1 00:00:00,960 --> 00:00:04,080 Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter 2 00:00:04,280 --> 00:00:06,800 Speaker 1: at Total Wine and More. Everybody who loves honey glaze 3 00:00:06,800 --> 00:00:09,399 Speaker 1: carrots a great side dish for your springtime celebration and 4 00:00:09,440 --> 00:00:12,200 Speaker 1: a delicious compliment to a sweet, bright muscato. Wine is 5 00:00:12,240 --> 00:00:14,360 Speaker 1: made in virtually every country in the world, and I'm 6 00:00:14,360 --> 00:00:16,080 Speaker 1: ready to give you a tour to find the right 7 00:00:16,120 --> 00:00:18,520 Speaker 1: one serving lamb This season, try it with a bold 8 00:00:18,600 --> 00:00:21,800 Speaker 1: cabernet from the trendy Apostle Robles region. Whether you're hosting 9 00:00:21,920 --> 00:00:24,239 Speaker 1: or just bring the wine we love to share are 10 00:00:24,280 --> 00:00:27,880 Speaker 1: always low prices and ridiculous selection. This spring at Total 11 00:00:27,880 --> 00:00:38,360 Speaker 1: Wine and More, cheers was always He's a legendary queen's rapper, 12 00:00:38,479 --> 00:00:41,639 Speaker 1: hang Segrey did your Boy and he's a Miami hip 13 00:00:41,720 --> 00:00:44,080 Speaker 1: hop pioneer. What up is d J e f N? 14 00:00:44,240 --> 00:00:46,640 Speaker 1: Together they drink it up with some of the biggest 15 00:00:46,640 --> 00:00:49,280 Speaker 1: players in music and sport. You know, I mean the 16 00:00:49,400 --> 00:00:53,800 Speaker 1: most professional unprofessional podcast. This is Drinks Chip Radar whe 17 00:00:53,800 --> 00:00:58,760 Speaker 1: Every day is New Year's e. You know what did 18 00:00:58,800 --> 00:01:00,720 Speaker 1: you be hoping to? We should? Is your Boy? And 19 00:01:00,880 --> 00:01:04,200 Speaker 1: A at A oh at A R R whatever. I 20 00:01:04,240 --> 00:01:05,800 Speaker 1: don't even know how the spell of this Spanish and 21 00:01:06,280 --> 00:01:09,640 Speaker 1: he's going up was crazy hood d J E. F 22 00:01:09,720 --> 00:01:12,120 Speaker 1: Fanning the motherfucker and this is a drink Chace special 23 00:01:12,160 --> 00:01:18,640 Speaker 1: with thisition episode makes something fun right now. You know 24 00:01:18,760 --> 00:01:20,400 Speaker 1: this is a family episode. You know we do this. 25 00:01:20,480 --> 00:01:24,480 Speaker 1: We bring our coach friends are people around uh repeating 26 00:01:24,760 --> 00:01:26,840 Speaker 1: being on the show again. Missing Lee was a part 27 00:01:26,880 --> 00:01:30,080 Speaker 1: of the first Uh Family episodes going down. And we 28 00:01:30,200 --> 00:01:32,480 Speaker 1: also got you know what I mean, I legend Dary 29 00:01:32,800 --> 00:01:35,320 Speaker 1: New York City trade on. You know, one of the 30 00:01:35,400 --> 00:01:38,920 Speaker 1: first people and still that have property in wind Wood. 31 00:01:39,319 --> 00:01:41,840 Speaker 1: You understand I'm saying family is sick like that. We 32 00:01:41,920 --> 00:01:47,680 Speaker 1: got Thurston Howard and the mother was good. It was good. 33 00:01:48,600 --> 00:01:53,520 Speaker 1: We usually from Brooklyn, right, I'm from Brownsville. Browne different 34 00:01:53,560 --> 00:01:56,320 Speaker 1: from Brooklyn. So when you're from browns you don't call 35 00:01:56,360 --> 00:01:59,000 Speaker 1: it Brooklyn. You know, people call it Brooklyn, but the 36 00:01:59,080 --> 00:02:01,720 Speaker 1: rest of the Brooklyn don't come to Brownsville. That's how 37 00:02:01,800 --> 00:02:05,200 Speaker 1: Brownsville is like if you ain't know, Brownsville was over 38 00:02:05,320 --> 00:02:08,720 Speaker 1: town in Miami like that. So you know you saw 39 00:02:08,760 --> 00:02:11,519 Speaker 1: an empire short he was from Brownsville, you know what? 40 00:02:12,400 --> 00:02:15,840 Speaker 1: And you equal parts winwoo two. Of course my family 41 00:02:16,080 --> 00:02:19,040 Speaker 1: because the longest, like the oldest Winwood resident at this point, 42 00:02:19,120 --> 00:02:22,000 Speaker 1: right now, your Graham's crib is legendary. Yeah, you already know. 43 00:02:22,120 --> 00:02:24,200 Speaker 1: We're right in the smack in the middle of everything 44 00:02:24,400 --> 00:02:27,320 Speaker 1: right now. They're knocking on the door every day making offers. 45 00:02:27,400 --> 00:02:30,320 Speaker 1: But you know we're grounded. Man. My whole family is here. 46 00:02:30,360 --> 00:02:33,200 Speaker 1: That's the main reason I'm here because my family is 47 00:02:33,400 --> 00:02:37,520 Speaker 1: super super deep in Miami and Winwood and all that. Okay, 48 00:02:37,639 --> 00:02:41,440 Speaker 1: let's make some noise for that. We also got drunk 49 00:02:41,480 --> 00:02:44,880 Speaker 1: Twins Carol cool Twin, Come on, come say what something? Say? 50 00:02:44,919 --> 00:02:46,839 Speaker 1: What's something on? People? How are you doing this? Twin? 51 00:02:46,919 --> 00:02:53,240 Speaker 1: You already know DC twin Instagram? So sexy? Now's that's 52 00:02:53,240 --> 00:02:56,160 Speaker 1: a rule by that Snoop said. Snoop came to you 53 00:02:56,400 --> 00:02:58,840 Speaker 1: during the last episode and he came to you and 54 00:02:58,919 --> 00:03:01,640 Speaker 1: he said, you are gonna beat somebody. Is this true? 55 00:03:02,760 --> 00:03:05,560 Speaker 1: I don't know. He said you're gonna beat somebody. Wake 56 00:03:05,960 --> 00:03:09,959 Speaker 1: somebody witnessed this, so this is just twins. I saw 57 00:03:10,080 --> 00:03:14,720 Speaker 1: him passing the blunt. Yeah, that doesn't mean what he 58 00:03:15,240 --> 00:03:18,440 Speaker 1: was gonna beat. He's gonna beat somebody. He's gonna beat 59 00:03:18,520 --> 00:03:22,720 Speaker 1: somebody that you're gonna beat up somebody. Why would he 60 00:03:22,760 --> 00:03:25,600 Speaker 1: tell you that? I mean, because I see I bought 61 00:03:25,639 --> 00:03:27,480 Speaker 1: him to fight. He's like, yo, twinking one of Vegas 62 00:03:27,480 --> 00:03:30,720 Speaker 1: with eighty dollars. This nigga looked at me like this 63 00:03:30,880 --> 00:03:33,600 Speaker 1: nigga or something ship. I don't know. He just looked 64 00:03:33,600 --> 00:03:35,640 Speaker 1: at me. He's like, yo, he just hatched for the blunt. 65 00:03:35,720 --> 00:03:38,000 Speaker 1: And it was a moment for me, man, because I 66 00:03:38,040 --> 00:03:40,040 Speaker 1: saw this man on TV. So it's just it's crazy. 67 00:03:40,080 --> 00:03:41,720 Speaker 1: It's like dreams turned into reality. You know what I'm 68 00:03:41,960 --> 00:03:45,120 Speaker 1: for the world is just listening. I couldn't understand this 69 00:03:45,240 --> 00:03:48,440 Speaker 1: young nigga language. He just said he went to Vegas 70 00:03:48,560 --> 00:03:51,080 Speaker 1: for three days with eight dollars and he's here to 71 00:03:51,160 --> 00:03:56,120 Speaker 1: survive the story because he made it. Goddamn it. I 72 00:03:56,200 --> 00:03:58,400 Speaker 1: got late free and you got late for free. He 73 00:03:58,440 --> 00:04:00,840 Speaker 1: went to Vegas for eighty dollars. You didn't want to 74 00:04:00,920 --> 00:04:03,400 Speaker 1: do that. We stayed out three days? How many days 75 00:04:03,440 --> 00:04:06,640 Speaker 1: we stayed out there? Three days? Three days? So how 76 00:04:06,680 --> 00:04:08,880 Speaker 1: did you eat? Besides eating pussy? How did you eat? 77 00:04:10,000 --> 00:04:11,760 Speaker 1: It wasn't from my cousin Mike. Man, I don't know 78 00:04:11,840 --> 00:04:18,160 Speaker 1: what the funk I would together like happened that was 79 00:04:18,200 --> 00:04:22,599 Speaker 1: not involved, just coming up. By the way, we had 80 00:04:22,680 --> 00:04:24,559 Speaker 1: hazard a sound studio. What's the name of your studio? 81 00:04:24,600 --> 00:04:27,919 Speaker 1: Has it it Sounds has Studio, has Mat Studios, Thursty 82 00:04:28,040 --> 00:04:33,200 Speaker 1: Howard man Um, How the hell did this polo weekend? 83 00:04:33,320 --> 00:04:37,760 Speaker 1: First off, Low Lives, Let's get into that legendary, legendary 84 00:04:37,839 --> 00:04:43,160 Speaker 1: Low Lives as well. It's all the same, man, poor 85 00:04:43,279 --> 00:04:49,159 Speaker 1: motherfucker's nothing. Nobody giving you ship. Everybody, moms and pops 86 00:04:49,279 --> 00:04:52,880 Speaker 1: is on drugs. We all live in the projects. And 87 00:04:53,760 --> 00:04:55,799 Speaker 1: you know, for me, it's like when you're from Brooklyn 88 00:04:55,920 --> 00:04:58,400 Speaker 1: and Browns and all that nigga's ranked, you know, like 89 00:04:58,680 --> 00:05:01,760 Speaker 1: you know we're ranking, is right, ni tell joke. Motherfucker's 90 00:05:01,800 --> 00:05:04,120 Speaker 1: got fly because they got tired of being ranked on 91 00:05:04,760 --> 00:05:07,320 Speaker 1: Like I'm a ranking as nigger. That's how my battle 92 00:05:07,360 --> 00:05:10,599 Speaker 1: wraps and punch lines and all that come together from ranking. 93 00:05:10,720 --> 00:05:14,000 Speaker 1: So that's what That's how Low Life was born. Niggas 94 00:05:14,000 --> 00:05:16,160 Speaker 1: ain't want to hear that ship. You ain't gonna come 95 00:05:16,160 --> 00:05:18,200 Speaker 1: in my crib, laugh at my crib, laugh at what 96 00:05:18,320 --> 00:05:20,920 Speaker 1: I got on my man's was the same way. You know, 97 00:05:21,120 --> 00:05:23,480 Speaker 1: That's how a lot of ship got built because the 98 00:05:23,680 --> 00:05:27,040 Speaker 1: jokes was really the truth. You know what I mean 99 00:05:29,400 --> 00:05:32,039 Speaker 1: one of the founding members. I'm the originator of the name, 100 00:05:32,600 --> 00:05:35,320 Speaker 1: one of the forces. Yes, I'm the originator of the 101 00:05:35,520 --> 00:05:37,640 Speaker 1: name lowlife. You know what I mean. I was the 102 00:05:37,720 --> 00:05:41,120 Speaker 1: first supposed person to be called the low life and say, yeah, 103 00:05:41,200 --> 00:05:43,880 Speaker 1: we low LIFs. We wear low every day, that's what 104 00:05:44,040 --> 00:05:47,719 Speaker 1: we do. And I'm the nigga who helped enforced money 105 00:05:47,760 --> 00:05:51,080 Speaker 1: holes and clothes and taking it. You posted to take 106 00:05:51,120 --> 00:05:53,840 Speaker 1: it like funk, all that you buying your ship and 107 00:05:53,880 --> 00:05:55,800 Speaker 1: all that. Niggas wasn't trying to hear that. When you 108 00:05:55,960 --> 00:05:59,480 Speaker 1: brought your ship, Niggas laughed at you because niggas was 109 00:05:59,600 --> 00:06:01,840 Speaker 1: taking the man. And there's some browns with ship. It's 110 00:06:01,880 --> 00:06:05,040 Speaker 1: not a game, it's not a joke. But when y'all started, 111 00:06:06,120 --> 00:06:09,160 Speaker 1: Low LIFs formed in nine eight, But all history was 112 00:06:09,320 --> 00:06:13,120 Speaker 1: way before night. We was doing this since like nineteen 113 00:06:13,200 --> 00:06:16,039 Speaker 1: eighty three and stuff like that before we got together 114 00:06:16,480 --> 00:06:18,880 Speaker 1: in eight. Like like I said, we all came from 115 00:06:18,920 --> 00:06:23,200 Speaker 1: graffiti writers and breaknesses and all that. So even in graffiti, 116 00:06:23,279 --> 00:06:25,720 Speaker 1: we stole three hundred cans of spray paint when we 117 00:06:26,080 --> 00:06:29,360 Speaker 1: went to wasn't did it start as a boosting crew. No, 118 00:06:29,600 --> 00:06:33,159 Speaker 1: it started as a punch of poor motherfucker's who stole. 119 00:06:33,360 --> 00:06:38,880 Speaker 1: I never called myself a boost I'm a thief. Not 120 00:06:39,040 --> 00:06:41,800 Speaker 1: only that, I went with all the boosters, and I'm 121 00:06:41,880 --> 00:06:43,640 Speaker 1: the first nigger you know, You're gonna give me some 122 00:06:43,720 --> 00:06:46,200 Speaker 1: free items because I'm gonna keep everybody off your back, 123 00:06:46,680 --> 00:06:48,000 Speaker 1: you know what I mean? It was, It was It 124 00:06:48,160 --> 00:06:50,440 Speaker 1: was way more than boost man, It was about just 125 00:06:50,960 --> 00:06:54,599 Speaker 1: it was griminess altogether. Man. The low Lives come before 126 00:06:54,640 --> 00:06:58,279 Speaker 1: the decept Carns, and we came about the same time 127 00:06:58,279 --> 00:07:00,880 Speaker 1: because we all came from the same places, you know. 128 00:07:01,040 --> 00:07:04,960 Speaker 1: And well like Deceps and my family, I grew up 129 00:07:05,000 --> 00:07:06,920 Speaker 1: with the Deceps. A lot of Deceps was in my 130 00:07:07,040 --> 00:07:10,680 Speaker 1: projects with me. Sean p hung out with me before 131 00:07:10,840 --> 00:07:15,080 Speaker 1: we became low Lives and Deceps, and yeah, you know 132 00:07:15,240 --> 00:07:17,800 Speaker 1: that was always our family. A lot of people thought 133 00:07:17,880 --> 00:07:20,600 Speaker 1: like we were rivals and ship like that. That's bullshit. 134 00:07:21,000 --> 00:07:22,920 Speaker 1: We used to get money together, we used to do 135 00:07:23,120 --> 00:07:25,040 Speaker 1: grime together and all that. But a lot of the 136 00:07:25,480 --> 00:07:29,600 Speaker 1: low Lives and Deceps who had conflict with motherfucker's who 137 00:07:29,680 --> 00:07:32,320 Speaker 1: were the little dudes and people who they know the 138 00:07:32,480 --> 00:07:35,679 Speaker 1: founders and all that. The motherfucker's riding the trains because 139 00:07:36,040 --> 00:07:38,120 Speaker 1: you know how the subway system is in New York, 140 00:07:38,240 --> 00:07:41,640 Speaker 1: there's a whole another world. If you ride the subway, 141 00:07:42,000 --> 00:07:45,600 Speaker 1: you're gonna run into everybody from all over New York. 142 00:07:45,840 --> 00:07:49,960 Speaker 1: Warriors and it was exactly like the motherfucking Warriors. And 143 00:07:50,080 --> 00:07:53,320 Speaker 1: that's where you saw how you was built, because niggas 144 00:07:53,440 --> 00:07:57,920 Speaker 1: was gonna test you from everywhere, especially working within Brooklyn Trains. 145 00:07:58,000 --> 00:08:01,560 Speaker 1: That three train, that eight trains, them trains were serious. 146 00:08:01,720 --> 00:08:05,040 Speaker 1: It's nothing about Brooklyn right now. It's totally different. It's 147 00:08:05,080 --> 00:08:10,880 Speaker 1: not totally different. That's not even Brownsville was getting gentrified. 148 00:08:10,960 --> 00:08:13,160 Speaker 1: Get out of screen. Yeah, I mean, you know, I 149 00:08:13,280 --> 00:08:15,520 Speaker 1: go all the time. I stay in Brownsville. I was 150 00:08:15,600 --> 00:08:19,160 Speaker 1: going to the Planet Fitness in Brownsville, mad white people 151 00:08:19,160 --> 00:08:22,080 Speaker 1: and playing the fitness and I'm on picking nash up 152 00:08:22,360 --> 00:08:25,880 Speaker 1: man white people. I'm going to Tilden projects. I see 153 00:08:26,000 --> 00:08:30,640 Speaker 1: Chinese families coming out the projects. They even read the 154 00:08:31,160 --> 00:08:34,600 Speaker 1: entire train station. That's how you know the cric twin. 155 00:08:34,679 --> 00:08:36,599 Speaker 1: You know what caterrical is is fake clean, come on, 156 00:08:39,480 --> 00:08:44,880 Speaker 1: fakel act when said it. Clearly this continued. Higher level 157 00:08:44,920 --> 00:08:48,120 Speaker 1: of artists started using this and uh, you know like 158 00:08:48,240 --> 00:08:53,040 Speaker 1: justin ding to so long story short, it's not on smooth. 159 00:08:54,000 --> 00:08:59,880 Speaker 1: I can't afford act Philly d Williams character. When when 160 00:08:59,880 --> 00:09:02,559 Speaker 1: you can't afford it, that's when you take it, you 161 00:09:02,600 --> 00:09:08,840 Speaker 1: know what I mean? That's it's everywhere like word, they 162 00:09:09,400 --> 00:09:11,400 Speaker 1: too change whole one. I never heard of no fake, 163 00:09:11,600 --> 00:09:14,160 Speaker 1: I never drank, no leaders. Man, tell us what you 164 00:09:14,280 --> 00:09:17,760 Speaker 1: got going on, star Rock, mant what you got, man, listen, 165 00:09:17,880 --> 00:09:19,400 Speaker 1: let me just be clear. Man. Mr Lee is my 166 00:09:20,000 --> 00:09:22,599 Speaker 1: He's my family. Do you see you following him on 167 00:09:22,679 --> 00:09:25,280 Speaker 1: the Instagram? I just started reading, Oh my god, he 168 00:09:25,520 --> 00:09:27,360 Speaker 1: has the Ellis boat parties that they can invite me 169 00:09:27,400 --> 00:09:31,920 Speaker 1: to anything. That's your blood family. I know you. I 170 00:09:32,040 --> 00:09:37,719 Speaker 1: know your whole party trying to call people. When you 171 00:09:37,880 --> 00:09:44,080 Speaker 1: try to call when you got many girls, you wanted 172 00:09:44,120 --> 00:09:47,200 Speaker 1: to selfish sometimes yeah, but you got the pool parties 173 00:09:47,240 --> 00:09:49,120 Speaker 1: going on, telling people what you got going on in Miami. 174 00:09:49,200 --> 00:09:51,440 Speaker 1: I got the pool parties. I got the excited cars, 175 00:09:51,840 --> 00:09:53,520 Speaker 1: the book and if you want to book, no Rey 176 00:09:53,679 --> 00:10:04,959 Speaker 1: Dream Champs, kids Dmax and no police bookings, no police 177 00:10:05,280 --> 00:10:07,640 Speaker 1: to leave us a money man. You know I'm a husband, baby, 178 00:10:07,880 --> 00:10:09,800 Speaker 1: That's what we do. And just start rock clothing shot 179 00:10:09,880 --> 00:10:11,840 Speaker 1: that I got this star Rock clothing to the star 180 00:10:11,960 --> 00:10:14,079 Speaker 1: rock Clothing dot Com. You know you can find those 181 00:10:14,120 --> 00:10:17,520 Speaker 1: spicious spicious need those, I need those, you know what 182 00:10:17,559 --> 00:10:20,720 Speaker 1: I mean? This is drink now. You know we gotta 183 00:10:20,720 --> 00:10:24,199 Speaker 1: ask every question, everybody this question. Do you I heard? 184 00:10:24,240 --> 00:10:25,959 Speaker 1: I heard this show? You know what? Let me tell you. 185 00:10:26,440 --> 00:10:30,360 Speaker 1: Let me listen, listen fifty out everybody before we get 186 00:10:30,720 --> 00:10:35,920 Speaker 1: But I'm gonna be really like only be eating no ass. 187 00:10:36,040 --> 00:10:40,319 Speaker 1: I don't be really eating no pussy. But hold hold on. 188 00:10:40,920 --> 00:10:44,280 Speaker 1: I'm a master where it has to go down. You 189 00:10:44,360 --> 00:10:47,200 Speaker 1: know what I mean? Yeah, you still gotta eat sometimes. 