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Speaker 1: Oh Sabrina, Oh Sabrina, Oh Sabrina. It's time. This is

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Speaker 1: the first time we've ever done this. We were like

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Speaker 1: we're doing a recap of a movie that just launched,

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Speaker 1: where like we've I feel like we're part of the

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Speaker 1: zombies world. Now you got to go to the premiere,

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Speaker 1: you got to meet the whole cast, you got to

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Speaker 1: I couldn't go, and it crushed me that I couldn't go.

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Speaker 1: It was something so much fun.

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Speaker 2: It was a blast. It was so fun, and I

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Speaker 2: do I don't know. I've got to figure out what

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Speaker 2: is there like fandom nickname? Am I a zombie head

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Speaker 2: or like what am because it is me a zhead?

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Speaker 1: I love it.

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Speaker 2: Because that is I mean, and now especially on Instagram

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Speaker 2: because I tagged them and I've just been like posting

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Speaker 2: so much. It is all that is what my Instagram, Like,

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Speaker 2: oh I have now and now I'm like into it.

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Speaker 2: I'm here even more behind the scenes than like, wait,

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Speaker 2: what happened to my regular feed with my with my

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Speaker 2: cooking recipes and my child activity exact?

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Speaker 1: Now, yeah, mine is mine is just appliances for the

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Speaker 1: kitchen we're redoing. It's just random, like do you need

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Speaker 1: a new synk.

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Speaker 2: I can't.

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Speaker 1: I can't look at this stuff anymore. Just but you

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Speaker 1: know what I can look at, yes, is Zombies four,

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Speaker 1: and that's why we're here. But before we get into it,

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Speaker 1: I just want to welcome you back to Magical Rewind,

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Speaker 1: the show that makes you want to grab your friends,

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Speaker 1: your PJS and your popcorn and go back to a

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Speaker 1: time when all the houses are smart, the waves tsunamis

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Speaker 1: and there were four Zombies movies. Yes, that is correct.

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Speaker 2: I'm Wilford Dell and I have Sabrina Bryan.

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Speaker 1: And like the saying goes, good things come in fours.

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Speaker 2: Is that a saying? I don't know.

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Speaker 1: And we're here to prove it because we're breaking down

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Speaker 1: the newest installment in the Zombies franchise, the just released

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Speaker 1: Zombies four. This time it's even more personal than the

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Speaker 1: last three times. No Zombies four. Dawn of the Vampires

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Speaker 1: is how I say. It's the Dawn of the Vampires

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Speaker 1: and no matter when my palace, Abrina got the honor

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Speaker 1: of watching it. It debuted July tenth on the Disney Channel,

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Speaker 1: a massive premiere for the studio. Then it was available

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Speaker 1: to stream on Disney Plus the following day. That was

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Speaker 1: a bit of an audible call by the executives, as

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Speaker 1: it was initially intended to just be a Disney Plus

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Speaker 1: original movie and not involve the Channel. But I mean,

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Speaker 1: come on, you can't do that because the whole thing

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Speaker 1: started on the Channel, so you gotta make it. Make

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Speaker 1: it o g. The movie is the fourth entry of

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Speaker 1: the now quad quadrilogy. Yes, this is what we're gonna

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Speaker 1: call it, a quadrilogy, following the original twenty eighteen Zombies,

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Speaker 1: then twenty twenties Zombies two, and then twenty twenty two

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Speaker 1: Zombies three and even years pattern. I assume Disney will

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Speaker 1: be following for the next decade or so. Let's start

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Speaker 1: with the big difference between Zombies four and its predecessors,

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Speaker 1: and that's the filming location. The prior three were all

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Speaker 1: filmed in the dcom capital of the World, which I

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Speaker 1: think we can kind of call it that now Toronto, Canada.

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Speaker 1: But this Disney sent them to Auckland, New Zealand, most

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Speaker 1: likely for some pretty sweet tax incentives amongst beautiful beach views.

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Speaker 1: It is almost a return to form for Disney, since

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Speaker 1: we saw them do exactly the same thing with our

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Speaker 1: recently reviewed Ripped Girls or Janie Tsunami, I think is

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Speaker 1: what we were calling and I can't remember what we

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Speaker 1: ended up calling it the surfing movie that was not

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Speaker 1: a surfing movie, Julie Tsunami. There you go. In the press,

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Speaker 1: this movie is regularly being called a quote unquote passing

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Speaker 1: of the torch for the franchise, introducing new young characters

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Speaker 1: to take over. Is that fair, Sabrina?

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Speaker 3: I mean absolutely absolutely.

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Speaker 1: They've literally singing a song about it, which we'll get into.

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Speaker 1: We will get to the cast soon enough, but first

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Speaker 1: let's talk budget. So similarly to Zombie's three, this movie

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Speaker 1: is a massive investment, and boy did it ever look expensive.

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Speaker 1: And that's because it costs again a whopping and reported

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Speaker 1: forty million dollars. Yes that's forty people, not fourteen forty.

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Speaker 1: And man, I mean it looked like it costs forty

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Speaker 1: million dollars to me, what did.

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Speaker 2: You say it did? In comparison to everything we've seen

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Speaker 2: on the channel, this is on a whole other level,

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Speaker 2: whole other level which we've already seen a bit of,

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Speaker 2: like you mentioned, like in the third one when we

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Speaker 2: were talking about the makeup the eyes, how when z

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Speaker 2: goes in and out of zombieing out. Yeah, you see

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Speaker 2: it there, But this is even the next level. It's

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Speaker 2: crazy even higher.

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Speaker 1: It added the two new cities and all that stuff.

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Speaker 1: It looked great. The only movie with a higher budget

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Speaker 1: to date for Disney Channel original movies was Double Teamed,

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Speaker 1: which came in at one hundred and fifty three million dollars.

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Speaker 1: I'm kidding. All of that was made up. Double Team

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Speaker 1: cost eighteen dollars and a pack of gum. I still

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Speaker 1: get Mikayla very very quickly doing all of these Podmets

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Speaker 1: World live shows and conventions. People are I'm starting to

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Speaker 1: hear everywhere. I love Magical Rewind. I'm addicted to Magical Rewind.

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Speaker 1: Don't make me you. Double Teamed is the best movie

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Speaker 1: ever made. So I just keep going, Oh, that's so sweet,

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Speaker 1: and you're wrong. It wasn't rug anyway, So yeah, okay.

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Speaker 1: It's really an insane turn of events for a failed

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Speaker 1: Disney Channel pilot. It's a This entire series of films

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Speaker 1: was a failed pilot for a show that they turned

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Speaker 1: into a movie. It is now neck and neck with

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Speaker 1: the Descendants for the channels most successful and expensive franchise.

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Speaker 1: Not something you ever think could happen when a pilot

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Speaker 1: doesn't get picked up. I mean, I know, crazy to

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Speaker 1: me that it goes from we don't want your show

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Speaker 1: to it is a tent pole of the entire company.

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Speaker 1: It's a Disney channel.

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Speaker 2: We've got to figure out who it is that we

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Speaker 2: need to talk to that was there at the channel

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Speaker 2: during the time that the pilot failed, and who it

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Speaker 2: was that was the integral part that said, let's just

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Speaker 2: make this a d com because we need to hug

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Speaker 2: that person.

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Speaker 1: We need to give that a big.

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Speaker 2: Thank God, I would not I would not have the

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Speaker 2: feelings I have right now if someone didn't come up

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Speaker 2: with that brilliant idea.

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Speaker 1: And the other thing I will say is I see

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Speaker 1: how it could have been a television show, but they

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Speaker 1: never could have done with the television show what they've

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Speaker 1: been able to do with the films. So it landed

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Speaker 1: where it was supposed to land, is what I would say.

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Speaker 1: But you're right, thank god, somebody figured out we got

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Speaker 1: to make this movie, and then.

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Speaker 2: They got to figure out who that was, who are.

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Speaker 1: It is we need to talk to you? And of

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Speaker 1: course you can't talk about zombies itself without getting into

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Speaker 1: the soundtrack. We've got another slew of jams released in

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Speaker 1: full on the eleventh, but the singles The Place to

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Speaker 1: Be and Don't Mess With Us were leaked first to

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Speaker 1: drum up excitement for the movie. The album includes some

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Speaker 1: of the top songwriters and producers in the business, with

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Speaker 1: credits like Demi Lovado, Dove Cameron Paw, Patrol High School Musical,

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Speaker 1: The Musical The Show, which is still the greatest title ever,

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Speaker 1: and a lot of past zombie movies. How did you

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Speaker 1: think the song stacked up with previous bops?

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Speaker 2: Honestly, I right from the start, the first bok that

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Speaker 2: we hear, I'm like, all right, we in. I was

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Speaker 2: so locked and loaded and you were.

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Speaker 1: You were just ready to go. And this is why

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Speaker 1: I think you.

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Speaker 2: I know, oh will I am ready? But I you know,

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Speaker 2: honestly though, at the end of the day, the one

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Speaker 2: that's been in my head since last Tuesday's premiere party

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Speaker 2: that I was at is Someday.

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Speaker 1: It just from the first movie.

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Speaker 2: Something about that song from the first movie that it's

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Speaker 2: one of those things. I don't know what you can

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Speaker 2: do to top it because it's just so good and

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Speaker 2: I mean it, But in my head watching all four

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Speaker 2: of them now and again, this is their first franchise

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Speaker 2: of the channel. We have watched every single one, and

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Speaker 2: so I do see why that song it's come back

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Speaker 2: every I know for my franchise, we didn't bring back songs.

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Speaker 2: We didn't bring back Cheetah sisters, And I'm going, why

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Speaker 2: the hell didn't we do that? This was like so good?

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Speaker 1: Was the third one? I want to know. I don't

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Speaker 1: want to know. I don't want to know. Don't tell me.

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Speaker 1: I don't want to know. But but no, you're right.

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Speaker 1: Here's what I'm gonna say before we get into the

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Speaker 1: whole thing. For me, they go in order. The first

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Speaker 1: one is my favorite. The second one I thought was

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Speaker 1: great but not as good as the first one. The

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Speaker 1: third one I thought was good but not as good

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Speaker 1: as the first two. And this was my least favorite

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Speaker 1: of the four. Oh wow, I and again not a

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Speaker 1: bad movie. Definitely not a bad movie. But I thought

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Speaker 1: at times it was needlessly convoluted. I don't think they

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Speaker 1: figured out exactly we talk about the magical system, what

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Speaker 1: the vampires and the Daybreakers actually day Walkers actually do.

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Speaker 1: The kids are great, but it played like much more

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Speaker 1: of a Disney channel. We can do this if we

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Speaker 1: work together like. It was way more that than the

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Speaker 1: cleverness of the first one. So I liked it. It

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Speaker 1: was it was a fun, fun watch. I thought it

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Speaker 1: was again needlessly convoluted. A lot of it didn't make

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Speaker 1: a whole mess of sense. The new cast is great.

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Speaker 1: Of course, she's adorable. He's great. That they don't have

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Speaker 1: the same chemistry that Milo and Meg did. Maybe it'll come,

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Speaker 1: but they didn't have it right off the jump like

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Speaker 1: Milo and Meg did. There was something about going to

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Speaker 1: Seabrook the first time. It's something you'd never experienced before.

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Speaker 1: It's the human because we don't know who that that.

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Speaker 1: She's party alien at the time, So it's the human

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Speaker 1: and the zombie, the prime together. It's the the Romeo

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Speaker 1: and Juliet thing. It worked so well. They were so amazing.

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Speaker 1: You were just into the world. The music was great,

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Speaker 1: and it's they've gotten I don't want to say progressively worse,

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Speaker 1: because that's not the right way to put it. They're

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Speaker 1: not as good as the first one.

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Speaker 2: In order for me, Yeah, I don't know if I

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Speaker 2: can one hundred percent agree with this.

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Speaker 3: I feel like we kicked off and restarted again.

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Speaker 1: So you so you would put this up there with

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Speaker 1: as good as the first one.

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Speaker 2: I would put it right under the first one.

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Speaker 1: Wow, so you like this better than the second one?

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Speaker 1: When they introduced the werewolves.

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Speaker 2: That's hard for me because you know that if I

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Speaker 2: had to pick a monster, that the one I go.

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Speaker 3: So that's like kind of a hard question. But in

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Speaker 3: the sense that we weren't at.

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Speaker 2: Seabrook like we had the new we had enough new

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Speaker 2: things versus like the second one, like you said, was

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Speaker 2: just kind of somewhat part two, Like it started to

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Speaker 2: be the same issue and we were in the same environment.

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Speaker 3: Now that you took me out of that environment, I was.

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Speaker 2: Able to like reset and and watch it almost like

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Speaker 2: as a first time allow these characters to be first

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Speaker 2: time characters for me, and we're in a different world.

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Speaker 2: We're not having the exact same problems, or that there

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Speaker 2: are similar problems, but like it's to stop other things.

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Speaker 3: I was just able to kind of start fresh with

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Speaker 3: the new set.

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Speaker 2: New Zealand was good for me.

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Speaker 1: Yeah, no, that's good. That was in New Zealand. Do

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Speaker 1: you do you like well you knew the two new

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Speaker 1: leads as much as Milo and Meg.

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Speaker 3: I loved Freya. I oh, I felt enough with her,

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Speaker 3: not what I.

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Speaker 2: Asked, well, oh sorry, her character.

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Speaker 1: Do you like the do you think the leads the

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Speaker 1: two leads have the same chemistry, that might.

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Speaker 2: Have the same chemistry.

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Speaker 3: I think they do, but for me, they they this was.

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Speaker 2: A lot younger than when we met at Addie and Zed.

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Speaker 2: Addison and Zed they felt much younger. Right Like Addison

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Speaker 2: and Z already felt a lot they are out like

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Speaker 2: a level of maturity. This felt younger. So it just

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Speaker 2: was so again I just was taking it on as

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Speaker 2: a different a different set of roles, not the same

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Speaker 2: as them. I just they were much younger to me.

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Speaker 1: This one's the thing I came away with most from

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Speaker 1: this one was that it took itself too serious. Like

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Speaker 1: the thing I loved about the first one was Bucky

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Speaker 1: coming through the I.

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Speaker 2: Mean it's like there's a tongue in.

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Speaker 1: Cheekness about the zombies world where it's look at these

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Speaker 1: cheerleaders and the zombies are zombie. I mean there was

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Speaker 1: something so kind of fun about it, where this one

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Speaker 1: is very heavy and they wanted to pull the emotion

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Speaker 1: and you know what's gonna happen, And so I missed

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Speaker 1: the kind of hung in cheek vibe of the first one.

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Speaker 1: But I get true, well, we'll get we'll get it.

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Speaker 2: I guess I didn't miss it because I didn't really.

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Speaker 2: I mean, they had a couple characters that were like,

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Speaker 2: you know, quirky and whatever, but not the same not

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Speaker 2: a Bucky that this miss dismissed a Bucky. I don't

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Speaker 2: think Bucky could have been there, but they needed a bucket.

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Speaker 1: Agreed, Yeah, agreed. You took away Bucky and Bonzo. So

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Speaker 1: both the crazy kind of characters that you had that

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Speaker 1: are supposed to be absurd are gone.

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Speaker 3: And everybody best friend to her like right and.

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Speaker 1: Yes and gone. Yeah yeah, so you're everybody's taking themselves

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Speaker 1: very seriously in this movie. It is. It is like

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Speaker 1: the drama version of the zombiesch I get.

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Speaker 2: And you couldn't kill my vibe.

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Speaker 1: Hey, if you loved it, then I can't kill you.

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Speaker 1: And again, I didn't dislike it. I absolutely did not

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Speaker 1: dislike it at all.

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Speaker 2: You just like the first one better.

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Speaker 1: I just I thought it took it. I thought it

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Speaker 1: was needlessly convoluted and it took itself too seriously. That

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Speaker 1: was Those are my takeaways from this. Again, you're watching

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Speaker 1: a forty million dollar musical with young, bright, shiny new

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Speaker 1: actors and good music and man, can she sing so gay?

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Speaker 2: As a star? Astoria is she's gonna been, Oh my

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Speaker 2: gosh and fifteen she she is a star?

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Speaker 1: Yeah, one hundred percent. Absolutely. It was a different vibe

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Speaker 1: for me than the first Zombies movie. That's I guess

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Speaker 1: that's all I would say. But anyway, okay, well let's

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Speaker 1: also talk. Let's talk about dance. As the dance expert.

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Speaker 1: I was trying to because you always point out to me,

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Speaker 1: You're like, oh, they give like everybody gets a different

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Speaker 1: style of dance. The Zombies gonna style, the wherewel's get

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Speaker 1: a style. I was trying to spot the differences between

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Speaker 1: the day Walkers and and the vampires and everybody else,

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Speaker 1: and it seemed like everybody was dancing the same way.

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Speaker 1: Am I wrong?

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Speaker 2: No, you're correct. That's one of the very first things

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Speaker 2: because we get as soon as we were fr I mean,

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Speaker 2: we're gonna get like the other things that happened before

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Speaker 2: where we meet them. But that was I was like,

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Speaker 2: when we're watching their first thing, I'm like, okay, here

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Speaker 2: we go. And I was like, oh, but they did

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Speaker 2: it differently because if you notice they're doing the same choreography,

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Speaker 2: but they are mirroring it. So when the one side's

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Speaker 2: using their right arm, the other side saw their left,

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Speaker 2: which is cool, so they're more of mirroring. So I

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Speaker 2: was like, Okay, this is a different take on what

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Speaker 2: we've done. So it's kind of and it's like the

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Speaker 2: night versus the Light like monsters, right, And so I

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Speaker 2: guess that's kind of what they did instead, because it's

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Speaker 2: like two new ones and versus just one new monsters.

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Speaker 2: And to me, it was like this was a different

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Speaker 2: take on what they've done before, where they're the same

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Speaker 2: style but they're opposites. And the fact that they're like

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Speaker 2: mirroring each other.

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Speaker 1: But even when Zed and Willa and all them were dancing,

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Speaker 1: they didn't have their own style anymore. It just seemed

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Speaker 1: like everybody was kind of doing these big dances, right.

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Speaker 2: I saw hints of it here and there, but it

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Speaker 2: wasn't as deliberate as it seemed like. It wasn't as

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Speaker 2: much of a choice and deliberate as it seemed like,

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Speaker 2: especially in that third movie, to segregate all the different monsters, right.

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Speaker 1: I guess I don't know that.

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Speaker 2: If that was a choice or if they kind of

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Speaker 2: maybe just forgot you have to think too.

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Speaker 3: The other ones were done a little bit closer.

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Speaker 2: It's been three years since they like they said, there

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Speaker 2: was three year break between the last one and this

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Speaker 2: one when I was interviewing them. So I wonder if

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Speaker 2: things like that kind of just got shuffled, and you know,

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Speaker 2: their focus was just mainly on these two new monsters

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Speaker 2: or what it was. But it definitely was something that

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Speaker 2: was very specifically done and purposely like detailed, where it

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Speaker 2: didn't seem like that was what they were focused on.

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Speaker 1: This this go Well. The thing that was interesting again

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Speaker 1: because talking to you, I look at I'm now actually

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Speaker 1: trying to look at the dancing instead of just seeing

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Speaker 1: shapes going by me that are shaping its shiny. Yeah. Yeah.

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Speaker 1: And the thing that I noticed most is the opening

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Speaker 1: number at the college at Mountain College did seem like

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Speaker 1: now it was they were all dancing as if they

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Speaker 1: were one team. So there was a hybrid of the

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Speaker 1: Zobby dance and the alien dance and the Werewolf dance

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Speaker 1: that they were all kind of doing now because and

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Speaker 1: I was like, oh okay, I picked that up. I

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Speaker 1: wonder what the new dance style is going to and

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Speaker 1: then it didn't seem like there was any new dance style.

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Speaker 2: Yeah, well they're no. I mean, I think their style

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Speaker 2: was different, but they were just the same. There was

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Speaker 2: not a difference of significant difference between the data and.

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Speaker 1: Maybe that's how they did that purpose. I don't know.

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Speaker 1: But the choreography, of course credited to I want to

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Speaker 1: get this right, Don Draco Johnson, an associate choreographer Taya Wilde,

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Speaker 1: obviously has its own style compared to the other movies.

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Speaker 2: We're getting a direct like, yes, information from our expert Lisa.

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Speaker 2: She's saying the choreographer said, it's more subtle, more like

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Speaker 2: a Chicago versus New York dance style.

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Speaker 1: Okay, because they're technically from the same place.

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Speaker 2: Okay, yeah, because yes, so it's like that subtle difference

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Speaker 2: is like arm movements, but okay, it wasn't something as

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Speaker 2: much of like a dinner facile face off.

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Speaker 1: Okay, that makes sense because again they're kind of from

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Speaker 1: the same place.

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Speaker 2: Just fank, God, I need to talk to this choreographer.

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Speaker 2: I'm so obsessed with them.

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Speaker 1: As I was saying, it goes without saying. You can

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Speaker 1: watch Zombies four on Disney Plus it is the big

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Speaker 1: channel push for the movie this year, and it is everwhere.

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Speaker 1: It's everywhere, every everywhere, so.

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Speaker 2: You cannot you can't miss watch TV and Zombies.

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Speaker 1: And it's worth the watch absolutely. Also, this is a

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Speaker 1: very recent release of our podcast is basically just one

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Speaker 1: big spoiler. We're only a weekend so only listen if

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Speaker 1: you don't care to get spoiled or you've already seen it.

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Speaker 1: But either way you have now been warned. So our

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Speaker 1: hands are clean. Our hands are clean. You've been warned,

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Speaker 1: just letting you know. Okay, So before Zombies for more

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Speaker 1: excited for the new Zombies movie or more excited to

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Speaker 1: see the next Descendants. We've only done one Descendants. We

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Speaker 1: have a whole other freaking like I.

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Speaker 2: Know, to the point where I'm like it's crazy to

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Speaker 2: me and it makes me one or because the Descendants

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Speaker 2: knocked me off my feet with the level of what

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Speaker 2: we saw with Zombies as well, just like so intricate,

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Speaker 2: so specific and so creative, and so I'm like now

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Speaker 2: going like are they going to be able to hold

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Speaker 2: it up? You know? Is how realizing and watching how

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Speaker 2: hard it looks to do when you're just entering like

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Speaker 2: and bringing a whole new world to your audience.

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Speaker 3: I'm very excited to see Descendants.

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Speaker 1: I am true.

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Speaker 2: I don't know if I can say I'm like more

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Speaker 2: excited or was more excited. I think I was super well,

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Speaker 2: I guess I was because we've gotten a chance to

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Speaker 2: interview so many of the actors from this movie, and

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Speaker 2: we talked to Paul about it. We've gotten a lot

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Speaker 2: of in depth, so we know so much of it,

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Speaker 2: and we've talked to people that are so passionate about

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Speaker 2: what their work was. But then this franchise that I

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Speaker 2: think it did help me just like boost my excitement.

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Speaker 2: And then to find out that I was going to

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Speaker 2: get a part doing the breast junket and then I

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Speaker 2: was gonna get to go all of that, Like I

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Speaker 2: just was like, all right, I'm diving in, Like I

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Speaker 2: I was so excited to be able to watch and man,

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Speaker 2: just like to get the ability to watch the movie

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Speaker 2: before anyone else, I have to download like three apps

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Speaker 2: like sign all of this paperwork that I would not

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Speaker 2: I mean it they lock it down. Then it took

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Speaker 2: them like five days to send to me. I mean

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Speaker 2: it was this was like I felt like I was

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Speaker 2: like top secret agent working here.

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Speaker 1: So it was actually very cool, so cool. I'm jealous.

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Speaker 1: I hope everybody missed me because I missed y'all.

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Speaker 2: We did every don't worry you were. We chatted about

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Speaker 2: you and missed you and everyone along as you're.

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Speaker 3: Yes, we were.

403
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Speaker 2: No one could stop. That's all Jensen talked about. I

404
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Speaker 2: got to I got to sit next to Jensen in

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Speaker 2: the movie, and you know, all he kept saying is, man,

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Speaker 2: I wish Will was there.

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Speaker 1: You go, I just.

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Speaker 2: Kids, we're asking where you were.

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Speaker 1: Believe that for a second.

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Speaker 2: The popcorn person was asking.

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Speaker 1: Everyone, you're just lying. Pants are on a fire. What

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Speaker 1: are the chances that we get to go to their

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Speaker 1: collaborative tour coming up for the podcast? Do you think that,

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Speaker 1: zomb and descend it?

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Speaker 3: God, we do.

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Speaker 2: It's coming soon, though, it's like in July.

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Speaker 1: Well, we're gonna have to fit. Well, we'll have to

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Speaker 1: get invited anyway. Now it's the place to be because

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Speaker 1: we're legends in the making. That no, it's possible to

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Speaker 1: be together as one. So here's the synopsis, z and Addison.

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Speaker 1: But by the way, I'm the last person to pick

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Speaker 1: this up. I had no idea that all the characters

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Speaker 1: first name symbolize what they are. Did you know that?

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Speaker 2: I didn't either. One of our fans actually.

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Speaker 1: Reach zombie and a Addison is an alien Willa and

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Speaker 1: they're all werewolves. And then I thought about the new

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Speaker 1: character Nova, who's a day walker, and the only thing

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Speaker 1: I come up with is it was for no vampire.

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Speaker 2: Oh and I don't.

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Speaker 1: Know if that's true or not, but that's how I

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Speaker 1: got it, So.

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Speaker 4: I thought, I will. I thought maybe a Planet of

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Speaker 4: the Apes reference also all possible because she has kind

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Speaker 4: of that vibe as a day.

435
00:21:02,760 --> 00:21:05,800
Speaker 1: Washer she does, so that's possible too. I'm curious where

436
00:21:05,800 --> 00:21:08,439
Speaker 1: the origin of the name came from. Yeah, okay, so

437
00:21:08,480 --> 00:21:11,119
Speaker 1: this synopsis, Zed and Addison have just finished their freshman

438
00:21:11,160 --> 00:21:13,600
Speaker 1: year of college and are ready for a summer road trip.

