WEBVTT - Casket-a-go-go, Part 1

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<v Speaker 1>Welcome to Invention, a production of I Heart Radio. Hey,

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<v Speaker 1>welcome to Invention. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick. And what's up. It's October. H If you

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<v Speaker 1>are a listener of our other podcast, Stuff to Blow

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<v Speaker 1>your Mind, you already know that we have a tradition

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<v Speaker 1>on that show of devoting the entire month of October

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<v Speaker 1>two subjects of a spooky, ghostly or monstrous variety. That's

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<v Speaker 1>kind of our bag, and so we thought we'd give

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<v Speaker 1>it a try on this podcast too, because why the

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<v Speaker 1>heck not. Yeah, yeah, So, you know, we're thinking of

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<v Speaker 1>things to cover, and some of these, some of these

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<v Speaker 1>are topics we might may very well cover in the

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<v Speaker 1>future without We could do chainsaws, we could do uh

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<v Speaker 1>booby traps, you know. But of course the most obvious

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<v Speaker 1>one is to consider something about the casket, the coffin, uh,

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<v Speaker 1>the you know, something about the containers in which we

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<v Speaker 1>entomb the dead, the vessels of our dead. That's right,

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<v Speaker 1>And there is more surprising interesting in vation in the

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<v Speaker 1>history of this invention genre then you might expect. Yeah,

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<v Speaker 1>I mean, because it's a pretty basic concept, right, a

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<v Speaker 1>box into which one puts the dead, and then you

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<v Speaker 1>put that box any number of places, right, and you know,

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<v Speaker 1>usually it's not going to be something that you're gonna

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<v Speaker 1>have to, I don't know, revisit, do anything with after

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<v Speaker 1>a certain period of time. So it doesn't need to

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<v Speaker 1>be a complicated box either, Right, It's just like you're

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<v Speaker 1>gonna bury it. So what kind of features does it

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<v Speaker 1>need to have? But in that you touched on the

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<v Speaker 1>basic human problem here. Like death itself is a pretty simple,

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<v Speaker 1>laid out process, it becomes complicated or more complicated through

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<v Speaker 1>our human ideas. And therefore even something as simple as

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<v Speaker 1>a casket is fine and simple, except people keep thinking

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<v Speaker 1>about it, they keep worrying about it and what it represents,

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<v Speaker 1>and they pour all of these anxieties into new innovations. Right,

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<v Speaker 1>And so I would say this is gonna be one

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<v Speaker 1>where the mother of invention is some embination of necessity

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<v Speaker 1>and paranoid fantasy. Yes, um, basically the fear of death

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<v Speaker 1>overwhelming um necessity and invention, or paradoxically, the fear of

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<v Speaker 1>being alive will come back to that. Uh, you know what,

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<v Speaker 1>I learned a wonderful phrase while we were preparing for

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<v Speaker 1>this episode that I don't think I knew before, and

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<v Speaker 1>it's the the disposal of human remains has a sort

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<v Speaker 1>of industry term, and that term is final disposition. Be

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<v Speaker 1>a great movie franchise, right, I mean, it makes it

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<v Speaker 1>sound like this is you reached your final form, like

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<v Speaker 1>this is this is the ultimate you. So of course

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<v Speaker 1>you want to put a lot of money into how

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<v Speaker 1>how you look and what you are poured into. Right.

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<v Speaker 1>But also I think of disposition as something kind of

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<v Speaker 1>like mood, uh, somewhere between like mood and character trait.

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<v Speaker 1>So you could be of like a surly disposition, but

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<v Speaker 1>I guess in finality you are of a dead disposition

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<v Speaker 1>or you know, just peaceful. You know, it's like I

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<v Speaker 1>think they're asleep, right, yeah, now, you know, we always

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<v Speaker 1>like to ask the question what came before? So if

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<v Speaker 1>we're talking about containers or vessels for the dead, coffins, caskets,

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<v Speaker 1>burial vaults, all that kind of thing, asking what came

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<v Speaker 1>before is probably gonna be looking at the practice of

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<v Speaker 1>human burial before we were using these uh, these containers

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<v Speaker 1>or vessels to put people in, and human burial is

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<v Speaker 1>actually and archaeologically and anthropologically significant practice in the timeline

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<v Speaker 1>of our species because it's I mean, this is one

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<v Speaker 1>of those things where it's hard to know for sure,

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<v Speaker 1>but it's often taken as a sign of the earliest

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<v Speaker 1>archaeologically detectable indications of something like human religion. Yeah, Burial

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<v Speaker 1>sites are often a key means of gazing into the

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<v Speaker 1>past for starters like this is a way where you

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<v Speaker 1>might find a very well, you know, comparatively preserved body

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<v Speaker 1>of the deceased, and you can learn things about their anatomy,

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<v Speaker 1>how they died, how they lived, what they ate, that

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<v Speaker 1>sort of thing. But then also burial customs frequently involved

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<v Speaker 1>bearing the individual with artifacts, and those artifacts maybe you know,

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<v Speaker 1>more religious in in uh in their scope and may

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<v Speaker 1>reveal things about what these people believed. But then they

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<v Speaker 1>also might well be artifacts from their daily life tools

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<v Speaker 1>they used, weapons they used, etcetera. It's extremely common throughout

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<v Speaker 1>human history to bury people with personal effects, as if

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<v Speaker 1>they would need these things wherever they were going next.

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<v Speaker 1>And that's sort of an indication that, again we don't

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<v Speaker 1>know exactly how or when religious beliefs first took shape

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<v Speaker 1>and human beings. But when you see, for example, people

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<v Speaker 1>putting a bow or or a you know, a grooming

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<v Speaker 1>device like a comb or something in a grave with

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<v Speaker 1>a person. You can't know for sure what that means,

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<v Speaker 1>but it seems to be a sign that the people

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<v Speaker 1>of this ancient time and place may have imagined their

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<v Speaker 1>loved ones are living on somehow surviving the death of

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<v Speaker 1>the physical body, and in some way they might need

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<v Speaker 1>this thing again. Right, yeah, and and certainly certainly that

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<v Speaker 1>that does become an aspect of many different belief systems,

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<v Speaker 1>the idea that there isn't after there is another world

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<v Speaker 1>beyond death. I wonder too, how much of it is

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<v Speaker 1>just through tool use. You know, when we use a tool,

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<v Speaker 1>it becomes a part of our body, you know, it

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<v Speaker 1>it updates our body schema, It becomes an extension of

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<v Speaker 1>the you know, the barriers between our self and the

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<v Speaker 1>rest of the world. And therefore this kind of like

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<v Speaker 1>perhaps this is innate idea that the tool that this

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<v Speaker 1>individual used every day is not nearly a tool, it

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<v Speaker 1>is a part of them. And as they go into

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<v Speaker 1>the earth and perhaps into another realm, of course they

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<v Speaker 1>have to bring their tools with them exactly, but whatever

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<v Speaker 1>is going on there, I mean, when you see humans

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<v Speaker 1>from the ancient world from the Stone Age being buried

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<v Speaker 1>with tools that they're they're definitely not going to be

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<v Speaker 1>physically using anymore. You've got to think that there's there's

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<v Speaker 1>something happening in the brains of the people who are

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<v Speaker 1>still alive there, whether it's religious or not. Maybe you

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<v Speaker 1>could even frame it to some kind of secular sentimentality.

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<v Speaker 1>You know, they want to think about the person there,

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<v Speaker 1>you know, resting in peace with these items that they used.

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<v Speaker 1>Whatever it is, it's it's something that's transcending the mere

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<v Speaker 1>utility value of tools, right. It's because like if somebody

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<v Speaker 1>dies and they had a favorite comb, and you're just

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<v Speaker 1>thinking about pure utilitarian value, you might as well like

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<v Speaker 1>keep the comb. You could use it yourself, or you

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<v Speaker 1>could trade it for something. Leaving it with a dead

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<v Speaker 1>person suggests a sort of second order way of thinking

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<v Speaker 1>about life and death. Now, humans and hominance have been

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<v Speaker 1>burying they're dead for a long time, of burying with

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<v Speaker 1>grave goods for a long time, like tools and clothing

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<v Speaker 1>and ornaments, and the Neanderthals buried they're dead with with belongings. Uh.

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<v Speaker 1>The date of the earliest known human burials is disputed.

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<v Speaker 1>I've seen it estimated that burial of the dead goes

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<v Speaker 1>back roughly at least a hundred thousand years or so UM.

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<v Speaker 1>But there's so many interesting examples of practices regarding final

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<v Speaker 1>disposition in the ancient world that are different than what

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<v Speaker 1>we're used to in many of our cultures today, but

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<v Speaker 1>are also you can kind of see the through lines

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<v Speaker 1>from ancient history until now. One example I want to

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<v Speaker 1>think of is the burial practices of the ancient Proto

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<v Speaker 1>city of Chattel Hoyak, which was that it was this

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<v Speaker 1>early proto city from the Neolithic and Chalcolithic periods of Anatolia.

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<v Speaker 1>It flourished around seven thousand BC, around nine thousand years ago.

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<v Speaker 1>This would be in modern day Turkey. So to to

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<v Speaker 1>picture this ancient proto city, you picture all these homes

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<v Speaker 1>grouped together, which are each like a boxy pit where

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<v Speaker 1>you would the roof would be covered and you'd enter

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<v Speaker 1>and leave through a hole in the roof via a ladder.

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<v Speaker 1>And then when you're walking around the city, you just

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<v Speaker 1>be walking around this flat area on top of the

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<v Speaker 1>houses which are all crammed right up in against each other,

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<v Speaker 1>instead of having streets between the houses. Yeah, I believe

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<v Speaker 1>that this uh, this location has come up on the

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<v Speaker 1>show before Yeah, it's a fascinating site. We could do

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<v Speaker 1>whole sections. Probably, probably we could do a whole series

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<v Speaker 1>on stuff to blow your mind just about Chattel Hoyak,

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<v Speaker 1>because there's so much interesting stuff to learn and about

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<v Speaker 1>their culture. It's one of the oldest, you know, settlements

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<v Speaker 1>of this size that we know about. But the really

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<v Speaker 1>interesting thing about the city is that the city itself

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<v Speaker 1>and these houses that people dwelled in, it doubles as

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<v Speaker 1>a graveyard because it appears that people in the city

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<v Speaker 1>of Chadlehoyak would bury their loved ones under the floor

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<v Speaker 1>in the houses where they lived, but they would also

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<v Speaker 1>sometimes keep parts of the bodies of their loved ones

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<v Speaker 1>in the homes with them as like decorative items for

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<v Speaker 1>a period of time. For example, some of the remains

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<v Speaker 1>from Chaddlehoya show that people would cut the head off

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<v Speaker 1>of a dead person's body, presumably again a family member member,

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<v Speaker 1>or somebody that you knew or loved, and then they

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<v Speaker 1>would cover the head in plaster and use ochre to

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<v Speaker 1>paint a face or some other design on the plaster

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<v Speaker 1>mask over the real dead person's head and keep that

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<v Speaker 1>with them in the house as a decorative ritual item. Meanwhile,

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<v Speaker 1>the body would be buried in the floor, under the

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<v Speaker 1>hearth or under the bed, and sometimes bodies here would

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<v Speaker 1>be placed in some kind of container, maybe like a basket,

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<v Speaker 1>a woven basket, or wrapping of reed mats. And of

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<v Speaker 1>course this uh, this civilization, they didn't leave behind any

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<v Speaker 1>texts or anything. We don't have a holy book from them.

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<v Speaker 1>We don't know what they believed, what they believed about

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<v Speaker 1>life and death and what happened after death. But it's

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<v Speaker 1>so interesting to try to just try to understand from

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<v Speaker 1>the physical remains that they left behind. Yeah, because you

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<v Speaker 1>can go in various directions there, right, I mean, on

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<v Speaker 1>one hand, you can you can face a vision in

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<v Speaker 1>which the dead are presumed to still be alive in

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<v Speaker 1>some fashion, that the remains still have some sort of

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<v Speaker 1>life to them. Perhaps they're still speaking to the people

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<v Speaker 1>in some way, shape or form, or it's believed that

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<v Speaker 1>they speak to the people, or is it something more

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<v Speaker 1>removed where they they know that this is the head

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<v Speaker 1>of someone who is no longer alive, but you are

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<v Speaker 1>able to to make a testament to that person out

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<v Speaker 1>of it. Yeah, it's a truly fascinatingness story. And and

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<v Speaker 1>the tidbits that are there are so interesting, so we

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<v Speaker 1>should absolutely come back to Chadlahoyac. But this is just

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<v Speaker 1>one example of tons of different burial traditions from around

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<v Speaker 1>the world that established early on a precedent that respectable

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<v Speaker 1>burial was not one in which a body was just

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<v Speaker 1>like thrown naked in the soil or left out for

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<v Speaker 1>scavenging animals. So there are some cultures in which a

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<v Speaker 1>respectable burial is to be left out for scavenging animals.

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<v Speaker 1>An example of that would be the sky burial practices. Yeah,

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<v Speaker 1>particularly I'm in Tibet, Yeah, where the the ideas of

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<v Speaker 1>the body is. Uh, there are a few different modes

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<v Speaker 1>of burial in in Tibet, but but this particular mode

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<v Speaker 1>would be the ritual um dissection of the body and

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<v Speaker 1>then those pieces of the body were then made available

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<v Speaker 1>to scavenging vultures buzzards that within consume it. And it's

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<v Speaker 1>it's like and it ties into also like the older

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<v Speaker 1>animist religion of Tibet. You know, it's the idea that

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<v Speaker 1>that your flesh is returning to to these divine creatures,

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<v Speaker 1>these creatures of the sky, which I have long found

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<v Speaker 1>rather beautiful, right though even though it doesn't line up

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<v Speaker 1>with a whole lot of traditions throughout the world that

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<v Speaker 1>would say that what what you should do for respect

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<v Speaker 1>with the dead body is to sort of hide it,

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<v Speaker 1>to inter it, to cover it up, and specifically to

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<v Speaker 1>place it inside some kind of container, whether that be

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<v Speaker 1>a wrapping of some kind or a special box, right,

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<v Speaker 1>which isn't always a possibility in some parts of the world,

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<v Speaker 1>particularly if you're in a high rocky region such as Tibet,

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<v Speaker 1>where there may not be a lot of soil in

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<v Speaker 1>which to bury things. Where there may not be a

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<v Speaker 1>lot of uh, you know, a freely available would to

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<v Speaker 1>burn uh in order to reduce a body to ash. Uh.

