know, as the old saying goes.

0:44:48.160 --> 0:44:51.879
<v Speaker 1>The old dog goes. Females do also howl, and they

0:44:51.880 --> 0:44:55.240
<v Speaker 1>can be quite loud, but they are usually well basically

0:44:55.320 --> 0:44:59.439
<v Speaker 1>always not as loud as the males, much lessnnoying. And

0:45:00.000 --> 0:45:02.960
<v Speaker 1>but yeah, I mean so it is really interesting because

0:45:02.960 --> 0:45:06.080
<v Speaker 1>it kind of sounds like they're rude, right, they're yelling

0:45:06.120 --> 0:45:10.839
<v Speaker 1>at each other, howling all the time, but actually this

0:45:11.360 --> 0:45:15.800
<v Speaker 1>is something that keeps their aggression and fighting relatively low.

0:45:15.960 --> 0:45:20.120
<v Speaker 1>Like it diffuses tension, it solves conflicts without them having

0:45:20.160 --> 0:45:24.440
<v Speaker 1>to actually resort to violence. So they basically are using

0:45:24.480 --> 0:45:27.160
<v Speaker 1>their words, not their fists, even though their words are

0:45:27.200 --> 0:45:27.799
<v Speaker 1>just like ooo.

0:45:31.280 --> 0:45:33.879
<v Speaker 3>Well, they do often say that Eurovision is the thing

0:45:33.920 --> 0:45:38.640
<v Speaker 3>that has prevented many European wars. Many Europeans say, we

0:45:38.719 --> 0:45:41.520
<v Speaker 3>do eurovisions so we don't fight each other. So there

0:45:41.600 --> 0:45:42.759
<v Speaker 3>is some merit to that idea.

0:45:42.880 --> 0:45:45.640
<v Speaker 1>Yeah, there is, there is, I actually like, even though

0:45:45.640 --> 0:45:48.960
<v Speaker 1>obviously there are still wars and it's I mean, Eurovision

0:45:49.000 --> 0:45:52.400
<v Speaker 1>can get really political. I mean this year's Eurovision got quite.

0:45:52.280 --> 0:45:56.040
<v Speaker 2>Political because frequently does will continue to.

0:45:56.239 --> 0:45:58.799
<v Speaker 1>Yeah, and so like you know, it's a but there

0:45:58.880 --> 0:46:02.560
<v Speaker 1>is something to that, right where essentially what happens in

0:46:02.640 --> 0:46:06.520
<v Speaker 1>terms of animals, right, is that if you can basically

0:46:06.600 --> 0:46:11.400
<v Speaker 1>predetermine who's probably gonna win the fight before you actually fight,

0:46:12.960 --> 0:46:15.320
<v Speaker 1>then you don't have to go through the fighting, right

0:46:15.440 --> 0:46:17.360
<v Speaker 1>like that, And that's kind of a it's sort of

0:46:17.400 --> 0:46:20.319
<v Speaker 1>an interesting sort of theory about like maybe sports, like

0:46:20.440 --> 0:46:23.000
<v Speaker 1>if you have two groups of people and you play

0:46:23.040 --> 0:46:25.719
<v Speaker 1>like some kind of sport or game with each other,

0:46:25.840 --> 0:46:29.520
<v Speaker 1>like and there's even combat styles where sometimes it was

0:46:29.800 --> 0:46:33.080
<v Speaker 1>more like a sport less killing, so that you could

0:46:33.120 --> 0:46:36.680
<v Speaker 1>determine basically, okay, who really is gonna win this, but

0:46:36.840 --> 0:46:39.000
<v Speaker 1>maybe we can do it without killing each other, and

0:46:39.040 --> 0:46:41.280
<v Speaker 1>then whoever wins it, we're just gonna say, like, okay,

0:46:41.280 --> 0:46:44.680
<v Speaker 1>you win, we'll back off, uh, because we don't want

0:46:44.680 --> 0:46:47.080
<v Speaker 1>to die. And even if you win, you don't want

0:46:47.120 --> 0:46:50.440
<v Speaker 1>to incur those casualties. So like humans do do that,

0:46:50.640 --> 0:46:54.920
<v Speaker 1>and now it's become kind of more eurovisiony. But throughout

0:46:54.920 --> 0:46:57.800
<v Speaker 1>our history we've also had conflicts, conflicts where it's like

0:46:57.840 --> 0:46:59.400
<v Speaker 1>kind of like, you know, we're we're just sort of

0:46:59.480 --> 0:47:04.879
<v Speaker 1>like trying to scope out whether we're gonna lose this

0:47:04.960 --> 0:47:05.960
<v Speaker 1>fight really bad.

0:47:07.400 --> 0:47:09.279
<v Speaker 3>I don't know about you, folks, but I want to

0:47:09.320 --> 0:47:13.040
<v Speaker 3>watch the Disney or Pixar or DreamWorks movie about a

0:47:13.080 --> 0:47:15.680
<v Speaker 3>young howler monkey who can't sing.

0:47:15.960 --> 0:47:18.200
<v Speaker 2>He doesn't have the gift, and they.

0:47:18.120 --> 0:47:22.120
<v Speaker 3>All all the other ones are, you know, mocking him

0:47:22.239 --> 0:47:24.440
<v Speaker 3>for not being able to sing. Can't any can't any

0:47:24.520 --> 0:47:26.960
<v Speaker 3>howling him, howling him.

0:47:26.840 --> 0:47:27.480
<v Speaker 2>Down if you will.

0:47:27.800 --> 0:47:31.239
<v Speaker 3>He goes on a worldwide journey to learn about the

0:47:31.280 --> 0:47:34.480
<v Speaker 3>power of song and the music within him, and he

0:47:34.560 --> 0:47:39.200
<v Speaker 3>comes back to become the boss Howler Monkey of all

0:47:39.560 --> 0:47:42.320
<v Speaker 3>this is like an annoyingly plausible pitch for a movie.