190 00:10:47,440 --> 00:10:51,719 Speaker 1: Let me tell you I'm a mask right now like 191 00:10:52,120 --> 00:10:54,520 Speaker 1: I did whatever I had to do all my come up, 192 00:10:54,840 --> 00:10:57,559 Speaker 1: but then I stopped because if you don't deserve it, 193 00:10:57,720 --> 00:11:00,280 Speaker 1: you don't deserve it. If you don't do that, want 194 00:11:00,280 --> 00:11:03,000 Speaker 1: to press me. I ain't got doing pressure because let 195 00:11:03,040 --> 00:11:05,960 Speaker 1: me I'll get busy swinging alone. Let me tell you something. 196 00:11:06,040 --> 00:11:08,800 Speaker 1: My grandfather he never had the Birds and the Bees 197 00:11:08,840 --> 00:11:12,600 Speaker 1: conversation with me. The first conversation my grandfather had. Are 198 00:11:12,600 --> 00:11:23,480 Speaker 1: you doing like my grandfather? So it's important judicial I'm 199 00:11:23,480 --> 00:11:26,240 Speaker 1: gonna tell you some crazy ship when I first ate pussy. Right, 200 00:11:26,720 --> 00:11:29,160 Speaker 1: let's get it. I'm gonna be real, this real ship. 201 00:11:29,640 --> 00:11:32,040 Speaker 1: You know. I did bids early, like you know, early 202 00:11:32,120 --> 00:11:34,360 Speaker 1: in the game and all that. And every time I 203 00:11:34,440 --> 00:11:39,240 Speaker 1: went to jail, niggas jail gass me up about something else. 204 00:11:39,400 --> 00:11:42,240 Speaker 1: So I remember I went. I did a bit at sixteen. 205 00:11:42,280 --> 00:11:45,320 Speaker 1: When I went home, niggas had me gas about eating pussy. No, right, 206 00:11:45,520 --> 00:11:48,439 Speaker 1: Dolan's sixteen spart is when when you before or six 207 00:11:49,480 --> 00:11:52,280 Speaker 1: So nigga's like you ain't never I never eat no pussy. 208 00:11:52,360 --> 00:11:54,400 Speaker 1: I'm a jail with all these niggas telling me all 209 00:11:54,440 --> 00:11:58,280 Speaker 1: these pussy eating story and the craziest ship. Right. I 210 00:11:58,440 --> 00:12:00,960 Speaker 1: was in the bing with my man bad Stock, right, 211 00:12:01,000 --> 00:12:03,720 Speaker 1: so we used to be next to each other, telling me, Yo, 212 00:12:03,800 --> 00:12:05,319 Speaker 1: call this bitch for me when you get on the 213 00:12:05,360 --> 00:12:07,240 Speaker 1: phone out. So I called him, but he hooked me 214 00:12:07,320 --> 00:12:10,440 Speaker 1: up with a bitch from the bing. Right. The bitch 215 00:12:10,600 --> 00:12:15,360 Speaker 1: name was Trip right. It's crazy. This was the first 216 00:12:16,720 --> 00:12:24,959 Speaker 1: The bitch was from bed Stock. You gotta be The 217 00:12:25,120 --> 00:12:27,360 Speaker 1: first day I got home from that bit, I ate 218 00:12:27,440 --> 00:12:34,280 Speaker 1: that bitch pussy because you are legend. Hold On, yeah, Brooklyn, 219 00:12:35,120 --> 00:12:40,199 Speaker 1: it's still be ye girl, and I gotta suit my 220 00:12:40,320 --> 00:12:42,040 Speaker 1: man for hooking me up with that bitch because I 221 00:12:42,080 --> 00:12:47,080 Speaker 1: still fun. No, I I can still funk with that bitch. 222 00:12:47,120 --> 00:12:51,080 Speaker 1: Sit today. That's real. So she's still alive, she's still 223 00:12:53,160 --> 00:12:55,600 Speaker 1: Let me ask you a question real quick, twin, how 224 00:12:55,640 --> 00:12:58,440 Speaker 1: many bitches M named tripe? You ain't dead? Pussy as well? 225 00:12:58,520 --> 00:13:00,400 Speaker 1: You can still him to this day. None of them 226 00:13:00,520 --> 00:13:02,199 Speaker 1: they tried, but both of them started when the m 227 00:13:02,320 --> 00:13:06,760 Speaker 1: and you know who you are? Wait started with M man. 228 00:13:07,040 --> 00:13:08,839 Speaker 1: You know who you are, bitch. I ain't shout you out. 229 00:13:09,120 --> 00:13:14,600 Speaker 1: You feel me, yo, Michelle, you know there's a lot 230 00:13:14,679 --> 00:13:17,960 Speaker 1: of Michelles. You feel me where Miami know the word 231 00:13:17,960 --> 00:13:20,160 Speaker 1: about it? And Melissa you know what time he's talking 232 00:13:20,600 --> 00:13:26,960 Speaker 1: like it's Michelle right about the mic but I probably cherry, 233 00:13:27,000 --> 00:13:29,560 Speaker 1: you know what I'm saying. So you feel the taco 234 00:13:29,640 --> 00:13:39,440 Speaker 1: spots n me sucking my high school check. I just somewhere. Yeah, yeah, chick, 235 00:13:40,160 --> 00:13:42,959 Speaker 1: ex chick was with somebody else at the time. You 236 00:13:42,960 --> 00:13:44,960 Speaker 1: saw your ex chick with another nigger? Right? How did 237 00:13:45,000 --> 00:13:47,600 Speaker 1: this go down? How did it feel in your inside? 238 00:13:48,200 --> 00:13:51,040 Speaker 1: Felt great? I feel great. You're looking at funnel photo. 239 00:13:51,760 --> 00:13:56,679 Speaker 1: You looked a little jealous, didn't Yeah? I didn't not word. 240 00:13:56,920 --> 00:13:59,360 Speaker 1: It was dope. I'm blind, ye know, she got fat 241 00:13:59,440 --> 00:14:01,560 Speaker 1: my nigger it up like I'm good on that sign. 242 00:14:01,679 --> 00:14:07,520 Speaker 1: I was, man, was gonna eat fat pussy to speak 243 00:14:07,520 --> 00:14:10,559 Speaker 1: about this on the drink before fat fat pussy his 244 00:14:10,600 --> 00:14:14,360 Speaker 1: fat puzzy hard. No, no, fat pussy. I ain't a 245 00:14:14,400 --> 00:14:21,000 Speaker 1: factors because they fucked fat pussy. Eddie Gigs is three plus. 246 00:14:21,320 --> 00:14:23,640 Speaker 1: That's how he deals with it. Was Eddie Gigs. So 247 00:14:24,480 --> 00:14:26,480 Speaker 1: how about the other dude with the Taco spots Win 248 00:14:26,520 --> 00:14:30,960 Speaker 1: you got beat for him for nobody's son. He just 249 00:14:31,120 --> 00:14:33,680 Speaker 1: he was DJ. Homey knew who I was with, you know, 250 00:14:33,760 --> 00:14:40,840 Speaker 1: girl word I'm saying, but she was with the Homey 251 00:14:40,920 --> 00:14:42,960 Speaker 1: Home was the DJ. You know, it was someone important, 252 00:14:43,000 --> 00:14:44,400 Speaker 1: you know. And he was the DJ at the Tacos. 253 00:14:44,720 --> 00:14:48,000 Speaker 1: He was just like he was a DJ the Tacos 254 00:14:48,040 --> 00:14:53,600 Speaker 1: pot Man. No, no, her Man Man, Taco DJ. Her 255 00:14:53,640 --> 00:14:58,360 Speaker 1: Man was. He's the Taco DJ. That's true. No, they 256 00:14:58,440 --> 00:15:00,720 Speaker 1: want him to be the taco wasn't we're talking. I 257 00:15:00,840 --> 00:15:03,040 Speaker 1: know he was there was just there, you know, family. 258 00:15:03,160 --> 00:15:05,560 Speaker 1: Whatever I looked back, I thought I saw a ghost, 259 00:15:05,720 --> 00:15:07,400 Speaker 1: you know what I mean, because I saw a familiar face. 260 00:15:07,520 --> 00:15:09,240 Speaker 1: Though short, he got big you know what I mean. 261 00:15:10,200 --> 00:15:14,440 Speaker 1: I don't friend. I don't remember her that big. So 262 00:15:14,520 --> 00:15:20,160 Speaker 1: I was like when she gave my nigga before, I'm broken. 263 00:15:20,240 --> 00:15:25,920 Speaker 1: I'm broke. I can't get the Vegas with eighty dollars. One. 264 00:15:26,200 --> 00:15:28,640 Speaker 1: Let me make this clear. I went to Vegas with 265 00:15:28,720 --> 00:15:33,760 Speaker 1: two hunted my nigga. Hold up my last my last 266 00:15:35,280 --> 00:15:38,040 Speaker 1: I was so my second day I had I spented 267 00:15:38,080 --> 00:15:40,320 Speaker 1: like one twenty my first day, so I had eighty dollars. 268 00:15:41,000 --> 00:15:43,400 Speaker 1: So my second day I had two dollars. Meant this 269 00:15:43,520 --> 00:15:46,160 Speaker 1: hooker my nigga, and you know what I'm saying, she 270 00:15:46,280 --> 00:15:48,480 Speaker 1: hooked it up. My name story is sound much better 271 00:15:48,520 --> 00:15:53,480 Speaker 1: than the sound in Vegas. It was she gave me money, 272 00:15:55,320 --> 00:16:12,360 Speaker 1: just said because I made one free, We're good. You 273 00:16:12,440 --> 00:16:17,880 Speaker 1: know that went from the eighties. We went to the 274 00:16:17,960 --> 00:16:22,760 Speaker 1: Crowfit spot. I see that it was the Crowfit. It 275 00:16:22,920 --> 00:16:26,000 Speaker 1: was good. You didn't bite my fuckers. I know. We 276 00:16:26,120 --> 00:16:28,720 Speaker 1: just put the spread a moment and Coroc came want 277 00:16:28,800 --> 00:16:30,600 Speaker 1: us that. I think that think a twitter. I kept 278 00:16:30,640 --> 00:16:36,040 Speaker 1: looking at that. Mike looked at them. They got each other, 279 00:16:36,560 --> 00:16:39,600 Speaker 1: but I didn't see you. I know money, it's the 280 00:16:39,640 --> 00:16:44,280 Speaker 1: build a bill. What happens when the crying minds. Mike 281 00:16:44,360 --> 00:16:47,320 Speaker 1: looking right at you. Wait, we're looking at you know, 282 00:16:47,600 --> 00:16:51,400 Speaker 1: Fish is mad big son. No, that's not what. I 283 00:16:51,400 --> 00:16:52,960 Speaker 1: don't know what happened when the bill came. You know 284 00:16:53,000 --> 00:16:56,640 Speaker 1: what I'm saying, I don't know. I think I put 285 00:16:57,080 --> 00:16:59,520 Speaker 1: up my cousin. Mike spotted me. Let me just knows 286 00:16:59,560 --> 00:17:01,920 Speaker 1: what happened my mind. When you're saying I'm going to 287 00:17:01,960 --> 00:17:04,840 Speaker 1: another state and two hundred hours can hold me down 288 00:17:05,000 --> 00:17:07,480 Speaker 1: like for three days, what is in your mind? I'm 289 00:17:07,520 --> 00:17:09,400 Speaker 1: there to witness history. That's what is in my mind. 290 00:17:09,440 --> 00:17:15,879 Speaker 1: It's a great answer. Yeah, that's a little that follow 291 00:17:15,960 --> 00:17:22,000 Speaker 1: him on Instagram? What's your saint? C two? W I M. 292 00:17:22,119 --> 00:17:26,200 Speaker 1: You're like the young girls? Right, I'm twenty two, you eighteen? 293 00:17:29,359 --> 00:17:38,080 Speaker 1: He mass that out stabblished on the last episode. Has 294 00:17:38,160 --> 00:17:40,080 Speaker 1: what's going on with you? Man? We ain't your studio. Man, 295 00:17:40,080 --> 00:17:44,000 Speaker 1: you're trying to a new studio. Things great? Rich Blanco 296 00:17:44,080 --> 00:17:47,560 Speaker 1: too on the camera. Drain on them, big drain has 297 00:17:47,640 --> 00:17:49,879 Speaker 1: Man studios. You know what I'm saying now, but for business, 298 00:17:49,960 --> 00:17:52,959 Speaker 1: so make sure you high at your boy. Has Man 299 00:17:53,040 --> 00:17:57,280 Speaker 1: Studios not open for business? How many people record you? Mix? 300 00:17:57,359 --> 00:18:02,560 Speaker 1: How many people? Man? Everybody from noriy Too, Little Wayne 301 00:18:02,680 --> 00:18:07,560 Speaker 1: to Rick Ross, Frank sinatrav Um, fucking pushing t Meet Mills, 302 00:18:08,840 --> 00:18:14,280 Speaker 1: Macy Gray, God damn it to keep going. MLP gonna 303 00:18:14,320 --> 00:18:17,840 Speaker 1: play everybody and let me also big up DJ butch 304 00:18:17,960 --> 00:18:19,760 Speaker 1: Rock to you know what I'm saying, held it down 305 00:18:19,840 --> 00:18:22,280 Speaker 1: on Hot ninety seven this past Thursday. They just passed. 306 00:18:22,320 --> 00:18:24,760 Speaker 1: You know what I'm saying, I held it. I held 307 00:18:24,800 --> 00:18:27,080 Speaker 1: it down and um uh he was in New York 308 00:18:27,160 --> 00:18:28,600 Speaker 1: and he did the live mix. You know what I'm saying, 309 00:18:28,640 --> 00:18:30,480 Speaker 1: some big up DJ butch Rock Man. I think his 310 00:18:30,880 --> 00:18:33,600 Speaker 1: instagram is butch Rock seven one eight, you know, followed 311 00:18:33,640 --> 00:18:36,119 Speaker 1: the dog and he also was on the podcast and 312 00:18:37,880 --> 00:18:41,120 Speaker 1: d j K and DJ and Man were definitely Man, 313 00:18:41,880 --> 00:18:45,280 Speaker 1: that's yeah, that's what a Rich Blancos in the building. 314 00:18:45,520 --> 00:18:47,840 Speaker 1: Who else we said, Oh that's right, Draine, we gotta 315 00:18:47,840 --> 00:18:49,920 Speaker 1: pick up drain drains. Been taking all the pictures. He 316 00:18:50,000 --> 00:18:53,280 Speaker 1: takes amazing pictures, taking amazing pictures for you know, and 317 00:18:53,440 --> 00:18:56,720 Speaker 1: Rich Blanco. We're not like other podcasts where you know, 318 00:18:56,840 --> 00:18:59,760 Speaker 1: these guys go out and they hire interns. Uh, we 319 00:18:59,800 --> 00:19:02,040 Speaker 1: got we got our same people that that comes with us. 320 00:19:02,119 --> 00:19:05,560 Speaker 1: This is uh pressure on. This is a game. Yeah. Yeah, 321 00:19:06,000 --> 00:19:09,920 Speaker 1: he's top photographer and top videographer. And then the other one, 322 00:19:10,280 --> 00:19:12,600 Speaker 1: Drain is a top photographer. Did I just speak smart? 323 00:19:13,480 --> 00:19:17,160 Speaker 1: You went? You never make some line to me trying 324 00:19:17,200 --> 00:19:23,439 Speaker 1: to make six pre source movies just coming out. What's 325 00:19:23,440 --> 00:19:25,159 Speaker 1: going on? Yeah? You got something from so let me 326 00:19:25,200 --> 00:19:27,280 Speaker 1: ask you something. Let me ask you something. If I 327 00:19:27,480 --> 00:19:31,000 Speaker 1: wear Polo from had the Toe, well, could another low 328 00:19:31,080 --> 00:19:32,560 Speaker 1: Life come up to me and be like, is you 329 00:19:32,640 --> 00:19:35,919 Speaker 1: low Life? And like niggas will ask you? They were 330 00:19:36,000 --> 00:19:38,640 Speaker 1: actually like what would that statement be? Like, I mean, 331 00:19:38,880 --> 00:19:40,800 Speaker 1: first they're gonna ask you if you say yeah, I'm 332 00:19:40,840 --> 00:19:43,040 Speaker 1: low Life, They're gonna ask you where you get your 333 00:19:43,080 --> 00:19:49,360 Speaker 1: elves from? Like that, being like, you can't just tell 334 00:19:49,359 --> 00:19:52,440 Speaker 1: you it's crazy ship because you wear low Life. You 335 00:19:52,520 --> 00:19:54,439 Speaker 1: were a new Polo. It's man low life who never 336 00:19:54,560 --> 00:19:56,760 Speaker 1: wore polar And you told me originally if it wasn't 337 00:19:56,760 --> 00:19:58,879 Speaker 1: about Polo, you told me that one. It was about 338 00:19:58,960 --> 00:20:01,320 Speaker 1: the grime. So it was about the survival. It was 339 00:20:01,359 --> 00:20:03,800 Speaker 1: about you know, it was about the evolution of fashion. 340 00:20:03,960 --> 00:20:07,200 Speaker 1: We started with everything from the sheep skins to the 341 00:20:07,359 --> 00:20:12,960 Speaker 1: Dida suits, Puma suits, Benaton where just it was the 342 00:20:13,040 --> 00:20:15,960 Speaker 1: evolution Polo was the nigger. When we got there, he 343 00:20:16,160 --> 00:20:20,240 Speaker 1: was becoming seasonal. I never saw a brand be seasonal 344 00:20:20,359 --> 00:20:23,800 Speaker 1: where seasonal where they came out every season. When it 345 00:20:23,920 --> 00:20:26,080 Speaker 1: was time for summer, they had summer ship. When it 346 00:20:26,160 --> 00:20:28,320 Speaker 1: was time for US four, they had four ship. When 347 00:20:28,320 --> 00:20:30,080 Speaker 1: it was time to be in a snow, they had 348 00:20:30,119 --> 00:20:33,160 Speaker 1: the ship with the snow. Polo was the first brand 349 00:20:33,240 --> 00:20:36,080 Speaker 1: I ever saw a seasonal. That's probably why he we 350 00:20:36,280 --> 00:20:39,760 Speaker 1: dominated him because he came so much with it, not 351 00:20:39,960 --> 00:20:42,280 Speaker 1: like the other brands. You know what Didas was coming out. 352 00:20:44,560 --> 00:20:51,160 Speaker 1: I'm rocking guests right now, Yes, get stories out, spill 353 00:20:51,680 --> 00:20:55,000 Speaker 1: you just gotta seek it out the track bad, it's 354 00:20:55,080 --> 00:20:57,800 Speaker 1: back hard body. I always dressed my kids and guests. 355 00:20:58,240 --> 00:21:02,840 Speaker 1: Was Squared Mall ship, right, yeah, sure. I got my 356 00:21:02,960 --> 00:21:06,120 Speaker 1: first fronts from I'll be Square Malls. They were frames, 357 00:21:06,280 --> 00:21:10,000 Speaker 1: that first fronts, and you know what, you couldn't go 358 00:21:10,119 --> 00:21:12,280 Speaker 1: and all be squire more before and by front because 359 00:21:12,359 --> 00:21:13,960 Speaker 1: Nigga's gonna take him out of your mouth. I ain't 360 00:21:13,960 --> 00:21:16,840 Speaker 1: gonna front nigga right in front of me. I was 361 00:21:16,880 --> 00:21:19,919 Speaker 1: like like, I was like eleven, like niggas ain't wan 362 00:21:20,040 --> 00:21:22,680 Speaker 1: wrong thought about it. I'm you know what I'm saying, 363 00:21:22,880 --> 00:21:24,520 Speaker 1: but yeah, I've seen the right right in front me. 364 00:21:24,520 --> 00:21:28,399 Speaker 1: I'll be right. You know, a lot a lot of 365 00:21:28,440 --> 00:21:32,440 Speaker 1: at this like loves my family out of four Green, 366 00:21:32,520 --> 00:21:34,239 Speaker 1: my family out of Farragan, and you know what I mean. 367 00:21:34,600 --> 00:21:37,440 Speaker 1: Definitely big y'all up that rolls in four Green, you 368 00:21:37,520 --> 00:21:39,800 Speaker 1: know what I mean? I rocked with everybody over there. 369 00:21:40,440 --> 00:21:45,040 Speaker 1: Wasn't the real Supreme magnetic from there. He hung in 370 00:21:45,200 --> 00:21:48,840 Speaker 1: Fourth Green with every be and fifty and the original 371 00:21:49,200 --> 00:21:55,960 Speaker 1: hold up. He was Porto Rican. Give him some because 372 00:21:56,000 --> 00:21:58,960 Speaker 1: they used to confuse us like crazy, Yeah, And I 373 00:21:59,080 --> 00:22:00,840 Speaker 1: used to get this ship because up him. It's like 374 00:22:00,920 --> 00:22:02,600 Speaker 1: I used to get a ship because niggers thought I 375 00:22:02,680 --> 00:22:05,560 Speaker 1: was Fuji when when it was like every Puerto Rican 376 00:22:05,640 --> 00:22:09,040 Speaker 1: nigger that came from a black neighborhood that really represented 377 00:22:09,080 --> 00:22:12,520 Speaker 1: on some live Puerto Rican ship, they all got confused 378 00:22:12,560 --> 00:22:14,879 Speaker 1: for the other one from over there because everybody to 379 00:22:15,080 --> 00:22:22,320 Speaker 1: everybody was everybody, Yeah, that's crazy, that's someone's the true 380 00:22:22,359 --> 00:22:24,680 Speaker 1: Supreme was the truth. He got involved in the music. 381 00:22:24,800 --> 00:22:28,040 Speaker 1: He's he's alive still, he's doing this thing. He's on 382 00:22:28,160 --> 00:22:30,320 Speaker 1: the low and he's doing this thing. I'm interested in 383 00:22:30,400 --> 00:22:33,480 Speaker 1: his movie man, and he he's on the back of 384 00:22:33,560 --> 00:22:36,680 Speaker 1: the Painting Full album coming. He's the Puerto Rican thinking 385 00:22:36,800 --> 00:22:39,840 Speaker 1: right there with all the jewels. This is in the 386 00:22:40,080 --> 00:22:42,359 Speaker 1: r E. And I've always been interested in your life story. 