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Speaker 1: So we're like on the floor of the cyborg factory

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Speaker 1: and it's like me, we're doing we're doing like.

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Speaker 2: They're not for.

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Speaker 1: They're not being designed explicitly for sex, but we want

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Speaker 1: to make sure people can have sex with them, right like,

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Speaker 1: just like because.

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Speaker 2: Because if you don't design for that, that's how people

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Speaker 2: get hurt. Exactly. No, that's and that and this is

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Speaker 2: what I'm arguing. But it was.

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Speaker 1: It was me, it was uh, Scott Stubor, and it

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Speaker 1: was Scooby Don't who is like this sort of character.

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Speaker 1: He's like an evil version of Scooby Doo, okay, and

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Speaker 1: he does everything that you don't do. So it's anything

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Speaker 1: that you would like not want him to do, he's

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Speaker 1: gonna do. So we're.

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Speaker 2: Like, find huh, like what it's an example of that.

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Speaker 2: And also that implies to me that Scooby Doo does everything, Yeah, correctly,

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Speaker 2: everything that you're supposed to do. Do you have no,

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Speaker 2: he's like a Booby dooe. Do you have something about

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Speaker 2: I just don't. I don't think of him as like

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Speaker 2: a behavioral guy.

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Speaker 1: Well, this is a bigger this is a bigger issue

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Speaker 1: than if there's something about Scooby Doo that you feel

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Speaker 1: like needs improvement, because I'll take that to the team.

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Speaker 2: Right. It's not really for me about that at all.

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Speaker 2: It's just that I didn't think of him along those

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Speaker 2: lines one way or the other, as like as a

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Speaker 2: prescriptive character in such a way that would that his

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Speaker 2: opposite would be someone who is antithetical to what I

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Speaker 2: am supposed to be. I didn't know, this is what

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Speaker 2: I'm saying. I'm watching the show. I'm sitting there and

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Speaker 2: enjoying it. I didn't know that I was supposed to

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Speaker 2: be doing that. Well, but you're saying that I was.

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Speaker 2: You're not. You don't need to do it because Scooby

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Speaker 2: do it. You know what I mean? Do it? Like

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Speaker 2: if you're watching.

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Speaker 1: Bob Vila saw a piece of wood, you don't need

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Speaker 1: to go then saw that wood.

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Speaker 2: Because then you did it for him.

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Speaker 1: It's the wood sawed. Okay, if Mike Rowe is, you know,

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Speaker 1: sucking shit out of a fucking hole, like you don't

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Speaker 1: got to go down there and like suck out of

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Speaker 1: the shi hole. Like Mike's finished with that. So like

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Speaker 1: when Scooby is finished doing correctly doing whatever his task.

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Speaker 2: Is, that's off my plate now. Yeah, So that you

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Speaker 2: can just sit and enjoy the show.

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Speaker 1: But if Scooby Don't shows up, now you actually now

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Speaker 1: you have a responsibility, which is go get in his

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Speaker 1: way and stop him from reshaping the cyborg hole.

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Speaker 2: So that it takes like a sharp turn or something

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Speaker 2: so that that's really dangerous. There is a hole in there,

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Speaker 2: but very sided. It turns that just like at a

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Speaker 2: right end, and it traps you. Wow.

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Speaker 1: And what it does is it traps you if you

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Speaker 1: were to use I've never used one of these things

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Speaker 1: because like I don't have to pay for it, mm hmm.

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Speaker 1: And the cyborgs are actually really expensive.

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Speaker 2: You well, you have to because you are a third

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Speaker 2: on the you own the factory.

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Speaker 1: I own the factory. Yeah, but I also have never

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Speaker 1: used them in this way. I'm just a going for

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Speaker 1: people to use them. But what I'm told by some

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Speaker 1: of my buddies is you can get stuck pretty bad

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Speaker 1: because of what Scooby Don't actually Scooby did to.

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Speaker 2: Them, uh huh uh.

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Speaker 1: And so that's just an example of where now if

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Speaker 1: you were watching Scooby Don't, you would have a responsibility

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Speaker 1: like I, like I had to step in and say, hey,

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Speaker 1: you know, put down the what was he using a tool?

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Speaker 2: Hey, welcome to Hollywood Handbook, and It'sier's guide to kicking.

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Speaker 1: Mostly kicking butt, but mostly drop names.

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Speaker 2: Back hallways of this industry we call showbiz, and that

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Speaker 2: is the word of today. Movies, movies on TV, movies

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Speaker 2: at the movie theater, movies on the computer. We're talking

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Speaker 2: about this. Okay, we've talked about so many different movies boom.

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Speaker 1: So if I were to sit here and list all

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Speaker 1: the movies we've talked about, it would take an hour.

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Speaker 2: And this is essentially what our guests do every day

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Speaker 2: is talk about is list movies one at a time

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Speaker 2: and say, okay, here's what this movie is about. Yeah,

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Speaker 2: talk to me about why this is happening.

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Speaker 1: What are you doing?

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Speaker 2: And this is our friend, yes, and his friend? Well

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Speaker 2: they're two friends. We should I should say you clarified

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Speaker 2: that they actually listen to me. I actually did identify

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Speaker 2: you both. And let me try it again so you

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Speaker 2: can hear if you want to clean out your ears

88
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Speaker 2: for this round, you got two ears, one simple math.

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Speaker 2: This is our friend and his friend, and talk about this.

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Speaker 2: Did you get at that time?

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Speaker 3: Well?

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Speaker 2: This I got part of it.

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Speaker 4: I guess my question is which part well the billing,

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Speaker 4: which one of us is getting our friend, and which

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Speaker 4: one of us is getting his friend.

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Speaker 2: Well, which is actually based on your behavior.

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Speaker 1: If you would have, if you would have asked me

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Speaker 1: this question before the episode, I would have probably said,

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Speaker 1: Griffin is our friend and David is his friend. But

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Speaker 1: because you're being so intentionally dense and sabotaging the show

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Speaker 1: in this disgusting competition that you've created immediately upon getting

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Speaker 1: on Mike, Actually now David is my friend because he

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Speaker 1: has been patiently, quietly sitting and listening, using his two

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Speaker 1: ears to listen instead of just his one mouth to

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Speaker 1: talk talk talk talk talk talk talk.

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Speaker 3: Podcasting is about being not obtuse, and that that's that.

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Speaker 3: That's the first thing I tell anyone who wants to

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Speaker 3: start a new podcast. I'm like, well, you can't be obtuse,

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Speaker 3: because then you cannot be obtuse.

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Speaker 2: Don't be obtuse. There's no room for it. That's right,

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Speaker 2: there's no room for this. I I will. I will

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Speaker 2: admit orbitly obtuse.

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Speaker 4: I apologize if I came in both obtuse and too hot,

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Speaker 4: but you have to under you were screaming grif I know,

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Speaker 4: I was I was on a tear. Okay, I will

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Speaker 4: admit I I was raging out.

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Speaker 2: But Kevin.

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Speaker 1: I saw Kevin looking at the levels and Kep's having

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Speaker 1: a fucking heart attack.

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Speaker 2: Kevin, I use this audio.

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Speaker 4: If I have to record my lines, I'm happy to

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Speaker 4: do it. I understand that I was talking real fast,

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Speaker 4: but a legend, griff, I mean, you know how I

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Speaker 4: do that. I can do pickups. It's it's you know,

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Speaker 4: I could do them in my sleep. But you have

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Speaker 4: to understand, because you guys are asking.

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Speaker 2: What it's like to talk about movies, this is part

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Speaker 2: of it. I did not and again, what maybe get

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Speaker 2: back in those ears, okay with your cleaning supplies with

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Speaker 2: a towel with a sub soap, get up.

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Speaker 1: I did not add fucking beach towel and run that

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Speaker 1: ship through your ears.

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Speaker 2: I think you're gonna have room.

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Speaker 1: Based on some of the choices I've seen you make

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Speaker 1: so far to run it straight from one ear to

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Speaker 1: the other.

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Speaker 2: I know that there's gonna be much blocking it. What

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Speaker 2: it's like, I know what it's like. I'm doing it

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Speaker 2: every day of day. Uh huh. What I asked was

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Speaker 2: why you do it like that? Oh? Okay, where you say,

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Speaker 2: here's one movie. Yeah, the show is called blank Check.

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Speaker 2: Nobody knows why, has nothing to do with anything you

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Speaker 2: never it's one movie? Who cares? It's never has it

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Speaker 2: ever been about the movie blank Check? One time? Exactly

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Speaker 2: one time.

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Speaker 4: We did it one time because people ask us that

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Speaker 4: question too often.

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Speaker 2: Right, So that was that makes it more conf you.

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Speaker 2: You can't just indulge any time they come in. God,

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Speaker 2: if we did that on this show, everyone comes in

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Speaker 2: and says, like, why do you do this? First of all,

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Speaker 2: we'd be kissing every single episode each other.

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Speaker 1: Secondly, based on what we are most frequently asked, we

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Speaker 1: would have stopped doing the show.

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Speaker 2: Dead air. Yes, and so don't do that what you did? Okay,

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Speaker 2: I apologize and explain to me. Actually, I don't care.

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Speaker 2: I was just saying I was just I wasn't asking

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Speaker 2: for an I don't give. This is why it's called this.

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Speaker 2: The show is called blank Check. It is on Patreon channel.

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Speaker 4: Yes, we have a Patreon Yeah, yeah, we're similar. We're

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Speaker 4: similar to you guys. We we left the big networks

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Speaker 4: and we're independent on patreondy spirit yeah yeah, we have

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Speaker 4: an indie spirit, non indie spirit nom but we have

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Speaker 4: the spirit within us.

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Speaker 2: The indie like that show that's how you do it

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Speaker 2: where you're like everyone is getting up there being funny.

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Speaker 2: They're like, sorry they do. It's on the beach.

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Speaker 4: You got Saturday Afternoon energy. You know you've been no no, no, no,

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Speaker 4: no no, I've watched.

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Speaker 2: And so you talk about the movie one movie every

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Speaker 2: single time, right, and you say, this is what the

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Speaker 2: uh talk about that? What's this show? David?

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Speaker 4: I think maybe you should run quarterback on this because

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Speaker 4: I'm really flopping every time I speak.

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Speaker 2: Here I know, and Christmas being like, yo, here's what

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Speaker 2: you like. Here's a way for David to really get it,

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Speaker 2: saying what the show is about, explain the show and

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Speaker 2: the sentences David. I think David could handle this one

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Speaker 2: for sure. Now what it gets a little sticky or

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Speaker 2: I'll jump back yet of not letting David speak, He's fine.

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Speaker 3: Every every single week, Griffin literally introduces the show because

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Speaker 3: a podcast Hanho once told us we had to do that.

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Speaker 2: That's why we do that. But the premise show, who's

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Speaker 2: the Han show? Yeah?

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Speaker 3: Ackerman, I can't name names. I also forgot his name,

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Speaker 3: but he would he had big hancho energy.

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Speaker 2: Right, Griffin. Wow, this guy is so intent on not

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Speaker 2: sharing this information that he straight up obliterated part of

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Speaker 2: his brain that knew the.

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Speaker 4: Name he's I'll say this, he's a hancho who probably

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Speaker 4: gave you guys similar notes at once. Yes, if he

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Speaker 4: would imagine that that's true, time, I will say that. Okay,

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Speaker 4: he gave us thirty minutes of instruct and then his

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Speaker 4: mister Christopher Bannon and then explained why he wasn't acquiring

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Speaker 4: our show.

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Speaker 3: Right, and we came away from that with we need

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Speaker 3: a motto, we need a one sentence summary. Okay, what

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Speaker 3: is this? Let me see if I get this right.

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Speaker 3: Anytime I do it, I usually get something wrong. What's

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Speaker 3: a show about? Go ahead? Please?