439
00:21:13,800 --> 00:21:16,760
Speaker 1: I have to say I'm very happy they did not

440
00:21:16,840 --> 00:21:18,680
Speaker 1: go with just their first year at college. It would

441
00:21:18,680 --> 00:21:21,399
Speaker 1: have seemed too much like being back at Seabrook, so

442
00:21:21,560 --> 00:21:23,359
Speaker 1: I'm glad they didn't do that. They're ready for a

443
00:21:23,359 --> 00:21:26,600
Speaker 1: summer road trip, but when they unexpectedly discovered the warring

444
00:21:26,680 --> 00:21:29,560
Speaker 1: worlds of two new groups of monsters, their fun is

445
00:21:29,680 --> 00:21:32,680
Speaker 1: threatened forever and clear the way because Zombies four is

446
00:21:32,720 --> 00:21:35,200
Speaker 1: directed by the man behind it all, the same legend

447
00:21:35,200 --> 00:21:37,480
Speaker 1: who's been steering the ship since the very first movie,

448
00:21:37,680 --> 00:21:40,160
Speaker 1: a film he was thrown into last minute. By the way,

449
00:21:40,520 --> 00:21:43,080
Speaker 1: it's the d coom daddy of them all. I will

450
00:21:43,080 --> 00:21:45,800
Speaker 1: call him DCOM Daddy Paul Ho And not only are

451
00:21:45,840 --> 00:21:48,000
Speaker 1: all of these prior movies on his resume, but and

452
00:21:48,200 --> 00:21:50,320
Speaker 1: of course you can just mouth along with me as

453
00:21:50,320 --> 00:21:52,280
Speaker 1: I do the list. Luck of the Irish read it

454
00:21:52,280 --> 00:21:54,359
Speaker 1: and weep Cheetah Girls to One World, Camp Rock to

455
00:21:54,560 --> 00:21:56,560
Speaker 1: and a bevy a big TV shows we can add

456
00:21:56,560 --> 00:21:59,119
Speaker 1: to the list. And what's a DCOM podcast without a

457
00:21:59,160 --> 00:22:01,040
Speaker 1: hoe and interview? So that's right, we've already done it.

458
00:22:01,080 --> 00:22:03,480
Speaker 1: You can go check ours out right now, especially if

459
00:22:03,480 --> 00:22:05,240
Speaker 1: you don't want to be spoiled by anything. It's available

460
00:22:05,240 --> 00:22:08,000
Speaker 1: on the dedicated magical rewind feed. Seriously, give it a listen.

461
00:22:08,040 --> 00:22:10,119
Speaker 1: He's awesome. I can't wait to have him back our

462
00:22:10,200 --> 00:22:13,840
Speaker 1: dm Daddy forecast. Let's start wait to call it.

463
00:22:14,040 --> 00:22:16,840
Speaker 2: We can't wait to see his face on zoom when

464
00:22:16,840 --> 00:22:19,560
Speaker 2: we call him DCOM Daddy. Is the DCM dady going

465
00:22:19,640 --> 00:22:20,959
Speaker 2: to dad, That's what it is.

466
00:22:20,960 --> 00:22:23,639
Speaker 1: He's the DCOM Daddy, we're gonna get shirts made, So

467
00:22:23,880 --> 00:22:26,320
Speaker 1: let's let's start with the names we know. For the cast.

468
00:22:26,480 --> 00:22:30,760
Speaker 1: Star and executive producer Milo Mannheim returns as zombie Zed.

469
00:22:30,920 --> 00:22:33,119
Speaker 1: He kills it every time. It's been said that he

470
00:22:33,200 --> 00:22:35,720
Speaker 1: and his co star were very involved behind the scenes

471
00:22:35,720 --> 00:22:37,920
Speaker 1: with this one, hoping to keep the legacy alive even

472
00:22:38,000 --> 00:22:40,159
Speaker 1: as they take a backseat. And man, did they do

473
00:22:40,240 --> 00:22:42,359
Speaker 1: it with a plumb? The question lies not only in

474
00:22:42,359 --> 00:22:45,440
Speaker 1: Milo's lap, but also Meg Donnelly's Meg returns as Addison,

475
00:22:45,520 --> 00:22:49,040
Speaker 1: the alien human hybrid cheerleader and girlfriend of Zed. Both

476
00:22:49,040 --> 00:22:51,720
Speaker 1: original stars in the movie were unknowns when first cast,

477
00:22:51,760 --> 00:22:53,680
Speaker 1: but now I feel like we'll be seeing way more

478
00:22:53,680 --> 00:22:56,280
Speaker 1: of them outside of the Disney universe, especially with Milo

479
00:22:56,400 --> 00:22:58,920
Speaker 1: just entering the world of theater with Little Shop of Horrors.

480
00:22:59,200 --> 00:23:01,479
Speaker 1: Also back in the mix, we have a Chandler Kinney

481
00:23:01,520 --> 00:23:04,159
Speaker 1: as will of the Werewolf, and Kylie Russell, who is

482
00:23:04,200 --> 00:23:07,959
Speaker 1: not pregnant this time, returns as Eliza, the brainiac zombie.

483
00:23:08,240 --> 00:23:11,640
Speaker 1: And that's it. That's it. That's right, folks. No Aliens,

484
00:23:11,680 --> 00:23:14,120
Speaker 1: no Wyat, no Bucky, no yogurt Coach, not even Rue

485
00:23:14,160 --> 00:23:16,920
Speaker 1: Paul as a UFO. But of course we do see shrimpy,

486
00:23:17,119 --> 00:23:20,360
Speaker 1: which makes no sense. So not all is lost, Serena,

487
00:23:20,440 --> 00:23:22,679
Speaker 1: did it bother you losing so many of the original characters.

488
00:23:22,760 --> 00:23:24,400
Speaker 1: I mean, we're left with what I think from now

489
00:23:24,400 --> 00:23:26,000
Speaker 1: on we're going to refer to as the core four.

490
00:23:26,840 --> 00:23:28,439
Speaker 1: Did it not seeing anybody else? Bug you?

491
00:23:29,119 --> 00:23:32,439
Speaker 2: I think it was. You know, it just set the

492
00:23:32,520 --> 00:23:35,320
Speaker 2: stage right from the start that this is not about

493
00:23:35,320 --> 00:23:37,439
Speaker 2: the rest of what we've seen so far, that this

494
00:23:37,560 --> 00:23:41,399
Speaker 2: is this is a new storyline. We're moving forward in

495
00:23:41,480 --> 00:23:44,359
Speaker 2: a big jump, hop, skip and escadatle away from what

496
00:23:44,400 --> 00:23:48,520
Speaker 2: we've already done. So it at first was kind of like, oh,

497
00:23:48,720 --> 00:23:51,720
Speaker 2: you know and some of the other Again, I didn't

498
00:23:51,760 --> 00:23:54,040
Speaker 2: like look into it or anything before I sat and

499
00:23:54,080 --> 00:23:56,919
Speaker 2: watched it, But we had already kind of known that

500
00:23:57,000 --> 00:24:00,520
Speaker 2: this was this, you know, or anticipate that this was

501
00:24:00,560 --> 00:24:02,160
Speaker 2: like a handing of the torch and all that kind

502
00:24:02,200 --> 00:24:04,360
Speaker 2: of stuff. So this was just like, oh, okay, we're

503
00:24:04,359 --> 00:24:08,680
Speaker 2: doing it, like right from the start, and one number

504
00:24:08,800 --> 00:24:11,760
Speaker 2: yes Trevor did yeah, he said, yeah, no, we are.

505
00:24:11,920 --> 00:24:14,720
Speaker 2: And then also I found out we knew no Bucky.

506
00:24:14,800 --> 00:24:16,840
Speaker 2: Then it was confirmed when I talked to Terry that

507
00:24:17,160 --> 00:24:19,439
Speaker 2: they were not in this next one as far. So

508
00:24:19,480 --> 00:24:22,520
Speaker 2: I was kind of going bracing myself and they said

509
00:24:22,640 --> 00:24:25,800
Speaker 2: that Addison was going to be the only alien that

510
00:24:26,000 --> 00:24:26,960
Speaker 2: was She's ready.

511
00:24:27,080 --> 00:24:29,080
Speaker 1: I was going to say, she's representing the alien definitely

512
00:24:29,160 --> 00:24:29,359
Speaker 1: in this.

513
00:24:29,800 --> 00:24:31,520
Speaker 2: Yeah. So it was kind of like, oh, so I

514
00:24:31,640 --> 00:24:35,359
Speaker 2: was a little anticipating it, but I thought there would

515
00:24:35,359 --> 00:24:39,280
Speaker 2: be a little bit more within that first once it

516
00:24:39,359 --> 00:24:41,639
Speaker 2: started becoming obvious. It was a dancing in the beginning.

517
00:24:41,960 --> 00:24:44,040
Speaker 2: I thought we were going to get a little cameos

518
00:24:44,160 --> 00:24:44,520
Speaker 2: something there.

519
00:24:44,600 --> 00:24:48,119
Speaker 1: Yeah, nothing new, nothing. Well, that's the end of the

520
00:24:48,160 --> 00:24:51,040
Speaker 1: old generation, so let's get into the new generation now.

521
00:24:51,040 --> 00:24:53,320
Speaker 1: If you remember, Zombie's one was extremely rare because it

522
00:24:53,359 --> 00:24:56,680
Speaker 1: cast all newcomers. Nobody had any sort of significant Hollywood footprint,

523
00:24:56,680 --> 00:24:58,760
Speaker 1: not even on the channel. But that is not the

524
00:24:58,800 --> 00:25:02,760
Speaker 1: case with Malachi bar Carton, who plays Victor the Vampire.

525
00:25:02,960 --> 00:25:04,720
Speaker 1: He is the new flag bearer on the male side,

526
00:25:04,720 --> 00:25:07,200
Speaker 1: and he first burst onto the scene as Beast Diaz

527
00:25:07,280 --> 00:25:09,480
Speaker 1: in the Disney show Stuck in the Middle. He wasn't

528
00:25:09,520 --> 00:25:11,719
Speaker 1: even ten years old when he was cast. He then

529
00:25:11,800 --> 00:25:14,000
Speaker 1: moved on to play a Kolby Madden on another Disney

530
00:25:14,040 --> 00:25:16,800
Speaker 1: Channel show, The Villains of Valley View, and appeared un bunked,

531
00:25:17,320 --> 00:25:20,320
Speaker 1: just roll with It and both under wraps reboot movies.

532
00:25:20,320 --> 00:25:22,800
Speaker 1: So this kid is a Disney System star through and through.

533
00:25:23,119 --> 00:25:25,679
Speaker 1: He's now eighteen years old and has the weight of

534
00:25:25,760 --> 00:25:27,760
Speaker 1: the channel on his back. If you ask me, they

535
00:25:27,760 --> 00:25:31,040
Speaker 1: seem they are making this kid a star. Next up

536
00:25:31,119 --> 00:25:35,520
Speaker 1: our new female lead and Sabrina's favorite, Freya Sky as

537
00:25:35,640 --> 00:25:40,600
Speaker 1: day Walker, Nova Bright Where Malachi, Where Malachi is part

538
00:25:40,600 --> 00:25:42,800
Speaker 1: of the studio home team. Freya is as green as

539
00:25:42,840 --> 00:25:45,480
Speaker 1: they come. Her only two real Hollywood credits are as

540
00:25:45,720 --> 00:25:50,200
Speaker 1: voices into video games. But she as a native of England. Yes,

541
00:25:50,720 --> 00:25:53,840
Speaker 1: she hit her accent well, she is from England as

542
00:25:53,840 --> 00:25:56,240
Speaker 1: you're supposed to say it, and represented the UK in

543
00:25:56,280 --> 00:26:00,359
Speaker 1: the twenty twenty two Junior Eurovision Song Contest. Result she

544
00:26:00,359 --> 00:26:03,280
Speaker 1: was signed to Hollywood Records, contracted by Disney Publishing for

545
00:26:03,320 --> 00:26:05,879
Speaker 1: her songwriting skills, and set into a holding deal for

546
00:26:05,920 --> 00:26:08,920
Speaker 1: Disney TV, which is now paid off in a massive way.

547
00:26:09,040 --> 00:26:10,959
Speaker 1: The most shocking part, as I said at the beginning,

548
00:26:11,680 --> 00:26:17,919
Speaker 1: she's fifteen. That voice, that brightness on screen, she is

549
00:26:18,080 --> 00:26:20,919
Speaker 1: fifteen years old, and as we just said, can we

550
00:26:20,960 --> 00:26:23,399
Speaker 1: talk a little bit about our singing voice? Can it

551
00:26:23,440 --> 00:26:25,320
Speaker 1: be argue that this is the best voice we've ever

552
00:26:25,359 --> 00:26:27,159
Speaker 1: heard in a DCM could would she be on the

553
00:26:27,240 --> 00:26:28,960
Speaker 1: list of best voices.

554
00:26:29,359 --> 00:26:32,280
Speaker 3: She'd definitely be up up towards the top.

555
00:26:32,440 --> 00:26:38,159
Speaker 1: Yeah, I think she was. Rarely notice how good someone's voices.

556
00:26:38,200 --> 00:26:40,359
Speaker 1: I'm like listening to the song, not the quality of

557
00:26:40,400 --> 00:26:42,360
Speaker 1: the voice. She's got a good voice.

558
00:26:42,680 --> 00:26:46,879
Speaker 2: Yeah, and she's for what I've seen on her Instagram

559
00:26:46,880 --> 00:26:50,800
Speaker 2: because I am absolutely following her now. She has a

560
00:26:50,960 --> 00:26:53,960
Speaker 2: single that's dropping soon. She showed a little bit of

561
00:26:54,040 --> 00:26:57,919
Speaker 2: music video. She's playing the piano, so she's very versatile

562
00:26:58,040 --> 00:27:00,400
Speaker 2: and she's going to be. Like I said, I really

563
00:27:00,440 --> 00:27:02,280
Speaker 2: just feel she's going to be an epic.

564
00:27:02,440 --> 00:27:05,080
Speaker 1: Okay, so artist, I am suggesting that we have a

565
00:27:05,119 --> 00:27:08,120
Speaker 1: new segment that'll take ten seconds on our new show.

566
00:27:08,160 --> 00:27:10,600
Speaker 1: We're going to call it a fray A check because

567
00:27:10,680 --> 00:27:12,719
Speaker 1: as of right now, at the time of this taping,

568
00:27:13,000 --> 00:27:15,879
Speaker 1: she has only two hundred and thirty nine thousand followers

569
00:27:16,080 --> 00:27:17,600
Speaker 1: on Instagram, and I have a feeling it's.

570
00:27:17,800 --> 00:27:20,240
Speaker 2: Because for the movie aired, she was more in the

571
00:27:20,280 --> 00:27:23,320
Speaker 2: one hundreds. Okay, So, so she's already jumped up quite

572
00:27:23,359 --> 00:27:23,640
Speaker 2: a bit.

573
00:27:23,680 --> 00:27:24,840
Speaker 1: So we're gonna we're gonna start doing it.

574
00:27:25,000 --> 00:27:27,800
Speaker 2: I started following her. She had like one hundred thousand something.

575
00:27:27,920 --> 00:27:30,800
Speaker 1: Okay, so two hundred and thirty nine thousand followers on

576
00:27:30,840 --> 00:27:32,520
Speaker 1: instag Do you have your Instagram near you?

577
00:27:33,320 --> 00:27:33,600
Speaker 2: Yes?

578
00:27:33,840 --> 00:27:36,359
Speaker 1: Check check right now. This is our first ever fraya check.

579
00:27:36,480 --> 00:27:40,040
Speaker 2: We're at Freya check e. I love this. This is perfect.

580
00:27:40,840 --> 00:27:42,520
Speaker 2: Watch Lisa's going to do it before me, and you're

581
00:27:42,520 --> 00:27:43,000
Speaker 2: she's doing it.

582
00:27:43,000 --> 00:27:44,760
Speaker 1: I know you're doing She's at three already did She's

583
00:27:44,760 --> 00:27:48,800
Speaker 1: at three hundred and five thousand right now. So from

584
00:27:48,840 --> 00:27:50,880
Speaker 1: two hundred and thirty nine when mode.

585
00:27:50,760 --> 00:27:51,720
Speaker 2: Was on airplane mode.

586
00:27:51,560 --> 00:27:54,520
Speaker 1: Where we first check, she's at three hundred and five

587
00:27:54,560 --> 00:27:56,520
Speaker 1: thousand right now, we are going to continue to look.

588
00:27:56,560 --> 00:27:58,639
Speaker 1: That's Freya check number one. I'm guessing it's going to

589
00:27:58,720 --> 00:28:00,000
Speaker 1: jump by leaps and bounds.

590
00:28:00,400 --> 00:28:02,920
Speaker 3: Oh yeah, but Malachi has over a million.

591
00:28:03,080 --> 00:28:06,840
Speaker 1: Okay, she'll be there very quickly, so fast. Julian Lerner

592
00:28:06,920 --> 00:28:09,480
Speaker 1: is day walker Ray. Julian has a very cool, unique

593
00:28:09,520 --> 00:28:11,520
Speaker 1: look and this makes sense. One of his first jobs

594
00:28:11,560 --> 00:28:14,199
Speaker 1: was as young Pete Davidson on an episode of SNL.

595
00:28:14,480 --> 00:28:17,280
Speaker 1: He also appeared in the movie Yesterday, the Soprano spinoff

596
00:28:17,320 --> 00:28:19,399
Speaker 1: movie The Many Saints of Newark, and was one of

597
00:28:19,440 --> 00:28:21,920
Speaker 1: the stars of the Wonder Years reboot, but most importantly,

598
00:28:22,160 --> 00:28:25,320
Speaker 1: he was cast in the upcoming Bluey movie. And then

599
00:28:25,320 --> 00:28:29,920
Speaker 1: we have Sway Batia is Vera the Vampire. Sway has

600
00:28:30,000 --> 00:28:32,399
Speaker 1: a very cool IMDb page. She was a voice in

601
00:28:32,400 --> 00:28:35,240
Speaker 1: the Netflix animated series Karma's World, a star of the

602
00:28:35,320 --> 00:28:38,000
Speaker 1: Mighty Ducks Game Changers reboot, but most of our cable

603
00:28:38,040 --> 00:28:40,480
Speaker 1: focused audience will recognize her as Sophie Roy on the

604
00:28:40,560 --> 00:28:43,960
Speaker 1: highly acclaimed HBO show Succession. She is great. I hope

605
00:28:43,960 --> 00:28:46,520
Speaker 1: she stays on for all the upcoming movies. And then

606
00:28:46,840 --> 00:28:50,600
Speaker 1: mconan Knife is Vargas the Vampire. Again. I apologize if

607
00:28:50,640 --> 00:28:52,960
Speaker 1: I'm butchering any of these names. He also has a

608
00:28:53,040 --> 00:28:55,360
Speaker 1: very cool name and was a local Australian higher so

609
00:28:55,480 --> 00:28:58,400
Speaker 1: this was his first big mainstream role. The movie runs

610
00:28:59,240 --> 00:29:02,840
Speaker 1: wait for It, people, eighty eight minutes, very close to

611
00:29:02,840 --> 00:29:05,120
Speaker 1: the target, just too short, which we know is better

612
00:29:05,160 --> 00:29:07,560
Speaker 1: than too long. So once again, all hell Daddy d

613
00:29:07,640 --> 00:29:11,000
Speaker 1: com hohen he has done it yet again. This is

614
00:29:11,000 --> 00:29:12,640
Speaker 1: one of the few times in our life where too

615
00:29:12,680 --> 00:29:16,800
Speaker 1: short is better than too long. The movie you take

616
00:29:16,840 --> 00:29:19,360
Speaker 1: that however you want. The movie was written by the

617
00:29:19,360 --> 00:29:21,840
Speaker 1: familiar names of David Light and Joseph Rasso, the team

618
00:29:21,880 --> 00:29:25,000
Speaker 1: behind the original failed Pilot and Pass movies. No surprise

619
00:29:25,080 --> 00:29:27,320
Speaker 1: there since they'll be on board for life. But then

620
00:29:27,360 --> 00:29:30,080
Speaker 1: we have josh A. Kagan, a new name added to

621
00:29:30,080 --> 00:29:32,320
Speaker 1: the mix. He's not new to the family musical however.

622
00:29:32,400 --> 00:29:35,240
Speaker 1: He wrote band Slam, which is the one I brought

623
00:29:35,320 --> 00:29:39,040
Speaker 1: up when we were talking about Lemonade mouth Mouth the Duff,

624
00:29:39,440 --> 00:29:42,200
Speaker 1: the Kim Possible live action film which I'm pretending never happened.

625
00:29:42,280 --> 00:29:45,640
Speaker 1: Under wraps two another d com called upside Down Magic

626
00:29:46,000 --> 00:29:50,000
Speaker 1: and the letter Heavy edm DJ d com say that

627
00:29:50,040 --> 00:29:53,240
Speaker 1: three times again, EDMDJ dcom. We all liked Spin, which

628
00:29:53,280 --> 00:29:55,360
Speaker 1: was a great movie. He seems like a very impressive

629
00:29:55,400 --> 00:29:57,400
Speaker 1: name for the channel. So we're gonna get this guy

630
00:29:57,440 --> 00:30:01,840
Speaker 1: on and ask him why he did that to Kim Possible. Okay,

631
00:30:01,440 --> 00:30:01,760
Speaker 1: now we.

632
00:30:02,560 --> 00:30:04,560
Speaker 2: Need to talk to David and Joseph. That's who we

633
00:30:04,840 --> 00:30:06,600
Speaker 2: got to already. We got to get to everybody.

634
00:30:06,600 --> 00:30:08,480
Speaker 1: We gotta talk to everybody because we gotta we got

635
00:30:08,480 --> 00:30:10,840
Speaker 1: to round out our zombies here, and then we need

636
00:30:10,880 --> 00:30:16,120
Speaker 1: cameos in Zombies five. Now Zombies five Will and Sabrina.

637
00:30:15,760 --> 00:30:17,920
Speaker 2: Which is well, they'll be the ones that told us

638
00:30:17,960 --> 00:30:20,840
Speaker 2: like what ended up happening, why they felt the pilot failed,

639
00:30:20,920 --> 00:30:23,560
Speaker 2: and how it became what should have been from the

640
00:30:23,600 --> 00:30:24,280
Speaker 2: start the movie.

641
00:30:24,320 --> 00:30:26,400
Speaker 1: We're absolutely going to have to have them on because

642
00:30:26,640 --> 00:30:35,760
Speaker 1: we have so many questions. Okay, make sure you've got

643
00:30:35,840 --> 00:30:37,680
Speaker 1: enough blood fruit to go around, because it's time to

644
00:30:37,720 --> 00:30:41,720
Speaker 1: get into Zombies four, Donna the Vampires. Zombie four starts

645
00:30:41,720 --> 00:30:43,960
Speaker 1: the same way we kicked off every Zombies movie so far,

646
00:30:44,000 --> 00:30:46,520
Speaker 1: with an animated recap. Love it. The zombies, aliens, and

647
00:30:46,520 --> 00:30:49,080
Speaker 1: wo wolves are living in harmony, and our main characters

648
00:30:49,080 --> 00:30:51,360
Speaker 1: are at Mountain College where they heard a brand new

649
00:30:51,400 --> 00:30:55,080
Speaker 1: story about another moonstone crashing on Mount Rayburn, creating two

650
00:30:55,240 --> 00:30:58,200
Speaker 1: new monsters and two sanctioned off cities. These are the

651
00:30:58,280 --> 00:31:01,200
Speaker 1: day Walkers and the vampires. Now, Sabrina, I feel like

652
00:31:01,240 --> 00:31:03,080
Speaker 1: we all know about vampires. Did you know about day.

653
00:31:02,920 --> 00:31:08,640
Speaker 3: Walkers in just assuming that they're just not vampires?

654
00:31:08,960 --> 00:31:11,239
Speaker 1: So you you never knew like Blade? Did you ever

655
00:31:11,280 --> 00:31:13,120
Speaker 1: watch Blade? Because Blade was a day walker It's what

656
00:31:13,160 --> 00:31:13,680
Speaker 1: they called them.

657
00:31:13,760 --> 00:31:18,840
Speaker 2: Day wo oh. I've seen the movie Blade so long ago,

658
00:31:19,040 --> 00:31:21,480
Speaker 2: decades and decades ago, but no, I wouldn't remember that.

659
00:31:21,600 --> 00:31:23,720
Speaker 1: So he's a vampire who can handle the sunlight, which

660
00:31:23,800 --> 00:31:25,400
Speaker 1: is one of one of his major powers. He has

661
00:31:25,480 --> 00:31:28,120
Speaker 1: all the powers of a vampire with none of their weaknesses.

662
00:31:28,960 --> 00:31:31,959
Speaker 1: Oh wow, which is kind of what I thought they

663
00:31:31,960 --> 00:31:35,120
Speaker 1: were going for here, But it turns out no, they vampire,

664
00:31:35,720 --> 00:31:40,320
Speaker 1: any of that, none of that. Yeah, it's okay, we'll

665
00:31:40,320 --> 00:31:43,200
Speaker 1: get into that. This is where the fantasy that I.

666
00:31:43,160 --> 00:31:45,080
Speaker 2: Went, oh well, it's not gonna like that.

667
00:31:45,920 --> 00:31:49,120
Speaker 1: Started to do. The moonstone also created a crop called

668
00:31:49,160 --> 00:31:51,960
Speaker 1: blood fruit, which both species need to survive for some reason,

669
00:31:52,160 --> 00:31:53,920
Speaker 1: so they end up fighting over the resource and locked

670
00:31:53,920 --> 00:31:57,600
Speaker 1: themselves off from each other for years as enemies until now.

671
00:31:58,000 --> 00:32:00,040
Speaker 1: And then we're thrown into real life Mountain College in

672
00:32:00,040 --> 00:32:02,080
Speaker 1: the last day of freshman year. Zed talks to the

673
00:32:02,080 --> 00:32:04,080
Speaker 1: camera as an intro we're used to. At this point,

674
00:32:04,360 --> 00:32:06,720
Speaker 1: we find out that football didn't go as well as expected.

675
00:32:06,800 --> 00:32:09,840
Speaker 1: The coach, sadly not yogurt coach, has set him up

676
00:32:09,840 --> 00:32:12,160
Speaker 1: with an intensive football camp for the summer so he

677
00:32:12,200 --> 00:32:14,080
Speaker 1: can get better. So Zed won't be able to see

678
00:32:14,080 --> 00:32:16,400
Speaker 1: everyone at Seabrook, which is a bummer, but he gets it.