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<v Speaker 1>So there are also some environmental concerns taken to account to. Yeah,

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<v Speaker 1>that's an interesting point to consider to how like the

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<v Speaker 1>bioecology of the region contributes to these cultural practices. But

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<v Speaker 1>I mean, I wonder why it's so calm men to

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<v Speaker 1>believe that a dead body, again this is not universal,

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<v Speaker 1>but why it's so common to believe a dead body

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<v Speaker 1>should be placed in some kind of container. Uh. We

0:12:10.160 --> 0:12:13.600
<v Speaker 1>don't know exactly what the reason for that is. Uh,

0:12:13.720 --> 0:12:16.000
<v Speaker 1>it's pure speculation on my part, but I kind of

0:12:16.040 --> 0:12:19.480
<v Speaker 1>wonder if it has to do with a learned cultural

0:12:19.520 --> 0:12:24.640
<v Speaker 1>association from daily life in technological societies where items of

0:12:24.760 --> 0:12:27.600
<v Speaker 1>value are generally not left out in the open, but

0:12:27.679 --> 0:12:31.280
<v Speaker 1>they are stored inside containers. And initially this would probably

0:12:31.280 --> 0:12:34.600
<v Speaker 1>be for practical reasons, like to protect valuable objects and

0:12:34.679 --> 0:12:38.680
<v Speaker 1>substances from the elements from thieves, from scavenging animals in

0:12:38.679 --> 0:12:41.400
<v Speaker 1>the case of foods, like in a grain bin. And

0:12:41.440 --> 0:12:45.080
<v Speaker 1>thus you learn over time that, uh, when something is

0:12:45.160 --> 0:12:48.640
<v Speaker 1>of value, you protect it inside a container. And this

0:12:48.880 --> 0:12:51.600
<v Speaker 1>when you go to buryer deceased relative, you follow that

0:12:51.720 --> 0:12:54.959
<v Speaker 1>practical precedent and show that they're a valuable thing by

0:12:54.960 --> 0:12:57.920
<v Speaker 1>placing them inside a container. Yeah, I mean a container

0:12:58.040 --> 0:13:00.800
<v Speaker 1>is control. It is it is exercise eis in control

0:13:01.360 --> 0:13:04.840
<v Speaker 1>um over and against the rest of the world. Be

0:13:04.960 --> 0:13:08.000
<v Speaker 1>that container something you put your bread in or your grain,

0:13:08.320 --> 0:13:10.400
<v Speaker 1>or be at the container that you put your family

0:13:10.440 --> 0:13:13.880
<v Speaker 1>in that you you call your house. Uh. And then

0:13:13.880 --> 0:13:16.200
<v Speaker 1>when when death enters into our lives, like that is

0:13:16.400 --> 0:13:20.640
<v Speaker 1>a situation where people often feel completely without control. So yeah,

0:13:20.679 --> 0:13:23.600
<v Speaker 1>it makes sense that you would turn to this technology

0:13:23.640 --> 0:13:27.480
<v Speaker 1>of the container to help, you know, put firm boundaries

0:13:27.480 --> 0:13:29.839
<v Speaker 1>on what is occurring. Yeah, and you know, I can't

0:13:29.840 --> 0:13:33.600
<v Speaker 1>help but notice how often objects of religious value are

0:13:33.640 --> 0:13:36.880
<v Speaker 1>placed inside containers as well, or even over time, the

0:13:36.920 --> 0:13:39.640
<v Speaker 1>sacred objects are the containers and on the ark of

0:13:39.679 --> 0:13:44.080
<v Speaker 1>the covenant, yeah, exactly, or mythic items like Pandora's box.

0:13:44.240 --> 0:13:46.600
<v Speaker 1>Oh yeah. I don't know how much you've seen of

0:13:46.679 --> 0:13:49.920
<v Speaker 1>like the preparations for the process of Catholic mass, but

0:13:50.040 --> 0:13:52.120
<v Speaker 1>there's a heck of a lot of opening and closing

0:13:52.120 --> 0:13:56.040
<v Speaker 1>of containers. There's things in boxes, containers they get taken out,

0:13:56.280 --> 0:13:59.559
<v Speaker 1>you know. Uh. Yeah, it's like it's like it's it's

0:13:59.559 --> 0:14:02.320
<v Speaker 1>a special old place. Yeah. I mean, all our rituals

0:14:02.320 --> 0:14:04.200
<v Speaker 1>really need a good box. You know, because you have

0:14:04.240 --> 0:14:07.959
<v Speaker 1>a ritual, you probably have paraphernalia. And that paraphernalia just

0:14:08.000 --> 0:14:10.040
<v Speaker 1>can't be left laying around on the coffee table. It

0:14:10.080 --> 0:14:12.720
<v Speaker 1>needs a box. Uh and uh. And so it makes

0:14:12.720 --> 0:14:15.120
<v Speaker 1>sense that you would you would have a box for

0:14:15.120 --> 0:14:17.959
<v Speaker 1>for also the dead as well. Yeah. So of course,

0:14:18.000 --> 0:14:21.400
<v Speaker 1>not all cultures put their dead in containers of some kind,

0:14:21.520 --> 0:14:25.040
<v Speaker 1>but many did, and over time, some cultures developed extremely

0:14:25.080 --> 0:14:28.560
<v Speaker 1>elaborate types of containers for human burial, such as like

0:14:28.600 --> 0:14:31.080
<v Speaker 1>the ornate sarcoph a guy for the mummified remains of

0:14:31.080 --> 0:14:33.600
<v Speaker 1>pharaohs and other wealthy figures in ancient Egypt. This is

0:14:33.640 --> 0:14:38.560
<v Speaker 1>probably the most famous of all the vessels of the dead. Yeah. Now,

0:14:38.560 --> 0:14:42.280
<v Speaker 1>Egyptian bombing processes, they span roughly three thousand years of

0:14:42.360 --> 0:14:44.520
<v Speaker 1>human history, so it changed a lot during that time.

0:14:44.560 --> 0:14:47.000
<v Speaker 1>In fact, you can look at the history of just

0:14:47.120 --> 0:14:49.840
<v Speaker 1>burial in Egypt and see it's just kind of like

0:14:49.880 --> 0:14:53.520
<v Speaker 1>the evolution of burial in general, because it essentially begins

0:14:53.560 --> 0:14:56.520
<v Speaker 1>as pit burials in the hot sand, in which they

0:14:56.520 --> 0:14:59.520
<v Speaker 1>you know, just the body is placed in the in

0:14:59.560 --> 0:15:03.280
<v Speaker 1>the ground, and then it transforms, and the cosmology that

0:15:03.360 --> 0:15:06.960
<v Speaker 1>informs the practices also transform, uh, and it becomes a

0:15:07.000 --> 0:15:09.960
<v Speaker 1>matter of continuation of the soul. The tomb is not

0:15:10.080 --> 0:15:12.720
<v Speaker 1>just a you know, a receptacle for the body, but

0:15:12.920 --> 0:15:15.440
<v Speaker 1>is kind of a kind of like a spaceship kind

0:15:15.480 --> 0:15:19.400
<v Speaker 1>of a vessel for for for this journey, uh, into

0:15:19.440 --> 0:15:23.000
<v Speaker 1>the afterlife, into the other world. That is. That's you know,

0:15:23.160 --> 0:15:25.480
<v Speaker 1>it is rather different than I think, sort of the

0:15:25.560 --> 0:15:28.880
<v Speaker 1>modern pop culture idea of a heaven or even a

0:15:28.960 --> 0:15:32.400
<v Speaker 1>hell like it was. The the Egyptian afterlife was like

0:15:32.440 --> 0:15:37.120
<v Speaker 1>another realm of adventure and intrigue full of trials, and

0:15:37.160 --> 0:15:40.960
<v Speaker 1>so you had to be prepared and thus all the preparations,

0:15:41.000 --> 0:15:45.160
<v Speaker 1>all these uh uh, these different funeral practices, um, you know.

0:15:45.160 --> 0:15:48.640
<v Speaker 1>But but the evolution of ancient Egyptian funeral practices, you know,

0:15:48.640 --> 0:15:52.760
<v Speaker 1>puts an increasing demand on the preservation of the biological

0:15:52.800 --> 0:15:55.560
<v Speaker 1>body after death, something that's very much a part of

0:15:55.600 --> 0:15:59.680
<v Speaker 1>modern funeral practices as well. Um, which which is actually

0:15:59.680 --> 0:16:05.360
<v Speaker 1>fairly recent. Yeah, like the modern reintroduction of embalming. Yeah,

0:16:05.400 --> 0:16:07.640
<v Speaker 1>it would be interesting to perhaps come back to that

0:16:07.720 --> 0:16:11.120
<v Speaker 1>in the future. Now. As far as mummification itself, which

0:16:11.160 --> 0:16:14.480
<v Speaker 1>of course, you know, just the drying out of the body,

0:16:14.960 --> 0:16:18.920
<v Speaker 1>which can occur either through natural or artificial means. Like

0:16:19.200 --> 0:16:21.920
<v Speaker 1>there are examples of of bodies that have been mummifized

0:16:22.000 --> 0:16:24.680
<v Speaker 1>just purely because of the environment in which they were left,

0:16:24.800 --> 0:16:28.200
<v Speaker 1>or perhaps buried bog bodies and that sort of thing. Yeah.

0:16:28.600 --> 0:16:33.280
<v Speaker 1>But as as far as the earliest artificially created mummies, uh,

0:16:33.320 --> 0:16:35.720
<v Speaker 1>they seem to date back to around six thousand BC

0:16:36.600 --> 0:16:40.560
<v Speaker 1>in the Atacama Desert region of South America, sandwich between

0:16:40.640 --> 0:16:43.200
<v Speaker 1>Chile and Peru. And I know you said that it's

0:16:43.320 --> 0:16:46.160
<v Speaker 1>artificial mummification. There but that that, of course is like

0:16:46.160 --> 0:16:50.360
<v Speaker 1>an ideal type of environment for preservation, like mummification, because

0:16:50.400 --> 0:16:53.480
<v Speaker 1>it's what dry and right. Yeah, all right, let's take

0:16:53.520 --> 0:16:55.000
<v Speaker 1>a quick break. When we come back, we're going to

0:16:55.080 --> 0:17:03.240
<v Speaker 1>talk about confidence. Alright, we're back, all right. Now, we

0:17:03.280 --> 0:17:07.159
<v Speaker 1>don't know exactly when humans started using coffins. Some of

0:17:07.160 --> 0:17:10.080
<v Speaker 1>the earliest evidence appears to be of like solid wooden

0:17:10.080 --> 0:17:13.159
<v Speaker 1>coffins appears to come from different sites in ancient China.

0:17:13.320 --> 0:17:15.600
<v Speaker 1>That seems to be something that happened. They're a good bit.

0:17:16.160 --> 0:17:18.840
<v Speaker 1>But of course there were sarcopher guy in boxes in

0:17:18.880 --> 0:17:22.000
<v Speaker 1>ancient Egypt. Two. Yeah, the Egyptians seemed to have turned

0:17:22.000 --> 0:17:26.040
<v Speaker 1>to wrappings, but then baskets and then ultimately wooden caskets

0:17:26.080 --> 0:17:28.560
<v Speaker 1>during the pre Dynastic period, and that would have been

0:17:28.720 --> 0:17:34.480
<v Speaker 1>u Now a question I have long wondered about, but

0:17:34.520 --> 0:17:38.840
<v Speaker 1>I've never asked until now. What's the difference between a

0:17:38.880 --> 0:17:41.320
<v Speaker 1>coffin and a casket? I don't know, Joe, what's the

0:17:41.320 --> 0:17:44.360
<v Speaker 1>difference between a cock and a casket? With that punch line, Oh,

0:17:44.400 --> 0:17:46.000
<v Speaker 1>you expect there to be a good punch line, it's

0:17:46.040 --> 0:17:50.400
<v Speaker 1>not a good punch line. The difference is shape, basically, Yeah,

0:17:50.440 --> 0:17:53.600
<v Speaker 1>it's shape and design. So as used today, these terms

0:17:53.680 --> 0:17:56.880
<v Speaker 1>mean that a casket is basically a rectangular box. Now

0:17:57.359 --> 0:18:00.080
<v Speaker 1>that just means roughly rectangular. It can have round to

0:18:00.280 --> 0:18:02.800
<v Speaker 1>edges or you know, like angled off edges or whatever,

0:18:02.840 --> 0:18:06.200
<v Speaker 1>but it's basically a big rectangle, whereas coffins are more

0:18:06.280 --> 0:18:09.920
<v Speaker 1>like that classic Dracula box that you see. It's angled

0:18:09.960 --> 0:18:12.680
<v Speaker 1>to be widest at the shoulders and then to taper

0:18:12.760 --> 0:18:15.440
<v Speaker 1>off at the head and the feet, so it's got

0:18:15.480 --> 0:18:18.520
<v Speaker 1>six sides rather than four. And by doing this you

0:18:18.520 --> 0:18:21.639
<v Speaker 1>can actually use less wood to create your coffin, meaning

0:18:21.680 --> 0:18:24.680
<v Speaker 1>that the coffin is often cheaper than a casket. Yeah,

0:18:24.720 --> 0:18:27.800
<v Speaker 1>and it certainly has become iconic. I remember my my

0:18:27.880 --> 0:18:31.000
<v Speaker 1>dad made me one out of probably like balsa wood

0:18:31.080 --> 0:18:33.400
<v Speaker 1>or something when I was a kid. Life size, No,

0:18:33.480 --> 0:18:35.800
<v Speaker 1>not life size. It's large enough for a Gi Joe

0:18:36.119 --> 0:18:40.400
<v Speaker 1>figure the small kind excited but but it was pretty cool,

0:18:40.600 --> 0:18:42.840
<v Speaker 1>painted it and everything. Wait, I'm sorry, which one a

0:18:42.840 --> 0:18:47.439
<v Speaker 1>coffin or a casket? Uh? It was a coffin Okay,

0:18:47.440 --> 0:18:49.640
<v Speaker 1>so wider at the shoulders and wider at the shoulders

0:18:49.680 --> 0:18:52.080
<v Speaker 1>to fit a g I Joe. Yea, even though the

0:18:52.119 --> 0:18:54.399
<v Speaker 1>g I Joe would mean one size fits all with

0:18:54.440 --> 0:18:56.399
<v Speaker 1>a g I joe, they would have have probably been

0:18:56.440 --> 0:19:00.080
<v Speaker 1>better off going into a casket. Now, caskets and coffins

0:19:00.080 --> 0:19:02.840
<v Speaker 1>are often made of wood, which of course will collapse

0:19:02.920 --> 0:19:06.000
<v Speaker 1>over time due to decomposition and break through under the ground.