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Speaker 2: And here I am like thinking that like this was

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Speaker 2: like him giving David a chance to do like the

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Speaker 2: easy thing. It seemed really was treating David.

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Speaker 1: And now I actually think that he was giving him

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Speaker 1: too much room to run.

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Speaker 3: Yeah, Griffin's put me behind the controls of something that

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Speaker 3: I am very uncomfortable piloting. Wow, it's a show about directors.

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Speaker 3: Film directors who get like a blank check from Hollywood. Right,

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Speaker 3: they have a success that Hollywood lets them make whatever

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Speaker 3: kind of crazy movie they might want to make, and

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Speaker 3: we go through their whole filmography, charting the Would you

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Speaker 3: say that it's.

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Speaker 1: Directors who have some six early in their career and

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Speaker 1: as a results, often that Hollywood decides to give them

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Speaker 1: a blank check to make whatever they want, and sometimes

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Speaker 1: the checks cash, and sometimes those checks bounce.

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Speaker 2: That. That's that's exactly what it is. Would you say that?

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Speaker 1: Please?

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Speaker 2: Yeah, it's about uh no, I already forgot. Come on, Griffin,

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Speaker 2: help me out. Wow, this guy selled at another part

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Speaker 2: of his brain before this dude is this dude has

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Speaker 2: the freaking men in black, freaking neuralizer or some shit.

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Speaker 3: There's something about the way Griffin rattles that off that

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Speaker 3: I am Actually he makes it seem very easy and

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Speaker 3: I but I think it's more that I have abdicated it.

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Speaker 3: I just don't want to know. The motto of our show.

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Speaker 4: It's a podcast about filmography's directors who have had massive

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Speaker 4: success early on their careers to give a series of

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Speaker 4: blank checks and make whatever crazy passion products they want.

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Speaker 4: Sometimes those checks clear, and sometimes they bounce.

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Speaker 2: Baby.

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Speaker 1: Oh wow, I said cash.

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Speaker 2: But you know what, that's so stupid? Why do you

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Speaker 2: do that.

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Speaker 4: Because we took the advice of a guy who rejected

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Speaker 4: our podcast.

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Speaker 3: Yeah, this guy who hurt us out for half an

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Speaker 3: hour and was like, wait, the show's like two hours long.

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Speaker 2: What we're just talking about.

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Speaker 4: We should also clarify he had not listened to an episode. No,

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Speaker 4: he took the meeting with us because other people had

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Speaker 4: told him our show was good. Then asked us to

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Speaker 4: explain what we do on our show, and then noted

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Speaker 4: us based on our explanation of our format, which, to.

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Speaker 2: Be fair, was probably bad. Yeah.

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Speaker 3: I mean, that's the one thing I'll tell We probably

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Speaker 3: did not explain the show very well.

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Speaker 2: We're not good. We're not good at what we do. No, well,

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Speaker 2: do let's do something else? Yes, you know, yeah, let's

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Speaker 2: let's figure out another Like it's one movie for the

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Speaker 2: entire time, it's longer than the actual movie.

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Speaker 1: Sometimes most of all never even heard of the movie. Yeah,

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Speaker 1: and it's like something crazy, And the way you guys

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Speaker 1: talk about it, I'm like, what is going on?

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Speaker 4: But I do I look at you guys with jealousy

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Speaker 4: because I feel like you've rethought your form.

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Speaker 2: No, look at me a lot.

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Speaker 4: Okay, I'm sorry, I think of you guys with Envy

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Speaker 4: because you've you've reconceptualized your format a lot, and we

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Speaker 4: feel very stuck. I think this is this is a

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Speaker 4: tough conversation, but it's perhaps a really big opportunity to

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Speaker 4: sort of like scrap everything instead.

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Speaker 2: Are you talking.

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Speaker 1: About because you're such a big movie guy. Are you

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Speaker 1: talking about the movie Envy where Ben Stiller's jealous of

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Speaker 1: Jack Black because he invents a spray that makes dog

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Speaker 1: poop disappear.

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Speaker 2: It's called vapeoo Rise.

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Speaker 3: That's a movie that movie directed Sam Levinson's dad.

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Speaker 2: Did you guys know that? Yes? Did you know that

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Speaker 2: Sam Levinson has a dad?

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Speaker 1: I know he. I just found this out. Yeah, he's

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Speaker 1: got a dad. He just started having a dad.

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Speaker 2: And so this is an example. We just talked about

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Speaker 2: a movie. Now we're done. Sure, that's great, We're done,

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Speaker 2: moving on.

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Speaker 1: Envy will never come up again unless you try to

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Speaker 1: shoehorn it in again.

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Speaker 2: Christopher Walkin plays a character named Jay Man. I could

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Speaker 2: keep going right. Obviously they hit him with a car, right,

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Speaker 2: I'll Ye'll tell you. I know.

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Speaker 3: Ben Stiller was nominated for Worst Actor at the Razzies

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Speaker 3: for that film and lost to George W.

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Speaker 2: Bush. For Fahrenheit nine to eleven. George W. Bush is,

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Speaker 2: among the other awards, a Razzie winner for Worst Actor.

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Speaker 3: Yes, for Fahrenheit nine to eleven. He did not consent

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Speaker 3: to be it, I assume, but you know, there you go.

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Speaker 2: That's how bad he was at it, right, Damn dude,

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Speaker 2: he didn't even agree to be in this movie.

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Speaker 3: He beat out Affleck, Vin Diesel, Colin Farrell, Ben Stiller.

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Speaker 3: That's that's four big names. But it makes sense because

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Speaker 3: those are all like actors.

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Speaker 2: What was that Affleck movie? Was a Jelie or something?

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Speaker 3: Affleck was nominated for Jersey Girl and Surviving Christmas.

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Speaker 2: Wow, but we're we're dumb? Are they nominated for like

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Speaker 2: five movies? Anyway? All right, I'm sorry. I'm sorry that

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Speaker 2: doing my show on your show. It's rude.

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Speaker 4: Now, this is a whole new way of thinking of

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Speaker 4: like maybe we should be trying to get as many

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Speaker 4: movies into each episode as possible.

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Speaker 2: And this is what we're gonna do.

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Speaker 1: Okay, okay, bitch, now hang on slow your role because

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Speaker 1: actually we're hosting this one. Sorry. Now, here's the idea.

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Speaker 1: Let's get way more movies, you know what I mean? Like,

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Speaker 1: let's start Wedgends some more movies, and you guys would

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Speaker 1: take the whole damn time to do the one movie.

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Speaker 1: And it's like, no wonder, you have so many damn episodes.

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Speaker 1: This thing's driving me nuts. Looking at this, I get

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Speaker 1: a headache.

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Speaker 4: So less episodes, shorter run time, more movies.

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Speaker 3: You think, like, we could probably do all the Hollywood

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Speaker 3: in like a week.

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Speaker 2: Just just cram it all in there and just get

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Speaker 2: it over with it and just be get out of here. Yeah,

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Speaker 2: let's go home. So let's do like what's like you guys?

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Speaker 2: You you talk about Steven Spielberg. Sure you did all there?

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Speaker 2: Did you do the whole thing? We did?

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Speaker 4: He had so many movies, we split it in half,

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Speaker 4: so we only did the second half of his career

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Speaker 4: everything starting with bost World, Jurassic Park. Someday we will

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Speaker 4: do the rest, so we could go through the whole

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Speaker 4: first half of its.

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Speaker 2: Can just get it done?

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Speaker 4: Yeah?

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Speaker 2: You never did it?

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Speaker 1: Yeah, because now you don't even have to worry about

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Speaker 1: it because we're actually helping you.

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Speaker 2: Yeah, thank you. How many movies has he made? Total? Kevin?

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Speaker 2: Are you are you gonna like actually help.

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Speaker 4: Yes, sir, Okay, he's made fifty He's directed fifty seven.

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Speaker 2: Fifty seven movies. Great, easy, we do them all. Okay,

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Speaker 2: this is is the IMDb ver. This is not gonna

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Speaker 2: like yeah, this probably is gonna be beyond features. It's

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Speaker 2: gonna be like freaking little like shorts like this that

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Speaker 2: he did.

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Speaker 1: Honestly, it's so easy for the little shorts and stuff,

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Speaker 1: just even shorter. I think for some of the movies,

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Speaker 1: shut up. I think for some of the movies, we'll

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Speaker 1: have you do like one sentence about.

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Speaker 2: It for some of this, for the entire summer one shorts,

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Speaker 2: one short one and for some of the shorts, let's

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Speaker 2: just do one word. Okay, yeah, I'm ready. It's like

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Speaker 2: the treadmill for us. But go to the like, go

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Speaker 2: to his Wikipedia page. We can't be doing every singing goal. No,

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Speaker 2: that's not gonna have that's not gonna have it. Yes

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Speaker 2: it willgraphy page, We'll have it. It won't you don't

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Speaker 2: think it will it will?

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Speaker 4: I mean, I frankly would like to do the the

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Speaker 4: shorts because I mean, we usually wouldn't have the time

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Speaker 4: to devote entire episodes.

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Speaker 2: Brother, just do the damn shorts, man, Yeah, let's do

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Speaker 2: the shorts. Can you go do Kevin, Kevin go back

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Speaker 2: short films? Right here? Well, it's gonna go back to

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Speaker 2: the other one. Yeah, you had it perfect, you got

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Speaker 2: it right the first time. This is stupid. You're all

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Speaker 2: being so stupid. I hate what you're doing. All right, boys,

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Speaker 2: take it away the last gun. Yeah, I don't know

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Speaker 2: this one.

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Speaker 1: Yes, I was thinking the same. I was thinking the same.

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Speaker 1: Pig comedy, Bang bang.

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Speaker 4: Okay, fighter squad drama short, bang bang, punch punch m

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Speaker 4: M fighter squad, fighter squad punch punch. Uh, escape to nowhere,

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Speaker 4: Let me out of here, Get out of here, I

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Speaker 4: don't know where.

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Speaker 2: It's a short. That's a little long.

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Speaker 1: For a short.

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Speaker 2: Yeah, we went a little long in that one. I'm sorry.

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Speaker 1: What I would say with Escape to Noor is I go,

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Speaker 1: huhap to nowhere.

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Speaker 2: That's not okay, not go that's not a thing.

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Speaker 1: No, okay, Firelight, Okay, a little more room here because

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Speaker 1: this is a full feature film, So fire.

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Speaker 2: We can we can kind of dig into this one here,

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Speaker 2: we can do it. Yeah, do a little more work.

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Speaker 2: So Firelight, burn you dangerous bright mm hmm right right, pretty,

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Speaker 2: But that's a different movie.

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Speaker 1: I'd be I'd be remiss if I didn't plug Cowboy TV.

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Speaker 1: And here, you know firelight. That makes me think I

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Speaker 1: want my Cowboy TV.

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Speaker 2: Is our T shirt going to be on sale by

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Speaker 2: the time this happens, Kevin YEP available now? Boy? I wow,

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Speaker 2: Well I'd love to be wearing that when I hear this.

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Speaker 4: This one says slipstream, but then in parentheses it says unfinished.

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Speaker 4: We shouldn't even really finish our thought on.

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Speaker 2: We should finish it, or we should we should offer

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Speaker 2: an unfinished thoughts.

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Speaker 1: Well, what I would say is slipstream. Obviously everybody immediately

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Speaker 1: thinks of the Van Morrison lyric, sure from astral Weeks, right,

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Speaker 1: and so the Hopkins, I think we you should just

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Speaker 1: start singing that line and then kind of trail off

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Speaker 1: like you don't know the rest of it.

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Speaker 4: Okay, now you're saying, start singing that line and then

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Speaker 4: trail off like you don't know the rest of it.

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Speaker 2: What if I don't know that line part of it? Well,

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Speaker 2: you immediately thought of it when you saw slipstream. So

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Speaker 2: it's here.