679
00:32:16,720 --> 00:32:19,520
Speaker 1: We then cut to Addison cheerleading has been a bit

680
00:32:19,560 --> 00:32:21,800
Speaker 1: of a battle as well. It appears the bigger pond

681
00:32:21,800 --> 00:32:23,680
Speaker 1: has made it tougher for her to stand out if

682
00:32:23,720 --> 00:32:25,760
Speaker 1: she wants to make cheer captain. Eventually, she needs to

683
00:32:25,760 --> 00:32:28,560
Speaker 1: attend a cheer camp all summer, which means she'll also

684
00:32:28,600 --> 00:32:30,560
Speaker 1: be away from her friends, and so we get our

685
00:32:30,560 --> 00:32:33,040
Speaker 1: first musical number, Legends of the making a song about

686
00:32:33,040 --> 00:32:35,480
Speaker 1: the sacrifices they're making this summer to get better at

687
00:32:35,480 --> 00:32:38,640
Speaker 1: their respective sports. We also get to see Zombie Eliza

688
00:32:38,720 --> 00:32:40,520
Speaker 1: for the first time. She's skipped grades and is now

689
00:32:40,520 --> 00:32:42,960
Speaker 1: also in college. She's loving it and of course excelling

690
00:32:42,960 --> 00:32:46,560
Speaker 1: in science. She is also no longer pregnant. She obviously

691
00:32:46,600 --> 00:32:48,560
Speaker 1: had a kid and looks exactly like she did before

692
00:32:48,560 --> 00:32:49,080
Speaker 1: she had a kid.

693
00:32:49,080 --> 00:32:51,160
Speaker 2: Well, at this point, her kid's almost like three years.

694
00:32:51,320 --> 00:32:53,440
Speaker 1: Kid's probably seventeen at this point. It is probably one

695
00:32:53,440 --> 00:32:55,160
Speaker 1: of the dancers behind her, because it's been a while

696
00:32:55,160 --> 00:32:58,640
Speaker 1: since we've seen them. But yes wherewolf Willa is also there,

697
00:32:58,680 --> 00:33:01,160
Speaker 1: having a blasted Mountain college and she can't wait to

698
00:33:01,200 --> 00:33:04,480
Speaker 1: come back next year. And now in Okay. First of all,

699
00:33:05,200 --> 00:33:07,760
Speaker 1: one thing I noticed, I thought the whole point of

700
00:33:08,040 --> 00:33:10,040
Speaker 1: the last movie was z was going to be the

701
00:33:10,080 --> 00:33:12,840
Speaker 1: first monster to get into college. And pave the way

702
00:33:12,880 --> 00:33:17,479
Speaker 1: for the rest. Right, but after his first year, if

703
00:33:17,560 --> 00:33:20,280
Speaker 1: you look in the background, they dressed everybody. There's tons

704
00:33:20,320 --> 00:33:23,720
Speaker 1: of werewolves, there's tons of zombies, there's tons of aliens.

705
00:33:24,280 --> 00:33:24,920
Speaker 2: Right.

706
00:33:25,080 --> 00:33:27,480
Speaker 4: Well, I think there was a mention in the last

707
00:33:27,480 --> 00:33:31,120
Speaker 4: one that other monsters would be able to go if

708
00:33:31,120 --> 00:33:35,560
Speaker 4: he went, so they kept okay in case it then

709
00:33:35,640 --> 00:33:37,880
Speaker 4: opened it up for other recruits. But you're right in

710
00:33:37,880 --> 00:33:39,480
Speaker 4: that sense. But I do think that they gave a

711
00:33:39,520 --> 00:33:41,440
Speaker 4: small warning that there would be other oh, that it.

712
00:33:41,400 --> 00:33:44,280
Speaker 2: Was possible, because like it it was like him getting

713
00:33:44,440 --> 00:33:47,040
Speaker 2: into it was going to open the door for other

714
00:33:47,120 --> 00:33:48,760
Speaker 2: opportunities for everyone else.

715
00:33:48,880 --> 00:33:52,080
Speaker 1: Okay, so they let in z and then three hundred

716
00:33:52,120 --> 00:33:53,720
Speaker 1: other monsters the same.

717
00:33:54,280 --> 00:33:56,760
Speaker 2: Apparently, Yeah, you know, but like that's how it goes,

718
00:33:56,840 --> 00:33:59,560
Speaker 2: right with college, Like they do their first round and

719
00:33:59,600 --> 00:34:03,080
Speaker 2: then so people go to that college, others don't.

720
00:34:03,120 --> 00:34:05,080
Speaker 3: Then the second round gets to go out on.

721
00:34:05,040 --> 00:34:08,040
Speaker 2: The yahs, Like, yeah, they were on maybe they were

722
00:34:08,040 --> 00:34:09,839
Speaker 2: on the wait list. Maybe you know, they had to

723
00:34:09,960 --> 00:34:11,920
Speaker 2: they had to see how their grades were, how many off.

724
00:34:12,200 --> 00:34:15,719
Speaker 2: You know, there's college I went with it that didn't bother.

725
00:34:16,800 --> 00:34:19,360
Speaker 1: I was just curious, we're now in the quad we

726
00:34:19,400 --> 00:34:22,319
Speaker 1: get our first big dance number, and man, there are

727
00:34:22,400 --> 00:34:25,279
Speaker 1: lots and lots of extras here the budget's first real moment.

728
00:34:25,560 --> 00:34:27,920
Speaker 1: We also get a nice glimpse of the Shrimpy high

729
00:34:27,960 --> 00:34:31,280
Speaker 1: school mascot, which makes no sense now that they're in college,

730
00:34:31,280 --> 00:34:31,960
Speaker 1: but they're.

731
00:34:33,360 --> 00:34:37,680
Speaker 2: And somewhere on on Instagram that they did. There's something

732
00:34:37,680 --> 00:34:40,640
Speaker 2: that happened. I was I didn't have my my volume on,

733
00:34:40,719 --> 00:34:42,080
Speaker 2: but they talk about Shrimpy.

734
00:34:42,080 --> 00:34:44,239
Speaker 3: There's a story behind it. We'll have to find it

735
00:34:44,280 --> 00:34:45,000
Speaker 3: and bring it back.

736
00:34:45,040 --> 00:34:47,280
Speaker 2: At some point. I couldn't figure it out. After I

737
00:34:47,320 --> 00:34:49,200
Speaker 2: tried to find that clip and couldn't figure it out.

738
00:34:49,640 --> 00:34:52,560
Speaker 2: It was an interview, they said, Paul hoan, Okay, here

739
00:34:52,560 --> 00:34:55,160
Speaker 2: we go. Fought to get Shrimpy there because he loves

740
00:34:55,200 --> 00:34:59,719
Speaker 2: Shrimpy and he's Shrimpy, said saying happy birthday to someone

741
00:34:59,800 --> 00:35:02,799
Speaker 2: during the set. The Shrimpy is like the mascot for

742
00:35:02,920 --> 00:35:04,520
Speaker 2: all of them, not just like fine.

743
00:35:04,640 --> 00:35:06,520
Speaker 1: If Daddy dcom wants it, then I'm in.

744
00:35:06,560 --> 00:35:10,040
Speaker 2: And I my one of my first thing of Sabrina

745
00:35:10,120 --> 00:35:13,279
Speaker 2: sees is the shrimp mascot. Paul, is that you why

746
00:35:13,320 --> 00:35:16,319
Speaker 2: is Shrimpy? And here's someone there's something specific going on

747
00:35:16,480 --> 00:35:16,839
Speaker 2: he says.

748
00:35:16,880 --> 00:35:20,400
Speaker 1: Apparently in the interview, he says, Shrimpy is a person.

749
00:35:20,440 --> 00:35:22,279
Speaker 4: Okay, so that would mean that Shrimpy can get into

750
00:35:22,320 --> 00:35:25,200
Speaker 4: college as a person. So it's not a mascot at

751
00:35:25,200 --> 00:35:26,959
Speaker 4: this point. It's Shrimpy a human being.

752
00:35:27,760 --> 00:35:32,640
Speaker 1: Oh wait a minute, is the next movie that we

753
00:35:32,760 --> 00:35:37,560
Speaker 1: think with it's going to be about Shrimpy's like failing.

754
00:35:39,560 --> 00:35:41,960
Speaker 4: They're mad that he's identifying as a human.

755
00:35:42,360 --> 00:35:44,200
Speaker 1: Oh my god, that's what it is. They're coming to

756
00:35:44,200 --> 00:35:47,280
Speaker 1: get Shrimpy back. I think we've we've cracked it, people,

757
00:35:47,320 --> 00:35:50,879
Speaker 1: We've cracked it. I also love as this giant dance

758
00:35:50,920 --> 00:35:52,920
Speaker 1: number is going on in the quad, there's extras just

759
00:35:52,960 --> 00:35:55,360
Speaker 1: going to classes above them that aren't dancing that are

760
00:35:55,400 --> 00:35:57,719
Speaker 1: probably like, why is everybody dancing on the quad? Like

761
00:35:57,760 --> 00:36:00,239
Speaker 1: if you notice there's a second level where they're not

762
00:36:00,320 --> 00:36:02,760
Speaker 1: dancing at all, they're literally just walking to classes. Hundreds

763
00:36:02,800 --> 00:36:04,880
Speaker 1: of extras above them are just walking to different classes,

764
00:36:05,000 --> 00:36:07,239
Speaker 1: which I thought was such a good touch where it's

765
00:36:07,280 --> 00:36:10,160
Speaker 1: like not everybody's dancing. I thought that was great, Like

766
00:36:10,200 --> 00:36:12,600
Speaker 1: the school's going on as everybody else is still dancing.

767
00:36:12,600 --> 00:36:14,880
Speaker 1: I thought that was very cool. Oh my gosh, I

768
00:36:14,960 --> 00:36:18,760
Speaker 1: didn't got to school. Mid song, our core four revealed

769
00:36:18,760 --> 00:36:21,040
Speaker 1: that they'll be road tripping together, leaving college to their

770
00:36:21,040 --> 00:36:25,480
Speaker 1: respective camps, all of them going in Z's green VW bug.

771
00:36:25,760 --> 00:36:27,160
Speaker 1: They pull out of the parking lot and we enter

772
00:36:27,200 --> 00:36:30,680
Speaker 1: the world of the day Walkers and Hello of forty

773
00:36:30,680 --> 00:36:33,359
Speaker 1: million dollars. It is a beautiful tropical island and beach,

774
00:36:33,400 --> 00:36:36,000
Speaker 1: and we immediately see the day Walkers practicing their magic.

775
00:36:36,440 --> 00:36:38,239
Speaker 1: It's not a whole lot different than the effects we see,

776
00:36:38,440 --> 00:36:40,520
Speaker 1: to be honest, in like Harry Potter movies, they're kind

777
00:36:40,520 --> 00:36:41,080
Speaker 1: of that level.

778
00:36:41,160 --> 00:36:41,359
Speaker 2: Now.

779
00:36:41,719 --> 00:36:44,440
Speaker 1: The group, wearing red and gold, shoots fireballs and perform

780
00:36:44,560 --> 00:36:47,680
Speaker 1: intense karate routines as practice, and a young blonde named

781
00:36:47,680 --> 00:36:50,000
Speaker 1: Nova is instructing the group on how to protect their

782
00:36:50,040 --> 00:36:53,640
Speaker 1: blood fruit from vampires. There was also a little girl

783
00:36:53,640 --> 00:36:54,960
Speaker 1: who walks up and says, why do we have to

784
00:36:54,960 --> 00:36:57,120
Speaker 1: stay here? We never see the little girl again, has

785
00:36:57,120 --> 00:36:59,040
Speaker 1: nothing to do with anything, no point in having her

786
00:36:59,080 --> 00:37:02,640
Speaker 1: there whatsoever, to be somebody's kid. Soon they will make

787
00:37:02,680 --> 00:37:05,840
Speaker 1: the pilgrimage to get the fruit, but Nova is distracted

788
00:37:05,880 --> 00:37:08,120
Speaker 1: by vivid dreams of a cute boy in a cloak,

789
00:37:08,800 --> 00:37:12,760
Speaker 1: only interrupted by her dad, the day Walker leader Commander Bright,

790
00:37:13,400 --> 00:37:15,960
Speaker 1: who had just fabulous blonde hair and would have been

791
00:37:15,960 --> 00:37:18,560
Speaker 1: the part that I wanted to play. He needs her

792
00:37:18,600 --> 00:37:20,719
Speaker 1: focused on the task at hand, because those vampires will

793
00:37:20,760 --> 00:37:23,600
Speaker 1: do anything for blood fruit, and one day she's set

794
00:37:23,600 --> 00:37:25,600
Speaker 1: to take over for him. They traveled to the big

795
00:37:25,680 --> 00:37:27,560
Speaker 1: day Walker command Center, which is mostly made up a

796
00:37:27,560 --> 00:37:29,480
Speaker 1: CGI but looks pretty good. And this is when I

797
00:37:29,520 --> 00:37:32,840
Speaker 1: realized that Paul Hoen used every single dollar that Disney

798
00:37:32,880 --> 00:37:35,719
Speaker 1: gave him. I think we have to put can we

799
00:37:35,760 --> 00:37:38,440
Speaker 1: can we officially put this above Descendants on a scale

800
00:37:38,440 --> 00:37:40,279
Speaker 1: of production value, But I guess we can't really say

801
00:37:40,320 --> 00:37:43,600
Speaker 1: that yet because we've only seen the first one. So

802
00:37:43,680 --> 00:37:45,920
Speaker 1: for all we know, the last Descendants movie is like

803
00:37:45,960 --> 00:37:47,440
Speaker 1: watching a Marvel movie. We don't know.

804
00:37:48,239 --> 00:37:51,319
Speaker 2: That's very true, that's that's actually true. But I do

805
00:37:51,600 --> 00:37:55,239
Speaker 2: think it's safe to say that they went into Descendants.

806
00:37:55,320 --> 00:37:59,000
Speaker 2: I don't remember what the budget was, but because it

807
00:37:59,080 --> 00:38:02,759
Speaker 2: was Kenny like and knowing like the production value and

808
00:38:02,840 --> 00:38:05,960
Speaker 2: what that was, I feel like there was probably a

809
00:38:06,000 --> 00:38:08,719
Speaker 2: lot more given in that first Descendance movie than what

810
00:38:08,880 --> 00:38:09,960
Speaker 2: was in the first Zombies.

811
00:38:10,120 --> 00:38:13,640
Speaker 1: Do you think after these movies are done and they

812
00:38:13,680 --> 00:38:16,880
Speaker 1: give Paul Hoan and Kenny Artaga, like they do everything

813
00:38:17,040 --> 00:38:18,840
Speaker 1: you think. Eventually, they're just gonna have them fight to

814
00:38:18,880 --> 00:38:21,680
Speaker 1: the death. So there's just gonna be one of them

815
00:38:21,760 --> 00:38:24,520
Speaker 1: left to see who actually is is the decom daddy

816
00:38:24,560 --> 00:38:26,360
Speaker 1: of them all. It's gonna be like a pay per

817
00:38:26,440 --> 00:38:28,759
Speaker 1: view fight to the death between Kenny Ortega and Paul Howan.

818
00:38:28,840 --> 00:38:30,120
Speaker 1: We'll have to see it be interesting.

819
00:38:30,200 --> 00:38:32,800
Speaker 2: Oh yeah, yeah, anyway, well that would.

820
00:38:32,640 --> 00:38:37,480
Speaker 1: Be We also hear meet Ray, a top soldier for

821
00:38:37,520 --> 00:38:39,520
Speaker 1: the day Walkers, very excited to be on the front

822
00:38:39,520 --> 00:38:41,879
Speaker 1: line for the Blood Fruit battle, which is I'm gonna

823
00:38:41,880 --> 00:38:43,520
Speaker 1: be saying an awful lot. He's a bit of a

824
00:38:43,600 --> 00:38:46,440
Speaker 1: kiss butt and very loyal to the commander. Then we're

825
00:38:46,440 --> 00:38:49,279
Speaker 1: over on the vampire side of the island, Shadyville, where

826
00:38:49,360 --> 00:38:51,840
Speaker 1: of course it's much darker but just as expensive looking,

827
00:38:52,280 --> 00:38:54,719
Speaker 1: and it's a real blade Runner kind of vibe. Looked great.

828
00:38:55,000 --> 00:38:58,400
Speaker 1: Two vampires, Vargas and Vera, are prepping for their blood

829
00:38:58,400 --> 00:39:02,120
Speaker 1: Fruit trip too. Then Victor, their leader's nephew, is late

830
00:39:02,200 --> 00:39:10,320
Speaker 1: and haphazardly lands nearby with flying upside down, which doesn't okay,

831
00:39:10,360 --> 00:39:15,040
Speaker 1: we'll get into the flying later, oh the flying. Anyway,

832
00:39:15,080 --> 00:39:16,920
Speaker 1: he lands nearby, he is a slacker with a lot

833
00:39:16,960 --> 00:39:19,239
Speaker 1: of charisma. He's happy to leave shady Vilsteins. He knows

834
00:39:19,239 --> 00:39:22,120
Speaker 1: there's a whole wide world out there, but Vera isn't

835
00:39:22,160 --> 00:39:24,279
Speaker 1: so sure. She's happy to be living the night life.

836
00:39:24,719 --> 00:39:28,040
Speaker 1: Oh she likes to boogie worth figuring out. Now are

837
00:39:28,080 --> 00:39:30,840
Speaker 1: we that was for you, Sabrita? Are we to assume

838
00:39:30,840 --> 00:39:33,640
Speaker 1: that day? So? Okay, so this is where I start

839
00:39:33,640 --> 00:39:36,719
Speaker 1: going to visit. So day walkers walk in the day

840
00:39:36,760 --> 00:39:39,840
Speaker 1: because they can't walk in the night. And vampires, like

841
00:39:40,400 --> 00:39:44,319
Speaker 1: in all a vampire folklore that's ever existed in the

842
00:39:44,400 --> 00:39:47,120
Speaker 1: history of the world, sleep during the day and can't

843
00:39:47,120 --> 00:39:48,719
Speaker 1: be harmed or and then they can be harmed or

844
00:39:48,760 --> 00:39:52,319
Speaker 1: killed by the son. That's what's right, right, that's where

845
00:39:52,400 --> 00:39:53,799
Speaker 1: we stand at this point.

846
00:39:54,200 --> 00:39:57,279
Speaker 2: Yes, because the worlds are bright and dark.

847
00:39:57,440 --> 00:40:03,200
Speaker 1: Okay, so let's place here's where the rule is start. Okay, gotcha. Eventually,

848
00:40:03,239 --> 00:40:06,319
Speaker 1: their adult leader, the vampire Eldris, announces it's time to

849
00:40:06,360 --> 00:40:09,200
Speaker 1: start their trip. The harvest is upon us, and then

850
00:40:09,239 --> 00:40:11,080
Speaker 1: we're back with the Core four in Zed's green VW

851
00:40:11,360 --> 00:40:13,640
Speaker 1: set is driving, but he's on a headset phone with

852
00:40:13,680 --> 00:40:16,040
Speaker 1: his coach. The biggest headset you've ever seen in your life,

853
00:40:16,040 --> 00:40:18,319
Speaker 1: which I think all that stuff is very funny. He's

854
00:40:18,400 --> 00:40:21,560
Speaker 1: constantly helping him to visualize, learn plays, and think about

855
00:40:21,560 --> 00:40:24,319
Speaker 1: nothing but football. This seems counterproductive in my opinion. But

856
00:40:24,400 --> 00:40:27,080
Speaker 1: short and Addison isn't much better. She's focused on learning

857
00:40:27,160 --> 00:40:29,799
Speaker 1: cheers and balancing on a pyramid. But then the get

858
00:40:29,840 --> 00:40:32,080
Speaker 1: how do you read about balancing on a pyramid? Anyway?

859
00:40:32,239 --> 00:40:34,000
Speaker 1: But then the gang is stunned by a wave of

860
00:40:34,040 --> 00:40:37,440
Speaker 1: electricity that shakes the car and turns off Zed's z bracelet.

861
00:40:37,760 --> 00:40:39,520
Speaker 1: He begins to zombie out in the car swerves in

862
00:40:39,560 --> 00:40:41,440
Speaker 1: every direction. As Zed goes in and out of being

863
00:40:41,480 --> 00:40:43,640
Speaker 1: a monster, he pulls the steering wheel right out of

864
00:40:43,680 --> 00:40:46,400
Speaker 1: the car, crashing the car and flipping it into the forest.

865
00:40:46,760 --> 00:40:50,279
Speaker 1: More very big, expensive stunts. It looked great. The car

866
00:40:50,360 --> 00:40:53,160
Speaker 1: is now although I will say why they only had

867
00:40:53,160 --> 00:40:54,960
Speaker 1: the horn go off once when it's slammed on, Why

868
00:40:55,000 --> 00:40:58,279
Speaker 1: it didn't go eh boom boom boom boom boom. I

869
00:40:58,320 --> 00:41:00,640
Speaker 1: don't understand. They only have to do it. The car's

870
00:41:00,680 --> 00:41:02,840
Speaker 1: now upside down and the group is safe. But Willa,

871
00:41:03,360 --> 00:41:07,000
Speaker 1: the werewolf senses something bad nearby. The three others agree

872
00:41:07,040 --> 00:41:08,880
Speaker 1: to follow her to see what's up. Now, you'd assume

873
00:41:08,920 --> 00:41:12,080
Speaker 1: they'd walk together, but no, Addison is on her own.

874
00:41:12,120 --> 00:41:15,120
Speaker 1: When she finds a portal, it transports her from bright

875
00:41:15,200 --> 00:41:17,719
Speaker 1: Beach to dark Knight with just one step, another kind

876
00:41:17,719 --> 00:41:19,600
Speaker 1: of cool looking visual effect.

877
00:41:19,840 --> 00:41:28,440
Speaker 2: And did you Yeah? I was just like what, mainly

878
00:41:28,480 --> 00:41:31,120
Speaker 2: because of how they like just first of all, they

879
00:41:31,160 --> 00:41:35,520
Speaker 2: all this not okay to teach kids, like all right,

880
00:41:35,560 --> 00:41:39,080
Speaker 2: you guys, get lost, everyone break up on your own.

881
00:41:40,280 --> 00:41:42,240
Speaker 1: Yes, there's a buddy system for a reason.

882
00:41:42,320 --> 00:41:46,480
Speaker 2: There buddy system, and Willa and Eliza are doing just that.

883
00:41:46,560 --> 00:41:49,799
Speaker 2: They went together. Why are we breaking up so that

884
00:41:49,960 --> 00:41:54,239
Speaker 2: already I'm like getting annoyed? Unsafe? Unsafe? My boyfriend ever

885
00:41:54,280 --> 00:41:56,920
Speaker 2: said all right, yeah, let's we just got stranded. I'm

886
00:41:56,920 --> 00:41:58,360
Speaker 2: gonna go this way, You're gonna go this way, And

887
00:41:58,400 --> 00:42:01,760
Speaker 2: I'm like, you can keep going because we're broken up. Done,

888
00:42:02,000 --> 00:42:02,880
Speaker 2: you're believing me.

889
00:42:03,280 --> 00:42:05,040
Speaker 1: Stay together people, okay?

890
00:42:05,040 --> 00:42:08,359
Speaker 2: But then they just walk like they're just walking and

891
00:42:08,440 --> 00:42:10,279
Speaker 2: go through it. I don't know, I guess I'm not.

892
00:42:10,360 --> 00:42:13,480
Speaker 2: This isn't my world to know what much about portals,

893
00:42:13,520 --> 00:42:14,919
Speaker 2: But to me, there shouldn't there.

894
00:42:14,800 --> 00:42:16,600
Speaker 1: Have been like a no, that's how a portal works

895
00:42:17,400 --> 00:42:17,799
Speaker 1: you just.

896
00:42:17,880 --> 00:42:19,680
Speaker 2: Walk and then all of a sudden you've gone through

897
00:42:19,680 --> 00:42:20,040
Speaker 2: a portal.

898
00:42:20,080 --> 00:42:22,680
Speaker 1: This isn't This isn't a portal so much is what

899
00:42:22,680 --> 00:42:26,080
Speaker 1: it's supposed to be as a veil. It's essentially a

900
00:42:26,080 --> 00:42:28,279
Speaker 1: big long line. It's a shimmering veil. Again, this is

901
00:42:28,280 --> 00:42:30,759
Speaker 1: my fantasy nerd brain. It's a shimmering veil between light

902
00:42:30,800 --> 00:42:32,799
Speaker 1: and dark that you can just cross over. First of all,

903
00:42:32,840 --> 00:42:34,400
Speaker 1: I understand why they have it where you can just

904
00:42:34,400 --> 00:42:36,759
Speaker 1: cross over it with no effects. But this is where

905
00:42:36,760 --> 00:42:37,879
Speaker 1: the magic started.

906
00:42:37,560 --> 00:42:39,640
Speaker 2: To I mean, there's like you like, you know, like

907
00:42:39,760 --> 00:42:41,799
Speaker 2: the things are you have to like touch like a

908
00:42:41,960 --> 00:42:42,759
Speaker 2: mirror and.

909
00:42:42,719 --> 00:42:45,480
Speaker 1: Like, yeah, my arm. But that's a portal. That's a portal.

910
00:42:45,560 --> 00:42:46,160
Speaker 1: This is a veil.

911
00:42:46,840 --> 00:42:47,560
Speaker 2: This is a veil.

912
00:42:47,640 --> 00:42:49,480
Speaker 1: This is a veil. It's a shimmering veil. That that

913
00:42:49,480 --> 00:42:51,279
Speaker 1: that that's like the length of the thing. Yeah, I

914
00:42:51,320 --> 00:43:00,640
Speaker 1: know it's it's a but yes. Uh. She discovers Shadyville

915
00:43:00,760 --> 00:43:03,040
Speaker 1: in the distance, which seems like a pretty shady place

916
00:43:03,080 --> 00:43:05,279
Speaker 1: to be. She wonders if someone in that town can

917
00:43:05,320 --> 00:43:07,600
Speaker 1: tell her what's going on. That was my shady joke.

918
00:43:07,640 --> 00:43:10,279
Speaker 1: By the way, Zed is also just freely walking by

919
00:43:10,360 --> 00:43:12,560
Speaker 1: himself after almost dying in a car crash, and the

920
00:43:12,680 --> 00:43:15,759
Speaker 1: portal he stumbles right into I'm gonna say veil he

921
00:43:15,800 --> 00:43:18,680
Speaker 1: walks across, brings him to the day Walker's camp. Zed,

922
00:43:18,680 --> 00:43:21,040
Speaker 1: who looks very out of place, approaches the day Walkers

923
00:43:21,080 --> 00:43:23,160
Speaker 1: on their way to the orchard, but is welcomed by

924
00:43:23,200 --> 00:43:26,160
Speaker 1: a Nova flipkick. She does. She hammers him. She thinks

925
00:43:26,160 --> 00:43:28,520
Speaker 1: he's a vampire, but Zed explains he's actually a zombie.

