WEBVTT - 201: White Hat's Off w/ Joshua Malina

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<v Speaker 1>Unpacking the Toolboxes, a production of Shondoland Audio in partnership

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<v Speaker 1>with Iheartradiote. Do you like how unattractive I am? Like,

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<v Speaker 1>I'm a real chameleon? Are you fucking kidding me? Shut

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<v Speaker 1>the fuck up? No? No, Like me without makeup is impressive,

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<v Speaker 1>and me with makeup is I'm a fucking dream woman.

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<v Speaker 1>What do you want? Yo? How was the audition? It

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<v Speaker 1>was my first time ever using a teleprompter? Have you?

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<v Speaker 1>Oh really? Oh yeah, I've used teleprompters, but not for

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<v Speaker 1>scripted stuff, only for like host type thing. Well, when

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<v Speaker 1>i get like eight pages of monologues, now, I'm like, oh, guys,

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<v Speaker 1>especially if it's like da crap speaking of DA and

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<v Speaker 1>lawyerly speak, we have the fucking most mischievous guest today

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<v Speaker 1>coming on, and he's the best lawyer speak motherfucker actor

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<v Speaker 1>I've ever seen in my life. Oh yeah, can you

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<v Speaker 1>believe this motherfucker at how easy it can? I hate him?

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<v Speaker 1>I know, I know, and he and I'm drilling like

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<v Speaker 1>legal talk and making it feel like it just like

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<v Speaker 1>comes off the tongue. And also it takes me days

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<v Speaker 1>to prep that, and this ship came in like yesterday. Yeah,

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<v Speaker 1>it takes me days because I need to be confident,

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<v Speaker 1>like confident, ye, but this motherfucker, I mean you've said

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<v Speaker 1>this before. Oh my god, He'll look at that shit

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<v Speaker 1>in the makeup trader and time and it's easy. And

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<v Speaker 1>he's not even shaken. He can't be shook. He's well

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<v Speaker 1>because he could give a shit too. He's like, Oh,

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<v Speaker 1>I don't care, I don't care. I just want the page.

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<v Speaker 1>I mean, this is his middle name should be. I

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<v Speaker 1>just want to pay paycheck. Had you ever had auditions

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<v Speaker 1>where you have to like pick up sides or a script?

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<v Speaker 1>Oh the time? Are you kidding? All the time? Real?

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<v Speaker 1>When I first moved to LA I would have to

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<v Speaker 1>drive to my agency and there would be a basket

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<v Speaker 1>in the lobby if it was after hours, and they

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<v Speaker 1>would leave your script in a manilla envelope with your

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<v Speaker 1>name on it. Oh yeah, I remember that. At the

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<v Speaker 1>time of this recording, I would just also like to say,

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<v Speaker 1>this is the seventeenth year to the day anniversary when

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<v Speaker 1>I moved to last Oh, that's a long time. It's

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<v Speaker 1>a long time, Like I can't even believe it. But

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<v Speaker 1>I always remember getting off at Lax being like, what

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<v Speaker 1>did I just do? To blow up my life like

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<v Speaker 1>this renting a beater, piece of shit, fucked up car,

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<v Speaker 1>and I got on the four oh five and the

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<v Speaker 1>ten scariest drive of my entire life, and I had

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<v Speaker 1>a Thomas guy to get around. Some big ass nerd

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<v Speaker 1>created the Thomas Guide. I was like, don't even come

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<v Speaker 1>at me with this thick book of fucking coordinates, Like

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<v Speaker 1>what are you talking about how I used to try

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<v Speaker 1>to get a round audition? Oh? Hell no, I'm a

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<v Speaker 1>geographic dumb dumb. I'm a bad driver, like very bad,

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<v Speaker 1>which reminds me. Also, you and I, You and I

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<v Speaker 1>are cut, we have the same We shot the pilot

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<v Speaker 1>and it's raining, and you're in a you're so hot,

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<v Speaker 1>you're in a leather jacket and you're in a jeep

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<v Speaker 1>wrangler that has no top. Oh my god. Remember, and

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<v Speaker 1>you're like, can I follow you to get on the

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<v Speaker 1>one oh one? And I kept saying like, yeah, yeah, yeah,

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<v Speaker 1>I got it, I got it, I got it. And

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<v Speaker 1>I see you in my rearview mirror, like following me,

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<v Speaker 1>and I don't know where I'm going, and I just

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<v Speaker 1>remember I keep pulling uee's and you're pulling UEI's and

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<v Speaker 1>it's s raining as shit. Yeah. I was like, it

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<v Speaker 1>would be worse if it was just me, girl. I

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<v Speaker 1>was impressed at all. I was like, do your thing,

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<v Speaker 1>take your time. Now. There are a few controversial players

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<v Speaker 1>that we have had on the podcast that we're going

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<v Speaker 1>to have on the podcast. Controversial players. This one is

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<v Speaker 1>a controversial player because he is a polarizing motherfucker. This

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<v Speaker 1>is the number one fucking polarizing. Like you either are

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<v Speaker 1>on board with his antics or you are afraid, which

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<v Speaker 1>makes you mad at him. Yeah, I fucking teeter talk.

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<v Speaker 1>I'm back and forth like I love him and I

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<v Speaker 1>laugh and I enjoy it, and then I'm like, I

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<v Speaker 1>cannot believe you freaking did that. And I'm so pissed

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<v Speaker 1>at him, Like I go back and forth. He's kind

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<v Speaker 1>of scared of you. I could feel that too, because

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<v Speaker 1>I'll go off on a motherfucker. Yeah. See, he never

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<v Speaker 1>fucked with you, no, yeah, yeah. And I feel like

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<v Speaker 1>it's because he was always a little bit like, oh,

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<v Speaker 1>you don't do that to Guermo, like you don't there,

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<v Speaker 1>he didn't do to you what he's done did to me,

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<v Speaker 1>or because I'm such a fucking easy target. But here's

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<v Speaker 1>the thing. He's the most talented dude without trying, which

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<v Speaker 1>is so frustrating. Yeah, like Josh Mullen is the smartest

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<v Speaker 1>person in the room, Oh yeah, but also a quick

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<v Speaker 1>win and a quick intelligence, Like I people ask me

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<v Speaker 1>a question and I have to be like, give me

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<v Speaker 1>twenty minutes to go try to understand the question and

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<v Speaker 1>think of what I'm gonna say. Sometimes, guys, we would

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<v Speaker 1>do cold reads of our scripts, and I would be

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<v Speaker 1>fucking mortified that they would find out in a cold read,

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<v Speaker 1>like how exactly dumb I am? But like I wouldn't

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<v Speaker 1>know how to pronounce a word, or there might be

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<v Speaker 1>like a turn of phrase or something that was like

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<v Speaker 1>a colloquialism. Same like quickly look at Quinn's lines to

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<v Speaker 1>make sure there wasn't something that would out how like

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<v Speaker 1>unintelligent I was. Because there were so many fucking smart

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<v Speaker 1>people in our cast, Like do you know that Bellamy

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<v Speaker 1>Young and Josh Willna went to Yale fucking Yale, dude,

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<v Speaker 1>like real kidding, And Shanda went to Dartmouth. Half the

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<v Speaker 1>writers or more were like journalists, perfect like unbelievable talent.

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<v Speaker 1>Do you carry went to GWS? Right? That's right? Obviously

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<v Speaker 1>She's a political animal and just ridiculously smart. Where did

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<v Speaker 1>you go, Katie, Well, I went to Tish School. You

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<v Speaker 1>you don't got to be smart to get in there. Well, listen,

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<v Speaker 1>it's not easy to get into No, you have to

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<v Speaker 1>have done well. But it has something to do with smarts.

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<v Speaker 1>For me, I just was good at school, and if

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<v Speaker 1>I wasn't going to get a great grade, I knew

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<v Speaker 1>how to do extra time in the teacher's room to

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<v Speaker 1>make them like me and give me an like I

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<v Speaker 1>was working that shit from jump. But guys, we have

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<v Speaker 1>teased one of the most controversial and polarizing guests to

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<v Speaker 1>have ever been on the Skin and Rewatch podcast and

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<v Speaker 1>on Scanal. I love him. I think he's so amazing.

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<v Speaker 1>And we are talking about episode two oh one called

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<v Speaker 1>White Hats Off, which aired on September twenty seventh of

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<v Speaker 1>twenty twelve, and it was written by Jenna Bands and

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<v Speaker 1>directed by our very own we love him so much,

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<v Speaker 1>Tom Verica. Whoa, whoa, We love you, Tom Verica. It

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<v Speaker 1>was guest starring Wendy Davis Is Kimberly, Mitchell Reese Rios

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<v Speaker 1>as reporter number one, did Norah Walcott as Reporter Number two,

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<v Speaker 1>Erica Schaefer as TV newscaster, j Jackson as local newscaster,

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<v Speaker 1>and then we have Jimmy Kimmel as himself, Jackson Hurst

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<v Speaker 1>as Congressman Jacob Shaw, Gillian Armanante as Moira, O'Donnell, Mara

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<v Speaker 1>Soden as Doctor Brown, and I wanted to add Shelley

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<v Speaker 1>Morrison as the judge who played Rosario in Will and Grace.

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<v Speaker 1>I mean, come on, this is the synopsis. This was

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<v Speaker 1>our first episode back. I mean, after we shot the

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<v Speaker 1>first seven episodes of the first season, we didn't know

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<v Speaker 1>for sure if we were going to get a second season, right,

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<v Speaker 1>We didn't know. Six months after Quinn's arrest, Olidia and

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<v Speaker 1>the OPA team are confident they'll win her case, as

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<v Speaker 1>David Rosen's evidence is mostly just Quinn's motive, her cheating

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<v Speaker 1>ex boyfriend, and the fact that she fled. The OPA

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<v Speaker 1>team helps a congressman navigate a sex tape scandal. As

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<v Speaker 1>Quinn's case begins to crumble around her, but Olivia refuses

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<v Speaker 1>to let Quinn be found guilty, probably because she and

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<v Speaker 1>Huck were the ones actually behind Quinn's new identity. I

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<v Speaker 1>remember literally spending all summer with people asking me if

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<v Speaker 1>I knew who Quinn Perkins was, And I was like no,

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<v Speaker 1>because because if the cliffhanger at the end of season

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<v Speaker 1>one is Olivia telling Quinn, do you want to tell

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<v Speaker 1>them who you are? Or you want me to tell you?

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<v Speaker 1>Tell them? Right? Yeah? Do you want to tell them

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<v Speaker 1>who you really are? Or should I should? I? Yeah?

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<v Speaker 1>So people held on to that for how long before

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<v Speaker 1>we came back? Well, this aired September twenty seventh, in

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<v Speaker 1>twenty twelve, and I think our last Scandal episode was

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<v Speaker 1>like May. So it was like the summer that I

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<v Speaker 1>got married. Okay. I have this memory of two hundred

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<v Speaker 1>and fifteen people going like, who are who are you?

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<v Speaker 1>Who is Quinn? Yeah? Who is Quinn? And I'm like,

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<v Speaker 1>I don't know, I don't know. Yeah, I hope I

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<v Speaker 1>have a job. I hope I have a job. And

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<v Speaker 1>probably the writers didn't fully know exactly which direction they

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<v Speaker 1>we're gonna go either, I would think, right, I mean

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<v Speaker 1>think they knew it? Yeah, I don't think they knew

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<v Speaker 1>at all. Every episode with Hollis Doyle until this point

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<v Speaker 1>he has seen eating or mentioning Gettysburger. Gettysburger. How good

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<v Speaker 1>does a burger sound right now, Fox, I would rush

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<v Speaker 1>a burger right now. Like, uh, I was watching Anthony

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<v Speaker 1>Bourdain last night and he's eating a cheeseburger at just

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<v Speaker 1>like a you know, one of those like stands outside

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<v Speaker 1>he was in, like I don't know, he was like

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<v Speaker 1>in Jamaica or somewhere, but it was just a greasy

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<v Speaker 1>cheeseburger and it looks so fucking good. I mean, come on,

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<v Speaker 1>oh god, I love it. There are three fucking continuity

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<v Speaker 1>errors in this episode. Photos of Elaine show that she's blonde,

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<v Speaker 1>but in Truth or Consequences, the actress playing Elane is

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<v Speaker 1>a brunette. A brunette. Oh this is the best. Yeah,

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<v Speaker 1>Jesse Tyler is not Adam Shapiro at this time. It's

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<v Speaker 1>some other dude that they took photos of and they

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<v Speaker 1>whoopsie doodle. Yeah, they didn't know Adam was going to

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<v Speaker 1>play play the role. Yeah. No. After Olivia and David

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<v Speaker 1>leave the court, the next scene shows the Monument of

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<v Speaker 1>Iwajima with the Statehouse in Washington omnument in the background.

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<v Speaker 1>But the Ewigima monument is not in DC. It's in Arlington.

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<v Speaker 1>That's messed up. Yeah, that's advertise. That's that's that's that

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<v Speaker 1>continuity that didn't happen. Were there any winning scenes from

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<v Speaker 1>this episode? Yes, and you're in it. Oh, scene where

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<v Speaker 1>you end up firing Olivia and she comes to see

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<v Speaker 1>you in jail, right, and your other attorney that you

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<v Speaker 1>hire is there, and Olivia's like, give me a moment, please,

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<v Speaker 1>and You're like, fine, give us a moment, and you're

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<v Speaker 1>their face off, you know, you and Olivia going at it,

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<v Speaker 1>and you stand up and we see Quinn's fury, like,

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<v Speaker 1>come out. You were so good. You were a fucking powerhouse.

