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Speaker 1: Martha Clempton and I are walking out of movies Beast

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Speaker 1: holding hands and all the camera guys are.

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Speaker 2: Like, well, are you guys like freaking doing it?

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Speaker 3: And I'm like, no, man.

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Speaker 2: Neither one of us wants to let go the last breadstick.

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Speaker 1: The breadsticks there are unreal. Hey, welcome to Hollywood Handbook

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Speaker 1: and what up?

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Speaker 2: Everybody happen?

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Speaker 1: Names of the red carpet lineback hallways of this industry

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Speaker 1: we call showbiz. My name is Hayes Davenport. I'm here

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Speaker 1: with Sean Clements. What what up? We are sort of

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Speaker 1: gentlemen about town in Hollywood. That's where the movie's industry is.

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Speaker 1: And something we like to do is to teach other

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Speaker 1: people how to become famous in Hollywood. And one of

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Speaker 1: the biggest mistakes that people make when they're trying to

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Speaker 1: be Hollywood guys is in when they're pitching movies.

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Speaker 4: And when you have the opportunity to pitch a movie

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Speaker 4: to Hayes or a Sean, or to a Spielberg or

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Speaker 4: a Vince Vaughn, or to an Owen Wilson or Luke

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Speaker 4: Wilson or an Andrew Wilson, you don't want to squander

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Speaker 4: that opportune. You want to make the most of it.

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Speaker 4: So we do a segment on the show that people

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Speaker 4: love called Pitch Perfectly.

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Speaker 1: I can't tell you how many times early in my

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Speaker 1: pitching career when I kind of just moved out here,

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Speaker 1: I don't think i'd even unpack my clothes, where I

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Speaker 1: would pitch a movie and the guys would be like, great,

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Speaker 1: let's let's do it. Let's do the movie, and I'd

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Speaker 1: be driving home and that's when i'd have like the

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Speaker 1: like the forehead slap moment.

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Speaker 2: A lightning bug moment to a big.

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Speaker 1: Face palm, and be like, why didn't I pitch myself

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Speaker 1: into that friggin movie?

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Speaker 4: Yes, And I remember when I had first moved out here,

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Speaker 4: and I don't even think i'd put on shoes yet.

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Speaker 4: I think I was still in like slipper socks, and

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Speaker 4: I was pitching, you know, ten fifteen movies a day

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Speaker 4: and they were getting made.

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Speaker 2: And then I would be on my moped just.

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Speaker 4: Sort of cruising back towards my house and I would

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Speaker 4: have that moment that we all think of, the sort

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Speaker 4: of moment where you just jam your thumb and your

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Speaker 4: eye and you go like you stupid, and you are

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Speaker 4: so mad, and I'd go.

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Speaker 2: Why didn't I put myself in that movie? People? This

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Speaker 2: is a mistake. You see a lot.

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Speaker 1: Some people know their way around it, but they'll pitch

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Speaker 1: a movie and they'll forget to pitch themselves into it too.

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Speaker 4: Here's an amateur, a huge amateur mistake that you'll see.

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Speaker 2: Yeah, so you're some.

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Speaker 4: Nobody, you're engineer Sam, or you're some loser and you

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Speaker 4: are at a luncheonet and you meet somebody who's charming

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Speaker 4: and fame. Let's think of an example. Okay, I've almost

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Speaker 4: got one Ian summer Holder and you're with Ian and

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Speaker 4: you leave and you go that guy should be in movies.

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Speaker 4: And the next day of your movie pitch you go,

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Speaker 4: I want to write something for Ian summer Holder. Ian

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Speaker 4: summer Holder is gonna be the guy who invents gatorade

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Speaker 4: and they love it and they want to make it.

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Speaker 4: And then you realize, why didn't you just go? And

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Speaker 4: this is what Hayes and I always do. If we

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Speaker 4: meet someone famous or cool and Ian Summerholder type, we go,

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Speaker 4: I want to write a movie for Ian summer.

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Speaker 2: Holder and me.

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Speaker 4: The and me is so important and probably even more

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Speaker 4: important than Ian summer Holder and these days I leave

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Speaker 4: Ian out of the pitch.

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Speaker 1: Yeah, I mean just an example of a time. These

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Speaker 1: are friends of ours who made this mistake. When the

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Speaker 1: matt Faxxon and and Rash were pitching The Descendants Good

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Speaker 1: friends that we were a sort of community freaks.

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Speaker 2: Six seasons of the movie in the movie and a

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Speaker 2: theme park.

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Speaker 1: Yeah, we love all the little inside stuff the Internet

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Speaker 1: that those guys are pitching that movie. And the movie

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Speaker 1: is fine, it's a fine movie, but they pitched it

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Speaker 1: sort of like. George Clooney is an attorney and he's

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Speaker 1: the sole trustee of kind of his his family's trust,

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Speaker 1: and he's deciding whether or not to sell the land

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Speaker 1: or to keep it to make a life.

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Speaker 2: And at the same.

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Speaker 1: Time his his wife is in a boat accident and

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Speaker 1: she's in a coma. They mashed a boat with her

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Speaker 1: hat or he finds out that at the same time

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Speaker 1: she has been unfaithful to him with Matthew Loward, and

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Speaker 1: so he and Shale Woodley and his other daughter go

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Speaker 1: to find to get answers about his his wife's Infindelle

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Speaker 1: bow Bridges, Yeah, if we're pitching that movie, we'd go.

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Speaker 4: So George when he's an attorney in Hawaii, right, and

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Speaker 4: we go but you never see him.

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Speaker 2: Yeah, you never see him.

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Speaker 4: That's in the background. Meanwhile here, yeah, Meanwhile.

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Speaker 1: The two of us are frigging laying out of the beach,

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Speaker 1: like chilling with like sipping out of a half a coconut.

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Speaker 4: Snapping thongs right straight up, sharking girls.

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Speaker 1: Splashing around, uh the other coconuts, kind of hanging off

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Speaker 1: our ding dogs is where, yeah, doing pranks of like

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Speaker 1: beach pranks and.

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Speaker 4: Stuff, beach pranks, sand in the in the drink, sand

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Speaker 4: in the food, all the famous beach pranks.

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Speaker 2: And cranking up a seadew and being like hitting away

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Speaker 2: and getting air and be like what.

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Speaker 1: And like as soon as it looks like you're gonna

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Speaker 1: wipe out, you like do a flip and that's suddenly yeah,

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Speaker 1: right side up, and it's like.

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Speaker 2: Yeah, you're fine, and you splash the nerd and the

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Speaker 2: nerds like mangling sees.

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Speaker 1: And Shale Woodley is still there and she's like our

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Speaker 1: girl friend and she's like really down to earth and chill,

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Speaker 1: but like she also knows how to like be sort

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Speaker 1: of a freaks of time.

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Speaker 4: But at the same time, there is a more traditionally

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Speaker 4: hot girl that wants us and we're boning her and

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Speaker 4: the whole time going like, but isn't our conversations with

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Speaker 4: Sheen even better?

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Speaker 1: Right?

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Speaker 2: And can we have it all?

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Speaker 1: And that's what's so chill about Shaleen as a girlfriend

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Speaker 1: that like she understands that, like you know, like for

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Speaker 1: us to be able to experiment and stuff, it actually

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Speaker 1: makes our bond a little bit stronger.

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Speaker 4: Yeah, her, because we can appreciate like, when I was

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Speaker 4: boning that traditionally hot girl, we had literally nothing to

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Speaker 4: talk about about it, yes, And so like that's to

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Speaker 4: Shaleen's benefit, right and exactly and that's exactly right.

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Speaker 1: And how you can like do the boning and not

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Speaker 1: have to worry about it so much anymore.

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Speaker 4: You just like and we're not all boned out after

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Speaker 4: that one girl. We still have something for Shaneen. And

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Speaker 4: I think that's a really important.

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Speaker 3: Man.

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Speaker 1: Sometimes it gives you something to think about when you're boning,

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Speaker 1: like you're chill down to earth girlfriend, like some other

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Speaker 1: good bone that you like had recently mm hmmm.

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Speaker 4: Yes, And so there's sort of that message and then

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Speaker 4: maybe at the end Clooney pops up over the credits,

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Speaker 4: like there's like a bonus scene with him. I guess

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Speaker 4: we'd be there too, but maybe it's us with Clooney

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Speaker 4: mm hm. And so you know, it's still the descendants,

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Speaker 4: like you still do have the Clooney aspect. Oh sure,

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Speaker 4: but doesn't this movie sound more marketable, more fun more funny,

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Speaker 4: more cool?

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Speaker 1: And it's an opportunity for you the pitch. I mean

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Speaker 1: you know that that is a big part of it.

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Speaker 1: It's an opportunity for you to get your brand out

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Speaker 1: there in a way that you can't just by like

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Speaker 1: writing a bunch of words for other people to say. Like,

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Speaker 1: if you're you're the one pitching the movie, you control

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Speaker 1: what's in the movie, you might like you might as

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Speaker 1: well put yourself in there.

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Speaker 2: Yeah, you wouldn't.

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Speaker 1: You wouldn't go like to pitch a big company or

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Speaker 1: something to like a bank bank guy and be like,

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Speaker 1: here's this like really great company, I have a really

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Speaker 1: awesome idea I want to do for like freaking the

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Speaker 1: Starbucks guy to do instead.

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Speaker 2: Why would you do that? It's what you'd want to do.

