WEBVTT - Duff McKagan

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<v Speaker 1>Pushkin.

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<v Speaker 2>In the minds of many rock fans, Duff McKagan will

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<v Speaker 2>forever be known first and foremost as the basist of

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<v Speaker 2>Guns n' Roses. The band's white hot reign in the

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<v Speaker 2>late eighties through the early nineties is the stuff of

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<v Speaker 2>hedonistic hard rock legend, and for anyone interested in reading

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<v Speaker 2>a detailed account of that wild ride maybe the last

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<v Speaker 2>in all of rock, check out Duff's memoir It's So

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<v Speaker 2>Easy and Other Lies. After turning thirty, Duff got sober,

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<v Speaker 2>eventually left GNR, and then went on to play stints

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<v Speaker 2>in Alison Chains and Jane's Addiction and helped form the

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<v Speaker 2>supergroup Velvet Revolver. Duff also enrolled in college while writing

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<v Speaker 2>columns for the Seattle Weekly, Playboy and ESPN on everything

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<v Speaker 2>from personal finance to sports. In twenty sixteen, he rejoined

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<v Speaker 2>Guns n' Roses following their induction into the rock and

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<v Speaker 2>roll holly fame. Outside of his contribution to big name

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<v Speaker 2>rock bands and personal finance columns, Duff has also been

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<v Speaker 2>releasing solo materials since the early nineties. His latest album, Lighthouse,

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<v Speaker 2>signals a new musical direction for Duff, one that focuses

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<v Speaker 2>on reflective personal lyrics and stripped down rootsie rock. On

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<v Speaker 2>today's episode, Lea Rose talks to Duff mccagan about his

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<v Speaker 2>decision to leave the heroin infested punk rock scene in

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<v Speaker 2>his hometown of Seattle for Los Angeles. He also shares

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<v Speaker 2>stories about Axel Rose and Slash while recording Appetite for Destruction,

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<v Speaker 2>and he reminisces about the time his musical idol Prince

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<v Speaker 2>was trying to get Duff to reveal the real reason

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<v Speaker 2>why Guns n' Roses broke up. This is broken record

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<v Speaker 2>liner notes for the digital age.

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<v Speaker 1>I'm justin Ritchman.

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<v Speaker 2>Here's Lea Rose's conversation with Duff mccagan.

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<v Speaker 3>I want to talk a little bit about your latest album, Lighthouse,

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<v Speaker 3>And since it's been out for a little while now

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<v Speaker 3>and you're over sort of like the initial wave of

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<v Speaker 3>releasing it, you've had a chance to see how it's

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<v Speaker 3>living in the world. What has the reception been, you know.

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<v Speaker 1>Because I'm not touring it yet and the record came out,

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<v Speaker 1>we had extended the Guns and Roses tour, but we

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<v Speaker 1>already had like a release date for my record and

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<v Speaker 1>we couldn't push it back. So we were supposed to

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<v Speaker 1>end the Guns tour. Three days later my record would

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<v Speaker 1>come out. I would be free and open to do,

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<v Speaker 1>you know, press or for the things you got to do.

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<v Speaker 1>But we extended our tour. So I was in Boise,

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<v Speaker 1>Idaho the day my record came out. It was like

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<v Speaker 1>having a birthday. I got a cake and my wife

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<v Speaker 1>sent me flowers and I'm in the you know, this

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<v Speaker 1>hotel room and Boise and it feels like my birthday,

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<v Speaker 1>but I'm by myself and you can't really tell how, like, okay,

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<v Speaker 1>it's out, what's hey? You know, record reviews already come out,

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<v Speaker 1>some pre previews of the record, so and then then

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<v Speaker 1>reviews and then you know, I don't really look at

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<v Speaker 1>comments on social media. It's not really my my bag.

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<v Speaker 1>It's I have a story why that is?

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<v Speaker 3>But you know, is it because they don't feel constructive,

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<v Speaker 3>or they don't make you feel good, or they're just

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<v Speaker 3>from random people and who cares what they think?

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<v Speaker 1>I don't think anybody's really random, do you know? I

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<v Speaker 1>think everybody's got an amazing story. I really do, because

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<v Speaker 1>I've just met so many people in an elevator or whatever.

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<v Speaker 1>You know, you get in the elevator and you think

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<v Speaker 1>you're you're the king of the mountain. And then you

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<v Speaker 1>hear some story in elevator. I'm not even the most

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<v Speaker 1>interesting person in this elevator, you know. So no back

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<v Speaker 1>in Valvary Revolver days, you know, when the like the

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<v Speaker 1>fan forms and stuff, we're just getting started, and I

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<v Speaker 1>would look. We had a site and there's a fan forum,

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<v Speaker 1>and I would look and there was this one guy

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<v Speaker 1>and had he had like a screen name, and he

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<v Speaker 1>would say things like we were right on, like the

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<v Speaker 1>guy knew music, knew about what we were doing. But

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<v Speaker 1>then he would be critical about something. You know, he's

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<v Speaker 1>kind of right about that. And then I would live

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<v Speaker 1>and I would wait for this guy to like post something,

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<v Speaker 1>and I would kind of rise and fall a little

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<v Speaker 1>bit and not extremely so, but I got caught up

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<v Speaker 1>in what this guy was saying and I was doing it.

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<v Speaker 1>We played some gig in Europe, like a festival, and

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<v Speaker 1>we were doing a signing at the festival and this

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<v Speaker 1>kid comes up to me and he's like fifteen years

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<v Speaker 1>old and I signed something for him. He's like this

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<v Speaker 1>kind of you know, star Trek kind of kid. I

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<v Speaker 1>know him. We're friends to this to now and he

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<v Speaker 1>said he says the screen name. He goes, I'm him,

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<v Speaker 1>I'm like, how old are you? Because I'm fifteen. I'm like, okay,

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<v Speaker 1>so I'm done with this. I was like a forty

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<v Speaker 1>year old man, you know, I'm like, what am I doing?

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<v Speaker 1>But it was all when it was new, you know.

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<v Speaker 1>So my point is like when something happens with me,

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<v Speaker 1>a gig at Hyde Park or a Lighthouse record comes

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<v Speaker 1>out and I'm really proud of it and huh blah,

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<v Speaker 1>and I know how I feel about it, and I

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<v Speaker 1>know what I went through to get those songs out,

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<v Speaker 1>and lyrically what I went through to, you know, carve

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<v Speaker 1>those words and throw out words and rewrite it again,

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<v Speaker 1>and you know, the music's just being you know, the

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<v Speaker 1>perfect like little synthesizer sound there and all this stuff

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<v Speaker 1>and the drum sounds and the things you go through.

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<v Speaker 1>It's probably pretty obvious. You know. I'm not trying to

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<v Speaker 1>make commercial pop hits. I'm trying to make things that

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<v Speaker 1>are important to me and hopefully important to other people.

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<v Speaker 1>You know. So when that comes out, I'm not going

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<v Speaker 1>to read social media comments and I won't even look

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<v Speaker 1>for reviews. My manager will say me stuff, he knows

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<v Speaker 1>I don't like to breathe reviews really because again, I

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<v Speaker 1>just like things to sit there. I know when I

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<v Speaker 1>go out, like when I'm out and toured Tenderness, the

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<v Speaker 1>record before this same sort of records some sort of

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<v Speaker 1>like vocal lyric in the same area, you know of

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<v Speaker 1>kind of healing and togetherness, and I know how that

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<v Speaker 1>works for an audience, and it's kind of really amazing.

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<v Speaker 1>You know, you can see people crying and stuff, you know,

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<v Speaker 1>like it really hits. It happens in guns it happens

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<v Speaker 1>in bands. I plan that sense of togetherness for sure,

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<v Speaker 1>but this is a bit more personal for me. So

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<v Speaker 1>the record. The reaction has been great, like the reviews,

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<v Speaker 1>and that this record's done a lot better sales wise

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<v Speaker 1>than Tenderness, which means I'm growing as this kind of

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<v Speaker 1>new solo artist area. I'm going into acoustic ribbon and

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<v Speaker 1>something I wanted to do since I played on mark

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<v Speaker 1>Land against Field Songs in nineteen ninety seven. This is

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<v Speaker 1>what I you know, I want to aim for that,

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<v Speaker 1>and so other than that, I'm going to get some

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<v Speaker 1>tour dates together for the fall somewhere cool.

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<v Speaker 3>And then is Guns N' Roses going back out on tour.

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<v Speaker 1>This year's well, we are taking this year off. Okay, yes,

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<v Speaker 1>we played so many shows in the last like whatever

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<v Speaker 1>eight years that we need to We need to give

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<v Speaker 1>the world a break. And you know we play long

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<v Speaker 1>shows too, so we all need like a like a

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<v Speaker 1>physical break. We played those three and a half hour

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<v Speaker 1>shows and kicks one's ass.

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<v Speaker 3>How do you prepare for those three and a half

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<v Speaker 3>hour shows? What are you doing the day of the performance?

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<v Speaker 1>I mean I could give you really literal.

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<v Speaker 3>Like yeah, yeah, yeah, I want to know what's the

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<v Speaker 3>morning routine? What are you eating?

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<v Speaker 1>Yeah? Yeah, lemon water, coffee, lemon water again, banana. Then

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<v Speaker 1>I go to the gym. I'll do cardio and then

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<v Speaker 1>stretch and then do some sort of like you know,

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<v Speaker 1>push ups or you know, like an hour in the gym. Okay,

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<v Speaker 1>ending again with a stretch and then shower, eat like

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<v Speaker 1>a really healthy lunch, which is whatever I can find,

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<v Speaker 1>but usually just some greens with chicken, no carbs, no, no.

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<v Speaker 1>The show's very cardio driven. You know, you're round and around,

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<v Speaker 1>so you can't have a full stomach. I'll have some

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<v Speaker 1>snacks up on stage, like protein bars or something, a

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<v Speaker 1>lot of electrolytes and then afterwards I'll eat it pretty

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<v Speaker 1>massive dinner, you know, pretty massive shepherd's pie and you know,

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<v Speaker 1>or lasagnia or whatever the catering's got. Try not to

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<v Speaker 1>do fish because it's kind of late. You know, the

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<v Speaker 1>catering has been closed down for a couple hours. Oh,

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<v Speaker 1>so we're getting food that's kind of been then sitting there,

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<v Speaker 1>it's all right. I'm totally used to it. It's just

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<v Speaker 1>fuel at that point, you know. And after showing ice.

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<v Speaker 3>My legs like soak them in an ice bath.

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<v Speaker 1>Yeah, buckets? Yeah?

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<v Speaker 3>Wow? Is that because you've been standing for so long?

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<v Speaker 1>It's I have to do like yeah, therapy like massage,

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<v Speaker 1>guns and ice.

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<v Speaker 3>Wow.

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<v Speaker 1>Yeah, it's a very athletic, you know. Feet you get

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<v Speaker 1>to go out and sage and be an artist and

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<v Speaker 1>play your thing and have all that feeling and stuff.

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<v Speaker 1>But in that it's all athletic. You know. You have

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<v Speaker 1>to think like an athlete, you know, running across the

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<v Speaker 1>stage and then hitting a false set of backup backing vocal.

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<v Speaker 1>You have to be fit. You can't. You can't just

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<v Speaker 1>like sit in the hotel room then go do an

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<v Speaker 1>egg and then go sit And there's no I don't

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<v Speaker 1>I mean, I suppose you could, but it would be

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<v Speaker 1>really bad for you.

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<v Speaker 3>It's funny like sometimes you hear about like certain golfers

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<v Speaker 3>who have like no athletic regime at all, and they

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<v Speaker 3>just sort of like there's one golfer who's famous and

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<v Speaker 3>he like drinks like five beers and then he goes

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<v Speaker 3>he's like one of the best golfers of all time, right,

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<v Speaker 3>And then you hear about like Tiger Woods, who's like,

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<v Speaker 3>you know, just like a relentless trainer exerciser, and he's

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<v Speaker 3>like so smart about what he's putting in his body

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<v Speaker 3>and everything.