387 00:22:42,640 --> 00:22:44,480 Speaker 1: I don't know if that's something you're interested in doing, 388 00:22:44,600 --> 00:22:50,440 Speaker 1: but I would love to be behind that biopic. Same 389 00:22:50,560 --> 00:22:52,959 Speaker 1: same like Jesus from Cypless, you know what I mean. 390 00:22:52,960 --> 00:22:55,159 Speaker 1: A lot of people don't know about Jesus. You know, 391 00:22:55,400 --> 00:22:58,440 Speaker 1: Jesus rocked with the A Team. He rocked with Pig 392 00:22:58,640 --> 00:23:02,280 Speaker 1: and dragted Jesus because remember Jesus was like Jesus be 393 00:23:02,400 --> 00:23:05,320 Speaker 1: like a notorious drug dealer and all that. But he 394 00:23:05,520 --> 00:23:07,639 Speaker 1: was from the eight Team. People who don't know, like 395 00:23:07,800 --> 00:23:10,000 Speaker 1: there were so many clicks back in the eighties and 396 00:23:10,080 --> 00:23:15,120 Speaker 1: all that that really terrorized Ship and Cypress Hills projects 397 00:23:15,160 --> 00:23:18,000 Speaker 1: and all that was another one of those projects from 398 00:23:18,000 --> 00:23:21,480 Speaker 1: the West. Not at all. People were confused, Yeah, because 399 00:23:21,520 --> 00:23:23,920 Speaker 1: nobody ever heard of a Cypress in l A. Because 400 00:23:23,960 --> 00:23:27,040 Speaker 1: the Cypress from New York made so much fucking noise 401 00:23:27,400 --> 00:23:30,560 Speaker 1: and they terrorized Ship, especially in the clubs of New 402 00:23:30,640 --> 00:23:33,680 Speaker 1: York City and all that. So Jesus was my son's 403 00:23:33,800 --> 00:23:36,480 Speaker 1: name is Jesus, You know what I mean because I 404 00:23:36,600 --> 00:23:39,760 Speaker 1: always saw Jesus from Cypress as a Puerto Rican not 405 00:23:39,880 --> 00:23:43,080 Speaker 1: to look up to and respect, because he laid foundation 406 00:23:43,160 --> 00:23:46,360 Speaker 1: for Puerto Ricans to be respected. So niggas know when 407 00:23:46,400 --> 00:23:48,920 Speaker 1: you know, regardless of who we're dealing with, you're gonna 408 00:23:48,960 --> 00:23:55,920 Speaker 1: respect the motherfucking Puerto Rican. Puerto Rican, yeah said, Puerto 409 00:23:56,000 --> 00:23:58,480 Speaker 1: Ricans got damn Look at my cousin back there. That's right, Baby, 410 00:23:58,960 --> 00:24:01,000 Speaker 1: comes out out to Twitter. Tell him, tell him you 411 00:24:01,119 --> 00:24:07,520 Speaker 1: was playing when you said fifteen. Come on, Yeah, I 412 00:24:07,640 --> 00:24:14,520 Speaker 1: funked up when I said fifteen that the people got 413 00:24:14,640 --> 00:24:18,600 Speaker 1: l three. Yeah, I just school. Oh for I knew 414 00:24:18,640 --> 00:24:20,199 Speaker 1: him since his mother used to not let him come 415 00:24:20,200 --> 00:24:22,520 Speaker 1: outside the house, A fact. I got damn it, man, 416 00:24:22,720 --> 00:24:25,399 Speaker 1: I I was so annoyed. Y'all have more in common 417 00:24:25,440 --> 00:24:28,280 Speaker 1: than you than he knows. And one of the things 418 00:24:28,359 --> 00:24:31,000 Speaker 1: is that m so when it was locked up and 419 00:24:31,040 --> 00:24:32,960 Speaker 1: you went to school right when he was locked up 420 00:24:33,440 --> 00:24:34,840 Speaker 1: and you was doing program, I don't know you went 421 00:24:34,880 --> 00:24:36,399 Speaker 1: to school. I don't remember. I went to school like 422 00:24:36,440 --> 00:24:39,160 Speaker 1: crazy in prison. Okay, So, but you did the program, 423 00:24:39,240 --> 00:24:42,960 Speaker 1: the MTV program, the thing that programs that I came 424 00:24:43,040 --> 00:24:48,680 Speaker 1: from after I mean TV, and you not want to 425 00:24:48,720 --> 00:24:52,000 Speaker 1: get was able to work at MTV program want to 426 00:24:52,040 --> 00:24:53,880 Speaker 1: Deal right now, Like what Joe was that I'm going, 427 00:24:54,840 --> 00:24:57,000 Speaker 1: I think this is a crazy story, you know. I 428 00:24:57,080 --> 00:24:59,040 Speaker 1: mean when you know, when when I when I did 429 00:24:59,160 --> 00:25:02,119 Speaker 1: my bid and all my last bid, you know, I 430 00:25:02,520 --> 00:25:06,240 Speaker 1: really took advantage of all the vocation on technical programs 431 00:25:06,320 --> 00:25:08,520 Speaker 1: that prison had to offer. You. I was in this 432 00:25:08,680 --> 00:25:13,640 Speaker 1: one facility called Ulster facility, you know what I mean, County, Yeah, 433 00:25:13,760 --> 00:25:16,240 Speaker 1: Ulster County. You know that was like the reception, Yeah, 434 00:25:16,240 --> 00:25:18,480 Speaker 1: that's the reception, send you up north. But when I 435 00:25:18,600 --> 00:25:21,119 Speaker 1: got to Ogdensburg and things like that, they had so 436 00:25:21,359 --> 00:25:25,280 Speaker 1: many programs. Octersburg was five minutes from Canada. You can 437 00:25:25,320 --> 00:25:29,280 Speaker 1: see the bridge in Canada. You can see Riverview Prison 438 00:25:29,400 --> 00:25:31,879 Speaker 1: across the street. Like you know, I've been back and 439 00:25:32,000 --> 00:25:34,959 Speaker 1: forth between both of these prison But the main thing 440 00:25:35,080 --> 00:25:37,960 Speaker 1: is that I took advantage of the vocation on technical 441 00:25:38,119 --> 00:25:41,439 Speaker 1: programs that they had there. I learned small engine repair, 442 00:25:41,920 --> 00:25:47,159 Speaker 1: business repair, custodio maintenance, general business, all these things that 443 00:25:47,280 --> 00:25:50,280 Speaker 1: I got certified in. Before that, I dropped out of 444 00:25:50,359 --> 00:25:54,080 Speaker 1: school in junior high school and Brown's being to seventy five, 445 00:25:54,280 --> 00:25:56,399 Speaker 1: you know what I mean? Junior high school to seventy 446 00:25:56,440 --> 00:25:58,840 Speaker 1: five Browns. But when I stopped going to school. So 447 00:25:59,040 --> 00:26:02,240 Speaker 1: now coming home from all that, I got put on 448 00:26:02,320 --> 00:26:04,840 Speaker 1: the work release program after like a couple of years, 449 00:26:04,960 --> 00:26:07,399 Speaker 1: right I was eligible for that. I was trying to 450 00:26:07,480 --> 00:26:10,480 Speaker 1: behave and all that. My bid was like a two 451 00:26:10,600 --> 00:26:13,240 Speaker 1: to four, but I wanted. I wand up doing the 452 00:26:13,280 --> 00:26:18,520 Speaker 1: whole motherfucking four, you know what I mean. Like in 453 00:26:18,560 --> 00:26:21,000 Speaker 1: the middle of it, ain't nothing going wrong. I was 454 00:26:21,119 --> 00:26:23,920 Speaker 1: doing what I had to do. But in that same sense, 455 00:26:24,520 --> 00:26:26,840 Speaker 1: when when I went to the work release program, which 456 00:26:26,840 --> 00:26:29,359 Speaker 1: I got transferred out on the riots and ship like that, 457 00:26:29,480 --> 00:26:31,600 Speaker 1: when riots would go down, they take out whoever got 458 00:26:31,680 --> 00:26:34,480 Speaker 1: influenced in jail and they're gonna send you all over. 459 00:26:34,600 --> 00:26:38,199 Speaker 1: So Nigga went to work release for real, all right, 460 00:26:38,280 --> 00:26:40,399 Speaker 1: because my ship was pretty clean. They just shipped me 461 00:26:40,480 --> 00:26:44,840 Speaker 1: out for for whatever my influences. But I'm still clean, 462 00:26:44,960 --> 00:26:47,720 Speaker 1: y'are not catching me doing ship. So now when I 463 00:26:47,800 --> 00:26:51,040 Speaker 1: get into that, I'm putting all these alternative to violence 464 00:26:51,119 --> 00:26:54,159 Speaker 1: programs and all that. And this one program I was 465 00:26:54,240 --> 00:26:59,159 Speaker 1: put in called the America I Can Foundation for Social Change, 466 00:26:59,640 --> 00:27:02,960 Speaker 1: which was the Jim Brown Program. The Jim Brown the 467 00:27:03,040 --> 00:27:05,480 Speaker 1: Football Hall of Fame and it was his program that 468 00:27:05,640 --> 00:27:10,560 Speaker 1: taught all these ex gang members and drug on the 469 00:27:10,800 --> 00:27:14,200 Speaker 1: straight on the West Coast. So I was the first 470 00:27:14,359 --> 00:27:17,879 Speaker 1: class to really be put in this program and I 471 00:27:18,000 --> 00:27:21,240 Speaker 1: graduated the class while I was on work release in 472 00:27:21,359 --> 00:27:23,680 Speaker 1: the work release facility, you know what I mean. So 473 00:27:24,119 --> 00:27:28,560 Speaker 1: when I graduated the class on my graduation day, they 474 00:27:28,680 --> 00:27:31,720 Speaker 1: asked me to become the facilitator and teach the class 475 00:27:31,800 --> 00:27:34,119 Speaker 1: to the rest of the work release inmates, you know 476 00:27:34,119 --> 00:27:36,479 Speaker 1: what I mean. And at the same time, when all 477 00:27:36,560 --> 00:27:39,000 Speaker 1: this was happening, I went to the parole board and 478 00:27:39,160 --> 00:27:42,120 Speaker 1: got hit with two years all at the same time. 479 00:27:42,520 --> 00:27:44,520 Speaker 1: So the fact that I had this job and all 480 00:27:44,560 --> 00:27:47,040 Speaker 1: that I was able to remain on work release for 481 00:27:47,160 --> 00:27:48,760 Speaker 1: the rest of the two years that I had to 482 00:27:48,800 --> 00:27:51,159 Speaker 1: go when I got hit. And from there I got 483 00:27:51,240 --> 00:27:56,560 Speaker 1: a job at MTV or to the Merrikan Foundation for 484 00:27:56,640 --> 00:28:00,399 Speaker 1: Social Change. They facilitated, but I particip to pay the 485 00:28:00,480 --> 00:28:04,000 Speaker 1: tour and extent that people will offer me things try 486 00:28:04,040 --> 00:28:05,920 Speaker 1: to help me change my life and to put me 487 00:28:06,000 --> 00:28:08,679 Speaker 1: on a different path. And that ship works. How they 488 00:28:08,800 --> 00:28:11,880 Speaker 1: convinced MTV that you're the guy that he's worked there. 489 00:28:12,800 --> 00:28:16,359 Speaker 1: Um the way that they convinced MTV. What they said, Listen, 490 00:28:16,560 --> 00:28:19,600 Speaker 1: MTV is willing to help somebody, but you gotta come 491 00:28:19,680 --> 00:28:22,000 Speaker 1: work for free. What's the opening, the job opening? What 492 00:28:22,160 --> 00:28:31,200 Speaker 1: is it work for free? Problem opening? Some crazy crazy shit. 493 00:28:31,720 --> 00:28:36,600 Speaker 1: I'm fresh out of jail. I'm cock diesel like a motherfucker. 494 00:28:37,119 --> 00:28:40,800 Speaker 1: My first day, they take me to the MTV beach 495 00:28:40,840 --> 00:28:49,200 Speaker 1: house in the Hamptons. In that head. Come on, I'm 496 00:28:49,240 --> 00:28:55,200 Speaker 1: telling the story in the Hamptons, like you know, I 497 00:28:55,320 --> 00:28:58,040 Speaker 1: go someplace to meet them, five o'clock in the morning. 498 00:28:58,480 --> 00:29:00,680 Speaker 1: I'm sitting there a quiet as a wanna fun, all 499 00:29:00,720 --> 00:29:04,040 Speaker 1: these people coming. The first thing I knew was not 500 00:29:04,240 --> 00:29:07,880 Speaker 1: to tell nobody ship about me. Shut the funk up, 501 00:29:08,280 --> 00:29:10,160 Speaker 1: do whatever they wanted me to do, you know what 502 00:29:10,200 --> 00:29:13,080 Speaker 1: I mean. But I'm in the Hamptons, first day, beach 503 00:29:13,160 --> 00:29:16,720 Speaker 1: house popping, all this ship going on. All I'm trying 504 00:29:16,760 --> 00:29:18,680 Speaker 1: to do is do a good job so they could 505 00:29:18,720 --> 00:29:21,440 Speaker 1: ask me to come back another day. And that ship 506 00:29:21,560 --> 00:29:31,000 Speaker 1: turned into ten years at MTV, fresh out of jail, 507 00:29:31,680 --> 00:29:34,440 Speaker 1: and the biggest thing was I shut the funk up. 508 00:29:34,480 --> 00:29:36,600 Speaker 1: I ain't tell nobody about me. I just did what 509 00:29:36,680 --> 00:29:38,680 Speaker 1: I had to do. And I never want to go 510 00:29:39,040 --> 00:29:42,240 Speaker 1: to work. Everybody knew what I did. I'm still living 511 00:29:42,240 --> 00:29:45,560 Speaker 1: in Brownsville. I'm driving the cube truck home with all 512 00:29:45,600 --> 00:29:48,600 Speaker 1: the equipment and legas. Yo yo, that's my truck and 513 00:29:48,680 --> 00:29:52,560 Speaker 1: truch my fucking truck right on my truck and know everything. Yeah, 514 00:29:52,640 --> 00:29:54,479 Speaker 1: Nigga's gonna buy me your truck when you come out 515 00:29:54,560 --> 00:29:57,440 Speaker 1: at night. Graffeiti all nover that ship and all that 516 00:29:58,080 --> 00:30:01,640 Speaker 1: is before that. That most depth, the before the lyrics. 517 00:30:02,520 --> 00:30:07,800 Speaker 1: But there was the show. This This was mad years 518 00:30:07,880 --> 00:30:10,800 Speaker 1: before the Actually when I did the liricys Loud Show 519 00:30:10,920 --> 00:30:13,800 Speaker 1: was when I quit MTV and I started pursuing my 520 00:30:13,880 --> 00:30:16,680 Speaker 1: own route and all that, and then I got picked 521 00:30:16,760 --> 00:30:18,760 Speaker 1: up to do the Lyricist Lound Show. So I was 522 00:30:18,880 --> 00:30:21,360 Speaker 1: brought back to empty writer as a producer, as a 523 00:30:21,440 --> 00:30:26,040 Speaker 1: writer and a cast member. And I've seen no resmoke 524 00:30:26,120 --> 00:30:36,360 Speaker 1: two blunts by himself and ain't passed nothing. That's my style. 525 00:30:36,400 --> 00:30:38,640 Speaker 1: When I do an interview, man, I gotta I gotta 526 00:30:38,920 --> 00:30:40,640 Speaker 1: get I get a special pass, but I gotta mic 527 00:30:40,640 --> 00:30:43,480 Speaker 1: in front of me. Paul. But yeah, man, this is 528 00:30:43,520 --> 00:30:45,200 Speaker 1: crazy man. Like I said, Man, we always like to 529 00:30:45,200 --> 00:30:48,960 Speaker 1: get together. Man Thurst and you your legend. Man, what 530 00:30:49,080 --> 00:30:51,360 Speaker 1: made you look more to Miami, like what was no 531 00:30:51,520 --> 00:30:53,520 Speaker 1: I've been I've been here all my life too. Man. 532 00:30:53,600 --> 00:30:56,720 Speaker 1: My my father died right My father died in the 533 00:30:56,800 --> 00:31:01,200 Speaker 1: nineteen seventy four. And when my father died, my grandparents 534 00:31:01,320 --> 00:31:04,800 Speaker 1: left New York City and came to Miami. So I 535 00:31:04,960 --> 00:31:07,640 Speaker 1: was able to come back and forth my entire life 536 00:31:07,880 --> 00:31:10,960 Speaker 1: because of that. So the same exact house that you 537 00:31:11,120 --> 00:31:13,720 Speaker 1: come to in Winwood is where I went. I went 538 00:31:13,800 --> 00:31:16,760 Speaker 1: to Robert E. Lee Junior High School here I went 539 00:31:16,840 --> 00:31:19,680 Speaker 1: to when a v stopped public school, like I came 540 00:31:19,720 --> 00:31:23,000 Speaker 1: back and forth. I fought most of the most notorious 541 00:31:23,120 --> 00:31:26,080 Speaker 1: niggas from Wind growing up and ship like that. You 542 00:31:26,160 --> 00:31:28,840 Speaker 1: know what I mean. I don't need that my family 543 00:31:29,000 --> 00:31:32,280 Speaker 1: is really here established because that that neighborhood used to be. 544 00:31:32,360 --> 00:31:40,000 Speaker 1: Like Baby Porter lived on the same as Roberto Clemente Park, 545 00:31:40,080 --> 00:31:42,480 Speaker 1: I lived on thirty fourth Street. I don't need that. 546 00:31:42,600 --> 00:31:46,160 Speaker 1: When my father died, my brother, who is the junior 547 00:31:46,360 --> 00:31:49,960 Speaker 1: to my father, you know, my grandparents took him and 548 00:31:50,120 --> 00:31:53,800 Speaker 1: he'd been here his entire life. So if you saw 549 00:31:53,960 --> 00:31:56,520 Speaker 1: my brother, you think you're looking at me. Me and 550 00:31:56,600 --> 00:31:59,959 Speaker 1: the nigga looked like twinters. Everybody, Yeah, I'm a New 551 00:32:00,080 --> 00:32:03,080 Speaker 1: Y'all straight man. I'm straight in New York, you know 552 00:32:03,080 --> 00:32:05,800 Speaker 1: what I mean. But you know we look exactly the same. 553 00:32:05,920 --> 00:32:07,880 Speaker 1: We look like twins. Was there any interaction with Raw 554 00:32:08,080 --> 00:32:10,720 Speaker 1: DJ Raw you know what those dudes. No, I mean 555 00:32:10,840 --> 00:32:13,000 Speaker 1: in the nineties, I was been in the whole nineties 556 00:32:13,040 --> 00:32:15,080 Speaker 1: and all that, so I wasn't back in Miami for 557 00:32:15,200 --> 00:32:20,080 Speaker 1: none of that. I do at your hard right now. 558 00:32:21,000 --> 00:32:23,680 Speaker 1: Back then we're talking about then is a special thing. 559 00:32:24,440 --> 00:32:28,960 Speaker 1: We got a drink camp. You got to do that. 560 00:32:29,160 --> 00:32:31,480 Speaker 1: The walking is horrible. We don't want, we don't want. 561 00:32:33,560 --> 00:32:40,440 Speaker 1: You gotta walk both card for us. Listen, you gotta 562 00:32:40,440 --> 00:32:45,320 Speaker 1: walk to the walking Oh my god. Like you've been 563 00:32:45,320 --> 00:32:47,920 Speaker 1: inviting to be supporter parade. I've been like, Yo, my nigger, 564 00:32:48,120 --> 00:32:50,440 Speaker 1: I don't even go no more. They trap you in 565 00:32:50,480 --> 00:32:53,800 Speaker 1: a circle. You can't go beyond certain blocks. So it 566 00:32:53,920 --> 00:32:56,240 Speaker 1: gets corny, now, you know what I mean. If you're 567 00:32:56,240 --> 00:32:58,920 Speaker 1: not on the livelock, you stuck and your phone get 568 00:32:59,000 --> 00:33:03,959 Speaker 1: shut off. They block everybody, that body. You can't call nobody. 569 00:33:04,000 --> 00:33:05,840 Speaker 1: You can't do none of that. When you had the parade, 570 00:33:07,160 --> 00:33:09,680 Speaker 1: you're talking about the Puerto Rican Day Parade in New York. Yeah, 571 00:33:09,760 --> 00:33:14,440 Speaker 1: I'm thinking Kyoa, I'm thinking every you know, Yoto. Remind 572 00:33:14,520 --> 00:33:16,560 Speaker 1: me of the Labor Day Parade in New York because 573 00:33:16,600 --> 00:33:18,560 Speaker 1: it's every flag. Everything got to go back to New 574 00:33:18,640 --> 00:33:22,400 Speaker 1: York it because that's right here right now, the kids 575 00:33:22,440 --> 00:33:26,160 Speaker 1: you gotta parade to right. Yeah, the Dominican and the 576 00:33:26,240 --> 00:33:28,320 Speaker 1: Columbia parade in New York that's like a black one 577 00:33:28,320 --> 00:33:37,680 Speaker 1: I like. But the Cubans parade, Yeah, that's every that's 578 00:33:37,760 --> 00:33:44,440 Speaker 1: every flag. But it's started with Like I said, remind 579 00:33:44,520 --> 00:33:46,960 Speaker 1: me of Labor Day in New York City because it's 580 00:33:47,040 --> 00:33:51,120 Speaker 1: every flag and fluid. It's no specific, it's for every 581 00:33:51,240 --> 00:33:54,040 Speaker 1: Caribbean person. Yeah, you know what I mean. We not love, 582 00:33:54,480 --> 00:33:59,640 Speaker 1: I love, I love. So you're going you're sticking with 583 00:33:59,760 --> 00:34:03,960 Speaker 1: the Cuban be you're sticking with that, just like that's 584 00:34:04,000 --> 00:34:07,880 Speaker 1: like going Labor. They ready to say it Jamaican, it's not. 585 00:34:08,160 --> 00:34:11,800 Speaker 1: It's everything. Yeah, I don't I see the porter. We 586 00:34:11,840 --> 00:34:15,560 Speaker 1: can flag everywhere at the lab. The inception of Kyoto 587 00:34:15,640 --> 00:34:18,360 Speaker 1: started with Cubans. It's a little Havana. It started with Cubans. 