0:47:42.680 --> 0:47:45.360
<v Speaker 1>You're just described. I'm really sorry to break this to you,

0:47:45.440 --> 0:47:48.080
<v Speaker 1>but you're literally just describing happy feet.

0:47:49.400 --> 0:47:51.040
<v Speaker 2>Yeah. Yeah, Well.

0:47:51.239 --> 0:47:55.399
<v Speaker 3>The good thing is Hollywood is not, how do we say,

0:47:55.480 --> 0:47:58.719
<v Speaker 3>allergic to the idea of repackaging an old idea and

0:47:58.760 --> 0:47:59.440
<v Speaker 3>selling it as.

0:47:59.280 --> 0:47:59.759
<v Speaker 2>A new one.

0:48:00.520 --> 0:48:02.360
<v Speaker 1>Really, I don't know that I.

0:48:02.520 --> 0:48:05.560
<v Speaker 2>Could you could you give one example of this? I've

0:48:05.600 --> 0:48:06.239
<v Speaker 2>never heard of it.

0:48:10.840 --> 0:48:13.799
<v Speaker 1>Okay, we're gonna take a quick break and when we

0:48:13.840 --> 0:48:17.319
<v Speaker 1>get back, we're gonna meet our final contestant, who I

0:48:17.320 --> 0:48:23.080
<v Speaker 1>don't know may surprise you. So, guys, do you like techno?

0:48:24.600 --> 0:48:27.520
<v Speaker 2>I like some technow Yeah, you like you like it.

0:48:27.560 --> 0:48:33.440
<v Speaker 1>When that that thick and soupy bass drops, that is

0:48:34.080 --> 0:48:38.360
<v Speaker 1>usually my favorite part. Yeah. I used to listen to

0:48:38.520 --> 0:48:43.120
<v Speaker 1>Infected Mushroom when I was in high school because I

0:48:43.200 --> 0:48:50.240
<v Speaker 1>that was before I started getting migraines. But no, actually

0:48:50.320 --> 0:48:52.960
<v Speaker 1>quite like, I quite liked it. Like I'm not trying

0:48:52.960 --> 0:48:55.240
<v Speaker 1>to I'm not trying to be mean to techno. Techno

0:48:55.280 --> 0:48:58.319
<v Speaker 1>can be really cool. I love I love some like

0:48:58.600 --> 0:49:02.520
<v Speaker 1>interesting beats there. Uh did you guys know that fruit

0:49:02.600 --> 0:49:06.080
<v Speaker 1>flies seeing sweet romantic techno songs to each other?

0:49:07.120 --> 0:49:09.160
<v Speaker 2>Okay, this is news to me. I don't know. Yeah,

0:49:09.760 --> 0:49:11.960
<v Speaker 2>they made much of a sound besides a buzz even

0:49:14.000 --> 0:49:16.239
<v Speaker 2>kind of they're they're a pest, but they're one of

0:49:16.280 --> 0:49:18.920
<v Speaker 2>the least intrusive pests. They're very small, they don't make

0:49:18.960 --> 0:49:22.160
<v Speaker 2>a lot of noise. And also it's like it's in

0:49:22.239 --> 0:49:25.040
<v Speaker 2>the name. It's like, hey, man, we're here for the fruit. Yeah,

0:49:25.080 --> 0:49:26.120
<v Speaker 2>we're not even here for you.

0:49:26.320 --> 0:49:28.600
<v Speaker 1>No, no, no, We're just here for your bananas that

0:49:28.640 --> 0:49:29.400
<v Speaker 1>you loved out.

0:49:29.239 --> 0:49:33.120
<v Speaker 2>On another animal, another animal that tells you exactly the

0:49:33.160 --> 0:49:34.319
<v Speaker 2>whole story is in the name.

0:49:34.560 --> 0:49:38.040
<v Speaker 1>We got man. We're all three for three on that.

0:49:37.640 --> 0:49:40.439
<v Speaker 1>It's that magnificent friget. I mean, I guess frigate birds

0:49:40.440 --> 0:49:43.719
<v Speaker 1>aren't literally like eating frigates, but they kind of look

0:49:44.160 --> 0:49:44.440
<v Speaker 1>you know.

0:49:44.440 --> 0:49:45.760
<v Speaker 2>I guess, but like.

0:49:46.360 --> 0:49:49.040
<v Speaker 1>It's because they're swift, you know, like they make sure

0:49:49.120 --> 0:49:54.080
<v Speaker 1>they dive verious monkeys. Fruit Flies. Oh sorry, these are

0:49:54.120 --> 0:49:59.439
<v Speaker 1>called the pretty pretty neat fruit flies. That's their home.

0:50:01.000 --> 0:50:03.520
<v Speaker 2>I love it they're being humbled. Yeah, I love managing

0:50:03.560 --> 0:50:04.920
<v Speaker 2>expectations about the fruit.

0:50:05.280 --> 0:50:11.280
<v Speaker 1>Pretty pretty neat fruit also known as the Drosophila melanogaster.

0:50:12.400 --> 0:50:16.239
<v Speaker 1>They they do sing sweet techno songs to each other.

0:50:16.280 --> 0:50:20.440
<v Speaker 1>We usually cannot hear them because they are very very quiet.

0:50:22.360 --> 0:50:25.200
<v Speaker 2>That's about to change. I've been around some flue fruit flies,

0:50:25.200 --> 0:50:27.160
<v Speaker 2>and I have not heard any sweet beets.

0:50:27.280 --> 0:50:30.600
<v Speaker 1>So, but you know, I am going to let you

0:50:30.640 --> 0:50:35.640
<v Speaker 1>listen to this. This is courtesy of a recording by

0:50:35.960 --> 0:50:41.799
<v Speaker 1>Professor Mala Murphy's neuroscience Lab at Princeton. So here we go.