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<v Speaker 1>I know, Like Robin Zander from Cheap Trick. You know,

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<v Speaker 1>he's I don't ho hold he has seventy blank you know. Yeah.

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<v Speaker 1>He he's got one of the most amazing rock and

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<v Speaker 1>roll voices never was. He smokes cigarettes and has a

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<v Speaker 1>glass of wine, doesn't warm up nothing, it goes on stage.

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<v Speaker 1>He's one of those guys within the industry. It's like

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<v Speaker 1>not everybody's Robin Xander, you know, like he's just gifted, you.

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<v Speaker 3>Know, Yeah, some people are just built different.

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<v Speaker 1>Built differently amazing. Yeah, So I mean that's my regime.

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<v Speaker 1>It's kind of nerdy. It's it's kind of athletic, but

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<v Speaker 1>it's what I gotta. I'm serious about what I do.

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<v Speaker 3>Yeah, yeah, yeah, no, it sounds really smart. And then

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<v Speaker 3>how do you come down from the adrenaline? Like do

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<v Speaker 3>you even get like a big influx of adrenaline at

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<v Speaker 3>this point? Are you sort of used to it?

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<v Speaker 1>No? I get nervous and adrenaline every night. I do

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<v Speaker 1>a little like a meditation before, like when I get

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<v Speaker 1>up on the stage. We have about ten minutes, and

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<v Speaker 1>I do a little thing before every gig just to

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<v Speaker 1>calm everything down, chill, take it in. But I think

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<v Speaker 1>for me after show, coming down from it, my body

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<v Speaker 1>is used to like, okay, now we've got to shut down.

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<v Speaker 1>You know you're gonna feed yourself and you're gonna shut down.

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<v Speaker 1>You're gonna be reading your book in about forty five

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<v Speaker 1>minutes as soon as you get back to your room.

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<v Speaker 1>So I eat and ice at the venue and then

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<v Speaker 1>I'm in my bed. Sometimes I go straight off the

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<v Speaker 1>stage to the hotels. It depends on the traffic of

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<v Speaker 1>the venue to kind of tell you you gotta go.

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<v Speaker 3>Yeah, So, no, nobody's hanging out after there's no life.

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<v Speaker 1>Sometimes we don't unless you want to hang for a

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<v Speaker 1>couple hours and let all that traffic go. So and

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<v Speaker 1>some people do that. You can do that, but I,

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<v Speaker 1>you know, sometimes I get straight back. I'm reading my

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<v Speaker 1>book forty five and it is to an hour after

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<v Speaker 1>we got off stage.

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<v Speaker 3>I saw Iggy pop is on a song on the

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<v Speaker 3>title track, is right, So how was it recording with Iggy?

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<v Speaker 3>Did you guys do that together in person?

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<v Speaker 1>Well? No, so I you know, Iggy's like, there's like

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<v Speaker 1>three for me. You know, it's Prince, it's Lemmy, and

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<v Speaker 1>it's Aggy, you know, and Iggy's still with us. And

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<v Speaker 1>it's always been like that since I discovered this. Dude

0:12:54.516 --> 0:12:57.756
<v Speaker 1>is said twelve through my old the older punk rock kids.

0:12:57.836 --> 0:12:58.036
<v Speaker 3>You know.

0:12:59.476 --> 0:13:02.076
<v Speaker 1>So I got I got to play on and write

0:13:02.076 --> 0:13:05.316
<v Speaker 1>some music on this last record, a song called Frenzy,

0:13:05.636 --> 0:13:09.956
<v Speaker 1>a few more songs, and that was just like and

0:13:09.996 --> 0:13:12.836
<v Speaker 1>then he's like, can you me and Chad from Chili

0:13:12.916 --> 0:13:16.076
<v Speaker 1>Peppers and Andrew Watt and will you guys be my

0:13:16.196 --> 0:13:20.196
<v Speaker 1>band for these these five shows? Like yes, we will

0:13:20.276 --> 0:13:23.956
<v Speaker 1>be here and you can pick the set list. Holy shit?

0:13:24.156 --> 0:13:26.396
<v Speaker 3>Wow, Okay, so it's like old Stugio stuff.

0:13:26.436 --> 0:13:29.116
<v Speaker 1>You could we just picked whatever we put songs from

0:13:29.116 --> 0:13:31.476
<v Speaker 1>the new record, of course, but we yeah, we picked

0:13:32.396 --> 0:13:35.116
<v Speaker 1>some killer shit, you know, and we made a set

0:13:35.156 --> 0:13:37.276
<v Speaker 1>list and he was like cool, cool, And we got

0:13:37.996 --> 0:13:40.796
<v Speaker 1>Jamie from the Kills to play the other guitar, and

0:13:41.236 --> 0:13:43.596
<v Speaker 1>Matt Clifford he plays with the Stones, he played the

0:13:43.676 --> 0:13:46.996
<v Speaker 1>keys like nightclub and and all that stuff and really

0:13:47.196 --> 0:13:49.476
<v Speaker 1>kick ass man. We rehearse. We all had it down

0:13:49.516 --> 0:13:51.356
<v Speaker 1>before we went to rehearsal. You know, I was like,

0:13:52.236 --> 0:13:54.676
<v Speaker 1>I'm not gonna not know what I'm doing. And we

0:13:54.716 --> 0:13:57.636
<v Speaker 1>wanted to be the best Iggy band he'd ever had.

0:13:57.676 --> 0:13:59.876
<v Speaker 1>And there was probably a couple of moments on a

0:13:59.916 --> 0:14:03.956
<v Speaker 1>couple of the stages we were it was slamming. But

0:14:04.396 --> 0:14:07.156
<v Speaker 1>so we did that and and did the did the

0:14:07.196 --> 0:14:11.636
<v Speaker 1>shows and that. You know, Iggy knew I was making

0:14:11.636 --> 0:14:15.356
<v Speaker 1>a record and he just kind of wanted to return

0:14:15.396 --> 0:14:18.436
<v Speaker 1>the favor. It was very sweet and he did it.

0:14:18.516 --> 0:14:21.396
<v Speaker 1>He just read the lyrics from.

0:14:21.796 --> 0:14:23.116
<v Speaker 3>Lighthouse so cool.

0:14:23.796 --> 0:14:26.316
<v Speaker 1>So we had like five of like him reading it

0:14:26.396 --> 0:14:29.836
<v Speaker 1>five different ways. You know. I had the studio in Seattle.

0:14:30.516 --> 0:14:32.876
<v Speaker 1>You get your speakers and you put it in his

0:14:33.396 --> 0:14:37.396
<v Speaker 1>voice of fucking god, you know, and then we put music.

0:14:37.516 --> 0:14:40.996
<v Speaker 1>We put kind of a different version of Lighthouse, the

0:14:41.116 --> 0:14:45.916
<v Speaker 1>song behind his spoken word thing. And that's how that happened.

0:14:46.476 --> 0:14:48.356
<v Speaker 3>What about Prince. Did you ever get to meet Prince

0:14:48.436 --> 0:14:49.236
<v Speaker 3>or play with Prince?

0:14:49.636 --> 0:14:52.916
<v Speaker 1>I never wanted to play with Prince because I've heard

0:14:53.076 --> 0:14:56.196
<v Speaker 1>like he just because he's better than everybody at everything.

0:14:56.516 --> 0:15:00.396
<v Speaker 1>You know. I met him, Yes, I met him one time.

0:15:00.476 --> 0:15:02.076
<v Speaker 1>I was way too drunk. It is when I was

0:15:02.076 --> 0:15:04.956
<v Speaker 1>still drinking and I realized I was too drunk. When

0:15:05.196 --> 0:15:07.516
<v Speaker 1>it was in Germany. I went it was the Diamonds

0:15:07.516 --> 0:15:11.156
<v Speaker 1>and Pearls tour. Guns and Roses were playing you know,

0:15:11.396 --> 0:15:15.516
<v Speaker 1>the whatever stadium the next night, and he was playing

0:15:15.756 --> 0:15:20.956
<v Speaker 1>the arena and I went went into the back, you know,

0:15:21.196 --> 0:15:24.596
<v Speaker 1>Guns and Roses guy, all that stuff, right, got to

0:15:24.636 --> 0:15:26.956
<v Speaker 1>get into the back and blah blah blah, and he

0:15:26.956 --> 0:15:28.836
<v Speaker 1>heard I was there and I would like to talk

0:15:28.876 --> 0:15:31.036
<v Speaker 1>to me. He knew I was a fan, and I

0:15:31.116 --> 0:15:33.996
<v Speaker 1>went back and I just I was realized I was

0:15:34.036 --> 0:15:40.916
<v Speaker 1>too drunk. Yeah, so fuck, you know, and and that

0:15:41.036 --> 0:15:43.516
<v Speaker 1>I don't remember what happened. I remember there's like candles

0:15:43.556 --> 0:15:47.196
<v Speaker 1>and stuff, and I'm fucking too drunk, and there's you know, Prince,

0:15:47.276 --> 0:15:50.876
<v Speaker 1>and I don't want to be here I don't want

0:15:50.916 --> 0:15:54.396
<v Speaker 1>to be here and got out of that one. But so,

0:15:54.636 --> 0:15:58.436
<v Speaker 1>you know, and then I there was a documentary that

0:15:58.556 --> 0:16:00.836
<v Speaker 1>I was part of. I don't think it ever came out.

0:16:01.116 --> 0:16:03.956
<v Speaker 1>It was a bass player's documentary that he was doing.

0:16:04.996 --> 0:16:08.876
<v Speaker 1>And some some producer called me, Princess doing this documentary.

0:16:08.876 --> 0:16:11.436
<v Speaker 1>Can you can we go through your basis and just

0:16:11.476 --> 0:16:16.876
<v Speaker 1>talk about bass playing? Prince is doing it? Sure? Oh yeah, okay,

0:16:16.996 --> 0:16:18.676
<v Speaker 1>So these guys came to my house and I had

0:16:19.116 --> 0:16:22.036
<v Speaker 1>my bases out and things, and I dressed up a

0:16:22.036 --> 0:16:27.636
<v Speaker 1>little bit, you know, and get in texts questions from

0:16:27.796 --> 0:16:32.596
<v Speaker 1>Prince in real time like blah blah blah.

0:16:32.676 --> 0:16:34.516
<v Speaker 3>Yeah, what did he ask you about your playing?

0:16:34.636 --> 0:16:36.676
<v Speaker 1>Yeah, how'd you come up with that thing? At the beginning?

0:16:36.796 --> 0:16:37.676
<v Speaker 1>Sweets out of mind?

0:16:37.836 --> 0:16:39.276
<v Speaker 3>Yeah, great question.

0:16:39.636 --> 0:16:42.436
<v Speaker 1>But then but then they started getting like why did

0:16:42.476 --> 0:16:46.596
<v Speaker 1>guns and Roses break up? He was asking questions like

0:16:46.636 --> 0:16:49.756
<v Speaker 1>anybody else for to ask at that time. We don't

0:16:49.796 --> 0:16:53.356
<v Speaker 1>get into that. You know, that's something we talk about.

0:16:53.756 --> 0:16:54.756
<v Speaker 3>Prince wants the tea.

0:16:54.956 --> 0:16:57.956
<v Speaker 1>He wants the tea, No, he wanted tea. It was

0:16:57.996 --> 0:17:00.836
<v Speaker 1>a bunch of other stuff like yeah, it was very

0:17:00.996 --> 0:17:03.476
<v Speaker 1>very kind of sweet, and you know, it was on

0:17:03.956 --> 0:17:06.516
<v Speaker 1>Larry Grant. Move was like a oh to Larry Graham,

0:17:06.596 --> 0:17:07.836
<v Speaker 1>this this documentary.

0:17:08.116 --> 0:17:12.196
<v Speaker 3>Yeah, it's interesting. I was watching old you know, interviews

0:17:12.276 --> 0:17:15.916
<v Speaker 3>throughout the years, dating all the way back from early

0:17:16.076 --> 0:17:20.756
<v Speaker 3>gun stuff through Velvet Revolver through now and there was

0:17:20.796 --> 0:17:24.516
<v Speaker 3>an old interview that you did with Kurt Loader in

0:17:24.556 --> 0:17:28.716
<v Speaker 3>Paris and Lenny Kravitz was in the room. Okay, and

0:17:28.756 --> 0:17:31.036
<v Speaker 3>then Lenny comes and sits down with you. Do you

0:17:31.036 --> 0:17:31.516
<v Speaker 3>remember that?