0:19:06.040 --> 0:19:08.520
<v Speaker 1>So another thing that you'll often see and actually you

0:19:08.520 --> 0:19:11.240
<v Speaker 1>can see this going way back to ancient Egypt and stuff,

0:19:11.240 --> 0:19:14.280
<v Speaker 1>but it's a modern practice as well. Uh. And this

0:19:14.359 --> 0:19:17.320
<v Speaker 1>is the idea of burial vaults or grave liners that

0:19:17.359 --> 0:19:20.720
<v Speaker 1>are basically the coffin or the casket goes inside these

0:19:21.080 --> 0:19:23.280
<v Speaker 1>and they will go under the ground and they hold

0:19:23.359 --> 0:19:25.400
<v Speaker 1>the ground up better so you don't get the sunken

0:19:25.480 --> 0:19:29.359
<v Speaker 1>grave effect in the cemetery. Yeah. I do love a

0:19:29.359 --> 0:19:33.200
<v Speaker 1>good sunken grave effect though, because growing up in really

0:19:33.440 --> 0:19:38.000
<v Speaker 1>rural uh Tennessee, we would encounter these. Uh. The region

0:19:38.040 --> 0:19:40.560
<v Speaker 1>we were in it was near Kentucky Lake, so a

0:19:40.600 --> 0:19:42.960
<v Speaker 1>lot of the people that lived there had had to

0:19:43.040 --> 0:19:45.280
<v Speaker 1>leave so that they could flood the area. And so

0:19:45.320 --> 0:19:48.160
<v Speaker 1>you found the remnants of old homesteads in the woods

0:19:48.200 --> 0:19:52.639
<v Speaker 1>and sometimes they're there there, their graves were there, and

0:19:52.680 --> 0:19:55.040
<v Speaker 1>they were almost always sunken. You would find these sunken

0:19:55.080 --> 0:19:58.879
<v Speaker 1>graves and these uh and also these uh, these these

0:19:59.040 --> 0:20:03.600
<v Speaker 1>twin rows of buttercups that still came up, uh lining

0:20:03.680 --> 0:20:06.159
<v Speaker 1>what used to be like a walkway to a front porch.

0:20:06.400 --> 0:20:10.320
<v Speaker 1>Oh wow, yeah, that's spooky man. Yeah, hey, it's Halloween.

0:20:10.840 --> 0:20:13.760
<v Speaker 1>But certainly, yeah, if you have some sort of more

0:20:13.840 --> 0:20:18.040
<v Speaker 1>reinforced container around your wooden your wooden coffin or casket,

0:20:18.160 --> 0:20:21.760
<v Speaker 1>you don't have to worry about about the the weight

0:20:21.800 --> 0:20:25.800
<v Speaker 1>of the soil pressing down into the rotten casketer or

0:20:25.880 --> 0:20:29.879
<v Speaker 1>coffin and creating that sunken effect. Now here's a question, Robert,

0:20:29.920 --> 0:20:33.640
<v Speaker 1>while wandering among the buttercups in the sunken areas, did

0:20:33.680 --> 0:20:38.520
<v Speaker 1>you ever hear a tiny voice somewhere saying help, No, no, no,

0:20:39.000 --> 0:20:42.040
<v Speaker 1>all those voices that had ceased. You gotta admit that

0:20:42.040 --> 0:20:45.240
<v Speaker 1>that'd be even spookier, I get, I mean I would, Yeah,

0:20:45.359 --> 0:20:47.800
<v Speaker 1>that would be spooky because I mean they would raise

0:20:47.800 --> 0:20:51.080
<v Speaker 1>a lot of questions about the whole burial process for sure. Well, right,

0:20:51.200 --> 0:20:56.159
<v Speaker 1>but this actually is not a completely unfounded scenario. This

0:20:56.240 --> 0:20:59.400
<v Speaker 1>has happened at various times in human history, and however

0:20:59.480 --> 0:21:03.000
<v Speaker 1>often it actually happens. People have been obsessed with things

0:21:03.040 --> 0:21:06.200
<v Speaker 1>like this happening since you know, for a long time,

0:21:06.359 --> 0:21:09.479
<v Speaker 1>especially at certain periods in history, were for some reason

0:21:09.920 --> 0:21:14.640
<v Speaker 1>burial alive literature just skyrocketed in popularity, and people got

0:21:14.800 --> 0:21:17.600
<v Speaker 1>their mind that like, they couldn't stop thinking about it. Right.

0:21:18.000 --> 0:21:19.800
<v Speaker 1>One of the main areas we're gonna look at is

0:21:20.080 --> 0:21:23.000
<v Speaker 1>the Victorian era and uh and and there's plenty to

0:21:23.040 --> 0:21:25.600
<v Speaker 1>point to there. But we can also go back to

0:21:25.960 --> 0:21:30.200
<v Speaker 1>um to really like the first century. See to see

0:21:30.240 --> 0:21:34.119
<v Speaker 1>some other examples um consider the first century. See Greek

0:21:34.200 --> 0:21:40.520
<v Speaker 1>novel uh Calo by a Cheriton of Aphrodisseus, which Bernard

0:21:40.600 --> 0:21:44.000
<v Speaker 1>Laying describes as sort of a Romeo and Juliet tale,

0:21:44.080 --> 0:21:47.360
<v Speaker 1>except the two starcross lovers end up marrying each other

0:21:47.400 --> 0:21:50.600
<v Speaker 1>at the beginning of the novel, and then he apparently

0:21:50.680 --> 0:21:53.399
<v Speaker 1>kills her in a jealous rah. Okay, this is more

0:21:53.440 --> 0:21:55.840
<v Speaker 1>of a Greek thing. Yeah, but here's the things that

0:21:55.960 --> 0:21:59.760
<v Speaker 1>she's not dead when when pirates bust into her tomb

0:22:00.000 --> 0:22:02.679
<v Speaker 1>to rob her grave, they find her alive, and so

0:22:02.720 --> 0:22:04.520
<v Speaker 1>they take her back to the ship. They sell her

0:22:04.520 --> 0:22:06.560
<v Speaker 1>into slavery. But at the end of the book the

0:22:06.600 --> 0:22:09.119
<v Speaker 1>two lovers are reunited, and I guess they forgive that

0:22:09.160 --> 0:22:13.200
<v Speaker 1>whole attempted murder thing. But but still it is essentially

0:22:13.240 --> 0:22:16.679
<v Speaker 1>a story of premature burial um. And of course there

0:22:16.720 --> 0:22:20.520
<v Speaker 1>were there were other um, you know, treatments of similar

0:22:20.560 --> 0:22:23.520
<v Speaker 1>things going on at the time. You know, uh, you

0:22:23.560 --> 0:22:26.840
<v Speaker 1>know touching, you know, the touching on this idea of

0:22:26.880 --> 0:22:30.560
<v Speaker 1>a of a living individual emerging from a tomb um.

0:22:30.640 --> 0:22:32.800
<v Speaker 1>I think you can you can look to accounts like this,

0:22:32.880 --> 0:22:36.359
<v Speaker 1>and even biblical accounts, so say a Lazarus resurrection, the

0:22:36.359 --> 0:22:41.560
<v Speaker 1>primary focus of Bernard Lang's paper, the Baptismal Raising of Lazarus.

0:22:42.080 --> 0:22:44.520
<v Speaker 1>You can you can kind of look at these stories

0:22:44.560 --> 0:22:47.359
<v Speaker 1>and myths and tales, I think in four different ways.

0:22:48.000 --> 0:22:49.919
<v Speaker 1>So on one hand, it could be an account of

0:22:50.040 --> 0:22:54.080
<v Speaker 1>someone that was thought dead and buried prematurely. The other

0:22:54.280 --> 0:22:57.119
<v Speaker 1>is that it's a ritual of death and resurrection, a

0:22:57.240 --> 0:23:00.879
<v Speaker 1>symbolic death and rebirth. One these examples of this in

0:23:01.000 --> 0:23:04.960
<v Speaker 1>various cultures, including some traditions of First Nations tribes in

0:23:04.960 --> 0:23:07.520
<v Speaker 1>the Pacific Northwest. I think we've talked about that a

0:23:07.520 --> 0:23:09.679
<v Speaker 1>little bit on stuff to blow your mind in the past,

0:23:10.200 --> 0:23:15.560
<v Speaker 1>and Lane describes traditions from the time of Taraton being

0:23:15.760 --> 0:23:19.200
<v Speaker 1>about a symbolic death that one emerges from immune to

0:23:19.600 --> 0:23:24.200
<v Speaker 1>or fearless of death, and even baptism itself, the Christian

0:23:24.240 --> 0:23:28.720
<v Speaker 1>right of baptism is essentially a symbolic death. I believe

0:23:29.040 --> 0:23:32.720
<v Speaker 1>George R. Martin was probably playing with this idea when

0:23:32.760 --> 0:23:36.600
<v Speaker 1>he wrote about the devotion to the drowned God Um

0:23:36.640 --> 0:23:40.040
<v Speaker 1>in his Song of Ice and Fire books, where they're

0:23:40.080 --> 0:23:42.760
<v Speaker 1>essentially doing a baptism, but there's kind of a drowning,

0:23:42.960 --> 0:23:47.080
<v Speaker 1>an actual drowning element to it, and you arise, uh,

0:23:47.119 --> 0:23:51.600
<v Speaker 1>you know, stronger than before. It's popular story for a reason, right, Yeah,

0:23:51.640 --> 0:23:53.359
<v Speaker 1>And so in that we get into also probably the

0:23:53.800 --> 0:24:00.640
<v Speaker 1>purely uh mythical folkloreic supernatural resurrections, where the idea is, oh, yeah,

0:24:00.640 --> 0:24:02.879
<v Speaker 1>this person died or this god died and then they

0:24:02.920 --> 0:24:05.480
<v Speaker 1>came back. And then another way of looking at it

0:24:05.520 --> 0:24:09.720
<v Speaker 1>is well, a misinterpretation was made of post mortem movements.

0:24:09.800 --> 0:24:11.639
<v Speaker 1>And we'll get more into that later. Okay, So that

0:24:11.680 --> 0:24:14.919
<v Speaker 1>would not be a mistaken death that where somebody was

0:24:14.920 --> 0:24:17.439
<v Speaker 1>actually still alive, but a real death where they were

0:24:17.440 --> 0:24:20.960
<v Speaker 1>mistaken for actually still being alive, yes, or or getting

0:24:20.960 --> 0:24:22.760
<v Speaker 1>into that weird case where like, oh we thought they

0:24:22.760 --> 0:24:24.640
<v Speaker 1>were alive and then we saw signs that they were

0:24:24.640 --> 0:24:27.560
<v Speaker 1>still alive, but then they were dead. Oh and then

0:24:27.560 --> 0:24:30.640
<v Speaker 1>of course they were the necromongers and chronicles where there's

0:24:30.680 --> 0:24:33.760
<v Speaker 1>this whole right where they essentially or at least the

0:24:34.160 --> 0:24:37.760
<v Speaker 1>Grand the Grand Marshal, the Lord Marshall will will venture

0:24:37.800 --> 0:24:40.960
<v Speaker 1>into the realms of death and return with supernatural powers.

0:24:41.119 --> 0:24:45.000
<v Speaker 1>You'll have no idea the kind of chronicles of Riddeck

0:24:45.080 --> 0:24:48.880
<v Speaker 1>Lord that Robert commands. I wouldn't say, let's say that

0:24:49.000 --> 0:24:53.200
<v Speaker 1>he is a powerful Riddick universe lor Master. I've probably

0:24:53.240 --> 0:24:56.160
<v Speaker 1>seen that that movie more than I should have, uh

0:24:56.480 --> 0:24:58.920
<v Speaker 1>put it that way. But but anyway, back to these

0:24:58.960 --> 0:25:01.119
<v Speaker 1>just different category worries. I think they do kind of

0:25:01.119 --> 0:25:04.960
<v Speaker 1>present all together this idea of the grave as being

0:25:05.040 --> 0:25:08.880
<v Speaker 1>this place of ultimately of mystery. You know, it's of ambiguity. Yeah,

0:25:08.880 --> 0:25:12.000
<v Speaker 1>it's it's basically uh you know it's it's Strodinger's cat,

0:25:12.119 --> 0:25:15.680
<v Speaker 1>right Strodinger's casket, Well you should. Yeah. It's funny because

0:25:15.720 --> 0:25:18.560
<v Speaker 1>we often think of the grave is like the ultimate finality.

0:25:18.760 --> 0:25:22.959
<v Speaker 1>It's like the you know, the thing above all other things.

0:25:22.960 --> 0:25:27.160
<v Speaker 1>It is the state in which all questions are closed. Right. Well,

0:25:27.200 --> 0:25:29.679
<v Speaker 1>nowadays we we tend to have more certainty in this

0:25:29.760 --> 0:25:32.359
<v Speaker 1>sort of thing. But yeah, you go back, even just

0:25:32.400 --> 0:25:35.159
<v Speaker 1>a few centuries to a time where not everything was

0:25:35.240 --> 0:25:38.919
<v Speaker 1>understood about about how the human body is, you know,

0:25:39.000 --> 0:25:42.800
<v Speaker 1>reacting to different illnesses and injuries. Um, maybe they weren't

0:25:42.880 --> 0:25:45.000
<v Speaker 1>very good at checking for a pulse, right, And then

0:25:45.000 --> 0:25:48.720
<v Speaker 1>you have a bunch of essentially supernatural ideas of what

0:25:48.800 --> 0:25:50.960
<v Speaker 1>death means and how one might come back to it

0:25:51.040 --> 0:25:53.280
<v Speaker 1>you have to contend with and what might one might

0:25:53.400 --> 0:25:57.159
<v Speaker 1>come back as right now. We mentioned earlier that there

0:25:57.200 --> 0:26:00.320
<v Speaker 1>were some periods in places in history where fear being

0:26:00.320 --> 0:26:05.439
<v Speaker 1>buried alive seemed to be especially supercharged. And one clear

0:26:05.520 --> 0:26:08.760
<v Speaker 1>case here is Europe in the United States during the

0:26:08.840 --> 0:26:11.879
<v Speaker 1>Victorian period is like especially I get the feeling in

0:26:11.920 --> 0:26:15.760
<v Speaker 1>the English speaking world during the Victorian period, so roughly

0:26:15.880 --> 0:26:19.679
<v Speaker 1>the nineteenth century, people were obsessed with the idea of

0:26:19.680 --> 0:26:22.520
<v Speaker 1>being buried alive. I think a good case in point

0:26:22.560 --> 0:26:26.000
<v Speaker 1>is the works of Edgar Allan Poe uh live burial

0:26:26.240 --> 0:26:28.959
<v Speaker 1>or immurement, of course, which means like being sealed up

0:26:28.960 --> 0:26:33.440
<v Speaker 1>inside a wall. A similar concept appears in not just one.