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<v Speaker 1>And that's oh god, I thought I was horrible. Oh

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<v Speaker 1>I was gonna ask you, have you ever flipped out

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<v Speaker 1>like that? I love you've done that right? Oh yeah yeah,

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<v Speaker 1>well that scene where you flip out on Olivia, Man,

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<v Speaker 1>I fucking loved it. I was like, hell yeah to

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<v Speaker 1>say that. So that's I really think gar I really

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<v Speaker 1>think all of Josh's room scenes are fucking unbelievable. Oh

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<v Speaker 1>so good. That courtroom stuff is really really fun, fun

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<v Speaker 1>to watch. And and again we mentioned to do and

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<v Speaker 1>hard to fucking do. And can we say how much

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<v Speaker 1>I love how much we love a Gillian Armonante who

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<v Speaker 1>played your defense attorney. Oh, she's so great in this episode.

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<v Speaker 1>And I looked her up to and she she had

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<v Speaker 1>been in two epic movies. One was Dog Fight with

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<v Speaker 1>a Lily Taylor. We have you've ever seen that film?

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<v Speaker 1>And no great movie? I see nothing, I watch nothing,

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<v Speaker 1>I do nothing. And then she was in Girl Interrupted

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<v Speaker 1>with Winona Ryder. Yeah, Abby is into watching the sex

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<v Speaker 1>daye herself. I wrote there's the your ornamental not instrumental yes,

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<v Speaker 1>which is a big winning line from the FSA you

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<v Speaker 1>are ornamental, not You're ornamental not instrumental. Oh so good.

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<v Speaker 1>Oh my god, fits Olivia. It's so slow and they

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<v Speaker 1>say hello and high. I love that this whole time.

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<v Speaker 1>Huck and Olivia have the best poker face, like they're

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<v Speaker 1>the ones that Quinn and moved her to a whole

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<v Speaker 1>different state, right yes, and changed her identity and they

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<v Speaker 1>know this throughout the whole episode. And those two have

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<v Speaker 1>the best like poker face, like they're not letting anything

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<v Speaker 1>show and not until the end of the episode do

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<v Speaker 1>we know that all of Quinn Perkins is Huck and Olivia.

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<v Speaker 1>And Huck is like she took everything we gave her,

0:12:35.200 --> 0:12:37.600
<v Speaker 1>We're good to go, or something like that. Yo. It

0:12:37.679 --> 0:12:39.800
<v Speaker 1>made me also think, like what would I have done

0:12:39.840 --> 0:12:43.280
<v Speaker 1>in that situation. Would I have been like fuck, yeah,

0:12:43.280 --> 0:12:45.600
<v Speaker 1>I'm gonna do this, or what I would have you know,

0:12:45.720 --> 0:12:48.320
<v Speaker 1>like flipped out and ran outside of the littletel crying

0:12:48.440 --> 0:12:50.800
<v Speaker 1>like Yeah, I don't think I would have done it.

0:12:50.920 --> 0:12:53.680
<v Speaker 1>I don't think so either, Like I feel like that's

0:12:53.720 --> 0:12:56.280
<v Speaker 1>such a tell about Quinn and who she is. She

0:12:56.360 --> 0:12:59.319
<v Speaker 1>just was like, Okay, I'll just be a new person. Yeah.

0:12:59.480 --> 0:13:01.959
<v Speaker 1>One of them many reasons we're bringing Josh Milena into

0:13:01.960 --> 0:13:03.880
<v Speaker 1>this episode is because he's about to embark on the

0:13:03.920 --> 0:13:08.160
<v Speaker 1>craziest season two like so insane. But also this is

0:13:08.200 --> 0:13:11.800
<v Speaker 1>the first episode where Josh, Melina and Bellamy Young our

0:13:11.960 --> 0:13:15.280
<v Speaker 1>series regular. That's right. I can't believe that they weren't

0:13:15.320 --> 0:13:20.480
<v Speaker 1>always regulars either, because they're both so good, so present,

0:13:20.720 --> 0:13:24.920
<v Speaker 1>their storylines are so important to season one. They were

0:13:25.040 --> 0:13:29.480
<v Speaker 1>just guest stars. Garmo in a sliding doors. Josh or

0:13:29.600 --> 0:13:34.240
<v Speaker 1>Bellamy could have booked something or been offered something, oh

0:13:34.320 --> 0:13:38.480
<v Speaker 1>for sure, and we would have had a different first Yeah,

0:13:38.520 --> 0:13:41.040
<v Speaker 1>and they would have been unavailable. Like when you're a

0:13:41.080 --> 0:13:43.640
<v Speaker 1>recurring guest star, there's nothing in the thing that says

0:13:43.640 --> 0:13:47.160
<v Speaker 1>that you're loyal to that one show. Yeah, yeah, we'll

0:13:47.160 --> 0:13:57.080
<v Speaker 1>be right back. Guys. Oh my god, wait, the most

0:13:58.320 --> 0:14:03.640
<v Speaker 1>the one the ownly whoa facial hair. I know why

0:14:04.080 --> 0:14:09.480
<v Speaker 1>I did, Handsome. We were saying that you might be

0:14:09.520 --> 0:14:16.440
<v Speaker 1>the most controversial Scandal gas. As far as controversial, I

0:14:16.480 --> 0:14:19.280
<v Speaker 1>think I am the closest to having gotten fired without

0:14:19.320 --> 0:14:23.880
<v Speaker 1>actually getting fired. True. I got called to uncomfortable meetings

0:14:23.920 --> 0:14:26.080
<v Speaker 1>a couple of times because of pranks I played. I

0:14:26.120 --> 0:14:30.000
<v Speaker 1>believe it. I'm not surprised. I also told Guillermo before

0:14:30.040 --> 0:14:32.240
<v Speaker 1>you came on, I was like, I think there's very

0:14:32.240 --> 0:14:35.560
<v Speaker 1>few people that that Josh was actually afraid of on Scandal,

0:14:35.600 --> 0:14:39.000
<v Speaker 1>like fucking with them too much. And it was like Shonda, Betsy,

0:14:39.440 --> 0:14:42.800
<v Speaker 1>and Guermo. I was like, they're the only three people

0:14:43.200 --> 0:14:48.120
<v Speaker 1>Josh fucked with but for some reason actually respected some

0:14:48.200 --> 0:14:53.000
<v Speaker 1>sort of line based in fear. I think that's true. Well,

0:14:53.040 --> 0:14:56.560
<v Speaker 1>I'm only scared of Guarmo because I watched the show personally.

0:14:56.880 --> 0:15:01.280
<v Speaker 1>He's a pussycat. Watching a few episodes of Scandal and

0:15:01.320 --> 0:15:02.800
<v Speaker 1>I was like, I gotta wade for that guy, and

0:15:02.880 --> 0:15:06.600
<v Speaker 1>you were like, this motherfucker's crazy. You know, he's fucking scary.

0:15:06.920 --> 0:15:10.440
<v Speaker 1>He's fucking scary. Wait, Josh, so the West Wing podcast,

0:15:10.480 --> 0:15:12.720
<v Speaker 1>when did you start it and when did you end it?

0:15:12.840 --> 0:15:16.080
<v Speaker 1>March twenty sixteen, and then I believe the final wrap

0:15:16.160 --> 0:15:20.000
<v Speaker 1>up episode was on my birthday January seventeen, twenty twenty,

0:15:20.280 --> 0:15:22.800
<v Speaker 1>so it was about four years. Just shy of four years.

0:15:23.120 --> 0:15:25.840
<v Speaker 1>Oh wow, we did a live show of the eighth Theater.

0:15:26.000 --> 0:15:32.160
<v Speaker 1>Oh the Ace. That's huge. Oh nice, the theater's fucking massive. Yeah.

0:15:32.400 --> 0:15:35.960
<v Speaker 1>Fun fact about the season one of Scandal. I was

0:15:36.320 --> 0:15:39.360
<v Speaker 1>a guest star in all seven episodes of season one,

0:15:39.680 --> 0:15:42.720
<v Speaker 1>and I remember Kerry One saying to me, so, I'm

0:15:42.760 --> 0:15:46.000
<v Speaker 1>in every episode of season one, and you're in every

0:15:46.040 --> 0:15:48.480
<v Speaker 1>episode of season one, but I'm a series regular and you,

0:15:48.600 --> 0:15:51.400
<v Speaker 1>Josh our guest star. What does that mean? I said?

0:15:51.440 --> 0:15:52.640
<v Speaker 1>You know how, at the end of the week, you

0:15:52.680 --> 0:15:54.720
<v Speaker 1>get a lot of money. At the end of the week,

0:15:54.720 --> 0:15:57.800
<v Speaker 1>I get very little money. And that's what the difference is,

0:15:57.800 --> 0:16:00.520
<v Speaker 1>Isn't that always a bitch? I've been in the positions

0:16:00.520 --> 0:16:02.680
<v Speaker 1>and then you always feel bad and your agents are

0:16:02.680 --> 0:16:05.760
<v Speaker 1>always like you either got to walk away or you know,

0:16:06.000 --> 0:16:08.640
<v Speaker 1>just accepted and keep doing the job. Oh, by the way,

0:16:08.640 --> 0:16:10.520
<v Speaker 1>that happens now more than ever, usually I would just

0:16:10.560 --> 0:16:12.320
<v Speaker 1>stay and keep doing the job for no money, because

0:16:12.320 --> 0:16:13.920
<v Speaker 1>you don't want to lose a job. Yeah. No, I

0:16:14.040 --> 0:16:15.680
<v Speaker 1>wanted to work for Sean to Rhymes. I had done

0:16:15.720 --> 0:16:21.200
<v Speaker 1>episodes Practice and Gray's Anatomy. You did you did a Grayze? Yeah?

0:16:21.280 --> 0:16:24.560
<v Speaker 1>Oh yeah? Were you adorable? Wait? What did you play

0:16:24.640 --> 0:16:28.840
<v Speaker 1>on Grays? I was young, I'm Gray's I was Leslie

0:16:29.040 --> 0:16:35.280
<v Speaker 1>Grossman's husband and she needed a fecal transplant and I

0:16:35.360 --> 0:16:39.160
<v Speaker 1>had great lines like no poop, no poop for you.

0:16:39.160 --> 0:16:42.600
<v Speaker 1>You came onto the right podcast, Josh, because we talk

0:16:42.640 --> 0:16:45.480
<v Speaker 1>about poop a lot. We talk about shitting like nobody's business.

0:16:45.520 --> 0:16:48.200
<v Speaker 1>But wait, Josh, two things one. We wanted to have

0:16:48.280 --> 0:16:52.680
<v Speaker 1>you on this episode two oh one because congratulations, this

0:16:52.720 --> 0:16:54.760
<v Speaker 1>is when you became a series regular. So now you

0:16:54.800 --> 0:16:58.720
<v Speaker 1>can continue your story of why the first seven were

0:16:58.720 --> 0:17:01.480
<v Speaker 1>you a little bitch? And then the first episode of

0:17:01.480 --> 0:17:03.560
<v Speaker 1>season two, why did it change? And my other story

0:17:03.600 --> 0:17:05.000
<v Speaker 1>I want to say really quickly is that when we

0:17:05.040 --> 0:17:08.040
<v Speaker 1>shot the pilot, you walked onto the set and it

0:17:08.160 --> 0:17:10.159
<v Speaker 1>is the only time I think I've told you this,

0:17:10.240 --> 0:17:12.440
<v Speaker 1>and your head's about to get big. It's the only

0:17:12.520 --> 0:17:15.840
<v Speaker 1>time in seven seasons that I saw Shanda Rimes get starstruck.

0:17:16.160 --> 0:17:19.280
<v Speaker 1>She loves you so much. Josh Wilena walked on and

0:17:19.359 --> 0:17:21.159
<v Speaker 1>she was like, yeah, oh my god, I'm freaking out.

0:17:21.200 --> 0:17:22.639
<v Speaker 1>I'm freaking out. I was like, I'm kind of freaking

0:17:22.640 --> 0:17:24.520
<v Speaker 1>out too, but she was like, I'm totally freaking out.

0:17:24.560 --> 0:17:26.440
<v Speaker 1>Like I love Josh Willna. She was a big West

0:17:26.480 --> 0:17:30.280
<v Speaker 1>Wing fan, right, yeah, and really quickly you played Seth

0:17:30.320 --> 0:17:33.320
<v Speaker 1>Hammer on Grey's Anatomy. There it is, that's right, Seth Hammer.

0:17:33.480 --> 0:17:35.919
<v Speaker 1>It was Hammer time for a week. Why did you

0:17:35.960 --> 0:17:39.240
<v Speaker 1>become a regular? How did this happen? Well, here's what happened.

0:17:39.280 --> 0:17:42.359
<v Speaker 1>I had been offered episodes of Private Practice and Grey's

0:17:42.400 --> 0:17:44.640
<v Speaker 1>Anatomy because in fact, I think Seanna's a big West

0:17:44.640 --> 0:17:46.159
<v Speaker 1>Wing fan, and she couldn't have been nice to me

0:17:46.160 --> 0:17:48.840
<v Speaker 1>when I worked on that. My agents called Shonda Rhimes

0:17:48.920 --> 0:17:50.960
<v Speaker 1>has a pilot. I'm like, well, doesn't she just want

0:17:50.960 --> 0:17:53.119
<v Speaker 1>to give it to me? Like she keeps offering me

0:17:53.160 --> 0:17:55.760
<v Speaker 1>episode And the answer was no, she doesn't just want

0:17:55.800 --> 0:17:57.200
<v Speaker 1>to give it to you. She wants you to audition.