588 00:34:18,400 --> 00:34:21,480 Speaker 1: The Kiwanis club that you got organized. He's the only 589 00:34:21,520 --> 00:34:23,399 Speaker 1: people who be knowing this. I know everything you looking 590 00:34:23,760 --> 00:34:30,239 Speaker 1: at just the porter. They only had the Cuban flag 591 00:34:30,320 --> 00:34:32,759 Speaker 1: in the beginning. They never meant it that way. It 592 00:34:32,880 --> 00:34:35,080 Speaker 1: was for Latinos in general, but it was a Cuban 593 00:34:35,960 --> 00:34:40,480 Speaker 1: It was a Cuban inspired thing. No, No, Cuban founded, yeah, 594 00:34:40,520 --> 00:34:42,520 Speaker 1: yeah found it. Yeah, but it's for all. Yeah, it 595 00:34:42,640 --> 00:34:49,239 Speaker 1: was Cuban baself. I believe I believe in being universal 596 00:34:49,400 --> 00:34:57,040 Speaker 1: for the whole Cuban. Right, that's right. Be shut up 597 00:34:58,040 --> 00:35:02,120 Speaker 1: when somebody el ship, I don't that not my ship? 598 00:35:02,200 --> 00:35:05,719 Speaker 1: I think it was always Look twin is safe right now? 599 00:35:05,760 --> 00:35:09,520 Speaker 1: Who did it? Paul? Was it? Paul? Your Paul? What's 600 00:35:09,560 --> 00:35:13,480 Speaker 1: going on with you? Man? God says some real ship? Right? Remember? No, 601 00:35:13,680 --> 00:35:16,359 Speaker 1: Like I said, I'm a New York Nigger and man 602 00:35:16,480 --> 00:35:18,880 Speaker 1: Nick just talked about Nigga's doing Spanish and all that. 603 00:35:19,040 --> 00:35:22,000 Speaker 1: Nigga said, Yo, Nor, you're on the bandwagon. Up, Yo, 604 00:35:22,280 --> 00:35:26,080 Speaker 1: I heard Nor do Spanish and all his verses from 605 00:35:26,160 --> 00:35:32,480 Speaker 1: the beginning of his career show a show for Yo. 606 00:35:32,680 --> 00:35:36,360 Speaker 1: I always saluted that because I'm gonna as Puerto Rican nigga. 607 00:35:36,719 --> 00:35:38,440 Speaker 1: So letna tell you something. I can always prove on 608 00:35:38,520 --> 00:35:40,120 Speaker 1: Puero weekend because if I ain't gonna shoot you, I'm 609 00:35:40,120 --> 00:35:44,920 Speaker 1: gonna stab you. Let's I'm gonna bring up and make 610 00:35:44,960 --> 00:35:48,880 Speaker 1: that a night like it's just in me. I like 611 00:35:49,000 --> 00:35:53,399 Speaker 1: that pussy. I'm Spanish, there's I don't speak I don't 612 00:35:53,400 --> 00:35:57,080 Speaker 1: speaking fulluent and if I'm drunk, I ain't gonna understand it. 613 00:35:57,120 --> 00:35:59,160 Speaker 1: But if I'm so, well, give me a little while, 614 00:36:00,120 --> 00:36:04,319 Speaker 1: take me five minutes to understand your one sentence it man. 615 00:36:04,480 --> 00:36:07,640 Speaker 1: Spanish rappers be ashamed to speak their language and beat 616 00:36:07,680 --> 00:36:10,480 Speaker 1: themselves because like they was gonna be be little or 617 00:36:10,560 --> 00:36:14,000 Speaker 1: discriminate like I always even at the beginning of my career, 618 00:36:14,040 --> 00:36:17,479 Speaker 1: I did it proudly, like I must do this cause 619 00:36:17,920 --> 00:36:27,240 Speaker 1: from the beginning of hip hop, shout out, Anthony knows pizza. 620 00:36:29,000 --> 00:36:31,560 Speaker 1: That's right, I thought some pizza was gonna come through 621 00:36:31,640 --> 00:36:36,960 Speaker 1: that we need you think like, because I know there's 622 00:36:36,960 --> 00:36:39,640 Speaker 1: a lot of you know rappers who are have Spanish 623 00:36:39,800 --> 00:36:42,440 Speaker 1: or half you know, Puerto Rican or half Dominican or whatever. 624 00:36:42,800 --> 00:36:45,120 Speaker 1: They don't rep it, but you think it was that 625 00:36:45,239 --> 00:36:46,960 Speaker 1: was a bad thing at one point when when he 626 00:36:47,080 --> 00:36:51,200 Speaker 1: was a Spanish MC like, uh, that's why they didn't 627 00:36:51,200 --> 00:36:53,759 Speaker 1: rep it. No, not at all, not at all, like 628 00:36:53,840 --> 00:36:56,439 Speaker 1: I said, because from the beginning when hip hop was born, 629 00:36:56,800 --> 00:37:00,279 Speaker 1: there was Massive MC's repping it in Spanish and they 630 00:37:00,360 --> 00:37:03,600 Speaker 1: were part of black groups and they were doing full 631 00:37:03,840 --> 00:37:07,799 Speaker 1: Spanish verses, not even Spanglish. Give us names, give us 632 00:37:07,840 --> 00:37:11,479 Speaker 1: some names. Let's shot them out. At least I'm talking 633 00:37:11,480 --> 00:37:16,080 Speaker 1: about three, and I'm not going back to he did 634 00:37:16,160 --> 00:37:19,399 Speaker 1: the Disco Dream. Right, there's a song called the Disco Dream, 635 00:37:19,480 --> 00:37:22,439 Speaker 1: the Mean Machine. You never heard of me machine, Well, 636 00:37:22,560 --> 00:37:25,760 Speaker 1: my name is Julio Win them on ago while school 637 00:37:25,920 --> 00:37:29,479 Speaker 1: right now, you never heard motherfucking mooie. You ain't put 638 00:37:29,560 --> 00:37:32,320 Speaker 1: the Rican the man. They're speaking the man. Y'all seeking 639 00:37:32,440 --> 00:37:35,080 Speaker 1: Charlie Rock when it's time to get I took a 640 00:37:35,200 --> 00:37:38,799 Speaker 1: dive and sent you Paul Pool like it was really 641 00:37:39,680 --> 00:37:43,480 Speaker 1: doing the ship from the beginning for the eight D 642 00:37:43,680 --> 00:37:47,279 Speaker 1: two eighty three because they form Melo Manes. He did 643 00:37:47,440 --> 00:37:51,040 Speaker 1: mentor O side and he read for the que mass 644 00:37:51,480 --> 00:37:55,080 Speaker 1: Massive respect everybody, but like even me to Melo had 645 00:37:55,120 --> 00:38:02,080 Speaker 1: this discussions we got we gotta let it. You know 646 00:38:02,120 --> 00:38:06,040 Speaker 1: what I mean? It's three man, you're right now listen, 647 00:38:06,080 --> 00:38:10,719 Speaker 1: It's only us three and let me him and drain. 648 00:38:11,040 --> 00:38:16,520 Speaker 1: So that's three. You say that you took about joking away, 649 00:38:18,960 --> 00:38:24,120 Speaker 1: but you only got happen me. That's black. You white 650 00:38:24,160 --> 00:38:30,759 Speaker 1: like a mother. But yeah, I mean, you know what 651 00:38:31,360 --> 00:38:34,360 Speaker 1: you know, Um, I didn't grow up. It's crazy because 652 00:38:34,719 --> 00:38:36,919 Speaker 1: sometimes I blame it on like not that, not blame 653 00:38:36,960 --> 00:38:39,880 Speaker 1: it on nothing. I blame anything on anybody. But sometimes 654 00:38:39,960 --> 00:38:42,840 Speaker 1: it's like like I actually have both my moms and 655 00:38:43,000 --> 00:38:45,879 Speaker 1: my father. So my mom's was black, so she played 656 00:38:45,920 --> 00:38:50,080 Speaker 1: you know, Marvin Gay and you know, ver whatever, Luther 657 00:38:50,200 --> 00:38:52,680 Speaker 1: Van Droves and ship like that. Then my father played 658 00:38:52,719 --> 00:38:55,360 Speaker 1: hecked a lot, oh and Willie Cologne and ship like that. 659 00:38:55,560 --> 00:38:58,120 Speaker 1: You know what I'm saying, Yeah, and ship like that. 660 00:38:58,280 --> 00:39:01,040 Speaker 1: And you know I learned about you know. So I 661 00:39:01,440 --> 00:39:04,160 Speaker 1: never grew up black. I never grew up Puerto Weekend. 662 00:39:04,200 --> 00:39:08,600 Speaker 1: I grew up a black. So it was never like 663 00:39:08,680 --> 00:39:11,040 Speaker 1: I was actually even rapping. I was just being who 664 00:39:11,120 --> 00:39:13,880 Speaker 1: I was, and I'm not. I just I mean, I 665 00:39:14,000 --> 00:39:16,640 Speaker 1: don't get me wrong. I consider myself a black person, 666 00:39:16,680 --> 00:39:18,839 Speaker 1: but I also considered myself a Puerto Rican as well 667 00:39:19,640 --> 00:39:22,040 Speaker 1: speak Spanish. Then yeah, I don't care they were tarded. 668 00:39:22,040 --> 00:39:23,759 Speaker 1: I'm more Spanish than them. I bet you know how 669 00:39:23,800 --> 00:39:29,040 Speaker 1: to make if you could smell me, it's Okay, Like 670 00:39:29,320 --> 00:39:31,520 Speaker 1: I speak, my sparents comes from the heart, and that's 671 00:39:31,800 --> 00:39:33,239 Speaker 1: that's crazy. That's like if somebody asked me, you know 672 00:39:33,320 --> 00:39:35,320 Speaker 1: why you don't wear your redd wing reading wings on 673 00:39:35,360 --> 00:39:37,520 Speaker 1: my heart. Everybody know I'm married. I post my wife. 674 00:39:37,719 --> 00:39:39,960 Speaker 1: I take up with me everywhere. She don't complain about it. 675 00:39:40,040 --> 00:39:42,680 Speaker 1: Fuck you. We lived by home morals. You know what 676 00:39:42,719 --> 00:39:44,800 Speaker 1: I'm saying. That's real ship, I always I think. I 677 00:39:44,880 --> 00:39:47,000 Speaker 1: think that goes back to the the idea we've been 678 00:39:47,040 --> 00:39:49,279 Speaker 1: going through a couple episodes we're talking about should there 679 00:39:49,320 --> 00:39:52,399 Speaker 1: be a hip hop flag? Yeah, so that should hip 680 00:39:52,400 --> 00:39:55,239 Speaker 1: hop be a race? To me, hip hop is a 681 00:39:55,320 --> 00:39:59,600 Speaker 1: religion that I lived right. But going back to what 682 00:39:59,719 --> 00:40:02,200 Speaker 1: he was saying as far as the Puerto Rican, like, 683 00:40:02,719 --> 00:40:06,520 Speaker 1: I'm Puerto Rican, but I grew up black. I grew 684 00:40:06,640 --> 00:40:11,880 Speaker 1: up in Brownsville mostly because I was Spanish and there 685 00:40:12,000 --> 00:40:15,160 Speaker 1: was only black people around me, the people closest to 686 00:40:15,239 --> 00:40:17,920 Speaker 1: my heart of black the culture I know more than 687 00:40:18,000 --> 00:40:21,360 Speaker 1: my ownest Black culture because of where I lived and 688 00:40:21,480 --> 00:40:25,000 Speaker 1: things like that, and I only lived wherever the closest 689 00:40:25,040 --> 00:40:27,880 Speaker 1: method on clinic was. So what I'm saying and to 690 00:40:28,000 --> 00:40:30,880 Speaker 1: what my family structure was and all that, so I 691 00:40:31,000 --> 00:40:33,879 Speaker 1: embraced everything as a case. I speak Spanish and all 692 00:40:33,960 --> 00:40:37,479 Speaker 1: of that only because my grandmother and then a straight 693 00:40:37,520 --> 00:40:40,560 Speaker 1: he bottles from Puerto Rico, don't speak no English, and 694 00:40:40,680 --> 00:40:43,160 Speaker 1: every time my mother did a prison bid, that's who 695 00:40:43,239 --> 00:40:45,880 Speaker 1: I lived with. And this is from baby ages, so 696 00:40:46,040 --> 00:40:48,160 Speaker 1: I think that's where I got the language. But even 697 00:40:48,280 --> 00:40:52,160 Speaker 1: being in Brownsville with all of my friends, every girlfriend, 698 00:40:52,280 --> 00:40:56,760 Speaker 1: my children, everything was black, I wasn't. I wasn't having 699 00:40:56,800 --> 00:40:59,320 Speaker 1: the access to spend. I just started coming back to 700 00:40:59,440 --> 00:41:02,960 Speaker 1: Miami in the two thousand's because even my family here 701 00:41:03,000 --> 00:41:05,759 Speaker 1: didn't really funk with me like that because I was 702 00:41:05,880 --> 00:41:09,320 Speaker 1: too different and I was Brownsville coming to Miami. I 703 00:41:09,440 --> 00:41:11,840 Speaker 1: just learned how to do different and be about the 704 00:41:11,960 --> 00:41:14,720 Speaker 1: positive ship and everything we're doing that we've been involved 705 00:41:14,760 --> 00:41:17,400 Speaker 1: in now, but our coaches and all that to me 706 00:41:17,520 --> 00:41:20,920 Speaker 1: has always been one I hate racism. I hate people 707 00:41:21,360 --> 00:41:24,719 Speaker 1: differentiating all that ship, saying that what we're not in 708 00:41:25,160 --> 00:41:27,680 Speaker 1: that flag he'd been talking about in all the episodes, 709 00:41:28,160 --> 00:41:34,600 Speaker 1: that's we need that ship especially. You know why I 710 00:41:34,719 --> 00:41:38,160 Speaker 1: say that because it betimes like you know, you go 711 00:41:38,280 --> 00:41:40,920 Speaker 1: to a restaurant, you go to a hotel, and it's 712 00:41:41,000 --> 00:41:43,719 Speaker 1: like maybe you smell like weed, and like maybe you're 713 00:41:43,719 --> 00:41:45,440 Speaker 1: not gonna smoke weed there, but you you don't. You 714 00:41:45,520 --> 00:41:48,279 Speaker 1: just count the car. And some people would be like, 715 00:41:48,560 --> 00:41:50,320 Speaker 1: you know what, sir, you know you smell kind of 716 00:41:50,360 --> 00:41:52,920 Speaker 1: crazy and you can't you you know, we don't want 717 00:41:52,960 --> 00:41:55,600 Speaker 1: your kind here, and and they don't mean a race thing. 718 00:41:55,680 --> 00:41:57,640 Speaker 1: It's just like, man, I just I do smell like 719 00:41:57,680 --> 00:42:00,800 Speaker 1: a pound. I just smoke having blood like right in 720 00:42:00,840 --> 00:42:02,879 Speaker 1: the front, like you know what I'm saying. I wanted 721 00:42:02,880 --> 00:42:05,040 Speaker 1: to build on my appetite, you know what I'm saying. 722 00:42:05,440 --> 00:42:07,680 Speaker 1: And it's like I I I get it. Like one 723 00:42:07,760 --> 00:42:10,160 Speaker 1: time we was in the type of spot, remember Twin. 724 00:42:10,280 --> 00:42:12,040 Speaker 1: I was so mad at this guy. I was waiting. 725 00:42:12,520 --> 00:42:15,000 Speaker 1: I was getting about to get on the flight, so uh, 726 00:42:16,080 --> 00:42:17,680 Speaker 1: I said, let's go get a drinking. Like it was 727 00:42:17,719 --> 00:42:20,160 Speaker 1: like to two and a half hours. I was checked 728 00:42:20,200 --> 00:42:22,360 Speaker 1: in my bag and I went back to come have 729 00:42:22,400 --> 00:42:24,120 Speaker 1: a couple of drinks. As soon as we walked in. 730 00:42:24,280 --> 00:42:26,759 Speaker 1: I didn't realize Twin was rolling up as we walked in, 731 00:42:26,920 --> 00:42:29,040 Speaker 1: so we sat down, we ordered our drinks. There was 732 00:42:29,080 --> 00:42:32,319 Speaker 1: like you gotta leave, and I respected the establish because 733 00:42:32,320 --> 00:42:34,520 Speaker 1: I was like, you know what, I've seen kids. I 734 00:42:34,600 --> 00:42:37,440 Speaker 1: was like, Twin, you're fucking idiot. But the rolling up 735 00:42:37,600 --> 00:42:40,000 Speaker 1: in public for one, and then two, if you've seen kids, 736 00:42:40,040 --> 00:42:43,200 Speaker 1: you gotta respect that. But what I'm saying is if 737 00:42:43,280 --> 00:42:47,360 Speaker 1: that establishment and they would have took it less anything 738 00:42:47,440 --> 00:42:49,160 Speaker 1: like I would have been with them regardless if there's 739 00:42:49,160 --> 00:42:52,960 Speaker 1: any kids around, first off. But the fact is, like 740 00:42:53,160 --> 00:42:55,600 Speaker 1: when you see that flag that establishment was supposed to 741 00:42:55,600 --> 00:42:58,120 Speaker 1: permit certain things that you know certain things is hip 742 00:42:58,160 --> 00:43:00,520 Speaker 1: hop and it doesn't mean disrespect. One thing I noticed 743 00:43:00,560 --> 00:43:03,480 Speaker 1: about Puerto Rico in general, as in Puerto Rico you 744 00:43:03,560 --> 00:43:07,480 Speaker 1: can sniff co Caine and everybody don't say nothing to you. 745 00:43:07,800 --> 00:43:09,359 Speaker 1: But you like the blunt and people be like, oh 746 00:43:09,360 --> 00:43:11,920 Speaker 1: my god, you know what I'm saying. Like I tell 747 00:43:11,960 --> 00:43:13,919 Speaker 1: a favorite story, I tell it all the time. It's 748 00:43:13,920 --> 00:43:16,120 Speaker 1: like I was with my cousins, my family, and you 749 00:43:16,160 --> 00:43:18,800 Speaker 1: know what I'm saying. They were snipping the whole time, sniffer, sniffering, 750 00:43:19,000 --> 00:43:21,319 Speaker 1: and I lit up blunt and you know I've seen 751 00:43:21,400 --> 00:43:23,040 Speaker 1: him sniffing. I ain't say ship. You know what I mean? 752 00:43:23,280 --> 00:43:26,200 Speaker 1: Like you know I don't yourself. When I wrote a 753 00:43:26,239 --> 00:43:32,000 Speaker 1: blood smoked and said, old God, you do dragon what 754 00:43:33,320 --> 00:43:38,320 Speaker 1: I asked me if I was sweet sniffing like, And 755 00:43:38,760 --> 00:43:41,719 Speaker 1: That's what I'm saying. It's certain places that where we 756 00:43:42,000 --> 00:43:44,319 Speaker 1: is disrespectful to people. But if you're in a hip 757 00:43:44,360 --> 00:43:47,200 Speaker 1: hopuar establishment, this is established that I'm doing this for 758 00:43:47,320 --> 00:43:50,480 Speaker 1: me and I'm not trying to offend anybody by the 759 00:43:50,600 --> 00:43:54,400 Speaker 1: smell of my wonderful cous or Hayes or whatever it 760 00:43:54,560 --> 00:43:56,239 Speaker 1: has to be. And then I just think this hip 761 00:43:56,280 --> 00:43:58,520 Speaker 1: hop flag is necessary. I think that we should. You 762 00:43:58,560 --> 00:44:01,160 Speaker 1: know what I'm saying. The whole idea should revolve around 763 00:44:01,160 --> 00:44:05,480 Speaker 1: if you example, but let's suppose you drunk, let's oppose 764 00:44:05,520 --> 00:44:11,400 Speaker 1: your your fucking DJ, fucking cool cool, cool kids about 765 00:44:11,400 --> 00:44:15,120 Speaker 1: to say cool hurk. But cool kids. Let's say about 766 00:44:15,120 --> 00:44:17,360 Speaker 1: to do a cool kid and you're drunk and you 767 00:44:17,600 --> 00:44:20,160 Speaker 1: you happen to fall over and sknock some ship down. 768 00:44:20,360 --> 00:44:23,439 Speaker 1: You're at the hip hop establishment. They know that cool 769 00:44:23,520 --> 00:44:25,560 Speaker 1: kid didn't mean it like that. You know what I'm thinking, 770 00:44:25,600 --> 00:44:29,719 Speaker 1: that's different. I think that's different. Man. You gotta have 771 00:44:29,880 --> 00:44:35,040 Speaker 1: some controls yourself. And yeah, conduct you want them to 772 00:44:35,120 --> 00:44:37,400 Speaker 1: respect hip hop, then we got to show them how 773 00:44:37,480 --> 00:44:41,040 Speaker 1: much we respect we should have as well. Yeah, and 774 00:44:41,200 --> 00:44:44,000 Speaker 1: we should always conduct ourselves in that way. We shouldn't. 775 00:44:44,920 --> 00:44:47,239 Speaker 1: That's why the flag is right, That's what I'm saying, 776 00:44:47,280 --> 00:44:50,320 Speaker 1: because don't stereotype us because we look or we represent 777 00:44:50,360 --> 00:44:53,040 Speaker 1: a certain kid. But if you fool, they're gonna stereotype. 