926
00:43:28,640 --> 00:43:30,319
Speaker 3: Sed always gets his ass kicked.

927
00:43:30,400 --> 00:43:33,239
Speaker 1: He does, he does, and he's like the strongest one.

928
00:43:33,840 --> 00:43:34,840
Speaker 2: I love it by girls.

929
00:43:35,160 --> 00:43:36,960
Speaker 1: Milo, by the way, is so funny in this movie.

930
00:43:37,000 --> 00:43:39,000
Speaker 1: He wasn't this funny in the other three. I don't

931
00:43:39,000 --> 00:43:40,680
Speaker 1: think because he was so funny in the other three,

932
00:43:40,680 --> 00:43:43,120
Speaker 1: But I thought he was really really funny in this movie. Great,

933
00:43:43,200 --> 00:43:45,879
Speaker 1: he's got a big future in comedy. Ray still wants

934
00:43:45,920 --> 00:43:48,160
Speaker 1: to attack Zed, but Nova calls him off. Commander Bright

935
00:43:48,239 --> 00:43:50,399
Speaker 1: is also concerned with the intruder, but Nova doesn't think

936
00:43:50,440 --> 00:43:53,880
Speaker 1: he's a vampire. He doesn't have fangs and is too clueless. Instead,

937
00:43:53,920 --> 00:43:56,000
Speaker 1: they decide to use him as a recruit for the harvest.

938
00:43:56,360 --> 00:44:01,279
Speaker 1: Now he's Nova's responsibility because what just like that? None

939
00:44:01,320 --> 00:44:03,200
Speaker 1: of that again, I know they've got to get him

940
00:44:03,200 --> 00:44:05,319
Speaker 1: in there, but it's like, hey, who's this stranger, I'm

941
00:44:05,360 --> 00:44:09,000
Speaker 1: a zombie. Okay, that's it. That's it.

942
00:44:09,080 --> 00:44:13,399
Speaker 2: Come on, this is the part. This and then there's

943
00:44:13,480 --> 00:44:15,920
Speaker 2: just one other scene that I know you're gonna attack

944
00:44:15,960 --> 00:44:17,640
Speaker 2: really hard, and I'm okay with it because it was

945
00:44:17,719 --> 00:44:20,359
Speaker 2: my least favorite as well. But this right here, this

946
00:44:20,400 --> 00:44:23,080
Speaker 2: section is when I struggled. And I told Tara because

947
00:44:23,120 --> 00:44:25,040
Speaker 2: I you know, when we were sitting her and I

948
00:44:25,040 --> 00:44:27,359
Speaker 2: were actually in the premiere together, and I went, oh,

949
00:44:27,400 --> 00:44:29,680
Speaker 2: this was my This is the part that I just get.

950
00:44:29,719 --> 00:44:32,600
Speaker 2: And then she goes, really I did. They didn't bother

951
00:44:32,760 --> 00:44:33,120
Speaker 2: me at all.

952
00:44:33,200 --> 00:44:35,120
Speaker 1: I'm like, all right, I don't get. It's just like, hey,

953
00:44:35,120 --> 00:44:36,320
Speaker 1: all right, you're on our teape.

954
00:44:36,600 --> 00:44:38,959
Speaker 2: First of all, the veil or the whale or whatever

955
00:44:39,000 --> 00:44:41,800
Speaker 2: you have to go through, and then you go through it,

956
00:44:41,800 --> 00:44:44,600
Speaker 2: and then it's like, hey, I swear I'm not not

957
00:44:44,719 --> 00:44:48,640
Speaker 2: an intruder. Oh yeah, okay, he's your problem now.

958
00:44:48,680 --> 00:44:50,680
Speaker 1: Yeah, you're a part of the team. Come on, you're

959
00:44:50,680 --> 00:44:51,759
Speaker 1: with me, strange guy.

960
00:44:52,040 --> 00:44:54,800
Speaker 2: They almost lost me here, I almost lost.

961
00:44:54,719 --> 00:44:57,080
Speaker 1: There was a couple of My strength is strong, but

962
00:44:57,160 --> 00:45:00,719
Speaker 1: there's a couple of things that really needed rewrites like.

963
00:45:00,680 --> 00:45:03,080
Speaker 2: It was just like too this part was too quick

964
00:45:03,120 --> 00:45:03,360
Speaker 2: for me.

965
00:45:03,480 --> 00:45:05,960
Speaker 1: He really needed rewrites for this movie, in my opinion,

966
00:45:06,000 --> 00:45:07,880
Speaker 1: a couple things, but anyway, we are now back on

967
00:45:07,920 --> 00:45:09,800
Speaker 1: the dark side of the island. The vampires have started

968
00:45:09,800 --> 00:45:12,360
Speaker 1: their trek to the orchard too, just as Addison stumbles

969
00:45:12,360 --> 00:45:14,560
Speaker 1: out of the group. She's happy to see any form

970
00:45:14,600 --> 00:45:16,800
Speaker 1: of life, but they immediately assume she's a day walker

971
00:45:16,840 --> 00:45:19,520
Speaker 1: and attacker with this very cool thunder windstorm kind of thing.

972
00:45:19,560 --> 00:45:22,239
Speaker 1: Still wasn't entirely sure what their power was or how

973
00:45:22,280 --> 00:45:25,239
Speaker 1: that has anything to do with vampires. It elevates her

974
00:45:25,280 --> 00:45:27,520
Speaker 1: up into the sky until Victor decides to step in

975
00:45:27,560 --> 00:45:29,760
Speaker 1: and save her. She lands fifty feet away and assures

976
00:45:29,800 --> 00:45:32,239
Speaker 1: them she's just a cheerleader. The elder just wants to

977
00:45:32,239 --> 00:45:34,560
Speaker 1: throw into the dungeon, but Victor continues to protect her

978
00:45:34,600 --> 00:45:37,080
Speaker 1: and convinces his aunt to let her help pick fruit,

979
00:45:37,440 --> 00:45:40,120
Speaker 1: so again, she's just part of the team. Addison notices

980
00:45:40,120 --> 00:45:42,440
Speaker 1: a sketch Victor's holding of a beautiful blonde girl. He

981
00:45:42,480 --> 00:45:45,040
Speaker 1: says it's just a girl he's been imagining in his dreams.

982
00:45:46,160 --> 00:45:48,319
Speaker 1: Back on the bright day Walker beach, Zeden's new day

983
00:45:48,320 --> 00:45:50,400
Speaker 1: Walker friends lead us in a new song, the Place

984
00:45:50,480 --> 00:45:53,000
Speaker 1: to Be and introduction for our new monsters. We learn

985
00:45:53,040 --> 00:45:55,200
Speaker 1: the day Walkers get their power from the light Stone,

986
00:45:55,280 --> 00:45:57,640
Speaker 1: a solar flare of sorts, and the Vampires get their

987
00:45:57,640 --> 00:46:00,279
Speaker 1: power from a dark stone, which I guess you could

988
00:46:00,280 --> 00:46:02,640
Speaker 1: have guessed. These two groups definitely do not like each

989
00:46:02,680 --> 00:46:06,840
Speaker 1: other and there's little hope for future friendship. This was

990
00:46:06,880 --> 00:46:09,359
Speaker 1: actually the first single from the movie, released back in May.

991
00:46:10,000 --> 00:46:13,040
Speaker 1: So what do we think of this routine and the

992
00:46:13,040 --> 00:46:15,120
Speaker 1: movie and the song and everything. Keep in mind it

993
00:46:15,120 --> 00:46:17,440
Speaker 1: did involve some water dancing, which always seems like a plus.

994
00:46:17,440 --> 00:46:19,000
Speaker 1: Did you did you like this? Was this a bop?

995
00:46:19,040 --> 00:46:19,600
Speaker 1: What do you think?

996
00:46:20,560 --> 00:46:21,600
Speaker 2: I do like this song?

997
00:46:21,800 --> 00:46:22,200
Speaker 3: I do?

998
00:46:24,760 --> 00:46:28,400
Speaker 2: I feel like when it comes to introducing, like you said,

999
00:46:28,719 --> 00:46:32,000
Speaker 2: the new style, the new the new monsters, it's not

1000
00:46:32,120 --> 00:46:35,440
Speaker 2: the best that we've seen within the previous other movies, right,

1001
00:46:36,239 --> 00:46:40,200
Speaker 2: and then it bothered me. I'm all for some water dancing.

1002
00:46:40,320 --> 00:46:43,040
Speaker 2: I love it. It's always great to the streets you have,

1003
00:46:43,360 --> 00:46:45,799
Speaker 2: you have to stay wet after you get dry, you

1004
00:46:45,840 --> 00:46:47,879
Speaker 2: don't just instantly dry. And a lot of them were

1005
00:46:47,920 --> 00:46:52,120
Speaker 2: like and then hit hit to another scene, hit to

1006
00:46:52,160 --> 00:46:54,439
Speaker 2: another shot, Hit back to them, and they're fully dry,

1007
00:46:54,600 --> 00:46:55,160
Speaker 2: and continued.

1008
00:46:55,239 --> 00:46:59,880
Speaker 1: Maybe that's one of their mythical vampire powers. Maybe instantly dry.

1009
00:47:00,000 --> 00:47:01,800
Speaker 2: The only thing that kind of got me a little

1010
00:47:01,800 --> 00:47:03,640
Speaker 2: bit of like, no, I'm good to be wet, but

1011
00:47:03,680 --> 00:47:05,439
Speaker 2: you got it. You don't just instantly dry.

1012
00:47:05,520 --> 00:47:08,840
Speaker 1: No one does, I am gonna say, and this is

1013
00:47:09,600 --> 00:47:12,480
Speaker 1: it's just true. I went I watched the entire film,

1014
00:47:12,520 --> 00:47:14,080
Speaker 1: and then I went back and watched all the music

1015
00:47:14,080 --> 00:47:16,319
Speaker 1: and the dance numbers. Again. I do not remember a

1016
00:47:16,360 --> 00:47:19,880
Speaker 1: single song, not a single one. I do not remember

1017
00:47:20,040 --> 00:47:24,640
Speaker 1: a single song. No really. We also get a moment

1018
00:47:24,640 --> 00:47:27,360
Speaker 1: in the song where both Victor and Nova have emotional solos,

1019
00:47:27,400 --> 00:47:30,200
Speaker 1: looking for someone out there that understands that they want

1020
00:47:30,239 --> 00:47:32,919
Speaker 1: more from their lives, and obviously, of course they're talking

1021
00:47:32,920 --> 00:47:41,799
Speaker 1: about each other. Now. The day Walkers are the first

1022
00:47:41,800 --> 00:47:44,719
Speaker 1: to land at the orchard, followed closely behind by the vampires,

1023
00:47:44,760 --> 00:47:47,600
Speaker 1: and this is where things start to get real confusing.

1024
00:47:48,960 --> 00:47:52,000
Speaker 1: The orchard's bright and sunny, and though it's startling at first,

1025
00:47:52,000 --> 00:47:55,799
Speaker 1: we find out the sun doesn't actually hurt vampires at all.

1026
00:47:56,800 --> 00:48:00,719
Speaker 1: They're like, oh, it's like a warm blanket. What what? What?

1027
00:48:02,120 --> 00:48:03,240
Speaker 1: So what?

1028
00:48:03,600 --> 00:48:06,760
Speaker 2: I went, Oh, gonna lose.

1029
00:48:06,880 --> 00:48:09,080
Speaker 1: Well, what, they're vampires.

1030
00:48:10,080 --> 00:48:11,160
Speaker 2: I know that that.

1031
00:48:11,440 --> 00:48:14,160
Speaker 1: Yeah, I get you have to make PG kind of vampires.

1032
00:48:14,160 --> 00:48:18,080
Speaker 1: They did it in what was that other awful vampire movies,

1033
00:48:18,520 --> 00:48:22,680
Speaker 1: the Twilight movies where it's like we're vegetarians. What so

1034
00:48:22,920 --> 00:48:26,160
Speaker 1: the the whole it's this to me was just it

1035
00:48:26,200 --> 00:48:29,640
Speaker 1: was like, what then, why are you always in the

1036
00:48:29,719 --> 00:48:32,600
Speaker 1: dark and they're always in the light. If it doesn't

1037
00:48:32,640 --> 00:48:33,240
Speaker 1: do anything.

1038
00:48:33,239 --> 00:48:35,520
Speaker 2: Why do they live that way? Then? If it's not

1039
00:48:35,640 --> 00:48:36,480
Speaker 2: a big deal.

1040
00:48:36,440 --> 00:48:39,239
Speaker 1: Right, and why why maybe even have it just out

1041
00:48:39,239 --> 00:48:42,279
Speaker 1: a line where where when the vampires walk out, it

1042
00:48:42,320 --> 00:48:44,400
Speaker 1: could even be like they're not gonna go out, it's

1043
00:48:44,400 --> 00:48:46,120
Speaker 1: gonna kill us. It's gonna kill us. And then a

1044
00:48:46,160 --> 00:48:48,640
Speaker 1: doesen't and you find out they've been lied to forever

1045
00:48:48,719 --> 00:48:51,799
Speaker 1: or something where yeah, I mean there's nothing there.

1046
00:48:52,000 --> 00:48:54,320
Speaker 2: Just the orchard could have been kind of like a

1047
00:48:54,440 --> 00:48:58,040
Speaker 2: half dark that's they're comfortable where they're not like y,

1048
00:48:58,280 --> 00:49:01,319
Speaker 2: you know, but they're the orchard is ship and you know, but.

1049
00:49:01,560 --> 00:49:03,279
Speaker 1: So why they should have been because the roots are

1050
00:49:03,280 --> 00:49:05,279
Speaker 1: different later, so why not have one dark side of

1051
00:49:05,280 --> 00:49:07,760
Speaker 1: the orchard and one light side of the orchard. Something happened,

1052
00:49:07,760 --> 00:49:12,560
Speaker 1: but this made no sense. You need some rules. Superman

1053
00:49:12,680 --> 00:49:15,839
Speaker 1: can't just be all powerful. He has to have Kryptonite,

1054
00:49:15,920 --> 00:49:17,879
Speaker 1: he has to have you know, magic.

1055
00:49:17,600 --> 00:49:19,320
Speaker 2: Bound boundaries to everything.

1056
00:49:19,400 --> 00:49:23,200
Speaker 1: You have to have something that you know, Z the

1057
00:49:23,320 --> 00:49:27,279
Speaker 1: Z bands him. Oh my god, there are weaknesses to

1058
00:49:27,320 --> 00:49:30,799
Speaker 1: all this. That's the point. And so this was just hey,

1059
00:49:31,640 --> 00:49:38,120
Speaker 1: this is warm, like wait what So yeah, I don't know,

1060
00:49:38,200 --> 00:49:40,960
Speaker 1: it doesn't I was gone, it's hard to.

1061
00:49:41,800 --> 00:49:44,680
Speaker 2: I think it's hard to because it's not just like

1062
00:49:45,520 --> 00:49:48,000
Speaker 2: you know, you you love that world in those different

1063
00:49:48,040 --> 00:49:49,360
Speaker 2: kinds of movies. That's not something.

1064
00:49:49,400 --> 00:49:52,000
Speaker 3: But still like vampires are vampires there?

1065
00:49:52,239 --> 00:49:57,320
Speaker 2: That isn't that is a worldwide thank you rule for vampires.

1066
00:49:57,440 --> 00:49:59,279
Speaker 2: You don't have to be in the world to like

1067
00:49:59,640 --> 00:50:02,640
Speaker 2: know that. So yeah, and I do. I think if

1068
00:50:02,680 --> 00:50:05,400
Speaker 2: they thought they just needed to just there's a there

1069
00:50:05,440 --> 00:50:06,560
Speaker 2: was a way to make it work.

1070
00:50:06,840 --> 00:50:09,120
Speaker 1: Then how are they different than day Walkers other than

1071
00:50:09,120 --> 00:50:11,120
Speaker 1: the fact that they like it dark.

1072
00:50:11,920 --> 00:50:14,359
Speaker 2: I don't know. They do this swirly thing and they went, yeah,

1073
00:50:14,480 --> 00:50:19,040
Speaker 2: the fireirly thing absolutely did.

1074
00:50:19,120 --> 00:50:21,520
Speaker 1: Yeah, this is where it was so convoluted with the

1075
00:50:21,560 --> 00:50:24,680
Speaker 1: magical system and what what are they doing? But either way,

1076
00:50:24,680 --> 00:50:26,640
Speaker 1: this is when both groups running to each other, forcing

1077
00:50:26,680 --> 00:50:29,000
Speaker 1: the day walkers to sprint to the Orchard Gate, where

1078
00:50:29,040 --> 00:50:32,080
Speaker 1: they all realize they're locked out. So after all that

1079
00:50:32,120 --> 00:50:34,840
Speaker 1: setup about how much they hate each other, they just

1080
00:50:34,880 --> 00:50:39,280
Speaker 1: stand there, shoulders shoulder, just stand. There was this weird

1081
00:50:39,320 --> 00:50:41,719
Speaker 1: to you. They're just like, hey, it's up, Hey, how

1082
00:50:41,760 --> 00:50:45,200
Speaker 1: you doing. Can't what's what's going on? Can't stand well?

1083
00:50:45,239 --> 00:50:50,520
Speaker 2: And then as they're walking down, like, I don't know,

1084
00:50:50,560 --> 00:50:53,239
Speaker 2: it's just the fact that Addison and z didn't like

1085
00:50:53,440 --> 00:50:56,200
Speaker 2: instant I mean, you look so different than everyone else,

1086
00:50:56,280 --> 00:51:00,000
Speaker 2: Like like for my husband, I could spot Jordan's yeah,

1087
00:51:00,160 --> 00:51:03,000
Speaker 2: sea of two hundred people, like he's right there, you know,

1088
00:51:03,480 --> 00:51:05,479
Speaker 2: same with me with him. So it's like it's weird

1089
00:51:05,480 --> 00:51:07,440
Speaker 2: that they were like it took him so long to

1090
00:51:07,480 --> 00:51:10,160
Speaker 2: be like, oh hey, hey we did.

1091
00:51:10,040 --> 00:51:13,880
Speaker 1: Three movies together already. Yes, So this was just it

1092
00:51:13,920 --> 00:51:17,440
Speaker 1: was just strange, you're just standing around. The big headline here, though,

1093
00:51:17,480 --> 00:51:19,520
Speaker 1: is that Nova sees Victor for the first time, and

1094
00:51:19,520 --> 00:51:21,960
Speaker 1: they both realize this is the person of their dreams

1095
00:51:21,960 --> 00:51:28,000
Speaker 1: and also Zad Allison or reunited. But Addison and the

1096
00:51:28,440 --> 00:51:31,040
Speaker 1: Eldris and Commander Bright have a war of words and

1097
00:51:31,280 --> 00:51:33,880
Speaker 1: just before an all out war breaks which it doesn't

1098
00:51:33,880 --> 00:51:35,640
Speaker 1: in any way between the two gangs which are just

1099
00:51:35,640 --> 00:51:38,080
Speaker 1: standing around our core. Four step up to point out

1100
00:51:38,120 --> 00:51:40,239
Speaker 1: a bigger problem at hand. No one can get through

1101
00:51:40,239 --> 00:51:43,360
Speaker 1: this gate without what appears to be three keys. Okay,

1102
00:51:43,880 --> 00:51:45,719
Speaker 1: so had none of these people. So here's what I

1103
00:51:45,760 --> 00:51:49,680
Speaker 1: was trying to figure out. They and they did explain

1104
00:51:49,719 --> 00:51:55,480
Speaker 1: this right. There was blood fruit, which both societies monsters

1105
00:51:55,520 --> 00:51:59,880
Speaker 1: need to survive, that was growing at their respectives town

1106
00:52:00,640 --> 00:52:03,480
Speaker 1: and then that started to die, so they had to

1107
00:52:03,560 --> 00:52:06,839
Speaker 1: come to the orchard to harvest. Yes, so this isn't

1108
00:52:06,840 --> 00:52:08,840
Speaker 1: a yearly thing where they harvest the fruit.

1109
00:52:09,480 --> 00:52:13,800
Speaker 2: No, it's they're going because all of their their orchards

1110
00:52:13,840 --> 00:52:16,760
Speaker 2: that they have are dyed, that are that they normally

1111
00:52:16,880 --> 00:52:20,319
Speaker 2: harvest from are dying. Okay, and they know, but they

1112
00:52:20,400 --> 00:52:23,719
Speaker 2: know that locked away is this you.

1113
00:52:23,680 --> 00:52:25,399
Speaker 1: Know, But they didn't know it was locked away because

1114
00:52:25,400 --> 00:52:27,000
Speaker 1: they all showed up and went why is it locked?

1115
00:52:27,760 --> 00:52:29,719
Speaker 2: But they tell us at the very beginning of the

1116
00:52:29,800 --> 00:52:30,680
Speaker 2: movie that it's.

1117
00:52:30,560 --> 00:52:32,840
Speaker 1: Locked, that it was, but they didn't know it was

1118
00:52:32,880 --> 00:52:34,920
Speaker 1: locked because they're like, well, there's we need keys, and

1119
00:52:34,960 --> 00:52:37,000
Speaker 1: the ones like I'm gonna fly over it. And then

1120
00:52:37,000 --> 00:52:38,960
Speaker 1: she throws a rock and oh there's a force field.

1121
00:52:39,080 --> 00:52:41,040
Speaker 1: How do they not know any of this before they

1122
00:52:41,040 --> 00:52:41,560
Speaker 1: showed up?

1123
00:52:41,600 --> 00:52:46,160
Speaker 2: Oh okay, okay, so no, in the in the little

1124
00:52:46,360 --> 00:52:49,759
Speaker 2: characterture thing, the lock that they have or is that

1125
00:52:49,920 --> 00:52:52,680
Speaker 2: it's the the bars that were at the tunnel.

1126
00:52:52,600 --> 00:52:55,399
Speaker 1: Right, that's what That's what that's what was locked. So

1127
00:52:55,480 --> 00:52:58,120
Speaker 1: they don't know that the orchard is locked up. They

1128
00:52:58,160 --> 00:52:59,680
Speaker 1: get there, we get three keys.

1129
00:52:59,719 --> 00:53:03,160
Speaker 2: How to this isn't any blocked up? I guess not.

1130
00:53:03,440 --> 00:53:06,239
Speaker 2: I guess not. They knew that there was gates that

1131
00:53:06,280 --> 00:53:10,120
Speaker 2: were blocking up at the like cave area.

1132
00:53:09,960 --> 00:53:12,239
Speaker 1: Right, But how do they not know when they get

1133
00:53:12,239 --> 00:53:14,680
Speaker 1: there that there's these the series of keys and there's

1134
00:53:14,680 --> 00:53:16,359
Speaker 1: a force field on their orchard?

1135
00:53:16,560 --> 00:53:20,080
Speaker 2: Yeah? I guess Their answer, apparently was built by both

1136
00:53:20,120 --> 00:53:24,560
Speaker 2: of them, was yeah, but it seemed like that that

1137
00:53:24,680 --> 00:53:27,600
Speaker 2: blocking of it or whatever like that. I don't know.

1138
00:53:27,800 --> 00:53:29,440
Speaker 1: That's a good point exactly.

1139
00:53:29,600 --> 00:53:31,360
Speaker 2: That's a really good This is where.

1140
00:53:31,200 --> 00:53:36,640
Speaker 1: The magical systems come in and stuff has to make sense. Yeah, okay,

1141
00:53:36,800 --> 00:53:38,919
Speaker 1: and maybe we're gonna get like, oh, we missed something, maybe,

1142
00:53:38,920 --> 00:53:40,359
Speaker 1: but I don't think we did because I went back

1143
00:53:40,400 --> 00:53:45,840
Speaker 1: and looked again, and they just don't know any other Okay, right, okay,

1144
00:53:45,920 --> 00:53:52,120
Speaker 1: and so no exactly okay, okay, anyway, no one could

1145
00:53:52,120 --> 00:53:54,680
Speaker 1: get through this gate that no one knew about, apparently

1146
00:53:54,760 --> 00:53:58,000
Speaker 1: without even though their society has built it with without

1147
00:53:58,000 --> 00:54:01,080
Speaker 1: these three keys. So Addison has proposal the two groups

1148
00:54:01,080 --> 00:54:03,160
Speaker 1: will work together to find the keys while staying at

1149
00:54:03,160 --> 00:54:07,040
Speaker 1: a perfectly placed nearby camp. And why should these two

1150
00:54:07,120 --> 00:54:09,520
Speaker 1: warring factors do this well, because our core for are

1151
00:54:09,520 --> 00:54:12,240
Speaker 1: living proof that all monsters can work together both sides,

1152
00:54:12,239 --> 00:54:16,440
Speaker 1: except very quickly, after years of enmity, all of a sudden,

1153
00:54:16,480 --> 00:54:20,600
Speaker 1: there they're okay with this, and that puts sketchy.

1154
00:54:20,880 --> 00:54:23,439
Speaker 2: It's sketchy. You could tell, like, all right, yeah, we'll

1155
00:54:23,440 --> 00:54:24,359
Speaker 2: go with this, like.

1156
00:54:24,440 --> 00:54:28,160
Speaker 1: Right, but they out they're lifelong enemies that are like,

1157
00:54:28,360 --> 00:54:30,440
Speaker 1: we should send our kids to camp. And Nova and

1158
00:54:30,480 --> 00:54:32,759
Speaker 1: Victor are put in charge of the experiment. Okay, But

1159
00:54:32,840 --> 00:54:35,440
Speaker 1: even though they put their differences aside, Nova's commander Dad

1160
00:54:35,520 --> 00:54:38,000
Speaker 1: sidebars with her and demand she take all the fruit

1161
00:54:38,080 --> 00:54:40,560
Speaker 1: in the end, no matter what happens, even if it

1162
00:54:40,600 --> 00:54:44,120
Speaker 1: means destroying every vampire. She seems torn, but Nova and

1163
00:54:44,160 --> 00:54:46,480
Speaker 1: company man Ray give their word that's what they're gonna do.