0:17:57.440 --> 0:18:00.000
<v Speaker 1>And then I went in and I remember, very awkward,

0:18:00.240 --> 0:18:02.520
<v Speaker 1>this is really weird. You know, there's like usually a

0:18:02.600 --> 0:18:05.359
<v Speaker 1>chair for the actor, but there was just an open

0:18:05.400 --> 0:18:07.840
<v Speaker 1>space and then there was a chair like next against

0:18:07.840 --> 0:18:09.760
<v Speaker 1>the wall, and I went and I just kind of

0:18:09.760 --> 0:18:11.439
<v Speaker 1>sat in it next to the wall. And then I

0:18:11.480 --> 0:18:17.400
<v Speaker 1>was like, well, this can't be right. And they were like, no, no,

0:18:17.480 --> 0:18:19.440
<v Speaker 1>that's a weird instinct and why you stand up and

0:18:19.480 --> 0:18:21.639
<v Speaker 1>do the scenes? And I did them and I felt

0:18:21.640 --> 0:18:23.760
<v Speaker 1>like it went well, and Hynda Rhyme said, well, that's

0:18:23.800 --> 0:18:26.120
<v Speaker 1>all I need to see. Oh wow, which you could

0:18:26.119 --> 0:18:27.720
<v Speaker 1>take one or two ways. And I remember calling my

0:18:27.760 --> 0:18:30.080
<v Speaker 1>agents and going like, either I've ruined my relationship with

0:18:30.200 --> 0:18:32.879
<v Speaker 1>Rynda Rhymes or I think maybe they're gonna give it

0:18:32.920 --> 0:18:34.479
<v Speaker 1>to me, like because she said that's all I need

0:18:34.520 --> 0:18:36.720
<v Speaker 1>to see. Do you remember what the scenes were? I

0:18:36.760 --> 0:18:39.520
<v Speaker 1>remember one where like I talked about her spidy senses

0:18:39.640 --> 0:18:42.240
<v Speaker 1>or something. Oh yeah, yeah, so it scenes with Olibya.

0:18:42.440 --> 0:18:45.159
<v Speaker 1>Maybe when she knocks on your door and you have

0:18:45.240 --> 0:18:47.639
<v Speaker 1>the dartmouth sweater on and you're so cute and you're

0:18:47.680 --> 0:18:50.440
<v Speaker 1>wearing like a darknesth sweat. Cute, you're very sweet. I

0:18:50.480 --> 0:18:52.399
<v Speaker 1>think that's exactly what it was. And then what they

0:18:52.440 --> 0:18:54.280
<v Speaker 1>said was this you got the pilot, And I was like,

0:18:54.480 --> 0:18:57.800
<v Speaker 1>I'm thrilled, and there's this amount of money and I

0:18:57.880 --> 0:19:00.000
<v Speaker 1>was like, wow, that's pretty good. They said, wait, wait, wait,

0:19:00.119 --> 0:19:02.320
<v Speaker 1>but you can choose how many episodes do you want

0:19:02.359 --> 0:19:04.240
<v Speaker 1>to be in for the same amount of money what?

0:19:04.880 --> 0:19:07.800
<v Speaker 1>In other words, what it came out to was seven

0:19:08.040 --> 0:19:11.040
<v Speaker 1>times minimum, right, So they were like, if you want

0:19:11.040 --> 0:19:13.639
<v Speaker 1>to be in the entire season, you just have to

0:19:13.640 --> 0:19:15.560
<v Speaker 1>work for minimum in every episode, or you can think

0:19:15.560 --> 0:19:17.280
<v Speaker 1>a really nice big check for one or a pretty

0:19:17.280 --> 0:19:19.359
<v Speaker 1>good check for two. And I was like, oh, I

0:19:19.400 --> 0:19:21.040
<v Speaker 1>want to I don't care. Yeah, I want to be

0:19:21.080 --> 0:19:22.879
<v Speaker 1>in all of them. Did you feel like you wanted

0:19:22.920 --> 0:19:24.119
<v Speaker 1>to be in all them? Because then you were like,

0:19:24.240 --> 0:19:30.280
<v Speaker 1>that's going to make my character like you need needed. Yeah. Yeah,

0:19:30.400 --> 0:19:32.000
<v Speaker 1>it made it. It It seemed like the greatest chance of

0:19:32.040 --> 0:19:34.320
<v Speaker 1>becoming a regular. And in the end, we actually made

0:19:34.359 --> 0:19:38.840
<v Speaker 1>a contract where I signed up to do all seven

0:19:38.840 --> 0:19:40.639
<v Speaker 1>as a guest star, and there was already in the

0:19:40.680 --> 0:19:42.760
<v Speaker 1>contract that if they were to go to a second

0:19:42.800 --> 0:19:45.960
<v Speaker 1>season and if they wanted me, I would be a regular.

0:19:46.000 --> 0:19:50.800
<v Speaker 1>And I was just desperately like waiting, Wait, was Dan

0:19:50.840 --> 0:19:54.320
<v Speaker 1>Bukatinsky auditioning for David Rosen as well? Yes, he was

0:19:54.560 --> 0:19:57.600
<v Speaker 1>no way. Unfortunately, didn't get it, but he did get

0:19:57.600 --> 0:19:59.359
<v Speaker 1>an Yeah he did, Yeah, he did. He also did

0:19:59.440 --> 0:20:02.240
<v Speaker 1>auditioned for Hawk too. Yeah. Well that shows one of

0:20:02.240 --> 0:20:04.480
<v Speaker 1>the nice things about Shanda, which is that she is

0:20:04.720 --> 0:20:07.440
<v Speaker 1>like Aaron Sorkin. She has people she loves to work with,

0:20:07.720 --> 0:20:09.840
<v Speaker 1>and she'll give you your shot and figure out where

0:20:09.840 --> 0:20:11.280
<v Speaker 1>she might be able to slot you in, Like she

0:20:11.400 --> 0:20:13.640
<v Speaker 1>loves Dan's work, and like, all right, this role, maybe

0:20:13.640 --> 0:20:15.639
<v Speaker 1>that's not Claire, this isn't Oh, I think we found

0:20:15.640 --> 0:20:17.959
<v Speaker 1>the one, and so we're lucky to be in her

0:20:18.440 --> 0:20:21.280
<v Speaker 1>in her sphere of players. When you came on board

0:20:21.880 --> 0:20:26.360
<v Speaker 1>and started to like, see why I say you're controversial

0:20:26.440 --> 0:20:30.560
<v Speaker 1>is because our cast is incredibly gushy and huggy and

0:20:30.720 --> 0:20:35.000
<v Speaker 1>kissy and lovey and texty, and Josh is like not

0:20:35.920 --> 0:20:40.520
<v Speaker 1>was the West Wing cast like really cool and like whatever?

0:20:40.560 --> 0:20:42.199
<v Speaker 1>And then you got into our cast and you were like,

0:20:42.240 --> 0:20:44.760
<v Speaker 1>this is insane. These people love each other way too much.

0:20:44.880 --> 0:20:47.720
<v Speaker 1>But they have to stop hugging at every table read

0:20:47.840 --> 0:20:51.200
<v Speaker 1>nobody fucking cares stop. Yeah. I think the West Wing

0:20:51.280 --> 0:20:54.880
<v Speaker 1>was somewhere on the spectrum between my like let's never

0:20:54.960 --> 0:20:58.240
<v Speaker 1>talk to each other or touch each other and the

0:20:58.320 --> 0:21:02.960
<v Speaker 1>scandal ethos of life. Let's just have a big friendship.

0:21:03.000 --> 0:21:06.080
<v Speaker 1>Origin somewhere between those two is west Wing. It was

0:21:06.119 --> 0:21:09.680
<v Speaker 1>probably right in the middle, got it. Speaking of texting, though,

0:21:09.720 --> 0:21:13.680
<v Speaker 1>I remember Josh did love texting on other people's phones,

0:21:14.080 --> 0:21:16.760
<v Speaker 1>That's true. And what he would text was I'm horny.

0:21:16.960 --> 0:21:19.160
<v Speaker 1>I'd put it on Twitter. Oh my god. He never

0:21:19.240 --> 0:21:21.000
<v Speaker 1>did it to me, but you've done it to Katie

0:21:21.359 --> 0:21:24.800
<v Speaker 1>three times. Now, let's set the scene ten years ago.

0:21:25.480 --> 0:21:27.919
<v Speaker 1>I don't think I even had a lock on my phone,

0:21:28.080 --> 0:21:29.840
<v Speaker 1>to be honest. I mean, I was just that naive

0:21:29.960 --> 0:21:33.399
<v Speaker 1>and trustworthy. I just remember chasing you and being like,

0:21:33.400 --> 0:21:34.879
<v Speaker 1>give me back my phone, and he'd get on my

0:21:34.880 --> 0:21:37.639
<v Speaker 1>Twitter account and he would just tweet from my Twitter

0:21:37.680 --> 0:21:39.919
<v Speaker 1>account I'm morny. And then I would just get like

0:21:40.320 --> 0:21:42.600
<v Speaker 1>days of like, why is it Adam taking care of that?

0:21:45.600 --> 0:21:49.040
<v Speaker 1>Just mortified. But that's just the beginning. Have you been

0:21:49.040 --> 0:21:52.720
<v Speaker 1>a prankster your whole life? I have, Indeed I have.

0:21:53.119 --> 0:21:55.240
<v Speaker 1>When I guessed are in other people's shows, I'm usually

0:21:55.240 --> 0:21:58.520
<v Speaker 1>well behaved, but then once I start feeling comfortable as

0:21:58.560 --> 0:22:02.000
<v Speaker 1>a series regular on something like now I'm bored, let's

0:22:02.000 --> 0:22:04.440
<v Speaker 1>have some fire, and I usually feel like I won't

0:22:04.440 --> 0:22:07.240
<v Speaker 1>get fired and unscandaled a couple of times it was like,

0:22:07.520 --> 0:22:09.400
<v Speaker 1>Seanda and Betsy needs to talk about. What did they

0:22:09.440 --> 0:22:12.119
<v Speaker 1>talk to you about? And were you like really scared?

0:22:12.680 --> 0:22:17.200
<v Speaker 1>The first time, I finished filming a scene and Ad

0:22:17.400 --> 0:22:19.240
<v Speaker 1>came to me and said, hey, don't change out of

0:22:19.240 --> 0:22:21.680
<v Speaker 1>your wardrobe. You need to go straight to Shanda and

0:22:21.720 --> 0:22:24.560
<v Speaker 1>Betsy's office. And I was like really, And I said

0:22:24.600 --> 0:22:27.399
<v Speaker 1>what about and She's like, I don't know. They didn't say,

0:22:27.440 --> 0:22:29.600
<v Speaker 1>And I was, as I was walking there, was thinking,

0:22:29.840 --> 0:22:33.359
<v Speaker 1>can't be getting a raised. It can't be good. It

0:22:33.440 --> 0:22:38.119
<v Speaker 1>seems unlikely that this is good news. And when I

0:22:38.160 --> 0:22:42.040
<v Speaker 1>got up there, it wasn't good news. Jimmy Kimmel, who

0:22:42.160 --> 0:22:45.840
<v Speaker 1>was a prankster himself, had sent me all these codes

0:22:45.880 --> 0:22:48.639
<v Speaker 1>that allow you to send a text or an email

0:22:48.640 --> 0:22:50.560
<v Speaker 1>as if it's from a specific person's phone. And I

0:22:50.600 --> 0:22:53.199
<v Speaker 1>remember writing back to Jimmy like, this is great. Do

0:22:53.280 --> 0:22:55.240
<v Speaker 1>you think it would be a bad idea to write

0:22:55.440 --> 0:22:58.080
<v Speaker 1>emails from Shonda Rhymes to people? And he said no,

0:22:58.080 --> 0:22:59.200
<v Speaker 1>I think that would be a great idea, but I

0:22:59.200 --> 0:23:04.199
<v Speaker 1>would wait until Scar handles off the year right now. No,

0:23:04.359 --> 0:23:06.639
<v Speaker 1>I was like, it's April Fool's Day, like, how can

0:23:06.720 --> 0:23:09.800
<v Speaker 1>I not do this? And I just wrote an email

0:23:10.080 --> 0:23:15.359
<v Speaker 1>to Tom Verica, our executive directing producer, and I wrote

0:23:15.440 --> 0:23:18.439
<v Speaker 1>him an email from Shanda that just said not cool.

0:23:18.560 --> 0:23:24.160
<v Speaker 1>Tom must have lost his ship. Well, as it turns out,

0:23:25.000 --> 0:23:30.600
<v Speaker 1>he was in the middle of renegotiating his contract. This

0:23:30.720 --> 0:23:35.560
<v Speaker 1>is just bad timing renegotiating. Josh, Are you fucking kidding me? Yeah?

0:23:35.680 --> 0:23:37.960
<v Speaker 1>I figured he'd see it. He knows it's April fools

0:23:37.960 --> 0:23:39.760
<v Speaker 1>will probably call me and be like, dude, did you

0:23:39.800 --> 0:23:42.520
<v Speaker 1>do this? Or he'll call Shana the laugh. But weeks

0:23:42.520 --> 0:23:44.120
<v Speaker 1>passed and I was like, oh, maybe it didn't even

0:23:44.160 --> 0:23:45.960
<v Speaker 1>go through, like a VI should worry about. Then I

0:23:45.960 --> 0:23:47.760
<v Speaker 1>got this thing like go see them in their office

0:23:48.000 --> 0:23:50.000
<v Speaker 1>and I sat down and they started saying, like Tom

0:23:50.080 --> 0:23:54.119
<v Speaker 1>Verica got an email. I was like, oh, not cool Tom, Yeah,

0:23:54.160 --> 0:23:58.120
<v Speaker 1>and they were like, don't impersonate. How did they even

0:23:58.160 --> 0:23:59.920
<v Speaker 1>find out that it was you? They didn't. I think

0:24:00.119 --> 0:24:02.040
<v Speaker 1>they they just went through. They were like, it's gotta

0:24:02.080 --> 0:24:06.000
<v Speaker 1>be Josh. Apparently there was a whole like Disney ABCNE investigation.

