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Speaker 1: In the Phenomenon of Man, written in nineteen thirty eight,

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Speaker 1: the idealist philosopher and Jesuit priest Pierre Tilhard to Chardin

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Speaker 1: makes the claim that evolution is a process that gives

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Speaker 1: rise to increasingly complex organisms, which in turn leads to

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Speaker 1: expanded consciousness. At the book's core is the theory that

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Speaker 1: as humans evolve and society becomes more elaborate, a collective

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Speaker 1: space is formed that allows us to hold and share

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Speaker 1: our ideas in order to better communicate with one another.

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Speaker 1: Although an abstraction, Tilhard to Chardin imagined this thinking layer,

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Speaker 1: as he called it, much like the atmosphere and the biosphere,

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Speaker 1: to be as integral and real as any material aspect

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Speaker 1: of the planet. Borrowing a term from the pioneering biochemist

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Speaker 1: Vladimir Vanatsky, Tilhard de Chardin called this space the new sphere,

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Speaker 1: taken from the Greek NEOs, meaning mind. He believed that

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Speaker 1: through this organized web of thought, as he termed it,

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Speaker 1: our disparate cultural knowledge and perspectives would become so diffused

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Speaker 1: and universally understood that they would effectively converge into one

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Speaker 1: singular point of human awareness. In late October nineteen sixty

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Speaker 1: nine in the University of California's computer lab, twenty one

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Speaker 1: year old UCLA student and programmer Charlie Kleine sat on

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Speaker 1: the phone in front of a keyboard connected to a

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Speaker 1: computer so large it would barely fit inside a garage.

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Speaker 1: Shortly before nine thirty PM, Kline pressed the letter L

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Speaker 1: on the keyboard and waited. A moment later, the voice

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Speaker 1: of fellow programmer Bill Duval came down the line from

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Speaker 1: his base at the Stamford Research Institute, letting Cline know

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Speaker 1: that the L had been received. Next, Kline typed the

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Speaker 1: letter O. After a moment's pause, Bill came back on

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Speaker 1: the line to confirm that it too had been received.

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Speaker 1: The following attempt to send another letter resulted in a

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Speaker 1: complete system meltdown, but by then the test had already

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Speaker 1: been a success. Klein and Duval were working on a

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Speaker 1: project set up by the US Department of Defenses Advanced

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Speaker 1: Research Projects Agency, also known as DARPER. Their aim was

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Speaker 1: to help build a digital communication network that could accommodate

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Speaker 1: more than two computer terminals at one time and transmit

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Speaker 1: information across large distances. They'd been attempting to send the

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Speaker 1: word loggin before the computer crashed as it tried to

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Speaker 1: process the third letter, like a biblical proclamation. The resultant

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Speaker 1: low became the first communication across what would later be

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Speaker 1: known as Arpernett, the foundation for what we know to

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Speaker 1: day as the Internet. It shouldn't surprise us that, like

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Speaker 1: many of our most advanced technologies, the Internet began as

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Speaker 1: a military project. However, it is fairly certain that the

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Speaker 1: Pentagon had not envisaged the opening up of their secretive

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Speaker 1: systems of communication to the wider world. So although we

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Speaker 1: have them to thank or blame for developing the structural

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Speaker 1: underpinnings of the Net, the spirit that gave rise to

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Speaker 1: the Internet as we broadly understand it today is more

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Speaker 1: closely related to the utopian ideals of Pierre Tilhard de

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Speaker 1: Chardin emerging from the fertile corridors of the European strategy

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Speaker 1: for particle physics is cern Laboratory. The Worldwide Web was

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Speaker 1: first proposed by Tim berners Lee as an open system

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Speaker 1: whereby we could all store and share information freely and

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Speaker 1: globally without interference. On the sixth of August nineteen ninety one,

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Speaker 1: berners Lee launched the world's first website at HTTP. Colon

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Speaker 1: forward slash info, dot cern Dota, which explained the concept