0:26:33.520 --> 0:26:35.440
<v Speaker 1>I mean you're you're probably thinking of the one work

0:26:35.520 --> 0:26:38.280
<v Speaker 1>by Poe, right, the Cask of a monte ado where

0:26:38.359 --> 0:26:40.680
<v Speaker 1>the guy the two guys are hanging out and one

0:26:40.800 --> 0:26:43.600
<v Speaker 1>leads another guy down into his basement to try some

0:26:43.680 --> 0:26:46.240
<v Speaker 1>of the fame demonte ado and then he ends up

0:26:46.280 --> 0:26:50.240
<v Speaker 1>walling him inside a room. I think the story never

0:26:50.280 --> 0:26:53.199
<v Speaker 1>even even explains what the guy did to deserve it.

0:26:53.280 --> 0:26:56.760
<v Speaker 1>There's just some vague reference to some kind of insult

0:26:56.880 --> 0:26:59.560
<v Speaker 1>or slight and it really I think it kind of

0:26:59.560 --> 0:27:01.399
<v Speaker 1>works better that way. He just leads it to your

0:27:01.440 --> 0:27:04.400
<v Speaker 1>imagination and and you know it could be something very

0:27:04.400 --> 0:27:07.720
<v Speaker 1>small or something very large, and both both are you know,

0:27:07.800 --> 0:27:12.800
<v Speaker 1>our good choices? Uh? For the the horror storyteller, Yeah,

0:27:12.800 --> 0:27:15.520
<v Speaker 1>he just he cries out for God's sake montresor and

0:27:15.560 --> 0:27:19.720
<v Speaker 1>then nothing else. Um. But so there's not just that

0:27:19.800 --> 0:27:24.399
<v Speaker 1>he references immurement or being buried alive or or grave

0:27:24.520 --> 0:27:28.040
<v Speaker 1>robbing in multiple stories, just a lot of concerns about

0:27:28.080 --> 0:27:31.160
<v Speaker 1>what can happen once you're dead and buried. Uh. And

0:27:31.200 --> 0:27:32.920
<v Speaker 1>so I wanted to refer to a story that I

0:27:32.920 --> 0:27:35.720
<v Speaker 1>actually hadn't read before we were preparing for this episode.

0:27:35.960 --> 0:27:38.680
<v Speaker 1>It's an Edgar Allan post story called The Premature Burial.

0:27:38.760 --> 0:27:40.439
<v Speaker 1>Have you read this one? Robert? I don't think I have.

0:27:40.880 --> 0:27:44.040
<v Speaker 1>Uh so, I feel like it's kind of anticlimactic, but

0:27:44.119 --> 0:27:47.919
<v Speaker 1>the beginning is actually pretty funny. Poe begins the story

0:27:47.960 --> 0:27:51.080
<v Speaker 1>by talking about how Quote, there are certain themes of

0:27:51.119 --> 0:27:54.080
<v Speaker 1>which the interest is all absorbing, but which are too

0:27:54.240 --> 0:27:59.840
<v Speaker 1>entirely horrible for the purposes of legitimate fiction. So you

0:28:00.080 --> 0:28:02.320
<v Speaker 1>leg goes on to point out how it's only because

0:28:02.359 --> 0:28:06.320
<v Speaker 1>these horrible events are true that they're worthy of exploring

0:28:06.359 --> 0:28:10.320
<v Speaker 1>and writing. Um, so, what's this horrible true thing the

0:28:10.400 --> 0:28:14.120
<v Speaker 1>narrator is going to tell us about? Quote? To be

0:28:14.200 --> 0:28:19.320
<v Speaker 1>buried while alive is beyond question, the most terrific of

0:28:19.359 --> 0:28:21.879
<v Speaker 1>these extremes, which has ever fallen to the lot of

0:28:21.960 --> 0:28:26.480
<v Speaker 1>mere mortality, that it is frequently, very frequently so fallen,

0:28:26.560 --> 0:28:30.560
<v Speaker 1>will scarcely be denied by those who think the boundaries

0:28:30.600 --> 0:28:34.160
<v Speaker 1>which divide life from death or at best shadowy and vague.

0:28:34.240 --> 0:28:37.040
<v Speaker 1>Who shall say where the one ends and where the

0:28:37.040 --> 0:28:40.240
<v Speaker 1>other begins? We know that there are diseases in which

0:28:40.240 --> 0:28:44.040
<v Speaker 1>occur total cessations of all the apparent functions of vitality,

0:28:44.360 --> 0:28:48.120
<v Speaker 1>and yet in which these cessations are merely suspensions, properly

0:28:48.200 --> 0:28:53.719
<v Speaker 1>so called, they are only temporary pauses in the incomprehensible mechanism,

0:28:53.760 --> 0:28:58.160
<v Speaker 1>a certain period elapses, and some unseen mysterious principle again

0:28:58.320 --> 0:29:01.680
<v Speaker 1>sets in motion the magic unions and the wizard wheels.

0:29:02.120 --> 0:29:05.840
<v Speaker 1>The silver cord was not forever loosed, nor the Golden

0:29:05.880 --> 0:29:11.320
<v Speaker 1>Bowl irreparably broken, But where meantime was the soul. Wow,

0:29:11.400 --> 0:29:13.440
<v Speaker 1>that's really good, because it's really I feel like he's

0:29:13.480 --> 0:29:17.480
<v Speaker 1>he's summing up a lot of the ideas and the

0:29:17.480 --> 0:29:21.000
<v Speaker 1>the discoveries and the mysteries that were, uh like, we're

0:29:21.040 --> 0:29:24.080
<v Speaker 1>at the center of the zeitgeist in that time. Absolutely, Yeah,

0:29:24.120 --> 0:29:27.040
<v Speaker 1>these questions of vitality, what is the difference between life

0:29:27.040 --> 0:29:29.720
<v Speaker 1>and death? Later on he so he starts from here

0:29:29.800 --> 0:29:32.760
<v Speaker 1>to get into a bunch of different stories of basically

0:29:32.800 --> 0:29:35.760
<v Speaker 1>of people being buried alive and in coming to horrible

0:29:35.880 --> 0:29:38.320
<v Speaker 1>ends or being you know, saved at the last minute.

0:29:38.520 --> 0:29:41.840
<v Speaker 1>He also gets into some Frankenstein's territory. He tells a

0:29:42.160 --> 0:29:44.760
<v Speaker 1>totally true story of a guy who is dead and

0:29:44.800 --> 0:29:48.200
<v Speaker 1>then has resurrected from the dead by a galvanic battery.

0:29:48.960 --> 0:29:50.640
<v Speaker 1>So one of the stories he tells, just to give

0:29:50.640 --> 0:29:53.200
<v Speaker 1>you a kind of flavor of these stories he recounts

0:29:53.200 --> 0:29:56.560
<v Speaker 1>throughout here, is a supposedly true case from the city

0:29:56.560 --> 0:29:59.760
<v Speaker 1>of Baltimore about a woman who was the wife of

0:29:59.760 --> 0:30:03.080
<v Speaker 1>one the most respectable citizens, a lawyer of imminence and

0:30:03.120 --> 0:30:06.440
<v Speaker 1>a member of Congress. So this lady here, she gets

0:30:06.440 --> 0:30:09.600
<v Speaker 1>a sudden illness. To all observers, she appears to die, right,

0:30:09.680 --> 0:30:12.680
<v Speaker 1>so everybody's like, all right, she's dead. And he tries

0:30:12.720 --> 0:30:15.480
<v Speaker 1>to hammer at home by saying, yeah, her face looked dead,

0:30:15.680 --> 0:30:19.200
<v Speaker 1>her lips looked dead, they had marble pallor, her eyes

0:30:19.240 --> 0:30:22.760
<v Speaker 1>were lusterless. There was no warmth in her body, pulsation

0:30:22.880 --> 0:30:26.000
<v Speaker 1>had ceased. And they leave her out for three days, unburied,

0:30:26.040 --> 0:30:30.160
<v Speaker 1>and she's just dead, right, nothing. But then he says, quote,

0:30:30.400 --> 0:30:33.360
<v Speaker 1>the lady was deposited in her family vault, which for

0:30:33.480 --> 0:30:37.600
<v Speaker 1>three subsequent years was undisturbed. At the expiration of this term,

0:30:37.640 --> 0:30:40.400
<v Speaker 1>it was open for the reception of a sarcophagus. But

0:30:40.600 --> 0:30:44.920
<v Speaker 1>alas how fearful, a shock awaited the husband, who personally

0:30:44.960 --> 0:30:48.160
<v Speaker 1>threw open the door. As its portal swung outwardly back,

0:30:48.280 --> 0:30:52.320
<v Speaker 1>some white apparelled object fell, rattling within his arms. It

0:30:52.400 --> 0:30:55.840
<v Speaker 1>was the skeleton of his wife in her yet unmolded shroud.

0:30:56.240 --> 0:30:59.480
<v Speaker 1>A careful investigation rendered it evident that she had revived

0:30:59.520 --> 0:31:03.120
<v Speaker 1>within two days after her entombment, that her struggles within

0:31:03.160 --> 0:31:05.719
<v Speaker 1>the coffin had caused it to fall from a ledge

0:31:05.840 --> 0:31:08.440
<v Speaker 1>or shelf to the floor, where it was so broken

0:31:08.480 --> 0:31:11.240
<v Speaker 1>as to permit her escape. A lamp, which had been

0:31:11.280 --> 0:31:15.040
<v Speaker 1>accidentally left full of oil within the tomb, was found empty.

0:31:15.280 --> 0:31:18.640
<v Speaker 1>It might have been exhausted, however, by evaporation on the

0:31:18.720 --> 0:31:21.480
<v Speaker 1>Uttermost of the steps which led down into the dread

0:31:21.560 --> 0:31:24.800
<v Speaker 1>chamber was the large fragment of the coffin, with which

0:31:24.840 --> 0:31:27.600
<v Speaker 1>it seemed that she had endeavored to arrest attention by

0:31:27.720 --> 0:31:32.520
<v Speaker 1>striking the iron door. While thus occupied, she probably swooned

0:31:32.760 --> 0:31:36.680
<v Speaker 1>or possibly died through sheer terror, and in falling her

0:31:36.720 --> 0:31:41.080
<v Speaker 1>shroud became entangled in some iron work which projected interiorly.

0:31:41.560 --> 0:31:45.360
<v Speaker 1>Thus she remained, and thus she rotted erect Man, He

0:31:45.400 --> 0:31:49.040
<v Speaker 1>really paints a horrifying scene there. But you can also,

0:31:49.120 --> 0:31:51.040
<v Speaker 1>I don't know if throughout this whole story you can

0:31:51.120 --> 0:31:54.640
<v Speaker 1>just tell Poe is getting a thrill about this idea,

0:31:54.760 --> 0:31:58.600
<v Speaker 1>like he maybe kind of really wants to be buried alive. Well,

0:31:58.640 --> 0:32:01.680
<v Speaker 1>there's also kind of like some a lot of the

0:32:01.680 --> 0:32:05.080
<v Speaker 1>burials that are you know, dealt with They're not like

0:32:05.160 --> 0:32:09.320
<v Speaker 1>the commoners grave, right, They're the grave of of of

0:32:09.320 --> 0:32:13.760
<v Speaker 1>of higher uh levels of society. And I guess there

0:32:13.840 --> 0:32:17.440
<v Speaker 1>is kind of a thrill in uh in in that

0:32:17.720 --> 0:32:20.320
<v Speaker 1>in that sort of demise, you know, where it's like

0:32:20.800 --> 0:32:24.160
<v Speaker 1>you can afford the more stately version of death, but

0:32:24.240 --> 0:32:27.239
<v Speaker 1>even your stately version of death becomes this uh, you know,

0:32:27.320 --> 0:32:31.840
<v Speaker 1>this this tragic and ridiculous uh situation. Yeah. Well, I

0:32:31.880 --> 0:32:35.320
<v Speaker 1>would say there's probably also just a practical reason they're

0:32:35.640 --> 0:32:39.000
<v Speaker 1>for for including the rich people's tombs, because they would

0:32:39.000 --> 0:32:40.800
<v Speaker 1>be rich enough to have a crypt which you would

0:32:40.840 --> 0:32:45.160
<v Speaker 1>have reason to return to later, unlike a normal just burial. Right.

0:32:45.480 --> 0:32:47.920
<v Speaker 1>But I also agree that, yeah, you're you're onto something

0:32:47.920 --> 0:32:51.240
<v Speaker 1>about like the class dimensions of imagining this kind of thing,

0:32:52.160 --> 0:32:54.600
<v Speaker 1>because it also, like you know it, death kind of

0:32:54.680 --> 0:32:58.040
<v Speaker 1>levels everything, right, um. And he tells a bunch of

0:32:58.040 --> 0:33:02.040
<v Speaker 1>other stories within this short story. Eventually the narrator reveals

0:33:02.120 --> 0:33:04.880
<v Speaker 1>that he is obsessed with the topic and that he's

0:33:05.040 --> 0:33:07.880
<v Speaker 1>terrified of himself being buried alive and has gone to

0:33:07.920 --> 0:33:11.200
<v Speaker 1>all these great links to prevent being buried alive. And

0:33:11.200 --> 0:33:14.200
<v Speaker 1>then there's this kind of anticlimactic ending where the narrator

0:33:14.280 --> 0:33:17.240
<v Speaker 1>wakes up in a dark, confined place and he thinks

0:33:17.280 --> 0:33:20.400
<v Speaker 1>he's been buried alive. Then he discovers he hasn't, and

0:33:20.480 --> 0:33:23.120
<v Speaker 1>this helps him get over his fear. And I'm like,

0:33:23.200 --> 0:33:25.600
<v Speaker 1>come on, Poe, you can do That's not a great ending.

0:33:25.760 --> 0:33:28.000
<v Speaker 1>You can do better like that. The ending needs to

0:33:28.040 --> 0:33:31.120
<v Speaker 1>be that that helped me. I've been buried alive. I

0:33:31.160 --> 0:33:33.000
<v Speaker 1>feel like that'd be better. I don't know the ending

0:33:33.000 --> 0:33:35.040
<v Speaker 1>where he's just like, oh no, I wasn't buried alive

0:33:35.120 --> 0:33:39.800
<v Speaker 1>and I'm better now. Yeah, I guess how do you landed? Though,

0:33:39.880 --> 0:33:43.640
<v Speaker 1>especially if you're it's written in the age where there's

0:33:43.680 --> 0:33:46.560
<v Speaker 1>got to be this uh this you know, presumed means

0:33:46.600 --> 0:33:49.840
<v Speaker 1>by which the manuscript makes its way into your hand.