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Speaker 1: I'll handle this one. I got you everything. Snipstream, train

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Speaker 1: a quiet douction and and.

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Speaker 2: Wow, yeah, and we can talk at about the history.

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Speaker 2: We we do have to move on. But by the

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Speaker 2: history of why this was unfinished. This was the sixties.

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Speaker 2: There were more restrictive codes placed on movie production at

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Speaker 2: the time, and there were very strict rules about going

404
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Speaker 2: to bed, and everyone had to go to bed yep,

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Speaker 2: at a very specific time. And well it was almost

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Speaker 2: ten pm. You'd say the movie's not done and they say,

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Speaker 2: I don't care. They shut it off without even saving.

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Speaker 2: At nine fifty nine.

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Speaker 1: What they said was, guys, we told you at nine

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Speaker 1: fifty five that you had three more minutes to finish

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Speaker 1: the movie. It's now been four. Is the movie done

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Speaker 1: or not? And they said no, And they said, tough cookies.

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Speaker 2: That's not say let me just save, and they say,

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Speaker 2: wouldn't even save, shut it off. That's that's good context.

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Speaker 2: I appreciate that.

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Speaker 4: That's that's like, that's sort of what we try to

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Speaker 4: do with the show is find out interesting context.

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Speaker 2: Did they pull the plug like out of the wall,

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Speaker 2: or did they like pull a big switch to turn

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Speaker 2: everything off. That's the only thing I don't know. Back then,

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Speaker 2: it was a huge It was a set of switches

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Speaker 2: that you would pull down shut off the entire town. Wow,

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Speaker 2: at ten o'clock save power. Yeah, the grid. They took

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Speaker 2: out the whole grid. Yeah. Next is Amblin. Okay, Well,

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00:23:14,160 --> 00:23:16,440
Speaker 2: alos is very similar to Griffin's name, where there is

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Speaker 2: an apostrophe at the end of it. This kind of

427
00:23:18,280 --> 00:23:23,440
Speaker 2: a jaunty version of right of a verb. Yes, my

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Speaker 2: parents name me after a casual action. Yeah, hardly Hardley Griffin.

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Speaker 2: You're hardly Griffin.

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Speaker 1: I'm hardly so Amblin. I mean, I believe I got

431
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Speaker 1: to look at the timeline. I can't remember if this

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Speaker 1: is based on a mishearing of Steve Martin's rambling man

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Speaker 1: bit or if he or if he misunderstood the name

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Speaker 1: of the movie, but either way they're inextricably linked for

435
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Speaker 1: all eternity entangled.

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Speaker 4: If I remember correctly. Steve Martin tried to license this

437
00:23:54,240 --> 00:23:57,000
Speaker 4: for his stand up routine. This was sort of the

438
00:23:57,080 --> 00:24:01,240
Speaker 4: Rosetta stone for him, seeing the Amblin sure and and

439
00:24:01,320 --> 00:24:03,320
Speaker 4: the licensing fee was too high, so he had to

440
00:24:03,320 --> 00:24:04,959
Speaker 4: sort of come up with a legal work around.

441
00:24:05,320 --> 00:24:09,680
Speaker 3: Put an on there, and Spielberg rumbled him though he

442
00:24:09,960 --> 00:24:10,720
Speaker 3: knew what he was doing.

443
00:24:11,000 --> 00:24:13,320
Speaker 2: That's what I say when he when Steve Martin's up there,

444
00:24:13,800 --> 00:24:16,520
Speaker 2: I'm like he knows exactly what he's doing up there.

445
00:24:17,119 --> 00:24:21,560
Speaker 1: He actually, I'm just doing this, but it's like, no,

446
00:24:21,800 --> 00:24:23,640
Speaker 1: you you thought about this.

447
00:24:23,960 --> 00:24:25,720
Speaker 2: Yeah, he planned it.

448
00:24:25,960 --> 00:24:29,440
Speaker 1: I honestly believe he planned most of what he's doing

449
00:24:29,560 --> 00:24:29,920
Speaker 1: up there.

450
00:24:30,680 --> 00:24:33,080
Speaker 4: He's playing like fifteen dimensional chess.

451
00:24:33,280 --> 00:24:33,720
Speaker 2: That guy.

452
00:24:34,400 --> 00:24:36,600
Speaker 4: Yeah, he's the real deal. You know what I say

453
00:24:36,600 --> 00:24:38,240
Speaker 4: about Steve Martin, He's the real deal.

454
00:24:38,520 --> 00:24:42,720
Speaker 2: That gat guy, the genuine deal. That guy's the genuine deal.

455
00:24:43,520 --> 00:24:45,720
Speaker 2: Very bad at the banjo, sucks at the banjo. No

456
00:24:45,720 --> 00:24:48,720
Speaker 2: one will tell him. I can't play the fucking thing.

457
00:24:49,359 --> 00:24:55,000
Speaker 2: Didn't even sound like a banjo. Marcus Well, youam It

458
00:24:55,080 --> 00:25:00,199
Speaker 2: directs one episode of Marcus wellby m D. So it

459
00:25:00,240 --> 00:25:03,120
Speaker 2: was called the Daredevil gesture.

460
00:25:03,359 --> 00:25:06,520
Speaker 4: Right, Can I answer with a gesture?

461
00:25:07,359 --> 00:25:12,919
Speaker 2: Yeah? Yeah, sure, then and then maybe David can describe it. Okay,

462
00:25:12,960 --> 00:25:13,400
Speaker 2: let's see.

463
00:25:14,560 --> 00:25:19,960
Speaker 3: You got a fist right right, You're you're reving.

464
00:25:20,080 --> 00:25:22,280
Speaker 2: Yeah, that's it. That was the whole gesture, just revving,

465
00:25:22,440 --> 00:25:22,960
Speaker 2: revving up.

466
00:25:23,280 --> 00:25:25,840
Speaker 4: Well, it's not called the Daredevil gestures. I was going

467
00:25:25,920 --> 00:25:27,000
Speaker 4: to just do one gesture.

468
00:25:27,040 --> 00:25:32,400
Speaker 2: It looks like he's revving up a toilet to get

469
00:25:32,440 --> 00:25:35,000
Speaker 2: ready for It's one of these toilets that like has

470
00:25:35,040 --> 00:25:37,359
Speaker 2: a handle on the side that you it's just like

471
00:25:37,560 --> 00:25:46,320
Speaker 2: really like get it going for you do a huge flush, right,

472
00:25:46,359 --> 00:25:47,840
Speaker 2: you gotta you gotta really pump it up.

473
00:25:48,320 --> 00:25:50,240
Speaker 1: This is for like when you drop your book in

474
00:25:50,280 --> 00:25:52,560
Speaker 1: the toilet. You were reading on the toilet, you dropped

475
00:25:52,560 --> 00:25:55,720
Speaker 1: the book. It went through your legs. You can't pull

476
00:25:55,760 --> 00:25:58,080
Speaker 1: it out. So you have to actually rev up the

477
00:25:58,119 --> 00:26:01,879
Speaker 1: toilet engine and get it fully juiced so that you

478
00:26:01,920 --> 00:26:04,840
Speaker 1: can do an enormous flush and and get the booth.

479
00:26:05,119 --> 00:26:08,000
Speaker 4: The toilet's one way. Once something drops in the toilet,

480
00:26:08,040 --> 00:26:09,520
Speaker 4: it's not coming out, it's going down.

481
00:26:10,160 --> 00:26:12,520
Speaker 2: We have to go through these faster. Night Gallery he

482
00:26:12,560 --> 00:26:15,359
Speaker 2: directed two episodes Night Gallery, Night of the Museum Art

483
00:26:15,400 --> 00:26:20,199
Speaker 2: Gallery Museum Art Comes to Life. Kiss Beautiful Lisa. The

484
00:26:20,280 --> 00:26:23,880
Speaker 2: name of the game, name of the game, the baseball, Baseball,

485
00:26:24,640 --> 00:26:27,480
Speaker 2: The psychiatrist Like I'm.

486
00:26:27,320 --> 00:26:30,919
Speaker 1: Thinking the psychiatrist. I would just see this. I go,

487
00:26:31,040 --> 00:26:32,919
Speaker 1: oh boy, Freud would have a field day with this.

488
00:26:34,280 --> 00:26:37,320
Speaker 2: Here's what I say to this, No analyze this.

489
00:26:42,160 --> 00:26:44,399
Speaker 4: He did two episodes, so one could be analyzed this

490
00:26:44,480 --> 00:26:45,600
Speaker 4: and one could be analyzed that.

491
00:26:45,920 --> 00:26:48,199
Speaker 2: You know, no, this one is that's those are already

492
00:26:48,240 --> 00:26:50,800
Speaker 2: different movies. Ok. Sorry, this one is called no. This

493
00:26:50,840 --> 00:26:53,600
Speaker 2: one is in response to those, and it's called no

494
00:26:53,720 --> 00:27:00,199
Speaker 2: analyzed this mm hmmm. Colombo yogurt Choe hmmm hmm. Well,

495
00:27:00,240 --> 00:27:03,560
Speaker 2: the Columbo episode is called Murder by the Book mm hmm.

496
00:27:04,119 --> 00:27:07,879
Speaker 1: So it's like maybe there's something to do with like

497
00:27:07,960 --> 00:27:08,840
Speaker 1: what book it is?

498
00:27:09,320 --> 00:27:13,000
Speaker 2: The Sharp Book? M Yeah, someone someone's found with a

499
00:27:13,040 --> 00:27:15,920
Speaker 2: book embedded in Well what book was in? Sharp Objects

500
00:27:15,960 --> 00:27:23,480
Speaker 2: by Julian Lynn is right? Lay that one? Yeah, so

501
00:27:23,680 --> 00:27:29,040
Speaker 2: sharp Owen Marshall counselor at waw.

502
00:27:30,440 --> 00:27:30,640
Speaker 1: Uh.

503
00:27:30,680 --> 00:27:34,119
Speaker 2: The episode is called Eulogy for a Wide Receiver, very sad.

504
00:27:34,600 --> 00:27:37,520
Speaker 4: So maybe it's like maybe it's like go along for

505
00:27:37,600 --> 00:27:39,840
Speaker 4: the last time, you know, it's something.

506
00:27:39,520 --> 00:27:42,960
Speaker 2: Like that, go along for the last time?

507
00:27:43,520 --> 00:27:43,800
Speaker 4: Is that?

508
00:27:43,960 --> 00:27:46,760
Speaker 2: Does? Is that anything? Like to go along for it's

509
00:27:46,800 --> 00:27:47,320
Speaker 2: your show?

510
00:27:47,480 --> 00:27:50,800
Speaker 1: I mean it's like I'm fine with you doing that

511
00:27:50,960 --> 00:27:54,040
Speaker 1: if it was my show, I wouldn't like I would

512
00:27:54,040 --> 00:27:58,520
Speaker 1: not allow that because I wouldn't like it, Like I

513
00:27:58,560 --> 00:27:59,360
Speaker 1: don't get it, and.

514
00:27:59,320 --> 00:28:01,240
Speaker 3: I don't how would you not allowed? Would you just

515
00:28:01,560 --> 00:28:03,760
Speaker 3: you'd start yelling or what what would happen?

516
00:28:04,520 --> 00:28:04,840
Speaker 1: Buddy?

517
00:28:05,680 --> 00:28:08,199
Speaker 2: You actually don't want to find out.

518
00:28:11,600 --> 00:28:13,320
Speaker 3: I just wonder if you have like a button that

519
00:28:13,440 --> 00:28:16,040
Speaker 3: can like, you know, kind of like turn a turn

520
00:28:16,080 --> 00:28:18,480
Speaker 3: a turn the microphone off or something.