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Speaker 1: of the web as an open invitation to all, even

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Speaker 1: providing instructions on how you might get started on building

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Speaker 1: your own website. Teel hard to Chardin was criticized for

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Speaker 1: his erroneous reading of evolution as a process which leads

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Speaker 1: inevitably to a singular point of higher intelligence. It is

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Speaker 1: a common misconception evolution is simply a process in which

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Speaker 1: the cumulative mutations of a species will result in an

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Speaker 1: organism that is better suited to its environment. There's no

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Speaker 1: guarantee that it would be intellectually smarter than any previous iterations. Nonetheless,

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Speaker 1: it is hard not to see something of teel hard

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Speaker 1: to Chardin's so called thinking layer, at least in the

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Speaker 1: functionality of the Internet, this networked repository of data from

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Speaker 1: which we now store, share, and receive so much of

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Speaker 1: our information, our personal lives and minds becoming increasingly merged

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Speaker 1: and atomized into this space, all our records, experiences, and

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Speaker 1: even thoughts backed up on clouds, shared and available for

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Speaker 1: all to see. Furthermore, with the rise of web two

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Speaker 1: point o, a term coined by web pioneer Dale Doughty,

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Speaker 1: that describes platforms such as TikTok, YouTube, Twitter, and Reddit,

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Speaker 1: which facilitate user generated content. It has never been so

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Speaker 1: easy to share that information. Never before, as a species

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Speaker 1: have we been so interconnected and exposed to each other.

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Speaker 1: In an echo of the new sphere concept, tech writer

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Speaker 1: Tim O'Reilly, in his two thousand and five article what

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Speaker 1: is Web two point o published on O'Riley dot com,

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Speaker 1: describes the leading Web two pointoo companies as those that

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Speaker 1: embrace the power of the web to harness collective intelligence.

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Speaker 1: Visionary utopian thinking, as media scholar Ethan Zuckerman notes in

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Speaker 1: his twenty fifteen book Digital Cosmopolitans, drawing on the work

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Speaker 1: of historian Langdon Winner, is often catalyzed by the emergence

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Speaker 1: of major new technologies, and never more so than when

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Speaker 1: those technologies promise to make the world more connected. As

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Speaker 1: Zuckerman states, today, the Internet stands alone as the fundamental

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Speaker 1: component at the heart of most of our visions for

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Speaker 1: a world made better through connection. Such cyber utopianism can

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Speaker 1: be seen in mission statements like that of Facebook, an

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Speaker 1: archetypal platform of Web two point zero, which read simply

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Speaker 1: bring people closer together. Much in the manner of the

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Speaker 1: new sphere. The cyber utopian sees the Internet as the

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Speaker 1: medium through which we will globally combine us one no

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Speaker 1: longer restricted by status, class, power, wealth, and geography. As

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Speaker 1: Heather brooknotes in her twenty twelve book, The Revolution will

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Speaker 1: be digitized. It will be a promised land, they believe,

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Speaker 1: where all of our oppressive and arbitrary social barriers will

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Speaker 1: finally be transcended. However, as our lives become ever more

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Speaker 1: entangled with this digital realm, some have been left fearing that,

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Speaker 1: rather than providing us with the tools of our next

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Speaker 1: evolutionary step forward, the Internet is in fact ensnaring us

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Speaker 1: in an evolutionary colder sac, a trap from which we

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Speaker 1: might struggle to ever escape. Amplified by the accelerated nature

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Speaker 1: of technological development, many have become unnerved at the way

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Speaker 1: the tools of the Internet seem to be undermining the old,

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Speaker 1: more stable ways, as some see it, fearing that the familiar,

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Speaker 1: supposedly solid world they once knew is disintegrating before their eyes,

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Speaker 1: ushering in a much less certain one, governed by processes

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Speaker 1: that are out of our control and beyond the comprehension

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Speaker 1: of most It is as if from that laboratory at

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Speaker 1: the University of California back in nineteen sixty nine, when

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Speaker 1: that first digital message was sent, a portal to an

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Speaker 1: abyss was opened, and from its depth the siren call

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Speaker 1: of a hopeless future emerged that has been growing steadily

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Speaker 1: louder ever since. That feeling of uncertainty is the true

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Speaker 1: horror of the unknown, the fear of chaos, and a

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Speaker 1: fear of all the monsters that we are convinced a

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Speaker 1: lurking in the shadows, just waiting for that chaos to descend.