0:24:06.040 --> 0:24:08.199
<v Speaker 1>Oh my god. I think they like, I don't think

0:24:08.240 --> 0:24:10.160
<v Speaker 1>they forensically traced it to me. I think just someone

0:24:10.200 --> 0:24:12.800
<v Speaker 1>said like, who's the asshole, who's most likely to have

0:24:12.840 --> 0:24:16.760
<v Speaker 1>done this? I remember vague things after this came out

0:24:16.800 --> 0:24:19.040
<v Speaker 1>that they were like, holy shit, Shanda thought she had

0:24:19.040 --> 0:24:22.840
<v Speaker 1>been hacked. They had hired like people to look through

0:24:22.840 --> 0:24:25.480
<v Speaker 1>with the server and make sure that no one else

0:24:25.560 --> 0:24:30.560
<v Speaker 1>was emailing up. The definitely escalated into something I didn't anticipate,

0:24:30.600 --> 0:24:34.320
<v Speaker 1>as pranks sometimes do, and that was a bummer. And

0:24:34.320 --> 0:24:39.399
<v Speaker 1>then the second time, which was really bad, was when Porscherosi,

0:24:39.520 --> 0:24:42.120
<v Speaker 1>whom I love and played my love interest on and off,

0:24:42.760 --> 0:24:46.159
<v Speaker 1>she was leaving. She was filming her final day, and

0:24:46.240 --> 0:24:48.879
<v Speaker 1>so I took I can't even remember whether there was

0:24:48.880 --> 0:24:51.760
<v Speaker 1>a sunscreen or vasoline, and I put it under the

0:24:51.880 --> 0:24:55.320
<v Speaker 1>door handle on the driver's side of her crazy expensive

0:24:55.320 --> 0:24:58.040
<v Speaker 1>car in the parking spot next to mine. Every day

0:24:58.080 --> 0:25:03.280
<v Speaker 1>I'd be like, oh a Lamborghini. Oh you've been wow, unbelievable.

0:25:03.600 --> 0:25:06.320
<v Speaker 1>Look this is my love language. I wouldn't do it

0:25:06.359 --> 0:25:09.680
<v Speaker 1>to somebody I didn't like, but I expected to hear

0:25:09.720 --> 0:25:12.199
<v Speaker 1>from Porsche like that night or the next morning, like

0:25:12.240 --> 0:25:15.000
<v Speaker 1>you got me, and blah blah blah. Never heard anything again.

0:25:15.080 --> 0:25:18.399
<v Speaker 1>Weeks passed again, I finished filming a scene and somebody

0:25:18.520 --> 0:25:21.040
<v Speaker 1>was like, you have to go straight to there. I'm like, no,

0:25:21.520 --> 0:25:24.640
<v Speaker 1>not this again. And I remember I went up there

0:25:25.080 --> 0:25:28.600
<v Speaker 1>and I was nervously eating candy from the little candy

0:25:28.680 --> 0:25:32.080
<v Speaker 1>jar waiting in the empty room too, I guess Shunda's thing.

0:25:32.280 --> 0:25:34.560
<v Speaker 1>And she walked past me and the first time ever,

0:25:34.720 --> 0:25:37.760
<v Speaker 1>she gave me a death stare, and I was like,

0:25:37.920 --> 0:25:41.320
<v Speaker 1>oh my god, this is really bad, like because usually

0:25:41.520 --> 0:25:44.120
<v Speaker 1>I can see she like kind of even though I'm

0:25:44.160 --> 0:25:50.840
<v Speaker 1>a rasper, but this was dead. This was thousand yards stare.

0:25:51.000 --> 0:25:53.199
<v Speaker 1>Like I just I ran Cole. I mean, I'm sweating

0:25:53.200 --> 0:25:55.760
<v Speaker 1>actually just telling the story. And I went in and

0:25:55.800 --> 0:25:57.919
<v Speaker 1>I think I said, what is it this time? Like

0:25:58.800 --> 0:26:01.560
<v Speaker 1>fray ice and they were not having it. They were

0:26:01.600 --> 0:26:05.400
<v Speaker 1>not laughing, and I think I then said, please tell

0:26:05.480 --> 0:26:11.240
<v Speaker 1>me this isn't about portions, car door handle, and they

0:26:11.240 --> 0:26:14.320
<v Speaker 1>were like, yeah, as a matter of fact, that is

0:26:14.359 --> 0:26:18.199
<v Speaker 1>what it's about. And again, bad timing didn't occur to me.

0:26:18.280 --> 0:26:21.399
<v Speaker 1>The final scene she was filming spoiler alert, Can I

0:26:21.400 --> 0:26:25.560
<v Speaker 1>give this? Maybe not? Okay. I believe she died by

0:26:25.600 --> 0:26:28.920
<v Speaker 1>being beaten to death with a golf club. Oh yeah,

0:26:29.160 --> 0:26:31.480
<v Speaker 1>so she was leaving the show. I'm sure that had

0:26:31.480 --> 0:26:34.480
<v Speaker 1>some emotion in it. She had filmed getting killed by

0:26:34.800 --> 0:26:37.159
<v Speaker 1>golf club for seven hours, and at three in the

0:26:37.200 --> 0:26:38.919
<v Speaker 1>morning she went to her car and she got a

0:26:38.920 --> 0:26:42.119
<v Speaker 1>handful of asoline and she thought like, wow, somebody hates me.

0:26:42.320 --> 0:26:46.320
<v Speaker 1>And I was like, whoa, no, And I remember saying

0:26:46.400 --> 0:26:48.720
<v Speaker 1>that you're absolutely right to be upset about this. The

0:26:48.880 --> 0:26:50.600
<v Speaker 1>last thing I wanted to do was upset her. I've

0:26:50.640 --> 0:26:53.119
<v Speaker 1>talked about doing this thing. I thought she would know immediately.

0:26:53.440 --> 0:26:56.600
<v Speaker 1>Here's what I can tell you. I can tell you

0:26:56.640 --> 0:26:59.280
<v Speaker 1>that I'm going to walk out of this office. I'm

0:26:59.320 --> 0:27:02.600
<v Speaker 1>going to text Porsche and I give you my word,

0:27:02.680 --> 0:27:04.560
<v Speaker 1>it's not going to be long before I come back

0:27:05.119 --> 0:27:07.639
<v Speaker 1>with a text that's like, oh my god, you got me.

0:27:08.040 --> 0:27:09.880
<v Speaker 1>And they were like okay, and I walked out and run.

0:27:10.520 --> 0:27:12.800
<v Speaker 1>I'm so sorry. I'm the one who did vassily and

0:27:12.840 --> 0:27:14.400
<v Speaker 1>you know I love you, and it literally she wrote

0:27:14.440 --> 0:27:17.480
<v Speaker 1>back like, oh my god, I love and I want

0:27:17.560 --> 0:27:19.639
<v Speaker 1>back in and I was like, does this get me

0:27:19.680 --> 0:27:23.679
<v Speaker 1>off the hook? I showed them my phone. God damn you, Josh,

0:27:23.760 --> 0:27:28.760
<v Speaker 1>my guy. I remember Betsy saying essentially, we are accomplished

0:27:28.760 --> 0:27:34.280
<v Speaker 1>women who have more important things to do than field

0:27:34.359 --> 0:27:37.439
<v Speaker 1>phone calls from Elen DeGeneres, who's mad that her who

0:27:39.640 --> 0:27:42.120
<v Speaker 1>I was like, you know what, You're absolutely right. This

0:27:42.200 --> 0:27:44.360
<v Speaker 1>is a reflection on the fact that I am not

0:27:44.440 --> 0:27:49.320
<v Speaker 1>the complience. I have nothing but free time to do

0:27:49.359 --> 0:27:51.960
<v Speaker 1>these kinds of things, and it really shouldn't spill over

0:27:52.040 --> 0:27:55.600
<v Speaker 1>into your busy days. I'm terribly sorry. I would like

0:27:55.640 --> 0:28:00.480
<v Speaker 1>to continue working here. Please accept my Oh God, and Josh.

0:28:00.520 --> 0:28:04.760
<v Speaker 1>Because you are you, you will always get off, like

0:28:04.880 --> 0:28:07.760
<v Speaker 1>I just think. I mean, I just even if it's

0:28:07.840 --> 0:28:11.600
<v Speaker 1>by this the skin of your teeth, you will get off.

0:28:11.640 --> 0:28:13.919
<v Speaker 1>And I don't know why or how you've made it

0:28:13.960 --> 0:28:16.200
<v Speaker 1>this far. I mean, that would scare me enough where

0:28:16.240 --> 0:28:18.320
<v Speaker 1>I don't think I'll skate that close to the edge

0:28:18.320 --> 0:28:20.879
<v Speaker 1>ever again. Because I was thinking if I have to

0:28:20.880 --> 0:28:23.480
<v Speaker 1>call my wife and go like I lost my job

0:28:23.520 --> 0:28:26.720
<v Speaker 1>as scandal and when she says why, I say, well,

0:28:27.119 --> 0:28:35.280
<v Speaker 1>think kick out of this, and she would have been right, like,

0:28:35.359 --> 0:28:38.040
<v Speaker 1>what's wrong with you? Grow up? You're in your fifties. Okay,

0:28:38.080 --> 0:28:43.200
<v Speaker 1>next question, how the fuck did you? Okay, first of all,

0:28:43.360 --> 0:28:47.080
<v Speaker 1>I know you shit all over. Well, you're really interesting

0:28:48.280 --> 0:28:52.240
<v Speaker 1>all over, like like being being an actor and like

0:28:52.720 --> 0:28:56.520
<v Speaker 1>you know, you're not actorly in that, but it's really

0:28:56.840 --> 0:28:59.800
<v Speaker 1>bullshit because I do think somewhere in your heart you

0:29:00.040 --> 0:29:01.880
<v Speaker 1>of it. Oh no, I do love it. I'm not.

0:29:02.080 --> 0:29:05.200
<v Speaker 1>I watched this episode and I was like, I'm always thinking,

0:29:05.200 --> 0:29:07.200
<v Speaker 1>I'm going to think for the first time like that

0:29:07.240 --> 0:29:09.360
<v Speaker 1>was pretty good. Not watching I was like, my voice

0:29:09.400 --> 0:29:14.200
<v Speaker 1>is terrible bad ourselves though, because no one else is

0:29:14.200 --> 0:29:19.360
<v Speaker 1>thinking that, Josh, you're you're so good. Yeah, I'm not

0:29:19.400 --> 0:29:22.200
<v Speaker 1>trying to make you say Oh, We've been saying it, yo.

0:29:22.400 --> 0:29:25.080
<v Speaker 1>We've taped how many episodes already, and we are constantly

0:29:25.120 --> 0:29:27.520
<v Speaker 1>saying how great you are. And this episode doesn't even

0:29:28.000 --> 0:29:31.640
<v Speaker 1>it doesn't even show the caliber of your work. That

0:29:31.720 --> 0:29:33.600
<v Speaker 1>episode when you wake up and there's a dead woman

0:29:33.640 --> 0:29:36.360
<v Speaker 1>in your bed like you were, that was brilliant in

0:29:36.400 --> 0:29:41.240
<v Speaker 1>that episode, such great work wrote you like amazing. I mean,

0:29:41.280 --> 0:29:43.840
<v Speaker 1>whether or not it's to your taste. They wrote for

0:29:43.920 --> 0:29:48.640
<v Speaker 1>you sex scenes and murder and fucking jury shit and

0:29:48.720 --> 0:29:51.680
<v Speaker 1>like you're a school teacher and you're afraid and you're

0:29:51.720 --> 0:29:55.960
<v Speaker 1>like you got to do a lot of Yeah. Absolutely.

0:29:56.120 --> 0:29:57.520
<v Speaker 1>For the first few episode I thought I was on

0:29:57.560 --> 0:29:59.760
<v Speaker 1>a procedural. I was like, this is where you basically

0:29:59.760 --> 0:30:02.560
<v Speaker 1>give the same performance in the same character for seven

0:30:02.640 --> 0:30:05.400
<v Speaker 1>years hopefully or eight years and nine years and nothing changes.

0:30:05.640 --> 0:30:07.680
<v Speaker 1>Then like whatever. A few episodes in, I was like,

0:30:07.760 --> 0:30:10.240
<v Speaker 1>what I read the script like, she's having sex in

0:30:10.240 --> 0:30:13.520
<v Speaker 1>the shower. Yeah. I was just like, oh, this is insane.