521
00:28:18,640 --> 00:28:21,640
Speaker 2: Yeah, the other all right, the freaking easy button. That's how,

522
00:28:22,119 --> 00:28:25,760
Speaker 2: that's how and how close you are.

523
00:28:32,080 --> 00:28:32,439
Speaker 3: Duel.

524
00:28:33,440 --> 00:28:36,639
Speaker 2: Mm hmmm. This is a big one. This is a

525
00:28:36,720 --> 00:28:43,600
Speaker 2: huge one. This is like his first Yes, we're finally somewhere, Yes, yes, Hamilton.

526
00:28:43,520 --> 00:28:45,800
Speaker 4: Right, so maybe maybe for this one, it's like on

527
00:28:45,960 --> 00:28:47,760
Speaker 4: Guard mm.

528
00:28:47,680 --> 00:28:48,960
Speaker 2: Hmmm mm hmm.

529
00:28:49,920 --> 00:28:55,040
Speaker 3: It's harversus Struck. You already said Hamilton, Yeah.

530
00:28:54,920 --> 00:29:00,360
Speaker 2: Hamilton, Halton, this is ham Alten, Hamilton, Hamilton.

531
00:29:01,760 --> 00:29:08,840
Speaker 1: Able, hamble Bone. My name is a plea sender hambley Bone.

532
00:29:09,160 --> 00:29:12,080
Speaker 1: Have you seen that footage of that one the show

533
00:29:12,120 --> 00:29:14,640
Speaker 1: where he forgot the name? They had to do it

534
00:29:14,640 --> 00:29:17,160
Speaker 1: for the rest of the fucking show. They got right

535
00:29:17,240 --> 00:29:19,840
Speaker 1: up to the edge. It was in previews, but it's

536
00:29:19,880 --> 00:29:22,360
Speaker 1: just like they did the whole thing, all those words

537
00:29:22,360 --> 00:29:25,600
Speaker 1: to remember, you know, it's I read the book, I

538
00:29:25,760 --> 00:29:28,760
Speaker 1: just I'm writing, there goes my name is And they

539
00:29:28,760 --> 00:29:32,680
Speaker 1: point to him and you see he's scared a hambley Bone.

540
00:29:33,840 --> 00:29:36,880
Speaker 2: And then they tried to bail him out and improvise

541
00:29:37,000 --> 00:29:38,640
Speaker 2: new lines, and the guy would come in with a

542
00:29:38,640 --> 00:29:41,840
Speaker 2: big book and say all right, your honorary name change

543
00:29:42,080 --> 00:29:44,040
Speaker 2: is too, Alexander Hamilton.

544
00:29:44,960 --> 00:29:48,480
Speaker 1: But he refused, No, he was like, no, we don't.

545
00:29:49,120 --> 00:29:52,840
Speaker 2: I refuse to sign the name change book because I

546
00:29:52,880 --> 00:29:55,000
Speaker 2: didn't make a mistake. I won't sign it.

547
00:29:56,240 --> 00:29:58,160
Speaker 4: I have to say, like, I agree with you guys

548
00:29:58,160 --> 00:30:00,840
Speaker 4: that it's a lot of words to maries and they

549
00:30:00,840 --> 00:30:02,560
Speaker 4: were early and previous.

550
00:30:02,400 --> 00:30:04,680
Speaker 2: And that one. They say that one a lot in

551
00:30:04,760 --> 00:30:07,320
Speaker 2: that show. So if you're gonna forget one, yeah, it's

552
00:30:07,360 --> 00:30:08,560
Speaker 2: an easy mistake to make.

553
00:30:08,680 --> 00:30:11,520
Speaker 4: I am surprised that that's the performance they put up

554
00:30:11,560 --> 00:30:12,000
Speaker 4: on Disney.

555
00:30:12,000 --> 00:30:15,280
Speaker 1: Plus, that's the one I thought that was odd to

556
00:30:15,320 --> 00:30:18,040
Speaker 1: me because I think I think it was the only time.

557
00:30:17,880 --> 00:30:18,520
Speaker 2: He did that.

558
00:30:18,920 --> 00:30:20,920
Speaker 1: But I mean he must have been involved in the

559
00:30:20,960 --> 00:30:23,880
Speaker 1: decision making. He really threw out the show, as hey said,

560
00:30:23,960 --> 00:30:27,280
Speaker 1: kept doubling and tripling down on like they'd be they'd

561
00:30:27,360 --> 00:30:29,560
Speaker 1: be like, sir, you know your official name change, and

562
00:30:29,600 --> 00:30:32,000
Speaker 1: he'd be like, there's no need for a name change.

563
00:30:34,080 --> 00:30:42,320
Speaker 2: Bump skinned up, skinned coming up. It's just scattering so much. Next,

564
00:30:42,560 --> 00:30:49,080
Speaker 2: something evil? Uh, Donald Trump? Donald Trump?

565
00:30:50,040 --> 00:30:51,480
Speaker 1: Okay, yes, you know.

566
00:30:54,520 --> 00:30:56,320
Speaker 2: President Chito Man.

567
00:30:56,680 --> 00:30:59,240
Speaker 4: Yeah right, yeah, this is our dynamic too, Is that

568
00:30:59,360 --> 00:31:02,520
Speaker 4: David is a journalist, but I'm like a little more

569
00:31:02,560 --> 00:31:03,240
Speaker 4: of a comedy.

570
00:31:03,240 --> 00:31:05,080
Speaker 2: You're allowed to editorialize all this stuff.

571
00:31:05,920 --> 00:31:08,120
Speaker 3: Griffin can push back, but he's on the op ed

572
00:31:08,280 --> 00:31:10,560
Speaker 3: section of blank Check and I'm on the news section.

573
00:31:10,720 --> 00:31:12,960
Speaker 2: Right If there's like a sort of a wall between us.

574
00:31:12,880 --> 00:31:15,320
Speaker 4: He's got a tab open with libel laws, you know,

575
00:31:15,520 --> 00:31:17,760
Speaker 4: And I'm just saying, whatever comes to mind.

576
00:31:17,960 --> 00:31:20,920
Speaker 1: The next one's a TV movie and it's called Savage,

577
00:31:20,960 --> 00:31:30,800
Speaker 1: so I would just go Savage Griffin, David Ratchet, Savage.

578
00:31:29,120 --> 00:31:33,160
Speaker 2: Slate, Queen for Savage, and something evil. We should point

579
00:31:33,440 --> 00:31:36,680
Speaker 2: both of those. The VA stylized as the down button

580
00:31:37,240 --> 00:31:46,040
Speaker 2: on an elevator like the movie Devil Devil, which I

581
00:31:46,040 --> 00:31:50,920
Speaker 2: guess inspired by these where you can actually press the

582
00:31:51,040 --> 00:31:54,040
Speaker 2: movie I didn't and go down.

583
00:31:54,400 --> 00:31:57,720
Speaker 4: I didn't realize that was the name of that movie.

584
00:31:57,800 --> 00:31:58,920
Speaker 4: I always thought.

585
00:31:58,760 --> 00:32:08,120
Speaker 2: It was the Donald Trump. Yeah.

586
00:32:08,240 --> 00:32:10,440
Speaker 4: I mean that sounds like something from the twisted mind

587
00:32:10,440 --> 00:32:11,400
Speaker 4: of m Night Shyamalan.

588
00:32:11,560 --> 00:32:14,680
Speaker 2: Yeah. Yeah, sugar Land Express.

589
00:32:15,200 --> 00:32:18,120
Speaker 1: Okay, well, this is a nickname Kevin uses for a

590
00:32:18,120 --> 00:32:21,520
Speaker 1: certain part of the female anatomy.

591
00:32:22,000 --> 00:32:24,280
Speaker 2: Just would rather get away from it entirely.

592
00:32:24,480 --> 00:32:29,160
Speaker 1: It's like so vile how often he brings it up

593
00:32:29,320 --> 00:32:33,240
Speaker 1: and it's just like not, I'd like to move on,

594
00:32:33,400 --> 00:32:35,400
Speaker 1: unless you guys want to dig in and sort of

595
00:32:35,400 --> 00:32:36,440
Speaker 1: talk to Kevin about it.

596
00:32:37,040 --> 00:32:38,840
Speaker 2: No, I think it. I think it's better even if

597
00:32:38,840 --> 00:32:42,040
Speaker 2: we cut this part out. Yeah, maybe we should. Yeah,

598
00:32:43,160 --> 00:32:44,560
Speaker 2: I don't think that's going to be good for me.

599
00:32:45,040 --> 00:32:52,600
Speaker 2: Why online? Yeah, sugar Land Express reminds me the candy train,

600
00:32:52,640 --> 00:32:58,479
Speaker 2: which is another euphemism that Kevin uses. Yeah, but it's

601
00:32:58,520 --> 00:33:00,640
Speaker 2: also what they how they if you're like listening to

602
00:33:00,760 --> 00:33:04,680
Speaker 2: Jack FM, they don't say uh for the song crazy Train.

603
00:33:04,760 --> 00:33:08,719
Speaker 2: They don't say crazy anymore because it's able us them

604
00:33:08,760 --> 00:33:11,240
Speaker 2: to say candy now instead. So it does we see

605
00:33:11,280 --> 00:33:13,360
Speaker 2: candy train there, we're going off the rows on the

606
00:33:13,400 --> 00:33:13,920
Speaker 2: candy Trip.

607
00:33:15,680 --> 00:33:18,400
Speaker 4: Do they say that when they're introducing the song or

608
00:33:18,440 --> 00:33:21,600
Speaker 4: do they talk right?

609
00:33:21,720 --> 00:33:24,920
Speaker 2: They talk over The DJ talks over that part of

610
00:33:24,960 --> 00:33:27,680
Speaker 2: the song and says candy when they're when they're about

611
00:33:27,720 --> 00:33:30,880
Speaker 2: to say crazy. I mean, is it just me or

612
00:33:30,920 --> 00:33:34,880
Speaker 2: has PC culture gone too far? This is this is

613
00:33:34,880 --> 00:33:35,880
Speaker 2: where I drive a lone.

614
00:33:36,080 --> 00:33:40,560
Speaker 3: You know, honestly, I think candy worship is the It's

615
00:33:40,600 --> 00:33:41,800
Speaker 3: just too much candy worship.

616
00:33:41,840 --> 00:33:43,960
Speaker 2: That's the actual issue. Do you know what the number

617
00:33:44,000 --> 00:33:49,680
Speaker 2: one drug in America is sugar candy, candy, sugar candy, sugar,

618
00:33:49,760 --> 00:33:53,240
Speaker 2: you know, candy PC culture for Pez candy culture.

619
00:33:53,600 --> 00:33:56,720
Speaker 4: Yeah, that's the actual issue we should be talking about,

620
00:33:56,840 --> 00:33:59,640
Speaker 4: is this Pez candy culture that has run amok.

621
00:34:01,840 --> 00:34:07,760
Speaker 2: Jaws, he candy with what is this moon breaker? Because

622
00:34:07,800 --> 00:34:10,600
Speaker 2: that's a guy from that sure, okay, guy big, big,

623
00:34:10,960 --> 00:34:11,879
Speaker 2: big teeth.

624
00:34:13,080 --> 00:34:18,200
Speaker 4: Dogs, DAWs like DAWs Butler voice of Scooby Doo or

625
00:34:18,239 --> 00:34:19,160
Speaker 4: the band like.

626
00:34:19,480 --> 00:34:22,719
Speaker 1: Yeah, I'm thinking of the band Dows right right.

627
00:34:23,040 --> 00:34:24,560
Speaker 2: I was trying to bring him back to Scoob.

628
00:34:25,800 --> 00:34:28,640
Speaker 1: Yeah, well, you're actually reminded me of Scooby don't.

629
00:34:29,800 --> 00:34:31,279
Speaker 2: Okay, Well, no, iron that.