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Speaker 1: In two thousand and nine, something monstrous did materialize on

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Speaker 1: the Internet that might yet prove our worst fears about

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Speaker 1: where this new world is taking us. He is the

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Speaker 1: personification of the unknown, a messenger of the medium, at

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Speaker 1: once new but also strangely archaically familiar. Some say he

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Speaker 1: first appeared one night centuries ago in Germany's Black Forest

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Speaker 1: of Baden Wurtemburg. Others that he lives in a mansion

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Speaker 1: deep in the heart of Chiquamigan Nikolay National Forest in Wisconsin.

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Speaker 1: He is unnaturally tall, dressed in a dark suit with

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Speaker 1: distended limbs, and in some cases has grotesque cathonic tentacles

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Speaker 1: emanating from his back. His face is blank, but some

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Speaker 1: claim it appears differently depending on the observer. It isn't

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Speaker 1: clear exactly what he wants, but the triggering a profound

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Speaker 1: nausea and nose bleeds when he is near suggests that

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Speaker 1: whatever it is, it isn't good. Some also believe it

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Speaker 1: is only possible to see him in the brief moment

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Speaker 1: before he takes your life. His name is the slender Man,

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Speaker 1: and one way or another he is coming for us.

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Speaker 1: Awe you're listening to Unexplained and I'm Richard McClean smith.

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Speaker 1: The first evidence of slender Man came in the form

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Speaker 1: of two deeply unsettling, low resolution black and white photographs

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Speaker 1: posted to a forum thread on the website Something Awful.

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Speaker 1: Something Awful was created in nineteen ninety nine by Richard Kyanka,

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Speaker 1: better known by his screen name low Tax. It began

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Speaker 1: life as little more than a website for Kyanka to

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Speaker 1: share his comedic and irreverent take on the world, primarily

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Speaker 1: through the lens of Internet cultures and video games. As

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Speaker 1: the site grew in popularity, its forums became a breeding

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Speaker 1: ground for irreverent, in jokey Internet humor. Long before Twitter

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Speaker 1: and Facebook. Something Awful forum users, self described as goons, pioneered,

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Speaker 1: for want of a better word, the care stick and

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Speaker 1: mocking humor that has come to define much of online culture,

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Speaker 1: regardless of whether you find the material on Something Awful

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Speaker 1: funny or not. The website, whose motto is the Internet

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Speaker 1: Makes You Stupid, has been described by Daily dot Com

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Speaker 1: as one of the single most important websites in the

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Speaker 1: history of Internet humor. Given or that and its relatively

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Speaker 1: archaic status in the life of the Internet, it feels

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Speaker 1: a somewhat fitting Locusts for the birth of slender Man.

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Speaker 1: The first picture claiming to show him appeared on June tenth,

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Speaker 1: two thousand and nine. The photograph seemed, at first glance

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Speaker 1: to depict twelve anguished children walking towards an unknown destination.