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Speaker 4: You don't see people on Shark Tank going in and

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Speaker 4: going like, oh, I've got a new way for moms

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Speaker 4: to change like sheets that they you know, they could

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Speaker 4: piste on or whatever, and then going like and fucking

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Speaker 4: give all the money to uh the fucking you know,

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Speaker 4: the the Dunken Donuts guy or whatever, or the Tinker Toys,

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Speaker 4: you know, dude when the money gets made, and make

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Speaker 4: sure he's famous afterwards.

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Speaker 2: It's like, why, it makes no sense.

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Speaker 4: Why would you ever do that? No one would watch that?

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Speaker 4: And so to me, I'm almost pissed at a really

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Speaker 4: fun way to think about before your pitch, meaning, just

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Speaker 4: think about one of your favorite movies. Give the one

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Speaker 4: line pitch of the movie. Hey, what's one of your

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Speaker 4: favorite movies from the past ten years?

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Speaker 2: Uh? You know I love Hugo. Okay, Hugo.

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Speaker 4: So the one line pitch of that is some no

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Speaker 4: name fucking kids doing some weird time travel bullshit and

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Speaker 4: Scorsese's like, you know, taking a nap. So I would say,

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Speaker 4: you pick picture of that. You go, okay, I don't

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Speaker 4: want to. I don't want to pitch that, but could

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Speaker 4: I add something to that one line pitch to make

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Speaker 4: the movie better? And for me, it's you go, some

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Speaker 4: bullshit asks fucking no name kid who's never gonna do

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Speaker 4: jack shit is doing some time travel thing or whatever.

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Speaker 2: In three D, and I'm there.

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Speaker 1: I'm like his little friend, Like I'm walking on my

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Speaker 1: knees with like shoes on my knees. So I'm like

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Speaker 1: a little kid too. But I'm like sort of horny.

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Speaker 4: Yeah, And it's like force perspective stuff. So I look

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Speaker 4: so small and I'm so horny and so small.

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Speaker 2: That when I'm like, let's say, let's say I wind.

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Speaker 4: Up like, uh, you know, we're leaning over a balcony,

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Speaker 4: I fall out of the raptors and I landed some chicks.

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Speaker 2: Bisong goes.

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Speaker 4: I'm so small that the way they can do it

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Speaker 4: with technology now, and I think Scorsese knows how to

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Speaker 4: do this is it looks like the bizongas are the

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Speaker 4: size of me, you know. And I'm like, that's a

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Speaker 4: playground for me comedically as an actor and sexually it's

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Speaker 4: a playground.

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Speaker 1: And then that robot shows up and he's like whatever

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Speaker 1: he does, like he writes books or some boring bullshit.

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Speaker 2: Yeah, And I show.

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Speaker 1: Up and I'm like, not anymore, and I like turn

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Speaker 1: it into like a fingering machine.

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Speaker 4: Yeah, I just fucking take a screwdriver jam it in

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Speaker 4: the back of the robot, Twist it and go, this

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Speaker 4: should be a little more fun. Slit my shades down

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Speaker 4: from off my forehead, sit back and watch, and he's

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Speaker 4: fingering whoever. And it could be somebody funny too, you know,

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Speaker 4: doesn't always have to be someone sexy. It could be

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Speaker 4: an old lady, or it could even be like the

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Speaker 4: Prime Minister's butt or Chloe Moretz.

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Speaker 1: I mean she was in the first one. I don't

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Speaker 1: see any reason to not use her again for something

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Speaker 1: like that. Yeah, oh what oh like, oh, you can't

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Speaker 1: use her to be like fingered in a movie because

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Speaker 1: like I don't even know why, but like some.

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Speaker 4: People, well it's just all this PC stuff that's happening now,

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Speaker 4: I know.

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Speaker 1: I think because you need to she needs to be

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Speaker 1: like multicultural or something like because she's.

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Speaker 4: Or she has to finger herself so she's an active

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Speaker 4: protagonist or whatever. And it's just one of those notes

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Speaker 4: that it's like, it's a technical note.

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Speaker 1: We have a great guest today. We've been uh interested

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Speaker 1: for a long time in having a serious actors who,

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Speaker 1: like you, like, can be sad in movies and be

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Speaker 1: scared because we've had so many comedy people on and

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Speaker 1: so Zach Gilford, the star of Friday Night Lights and

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Speaker 1: the upcoming The Purge two, is going to be joining

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Speaker 1: us to talk about his his craft very soon on

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Speaker 1: Hollywood Handbook.

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Speaker 3: Hollywood Handbook.

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Speaker 4: So I'm in Dash with Sarah, Michelle and Yeller and

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Speaker 4: she turns over one of the you know tags and

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Speaker 4: there's no price. She goes, I guess it's free, and

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Speaker 4: Chloe's like, no, it's actually really expensive. I was like,

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Speaker 4: we fucking know that we're fucking joking, And I bought

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Speaker 4: it Chloe.

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Speaker 2: Seven years.

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Speaker 1: Hey, welcome to Hollywood Handbook, and it's had his guide

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Speaker 1: to kicking button dropping names in the red carpet lineback

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Speaker 1: hallways of this industry we call showbiz.

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Speaker 2: Got a very exciting guest today.

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Speaker 3: Uh.

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Speaker 1: Some actors make you laugh and they tell jokes, and

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Speaker 1: those are called like comedians, and we've had a lot

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Speaker 1: of them on the show to do like funny stuff.

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Speaker 4: And they are comedy people and they do comedy jokes

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Speaker 4: and it's for people to laugh at.

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Speaker 3: Yes.

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Speaker 1: Yes, some other actors, though, can it can pretend.

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Speaker 2: To be sad and be.

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Speaker 1: Really angry or get scared or get really scared, and

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Speaker 1: that's a kind of actor We've wanted to have in

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Speaker 1: here for a long time and be.

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Speaker 2: Brave too, yes, and be very proud.

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Speaker 1: And we've got a real stud here today, Zach Gilford, Hi,

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Speaker 1: star of Friday Night, Lights, Off the Map, the Mob Doctor,

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Speaker 1: the Upcoming Purge, Anarchy.

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Speaker 3: A lot of good should have done. But I also

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Speaker 3: just want to point out, you know, like, yeah, I'm

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Speaker 3: brave and make people sad all that, but yeah, yeah,

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Speaker 3: I mean I could be funny too.

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Speaker 2: Oh wow.

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Speaker 4: Oh that was one of the first questions I had,

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Speaker 4: one of the first questions I had, because you know,

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Speaker 4: we're hanging out before we record this thing, and I'm

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Speaker 4: laughing my whole bought off, like you're busting up my ship,

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Speaker 4: and I'm going, how does this guy turn off.

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Speaker 2: His funniness like acting?

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Speaker 3: To quote the great comedian John Love, it's classic snls.

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Speaker 2: Get the pathological liar one.

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Speaker 3: Yeah, you know, like acting, but yeah, you know, like

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Speaker 3: people in this business, I think a big thing. I

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Speaker 3: don't know if you've told your audience people want to

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Speaker 3: pigeonhole you.

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Speaker 2: Yeah, yeah, to diversify.

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Speaker 3: And I've been holding off on the funny in my

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Speaker 3: career because I really want to wait for the right

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Speaker 3: moment in the right script. I don't want to do

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Speaker 3: some shit comedy. Yeah, No, like I don't know, Hangover

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Speaker 3: three or some bullshit like that. Yeah, let us swear

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Speaker 3: on here you can, you can.

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Speaker 2: We don't let everyone.

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Speaker 3: Okay, well I'll hold it back anyway. I just want

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Speaker 3: to clear that up anyway. They hang Over was a

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Speaker 3: piece of ship.

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Speaker 2: It was a fucking like it.

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Speaker 4: Yeah, and me, yes, thank you Hayes. And we have

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Speaker 4: a lot of regrets on what we did with that movie.

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Speaker 4: It was a cash grab for us.

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Speaker 1: Yes, when we you know, we just kind of showed

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Speaker 1: up on set and they were like, we want you

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Speaker 1: to direct this, We want you to kind of do

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Speaker 1: it all.

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Speaker 2: And we thought actually that it was going to be you.

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Speaker 2: They were like, Zach g is is.

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Speaker 1: Gonna be yeah, and we're like, oh great, of course, great,

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Speaker 1: Well we know we can find it on the day

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Speaker 1: then yes, and you know, we show up and it's

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Speaker 1: this fucking toad.

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Speaker 4: No.

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Speaker 2: I actually was busy filming Mob Doctor.

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Speaker 3: I don't know if you guys, Yeah, well that's whole series.

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Speaker 1: That's what we found out later well later going home

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Speaker 1: and watching it on TV and then being like, oh,

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Speaker 1: because of course, so that's where he is. So yeah,

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Speaker 1: and they had you did they accidentally switch roles in

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Speaker 1: that because I remember your doctor's coat was like like

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Speaker 1: way too big, like it was supposed to be a

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Speaker 1: fat guys.

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Speaker 3: Yeah, no, I just uh, it gets hot under the

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Speaker 3: lights if you're on a set, you know. Oh yeah,

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Speaker 3: this is like a little you know, a trick that

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Speaker 3: someone taught me early in my career, like wear clothes

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Speaker 3: are a little bigger because you won't pit out in them,

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Speaker 3: or you know, you can fit more kind of undershirts underneath.

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Speaker 2: The keep a tiny fan in there, one of those

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Speaker 2: handheld fans.