630
00:34:31,480 --> 00:34:31,719
Speaker 1: Yeah.

631
00:34:32,400 --> 00:34:34,959
Speaker 2: I think we did right by Jaws, such a huge movie.

632
00:34:35,000 --> 00:34:37,120
Speaker 2: We talked about the band DAWs.

633
00:34:36,760 --> 00:34:38,400
Speaker 3: And I'm glad we never have to do it on

634
00:34:38,440 --> 00:34:40,720
Speaker 3: our show. Right, We finally tackled Jaws.

635
00:34:41,040 --> 00:34:47,240
Speaker 2: Does Butler close Encounters of the Third kind? Hm hmmm,

636
00:34:49,000 --> 00:34:51,440
Speaker 2: sounds tough because it's a long title. It's a really

637
00:34:51,520 --> 00:34:55,000
Speaker 2: long title. Yeah, inanely long. I mean that's why the

638
00:34:55,040 --> 00:34:57,600
Speaker 2: movie was such a flop. Right, too long title, too

639
00:34:57,640 --> 00:35:00,520
Speaker 2: long titles, too long, going to sleep good night.

640
00:35:01,000 --> 00:35:03,279
Speaker 3: People would walk up to the box office, can I

641
00:35:03,320 --> 00:35:04,840
Speaker 3: get take it too close and kind of a.

642
00:35:05,120 --> 00:35:06,360
Speaker 2: You know what I forgot?

643
00:35:06,760 --> 00:35:09,799
Speaker 4: Yeah, this is why our episodes end up being so

644
00:35:09,960 --> 00:35:13,680
Speaker 4: long as well. Very often we're dealing with a title

645
00:35:13,760 --> 00:35:15,680
Speaker 4: like this, we're just like, what we got to get through?

646
00:35:15,760 --> 00:35:21,680
Speaker 2: Like these long here unwielding Yeah, confessions. That's that's how

647
00:35:21,719 --> 00:35:22,960
Speaker 2: you knew he was. He was.

648
00:35:23,320 --> 00:35:25,640
Speaker 3: Look, I don't want to cast any aspersions, but he

649
00:35:25,760 --> 00:35:28,480
Speaker 3: was riding a little high on you know, the success

650
00:35:28,480 --> 00:35:31,040
Speaker 3: of Jaws, you know, and DAWs and all that, and

651
00:35:31,080 --> 00:35:32,920
Speaker 3: he's like, we're going to do a six word title.

652
00:35:33,120 --> 00:35:35,160
Speaker 4: Yeah, right, he was high on his ship taking the

653
00:35:35,160 --> 00:35:36,919
Speaker 4: Sugarland Express every day.

654
00:35:37,160 --> 00:35:39,520
Speaker 2: Yeah. I didn't want to say anything, but he was.

655
00:35:39,600 --> 00:35:39,880
Speaker 2: It was.

656
00:35:40,040 --> 00:35:42,000
Speaker 4: I mean, we can talk about this, right, because this

657
00:35:42,080 --> 00:35:44,040
Speaker 4: is another part of our show is we sometimes sort

658
00:35:44,040 --> 00:35:47,480
Speaker 4: of talk about what the director was going through in

659
00:35:47,520 --> 00:35:50,440
Speaker 4: their their life at that point in time. Sometimes it

660
00:35:50,600 --> 00:35:53,520
Speaker 4: like helps inform the way you talk about the movie.

661
00:35:53,560 --> 00:35:57,359
Speaker 4: I think was very known that after the success of Jaws,

662
00:35:57,360 --> 00:36:00,560
Speaker 4: Spielberg had a couple of years there where he was

663
00:36:00,600 --> 00:36:02,720
Speaker 4: dealing with a crippling pussy addiction.

664
00:36:03,080 --> 00:36:06,600
Speaker 1: Right, that's okay, Wow, he he.

665
00:36:07,239 --> 00:36:12,759
Speaker 2: Was just going absolutely loco on trim. Yeah, okay, and.

666
00:36:12,719 --> 00:36:14,480
Speaker 1: So this is a big part of your show, and

667
00:36:14,760 --> 00:36:19,520
Speaker 1: you know I've listened, which yeah, yeah, yeah, and look.

668
00:36:19,320 --> 00:36:21,239
Speaker 2: And like we could get into it, like you know,

669
00:36:21,400 --> 00:36:25,160
Speaker 2: like addiction is one thing I think if it's managed correctly, yes,

670
00:36:25,239 --> 00:36:28,480
Speaker 2: through a kind of a microdosing approach, which is what

671
00:36:28,560 --> 00:36:33,120
Speaker 2: I take. Yeah, yeah, there's like there's a way that

672
00:36:33,160 --> 00:36:36,400
Speaker 2: it can actually like kind of enrich your thinking on

673
00:36:36,440 --> 00:36:40,600
Speaker 2: these things if you just kind of like walk near

674
00:36:40,680 --> 00:36:44,319
Speaker 2: it or whatever, just like don't don't ever like get

675
00:36:44,360 --> 00:36:44,960
Speaker 2: too much.

676
00:36:45,360 --> 00:36:49,120
Speaker 4: Well, look, obviously, I mean Spielberg, you know, it's still

677
00:36:49,200 --> 00:36:51,719
Speaker 4: years off from winning Oscars. And that's the story of

678
00:36:51,760 --> 00:36:54,800
Speaker 4: this time period is like you know, later in the nineties,

679
00:36:54,920 --> 00:36:57,640
Speaker 4: he's able to manage it enough that like one lick

680
00:36:57,760 --> 00:37:00,239
Speaker 4: gets him there. But at this period, when you're in

681
00:37:00,280 --> 00:37:02,480
Speaker 4: the seventies and eighties, it's like he's.

682
00:37:02,120 --> 00:37:03,560
Speaker 2: He's spelling out the whole alphabet.

683
00:37:03,760 --> 00:37:08,280
Speaker 1: No. Yeah, he grew into you know, he never obviously

684
00:37:08,320 --> 00:37:10,600
Speaker 1: got off the stuff, but he became a pretty high

685
00:37:10,600 --> 00:37:15,799
Speaker 1: functioning bunch of holic and you know, sometimes sometimes that

686
00:37:15,840 --> 00:37:20,480
Speaker 1: does work for people. And it was like a big inspiration,

687
00:37:20,719 --> 00:37:23,600
Speaker 1: Like all of these movies ultimately are about the same thing,

688
00:37:24,600 --> 00:37:24,960
Speaker 1: which is.

689
00:37:24,880 --> 00:37:27,719
Speaker 3: Getting Yeah, every director's telling the same story, you know,

690
00:37:27,840 --> 00:37:29,960
Speaker 3: just some different angles basically, right.

691
00:37:30,239 --> 00:37:34,680
Speaker 2: Yeah, so that's close Encounters of the Third kind nineteen

692
00:37:34,800 --> 00:37:37,960
Speaker 2: forty one, nineteen forty one.

693
00:37:38,719 --> 00:37:42,120
Speaker 1: Nine and four is thirteen, thirteen and one is fourteen,

694
00:37:42,400 --> 00:37:44,040
Speaker 1: fourteen and one is fifteens.

695
00:37:44,400 --> 00:37:48,720
Speaker 2: Wow. Six, So I would just say six. They boil

696
00:37:48,760 --> 00:37:54,080
Speaker 2: it down. Sure, Yeah, it's just reduced through a voidrology

697
00:37:54,560 --> 00:37:55,839
Speaker 2: I was I was thinking of AVO.

698
00:37:56,000 --> 00:37:59,680
Speaker 4: I was thinking, maybe I'll play a person from nineteen

699
00:37:59,719 --> 00:38:03,040
Speaker 4: fourty one. I'll be back back in my day, you

700
00:38:03,080 --> 00:38:04,200
Speaker 4: know what I'm saying, Because it's like.

701
00:38:04,160 --> 00:38:07,880
Speaker 3: Wait, in nineteen forty one, he's he's complaining he's already

702
00:38:08,040 --> 00:38:09,600
Speaker 3: very old, right.

703
00:38:09,440 --> 00:38:13,239
Speaker 1: No, he's My idea was everyone was old.

704
00:38:13,000 --> 00:38:15,759
Speaker 2: That back then, everyone was really old, right.

705
00:38:15,880 --> 00:38:18,400
Speaker 4: My My idea was, this guy is so old that

706
00:38:18,520 --> 00:38:20,040
Speaker 4: he's telling us current day.

707
00:38:20,280 --> 00:38:23,560
Speaker 2: Let me tell you about nineteen forty one. But if

708
00:38:23,560 --> 00:38:25,480
Speaker 2: he's here right now, we can just get him. We

709
00:38:25,520 --> 00:38:27,440
Speaker 2: don't need you, you know what I mean.

710
00:38:27,800 --> 00:38:30,200
Speaker 4: That's a great point. I'm sort of out. Yeah, yeah, yeah,

711
00:38:30,200 --> 00:38:30,880
Speaker 4: I'm making myself.

712
00:38:32,239 --> 00:38:34,759
Speaker 2: We can get whoever we want. Yeah, you know, so

713
00:38:34,880 --> 00:38:37,800
Speaker 2: like provide, like figure out how you can provide value.

714
00:38:37,880 --> 00:38:40,799
Speaker 4: Sure, don't do characters, Yeah, yeah, because they we'll just

715
00:38:40,840 --> 00:38:43,960
Speaker 4: get that guy. You're working yourself out of a job, right,

716
00:38:44,000 --> 00:38:45,280
Speaker 4: I'm suggesting a replacement.

717
00:38:45,320 --> 00:38:51,719
Speaker 2: Okay, good Indiana Jones and the Raiders of the Lost Arc.

718
00:38:52,520 --> 00:38:53,360
Speaker 2: I'm exhausted.

719
00:38:53,920 --> 00:38:57,000
Speaker 1: Yeah, oh this is where this is longer than the

720
00:38:57,040 --> 00:38:58,960
Speaker 1: freaking Close Encounters one.

721
00:39:00,120 --> 00:39:05,120
Speaker 2: So the Lost Arc. We all know what he's talking about. Yeah.

722
00:39:05,440 --> 00:39:09,160
Speaker 4: Yeah, it's a little box that when you open it up,

723
00:39:09,200 --> 00:39:10,680
Speaker 4: your face tends to melt.

724
00:39:10,840 --> 00:39:14,680
Speaker 2: You know what I'm saying. Yeah, So he's still he's still.

725
00:39:15,640 --> 00:39:16,719
Speaker 2: He's still very thick.

726
00:39:17,920 --> 00:39:21,760
Speaker 4: Absolutely, and I mean thick. I mean it's nineteen eighty four.

727
00:39:21,800 --> 00:39:22,839
Speaker 4: Things are thick.

728
00:39:22,880 --> 00:39:26,360
Speaker 2: Back to eighty one. Sorry, yeah, this is like jumping

729
00:39:26,400 --> 00:39:29,480
Speaker 2: ahead forty one, Griffin, that's what we were talking about,

730
00:39:29,920 --> 00:39:32,080
Speaker 2: and it's like eighty one. Like what are we thinking

731
00:39:32,200 --> 00:39:38,520
Speaker 2: when we hear like raiding nineteen eighty one panic anty raids? Yeah, yeah, yeah,

732
00:39:38,520 --> 00:39:40,400
Speaker 2: this is what we were doing back then. Is no,

733
00:39:40,920 --> 00:39:41,839
Speaker 2: it was a different time.

734
00:39:43,040 --> 00:39:46,000
Speaker 4: I mean, yes, this title is a cry for help.

735
00:39:46,200 --> 00:39:48,400
Speaker 4: You know, he wants to get caught. This was his

736
00:39:48,480 --> 00:39:54,879
Speaker 4: I love you, daddy. He's like someone please, He's absolutely right,

737
00:39:54,920 --> 00:39:57,000
Speaker 4: and he presented to the world and we didn't listen.