0:30:13.840 --> 0:30:15.719
<v Speaker 1>And then a few more episodes later, I'm like, oh

0:30:15.760 --> 0:30:18.280
<v Speaker 1>my god, I'm part of the insanity. There's still by

0:30:18.280 --> 0:30:20.200
<v Speaker 1>the way, people who can't believe, like there's a woman

0:30:20.240 --> 0:30:22.800
<v Speaker 1>who's been tweeting the last couple of weeks like not

0:30:22.960 --> 0:30:25.600
<v Speaker 1>another sex scene with Josh Malina, like, Shanda, what are

0:30:25.640 --> 0:30:28.520
<v Speaker 1>you doing? I was like, if you think you were

0:30:28.560 --> 0:30:30.600
<v Speaker 1>surprised to be seeing me have sex, or do you

0:30:30.640 --> 0:30:32.720
<v Speaker 1>think how surprised I was to open a script and

0:30:32.840 --> 0:30:37.960
<v Speaker 1>be like, I'm having you and Abby. Abby and David

0:30:38.080 --> 0:30:42.120
<v Speaker 1>Rosen were like the first couple I feel like on

0:30:42.160 --> 0:30:44.600
<v Speaker 1>the show where we were like, oh my god, these

0:30:44.640 --> 0:30:47.479
<v Speaker 1>are two lead characters that were going to put together

0:30:47.680 --> 0:30:50.080
<v Speaker 1>like in a sexual scenario, and you guys had such

0:30:50.400 --> 0:30:53.120
<v Speaker 1>I was surprised you guys. Oh, you guys were really good,

0:30:53.360 --> 0:30:55.840
<v Speaker 1>but you were also like that that mean big brother

0:30:55.880 --> 0:30:58.640
<v Speaker 1>who would do shit to Darby. Like on set, I

0:30:58.680 --> 0:31:02.080
<v Speaker 1>remember we'd be rehearsed you're opa or wherever we had

0:31:02.120 --> 0:31:03.760
<v Speaker 1>a scene and she would be holding her side. If

0:31:03.760 --> 0:31:05.680
<v Speaker 1>she was sitting on a chair that had wheels, you

0:31:05.720 --> 0:31:10.920
<v Speaker 1>would grab her and wheel her like fifty feet away too,

0:31:11.200 --> 0:31:15.000
<v Speaker 1>or you would smack her sides like, oh josh, there

0:31:15.040 --> 0:31:17.840
<v Speaker 1>are definitely people listening. Now we're laughing as if it's great,

0:31:17.840 --> 0:31:19.880
<v Speaker 1>and there are people listening to how going he is,

0:31:21.440 --> 0:31:24.600
<v Speaker 1>but you're Shanda's always talking about her No, Ashole apologies,

0:31:24.640 --> 0:31:27.880
<v Speaker 1>like how did this go? I'm telling you we've talked

0:31:27.880 --> 0:31:29.920
<v Speaker 1>about this on this podcast. You won't listen to it,

0:31:29.920 --> 0:31:31.960
<v Speaker 1>so it doesn't matter. But let me tell you your face. No,

0:31:32.240 --> 0:31:35.160
<v Speaker 1>we talk about how fucking good you are. And my

0:31:35.240 --> 0:31:39.000
<v Speaker 1>question is I don't understand how you're that good when

0:31:39.000 --> 0:31:42.720
<v Speaker 1>you don't try and I try so hard, And how

0:31:42.760 --> 0:31:45.480
<v Speaker 1>do you memorize lines in the makeup chair? Yeah? Why

0:31:45.520 --> 0:31:47.920
<v Speaker 1>does your brain work like that? Like we just watched

0:31:47.960 --> 0:31:50.360
<v Speaker 1>the episode that where we're like, you sit and you

0:31:50.360 --> 0:31:54.160
<v Speaker 1>have this amazing monologue where you're like, stab, stab stab, Oh,

0:31:54.160 --> 0:31:57.480
<v Speaker 1>how I love to stab And it's a whole monologue

0:31:57.520 --> 0:32:01.360
<v Speaker 1>that's iron and Harrison like stop talking, stop talking, and

0:32:01.400 --> 0:32:03.280
<v Speaker 1>you just go on and on and on. But like,

0:32:03.600 --> 0:32:07.200
<v Speaker 1>do you never prepare or the night before look over stuff?

0:32:07.240 --> 0:32:11.400
<v Speaker 1>What's your process? That's a good question. Just because Shanda

0:32:11.480 --> 0:32:14.360
<v Speaker 1>listens to this, I want to defend myself. I take

0:32:14.400 --> 0:32:18.280
<v Speaker 1>it seriously to on a certain level. I do try.

0:32:18.440 --> 0:32:21.480
<v Speaker 1>I read a script once to be like, let's see

0:32:21.480 --> 0:32:23.760
<v Speaker 1>what the story is. Although if I'm probably honest, I

0:32:23.880 --> 0:32:27.160
<v Speaker 1>read my scenes first. I do that too, though I

0:32:27.240 --> 0:32:29.160
<v Speaker 1>do that too. Now that it's all delivered Electrono be,

0:32:29.360 --> 0:32:32.320
<v Speaker 1>you can just search En Rosen Rosen, like, Okay, that's

0:32:32.360 --> 0:32:34.200
<v Speaker 1>all my stuff. Now, let's figure out what's going on.

0:32:34.440 --> 0:32:36.560
<v Speaker 1>And then when it was scandal, I would always send

0:32:36.560 --> 0:32:38.680
<v Speaker 1>the script to my dad and then I'd be like,

0:32:38.760 --> 0:32:41.280
<v Speaker 1>so explain to me what's going on. Oh my god,

0:32:41.480 --> 0:32:43.200
<v Speaker 1>I should have done that. Me and Katie should have

0:32:43.200 --> 0:32:45.240
<v Speaker 1>done that. Send it to your dad, because sometimes we

0:32:45.240 --> 0:32:47.200
<v Speaker 1>would be like, what's happening? Yeah? I was like, my

0:32:47.320 --> 0:32:50.440
<v Speaker 1>dad and my mom are like my biggest supporters, and

0:32:50.480 --> 0:32:52.480
<v Speaker 1>they always watched it and they kept track of it.

0:32:52.520 --> 0:32:54.680
<v Speaker 1>I'm actually at their house right now, and I would

0:32:54.760 --> 0:32:57.000
<v Speaker 1>often say to my dad, so, like, talk me through,

0:32:57.120 --> 0:32:58.560
<v Speaker 1>like plot wise, I don't know why am I in

0:32:58.600 --> 0:33:02.600
<v Speaker 1>court and I'm defending who what I you remember in

0:33:02.640 --> 0:33:05.760
<v Speaker 1>season three and you killed that? And then so they

0:33:05.760 --> 0:33:09.280
<v Speaker 1>watch everything you ever do, like backwards and forwards, just

0:33:09.280 --> 0:33:10.959
<v Speaker 1>because they love you and they're so proud of you

0:33:11.160 --> 0:33:14.720
<v Speaker 1>pretty much. Yes, that's true. They're very very supportive Jewish parents,

0:33:14.920 --> 0:33:19.200
<v Speaker 1>so sweet. I do have a very good memory for dialogue.

0:33:19.240 --> 0:33:20.920
<v Speaker 1>I don't know what I have for Lench yesterday, but

0:33:21.280 --> 0:33:24.880
<v Speaker 1>I can remember dialogue very quickly. Has that changed since

0:33:25.040 --> 0:33:28.320
<v Speaker 1>COVID or in Age? No? I don't think so. Now

0:33:28.360 --> 0:33:30.920
<v Speaker 1>and now I'm doing plays, I realized how much I

0:33:30.960 --> 0:33:33.920
<v Speaker 1>had trained myself to learn dialogue quickly and forget it quickly,

0:33:34.000 --> 0:33:37.280
<v Speaker 1>Like if if I did shot this dialogue on Monday,

0:33:37.360 --> 0:33:41.800
<v Speaker 1>I knew it cold, but on Tuesday Garol had that too,

0:33:41.840 --> 0:33:44.200
<v Speaker 1>like an amazing short term memory. You can plug it

0:33:44.240 --> 0:33:46.600
<v Speaker 1>in and then the next day it's fucking gone. The

0:33:46.640 --> 0:33:49.000
<v Speaker 1>minute we walk off set, when that scene is done,

0:33:49.120 --> 0:33:51.720
<v Speaker 1>it's out of my brain, like it's gone. And Katie

0:33:51.760 --> 0:33:53.840
<v Speaker 1>would be like, let's try to do that scene we

0:33:53.880 --> 0:33:55.880
<v Speaker 1>did like last month, and I was like, Katie, what

0:33:55.920 --> 0:33:59.680
<v Speaker 1>are you talking about? I can't even remembering what I

0:33:59.680 --> 0:34:02.520
<v Speaker 1>would do it for fun. I memorize long haul though,

0:34:02.560 --> 0:34:04.720
<v Speaker 1>like I'm such a theater bitch. But okay, if you

0:34:04.760 --> 0:34:07.000
<v Speaker 1>had a big monologue on Scandal, would you learn it

0:34:07.040 --> 0:34:09.360
<v Speaker 1>the night before or always in the makeup chair? Like

0:34:09.400 --> 0:34:12.520
<v Speaker 1>what were you doing? I would definitely familiarize myself with

0:34:12.560 --> 0:34:15.600
<v Speaker 1>it the night before, feeling that and not just out

0:34:15.600 --> 0:34:19.959
<v Speaker 1>of laziness, but like some some smart person once said

0:34:19.960 --> 0:34:22.960
<v Speaker 1>to me, like, you want to learn your stuff for TV,

0:34:23.120 --> 0:34:26.000
<v Speaker 1>but just shy of knowing it cold so that it'll

0:34:26.040 --> 0:34:28.640
<v Speaker 1>appear like you're finding it a little bit, like you know,

0:34:28.719 --> 0:34:30.880
<v Speaker 1>seem like a human being. Yeah, it doesn't sound like

0:34:30.880 --> 0:34:33.640
<v Speaker 1>they memorize something. So I got I'm very good at

0:34:33.680 --> 0:34:36.040
<v Speaker 1>finding the line where like I got it pretty much.

0:34:36.080 --> 0:34:37.640
<v Speaker 1>I'm gonna sleep on out and gonna wake up and

0:34:37.680 --> 0:34:39.239
<v Speaker 1>in the makeup chair, I'm gonna nail it down and

0:34:39.280 --> 0:34:41.320
<v Speaker 1>I'll probably run it with the other persons also in

0:34:41.360 --> 0:34:44.200
<v Speaker 1>the makeup chair. But I do remember one awkward day

0:34:44.239 --> 0:34:46.040
<v Speaker 1>where we were all looking at our sides and I

0:34:46.080 --> 0:34:49.880
<v Speaker 1>said something like, you know, you guys reminded who's Christine?

0:34:50.480 --> 0:34:52.600
<v Speaker 1>And everybody just slowly looked at me in there like

0:34:53.040 --> 0:34:56.040
<v Speaker 1>are you kidding? Like the whole season is about this character,

0:34:56.160 --> 0:34:58.400
<v Speaker 1>Like I don't know, I just remember being really embarrassed.

0:34:58.440 --> 0:35:00.640
<v Speaker 1>I was like, oh, you're being see or you were

0:35:00.680 --> 0:35:03.799
<v Speaker 1>like really no, I really don't know. I was like,

0:35:03.800 --> 0:35:05.840
<v Speaker 1>I don't understand this scene. Why are we also obsessed

0:35:05.880 --> 0:35:08.319
<v Speaker 1>with Christine or whatever it was? And they were just like,

0:35:08.400 --> 0:35:11.279
<v Speaker 1>what is wrong with you? I was embarrassing. Wait, do

0:35:11.360 --> 0:35:13.960
<v Speaker 1>you ever think about like what do I want in

0:35:13.960 --> 0:35:16.239
<v Speaker 1>a scene? Or what's my moment before or anything? No? Right,

0:35:16.280 --> 0:35:18.640
<v Speaker 1>like you just I just think you have that same

0:35:18.719 --> 0:35:21.359
<v Speaker 1>actor chip in your brain, like like you're really good

0:35:21.400 --> 0:35:24.840
<v Speaker 1>at text obviously between Sorkin and this show, like text

0:35:24.960 --> 0:35:28.680
<v Speaker 1>is not an issue for you, and you're I'm telling you, Josh,

0:35:28.840 --> 0:35:31.880
<v Speaker 1>your work in these two seasons. I'm so jealous because

0:35:31.920 --> 0:35:35.600
<v Speaker 1>I know you're not right like my action or my

0:35:35.640 --> 0:35:40.040
<v Speaker 1>objective or my like you know, thinking about beats or shifts.

0:35:40.120 --> 0:35:43.880
<v Speaker 1>You You're just there. Yeah, I feel like I have

0:35:43.920 --> 0:35:46.680
<v Speaker 1>a good instinct for it. But the truth is, usually

0:35:46.680 --> 0:35:49.440
<v Speaker 1>when I watched my work, I'm like you were fine.

0:35:49.520 --> 0:35:52.000
<v Speaker 1>I'm not. I'm not. I'm not usually like you, Like

0:35:52.040 --> 0:35:56.000
<v Speaker 1>I'm horribly insecure. But maybe if I did some of

0:35:56.000 --> 0:35:59.680
<v Speaker 1>those things you're saying, I'd be better than Maybe. I know.

0:35:59.760 --> 0:36:02.239
<v Speaker 1>I that's what makes you so good. That's not part

0:36:02.280 --> 0:36:04.759
<v Speaker 1>of your process. Do you think that is? Like, I

0:36:04.800 --> 0:36:09.440
<v Speaker 1>think there's some effortlessness to something that's so difficult, you

0:36:09.560 --> 0:36:12.839
<v Speaker 1>making it look like it's so fucking easy. Yeah, this

0:36:12.920 --> 0:36:15.920
<v Speaker 1>is for ladies and gentlemen. Josh Melina is about to

0:36:15.960 --> 0:36:19.600
<v Speaker 1>be starring back on Broadway. He's been on Broadway before.