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Speaker 3: You can have it underneath you exactly sound bitches about it,

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Speaker 3: but sound bitches about everything.

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Speaker 5: Yeah, like oh, can you not zip your zipper because

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Speaker 5: that's right over the mic, or like don't touch your

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Speaker 5: hands pounding your chest and you're like, I'm fucking like

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Speaker 5: acting here, okay, and don't get shut up sound just

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Speaker 5: fucking hold your mic and figure it out.

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Speaker 3: Yeah, I'm figuring out how to act. You figure out

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Speaker 3: how to record the sound of my acting.

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Speaker 1: You're doing your character is supposed to do like a gorilla. Yeah,

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Speaker 1: my characters Tarzan impression. You're gonna pound your chest.

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Speaker 4: Yeah exactly. And also it's called the mob doctors. So yeah,

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Speaker 4: I'm gonna be rubbing a stethoscope all around my chest

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Speaker 4: and circles trying to find the heartbeat. So yeah, you're

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Speaker 4: gonna have a little bit of a sound problem, buddy, Yeah, work.

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Speaker 2: It out, figure it out.

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Speaker 3: Fucking cruise, I swear to god, they get in the way.

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Speaker 3: It's like, we can make such great movies if it.

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Speaker 4: Wasn't for the sound and the lighting jerk off and

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Speaker 4: all the fucking assholes.

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Speaker 2: Yeah, who's your least favorite person on the crew? Man?

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Speaker 2: Don't make him pick exactly.

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Speaker 3: Well, I was telling you guys before, I think the

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Speaker 3: person who drives me the most batshit crazy is the

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Speaker 3: focus puller.

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Speaker 2: Oh it's like.

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Speaker 3: They get this, I mean audience, you guys know. They'll

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Speaker 3: come up to me after scene and be like, hey,

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Speaker 3: we're in really tight focus here. Okay, so if you

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Speaker 3: move just like an inch, you go out of focus.

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Speaker 3: So can you like kind of try and stay I'm like,

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Speaker 3: fuck you, dude, I'm acting like are you kidding? Really?

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Speaker 3: I'm I'm my someone just died or I'm saving a life,

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Speaker 3: and I'm supposed to think about don't move an inch? No,

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Speaker 3: like you turn your fucking knob. Man. I get so

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Speaker 3: upset my language goes out the window.

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Speaker 2: No, it's okay, that's true. It's so real and it

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Speaker 2: will really.

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Speaker 4: And I don't know if you've noticed, but when somebody's

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Speaker 4: like friend dies like they do move an inch, yes,

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Speaker 4: you know, you move a foot yeah.

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Speaker 1: And it's like, well, it's like tell my character not

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Speaker 1: to move an inch, you know, And then he's like why,

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Speaker 1: like why can't I.

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Speaker 2: Move an inch? Yeah?

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Speaker 3: Of course, Yeah, I don't know. It's it's supposed to

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Speaker 3: be this collaborative effort, yeah, film TV, and they just

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Speaker 3: make it so about them.

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Speaker 2: Yeah, sad. It is sad.

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Speaker 4: It's sad to think about the psyche of someone like

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Speaker 4: that who thinks that it's about them.

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Speaker 3: And the other thing I've always wondered. I have a

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Speaker 3: video camera. You ever heard of auto focus? Like Jesus, like,

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Speaker 3: why are you wasting time? Is not just turn it

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Speaker 3: on auto focus? Everybody's happy.

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Speaker 2: They're afraid they're going to be put out of a job. Yeah.

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Speaker 1: I sometimes wonder if they're even doing anything or if

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Speaker 1: they're just like kind of making like a beep beep

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Speaker 1: sound as they like pretend to turn the lever or

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Speaker 1: some bullshit.

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Speaker 2: I don't know. They're so sucky. Uh.

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Speaker 1: Perge Anarchy is coming out in July. M you play Shane. Yeah, uh,

382
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Speaker 1: like a scared guy. No no, no, no, oh?

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Speaker 3: I mean you know it's the shit going down, right,

384
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Speaker 3: But I'm not some little girl running around being scared.

385
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Speaker 3: Oh no, I'm not there with my wife in the movie.

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Speaker 3: Liz just air quotes for the audience. And that woman,

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Speaker 3: that character is played by Keeley my wife, real life,

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Speaker 3: real life wife.

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Speaker 1: Yes, and that's because, like you're so committed to the

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Speaker 1: role you think of her as your wife for real.

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Speaker 3: Well, I do, but also because we actually got married

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Speaker 3: in real life, because.

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Speaker 1: Real life and the movie basically the same thing.

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Speaker 2: Realistic.

395
00:20:12,000 --> 00:20:16,080
Speaker 3: Yeah, basically, I mean you could explain it that way.

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Speaker 2: Okay, I think that makes sense. Yeah, at what point

397
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Speaker 2: in the movie did you get married?

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Speaker 3: Like a year before?

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Speaker 4: Okay, wow, so I'll prep that during rehearsals kind of yeah,

400
00:20:27,480 --> 00:20:29,160
Speaker 4: kind of doing So this is a sequel, we did

401
00:20:29,160 --> 00:20:29,600
Speaker 4: it like.

402
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Speaker 3: A few months before the first movie came out.

403
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Speaker 2: Mm hmmm, so.

404
00:20:35,640 --> 00:20:37,040
Speaker 3: Yeah, Chicken or the Egg sort of thing.

405
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Speaker 2: I don't know, Yes, if I could real quick.

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Speaker 4: I just can't help but notice the irony that we

407
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Speaker 4: were talking about focus pullers, and Sam got up and

408
00:20:45,600 --> 00:20:49,439
Speaker 4: moved the microphone very loudly. Engineer Sam sort of pulling

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Speaker 4: focus to whose job is actually just supposed to be

410
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Speaker 4: making sure that everyone can hear us right? And then

411
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Speaker 4: he's like trying to make it that we can hear

412
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Speaker 4: him doing something right. How come, Sam, did you have

413
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Speaker 4: something you wanted to say? And why would you have anything?

414
00:21:06,640 --> 00:21:09,320
Speaker 2: I was trying to take a picture. The mic was

415
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Speaker 2: in the way of your face.

416
00:21:10,359 --> 00:21:18,920
Speaker 3: I'm sorry, yuck. This guy is dic do all your shows, no,

417
00:21:19,119 --> 00:21:21,240
Speaker 3: but no one else is good either.

418
00:21:21,920 --> 00:21:25,320
Speaker 2: He's a Sean's little cousin. I don't know if people

419
00:21:25,400 --> 00:21:26,640
Speaker 2: know that, but he's.

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Speaker 4: My little cousin. A whiz on the internet, and so

421
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Speaker 4: that's great.

422
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Speaker 1: But he's really great for computer stuff, but socially not useful.

423
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Speaker 2: So why do you give him a mic?

424
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Speaker 4: Well, sometimes he has to go to the bathroom, and

425
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Speaker 4: we need him to tell us if he needs to

426
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Speaker 4: use the bathroom because if he can't tell us in

427
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Speaker 4: a way we can hear that, it's going to be yeah,

428
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Speaker 4: if we can't hear it on the a side. On

429
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Speaker 4: the B side, it's going to be sloppy.

430
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Speaker 3: Gotcha, gotcha, Sorry, but we digressed.

431
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Speaker 4: Yes, it's fine, he's not into your interesting things.

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Speaker 1: Thanks.

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00:22:02,840 --> 00:22:06,800
Speaker 2: So you are married to a girl that was in

434
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Speaker 2: the movie with you. What was that like going home.

435
00:22:13,200 --> 00:22:17,879
Speaker 1: And like still sort of being in character and like

436
00:22:18,000 --> 00:22:20,240
Speaker 1: having to negotiate your marriage to.

437
00:22:20,240 --> 00:22:22,800
Speaker 2: Her in the movie and then in the real world.

438
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Speaker 3: You know, it was really it was really like just

439
00:22:25,800 --> 00:22:31,120
Speaker 3: a mind boggle, because it's kind of this life represents art,

440
00:22:31,280 --> 00:22:33,480
Speaker 3: art represents life, and you get lost in the middle.

441
00:22:33,640 --> 00:22:35,600
Speaker 2: Yeah, and you know.

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Speaker 3: I could be pissed off at her for something she

443
00:22:39,200 --> 00:22:42,480
Speaker 3: did at work that day in character, out of character,

444
00:22:42,560 --> 00:22:44,680
Speaker 3: who knows at that point, or I could be really

445
00:22:44,680 --> 00:22:47,679
Speaker 3: into something she did. I just want to get down

446
00:22:48,280 --> 00:22:53,320
Speaker 3: and then and then realize she's just my wife, right,

447
00:22:53,800 --> 00:22:57,000
Speaker 3: And when I started pretending she's the character again, it

448
00:22:57,040 --> 00:22:59,440
Speaker 3: was I'm kind of glad it's over because it put

449
00:22:59,480 --> 00:23:01,720
Speaker 3: a lot of st ain't on the marriage and.

450
00:23:01,680 --> 00:23:03,240
Speaker 2: Now I just guy, the marriage is over.

451
00:23:03,920 --> 00:23:05,360
Speaker 3: Actually we kept the marriage.

452
00:23:05,000 --> 00:23:08,320
Speaker 4: Going oh wow, okay, is that for the potential of

453
00:23:08,320 --> 00:23:13,480
Speaker 4: a sequel or uh yeah, yeah, yeah, yeah, you know,

454
00:23:13,640 --> 00:23:17,359
Speaker 4: because smart savvy, I don't want to give anything away.