738
00:39:57,040 --> 00:39:57,960
Speaker 2: We weren't ready to.

739
00:39:57,960 --> 00:40:02,520
Speaker 1: Hear begging us to step in and someone, anyone, please

740
00:40:02,680 --> 00:40:04,240
Speaker 1: do something to help.

741
00:40:04,040 --> 00:40:06,640
Speaker 4: Him, at least give me a dental damn to sort

742
00:40:06,640 --> 00:40:08,319
Speaker 4: of start weaning myself off the thing.

743
00:40:08,520 --> 00:40:12,239
Speaker 2: You don't hear about those much anymore. Ever, you never

744
00:40:12,320 --> 00:40:13,320
Speaker 2: hear about him anymore.

745
00:40:13,360 --> 00:40:18,240
Speaker 1: You used to tell you, guys, whatever happened to Okay, yeah,

746
00:40:18,360 --> 00:40:20,680
Speaker 1: that that might be rubble a little bit.

747
00:40:20,760 --> 00:40:20,960
Speaker 2: You know.

748
00:40:21,440 --> 00:40:23,680
Speaker 4: It's it's fascinating that they've slipped out of the conversation

749
00:40:23,800 --> 00:40:27,680
Speaker 4: considering that we're all pretty much wearing dental dams all

750
00:40:27,760 --> 00:40:32,279
Speaker 4: the time. We've become a dental damn species. We're just

751
00:40:32,320 --> 00:40:33,759
Speaker 4: not using them for the right thing.

752
00:40:35,680 --> 00:40:38,239
Speaker 2: Damn. That's heavy, man. That shit's got me fucked up.

753
00:40:38,840 --> 00:40:40,680
Speaker 4: And and this is another thing we do on the show.

754
00:40:40,719 --> 00:40:42,800
Speaker 4: Sometimes we have to talk about the state of the world.

755
00:40:42,840 --> 00:40:44,759
Speaker 4: You know, we talk about what the director was going

756
00:40:44,760 --> 00:40:46,480
Speaker 4: through at the time, and we're talking about.

757
00:40:46,440 --> 00:40:49,719
Speaker 1: Shut up, shut up. That just fucked me up.

758
00:40:49,760 --> 00:40:57,600
Speaker 5: Though, Okay, you've got to think about things from different

759
00:40:57,600 --> 00:40:59,839
Speaker 5: perspectives and be like, what is this movie saying to us?

760
00:41:00,080 --> 00:41:02,719
Speaker 4: The day that people wouldn't have gotten out of it

761
00:41:02,760 --> 00:41:05,960
Speaker 4: at the time. And the answer is, we're living in

762
00:41:06,000 --> 00:41:08,239
Speaker 4: a dental damn world. We're just not using it for

763
00:41:08,320 --> 00:41:09,439
Speaker 4: the right fucking thing.

764
00:41:09,719 --> 00:41:10,040
Speaker 2: Yeah.

765
00:41:10,560 --> 00:41:13,400
Speaker 1: Yeah, this is all sort of predicted by Indiana Jones

766
00:41:13,400 --> 00:41:14,960
Speaker 1: and the Ruins of the Lost Ar Right.

767
00:41:15,120 --> 00:41:18,080
Speaker 4: I mean, puss pus eating should be going up in

768
00:41:18,200 --> 00:41:19,960
Speaker 4: record numbers these days.

769
00:41:20,400 --> 00:41:22,400
Speaker 2: And I don't want to stay in this area for

770
00:41:22,440 --> 00:41:25,160
Speaker 2: too long. No, not what Steven Spielberg said.

771
00:41:26,840 --> 00:41:29,840
Speaker 4: Yeah, let me tap your head and let you know

772
00:41:29,920 --> 00:41:31,600
Speaker 4: that it's time to come up from this one.

773
00:41:33,000 --> 00:41:38,000
Speaker 2: But I mean, I guess we have ulterrestrial I know

774
00:41:38,080 --> 00:41:45,760
Speaker 2: something that he wants to eat tea Twilight Zone the movie.

775
00:41:46,360 --> 00:41:49,680
Speaker 4: Yeah, I mean, I feel like we can't really joke

776
00:41:49,719 --> 00:41:52,080
Speaker 4: about this one just because of the Landis thing. It's

777
00:41:52,160 --> 00:41:54,000
Speaker 4: just a little bit, you know what I'm saying. It's

778
00:41:54,200 --> 00:41:55,319
Speaker 4: sure a little raw.

779
00:41:57,120 --> 00:41:57,920
Speaker 2: The fact that.

780
00:41:57,920 --> 00:42:01,120
Speaker 4: Max Landis visited set is just it feels like that

781
00:42:01,239 --> 00:42:01,880
Speaker 4: is something.

782
00:42:02,320 --> 00:42:04,600
Speaker 2: No, it's still kind of fresh for all of us.

783
00:42:04,719 --> 00:42:06,719
Speaker 2: Don't want to make it light of. We're not the

784
00:42:06,800 --> 00:42:08,640
Speaker 2: kind of show that likes to touch a hot stuff.

785
00:42:08,760 --> 00:42:12,320
Speaker 2: We don't like we get let that stove get ice cold.

786
00:42:12,640 --> 00:42:15,279
Speaker 4: Yeah, and It's just like that's maybe one of his

787
00:42:15,400 --> 00:42:18,759
Speaker 4: earliest examples of being on a set realizing, oh, I

788
00:42:18,840 --> 00:42:24,400
Speaker 4: could use this kind of position to manipulate other people.

789
00:42:24,520 --> 00:42:26,480
Speaker 3: I mean, and the fay the fact that he was

790
00:42:26,480 --> 00:42:28,759
Speaker 3: born two years after that movie came out doesn't have

791
00:42:28,840 --> 00:42:30,680
Speaker 3: anything to do with what we're talking about right now.

792
00:42:30,719 --> 00:42:32,319
Speaker 4: Well that's why I might I say he visited the set.

793
00:42:32,360 --> 00:42:35,040
Speaker 4: He was he was in them testies, you know, he

794
00:42:35,080 --> 00:42:35,840
Speaker 4: was burned around.

795
00:42:35,840 --> 00:42:38,280
Speaker 2: That was the first he was in there loving Superman.

796
00:42:38,680 --> 00:42:41,880
Speaker 1: Yeah, yeah, I heard, Yes, I heard that he actually

797
00:42:41,920 --> 00:42:44,080
Speaker 1: swam up to the head of the freaking Weeness and

798
00:42:44,200 --> 00:42:46,600
Speaker 1: was peeking out and looking around at what was going on,

799
00:42:47,520 --> 00:42:52,640
Speaker 1: so you know, and that that's what Superman would have done,

800
00:42:52,680 --> 00:42:54,000
Speaker 1: you know, But he was in there.

801
00:42:54,040 --> 00:42:55,920
Speaker 2: He was in there with all that stuff going on.

802
00:42:56,360 --> 00:42:57,359
Speaker 2: But we really shouldn't talk.

803
00:42:57,520 --> 00:43:03,800
Speaker 1: I heard actually that during that visit he wrote four

804
00:43:04,040 --> 00:43:11,320
Speaker 1: movies that day, Yeah, and that they all sucked.

805
00:43:15,320 --> 00:43:18,759
Speaker 2: Indiana, Jones, and The Temple of Doom. So this makes

806
00:43:18,800 --> 00:43:20,640
Speaker 2: me think that he had a bad experience with his

807
00:43:21,880 --> 00:43:25,000
Speaker 2: But there's a dig. Yeah, absolutely, this feels like a

808
00:43:25,040 --> 00:43:26,799
Speaker 2: case of something. We're on our way out of the

809
00:43:26,920 --> 00:43:30,720
Speaker 2: out of the woods. This one bottom.

810
00:43:30,440 --> 00:43:33,880
Speaker 4: Yeah right right, this this feels like you know, the

811
00:43:34,120 --> 00:43:37,400
Speaker 4: the he Stephen might have been buying a lot of

812
00:43:37,480 --> 00:43:40,319
Speaker 4: Vale tricks around this time, if you know what I'm saying, you.

813
00:43:40,320 --> 00:43:47,960
Speaker 2: Know, strokes of genius, strokes of genius. What's this TV

814
00:43:48,080 --> 00:43:49,399
Speaker 2: mini series documents is.

815
00:43:49,320 --> 00:43:53,040
Speaker 3: Some of his best work? This is really good credited

816
00:43:53,640 --> 00:43:55,600
Speaker 3: introductory set. Talk about this, David.

817
00:43:55,960 --> 00:43:59,160
Speaker 2: I mean, it's just like you know, when you think.

818
00:43:58,960 --> 00:44:01,960
Speaker 3: About it, once in a while, someone just has a

819
00:44:01,960 --> 00:44:02,800
Speaker 3: stroke a genius.

820
00:44:03,600 --> 00:44:03,880
Speaker 2: Wow.

821
00:44:03,960 --> 00:44:06,680
Speaker 3: And he wanted to talk about that, and you know,

822
00:44:06,719 --> 00:44:10,520
Speaker 3: people told him he couldn't, but by this point he

823
00:44:10,560 --> 00:44:12,839
Speaker 3: was ready to do it. He was ready to uncredited

824
00:44:12,840 --> 00:44:16,600
Speaker 3: direct the introductory segments. So I don't know something to

825
00:44:16,640 --> 00:44:17,480
Speaker 3: talk about.

826
00:44:17,760 --> 00:44:20,000
Speaker 1: What it makes me think is that following this sort

827
00:44:20,000 --> 00:44:23,440
Speaker 1: of Temple of Doom experience where he probably went cold

828
00:44:23,480 --> 00:44:27,880
Speaker 1: turkey and having gotten like whether he got stuck or

829
00:44:27,920 --> 00:44:30,359
Speaker 1: he fucked up his neck or something, and decided that

830
00:44:30,440 --> 00:44:33,720
Speaker 1: like this was not a good situation, as he rediscovered

831
00:44:33,719 --> 00:44:36,560
Speaker 1: stroke in it, right, and that there was sort of

832
00:44:36,560 --> 00:44:39,360
Speaker 1: this this light bulb that went off of like this

833
00:44:39,480 --> 00:44:43,400
Speaker 1: is actually a genius way to kind of wean myself

834
00:44:43,440 --> 00:44:45,120
Speaker 1: off of my former addiction.

835
00:44:45,560 --> 00:44:48,840
Speaker 4: It's a little self congratulatory to call yourself a genius

836
00:44:48,920 --> 00:44:51,520
Speaker 4: just for thinking, Oh maybe I should slam some ham.

837
00:44:51,800 --> 00:44:55,959
Speaker 2: You know, Amazing Stories. That's what our show should be called.

838
00:44:56,120 --> 00:44:57,160
Speaker 2: That sounds like our show.

839
00:44:57,239 --> 00:45:00,200
Speaker 4: Yeah, I would just say Hollywood Handbook, right, Yeah.

840
00:45:00,080 --> 00:45:05,080
Speaker 2: Yeah, just say to say hollywoodhim and just one the

841
00:45:05,120 --> 00:45:11,440
Speaker 2: color purple. Okay, that's the color of Kevin's nurple. When

842
00:45:11,480 --> 00:45:20,479
Speaker 2: I'm done with it, and that's just true. And that's

843
00:45:20,520 --> 00:45:23,560
Speaker 2: just true. Amazing Stories. You forgot you did that already.

844
00:45:24,840 --> 00:45:30,399
Speaker 2: Empire of the Sun, Empire of the Sun, Empire of

845
00:45:30,480 --> 00:45:35,840
Speaker 2: the Sun. Yeah, Griffin, you want to take this one. Yeah,

846
00:45:36,000 --> 00:45:39,000
Speaker 2: I mean, I'm just saying now, this is Griffin's moment.