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Speaker 1: The odd, disturbed look on their faces was unsettling enough,

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Speaker 1: but what was really creepy was the wraith like figure

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Speaker 1: standing behind them. Dressed in a smart black suit with

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Speaker 1: strangely distended limbs and a faceless head. It appeared to

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Speaker 1: be shepherding the children on their way like some kind

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Speaker 1: of ghoulish pied piper. The caption below declared we didn't

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Speaker 1: want to go, We didn't want to kill them, but

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Speaker 1: its persistent silence and outstretched arms horrified and comforted us

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Speaker 1: at the same time. The photo was marked nineteen eighty

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Speaker 1: three and accredited to photographer unknown, presumed dead. The second

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Speaker 1: photo to appear, which again seemed fairly innocuous at first,

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Speaker 1: showed a young girl climbing to the top of a

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Speaker 1: slide in a small park in Sterling, Australia, while other

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Speaker 1: children play happily around her. An authentic looking watermark for

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Speaker 1: the City of Sterling Libraries Local Studies collection is printed

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Speaker 1: in the corner. Looking closer, however, you'll find a mysterious shape,

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Speaker 1: shrouded in darkness, standing under the trees at the back

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Speaker 1: of the shot. Once more, the figure who appears to

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Speaker 1: be keeping a watchful eye on the children is oddly

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Speaker 1: elongated and dressed in a black suit. But here there

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Speaker 1: was something else, a set of cephalopodden arms reaching out

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Speaker 1: from behind his back. This time the caption came with

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Speaker 1: a little more detail, one of two recovered photographs from

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Speaker 1: the Sterling City Library Blaze. It said, notable for being

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Speaker 1: taken day which fourteen children vanished, and for what is

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Speaker 1: referred to as the slender Man. Deformities cited as film

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Speaker 1: defects by officials. Fire at library occurred one week later.

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Speaker 1: Actual photograph confiscated as evidence photographer Mary Thomas missing since

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Speaker 1: June thirteenth, nineteen eighty six. As much as they may

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Speaker 1: have looked like unearthed pieces of a peculiar lost history,

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Speaker 1: the pictures were in fact the work of regular Something

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Speaker 1: Awful forum user Victor search birth name Eric Knudsen, who'd

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Speaker 1: posted them as part of a paranormal pictures contest set

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Speaker 1: up by another user. The caption for the second photo

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Speaker 1: marked the first direct mention of the terrifying that was

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Speaker 1: soon to become a global phenomenon. For the next few days,

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Speaker 1: Surge continued to post further images and allusions to the entity,

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Speaker 1: from hysterical police reports to an archive newspaper article about

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Speaker 1: a young boy from Whichita who'd apparently gone missing in

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Speaker 1: two thousand and four. Within hours, Surge's creation started to

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Speaker 1: draw attention from other forum users, and before long the

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Speaker 1: legend was spreading. Other Something Awful members suggested modifications and

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Speaker 1: refinements to the physiognomy, while others made changes themselves or

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Speaker 1: chimed in with their own apparent experiences and found pieces

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Speaker 1: of evidence. Throughout all of this, something extraordinary was taking place,

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Speaker 1: although this creature had only come into existence a few

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Speaker 1: days previously. Through the repetity of proliferation enabled by the Internet,

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Speaker 1: as more people began to add to the mythology with

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Speaker 1: every passing day, it was as if it were being

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Speaker 1: inserted into pockets of history stretching back centuries. One particularly

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Speaker 1: striking image, posted a few days after the original, showed

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Speaker 1: a bizarre sixteenth century woodcutting print titled de Ritter that

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Speaker 1: was claimed to have been unearthed at a Haltzburg castle

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Speaker 1: in eighteen eighty three, Purportedly made by famed artist of

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Speaker 1: the day, Hans Frekenburg. The picture appeared to show a

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Speaker 1: night doing battle against the skeleton of a mysterious creature

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Speaker 1: with distended limbs not too dissimilar to those of slender Man.