0:17:31.916 --> 0:17:34.236
<v Speaker 1>No, I remember being in Paris and we did that

0:17:34.316 --> 0:17:38.756
<v Speaker 1>pay per view and Lenny was, you know, that first

0:17:38.836 --> 0:17:42.876
<v Speaker 1>record like we I'm still buddies with him, but you know, yes,

0:17:43.436 --> 0:17:46.516
<v Speaker 1>like Slashed, his friend who went to same high school,

0:17:46.596 --> 0:17:49.756
<v Speaker 1>middle school together, right, who like made this killer record

0:17:49.916 --> 0:17:52.916
<v Speaker 1>like whoa you know that was like the record of

0:17:52.956 --> 0:17:55.916
<v Speaker 1>the summer for us, his first record for.

0:17:55.836 --> 0:17:56.556
<v Speaker 3>You and Slash.

0:17:56.676 --> 0:17:57.236
<v Speaker 1>Yeah.

0:17:57.316 --> 0:17:58.916
<v Speaker 3>Yeah, so you're talking about that, and I guess the

0:17:58.996 --> 0:18:02.356
<v Speaker 3>night before you had played with Jeff Beck and with Aerosmith.

0:18:03.476 --> 0:18:05.476
<v Speaker 1>Oh was it that? So was the interview the day

0:18:05.516 --> 0:18:09.076
<v Speaker 1>after that that gig? Yeah? Okay, so Lenny Kravitz would

0:18:09.196 --> 0:18:13.236
<v Speaker 1>did Mama said we had special guests and we had

0:18:14.396 --> 0:18:18.076
<v Speaker 1>Joe and Steven Erosmith did train after rolling and maybe

0:18:18.156 --> 0:18:21.476
<v Speaker 1>Mama cann or something. Yeah, Jeff Beck was supposed to play.

0:18:22.036 --> 0:18:25.396
<v Speaker 1>We did a sound check like the day before, and

0:18:25.436 --> 0:18:28.156
<v Speaker 1>it was so a lot of he has tonight. He

0:18:28.236 --> 0:18:32.676
<v Speaker 1>had tonight and I fucked him up so he couldn't

0:18:32.676 --> 0:18:32.876
<v Speaker 1>do the.

0:18:32.916 --> 0:18:34.356
<v Speaker 3>Get oh man.

0:18:34.756 --> 0:18:38.716
<v Speaker 1>Yeah, and we felt so guilty, like were too loud.

0:18:39.436 --> 0:18:41.996
<v Speaker 1>But to see, you know, like I can't really watch

0:18:42.236 --> 0:18:45.276
<v Speaker 1>that stuff because I see a really sad guy. You know,

0:18:45.356 --> 0:18:48.036
<v Speaker 1>I see a guy couldn't get himself out of it.

0:18:48.516 --> 0:18:51.116
<v Speaker 1>You know, I tried to stop. I don't, you know,

0:18:51.636 --> 0:18:55.796
<v Speaker 1>so what I see is like kind of a and

0:18:55.876 --> 0:18:59.276
<v Speaker 1>I'm the same me is then you know, you don't change.

0:18:59.756 --> 0:19:03.556
<v Speaker 1>But I'm stuck in this, in this wet court, cardboard box.

0:19:03.596 --> 0:19:06.476
<v Speaker 1>I couldn't punch my way out of, you know, to

0:19:06.716 --> 0:19:09.716
<v Speaker 1>have to drink first thing you want you wake up

0:19:09.836 --> 0:19:13.716
<v Speaker 1>when you sleep that it's like those times that you sleep.

0:19:13.756 --> 0:19:16.396
<v Speaker 1>It's not you know, like now I go to bed,

0:19:16.476 --> 0:19:18.836
<v Speaker 1>like after we play show, I'm in bed an hour

0:19:18.916 --> 0:19:21.596
<v Speaker 1>or later. And it's been that way. I've been sober

0:19:21.596 --> 0:19:24.676
<v Speaker 1>a long time, you know, but yeah, it's it's hard

0:19:24.716 --> 0:19:26.516
<v Speaker 1>for me to see like there was you can see

0:19:26.636 --> 0:19:29.596
<v Speaker 1>like fun drunk like in the late eighties. Then you

0:19:29.636 --> 0:19:32.556
<v Speaker 1>see it and you know, you see the blow, you

0:19:32.596 --> 0:19:36.196
<v Speaker 1>see the falling out and ship.

0:19:36.516 --> 0:19:38.796
<v Speaker 3>Yeah, yeah, yeah, you seems a little puffy, but you were

0:19:38.876 --> 0:19:41.196
<v Speaker 3>very sweet and you were very nice, and you seemed happy.

0:19:41.716 --> 0:19:43.676
<v Speaker 3>But I just think it's interesting when you told the

0:19:43.796 --> 0:19:46.196
<v Speaker 3>Prince story that you had the self awareness of, like,

0:19:46.516 --> 0:19:48.476
<v Speaker 3>I'm too drunk to be in this situation.

0:19:49.836 --> 0:19:52.876
<v Speaker 1>Yeah, yeah, yeah, I mean I was never a blackout drunk.

0:19:53.076 --> 0:19:55.036
<v Speaker 1>You know, it's never a mean drunk. I was never

0:19:55.156 --> 0:19:58.236
<v Speaker 1>like any of that stuff. But I was aware and

0:19:58.356 --> 0:20:01.956
<v Speaker 1>aware drunk like I am too. Like suddenly I got

0:20:01.956 --> 0:20:05.676
<v Speaker 1>too drunk. I started drinking too early today. My tolerance

0:20:05.756 --> 0:20:10.396
<v Speaker 1>was through theop you know. But it's one of those times, Nice,

0:20:11.796 --> 0:20:13.196
<v Speaker 1>I can't form a sentence.

0:20:14.596 --> 0:20:16.876
<v Speaker 2>We'll be back with more of le Rose's conversation with

0:20:16.956 --> 0:20:24.116
<v Speaker 2>Duff mccagan after this quick break. We're back with Lea

0:20:24.196 --> 0:20:25.636
<v Speaker 2>Rose and Duff mccagan.

0:20:26.716 --> 0:20:30.076
<v Speaker 3>I watched your documentary It's So Easy and Other Lies

0:20:30.916 --> 0:20:34.156
<v Speaker 3>and which was incredible. I love the music and the

0:20:34.236 --> 0:20:38.116
<v Speaker 3>renditions of the songs that you guys played. The Pedal

0:20:38.156 --> 0:20:43.436
<v Speaker 3>Steel was beautiful. Nice, oh was it was gorgeous. He's

0:20:43.516 --> 0:20:47.516
<v Speaker 3>really really moving. It was really great, and I'm listening

0:20:47.956 --> 0:20:51.916
<v Speaker 3>to the audiobook okay, also really great. I was curious though,

0:20:51.996 --> 0:20:54.316
<v Speaker 3>in the very start of the book, I think it's

0:20:55.356 --> 0:20:59.476
<v Speaker 3>chapter one, maybe it's chapter two, you talk about how

0:21:00.236 --> 0:21:02.716
<v Speaker 3>when Guns n' Roses went on the Usuer Illusion Tour,

0:21:03.276 --> 0:21:07.876
<v Speaker 3>you traveled in an airplane, like not like a private

0:21:07.956 --> 0:21:13.836
<v Speaker 3>jet but like commercial airplane. Yeah, and early on you

0:21:13.876 --> 0:21:18.156
<v Speaker 3>and Slash Chris and the airplane by smoking crack and

0:21:18.196 --> 0:21:19.956
<v Speaker 3>this is in like chapter two.

0:21:20.396 --> 0:21:20.596
<v Speaker 1>Yeah.

0:21:20.676 --> 0:21:23.636
<v Speaker 3>Yeah, So I was just curious, why did you decide

0:21:23.716 --> 0:21:27.316
<v Speaker 3>to put that the hard drug use so soon in

0:21:27.356 --> 0:21:27.756
<v Speaker 3>the book.

0:21:28.716 --> 0:21:32.676
<v Speaker 1>Well, now I start that book. There was a million

0:21:32.756 --> 0:21:34.716
<v Speaker 1>different ways you could write that book. And I had

0:21:34.756 --> 0:21:39.396
<v Speaker 1>written so many pieces that became that book for The Weekly,

0:21:39.476 --> 0:21:42.196
<v Speaker 1>because you know, when you're writing so much. I was

0:21:42.196 --> 0:21:45.716
<v Speaker 1>writing for the Weekly, I was writing for Playboy financial columns,

0:21:45.716 --> 0:21:50.276
<v Speaker 1>I was writing for ESPN. I was writing all this stuff.

0:21:50.316 --> 0:21:55.116
<v Speaker 1>So that kind of creativity, just like songwriting. Yeah, you're

0:21:55.116 --> 0:21:57.396
<v Speaker 1>a writer, so you know this, ye writing your white

0:21:57.436 --> 0:22:01.236
<v Speaker 1>two thousand words that begets more, Oh shit, I should

0:22:01.276 --> 0:22:04.476
<v Speaker 1>write about this. And so I was writing tons of stuff.

0:22:04.556 --> 0:22:08.116
<v Speaker 1>My word document was just full of documents. I'd kind

0:22:08.116 --> 0:22:11.116
<v Speaker 1>of name them like so you know, and a lot

0:22:11.156 --> 0:22:13.596
<v Speaker 1>of this became like that's I can't put that out

0:22:13.596 --> 0:22:16.236
<v Speaker 1>in the Tall Weekly. It's two personal and it's too

0:22:16.476 --> 0:22:19.436
<v Speaker 1>like come out of left field, you know. And Tim Moore,

0:22:19.476 --> 0:22:22.476
<v Speaker 1>who was my editor at Playboy, I asked him to

0:22:22.916 --> 0:22:26.316
<v Speaker 1>edit my book, which was not write it. I had

0:22:26.356 --> 0:22:28.516
<v Speaker 1>all these pieces. Can you look at all these pieces?

0:22:29.476 --> 0:22:32.916
<v Speaker 1>And it helped me, you know, and he would go, okay,

0:22:32.956 --> 0:22:37.196
<v Speaker 1>you know document six, paragraph four? What did that look like?

0:22:37.356 --> 0:22:40.316
<v Speaker 1>And feel like it was like a professor. So I'm like,

0:22:40.356 --> 0:22:43.836
<v Speaker 1>I don't know, man, okay, well need does anybody else?