0:50:58.719 --> 0:51:07.840
<v Speaker 3>Okay, all right, so it's pretty minimal, it's pretty. It

0:51:07.840 --> 0:51:10.080
<v Speaker 3>feels a little experimental, but I can get I can

0:51:10.120 --> 0:51:12.120
<v Speaker 3>mess with it. It's the start. It's the start of

0:51:12.160 --> 0:51:13.920
<v Speaker 3>the techno sad like things.

0:51:14.080 --> 0:51:16.239
<v Speaker 1>Yeah, you gotta sample it, you gotta sample it.

0:51:16.320 --> 0:51:17.920
<v Speaker 2>Yeah. I was gonna say, you could sample that and

0:51:17.960 --> 0:51:18.880
<v Speaker 2>make that into something.

0:51:19.000 --> 0:51:24.360
<v Speaker 1>You could totally sample that. So this lab is examining

0:51:24.360 --> 0:51:28.480
<v Speaker 1>these fruit flies and they are like doing this incredible

0:51:28.600 --> 0:51:33.480
<v Speaker 1>mapping of the fruitfly brain. Because fruitflies brains are very

0:51:33.480 --> 0:51:36.640
<v Speaker 1>little and tiny, it presents a great opportunity to be

0:51:36.640 --> 0:51:39.000
<v Speaker 1>able to study it in detail, and specifically, they want

0:51:39.040 --> 0:51:43.560
<v Speaker 1>to look into the decision making behind like when and

0:51:44.120 --> 0:51:48.399
<v Speaker 1>why they drop these sick beats. So, uh, first of all,

0:51:48.440 --> 0:51:50.439
<v Speaker 1>how do they make this like sound that like sort

0:51:50.480 --> 0:51:52.880
<v Speaker 1>of little like like little I guess you'd call it

0:51:52.960 --> 0:51:55.279
<v Speaker 1>kind of like drumming or it just it sounds just

0:51:55.360 --> 0:51:59.279
<v Speaker 1>a little bit like a synthetic beat almost. Yeah, And

0:51:59.400 --> 0:52:04.200
<v Speaker 1>he's doing this by Yeah, he's vibrating his wings. It's

0:52:04.200 --> 0:52:08.600
<v Speaker 1>called stridulation, and he can vibrate each wing independently and

0:52:08.600 --> 0:52:12.480
<v Speaker 1>that can change sort of the the rhythm and the.

0:52:12.760 --> 0:52:16.000
<v Speaker 2>Complex they're playing with that stereo field.

0:52:16.200 --> 0:52:20.959
<v Speaker 1>That's right exactly. And so males serenade females in order

0:52:21.000 --> 0:52:23.759
<v Speaker 1>to get their attention. They want to draw in these

0:52:23.800 --> 0:52:29.520
<v Speaker 1>females without freaking her out, and they will change the

0:52:29.560 --> 0:52:33.759
<v Speaker 1>beat of their song depending on how close he's approaching her,

0:52:33.880 --> 0:52:36.960
<v Speaker 1>whether she's responsive, whether she seems a little bit of skance.

0:52:38.000 --> 0:52:41.680
<v Speaker 1>It's like, rather than just sort of sitting there and

0:52:41.840 --> 0:52:45.839
<v Speaker 1>sending out this call, they are very sensitive to what

0:52:45.880 --> 0:52:48.440
<v Speaker 1>the female is doing, and they'll change their call based

0:52:48.480 --> 0:52:53.520
<v Speaker 1>on her behavior because she ultimately decides whether they may like,

0:52:53.840 --> 0:52:56.479
<v Speaker 1>it's not going to happen without her saying, yeah, let's

0:52:56.480 --> 0:52:59.520
<v Speaker 1>do this, And so he will often spend up to

0:52:59.680 --> 0:53:03.160
<v Speaker 1>twenty minutes, which is like forever in flute fruitfly years.

0:53:04.040 --> 0:53:07.280
<v Speaker 1>So he'll spend twenty minutes wooing her, going through hundreds

0:53:07.360 --> 0:53:09.960
<v Speaker 1>of these sensual beats.

0:53:10.360 --> 0:53:11.919
<v Speaker 2>It was like a year of his life.

0:53:11.840 --> 0:53:16.600
<v Speaker 3>Yeah, okay, So what I'm hearing is this fruitfly male

0:53:17.400 --> 0:53:21.759
<v Speaker 3>values consent and a just base on the needs and

0:53:21.840 --> 0:53:26.080
<v Speaker 3>preferences of a woman green flas. This fruitfly is a gentleman.

0:53:25.920 --> 0:53:27.399
<v Speaker 1>You know, it's fruit fly.

0:53:27.600 --> 0:53:31.520
<v Speaker 2>It's very funny because all three of these animals, it's like, oh, well,

0:53:31.520 --> 0:53:36.239
<v Speaker 2>they make a sound to like attract women, to tract

0:53:36.280 --> 0:53:39.120
<v Speaker 2>females of the species and We're like, what interesting animal

0:53:39.200 --> 0:53:43.160
<v Speaker 2>behavior animals do? And you're like, man, you go to

0:53:43.200 --> 0:53:46.080
<v Speaker 2>any college quad in the entire us, and you're gonna

0:53:46.080 --> 0:53:49.279
<v Speaker 2>see some dickhead with him guitar. It's like, is it

0:53:49.440 --> 0:53:53.960
<v Speaker 2>so different to sing Blackbird on the quad? Yeah, it's very.

0:53:53.719 --> 0:53:57.360
<v Speaker 3>Similar behavior, and you can even change the song based

0:53:57.400 --> 0:53:58.760
<v Speaker 3>on the truly.

0:53:58.880 --> 0:54:01.759
<v Speaker 2>Yes, yes, you get the reverence that we work for you. Well,

0:54:02.000 --> 0:54:04.640
<v Speaker 2>good old fashioned wonder walls waiting us right there.