778 00:44:53,080 --> 00:44:57,719 Speaker 1: And what I'm saying you like you're because you know 779 00:44:57,880 --> 00:45:02,080 Speaker 1: what you're representing me. I'm presenting you anyway I've done, 780 00:45:02,120 --> 00:45:05,040 Speaker 1: I do some dumb ship. You just dumb as me 781 00:45:05,080 --> 00:45:09,319 Speaker 1: because you're representing that same flag. That's true, that's true, 782 00:45:09,719 --> 00:45:11,880 Speaker 1: that's true. I I agree with that totally. But but 783 00:45:11,960 --> 00:45:13,680 Speaker 1: I get what what I'm saying. You walk up to 784 00:45:13,880 --> 00:45:15,920 Speaker 1: let's say your mistakes happen the hotel ship to me 785 00:45:16,040 --> 00:45:18,319 Speaker 1: makes total sense. You walk up to a hotel counter 786 00:45:18,600 --> 00:45:20,920 Speaker 1: and you smell like a little weed. If you had 787 00:45:20,920 --> 00:45:24,480 Speaker 1: to hip hop flag there. They understand, you understand that's 788 00:45:24,480 --> 00:45:26,880 Speaker 1: what you do. Even still tell you, you know what, 789 00:45:26,880 --> 00:45:28,879 Speaker 1: you don't smoke in that room? All right, Cool, It's 790 00:45:28,920 --> 00:45:30,440 Speaker 1: not like we're asking the smoke in the room is 791 00:45:30,520 --> 00:45:32,320 Speaker 1: that when we smoke out front, don't call the police 792 00:45:32,360 --> 00:45:34,080 Speaker 1: on us because we're down again. Like god, damn it. 793 00:45:34,320 --> 00:45:36,040 Speaker 1: You know what I'm saying. Your flag said so many 794 00:45:36,960 --> 00:45:43,080 Speaker 1: they can start getting the tattoo. They're gonna be like 795 00:45:43,200 --> 00:45:45,879 Speaker 1: Mr Santiago, DJ, are you guys do a dream chance 796 00:45:45,920 --> 00:45:48,919 Speaker 1: tonight at this room? Yeah? Really tell your policy. Yeah, 797 00:45:49,120 --> 00:45:52,600 Speaker 1: but for instance, we just got fellers. Can keep your 798 00:45:52,600 --> 00:45:56,040 Speaker 1: conversation down over there. For instance, the most respect I've 799 00:45:56,040 --> 00:45:58,800 Speaker 1: ever seen a hotel. Just show us, show us, period 800 00:45:59,239 --> 00:46:02,360 Speaker 1: and I'm you know, I'm a heavy w hotel advocate. 801 00:46:02,400 --> 00:46:04,800 Speaker 1: I'm I'm a heavy star with guy. I'm staying know 802 00:46:04,920 --> 00:46:07,759 Speaker 1: all the hotels unless they start wars or all that. 803 00:46:08,000 --> 00:46:10,520 Speaker 1: But we just interviewed Snoop. Snoop was an hour and 804 00:46:10,560 --> 00:46:13,239 Speaker 1: a half away from us, and I have to check 805 00:46:13,320 --> 00:46:17,239 Speaker 1: the bills, right, Yeah, but listen, an hour and a 806 00:46:17,320 --> 00:46:20,439 Speaker 1: half away from us, we're scared to death. We're gonna 807 00:46:20,680 --> 00:46:22,840 Speaker 1: go to the front death Mr Lee and EF and 808 00:46:22,960 --> 00:46:26,120 Speaker 1: the business guys stepping up as business guys. Like again, 809 00:46:26,160 --> 00:46:27,840 Speaker 1: I was smelling like weed, so I didn't want to 810 00:46:27,840 --> 00:46:30,080 Speaker 1: stay in front there, but you guys came there. I 811 00:46:30,200 --> 00:46:32,000 Speaker 1: heard the guys say to you guys, as long as 812 00:46:32,000 --> 00:46:34,520 Speaker 1: you guys clean up, make sure, don't worry about it, 813 00:46:34,800 --> 00:46:37,600 Speaker 1: Like they knew he was gonna smoke weed. Like we're 814 00:46:37,600 --> 00:46:39,120 Speaker 1: got big up that hotel. Let me tell you the 815 00:46:39,160 --> 00:46:42,239 Speaker 1: difference is though too. I took I took it upon 816 00:46:42,320 --> 00:46:44,719 Speaker 1: myself to be just honest with them. I was cool, 817 00:46:45,440 --> 00:46:47,800 Speaker 1: this is what we're gonna do. I'm just telling you 818 00:46:47,960 --> 00:46:54,920 Speaker 1: straight to face right now, like what you said, that's 819 00:46:54,920 --> 00:47:01,080 Speaker 1: what we're gonna do. Like you were like before, is 820 00:47:01,160 --> 00:47:04,400 Speaker 1: like I don't want no miscommunication with your like like 821 00:47:04,480 --> 00:47:07,479 Speaker 1: you cool right now, y'all Snoopers, don't be not cool 822 00:47:07,560 --> 00:47:10,239 Speaker 1: later like this was, I'm gonna tell you exactly. I'm 823 00:47:10,239 --> 00:47:11,800 Speaker 1: not gonna front to you like it's gonna be this 824 00:47:11,960 --> 00:47:14,279 Speaker 1: and that. Now, my man, you've got my credit card, 825 00:47:14,680 --> 00:47:17,600 Speaker 1: this is what this is what we're going through. What 826 00:47:17,680 --> 00:47:19,520 Speaker 1: do you think? And my man was honest with me. 827 00:47:20,840 --> 00:47:25,000 Speaker 1: The table, yeah, tables chairs, We moved the furniture relation 828 00:47:25,200 --> 00:47:31,600 Speaker 1: into a student yeah yeah. And shout out to Snoop 829 00:47:31,719 --> 00:47:35,600 Speaker 1: who sent his manager to tell us to put a 830 00:47:35,760 --> 00:47:41,480 Speaker 1: fucking shot. The shot. That's how you know. He's a smoke. 831 00:47:41,600 --> 00:47:45,280 Speaker 1: And we smoked and we listened, and we smoked repeatedly 832 00:47:45,360 --> 00:47:49,399 Speaker 1: as two hour session. But mind you, we we came 833 00:47:49,480 --> 00:47:52,240 Speaker 1: in and we chopped it up for five ten minutes 834 00:47:52,280 --> 00:47:54,520 Speaker 1: and we were smoking, man, and then we kept going, yeah, 835 00:47:54,680 --> 00:47:57,000 Speaker 1: please get want some Colombia weapon and we can't fun 836 00:47:57,120 --> 00:48:02,120 Speaker 1: with that, and we kept going and um uh yeah, 837 00:48:02,360 --> 00:48:03,840 Speaker 1: the along did go off. So we're gonna need to 838 00:48:03,840 --> 00:48:05,360 Speaker 1: pick up that hotel. What's the name of the hotel? 839 00:48:05,480 --> 00:48:11,160 Speaker 1: Check your credit card charges? Now, let's not shot them 840 00:48:11,160 --> 00:48:13,600 Speaker 1: out right, it's not ill anyway, because we're gonna get 841 00:48:13,640 --> 00:48:15,080 Speaker 1: them in Trump. It was like we had to hit 842 00:48:15,160 --> 00:48:18,920 Speaker 1: pop flag that day. No, we're like innocent. How we 843 00:48:19,000 --> 00:48:21,279 Speaker 1: go about getting the flag? Though? How do we make 844 00:48:21,360 --> 00:48:26,600 Speaker 1: that happen? Logo? Being real man, you might that is 845 00:48:26,680 --> 00:48:31,800 Speaker 1: really serious, like you might laugh, but you can. We 846 00:48:31,880 --> 00:48:36,440 Speaker 1: can actually like submit a form to the United Nations 847 00:48:36,680 --> 00:48:39,080 Speaker 1: for that flag. The only thing is you might need 848 00:48:39,120 --> 00:48:43,200 Speaker 1: a country. America is the country, doozel dog. No, that's 849 00:48:43,239 --> 00:48:46,440 Speaker 1: already a country. We might have to take we might 850 00:48:46,480 --> 00:48:48,359 Speaker 1: have to take over one of the keys. If we don't, 851 00:48:49,560 --> 00:48:53,000 Speaker 1: we gonna let's do it. But they're not They're not 852 00:48:53,160 --> 00:48:56,640 Speaker 1: like a fish. Only Oh you have a good point. 853 00:48:57,600 --> 00:49:00,640 Speaker 1: The game flag. They have a game show, but not 854 00:49:01,920 --> 00:49:06,040 Speaker 1: in that country. But they don't recognize regnisue lifestyle. So 855 00:49:06,120 --> 00:49:07,759 Speaker 1: we just got to raise that bit and just don't 856 00:49:07,760 --> 00:49:10,560 Speaker 1: We just got you know, we're gonna help us somebody 857 00:49:10,600 --> 00:49:16,600 Speaker 1: from a union. We need a nigger from down because 858 00:49:16,600 --> 00:49:21,439 Speaker 1: you haven't shut me down when I was talking about 859 00:49:21,440 --> 00:49:23,840 Speaker 1: the union stuff and I said, we need to have 860 00:49:24,120 --> 00:49:26,399 Speaker 1: the same type of union as the actors do, which 861 00:49:26,400 --> 00:49:30,200 Speaker 1: is what is the actor skill, straight actor skill. We 862 00:49:30,400 --> 00:49:32,200 Speaker 1: can have the same thing in hip hop. I don't 863 00:49:32,200 --> 00:49:34,520 Speaker 1: know why having was shutting me down that no, because 864 00:49:34,560 --> 00:49:36,600 Speaker 1: he probably was trying somebody's probably trying to get him 865 00:49:36,600 --> 00:49:39,200 Speaker 1: down the union and it wasn't good. No, but we 866 00:49:39,360 --> 00:49:41,520 Speaker 1: need that in hip hop like we do. What do 867 00:49:41,640 --> 00:49:44,680 Speaker 1: you think that's a that's a Russell Simmons job. Yeah, 868 00:49:46,400 --> 00:49:49,719 Speaker 1: really delegate, but to delegate that appropriately, to make sure 869 00:49:49,800 --> 00:49:52,920 Speaker 1: that the standards said, the rules applied and all that. 870 00:49:53,040 --> 00:49:55,440 Speaker 1: To make sure everybody follow it and agree to it, 871 00:49:55,480 --> 00:49:57,960 Speaker 1: because you you're not going to follow ship that you 872 00:49:58,040 --> 00:50:01,000 Speaker 1: don't agree. Like Biggie and Punch kids, they put enough 873 00:50:01,000 --> 00:50:03,320 Speaker 1: at work in the hip hop that once they passed 874 00:50:03,360 --> 00:50:06,680 Speaker 1: away they should have ordered bactly been something for their children. 875 00:50:06,719 --> 00:50:08,360 Speaker 1: It shouldn't have been like a record label. But you 876 00:50:08,440 --> 00:50:11,040 Speaker 1: have to buy into it. You have to apply to it, 877 00:50:11,520 --> 00:50:14,000 Speaker 1: and whatever your where ethic is, that's what you get back. 878 00:50:15,719 --> 00:50:18,879 Speaker 1: A Monday, buy great health insurance. You know what I'm saying, 879 00:50:18,920 --> 00:50:20,880 Speaker 1: so pretty much the same thing, Like you make it 880 00:50:20,960 --> 00:50:23,680 Speaker 1: so it's not where it's breaking nobody's budgets and you 881 00:50:23,760 --> 00:50:25,880 Speaker 1: got your assistance, got dim too. Maybe you know what 882 00:50:25,880 --> 00:50:29,960 Speaker 1: I'm saying, Maybe drink Champs. We could we started Drea 883 00:50:30,120 --> 00:50:31,919 Speaker 1: Champs and we love to start it and I would 884 00:50:31,960 --> 00:50:35,080 Speaker 1: love to start, but I'm too drunk to keep up 885 00:50:35,120 --> 00:50:43,200 Speaker 1: with it. I might get three years insurance policy insurance 886 00:50:46,400 --> 00:50:49,000 Speaker 1: were laughing on some little like yeah, and even that 887 00:50:49,200 --> 00:50:50,799 Speaker 1: last week, come in, let me be the here from 888 00:50:50,800 --> 00:50:53,880 Speaker 1: you real quick and be like, come on, let's just 889 00:50:53,920 --> 00:50:56,480 Speaker 1: let's describe that last as eaton that you just you 890 00:50:56,600 --> 00:50:59,000 Speaker 1: had Eddie, come on, you had a great discussion going 891 00:50:59,040 --> 00:51:02,640 Speaker 1: on and every time I know you shaved, you just 892 00:51:02,840 --> 00:51:08,759 Speaker 1: ate some ask come on, get you need that that 893 00:51:08,800 --> 00:51:10,480 Speaker 1: should pick up line, keep it real. You'd be like, 894 00:51:10,560 --> 00:51:14,399 Speaker 1: how are you doing? Let up? I eat ask something nice? 895 00:51:14,440 --> 00:51:25,000 Speaker 1: Whole Yeah, got the bat. I didn't take a Whooper's 896 00:51:25,000 --> 00:51:27,319 Speaker 1: ass right now, the same and I love it. How 897 00:51:27,320 --> 00:51:29,600 Speaker 1: did it takes like a quarter? I told you, like 898 00:51:29,719 --> 00:51:33,480 Speaker 1: penning like copies, not like a warter, so like like 899 00:51:33,880 --> 00:51:37,600 Speaker 1: like the nerds like like the Deed, the D Battery, 900 00:51:37,920 --> 00:51:40,640 Speaker 1: the d Battley sucking the battery before I don't the 901 00:51:40,680 --> 00:51:46,640 Speaker 1: Battley say no shucking you kid with this stick and 902 00:51:46,680 --> 00:52:00,720 Speaker 1: sat where's this? Where's this? The sucking battery straight. Welcome 903 00:52:00,840 --> 00:52:04,080 Speaker 1: to play a new podcast network featuring radio and TV 904 00:52:04,239 --> 00:52:08,560 Speaker 1: personalities talking business, sports, tech, entertainment, and more. Play it 905 00:52:08,800 --> 00:52:13,400 Speaker 1: at play dot It. We're back to Drink Champs Radio 906 00:52:13,600 --> 00:52:20,319 Speaker 1: with rapper and R and d J. Then let's get 907 00:52:20,360 --> 00:52:22,279 Speaker 1: let's get serious right now. We were going all over 908 00:52:22,320 --> 00:52:25,120 Speaker 1: the place right now, but you've done some crazy joints 909 00:52:25,120 --> 00:52:27,879 Speaker 1: and you did a joint with Eminem. Tell us about 910 00:52:27,920 --> 00:52:30,680 Speaker 1: how that joint got made, because I'm sure there's not 911 00:52:30,760 --> 00:52:35,560 Speaker 1: many people in this room. Do you got At one point, 912 00:52:35,760 --> 00:52:37,160 Speaker 1: I'm gonna tell you all this as a DJ, this 913 00:52:37,200 --> 00:52:41,160 Speaker 1: is DJ Ship, DJ nerd Ship. When when Thurston was 914 00:52:41,239 --> 00:52:43,480 Speaker 1: on this came on the scene, at least to where 915 00:52:43,480 --> 00:52:46,440 Speaker 1: I was aware of Thurston and Eminem came on the scene. 916 00:52:46,520 --> 00:52:50,040 Speaker 1: This is a pre dre It was like they were 917 00:52:50,120 --> 00:52:52,920 Speaker 1: like neck and neck, like everybody felt that they were 918 00:52:52,960 --> 00:52:55,880 Speaker 1: both like the new thing in hip hop like and 919 00:52:56,040 --> 00:52:59,000 Speaker 1: they were, and from what I heard, you turned away 920 00:52:59,080 --> 00:53:02,320 Speaker 1: a lot of deals at that time, and you just 921 00:53:02,440 --> 00:53:06,880 Speaker 1: stayed selling. You you were manufacturing and selling your CDs 922 00:53:07,400 --> 00:53:10,480 Speaker 1: from your same project apartment. And I know this because 923 00:53:10,520 --> 00:53:12,359 Speaker 1: my home used to sell your CDs. And he told him, 924 00:53:12,360 --> 00:53:13,880 Speaker 1: he's like, yo, I called the number on the c 925 00:53:14,040 --> 00:53:17,719 Speaker 1: D and he picked it up like he just woke up. 926 00:53:17,880 --> 00:53:21,279 Speaker 1: That's still the same number right now, the same number 927 00:53:21,320 --> 00:53:23,640 Speaker 1: in my pocket and e c D. If I could 928 00:53:23,680 --> 00:53:25,680 Speaker 1: pull out of c D a DVD and put it 929 00:53:25,760 --> 00:53:27,440 Speaker 1: in your hands when you look at the phone, rumb 930 00:53:27,440 --> 00:53:30,000 Speaker 1: when you call it, that's the number that's in my pocket. 931 00:53:30,520 --> 00:53:33,680 Speaker 1: And there's been that way since. But how did how 932 00:53:33,719 --> 00:53:36,520 Speaker 1: did that relationship with Eminem? What kind of phone company 933 00:53:36,560 --> 00:53:42,040 Speaker 1: you got? Spriend Niggers must lie, you don't spend, must 934 00:53:42,040 --> 00:53:47,320 Speaker 1: be down. They love everybody. You basically married. You're like 935 00:53:47,800 --> 00:53:52,239 Speaker 1: your companies. If they cut you off, you got a 936 00:53:52,360 --> 00:53:55,600 Speaker 1: real legitimate Like Nick, I've been with y'all since y'all 937 00:53:55,800 --> 00:54:02,359 Speaker 1: was whacked, and I have my number for like, yeah, 938 00:54:02,600 --> 00:54:15,719 Speaker 1: that's crazy. I'm trying to change my number right now. Yeah, 939 00:54:18,320 --> 00:54:20,560 Speaker 1: how did that relationship develop? Did y'all know each other 940 00:54:20,680 --> 00:54:22,719 Speaker 1: like that when y'all made that record? Now I meant 941 00:54:22,800 --> 00:54:27,120 Speaker 1: Eminem through Wendy Days speA right Spinning made the beat. 942 00:54:27,200 --> 00:54:33,279 Speaker 1: But I met Eminem through wed Days when they when 943 00:54:33,320 --> 00:54:37,759 Speaker 1: they had created something called the rapp Olympics seven to 944 00:54:37,920 --> 00:54:41,759 Speaker 1: where she wanted to get all the all the groups yea, 945 00:54:42,000 --> 00:54:44,840 Speaker 1: all the groups in hip hop that was supposed to 946 00:54:44,920 --> 00:54:48,799 Speaker 1: be so nice. She developed like an Olympics for all 947 00:54:48,880 --> 00:54:51,480 Speaker 1: these groups to compete against each other and show what 948 00:54:51,640 --> 00:54:54,480 Speaker 1: it is. So in the process of her doing that, 949 00:54:54,719 --> 00:54:58,560 Speaker 1: she had like food Ji's Wu Tang, everybody had teams. 950 00:54:59,040 --> 00:55:02,080 Speaker 1: Wendy they had her own team called the Rap Olympics 951 00:55:02,160 --> 00:55:06,600 Speaker 1: Team Wendy Dave's Team Rap Coalition that consisted of Me, Eminem, 952 00:55:06,920 --> 00:55:12,520 Speaker 1: Juice from Chicago, Question mad Lad, and Wordsworth And that's 953 00:55:12,560 --> 00:55:15,719 Speaker 1: how I met Eminem. And everybody on our team was 954 00:55:15,840 --> 00:55:18,200 Speaker 1: like niggas who are super nice off the head. You 955 00:55:18,239 --> 00:55:20,960 Speaker 1: don't gotta hit one written rhyme to believe the nigga 956 00:55:21,000 --> 00:55:23,479 Speaker 1: is the truth. And every single person on the team 957 00:55:23,600 --> 00:55:26,200 Speaker 1: was like that, and Wendy put us together. I never 958 00:55:26,280 --> 00:55:28,680 Speaker 1: heard of all these people before I heard the words 959 00:55:28,760 --> 00:55:30,960 Speaker 1: and all that, because you know, doing the underground seat 960 00:55:31,000 --> 00:55:34,000 Speaker 1: in New York. But the day I did the joint 961 00:55:34,040 --> 00:55:39,280 Speaker 1: with when m Right The joint was called Watch These Together. 962 00:55:39,440 --> 00:55:42,480 Speaker 1: We was in the studio together. He was broken. He 963 00:55:42,600 --> 00:55:48,640 Speaker 1: was walking through bed styles app Eminem walked through Eminem. 