455
00:23:18,240 --> 00:23:19,480
Speaker 2: Mm hmmm, So.

456
00:23:21,560 --> 00:23:25,000
Speaker 1: Get out your pens, but don't write anything because Zach

457
00:23:25,040 --> 00:23:28,439
Speaker 1: didn't say anything, but he doesn't want to give anything away,

458
00:23:28,960 --> 00:23:33,080
Speaker 1: but he almost did You have your pen ready, yes,

459
00:23:33,320 --> 00:23:34,520
Speaker 1: in case he slips up.

460
00:23:34,480 --> 00:23:38,000
Speaker 2: Again, and maybe just start drawing something while you wait.

461
00:23:38,119 --> 00:23:41,720
Speaker 2: That's a little doodle while you're listening. But listen, listen close.

462
00:23:41,760 --> 00:23:44,720
Speaker 1: Don't let it distract you from listening to the show,

463
00:23:46,000 --> 00:23:46,440
Speaker 1: our show.

464
00:23:46,920 --> 00:23:50,040
Speaker 2: So maybe they shouldn't doodle then, no, just probably don't

465
00:23:50,080 --> 00:23:50,320
Speaker 2: do it.

466
00:23:50,359 --> 00:23:52,600
Speaker 3: Just probably put put the pen down, just probably put

467
00:23:52,600 --> 00:23:54,680
Speaker 3: the I'm not gonna tell you anything, so you don't.

468
00:23:54,760 --> 00:23:57,000
Speaker 2: You don't need to take any notes. Now we've talked

469
00:23:57,000 --> 00:23:57,719
Speaker 2: in the past.

470
00:23:57,800 --> 00:24:03,359
Speaker 4: I think about how much harder movies football is than

471
00:24:03,440 --> 00:24:04,200
Speaker 4: real football.

472
00:24:05,960 --> 00:24:08,760
Speaker 2: Yes, I mean it's true.

473
00:24:08,720 --> 00:24:13,359
Speaker 3: Yeah, because you know it's like, not only do you

474
00:24:13,440 --> 00:24:16,200
Speaker 3: have to think of this way a real football player,

475
00:24:16,800 --> 00:24:18,640
Speaker 3: they don't have to act like a real football player.

476
00:24:18,720 --> 00:24:21,359
Speaker 2: Yeah, yes, you know. They know how.

477
00:24:21,240 --> 00:24:23,119
Speaker 3: To throw the ball, they know how to get it

478
00:24:23,160 --> 00:24:25,320
Speaker 3: where it's supposed to go, all that, and they just

479
00:24:25,440 --> 00:24:26,959
Speaker 3: do it and it doesn't matter if it looks right

480
00:24:27,040 --> 00:24:28,919
Speaker 3: or not. Yeah, as long as they get the job done.

481
00:24:29,480 --> 00:24:33,280
Speaker 3: I'm not actually a football player. I'm good enough to be,

482
00:24:33,359 --> 00:24:36,080
Speaker 3: but I chose to go into acting. But so like

483
00:24:36,200 --> 00:24:40,160
Speaker 3: while I'm doing this and throwing balls or whatever I'm doing,

484
00:24:40,680 --> 00:24:42,120
Speaker 3: I also have to be acting.

485
00:24:42,960 --> 00:24:44,440
Speaker 2: Yeah, I gotta look good.

486
00:24:45,000 --> 00:24:46,840
Speaker 3: I gotta look in depending on the scene, Like, am

487
00:24:46,840 --> 00:24:49,440
Speaker 3: I nervous about the throw? Am I confident in the throw?

488
00:24:49,960 --> 00:24:50,560
Speaker 3: I mean there's a.

489
00:24:50,520 --> 00:24:53,560
Speaker 4: Lot Do you want the throw to land somewhere or

490
00:24:53,680 --> 00:24:55,160
Speaker 4: get hit by someone?

491
00:24:55,480 --> 00:24:57,439
Speaker 2: Yeah? Yeah, yeah, I was watching.

492
00:24:57,440 --> 00:25:00,400
Speaker 1: Actually, if you've seen like a real football show down,

493
00:25:01,800 --> 00:25:06,600
Speaker 1: the guy throws the ball and if it doesn't get

494
00:25:06,480 --> 00:25:09,159
Speaker 1: and get to be a catch, they don't have to

495
00:25:09,160 --> 00:25:12,359
Speaker 1: do it again. They don't do another take. They just

496
00:25:12,680 --> 00:25:15,520
Speaker 1: like it's now it's like a different play, you know.

497
00:25:15,600 --> 00:25:19,119
Speaker 1: So sometimes they'll just have like a like a like

498
00:25:19,160 --> 00:25:22,560
Speaker 1: a bad throw and then just show that on TV

499
00:25:22,640 --> 00:25:26,199
Speaker 1: when it's supposed to be a good throw. And like

500
00:25:26,280 --> 00:25:29,280
Speaker 1: for you, if you do a bad throw, you have

501
00:25:29,359 --> 00:25:31,720
Speaker 1: to just keep doing it until you.

502
00:25:31,640 --> 00:25:35,600
Speaker 4: Get it, until you throw it and doing the acting

503
00:25:36,280 --> 00:25:40,560
Speaker 4: and dealing with all the below the line bullshit, you know.

504
00:25:40,920 --> 00:25:41,360
Speaker 2: You know, the.

505
00:25:41,320 --> 00:25:44,480
Speaker 3: Worst is when you like make this perfect throw, you know,

506
00:25:44,520 --> 00:25:46,280
Speaker 3: and they're trying to follow the ball and it's this

507
00:25:46,320 --> 00:25:51,920
Speaker 3: beautiful spiral and it's out of focus because some dickhead

508
00:25:52,400 --> 00:25:53,640
Speaker 3: doesn't know how to turn his knob.

509
00:25:53,920 --> 00:25:54,520
Speaker 2: Some bullshit.

510
00:25:55,280 --> 00:25:57,679
Speaker 1: He knows how to turn one of his knobs, but

511
00:25:57,840 --> 00:25:59,640
Speaker 1: not the right one at sitting around.

512
00:25:59,720 --> 00:26:02,000
Speaker 2: Yeah, yeah, we.

513
00:26:02,560 --> 00:26:05,600
Speaker 4: Drinking himself off during the during the take. Yeah he

514
00:26:05,640 --> 00:26:06,240
Speaker 4: loves football.

515
00:26:06,280 --> 00:26:09,080
Speaker 3: I like that you really explained things to your audience.

516
00:26:09,080 --> 00:26:13,199
Speaker 2: Because jargon sometimes it's easy because we know it. So

517
00:26:14,240 --> 00:26:15,919
Speaker 2: I don't know if we said this up top, but

518
00:26:16,400 --> 00:26:18,639
Speaker 2: some of the people that are listening to this show

519
00:26:18,920 --> 00:26:22,199
Speaker 2: are living in real bullshit states where there's no fucking

520
00:26:22,280 --> 00:26:24,480
Speaker 2: movies and we don't know they even you.

521
00:26:24,600 --> 00:26:28,719
Speaker 1: Know, because of playing someone who is not like on

522
00:26:28,760 --> 00:26:29,400
Speaker 1: the coast.

523
00:26:30,000 --> 00:26:31,440
Speaker 2: You know, you've played a lot of characters.

524
00:26:31,440 --> 00:26:35,040
Speaker 1: You someone from Texas Mob doctor was in Chicago, right, yep,

525
00:26:35,760 --> 00:26:39,480
Speaker 1: fucking Like, how do you access there's no ocean anywhere

526
00:26:39,480 --> 00:26:42,119
Speaker 1: near there? How do you access the kind of character

527
00:26:42,240 --> 00:26:46,679
Speaker 1: who doesn't like like go like who goes to the

528
00:26:46,720 --> 00:26:47,960
Speaker 1: mall to eat? Mmmm?

529
00:26:49,720 --> 00:26:52,679
Speaker 3: It's it's it's hard, man. It's a dark place. Yeah,

530
00:26:52,760 --> 00:26:55,159
Speaker 3: it's a dark place. And you know, I really I

531
00:26:55,200 --> 00:26:58,440
Speaker 3: just fake it, like I'll go to the Lord or something.

532
00:26:59,119 --> 00:27:04,960
Speaker 3: And I'll and you know that trick, Yeah, a w

533
00:27:04,960 --> 00:27:07,960
Speaker 3: W Panda express.

534
00:27:08,240 --> 00:27:11,320
Speaker 2: Okay, I've seen those. Yeah, what's your eating trick? You

535
00:27:11,359 --> 00:27:11,960
Speaker 2: know where you like?

536
00:27:12,880 --> 00:27:14,760
Speaker 3: It only works from the side, but you kind of

537
00:27:14,760 --> 00:27:17,320
Speaker 3: put you act like you're eating, and then you move

538
00:27:17,359 --> 00:27:18,080
Speaker 3: it past your.

539
00:27:18,119 --> 00:27:20,359
Speaker 2: Just past your mouth into your cheek and then you

540
00:27:20,400 --> 00:27:21,200
Speaker 2: just hide it in your ear.

541
00:27:21,240 --> 00:27:22,639
Speaker 3: So I do it on my left side. Well, I

542
00:27:22,720 --> 00:27:24,679
Speaker 3: just throw it on the floor so someone on my

543
00:27:24,800 --> 00:27:26,520
Speaker 3: right to them, it looks like I'm.