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Speaker 1: Over the next few months, the slender Man universe expanded

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Speaker 1: way beyond the Something Awful forums onto various social media

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Speaker 1: and content sharing networks in all digital mediums, from photoshopped images,

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Speaker 1: text to videos, and online games. Today, the breadth of

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Speaker 1: the tentacle like reach of the slender Man mythos has

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Speaker 1: left many, including Slender's original creator, Eric Nulsen, and academics

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Speaker 1: like folkloreist Jeffrey Talbot, suggesting that the slender universe could

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Speaker 1: reasonably be considered the first genuine example of digital folklore,

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Speaker 1: a myth that has been realized almost entirely through the

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Speaker 1: utility of the Internet. Certainly, if you ask anyone who's

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Speaker 1: heard of slender Man to explain what he is, they

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Speaker 1: would describe something much like any other folk legend, his

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Speaker 1: origins vague and timeless, the story mutating as it is

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Speaker 1: passed from person to person, both wildly or subtly, but

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Speaker 1: always with the central figure remaining consistent, much like tales

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Speaker 1: of the Slavic witch Baba Yaga, who sometimes flies in

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Speaker 1: the pestle and mortar other times on a broom. One moment,

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Speaker 1: she's benign, while the next monstrously wicked. To think of

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Speaker 1: her today, it might feel, like slender Man, that she's

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Speaker 1: always been there, lurking in the darkest peripheries of our nightmares.

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Speaker 1: Many academics have bought at the idea of something so

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Speaker 1: recently conceived as slender Man being considered folklore, despite their

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Speaker 1: apparent timelessness, Even the most ancient tales had an origin,

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Speaker 1: but traditionally this ageless sense of time is significant. A

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Speaker 1: term first thought have been coined by writer William Toms

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Speaker 1: in eighteen forty six. Folklore, as the Oxford English Dictionary

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Speaker 1: has it, is broadly considered to encompass the quote traditional beliefs, customs,

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Speaker 1: and stories of a community passed through the generations by

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Speaker 1: word of mouth. Such stories can be waited in old superstitions,

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Speaker 1: serving to impart useful life lessons, or merely the passing

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Speaker 1: on of rituals, customs, and traditions shared through a common ancestry.

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Speaker 1: As the term denotes, it is quintessentially about the folk

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Speaker 1: the people, but more specifically about the passing down of

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Speaker 1: the shared histories of specific cultures through oral transmission. In

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Speaker 1: the traditional mode of thinking, folklore is passed down vertically

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Speaker 1: through generations. How then, might the myth of slender Man,

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Speaker 1: conceived as recently as two thousand and nine, possibly constitute

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Speaker 1: such a thing. Two academics from the University of Southern

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Speaker 1: Denmark proposed an extraordinary theory that, although not specific to

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Speaker 1: the slender Man, mythos goes some way I think to

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Speaker 1: explaining how he might consider it a true example of

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Speaker 1: folklore in the digital age. Their idea has profound, unsettling,

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Speaker 1: and for some truly terrifying implications. In May two thousand

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Speaker 1: and seven, Thomas Pettit, associate professor of English at the

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Speaker 1: University of Southern Denmark, presented a paper at an MIT

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Speaker 1: media conference titled before the Gudenburg Parenthesis Elizabethan American Compatibilities.

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Speaker 1: Pettit's paper marked the first formal outing for the Gutemburg parenthesis,

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Speaker 1: a controversial and radical understanding of the digital age. The phrase,

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Speaker 1: coined by Pettit's colleague, professor Lars ole Sauerberg, encapsulates the

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Speaker 1: idea that the five hundred year period following the invention

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Speaker 1: of Johannes Gutenberg's printing press in the fifteenth century was

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Speaker 1: not the beginning of a change in the way that

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Speaker 1: we share information, but was in fact an anomalous blip.

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Speaker 1: Inherent in this neat phrase is the idea that, if

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Speaker 1: we imagine the history of communication as a sentence, everything

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Speaker 1: leading up to the invention of the printing press comes

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Speaker 1: before the parenthesis. The five hundred years or so following

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Speaker 1: its invention is the interruption within the parenthesis, and anything

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Speaker 1: since the emergence of the Internet comes after, in effect

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Speaker 1: continuing the historical sentence from before. Many believe that Johannes

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Speaker 1: Guttemberg's ingenious invention, which provided the means to mass produce

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Speaker 1: and share information, marks the true beginning of the information age,