964 00:55:49,080 --> 00:55:52,000 Speaker 1: Eminem used to come the Brownsville Chell with my projects 965 00:55:52,040 --> 00:55:57,920 Speaker 1: with me Rosenberg and Freestyle or Night and Paul Rosenberg 966 00:55:58,080 --> 00:56:00,759 Speaker 1: free Sta. He was a lawyer to all the underground artists. Yeah, 967 00:56:00,800 --> 00:56:02,759 Speaker 1: he was my lawyer at the same time. Came too, 968 00:56:03,160 --> 00:56:06,759 Speaker 1: but Paul made with us. We freestylet to five six 969 00:56:06,840 --> 00:56:09,960 Speaker 1: in the morning. Me and Eminem never talked. We rhyn 970 00:56:10,360 --> 00:56:13,680 Speaker 1: every thing was a conversation in rhyme and poor with 971 00:56:14,360 --> 00:56:19,359 Speaker 1: interact in rhyme form anytime he spoke. Originally, I never 972 00:56:19,400 --> 00:56:23,160 Speaker 1: knew that. Yeah, he was a rapper, I know that. 973 00:56:23,719 --> 00:56:25,440 Speaker 1: But the used to kind of browns where he hang 974 00:56:25,560 --> 00:56:27,880 Speaker 1: all night. He chill all night, and he wasn't scared, 975 00:56:28,520 --> 00:56:31,080 Speaker 1: you know what I mean. He respected that. He came 976 00:56:31,120 --> 00:56:34,919 Speaker 1: from some crazy in other words, a case, and people 977 00:56:35,360 --> 00:56:42,320 Speaker 1: was getting it twisted. Eminem is an official nigga. We abducted, 978 00:56:42,680 --> 00:56:46,960 Speaker 1: we enducted Justin with the nigger and now we are 979 00:56:47,000 --> 00:56:52,600 Speaker 1: officially inducted. We got hold back. Justin doesn't get an 980 00:56:52,640 --> 00:56:56,680 Speaker 1: official endorsement. He comes here and drinks three shots of 981 00:56:56,760 --> 00:57:03,000 Speaker 1: our two shots of bacardis like we wanted to drink. Yeah, yeah, 982 00:57:03,200 --> 00:57:07,560 Speaker 1: but the truth because this thing is from down the block. 983 00:57:09,280 --> 00:57:11,319 Speaker 1: He kind of an and he just want to rhyme 984 00:57:11,480 --> 00:57:14,239 Speaker 1: with a skateboard. That's why I respect everybody who live 985 00:57:14,360 --> 00:57:16,760 Speaker 1: a ship. You just want to rhyme like nobody's worried 986 00:57:16,800 --> 00:57:19,600 Speaker 1: about nothing because they're just coming to do this craft 987 00:57:19,960 --> 00:57:22,240 Speaker 1: and live and represent that flag that we let me 988 00:57:22,360 --> 00:57:25,320 Speaker 1: talking about doing a joint with him early in the career. 989 00:57:25,640 --> 00:57:27,760 Speaker 1: Did you ever see where he's at now? Like you 990 00:57:28,480 --> 00:57:30,800 Speaker 1: did you see that that as the future. I believed 991 00:57:30,840 --> 00:57:32,600 Speaker 1: he was the truth, but you thought he's gonna be 992 00:57:32,640 --> 00:57:35,080 Speaker 1: as big as he was, as as he became. I 993 00:57:35,200 --> 00:57:37,360 Speaker 1: think none of us thought what was to come, you 994 00:57:37,400 --> 00:57:39,680 Speaker 1: know what I mean, And we all had the speculations 995 00:57:39,760 --> 00:57:43,040 Speaker 1: of yo, don't forget me, don't forget me, don't because 996 00:57:43,120 --> 00:57:48,360 Speaker 1: forget you. I would say that everybody, have you ever 997 00:57:48,800 --> 00:57:50,360 Speaker 1: been able to reach out or if you want to 998 00:57:50,520 --> 00:57:52,680 Speaker 1: even reach out? You know what? Any time I was 999 00:57:52,800 --> 00:57:56,200 Speaker 1: in the same circumference or environment where he was, he 1000 00:57:56,320 --> 00:57:58,360 Speaker 1: showed me the love to show me that you know, 1001 00:57:58,560 --> 00:58:02,560 Speaker 1: my friend, and I ain't forget I ain't forget because 1002 00:58:02,640 --> 00:58:05,360 Speaker 1: we inspired each other. I believe we all as artists too, 1003 00:58:05,520 --> 00:58:07,520 Speaker 1: Like when you're a great artist, you're gonna inspire the 1004 00:58:07,640 --> 00:58:10,120 Speaker 1: next artist, and that's what makes us all greater. So 1005 00:58:10,880 --> 00:58:13,920 Speaker 1: he knows as a true hip hop artist, where you 1006 00:58:14,000 --> 00:58:16,320 Speaker 1: saw here just like what I saw there, and like 1007 00:58:16,440 --> 00:58:18,920 Speaker 1: with everybody on the team, even why Wendy saw to 1008 00:58:19,000 --> 00:58:21,000 Speaker 1: put us together, you know what I mean. I'm not 1009 00:58:21,040 --> 00:58:23,760 Speaker 1: gonna lie. I think that he needs to come now, 1010 00:58:24,040 --> 00:58:25,840 Speaker 1: and you guys need to do part two of that 1011 00:58:25,920 --> 00:58:29,040 Speaker 1: record with if we tell you the crazy part you 1012 00:58:29,200 --> 00:58:34,000 Speaker 1: remember doing the Spending played me to be I know 1013 00:58:34,120 --> 00:58:36,440 Speaker 1: spending for a while too. You know I live in Brooklyn. 1014 00:58:36,440 --> 00:58:38,880 Speaker 1: I'm Brooklyn. That sas cousin or something, right, is it? 1015 00:58:39,240 --> 00:58:42,320 Speaker 1: I don't know. Maybe anyway, when I was working at MTV, 1016 00:58:42,560 --> 00:58:44,960 Speaker 1: like the story, I told my partner who I worked 1017 00:58:45,000 --> 00:58:48,720 Speaker 1: at every day with MTV with spending, fucking roommate, you 1018 00:58:48,760 --> 00:58:50,520 Speaker 1: know what I mean. So I kind of meant spinning 1019 00:58:50,560 --> 00:58:53,200 Speaker 1: through a mere grace who was my partner who I 1020 00:58:53,320 --> 00:58:55,560 Speaker 1: work with an MTV and production So I would go 1021 00:58:55,680 --> 00:58:58,440 Speaker 1: to this crib ship, I'll try to let me get 1022 00:58:58,440 --> 00:59:00,439 Speaker 1: a beach. So nobody wanted to give me a beat back. 1023 00:59:00,480 --> 00:59:04,680 Speaker 1: Then anyway, when ship started popping, this is the rock 1024 00:59:04,720 --> 00:59:08,240 Speaker 1: and stuff is happening. Everybody's getting the bus. The underground 1025 00:59:08,360 --> 00:59:12,360 Speaker 1: is really emerging to having existence because on some real 1026 00:59:12,520 --> 00:59:15,680 Speaker 1: hip hop ship. I believe the underground carried it for 1027 00:59:15,800 --> 00:59:18,760 Speaker 1: all these years. That why it still exists, because when 1028 00:59:18,840 --> 00:59:21,479 Speaker 1: it died in commerce, you the underground is the reason 1029 00:59:21,600 --> 00:59:25,360 Speaker 1: that true classical real hip hop what everybody said, that's 1030 00:59:25,400 --> 00:59:28,160 Speaker 1: why it exists because how it was carried from the 1031 00:59:28,280 --> 00:59:31,400 Speaker 1: underground on. So ninety nine brought that point. It also 1032 00:59:31,520 --> 00:59:34,560 Speaker 1: brought the point of the super m C when Niggas 1033 00:59:34,680 --> 00:59:37,560 Speaker 1: was super lyrical with a cape on a motherfucking back 1034 00:59:37,640 --> 00:59:39,760 Speaker 1: and all that. You know what I mean. So when 1035 00:59:39,840 --> 00:59:41,920 Speaker 1: we did that joint that day in the crib, right 1036 00:59:42,120 --> 00:59:44,640 Speaker 1: spend played the beat and all that. I laid my 1037 00:59:44,840 --> 00:59:48,800 Speaker 1: verse first, we all came with versus ready this real ship. 1038 00:59:48,880 --> 00:59:52,640 Speaker 1: Though when I laid my first verse, first m split 1039 00:59:52,720 --> 00:59:55,320 Speaker 1: his verse and then he changed it and he wrote 1040 00:59:55,360 --> 00:59:58,520 Speaker 1: it differently on the spot, wrote a ship on the spot, 1041 00:59:58,920 --> 01:00:02,160 Speaker 1: but he changes his in higher verse after I laid 1042 01:00:02,240 --> 01:00:04,600 Speaker 1: my verse, after he laid And that's true. You know, 1043 01:00:04,720 --> 01:00:07,240 Speaker 1: he won't deny that he's a real artist. I won't 1044 01:00:07,240 --> 01:00:09,760 Speaker 1: say all my ship was better where he had, did 1045 01:00:09,840 --> 01:00:12,840 Speaker 1: I tell you? He was like even listen, I've been 1046 01:00:12,880 --> 01:00:15,360 Speaker 1: in the studio with artists to where when they lay 1047 01:00:15,520 --> 01:00:19,320 Speaker 1: something and it really makes the track excellent, I'll follow 1048 01:00:19,400 --> 01:00:22,400 Speaker 1: their format. There's nothing wrong with that. So if I 1049 01:00:22,520 --> 01:00:25,680 Speaker 1: set a tone, he felt as a true m C 1050 01:00:25,880 --> 01:00:28,920 Speaker 1: and all that changed where he was originally coming because 1051 01:00:28,920 --> 01:00:31,800 Speaker 1: the tone is set, followed the tone, and he did 1052 01:00:31,920 --> 01:00:34,000 Speaker 1: exactly that, you know what I mean, and put it 1053 01:00:34,080 --> 01:00:36,480 Speaker 1: to the pace of what the song is supposed to 1054 01:00:36,560 --> 01:00:38,440 Speaker 1: be for what it is, right, it's a bit classic 1055 01:00:38,560 --> 01:00:39,959 Speaker 1: for me, you know what I mean, in my life 1056 01:00:40,040 --> 01:00:42,520 Speaker 1: and career, and you got that on iTunes now, so 1057 01:00:42,600 --> 01:00:46,840 Speaker 1: on everything came out through rockers. It came out on 1058 01:00:46,960 --> 01:00:52,680 Speaker 1: my skill against Island I Woman. They just loved like 1059 01:00:58,360 --> 01:01:01,520 Speaker 1: but the song is called watch These Being Okay? So 1060 01:01:01,560 --> 01:01:04,240 Speaker 1: how was it like being on Racus. I never took 1061 01:01:04,280 --> 01:01:08,800 Speaker 1: the deal from Raucus. Now, I ain't gonna say I 1062 01:01:09,040 --> 01:01:12,320 Speaker 1: never dodged nothing. Man. I was eager, very eager. My 1063 01:01:12,400 --> 01:01:14,959 Speaker 1: nig was stust. I was hungry for anything you're gonna 1064 01:01:14,960 --> 01:01:17,560 Speaker 1: throw at me. But nothing was right. You want to own. 1065 01:01:17,600 --> 01:01:20,880 Speaker 1: It seemed that I didn't even know what owner ship was. 1066 01:01:21,440 --> 01:01:25,160 Speaker 1: I have Wendy Day representing me, teaching me do this 1067 01:01:25,280 --> 01:01:28,080 Speaker 1: whole process. Wendy was guiding me a lot all my 1068 01:01:28,240 --> 01:01:31,960 Speaker 1: deals that were coming. When did I met Wendy rapping 1069 01:01:32,000 --> 01:01:33,920 Speaker 1: on the street. She heard me rapping on the street 1070 01:01:34,040 --> 01:01:36,000 Speaker 1: battling nigga, and she's like, oh, you need to come 1071 01:01:36,080 --> 01:01:38,320 Speaker 1: to my events that she do. She used to do 1072 01:01:38,520 --> 01:01:42,600 Speaker 1: something called just Freestyle Ciphers at the Musicians Union on 1073 01:01:42,760 --> 01:01:45,480 Speaker 1: forty eight Street, like in New York City, and there 1074 01:01:45,560 --> 01:01:48,280 Speaker 1: was something that brought a lot of rappers together to 1075 01:01:48,440 --> 01:01:51,360 Speaker 1: come and test your motherfucker's hord. See how good you 1076 01:01:51,600 --> 01:01:53,800 Speaker 1: was with it. You know, you're my first deal I got. 1077 01:01:53,840 --> 01:01:57,280 Speaker 1: I got from L L co J Nigga Nigga heard 1078 01:01:57,320 --> 01:01:59,959 Speaker 1: about some of my battles I was doing, destroying nigga, 1079 01:02:00,440 --> 01:02:02,640 Speaker 1: and they put my phone number the article and he 1080 01:02:02,840 --> 01:02:06,600 Speaker 1: called me and and he rhymed with me all night 1081 01:02:06,680 --> 01:02:08,960 Speaker 1: for like ten hours. When he called me three o'clock 1082 01:02:09,000 --> 01:02:10,960 Speaker 1: in the morning, he rapped on the phone to like 1083 01:02:12,000 --> 01:02:16,080 Speaker 1: the next day, we're running back back. Were up going 1084 01:02:16,200 --> 01:02:19,320 Speaker 1: at it first when he called, you know, I got 1085 01:02:19,400 --> 01:02:21,720 Speaker 1: it's on the beat. But he's the beeper days. So 1086 01:02:21,920 --> 01:02:25,040 Speaker 1: he's on the beeper and my girl was like, who 1087 01:02:25,160 --> 01:02:28,400 Speaker 1: the funk beeping you three o'clock in the morning from California, 1088 01:02:28,800 --> 01:02:30,960 Speaker 1: And you know I'm working for MTV, so I get 1089 01:02:30,960 --> 01:02:33,440 Speaker 1: a lot of work coming from California. Let me answer 1090 01:02:33,520 --> 01:02:37,080 Speaker 1: this ship said, Yo, this is l L Yo, stop 1091 01:02:37,120 --> 01:02:42,800 Speaker 1: playing with men? Was good? Was good? L L L? 1092 01:02:42,880 --> 01:02:47,280 Speaker 1: For real? He want to run, he called the article, 1093 01:02:47,480 --> 01:02:49,960 Speaker 1: checked it out. I want you to hear this. Nick 1094 01:02:50,160 --> 01:02:52,919 Speaker 1: was spitting runs. We're going back to back all day. 1095 01:02:53,440 --> 01:02:55,360 Speaker 1: The next day, a messenger came to my house and 1096 01:02:55,480 --> 01:02:57,960 Speaker 1: presented me with a deal and gave me a deal, 1097 01:02:58,880 --> 01:03:00,880 Speaker 1: you know what I mean. And the first Joseph you 1098 01:03:00,920 --> 01:03:06,320 Speaker 1: know we need all here. Yeah, that was good. And 1099 01:03:06,440 --> 01:03:08,760 Speaker 1: the first thing I did was given to Wendy. You 1100 01:03:08,840 --> 01:03:10,520 Speaker 1: know what I mean, every deal I ever got in 1101 01:03:10,600 --> 01:03:13,480 Speaker 1: the beginning, I gave everything in the Wendy and she 1102 01:03:13,720 --> 01:03:18,480 Speaker 1: handled everything for Wendy said, if you're gonna take this deal, 1103 01:03:18,560 --> 01:03:21,760 Speaker 1: I can't do it for you. But so so you 1104 01:03:21,920 --> 01:03:24,480 Speaker 1: never technically was on the record label at all. Never. 1105 01:03:25,280 --> 01:03:27,400 Speaker 1: I was always skilly in there. And now you think 1106 01:03:27,480 --> 01:03:29,840 Speaker 1: that was a plus. All that was got to be 1107 01:03:29,880 --> 01:03:31,960 Speaker 1: a little bit of ball plus anti Mike. Yeah, yeah, 1108 01:03:32,000 --> 01:03:33,840 Speaker 1: but I think it was more of a plus because 1109 01:03:33,960 --> 01:03:36,640 Speaker 1: with my hunger and the amount of quantity and quality 1110 01:03:36,680 --> 01:03:38,680 Speaker 1: of work that I was coming with, they would have 1111 01:03:38,800 --> 01:03:41,240 Speaker 1: never let me do as much as I've done, you 1112 01:03:41,320 --> 01:03:43,760 Speaker 1: know what I mean? I did. I released over thirty 1113 01:03:43,840 --> 01:03:48,920 Speaker 1: c D s alone, makes Master produce everything. A lot 1114 01:03:48,960 --> 01:03:53,600 Speaker 1: of this something very self sufficient I could do by myself. Yeah, 1115 01:03:54,000 --> 01:03:57,520 Speaker 1: I didn't even man, I'm talking. It's crazy to that extent, 1116 01:03:57,680 --> 01:04:00,960 Speaker 1: even the influences we have had the hip hop culture 1117 01:04:01,720 --> 01:04:03,360 Speaker 1: as a whole, you know what I mean. So it's 1118 01:04:03,440 --> 01:04:05,840 Speaker 1: like and it's not like I never wanted to be 1119 01:04:05,960 --> 01:04:08,800 Speaker 1: in control of this ship. I just love it. You 1120 01:04:09,000 --> 01:04:12,120 Speaker 1: can't tell me how to stop moves go this way. 1121 01:04:12,280 --> 01:04:14,400 Speaker 1: I'm not doing nothing you want me to do. I'm 1122 01:04:14,440 --> 01:04:16,480 Speaker 1: gonna rhyme. I'm I'm a little ship and do it 1123 01:04:16,560 --> 01:04:20,360 Speaker 1: to the fullest. So, so if we fast forward now, recently, 1124 01:04:20,400 --> 01:04:22,680 Speaker 1: you did the film that NAS was a part of 1125 01:04:23,160 --> 01:04:26,920 Speaker 1: the Fresh Dress Fresh Dress. Yeah, actually no, I didn't know. 1126 01:04:27,040 --> 01:04:28,920 Speaker 1: I didn't see it, but I went to the after 1127 01:04:29,000 --> 01:04:33,600 Speaker 1: party where they was playing. J was a director, massive pill. 1128 01:04:36,040 --> 01:04:38,200 Speaker 1: I mean, it was it was just basically based on 1129 01:04:38,360 --> 01:04:40,760 Speaker 1: the history of hip hop fashion, and it spoke from 1130 01:04:40,840 --> 01:04:44,400 Speaker 1: every aspect of what hip hop fashion came from, you 1131 01:04:44,480 --> 01:04:47,120 Speaker 1: know what I mean, and the transitions that developed and 1132 01:04:47,240 --> 01:04:50,200 Speaker 1: all that. So it was a big but the movie 1133 01:04:50,480 --> 01:04:52,920 Speaker 1: really showcased a lot of what Low Life brought to 1134 01:04:53,040 --> 01:04:55,200 Speaker 1: the table, not just me myself, you know what I mean. 1135 01:04:55,240 --> 01:04:57,920 Speaker 1: I come from the whole team. Yeah, people that you know, 1136 01:04:58,120 --> 01:05:02,240 Speaker 1: there's something we all started together and the influencing what 1137 01:05:02,480 --> 01:05:05,520 Speaker 1: it has becoming hip hop to what hip hop is today. 1138 01:05:06,360 --> 01:05:09,480 Speaker 1: Is now where we really about that song running by 1139 01:05:09,560 --> 01:05:14,480 Speaker 1: my low Life? You step to him yet you know, 1140 01:05:15,360 --> 01:05:17,120 Speaker 1: come on, how do you feel about that? Man? My 1141 01:05:17,200 --> 01:05:21,280 Speaker 1: man's face went down? Come on? Who sings that? Who 1142 01:05:21,320 --> 01:05:25,040 Speaker 1: sings that? That's the weekend and the weekend? Oh yeah, weekends. 1143 01:05:25,600 --> 01:05:27,320 Speaker 1: You're gonna run down on the weekend. We do what 1144 01:05:27,440 --> 01:05:28,920 Speaker 1: we do, you know what I mean. We at the 1145 01:05:29,000 --> 01:05:32,919 Speaker 1: point where we know, I think everybody know by now 1146 01:05:33,200 --> 01:05:36,560 Speaker 1: as far as hip hop culture, and it's really documented 1147 01:05:36,640 --> 01:05:39,680 Speaker 1: now to where nobody discredits it no more. You know 1148 01:05:39,720 --> 01:05:42,720 Speaker 1: what I mean by my low line? Yeah, damn, it's 1149 01:05:42,760 --> 01:05:44,840 Speaker 1: not we can you gotta pay a check now he 1150 01:05:44,880 --> 01:05:48,240 Speaker 1: needs you on the remix how old they check man? 1151 01:05:48,840 --> 01:05:52,160 Speaker 1: That song, but it made me think of that. I 1152 01:05:52,280 --> 01:05:54,320 Speaker 1: was like, damn, you know what I mean, people had 1153 01:05:54,360 --> 01:06:00,560 Speaker 1: low life songs. Now people listen, people have the It's 1154 01:06:00,600 --> 01:06:02,720 Speaker 1: all good. I took mad a weekend shipped too and 1155 01:06:02,800 --> 01:06:10,280 Speaker 1: flip this. You know, you know trash right, trashic good dude, man, 1156 01:06:10,600 --> 01:06:13,120 Speaker 1: you know what I mean, like a fox with trash. 