0:54:04.840 --> 0:54:08.719
<v Speaker 1>Wonderwall's always there for you. It's better than pulling literal

0:54:08.800 --> 0:54:11.680
<v Speaker 1>magic tricks out of your pocket and trying to use

0:54:11.719 --> 0:54:14.600
<v Speaker 1>that to flirt. Actually happened to me.

0:54:14.719 --> 0:54:17.720
<v Speaker 3>This is not oh, this is my life, not wow,

0:54:18.080 --> 0:54:22.359
<v Speaker 3>I'm sorry, I must Was it like a was it.

0:54:22.360 --> 0:54:23.080
<v Speaker 2>A card trick?

0:54:23.760 --> 0:54:25.880
<v Speaker 1>It was a card trick and a little.

0:54:25.680 --> 0:54:29.000
<v Speaker 3>Rope thing, okay, because like a cardon was like, maybe

0:54:29.000 --> 0:54:30.600
<v Speaker 3>you've got a deck of cards if you're good at it.

0:54:30.640 --> 0:54:32.680
<v Speaker 3>But once you have more props than that, I'm like,

0:54:32.800 --> 0:54:35.040
<v Speaker 3>this is a lot to carry around and you're gonna

0:54:35.040 --> 0:54:35.399
<v Speaker 3>pull like.

0:54:35.400 --> 0:54:37.520
<v Speaker 1>A rope out of your pocket when talking to a

0:54:37.560 --> 0:54:38.480
<v Speaker 1>woman you don't know.

0:54:39.200 --> 0:54:41.279
<v Speaker 2>Don't do that. Don't do that.

0:54:41.360 --> 0:54:44.640
<v Speaker 1>I don't do that, sir, And you're gonna a.

0:54:44.680 --> 0:54:45.720
<v Speaker 2>Real trick, is that the woman?

0:54:49.440 --> 0:54:54.680
<v Speaker 1>It's funny because it's scary. So we're talking about these

0:54:54.680 --> 0:54:57.840
<v Speaker 1>fruit flies who they're not scary at all. They're sweet,

0:54:57.920 --> 0:55:01.760
<v Speaker 1>little o beautiful romantics.

0:55:02.000 --> 0:55:04.560
<v Speaker 2>Yeah, these guys can read the room, they really can.

0:55:04.640 --> 0:55:08.680
<v Speaker 1>And they do, and they will increase the complexity of

0:55:08.880 --> 0:55:12.239
<v Speaker 1>the song once they've got the female's attention. Females seem

0:55:12.320 --> 0:55:15.440
<v Speaker 1>to select for males with more complex beats, like and

0:55:16.000 --> 0:55:18.640
<v Speaker 1>it may be an honest signal. So we have, like

0:55:18.840 --> 0:55:23.160
<v Speaker 1>in evolutionary biology, honest signals. That means that when an

0:55:23.280 --> 0:55:26.319
<v Speaker 1>animal is giving off some signal, it is actually uh

0:55:26.640 --> 0:55:30.920
<v Speaker 1>honestly portraying something that is real about them, right, Like

0:55:31.160 --> 0:55:33.960
<v Speaker 1>I am actually quite fit here, So this is an

0:55:33.960 --> 0:55:38.280
<v Speaker 1>honest signal about the male's fitness. A smarter, more physically

0:55:38.320 --> 0:55:43.520
<v Speaker 1>fit male will be able to produce more complex songs. Uh,

0:55:43.719 --> 0:55:48.200
<v Speaker 1>you know, just like DJs. The the more physically fit,

0:55:48.400 --> 0:55:51.760
<v Speaker 1>the more the smarter the DJs, the more fat beats they.

0:55:51.600 --> 0:55:54.320
<v Speaker 2>Can do mm hmm, the harder they can drop that beat.

0:55:54.520 --> 0:55:55.000
<v Speaker 1>That's right.

0:55:55.200 --> 0:55:57.959
<v Speaker 3>Well, that's when they ripped their shirts off and they're

0:55:58.000 --> 0:56:01.360
<v Speaker 3>they're cut, yeah, you know, muscle like that's how you know,

0:56:01.800 --> 0:56:03.160
<v Speaker 3>there's a real genius in there.

0:56:03.280 --> 0:56:05.319
<v Speaker 1>That's right, it's got you know. That's like, there's a

0:56:05.320 --> 0:56:06.960
<v Speaker 1>lot of stuff you do with your arms that I'm

0:56:07.000 --> 0:56:09.800
<v Speaker 1>sure you gotta get a bit of a work out.

0:56:09.680 --> 0:56:14.800
<v Speaker 2>There, got Yeah, you gotta be buffed to crossfade effectively. Yeah.

0:56:15.120 --> 0:56:19.160
<v Speaker 1>So here is the most romantic thing you're ever going

0:56:19.200 --> 0:56:23.120
<v Speaker 1>to hear about a fruitfly. This is a direct quote

0:56:23.200 --> 0:56:28.080
<v Speaker 1>from the head of this lab, Professor Murphy, who says, quote,

0:56:28.440 --> 0:56:31.600
<v Speaker 1>it is a conversation with a back and forth. He

0:56:31.800 --> 0:56:35.600
<v Speaker 1>sings and she slows down, and she turns, and then

0:56:35.640 --> 0:56:40.240
<v Speaker 1>he sings more. He's constantly assessing her behavior to decide

0:56:40.320 --> 0:56:44.320
<v Speaker 1>exactly how to sing. They're exchanging information in this way.

0:56:44.680 --> 0:56:47.680
<v Speaker 1>Unlike a songbird belting out his song from his perch.

0:56:48.080 --> 0:56:53.560
<v Speaker 1>He tunes everything into what she's doing. It's a dialogue.

0:56:53.840 --> 0:56:57.840
<v Speaker 3>Keep talking, all right, Please tell me the romantic novel that.

0:57:00.120 --> 0:57:03.520
<v Speaker 1>Yeah, I would like this to be the next Twilight.