544
00:27:26,359 --> 00:27:30,160
Speaker 2: Eating, Yes, and then you do allowed chewy noise. Yeah, exactly,

545
00:27:31,840 --> 00:27:32,320
Speaker 2: that's good.

546
00:27:32,440 --> 00:27:34,720
Speaker 3: You know, I stopped. Like luckily they do have whole

547
00:27:34,720 --> 00:27:36,399
Speaker 3: foods in most of these places, so I can go

548
00:27:36,480 --> 00:27:39,359
Speaker 3: get you know, a good lettuce wrap or something.

549
00:27:40,160 --> 00:27:40,360
Speaker 2: Yeah.

550
00:27:40,440 --> 00:27:44,880
Speaker 4: Well, yes, what is your actual eating habits? What's your diet?

551
00:27:45,640 --> 00:27:49,200
Speaker 3: My diet is just you know, clean living, clean living.

552
00:27:48,960 --> 00:27:51,800
Speaker 2: No hormones, no nothing. Do you juice?

553
00:27:52,280 --> 00:27:55,920
Speaker 3: Oh? I juice juice A holic. I got the nice

554
00:27:55,960 --> 00:27:56,840
Speaker 3: bevel juicer.

555
00:27:57,320 --> 00:27:59,119
Speaker 2: That's the good kind of addiction. Huh.

556
00:27:59,320 --> 00:28:03,160
Speaker 3: Yeah, it's healthy. It's healthy, you know every more it's

557
00:28:03,200 --> 00:28:05,960
Speaker 3: like and it all comes out like liquid too. It

558
00:28:06,040 --> 00:28:08,440
Speaker 3: keeps you light, it keeps you spry, it keeps you young.

559
00:28:09,400 --> 00:28:12,200
Speaker 2: Yeah, I love the way it comes out. Yeah, orange juice,

560
00:28:12,720 --> 00:28:15,960
Speaker 2: I love it. I haven't had that one. Orange juice.

561
00:28:16,760 --> 00:28:17,840
Speaker 3: You've never had orange juice.

562
00:28:17,880 --> 00:28:19,320
Speaker 2: I haven't done that one yet.

563
00:28:19,760 --> 00:28:23,440
Speaker 4: I'm working my way through the fruits and vegetables alphabetically,

564
00:28:23,480 --> 00:28:26,320
Speaker 4: so I'm not to oh yeah, oh yeah, I'm kind

565
00:28:26,320 --> 00:28:27,080
Speaker 4: of stopped on k.

566
00:28:29,160 --> 00:28:31,840
Speaker 2: Zach. Let's explain.

567
00:28:33,359 --> 00:28:38,560
Speaker 1: The popcorn gallery. I guess oh wow, uh, how do

568
00:28:38,680 --> 00:28:41,000
Speaker 1: we break this down? So we told you about we

569
00:28:41,080 --> 00:28:43,240
Speaker 1: have fans, we have people who listen to the show.

570
00:28:43,720 --> 00:28:49,120
Speaker 1: Of course, these people sometimes when they're watching you on

571
00:28:49,200 --> 00:28:53,400
Speaker 1: TV right, if they have a question for you, they'll

572
00:28:54,280 --> 00:28:55,280
Speaker 1: ask it, but.

573
00:28:55,360 --> 00:28:57,880
Speaker 2: You can't hear it, Like you can't respond to.

574
00:28:57,840 --> 00:29:00,240
Speaker 1: Them because I'm not actually in the TV right each

575
00:29:00,360 --> 00:29:02,120
Speaker 1: in their home, but it does look like you are

576
00:29:02,160 --> 00:29:04,800
Speaker 1: because like they can see you. They can you know,

577
00:29:04,880 --> 00:29:07,240
Speaker 1: you're talking to them. Why can't they talk to you?

578
00:29:07,400 --> 00:29:09,960
Speaker 4: And another option they'll have is they might ask, you know,

579
00:29:10,560 --> 00:29:13,160
Speaker 4: one of their A lot of times this is four

580
00:29:13,200 --> 00:29:15,760
Speaker 4: generations living in the same house or something, so they'll

581
00:29:15,840 --> 00:29:18,840
Speaker 4: ask their great grandmother who's sitting next to them, or

582
00:29:18,880 --> 00:29:22,160
Speaker 4: they'll ask their ugly kid. They're all sharing a big

583
00:29:22,200 --> 00:29:24,880
Speaker 4: job like, what do you think Zac would think about this?

584
00:29:25,080 --> 00:29:26,920
Speaker 2: Yes, they're all sharing one huge bed. Is that what

585
00:29:26,960 --> 00:29:28,840
Speaker 2: you said? Yes? Yeah, marching TV.

586
00:29:29,040 --> 00:29:31,400
Speaker 4: Yeah, And they'll say what do you think Seach thinks?

587
00:29:31,480 --> 00:29:34,200
Speaker 4: And it's like that kid doesn't know the great grandmother

588
00:29:34,280 --> 00:29:35,160
Speaker 4: often can't even hear.

589
00:29:35,960 --> 00:29:39,840
Speaker 1: So we try, you know, explaining that they can't ask

590
00:29:39,920 --> 00:29:44,120
Speaker 1: you through their TV. We've given them the opportunity to

591
00:29:44,160 --> 00:29:46,800
Speaker 1: ask you some questions through the show. They've posted on

592
00:29:46,880 --> 00:29:50,000
Speaker 1: our forums. So these are real questions from our fans.

593
00:29:50,400 --> 00:29:52,200
Speaker 1: And sometimes they'll be like, Okay, i's him a question.

594
00:29:52,280 --> 00:29:54,880
Speaker 1: Can I like touch him now and stuff? And it's

595
00:29:54,920 --> 00:29:57,320
Speaker 1: like no, it's just like radio, like we don't like

596
00:29:57,440 --> 00:29:58,840
Speaker 1: have that technology.

597
00:29:58,840 --> 00:29:59,680
Speaker 2: We would if we could.

598
00:30:00,680 --> 00:30:04,080
Speaker 1: But these are just questions for for you to answer

599
00:30:04,080 --> 00:30:07,200
Speaker 1: from some of your fans and ours. And it's called

600
00:30:07,240 --> 00:30:09,640
Speaker 1: the popcorn gallery because they say popcorn and movies instead

601
00:30:09,640 --> 00:30:11,080
Speaker 1: of peanuts.

602
00:30:10,760 --> 00:30:14,560
Speaker 3: Peanuts m So we can play on the peanut gallery

603
00:30:15,320 --> 00:30:19,480
Speaker 3: in a way that's a little too simple, and it's

604
00:30:19,520 --> 00:30:20,040
Speaker 3: not your fault.

605
00:30:20,040 --> 00:30:21,960
Speaker 2: That's a little too simple of a way to describe it.

606
00:30:23,000 --> 00:30:25,640
Speaker 2: But you're right around it. You're close.

607
00:30:26,720 --> 00:30:30,360
Speaker 4: Yes, you could throw a rock and hit the right

608
00:30:30,440 --> 00:30:34,920
Speaker 4: answer from where you are, but we're gonna ask you

609
00:30:34,960 --> 00:30:35,280
Speaker 4: not to.

610
00:30:35,760 --> 00:30:37,800
Speaker 2: So, so let's reach into the popcorn.

611
00:30:37,920 --> 00:30:45,800
Speaker 4: Reach in there, yom popcorn.

612
00:30:46,600 --> 00:30:49,800
Speaker 2: It's our sounddrop. It's a sound drop. That's my friend. Mark.

613
00:30:50,600 --> 00:30:53,560
Speaker 1: This is a question for Matt Cameron, Zach. If you

614
00:30:53,600 --> 00:30:56,320
Speaker 1: could work with any director, how much money would you want.

615
00:30:56,200 --> 00:30:56,760
Speaker 2: To get paid.

616
00:31:02,360 --> 00:31:04,080
Speaker 3: It's so hard to put a price on those sort

617
00:31:04,120 --> 00:31:07,200
Speaker 3: of things. Yeah, you know, because you're like this is

618
00:31:07,680 --> 00:31:08,680
Speaker 3: I could work with anyone.

619
00:31:09,040 --> 00:31:11,120
Speaker 2: Yeah, but you got to get paid. You have to

620
00:31:11,120 --> 00:31:11,640
Speaker 2: get paid.

621
00:31:11,720 --> 00:31:15,720
Speaker 3: Now. I've made some mistakes in my career where I

622
00:31:15,760 --> 00:31:18,480
Speaker 3: work for very little money to work with not very

623
00:31:18,480 --> 00:31:21,160
Speaker 3: famous directors, and I regretted it.

624
00:31:21,560 --> 00:31:22,960
Speaker 2: Now you're making me act sad.

625
00:31:23,160 --> 00:31:25,360
Speaker 3: Yeah, so.

626
00:31:27,000 --> 00:31:27,200
Speaker 2: You know.

627
00:31:27,400 --> 00:31:32,200
Speaker 3: Probably have you explained to you your audience about quotes.

628
00:31:32,600 --> 00:31:37,040
Speaker 4: This is a great opportunity, well, to discuss good opportunity, Yes.

629
00:31:36,880 --> 00:31:41,240
Speaker 1: Because what they're used to is going to work and

630
00:31:41,280 --> 00:31:44,240
Speaker 1: then being paid in like a hollow tree, Like someone

631
00:31:44,280 --> 00:31:46,600
Speaker 1: will leave the money in a tree and they'll just

632
00:31:46,680 --> 00:31:47,959
Speaker 1: kind of fish it out.