847
00:45:39,120 --> 00:45:41,479
Speaker 3: Right, I think this is this Griffin has been telling

848
00:45:41,520 --> 00:45:42,799
Speaker 3: me quietly, he's been waiting to.

849
00:45:42,800 --> 00:45:43,799
Speaker 2: Talk Empire of the Sun.

850
00:45:44,200 --> 00:45:46,320
Speaker 1: I want to bail you out, Griffin, because I'm working

851
00:45:46,360 --> 00:45:50,360
Speaker 1: on something, and I think this is the beginning of

852
00:45:50,440 --> 00:45:54,359
Speaker 1: him actually getting into a whole new territory.

853
00:45:55,280 --> 00:45:55,520
Speaker 4: Uh.

854
00:45:55,560 --> 00:45:56,440
Speaker 2: He obviously is.

855
00:45:58,200 --> 00:46:01,799
Speaker 1: Obsessed with Poon Tang for you know, a solid ten

856
00:46:01,880 --> 00:46:04,920
Speaker 1: fifteen years here. But Empire of the Sun, I believe

857
00:46:05,000 --> 00:46:08,600
Speaker 1: is a play on Vampire of the Buns. And it's

858
00:46:08,640 --> 00:46:13,400
Speaker 1: someone who is sucking on them buns, and it is

859
00:46:13,480 --> 00:46:16,920
Speaker 1: him discovering like, wow, I've really been limiting myself and

860
00:46:17,360 --> 00:46:21,880
Speaker 1: existing in this, you know, creating these boundaries are totally

861
00:46:22,440 --> 00:46:24,239
Speaker 1: you know, totally falls and.

862
00:46:24,280 --> 00:46:27,680
Speaker 2: Just working on the on the cheek nothing like gross. No,

863
00:46:27,760 --> 00:46:31,280
Speaker 2: it's like basically giving the cheek a big like Hickey,

864
00:46:31,480 --> 00:46:36,760
Speaker 2: big suction action on the cheek part, leaving a leaving

865
00:46:36,840 --> 00:46:38,640
Speaker 2: a big love.

866
00:46:38,480 --> 00:46:43,600
Speaker 1: Bite on that cheek, sucking some tush, yes, sucking on

867
00:46:43,600 --> 00:46:44,160
Speaker 1: the outside.

868
00:46:44,239 --> 00:46:47,640
Speaker 2: They actually can leave a lot of their clothing on

869
00:46:47,880 --> 00:46:58,000
Speaker 2: for it. Indiana Jones in the Last Crusade, I mean,

870
00:46:58,000 --> 00:47:00,880
Speaker 2: this one's just sad because this is like right, this

871
00:47:00,920 --> 00:47:04,080
Speaker 2: is him saying like I'm not last right out, we

872
00:47:04,160 --> 00:47:06,840
Speaker 2: know it? Yeah, never again.

873
00:47:07,640 --> 00:47:10,239
Speaker 3: Most of the movie is Indiana Jones looking at the

874
00:47:10,239 --> 00:47:13,080
Speaker 3: camera and saying Steve, like you need help, you gotta

875
00:47:13,160 --> 00:47:13,680
Speaker 3: you gotta.

876
00:47:13,520 --> 00:47:15,680
Speaker 2: Pay attention to me. And then in the next movie

877
00:47:15,880 --> 00:47:18,200
Speaker 2: completely with the other way, it was like always I

878
00:47:18,239 --> 00:47:20,360
Speaker 2: will always be doing this right.

879
00:47:20,320 --> 00:47:24,080
Speaker 4: Right, except this acceptance It's huge, the biggest step of all.

880
00:47:24,280 --> 00:47:28,840
Speaker 2: Yes, the visionary this is a video that he did.

881
00:47:29,560 --> 00:47:29,719
Speaker 3: Uh.

882
00:47:29,800 --> 00:47:33,160
Speaker 2: The segment was called par for the course. This was

883
00:47:33,200 --> 00:47:37,880
Speaker 2: of course a dwarf on golf that he directed. Y

884
00:47:38,120 --> 00:47:43,600
Speaker 2: hmm hook, mm hm hook. I mean he was hooked.

885
00:47:44,000 --> 00:47:47,560
Speaker 3: He was well, yeah, yeah, I mean he was trying

886
00:47:47,560 --> 00:47:52,320
Speaker 3: to get his fishing movie going. I don't know, thirty years.

887
00:47:52,800 --> 00:47:55,240
Speaker 3: I mean, this is what we talked about. Griffin blank checks.

888
00:47:55,560 --> 00:47:58,160
Speaker 2: Yes. You know, the directors have something that they want

889
00:47:58,200 --> 00:47:59,880
Speaker 2: to get out, right.

890
00:47:59,760 --> 00:48:02,680
Speaker 4: One failed project leads to the invention of another. He

891
00:48:02,920 --> 00:48:06,120
Speaker 4: the reason he took on the dwarf video is because

892
00:48:06,160 --> 00:48:09,360
Speaker 4: his big disruptive idea was, let's get Dwarf in a boat.

893
00:48:09,840 --> 00:48:12,560
Speaker 4: You know, yeah, he's been on the course long enough,

894
00:48:12,640 --> 00:48:13,640
Speaker 4: let's get him in a boat.

895
00:48:13,680 --> 00:48:16,040
Speaker 2: I think we're going to need a smaller boat, right.

896
00:48:16,120 --> 00:48:19,160
Speaker 4: A tiny boat. And Conway was like, you don't understand.

897
00:48:20,000 --> 00:48:22,759
Speaker 4: We cut holes, my legs go through the holes. We

898
00:48:22,800 --> 00:48:25,640
Speaker 4: can't do it in a boat. I'll get wet, wrinkly legs.

899
00:48:26,360 --> 00:48:28,319
Speaker 4: And George was trying too hard.

900
00:48:28,640 --> 00:48:30,040
Speaker 2: I mean, the boat would say.

901
00:48:29,960 --> 00:48:33,040
Speaker 4: That's another major issue. That's that was sort of the

902
00:48:33,080 --> 00:48:35,319
Speaker 4: second biggest issue behind his.

903
00:48:37,960 --> 00:48:41,080
Speaker 1: You know, these actors they're so like me. First they're

904
00:48:41,120 --> 00:48:43,799
Speaker 1: thinking about their legs getting wrinkled and then right, but

905
00:48:44,200 --> 00:48:46,440
Speaker 1: also the camera person would drown.

906
00:48:46,920 --> 00:48:50,480
Speaker 4: Yes, yeah, but hook sort of comes out of the

907
00:48:50,520 --> 00:48:52,520
Speaker 4: failed attempt to get dwarf on a boat.

908
00:48:52,760 --> 00:48:59,000
Speaker 2: You know, the next movie Jurassic Park. That's random Park's dad,

909
00:49:00,120 --> 00:49:06,720
Speaker 2: Your ass is sick. I'd like to park my mouth there,

910
00:49:08,280 --> 00:49:09,080
Speaker 2: but we should be clear.

911
00:49:09,239 --> 00:49:13,600
Speaker 4: Still on the outside, right, No, no gross stuff, not

912
00:49:13,760 --> 00:49:16,120
Speaker 4: even really that close to the middle part.

913
00:49:16,560 --> 00:49:19,320
Speaker 2: Just firmly on the cheek. It's just skin. It's like

914
00:49:19,360 --> 00:49:23,040
Speaker 2: every other yeah, every other part with a nice layer

915
00:49:23,080 --> 00:49:25,920
Speaker 2: of denim in between. Less gross in the mouth you

916
00:49:25,960 --> 00:49:31,800
Speaker 2: think about it. Mouth is disgusting. The big round cheek

917
00:49:32,080 --> 00:49:33,640
Speaker 2: is very normal and clean.

918
00:49:34,000 --> 00:49:34,239
Speaker 4: Yeah.

919
00:49:34,400 --> 00:49:35,319
Speaker 2: No, that's like.

920
00:49:35,440 --> 00:49:41,759
Speaker 1: Just a big, soft, meaty piece of flesh like that's

921
00:49:41,880 --> 00:49:47,120
Speaker 1: actually very sensual, whereas the mouth is a petri dish

922
00:49:47,160 --> 00:49:48,000
Speaker 1: of germs.

923
00:49:48,360 --> 00:49:51,880
Speaker 2: Yes, yeah, yeah, wait, why we should all have dental

924
00:49:51,960 --> 00:49:59,160
Speaker 2: damn song constantly? Schindler's list, Uh, Schindler's fist.

925
00:49:59,560 --> 00:50:05,440
Speaker 1: Okay, should have been about Schindler beating people's ass, right,

926
00:50:06,480 --> 00:50:07,600
Speaker 1: like the movie's good.

927
00:50:07,640 --> 00:50:09,720
Speaker 2: It's a good movie. Would anyone?

928
00:50:10,160 --> 00:50:12,840
Speaker 1: And he actually learned this lesson and ultimately made a

929
00:50:12,920 --> 00:50:14,080
Speaker 1: simple way with Munich.

930
00:50:14,120 --> 00:50:15,000
Speaker 2: He actually did.

931
00:50:15,680 --> 00:50:18,359
Speaker 1: Yeah, it was basically a make good on Chindler's list.

932
00:50:18,360 --> 00:50:20,080
Speaker 1: Which should have been Schindler's fist, and it should have

933
00:50:20,080 --> 00:50:24,400
Speaker 1: been Oscar Schindler just punching the ship out of everyone.

934
00:50:24,239 --> 00:50:27,839
Speaker 4: And Nissan learned this eventually as well, like twenty years later,

935
00:50:27,920 --> 00:50:30,640
Speaker 4: Nissan's just going to foreign countries and punching everybody with.

936
00:50:30,640 --> 00:50:35,439
Speaker 1: His career, and it's there. It's sort of a mea

937
00:50:35,520 --> 00:50:37,040
Speaker 1: culpa from this point forward.

938
00:50:37,520 --> 00:50:40,239
Speaker 4: Right, Schindler's List was a big missed opportunity for both

939
00:50:40,280 --> 00:50:42,000
Speaker 4: of them. It kind of haunts them for the rest

940
00:50:42,000 --> 00:50:43,840
Speaker 4: of their careers that they whiffed on that one.

941
00:50:44,000 --> 00:50:46,120
Speaker 1: They went and had drinks after they wrapped, and it

942
00:50:46,200 --> 00:50:48,920
Speaker 1: was just like, shouldn't I have been punching and kicking

943
00:50:48,960 --> 00:50:56,680
Speaker 1: these guys? Yeah, I missed, man, I whiffed. That's you

944
00:50:56,680 --> 00:50:59,640
Speaker 1: could also call it Schindler's whiff, you know, you.

945
00:50:59,640 --> 00:51:06,400
Speaker 2: Could Steven Spielberg's Director's Chair video game. Oh, not a movie,

946
00:51:06,840 --> 00:51:07,600
Speaker 2: but David's.

947
00:51:07,760 --> 00:51:12,160
Speaker 4: David's long threatened to do a video game podcast. He

948
00:51:12,280 --> 00:51:14,120
Speaker 4: kind of wants to do his own. How did this

949
00:51:14,200 --> 00:51:15,279
Speaker 4: get played? You know?

950
00:51:16,239 --> 00:51:20,160
Speaker 2: Okay, they're honestly and normally I would say that, like

951
00:51:20,320 --> 00:51:23,640
Speaker 2: there isn't room in the in the market for another show.

952
00:51:23,640 --> 00:51:25,120
Speaker 2: That's how did this get played. But in this case

953
00:51:25,120 --> 00:51:27,600
Speaker 2: I would say that there is. Yeah, we're just more

954
00:51:27,640 --> 00:51:28,040
Speaker 2: trying to.