0:57:03.760 --> 0:57:06.520
<v Speaker 1>But it's instead of being like a vampire, it's a

0:57:06.560 --> 0:57:07.839
<v Speaker 1>guy who's like fruit fly.

0:57:08.400 --> 0:57:11.080
<v Speaker 2>But where's the harlequin romance fruitfly novel?

0:57:11.200 --> 0:57:14.000
<v Speaker 1>Yeah? Just like you know, like you could have ended

0:57:14.960 --> 0:57:17.680
<v Speaker 1>what is it the Cronenberg's that the fly.

0:57:18.000 --> 0:57:20.520
<v Speaker 2>Yeah, yeah, oh yeah, come on, Jeff Fly.

0:57:20.680 --> 0:57:25.760
<v Speaker 1>What was that movie called guys? Fly turns into the Fly?

0:57:26.720 --> 0:57:30.680
<v Speaker 1>You know, the fly gets into the transporter and so

0:57:30.720 --> 0:57:31.720
<v Speaker 1>he turns into the fly.

0:57:31.840 --> 0:57:36.600
<v Speaker 2>Do you know what that movie is? That was that

0:57:36.640 --> 0:57:40.200
<v Speaker 2>the bug was the guy whose face fell off.

0:57:42.600 --> 0:57:48.200
<v Speaker 3>So yeah, you could have had Jeff Goldbloom making sweet

0:57:48.240 --> 0:57:50.160
<v Speaker 3>beats for Gena Davis.

0:57:50.480 --> 0:57:52.120
<v Speaker 2>You're gonna that would have been a huge hit.

0:57:52.840 --> 0:57:54.840
<v Speaker 1>Geena Davis was so pretty in that movie.

0:57:55.040 --> 0:58:00.560
<v Speaker 2>Also, that's why they got married. They were both incredibly they.

0:58:00.440 --> 0:58:04.360
<v Speaker 1>Were very attractive. I would still consider it with both

0:58:04.400 --> 0:58:06.640
<v Speaker 1>of them even if you had a flyhead.

0:58:07.120 --> 0:58:10.120
<v Speaker 2>Honestly, yeah, I think she probably preferred them with the fly,

0:58:10.720 --> 0:58:11.040
<v Speaker 2>you know.

0:58:11.920 --> 0:58:15.000
<v Speaker 1>I mean, look, if he had a fruitfly brain, right,

0:58:15.120 --> 0:58:16.280
<v Speaker 1>he wouldn't be a monster.

0:58:16.360 --> 0:58:18.840
<v Speaker 2>He'd be there, actually a decent guy.

0:58:18.880 --> 0:58:22.480
<v Speaker 1>Really nice guy, like and not like a nice guy TM,

0:58:22.480 --> 0:58:24.920
<v Speaker 1>like a genuinely nice guy who's like, I am listening

0:58:24.960 --> 0:58:27.120
<v Speaker 1>to you, I am hearing you, and I am changing

0:58:27.200 --> 0:58:33.520
<v Speaker 1>my dialogue in response to your your preferences. So, given

0:58:33.560 --> 0:58:36.120
<v Speaker 1>how simple the fruitfly's brain is, even though it's a

0:58:36.120 --> 0:58:39.200
<v Speaker 1>beautiful brain that all men should aspire to it is

0:58:39.240 --> 0:58:44.240
<v Speaker 1>still capable of incredible complexity. One reason that they're doing

0:58:44.280 --> 0:58:47.280
<v Speaker 1>this study on fruitflies is because it's they're very simple,

0:58:47.320 --> 0:58:50.000
<v Speaker 1>so they can actually map out all these neural networks.

0:58:50.080 --> 0:58:53.520
<v Speaker 1>It's it's really incredible work to be able to pick

0:58:53.520 --> 0:58:58.760
<v Speaker 1>apart how these brains make decisions. So yeah, but also

0:58:58.880 --> 0:59:03.320
<v Speaker 1>it's just it's inspirational. Guys like be be be more fruitfly,

0:59:03.480 --> 0:59:05.920
<v Speaker 1>you know, I mean everyone, let's I shouldn't even be

0:59:06.000 --> 0:59:08.960
<v Speaker 1>like genderest about it. Everyone should be like this fruitfly

0:59:09.080 --> 0:59:13.640
<v Speaker 1>and like listen and dialogue and dance around and drop

0:59:14.040 --> 0:59:17.080
<v Speaker 1>fat soupy beats. I don't know if anyone's ever described

0:59:17.120 --> 0:59:18.640
<v Speaker 1>beats as soupy, but I do.

0:59:18.760 --> 0:59:21.520
<v Speaker 2>Sometimes I will say. It's like, if you've got a

0:59:21.560 --> 0:59:25.280
<v Speaker 2>tiny brain and the only things that end up in

0:59:25.320 --> 0:59:28.680
<v Speaker 2>there are I love fruit, I love making beats, and

0:59:28.760 --> 0:59:32.560
<v Speaker 2>I love attending to my partner. You can do worse

0:59:32.640 --> 0:59:33.720
<v Speaker 2>than those three things.

0:59:34.040 --> 0:59:36.600
<v Speaker 3>You know, there are many creatures with much more complex

0:59:36.680 --> 0:59:40.280
<v Speaker 3>brains who waste their potential. So I think you're also

0:59:40.360 --> 0:59:42.120
<v Speaker 3>in there, Fell, You know.

0:59:42.240 --> 0:59:45.400
<v Speaker 1>That's that's a beautiful message to end on. But but,

0:59:45.400 --> 0:59:47.720
<v Speaker 1>but but before we go, we have to play a

0:59:47.760 --> 0:59:52.480
<v Speaker 1>little game. Sound game, I guess who's squawk? And every

0:59:52.480 --> 0:59:54.760
<v Speaker 1>week I play mystery animal sound and you the listener,

0:59:54.840 --> 0:59:57.560
<v Speaker 1>and you the guests, try to guess who who the

0:59:57.600 --> 0:59:59.640
<v Speaker 1>heck is making that sound. It can be any animal

0:59:59.760 --> 1:00:01.960
<v Speaker 1>in the world, on the world, around the world.