1157 01:06:13,360 --> 01:06:16,640 Speaker 1: I'm gonna funk with Trash through you know, knowing him 1158 01:06:16,680 --> 01:06:21,800 Speaker 1: through the music. I'm a fan first of everybody. I mean, 1159 01:06:21,920 --> 01:06:24,800 Speaker 1: I knew Trasher week up in the morning. There you're going, 1160 01:06:24,960 --> 01:06:28,760 Speaker 1: you know about that. That's eighty five. People ain't know 1161 01:06:28,880 --> 01:06:31,919 Speaker 1: how he was a little kid. If you hear that song, 1162 01:06:32,240 --> 01:06:35,960 Speaker 1: it ain't even him to what trash became trash. I 1163 01:06:36,040 --> 01:06:38,120 Speaker 1: could say. It's one of the most artists that I've 1164 01:06:38,120 --> 01:06:42,120 Speaker 1: seen been passed and present with no problem. Skill level, 1165 01:06:43,360 --> 01:06:46,720 Speaker 1: break periods, pauses and all that still come. Cut your 1166 01:06:46,760 --> 01:06:48,960 Speaker 1: head off with the same ship and he still do 1167 01:06:49,160 --> 01:06:51,760 Speaker 1: what he do and be him. And that's real, you know, 1168 01:06:51,880 --> 01:06:54,160 Speaker 1: as far as being a person and really living the ship, 1169 01:06:54,840 --> 01:06:57,120 Speaker 1: especially for what hip hop and skill matters to me. 1170 01:06:57,280 --> 01:07:00,840 Speaker 1: First son, his skill level never diminished ships throughout the 1171 01:07:00,960 --> 01:07:04,080 Speaker 1: process of whatever he's doing from time, from that time 1172 01:07:04,160 --> 01:07:07,920 Speaker 1: to this time, big up tracks. Goddamnit what it is? 1173 01:07:08,080 --> 01:07:10,520 Speaker 1: You know? I mean, am I right there on the 1174 01:07:10,640 --> 01:07:13,080 Speaker 1: clothing line that you got. You're working with Willi, Esco, 1175 01:07:14,920 --> 01:07:17,920 Speaker 1: Willy K put the brand together. That's crazy how everything 1176 01:07:18,000 --> 01:07:21,560 Speaker 1: comes around. Well you know, will you know what he's 1177 01:07:21,560 --> 01:07:23,720 Speaker 1: doing right now. You got to see the the fall 1178 01:07:23,840 --> 01:07:26,600 Speaker 1: season ship coming. We got gooses and all that now 1179 01:07:26,760 --> 01:07:33,240 Speaker 1: for for for New York. So now, Twin, you've been 1180 01:07:33,280 --> 01:07:37,280 Speaker 1: around a long time. You see his dedication when he 1181 01:07:37,320 --> 01:07:40,560 Speaker 1: said to the music, the two part question for you. 1182 01:07:40,720 --> 01:07:43,720 Speaker 1: One is that do you have that dedication when it 1183 01:07:43,760 --> 01:07:53,120 Speaker 1: comes to ask? And yes I do. He's sticking in focus. 1184 01:07:53,400 --> 01:07:59,200 Speaker 1: It's like I am that out. Have you figured out 1185 01:07:59,240 --> 01:08:01,680 Speaker 1: what you want to be when you grow up? I 1186 01:08:01,720 --> 01:08:05,560 Speaker 1: don't think he's gonna grow just riding the way. I 1187 01:08:05,560 --> 01:08:08,040 Speaker 1: don't know what that means. That means he'll be Wavy's 1188 01:08:08,080 --> 01:08:11,400 Speaker 1: wavy he'll be and he'll be the guys on the 1189 01:08:11,520 --> 01:08:21,559 Speaker 1: highway like that's not don't on the highway maybe waving 1190 01:08:21,640 --> 01:08:26,680 Speaker 1: like they like airplane. You gotta figure out who you 1191 01:08:26,720 --> 01:08:30,240 Speaker 1: want to be, man, Come on, what you want to be? 1192 01:08:30,360 --> 01:08:31,360 Speaker 1: What you wanted to be at the end of the 1193 01:08:31,400 --> 01:08:32,760 Speaker 1: like then you want to wrap. At some point you 1194 01:08:32,800 --> 01:08:35,960 Speaker 1: could kick me a wrap. If you wrap, you want 1195 01:08:35,960 --> 01:08:37,880 Speaker 1: to do that again? That's it? If you right, you 1196 01:08:37,960 --> 01:08:41,280 Speaker 1: need to rude by the flu. Now you tell us 1197 01:08:41,280 --> 01:08:43,760 Speaker 1: your best verse. You got thirst and how you got 1198 01:08:43,920 --> 01:08:46,240 Speaker 1: n r A. You need to run right now that Twitter. 1199 01:08:46,240 --> 01:08:50,080 Speaker 1: You don't know what you want to be. Now spit 1200 01:08:50,160 --> 01:08:52,000 Speaker 1: your verse, Spit your verse. Listen. You could be like 1201 01:08:52,160 --> 01:08:55,200 Speaker 1: Eddie any living his parents queer, but an he gout 1202 01:08:55,320 --> 01:09:01,000 Speaker 1: verse though to this day he he's living. No Rick, 1203 01:09:01,280 --> 01:09:05,200 Speaker 1: he asked, It doesn't matter. Let's go now serious. You 1204 01:09:05,240 --> 01:09:06,840 Speaker 1: want to be like Girday. I want to be like 1205 01:09:07,160 --> 01:09:11,920 Speaker 1: brous It's not another Sometimes I got I got rhymes 1206 01:09:11,920 --> 01:09:13,639 Speaker 1: in my head, but I don't don't spend no birth, 1207 01:09:15,040 --> 01:09:17,439 Speaker 1: but I got dreams. You know what I mean. And 1208 01:09:17,520 --> 01:09:23,080 Speaker 1: I'm chasing my dreams versus the dreams. I'll know your 1209 01:09:23,120 --> 01:09:25,640 Speaker 1: inspiration of him dream. I love hip hop. I've been 1210 01:09:25,640 --> 01:09:28,120 Speaker 1: watching MTV s is I was nine years old. I 1211 01:09:28,200 --> 01:09:31,040 Speaker 1: think it worked. I was watching the Gag on MTV 1212 01:09:31,160 --> 01:09:33,519 Speaker 1: and No Norwei's one of my best friends. Right, so 1213 01:09:33,600 --> 01:09:35,439 Speaker 1: ship is crazy? How But you don't know what you 1214 01:09:35,479 --> 01:09:37,120 Speaker 1: want to know. Yeah, man, you know what I mean. 1215 01:09:37,120 --> 01:09:39,439 Speaker 1: I'm just just living with all this energy. I'm living 1216 01:09:40,320 --> 01:09:43,519 Speaker 1: positive nigger. You know you ever seen Next Friday. It's like, oh, 1217 01:09:43,840 --> 01:09:46,120 Speaker 1: it's a pimp and its assistant pim. I think you 1218 01:09:46,160 --> 01:09:48,439 Speaker 1: should block with the assistant pimp. Job spake to look 1219 01:09:48,520 --> 01:09:53,880 Speaker 1: to that. I pulled the song on you and you 1220 01:09:53,960 --> 01:09:58,240 Speaker 1: just slapped a bit. Hey, come over here, man, the 1221 01:09:58,320 --> 01:10:03,479 Speaker 1: time was living in your parents. Crap, Come on, I 1222 01:10:03,560 --> 01:10:10,720 Speaker 1: ain't never seen the baby. You would never seen keeping outward. No, 1223 01:10:10,840 --> 01:10:12,439 Speaker 1: but don't blame that. I'm living in your parents on 1224 01:10:12,520 --> 01:10:15,400 Speaker 1: East you are. That's somebody amy ship right there, and 1225 01:10:15,479 --> 01:10:17,280 Speaker 1: that's what you do right there. How you doing? Man? 1226 01:10:17,640 --> 01:10:19,640 Speaker 1: Do you do? Your mom's that bit? Just come over like, 1227 01:10:20,880 --> 01:10:23,880 Speaker 1: so you eat, you eat, even cook for them. She cooks, 1228 01:10:24,360 --> 01:10:27,640 Speaker 1: you eat their ass moms in the next room, and 1229 01:10:27,720 --> 01:10:32,680 Speaker 1: then you cook for them. Let's make the wing so 1230 01:10:32,840 --> 01:10:36,120 Speaker 1: lois to your mom's. My mom's used to tell bitches, 1231 01:10:36,160 --> 01:10:38,000 Speaker 1: I wasn't there when I was in the room with 1232 01:10:38,080 --> 01:10:40,880 Speaker 1: the next bit. That's how real my mom's keep it, 1233 01:10:41,720 --> 01:10:43,880 Speaker 1: you know what I mean? And you know it's crazy 1234 01:10:43,920 --> 01:10:46,400 Speaker 1: hold because this crazy ship. One day I got the 1235 01:10:46,439 --> 01:10:49,479 Speaker 1: bitch in the roomb. Yeah, so another bitch knock at 1236 01:10:49,560 --> 01:10:53,280 Speaker 1: the door. And my when you said yeah, that was 1237 01:10:54,680 --> 01:11:00,800 Speaker 1: it's really ch so my mom said you skin girls 1238 01:11:00,880 --> 01:11:03,760 Speaker 1: knocking that just so after she left, my mom sold 1239 01:11:03,760 --> 01:11:06,559 Speaker 1: I wasn't there. I've under the window to see who 1240 01:11:06,600 --> 01:11:10,240 Speaker 1: it is. It's my po nigga, my mom solo the 1241 01:11:10,360 --> 01:11:13,040 Speaker 1: whole I had to run down standing r. I'm like, 1242 01:11:13,160 --> 01:11:15,559 Speaker 1: your mom, this, this is the work re leaves PO. 1243 01:11:15,680 --> 01:11:20,800 Speaker 1: I ain't even on parole with my Mom's a holding 1244 01:11:20,920 --> 01:11:23,280 Speaker 1: down ship lied for me and the motherfucking minute. Boy, 1245 01:11:24,040 --> 01:11:26,760 Speaker 1: that's what I'm talking about. My brother. Man, let's talk 1246 01:11:26,800 --> 01:11:30,599 Speaker 1: about the book. Now, you got this. He's got everything. 1247 01:11:30,600 --> 01:11:33,800 Speaker 1: He got clothing, he's got movies, he got music. You 1248 01:11:33,880 --> 01:11:36,080 Speaker 1: got book. You're gonna lead that. Polo backs that PO. 1249 01:11:36,960 --> 01:11:38,280 Speaker 1: I ain gonna read the book. I'mna keep it on 1250 01:11:39,880 --> 01:11:43,479 Speaker 1: the book. I got paid lay pretty goddamn it. Book 1251 01:11:43,560 --> 01:11:46,000 Speaker 1: is pretty dull. Oh No, this is this looks man hard. No, 1252 01:11:46,160 --> 01:11:50,800 Speaker 1: this this ship is real. You get up on this 1253 01:11:51,640 --> 01:11:54,639 Speaker 1: the ship. This ship is sold out. The looking at 1254 01:11:54,680 --> 01:11:57,400 Speaker 1: this like, oh my god, that's this is your book 1255 01:11:57,400 --> 01:11:59,720 Speaker 1: of life. I want to read this. This ship is crazy. Man. 1256 01:11:59,840 --> 01:12:03,400 Speaker 1: The book is Crazy, I gave. I gave an advanced 1257 01:12:03,479 --> 01:12:09,599 Speaker 1: copy of the book before the book release. This book 1258 01:12:09,720 --> 01:12:12,240 Speaker 1: is right now on eBay for a thousand dollars because 1259 01:12:12,240 --> 01:12:15,160 Speaker 1: it got sold out in four days of the motherfucking launch. 1260 01:12:16,120 --> 01:12:18,080 Speaker 1: If you look on eBay right now, you see the 1261 01:12:18,160 --> 01:12:21,920 Speaker 1: book coming at you for this though, because you got 1262 01:12:23,439 --> 01:12:26,040 Speaker 1: don't funk with us, but they're happy were promoting them 1263 01:12:26,080 --> 01:12:29,840 Speaker 1: the way we do. We motherfucking built. Did ever have 1264 01:12:30,200 --> 01:12:34,799 Speaker 1: a controversy like Tommy Hill figure this fren bought five copies, 1265 01:12:34,920 --> 01:12:38,560 Speaker 1: his company bought five copies In the now they know 1266 01:12:38,640 --> 01:12:40,560 Speaker 1: what it is. They don't want to acknowledge us, but 1267 01:12:40,680 --> 01:12:43,200 Speaker 1: they be basically like, thank you for the ship, not 1268 01:12:43,320 --> 01:12:46,440 Speaker 1: like Tommy Hill with the Dida suits and the canoes 1269 01:12:46,560 --> 01:12:52,679 Speaker 1: and online like it shows that the book crazy explained 1270 01:12:52,720 --> 01:12:54,439 Speaker 1: the box that it comes I mean, the box that 1271 01:12:54,600 --> 01:12:57,000 Speaker 1: that I gave you was basically the mail in box 1272 01:12:57,080 --> 01:12:59,280 Speaker 1: when you get it posted to you. It comes in 1273 01:12:59,400 --> 01:13:03,200 Speaker 1: the package brown box with a Polo Teddy bear on 1274 01:13:03,280 --> 01:13:05,640 Speaker 1: the front, with a description and all that. You know 1275 01:13:05,680 --> 01:13:07,920 Speaker 1: what I mean. But it tells a lot of the story, 1276 01:13:08,120 --> 01:13:11,479 Speaker 1: mostly about where the culture is now. This book is 1277 01:13:11,520 --> 01:13:14,519 Speaker 1: a based about how it influenced the globe, you know 1278 01:13:14,560 --> 01:13:17,360 Speaker 1: what I mean, from all these different countries, all these 1279 01:13:17,439 --> 01:13:20,679 Speaker 1: different naturalities and all that. Yeah, so you know there's 1280 01:13:20,680 --> 01:13:23,920 Speaker 1: a guy a Barberry is suing right now. Look at 1281 01:13:24,000 --> 01:13:28,040 Speaker 1: this pure there's a guy Barberry Perry. Um, it's an 1282 01:13:28,160 --> 01:13:33,640 Speaker 1: artist and Barberry actually sued him. Yeah, so like you 1283 01:13:33,720 --> 01:13:35,640 Speaker 1: can't get over you can't like, I mean, you know, 1284 01:13:36,120 --> 01:13:38,559 Speaker 1: I've been doing this for so long that they probably 1285 01:13:38,640 --> 01:13:40,680 Speaker 1: like funck that. But right now, if y'all was to 1286 01:13:40,680 --> 01:13:43,519 Speaker 1: start that, like that's what companies are doing, and you 1287 01:13:43,600 --> 01:13:46,439 Speaker 1: even got a Gucci tattoo, Like, oh, what's that about? 1288 01:13:46,840 --> 01:13:49,800 Speaker 1: I mean, my name before I fun with the polo, 1289 01:13:49,920 --> 01:13:55,800 Speaker 1: my name was Gucci Gucci Man. When I did my 1290 01:13:55,920 --> 01:13:58,599 Speaker 1: first BID, I went through jail like as sixteen years 1291 01:13:58,640 --> 01:14:02,000 Speaker 1: old with a pet Gucci nikkers on. Y'all can't imagine 1292 01:14:02,040 --> 01:14:05,200 Speaker 1: the kind of saw and and and how it is 1293 01:14:05,280 --> 01:14:08,360 Speaker 1: to hold my Gucci sneakers the whole time. And I 1294 01:14:08,560 --> 01:14:10,760 Speaker 1: was like a hundred and thirty pounds. This is the 1295 01:14:10,840 --> 01:14:20,639 Speaker 1: time when Nicks were saying sneakers on right, because Island 1296 01:14:20,720 --> 01:14:24,599 Speaker 1: was like wearing the diamond around your neck, like for real, 1297 01:14:24,720 --> 01:14:27,120 Speaker 1: the Gucci sneakers was even on the street there was 1298 01:14:27,160 --> 01:14:30,040 Speaker 1: the realest things you could get. Gucci sneaker was no 1299 01:14:30,240 --> 01:14:33,000 Speaker 1: different than the big motherfucking gold chain on your neck. 1300 01:14:33,120 --> 01:14:36,120 Speaker 1: That's how valuable they was. Because you wasn't finding them 1301 01:14:36,160 --> 01:14:38,800 Speaker 1: ships on your corner store and your flea market. You 1302 01:14:38,920 --> 01:14:41,360 Speaker 1: had to go to shacks Fifth Avenue, may See. You 1303 01:14:41,479 --> 01:14:43,960 Speaker 1: had to go to these high end spots and figure 1304 01:14:43,960 --> 01:14:45,880 Speaker 1: out how to get that ship out of this. Uh 1305 01:14:46,840 --> 01:14:49,880 Speaker 1: and Gucci sneakers back then was three hundred dollars hundred 1306 01:14:49,920 --> 01:14:52,439 Speaker 1: fifty dollars ship like that. I think that book is 1307 01:14:52,479 --> 01:14:54,439 Speaker 1: crazy right there. This's a dope book, man. I watch, 1308 01:14:54,479 --> 01:14:56,040 Speaker 1: I'll read books. I don't read books, but I'm gonna 1309 01:14:56,040 --> 01:15:00,600 Speaker 1: look at the pictures. That's that's book. But you know, 1310 01:15:04,920 --> 01:15:08,320 Speaker 1: shout out everything you're doing. Man. So before I'm living 1311 01:15:08,360 --> 01:15:10,400 Speaker 1: this ship, man, I'm living hip hop. Man. I'm gonna 1312 01:15:10,400 --> 01:15:15,720 Speaker 1: be here forever. My low life culture movement is forever, everybody. Man, 1313 01:15:16,760 --> 01:15:20,760 Speaker 1: you heard that. Let me tell you some crazy ship 1314 01:15:20,880 --> 01:15:23,759 Speaker 1: about him saying that. To me, the low life culture 1315 01:15:23,880 --> 01:15:28,479 Speaker 1: represents something that is gonna solidify. Like there's no such 1316 01:15:28,560 --> 01:15:31,400 Speaker 1: thing as old school. We all current, We're matter now. 1317 01:15:31,560 --> 01:15:33,599 Speaker 1: What we're doing now and that's what the low life 1318 01:15:33,680 --> 01:15:37,479 Speaker 1: culture has shown because we're the only movement that really 1319 01:15:37,680 --> 01:15:40,920 Speaker 1: was from so deep in the past and so deep 1320 01:15:41,000 --> 01:15:45,519 Speaker 1: in the future coming that's never happened before. Everybody has 1321 01:15:45,560 --> 01:15:48,120 Speaker 1: solidified a slot in the spot for what it is. 1322 01:15:48,520 --> 01:15:55,080 Speaker 1: We've been the most multi cultural thing, the most bilingual thing. Yo. 1323 01:15:55,280 --> 01:15:57,160 Speaker 1: It's like I could go on forever and to say 1324 01:15:57,240 --> 01:15:59,400 Speaker 1: what it's gonna be, but I think we all need 1325 01:15:59,520 --> 01:16:02,400 Speaker 1: to be there because this is our shot for everything. 1326 01:16:02,520 --> 01:16:05,760 Speaker 1: This is everybody's staple and something we all used to 1327 01:16:05,840 --> 01:16:08,519 Speaker 1: our advantage because there's something we live like, funk with right, 1328 01:16:08,680 --> 01:16:11,040 Speaker 1: come out here all the time, funk with you all 1329 01:16:11,120 --> 01:16:15,800 Speaker 1: the time, right, fun with you all the time, all 1330 01:16:15,840 --> 01:16:19,080 Speaker 1: the time. Because you know why nigga's living. I'll tell 1331 01:16:19,120 --> 01:16:21,400 Speaker 1: everybody living to leave it alone. I funk with the 1332 01:16:21,479 --> 01:16:24,280 Speaker 1: niggas that live it because I don't worry about nothing, 1333 01:16:24,360 --> 01:16:27,519 Speaker 1: Because all were worried about is living this culture, being 1334 01:16:27,560 --> 01:16:31,919 Speaker 1: this culture, pushing the culture forward and still maintaining ourselves 1335 01:16:32,000 --> 01:16:34,280 Speaker 1: and whatever is supplied to our family and what it is. 1336 01:16:34,560 --> 01:16:37,880 Speaker 1: But it's nothing fake about it. We're serious about living 1337 01:16:37,920 --> 01:16:40,519 Speaker 1: it and that's why we prosper. That's the only reason 1338 01:16:40,600 --> 01:16:43,519 Speaker 1: we prosper and that's the only reason we last. Nigga's 1339 01:16:43,520 --> 01:16:54,120 Speaker 1: going on fifty, going on fifty, I might have to 1340 01:16:54,200 --> 01:16:58,880 Speaker 1: sign up if necessary, but I'm going to father status. 1341 01:16:58,920 --> 01:17:03,599 Speaker 1: So we got real when I'm happy, because I ain't 1342 01:17:03,600 --> 01:17:08,200 Speaker 1: no young boy gonna beat me up. Even that's grand 1343 01:17:11,000 --> 01:17:13,320 Speaker 1: My kids know him. It's not a game like that. 1344 01:17:13,439 --> 01:17:15,600 Speaker 1: And that's what hip hop gives us. The fountain of 1345 01:17:15,640 --> 01:17:17,720 Speaker 1: view of hip hop to me in my life and 1346 01:17:17,800 --> 01:17:20,519 Speaker 1: what I've seen. I remember when I was a teenager 1347 01:17:20,520 --> 01:17:22,320 Speaker 1: and the nigger was twenty nine, it was like he 1348 01:17:22,439 --> 01:17:27,760 Speaker 1: was sixty. Hip hop showed me that the found the youth. 