0:22:43.876 --> 0:22:46.036
<v Speaker 1>So why don't you write what that? You know what

0:22:46.076 --> 0:22:48.996
<v Speaker 1>I mean? And then he came to Seattle. We had

0:22:49.076 --> 0:22:51.636
<v Speaker 1>all and we printed out all the documents and were like,

0:22:51.876 --> 0:22:54.196
<v Speaker 1>how are we going to put this together? Like arranging

0:22:54.276 --> 0:22:57.396
<v Speaker 1>a song? You know, you could write it like I'm

0:22:57.396 --> 0:23:00.876
<v Speaker 1>in the hospital bed and I'm thinking back about my

0:23:01.596 --> 0:23:03.276
<v Speaker 1>life and what I'm going to do for You could

0:23:03.316 --> 0:23:06.156
<v Speaker 1>go there and start it that way, but doesn't every

0:23:06.436 --> 0:23:11.196
<v Speaker 1>like it's just so typical. So I decided there was

0:23:11.236 --> 0:23:16.836
<v Speaker 1>that thing with my daughter's birthday and I'm walking around

0:23:16.956 --> 0:23:19.276
<v Speaker 1>the kids, you know, like making sure like no it's

0:23:19.396 --> 0:23:22.356
<v Speaker 1>nothing's going on, and blah blah blah, and there's these

0:23:22.396 --> 0:23:26.396
<v Speaker 1>this little kid they're they're kissing around the corner, and

0:23:26.436 --> 0:23:28.436
<v Speaker 1>I'm like, what am I supposed to do here? And

0:23:28.556 --> 0:23:30.996
<v Speaker 1>that was a great vehicle for me to get what

0:23:31.076 --> 0:23:33.796
<v Speaker 1>was I doing at that age? How hard should I

0:23:33.836 --> 0:23:36.996
<v Speaker 1>be on them? You know, because by that age I

0:23:37.116 --> 0:23:39.876
<v Speaker 1>was doing this, that and the other before that. In

0:23:39.996 --> 0:23:42.556
<v Speaker 1>sixth grade, I was doing this. So I kind of

0:23:42.556 --> 0:23:47.316
<v Speaker 1>bring in the drugs and stuff pretty instantly, surrounded by

0:23:47.316 --> 0:23:50.516
<v Speaker 1>the story of my daughter's sixteenth birthday party. So then

0:23:50.556 --> 0:23:53.876
<v Speaker 1>that gave me the accessibility, I think, to go in

0:23:54.076 --> 0:23:58.716
<v Speaker 1>and you know, bring the crack in. And because that's

0:23:58.756 --> 0:24:02.756
<v Speaker 1>like one of the dumbest stories there ever was. You know,

0:24:02.876 --> 0:24:06.196
<v Speaker 1>before the plane even took up, it had these this

0:24:06.316 --> 0:24:08.596
<v Speaker 1>plane it was a big regular plane, but in the

0:24:08.636 --> 0:24:12.556
<v Speaker 1>back of had like these four kind of like sweets

0:24:13.076 --> 0:24:16.956
<v Speaker 1>the couches and a curtain, you know, and we went,

0:24:17.396 --> 0:24:19.436
<v Speaker 1>maybe it would get on the plane. We got our shit.

0:24:19.796 --> 0:24:21.596
<v Speaker 1>You got to get rid of it before you land

0:24:21.636 --> 0:24:24.276
<v Speaker 1>wherever we were going to, So you gotta smoke it.

0:24:24.956 --> 0:24:26.636
<v Speaker 1>You just started ride away and like this is the

0:24:26.716 --> 0:24:30.036
<v Speaker 1>most ridiculous thing. We're smoking crack and playing before it

0:24:30.076 --> 0:24:31.756
<v Speaker 1>by sitting at Alix.

0:24:32.356 --> 0:24:35.476
<v Speaker 3>So you thought it was ridiculous at the time, pretty much.

0:24:36.236 --> 0:24:39.836
<v Speaker 1>Yeah, I knew this was ridiculous, but let's go on ahead,

0:24:39.836 --> 0:24:41.676
<v Speaker 1>because we do a lot of ridiculous stuff.

0:24:41.756 --> 0:24:44.836
<v Speaker 3>So yeah, do you have to like clear that with

0:24:44.956 --> 0:24:47.236
<v Speaker 3>slash or it's just whatever at this.

0:24:47.236 --> 0:24:51.316
<v Speaker 1>Point, Yeah, yeah, I talked to people, you know, and

0:24:51.356 --> 0:24:53.796
<v Speaker 1>I really didn't want to write a tell all in

0:24:53.836 --> 0:24:57.196
<v Speaker 1>any way. You know, there's plenty of tea, and I

0:24:57.316 --> 0:24:59.716
<v Speaker 1>just thought myself as a you know, I was a

0:24:59.796 --> 0:25:02.636
<v Speaker 1>writer at that point, and I wanted to really explore,

0:25:04.076 --> 0:25:06.316
<v Speaker 1>try to you know, I was reading Cormack McCarthy the

0:25:06.356 --> 0:25:09.796
<v Speaker 1>whole time I was writing interesting, which is a high

0:25:09.836 --> 0:25:13.956
<v Speaker 1>benchmark of how I like to read. And I really

0:25:14.036 --> 0:25:19.636
<v Speaker 1>love that hard like chopping Cadence. He's got and you know,

0:25:20.076 --> 0:25:26.076
<v Speaker 1>economy and and I'll never be him ever. But to read,

0:25:26.596 --> 0:25:28.916
<v Speaker 1>it's like listen to good music while you're writing. You know,

0:25:29.276 --> 0:25:31.516
<v Speaker 1>you're not going to copy it, but you're surrounded by

0:25:31.596 --> 0:25:32.756
<v Speaker 1>good you know.

0:25:33.156 --> 0:25:34.596
<v Speaker 3>Yeah, you're it's in the ether.

0:25:35.076 --> 0:25:37.516
<v Speaker 1>It's in the ether. And I and I, you know,

0:25:38.436 --> 0:25:42.156
<v Speaker 1>I tried to do my best I could at writing

0:25:42.196 --> 0:25:46.916
<v Speaker 1>an interesting book. Without spilling tea. You know, that's kind

0:25:46.916 --> 0:25:49.596
<v Speaker 1>of I felt that was a little below what. You know,

0:25:49.636 --> 0:25:52.036
<v Speaker 1>I'm a dad. You know they're going to read it

0:25:52.036 --> 0:25:54.436
<v Speaker 1>one day. I'm going to tell them about my drug

0:25:54.516 --> 0:25:58.756
<v Speaker 1>use when they turned fifteen anyhow, because you got hacked

0:25:58.756 --> 0:26:03.436
<v Speaker 1>my DNA. Sorry, but we're going to talk about it. Yeah,

0:26:03.996 --> 0:26:08.556
<v Speaker 1>which we did, so the you know, they saw stuff

0:26:08.596 --> 0:26:11.276
<v Speaker 1>on YouTube. You know, it's like you can't hide that

0:26:11.996 --> 0:26:15.716
<v Speaker 1>dad was a you know, heavy user of stuff.

0:26:15.956 --> 0:26:19.196
<v Speaker 3>Yeah. So yeah, I imagine when you're getting ready to

0:26:19.196 --> 0:26:21.396
<v Speaker 3>write the book and you're thinking about how, you know,

0:26:21.476 --> 0:26:24.196
<v Speaker 3>putting the puzzle together, when you're working with your editor,

0:26:24.876 --> 0:26:28.956
<v Speaker 3>how salacious do you go? You know, there's probably a

0:26:28.996 --> 0:26:31.836
<v Speaker 3>certain side of you that knows some people want just

0:26:31.916 --> 0:26:35.196
<v Speaker 3>like the sex, drugs, and rock and roll story, but

0:26:35.756 --> 0:26:38.156
<v Speaker 3>the story with guns is just so much deeper than that.

0:26:38.796 --> 0:26:41.556
<v Speaker 1>It's so much deeper than Yeah, I didn't you know

0:26:41.676 --> 0:26:43.796
<v Speaker 1>in the book, I didn't talk about sex at all.

0:26:44.996 --> 0:26:50.196
<v Speaker 1>You know, you hear stories of I think it's more

0:26:50.276 --> 0:26:52.956
<v Speaker 1>like business guys in Wall Street, guys who are all

0:26:52.956 --> 0:26:56.396
<v Speaker 1>that stuff. You know, that wasn't a thing. Especially you

0:26:56.396 --> 0:26:59.676
<v Speaker 1>wouldn't write about it, like, come on, right, So but

0:26:59.956 --> 0:27:02.876
<v Speaker 1>Guns was a lot deeper than that, and it was

0:27:02.996 --> 0:27:08.756
<v Speaker 1>really a story five guys who found each other like, oh,

0:27:08.876 --> 0:27:12.596
<v Speaker 1>we've finally got the perfect guys and to be able

0:27:12.596 --> 0:27:15.876
<v Speaker 1>to like write those songs to get to figure it out.

0:27:16.276 --> 0:27:19.396
<v Speaker 1>We figured it out, and then nobody saw the world

0:27:19.676 --> 0:27:23.796
<v Speaker 1>what happened to us around us like we did nobody,

0:27:24.356 --> 0:27:26.476
<v Speaker 1>So there's nobody else you can really talk to who

0:27:26.516 --> 0:27:30.196
<v Speaker 1>experienced all of like the plane to two people and

0:27:30.276 --> 0:27:33.636
<v Speaker 1>three people and then nine and then you know, then

0:27:33.996 --> 0:27:36.836
<v Speaker 1>packing clubs, and then nobody else liked you in the

0:27:36.916 --> 0:27:38.876
<v Speaker 1>rest of the world. You know, you go out with

0:27:39.196 --> 0:27:42.196
<v Speaker 1>Iron Maiden and people, you know call you all the stuff.

0:27:42.276 --> 0:27:44.796
<v Speaker 3>You know, when did you guys go out with Iron Maiden?

0:27:44.956 --> 0:27:46.636
<v Speaker 3>Was that after appetite?

0:27:47.236 --> 0:27:49.916
<v Speaker 1>Yes, we went out. So we went out with the cult,

0:27:50.356 --> 0:27:53.196
<v Speaker 1>which was great for us. Came across Canada, down the

0:27:53.196 --> 0:27:55.796
<v Speaker 1>West Coast, and across over the New Orleans. We did

0:27:55.996 --> 0:27:59.116
<v Speaker 1>our own little tours, like of the Southwest, we did

0:27:59.156 --> 0:28:02.516
<v Speaker 1>the club tour of the US. We went to Europe

0:28:02.516 --> 0:28:05.996
<v Speaker 1>and played clubs and Germany and stuff. But we England

0:28:05.996 --> 0:28:08.556
<v Speaker 1>we were picking up. Yeah, we had put the EP

0:28:08.756 --> 0:28:11.876
<v Speaker 1>out and so we'd already played the Marquee in one.

0:28:12.036 --> 0:28:15.116
<v Speaker 1>So we started really kind of picking up in England

0:28:15.156 --> 0:28:17.596
<v Speaker 1>and but then you could come back and play, you know,

0:28:17.716 --> 0:28:20.396
<v Speaker 1>some we started to pick up in the northeast Boston

0:28:20.436 --> 0:28:22.676
<v Speaker 1>and New York. You know, you knew like when a

0:28:22.756 --> 0:28:25.596
<v Speaker 1>cop like said, hey, Gods and roses. You know, you're

0:28:25.596 --> 0:28:29.236
<v Speaker 1>walking down the street this cop him, you know, wow,

0:28:29.396 --> 0:28:31.836
<v Speaker 1>you know that's like, that's like you're getting into the

0:28:31.876 --> 0:28:34.436
<v Speaker 1>meat and potatoes of human mind.

0:28:34.676 --> 0:28:36.636
<v Speaker 3>It must be interesting to see like who it was

0:28:36.636 --> 0:28:37.956
<v Speaker 3>first resonating with, like.

0:28:39.116 --> 0:28:41.796
<v Speaker 1>Cops, but to see, you know, like for us to

0:28:42.836 --> 0:28:45.316
<v Speaker 1>you know, start to break through and really break through

0:28:45.356 --> 0:28:51.236
<v Speaker 1>and then then really really break through. It was so crazy.

0:28:51.876 --> 0:28:54.036
<v Speaker 1>You know, people thats how has this changed you? And

0:28:54.036 --> 0:28:55.916
<v Speaker 1>when we got that when it kind of blew up

0:28:55.916 --> 0:28:58.476
<v Speaker 1>and like eighty nine, I remember getting asked questions I'd

0:28:58.516 --> 0:29:01.436
<v Speaker 1>never been asking before how does this change? And I

0:29:01.436 --> 0:29:04.116
<v Speaker 1>thought about it, How does it change me? It must

0:29:04.276 --> 0:29:07.236
<v Speaker 1>change me? Everyone's asked me the same question, right, And

0:29:07.316 --> 0:29:10.396
<v Speaker 1>I realized it didn't change me. It's changed how people

0:29:10.916 --> 0:29:13.916
<v Speaker 1>respond to me. And all of a sudden, I noticed

0:29:13.956 --> 0:29:16.556
<v Speaker 1>I had a lot more friends suddenly, and my jokes

0:29:16.556 --> 0:29:20.956
<v Speaker 1>were for funnier, you know, I was suddenly better looking

0:29:20.996 --> 0:29:23.196
<v Speaker 1>because you know, I was like I was getting you know,

0:29:23.316 --> 0:29:26.756
<v Speaker 1>hit on. I'm like, well, it's kind of probably out

0:29:26.796 --> 0:29:29.396
<v Speaker 1>of my league over there. Oh it's because I'm in

0:29:29.396 --> 0:29:32.716
<v Speaker 1>this band, you know, and they set us up on

0:29:32.756 --> 0:29:34.876
<v Speaker 1>the thing and we're on teep, we're on MTV and

0:29:34.916 --> 0:29:37.636
<v Speaker 1>with all that stuff, like it's kind of lonely, you know,

0:29:37.876 --> 0:29:39.836
<v Speaker 1>like said, when you realize that, it's kind of like,

0:29:39.876 --> 0:29:40.756
<v Speaker 1>oh shit.