1164
00:54:47,120 --> 00:54:50,160
Speaker 1: The crews eventually arrive at camp Rayburn, with trash talk

1165
00:54:50,239 --> 00:54:52,560
Speaker 1: already at an all time high. Also, we learn that

1166
00:54:52,600 --> 00:54:56,839
Speaker 1: the day walkers have no problem with night, so they're

1167
00:54:56,880 --> 00:55:04,600
Speaker 1: just walkers. Just walker. There's no there's no like. I

1168
00:55:04,760 --> 00:55:07,600
Speaker 1: just I just need to know the rules. I get

1169
00:55:07,600 --> 00:55:09,520
Speaker 1: the singing and the dancing and the love story. But

1170
00:55:09,680 --> 00:55:13,120
Speaker 1: give me some rules that make some semblance of sense,

1171
00:55:13,480 --> 00:55:16,520
Speaker 1: because I don't get what it is, and that maybe

1172
00:55:16,560 --> 00:55:19,040
Speaker 1: it's me. Maybe I'm stupid and I just don't get

1173
00:55:19,040 --> 00:55:21,120
Speaker 1: what it is. But you've got vampires that can walk

1174
00:55:21,120 --> 00:55:23,160
Speaker 1: in the day and day walkers that can walk in

1175
00:55:23,200 --> 00:55:25,920
Speaker 1: the night. They both eat the same fruit. None of

1176
00:55:25,960 --> 00:55:30,319
Speaker 1: them drink blood, some of them have fire, others fly

1177
00:55:30,520 --> 00:55:35,839
Speaker 1: while upside down and backwards. What is happening? I just

1178
00:55:35,960 --> 00:55:38,000
Speaker 1: need to know what's happening to get it.

1179
00:55:38,160 --> 00:55:41,640
Speaker 2: I'm sitting over there going, oh my god, this little couple.

1180
00:55:41,360 --> 00:55:47,000
Speaker 1: Is I know, and I just need what's happening. That's it,

1181
00:55:47,080 --> 00:55:47,520
Speaker 1: that's all.

1182
00:55:47,440 --> 00:55:50,480
Speaker 2: About all or I just do the song. All I

1183
00:55:50,560 --> 00:55:52,759
Speaker 2: want is for them to get together and continue this

1184
00:55:52,960 --> 00:55:54,000
Speaker 2: massive franchise.

1185
00:55:54,120 --> 00:55:58,160
Speaker 1: I just need some rules. Please just send the script

1186
00:55:58,239 --> 00:55:59,560
Speaker 1: to somebody who's there.

1187
00:55:59,680 --> 00:56:02,560
Speaker 2: Must Zombie five. That's the true for me.

1188
00:56:04,480 --> 00:56:06,600
Speaker 1: Okay, I just need some rules, That's all I need,

1189
00:56:06,920 --> 00:56:09,000
Speaker 1: and just send it. You write the script the way

1190
00:56:09,040 --> 00:56:10,879
Speaker 1: you want to write the script, this beautiful script that's

1191
00:56:10,880 --> 00:56:13,240
Speaker 1: singing and lovely and all that and forty million dollars,

1192
00:56:13,440 --> 00:56:15,640
Speaker 1: and then send it to somebody who's read a fantasy novel.

1193
00:56:15,680 --> 00:56:17,880
Speaker 1: That's all you need is just and they're gonna I'm

1194
00:56:17,880 --> 00:56:20,839
Speaker 1: gonna add four lines that are gonna make everything make

1195
00:56:20,920 --> 00:56:23,360
Speaker 1: sense because this it was just like what you needed

1196
00:56:23,400 --> 00:56:26,720
Speaker 1: at the time. Okay, Hey, let's fly upside down? Why? Okay?

1197
00:56:28,040 --> 00:56:30,200
Speaker 1: And again I didn't dislike the movie, that's the fun part.

1198
00:56:30,239 --> 00:56:32,680
Speaker 1: I just wish I had the rules anyway. Victor and

1199
00:56:32,719 --> 00:56:35,680
Speaker 1: Nova are still exchanging glances while Zeda Addison have become

1200
00:56:35,760 --> 00:56:38,480
Speaker 1: the head counselors at this camp. They know what it's

1201
00:56:38,520 --> 00:56:40,600
Speaker 1: like to bring people together, so it's a natural position

1202
00:56:40,640 --> 00:56:44,040
Speaker 1: for them to take everyone. Everyone notices both vampire and

1203
00:56:44,080 --> 00:56:47,960
Speaker 1: DayWalker symbols on the cabins, giving the location some confusing history,

1204
00:56:48,480 --> 00:56:52,960
Speaker 1: but not nearly as confusing as this joke. While they

1205
00:56:53,000 --> 00:56:55,200
Speaker 1: moved in, can we please play the clip?

1206
00:56:55,680 --> 00:56:58,320
Speaker 2: This place probably used to be a day Walker camp

1207
00:56:58,520 --> 00:57:00,919
Speaker 2: and then vampires stole it and ruined it.

1208
00:57:01,160 --> 00:57:02,480
Speaker 1: Just like Commander Bright says, you.

1209
00:57:02,440 --> 00:57:04,839
Speaker 2: Do with everything. You know what the elder says about

1210
00:57:04,880 --> 00:57:11,719
Speaker 2: day walkers? Will you not eat soap to have shiny insides?

1211
00:57:11,760 --> 00:57:20,360
Speaker 1: They are naturally shiny? I don't understand. D never comes

1212
00:57:20,400 --> 00:57:20,800
Speaker 1: back up?

1213
00:57:21,760 --> 00:57:24,840
Speaker 2: Yeah we got it, Yes, yes, yes, we could hear it.

1214
00:57:25,000 --> 00:57:27,000
Speaker 1: Never will just does it like it? Well?

1215
00:57:27,000 --> 00:57:27,320
Speaker 4: It never?

1216
00:57:27,360 --> 00:57:30,160
Speaker 1: It never comes back up. It's never explained. It's not

1217
00:57:30,200 --> 00:57:30,880
Speaker 1: even a joke.

1218
00:57:32,040 --> 00:57:34,560
Speaker 2: It's just needs a fun me, you know what, the

1219
00:57:34,640 --> 00:57:37,280
Speaker 2: will win things like that happen in this fora Do

1220
00:57:37,320 --> 00:57:39,040
Speaker 2: you know what I did? I went with it because

1221
00:57:39,080 --> 00:57:41,560
Speaker 2: I'm like, I don't know these kinds of things. Is

1222
00:57:41,600 --> 00:57:44,440
Speaker 2: there something about the day Walkers with soap? I literally

1223
00:57:44,520 --> 00:57:46,280
Speaker 2: just was like, oh, okay.

1224
00:57:46,160 --> 00:57:51,360
Speaker 1: Knows, Hey, I hear that you can't hear the darkness.

1225
00:57:51,440 --> 00:57:53,080
Speaker 2: Let me ask whill about that soap?

1226
00:57:53,880 --> 00:57:54,040
Speaker 3: Well?

1227
00:57:54,080 --> 00:57:56,320
Speaker 1: Anyway, despite the FI is it liquid? Is it a bar?

1228
00:57:56,440 --> 00:58:01,480
Speaker 1: Who knows? Who knows? Are they drinking palm olive? What's happening? Anyway?

1229
00:58:01,480 --> 00:58:03,400
Speaker 1: Despite the failed gag that made no sense, the day

1230
00:58:03,400 --> 00:58:06,360
Speaker 1: Walkers and vampires find their bunks, the vampires sleeping coffins,

1231
00:58:06,360 --> 00:58:08,000
Speaker 1: by the way, which also makes no sense because the

1232
00:58:08,040 --> 00:58:10,120
Speaker 1: sun doesn't bother men in any way, shape or form

1233
00:58:10,120 --> 00:58:12,800
Speaker 1: in this movie, but whatever. Eliza also sets up a

1234
00:58:12,840 --> 00:58:15,080
Speaker 1: workstation to find out what's up with the wavelength that

1235
00:58:15,160 --> 00:58:18,400
Speaker 1: made them crash their car. Outside, Zed Addison sit by

1236
00:58:18,440 --> 00:58:20,400
Speaker 1: a camp fire to catch up. They've both been so

1237
00:58:20,480 --> 00:58:22,520
Speaker 1: busy during the school year and with plans for the summer,

1238
00:58:22,600 --> 00:58:24,920
Speaker 1: it's tough to work on their relationship and I've got

1239
00:58:24,960 --> 00:58:26,600
Speaker 1: to just love the two of them together. But this

1240
00:58:26,640 --> 00:58:28,840
Speaker 1: camp journey will be a nice moment for them. After all.

1241
00:58:29,040 --> 00:58:33,080
Speaker 1: They also know that Victor and Nova's forbidden attraction reminds

1242
00:58:33,120 --> 00:58:35,240
Speaker 1: them of a certain couple. They know. It was very

1243
00:58:35,320 --> 00:58:38,440
Speaker 1: nice to see the mirroring. And here we get some

1244
00:58:38,520 --> 00:58:41,200
Speaker 1: much needed updates on the cast members not paid to

1245
00:58:41,240 --> 00:58:43,040
Speaker 1: return for part four. This is what I was waiting for.

1246
00:58:43,080 --> 00:58:45,440
Speaker 1: They explained a little bit about it. Bucky has returned

1247
00:58:45,480 --> 00:58:48,120
Speaker 1: from space, Bonzo and Breeze started their first summer jobs,

1248
00:58:48,280 --> 00:58:51,200
Speaker 1: and where Wolf Winter is teaching meditation. Would love an

1249
00:58:51,280 --> 00:58:53,840
Speaker 1: update on the coach's yogurt shop, but we assume he's

1250
00:58:53,880 --> 00:58:55,080
Speaker 1: doing well. But that'll do.

1251
00:58:56,160 --> 00:58:56,720
Speaker 2: Oh yeah.

1252
00:58:56,800 --> 00:58:59,360
Speaker 1: Elsewhere at the campsite, Victor and Nova had realized their

1253
00:58:59,440 --> 00:59:01,960
Speaker 1: visions were red. They have a Romeo and Juliet Balcony

1254
00:59:02,000 --> 00:59:04,680
Speaker 1: moment singing a very quick duet and this really shows

1255
00:59:04,720 --> 00:59:08,440
Speaker 1: off frays Guy's voice. Again, this was not to me.

1256
00:59:08,760 --> 00:59:11,080
Speaker 1: I get what they were doing and I love the

1257
00:59:11,200 --> 00:59:14,600
Speaker 1: kind of bonding them together. This did not have the

1258
00:59:14,720 --> 00:59:22,920
Speaker 1: gravitas of Milo and Meg in the cafeteria room. It

1259
00:59:23,120 --> 00:59:28,640
Speaker 1: just yes, that was so much more day when they're

1260
00:59:28,680 --> 00:59:29,120
Speaker 1: and you're.

1261
00:59:29,080 --> 00:59:33,520
Speaker 2: Right, this was to me a lot more of the

1262
00:59:33,720 --> 00:59:38,640
Speaker 2: like instantly super dramatic, right the is when you saw

1263
00:59:38,760 --> 00:59:42,439
Speaker 2: the difference of the light and the airy and the Yes,

1264
00:59:42,480 --> 00:59:44,800
Speaker 2: there's drama with it, but they're just like this like

1265
00:59:44,920 --> 00:59:48,240
Speaker 2: magnetic force that just can't ever ever go away, and

1266
00:59:48,240 --> 00:59:51,240
Speaker 2: I hope it continues for the rest of our lives.

1267
00:59:51,960 --> 00:59:54,720
Speaker 2: And the other one was like so deep, they were

1268
00:59:54,800 --> 00:59:55,720
Speaker 2: so deep.

1269
00:59:55,800 --> 00:59:59,160
Speaker 1: That there was a light to it that that I miss.

1270
00:59:59,440 --> 01:00:01,160
Speaker 1: It just didn't have the same feel to me.

1271
01:00:01,320 --> 01:00:02,960
Speaker 2: But I wonder if it felt like it had to,

1272
01:00:03,080 --> 01:00:06,520
Speaker 2: because again, like just the two actors in general just

1273
01:00:07,120 --> 01:00:11,080
Speaker 2: are they're younger. They are just such a younger energy

1274
01:00:11,240 --> 01:00:14,640
Speaker 2: than what Addison and Zed were in the first one.

1275
01:00:14,680 --> 01:00:16,720
Speaker 1: No, that's true, that's one hundred percent trure that might

1276
01:00:16,720 --> 01:00:19,040
Speaker 1: make you know when you're younger. Everything is life and death.

1277
01:00:19,040 --> 01:00:21,240
Speaker 1: It's supposed to be life and death for their people.

1278
01:00:21,280 --> 01:00:24,600
Speaker 1: But that's what I mean about not being as lighthearted

1279
01:00:24,640 --> 01:00:26,360
Speaker 1: and tongue in cheek as the first one. You needed

1280
01:00:26,360 --> 01:00:28,480
Speaker 1: some buddy, You needed something like that to jump in.

1281
01:00:28,520 --> 01:00:29,680
Speaker 1: They tried with things like.

1282
01:00:31,400 --> 01:00:34,040
Speaker 2: Feels so good when he knows that the will Will said,

1283
01:00:34,040 --> 01:00:35,280
Speaker 2: we needed some Bucky wed.

1284
01:00:35,160 --> 01:00:37,720
Speaker 1: We needed some Bucky. Yeah, everyone's asking me if I've

1285
01:00:37,720 --> 01:00:41,040
Speaker 1: seen Twilight. I did, and then quickly scraped out my eyes.

1286
01:00:50,160 --> 01:00:52,720
Speaker 1: The next morning, the vampires and day Walker's continue their

1287
01:00:52,840 --> 01:00:55,320
Speaker 1: very fragile relationship, with Victor and Nova leading the way

1288
01:00:55,360 --> 01:00:58,200
Speaker 1: to find these keys. This leads to our next song,

1289
01:00:58,440 --> 01:01:00,440
Speaker 1: Don't Mess with Us, a back and forth between the

1290
01:01:00,480 --> 01:01:04,080
Speaker 1: two groups, threatening each other with Ray and vera battle rapping.

1291
01:01:04,080 --> 01:01:06,840
Speaker 1: At one point, the union is truly a ticking time bomb.

1292
01:01:07,560 --> 01:01:09,560
Speaker 1: This was This was a good song. I again, I

1293
01:01:09,560 --> 01:01:12,120
Speaker 1: don't remember much about I remember liking it, but I don't.

1294
01:01:12,160 --> 01:01:13,800
Speaker 1: I can't even put the song in my head as

1295
01:01:13,840 --> 01:01:16,680
Speaker 1: I'm sitting here talking about it. It's kind of a

1296
01:01:16,720 --> 01:01:18,680
Speaker 1: step up adjacent routine, wouldn't you say?

1297
01:01:19,520 --> 01:01:22,960
Speaker 2: Yeah? I do, And it reminded a couple of the things,

1298
01:01:22,960 --> 01:01:25,240
Speaker 2: and when I get to Sabrina season, I know you

1299
01:01:25,240 --> 01:01:25,680
Speaker 2: don't want to.

1300
01:01:25,640 --> 01:01:27,880
Speaker 3: Talk about the movie, but I have to because it's

1301
01:01:27,880 --> 01:01:29,200
Speaker 3: Paul there.

1302
01:01:29,240 --> 01:01:31,640
Speaker 2: This was the second thing that I went, oh, this

1303
01:01:31,880 --> 01:01:35,640
Speaker 2: is a little bit like our our Cheetah Girls three

1304
01:01:35,680 --> 01:01:37,800
Speaker 2: there we have like a battle type.

1305
01:01:37,600 --> 01:01:39,800
Speaker 1: Of Okay, yeah, don't tell me too much, don't I'm

1306
01:01:39,840 --> 01:01:40,160
Speaker 1: not gonna.

1307
01:01:40,280 --> 01:01:43,240
Speaker 2: I won't tell you too much, but it is. I

1308
01:01:43,360 --> 01:01:46,560
Speaker 2: do know firsthand that Paul knows how to do these,

1309
01:01:46,720 --> 01:01:48,880
Speaker 2: so it's it was good to see the.

1310
01:01:48,840 --> 01:01:50,640
Speaker 1: Clash of the two of them together. I mean, that's

1311
01:01:50,640 --> 01:01:52,400
Speaker 1: that's the Sharks and the Jets. I mean, that's been

1312
01:01:52,440 --> 01:01:55,439
Speaker 1: in musicals forever, so it's great. It's great.

1313
01:01:55,520 --> 01:01:56,000
Speaker 2: Yeah.

1314
01:01:56,080 --> 01:01:58,440
Speaker 1: The song also marks the first time Victor and Nova

1315
01:01:58,480 --> 01:02:00,840
Speaker 1: admit that they've been seeing vision of each other. And

1316
01:02:00,920 --> 01:02:02,960
Speaker 1: during all the dance fighting, they solved the first puzzle

1317
01:02:02,960 --> 01:02:05,919
Speaker 1: and get the first key they can work together. After all,

1318
01:02:06,040 --> 01:02:08,040
Speaker 1: one key installed into the wall, two more to go.

1319
01:02:08,720 --> 01:02:11,200
Speaker 1: That night, the vampires and day Walkers celebrate together. We

1320
01:02:11,240 --> 01:02:13,720
Speaker 1: also get one huge plot point that you can that

1321
01:02:13,760 --> 01:02:17,400
Speaker 1: you can either accept or not. Vampires don't drink blood,

1322
01:02:17,920 --> 01:02:21,680
Speaker 1: they just use the blood fruit, so they don't drink blood,

1323
01:02:23,320 --> 01:02:28,680
Speaker 1: they can walk outside, the sun doesn't affect them. They

1324
01:02:28,720 --> 01:02:33,560
Speaker 1: have the power of wind, and they can fly. None

1325
01:02:33,560 --> 01:02:37,400
Speaker 1: of this is vampiresh none of it. Yeah, the flying

1326
01:02:37,520 --> 01:02:39,439
Speaker 1: kind of if you go back to Dracula being able

1327
01:02:39,440 --> 01:02:41,880
Speaker 1: to turn himself into a bat. But other than that

1328
01:02:42,440 --> 01:02:44,520
Speaker 1: and that, the stupid Twilight movies were for some reason.

1329
01:02:46,720 --> 01:02:48,520
Speaker 2: Yeah, they move quickly and.

1330
01:02:48,800 --> 01:02:51,760
Speaker 1: He glittered in the sunlight, was like, what the what is?

1331
01:02:51,960 --> 01:02:58,280
Speaker 2: And in the new interview with the Vampire series they

1332
01:02:58,960 --> 01:02:59,600
Speaker 2: somewhat fly.

1333
01:03:00,280 --> 01:03:02,720
Speaker 1: Okay, all right, so maybe some vampire. But it's like

1334
01:03:03,040 --> 01:03:06,439
Speaker 1: they just made it all up anyway. If they don't

1335
01:03:06,440 --> 01:03:07,800
Speaker 1: call them vampires.

1336
01:03:07,320 --> 01:03:07,560
Speaker 4: Make up.

1337
01:03:07,600 --> 01:03:11,040
Speaker 2: I just called them a different kind of months. Yeah,

1338
01:03:11,080 --> 01:03:11,520
Speaker 2: make them.

1339
01:03:11,440 --> 01:03:14,720
Speaker 1: DayWalker and whatever night walker, that's all you gotta do.

1340
01:03:14,760 --> 01:03:16,560
Speaker 1: And they live in day and night. Then you can

1341
01:03:16,600 --> 01:03:19,200
Speaker 1: make up your own rules. Don't. If you call something

1342
01:03:19,240 --> 01:03:22,920
Speaker 1: a car, it's then not a submarine, it's a car.

1343
01:03:23,360 --> 01:03:25,720
Speaker 1: It's like, you've got it. You can bend the rules.

1344
01:03:25,720 --> 01:03:29,640
Speaker 1: You can't just make them up anyway, right, Yeah. Sorry,

1345
01:03:29,680 --> 01:03:32,280
Speaker 1: this is the nerd in me that just hates this stuff.

1346
01:03:32,640 --> 01:03:35,040
Speaker 1: I hate it and I like the movie. It's just Oh,

1347
01:03:35,120 --> 01:03:37,880
Speaker 1: the nerd in me is excuse me, but the vampire

1348
01:03:37,920 --> 01:03:39,600
Speaker 1: is not allowed to. Yeah, that's me right now, and

1349
01:03:39,640 --> 01:03:43,000
Speaker 1: I have no problem with it. Also, as the group's

1350
01:03:43,040 --> 01:03:45,080
Speaker 1: co mingle, we get a clink of mugs from Zeded

1351
01:03:45,080 --> 01:03:46,880
Speaker 1: and Addison, and I think we can assume that this

1352
01:03:47,000 --> 01:03:49,120
Speaker 1: scene is the way they told you about Sabrina where

1353
01:03:49,120 --> 01:03:50,360
Speaker 1: they felt like grandparents.

1354
01:03:50,640 --> 01:03:53,240
Speaker 3: Yes, that's the the when they clink those little mugs.

1355
01:03:53,440 --> 01:03:56,439
Speaker 1: Yeah, okay, I love that. With the campers in bed,

1356
01:03:56,480 --> 01:03:59,800
Speaker 1: the Core for regroup over Schmores, which I love my

1357
01:03:59,800 --> 01:04:04,720
Speaker 1: life perfectly, saying in a funny, weird way Schmores. The

1358
01:04:04,720 --> 01:04:06,640
Speaker 1: group wonders if there's more to life than just being

1359
01:04:06,680 --> 01:04:09,120
Speaker 1: a football star and a cheerleader Captain, what about being

1360
01:04:09,120 --> 01:04:11,320
Speaker 1: around all those you love? But Zed and Addison still

1361
01:04:11,320 --> 01:04:14,040
Speaker 1: see their individual goals as more important. But then out

1362
01:04:14,080 --> 01:04:17,240
Speaker 1: of nowhere, that wavelength thing hits again, now even stronger,

1363
01:04:17,520 --> 01:04:19,640
Speaker 1: and each of the core four now feel the rage,

1364
01:04:19,720 --> 01:04:22,400
Speaker 1: all barely able to keep their monsters at day. It passes,

1365
01:04:22,680 --> 01:04:24,960
Speaker 1: but Zed is the one most affected. They realize this

1366
01:04:25,000 --> 01:04:27,560
Speaker 1: will hurt their family and friends back home if it

1367
01:04:27,560 --> 01:04:29,720
Speaker 1: gets more powerful, so it can also affect Seabrook. They

1368
01:04:29,760 --> 01:04:32,320
Speaker 1: got to figure this out. Meanwhile, Victor and Nova have

1369
01:04:32,360 --> 01:04:36,800
Speaker 1: a small rendezvous and suspicious Ray Ray catches a glimpse

1370
01:04:36,800 --> 01:04:40,080
Speaker 1: of the meeting. The two arrival leaders visit a cave

1371
01:04:40,080 --> 01:04:43,160
Speaker 1: filled with old Vampire and day Walker symbols, proving that

1372
01:04:43,200 --> 01:04:46,600
Speaker 1: at one time they did in fact work together. Didn't

1373
01:04:46,640 --> 01:04:48,920
Speaker 1: they also figure this out at the camp that was

1374
01:04:49,080 --> 01:04:53,200
Speaker 1: the Yes Okay? This leads to some vulnerable talk about

1375
01:04:53,200 --> 01:04:55,600
Speaker 1: wanting to be more than just leaders for their family's rivalry,

1376
01:04:55,640 --> 01:04:57,120
Speaker 1: and the full length song of what we heard a

1377
01:04:57,160 --> 01:05:00,040
Speaker 1: little earlier, Dream Come True. It's all about their me

1378
01:05:00,240 --> 01:05:03,720
Speaker 1: attraction and how they feel connected despite their cultural differences.

1379
01:05:04,000 --> 01:05:06,640
Speaker 1: It is a soft spoken, building ballad that peaks with

1380
01:05:06,680 --> 01:05:10,600
Speaker 1: the two floating at full speed through the sky upside down,

1381
01:05:11,240 --> 01:05:13,720
Speaker 1: a stunt that probably matched the entire budget of the

1382
01:05:13,720 --> 01:05:18,080
Speaker 1: first Cheater Girls movie. So what did you think about

1383
01:05:18,080 --> 01:05:19,760
Speaker 1: the song and the scene? Did the flying bother you

1384
01:05:19,880 --> 01:05:21,160
Speaker 1: all the kind of it? Did?

1385
01:05:21,480 --> 01:05:24,720
Speaker 2: I didn't. This is the scene that I went and

1386
01:05:24,760 --> 01:05:26,720
Speaker 2: I get it. I mean, they had the budget to

1387
01:05:26,800 --> 01:05:29,440
Speaker 2: do it. I'm sure it was very cool to film,

1388
01:05:29,560 --> 01:05:33,960
Speaker 2: sure so different. Not very many channel movies have we

1389
01:05:34,040 --> 01:05:37,480
Speaker 2: seen this in, But I didn't really actually love it

1390
01:05:37,560 --> 01:05:39,920
Speaker 2: that much. Kind I liked this song.

1391
01:05:40,040 --> 01:05:42,160
Speaker 3: I thought the song could have been cut shorter, and

1392
01:05:42,240 --> 01:05:44,400
Speaker 3: this scene could have not gone for as long as

1393
01:05:44,400 --> 01:05:44,680
Speaker 3: it did.

1394
01:05:44,720 --> 01:05:47,080
Speaker 2: It was kind of like I'm ready, you know again,

1395
01:05:47,160 --> 01:05:49,360
Speaker 2: I'm ready to see when is Ze gonna drop to

1396
01:05:49,400 --> 01:05:52,840
Speaker 2: a knee and give me a proposal for Addison's exactly?

1397
01:05:52,920 --> 01:05:55,880
Speaker 1: Oh man, Zombies five Now they're on their honeymoon.

1398
01:05:56,560 --> 01:05:59,560
Speaker 2: I've already put it in the atmosphere when I interviewed them,

1399
01:05:59,600 --> 01:06:02,160
Speaker 2: just because I know they're executive producers and that they

1400
01:06:02,160 --> 01:06:03,680
Speaker 2: can now make that happen for me.

1401
01:06:03,920 --> 01:06:07,120
Speaker 1: Can you imagine that work on Zombie part Alien Baby?

1402
01:06:07,160 --> 01:06:08,560
Speaker 1: That would be the coolest.

1403
01:06:08,080 --> 01:06:11,600
Speaker 2: Part to play. I know now we're talking really getting

1404
01:06:11,640 --> 01:06:16,160
Speaker 2: creative and being able to make your own rules because

1405
01:06:16,200 --> 01:06:16,640
Speaker 2: who knows?