633
00:31:48,120 --> 00:31:51,440
Speaker 4: But and a lot of times too, the way that

634
00:31:51,480 --> 00:31:54,480
Speaker 4: their bosses will regulate their money is I don't know

635
00:31:54,480 --> 00:31:56,240
Speaker 4: if you know this, but when you've reached your hand

636
00:31:56,240 --> 00:31:58,920
Speaker 4: into a hollow tree and you make a fist around

637
00:31:58,960 --> 00:32:01,160
Speaker 4: a bunch of coins or whatever, it's hard to pull

638
00:32:01,200 --> 00:32:01,960
Speaker 4: your hand out.

639
00:32:02,000 --> 00:32:02,880
Speaker 3: It's the African monkey.

640
00:32:02,920 --> 00:32:03,120
Speaker 2: True.

641
00:32:03,160 --> 00:32:06,120
Speaker 4: So they make it so they can't get the money. Yes, exactly,

642
00:32:06,160 --> 00:32:07,240
Speaker 4: the African monkey drip.

643
00:32:07,400 --> 00:32:12,240
Speaker 2: And so in that way they do need an education

644
00:32:12,360 --> 00:32:14,080
Speaker 2: a little bit on getting a check.

645
00:32:14,120 --> 00:32:16,240
Speaker 4: And I think they think of quotes probably as just

646
00:32:16,400 --> 00:32:21,600
Speaker 4: Winston Churchill quotes the whole or you know, walk softly

647
00:32:21,600 --> 00:32:23,800
Speaker 4: in fear your country or whatever, sure, or like.

648
00:32:23,800 --> 00:32:26,720
Speaker 1: Chuck Norris facts like from the Internet. But those actually

649
00:32:26,800 --> 00:32:28,440
Speaker 1: aren't quotes, but a lot of people.

650
00:32:28,240 --> 00:32:32,200
Speaker 2: Think they are in our world. Explain how a quote

651
00:32:32,240 --> 00:32:34,240
Speaker 2: works sort of in our.

652
00:32:35,600 --> 00:32:35,880
Speaker 1: Fear.

653
00:32:36,440 --> 00:32:40,920
Speaker 3: An actor, a working actor and established actor. You develop

654
00:32:40,960 --> 00:32:43,800
Speaker 3: your quote, and so your first job you make let's

655
00:32:43,920 --> 00:32:47,760
Speaker 3: just say five dollars, Okay, So that's your quote next time,

656
00:32:47,800 --> 00:32:49,320
Speaker 3: and you're always going for a raise.

657
00:32:49,680 --> 00:32:52,520
Speaker 2: And this guy can be funny.

658
00:32:52,560 --> 00:32:55,480
Speaker 3: With each job you up your quote and you're not

659
00:32:55,520 --> 00:32:56,840
Speaker 3: taking less than your quote.

660
00:32:56,920 --> 00:32:57,680
Speaker 2: Sure, So.

661
00:32:59,080 --> 00:33:01,400
Speaker 3: To work with any direct I want, I would take,

662
00:33:02,080 --> 00:33:05,320
Speaker 3: you know, I'd have to increase my quote by fifty percent. Sure,

663
00:33:06,000 --> 00:33:07,720
Speaker 3: you know I'm not gonna put a monetary value on

664
00:33:07,760 --> 00:33:10,800
Speaker 3: that because that's kind of ghost to say how much

665
00:33:10,840 --> 00:33:11,960
Speaker 3: I make?

666
00:33:12,040 --> 00:33:16,040
Speaker 4: But yeah, yes, only a ghost would do that. Yeah,

667
00:33:16,440 --> 00:33:18,800
Speaker 4: too scary, that's too scary.

668
00:33:19,520 --> 00:33:24,200
Speaker 1: Uh. Here's a question from Tim Trees, who I guess

669
00:33:24,200 --> 00:33:25,400
Speaker 1: these are these real names?

670
00:33:25,400 --> 00:33:26,440
Speaker 3: They sound very fake.

671
00:33:27,520 --> 00:33:30,080
Speaker 2: Yeah, like They'm like, I don't know if they use like.

672
00:33:30,040 --> 00:33:33,240
Speaker 3: A this is what are in the middle where you're.

673
00:33:33,160 --> 00:33:36,000
Speaker 2: It might just be like their funny Internet names.

674
00:33:36,080 --> 00:33:38,720
Speaker 4: Like I they're allowed to put whatever name and I've

675
00:33:38,760 --> 00:33:40,560
Speaker 4: tried to get this change, but they're allowed to put

676
00:33:40,560 --> 00:33:42,120
Speaker 4: whatever name they want on the Internet.

677
00:33:42,240 --> 00:33:44,160
Speaker 2: People can just do that, so there's.

678
00:33:44,000 --> 00:33:46,480
Speaker 4: No way to know if it's there's no accountability and

679
00:33:47,200 --> 00:33:49,920
Speaker 4: no they go you know, because they go into the

680
00:33:49,960 --> 00:33:52,760
Speaker 4: library and they get on those Internet computers and they

681
00:33:53,040 --> 00:33:54,640
Speaker 4: I guess they each get like an hour a day

682
00:33:54,680 --> 00:33:57,160
Speaker 4: on them, and uh, they can put any name.

683
00:33:58,600 --> 00:34:01,000
Speaker 1: And this is a question from t who we should

684
00:34:01,200 --> 00:34:04,960
Speaker 1: stop and point out. Now a donated three hundred dollars

685
00:34:05,000 --> 00:34:08,080
Speaker 1: star show this week, which we know is like for

686
00:34:08,520 --> 00:34:12,280
Speaker 1: for someone like him, is like a really big gesture,

687
00:34:12,520 --> 00:34:16,880
Speaker 1: huge to go around your little town with like a

688
00:34:16,920 --> 00:34:21,080
Speaker 1: bucket and like having people put change in and stuff

689
00:34:20,680 --> 00:34:21,920
Speaker 1: for something like that.

690
00:34:22,040 --> 00:34:25,800
Speaker 3: It's like in church where they passed that thing around.

691
00:34:26,160 --> 00:34:27,080
Speaker 3: It's just scammed.

692
00:34:27,160 --> 00:34:30,960
Speaker 1: But here they have church outside there, and so like, yeah,

693
00:34:31,040 --> 00:34:31,960
Speaker 1: I'm an atheist.

694
00:34:32,080 --> 00:34:36,000
Speaker 2: So well oh too, Okay, okay, come on, not this,

695
00:34:36,200 --> 00:34:40,080
Speaker 2: not science? Is my god? Seun Sean? What did we

696
00:34:40,360 --> 00:34:42,439
Speaker 2: come on? Not here?

697
00:34:43,840 --> 00:34:47,560
Speaker 4: Okay, sorry, his is afraid I'll alienate some of our

698
00:34:47,600 --> 00:34:53,600
Speaker 4: fans anywhere else you can talk about that. Well, you

699
00:34:53,719 --> 00:34:55,960
Speaker 4: know that religion is the cause for most of the

700
00:34:56,000 --> 00:34:57,120
Speaker 4: wars in this world.

701
00:34:58,680 --> 00:35:06,080
Speaker 2: What are you doing? Well, it is so you mark that?

702
00:35:06,560 --> 00:35:09,719
Speaker 2: Did you mark that time? You mark the whole thing,

703
00:35:10,480 --> 00:35:12,400
Speaker 2: you know, mark it to pump the volume up on it.

704
00:35:12,440 --> 00:35:14,759
Speaker 4: Because it's important that a lot of the wars in

705
00:35:14,800 --> 00:35:18,960
Speaker 4: this world are caused by religion. That's the number one

706
00:35:19,120 --> 00:35:23,920
Speaker 4: killer actually is not AIDS or whatever somebody said it is.

707
00:35:24,960 --> 00:35:25,600
Speaker 3: It's war.

708
00:35:27,160 --> 00:35:32,959
Speaker 2: Religion and because of the wars. Yeah, yeah, I'm getting

709
00:35:33,040 --> 00:35:36,880
Speaker 2: back up. Sorry, Zach, I wish you didn't have to

710
00:35:36,880 --> 00:35:37,919
Speaker 2: see this between us.

711
00:35:37,920 --> 00:35:42,319
Speaker 1: But Tim Trees asks Zach, what training did you have

712
00:35:42,360 --> 00:35:44,240
Speaker 1: to do to play a soldier in the Taylor Swift

713
00:35:44,320 --> 00:35:46,560
Speaker 1: music video.

714
00:35:51,040 --> 00:35:55,840
Speaker 3: Well, you know they actually Taylor had an actual soldier

715
00:35:55,920 --> 00:35:59,040
Speaker 3: come in and make sure my uniform was all correct,

716
00:36:01,200 --> 00:36:04,520
Speaker 3: and you know they looked like a soldier and my

717
00:36:04,560 --> 00:36:09,520
Speaker 3: things were tucked in right. The interesting thing is.

718
00:36:10,600 --> 00:36:11,560
Speaker 2: Everything was clarified.

719
00:36:12,080 --> 00:36:13,880
Speaker 4: Well, you know, just like pants into the boots and

720
00:36:13,960 --> 00:36:17,640
Speaker 4: pants and shirts yea and yeah yeah.

721
00:36:17,880 --> 00:36:19,680
Speaker 2: And here's the interesting thing.