0:29:41.516 --> 0:29:43.276
<v Speaker 3>Did you ever ever have a period where you were

0:29:43.316 --> 0:29:45.956
<v Speaker 3>like worked it a little bit, like you know, took

0:29:45.996 --> 0:29:48.236
<v Speaker 3>advantage of it in any way.

0:29:48.236 --> 0:29:50.916
<v Speaker 1>Not my style. It's not really not my style to

0:29:50.956 --> 0:29:54.836
<v Speaker 1>this day, you know, yeah, no, but I I really

0:29:54.956 --> 0:29:57.316
<v Speaker 1>kind of went back. I have my best friends I

0:29:57.316 --> 0:29:59.716
<v Speaker 1>grew up with and they're still my best friends. We

0:29:59.836 --> 0:30:02.996
<v Speaker 1>have our text group. We've been through it, you know,

0:30:03.116 --> 0:30:06.796
<v Speaker 1>if one of my body's strung Ona Heroin for you know,

0:30:06.956 --> 0:30:12.156
<v Speaker 1>fourteen years and like all of has an interesting story,

0:30:12.236 --> 0:30:15.796
<v Speaker 1>you know, and we've been through it together and so

0:30:15.836 --> 0:30:17.716
<v Speaker 1>it's it's really nice to have. So I kind of

0:30:17.716 --> 0:30:20.876
<v Speaker 1>reverted when all that kind of stuff. I just hung

0:30:20.916 --> 0:30:23.916
<v Speaker 1>on to my buddies and like, uh, this is kind

0:30:23.916 --> 0:30:28.076
<v Speaker 1>of weird, guys, you know, like so deep. It was

0:30:28.076 --> 0:30:32.396
<v Speaker 1>a deep band, you know, like, yeah, listen like Paradise City,

0:30:32.676 --> 0:30:35.236
<v Speaker 1>the Captain America's Got a Broken Heart. You know, it's

0:30:35.276 --> 0:30:39.916
<v Speaker 1>like it's deep, it's heavy shit. You know Brownstone about

0:30:39.916 --> 0:30:42.916
<v Speaker 1>getting strung out on Heroin, you know, yeah, like it's

0:30:42.956 --> 0:30:47.076
<v Speaker 1>not your average you know, hey, rock and roll. You know,

0:30:47.116 --> 0:30:49.476
<v Speaker 1>it's like the subject matter is kind of deep.

0:30:50.116 --> 0:30:52.436
<v Speaker 3>Yeah. And I always thought it was interesting that so

0:30:52.556 --> 0:30:55.276
<v Speaker 3>much was made about guns and roses being so wild

0:30:55.476 --> 0:30:59.196
<v Speaker 3>and hell raisers and but it's pretty obvious that you

0:30:59.236 --> 0:31:03.956
<v Speaker 3>guys were extremely driven. Yeah, and I know that. You know,

0:31:03.996 --> 0:31:08.556
<v Speaker 3>you went back to school, you studied business, and but

0:31:08.676 --> 0:31:10.636
<v Speaker 3>even back in the day when you guys were first

0:31:10.676 --> 0:31:15.556
<v Speaker 3>offered contracts, you know, before you're even offered full record deals,

0:31:15.596 --> 0:31:19.796
<v Speaker 3>you were turning stuff down because you knew, you know that,

0:31:19.916 --> 0:31:22.036
<v Speaker 3>like this, this isn't good enough for us, and you

0:31:22.156 --> 0:31:24.916
<v Speaker 3>held out, which it must be so hard to do.

0:31:25.116 --> 0:31:27.996
<v Speaker 1>Yeah. Yeah, yeah, we got offered ten thousand bucks for

0:31:28.196 --> 0:31:30.556
<v Speaker 1>the rights to switch out of Mind, you know, like

0:31:30.716 --> 0:31:35.316
<v Speaker 1>ten thousand dollars when you're starting literally you're not you know,

0:31:35.676 --> 0:31:38.956
<v Speaker 1>we're working like phone sales jobs and stuff and paying

0:31:38.996 --> 0:31:42.236
<v Speaker 1>for a rehearsal place and had days when you just

0:31:42.236 --> 0:31:46.756
<v Speaker 1>couldn't even for top ramen. You know, yeah, ten thousand bucks,

0:31:46.796 --> 0:31:51.516
<v Speaker 1>it's like we're rich. But if we just thought if

0:31:51.876 --> 0:31:53.716
<v Speaker 1>and it was for the guy was smart. It was

0:31:53.756 --> 0:31:56.516
<v Speaker 1>a he knew we welcome to jungle. He saw us

0:31:56.556 --> 0:31:58.596
<v Speaker 1>playing in the clubs. He's like, I'll offer you ten

0:31:58.756 --> 0:32:03.356
<v Speaker 1>grandpa publishing on that we didn't know what publishing really meant. Yeah,

0:32:03.356 --> 0:32:06.876
<v Speaker 1>but if it's worth ten thousand dollars to him, it's

0:32:06.876 --> 0:32:09.356
<v Speaker 1>got to be worth that does at least. And then

0:32:09.356 --> 0:32:12.476
<v Speaker 1>we got offered a publishing deal and this is after

0:32:12.516 --> 0:32:14.636
<v Speaker 1>we got signed two hundred Well, if it's worth two

0:32:14.756 --> 0:32:18.396
<v Speaker 1>hundred thousand, I mean that's like five bajillion dollars to

0:32:18.516 --> 0:32:20.996
<v Speaker 1>us at that point. Yeah, but if it's worth that

0:32:21.076 --> 0:32:23.636
<v Speaker 1>much to them, we don't really know what publishing is

0:32:23.756 --> 0:32:25.716
<v Speaker 1>or how it works. It's got to be worth that

0:32:25.796 --> 0:32:29.396
<v Speaker 1>to us, you know, why give it to them. So

0:32:29.916 --> 0:32:32.556
<v Speaker 1>we were kind of like a little streak gang. And

0:32:32.596 --> 0:32:36.636
<v Speaker 1>when we started making money, even like we get got accountants,

0:32:36.876 --> 0:32:38.956
<v Speaker 1>you have to get account like, what the fuck is

0:32:39.196 --> 0:32:42.196
<v Speaker 1>you know, we're all smart, We're a smart guy.

0:32:42.196 --> 0:32:44.716
<v Speaker 3>And we were like yeah, yeah, but also very driven,

0:32:44.996 --> 0:32:47.316
<v Speaker 3>just you know, It's like everyone kind of thinks of

0:32:47.396 --> 0:32:50.996
<v Speaker 3>you guys as like hard partying, don't give a fuck

0:32:51.196 --> 0:32:53.036
<v Speaker 3>like all that and that. I mean, I'm sure that

0:32:53.036 --> 0:32:56.196
<v Speaker 3>that's true too, But you're also very driven.

0:32:56.356 --> 0:33:00.676
<v Speaker 1>Yeah, nobody rehearsed more than us. No, we worked harder,

0:33:00.836 --> 0:33:05.156
<v Speaker 1>you know, like and still like when we we go

0:33:05.196 --> 0:33:07.556
<v Speaker 1>out on tour, you know, and we thought we just

0:33:07.556 --> 0:33:10.396
<v Speaker 1>didn't We're going to rehearse for six weeks, you know,

0:33:11.436 --> 0:33:14.156
<v Speaker 1>six days a week, not just going and fuck around

0:33:14.156 --> 0:33:15.796
<v Speaker 1>the talk because we put you put the interns in

0:33:15.956 --> 0:33:19.156
<v Speaker 1>and we're playing and we play for hours.

0:33:19.516 --> 0:33:22.956
<v Speaker 3>So in those early sessions, when you in that era

0:33:23.116 --> 0:33:25.476
<v Speaker 3>when Guns was looking for a producer and you met

0:33:25.516 --> 0:33:27.316
<v Speaker 3>with a bunch of different people trying to find the

0:33:27.396 --> 0:33:32.156
<v Speaker 3>right fit, how did those early songwriting sessions work, because

0:33:32.156 --> 0:33:33.836
<v Speaker 3>I've heard you say it was pretty collaborative.

0:33:34.156 --> 0:33:37.436
<v Speaker 1>Yeah, yeah, yeah. Coming up with the music and then

0:33:37.476 --> 0:33:40.636
<v Speaker 1>finding a producer later that two different things. We were

0:33:40.636 --> 0:33:45.556
<v Speaker 1>done with Appetite plus other songs. By the time we

0:33:45.676 --> 0:33:50.116
<v Speaker 1>started looking for a producer, we knew our songs well

0:33:50.236 --> 0:33:53.436
<v Speaker 1>enough that we didn't want a producer who would get

0:33:53.476 --> 0:33:56.556
<v Speaker 1>into the songs. We didn't want to put somebody touching

0:33:56.596 --> 0:33:59.396
<v Speaker 1>a note I'm not going to touch in it. We

0:33:59.436 --> 0:34:03.356
<v Speaker 1>wanted to sound like we sound in our little rehearsal

0:34:03.916 --> 0:34:08.436
<v Speaker 1>because it sounded fucking great. Yeah. So but we went

0:34:08.476 --> 0:34:11.716
<v Speaker 1>to you know like there was there was like Mutt

0:34:11.756 --> 0:34:14.556
<v Speaker 1>Lane who'd done back in Black and stuff, and like,

0:34:14.796 --> 0:34:17.516
<v Speaker 1>I mean that's a great, dry sounding record, you know,

0:34:18.436 --> 0:34:20.956
<v Speaker 1>but he was to get him. He was more than

0:34:21.716 --> 0:34:23.636
<v Speaker 1>just a walk in the room with more than We

0:34:23.676 --> 0:34:26.956
<v Speaker 1>got two hundred and fifty grand to make our first record. Yeah,

0:34:26.996 --> 0:34:29.396
<v Speaker 1>and that would have to pay for you know, that's

0:34:29.396 --> 0:34:31.676
<v Speaker 1>an including and advanced to us so we could live

0:34:32.596 --> 0:34:38.236
<v Speaker 1>stuff our jobs. It's an amazing day. But we'd written songs.

0:34:38.276 --> 0:34:40.596
<v Speaker 1>We had this a lot of times. We ran on

0:34:40.596 --> 0:34:44.236
<v Speaker 1>acoustic guitars because that's how we had and The Night

0:34:44.236 --> 0:34:46.396
<v Speaker 1>Train was written on acoustic guitar, and we'd go out,

0:34:46.516 --> 0:34:50.036
<v Speaker 1>like I remember that in particular, we've drinking in the

0:34:50.156 --> 0:34:53.356
<v Speaker 1>Night Train, you know, this cheap booze. It was like,

0:34:53.716 --> 0:34:57.516
<v Speaker 1>I don't know, dollar twenty seven cents a bottle, and

0:34:57.556 --> 0:34:59.276
<v Speaker 1>we were going to go out and fly her for

0:34:59.356 --> 0:35:01.516
<v Speaker 1>a gig that, yeah, which is something we would go

0:35:01.556 --> 0:35:03.436
<v Speaker 1>out and do together. You know, at least a couple

0:35:03.476 --> 0:35:05.156
<v Speaker 1>of us ago. This night we were going out as

0:35:05.196 --> 0:35:07.756
<v Speaker 1>a band. We're going to cover a hole any walk,

0:35:08.276 --> 0:35:10.756
<v Speaker 1>you know, got your bucket of paste and you got

0:35:10.836 --> 0:35:15.476
<v Speaker 1>flyers in here, and we just kept singing the chorus

0:35:15.476 --> 0:35:17.996
<v Speaker 1>for night Train And because we kind of written we

0:35:17.996 --> 0:35:21.836
<v Speaker 1>were all got together I think at Izzy's apartment beforehand,

0:35:22.396 --> 0:35:25.196
<v Speaker 1>and came up with the genesis of that, and we

0:35:25.236 --> 0:35:28.436
<v Speaker 1>were singing it because we didn't have phones and shit

0:35:28.516 --> 0:35:31.756
<v Speaker 1>to record stuff. Yeah, I have to remember what you wrote,

0:35:32.156 --> 0:35:34.316
<v Speaker 1>so a lot of times you just go around seeing it.