1349 01:17:28,280 --> 01:17:31,120 Speaker 1: They can stay young forever. Even though you get gray, 1350 01:17:31,240 --> 01:17:35,439 Speaker 1: you get they could still be a baby. I call 1351 01:17:36,800 --> 01:17:43,880 Speaker 1: I call you Kenny Rogers because I say, but you 1352 01:17:43,960 --> 01:17:46,600 Speaker 1: know what, you know, the way you just describe that, 1353 01:17:46,720 --> 01:17:48,320 Speaker 1: that's how we want to drink chance. That's how we 1354 01:17:48,360 --> 01:17:50,680 Speaker 1: want people to listen to drink Chance like you know, 1355 01:17:51,200 --> 01:17:53,080 Speaker 1: um you know lately, even be getting a lot of 1356 01:17:53,640 --> 01:17:56,479 Speaker 1: up astralon type of artists, and we wanted to you know, 1357 01:17:56,560 --> 01:18:00,200 Speaker 1: showcase people like you uh and and even like own 1358 01:18:00,280 --> 01:18:02,880 Speaker 1: crew like you know Mr Lee and Twin and Eddie 1359 01:18:03,160 --> 01:18:05,560 Speaker 1: to ask either And you know what I'm saying, like 1360 01:18:05,680 --> 01:18:07,960 Speaker 1: we want to teach people that you know, the history 1361 01:18:08,080 --> 01:18:10,840 Speaker 1: and show show people. But you know that's what we 1362 01:18:11,080 --> 01:18:14,160 Speaker 1: want people to know that when you listen to Drink Champs, 1363 01:18:14,240 --> 01:18:15,719 Speaker 1: you're a part of us. You know what I'm saying, 1364 01:18:15,760 --> 01:18:18,640 Speaker 1: like a piece of us. Pause stays with you. So 1365 01:18:18,720 --> 01:18:21,040 Speaker 1: if you want to like be in full character, you know, 1366 01:18:21,400 --> 01:18:23,840 Speaker 1: we got the eight and nine, the clothes where you 1367 01:18:23,920 --> 01:18:26,200 Speaker 1: can actually get your shots. You don't actually have to 1368 01:18:26,280 --> 01:18:29,320 Speaker 1: drink alcohol. That's not your thing. You can put motherfucker, 1369 01:18:29,400 --> 01:18:33,880 Speaker 1: you know, shot cuts, you can do whatever. You you know, 1370 01:18:33,960 --> 01:18:36,559 Speaker 1: get them shirts, you know, support us because we want 1371 01:18:36,640 --> 01:18:38,720 Speaker 1: us to know that Drink Champs is worldwide. It's not 1372 01:18:38,840 --> 01:18:40,920 Speaker 1: just the thing that we're doing, you know, just to 1373 01:18:40,960 --> 01:18:43,479 Speaker 1: impress a couple of people. Know this is we're trying 1374 01:18:43,520 --> 01:18:45,720 Speaker 1: to push the culture. Like you were saying, we're trying 1375 01:18:45,760 --> 01:18:48,600 Speaker 1: to push the culture, push things forward. And you know what, 1376 01:18:48,800 --> 01:18:50,960 Speaker 1: have a good time, have a drink with us, smoke, 1377 01:18:51,080 --> 01:18:52,600 Speaker 1: do whatever how you want to do. But let's just 1378 01:18:52,680 --> 01:18:55,320 Speaker 1: have fun. Man. You know, like what I like that 1379 01:18:55,400 --> 01:18:57,960 Speaker 1: people are saying about drink Champs right now, they're saying 1380 01:18:58,000 --> 01:19:00,720 Speaker 1: with the new source magazine with the new evolution of 1381 01:19:00,760 --> 01:19:03,519 Speaker 1: the mix tapes and me being a mixtape DJ to 1382 01:19:03,640 --> 01:19:06,040 Speaker 1: me that this is natural to me, like like I'm 1383 01:19:06,120 --> 01:19:08,160 Speaker 1: sho kidding. And first of all, both of y'all on 1384 01:19:08,280 --> 01:19:11,240 Speaker 1: my album Another Time Shame as Pluck has it a 1385 01:19:11,360 --> 01:19:14,200 Speaker 1: sound mixed. The whole joint has pizza on there. You 1386 01:19:14,240 --> 01:19:15,960 Speaker 1: know what I'm saying. I just I just like this 1387 01:19:16,120 --> 01:19:18,840 Speaker 1: forum and this platform that we have and it's raw, 1388 01:19:18,960 --> 01:19:20,760 Speaker 1: like we don't we there's no rules in this ship. 1389 01:19:21,120 --> 01:19:23,920 Speaker 1: Have a motherfucking drink and talk reckless and if they 1390 01:19:23,920 --> 01:19:27,960 Speaker 1: don't like it, turn it off. That's it. That's keep 1391 01:19:28,040 --> 01:19:30,559 Speaker 1: doing it for twenty more years though. That's how real 1392 01:19:30,600 --> 01:19:32,559 Speaker 1: it's gonna be. It's gonna be, and we gotta make 1393 01:19:32,600 --> 01:19:35,040 Speaker 1: sure that's happened to where it's beneficial for us to 1394 01:19:35,160 --> 01:19:37,640 Speaker 1: do it for twenty more years. Remember, hip hop was 1395 01:19:37,720 --> 01:19:40,639 Speaker 1: never old, and it's getting old, not that it's getting old, 1396 01:19:40,960 --> 01:19:46,160 Speaker 1: it's just um standing the test of time. And if 1397 01:19:46,200 --> 01:19:48,439 Speaker 1: you could stand the test of time along with it, 1398 01:19:48,800 --> 01:19:50,600 Speaker 1: then you can show so much and you can be 1399 01:19:50,720 --> 01:19:53,840 Speaker 1: prosperous and make your children be prosperous, your family and 1400 01:19:53,920 --> 01:19:56,840 Speaker 1: anybody who's focused to really do this and make it happen. 1401 01:19:57,240 --> 01:19:58,840 Speaker 1: It's not a game. So I'm not playing with this. 1402 01:19:58,920 --> 01:20:01,320 Speaker 1: You already know I'm not playing with this, specially what 1403 01:20:01,360 --> 01:20:02,720 Speaker 1: you're gonna do. You have something to say before you 1404 01:20:02,720 --> 01:20:04,639 Speaker 1: get up out of here. Come on, talk to the people. 1405 01:20:04,720 --> 01:20:06,479 Speaker 1: And you know we like it. We like it, We 1406 01:20:06,600 --> 01:20:14,120 Speaker 1: like it. Keep listening to this show. Lacking your toy 1407 01:20:14,240 --> 01:20:15,720 Speaker 1: was something? Man? Come on, you think like you look 1408 01:20:15,760 --> 01:20:18,479 Speaker 1: like you've been thinking a long time. He's been waiting 1409 01:20:18,520 --> 01:20:21,720 Speaker 1: for the state. Baby, give us the statement. You went 1410 01:20:21,760 --> 01:20:25,320 Speaker 1: to Vega. It's crazy. Yeah, man, care you yeah, drink? 1411 01:20:27,240 --> 01:20:29,040 Speaker 1: Hey Rose Man, you already know she said she come 1412 01:20:29,160 --> 01:20:31,439 Speaker 1: with a bad fool of money. Man, bro, she got 1413 01:20:31,520 --> 01:20:33,800 Speaker 1: a bad food. She said, she's coming with a duffle bag. Y'all. 1414 01:20:33,800 --> 01:20:35,880 Speaker 1: I gotta save on snapchat you then, yeah, I see 1415 01:20:35,920 --> 01:20:37,599 Speaker 1: her in the bath food while the nigger was ship. 1416 01:20:37,760 --> 01:20:43,000 Speaker 1: That's not correct now, it was in the bathroom whatever 1417 01:20:45,600 --> 01:20:52,960 Speaker 1: I think, Yes, you are, I was seven years ago 1418 01:20:55,120 --> 01:20:57,439 Speaker 1: in your mind, ye, man, seen drink Chad start from 1419 01:20:57,479 --> 01:20:59,880 Speaker 1: the beginning. It's crazy, man, see what has come to 1420 01:21:00,080 --> 01:21:04,560 Speaker 1: be as he was there. Yeah, from my perspective, you know, 1421 01:21:04,600 --> 01:21:06,680 Speaker 1: I'm twenty two years old. I've seen all these men 1422 01:21:06,760 --> 01:21:10,320 Speaker 1: grow up on TV on TV. Yeah, it's crazy. Once 1423 01:21:10,400 --> 01:21:12,720 Speaker 1: I saw a sign interview fact Joe, I knew drink 1424 01:21:12,760 --> 01:21:14,880 Speaker 1: Champ was gonna be legendary. I knew this ship is 1425 01:21:14,880 --> 01:21:17,720 Speaker 1: going on minies and subscribers. It's gonna keep coming man 1426 01:21:17,760 --> 01:21:21,599 Speaker 1: with like right now, d C two W I am 1427 01:21:23,280 --> 01:21:32,479 Speaker 1: double me, I am man. I love drinke D I 1428 01:21:32,560 --> 01:21:34,000 Speaker 1: believe you did say that to me that she was 1429 01:21:34,040 --> 01:21:40,160 Speaker 1: a fucking moment, he said. I guess even so his 1430 01:21:40,200 --> 01:21:43,839 Speaker 1: weed was that good Holly. He was just your snooping 1431 01:21:44,000 --> 01:21:48,200 Speaker 1: and it was a movement. I think I heard it. 1432 01:21:48,240 --> 01:21:51,400 Speaker 1: I don't know it. Yeah, this woman is in my mind. 1433 01:21:51,479 --> 01:21:53,760 Speaker 1: I think I guess that's what that message meant. When 1434 01:21:53,760 --> 01:21:55,880 Speaker 1: you pass me the blunt. Now everybody can say snoop fast, 1435 01:21:55,920 --> 01:22:04,639 Speaker 1: I'm my blunt. You give us, give us social media. 1436 01:22:06,400 --> 01:22:10,200 Speaker 1: We're horrible and giving out our social media. My name 1437 01:22:10,360 --> 01:22:14,400 Speaker 1: is Thurston, how or Victor that has sushi, that's like 1438 01:22:14,640 --> 01:22:19,519 Speaker 1: social media socia. My name is that has I believe 1439 01:22:19,560 --> 01:22:23,320 Speaker 1: that part. But what's the social social media Instagram? Twitter? 1440 01:22:23,439 --> 01:22:29,640 Speaker 1: Is Victor Thurston? How that has suits? Yeah? And how 1441 01:22:29,720 --> 01:22:33,760 Speaker 1: the third that's all that my son name is has 1442 01:22:33,840 --> 01:22:37,400 Speaker 1: suits that has soon trying to I'm trying to change 1443 01:22:37,400 --> 01:22:40,160 Speaker 1: all my social media that just so anybody can just 1444 01:22:41,240 --> 01:22:49,920 Speaker 1: you got my Twitter is Thurston, how third you got Instagram? Instagram? Thurston? 1445 01:22:49,960 --> 01:22:51,920 Speaker 1: How the third? All my ship is spelt the same 1446 01:22:52,080 --> 01:22:54,920 Speaker 1: th h I R S t I n h O 1447 01:22:55,200 --> 01:22:58,400 Speaker 1: w l t h E the number three r D 1448 01:22:58,720 --> 01:23:02,160 Speaker 1: all of my social media contacts or by that name. 1449 01:23:02,200 --> 01:23:05,320 Speaker 1: It's not it's not hard. And you had the same number. 1450 01:23:06,680 --> 01:23:13,120 Speaker 1: Dot call my YouTube name in the world. Now you 1451 01:23:13,160 --> 01:23:15,439 Speaker 1: know what I'm telling me break down, So we're gonna 1452 01:23:15,439 --> 01:23:18,000 Speaker 1: break down the longest name in the world. Y'all taught 1453 01:23:18,040 --> 01:23:20,559 Speaker 1: a class today at day College right on some hip 1454 01:23:20,600 --> 01:23:23,439 Speaker 1: hop history ship that had you teaching the class this 1455 01:23:23,680 --> 01:23:28,960 Speaker 1: principal name. We could do a library. Y'all could do 1456 01:23:29,120 --> 01:23:33,760 Speaker 1: libraries now because everything is established over there. So um, 1457 01:23:34,320 --> 01:23:40,560 Speaker 1: it was basically based on the third about you. That 1458 01:23:41,479 --> 01:23:43,799 Speaker 1: was based on fashion. You know, I'm not a selfish person. 1459 01:23:43,840 --> 01:23:46,240 Speaker 1: I'm not a selfish at all, but it was based 1460 01:23:46,320 --> 01:23:48,519 Speaker 1: around the fashion and hip hop and how how it 1461 01:23:48,680 --> 01:23:51,280 Speaker 1: was conceived and all that and how it's brought about. 1462 01:23:51,960 --> 01:23:57,519 Speaker 1: So the main shift I've seen was that the way 1463 01:23:57,600 --> 01:24:02,080 Speaker 1: ship got transformed I'm going on some ship now I 1464 01:24:02,080 --> 01:24:05,600 Speaker 1: don't know. I'm confusing, broken down, That's what it is. 1465 01:24:05,800 --> 01:24:11,280 Speaker 1: Confusion got with for me. I don't even know where 1466 01:24:11,280 --> 01:24:13,840 Speaker 1: he's going. And I even got lost. I had another chip. 1467 01:24:18,360 --> 01:24:21,600 Speaker 1: Shout out your ship man, what you got? Start you 1468 01:24:21,680 --> 01:24:26,320 Speaker 1: have the same one time. I want the people to 1469 01:24:26,400 --> 01:24:28,760 Speaker 1: get you. Just come side, Come side comes star Rock, 1470 01:24:29,240 --> 01:24:32,519 Speaker 1: Start rock NT and start rock Clothing, Start rock clothing 1471 01:24:32,640 --> 01:24:35,360 Speaker 1: dot com. You already know, okay, we don't even have one. 1472 01:24:35,400 --> 01:24:38,120 Speaker 1: Are your shirts and you know we want to do 1473 01:24:39,000 --> 01:24:41,000 Speaker 1: We're gonna try to do. This is for the people, man, 1474 01:24:41,080 --> 01:24:42,720 Speaker 1: This is for the people for real. We're gonna try 1475 01:24:42,720 --> 01:24:45,960 Speaker 1: to do a Drink Chaps barbecue. We are going to 1476 01:24:46,040 --> 01:24:50,240 Speaker 1: do it around August correct in Miami, in Miami at 1477 01:24:50,280 --> 01:24:52,360 Speaker 1: the eight and nine. We gotta work out the details 1478 01:24:52,400 --> 01:24:55,280 Speaker 1: before you completely. Yeah, but just so y'all know August 1479 01:24:55,320 --> 01:24:57,240 Speaker 1: twenty five, So y'all hit us up for the details. 1480 01:24:57,280 --> 01:24:59,720 Speaker 1: We're gonna have an email. We're gonna have a way 1481 01:24:59,800 --> 01:25:01,400 Speaker 1: this did you guys would come out here and get 1482 01:25:01,600 --> 01:25:05,560 Speaker 1: like a special like so you know, Drink Champs and 1483 01:25:05,640 --> 01:25:08,080 Speaker 1: we're gonna all be together, including like you know, some 1484 01:25:08,200 --> 01:25:10,880 Speaker 1: of the guests that been on the nursing might be 1485 01:25:10,960 --> 01:25:16,160 Speaker 1: the previously call Stirson the we're gonna do, we need 1486 01:25:16,240 --> 01:25:23,960 Speaker 1: to bring it to grandma inspired and remember he's gonna 1487 01:25:24,160 --> 01:25:27,160 Speaker 1: know we shot a video at my grand one and 1488 01:25:27,240 --> 01:25:30,280 Speaker 1: I ain't see the videos actual video. Yeah, but I 1489 01:25:30,320 --> 01:25:35,920 Speaker 1: didn't even see the video. It wasn't the guard two 1490 01:25:35,960 --> 01:25:39,000 Speaker 1: guns salute, No, no, no, it was it was we 1491 01:25:39,160 --> 01:25:42,880 Speaker 1: was around there for that. But I see that, still 1492 01:25:43,080 --> 01:25:47,200 Speaker 1: see that? Um, So yeah, like I said, hold on, 1493 01:25:48,320 --> 01:25:51,599 Speaker 1: now you know what I'm saying. So we're gonna do, um, 1494 01:25:51,920 --> 01:25:54,640 Speaker 1: we'll have people be out here, so we could be 1495 01:25:54,760 --> 01:25:58,720 Speaker 1: aiming for August, correct August and then because after that 1496 01:25:58,800 --> 01:26:01,760 Speaker 1: we're going to l A. We're definitely going to August. 1497 01:26:03,400 --> 01:26:09,120 Speaker 1: And okay, yeah you're early dude, So that's right. So 1498 01:26:09,320 --> 01:26:11,320 Speaker 1: and so, if you guys want to say interview people 1499 01:26:11,360 --> 01:26:13,680 Speaker 1: were in l A, hit us up or hit the 1500 01:26:13,760 --> 01:26:18,000 Speaker 1: Kia Hicks. We gotta got people email, but you know 1501 01:26:19,360 --> 01:26:23,800 Speaker 1: up at drink champs at at gmail dot com or 1502 01:26:23,920 --> 01:26:26,679 Speaker 1: info at crazyhood dot com, but drink Champs at gmail 1503 01:26:26,720 --> 01:26:28,599 Speaker 1: dot com as well. So one day, you thirsty man, 1504 01:26:28,680 --> 01:26:39,400 Speaker 1: you goddamn legen man. You okay, you already know Now, 1505 01:26:39,520 --> 01:26:42,080 Speaker 1: this was a book that I autographed somebody and it 1506 01:26:42,240 --> 01:26:49,160 Speaker 1: wasn't even them. That's a good but not not for me. Rock, 1507 01:26:49,280 --> 01:26:52,040 Speaker 1: it wasn't even me. I don't feel bad. Not he 1508 01:26:52,160 --> 01:26:53,960 Speaker 1: the truth, don't hit the truth. He a legend and 1509 01:26:54,080 --> 01:26:56,679 Speaker 1: all that, but it wasn't even him. But he still 1510 01:26:56,760 --> 01:26:59,080 Speaker 1: deserved this book. So if we run into him, get 1511 01:26:59,160 --> 01:27:01,040 Speaker 1: you know what, and I'm to give you a new one. Okay, 1512 01:27:01,920 --> 01:27:03,400 Speaker 1: give you a new one, but I'm gonna give you 1513 01:27:03,479 --> 01:27:05,560 Speaker 1: this book so just so you could peep it, you 1514 01:27:05,600 --> 01:27:07,320 Speaker 1: know what I mean. But as soon as I get 1515 01:27:07,400 --> 01:27:11,800 Speaker 1: the next batch, I give you a fresh, fresh one. Remember, 1516 01:27:11,920 --> 01:27:13,760 Speaker 1: and I don't even know the book, just the only 1517 01:27:13,840 --> 01:27:16,679 Speaker 1: book in existence. They don't ebate for a thousand others. 1518 01:27:16,840 --> 01:27:18,560 Speaker 1: Look for yourself. So if you got to put the 1519 01:27:18,560 --> 01:27:29,760 Speaker 1: thouse of the house sells, it's gonna tell you this 1520 01:27:29,880 --> 01:27:32,320 Speaker 1: is going right in there. I'm gonna have to play 1521 01:27:32,479 --> 01:27:34,799 Speaker 1: print like just so if you could get a thousand, 1522 01:27:35,160 --> 01:27:38,400 Speaker 1: get a thousand, let's go out, have some fun. Get 1523 01:27:38,439 --> 01:27:41,280 Speaker 1: you another one to touch in here. I feel like 1524 01:27:41,360 --> 01:27:43,439 Speaker 1: Tony touches in here. So he's not in there. He 1525 01:27:43,520 --> 01:27:47,280 Speaker 1: told my brother man, he's another one that represents body 1526 01:27:47,320 --> 01:27:49,439 Speaker 1: and other other rappers before we get out of here, 1527 01:27:49,680 --> 01:27:54,760 Speaker 1: like as like low life Sean Price then my brother 1528 01:27:54,880 --> 01:28:01,000 Speaker 1: since before happened, my brother said, so that has been 1529 01:28:01,080 --> 01:28:06,160 Speaker 1: a major component to our low life existence globally, you 1530 01:28:06,240 --> 01:28:08,000 Speaker 1: know what I mean. Back in the days with Brand 1531 01:28:08,040 --> 01:28:11,840 Speaker 1: New No from the two thousand ever, he always represented 1532 01:28:11,920 --> 01:28:15,160 Speaker 1: the culture without representing low life. But within the two 1533 01:28:15,240 --> 01:28:18,599 Speaker 1: thousand era he represented low life. It was murdering niggas 1534 01:28:18,600 --> 01:28:25,959 Speaker 1: at one point, right, that's true. Right when we were surviving, 1535 01:28:26,040 --> 01:28:28,200 Speaker 1: it was you know what I mean, like we were 1536 01:28:28,640 --> 01:28:32,400 Speaker 1: knowledge that ignorant ship is real. So like you, No, 1537 01:28:32,680 --> 01:28:39,559 Speaker 1: we can't get because we take shots. We don't shoot, yo, 1538 01:28:39,880 --> 01:28:42,840 Speaker 1: we take one shot to night. I ain't see normally 1539 01:28:42,880 --> 01:28:46,320 Speaker 1: take a shot. You take a shot. They see nobody 1540 01:28:46,439 --> 01:28:53,040 Speaker 1: takes shot shots aid you drink another body? Remember you 1541 01:28:53,120 --> 01:28:58,080 Speaker 1: gave me a body. You didn't bring his book. What's 1542 01:28:58,080 --> 01:29:03,240 Speaker 1: going on? Give him my bottom? And I didn't give you. 1543 01:29:03,800 --> 01:29:05,599 Speaker 1: That's why I'm gonna do that. You're gonna the head 1544 01:29:05,680 --> 01:29:08,320 Speaker 1: put that album, gonna be very careful with that, all right. 1545 01:29:08,360 --> 01:29:10,080 Speaker 1: So we're gonna take it out of here. Man, drink chat. 1546 01:29:12,800 --> 01:29:14,200 Speaker 1: I gotta go to the shot in the morning. I 1547 01:29:14,280 --> 01:29:24,080 Speaker 1: can't do that all right, next technique, so we take 1548 01:29:24,120 --> 01:29:25,120 Speaker 1: a shout after the breaking