1406
01:06:16,720 --> 01:06:19,840
Speaker 1: Yes, right, thank you? Okay. As the song comes to

1407
01:06:19,880 --> 01:06:21,880
Speaker 1: an end, they stumble onto the second puzzle and it's

1408
01:06:21,960 --> 01:06:25,439
Speaker 1: quickly solved, and thus the second key was built on love.

1409
01:06:26,200 --> 01:06:28,120
Speaker 1: They bring the discovery back to the camp and inserted

1410
01:06:28,120 --> 01:06:29,960
Speaker 1: it into the wall, surrounded by everybody. No, it's a

1411
01:06:29,960 --> 01:06:32,320
Speaker 1: happy moment at first, it triggers an earthquake as a

1412
01:06:32,360 --> 01:06:36,280
Speaker 1: ball rises from underground. The statue says only one team

1413
01:06:36,440 --> 01:06:39,200
Speaker 1: can win, making the group think that either of the date.

1414
01:06:39,320 --> 01:06:39,959
Speaker 2: So did they.

1415
01:06:41,560 --> 01:06:48,480
Speaker 1: Okay, did the the day walkers and vampires built this

1416
01:06:48,760 --> 01:06:58,560
Speaker 1: lock together to hide the orchard from their own future generations?

1417
01:06:59,120 --> 01:07:03,040
Speaker 1: But built this elaborate thing to where can they win

1418
01:07:03,160 --> 01:07:07,240
Speaker 1: if they just put it? Was so needlessly confusing to me.

1419
01:07:08,480 --> 01:07:12,960
Speaker 2: Yeah, I assume trouble started brewing, right like within two

1420
01:07:13,040 --> 01:07:15,320
Speaker 2: groups of people that are in there're supposed to be

1421
01:07:15,360 --> 01:07:20,920
Speaker 2: a unit, but they're obviously different, right different, Trouble started brewing.

1422
01:07:21,160 --> 01:07:24,600
Speaker 2: They s elders basically were like, we need to just

1423
01:07:25,360 --> 01:07:27,320
Speaker 2: take a minute, give some space.

1424
01:07:27,480 --> 01:07:29,800
Speaker 3: We're going to create this thing so that they need.

1425
01:07:29,840 --> 01:07:32,560
Speaker 2: They're going to have to come together to enjoy this

1426
01:07:33,000 --> 01:07:35,360
Speaker 2: and to be able to enjoy the fruits the labor

1427
01:07:35,360 --> 01:07:36,680
Speaker 2: of all of our ancestors.

1428
01:07:36,760 --> 01:07:38,960
Speaker 1: Then you make it easy where you hide the orchard.

1429
01:07:41,240 --> 01:07:44,400
Speaker 1: That's the point. I They have to work find the

1430
01:07:44,520 --> 01:07:49,440
Speaker 1: orchard like that it's not hidden with yes something, but

1431
01:07:49,520 --> 01:07:51,880
Speaker 1: instead of magical locks and a ball, you've got to

1432
01:07:51,880 --> 01:07:53,800
Speaker 1: push one side or the other to work together. I

1433
01:07:53,840 --> 01:07:55,880
Speaker 1: get why not just have to work together to even

1434
01:07:56,000 --> 01:07:58,800
Speaker 1: find the mythical orchard because everything's I mean, it's like

1435
01:07:58,880 --> 01:08:00,720
Speaker 1: you know where it is, but it's locked and there's

1436
01:08:00,760 --> 01:08:01,240
Speaker 1: a vailue.

1437
01:08:01,800 --> 01:08:04,680
Speaker 2: Where where would it be?

1438
01:08:05,040 --> 01:08:07,600
Speaker 1: It would be exactly the same way with rules these

1439
01:08:07,680 --> 01:08:10,600
Speaker 1: are god. They could sing a song about it, what

1440
01:08:10,680 --> 01:08:14,680
Speaker 1: rhymes with we can't find the orchard? Okay, but that's

1441
01:08:14,720 --> 01:08:17,240
Speaker 1: anyway they bring it. They had started back in the wall, okay,

1442
01:08:17,280 --> 01:08:20,400
Speaker 1: so only one team can win. The ball rises rounderground

1443
01:08:20,400 --> 01:08:22,400
Speaker 1: the stat she says only one team can win, making

1444
01:08:22,400 --> 01:08:24,400
Speaker 1: the group think that either the day Walkers or the

1445
01:08:24,479 --> 01:08:27,760
Speaker 1: vampires have to push the ball to one side by

1446
01:08:27,800 --> 01:08:30,880
Speaker 1: themselves and they're always meant to fight it out. As

1447
01:08:30,920 --> 01:08:32,639
Speaker 1: the group gets in a position to fight over the ball,

1448
01:08:32,680 --> 01:08:35,479
Speaker 1: the pulse hits again, pushing z into full zombie mode.

1449
01:08:35,600 --> 01:08:38,799
Speaker 1: It quickly passes, but he's unable to rebound. Everyone realizes

1450
01:08:38,840 --> 01:08:40,680
Speaker 1: that they've taken this too far, and they head back

1451
01:08:40,720 --> 01:08:44,080
Speaker 1: to the camp. Elizah checks her data and notices the

1452
01:08:44,080 --> 01:08:46,439
Speaker 1: pulse has gotten strong enough to eventually turn that into

1453
01:08:46,439 --> 01:08:49,519
Speaker 1: a zombie forever. She also thinks she knows where it's

1454
01:08:49,520 --> 01:08:52,280
Speaker 1: coming from underground, and so Zeed is forced to go

1455
01:08:52,360 --> 01:08:55,679
Speaker 1: subterranean to investigate, leaving us to his big solo number,

1456
01:08:55,680 --> 01:08:58,679
Speaker 1: which is a rap song called Kerosene. It's his version

1457
01:08:58,720 --> 01:09:01,760
Speaker 1: of Eminem's Lose Yourself all about how to you know

1458
01:09:02,320 --> 01:09:04,240
Speaker 1: he has to step up even if he dies as

1459
01:09:04,240 --> 01:09:06,719
Speaker 1: a result. What did you think of this song?

1460
01:09:10,320 --> 01:09:12,880
Speaker 2: I didn't hate it. It wasn't one of my favorites.

1461
01:09:13,320 --> 01:09:15,920
Speaker 2: I mean, I don't know how much I love like

1462
01:09:16,680 --> 01:09:21,200
Speaker 2: the super rappie type songs within this genre of movies

1463
01:09:21,200 --> 01:09:24,680
Speaker 2: that were watching, but it was okay. I didn't it

1464
01:09:24,720 --> 01:09:26,519
Speaker 2: wasn't one of my favorites. I kind of just breezed

1465
01:09:26,560 --> 01:09:27,880
Speaker 2: through it. What did you think?

1466
01:09:28,360 --> 01:09:32,680
Speaker 1: Yeah, I breaking right into a rap song sometimes for me,

1467
01:09:32,760 --> 01:09:35,839
Speaker 1: really worked this one. It wasn't bad. He can obviously

1468
01:09:35,920 --> 01:09:37,040
Speaker 1: rap right.

1469
01:09:37,320 --> 01:09:38,080
Speaker 2: We've seen him do it.

1470
01:09:38,240 --> 01:09:40,200
Speaker 1: We've seen him do it before, and I guess I

1471
01:09:40,360 --> 01:09:44,320
Speaker 1: like occasionally switching up the vibe of the song. But

1472
01:09:44,479 --> 01:09:46,759
Speaker 1: it felt a little out of place to me this one.

1473
01:09:46,800 --> 01:09:49,400
Speaker 1: It just it's going kind of from ballads to this

1474
01:09:49,479 --> 01:09:52,200
Speaker 1: straight up, kind of heavy rap song. Felt a little

1475
01:09:52,240 --> 01:09:55,200
Speaker 1: jarring to me. But he did it well, So yeah, I.

1476
01:09:55,160 --> 01:09:57,960
Speaker 4: Did have a fun inside baseball thing from the premiere.

1477
01:09:57,960 --> 01:10:01,040
Speaker 4: I don't know if you noticed, Sabrina. There's a line

1478
01:10:01,160 --> 01:10:04,520
Speaker 4: in the song where he says like something something bruh,

1479
01:10:04,800 --> 01:10:07,000
Speaker 4: like he he like says it very funny. In the

1480
01:10:07,040 --> 01:10:10,639
Speaker 4: middle of his rap, the entire cast wrapped it. Did

1481
01:10:10,640 --> 01:10:11,640
Speaker 4: you hear that part or no?

1482
01:10:12,760 --> 01:10:15,519
Speaker 2: I do remember them rapping, but it was like I

1483
01:10:15,560 --> 01:10:16,040
Speaker 2: didn't know.

1484
01:10:16,320 --> 01:10:18,599
Speaker 1: Wait, at the premiere, people stopped.

1485
01:10:18,640 --> 01:10:21,680
Speaker 2: There was a couple of times where they came in

1486
01:10:21,760 --> 01:10:22,880
Speaker 2: and like they were.

1487
01:10:22,600 --> 01:10:24,519
Speaker 4: The big one. The one I noticed the most was

1488
01:10:24,600 --> 01:10:27,320
Speaker 4: during the rap. He kind of jokingly like you could

1489
01:10:27,360 --> 01:10:29,040
Speaker 4: tell it was probably a joke with it in the

1490
01:10:29,080 --> 01:10:32,519
Speaker 4: cast the way he says, like something bruh. They all

1491
01:10:32,640 --> 01:10:35,160
Speaker 4: yelled it like like Rocky horror.

1492
01:10:35,200 --> 01:10:38,840
Speaker 1: Oh that's cool. Oh that's cool, man. I miss so much.

1493
01:10:39,720 --> 01:10:43,320
Speaker 2: Yeah. Anyway, it was one of the most fun premiere where.

1494
01:10:43,200 --> 01:10:45,720
Speaker 1: You stopped where you stopped. It did not it was

1495
01:10:45,880 --> 01:10:47,880
Speaker 1: terrible and you did not have a good time. That's

1496
01:10:47,920 --> 01:10:49,000
Speaker 1: what I want to continue to hear.

1497
01:10:49,960 --> 01:10:50,439
Speaker 2: So funny.

1498
01:10:50,479 --> 01:10:53,080
Speaker 1: I know Danielle and Jensen said the same thing. I

1499
01:10:53,160 --> 01:10:57,120
Speaker 1: just missed it. Anyway. Zeedrapel's underground but eventually falls, causing

1500
01:10:57,120 --> 01:10:59,639
Speaker 1: the entire ground to give way, taking Willa and Eliza

1501
01:10:59,680 --> 01:11:02,320
Speaker 1: with him, and now Zed is stuck under a huge boulder.

1502
01:11:02,520 --> 01:11:04,479
Speaker 1: The camp hears them screaming and runs to help to

1503
01:11:04,479 --> 01:11:06,879
Speaker 1: save them. Eliza zombies out, which is a rare occurrence

1504
01:11:06,880 --> 01:11:08,679
Speaker 1: in the movies, and Willa goes in a beast mode

1505
01:11:08,720 --> 01:11:11,439
Speaker 1: to move the rock he's freed, but they also notice

1506
01:11:11,439 --> 01:11:14,400
Speaker 1: a broken tower on top of the blood fruit roots

1507
01:11:15,160 --> 01:11:18,160
Speaker 1: that the real cause of the pulses. Apparently this tower.

1508
01:11:18,160 --> 01:11:20,439
Speaker 1: The roots were screaming for help and the towers working

1509
01:11:20,520 --> 01:11:23,120
Speaker 1: as an antenna for their cries, so they have to

1510
01:11:23,160 --> 01:11:25,719
Speaker 1: free the roots. So hey, nothing like adding another weird

1511
01:11:25,840 --> 01:11:31,920
Speaker 1: layer of weirdness to the weirdness. Zed starts rapping again,

1512
01:11:31,960 --> 01:11:33,639
Speaker 1: but he can't move the tower. It's just too much,

1513
01:11:33,720 --> 01:11:36,040
Speaker 1: even with Willa and Eliza's help. But that's when the

1514
01:11:36,200 --> 01:11:39,000
Speaker 1: entire camp arrives to join in on the kerosene hook

1515
01:11:39,280 --> 01:11:42,639
Speaker 1: and push and pull. Together. They eventually move the tower

1516
01:11:42,680 --> 01:11:45,400
Speaker 1: and save the roots as one unit, saving monster kind

1517
01:11:45,479 --> 01:11:48,200
Speaker 1: once again. But there's still that huge ball statue that

1518
01:11:48,240 --> 01:11:50,960
Speaker 1: says one Team. I don't want to say ball statue

1519
01:11:50,960 --> 01:11:54,599
Speaker 1: anymore than I have been, says one Team, And they're

1520
01:11:54,600 --> 01:11:57,160
Speaker 1: still worrying about that. Vampires and day walkers are back

1521
01:11:57,160 --> 01:11:59,960
Speaker 1: to bickering about who it's referring to. When Addison takes control,

1522
01:12:00,479 --> 01:12:02,960
Speaker 1: she explains the histories of zombies and humans in Seabrook.

1523
01:12:03,160 --> 01:12:05,759
Speaker 1: She says real change can happen if you find strength

1524
01:12:05,800 --> 01:12:08,599
Speaker 1: in people's differences. She wants them to stand together and

1525
01:12:08,600 --> 01:12:11,479
Speaker 1: fight for their futures, and like a half alien coach Lombardi,

1526
01:12:11,920 --> 01:12:15,160
Speaker 1: she convinces them to be one team, but now alone

1527
01:12:15,240 --> 01:12:17,639
Speaker 1: dey Walker. Ray reminds Nova of their promise to her dad.

1528
01:12:17,640 --> 01:12:19,880
Speaker 1: They're supposed to take all the blood fruit, but he

1529
01:12:19,880 --> 01:12:23,040
Speaker 1: can't believe she's been working with a vampire but who's

1530
01:12:23,120 --> 01:12:26,519
Speaker 1: just them but with air powers. But Nova stands strong.

1531
01:12:26,560 --> 01:12:28,840
Speaker 1: She's gonna work with Victor and his team, even if

1532
01:12:28,960 --> 01:12:31,559
Speaker 1: Ray and her dad doesn't like it. But this leads

1533
01:12:31,560 --> 01:12:34,320
Speaker 1: to another song, My Own Way, which was a stellar

1534
01:12:34,400 --> 01:12:36,599
Speaker 1: vocal performance from Nova. It really was. It's all about

1535
01:12:36,600 --> 01:12:38,920
Speaker 1: the internal conflicts between her promise to her dad and

1536
01:12:38,960 --> 01:12:40,880
Speaker 1: her heart. She doesn't want to let her people down,

1537
01:12:40,920 --> 01:12:42,759
Speaker 1: but she needs to find her own way. And remember,

1538
01:12:42,920 --> 01:12:46,599
Speaker 1: as you're listening to her songs, she's fifteen years old. Crazy.

1539
01:12:48,000 --> 01:12:50,439
Speaker 1: The next morning, they're back at the third puzzle ball,

1540
01:12:50,520 --> 01:12:53,120
Speaker 1: working together to move it. It eventually cracks in half,

1541
01:12:53,160 --> 01:12:55,880
Speaker 1: exposing the final key, but it's encased in amber. The

1542
01:12:55,960 --> 01:12:58,920
Speaker 1: day walkers and vampires use their superpowers to melt it down,

1543
01:12:59,040 --> 01:13:01,879
Speaker 1: and now the gate can be opened. It's time to harvest.

1544
01:13:02,320 --> 01:13:05,920
Speaker 1: The orchard is beautiful, surrounded by a waterfall and endless greenery,

1545
01:13:05,960 --> 01:13:08,479
Speaker 1: covered with blood fruit, which looks just like apples with

1546
01:13:08,520 --> 01:13:11,559
Speaker 1: melted cheese on top. There is definitely enough for them

1547
01:13:11,560 --> 01:13:13,679
Speaker 1: to share. Not sure what all the fuss is about.

1548
01:13:13,720 --> 01:13:16,519
Speaker 1: There's plenty to go around. But that's when Commander Bright arrives.

1549
01:13:16,720 --> 01:13:19,799
Speaker 1: He was tipped off by ray that little The Commander

1550
01:13:19,840 --> 01:13:22,200
Speaker 1: can't believe his daughter was going to disobey him and

1551
01:13:22,280 --> 01:13:25,000
Speaker 1: let the vampires get all the blood fruit. This obviously

1552
01:13:25,000 --> 01:13:27,599
Speaker 1: a fends victor since it means his new sweetheart has

1553
01:13:27,600 --> 01:13:30,360
Speaker 1: been lying to him, and that's exactly when the Eldress arrives,

1554
01:13:30,400 --> 01:13:33,559
Speaker 1: also via snitch to her too, so those two people

1555
01:13:33,560 --> 01:13:35,840
Speaker 1: can go and rotten hell for all I care. Snitches

1556
01:13:36,120 --> 01:13:39,080
Speaker 1: wind up in ditches. As a result of all this

1557
01:13:39,120 --> 01:13:42,320
Speaker 1: supposed backstabbing, Commander Bright throws a fireball at the vampires,

1558
01:13:42,360 --> 01:13:44,519
Speaker 1: but it's deterred at the last second by the Eldress,

1559
01:13:44,600 --> 01:13:48,479
Speaker 1: leading the explosion right to the crops ough, so when

1560
01:13:48,479 --> 01:13:51,240
Speaker 1: it lands, it burns down half of the orchard, exposing

1561
01:13:51,280 --> 01:13:53,320
Speaker 1: some very mediocrecy gi it was the only part that

1562
01:13:53,320 --> 01:13:55,800
Speaker 1: actually looked kind of cheesy and sending out another pulse,

1563
01:13:55,840 --> 01:14:00,360
Speaker 1: knocking Z to the ground. This means war camps over,

1564
01:14:00,880 --> 01:14:06,680
Speaker 1: so both sides leave to prepare for battle. Why not?

1565
01:14:06,760 --> 01:14:09,920
Speaker 1: Why not fight? Why not just fight right there? Do

1566
01:14:10,000 --> 01:14:11,639
Speaker 1: they really need to freshen up?

1567
01:14:13,160 --> 01:14:19,519
Speaker 2: Especially because when they do come back nothing, they don't

1568
01:14:19,520 --> 01:14:21,840
Speaker 2: bring anything. There's no leg I mean, there's no.

1569
01:14:21,920 --> 01:14:24,599
Speaker 1: Let's go get our weapons, Let's go get our No,

1570
01:14:24,800 --> 01:14:29,200
Speaker 1: that's I'm gonna kick your ass in like two days

1571
01:14:29,200 --> 01:14:33,280
Speaker 1: from now because I need some sleep and my stomach

1572
01:14:33,360 --> 01:14:38,679
Speaker 1: isn't feeling Yeah, this is my foot's kind of hurting.

1573
01:14:38,840 --> 01:14:43,400
Speaker 1: Just fight, It didn't make any sense. Commander Bright is

1574
01:14:43,479 --> 01:14:45,840
Speaker 1: very disappointed in his daughter, and Ray swears he didn't

1575
01:14:45,840 --> 01:14:49,640
Speaker 1: know his tattle tales would lead to this. Bud, of

1576
01:14:49,680 --> 01:14:52,320
Speaker 1: course you did with the camp splip back into sides

1577
01:14:52,360 --> 01:14:54,920
Speaker 1: and a battle on the horizon because they didn't just

1578
01:14:54,960 --> 01:14:57,519
Speaker 1: fight Nova in Victor's relationship is on the rocks. The

1579
01:14:57,520 --> 01:14:59,320
Speaker 1: Core four know what they have to do. They gotta

1580
01:14:59,360 --> 01:15:02,880
Speaker 1: do something, so they returned to the suffering roots. Zed

1581
01:15:02,920 --> 01:15:04,960
Speaker 1: is on his last leg and realizing he's been focusing

1582
01:15:05,000 --> 01:15:07,200
Speaker 1: on the wrong stuff. Who cares if he becomes to

1583
01:15:07,240 --> 01:15:10,160
Speaker 1: starting QB. He needs to be around his friends and family.

1584
01:15:10,479 --> 01:15:12,920
Speaker 1: Nova and Victor show up concerned about Zed and they

1585
01:15:12,920 --> 01:15:15,200
Speaker 1: get to talk out their problems. Novah says she's her

1586
01:15:15,240 --> 01:15:17,240
Speaker 1: own person and being with him as made her realize

1587
01:15:17,280 --> 01:15:19,360
Speaker 1: she needs to go her own way. She knows they

1588
01:15:19,360 --> 01:15:22,559
Speaker 1: have to work together and be together. They hold hands

1589
01:15:22,640 --> 01:15:25,040
Speaker 1: and notice the dying roots are from both the Vampire

1590
01:15:25,439 --> 01:15:29,960
Speaker 1: and day Walker orchards, which okay. And on top of that,

1591
01:15:30,040 --> 01:15:33,320
Speaker 1: the tower is a place where the light and dark

1592
01:15:33,360 --> 01:15:36,360
Speaker 1: stones can be placed. And I don't know why they

1593
01:15:36,360 --> 01:15:38,599
Speaker 1: didn't notice that the first time they saw the tower,

1594
01:15:38,640 --> 01:15:41,400
Speaker 1: because they were there and there was a big tower.

1595
01:15:43,080 --> 01:15:45,519
Speaker 1: I don't get it. The duo realizes their moonstones can

1596
01:15:45,600 --> 01:15:47,559
Speaker 1: work together to feed all the orchard. The problem is

1597
01:15:47,600 --> 01:15:49,639
Speaker 1: they need to steal the most protected things in their

1598
01:15:49,680 --> 01:15:53,879
Speaker 1: villages and bring them back quickly. It's impossible, but nothing

1599
01:15:53,920 --> 01:15:58,320
Speaker 1: is impossible when you have a song. So we get possible,

1600
01:15:58,560 --> 01:16:00,960
Speaker 1: which is a literal torch path track. We know this

1601
01:16:01,040 --> 01:16:03,840
Speaker 1: because those are the exact words and the lyrics. It's

1602
01:16:03,920 --> 01:16:06,760
Speaker 1: Zeda Addison giving the Zombies franchise over to Victor and

1603
01:16:06,800 --> 01:16:09,439
Speaker 1: Nova encouraging them to try to get the stones because

1604
01:16:09,560 --> 01:16:13,200
Speaker 1: anything is possible. As a result, Victor and Nova successfully

1605
01:16:13,240 --> 01:16:15,519
Speaker 1: round up their troops. Is one saying, let's rep for

1606
01:16:15,560 --> 01:16:18,200
Speaker 1: the next gen. I mean, they're really hitting the nail

1607
01:16:18,200 --> 01:16:20,559
Speaker 1: on the head right. Then the campers all work together

1608
01:16:20,600 --> 01:16:23,200
Speaker 1: to gather up the remaining blood fruit before any possible

1609
01:16:23,240 --> 01:16:27,559
Speaker 1: war very convoluted. As the song continues, Commander Bright's troops

1610
01:16:27,560 --> 01:16:30,120
Speaker 1: and the vampires leave their villages, giving our main characters

1611
01:16:30,160 --> 01:16:32,439
Speaker 1: the chances to steal the stones. There's some cool fighting

1612
01:16:32,439 --> 01:16:34,439
Speaker 1: scenes here with some of the guards, but it was

1613
01:16:34,479 --> 01:16:37,320
Speaker 1: also really easy for Victor and Nova to take the stones.

1614
01:16:37,360 --> 01:16:39,639
Speaker 1: This thing that was supposed to be impossible turned out

1615
01:16:39,640 --> 01:16:41,439
Speaker 1: to be really simple.

1616
01:16:42,360 --> 01:16:46,080
Speaker 2: Yeah. Well but in both sides remembered though there it

1617
01:16:46,160 --> 01:16:50,519
Speaker 2: doesn't seem as though there's anyone else around in each

1618
01:16:50,560 --> 01:16:53,759
Speaker 2: of these Like what are we calling them villages or whatever?

1619
01:16:53,880 --> 01:16:57,400
Speaker 2: There's no, there's not a real because I thought the

1620
01:16:57,439 --> 01:17:00,599
Speaker 2: same thing. I was like, that was crazy. There's there's

1621
01:17:00,720 --> 01:17:04,599
Speaker 2: two guards. This is the most treasured thing that they own, right,

1622
01:17:04,840 --> 01:17:07,799
Speaker 2: But then at the same time, there wasn't really anyone

1623
01:17:08,120 --> 01:17:12,200
Speaker 2: outside the day walkers, and they haven't ever seen each

1624
01:17:12,240 --> 01:17:15,840
Speaker 2: other like will Nova and and Victor have never seen

1625
01:17:15,840 --> 01:17:18,639
Speaker 2: each other. This isn't like they are ever like worried

1626
01:17:18,800 --> 01:17:21,559
Speaker 2: or not not worried. But there's not like these like.

1627
01:17:21,720 --> 01:17:25,040
Speaker 1: Threats to them. Yeah, so I feel like that why

1628
01:17:25,080 --> 01:17:27,640
Speaker 1: would stones be impossible to the point where they have

1629
01:17:27,680 --> 01:17:28,519
Speaker 1: to write a song about it?

1630
01:17:29,200 --> 01:17:31,200
Speaker 2: Well, because it's like how could they ever, I mean

1631
01:17:31,240 --> 01:17:34,519
Speaker 2: for them for Nova to ever think of even moving

1632
01:17:34,600 --> 01:17:37,120
Speaker 2: that is it's the same way as the werewolves when

1633
01:17:37,120 --> 01:17:38,520
Speaker 2: we had the were Wolve's moonstone.

1634
01:17:38,920 --> 01:17:41,599
Speaker 3: You don't like, you know, well, I guess that was different.

1635
01:17:41,600 --> 01:17:43,920
Speaker 2: They had to find it, but I don't know. It

1636
01:17:44,080 --> 01:17:46,639
Speaker 2: just is like that's like crazy, but it's a crazy

1637
01:17:46,720 --> 01:17:48,960
Speaker 2: thing to think of, Like, don't do that.

1638
01:17:49,080 --> 01:17:51,439
Speaker 1: Then don't call the song impossible. It's not. It's not

1639
01:17:51,520 --> 01:17:52,519
Speaker 1: impossible to do.

1640
01:17:52,640 --> 01:17:55,120
Speaker 2: They share it highly likely, No.

1641
01:17:55,040 --> 01:17:57,439
Speaker 1: They just yeah, they shouldn't do it. It's like we

1642
01:17:57,520 --> 01:18:00,719
Speaker 1: can't take it. It's not Wow, it's impossible. It's not impossible.