0:33:50.240 --> 0:33:51.920
<v Speaker 1>So it's like you would have to write like I

0:33:51.960 --> 0:33:54.560
<v Speaker 1>have been buried alive. I am. I am writing this

0:33:54.640 --> 0:33:57.200
<v Speaker 1>by candle light in my casket. I do not know

0:33:57.240 --> 0:34:01.440
<v Speaker 1>how long the light will last. I will um, I like,

0:34:01.480 --> 0:34:03.000
<v Speaker 1>And then how does he get it up to the surface.

0:34:03.040 --> 0:34:05.280
<v Speaker 1>I don't know. Burning a candle in your casket is

0:34:05.280 --> 0:34:08.440
<v Speaker 1>a terrible idea. You're using up your oxygen. How's he writing?

0:34:08.480 --> 0:34:10.920
<v Speaker 1>There is so many quests, see this is exactly why

0:34:11.000 --> 0:34:12.799
<v Speaker 1>post said, Okay, I was just I just woke up

0:34:12.800 --> 0:34:17.520
<v Speaker 1>in a dark round. It's fine. It was the plausibility, yeah, okay.

0:34:17.520 --> 0:34:20.000
<v Speaker 1>So one thing Poe is really dead set on is

0:34:20.040 --> 0:34:23.120
<v Speaker 1>that this kind of thing happens all the time. I

0:34:23.160 --> 0:34:26.120
<v Speaker 1>think he might be overstating the frequency with which live

0:34:26.200 --> 0:34:29.880
<v Speaker 1>burial actually happened at the time, but it does appear

0:34:29.920 --> 0:34:32.160
<v Speaker 1>to be at least a real and we'll explore that

0:34:32.200 --> 0:34:34.400
<v Speaker 1>in a minute later, maybe reasons why people thought it

0:34:34.440 --> 0:34:37.680
<v Speaker 1>happened more often than it did, but it does absolutely

0:34:37.719 --> 0:34:41.160
<v Speaker 1>appear to be a real, terrifying obsession for lots of

0:34:41.160 --> 0:34:43.960
<v Speaker 1>people in the eighteenth and nineteenth centuries. For example, I

0:34:44.000 --> 0:34:47.360
<v Speaker 1>came across the story of the Polish pianist and composer

0:34:47.400 --> 0:34:51.240
<v Speaker 1>Frederic Chapan. He was apparently so terrified of being buried

0:34:51.280 --> 0:34:55.040
<v Speaker 1>alive that he took precautions that ended up making his

0:34:55.160 --> 0:34:59.000
<v Speaker 1>body an object of later science. So I was reading

0:34:59.000 --> 0:35:00.840
<v Speaker 1>about this in a news fe teacher from the journal

0:35:00.920 --> 0:35:05.560
<v Speaker 1>Nature from seventeen about research that revealed that Chapin's death

0:35:05.680 --> 0:35:10.120
<v Speaker 1>in eighteen forty nine was caused by complications due to tuberculosis,

0:35:10.200 --> 0:35:13.000
<v Speaker 1>and this was detected from kind of like a swelling

0:35:13.040 --> 0:35:15.960
<v Speaker 1>around the heart. How did we figure that out? Well,

0:35:15.960 --> 0:35:19.640
<v Speaker 1>we figured it out because Polish researchers had access to

0:35:19.800 --> 0:35:23.080
<v Speaker 1>Japan's heart pickled in a jar. I mean, he's going

0:35:23.120 --> 0:35:25.600
<v Speaker 1>old school here. This is like the ancient Egyptians with

0:35:25.640 --> 0:35:29.440
<v Speaker 1>the you know, putting their uh, their organs into jars.

0:35:29.560 --> 0:35:33.040
<v Speaker 1>Oh totally yeah, um and well, so apparently what happened

0:35:33.160 --> 0:35:36.200
<v Speaker 1>is that Japan's last words on his deathbed, delivered to

0:35:36.239 --> 0:35:39.440
<v Speaker 1>his sister, were swear to make them cut me open

0:35:39.560 --> 0:35:42.680
<v Speaker 1>so that I won't be buried alive. And his sister

0:35:42.800 --> 0:35:45.680
<v Speaker 1>did as she was requested. She ordered an autopsy in

0:35:45.680 --> 0:35:49.120
<v Speaker 1>which Japan's heart was removed and pickled in a jar

0:35:49.200 --> 0:35:51.759
<v Speaker 1>of brandy. Well, that's one way to be sure, right,

0:35:51.840 --> 0:35:54.399
<v Speaker 1>I mean, he's he's saying like, I'd rather I'd rather

0:35:54.480 --> 0:35:57.040
<v Speaker 1>you cut my heart out than me be buried alive.

0:35:57.080 --> 0:36:00.400
<v Speaker 1>And in fact, this reminds me of the thing that

0:36:00.440 --> 0:36:03.799
<v Speaker 1>I've read about before that's been declared the world's funniest joke,

0:36:04.000 --> 0:36:07.240
<v Speaker 1>as determined by the psychologist Richard Wiseman of the University

0:36:07.280 --> 0:36:11.359
<v Speaker 1>of Hertford. Yeah, he's got this website laugh Lab where

0:36:11.520 --> 0:36:15.000
<v Speaker 1>he was using like an online rating system to try

0:36:15.040 --> 0:36:17.800
<v Speaker 1>to discover the joke that had the widest appeal across

0:36:17.840 --> 0:36:21.720
<v Speaker 1>different cultures, and according to him, this was the funniest

0:36:21.800 --> 0:36:25.160
<v Speaker 1>joke across different cultures. Two hunters are out in the

0:36:25.160 --> 0:36:28.319
<v Speaker 1>woods and one of them collapses. He doesn't seem to

0:36:28.320 --> 0:36:31.040
<v Speaker 1>be breathing and his eyes are glazed. The other guy

0:36:31.040 --> 0:36:34.920
<v Speaker 1>whips out his phone and calls the emergency services. He gasps,

0:36:35.160 --> 0:36:38.200
<v Speaker 1>my friend is dead. What can I do? The operator says,

0:36:38.200 --> 0:36:40.959
<v Speaker 1>calm down, I can help. First, let's make sure he's dead.

0:36:41.400 --> 0:36:44.080
<v Speaker 1>There's a silence, then a shot has heard back on

0:36:44.120 --> 0:36:47.880
<v Speaker 1>the phone. The guy says, Okay, now what which obviously?

0:36:48.239 --> 0:36:50.520
<v Speaker 1>I mean, we've both heard it before, so we're not laughing.

0:36:50.560 --> 0:36:52.760
<v Speaker 1>But I don't know. I do think that's pretty funny.

0:36:52.760 --> 0:36:54.560
<v Speaker 1>It's it is. It is a good joke. It is

0:36:54.600 --> 0:36:56.799
<v Speaker 1>a solid joke. And to make a joke better by

0:36:56.840 --> 0:37:00.040
<v Speaker 1>explaining why it's funny, I mean, it's the same in

0:37:00.160 --> 0:37:03.600
<v Speaker 1>going on with Japan, there is like make sure he's dead,

0:37:03.719 --> 0:37:05.879
<v Speaker 1>so he would prefer to have his heart cut out

0:37:06.000 --> 0:37:09.440
<v Speaker 1>or be shot, I guess, as opposed to being mistaken

0:37:09.480 --> 0:37:14.640
<v Speaker 1>for dead. Yeah. I read of some other similar efforts

0:37:14.680 --> 0:37:17.040
<v Speaker 1>that were made to ensure that the body was dead

0:37:17.080 --> 0:37:21.080
<v Speaker 1>prior to uh to aternament hands. Christian Anderson and Alfred

0:37:21.080 --> 0:37:24.400
<v Speaker 1>Nobel both apparently requested that their veins be opened prior

0:37:24.440 --> 0:37:27.680
<v Speaker 1>to burial. Uh be better to bleed to death than

0:37:27.719 --> 0:37:30.600
<v Speaker 1>to be buried alive, I guess. And you know, it's

0:37:30.640 --> 0:37:34.680
<v Speaker 1>interesting how modern embalming procedures tend to remove the fear

0:37:34.719 --> 0:37:38.600
<v Speaker 1>of this occurring, because essentially, if you're gonna undergo modern embalming,

0:37:38.880 --> 0:37:41.040
<v Speaker 1>a lot of terrible things are going to be done

0:37:41.040 --> 0:37:44.560
<v Speaker 1>to your body that if you're still alive. Um, you know,

0:37:44.880 --> 0:37:46.600
<v Speaker 1>they're probably going to kill you. I mean they are

0:37:46.640 --> 0:37:49.560
<v Speaker 1>going to kill you. You prefer they not happen, right,

0:37:50.160 --> 0:37:53.759
<v Speaker 1>So it is interesting that Stephen King wrote a short

0:37:53.800 --> 0:37:57.480
<v Speaker 1>story about this occurring, not a premature burial, but a

0:37:57.480 --> 0:38:05.160
<v Speaker 1>premature um uh in palming, premature autopsy, titled Autopsy Room four. Uh.

0:38:05.200 --> 0:38:07.239
<v Speaker 1>And it's uh. I read it several years back. It's

0:38:07.280 --> 0:38:10.839
<v Speaker 1>it's pretty good. It really gives you, it really makes

0:38:10.840 --> 0:38:14.120
<v Speaker 1>your skin crawl. Uh. Though I also feel like King,

0:38:14.160 --> 0:38:15.920
<v Speaker 1>I think this was a this is maybe this is

0:38:15.960 --> 0:38:19.120
<v Speaker 1>written in the late nineties. Uh, younger King would have

0:38:19.120 --> 0:38:23.480
<v Speaker 1>probably gone much grizzlier on this. But but this in

0:38:23.560 --> 0:38:25.319
<v Speaker 1>this one, he kind of pulls back a little bit

0:38:25.360 --> 0:38:28.160
<v Speaker 1>in the same way that Poe does, where it's not

0:38:28.280 --> 0:38:30.480
<v Speaker 1>quite as grizzly and dark as it could have been.

0:38:31.360 --> 0:38:33.840
<v Speaker 1>There's a story with a somewhat similar premise, though it

0:38:33.880 --> 0:38:36.719
<v Speaker 1>goes in another weird direction by Stephen Graham Jones. I

0:38:36.719 --> 0:38:39.759
<v Speaker 1>think it's called Welcome to the Reptile House. But it's

0:38:39.760 --> 0:38:42.160
<v Speaker 1>one of these things where I guess all horror writers

0:38:42.160 --> 0:38:44.600
<v Speaker 1>are going to eventually write that story. And that's what

0:38:44.680 --> 0:38:47.560
<v Speaker 1>Stephen King says. He's quoted as saying, at some point,

0:38:47.560 --> 0:38:49.800
<v Speaker 1>I think every writer of scary stories has to tackle

0:38:49.840 --> 0:38:52.600
<v Speaker 1>the subject of premature burial, if only because it seems

0:38:52.640 --> 0:38:55.319
<v Speaker 1>to be such a pervasive fear. Yeah, it certainly is

0:38:55.360 --> 0:38:58.120
<v Speaker 1>a pervasive fear. You know what. I was reading another thing.

0:38:58.200 --> 0:39:00.319
<v Speaker 1>I was reading a history dot com article I writer

0:39:00.400 --> 0:39:03.840
<v Speaker 1>named Becky Little and just as another addition about a

0:39:03.880 --> 0:39:08.600
<v Speaker 1>person who in history feared premature burial, George Washington. Apparently

0:39:08.640 --> 0:39:11.719
<v Speaker 1>he was terrified of being buried alive and requested that

0:39:11.800 --> 0:39:14.080
<v Speaker 1>his body be laid out for three days after his

0:39:14.160 --> 0:39:16.960
<v Speaker 1>death just to be sure. Even though that wasn't good

0:39:17.040 --> 0:39:19.799
<v Speaker 1>enough for the lady in the post story, right, they

0:39:19.840 --> 0:39:21.640
<v Speaker 1>laid her out for a few days, and still she

0:39:21.719 --> 0:39:27.800
<v Speaker 1>wrotted erect um. So oh, hey, fun bit of vocabulary.

0:39:27.880 --> 0:39:30.280
<v Speaker 1>Do you know what the fear of being buried alive

0:39:30.480 --> 0:39:33.120
<v Speaker 1>is called? No? What is it called? I didn't know

0:39:33.160 --> 0:39:36.279
<v Speaker 1>this either. It is the word tafo phobia. This is

0:39:36.320 --> 0:39:39.360
<v Speaker 1>from the Greek tafos, which means like tomb or grave

0:39:40.000 --> 0:39:44.279
<v Speaker 1>uh and related. The science of taffonomy is quote the

0:39:44.320 --> 0:39:48.120
<v Speaker 1>study of processes such as burial, decay, and preservation that

0:39:48.200 --> 0:39:51.360
<v Speaker 1>affect animal and plant remains as they become fossilized, so

0:39:51.400 --> 0:39:55.799
<v Speaker 1>basically fossilization and decomposition in the ground. Now, I think

0:39:55.880 --> 0:39:59.560
<v Speaker 1>we mentioned earlier that we think maybe people of the

0:39:59.640 --> 0:40:02.279
<v Speaker 1>Victory rein period, posed time and all that who were

0:40:02.400 --> 0:40:07.600
<v Speaker 1>obsessed with premature burial but probably believed that it happened

0:40:07.680 --> 0:40:11.360
<v Speaker 1>more often than it actually did. And a very likely

0:40:11.440 --> 0:40:13.960
<v Speaker 1>reason for this is that back then a lot of

0:40:14.000 --> 0:40:19.040
<v Speaker 1>times when bodies were exhumed, some natural features of decomposition

0:40:19.360 --> 0:40:22.319
<v Speaker 1>would be mistaken for signs that a person had been

0:40:22.320 --> 0:40:26.759
<v Speaker 1>alive after burial. Yeah. Common examples of this include the

0:40:26.880 --> 0:40:31.960
<v Speaker 1>appearance of nails or even teeth having continued to grow um,

0:40:32.120 --> 0:40:34.400
<v Speaker 1>the release of gas from inside the body, which can

0:40:34.440 --> 0:40:39.080
<v Speaker 1>even produce sounds and uh quite recently, a researcher at

0:40:39.120 --> 0:40:42.520
<v Speaker 1>an Australian corpse farm. Corpse farms are, of course, so

0:40:43.239 --> 0:40:47.239
<v Speaker 1>places where bodies are left in various uh uh you know,

0:40:47.360 --> 0:40:50.640
<v Speaker 1>natural states, so that they're uh, their decomposition can be

0:40:50.719 --> 0:40:54.040
<v Speaker 1>observed and studied and chronicled, uh generally to better aid

0:40:54.280 --> 0:40:57.040
<v Speaker 1>you know, forensics. You know, if you know, like the

0:40:57.080 --> 0:41:01.319
<v Speaker 1>timeline of human decomposition, that gives you an enormous advantage

0:41:01.360 --> 0:41:05.320
<v Speaker 1>in figuring out like, uh, when a body would have died,

0:41:05.440 --> 0:41:07.719
<v Speaker 1>if you find a body out in the woods, etcetera,

0:41:07.840 --> 0:41:09.800
<v Speaker 1>or in the water or whatever the case may be.