0:35:34.916 --> 0:35:37.836
<v Speaker 1>But we landed on some really cool shit, you know.

0:35:37.916 --> 0:35:41.956
<v Speaker 1>I remember like landing on the notes for Michelle mounts

0:35:42.356 --> 0:35:46.236
<v Speaker 1>Now and it just killed it. We just played that

0:35:46.316 --> 0:35:49.516
<v Speaker 1>riff for it hours, you know, and then you have

0:35:49.556 --> 0:35:53.196
<v Speaker 1>to come up with other bits and so bits and pieces.

0:35:53.556 --> 0:35:55.636
<v Speaker 3>Who came up with the whistle in Paradise City?

0:35:57.196 --> 0:36:00.556
<v Speaker 1>Axcellent? I think I think you had a whistle. It's

0:36:00.596 --> 0:36:04.476
<v Speaker 1>like a necklace, you know, like this cool whistle. You know,

0:36:04.636 --> 0:36:07.796
<v Speaker 1>you used the stuff that's around you. If you're making

0:36:07.876 --> 0:36:10.916
<v Speaker 1>a record on budget. One of the songs has like

0:36:10.956 --> 0:36:17.076
<v Speaker 1>a whatever that thing is really called. But he used

0:36:17.116 --> 0:36:20.276
<v Speaker 1>a comb and wax paper for that, Like we need

0:36:20.276 --> 0:36:23.916
<v Speaker 1>that sound that's like in seventies cop you know TV shows,

0:36:24.076 --> 0:36:27.196
<v Speaker 1>so you use what's around you. And but finding a producer,

0:36:27.916 --> 0:36:31.756
<v Speaker 1>you know, we found Mike Clink after you know, we

0:36:31.756 --> 0:36:35.676
<v Speaker 1>we sat with Paul Stanley, you know, just because like,

0:36:35.716 --> 0:36:39.796
<v Speaker 1>well Paul Stanley can kiss if nothing else, like he

0:36:39.916 --> 0:36:43.236
<v Speaker 1>came and roger'son SAT and watched us, you know, you

0:36:43.236 --> 0:36:46.076
<v Speaker 1>know that's a dirty show. And then he came to

0:36:46.116 --> 0:36:49.356
<v Speaker 1>have a meeting with us about producing the record. It

0:36:49.396 --> 0:36:52.356
<v Speaker 1>wasn't the right fit. We could tell. We were talking

0:36:52.356 --> 0:36:56.236
<v Speaker 1>about music. His idea of what should be in our

0:36:56.276 --> 0:36:59.396
<v Speaker 1>idea was different. But that was fine, you know.

0:36:59.916 --> 0:37:02.956
<v Speaker 3>But yeah, but again it's like another instance where you

0:37:02.996 --> 0:37:06.556
<v Speaker 3>guys are confident in your sound, where you can say

0:37:06.596 --> 0:37:07.756
<v Speaker 3>no to somebody like that.

0:37:08.236 --> 0:37:10.556
<v Speaker 1>Well, we just knew, and we knew we were at

0:37:10.556 --> 0:37:14.036
<v Speaker 1>the age that we should know, right like whatever was

0:37:14.076 --> 0:37:16.156
<v Speaker 1>going to be next in rock was going to be

0:37:17.036 --> 0:37:20.836
<v Speaker 1>on our shoulders. And somebody who was maybe wasn't with

0:37:21.036 --> 0:37:24.596
<v Speaker 1>us through the whole thing, who understood it completely, they

0:37:24.636 --> 0:37:28.196
<v Speaker 1>just wouldn't understand it. You know. We just wanted microphones

0:37:28.276 --> 0:37:32.076
<v Speaker 1>up against our amps and around the drums and capture axel,

0:37:32.716 --> 0:37:35.796
<v Speaker 1>you know. Yeah, and we had these backing vocals that

0:37:35.836 --> 0:37:38.596
<v Speaker 1>we wanted to really like. You know, if you listen

0:37:38.636 --> 0:37:41.716
<v Speaker 1>to the appetite, backing vocals are like such a big

0:37:41.756 --> 0:37:43.356
<v Speaker 1>part of it. You know. We wanted that to do

0:37:44.036 --> 0:37:48.436
<v Speaker 1>a thing. But Mike Clink came into where we he

0:37:48.676 --> 0:37:51.116
<v Speaker 1>didn't really want to sit down and talk too much.

0:37:51.156 --> 0:37:53.516
<v Speaker 1>He said, what why don't I come down and record

0:37:53.556 --> 0:37:57.156
<v Speaker 1>you guys. I gotta like eight track reel to reel. Okay,

0:37:57.716 --> 0:38:00.316
<v Speaker 1>And he came, set up some mics and then recorded

0:38:00.396 --> 0:38:04.276
<v Speaker 1>us and then and played it back for us. You know,

0:38:04.276 --> 0:38:06.956
<v Speaker 1>I had a little setup to play it back, and

0:38:07.116 --> 0:38:10.396
<v Speaker 1>it sounds fucking killer, right, because well, that's all we

0:38:10.436 --> 0:38:12.396
<v Speaker 1>need to do is just capture you know. It's like

0:38:12.796 --> 0:38:16.076
<v Speaker 1>the mic through the cord and then through the board

0:38:16.156 --> 0:38:18.556
<v Speaker 1>onto the tape. That's what all we're trying to do.

0:38:19.156 --> 0:38:23.276
<v Speaker 1>He wanted to catch the purest form of that and like, okay, great,

0:38:23.396 --> 0:38:27.476
<v Speaker 1>So we we tried some tracks with like Spencer Proffer

0:38:28.476 --> 0:38:30.316
<v Speaker 1>and that's actually where we made the live like a

0:38:30.356 --> 0:38:34.676
<v Speaker 1>suicide EP. It was at Spencer Proffers studio. Well, we

0:38:34.716 --> 0:38:37.236
<v Speaker 1>had a day to ourselves and we just we had

0:38:37.236 --> 0:38:39.996
<v Speaker 1>an engineer there. We made the live like a suicide record.

0:38:40.036 --> 0:38:42.156
<v Speaker 1>It's not actually live. That's why there's a question mark

0:38:42.196 --> 0:38:44.916
<v Speaker 1>and all that stuff. Oh okay, we weren't a big band.

0:38:44.916 --> 0:38:47.036
<v Speaker 1>The joke is we weren't big enough to have a

0:38:47.076 --> 0:38:50.476
<v Speaker 1>big audience. Our audiences were like twelve people at that point.

0:38:50.756 --> 0:38:55.316
<v Speaker 1>Did you hear this roar? They had the Texas Jam audience? Uh,

0:38:55.756 --> 0:38:58.556
<v Speaker 1>live from the Texas Jam was like all these huge bands,

0:38:58.836 --> 0:39:02.716
<v Speaker 1>We're like, let's use that audience. Oh so you hear

0:39:02.796 --> 0:39:05.836
<v Speaker 1>like the loud roars and the firecrackers. We just let

0:39:05.876 --> 0:39:08.836
<v Speaker 1>firecrackers off in the studio, you know. But we got

0:39:09.276 --> 0:39:13.476
<v Speaker 1>you know, we tried out different producers.

0:39:12.916 --> 0:39:15.796
<v Speaker 3>And then you worked with Dan McCafferty, Dan.

0:39:15.716 --> 0:39:20.916
<v Speaker 1>Mccaff from Nazareth. Those records just sound great. I mean, oh,

0:39:21.476 --> 0:39:26.676
<v Speaker 1>it's the precursor to ac DC and to that cult

0:39:26.796 --> 0:39:29.636
<v Speaker 1>electric record. You know. It's like very dry, just in

0:39:29.756 --> 0:39:33.076
<v Speaker 1>your face recording. And they so we tried Dan and

0:39:33.276 --> 0:39:36.836
<v Speaker 1>we did get twenty nine songs recorded. Sounds shitty.

0:39:37.276 --> 0:39:39.396
<v Speaker 3>You can hear them. They're on Spotify.

0:39:39.836 --> 0:39:42.036
<v Speaker 1>Yeah, there's a box that we put out. We finally

0:39:42.556 --> 0:39:45.276
<v Speaker 1>put those songs out, twenty seven song whatever, it was,

0:39:45.596 --> 0:39:49.036
<v Speaker 1>all the covers we did Heartbreak Hotel by Elvis and

0:39:49.156 --> 0:39:51.276
<v Speaker 1>all this stuff, but landing on Mike, you know, he

0:39:51.516 --> 0:39:54.956
<v Speaker 1>just just did to capture you guys. And when we

0:39:55.196 --> 0:39:58.996
<v Speaker 1>got into that Rumbo recorders, he was really good at

0:39:59.076 --> 0:40:03.716
<v Speaker 1>like kind of corralling us, like, okay, we do a take.

0:40:04.716 --> 0:40:07.716
<v Speaker 1>There's only I mean, I think all of that record

0:40:07.836 --> 0:40:11.316
<v Speaker 1>is first second or three it takes. I've every saw

0:40:11.476 --> 0:40:14.316
<v Speaker 1>we were, We played all the time. You know, we

0:40:14.356 --> 0:40:18.876
<v Speaker 1>didn't need to do nineteen takes of anything. And Steven

0:40:19.076 --> 0:40:21.796
<v Speaker 1>was was crushing it then, so we didn't need to

0:40:21.836 --> 0:40:25.036
<v Speaker 1>get like we don't got the drum take yet. We'd

0:40:25.076 --> 0:40:27.876
<v Speaker 1>have it, you know. So and Mike was really good

0:40:27.916 --> 0:40:30.156
<v Speaker 1>at like we had headphones on first time, kind of

0:40:30.476 --> 0:40:32.756
<v Speaker 1>using headphones and all that stuff, and he knew it

0:40:32.756 --> 0:40:34.636
<v Speaker 1>was all kind of alien to us, and he would

0:40:34.636 --> 0:40:36.796
<v Speaker 1>come on the thing you talk to them, all right, guys,

0:40:36.836 --> 0:40:40.516
<v Speaker 1>it's time to dig in. This is the one. You know.

0:40:40.836 --> 0:40:42.916
<v Speaker 1>He'd let us get one out, you know, and maybe

0:40:42.956 --> 0:40:45.636
<v Speaker 1>we use that first one. But he's like, okay, guys,

0:40:45.676 --> 0:40:47.556
<v Speaker 1>dig in. And he had this kind of voice in

0:40:47.556 --> 0:40:50.676
<v Speaker 1>a way about him, very gentle. Never you never got

0:40:50.716 --> 0:40:53.116
<v Speaker 1>out of you know, he was just he's always just

0:40:53.156 --> 0:40:56.356
<v Speaker 1>been this general guy. All Right, guys, it's time to

0:40:56.356 --> 0:40:58.996
<v Speaker 1>dig in. When Mike you said that you knew like

0:40:59.036 --> 0:41:01.956
<v Speaker 1>somebody's fucking around too much or something. All right, we'll

0:41:01.956 --> 0:41:04.756
<v Speaker 1>go we'll dig in. We'll dig in for Yeah.

0:41:04.796 --> 0:41:06.796
<v Speaker 3>And were you guys doing overdubs and stuff or was

0:41:06.796 --> 0:41:08.796
<v Speaker 3>it just all one take?