722
00:36:19,760 --> 00:36:21,640
Speaker 3: And this is another thing that your audience will learn

723
00:36:21,680 --> 00:36:25,760
Speaker 3: about the industry. So, uh, you know, generally a soldier

724
00:36:25,800 --> 00:36:27,680
Speaker 3: has a certain kind of high and tight they call

725
00:36:27,719 --> 00:36:29,840
Speaker 3: it in the military. And this guy really wanted me

726
00:36:29,880 --> 00:36:32,480
Speaker 3: to get that hair cut. However, I was in the

727
00:36:32,520 --> 00:36:34,480
Speaker 3: middle of another job and I couldn't cut my hair

728
00:36:36,520 --> 00:36:38,399
Speaker 3: with a hat and he was really upset because that's

729
00:36:38,400 --> 00:36:43,279
Speaker 3: not completely authentic. However, Taylor hired me. Second, she's in

730
00:36:43,360 --> 00:36:50,160
Speaker 3: what they call second position. Okay, doggy style, you could

731
00:36:50,200 --> 00:36:51,080
Speaker 3: call that. I don't know.

732
00:36:51,400 --> 00:36:54,040
Speaker 2: Maybe that's the second most popular one.

733
00:36:54,080 --> 00:37:00,960
Speaker 4: I think in my house. What's the first, uh upside

734
00:37:00,960 --> 00:37:06,880
Speaker 4: down sixty nineing first Now, yeah, that's first position. Now,

735
00:37:07,440 --> 00:37:09,359
Speaker 4: the other thing that souldiers have to do is fight

736
00:37:09,440 --> 00:37:11,840
Speaker 4: in wars. Did you have to get brainwashed into believing

737
00:37:11,880 --> 00:37:13,319
Speaker 4: some bullshit hous religion And.

738
00:37:17,200 --> 00:37:22,360
Speaker 2: I'm just saying, fucking mind a lot of the truth. Shot,

739
00:37:22,680 --> 00:37:26,480
Speaker 2: we are hanging by a threat.

740
00:37:27,000 --> 00:37:32,200
Speaker 3: You know that, but you guys are hanging by thread

741
00:37:32,400 --> 00:37:37,279
Speaker 3: and I came in here. No, no, he's having a.

742
00:37:37,360 --> 00:37:40,920
Speaker 4: Joke, Zach, just to make sure we're all on the

743
00:37:41,000 --> 00:37:41,600
Speaker 4: up and up here.

744
00:37:41,719 --> 00:37:45,279
Speaker 2: Yes, you know my background and like doing comedy stuff.

745
00:37:45,040 --> 00:37:48,399
Speaker 4: And like he's having a joke and it's about it's

746
00:37:48,440 --> 00:37:51,480
Speaker 4: funny only because we are so popular and they are

747
00:37:51,600 --> 00:37:54,000
Speaker 4: so likely to keep making this show.

748
00:37:54,680 --> 00:37:56,000
Speaker 3: Okay, I was just checking in on that.

749
00:37:56,280 --> 00:37:58,919
Speaker 2: Mm hmmm. Yeah, let's reach back.

750
00:37:59,000 --> 00:38:01,919
Speaker 1: Well, we have to reach actually, we have to reach

751
00:38:02,239 --> 00:38:04,920
Speaker 1: retroactively back in the bag for the second question.

752
00:38:05,280 --> 00:38:08,080
Speaker 2: Okay, yeah, let's get in there. So do so reach

753
00:38:08,160 --> 00:38:10,879
Speaker 2: back in for the Tim Trees question. Let me hit

754
00:38:10,920 --> 00:38:13,160
Speaker 2: the sound drop that my friend Mark recorded for us.

755
00:38:13,239 --> 00:38:15,520
Speaker 3: Yeah.

756
00:38:17,520 --> 00:38:19,600
Speaker 2: Oh, I had my hand in the soda.

757
00:38:21,160 --> 00:38:24,279
Speaker 1: Now and now we'll do it again for the third one.

758
00:38:24,360 --> 00:38:32,719
Speaker 1: Mm hm, too much, butter. This is a question from

759
00:38:32,880 --> 00:38:36,800
Speaker 1: show show Bro. Show show Bro says, what's up seven?

760
00:38:36,920 --> 00:38:39,040
Speaker 1: How many fish did you catch during the filming of

761
00:38:39,080 --> 00:38:41,319
Speaker 1: the river. Why did they stock a bunch of fish

762
00:38:41,400 --> 00:38:43,160
Speaker 1: right before scenes or did they just hook them out

763
00:38:43,200 --> 00:38:45,000
Speaker 1: of a bucket, PLoP them in the water and film

764
00:38:45,000 --> 00:38:47,520
Speaker 1: you reel them in? Do you like fly fishing? Now,

765
00:38:47,600 --> 00:38:49,520
Speaker 1: I'm sorry. That's a lot of questions, a lot. I

766
00:38:49,520 --> 00:38:51,320
Speaker 1: think he's very he's very excited.

767
00:38:51,560 --> 00:38:57,759
Speaker 3: I actually love fly fishing, big outdoorsemen across Alaska have

768
00:38:57,800 --> 00:39:00,680
Speaker 3: ice climbed there. Oh my god, I'm pretty serious.

769
00:39:00,719 --> 00:39:03,000
Speaker 1: He also completently says, you were throwing some tight loops

770
00:39:03,000 --> 00:39:04,279
Speaker 1: and netflix O prop to you.

771
00:39:04,480 --> 00:39:07,279
Speaker 3: Yeah, well you know, I mean, it's it's it's what

772
00:39:07,320 --> 00:39:10,120
Speaker 3: I do, you know, through tight spirals, I throw tight

773
00:39:10,160 --> 00:39:14,400
Speaker 3: loops if it's fly fishing, funny little thing, the what

774
00:39:14,520 --> 00:39:18,279
Speaker 3: is it American Humane Association whatever whatever there on set

775
00:39:18,280 --> 00:39:20,880
Speaker 3: the whole time, we weren't allowed to hook a live fish.

776
00:39:20,920 --> 00:39:24,040
Speaker 3: So if I'm fishing in the movie, I'm not allowed

777
00:39:24,120 --> 00:39:27,000
Speaker 3: to have a hook on it, just in case there

778
00:39:27,040 --> 00:39:29,040
Speaker 3: happens to be a fish in the water and my

779
00:39:29,080 --> 00:39:31,840
Speaker 3: hook happens to hit it, even though that would be

780
00:39:31,880 --> 00:39:36,600
Speaker 3: the most beautiful, authentic moment film. So what we would

781
00:39:36,640 --> 00:39:38,120
Speaker 3: have to do is I do all it, and then

782
00:39:38,160 --> 00:39:41,000
Speaker 3: we'd have to get a dead fish. I don't know how.

783
00:39:41,320 --> 00:39:42,879
Speaker 3: I mean, do we just find dead fish or did

784
00:39:42,880 --> 00:39:46,279
Speaker 3: we kill them? I don't know, And we'd have to, like,

785
00:39:46,719 --> 00:39:48,759
Speaker 3: you know, hook that one. And so it's all in

786
00:39:48,840 --> 00:39:53,080
Speaker 3: cutting cutting, editing, editing, so.

787
00:39:54,600 --> 00:40:02,320
Speaker 2: Caught zero fish. All animals should be dead, well should because,

788
00:40:02,360 --> 00:40:04,080
Speaker 2: like the movies are for.

789
00:40:04,160 --> 00:40:08,839
Speaker 4: People, if our freezer technology was good enough to keep

790
00:40:08,840 --> 00:40:11,719
Speaker 4: the meat fresh, yes, I would say that we should.

791
00:40:11,440 --> 00:40:15,200
Speaker 2: Have all animals be dead starting tomorrow. But I don't.

792
00:40:15,239 --> 00:40:16,560
Speaker 2: I don't think it's practical.

793
00:40:16,800 --> 00:40:19,000
Speaker 3: No, it's it's the practicality because even if we could

794
00:40:19,040 --> 00:40:19,680
Speaker 3: keep it all.

795
00:40:19,520 --> 00:40:24,920
Speaker 4: Fresh, we'd run out eventually, right right, But at that

796
00:40:24,960 --> 00:40:28,080
Speaker 4: point it'll all be on computers. I feel like you

797
00:40:28,120 --> 00:40:29,719
Speaker 4: can just do it right on your phone, just three

798
00:40:29,840 --> 00:40:34,319
Speaker 4: D print from your phone, make of whatever, deer meat or.

799
00:40:37,000 --> 00:40:41,440
Speaker 1: We have one more question from Michael Bay of pigs.

800
00:40:42,760 --> 00:40:45,879
Speaker 1: Let's find his question in the bag.

801
00:40:46,520 --> 00:41:04,040
Speaker 2: Okay, hmmm the button before you button? Sound drop girl,

802
00:41:04,080 --> 00:41:04,920
Speaker 2: there's a hole in the bag.

803
00:41:06,160 --> 00:41:07,680
Speaker 3: Good, I'm gonna jerk off through it.

804
00:41:07,760 --> 00:41:10,640
Speaker 4: Oh yeah, fucking the popcorn.

805
00:41:17,040 --> 00:41:20,920
Speaker 1: Michael Bay of Pigs asks, Hey, dear Zach, seems like

806
00:41:20,960 --> 00:41:24,239
Speaker 1: a type of Hey dear Zach, why do you throw

807
00:41:24,239 --> 00:41:26,719
Speaker 1: around the pigskin where there are starving children in.