0:36:19.719 --> 0:36:22.759
<v Speaker 1>If you can catch him, you should. In leopolch Doad

0:36:22.960 --> 0:36:26.080
<v Speaker 1>written by the one and only fucking Tom Stoppard. I

0:36:26.120 --> 0:36:29.400
<v Speaker 1>already have my tickets. I'm going June tenth with eight

0:36:29.560 --> 0:36:32.759
<v Speaker 1>family members. Katie, I want to go, come with me

0:36:33.200 --> 0:36:37.560
<v Speaker 1>June eighth. I'm going to see any gladiators listening. June eighth,

0:36:37.600 --> 0:36:41.200
<v Speaker 1>I will be at Leopolchtads screaming and probably crying. It's

0:36:41.200 --> 0:36:45.520
<v Speaker 1>that script is remarkable, It's amazing he's writing. I was seventeen,

0:36:45.600 --> 0:36:48.839
<v Speaker 1>almost eighteen, and my dad's best friend was and still

0:36:48.960 --> 0:36:53.759
<v Speaker 1>is Manny Aisenberg's famous amazing producer who produced Tom Stoppard's

0:36:53.840 --> 0:36:55.880
<v Speaker 1>The Real Thing on Broadway. So I got invited to

0:36:55.920 --> 0:36:57.719
<v Speaker 1>opening night and as a seventeen year old, I was

0:36:57.719 --> 0:36:59.960
<v Speaker 1>suing and I was just like the writing like blue

0:37:00.160 --> 0:37:03.400
<v Speaker 1>my mind is writing is unreal, and that literally forty

0:37:03.480 --> 0:37:07.760
<v Speaker 1>years later, I believe him. See, this is why people

0:37:07.840 --> 0:37:10.799
<v Speaker 1>keep you around. Really quickly. Since we're talking about some

0:37:10.880 --> 0:37:13.400
<v Speaker 1>pass work, I'm gonna rattle off some of Josh's credits,

0:37:13.600 --> 0:37:16.520
<v Speaker 1>give it because I live it this up and I

0:37:16.560 --> 0:37:18.920
<v Speaker 1>was like, oh my God, Like, there's so much and

0:37:19.080 --> 0:37:21.839
<v Speaker 1>so much epic projects that he's done. A few good men,

0:37:21.920 --> 0:37:24.960
<v Speaker 1>the American President, Tracy takes on clock Watches with my

0:37:24.960 --> 0:37:28.239
<v Speaker 1>buddy Parker Posey, The Larry Sanders Show, Sports Night, The

0:37:28.320 --> 0:37:33.160
<v Speaker 1>West Wing, Stargate, Grey's Anatomy, I Carly and my favorite

0:37:33.200 --> 0:37:35.680
<v Speaker 1>Big Bank theory of course. But I'm also like a

0:37:35.760 --> 0:37:37.480
<v Speaker 1>huge horror film fan. And you haven't been in a

0:37:37.480 --> 0:37:40.160
<v Speaker 1>hart Phone, but you were in a thriller called Malice

0:37:41.120 --> 0:37:45.319
<v Speaker 1>that Aaron Sorkin also wrote. Correct. Yes, but I was

0:37:45.440 --> 0:37:49.600
<v Speaker 1>in one horror movie horror comedy called The Knights of Badass. Oh,

0:37:50.120 --> 0:37:53.520
<v Speaker 1>and I think Steve zn was in it, Peter dank Lidge.

0:37:53.719 --> 0:37:56.080
<v Speaker 1>It was comedy horror about a bunch of Larper's live

0:37:56.080 --> 0:38:01.279
<v Speaker 1>action role players. I'm gonna watch it tonight and I'm

0:38:01.320 --> 0:38:03.200
<v Speaker 1>coming over and I'm getting stoned and I'm watching it

0:38:03.280 --> 0:38:06.680
<v Speaker 1>with you. Yes, it was low budget to begin with

0:38:06.840 --> 0:38:09.759
<v Speaker 1>and then they didn't get the full effects budgets, like

0:38:10.360 --> 0:38:13.239
<v Speaker 1>there's I know the director is not happy with like

0:38:13.280 --> 0:38:17.120
<v Speaker 1>how it turned out, and I spoiler alert, have my

0:38:17.239 --> 0:38:22.480
<v Speaker 1>jaw ripped off as I'm being filated by a wood tea. Well, listen,

0:38:22.560 --> 0:38:25.160
<v Speaker 1>I went out Amazon Prime and I bought Malice because

0:38:25.160 --> 0:38:26.960
<v Speaker 1>I wanted to watch it. When I looked up your credit,

0:38:27.440 --> 0:38:31.920
<v Speaker 1>Josh plays this really cute like resident doctor or nurse

0:38:32.280 --> 0:38:35.920
<v Speaker 1>who comes out and speaks to Bill Pullman. But it's

0:38:35.960 --> 0:38:39.400
<v Speaker 1>a really fun like old school like eighties thriller movie.

0:38:39.520 --> 0:38:42.640
<v Speaker 1>Well the funny. Patrick Marber, the director, when he was

0:38:42.680 --> 0:38:45.120
<v Speaker 1>talking to me about potentially doing the role, said, and

0:38:45.320 --> 0:38:47.680
<v Speaker 1>you know it takes place in Vietna, but we've toyed

0:38:47.719 --> 0:38:50.000
<v Speaker 1>with doing Viens or German. We didn't do that, and

0:38:50.040 --> 0:38:52.120
<v Speaker 1>it opened in London, so everyone, you know, he said,

0:38:52.160 --> 0:38:55.600
<v Speaker 1>you don't have to sound British, but you can't sound America.

0:38:56.520 --> 0:39:03.000
<v Speaker 1>Can do in Mexican like everyone isditionalist. So you're not

0:39:03.040 --> 0:39:06.200
<v Speaker 1>even doing like heightened American, like like the Gilded Age

0:39:06.239 --> 0:39:09.160
<v Speaker 1>or something. No, it's pretty fifty years ago. You couldn't

0:39:09.160 --> 0:39:11.360
<v Speaker 1>get a foot in, you couldn't travel without a permit.

0:39:11.960 --> 0:39:15.759
<v Speaker 1>That's really good, Josh, it's really good. Thank you. We

0:39:15.880 --> 0:39:23.520
<v Speaker 1>will be back with more after the break now that

0:39:23.560 --> 0:39:27.560
<v Speaker 1>I'm trying to jog my memory about like David Rosen's journey. Okay,

0:39:27.560 --> 0:39:30.840
<v Speaker 1>so you auditioned for the role. Yes, Shanna was into you.

0:39:30.840 --> 0:39:33.760
<v Speaker 1>You went, got called to the principal's office a few times.

0:39:34.640 --> 0:39:39.080
<v Speaker 1>You had love interests with Abby Porsha and were you

0:39:39.160 --> 0:39:44.280
<v Speaker 1>also with um Artemis. Yes, our missus lovely A Susan

0:39:44.719 --> 0:39:51.480
<v Speaker 1>Oh and Zoe Perry and Zoe Perry and off camera

0:39:51.600 --> 0:39:58.120
<v Speaker 1>but dirty, dirty Susie whatever her name was, with the way,

0:39:58.400 --> 0:40:00.279
<v Speaker 1>we didn't when we have Shanna back on, got to

0:40:00.280 --> 0:40:03.120
<v Speaker 1>ask her like, I don't think there's a single character

0:40:03.200 --> 0:40:08.520
<v Speaker 1>on our show that went through that many Like, what's

0:40:08.560 --> 0:40:12.080
<v Speaker 1>that about? For sure? That is just Shana going. I

0:40:12.120 --> 0:40:14.600
<v Speaker 1>can do anything on television. I can take the least

0:40:14.640 --> 0:40:17.920
<v Speaker 1>attractive oldest member of my cast and have him have

0:40:18.000 --> 0:40:21.719
<v Speaker 1>more Susan. I'm telling you that's exactly what it is.

0:40:21.920 --> 0:40:26.520
<v Speaker 1>You were successfully pranked by us and the Jimmy Kimmel Show. Remember,

0:40:26.840 --> 0:40:30.440
<v Speaker 1>Oh Kimmel happens to be in this episode. Yes, Kimmel

0:40:30.520 --> 0:40:33.560
<v Speaker 1>is in an episode two one, that's right, and he's

0:40:33.600 --> 0:40:37.000
<v Speaker 1>interviewing the congressman Jacob Shaw, who's the case of the week,

0:40:37.640 --> 0:40:41.480
<v Speaker 1>and we love Kimmel, but he approached us like by

0:40:41.480 --> 0:40:43.239
<v Speaker 1>the end of Scandal, they were like, we want to

0:40:43.280 --> 0:40:47.279
<v Speaker 1>get Josh. And they spent so much money on this prank, Like, well,

0:40:47.280 --> 0:40:50.040
<v Speaker 1>first of all, I had had an idea and I

0:40:50.120 --> 0:40:53.520
<v Speaker 1>remember pitching our pr people like Bachelor has all these

0:40:53.560 --> 0:40:56.240
<v Speaker 1>watch parties, and the Bachelor people show up, they're surprised.

0:40:56.320 --> 0:40:59.040
<v Speaker 1>They love it, like everybody's having their wine and popcorn

0:40:59.200 --> 0:41:01.640
<v Speaker 1>Scandal watching part parties. Why don't we like surprise a

0:41:01.640 --> 0:41:03.440
<v Speaker 1>few people and like maybe it's a nice way to

0:41:03.480 --> 0:41:05.799
<v Speaker 1>go out with the final season. And they did it

0:41:06.000 --> 0:41:08.440
<v Speaker 1>through Good Morning America and Tony was the first and

0:41:08.480 --> 0:41:11.760
<v Speaker 1>this was all part of the Yeah. Then they were like, Josh,

0:41:11.840 --> 0:41:13.040
<v Speaker 1>you have to do one of these And I actually

0:41:13.040 --> 0:41:15.480
<v Speaker 1>really didn't watch, like I don't want to do it,

0:41:15.560 --> 0:41:18.560
<v Speaker 1>but it really speaks to your horror, which is as

0:41:18.640 --> 0:41:20.840
<v Speaker 1>much as Josh, Willie's a prankster, smartest person in the

0:41:20.920 --> 0:41:24.440
<v Speaker 1>room keeps his life interesting by like really pushing boundaries

0:41:24.480 --> 0:41:28.960
<v Speaker 1>with people. But Josh, you with fans is ridiculous, Like

0:41:29.040 --> 0:41:32.920
<v Speaker 1>you give them all the time in the world. You're

0:41:33.000 --> 0:41:35.000
<v Speaker 1>nice to say. I mean, I know you're very nice

0:41:35.040 --> 0:41:36.840
<v Speaker 1>to say that, and I know it comes from like

0:41:36.880 --> 0:41:39.880
<v Speaker 1>I can't believe anybody's happy to see me, so I'm like,

0:41:40.120 --> 0:41:42.720
<v Speaker 1>gotta keep your fans happy, like so you keep in business,

0:41:42.760 --> 0:41:45.520
<v Speaker 1>and like also just appreciation for people who are appreciating me,

0:41:45.680 --> 0:41:49.640
<v Speaker 1>Like Scandal fans are the best I did enjoy. So

0:41:49.760 --> 0:41:52.759
<v Speaker 1>the prank was about them asking you to show at

0:41:52.760 --> 0:41:55.920
<v Speaker 1>the end of this run. You know, they asked me

0:41:55.960 --> 0:41:58.200
<v Speaker 1>and Josh to come to a Scandal Roch watch party

0:41:58.239 --> 0:41:59.880
<v Speaker 1>and they we knew they would be watching Scandal and

0:41:59.880 --> 0:42:02.239
<v Speaker 1>we would walk in and it was up to me

0:42:02.400 --> 0:42:06.439
<v Speaker 1>to convince Josh that he should use a confetti blower thing.

0:42:06.920 --> 0:42:09.760
<v Speaker 1>And when we call in, god one of those guns

0:42:09.800 --> 0:42:12.920
<v Speaker 1>a confetti cannon. I remember, we go in, they're watching

0:42:12.920 --> 0:42:15.160
<v Speaker 1>Candle Can See and we pop in with our with

0:42:15.200 --> 0:42:18.920
<v Speaker 1>our camera. Boom, I pulled the confettiti hey, and like

0:42:19.000 --> 0:42:21.080
<v Speaker 1>everyone's laughing and having fun. And then I see the

0:42:21.280 --> 0:42:24.960
<v Speaker 1>mom in her chair like seemed really startled by the

0:42:24.960 --> 0:42:29.000
<v Speaker 1>confetti can clutching her chest for this and she's actually

0:42:29.000 --> 0:42:30.920
<v Speaker 1>clutching her chest and I'm starting to think, like, oh,

0:42:31.080 --> 0:42:33.600
<v Speaker 1>that was this is bad. We really, we really scared

0:42:33.640 --> 0:42:36.160
<v Speaker 1>this woman. Then I'm like, oh, no, she'sn't. Actually she's

0:42:36.200 --> 0:42:40.960
<v Speaker 1>a medical discomper, and I will admit it was nice

0:42:41.040 --> 0:42:43.000
<v Speaker 1>enough to like I definitely I went over and I

0:42:43.000 --> 0:42:44.719
<v Speaker 1>think I held her hand and I was trying to

0:42:44.800 --> 0:42:47.040
<v Speaker 1>calm down. The one thing I did was also cover

0:42:47.120 --> 0:42:49.719
<v Speaker 1>my ass because I'm thinking that if she died, did

0:42:49.760 --> 0:42:52.640
<v Speaker 1>I kill her? Is this like second agreement? Voluntary? Man?