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Speaker 1: of which the Internet is simply the latest phase of

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Speaker 1: its evolution. What Thomas Pettit and Lars O. A. Soerberg recognized, however,

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Speaker 1: was how the Internet, albeit in a far more rapid

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Speaker 1: and advanced manner, through its various mediums the mechanisms through

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Speaker 1: which information is shared on it, has not been a

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Speaker 1: progression into the future, but rather has returned us to

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Speaker 1: a more medieval and unstable past. In effect, according to

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Speaker 1: the Guttemberg parenthesis theory, rather than providing us with the

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Speaker 1: place we confined the true fixed truth of everything, the

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Speaker 1: digital age has in fact returned us to the fluid,

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Speaker 1: mutable way in which information used to be shared before

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Speaker 1: mass print and the supremacy of fixed authoritative texts reigned supreme.

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Speaker 1: As Thomas Pettitt noted in his two thousand and seven talk,

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Speaker 1: prior to the printing press, most knowledge was shared orally.

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Speaker 1: It was, as he said, sampled remixed, borrowed, reshaped, appropriated,

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Speaker 1: and continually recontextualized the worthy authorial texts of religious institutions,

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Speaker 1: and for a select minority access to authoritative academic texts.

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Speaker 1: But broadly speaking, for most people, from the plays and

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Speaker 1: the songs we wrote to the sharing of news and

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Speaker 1: life events, knowledge was communal, with no fixed origin, and

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Speaker 1: subject to severe mutation. Its provenance was always questionable. The

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Speaker 1: expansion of the slender Man mythos was fueled in part

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Speaker 1: by our copy and paste meme sharing culture, which epitomizes

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Speaker 1: the way in which information is often shared online, in

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Speaker 1: particular through the phenomena of creepy pasta, which first emerged

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Speaker 1: in the early two thousands. Creepy pasta is the sharing

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Speaker 1: and proliferation of short form horror stories, usually in the

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Speaker 1: tone of an urban legend, written as if true events

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Speaker 1: are being recounted. Creepy pasta can take the form of

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Speaker 1: anything from prose to multipart video, but serves only one

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Speaker 1: purpose to freak you out. One famous example is a

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Speaker 1: video titled the Scariest Picture on the Internet Brackets Reel,

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Speaker 1: uploaded to YouTube sometime around twenty ten. The video depicts

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Speaker 1: a painting of a young woman with long brown hair

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Speaker 1: and azure blue eyes that was purportedly drawn and then

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Speaker 1: uploaded by a teenage girl from Japan shortly before she

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Speaker 1: committed suicide. Viewers of the video, which runs at just

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Speaker 1: over five minutes, are warned that quote it is hard

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Speaker 1: for a person to stare into the girl's eyes for

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Speaker 1: longer than five minutes. There are reports that some people

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Speaker 1: have taken their own lives after doing so through websites

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Speaker 1: such as creepy pasta dot com, created in two thousand

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Speaker 1: and eight and later creepy Pasta dot Wikia. Users are

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Speaker 1: encouraged to make their own contributions, create mashups of other stories,

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Speaker 1: or extend the universe of someone else's original idea. Creepy

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Speaker 1: Pastor therefore thrives on the fluidity of information, unofficiated, unverified,

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Speaker 1: and passed around from person to person in the manner

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Speaker 1: of the oral tradition, where the story is free to

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Speaker 1: mutate with no discernible author. Key to the fluid transference

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Speaker 1: of information in the digital age has been the dominance

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Speaker 1: of web two point er platforms that facilitate user generated content.