1:00:03.800 --> 1:00:07.120
<v Speaker 2>So this was We've trained up a little bit. We've

1:00:07.160 --> 1:00:14.800
<v Speaker 2>already listened to three different animals this episode, so.

1:00:15.320 --> 1:00:19.400
<v Speaker 1>This the the This one comes from actually an episode

1:00:19.480 --> 1:00:23.760
<v Speaker 1>from I think two weeks ago, the Belly of the

1:00:23.760 --> 1:00:27.440
<v Speaker 1>Beast episode. But if you listen to that episode, My

1:00:27.520 --> 1:00:29.680
<v Speaker 1>hint was just like, if you listen to this episode,

1:00:29.760 --> 1:00:32.480
<v Speaker 1>you'll probably get it. Uh, So you could either go

1:00:32.560 --> 1:00:35.080
<v Speaker 1>back and listen to that episode or if you want

1:00:35.120 --> 1:00:38.280
<v Speaker 1>another hint, because I'm feeling generous here, it is remember

1:00:38.320 --> 1:00:40.600
<v Speaker 1>to say peace and thank you for your meals. Guys.

1:01:00.920 --> 1:01:03.760
<v Speaker 2>I really hope they're drinking water here, all right, don't.

1:01:03.840 --> 1:01:05.560
<v Speaker 2>I don't like how long the second half is.

1:01:05.680 --> 1:01:08.160
<v Speaker 1>Okay, So to get this correct, you not only have

1:01:08.200 --> 1:01:10.360
<v Speaker 1>to guess the animal, but you also have to guess

1:01:10.400 --> 1:01:11.120
<v Speaker 1>what they're doing.

1:01:12.080 --> 1:01:16.920
<v Speaker 2>Okay, okay, mm so there sounds like they're maybe not

1:01:17.040 --> 1:01:18.480
<v Speaker 2>drinking water because.

1:01:18.240 --> 1:01:20.360
<v Speaker 3>You know what, I'm gonna take a while guess all right,

1:01:20.440 --> 1:01:22.160
<v Speaker 3>I'm gonna go nuts and go nuts.

1:01:22.440 --> 1:01:25.000
<v Speaker 2>I think that is a peacock bathing itself.

1:01:26.640 --> 1:01:30.840
<v Speaker 1>Mmm mmm, so we've got some sort of foul bathing

1:01:30.920 --> 1:01:31.600
<v Speaker 1>going on there.

1:01:32.440 --> 1:01:36.520
<v Speaker 2>I think that might be a duck and perhaps they

1:01:36.560 --> 1:01:40.480
<v Speaker 2>are wading into the water or sort of paddling with

1:01:40.560 --> 1:01:41.800
<v Speaker 2>their with their duck fees.

1:01:42.040 --> 1:01:46.160
<v Speaker 1>Okay, so Jeremy, you're half correct.

1:01:46.200 --> 1:01:47.480
<v Speaker 2>This is okay, I'll take it.

1:01:49.280 --> 1:01:52.960
<v Speaker 1>But both of you are not quite right about what

1:01:53.160 --> 1:01:58.920
<v Speaker 1>is happening. What is actually happening is these ducks are frantically,

1:01:59.200 --> 1:02:01.520
<v Speaker 1>frantically a bowl of wet peas.

1:02:05.480 --> 1:02:06.440
<v Speaker 2>I can't believe you.

1:02:10.160 --> 1:02:12.280
<v Speaker 1>Did not You didn't. This is this is the thing,

1:02:12.440 --> 1:02:15.240
<v Speaker 1>is that your your brains are too attuned to your

1:02:15.360 --> 1:02:19.400
<v Speaker 1>vision and not attuned enough to waterfowl. I am just

1:02:19.480 --> 1:02:23.040
<v Speaker 1>as but because you did, both guess at least some

1:02:23.080 --> 1:02:25.680
<v Speaker 1>sort of bird, your prize is. I'm sending you a

1:02:25.720 --> 1:02:28.720
<v Speaker 1>link to the video of the ducks eating a bowl

1:02:28.760 --> 1:02:32.120
<v Speaker 1>of peas, which when I need like a little pick

1:02:32.160 --> 1:02:35.600
<v Speaker 1>me up, right like I'm you know, just throughout the day,

1:02:36.280 --> 1:02:38.680
<v Speaker 1>if I watch this video of ducks eating a bowl piece,

1:02:38.720 --> 1:02:42.560
<v Speaker 1>I feel better. It makes you feel good fast, like

1:02:42.680 --> 1:02:44.160
<v Speaker 1>it's like a little shot a series.

1:02:45.160 --> 1:02:46.840
<v Speaker 2>They really they're all about these.

1:02:46.640 --> 1:02:51.760
<v Speaker 1>Piece going to bowl wet peas. Congratulations.

1:02:51.800 --> 1:02:54.840
<v Speaker 2>They know they know that the bowl is coming, and

1:02:54.880 --> 1:02:56.520
<v Speaker 2>they are like it is go time.

1:02:56.640 --> 1:03:01.000
<v Speaker 1>Oh yes, yes, congratulations to Emily and for writing in

1:03:01.040 --> 1:03:07.160
<v Speaker 1>and guessing correctly. So, guys, some tips about feeding ducks.

1:03:07.600 --> 1:03:10.920
<v Speaker 1>Don't feed them bread. Bread's not good for them. It's

1:03:11.520 --> 1:03:14.760
<v Speaker 1>also just eat the bread. Bread is good. I like it,

1:03:14.840 --> 1:03:15.360
<v Speaker 1>You like it.

1:03:15.400 --> 1:03:17.040
<v Speaker 2>Don It's good good for us, it's good for it,

1:03:17.240 --> 1:03:24.680
<v Speaker 2>well for us emotionally, it's good.