1643
01:18:00,720 --> 01:18:03,599
Speaker 1: It's actually super easy. So come up with a different

1644
01:18:03,720 --> 01:18:04,840
Speaker 1: name for this song.

1645
01:18:06,320 --> 01:18:09,920
Speaker 2: All right, now, okay, we've gotten you into the dark side.

1646
01:18:11,000 --> 01:18:13,040
Speaker 1: Thank god, the dark side. The light doesn't hurt me

1647
01:18:13,479 --> 01:18:15,679
Speaker 1: with stones in hand now, which again is super easy

1648
01:18:15,720 --> 01:18:18,280
Speaker 1: to do. Vera tries to stop Victor, but he implores

1649
01:18:18,280 --> 01:18:20,519
Speaker 1: her to question the things that don't make sense. It

1650
01:18:20,600 --> 01:18:22,680
Speaker 1: changes her mind and she decides to cover for him

1651
01:18:22,680 --> 01:18:25,240
Speaker 1: as he runs away. And now, just as Commander Bright

1652
01:18:25,280 --> 01:18:27,720
Speaker 1: and the Elders arrive at the orchard, they realize all

1653
01:18:27,760 --> 01:18:30,400
Speaker 1: the blood fruit is gone, and they command their troops

1654
01:18:30,439 --> 01:18:32,560
Speaker 1: to find it. Victor and Nova do make the impossible

1655
01:18:32,560 --> 01:18:34,759
Speaker 1: possible and get the stones back to the camp cave,

1656
01:18:35,040 --> 01:18:38,240
Speaker 1: but are met by their disappointed aunt and dad. But

1657
01:18:38,320 --> 01:18:40,719
Speaker 1: now instead of falling in line, Ray decides to step

1658
01:18:40,800 --> 01:18:43,600
Speaker 1: up and do a weird bird impression while shooting fireballs.

1659
01:18:43,760 --> 01:18:45,640
Speaker 1: This gives Victor and Nova a chance to climb the

1660
01:18:45,680 --> 01:18:48,599
Speaker 1: tower with their stones. Then, while the duo fight off

1661
01:18:48,600 --> 01:18:52,000
Speaker 1: attacks of their angry Boomer leaders, Zeed and Addison lend

1662
01:18:52,000 --> 01:18:53,760
Speaker 1: a helping hand to hold up the tower as it

1663
01:18:53,800 --> 01:18:56,800
Speaker 1: teeters on falling. But it's too much. Forsett. He's already

1664
01:18:56,840 --> 01:18:59,240
Speaker 1: weak and we'll need to fully zombie out to make

1665
01:18:59,240 --> 01:19:01,639
Speaker 1: a difference, even if it makes him a zombie forever.

1666
01:19:01,880 --> 01:19:04,439
Speaker 1: He tells Addison he loves her he always has, then

1667
01:19:04,479 --> 01:19:07,640
Speaker 1: removes his z band. Now a monster, he's able to

1668
01:19:07,680 --> 01:19:10,479
Speaker 1: balance the tower just in time. Addison tries to reclip

1669
01:19:10,479 --> 01:19:12,799
Speaker 1: the Z band to his arm, but it says failed.

1670
01:19:13,120 --> 01:19:15,519
Speaker 1: They sing the well known song Someday, which is still

1671
01:19:15,520 --> 01:19:18,080
Speaker 1: the best song I think of the entire franchise, originally

1672
01:19:18,120 --> 01:19:21,360
Speaker 1: from Zombies one, forcing Addison to cry. The kids finally

1673
01:19:21,400 --> 01:19:23,560
Speaker 1: place the stones on the tower, causing an explosion that

1674
01:19:23,680 --> 01:19:27,439
Speaker 1: rocks everyone. Or I could say that rocks everyone. That's

1675
01:19:27,479 --> 01:19:29,559
Speaker 1: probably the better way to say it. Don't edit that out.

1676
01:19:29,600 --> 01:19:31,000
Speaker 1: That just sounded bad, and I want to keep it

1677
01:19:31,040 --> 01:19:35,000
Speaker 1: exactly like that. We get some more of that sweet

1678
01:19:35,040 --> 01:19:38,479
Speaker 1: Disney effects budget with a huge thunderstorm as the now

1679
01:19:38,520 --> 01:19:41,720
Speaker 1: connected stone shoot electricity back and forth, working as one,

1680
01:19:41,840 --> 01:19:45,960
Speaker 1: and then it begins to rain and everyone is ecstatic.

1681
01:19:46,320 --> 01:19:49,120
Speaker 1: The water has healed z and turned Commander Bright and

1682
01:19:49,120 --> 01:19:51,920
Speaker 1: the elders into happy people. Victor and Nova race to

1683
01:19:51,920 --> 01:19:53,640
Speaker 1: see the crops. The rain has caused all the new

1684
01:19:53,680 --> 01:19:56,080
Speaker 1: Blood fruit to bloom, and not just in the orchard,

1685
01:19:56,160 --> 01:19:58,960
Speaker 1: but all throughout the island. Was it ever mentioned that

1686
01:19:59,000 --> 01:19:59,760
Speaker 1: they needed rain.

1687
01:20:00,080 --> 01:20:02,880
Speaker 4: It's a one line ad and it's not in it,

1688
01:20:03,240 --> 01:20:05,280
Speaker 4: And all you had to do is say we have

1689
01:20:05,640 --> 01:20:07,439
Speaker 4: had crops in one hundred and fifty years because it

1690
01:20:07,479 --> 01:20:09,600
Speaker 4: hasn't rained. It's the easiest line.

1691
01:20:09,439 --> 01:20:12,559
Speaker 1: Ever ever, and they're now just like, oh my god, rain,

1692
01:20:12,960 --> 01:20:18,599
Speaker 1: were we trying to find rain? Okay, cause again it's

1693
01:20:18,640 --> 01:20:21,519
Speaker 1: just it gets convoluted. It's like there was never mentioned

1694
01:20:21,600 --> 01:20:22,160
Speaker 1: rain ever.

1695
01:20:24,240 --> 01:20:28,120
Speaker 2: Uh yeah, but maybe this may I mean, we're not

1696
01:20:28,160 --> 01:20:32,840
Speaker 2: there yet, but maybe the water aspect is sort of

1697
01:20:33,240 --> 01:20:35,240
Speaker 2: it starts to be a part of what we have

1698
01:20:35,360 --> 01:20:35,920
Speaker 2: to look.

1699
01:20:35,760 --> 01:20:37,240
Speaker 3: Forward to in the future.

1700
01:20:37,479 --> 01:20:41,240
Speaker 1: Right, But there's maybe that giant waterfalls in the orchard.

1701
01:20:42,320 --> 01:20:45,600
Speaker 3: Oh that's true.

1702
01:20:46,960 --> 01:20:52,280
Speaker 1: Yes, So what's the point of the rain? Yeah, I don't.

1703
01:20:52,560 --> 01:20:54,920
Speaker 1: I also thought when you put them together, something was

1704
01:20:54,960 --> 01:20:56,840
Speaker 1: going to connect with the wind and fire and give

1705
01:20:56,880 --> 01:21:01,760
Speaker 1: them each one power. That was wind fire something No, no, no, no, no, no.

1706
01:21:01,840 --> 01:21:04,639
Speaker 2: So but we know there's more. So maybe those things

1707
01:21:04,640 --> 01:21:06,320
Speaker 2: will come up in the future movies.

1708
01:21:06,560 --> 01:21:09,760
Speaker 1: Yep, we'll see. Well, if you think that too long,

1709
01:21:09,800 --> 01:21:12,479
Speaker 1: didn't read, you're in luck will explains it. All The

1710
01:21:12,520 --> 01:21:15,360
Speaker 1: vampires and day walkers kept their moonstarts apart for too long,

1711
01:21:15,400 --> 01:21:18,280
Speaker 1: and it caused the orchards to die, which it didn't.

1712
01:21:18,920 --> 01:21:22,080
Speaker 1: Maybe the orchards were apart, but the actual orchard was thriving.

1713
01:21:22,560 --> 01:21:25,920
Speaker 1: The pulse of the roots pain affected everyone. The island,

1714
01:21:25,960 --> 01:21:28,200
Speaker 1: the camp, and the orchard were built by their ancestors

1715
01:21:28,200 --> 01:21:32,400
Speaker 1: together to enjoy together. They decide that once a year

1716
01:21:32,439 --> 01:21:34,160
Speaker 1: they'll all come to the camp to meet up and

1717
01:21:34,200 --> 01:21:36,479
Speaker 1: bring balance to their orchard, and of course set up squels.

1718
01:21:36,600 --> 01:21:39,280
Speaker 1: Commander Bright and the elders now realize the future is

1719
01:21:39,320 --> 01:21:42,080
Speaker 1: in good hands. As everyone enjoys their blood fruit in

1720
01:21:42,120 --> 01:21:44,400
Speaker 1: the form of kebabs and cakes, we get our final

1721
01:21:44,479 --> 01:21:47,720
Speaker 1: big number, which is show the world. It's an all

1722
01:21:47,800 --> 01:21:49,920
Speaker 1: cast celebration about how the real goal of life is

1723
01:21:49,960 --> 01:21:53,000
Speaker 1: to be with friends and family, because then anything is possible,

1724
01:21:53,040 --> 01:21:56,720
Speaker 1: including really easily stealing moonstones. The Light and Dark have

1725
01:21:56,760 --> 01:22:00,000
Speaker 1: come together and it's time to dance, but that's not

1726
01:22:00,200 --> 01:22:02,599
Speaker 1: the end. We're now in a beautiful hilltop. The next morning,

1727
01:22:02,720 --> 01:22:04,840
Speaker 1: Zeded and Addison have decided to ditch their football and

1728
01:22:04,920 --> 01:22:06,880
Speaker 1: cheerleading camps to spend the summer back at home in

1729
01:22:06,920 --> 01:22:10,040
Speaker 1: Seabrook with those who love them no matter what, especially

1730
01:22:10,080 --> 01:22:13,320
Speaker 1: each other. We get another flashback proprize song with the

1731
01:22:13,320 --> 01:22:15,639
Speaker 1: two of them singing Ain't No Doubt about It originally

1732
01:22:15,640 --> 01:22:17,760
Speaker 1: from Zombies three, and each of them getting a tap

1733
01:22:17,840 --> 01:22:21,680
Speaker 1: dance solo. Then passionately kissing Sabrina's tap dancing hard. It

1734
01:22:21,680 --> 01:22:22,800
Speaker 1: seems like it'd be hard.

1735
01:22:22,920 --> 01:22:24,519
Speaker 2: It is very hard, That's what I figured.

1736
01:22:25,160 --> 01:22:27,559
Speaker 1: And then we get another ending. Victor and Nova are

1737
01:22:27,600 --> 01:22:29,519
Speaker 1: on the beach saying goodbye and promising to see each

1738
01:22:29,520 --> 01:22:31,360
Speaker 1: other soon, but as they leave, Nova can't take it.

1739
01:22:31,400 --> 01:22:34,479
Speaker 1: She runs back to him for a passionate embrace, mostly

1740
01:22:34,479 --> 01:22:37,000
Speaker 1: because he's eighteen and she's fifteen, so they can't kiss

1741
01:22:37,040 --> 01:22:40,200
Speaker 1: in this movie. And then big spoiler alert here, people,

1742
01:22:40,920 --> 01:22:43,800
Speaker 1: the hug is interrupted by a huge tornado coming from

1743
01:22:43,800 --> 01:22:45,519
Speaker 1: the bottom of the ocean, reaching high into the sky.

1744
01:22:45,640 --> 01:22:49,200
Speaker 1: It appears we have water monsters, shrimp pies on the

1745
01:22:49,240 --> 01:22:52,080
Speaker 1: horizon or mermaids, something we predicted at the end of

1746
01:22:52,320 --> 01:22:56,280
Speaker 1: the third one, and most likely the plot for Zombies five.

1747
01:22:56,320 --> 01:22:59,320
Speaker 1: They should call it Zombies five. This one will make sense.

1748
01:22:59,479 --> 01:23:10,519
Speaker 1: And that's our movie, all right. I've got the one

1749
01:23:10,560 --> 01:23:13,200
Speaker 1: star review. And again, this movie just came out, so

1750
01:23:13,200 --> 01:23:15,439
Speaker 1: we're getting reviews already. These are all new, hot off

1751
01:23:15,439 --> 01:23:15,799
Speaker 1: the presses.

1752
01:23:16,040 --> 01:23:16,439
Speaker 2: Of course.

1753
01:23:16,720 --> 01:23:19,680
Speaker 1: Of course, our one star review is from Alicia V.

1754
01:23:20,600 --> 01:23:23,240
Speaker 1: I didn't like it much. It should have just been vampires.

1755
01:23:23,360 --> 01:23:26,800
Speaker 1: That was the whole point of the movie. Okay, well,

1756
01:23:26,880 --> 01:23:29,200
Speaker 1: interesting review. I don't agree it's one star at all.

1757
01:23:29,280 --> 01:23:32,120
Speaker 1: I had serious problems with some story points in this movie,

1758
01:23:32,120 --> 01:23:33,880
Speaker 1: but I didn't agree this was one star movie. Not

1759
01:23:33,920 --> 01:23:36,000
Speaker 1: at all, Sabrina, what do you got for five star?

1760
01:23:36,680 --> 01:23:39,160
Speaker 2: All right, I'm so excited I get the five star.

1761
01:23:39,320 --> 01:23:47,040
Speaker 2: This is from gene h. I loved it. Milo is

1762
01:23:47,040 --> 01:23:50,400
Speaker 2: a fanatic actor. And yes that is spelled wrong. It's

1763
01:23:50,400 --> 01:23:53,200
Speaker 2: not fantastic actor. It's a fanatic actor.

1764
01:23:53,400 --> 01:23:55,599
Speaker 1: I think she wants fantastic Wow.

1765
01:23:55,920 --> 01:23:58,599
Speaker 2: Yeah, but that's okay. I agree he I am a

1766
01:23:58,600 --> 01:24:03,320
Speaker 2: fanatic fan of of the fantastic actor in which that

1767
01:24:03,439 --> 01:24:06,479
Speaker 2: is mine. Yea, He's amazing, amazing, they.

1768
01:24:06,320 --> 01:24:08,640
Speaker 1: Both are, and the new kids are great. I just

1769
01:24:08,680 --> 01:24:11,040
Speaker 1: had story problems. I didn't have actor problems. I had

1770
01:24:11,080 --> 01:24:14,439
Speaker 1: story problems. No, okay, Well, we're now coming, of course,

1771
01:24:14,439 --> 01:24:17,719
Speaker 1: to Sabrina's favorite portion of the program, which is a feature.

1772
01:24:18,240 --> 01:24:22,320
Speaker 1: It's our feature game by our producer Jensen, who loves

1773
01:24:22,360 --> 01:24:26,000
Speaker 1: to stump us. This one's called do you remember now?

1774
01:24:26,000 --> 01:24:28,120
Speaker 1: With Zombies four under our belts, it's time to test

1775
01:24:28,160 --> 01:24:31,599
Speaker 1: our knowledge and memory or lack thereof. We'll be given

1776
01:24:31,640 --> 01:24:33,719
Speaker 1: a song title. Oh, I don't know any of the songs.

1777
01:24:33,720 --> 01:24:35,519
Speaker 2: Oh my god, this is gonna be.

1778
01:24:35,439 --> 01:24:38,400
Speaker 1: All you, Sabrina. We'll be given a song title. We

1779
01:24:38,479 --> 01:24:41,280
Speaker 1: have to decide if we first heard it in zombies one,

1780
01:24:41,400 --> 01:24:48,160
Speaker 1: zombies two, zombies three, or cats. Higher number five out

1781
01:24:48,200 --> 01:24:50,080
Speaker 1: of seven gets us a win. I don't.

1782
01:24:50,080 --> 01:24:52,320
Speaker 4: There's also there's also possibility of zombies four, just so

1783
01:24:52,360 --> 01:24:52,800
Speaker 4: it's out there.

1784
01:24:52,840 --> 01:24:54,720
Speaker 1: Okay, Oh oh, I know one of them. Oh I'm

1785
01:24:54,720 --> 01:24:56,880
Speaker 1: looking at the list. I too, I know what I

1786
01:24:56,920 --> 01:25:00,479
Speaker 1: know what is. So the number number one is call

1787
01:25:00,640 --> 01:25:05,000
Speaker 1: to the Wild. I have to imagine that is going

1788
01:25:05,040 --> 01:25:07,760
Speaker 1: to be about were wolves. So I'm gonna say that's

1789
01:25:07,760 --> 01:25:15,760
Speaker 1: from zombies two. Okay, wouldn't you think zombies to Okay.

1790
01:25:15,520 --> 01:25:16,839
Speaker 2: Oh my god, that was the easiest.

1791
01:25:16,960 --> 01:25:18,360
Speaker 1: That was the easiest one. Well, no, because I know

1792
01:25:18,400 --> 01:25:20,599
Speaker 1: the next one because I made.

1793
01:25:20,120 --> 01:25:23,720
Speaker 2: Exception from zombies zombies.

1794
01:25:25,800 --> 01:25:28,080
Speaker 1: Okay, because I remember going like, wow, they're not even

1795
01:25:28,160 --> 01:25:29,000
Speaker 1: hiding this anymore.

1796
01:25:29,320 --> 01:25:31,280
Speaker 3: Yes, we have to talk about that when we do

1797
01:25:31,320 --> 01:25:32,120
Speaker 3: my Sabrias.

1798
01:25:32,320 --> 01:25:36,920
Speaker 1: Okay, number lush and three, flesh and Bone. That's got

1799
01:25:36,920 --> 01:25:44,400
Speaker 1: to be cats, you think, Yeah, I'm gonna say it

1800
01:25:44,560 --> 01:25:45,240
Speaker 1: zombies one.

1801
01:25:46,479 --> 01:25:48,479
Speaker 3: Okay, flesh and Bone.

1802
01:25:49,080 --> 01:25:52,240
Speaker 2: I'm gonna stick with cats in Zombies.

1803
01:25:51,840 --> 01:25:56,160
Speaker 1: One, Yes, all right. Number four my own way.

1804
01:25:56,479 --> 01:25:57,800
Speaker 2: He talks to you in the chat.

1805
01:25:57,880 --> 01:26:01,200
Speaker 1: He doesn't, I swear not gonna give me these you

1806
01:26:01,280 --> 01:26:05,559
Speaker 1: kidding screen share? Screenshare? He wants us to lose? Are

1807
01:26:05,560 --> 01:26:09,800
Speaker 1: you kidding? Number four is my own way? Didn't wasn't

1808
01:26:09,800 --> 01:26:12,840
Speaker 1: that justin the one we just saw? Isn't she saying

1809
01:26:12,880 --> 01:26:14,479
Speaker 1: about how she she's got to go around?

1810
01:26:14,520 --> 01:26:14,680
Speaker 4: Yeah?

1811
01:26:14,680 --> 01:26:16,120
Speaker 1: I think this is from Zombies.

1812
01:26:15,760 --> 01:26:20,240
Speaker 4: Four word Zombies four? So will is one away Sabrina.

1813
01:26:19,840 --> 01:26:24,959
Speaker 2: Tub Yeah, yeah, I'm four for four.

1814
01:26:24,840 --> 01:26:28,920
Speaker 1: For the record. Uh. Number five is we got this?

1815
01:26:30,400 --> 01:26:32,120
Speaker 4: Just for the record. I think I think this is

1816
01:26:32,160 --> 01:26:33,360
Speaker 4: where it gets kind of hard.

1817
01:26:33,840 --> 01:26:38,559
Speaker 2: Oh yeah, I think okay, yeah, Uh for some reason?

1818
01:26:38,680 --> 01:26:41,240
Speaker 2: Is that that is that this the first song in

1819
01:26:41,280 --> 01:26:43,880
Speaker 2: the second movie with the cheerleaders we got this or

1820
01:26:44,040 --> 01:26:47,880
Speaker 2: like that? Remember that when they're doing the obstacle course

1821
01:26:47,960 --> 01:26:49,880
Speaker 2: that they oh is it that?

1822
01:26:50,000 --> 01:26:52,679
Speaker 1: Or was it that? Is it the aliens when they're

1823
01:26:52,720 --> 01:26:55,439
Speaker 1: when the aliens are doing the test and they're like

1824
01:26:55,720 --> 01:27:01,599
Speaker 1: doing every their the tests are amazing. Oh I'm gonna

1825
01:27:01,600 --> 01:27:02,360
Speaker 1: say Zombies three.

1826
01:27:03,360 --> 01:27:08,120
Speaker 2: Okay, Yeah, you're right though, because that was something else

1827
01:27:08,160 --> 01:27:10,400
Speaker 2: that was called something a that was like something this.

1828
01:27:10,800 --> 01:27:14,160
Speaker 4: Never happened, something never happens. Will was wrong, and you

1829
01:27:14,320 --> 01:27:16,559
Speaker 4: followed him. It's zombies two?

1830
01:27:19,360 --> 01:27:19,920
Speaker 1: You were right?

1831
01:27:21,040 --> 01:27:25,320
Speaker 2: Was he right? Was it that song?

1832
01:27:26,160 --> 01:27:26,599
Speaker 1: Okay?

1833
01:27:26,680 --> 01:27:27,160
Speaker 2: Wow?

1834
01:27:28,280 --> 01:27:33,400
Speaker 1: Number stand stand?

1835
01:27:37,400 --> 01:27:40,000
Speaker 2: Stand? Is this a real zombies or is this in cats?

1836
01:27:40,000 --> 01:27:41,160
Speaker 2: We haven't had one for cats.

1837
01:27:41,160 --> 01:27:43,080
Speaker 1: Well, I'm guessing number seven is going to be from cats,

1838
01:27:43,080 --> 01:27:46,639
Speaker 1: but I could be right. Number six stand? I think

1839
01:27:46,640 --> 01:27:48,040
Speaker 1: it's was it zombies one?

1840
01:27:50,360 --> 01:27:52,719
Speaker 2: Zombies one? Stand? I don't have a clue.

1841
01:27:52,760 --> 01:27:54,800
Speaker 1: I don't either. I'm going to guess zombies one, but

1842
01:27:54,920 --> 01:27:56,360
Speaker 1: I don't. I don't. I don't know if I'm right.

1843
01:27:59,040 --> 01:28:02,000
Speaker 4: You guys can additions in zombies one? Both?

1844
01:28:02,520 --> 01:28:02,760
Speaker 2: Yes?

1845
01:28:03,920 --> 01:28:06,320
Speaker 4: Stand?

1846
01:28:07,960 --> 01:28:11,599
Speaker 2: Okay? This is a total flush and bone is actually zombies.

1847
01:28:13,960 --> 01:28:15,240
Speaker 2: It's a were wolf song?

1848
01:28:15,600 --> 01:28:19,200
Speaker 4: It was? Did I make a mistake?

1849
01:28:20,920 --> 01:28:22,479
Speaker 1: Did Jensen get one wrong?

1850
01:28:24,320 --> 01:28:26,400
Speaker 4: What number was? What number was flushing bone on the board?

1851
01:28:28,000 --> 01:28:29,120
Speaker 4: I have it as one?

1852
01:28:29,400 --> 01:28:29,759
Speaker 1: Three?

1853
01:28:32,120 --> 01:28:35,120
Speaker 2: Okay? Well, it does make sense. And that's what Will said.

1854
01:28:35,160 --> 01:28:40,040
Speaker 2: It's got to be the.

1855
01:28:39,360 --> 01:28:41,040
Speaker 4: I guess keep it in, keep it in. That means

1856
01:28:41,040 --> 01:28:41,960
Speaker 4: that they got it right.

1857
01:28:43,280 --> 01:28:46,800
Speaker 1: Wow. Okay. And then number seven is the old grumpy cat,

1858
01:28:46,960 --> 01:28:48,719
Speaker 1: the old grumpy grumble counter.

1859
01:28:49,280 --> 01:28:52,080
Speaker 2: I'm guessing that drum by gumby.

1860
01:28:52,200 --> 01:28:52,800
Speaker 1: Okay, so we.

1861
01:28:52,880 --> 01:28:59,479
Speaker 4: Both your memories way better than Yes, a lot of

1862
01:28:59,520 --> 01:28:59,840
Speaker 4: them was.

1863
01:28:59,800 --> 01:29:02,160
Speaker 1: Total guesses on my part. Just for the record, can

1864
01:29:02,160 --> 01:29:03,320
Speaker 1: we do some Sabrina sees.

1865
01:29:07,479 --> 01:29:10,400
Speaker 2: Yes, there's short because you know, I just lived for

1866
01:29:10,479 --> 01:29:13,320
Speaker 2: this movie. I didn't care much about it. There are

1867
01:29:13,360 --> 01:29:16,360
Speaker 2: a few couple like a few things the little girl

1868
01:29:16,360 --> 01:29:18,200
Speaker 2: in the beginning, like you said, because I was expecting

1869
01:29:18,240 --> 01:29:20,040
Speaker 2: her to come into play at some point and she

1870
01:29:20,120 --> 01:29:26,599
Speaker 2: never did. And I think the only reason because then

1871
01:29:26,600 --> 01:29:28,400
Speaker 2: again when I watched it again and we were in

1872
01:29:28,439 --> 01:29:30,680
Speaker 2: the movie theater, that stuck with me a little bit

1873
01:29:30,760 --> 01:29:32,360
Speaker 2: like did I miss her? And then it was kind

1874
01:29:32,400 --> 01:29:36,479
Speaker 2: of like I think again because Freya was just so

1875
01:29:36,680 --> 01:29:40,600
Speaker 2: young looking, having a little little girl, and maybe that

1876
01:29:40,680 --> 01:29:42,960
Speaker 2: it kind of helped age her up a little bit

1877
01:29:43,000 --> 01:29:45,840
Speaker 2: and made it seem like, you know, she really could be,

1878
01:29:46,360 --> 01:29:48,400
Speaker 2: you know, the leader of the next leader of the

1879
01:29:48,439 --> 01:29:49,800
Speaker 2: town because she was really young.

1880
01:29:49,880 --> 01:29:51,360
Speaker 1: Yeah, you could be ready to.