0:41:09.676 --> 0:41:13.156
<v Speaker 1>Basic drums are pretty much one yeah, one take through

0:41:13.156 --> 0:41:18.076
<v Speaker 1>that stuff, Slash understood that he could put his guitars

0:41:18.116 --> 0:41:21.076
<v Speaker 1>on again, so he when we were doing they're called

0:41:21.076 --> 0:41:26.476
<v Speaker 1>basic tracks, he drank like a fiend. And so I

0:41:26.476 --> 0:41:28.836
<v Speaker 1>wish we could get out takes some of that his guitars.

0:41:28.916 --> 0:41:31.236
<v Speaker 1>We'd have to turn it off because he was so out.

0:41:31.836 --> 0:41:34.796
<v Speaker 1>He was so hammered, you know, like Slash, we're trying

0:41:34.836 --> 0:41:37.516
<v Speaker 1>to get basic tracks here, he'd be laughing and stuff,

0:41:37.556 --> 0:41:40.796
<v Speaker 1>and like so he did. I think he probably kept

0:41:40.796 --> 0:41:43.556
<v Speaker 1>some of his guitars, And is these guitars on on

0:41:43.636 --> 0:41:47.196
<v Speaker 1>those basic tracks because everything was isolated. If it was

0:41:47.236 --> 0:41:50.836
<v Speaker 1>a good take and it sounded good, like why do

0:41:50.916 --> 0:41:51.276
<v Speaker 1>it again?

0:41:51.876 --> 0:41:54.356
<v Speaker 3>So Slash would be like noodling and like jamming and

0:41:54.476 --> 0:41:57.516
<v Speaker 3>just like going off the script basically, yeah.

0:41:57.316 --> 0:42:00.196
<v Speaker 1>Following the ground, like dude, we're trying to get basic

0:42:00.276 --> 0:42:03.556
<v Speaker 1>tracks over here and Axel would sing with us in

0:42:03.596 --> 0:42:06.916
<v Speaker 1>all the basic tracks. He had a little booth because

0:42:06.916 --> 0:42:09.556
<v Speaker 1>we're used to playing as a band, right, so right,

0:42:09.956 --> 0:42:13.636
<v Speaker 1>and we always did that, even with all the user

0:42:13.676 --> 0:42:16.556
<v Speaker 1>illusion stuff, you know, played everything as a band and

0:42:16.876 --> 0:42:19.596
<v Speaker 1>anything that was good enough for take because you want that,

0:42:19.916 --> 0:42:23.396
<v Speaker 1>you know, first take in rock and roll, right if

0:42:23.396 --> 0:42:23.996
<v Speaker 1>you can get it?

0:42:24.396 --> 0:42:26.836
<v Speaker 3>And was there more tinkering with the lyrics or were

0:42:26.836 --> 0:42:28.156
<v Speaker 3>those kind of locked by then?

0:42:28.716 --> 0:42:33.356
<v Speaker 1>In an appetite there take? Yeah, No, done, Everything was

0:42:33.436 --> 0:42:37.476
<v Speaker 1>absolutely done. Slash guitar solos, he had written those. You know,

0:42:37.596 --> 0:42:40.716
<v Speaker 1>everything was done. It's just a matter of capturing on tape.

0:42:41.676 --> 0:42:43.836
<v Speaker 2>We're gonna pause one last time for a quick break

0:42:43.876 --> 0:42:46.076
<v Speaker 2>and then come back with the rest of Lea's conversation

0:42:46.356 --> 0:42:54.156
<v Speaker 2>with Duff mccagan. Here's the rest of Lea Roses conversation

0:42:54.396 --> 0:42:55.396
<v Speaker 2>with Duff mccagan.

0:42:56.356 --> 0:43:00.316
<v Speaker 3>You've been in so many bands. Before you even moved

0:43:00.316 --> 0:43:04.276
<v Speaker 3>to LA you had been in probably eight bands.

0:43:04.716 --> 0:43:07.276
<v Speaker 1>Eight yeah bands. Yeah, I'd been a lot more than that.

0:43:07.356 --> 0:43:09.836
<v Speaker 3>But yeah, I love in the Dot documentary where you're

0:43:09.836 --> 0:43:12.076
<v Speaker 3>just naming the names of all the bands you've been in,

0:43:12.116 --> 0:43:13.716
<v Speaker 3>like the Farts and.

0:43:14.996 --> 0:43:18.636
<v Speaker 1>Yeah, yeah, you know, Seattle had a great music scene.

0:43:18.676 --> 0:43:22.076
<v Speaker 1>It's just unfortunately, like Heroin came in at about eighty

0:43:22.116 --> 0:43:26.316
<v Speaker 1>three and I was left. I didn't want to move someplace.

0:43:26.516 --> 0:43:28.636
<v Speaker 1>I was playing with all these great people there was

0:43:28.836 --> 0:43:31.356
<v Speaker 1>I was like one person away in every band, like

0:43:31.396 --> 0:43:35.276
<v Speaker 1>from the band being really fucking good, you know. As

0:43:35.316 --> 0:43:38.676
<v Speaker 1>you know, like Sea scene took off only a couple

0:43:38.716 --> 0:43:41.836
<v Speaker 1>of years later, you know, he Soundguarden stuff like that

0:43:41.996 --> 0:43:46.316
<v Speaker 1>was all there. It was just in my group. It

0:43:46.436 --> 0:43:49.196
<v Speaker 1>was just everybody had strung out and it was time

0:43:49.476 --> 0:43:52.236
<v Speaker 1>to go. If I wanted to do this, it was

0:43:52.236 --> 0:43:53.116
<v Speaker 1>time to get out.

0:43:53.316 --> 0:43:56.916
<v Speaker 3>Once the Seattle sound was established and did take off,

0:43:57.476 --> 0:44:01.116
<v Speaker 3>you know with Pearl Jams, Soundgarden, Nirvana, what did you

0:44:01.196 --> 0:44:02.236
<v Speaker 3>think of that sound?

0:44:03.356 --> 0:44:07.476
<v Speaker 1>I was super proud, you know, super proud. I was

0:44:07.516 --> 0:44:10.516
<v Speaker 1>on the you know, so Bruce Habit from Subpop, him

0:44:10.516 --> 0:44:13.676
<v Speaker 1>and I worked at the same restaurant and he had

0:44:13.716 --> 0:44:17.796
<v Speaker 1>sub Pop. The column in this newspaper called called the Rocket,

0:44:18.316 --> 0:44:20.356
<v Speaker 1>so it kind of opened. That's how you got information.

0:44:20.556 --> 0:44:22.556
<v Speaker 1>You know, you're not old enough to remember any of

0:44:22.556 --> 0:44:25.796
<v Speaker 1>this stuff, but Maximum rock and Roll was a fanzine

0:44:25.836 --> 0:44:28.396
<v Speaker 1>that would have the scene report. So that's how you

0:44:28.436 --> 0:44:31.516
<v Speaker 1>found out what was going on in Chicago, Washington, d C,

0:44:32.836 --> 0:44:35.596
<v Speaker 1>dall it whatever. You know, you'd read about it, and

0:44:35.636 --> 0:44:38.036
<v Speaker 1>he had sort of that column and that was called

0:44:38.036 --> 0:44:43.396
<v Speaker 1>the Rocket in Seattle music newspaper. And then he was

0:44:43.396 --> 0:44:46.556
<v Speaker 1>about to pronounce for sub sub pop single like, oh,

0:44:46.676 --> 0:44:49.876
<v Speaker 1>that's a good idea. Named after your column. It's credited

0:44:49.956 --> 0:44:51.356
<v Speaker 1>and it was the you Man I think was the

0:44:51.356 --> 0:44:54.316
<v Speaker 1>first band. But that was right in when I was

0:44:55.036 --> 0:44:58.516
<v Speaker 1>getting to leave. So he picked up Steam. And then

0:44:58.556 --> 0:45:01.476
<v Speaker 1>my my friend Kim, she from Fastbacks, she went to

0:45:01.516 --> 0:45:05.156
<v Speaker 1>go work for subpop like they were hiring employees, you know,

0:45:05.276 --> 0:45:08.796
<v Speaker 1>like holy shit, wow. And I was put on the

0:45:08.836 --> 0:45:11.716
<v Speaker 1>sub Pop Singles Club. So I got all I had got,

0:45:11.756 --> 0:45:14.676
<v Speaker 1>you know, a tad single and you know, all the

0:45:14.796 --> 0:45:17.876
<v Speaker 1>early shit, and I was really really happy about it.

0:45:18.116 --> 0:45:20.196
<v Speaker 1>Went and saw a sound Garden when they came and

0:45:20.196 --> 0:45:21.596
<v Speaker 1>played here in eighty What do.

0:45:21.596 --> 0:45:22.556
<v Speaker 3>You think of Soundgarden?

0:45:22.756 --> 0:45:26.476
<v Speaker 1>I mean I knew Kim, and I knew Chris and

0:45:26.556 --> 0:45:29.636
<v Speaker 1>Ben was around. I knew band a little bit. So

0:45:30.316 --> 0:45:33.236
<v Speaker 1>they're right. You know, they're not trying to write pop

0:45:33.436 --> 0:45:36.476
<v Speaker 1>radio song. They're doing it for that, you know. I

0:45:36.516 --> 0:45:40.116
<v Speaker 1>love those kinds of bands, you know, and Pearl Jam

0:45:40.156 --> 0:45:43.396
<v Speaker 1>came down and played the cat House. I knew Stone

0:45:43.436 --> 0:45:46.796
<v Speaker 1>and Jeff from before, and I got and played with

0:45:46.836 --> 0:45:48.876
<v Speaker 1>them at the cat House. I played drums. We did

0:45:48.956 --> 0:45:52.396
<v Speaker 1>Sonic Producer and Nirvan they were on Geffen. I mean that,

0:45:53.476 --> 0:45:55.796
<v Speaker 1>you know that never Mind record was like I wore

0:45:55.836 --> 0:45:58.036
<v Speaker 1>out the cassette before the record even came out.

0:45:59.076 --> 0:46:01.516
<v Speaker 3>I was so surprised. In your book, you talked about

0:46:01.596 --> 0:46:05.036
<v Speaker 3>a little bit you alluded to the the like scuffle

0:46:05.156 --> 0:46:09.396
<v Speaker 3>that happened at backstage at the MTV Music Awards between

0:46:09.476 --> 0:46:12.236
<v Speaker 3>Nirvan and Guns and Roses, and I imagine you being

0:46:12.956 --> 0:46:16.076
<v Speaker 3>the peacemaker because you're from Seattle, but you're the one

0:46:16.116 --> 0:46:17.676
<v Speaker 3>who actually got to the fight.

0:46:18.636 --> 0:46:23.156
<v Speaker 1>Yeah, because I was just like, well, okay, so that

0:46:23.196 --> 0:46:27.436
<v Speaker 1>thing was really a non it's a story because the

0:46:27.476 --> 0:46:29.476
<v Speaker 1>band for so bad at the time. But if you

0:46:29.516 --> 0:46:31.876
<v Speaker 1>were there, you'd be like, it's really a non story,

0:46:31.996 --> 0:46:32.196
<v Speaker 1>you know.

0:46:32.396 --> 0:46:32.756
<v Speaker 3>Okay.

0:46:32.916 --> 0:46:37.316
<v Speaker 1>Yeah, But Kurt Loader was around, and Kurt Loader at

0:46:37.356 --> 0:46:41.956
<v Speaker 1>a time before there was social media, he loved the

0:46:42.036 --> 0:46:44.756
<v Speaker 1>team man and he loved the stir of the pot

0:46:45.116 --> 0:46:47.676
<v Speaker 1>and he's the one who really got that thing going,

0:46:47.796 --> 0:46:50.836
<v Speaker 1>you know. Interesting as far as it went, it was

0:46:50.876 --> 0:46:54.076
<v Speaker 1>all really a Kurt Loader as I see it, because

0:46:54.076 --> 0:46:56.396
<v Speaker 1>it was like there was nothing, there was no there there. Well,

0:46:56.436 --> 0:46:58.276
<v Speaker 1>you wanted them to go on tour with us, like

0:46:58.356 --> 0:47:01.716
<v Speaker 1>all that stuff. You know, we'd had sound guard now

0:47:01.956 --> 0:47:04.356
<v Speaker 1>and faith no more. You know, we got bands and

0:47:04.476 --> 0:47:08.516
<v Speaker 1>we liked to go tour with us. And seeing Chris Novaselik,

0:47:08.596 --> 0:47:11.596
<v Speaker 1>you know, I'm oh God, But seeing Chris, I was like,

0:47:12.356 --> 0:47:14.436
<v Speaker 1>I'm so glad I didn't get in a fight with you. Chris.