0:42:53.120 --> 0:42:55.319
<v Speaker 1>And you can see me in the actual video of

0:42:55.360 --> 0:43:00.480
<v Speaker 1>the press. I'm only being quiet because I can't believed this. No,

0:43:00.600 --> 0:43:02.440
<v Speaker 1>I'm saying, and I say to her something like they

0:43:02.480 --> 0:43:07.960
<v Speaker 1>handed me the thing, or yeah, it wasn't my idea,

0:43:09.560 --> 0:43:12.200
<v Speaker 1>sort of like I'm trying to lay down my legal

0:43:12.200 --> 0:43:14.520
<v Speaker 1>case for when And then next thing I know, I

0:43:14.600 --> 0:43:19.799
<v Speaker 1>hear I hear a siren and like an ambulance has

0:43:19.840 --> 0:43:22.400
<v Speaker 1>been called, and I'm like, oh my god, this is

0:43:22.400 --> 0:43:25.960
<v Speaker 1>actually happening. And the paramedics burst through with the COT

0:43:26.280 --> 0:43:28.799
<v Speaker 1>but one of the paramedics is Jimmy Kimmel, and my

0:43:28.840 --> 0:43:33.920
<v Speaker 1>mind is like, what's going on? And I'm like, why

0:43:33.960 --> 0:43:36.320
<v Speaker 1>You've got me so bad? They throw me into the stretcher.

0:43:36.440 --> 0:43:38.759
<v Speaker 1>I'm deeply embarrassed, but also usually really that I didn't

0:43:38.800 --> 0:43:41.840
<v Speaker 1>kill this woman. And they wheel me outside, and unbeknownst

0:43:41.840 --> 0:43:43.640
<v Speaker 1>to me, they were concerned that I would not fall

0:43:43.680 --> 0:43:47.080
<v Speaker 1>for it and they wanted to back up freaking frank.

0:43:47.360 --> 0:43:50.960
<v Speaker 1>So there's a fire engine in the driveway and I

0:43:51.080 --> 0:43:57.719
<v Speaker 1>get sit up and they blast me from the what

0:43:58.080 --> 0:44:01.160
<v Speaker 1>Oh yeah, they blasted with a fire hole the old

0:44:01.239 --> 0:44:03.719
<v Speaker 1>lady actress. I had been there all day rehearsing for

0:44:03.760 --> 0:44:07.319
<v Speaker 1>like three hours, like different ways the scene could go.

0:44:07.680 --> 0:44:09.799
<v Speaker 1>I have never done a prank in my entire life.

0:44:09.920 --> 0:44:14.600
<v Speaker 1>I am so wildly uncomfortable with making people upset or

0:44:14.680 --> 0:44:18.920
<v Speaker 1>feel bad or like pranking to me is like I'm

0:44:18.960 --> 0:44:20.960
<v Speaker 1>one of those people that gives it up right away.

0:44:21.000 --> 0:44:25.600
<v Speaker 1>I'm like, I'm just kidding, We're just so. Then I

0:44:25.680 --> 0:44:30.080
<v Speaker 1>remember the garage door slowly opening and there's like video

0:44:30.239 --> 0:44:33.440
<v Speaker 1>village is in there, and we all have earbuds in

0:44:33.600 --> 0:44:35.600
<v Speaker 1>like all the actors in a scene. The older woman

0:44:35.640 --> 0:44:37.719
<v Speaker 1>who pretend to have a heart attack me, we had

0:44:37.719 --> 0:44:42.000
<v Speaker 1>earbuds in case. The director was like, oh, it was insane.

0:44:42.000 --> 0:44:44.440
<v Speaker 1>They spent like a billion dollars. It was insane. And

0:44:44.440 --> 0:44:47.520
<v Speaker 1>also I remember before we did it, our publicist. I

0:44:47.520 --> 0:44:49.080
<v Speaker 1>think it was Chris and Anderson at the time, calling

0:44:49.080 --> 0:44:51.520
<v Speaker 1>you and saying, do you know if Josh has ever

0:44:51.600 --> 0:44:53.880
<v Speaker 1>had a heart attack or if someone recently that he

0:44:54.160 --> 0:44:58.080
<v Speaker 1>loves has had a heart attack, because we want to

0:44:58.120 --> 0:45:00.799
<v Speaker 1>do this, but we also like don't want it to

0:45:00.840 --> 0:45:04.279
<v Speaker 1>go horribly awry in case it like God, we don't know,

0:45:04.360 --> 0:45:06.560
<v Speaker 1>like maybe his aunt or someone just had a heart

0:45:06.600 --> 0:45:08.400
<v Speaker 1>attack and he's just going to be Oh, that's actually

0:45:08.440 --> 0:45:11.960
<v Speaker 1>very unwell. And I remember thinking afterwards I wish I

0:45:12.000 --> 0:45:13.920
<v Speaker 1>had been onto what they were doing. If I figured

0:45:13.920 --> 0:45:15.960
<v Speaker 1>it out, I could have then pretended myself to have

0:45:16.000 --> 0:45:20.560
<v Speaker 1>a heart attack and see if I could survived it.

0:45:20.920 --> 0:45:27.600
<v Speaker 1>I would not have the best man ever. But unfortunately,

0:45:27.640 --> 0:45:30.640
<v Speaker 1>it turns out that the fact that you do practical

0:45:30.719 --> 0:45:32.759
<v Speaker 1>jokes and pranks for thirty years doesn't mean that you're

0:45:32.800 --> 0:45:35.360
<v Speaker 1>any less gullible than anybody else. Because I fell for

0:45:35.480 --> 0:45:39.480
<v Speaker 1>it completely. I remember actually texting Kimmel when I was

0:45:39.480 --> 0:45:42.200
<v Speaker 1>going to bed that night. I was like, well done,

0:45:42.320 --> 0:45:44.200
<v Speaker 1>and he rubbed back to me like was that real?

0:45:44.320 --> 0:45:46.680
<v Speaker 1>Did you really fall for that? Like he actually almost

0:45:46.680 --> 0:45:49.040
<v Speaker 1>couldn't believe it. I was like, dude, that was a

0:45:49.280 --> 0:45:52.759
<v Speaker 1>h but how could you not? That wasn't just like

0:45:52.800 --> 0:45:54.759
<v Speaker 1>a run of the mill fucking thing. I mean that

0:45:54.880 --> 0:45:57.640
<v Speaker 1>was like actors who would rehearse if we were doing

0:45:57.640 --> 0:45:59.800
<v Speaker 1>the drop in for Kimmel's, if you would have America

0:46:00.120 --> 0:46:04.800
<v Speaker 1>my mind. But I don't think good Morning America is

0:46:04.840 --> 0:46:08.440
<v Speaker 1>doing this. Nothing occurred. Luckily you have Kimmel's phone number.

0:46:08.440 --> 0:46:15.280
<v Speaker 1>Fucking Katie has sean to rhyme's phone number number. Wait

0:46:15.320 --> 0:46:17.920
<v Speaker 1>really quickly about this episode? What was the parts and

0:46:18.000 --> 0:46:24.400
<v Speaker 1>you watched last night that you thought you were uh yeah,

0:46:24.640 --> 0:46:27.960
<v Speaker 1>in the courtroom. I have memories of shooting this episode

0:46:28.480 --> 0:46:30.040
<v Speaker 1>because it was a lot of me. It was a

0:46:30.040 --> 0:46:32.760
<v Speaker 1>lot of a lot of people sitting well, I strut

0:46:32.760 --> 0:46:36.320
<v Speaker 1>around doing things, and part of it was literally vocally,

0:46:36.360 --> 0:46:38.000
<v Speaker 1>I was like, I don't sound like you want to

0:46:38.120 --> 0:46:40.840
<v Speaker 1>you know when you're like, and isn't it true you

0:46:40.840 --> 0:46:44.319
<v Speaker 1>want to be one of those you say what the hell? Hell?

0:46:44.560 --> 0:46:47.280
<v Speaker 1>You keep saying what the hell when they let Quinn

0:46:47.280 --> 0:46:49.200
<v Speaker 1>in this episode to jog all of your listeners memory,

0:46:49.200 --> 0:46:50.920
<v Speaker 1>this is the episode where who is Quinn Perkins? Who

0:46:50.960 --> 0:46:53.200
<v Speaker 1>is Quinn Perkins? But wait, okay, so you thought your

0:46:53.200 --> 0:46:55.440
<v Speaker 1>acting was bad? You say what the hell? A lot

0:46:55.840 --> 0:46:57.880
<v Speaker 1>what did you feel like when you read this script?

0:46:57.920 --> 0:47:00.560
<v Speaker 1>Not about this episode where Darby us to put her

0:47:00.560 --> 0:47:03.200
<v Speaker 1>hand in your mouth or you're something like that. I

0:47:03.239 --> 0:47:06.040
<v Speaker 1>felt very similarly to the way I felt when I

0:47:06.080 --> 0:47:08.000
<v Speaker 1>finally watched it. I was like, I don't know what's

0:47:08.000 --> 0:47:12.200
<v Speaker 1>going on? Is this supposed to be sexy? Is this

0:47:12.440 --> 0:47:18.000
<v Speaker 1>some sort of BDSM? Is this? And I was hot?

0:47:18.480 --> 0:47:20.319
<v Speaker 1>I read it, we shot it, I watched it, and

0:47:20.480 --> 0:47:27.839
<v Speaker 1>I still never figured out what Josh I can't um Okay, wait, wait, wait, wait,

0:47:27.880 --> 0:47:29.520
<v Speaker 1>there's more, There's more, this more, okay. This is the

0:47:29.520 --> 0:47:32.000
<v Speaker 1>first episode that marked both Bellama Young and Josh Molina

0:47:32.040 --> 0:47:34.319
<v Speaker 1>a series regulars. You guys went to Yale, but not

0:47:34.320 --> 0:47:37.000
<v Speaker 1>at the same time. She is younger than I, so

0:47:37.080 --> 0:47:40.800
<v Speaker 1>she she knew who I was. She did not, She

0:47:41.000 --> 0:47:43.760
<v Speaker 1>did no, I think, because I think we were actually

0:47:43.760 --> 0:47:46.400
<v Speaker 1>maybe in Guys and Dolls together. The idea that she

0:47:46.520 --> 0:47:48.000
<v Speaker 1>may have had a smaller roller or been in the

0:47:48.040 --> 0:47:50.279
<v Speaker 1>ensemble and I had a lead. It's funny because I

0:47:50.320 --> 0:47:52.600
<v Speaker 1>can't sing and she has a beautiful voice. Did you

0:47:52.640 --> 0:47:56.000
<v Speaker 1>do a ton of plays in college? Josh? I did. Yeah,

0:47:56.040 --> 0:47:58.400
<v Speaker 1>I'm an undergraduate theater said he's major. Every now and

0:47:58.400 --> 0:48:00.520
<v Speaker 1>then people think like, oh, you went to Yale drama school.

0:48:00.520 --> 0:48:02.799
<v Speaker 1>I'm like, no, I went to the other one and

0:48:02.960 --> 0:48:05.239
<v Speaker 1>was a drama made. I went to the knot because

0:48:05.239 --> 0:48:07.400
<v Speaker 1>they just drama school, but I knew I wanted to

0:48:07.440 --> 0:48:09.799
<v Speaker 1>be an actual already, and my parents were like, for

0:48:09.880 --> 0:48:12.920
<v Speaker 1>the love of God, get a college degree. Also, what

0:48:13.040 --> 0:48:17.560
<v Speaker 1>it was your degree in. It's not like it didn't

0:48:17.560 --> 0:48:19.439
<v Speaker 1>help me at all with acting and wouldn't have helped

0:48:19.480 --> 0:48:22.120
<v Speaker 1>me in anything else. Do you remember what the first

0:48:22.120 --> 0:48:24.480
<v Speaker 1>play was that you did? There? I do, I did.

0:48:24.560 --> 0:48:29.480
<v Speaker 1>Christopher Durrang's sister, Mary Ignatius explains it all. Wow, do

0:48:29.560 --> 0:48:32.960
<v Speaker 1>you have any memories from the first two seasons that

0:48:33.080 --> 0:48:35.120
<v Speaker 1>stick out? Do you have any memories from the pilot?

0:48:35.840 --> 0:48:40.480
<v Speaker 1>I remember shooting those scenes at the door with Kerry

0:48:40.560 --> 0:48:43.400
<v Speaker 1>and scene in a bar with Kerry. Most of my

0:48:43.400 --> 0:48:46.480
<v Speaker 1>stuff was with Kerry, and I just remember liking her

0:48:46.520 --> 0:48:50.399
<v Speaker 1>a lot, like like I just remember vibing like she's cool.

0:48:50.440 --> 0:48:52.560
<v Speaker 1>First of all, Like whenever the number one person on

0:48:52.600 --> 0:48:55.080
<v Speaker 1>the culture it is cool. It's like, yeah, this is

0:48:55.120 --> 0:48:57.799
<v Speaker 1>a very good sign. Did you feel like at the

0:48:57.880 --> 0:48:59.600
<v Speaker 1>end of season one, like we're definitely going to get

0:48:59.600 --> 0:49:01.800
<v Speaker 1>a season too? Did you feel like it would was

0:49:01.840 --> 0:49:04.640
<v Speaker 1>going to be one hundred and twenty four episodes show.