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Speaker 1: Platforms such as TikTok, Twitter, Facebook, and YouTube have for

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Speaker 1: many been a liberating tool. Many argue that it allows

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Speaker 1: thoughts and ideas to be heard, regardless of financial means

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Speaker 1: or the necessity of having to satisfy by the gatekeepers

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Speaker 1: of old, be they publishing companies, record companies, TV executives,

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Speaker 1: or the stringent ethical codes of conduct which might otherwise

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Speaker 1: have dictated what content can be seen or heard. Some, however,

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Speaker 1: have voiced concern over the way in which Web two

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Speaker 1: point zero, rather than broadening our awareness and understanding of

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Speaker 1: the world, is in fact making us more stupid and

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Speaker 1: diluting culture. In the Cult of the amateur, how today's

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Speaker 1: Internet is killing our culture, Internet critic Andrew Keane argues

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Speaker 1: that rather than enabling us to pool our intelligence, the

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Speaker 1: explosion of amateur user generated content has given us a

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Speaker 1: world in which sketchy Wikipedia entries are given prominence over

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Speaker 1: the perceived erudite authority of the Britannica Encyclopedia, which, as

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Speaker 1: Keene says, is leading us to superficial observations of the

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Speaker 1: world around us rather than deep analysis. What the Gutenberg

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Speaker 1: parenthesis theory suggests, and what Keen is alluding to, is

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Speaker 1: that prior to the rise of the Internet, as noted

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Speaker 1: by media critic Deek Starkman in his twenty twelve paper

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Speaker 1: The Future Is Medieval. Information came with a degree of

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Speaker 1: permanence and containment, which is to say that, regardless of

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Speaker 1: how undemocratic and elitist it was, information was set, meaning

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Speaker 1: the receiver of it could hold it to account and

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Speaker 1: interrogate its veracity. The printed words that stemmed from Gutenberg's

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Speaker 1: printing press, as Starkman puts it, were unalterable and thus

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Speaker 1: given a new author authority, whether it was deserved or not,

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Speaker 1: that oral communication didn't have in its own way, though

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Speaker 1: not nearly as much as the Internet. The printing press

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Speaker 1: was also hugely democratizing and egalitarian, to fueling literacy and

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Speaker 1: empowering people by allowing for a wider access to the

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Speaker 1: words that had previously been controlled by the authorities of

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Speaker 1: the day. For the first time, many people who hadn't

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Speaker 1: had a voice before could spread their ideas and be heard.

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Speaker 1: This in turn allowed for more solid foundations from which

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Speaker 1: to build our collective knowledge, which, as Starkman also suggests,

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Speaker 1: led directly to the Enlightenment, the foundations for democracy, and

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Speaker 1: a rapid explosion of scientific advancement, as well as allowing

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Speaker 1: for challenges to the authority of the religious and feudal

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Speaker 1: author oxyes of the period. A post Guttenberg parenthesis world, however,

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Speaker 1: some believe we are now living in, is one in which,

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Speaker 1: through the manner in which information is exchanged on the Internet,

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Speaker 1: the authoritative, immutable word has been completely untethered. It is

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Speaker 1: a return to a world in which there is virtually

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Speaker 1: no way of confirming a story's origin or, in other words,

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Speaker 1: it's truth. It is a world in which the so

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Speaker 1: called stable, reassuring authority of the old established orders are

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Speaker 1: being undermined and replaced by gut feeling and entrenched tribalism.

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Speaker 1: A place where for some people things might feel a

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Speaker 1: little less certain than they did before. A world, you

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Speaker 1: might say, in which the specter of the Slender Man

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Speaker 1: can be felt pushing in from the shadows, and if

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Speaker 1: you listen now through the silence, you might just hear

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Speaker 1: him coming. You've been listening to Unexplained, Season six, episode

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Speaker 1: twenty eight. The new Sphere, Part one of three, Part

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Speaker 1: two will be released next Friday, February tenth. If you

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Speaker 1: enjoy Unexplained and would like to help support us, you

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Speaker 1: add three episodes. Just go to patron dot com Forward

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Speaker 1: on the show, is now available to buy worldwide. You

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Speaker 1: can purchase from Amazon, Barnes, and Noble Waterstones, among other bookstores.

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Speaker 1: All elements of Unexplained, including the show's music, are produced

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