1:03:24.480 --> 1:03:28.320
<v Speaker 1>For it's good for our souls. But like the ducks,

1:03:28.640 --> 1:03:31.000
<v Speaker 1>it's not good for the ducks or for the duck souls.

1:03:31.520 --> 1:03:36.080
<v Speaker 1>Too much bread and they'll get vitamin deficiencies. It's also like, yeah,

1:03:36.200 --> 1:03:38.560
<v Speaker 1>so like there are other nice treats you can feed

1:03:38.640 --> 1:03:42.479
<v Speaker 1>ducks in moderation, including peas. But you can also feed

1:03:42.480 --> 1:03:47.040
<v Speaker 1>them lettuce, corn, grapes, oats, and earthworms, which I saw

1:03:47.160 --> 1:03:50.040
<v Speaker 1>as a suggestion somewhere, And I'm just trying to imagine

1:03:50.480 --> 1:03:52.640
<v Speaker 1>someone going like, technically, yes, that.

1:03:52.720 --> 1:03:57.560
<v Speaker 2>Is true, about to go back, you know.

1:03:57.560 --> 1:04:00.160
<v Speaker 1>What, Just chew them up and spit them directly to

1:04:00.200 --> 1:04:03.120
<v Speaker 1>the duck's mouth. Sure, yeah, that's how you make duck friends.

1:04:03.800 --> 1:04:07.560
<v Speaker 1>All right, so onto this week's mystery animal sound. The

1:04:07.720 --> 1:04:10.600
<v Speaker 1>hint is this. It's a bit of a complicated hint.

1:04:10.840 --> 1:04:14.520
<v Speaker 1>I've actually used this sound before on this very game,

1:04:14.600 --> 1:04:17.720
<v Speaker 1>but it's one of my favorite animal sounds, so longtime

1:04:17.720 --> 1:04:22.960
<v Speaker 1>listeners of the show maybe you'll remember. But I'm pulling

1:04:23.000 --> 1:04:25.200
<v Speaker 1>it out again because I love it. I love this animal,

1:04:25.280 --> 1:04:28.480
<v Speaker 1>I love this sound, and I just feel like this

1:04:28.520 --> 1:04:32.320
<v Speaker 1>should be sampled in some kind of like europop or

1:04:32.400 --> 1:04:34.640
<v Speaker 1>like techno song, so.

1:04:34.800 --> 1:04:35.880
<v Speaker 2>We'll get our best people on.

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<v Speaker 3>I'm glad you said that because the new songs for

1:04:38.880 --> 1:04:42.400
<v Speaker 3>euro Vision twenty twenty five are just now according into

1:04:42.400 --> 1:04:45.720
<v Speaker 3>their natural collections. So yeah, if you're listening artists out there,

1:04:45.720 --> 1:04:48.720
<v Speaker 3>you haven't finished your song unique sound. You need.

1:04:50.040 --> 1:04:54.120
<v Speaker 1>The sound you've been looking for. Or I'm I'm because

1:04:54.160 --> 1:04:55.760
<v Speaker 1>we were talking about your vision. I was saying a

1:04:55.800 --> 1:05:00.160
<v Speaker 1>europop a europop song, but maybe I should say something

1:05:00.240 --> 1:05:03.600
<v Speaker 1>more along the lines of Colombian music because this little

1:05:03.640 --> 1:05:12.720
<v Speaker 1>guy is from the Andes. All right, do you guys

1:05:12.720 --> 1:05:13.760
<v Speaker 1>have any guesses.

1:05:13.440 --> 1:05:15.160
<v Speaker 2>As to what could be making I mean, we can

1:05:15.680 --> 1:05:17.320
<v Speaker 2>work that into a song, is what I'll say.

1:05:17.800 --> 1:05:19.520
<v Speaker 1>Yeah, that's a good sound. Isn't it.

1:05:20.200 --> 1:05:22.720
<v Speaker 2>And I'll also say last year I had a fantastic

1:05:22.800 --> 1:05:25.520
<v Speaker 2>song called Lanoya, which was from Italy, but it had

1:05:25.560 --> 1:05:30.520
<v Speaker 2>Cumbia elements, which is of course a Colombian music form.

1:05:30.600 --> 1:05:34.040
<v Speaker 3>So the president is already there and she came in

1:05:34.160 --> 1:05:38.320
<v Speaker 3>I believe she came in seventh, So just saying yeah, same,

1:05:40.920 --> 1:05:42.600
<v Speaker 3>I have no guess this is what this sound is.

1:05:43.000 --> 1:05:44.560
<v Speaker 2>I believe it is some sort of bird.

1:05:44.880 --> 1:05:47.560
<v Speaker 1>All right, Dimitri, you's still going with birds, what about you?

1:05:47.640 --> 1:05:50.439
<v Speaker 2>Jeremy, No, I'm gonna switch it up. I'm gonna say

1:05:50.480 --> 1:05:55.120
<v Speaker 2>this is some sort of weird Colombian. Oh, maybe it's

1:05:55.160 --> 1:05:56.680
<v Speaker 2>one of the I don't know if they're Colombia.

1:05:56.720 --> 1:06:00.160
<v Speaker 1>Should not just stop that sentence there, I'm gonna it's

1:06:00.200 --> 1:06:01.320
<v Speaker 1>a weird Colombian.

1:06:02.160 --> 1:06:05.960
<v Speaker 2>No, no, no, I'm saying, I don't know if they're Columbian.

1:06:06.000 --> 1:06:09.440
<v Speaker 2>But you know those those squirrels from South America that

1:06:09.480 --> 1:06:13.360
<v Speaker 2>are like super colorful. Maybe it's one of those.