955
00:51:27,960 --> 00:51:30,600
Speaker 4: Reach so that David can just do it, recreate the

956
00:51:30,680 --> 00:51:35,240
Speaker 4: model of like casual resentment between two podcast hosts.

957
00:51:35,280 --> 00:51:35,480
Speaker 2: You know.

958
00:51:36,000 --> 00:51:40,960
Speaker 4: Yes, that's the thing. It's less the formed David.

959
00:51:41,080 --> 00:51:44,399
Speaker 2: Yes, you can actually use the titles, so good bet

960
00:51:44,440 --> 00:51:49,479
Speaker 2: on yourself than against Nick Wiger. Yeah, that's why. That's

961
00:51:49,480 --> 00:51:50,640
Speaker 2: why that's the phrase.

962
00:51:51,440 --> 00:51:54,080
Speaker 4: Just do do the video game podcast now, David, just

963
00:51:54,080 --> 00:51:55,680
Speaker 4: do it. Okay, you talk a lot of big talk.

964
00:51:55,880 --> 00:51:57,719
Speaker 4: Is get in the director's chair if you if you

965
00:51:57,760 --> 00:51:58,600
Speaker 4: really want to do it.

966
00:51:59,400 --> 00:52:03,839
Speaker 2: The Lost World Jurassic Park. Okay, so this is where

967
00:52:03,880 --> 00:52:07,600
Speaker 2: we started our miniseries grip. Yeah, this is now everything.

968
00:52:08,040 --> 00:52:11,400
Speaker 3: Because now Spielberg's got the oscar, that's right, and you

969
00:52:11,400 --> 00:52:13,960
Speaker 3: know for the what I forget for the director's chair

970
00:52:14,080 --> 00:52:15,280
Speaker 3: or something something like that.

971
00:52:15,520 --> 00:52:19,560
Speaker 4: Right, He's right, He's founded DreamWorks at this point, which

972
00:52:19,600 --> 00:52:21,239
Speaker 4: was like sort of part of our thesis that he

973
00:52:21,280 --> 00:52:23,640
Speaker 4: had the blank check because he literally was right, he

974
00:52:23,719 --> 00:52:27,600
Speaker 4: was the bank, you know, the checks to himself.

975
00:52:27,600 --> 00:52:29,520
Speaker 2: Okay, this is not what we want to talk about.

976
00:52:29,560 --> 00:52:32,960
Speaker 2: We want to say the Lost World under those slacks

977
00:52:35,719 --> 00:52:40,400
Speaker 2: YEP is where I would like to park. Yes, it was,

978
00:52:40,680 --> 00:52:41,799
Speaker 2: that is what we do now.

979
00:52:42,200 --> 00:52:45,160
Speaker 4: It was not lost for long. Once Steven showed up.

980
00:52:45,160 --> 00:52:47,760
Speaker 4: He was kind of a Christopher Columbus of that land.

981
00:52:47,880 --> 00:52:53,680
Speaker 2: You know, I'm as DoD. I'm a stod in bed today. Yeah,

982
00:52:54,400 --> 00:52:58,000
Speaker 2: I'm a stud. Yeah, I'm a stad in bed. I'm astod.

983
00:52:59,440 --> 00:53:01,480
Speaker 2: Oh I was, I'm a stod in bed instead of

984
00:53:01,600 --> 00:53:07,120
Speaker 2: going on this trip or should event anyway. Oh, he's

985
00:53:07,160 --> 00:53:10,879
Speaker 2: like those like how they say no mistake, no mistake, Yeah,

986
00:53:11,480 --> 00:53:12,120
Speaker 2: I'm a stud.

987
00:53:12,280 --> 00:53:18,920
Speaker 1: Is also actually no offense almost as good as yours.

988
00:53:19,840 --> 00:53:22,239
Speaker 2: Okay, so I'm gonna jump ahead to Munich, where I

989
00:53:22,239 --> 00:53:24,200
Speaker 2: do have a good one. Where it's that of course,

990
00:53:24,239 --> 00:53:29,600
Speaker 2: there's an anagram for I munch. I just uh want

991
00:53:29,600 --> 00:53:32,960
Speaker 2: to go. I just need to bail myself out really fast.

992
00:53:32,960 --> 00:53:35,680
Speaker 2: And now we could go back to saving private Ryan,

993
00:53:35,719 --> 00:53:40,040
Speaker 2: and now we can we can do something with that, right, well,

994
00:53:40,080 --> 00:53:42,880
Speaker 2: I mean saving Ryan's privates? Sure? Great?

995
00:53:43,040 --> 00:53:48,359
Speaker 4: Right the shaving shaving should it be shaving shaving at

996
00:53:48,360 --> 00:53:48,880
Speaker 4: this point?

997
00:53:49,000 --> 00:53:49,120
Speaker 2: Right?

998
00:53:49,160 --> 00:53:52,799
Speaker 4: Styles have changed. He would be shaving Ryan's privates.

999
00:53:52,920 --> 00:53:53,080
Speaker 1: Right.

1000
00:53:53,239 --> 00:53:55,960
Speaker 4: He doesn't want to step into the the temple of

1001
00:53:56,000 --> 00:53:57,120
Speaker 4: doom anymore, you know.

1002
00:53:57,239 --> 00:53:59,520
Speaker 1: It'd be like one of your Manscape commercials you do

1003
00:53:59,640 --> 00:54:05,000
Speaker 1: on your no, that'd be great, that'd be great. So, uh,

1004
00:54:05,280 --> 00:54:08,560
Speaker 1: the Unfinished Journey, it's just like when you when you.

1005
00:54:08,800 --> 00:54:17,719
Speaker 4: Yeah, yeah, it's like a loud noise outside and it

1006
00:54:17,840 --> 00:54:20,319
Speaker 4: just kind of like messes up her headspace.

1007
00:54:20,760 --> 00:54:25,759
Speaker 2: And that's it. That's the last one. That's wow. So

1008
00:54:25,800 --> 00:54:30,080
Speaker 2: we did the entire thing. Yeah, we did it so

1009
00:54:30,360 --> 00:54:35,320
Speaker 2: fast and it was like really, uh, it was smarter

1010
00:54:36,200 --> 00:54:38,759
Speaker 2: than how you do it. Uh, and it was of

1011
00:54:38,800 --> 00:54:42,960
Speaker 2: course funny. Uh and what do you think about this?

1012
00:54:44,040 --> 00:54:47,040
Speaker 3: I we didn't skimp on context, which is the thing

1013
00:54:47,120 --> 00:54:48,960
Speaker 3: I thought we were going to have to do, and

1014
00:54:49,000 --> 00:54:49,399
Speaker 3: we didn't.

1015
00:54:49,840 --> 00:54:51,879
Speaker 2: So that's what most We.

1016
00:54:51,840 --> 00:54:56,000
Speaker 1: Actually got more information, it was more useful, and it

1017
00:54:56,040 --> 00:54:59,400
Speaker 1: was it was it just got better and better. Like

1018
00:54:59,440 --> 00:55:02,000
Speaker 1: what what I've what I am afraid of with your

1019
00:55:02,040 --> 00:55:04,319
Speaker 1: show is that there'd be some diminishing returns and people

1020
00:55:04,440 --> 00:55:07,239
Speaker 1: get kind of tired as they're doing it right sort

1021
00:55:07,280 --> 00:55:10,879
Speaker 1: of yes, or that you know that there'd be these

1022
00:55:10,920 --> 00:55:14,080
Speaker 1: long pauses after the movie title where people are kind

1023
00:55:14,080 --> 00:55:16,520
Speaker 1: of looking at each other like does anyone to have anything?

1024
00:55:16,600 --> 00:55:18,400
Speaker 2: And should have done this right?

1025
00:55:18,680 --> 00:55:22,759
Speaker 1: But but this like this was you know, there was

1026
00:55:22,840 --> 00:55:24,560
Speaker 1: just such a cool like rhythm too.

1027
00:55:24,680 --> 00:55:28,560
Speaker 4: Yeah, I feel I feel too emotions. Primarily, I feel

1028
00:55:28,560 --> 00:55:33,920
Speaker 4: embarrassment that, you know, we have been so six years,

1029
00:55:34,719 --> 00:55:39,120
Speaker 4: six years just really on the wrong road, you know, entirely,

1030
00:55:39,400 --> 00:55:41,520
Speaker 4: you know, without realizing that we should turn back and

1031
00:55:41,560 --> 00:55:42,280
Speaker 4: cut our losses.

1032
00:55:42,320 --> 00:55:43,719
Speaker 2: And I also feel.

1033
00:55:45,600 --> 00:55:51,160
Speaker 4: Just absolute resentment towards the people who have listened to

1034
00:55:51,239 --> 00:55:53,799
Speaker 4: the show up until this point and enabled us.

1035
00:55:54,120 --> 00:55:59,480
Speaker 2: It is ultimately always their fault. Yeah right, they letting

1036
00:55:59,560 --> 00:56:01,080
Speaker 2: us think this was okay?

1037
00:56:01,400 --> 00:56:04,840
Speaker 1: You know, why would they letting us think this was okay?

1038
00:56:05,080 --> 00:56:09,239
Speaker 4: Why was they letting us think this was okay? That's

1039
00:56:09,280 --> 00:56:10,240
Speaker 4: my main question.

1040
00:56:11,280 --> 00:56:15,000
Speaker 1: That shit pissed me off, man, And I've honestly felt

1041
00:56:15,000 --> 00:56:17,239
Speaker 1: bad for you guys at a certain point where it's like,

1042
00:56:17,360 --> 00:56:18,840
Speaker 1: why are they fucking.

1043
00:56:18,520 --> 00:56:23,080
Speaker 2: With these guys? Why? It feels like a troll now right?

1044
00:56:23,200 --> 00:56:26,480
Speaker 2: I mean, dude, it's bullying, plain and simple. All those

1045
00:56:26,480 --> 00:56:28,880
Speaker 2: people that are paying money into your Patriot just to

1046
00:56:29,040 --> 00:56:33,800
Speaker 2: make fun of you. Yeah, as that fucking goof.

1047
00:56:33,800 --> 00:56:37,280
Speaker 4: That's not what the best is about. It's really disappointing,

1048
00:56:38,080 --> 00:56:38,279
Speaker 4: is that?

1049
00:56:39,040 --> 00:56:41,120
Speaker 3: Why are a fan base is called the goof troop?

1050
00:56:41,200 --> 00:56:44,160
Speaker 3: I didn't put that together, that that's what they call themselves.

1051
00:56:44,440 --> 00:56:49,160
Speaker 2: Yeah, that the whole thing is a goof Yeah right, okay, Yeah,

1052
00:56:49,440 --> 00:56:50,279
Speaker 2: they're goofy on you.

1053
00:56:50,640 --> 00:56:55,920
Speaker 6: They're goofing on So check out blank Check if you

1054
00:56:55,920 --> 00:56:57,400
Speaker 6: wanted to be a part of this community that is

1055
00:56:57,440 --> 00:57:02,200
Speaker 6: making fun of these two men, check out David simms

1056
00:57:02,880 --> 00:57:06,239
Speaker 6: video game podcast called My Name is actually already a

1057
00:57:06,320 --> 00:57:14,160
Speaker 6: video game, and go to uh the Museum Bye.

1058
00:57:18,560 --> 00:57:22,920
Speaker 2: This week on the Patreon, Carl and Hassan discuss pink pineapples.

1059
00:57:22,360 --> 00:57:24,480
Speaker 1: The Boys give a virtual tour of the.

1060
00:57:24,440 --> 00:57:28,640
Speaker 2: Grocery store, and The Flagrant Ones are talking all things basketball.

1061
00:57:29,160 --> 00:57:32,480
Speaker 4: Check out the podcast and videos at patreon dot com

1062
00:57:32,480 --> 00:57:34,160
Speaker 4: Slash the Flagrant Ones o