0:41:10.120 --> 0:41:14.880
<v Speaker 1>Exactly so anyway, this particular researcher used time laps to

0:41:15.040 --> 0:41:19.920
<v Speaker 1>reveal that a human corpse continues to move significantly for

0:41:20.000 --> 0:41:23.360
<v Speaker 1>more than a year after death. What. Yeah, some of

0:41:23.400 --> 0:41:27.200
<v Speaker 1>the post imortem movements were expected, but the longer term

0:41:27.239 --> 0:41:30.640
<v Speaker 1>movements were a surprise. So what just like a spontaneous

0:41:31.040 --> 0:41:34.560
<v Speaker 1>I don't know, like firing or accumulation of salts or

0:41:34.600 --> 0:41:37.279
<v Speaker 1>something in the muscles caused twitching or yeah, I mean

0:41:37.920 --> 0:41:41.680
<v Speaker 1>they described as especially like the limbs, limbs kind of

0:41:41.719 --> 0:41:44.279
<v Speaker 1>moving around you know. And again this is revealed in

0:41:44.320 --> 0:41:47.239
<v Speaker 1>time laps, so it's not like a constant, year long

0:41:47.400 --> 0:41:49.759
<v Speaker 1>flapping of the corpse. I don't know that it could

0:41:49.760 --> 0:41:54.560
<v Speaker 1>produce a scenario like pole uh laid out, where like

0:41:54.600 --> 0:41:58.080
<v Speaker 1>the casket is knocked off of the ledge and it

0:41:58.160 --> 0:42:01.000
<v Speaker 1>breaks open, and then the the the old woman is

0:42:01.080 --> 0:42:05.440
<v Speaker 1>running around and gets her her clo grave clothes, you know,

0:42:05.640 --> 0:42:08.400
<v Speaker 1>tangled up around something. I don't think that would necessarily happen,

0:42:08.800 --> 0:42:12.839
<v Speaker 1>but uh, it's another example. How Yeah, if you were

0:42:12.880 --> 0:42:16.000
<v Speaker 1>going into a grave or a tomb and you were

0:42:16.000 --> 0:42:19.280
<v Speaker 1>at all looking for signs that the body had moved,

0:42:19.400 --> 0:42:23.080
<v Speaker 1>you might well find them. Yeah, exactly, and often on

0:42:23.239 --> 0:42:26.040
<v Speaker 1>theme for this month. Often some of these same signs

0:42:26.080 --> 0:42:29.680
<v Speaker 1>that some uh, some people took as uh evidence that

0:42:29.719 --> 0:42:32.600
<v Speaker 1>people had been buried alive or also sometimes taken as

0:42:32.640 --> 0:42:36.160
<v Speaker 1>evidence of vampirism and other types of undead beliefs, like

0:42:36.200 --> 0:42:39.080
<v Speaker 1>the body is larger now it is bloated. How did

0:42:39.120 --> 0:42:42.080
<v Speaker 1>it become bloated now? Of course, the real answer has

0:42:42.120 --> 0:42:44.920
<v Speaker 1>to do with the decomposition and bacteria breaking down things

0:42:44.960 --> 0:42:48.839
<v Speaker 1>inside the body and gas and so forth, but one

0:42:48.920 --> 0:42:52.759
<v Speaker 1>explanation could be put forward well clearly, this body has

0:42:52.760 --> 0:42:56.920
<v Speaker 1>been leaving the tomb at night and it's been drinking blood. Yeah.

0:42:57.520 --> 0:43:02.200
<v Speaker 1>Uh So while clearly we think that this probably people

0:43:02.400 --> 0:43:04.560
<v Speaker 1>of the time probably thought it happened more than it

0:43:04.640 --> 0:43:08.480
<v Speaker 1>actually did, it did sometimes happen. There are plenty of

0:43:08.560 --> 0:43:12.520
<v Speaker 1>documented cases of premature burial where people were alive, they

0:43:12.560 --> 0:43:15.759
<v Speaker 1>got buried, and then later sometimes somehow people found out.

0:43:16.400 --> 0:43:18.760
<v Speaker 1>A few cases are mentioned by that in that article

0:43:18.840 --> 0:43:22.080
<v Speaker 1>I mentioned earlier by Becky Little One is that uh

0:43:22.120 --> 0:43:24.680
<v Speaker 1>and and this stuck out at me a case of

0:43:24.880 --> 0:43:28.760
<v Speaker 1>an American woman named see Dunbar. Dunbar lived in South

0:43:28.800 --> 0:43:33.120
<v Speaker 1>Carolina and in nineteen fifteen she experienced an epileptic seizure

0:43:33.200 --> 0:43:36.839
<v Speaker 1>and lost consciousness, after which she was declared dead. They

0:43:36.880 --> 0:43:39.240
<v Speaker 1>put her in a coffin. They lowered her into the grave.

0:43:39.280 --> 0:43:42.440
<v Speaker 1>Apparently her sister arrived late to the to the funeral

0:43:42.880 --> 0:43:45.440
<v Speaker 1>and asked to see her sister one last time. So

0:43:45.560 --> 0:43:48.480
<v Speaker 1>they brought her back up out of the grave, opened

0:43:48.480 --> 0:43:52.080
<v Speaker 1>the coffin, unscrewed the lid, and then sc Dunbar sat

0:43:52.200 --> 0:43:55.320
<v Speaker 1>up and smiled at her sister, and of course funeral

0:43:55.360 --> 0:43:59.320
<v Speaker 1>attendees freaked out and they fled, but she was not undead.

0:43:59.400 --> 0:44:02.080
<v Speaker 1>She was just gillar Old alive, and she lived. This

0:44:02.160 --> 0:44:05.520
<v Speaker 1>was in nineteen fifteen. She lived until nineteen fifty five.

0:44:05.719 --> 0:44:09.040
<v Speaker 1>She lived forty more years after this, and it apparently

0:44:09.080 --> 0:44:13.000
<v Speaker 1>even still happens occasionally today that people wake up in

0:44:13.160 --> 0:44:16.919
<v Speaker 1>morgues or in funeral homes having having been like mistakenly

0:44:17.080 --> 0:44:21.000
<v Speaker 1>declared dead. Inteen, there was a case of a seventy

0:44:21.080 --> 0:44:24.120
<v Speaker 1>eight year old man in Mississippi named Walter Williams who

0:44:24.200 --> 0:44:27.160
<v Speaker 1>was found dead at his home. He had no detectible pulse.

0:44:27.480 --> 0:44:29.960
<v Speaker 1>He was taken to a funeral home, and then while

0:44:30.160 --> 0:44:34.280
<v Speaker 1>he was awaiting embalming, he started kicking inside his body bag,

0:44:34.760 --> 0:44:36.600
<v Speaker 1>and so they took him to a hospital and he

0:44:36.680 --> 0:44:39.640
<v Speaker 1>was okay. He survived the incident. Uh The coroner in

0:44:39.640 --> 0:44:41.960
<v Speaker 1>the case believed, or at least told the ap that

0:44:42.280 --> 0:44:45.320
<v Speaker 1>what had probably happened is that Williams pacemaker had stopped

0:44:45.360 --> 0:44:48.839
<v Speaker 1>working and then it started working again. There's even one

0:44:49.000 --> 0:44:51.960
<v Speaker 1>really crazy story I came across, though the accuracy of

0:44:52.040 --> 0:44:55.680
<v Speaker 1>this account is disputed, but with that caveat, it is

0:44:55.719 --> 0:44:58.680
<v Speaker 1>a story of a seventeenth century English woman named Alice

0:44:58.719 --> 0:45:03.600
<v Speaker 1>Blunden who was buried alive twice Basically, the story goes

0:45:03.640 --> 0:45:06.360
<v Speaker 1>that one night in sixteen seventy four, she drank a

0:45:06.360 --> 0:45:09.040
<v Speaker 1>bunch of poppy tea and then fell into a deep sleep,

0:45:09.200 --> 0:45:12.400
<v Speaker 1>and everybody believed that she had died. She was buried

0:45:12.480 --> 0:45:15.400
<v Speaker 1>quickly and and she stayed buried until a couple of

0:45:15.480 --> 0:45:19.799
<v Speaker 1>days later. Children playing near the graveyard heard voices from underground,

0:45:20.280 --> 0:45:22.480
<v Speaker 1>and they dug her up, and they found signs that

0:45:22.520 --> 0:45:25.799
<v Speaker 1>she had been struggling inside the coffin, but once she

0:45:25.920 --> 0:45:28.360
<v Speaker 1>was exhumed, there were no further signs of life. So

0:45:28.400 --> 0:45:31.480
<v Speaker 1>they thought, well, we accidentally buried her alive. She struggled

0:45:31.480 --> 0:45:34.520
<v Speaker 1>inside the coffin, but then she died, so they lowered

0:45:34.520 --> 0:45:37.720
<v Speaker 1>her back down into the grave. Then the next day,

0:45:37.800 --> 0:45:40.560
<v Speaker 1>I think the coroner returned or somebody returned to examine

0:45:40.600 --> 0:45:43.719
<v Speaker 1>the body, and they found signs that she had continued

0:45:43.840 --> 0:45:46.800
<v Speaker 1>to struggle and escape, tried to escape a second time,

0:45:46.840 --> 0:45:49.680
<v Speaker 1>but had died again and was actually dead this time.

0:45:50.400 --> 0:45:53.959
<v Speaker 1>But the details of the story are in dispute either way. Wow. Yeah,

0:45:54.000 --> 0:45:57.720
<v Speaker 1>I mean it's like they say, bury me alive once,

0:45:58.040 --> 0:46:02.560
<v Speaker 1>shame on you, bury me alive twice, shame on me.

0:46:02.880 --> 0:46:05.520
<v Speaker 1>I would say, if you think you may have accidentally

0:46:05.560 --> 0:46:08.600
<v Speaker 1>buried somebody alive once, don't put him back in. I mean,

0:46:09.320 --> 0:46:11.279
<v Speaker 1>give it, give it a while. I also like how

0:46:11.320 --> 0:46:13.759
<v Speaker 1>this story kind of implies that the children dug up

0:46:13.760 --> 0:46:17.960
<v Speaker 1>the body, Like I'm just imagined just wild children and

0:46:17.960 --> 0:46:19.520
<v Speaker 1>they're out playing and they're like, hey, I think I

0:46:19.560 --> 0:46:22.680
<v Speaker 1>heard a heard a voice from the grave. Dig it up.

0:46:23.040 --> 0:46:25.800
<v Speaker 1>I think I think the stories they went to get adults.

0:46:25.840 --> 0:46:27.719
<v Speaker 1>But that would be great too, I mean, that makes

0:46:27.760 --> 0:46:30.120
<v Speaker 1>a great game, right, But I think it's time to

0:46:30.200 --> 0:46:32.799
<v Speaker 1>get to it's okay. So clearly we're faced with this

0:46:32.840 --> 0:46:36.520
<v Speaker 1>big problem of people being terrified of being buried alive.

0:46:37.040 --> 0:46:39.880
<v Speaker 1>So we've got to get to the invention that solves

0:46:39.960 --> 0:46:43.200
<v Speaker 1>this problem. Right, If you are a some Victorian dandy

0:46:43.239 --> 0:46:46.480
<v Speaker 1>with a paralyzing fear of being buried alive, what are

0:46:46.520 --> 0:46:49.200
<v Speaker 1>you to do apart from just insist that they make

0:46:49.239 --> 0:46:52.160
<v Speaker 1>sure you're dead by maybe like stabbing you a bunch

0:46:52.200 --> 0:46:55.200
<v Speaker 1>of times before they bury you. Or because we've established

0:46:55.239 --> 0:46:58.600
<v Speaker 1>the necessity here, now, to what extent is a true

0:46:58.640 --> 0:47:02.640
<v Speaker 1>necessity or just any necessity? Um, you know, we'll leave

0:47:02.640 --> 0:47:04.759
<v Speaker 1>that for everyone to decide. But ultimately it doesn't matter.

0:47:04.800 --> 0:47:06.920
<v Speaker 1>I mean, there's so there there are plenty of of

0:47:07.480 --> 0:47:11.480
<v Speaker 1>inventions that are made. There are plenty of of devices

0:47:11.680 --> 0:47:15.000
<v Speaker 1>and uh, and products that are rolled out that aren't

0:47:15.000 --> 0:47:18.120
<v Speaker 1>really speaking to a true necessity but a perceived necessity,

0:47:18.560 --> 0:47:21.479
<v Speaker 1>and that's enough to to move some product. Of course.

0:47:21.960 --> 0:47:24.560
<v Speaker 1>Uh So, I guess we should talk about inventions that

0:47:24.920 --> 0:47:28.200
<v Speaker 1>I would say amount to an escape pod from the grave,

0:47:28.560 --> 0:47:32.279
<v Speaker 1>kind of like a rocket from the crypt. Right. All right, Well,

0:47:32.320 --> 0:47:33.879
<v Speaker 1>before we get into that, we're gonna take a quick

0:47:33.880 --> 0:47:40.720
<v Speaker 1>break up, but we'll be right back. Alright, we're back.

0:47:40.960 --> 0:47:44.960
<v Speaker 1>So we're going to look at some of the inventions

0:47:44.960 --> 0:47:48.680
<v Speaker 1>that were rolled out to deal with this maddening fear

0:47:49.040 --> 0:47:51.920
<v Speaker 1>of premature burial, right, and there were quite a number

0:47:51.960 --> 0:47:54.239
<v Speaker 1>of these things. For example, if you want to see

0:47:54.280 --> 0:47:58.440
<v Speaker 1>some really great illustrations, there's a Vox article from by

0:47:58.440 --> 0:48:01.279
<v Speaker 1>Phil Edwards you can look up that collects examples with

0:48:01.400 --> 0:48:06.640
<v Speaker 1>illustrations of patents for these are generally called safety coffins,

0:48:07.040 --> 0:48:10.759
<v Speaker 1>their coffins that were designed to prevent premature burial. And

0:48:10.800 --> 0:48:12.880
<v Speaker 1>so if you look at that article that they even

0:48:13.000 --> 0:48:15.640
<v Speaker 1>enhanced a lot of these old patent diagrams with color.