1881
01:29:53,160 --> 01:29:56,679
Speaker 2: And then there's two times when we have a glimpse

1882
01:29:56,720 --> 01:29:59,080
Speaker 2: of what it just brought me. It was nostalgic for

1883
01:29:59,200 --> 01:30:02,000
Speaker 2: me and I out there have seen Cheetah three where

1884
01:30:02,120 --> 01:30:06,280
Speaker 2: the car crash scene is something that I remember filming

1885
01:30:06,439 --> 01:30:08,680
Speaker 2: that is like so Paul in the sense of he

1886
01:30:08,800 --> 01:30:11,120
Speaker 2: loves that kind of stuff. He had the best time

1887
01:30:11,840 --> 01:30:15,040
Speaker 2: being the one doing the camera in our car crash

1888
01:30:15,080 --> 01:30:17,479
Speaker 2: scene that we do. We are not a car crash,

1889
01:30:17,479 --> 01:30:19,960
Speaker 2: but we have like a crazy car scene that you'll see.

1890
01:30:20,920 --> 01:30:24,600
Speaker 2: And then the battle, the battle between the two. The

1891
01:30:24,680 --> 01:30:27,760
Speaker 2: two things, those were just nice fun things for me,

1892
01:30:28,040 --> 01:30:32,240
Speaker 2: and it was like nostalgic, yeah, like of working with Paul.

1893
01:30:32,360 --> 01:30:35,000
Speaker 2: I was just so excited that Paul has this fourth

1894
01:30:35,040 --> 01:30:38,160
Speaker 2: movie that's just awesome, and so that was just fun

1895
01:30:38,200 --> 01:30:40,040
Speaker 2: to like, and I talked to him about that on

1896
01:30:40,080 --> 01:30:43,160
Speaker 2: the Red carpet. He's like, I know, isn't that or whatever.

1897
01:30:45,400 --> 01:30:49,479
Speaker 2: So then the next thing was like the aggression that

1898
01:30:49,520 --> 01:30:52,840
Speaker 2: they had, even though obviously they're worried about someone new

1899
01:30:52,880 --> 01:30:57,880
Speaker 2: coming on, but in all reality, neither Addison or z

1900
01:30:58,240 --> 01:31:01,439
Speaker 2: looked like a day walker or a vampire in really

1901
01:31:01,479 --> 01:31:04,080
Speaker 2: any way. So the fact that they were ready to

1902
01:31:04,120 --> 01:31:06,240
Speaker 2: just like kill these people, I was like, Wow, this

1903
01:31:06,439 --> 01:31:12,840
Speaker 2: is violent, violent Violet Violet, and I really just died

1904
01:31:13,040 --> 01:31:15,840
Speaker 2: when then I'm skipping through so much more. The camp

1905
01:31:15,880 --> 01:31:20,479
Speaker 2: stuff was kind of like there was so many funny

1906
01:31:20,479 --> 01:31:23,840
Speaker 2: moments of how they were so positive that they could

1907
01:31:23,880 --> 01:31:27,240
Speaker 2: get these kids together, and every moment they were just kidding,

1908
01:31:27,280 --> 01:31:30,920
Speaker 2: like let's eat them, let's yell them, let's yell yeah.

1909
01:31:30,920 --> 01:31:33,160
Speaker 2: And I felt like that's when both of them really

1910
01:31:33,200 --> 01:31:35,160
Speaker 2: shined in a new light, like this like kind of

1911
01:31:35,240 --> 01:31:37,320
Speaker 2: humor light that we didn't I don't feel like we

1912
01:31:37,360 --> 01:31:40,120
Speaker 2: saw as much in the other movies. And then the

1913
01:31:40,240 --> 01:31:43,839
Speaker 2: last one was we haven't talked about it. This dad

1914
01:31:43,960 --> 01:31:46,719
Speaker 2: of Nova, we have to put him on the list.

1915
01:31:46,880 --> 01:31:49,920
Speaker 2: He's the worst, the worst of all. He's not the

1916
01:31:49,960 --> 01:31:52,960
Speaker 2: worst dad ever, but he's on the list because it's

1917
01:31:53,040 --> 01:31:56,600
Speaker 2: literally like the weight of the world is on your shoulders,

1918
01:31:56,640 --> 01:31:59,960
Speaker 2: you teeny tiny, fifteen year old, and I can't believe

1919
01:32:00,080 --> 01:32:03,160
Speaker 2: that I'm gonna I'm also gonna go. I'm gonna go,

1920
01:32:03,760 --> 01:32:05,680
Speaker 2: and you are gonna make all the right decisions, and

1921
01:32:05,680 --> 01:32:08,320
Speaker 2: then I cannot believe that you you stumbled a bit,

1922
01:32:08,400 --> 01:32:14,040
Speaker 2: You've kill them. But I'm also just not good yes,

1923
01:32:14,080 --> 01:32:15,880
Speaker 2: And I'm also just not gonna be here for any

1924
01:32:15,920 --> 01:32:17,679
Speaker 2: of it. I'm gonna come in at the last minute

1925
01:32:17,760 --> 01:32:19,400
Speaker 2: and then I'm gonna bark at you because you didn't

1926
01:32:19,400 --> 01:32:20,880
Speaker 2: do it right, and then I'm gonna go again it

1927
01:32:20,960 --> 01:32:24,200
Speaker 2: sounds fair. So he was a bad dad. And that's

1928
01:32:24,320 --> 01:32:26,559
Speaker 2: that's really it. All the other stuff I've said, and

1929
01:32:26,600 --> 01:32:30,040
Speaker 2: it's all stuff that I love. The tap dancing was

1930
01:32:30,560 --> 01:32:36,519
Speaker 2: such a amazing like fred Astaires, like Ginger Rogers, something

1931
01:32:36,600 --> 01:32:39,200
Speaker 2: I would dream to be able to have in a movie,

1932
01:32:39,280 --> 01:32:41,000
Speaker 2: and I was so happy for the two of them

1933
01:32:41,040 --> 01:32:44,479
Speaker 2: to be able to get that. Yes, tap is very difficult.

1934
01:32:44,680 --> 01:32:48,280
Speaker 2: They didn't do a totally crazy, difficult dance, but I

1935
01:32:48,320 --> 01:32:52,439
Speaker 2: thought it was like a really awesome little just a

1936
01:32:52,479 --> 01:32:55,280
Speaker 2: little sparkle for me that I thought was a great

1937
01:32:55,840 --> 01:32:57,960
Speaker 2: addition to the movie. Because I'm sure that was kind

1938
01:32:57,960 --> 01:33:00,519
Speaker 2: of thought after later loved it.

1939
01:33:00,680 --> 01:33:03,920
Speaker 1: Okay, uh, it's time to rate. It's it's we're now

1940
01:33:03,960 --> 01:33:06,040
Speaker 1: coming to the point of our program where we're gonna rate.

1941
01:33:06,080 --> 01:33:07,559
Speaker 1: We're gonna do one out of ten this time because

1942
01:33:07,560 --> 01:33:10,400
Speaker 1: it's zombies and one's gonna be the worst and ten

1943
01:33:10,479 --> 01:33:13,200
Speaker 1: is gonna be the best for zombies. Our options this

1944
01:33:13,240 --> 01:33:15,880
Speaker 1: week we want to do one out of ten. Mconan

1945
01:33:15,960 --> 01:33:21,560
Speaker 1: knives one out of ten, not day just regular walkers, naturally,

1946
01:33:21,680 --> 01:33:25,960
Speaker 1: shiny insides one out of ten, missing cast member updates,

1947
01:33:27,040 --> 01:33:32,360
Speaker 1: schmores one out of ten half alien coach, Lombardes, apples

1948
01:33:32,360 --> 01:33:35,560
Speaker 1: with melted cheese, one out of ten, weird bird impressions

1949
01:33:35,920 --> 01:33:37,719
Speaker 1: or one out of ten kebabs and cakes. What would

1950
01:33:37,720 --> 01:33:38,200
Speaker 1: you like to do?

1951
01:33:38,840 --> 01:33:39,559
Speaker 2: I don't know.

1952
01:33:40,120 --> 01:33:41,680
Speaker 1: I'm gonna do one or one out of ten?

1953
01:33:41,920 --> 01:33:42,360
Speaker 4: What are the.

1954
01:33:42,360 --> 01:33:47,800
Speaker 1: Rules so you pick? You pick which ones you want?

1955
01:33:48,439 --> 01:33:54,280
Speaker 2: I'm gonna do. I could we do just walkers, not Day,

1956
01:33:54,520 --> 01:33:56,960
Speaker 2: not Day, just regular rockers, just regular.

1957
01:33:57,240 --> 01:33:59,680
Speaker 1: So we'll pick not Day, just regular Walkers. I think

1958
01:33:59,680 --> 01:34:04,400
Speaker 1: it's I turned to go first this time. I had

1959
01:34:04,439 --> 01:34:08,320
Speaker 1: problems with this movie. I liked the movie again, Milo

1960
01:34:08,400 --> 01:34:11,720
Speaker 1: and Meg together awesome. I loved seeing the Core four.

1961
01:34:11,760 --> 01:34:14,120
Speaker 1: They were great. I think Passing the Torch was wonderful.

1962
01:34:14,479 --> 01:34:17,120
Speaker 1: I love the two new people that they cast. I

1963
01:34:17,120 --> 01:34:19,120
Speaker 1: didn't think the chemistry was as good as Milo and Meg,

1964
01:34:19,120 --> 01:34:22,040
Speaker 1: but that's a tough thing to tap right away. I

1965
01:34:22,080 --> 01:34:24,800
Speaker 1: can see them moving on. I had a ton of

1966
01:34:24,840 --> 01:34:28,920
Speaker 1: problems with the how convoluted the script was. A lot

1967
01:34:28,960 --> 01:34:31,360
Speaker 1: of it just didn't make any sense. It seemed like

1968
01:34:31,360 --> 01:34:33,360
Speaker 1: they were making some stuff up as they were going along.

1969
01:34:33,400 --> 01:34:36,160
Speaker 1: That that being said, I love the franchise. I you know,

1970
01:34:36,280 --> 01:34:39,519
Speaker 1: I don't remember much of the music, not you know

1971
01:34:39,640 --> 01:34:43,360
Speaker 1: the fact that we just won the game. Aside, I

1972
01:34:43,400 --> 01:34:44,920
Speaker 1: don't remember a lot of the music.

1973
01:34:44,880 --> 01:34:49,320
Speaker 2: But a lot of that music wasn't from the right righteah.

1974
01:34:49,439 --> 01:34:52,120
Speaker 1: So I just this was they go in order for me.

1975
01:34:52,160 --> 01:34:54,280
Speaker 1: As I said at the beginning, Zombies one is my favorite,

1976
01:34:54,560 --> 01:34:56,240
Speaker 1: Zombi's two was great, but not as good as the

1977
01:34:56,240 --> 01:34:57,920
Speaker 1: first one, and so on and so on. This was

1978
01:34:57,920 --> 01:35:00,360
Speaker 1: my least favorite of the four. I just thought the

1979
01:35:00,400 --> 01:35:02,720
Speaker 1: script is too convoluted. I'm very excited to see what

1980
01:35:02,760 --> 01:35:04,799
Speaker 1: they do in the future. I hope they add some rules,

1981
01:35:04,880 --> 01:35:07,920
Speaker 1: something to make some sense. But I'm gonna give this

1982
01:35:08,200 --> 01:35:10,439
Speaker 1: it's my lowest rating of all my zombies so far.

1983
01:35:10,520 --> 01:35:14,599
Speaker 1: I'm gonna give this a seven point five not.

1984
01:35:14,680 --> 01:35:15,519
Speaker 2: It's still not bad.

1985
01:35:15,600 --> 01:35:17,840
Speaker 1: It's not bad, not a bad movie. It is not

1986
01:35:17,880 --> 01:35:21,599
Speaker 1: a bad movie. It's again for kids for a musical.

1987
01:35:21,720 --> 01:35:25,040
Speaker 1: It's bright, there's dancing. She's gonna be a big star.

1988
01:35:25,520 --> 01:35:28,080
Speaker 1: He's already a Disney Channel star. I get all that.

1989
01:35:28,160 --> 01:35:31,000
Speaker 1: So I was in and I'm I like the franchise.

1990
01:35:31,040 --> 01:35:34,360
Speaker 1: I do. If this was standalone and it wasn't part

1991
01:35:34,360 --> 01:35:36,439
Speaker 1: of a franchise that I didn't already know and love,

1992
01:35:36,560 --> 01:35:38,960
Speaker 1: this would have been a much harsher score because there's

1993
01:35:39,439 --> 01:35:42,519
Speaker 1: it's not as light as the other movies. There isn't

1994
01:35:42,600 --> 01:35:44,760
Speaker 1: the tongue in cheapness about it. I missed kind of

1995
01:35:44,800 --> 01:35:46,800
Speaker 1: the buckiness of it. It was too much in the

1996
01:35:46,840 --> 01:35:48,840
Speaker 1: third one, but like the first two, he was kind

1997
01:35:48,840 --> 01:35:52,720
Speaker 1: of perfect. So yeah, I'm I'm I'm happy with a

1998
01:35:52,760 --> 01:35:55,880
Speaker 1: seven point five, not Day just regular Walkers. I think

1999
01:35:56,280 --> 01:35:59,800
Speaker 1: a lot of that is I'm giving it because of

2000
01:35:59,840 --> 01:36:01,880
Speaker 1: the franchise it's part of as opposed to just this

2001
01:36:01,960 --> 01:36:04,320
Speaker 1: movie itself. I had problems with this movie, but yeah,

2002
01:36:04,320 --> 01:36:05,840
Speaker 1: but I still love the franchise.

2003
01:36:07,439 --> 01:36:11,679
Speaker 2: Yes, well, I to me. One of the things, especially

2004
01:36:11,760 --> 01:36:15,759
Speaker 2: the anticipation of passing the torch, right, this is something

2005
01:36:15,760 --> 01:36:18,799
Speaker 2: that's obviously going on with a couple of the franchise,

2006
01:36:18,840 --> 01:36:21,720
Speaker 2: the Cheetah Girls being one of them, of wanting to

2007
01:36:21,760 --> 01:36:24,960
Speaker 2: bring back that essence but not knowing where to go.

2008
01:36:25,080 --> 01:36:27,519
Speaker 2: How do you do a reboot? Like all that kind

2009
01:36:27,600 --> 01:36:30,880
Speaker 2: of stuff is is tough, It's not an easy thing

2010
01:36:30,880 --> 01:36:34,040
Speaker 2: to do. Very seldom does a reboot come out and

2011
01:36:34,080 --> 01:36:36,840
Speaker 2: people love it. So it's hard to figure out where

2012
01:36:36,880 --> 01:36:39,920
Speaker 2: that sweet spot is. And I was worried, like, how

2013
01:36:39,960 --> 01:36:43,840
Speaker 2: are they gonna do this. Who doesn't love Addison and

2014
01:36:43,960 --> 01:36:46,519
Speaker 2: Zed I know I do. I'm obsessed. It's been so

2015
01:36:46,720 --> 01:36:50,200
Speaker 2: long since I have fallen for like a couple like

2016
01:36:50,280 --> 01:36:53,919
Speaker 2: this in the movies, and that I just I'm obsessed

2017
01:36:53,920 --> 01:36:56,720
Speaker 2: with them. I can't imagine, you know, before seeing this,

2018
01:36:57,000 --> 01:36:58,600
Speaker 2: how they would ever not be in part of this

2019
01:36:58,680 --> 01:37:02,920
Speaker 2: franchise right or be the main character. With that being said,

2020
01:37:03,040 --> 01:37:05,599
Speaker 2: I think the way they did this was a great

2021
01:37:05,720 --> 01:37:08,680
Speaker 2: way to pass the torch and continue the franchise for

2022
01:37:08,760 --> 01:37:11,439
Speaker 2: the future. I didn't know if it could be done,

2023
01:37:11,479 --> 01:37:13,559
Speaker 2: and for me, this is the way to do it.

2024
01:37:14,640 --> 01:37:18,559
Speaker 2: And also knowing that Meg and Milo aren't gonna one

2025
01:37:18,640 --> 01:37:20,800
Speaker 2: hundred percent ever disappear. They're always going to be a

2026
01:37:20,840 --> 01:37:23,519
Speaker 2: part of it, and I think the fans will obviously

2027
01:37:23,880 --> 01:37:24,640
Speaker 2: always love that.

2028
01:37:25,320 --> 01:37:27,360
Speaker 3: But this was a really great way on how to

2029
01:37:27,400 --> 01:37:30,519
Speaker 3: do that passing of the torch. When you go to

2030
01:37:30,600 --> 01:37:34,120
Speaker 3: do what we're doing and you're dissecting it, of course,

2031
01:37:34,240 --> 01:37:36,040
Speaker 3: this is where we're gonna be. We're going to fight

2032
01:37:36,160 --> 01:37:38,599
Speaker 3: the flaws. That's what we're looking to do, right, that's

2033
01:37:38,640 --> 01:37:39,120
Speaker 3: the job.

2034
01:37:40,280 --> 01:37:43,640
Speaker 2: And even within that, it was still like because I

2035
01:37:43,880 --> 01:37:47,680
Speaker 2: just fell for these two characters and know their chemistry,

2036
01:37:49,000 --> 01:37:50,960
Speaker 2: the shoes they had to fill. I don't think they

2037
01:37:51,200 --> 01:37:53,439
Speaker 2: one hundred percent got there, but I could see the

2038
01:37:53,479 --> 01:37:55,000
Speaker 2: potential of them getting there.

2039
01:37:55,920 --> 01:37:56,120
Speaker 1: You know.

2040
01:37:56,200 --> 01:38:00,679
Speaker 2: The more that within the next couple of movies they're great.

2041
01:38:00,760 --> 01:38:05,679
Speaker 2: The the talent, the cast of dancers within New Zealand

2042
01:38:06,120 --> 01:38:11,240
Speaker 2: was phenomenal. These these kids knew how to get it done.

2043
01:38:11,479 --> 01:38:14,920
Speaker 2: They were great on camera, they were vibrant. Again. I

2044
01:38:15,000 --> 01:38:17,400
Speaker 2: loved the new we didn't even talk about it, but

2045
01:38:17,439 --> 01:38:20,680
Speaker 2: the wardrobe that they all had, the differences, like, there

2046
01:38:20,760 --> 01:38:24,160
Speaker 2: was so many things that are true zombie that I

2047
01:38:24,160 --> 01:38:27,559
Speaker 2: thought this this this movie brought. But of course, yes,

2048
01:38:28,200 --> 01:38:30,680
Speaker 2: being such a big thing and taking us completely out

2049
01:38:30,680 --> 01:38:32,320
Speaker 2: of Seabrook, there was a lot of stuff to do,

2050
01:38:32,360 --> 01:38:34,639
Speaker 2: and I don't think they hit everything the way they've

2051
01:38:34,640 --> 01:38:35,400
Speaker 2: done it in the past.

2052
01:38:35,880 --> 01:38:38,000
Speaker 4: So I can we go on record for everyone's cut?

2053
01:38:38,160 --> 01:38:42,240
Speaker 4: So Will has one, two, three, four, Sabrina I have.

2054
01:38:42,400 --> 01:38:45,280
Speaker 2: For me, I have one, and I think I would

2055
01:38:45,320 --> 01:38:48,000
Speaker 2: have to do a tie between the second and the

2056
01:38:48,920 --> 01:38:51,640
Speaker 2: Werewolf and this one, and then the third would be

2057
01:38:51,760 --> 01:38:53,320
Speaker 2: my least, but I still love the third.

2058
01:38:53,479 --> 01:38:54,920
Speaker 4: I have two four three?

2059
01:38:55,160 --> 01:39:00,519
Speaker 2: Yeah really two first in one four three Okay, So anyway,

2060
01:39:00,520 --> 01:39:03,680
Speaker 2: but saying that I still loved it. I still I

2061
01:39:03,720 --> 01:39:06,360
Speaker 2: love the new characters. I can't wait to see where

2062
01:39:06,400 --> 01:39:08,519
Speaker 2: this is going. I hope to God that we get

2063
01:39:08,520 --> 01:39:11,600
Speaker 2: it sooner than three years from now. I'm going to

2064
01:39:11,640 --> 01:39:12,800
Speaker 2: give this a nine.

2065
01:39:13,080 --> 01:39:13,680
Speaker 1: Wow.

2066
01:39:14,080 --> 01:39:19,520
Speaker 2: I know, I just love this franchise so much. I do.

2067
01:39:20,040 --> 01:39:22,760
Speaker 2: I'm ready to look past all that stuff. I just

2068
01:39:22,920 --> 01:39:25,400
Speaker 2: love you guys. Freya, You're a star. Can't wait to

2069
01:39:25,439 --> 01:39:28,040
Speaker 2: see what you do. I love you as Nova, I

2070
01:39:28,080 --> 01:39:31,519
Speaker 2: love Malachai, I love all mall. I love love every week,

2071
01:39:33,080 --> 01:39:35,519
Speaker 2: not day, just regular walkers for me.

2072
01:39:35,680 --> 01:39:38,479
Speaker 1: I love that. Okay, Well, thank you everybody for joining

2073
01:39:38,520 --> 01:39:40,920
Speaker 1: us as we wrap what we were hopefully not wrapping

2074
01:39:41,000 --> 01:39:43,000
Speaker 1: up the Zombies franchise, but at least wrapping up the ones.

2075
01:39:43,000 --> 01:39:45,519
Speaker 1: We're caught up for one franchise, which we've never been before,

2076
01:39:45,560 --> 01:39:47,680
Speaker 1: so that's kind of cool. And uh, we're going to

2077
01:39:47,720 --> 01:39:49,720
Speaker 1: be taking a little summer recap break, everybody, just a

2078
01:39:49,760 --> 01:39:52,120
Speaker 1: few weeks off from analyzing d cooms. But that doesn't

2079
01:39:52,120 --> 01:39:54,200
Speaker 1: mean you're going to be without new Magical rewinds. We

2080
01:39:54,280 --> 01:39:57,639
Speaker 1: have some incredible interviews lined up. They'll each be released

2081
01:39:57,640 --> 01:39:59,880
Speaker 1: on the dedicated Magical rewind feed for you and listen

2082
01:40:00,040 --> 01:40:02,280
Speaker 1: these heavy hitters we talked to. Next week we'll be

2083
01:40:02,320 --> 01:40:06,320
Speaker 1: chatting with a Zombies veteran Terry who better known as Aspen,

2084
01:40:07,000 --> 01:40:09,000
Speaker 1: one of the aliens from Zombies three. They beamed down

2085
01:40:09,000 --> 01:40:11,719
Speaker 1: to chat with us, and let's kick it all off

2086
01:40:11,760 --> 01:40:13,439
Speaker 1: with a little preview of what you're in for.

2087
01:40:15,080 --> 01:40:17,559
Speaker 5: I actually cut my hair for the role and I

2088
01:40:17,640 --> 01:40:18,040
Speaker 5: died it.

2089
01:40:18,280 --> 01:40:18,679
Speaker 2: Wow.

2090
01:40:19,360 --> 01:40:21,280
Speaker 5: I was the only one that died it, which you know,

2091
01:40:21,520 --> 01:40:24,519
Speaker 5: was really amazing and also had its own struggles because

2092
01:40:24,520 --> 01:40:26,599
Speaker 5: I had really dark hair obviously, so like the way

2093
01:40:26,640 --> 01:40:28,000
Speaker 5: that it stays and you know, stuff like that. But

2094
01:40:28,040 --> 01:40:30,240
Speaker 5: when it was good, it was good. Oh, it was

2095
01:40:30,280 --> 01:40:30,760
Speaker 5: really cool.

2096
01:40:31,040 --> 01:40:32,960
Speaker 2: Did you keep it? How long did you keep it?

2097
01:40:33,000 --> 01:40:35,519
Speaker 2: After filming where you were like, I'm diggin this kept

2098
01:40:35,520 --> 01:40:36,240
Speaker 2: it for a while.

2099
01:40:38,280 --> 01:40:40,080
Speaker 1: And then the week after that, we're sitting down with

2100
01:40:40,160 --> 01:40:44,080
Speaker 1: Brian Stepanic, Yes, a family TV legend, a prolific actor.

2101
01:40:44,120 --> 01:40:47,160
Speaker 1: You know him from the Sweet Life with Zach and Cody, Nick, Ricky,

2102
01:40:47,360 --> 01:40:50,120
Speaker 1: Dicky and Don, The Loud House and Young Sheldon. But

2103
01:40:50,240 --> 01:40:53,879
Speaker 1: most importantly for us, hatching Pete. Actually, even more importantly

2104
01:40:53,920 --> 01:40:56,760
Speaker 1: though maybe the most importantly, is one of the He

2105
01:40:56,880 --> 01:40:59,760
Speaker 1: is the esteemed host of the Disney Channel games. We

2106
01:40:59,800 --> 01:41:02,439
Speaker 1: got really in the weeds with him on this trust Me.

2107
01:41:02,800 --> 01:41:05,080
Speaker 1: We talked some Simon Says and what it was like

2108
01:41:05,120 --> 01:41:08,320
Speaker 1: to work with all these annoying little Brady kids that

2109
01:41:08,400 --> 01:41:10,559
Speaker 1: for Disney Channel kids. I'm kidding, I'm sure he loved it.

2110
01:41:10,800 --> 01:41:13,280
Speaker 1: And then after that we could probably just sleep, take

2111
01:41:13,280 --> 01:41:15,160
Speaker 1: it easy. But no, no, no, we're gonna be chatting with

2112
01:41:15,200 --> 01:41:18,080
Speaker 1: the duo we never expected on the podcast. It's Heidi

2113
01:41:18,200 --> 01:41:22,320
Speaker 1: and Heather Burge, the real basketball player Twins, whose life

2114
01:41:22,360 --> 01:41:25,600
Speaker 1: was the inspiration for the movie that nobody liked Double Team.

2115
01:41:26,400 --> 01:41:29,280
Speaker 2: Don't everyone lie, everyone but.

2116
01:41:29,479 --> 01:41:33,559
Speaker 1: Me, don't ever say that we don't live that dcom life.

2117
01:41:33,760 --> 01:41:35,320
Speaker 1: And then we'll be back with a new recap. So

2118
01:41:35,400 --> 01:41:37,400
Speaker 1: come hang out with us on the Magical Rewind feed

2119
01:41:37,439 --> 01:41:39,599
Speaker 1: for a one two three punch you're gonna love. All

2120
01:41:39,640 --> 01:41:41,519
Speaker 1: you have to do is search for Magical Rewind wherever

2121
01:41:41,600 --> 01:41:44,080
Speaker 1: you get your podcasts and subscribe to our dedicated feed

2122
01:41:44,360 --> 01:41:46,639
Speaker 1: and for more info, you can follow us at Magical

2123
01:41:46,680 --> 01:41:50,559
Speaker 1: Rewind Pod on the Instagram Machine. Bye everybody, Ye