0:49:05.200 --> 0:49:08.560
<v Speaker 1>I just remember early on thinking it was a procedural approach,

0:49:08.920 --> 0:49:11.960
<v Speaker 1>and procedurals, if they hit, they last a long time. Yeah,

0:49:11.960 --> 0:49:14.200
<v Speaker 1>they last a long time, and they're they're worth a

0:49:14.200 --> 0:49:16.160
<v Speaker 1>lot in syndication because you can play him in any

0:49:16.280 --> 0:49:18.840
<v Speaker 1>order and it doesn't matter, and people can pop in

0:49:18.840 --> 0:49:20.640
<v Speaker 1>and watch a rerun or whatever. And then once it

0:49:20.680 --> 0:49:24.120
<v Speaker 1>started turning into this insane show that was burning through plot,

0:49:24.160 --> 0:49:26.560
<v Speaker 1>I was like, oh my god, this episode has as

0:49:26.680 --> 0:49:29.520
<v Speaker 1>much plot as a full season of another show, Like

0:49:29.719 --> 0:49:32.359
<v Speaker 1>this cannot sustain. So I started getting nerves. Even as

0:49:32.400 --> 0:49:34.120
<v Speaker 1>the show was getting like better and more interesting and

0:49:34.239 --> 0:49:36.520
<v Speaker 1>crazy and it was fun, I was like, this is

0:49:36.560 --> 0:49:39.120
<v Speaker 1>gonna this might be a death sentence. We'd already shot

0:49:39.120 --> 0:49:42.080
<v Speaker 1>the president by like the thirteenth episode in it, It's like,

0:49:42.120 --> 0:49:44.359
<v Speaker 1>what the fuck are I gonna do? No, exactly. I

0:49:44.440 --> 0:49:48.239
<v Speaker 1>underestimated the fiendish creative mind of Shanda Rhimes and her

0:49:48.239 --> 0:49:52.120
<v Speaker 1>writers because like they never had any problem coming up

0:49:52.160 --> 0:49:56.440
<v Speaker 1>with seven plots per episode that were completely insane, and like, oh,

0:49:56.480 --> 0:49:58.120
<v Speaker 1>they can keep this running as long as they want,

0:49:58.160 --> 0:50:00.200
<v Speaker 1>Like this is why I'm not a writer and they are.

0:50:00.280 --> 0:50:03.440
<v Speaker 1>But then I also remember when it was like taking

0:50:03.480 --> 0:50:05.640
<v Speaker 1>off on Twitter and I was like again literally like

0:50:05.800 --> 0:50:08.760
<v Speaker 1>butterflies on my stumble, Like I think this maybe turning

0:50:08.840 --> 0:50:12.160
<v Speaker 1>into a thing like everybody's talking about and people are

0:50:12.200 --> 0:50:14.080
<v Speaker 1>stopping me in the street, Like it really was a

0:50:14.120 --> 0:50:18.120
<v Speaker 1>fun ride with an incredible group of people, Like to

0:50:18.160 --> 0:50:20.319
<v Speaker 1>get one of those in a career is like more

0:50:20.360 --> 0:50:22.360
<v Speaker 1>than you can hope for. I remember thinking, is this

0:50:22.440 --> 0:50:24.640
<v Speaker 1>going to be like a Graze Anatomy situation? Like are

0:50:24.680 --> 0:50:27.960
<v Speaker 1>we gonna go for like twelve thirteen seasons? And then

0:50:28.480 --> 0:50:31.439
<v Speaker 1>you know, obviously Shanda knew there was a beginning, middle,

0:50:31.760 --> 0:50:33.759
<v Speaker 1>and an end to the to the show, and she

0:50:33.840 --> 0:50:35.120
<v Speaker 1>let us know that it was ending it. But I

0:50:35.160 --> 0:50:37.960
<v Speaker 1>think we were all so bummed, right because the network

0:50:38.000 --> 0:50:40.000
<v Speaker 1>wanted us to keep going. I was like, wait what,

0:50:40.400 --> 0:50:42.760
<v Speaker 1>I know. I was definitely. I even remember as Shanda

0:50:42.880 --> 0:50:45.960
<v Speaker 1>was telling us in the conference call like that she

0:50:46.040 --> 0:50:51.000
<v Speaker 1>was ending it. I was text neighbor and we're like, god, yeah,

0:50:51.040 --> 0:50:55.839
<v Speaker 1>you were texting me like oh yeah, like how could

0:50:55.920 --> 0:50:58.800
<v Speaker 1>you we have the white whale? We have the fucking

0:50:58.800 --> 0:51:02.600
<v Speaker 1>white hat. Yeah, you're the best. I'm so excited to

0:51:02.680 --> 0:51:05.840
<v Speaker 1>see you. Yeah, this is so much fun. I realized

0:51:05.840 --> 0:51:07.520
<v Speaker 1>how much I'm missing that. When I don't see you,

0:51:07.560 --> 0:51:09.560
<v Speaker 1>I don't miss you at all. But now that I'm

0:51:09.600 --> 0:51:12.560
<v Speaker 1>seeing you, I really I was like I did like

0:51:12.640 --> 0:51:15.040
<v Speaker 1>them more than they realized. To our gladiators, I haven't

0:51:15.040 --> 0:51:16.839
<v Speaker 1>earned it a dime since the show went off the air,

0:51:16.960 --> 0:51:20.120
<v Speaker 1>but thank you for that brief window in my life

0:51:20.239 --> 0:51:22.120
<v Speaker 1>when I didn't have to worry about money for like

0:51:22.160 --> 0:51:25.360
<v Speaker 1>five years. It's awesome all because of you, guys, Josh,

0:51:25.360 --> 0:51:27.760
<v Speaker 1>you had the best. We love you. Love you, guys.

0:51:27.880 --> 0:51:30.160
<v Speaker 1>Tell George we love him and we'll be bugging him asap.

0:51:30.320 --> 0:51:37.800
<v Speaker 1>I'll tell him he's not on the show. Twe tweetie, tweet, tweet, tweet,

0:51:37.960 --> 0:51:45.080
<v Speaker 1>twet tweet. Oh my god. People were fucking pumped from

0:51:45.080 --> 0:51:47.320
<v Speaker 1>these tweets because this was the fucking season two premiere

0:51:48.239 --> 0:51:51.040
<v Speaker 1>at ABC. Scandal fans tweet so ready for at Scanal

0:51:51.120 --> 0:51:55.440
<v Speaker 1>babyc premiere hashtag one minute, don't hate hashtag, asked Scandal,

0:51:55.800 --> 0:52:02.160
<v Speaker 1>and Lisa at Belenoir tweeted homemade shrimp hashtag I'm fancy

0:52:02.280 --> 0:52:05.800
<v Speaker 1>retweet call me dolla. What y'all bringing to the Scandal

0:52:05.840 --> 0:52:07.799
<v Speaker 1>watch party? So she made some cocon A shrimp and

0:52:07.800 --> 0:52:10.520
<v Speaker 1>brought it to a Scandal watch party. A m at

0:52:10.600 --> 0:52:13.200
<v Speaker 1>Everybody Loves DJ wrote, I'm ready to find out who

0:52:13.200 --> 0:52:19.120
<v Speaker 1>the hell Quinn is tonight hashtag scandal ugh real yah

0:52:19.320 --> 0:52:23.120
<v Speaker 1>at two Underscore, tol says, what the fuck is Quinn Perkins?

0:52:23.800 --> 0:52:27.880
<v Speaker 1>Hashtag Scandal, hashtag gladiers in suits? Everyone's talking about Quinn

0:52:27.960 --> 0:52:30.120
<v Speaker 1>at Chrissy B. Davis wrote, I had so many thoughts

0:52:30.160 --> 0:52:31.840
<v Speaker 1>as to who Quinn could be. Will be happy to

0:52:31.960 --> 0:52:37.719
<v Speaker 1>finally find out tonight hashtag scandal. I like that, And

0:52:37.760 --> 0:52:42.480
<v Speaker 1>then Aaron at Aaron J. Cruise tweeted who of the

0:52:42.640 --> 0:52:45.760
<v Speaker 1>Scandal cast is the most like the character they play?

0:52:46.000 --> 0:52:48.440
<v Speaker 1>Hashtag asked Scandal. That's when we were doing that hashtag

0:52:48.480 --> 0:52:50.799
<v Speaker 1>asked Scandal And then we would, you know, answer as

0:52:50.840 --> 0:52:53.920
<v Speaker 1>many questions as we could, Yes, we did. Hashtag as

0:52:53.920 --> 0:52:56.799
<v Speaker 1>Scandal forever. Who do you think is most like the

0:52:56.880 --> 0:53:02.120
<v Speaker 1>character that they play? Fucking I think Carrie Washington as Olivia.

0:53:02.520 --> 0:53:05.720
<v Speaker 1>I think so too in some ways. In some ways

0:53:06.360 --> 0:53:10.480
<v Speaker 1>she's Olivia is not goofy, right, and Carrie's got a

0:53:10.480 --> 0:53:13.319
<v Speaker 1>lot of Olivia popiner. I think I and Quinn have

0:53:13.360 --> 0:53:16.200
<v Speaker 1>a lot of smarties. I think Josh Molina and David

0:53:16.280 --> 0:53:20.520
<v Speaker 1>Rosen have some stuff. Everybody has a little bit of it,

0:53:20.680 --> 0:53:24.279
<v Speaker 1>you don't, I mean, you know in the in the

0:53:24.800 --> 0:53:27.520
<v Speaker 1>being quiet and sometimes wanting to be alone, and I

0:53:27.560 --> 0:53:30.880
<v Speaker 1>could see that being you know, similar to myself and

0:53:30.920 --> 0:53:33.760
<v Speaker 1>to talk. Yeah, but howk you literally make your voice

0:53:33.880 --> 0:53:38.239
<v Speaker 1>and the mask of your face different. Oh yeah, Like

0:53:38.640 --> 0:53:41.600
<v Speaker 1>you do things as your face is garmo that you

0:53:41.640 --> 0:53:44.560
<v Speaker 1>don't do on your face as huk. That's so true.

0:53:44.640 --> 0:53:47.240
<v Speaker 1>That's so true. Like you have a mask that actually

0:53:47.239 --> 0:53:50.879
<v Speaker 1>like changes, which is fucking amazing to behold. Yeah. The

0:53:50.960 --> 0:53:56.200
<v Speaker 1>next episode is called Grant for the People People. I

0:53:56.200 --> 0:53:58.280
<v Speaker 1>don't remember what the fuck happened. I have no idea,

0:53:58.640 --> 0:54:00.279
<v Speaker 1>but y'all are going to want to listen and stay

0:54:00.280 --> 0:54:01.799
<v Speaker 1>tuned because you know it's going to be a good time.

0:54:02.000 --> 0:54:03.640
<v Speaker 1>We gotta go watch it now, so we're ready for

0:54:03.680 --> 0:54:06.399
<v Speaker 1>the next episode of this podcast. Any Gladiators that don't

0:54:06.440 --> 0:54:08.399
<v Speaker 1>think Josh Willne is hot enough to have a sex

0:54:08.440 --> 0:54:13.759
<v Speaker 1>scene leave him alone. He's so hot. I think he's sexy, sexy.

0:54:14.200 --> 0:54:18.160
<v Speaker 1>I do too. Also, I'm so jealous that he's going

0:54:18.200 --> 0:54:20.360
<v Speaker 1>to have lunch right now with George Newburn of the

0:54:20.400 --> 0:54:23.919
<v Speaker 1>Century City Mall, we should go crashtass ship right now,

0:54:24.200 --> 0:54:27.000
<v Speaker 1>he invited us. Did you get that text? No, I

0:54:27.000 --> 0:54:29.640
<v Speaker 1>haven't even looked at my phone because we're doing a podcast.

0:54:29.920 --> 0:54:32.360
<v Speaker 1>He texted us yesterday saying, Yo, I'm not sure what

0:54:32.400 --> 0:54:33.920
<v Speaker 1>time you guys stopped recording, but I'm going to have

0:54:34.000 --> 0:54:35.680
<v Speaker 1>lunch with George Newburn if you both like to come.

0:54:35.920 --> 0:54:39.200
<v Speaker 1>Oh I didn't get that, but whatever, we don't want

0:54:39.200 --> 0:54:42.440
<v Speaker 1>to go anyway. That is, yeah, but yo, Josh is

0:54:43.640 --> 0:54:47.920
<v Speaker 1>so freaking smart and talented and fun to talk to,

0:54:48.560 --> 0:54:52.120
<v Speaker 1>Like we could have done this for like three more hours,

0:54:52.320 --> 0:54:54.560
<v Speaker 1>you know, Like he's so much fun. I love all

0:54:54.760 --> 0:54:57.600
<v Speaker 1>the best, and he really was an important energy on Scan.

0:54:57.719 --> 0:55:01.080
<v Speaker 1>He really wasn't important. He has so many great episodes

0:55:01.120 --> 0:55:04.239
<v Speaker 1>where his work is superstellar. So we're definitely going to

0:55:04.320 --> 0:55:09.759
<v Speaker 1>have him back. Yes, absolutely. I love you all so much.

0:55:09.840 --> 0:55:14.800
<v Speaker 1>Thank you for listening. Thank you everyone, Thank you guys

0:55:14.840 --> 0:55:18.480
<v Speaker 1>for joining us on Unpacking the Toolbox. If you enjoyed

0:55:18.480 --> 0:55:21.560
<v Speaker 1>the show, please subscribe, share with your friends, rate, or

0:55:21.680 --> 0:55:24.600
<v Speaker 1>leave us a review. Scandal is executive produced by Sandy Bailey,

0:55:24.719 --> 0:55:29.560
<v Speaker 1>Alex AlCH, Lauren Homan, Tyler Klang and Gabrielle Collins. Our

0:55:29.600 --> 0:55:32.640
<v Speaker 1>producer and editor is Vince De Johnny, with music by

0:55:32.719 --> 0:55:36.279
<v Speaker 1>Chad Fisher. Scandal is a production of ABC Signature, and

0:55:36.360 --> 0:55:39.520
<v Speaker 1>you can follow along by rewatching Scandal on Hulu. Unpacking

0:55:39.520 --> 0:55:42.080
<v Speaker 1>the Toolbox is a production of Shondaland Audio in partnership

0:55:42.120 --> 0:55:45.960
<v Speaker 1>with iHeartRadio. For more podcasts from Shondaland Audio, visit the

0:55:46.000 --> 0:55:49.040
<v Speaker 1>iHeartRadio app or anywhere you subscribe to your favorite shows.