0:48:15.920 --> 0:48:18.200
<v Speaker 1>Yeah they're really cool because yeah, they basically took what

0:48:18.320 --> 0:48:20.000
<v Speaker 1>was probably just a little sketch, like a black and

0:48:20.040 --> 0:48:23.000
<v Speaker 1>white sketch, and they've they've they brought it more to life. Yeah,

0:48:23.040 --> 0:48:26.080
<v Speaker 1>so let's look at a few examples from history. Uh,

0:48:26.120 --> 0:48:28.239
<v Speaker 1>this one is mentioned in that box article, so if

0:48:28.239 --> 0:48:30.919
<v Speaker 1>you want to look it up, you can see the illustration. Uh,

0:48:30.920 --> 0:48:35.120
<v Speaker 1>this is one that is patented August sixty eight. The

0:48:35.160 --> 0:48:39.760
<v Speaker 1>patent awarded one Franz Vestor and it is basically a

0:48:39.960 --> 0:48:44.040
<v Speaker 1>coffin with an escape tunnel an escape hatch. So the

0:48:44.080 --> 0:48:47.080
<v Speaker 1>details are that you'd be partially buried with a tunnel

0:48:47.160 --> 0:48:50.680
<v Speaker 1>connecting the coffin to the surface, complete with air holes.

0:48:50.880 --> 0:48:52.680
<v Speaker 1>And I guess the idea is that earth would be

0:48:52.680 --> 0:48:56.200
<v Speaker 1>filled in around the coffin, but not covering the breathing holes.

0:48:56.600 --> 0:48:59.200
<v Speaker 1>And if you wake up inside, you've got a few options.

0:48:59.239 --> 0:49:01.600
<v Speaker 1>You can pull a lever to ring a bell on

0:49:01.680 --> 0:49:05.160
<v Speaker 1>the surface, alerting people to your presence, or you pull

0:49:05.160 --> 0:49:07.279
<v Speaker 1>a lever to open a hatch at the top of

0:49:07.320 --> 0:49:10.880
<v Speaker 1>this little tunnel, and then you can simply climb out yourself.

0:49:10.920 --> 0:49:14.520
<v Speaker 1>The tunnel actually had a ladder inside, and this is

0:49:14.560 --> 0:49:17.120
<v Speaker 1>not the only model in which you could ring a

0:49:17.120 --> 0:49:20.480
<v Speaker 1>bell to save your life. Actually quite a few safety

0:49:19.960 --> 0:49:24.120
<v Speaker 1>coffin patents were equipped with strings or levers that would

0:49:24.160 --> 0:49:27.640
<v Speaker 1>operate some kind of sonic alarm, usually a bell that

0:49:27.680 --> 0:49:30.960
<v Speaker 1>would ring on the surface above. And I guess presumably

0:49:31.000 --> 0:49:32.759
<v Speaker 1>with this one, if you know, you were there for

0:49:32.800 --> 0:49:35.839
<v Speaker 1>a few days and nothing happened, then finally they could

0:49:35.920 --> 0:49:37.960
<v Speaker 1>like fill it in, cover up the air holes, or

0:49:37.960 --> 0:49:39.759
<v Speaker 1>maybe take the hatch off and use it on some

0:49:39.800 --> 0:49:42.920
<v Speaker 1>other coffin. Yeah, I mean the degree to which this

0:49:43.080 --> 0:49:46.000
<v Speaker 1>was actually a threat, you know, this is actually a

0:49:46.000 --> 0:49:49.960
<v Speaker 1>possibility aside, you know, this is a pretty clear cut solution.

0:49:50.320 --> 0:49:52.359
<v Speaker 1>All right. If the problem is I might be very

0:49:52.440 --> 0:49:54.480
<v Speaker 1>long still alive, well, let's just make sure there's a

0:49:54.480 --> 0:49:58.680
<v Speaker 1>way of communicating that knowledge to the surface world should

0:49:58.719 --> 0:50:02.120
<v Speaker 1>that occur. Sure. Uh So. Another safety coffin I was

0:50:02.160 --> 0:50:06.880
<v Speaker 1>reading about is Le Carnie. This is from eight seven.

0:50:06.880 --> 0:50:09.960
<v Speaker 1>It was a safety coffin created by Count Michel de

0:50:10.080 --> 0:50:14.200
<v Speaker 1>Carnis Carnikie, who was in the court of the Russians.

0:50:14.239 --> 0:50:18.040
<v Speaker 1>Are Nicholas the second and this again, this debut in

0:50:18.120 --> 0:50:21.040
<v Speaker 1>eighteen seven. There's a great twenty sixteen article about this

0:50:21.080 --> 0:50:23.279
<v Speaker 1>in Mental Flaws by the writer Claire Voon. If you

0:50:23.320 --> 0:50:25.759
<v Speaker 1>want to look that up and read more about this thing.

0:50:26.400 --> 0:50:28.640
<v Speaker 1>But Robert, I've got an image of it attached for

0:50:28.719 --> 0:50:32.400
<v Speaker 1>you here. Uh So, basically, you've got a standard coffin below,

0:50:32.440 --> 0:50:36.560
<v Speaker 1>but it's augmented with some devices that go up from

0:50:36.600 --> 0:50:40.000
<v Speaker 1>the coffin. Uh So, your coffin is connected via a

0:50:40.120 --> 0:50:43.600
<v Speaker 1>pipe to the surface and then up on the surface

0:50:43.640 --> 0:50:48.000
<v Speaker 1>the pipe attaches to a spring loaded iron container. Now

0:50:48.080 --> 0:50:52.200
<v Speaker 1>inside the coffin below, there is a glass ball dangling

0:50:52.280 --> 0:50:55.280
<v Speaker 1>by a string or a chain just over the chest

0:50:55.440 --> 0:50:58.839
<v Speaker 1>of the body inside. So if the body moves, the

0:50:58.880 --> 0:51:03.040
<v Speaker 1>ball gets nutt and any nudge of the ball triggers

0:51:03.120 --> 0:51:06.799
<v Speaker 1>the springloaded contraption above, which opens the container to the

0:51:06.840 --> 0:51:09.560
<v Speaker 1>outside air, and this allows fresh air to get in

0:51:09.640 --> 0:51:12.759
<v Speaker 1>and get down into the coffin via the pipe. But

0:51:12.960 --> 0:51:15.839
<v Speaker 1>it's better than that. So the springloaded device, if set off,

0:51:15.960 --> 0:51:19.400
<v Speaker 1>not only lets air in, but it also automatically raises

0:51:19.440 --> 0:51:23.000
<v Speaker 1>a flag over the grave and commences the clanging of

0:51:23.040 --> 0:51:25.840
<v Speaker 1>an alarm bell. Uh And at the very least, the

0:51:25.880 --> 0:51:28.200
<v Speaker 1>opening of the container and the presence of the tube

0:51:28.200 --> 0:51:31.520
<v Speaker 1>would allow the person in the coffin to scream for help. Wow,

0:51:31.560 --> 0:51:34.120
<v Speaker 1>So this one really has all the bells and whistles. Um.

0:51:35.000 --> 0:51:38.000
<v Speaker 1>If anyone out if you've had the experience of shopping

0:51:38.040 --> 0:51:41.719
<v Speaker 1>for a casket, uh and uh and I have, Uh,

0:51:41.800 --> 0:51:43.879
<v Speaker 1>you know, it is kind of like shopping for a car,

0:51:44.320 --> 0:51:47.319
<v Speaker 1>where that we're generally the salesperson will be there to

0:51:47.680 --> 0:51:51.480
<v Speaker 1>up sail you on other features and models. Um, which

0:51:51.520 --> 0:51:53.520
<v Speaker 1>can be a little you know, needs to say, be

0:51:53.520 --> 0:51:56.719
<v Speaker 1>a little uncomfortable. But I can well imagine a scenario

0:51:56.800 --> 0:51:59.640
<v Speaker 1>where you're in a room not just normal caskets and coffins,

0:51:59.680 --> 0:52:03.480
<v Speaker 1>but safety coffins and caskets, so that you're being up

0:52:03.520 --> 0:52:06.400
<v Speaker 1>sold on these features, like, well, you could go with

0:52:06.440 --> 0:52:08.960
<v Speaker 1>this model that is our standard model has a bell inside,

0:52:09.080 --> 0:52:12.799
<v Speaker 1>but to be really sure, wouldn't you prefer to have

0:52:12.960 --> 0:52:17.000
<v Speaker 1>a flag that emerges? And uh? And also this uh,

0:52:17.600 --> 0:52:22.839
<v Speaker 1>this powered ventilation system. Well, yeah, this has more practical

0:52:23.160 --> 0:52:26.479
<v Speaker 1>plausibility I think than the standard casket up selling, which

0:52:26.520 --> 0:52:28.480
<v Speaker 1>is like it is a kind of weird thing, the

0:52:28.520 --> 0:52:31.360
<v Speaker 1>idea of them than trying to sell you better coffins

0:52:31.440 --> 0:52:35.040
<v Speaker 1>or caskets. I think with the implication right that, oh,

0:52:35.080 --> 0:52:37.960
<v Speaker 1>you know, if you really want to be respectful to

0:52:38.040 --> 0:52:40.719
<v Speaker 1>your loved one, you'll buy this more expensive thing, which

0:52:40.760 --> 0:52:43.080
<v Speaker 1>is sis kind of gross or what what would they

0:52:43.120 --> 0:52:46.799
<v Speaker 1>have wanted? You know, it's generally the way of of

0:52:46.800 --> 0:52:49.600
<v Speaker 1>of getting into that. And you know, I don't know.

0:52:49.680 --> 0:52:52.120
<v Speaker 1>This is one of the problems about or one of

0:52:52.160 --> 0:52:54.600
<v Speaker 1>the challenges about any kind of funeral practice, right, is

0:52:54.640 --> 0:52:58.440
<v Speaker 1>that one does it for the dead, But it's not

0:52:58.520 --> 0:53:01.680
<v Speaker 1>about the dead, right, The dead, except in these rare

0:53:01.719 --> 0:53:05.560
<v Speaker 1>scenarios where they're prematurely buried, they're really not affected by

0:53:05.560 --> 0:53:08.399
<v Speaker 1>the process anymore. It's all about the living exactly. That's

0:53:08.440 --> 0:53:10.920
<v Speaker 1>my point. With the safety casket, then it really is

0:53:11.000 --> 0:53:13.360
<v Speaker 1>about the dead. It's like or it's about the the

0:53:13.840 --> 0:53:15.880
<v Speaker 1>person in the casket. I guessed it to be clear.

0:53:16.680 --> 0:53:19.040
<v Speaker 1>But other than that, yeah, it's generally just the domain

0:53:19.160 --> 0:53:23.080
<v Speaker 1>of the the individuals above ground. Yeah. Uh. Now. Another

0:53:23.120 --> 0:53:25.600
<v Speaker 1>thing I wonder about though, with Lick Carnice is like,

0:53:25.760 --> 0:53:28.200
<v Speaker 1>why did the top container have to be sealed at

0:53:28.200 --> 0:53:30.360
<v Speaker 1>all to begin with? I don't know for sure, but

0:53:30.440 --> 0:53:33.440
<v Speaker 1>I assume the reason is it's to prevent foul smelling

0:53:33.480 --> 0:53:37.959
<v Speaker 1>gases that result from decomposition from wafting up uncontrollably into

0:53:37.960 --> 0:53:41.000
<v Speaker 1>the cemetery. So it's like sealed to begin with, But

0:53:41.080 --> 0:53:43.640
<v Speaker 1>then if you trigger the ball, then it opens up

0:53:43.680 --> 0:53:46.440
<v Speaker 1>and the stuff goes on. Now, of course, this contraption

0:53:46.560 --> 0:53:50.000
<v Speaker 1>it instantly attracted attention and positive press. When it was

0:53:50.120 --> 0:53:53.680
<v Speaker 1>debuted in eighteen seven, it became known as Lake Carnice.

0:53:53.920 --> 0:53:57.280
<v Speaker 1>Carnice Carniki marketed the device in Europe and the United

0:53:57.320 --> 0:54:00.360
<v Speaker 1>States to an initially pretty warm reception, and it was

0:54:00.400 --> 0:54:04.440
<v Speaker 1>considered affordable even though it's got all this stuff. Supposedly,

0:54:04.480 --> 0:54:08.280
<v Speaker 1>the price tag was not crazy. Uh, it was considered practical,

0:54:08.400 --> 0:54:11.320
<v Speaker 1>especially since the above ground parts of the event invention

0:54:11.400 --> 0:54:14.400
<v Speaker 1>could be reused after a period of course to make

0:54:14.440 --> 0:54:17.839
<v Speaker 1>sure that the person was like really definitely dead. And

0:54:17.960 --> 0:54:22.520
<v Speaker 1>Carney's Carnegie's representatives and assistance would go around doing live

0:54:22.560 --> 0:54:25.960
<v Speaker 1>demonstrations with him, where like they'd be placed inside the

0:54:26.000 --> 0:54:28.800
<v Speaker 1>device and then trigger it to signal, you know, to

0:54:28.920 --> 0:54:33.920
<v Speaker 1>signal escape. His representative Emil Cami, speaking to the Medical

0:54:34.080 --> 0:54:37.960
<v Speaker 1>Legal Society of New York, UH was hyping this thing

0:54:38.040 --> 0:54:40.600
<v Speaker 1>up and and said in this speech quote, according to

0:54:40.640 --> 0:54:43.360
<v Speaker 1>the declarations made by grave diggers the great cities of

0:54:43.360 --> 0:54:45.960
<v Speaker 1>all countries, when at the end of five years the

0:54:46.000 --> 0:54:48.640
<v Speaker 1>dead or removed from the common grave, they find in

0:54:48.680 --> 0:54:53.240
<v Speaker 1>the coffins convulsed skeletons with fists clinched, twisted and raised

0:54:53.320 --> 0:54:55.840
<v Speaker 1>the jaws. In every part of the world, there is

0:54:55.880 --> 0:54:59.080
<v Speaker 1>not a community of any importance, town or village where

0:54:59.120 --> 0:55:02.279
<v Speaker 1>some memory is now preserved if people buried alive, and

0:55:02.360 --> 0:55:05.760
<v Speaker 1>this memory remains like a permanent terror through all time.

0:55:06.200 --> 0:55:10.120
<v Speaker 1>So basically just pushing this idea that that we're we're

0:55:10.440 --> 0:55:14.320
<v Speaker 1>mostly prematurely burying people. Yeah, it's like it's just happening

0:55:14.400 --> 0:55:18.040
<v Speaker 1>all the time. It's just that every graveyard, every cemetery

0:55:18.280 --> 0:55:21.919
<v Speaker 1>is just like the muffled screams and whimperings of all

0:55:22.000 --> 0:55:25.200
<v Speaker 1>of the people who have been recently buried. Yeah. Yeah,

0:55:25.239 --> 0:55:29.120
<v Speaker 1>I think that is definitely overselling it. Uh and Lake Kearnice,

0:55:29.160 --> 0:55:32.279
<v Speaker 1>even though it got initially good press did experience some setbacks.