1:06:13.800 --> 1:06:17.439
<v Speaker 1>Sure, well, fellas, I'm not going to tell you because

1:06:17.440 --> 1:06:20.240
<v Speaker 1>we're gonna have to find out on next week's episode

1:06:20.320 --> 1:06:25.680
<v Speaker 1>of Creature Feature. That's right, I'm making you wait, where

1:06:25.720 --> 1:06:29.320
<v Speaker 1>we will reveal who is making the sound if you

1:06:29.480 --> 1:06:31.240
<v Speaker 1>think you know and you want to write to me

1:06:31.320 --> 1:06:34.960
<v Speaker 1>or to me at Creature Featurepod at gmail dot com

1:06:35.000 --> 1:06:38.680
<v Speaker 1>with your guesses. You can also ask me animal questions.

1:06:38.760 --> 1:06:41.800
<v Speaker 1>I on occasion will answer your questions on the air

1:06:42.120 --> 1:06:46.640
<v Speaker 1>and special listener questions episodes. Sometimes I'll respond directly to

1:06:46.680 --> 1:06:50.960
<v Speaker 1>your email, depends on how rejuvenated I am that day

1:06:51.000 --> 1:06:55.440
<v Speaker 1>by the video of ducks eating peas. But yes, please

1:06:55.480 --> 1:06:58.200
<v Speaker 1>write to me or if you have cute pictures of

1:06:58.200 --> 1:07:01.520
<v Speaker 1>your pets or if you have that you feed peas too,

1:07:01.600 --> 1:07:04.320
<v Speaker 1>I want to hear about it. Guys, thank you so

1:07:04.440 --> 1:07:06.880
<v Speaker 1>much for joining me today. Where can people find in

1:07:07.240 --> 1:07:11.800
<v Speaker 1>Just go and listen to their Eurovision podcasts.

1:07:13.440 --> 1:07:16.600
<v Speaker 2>It's very easy to find wherever you get your podcasts.

1:07:16.680 --> 1:07:21.040
<v Speaker 2>Eurovangelists is the name. We've got new episodes every week

1:07:21.200 --> 1:07:24.680
<v Speaker 2>and the new Eurovision and the new Eurovision season starts

1:07:24.920 --> 1:07:29.040
<v Speaker 2>in literally next month. We will start hearing new songs.

1:07:28.720 --> 1:07:29.600
<v Speaker 1>And it's happening.

1:07:30.360 --> 1:07:33.120
<v Speaker 2>Yeah, it's all. It's nearly upon us. But we also

1:07:33.160 --> 1:07:36.400
<v Speaker 2>have many episodes about Eurovision history. We did a whole

1:07:36.440 --> 1:07:38.640
<v Speaker 2>series of three episodes where we ranked all of the

1:07:38.680 --> 1:07:41.600
<v Speaker 2>twenty first century Eurovision winners, which might be a good

1:07:41.720 --> 1:07:43.440
<v Speaker 2>entry point for people who are like, what's this thing

1:07:43.480 --> 1:07:45.880
<v Speaker 2>all about?

1:07:45.440 --> 1:07:49.640
<v Speaker 3>We also cover We also cover subjects that we just

1:07:49.760 --> 1:07:52.560
<v Speaker 3>kind of want to speculate on, and group songs together.

1:07:52.600 --> 1:07:53.600
<v Speaker 2>We most recently did.

1:07:53.520 --> 1:07:57.240
<v Speaker 3>An episode about Eurovision's guilty Pleasures, the songs we like

1:07:57.360 --> 1:08:00.280
<v Speaker 3>but arguably we shouldn't, so we do. Also it's a

1:08:00.280 --> 1:08:02.640
<v Speaker 3>fun stuff. You can also find us on the Instagram.

1:08:03.040 --> 1:08:06.240
<v Speaker 3>You're Evangelist is right there on Instagram. We do all

1:08:06.280 --> 1:08:08.800
<v Speaker 3>sorts of fun little updates, news. Sometimes we do the

1:08:08.840 --> 1:08:12.800
<v Speaker 3>occasional giveaway of Eurovision and or your Evangelist merch.

1:08:13.360 --> 1:08:18.720
<v Speaker 2>So yeah, we're everywhere. You can find us. You're Evangelist everywhere.

1:08:20.880 --> 1:08:23.000
<v Speaker 1>Of course to meet you. And he's talking about guilty

1:08:23.320 --> 1:08:25.400
<v Speaker 1>songs that they shouldn't like, but do you like. He is,

1:08:25.439 --> 1:08:29.720
<v Speaker 1>of course talking about the power ballad about committing war crimes.

1:08:38.640 --> 1:08:47.240
<v Speaker 2>Time history. That's not my pick. I like the silly songs.

1:08:51.080 --> 1:08:53.599
<v Speaker 1>Guys, Thank you so much for listening. If you're enjoying

1:08:53.640 --> 1:08:55.479
<v Speaker 1>the show and you leave a rating review, you know

1:08:55.600 --> 1:08:57.400
<v Speaker 1>that I love it. You know I read all of

1:08:57.400 --> 1:09:01.920
<v Speaker 1>them and I absorb your comments like a happy little sponge.

1:09:03.000 --> 1:09:05.920
<v Speaker 1>And thanks to the space Cussics through their super awesome

1:09:05.960 --> 1:09:13.720
<v Speaker 1>song ex Alumina. Creature features a paraduction productionon of iHeartRadio.

1:09:13.920 --> 1:09:17.120
<v Speaker 1>For more podcasts like the One Who Just Heard, visit

1:09:17.160 --> 1:09:20.559
<v Speaker 1>the iHeartRadio app Apple Podcasts, or Hey guess what you

1:09:20.640 --> 1:09:23.280
<v Speaker 1>listen to your favorite shows. I don't judge you. I'm

1:09:23.320 --> 1:09:25.280
<v Speaker 1>not your mother. I can't tell you what to do,

1:09:26.439 --> 1:09:30.160
<v Speaker 1>but you know, try to eat some peas along with

1:09:30.200 --> 1:09:34.400
<v Speaker 1>your bread. See you next Wednesday.