808
00:41:26,640 --> 00:41:27,359
Speaker 2: The world.

809
00:41:33,160 --> 00:41:35,800
Speaker 3: Because they pay me to, you know, I mean, I

810
00:41:35,800 --> 00:41:38,520
Speaker 3: don't want to be a starving child. That's so I

811
00:41:38,760 --> 00:41:41,360
Speaker 3: find an honest job and make an honest living.

812
00:41:41,520 --> 00:41:42,160
Speaker 2: That's correct.

813
00:41:42,960 --> 00:41:45,160
Speaker 1: If they just want to stop being starving, they should

814
00:41:45,239 --> 00:41:46,759
Speaker 1: learn how to throw a tight but.

815
00:41:46,960 --> 00:41:47,920
Speaker 2: Learn how to do something.

816
00:41:48,200 --> 00:41:53,799
Speaker 3: Probably start with speaking English. Get a job, it's not

817
00:41:53,880 --> 00:41:54,360
Speaker 3: that hard.

818
00:41:54,680 --> 00:41:55,640
Speaker 2: Go to McDonald's.

819
00:41:55,800 --> 00:41:59,440
Speaker 3: There's there's one everywhere, like the fries.

820
00:41:59,600 --> 00:42:01,799
Speaker 2: Go to my donald, eat a big meal and then

821
00:42:01,840 --> 00:42:03,120
Speaker 2: start hunting for that job.

822
00:42:03,480 --> 00:42:06,120
Speaker 4: Yeah, you know, you need some fuel in your first

823
00:42:06,200 --> 00:42:07,440
Speaker 4: I think is what you're getting at.

824
00:42:07,600 --> 00:42:09,480
Speaker 2: You can't get a job on an empty stomach.

825
00:42:10,520 --> 00:42:13,440
Speaker 1: And maybe there's a casting director there who's looking at

826
00:42:13,440 --> 00:42:14,040
Speaker 1: it for a while.

827
00:42:14,040 --> 00:42:17,839
Speaker 4: Well, order order in a funny way, always ordering, you know,

828
00:42:18,000 --> 00:42:20,720
Speaker 4: like like abbreviations for the yeah yeah.

829
00:42:20,640 --> 00:42:23,560
Speaker 2: Yeah, yeah a breetheh.

830
00:42:23,440 --> 00:42:26,600
Speaker 4: Yes, that would be a cool thing. If you've got

831
00:42:26,600 --> 00:42:29,480
Speaker 4: some shtick going at the counter, maybe you're making fun

832
00:42:29,520 --> 00:42:32,320
Speaker 4: of the way they have to dress at that shitty

833
00:42:32,360 --> 00:42:35,839
Speaker 4: restaurant and then boom, you're on TV.

834
00:42:36,040 --> 00:42:39,799
Speaker 1: Don't use that specific that's Sean's and they'll have heard

835
00:42:39,800 --> 00:42:40,319
Speaker 1: it on the thing.

836
00:42:40,400 --> 00:42:41,640
Speaker 2: So don't use that because.

837
00:42:41,440 --> 00:42:43,879
Speaker 4: If it's a casting director, yeah, they're gonna know. They'll

838
00:42:43,920 --> 00:42:45,000
Speaker 4: say that you're using my.

839
00:42:44,960 --> 00:42:48,160
Speaker 2: Stuff that you were copying. Zach, Thank you so much.

840
00:42:48,239 --> 00:42:52,920
Speaker 1: For coming out fine and helping us be educational.

841
00:42:53,280 --> 00:42:56,000
Speaker 4: Do you want to plug any upcoming projects that maybe

842
00:42:56,000 --> 00:42:59,360
Speaker 4: we don't know about, or any stuff outside your movie stuff?

843
00:43:01,960 --> 00:43:04,760
Speaker 2: What's your like? Are you doing anything musically still?

844
00:43:06,560 --> 00:43:08,080
Speaker 3: Yeah, but I like to keep that on the d L.

845
00:43:08,200 --> 00:43:10,880
Speaker 3: You know, I like people just feet about it. I

846
00:43:10,920 --> 00:43:13,200
Speaker 3: don't know whatever, but people are there, which they always are.

847
00:43:14,719 --> 00:43:17,640
Speaker 3: They experience it and they love it. They love it.

848
00:43:17,640 --> 00:43:20,880
Speaker 3: It's it's actually it's it's interesting because you get to

849
00:43:20,880 --> 00:43:24,800
Speaker 3: be there and really TV film, you know, I always

850
00:43:24,800 --> 00:43:27,120
Speaker 3: go to my when my movies or in theaters, I go,

851
00:43:27,800 --> 00:43:29,279
Speaker 3: you know, at least once a week to see it

852
00:43:30,080 --> 00:43:33,520
Speaker 3: and just you know, feel the audience and what's going on. Sure,

853
00:43:34,520 --> 00:43:35,960
Speaker 3: you know, sometimes I go door to door with a

854
00:43:35,960 --> 00:43:39,320
Speaker 3: TV show and be like, hey, mob doctors on, Yeah,

855
00:43:39,400 --> 00:43:40,799
Speaker 3: I know you're watching. Can I come in?

856
00:43:41,400 --> 00:43:45,359
Speaker 2: They're like, oh my god, it's so funny that you

857
00:43:45,400 --> 00:43:46,319
Speaker 2: say can I come in?

858
00:43:46,520 --> 00:43:49,279
Speaker 3: Like I mean, you actually say, may I.

859
00:43:49,280 --> 00:43:51,200
Speaker 2: What a thrill? Yeah?

860
00:43:51,239 --> 00:43:53,800
Speaker 3: But so anyway, but it's all but it's already recorded.

861
00:43:53,840 --> 00:43:56,640
Speaker 3: I know what's happening music, you know, it's just it's

862
00:43:56,640 --> 00:43:58,920
Speaker 3: happening right there. It's it's like doing a live play

863
00:43:59,480 --> 00:44:03,320
Speaker 3: only the theater's dead. So any of you young actors

864
00:44:03,320 --> 00:44:07,800
Speaker 3: who want to get into acting, skip the stage. It's useless.

865
00:44:07,920 --> 00:44:09,719
Speaker 3: It's not gonna pay you anything. You're gonna be stuck

866
00:44:09,760 --> 00:44:13,719
Speaker 3: doing the same thing. There's no there's no character development there.

867
00:44:13,920 --> 00:44:15,719
Speaker 3: You're doing the same character, the same story every night.

868
00:44:15,760 --> 00:44:17,560
Speaker 3: Like anyway, if you figure it out how to do

869
00:44:17,600 --> 00:44:21,280
Speaker 3: it once, you can do it eight times a week easy.

870
00:44:22,280 --> 00:44:22,680
Speaker 5: Sorry.

871
00:44:22,960 --> 00:44:25,080
Speaker 1: But with music you can just like put on that

872
00:44:25,120 --> 00:44:26,520
Speaker 1: big mouse head.

873
00:44:26,280 --> 00:44:30,879
Speaker 2: And like this. Oh fuck, that's all right, we can cut.

874
00:44:30,960 --> 00:44:33,799
Speaker 2: I'm sorry, we'll hit that out.

875
00:44:34,000 --> 00:44:38,360
Speaker 4: But yeah, it's that's true about stage work. I always

876
00:44:38,400 --> 00:44:41,400
Speaker 4: say being on stage is like being inside a zoo,

877
00:44:43,040 --> 00:44:45,120
Speaker 4: like they're just there to see the monkeys throw their

878
00:44:45,160 --> 00:44:46,719
Speaker 4: shit at each other and it's depressing.

879
00:44:46,920 --> 00:44:50,840
Speaker 1: And whereas you don't live as long on stage.

880
00:44:50,640 --> 00:44:57,000
Speaker 4: No they can't. But being on screen is like, you know,

881
00:44:57,200 --> 00:45:01,279
Speaker 4: it's way better than the zoo. Yes, it's being in

882
00:45:01,320 --> 00:45:05,360
Speaker 4: the jungle and you can live forever, swinging from vine

883
00:45:05,360 --> 00:45:06,640
Speaker 4: to and needing.

884
00:45:06,360 --> 00:45:09,360
Speaker 2: Whatever good fresh produces on the trees.

885
00:45:11,680 --> 00:45:15,400
Speaker 1: Rate us on iTunes, us on the forums, Like us

886
00:45:15,440 --> 00:45:19,000
Speaker 1: on our Facebook page. Oh yes, by the pro version

887
00:45:19,239 --> 00:45:23,360
Speaker 1: of our show to get the real extra juice. Mw

888
00:45:23,640 --> 00:45:27,279
Speaker 1: N bought the pro version this week and his prizes.

889
00:45:28,160 --> 00:45:32,760
Speaker 1: Uh Zach Guildford is gonna pretend that he's like throwing

890
00:45:32,800 --> 00:45:35,520
Speaker 1: a pass to you, So m.

891
00:45:35,719 --> 00:45:37,040
Speaker 3: W N doing it right now.

892
00:45:37,160 --> 00:45:48,440
Speaker 6: M w N go along, nice, nice, bye bye.

893
00:45:51,640 --> 00:45:54,600
Speaker 7: This has been an Earwolf Media production. Executive producers Jeff

894
00:45:54,640 --> 00:46:06,960
Speaker 7: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

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00:46:02,360 --> 00:46:12,959
Speaker 2: Ear Warf Radio Boom dot com, The Worf Dead