0:55:32.320 --> 0:55:36.920
<v Speaker 1>One setback was that apparently during one demonstration and assistant

0:55:36.960 --> 0:55:39.560
<v Speaker 1>got stuck inside was like buried in the device to

0:55:39.600 --> 0:55:42.120
<v Speaker 1>demonstrate it working, but then it didn't work. I think

0:55:42.120 --> 0:55:45.480
<v Speaker 1>the spring loaded mechanism malfunctioned, and I think the assistant

0:55:45.520 --> 0:55:47.960
<v Speaker 1>was okay, they got dug out, but obviously this was

0:55:48.000 --> 0:55:50.720
<v Speaker 1>not good for press, and so they were actually burying

0:55:51.360 --> 0:55:53.960
<v Speaker 1>the individual in the in the in the device, I

0:55:53.960 --> 0:55:56.759
<v Speaker 1>think so, at least partially, yeah, because they were I mean,

0:55:56.760 --> 0:55:58.799
<v Speaker 1>they wanted to show off how good it was. But

0:55:58.840 --> 0:56:02.759
<v Speaker 1>they were also concern earns about false positives because of

0:56:02.800 --> 0:56:05.919
<v Speaker 1>the sensitivity of the device. It was pointed out that

0:56:06.160 --> 0:56:10.720
<v Speaker 1>it's normal for corpses to swell during decomposition, and such

0:56:10.760 --> 0:56:16.439
<v Speaker 1>swelling could nudge the glass ball and trigger unnecessary exhumations, right,

0:56:16.920 --> 0:56:20.160
<v Speaker 1>which would be even more traumatic, right right, Well, I mean,

0:56:20.160 --> 0:56:22.759
<v Speaker 1>I'm not sure more traumatic than a false negative. I

0:56:22.800 --> 0:56:25.360
<v Speaker 1>think a false negative would be worse than a false positive,

0:56:25.400 --> 0:56:28.600
<v Speaker 1>but they're both bad. Yeah. Well, I mean if if

0:56:28.719 --> 0:56:31.240
<v Speaker 1>if you if you learn O, I've prematurely buried somebody,

0:56:31.239 --> 0:56:33.080
<v Speaker 1>and then you dig them up, you definitely want them

0:56:33.080 --> 0:56:35.320
<v Speaker 1>to still be alive, right, I mean, it would be terrible,

0:56:35.320 --> 0:56:37.879
<v Speaker 1>but hey, at least at least we get we can

0:56:37.960 --> 0:56:41.120
<v Speaker 1>we can move forward. But if you just dig them

0:56:41.200 --> 0:56:43.359
<v Speaker 1>up thinking they're alive and oh no, they're just they're

0:56:43.400 --> 0:56:45.959
<v Speaker 1>not only are they dead, but they're even grosser looking

0:56:46.000 --> 0:56:49.120
<v Speaker 1>now right, Uh yeah, And that's a funny thing. I mean,

0:56:49.400 --> 0:56:51.880
<v Speaker 1>there were dual fears about death at the time, right.

0:56:51.920 --> 0:56:53.920
<v Speaker 1>If people had these fears of being buried alive, but

0:56:54.040 --> 0:56:58.960
<v Speaker 1>people also feared sort of feared being seen in a

0:56:59.080 --> 0:57:02.800
<v Speaker 1>state of natural decomposition, you know, like that that's a

0:57:03.080 --> 0:57:05.680
<v Speaker 1>sort of like acquired cultural fear that like that it's

0:57:05.760 --> 0:57:09.600
<v Speaker 1>bad to decompose, and you don't want people seeing you decompose,

0:57:10.040 --> 0:57:13.719
<v Speaker 1>the sort of a mummification mentality. Yeah, And that's a

0:57:13.719 --> 0:57:16.560
<v Speaker 1>complicated issue under itself, right, I mean, and it is

0:57:16.600 --> 0:57:19.760
<v Speaker 1>the natural process. Uh. And it is the sort of

0:57:19.760 --> 0:57:22.440
<v Speaker 1>thing that is going to happen to the body. It's

0:57:22.480 --> 0:57:26.959
<v Speaker 1>something the body does. Um. But on the other hand,

0:57:27.360 --> 0:57:29.280
<v Speaker 1>you know, even even those of us, you know, who

0:57:29.320 --> 0:57:32.840
<v Speaker 1>have probably a pretty liberal idea of how they want

0:57:32.880 --> 0:57:35.640
<v Speaker 1>their body maintained, we probably don't, you know, probably not

0:57:35.680 --> 0:57:39.320
<v Speaker 1>thinking like public decomposition. We've we're probably imagining something a

0:57:39.320 --> 0:57:42.440
<v Speaker 1>little more private and something that is even you know,

0:57:42.480 --> 0:57:45.880
<v Speaker 1>even if it's a very green burial or decomposition, we

0:57:45.880 --> 0:57:49.200
<v Speaker 1>we want it to be you know, private. Um. You know,

0:57:49.280 --> 0:57:52.400
<v Speaker 1>the worms may be invited to play pinnuckle on our scalp,

0:57:52.440 --> 0:57:55.840
<v Speaker 1>but only the worms. You know. This is just making

0:57:55.840 --> 0:57:58.880
<v Speaker 1>me think back to that statement by Emile Cammi is

0:57:58.920 --> 0:58:02.240
<v Speaker 1>talking about all the the premature burials as this special

0:58:02.320 --> 0:58:05.640
<v Speaker 1>knowledge that's in the realm of grave diggers. So it's

0:58:05.680 --> 0:58:08.480
<v Speaker 1>like the grave diggers are like the people, this community

0:58:08.480 --> 0:58:11.880
<v Speaker 1>of people who know about all of the premature burials

0:58:11.880 --> 0:58:17.320
<v Speaker 1>and like they've got all of the grave and decomposition secrets. Yeah. Well, yeah,

0:58:17.360 --> 0:58:19.320
<v Speaker 1>I think there's there's something to that. You know, as

0:58:19.440 --> 0:58:22.600
<v Speaker 1>a as a culture removes itself from the physical realities

0:58:22.640 --> 0:58:26.320
<v Speaker 1>of death and generally you know, relegates those duties to

0:58:26.400 --> 0:58:30.440
<v Speaker 1>a certain class or certain professions. Um, I mean, it

0:58:30.480 --> 0:58:35.360
<v Speaker 1>really creates more room for superstitious ideas and and and

0:58:35.400 --> 0:58:40.480
<v Speaker 1>just general supernaturalism in general. Like i've i've I think

0:58:40.480 --> 0:58:43.920
<v Speaker 1>there is there is a finality to seeing the dead.

0:58:44.600 --> 0:58:49.240
<v Speaker 1>And my view is that when we prevent ourselves from

0:58:49.280 --> 0:58:52.760
<v Speaker 1>seeing the dead, from having that that physical experience of death,

0:58:53.320 --> 0:58:56.320
<v Speaker 1>like we often don't have a certainty that it occurred.

0:58:56.440 --> 0:58:58.960
<v Speaker 1>You know, there's always this room for even like not

0:58:59.040 --> 0:59:03.560
<v Speaker 1>even like a a sensible doubt, uh or even a

0:59:03.600 --> 0:59:06.560
<v Speaker 1>conscious doubt, but there is this idea that the person

0:59:06.920 --> 0:59:09.840
<v Speaker 1>did not quite die, as they just suddenly were no

0:59:09.920 --> 0:59:13.880
<v Speaker 1>longer in my life, you know. Uh, So I don't

0:59:13.920 --> 0:59:16.720
<v Speaker 1>know the asen downs to having a you know, a

0:59:16.840 --> 0:59:21.680
<v Speaker 1>robust funerary custom. I imagine ultimately, I guess we should

0:59:21.720 --> 0:59:24.520
<v Speaker 1>say finishing up Lake Arnie. It was never really successful.

0:59:24.760 --> 0:59:27.480
<v Speaker 1>It never really was employed at wide scale, right, So

0:59:27.520 --> 0:59:30.640
<v Speaker 1>it means that the the fear of premature burial never

0:59:30.680 --> 0:59:33.960
<v Speaker 1>reached like a real fever pitched where it was actually

0:59:34.600 --> 0:59:37.120
<v Speaker 1>resulting in the sale of these devices and on a

0:59:37.200 --> 0:59:41.360
<v Speaker 1>large scale. Well, it certainly didn't overcome the negative press

0:59:41.400 --> 0:59:43.720
<v Speaker 1>that the device that has had gotten for, you know,

0:59:43.800 --> 0:59:48.680
<v Speaker 1>for those drawback reasons. But there were other safety coffin models,

0:59:48.720 --> 0:59:51.880
<v Speaker 1>and people did employe actual safety coffins of various kinds.

0:59:52.000 --> 0:59:54.600
<v Speaker 1>Um you know, many again had these bells and stuff

0:59:54.640 --> 0:59:57.760
<v Speaker 1>that could be operated via a string or via lever's.

0:59:58.520 --> 1:00:01.440
<v Speaker 1>Other safety coffin models were operated with levers that were

1:00:01.440 --> 1:00:04.040
<v Speaker 1>triggered by the head or the mouth. I think it

1:00:04.080 --> 1:00:06.400
<v Speaker 1>was often assumed there that maybe you wouldn't be you know,

1:00:06.480 --> 1:00:08.160
<v Speaker 1>you might be in some state where you couldn't use

1:00:08.200 --> 1:00:13.040
<v Speaker 1>your hands or something. One really great model invented around

1:00:13.120 --> 1:00:16.560
<v Speaker 1>your nineteen hundred is in a patent awarded to one W. J.

1:00:16.760 --> 1:00:21.200
<v Speaker 1>McKnight for quote electric device for indicating the awakening of

1:00:21.240 --> 1:00:24.640
<v Speaker 1>persons buried alive. Uh So, what goes on in this

1:00:24.640 --> 1:00:26.880
<v Speaker 1>pattern here is the person wakes up, they close an

1:00:26.920 --> 1:00:31.240
<v Speaker 1>electrical circuit which electrically opens an oxygen tank for breathing

1:00:31.560 --> 1:00:34.200
<v Speaker 1>and sends an s O S signal through a connection

1:00:34.240 --> 1:00:37.600
<v Speaker 1>to a wire service. It's just what instantly emolates them

1:00:37.640 --> 1:00:40.680
<v Speaker 1>in their their casket, emolates them. What do you mean?

1:00:40.720 --> 1:00:43.040
<v Speaker 1>I mean like we have what like oxygen and then

1:00:43.040 --> 1:00:47.240
<v Speaker 1>a spark, hopefully those sparks. I don't know. I don't

1:00:47.240 --> 1:00:49.920
<v Speaker 1>think it's like a you know, like diving bell kind

1:00:49.960 --> 1:00:53.760
<v Speaker 1>of oxygen rich environment. Okay, but still it seems like

1:00:53.840 --> 1:00:56.440
<v Speaker 1>I've been through a lot. I've been prematurely buried, and

1:00:56.520 --> 1:00:59.240
<v Speaker 1>now you're gonna you're gonna, you're gonna blast me with

1:00:59.280 --> 1:01:01.880
<v Speaker 1>air and shock me. So well, it's good. It's sending

1:01:01.880 --> 1:01:04.920
<v Speaker 1>out the message to you know, whoever is listening. I'm

1:01:04.920 --> 1:01:09.440
<v Speaker 1>not sure exactly what where the wire went though, I

1:01:09.480 --> 1:01:12.720
<v Speaker 1>do think about Simpson's episode where they they use the

1:01:12.720 --> 1:01:14.640
<v Speaker 1>Morse code to send for s O S and then

1:01:14.680 --> 1:01:17.000
<v Speaker 1>it connects to a Morse code exhibit in the museum.

1:01:18.080 --> 1:01:20.560
<v Speaker 1>But you know, you mentioned like a diving bell, like

1:01:20.640 --> 1:01:24.040
<v Speaker 1>the bathmosphere, and this does sound a lot like a bathosphere, right.

1:01:24.040 --> 1:01:28.680
<v Speaker 1>It's sure, it's tiny container and you're you're lowered down, uh,

1:01:28.880 --> 1:01:31.640
<v Speaker 1>somewhere beneath the surface, and then there's there's air, and

1:01:31.720 --> 1:01:35.240
<v Speaker 1>then there's an electrical wire for communication. Right, all right, well,

1:01:35.240 --> 1:01:36.960
<v Speaker 1>I think we need to call part one there, but

1:01:37.040 --> 1:01:39.520
<v Speaker 1>we are not done talking about vessels for the dead.

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<v Speaker 1>That's right. We will return next week and with the

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<v Speaker 1>next episode of Invention, and we will roll out some

1:01:46.480 --> 1:01:49.680
<v Speaker 1>more caskets in the meantime. If you want to support

1:01:49.720 --> 1:01:51.640
<v Speaker 1>the show, the best thing you can do is rate

1:01:51.680 --> 1:01:53.960
<v Speaker 1>and review it and make sure you have subscribed. You

1:01:53.960 --> 1:01:57.000
<v Speaker 1>can also get it an invention pod dot com. Uh.

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<v Speaker 1>And hey, if if you're if you are listening to Invention,

1:02:00.080 --> 1:02:01.760
<v Speaker 1>you are not listening to Stuff to Blow your Mind,

1:02:01.800 --> 1:02:03.800
<v Speaker 1>go check out Stuff to Blow your Mind. Because all

1:02:03.880 --> 1:02:08.600
<v Speaker 1>October it's spooky Halloween themed episodes. We always put a

1:02:08.640 --> 1:02:12.560
<v Speaker 1>lot of effort into putting out some really solid Halloween offerings.

1:02:13.080 --> 1:02:16.360
<v Speaker 1>Huge thanks as always to our excellent audio producer Seth

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<v Speaker 1>Nicholas Johnson. If you would like to get in touch

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<v Speaker 1>with us with feedback on this episode or any other,

1:02:21.320 --> 1:02:23.720
<v Speaker 1>to suggest a topic for the future, or just to

1:02:23.760 --> 1:02:27.400
<v Speaker 1>say hello, you can email us at contact at invention

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<v Speaker 1>pod dot com. Invention is production of I heart Radio.

1:02:34.280 --> 1:02:36.520
<v Speaker 1>For more podcasts from my heart radio, because the iHeart

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<v Speaker 1>Radio app, Apple podcasts, or wherever you listen to your

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<v Speaker 1>favorite shows,