0:47:16.076 --> 0:47:17.876
<v Speaker 1>He's a fucking he's huge.

0:47:17.916 --> 0:47:20.516
<v Speaker 3>Yeah, but just because he's tall doesn't mean I know,

0:47:20.636 --> 0:47:26.876
<v Speaker 3>but you know, I feel like you could take him.

0:47:26.916 --> 0:47:28.876
<v Speaker 1>So there was no there there. And you know, I

0:47:28.916 --> 0:47:31.836
<v Speaker 1>was back to Seattle band I mean, Alison Chains and

0:47:32.396 --> 0:47:35.516
<v Speaker 1>everyone was so mother love bone. You know. That was

0:47:35.556 --> 0:47:39.516
<v Speaker 1>the first like fuck. And I knew Andy would Greg

0:47:39.636 --> 0:47:42.876
<v Speaker 1>Greg Gilmour, the drummer was in my band, Timid Morning,

0:47:43.076 --> 0:47:45.556
<v Speaker 1>you know, and the living Ione who found him from

0:47:45.556 --> 0:47:47.676
<v Speaker 1>a gig harbor from this ad that he had and

0:47:47.716 --> 0:47:50.276
<v Speaker 1>brought him up to Seattle, and so I was like,

0:47:50.956 --> 0:47:54.156
<v Speaker 1>it's happening. You know, we knew all the talent was there.

0:47:54.636 --> 0:47:55.436
<v Speaker 1>I had to bail.

0:47:55.796 --> 0:47:56.636
<v Speaker 3>Why did you leave?

0:47:56.676 --> 0:48:01.036
<v Speaker 1>Though? Because everybody around me was strung out from my

0:48:01.196 --> 0:48:04.036
<v Speaker 1>roommate who was one of my best friends, one of

0:48:04.036 --> 0:48:05.996
<v Speaker 1>the guys I told you, strung out, the heroin for

0:48:05.996 --> 0:48:11.116
<v Speaker 1>fourteen years, my band tim like we were. We toured

0:48:11.196 --> 0:48:13.956
<v Speaker 1>Black Flag, Dead Kennedy's. We were on our way up,

0:48:14.636 --> 0:48:17.796
<v Speaker 1>we were on our way there. You know, everyone came

0:48:17.836 --> 0:48:23.516
<v Speaker 1>into that band tore it apart, heartbreaking my girlfriend, you know,

0:48:23.796 --> 0:48:27.676
<v Speaker 1>like everybody around me. A friend of mine who was

0:48:27.716 --> 0:48:31.636
<v Speaker 1>strung how came. He's like the stuff you got to

0:48:31.676 --> 0:48:34.676
<v Speaker 1>get out. We're all you know, you're like all our

0:48:34.676 --> 0:48:37.156
<v Speaker 1>best hope. I'm like, you're right, I gotta go. And

0:48:37.196 --> 0:48:40.276
<v Speaker 1>that was it. I sold gear. I had a job,

0:48:40.436 --> 0:48:44.916
<v Speaker 1>you know, like I had like three hundred forty bucks,

0:48:45.516 --> 0:48:48.156
<v Speaker 1>you know, after selling me, you know, so it's like, okay,

0:48:48.236 --> 0:48:48.796
<v Speaker 1>I'm going to go.

0:48:49.356 --> 0:48:52.116
<v Speaker 3>So was the ambition to go to LA to get

0:48:52.156 --> 0:48:56.196
<v Speaker 3>in a successful band or just continue to play music.

0:48:56.436 --> 0:48:58.316
<v Speaker 1>I wanted to find you, Like I said, I'd been

0:48:58.356 --> 0:49:01.916
<v Speaker 1>in bands where there's always one missing link. I was

0:49:01.956 --> 0:49:04.036
<v Speaker 1>on the search for my band that didn't have a

0:49:04.076 --> 0:49:06.276
<v Speaker 1>missing link. How I was going to do it, I

0:49:06.276 --> 0:49:08.956
<v Speaker 1>don't know, you know, like it doesn't matter. That was

0:49:08.996 --> 0:49:12.236
<v Speaker 1>the department. It's gonna get done and uh you know,

0:49:12.356 --> 0:49:15.076
<v Speaker 1>and meeting Slash and steeping through the ad and the

0:49:15.156 --> 0:49:18.956
<v Speaker 1>recycler and Easy moving across the street from me and

0:49:19.156 --> 0:49:21.876
<v Speaker 1>meeting Axls. You know, like one thing led to another.

0:49:22.396 --> 0:49:26.676
<v Speaker 1>I had run rays from Black Flag was it was

0:49:26.716 --> 0:49:30.516
<v Speaker 1>my good buddy, you know, he was down here. Yeah,

0:49:30.956 --> 0:49:34.196
<v Speaker 1>so I had it, you know, like a friend got

0:49:34.236 --> 0:49:37.156
<v Speaker 1>a job right away. One thing led to another. Yeah,

0:49:37.436 --> 0:49:39.476
<v Speaker 1>we found the band that had the right guys in

0:49:39.876 --> 0:49:43.316
<v Speaker 1>Hey about eight months after I was thinking the first

0:49:43.356 --> 0:49:46.516
<v Speaker 1>time the the five of us gotten room together about

0:49:46.556 --> 0:49:49.636
<v Speaker 1>eight months after I got here. So and once you

0:49:49.756 --> 0:49:52.236
<v Speaker 1>got that right band, like nobody can you know, Like

0:49:52.316 --> 0:49:56.836
<v Speaker 1>for me, we're going. It doesn't matter. You starve, you

0:49:56.876 --> 0:49:58.516
<v Speaker 1>can do all that shit, but we're going. We got

0:49:58.516 --> 0:49:59.356
<v Speaker 1>the right guys.

0:49:59.476 --> 0:50:01.876
<v Speaker 3>You know, when was the first time you heard Axels sing?

0:50:01.916 --> 0:50:03.156
<v Speaker 3>What was your impression?

0:50:03.396 --> 0:50:07.516
<v Speaker 1>So yeah, so Izzy and he we're playing with these

0:50:07.556 --> 0:50:09.516
<v Speaker 1>two other guys that we're trying it out. It was

0:50:09.756 --> 0:50:14.196
<v Speaker 1>another guitar player, great guitar player, another drummer, really good drummer.

0:50:14.876 --> 0:50:18.756
<v Speaker 1>And they asked me to come play and it was

0:50:18.756 --> 0:50:20.356
<v Speaker 1>out in the valle. They got it, you know, and

0:50:20.556 --> 0:50:23.516
<v Speaker 1>by the hour rehearsal plays like four bucks and they

0:50:23.556 --> 0:50:25.276
<v Speaker 1>knew they guy to own. This was like four bucks

0:50:25.316 --> 0:50:27.436
<v Speaker 1>an hour, and we had it for three hours, you

0:50:27.516 --> 0:50:31.556
<v Speaker 1>know what I mean. And drummer had his stuff up there,

0:50:31.676 --> 0:50:34.156
<v Speaker 1>and the guitar player had his hands and is he

0:50:35.316 --> 0:50:37.116
<v Speaker 1>is he's more like the Thunders guy. So he had

0:50:37.156 --> 0:50:40.756
<v Speaker 1>like it, you know, and actually got on to check

0:50:40.756 --> 0:50:44.156
<v Speaker 1>out the PA and I'm telling you, it was like,

0:50:44.516 --> 0:50:47.716
<v Speaker 1>what the fuck is happening here? And he just kind

0:50:47.716 --> 0:50:50.156
<v Speaker 1>of did the scream and there was he has he

0:50:50.276 --> 0:50:52.716
<v Speaker 1>still has this thing where it's a double voice because

0:50:52.716 --> 0:50:55.396
<v Speaker 1>it's a low and high same time. But I was

0:50:55.516 --> 0:50:59.076
<v Speaker 1>just like, holy fuck. Now. The other two guys we

0:50:59.116 --> 0:51:01.716
<v Speaker 1>played some gigs as that band, and I'm just like,

0:51:02.996 --> 0:51:07.116
<v Speaker 1>he's amazing. That is he cool as fuck? You know,

0:51:07.676 --> 0:51:09.716
<v Speaker 1>other two guys. And so we booked a little punk

0:51:09.796 --> 0:51:12.596
<v Speaker 1>rock tour. I had all the punk rock clubs I played, right,

0:51:12.716 --> 0:51:14.436
<v Speaker 1>and you have the phone numbers and you go to

0:51:14.436 --> 0:51:17.676
<v Speaker 1>the phone boots and you book your little tour, and uh,

0:51:17.836 --> 0:51:19.596
<v Speaker 1>these other two guys were like, what do you mean,

0:51:19.596 --> 0:51:21.276
<v Speaker 1>why are we gonna? How are we gonna? Where are

0:51:21.316 --> 0:51:24.876
<v Speaker 1>we gonna stay? Is the unit? Actually? Like you know,

0:51:25.196 --> 0:51:27.276
<v Speaker 1>they knew about punk rock houses and stuff. You can

0:51:27.276 --> 0:51:29.996
<v Speaker 1>always find a pass crash even at the club. But

0:51:30.036 --> 0:51:32.556
<v Speaker 1>it doesn't matter. We have the gigs. We'll figure out

0:51:32.636 --> 0:51:34.676
<v Speaker 1>all the rest. And the other two guys you just

0:51:34.756 --> 0:51:39.196
<v Speaker 1>were like, we're not you know, what do you mean?

0:51:39.276 --> 0:51:43.716
<v Speaker 1>So that's when the Slash and Stephen came in and

0:51:44.196 --> 0:51:47.116
<v Speaker 1>the moment of five of center rooms like, oh here

0:51:47.156 --> 0:51:50.836
<v Speaker 1>it is, here it is. It was kind of amazing.

0:51:51.196 --> 0:51:54.836
<v Speaker 3>Yeah, so you went on that first tour and then

0:51:55.556 --> 0:51:58.676
<v Speaker 3>car breaks down. You end up in an onion field,

0:51:58.796 --> 0:52:01.476
<v Speaker 3>starving eating raw onions.

0:52:01.316 --> 0:52:03.556
<v Speaker 1>The Onion Fields, like and that book I think had

0:52:03.596 --> 0:52:05.916
<v Speaker 1>just come out a few years earlier, that booked the

0:52:05.956 --> 0:52:08.556
<v Speaker 1>Onion Fields. You know about that, but the serial Killer

0:52:09.356 --> 0:52:11.796
<v Speaker 1>up in Bakersfield. Yeah, the books called I think there

0:52:11.876 --> 0:52:15.036
<v Speaker 1>was a movie too, The Onion Fields. Yeah, we're in

0:52:15.076 --> 0:52:18.756
<v Speaker 1>the onion fields man, Yeah, but imagine trying to hitchhike,

0:52:18.836 --> 0:52:22.156
<v Speaker 1>you know, five guys with the guitars like looking like us.

0:52:22.756 --> 0:52:22.956
<v Speaker 3>Yeah.

0:52:24.356 --> 0:52:26.796
<v Speaker 1>First yeah, you know we've opened up for the Fast

0:52:26.836 --> 0:52:30.116
<v Speaker 1>Facts and used their gear and we were we were awful.

0:52:30.516 --> 0:52:33.236
<v Speaker 1>There were three people there. But now, of course in

0:52:33.356 --> 0:52:35.996
<v Speaker 1>Seattle and lore like everybody says they were at their gig,

0:52:36.276 --> 0:52:39.676
<v Speaker 1>like that's impossible, you know that because the three people

0:52:39.676 --> 0:52:41.316
<v Speaker 1>are there, we're in the fastbacks.

0:52:42.796 --> 0:52:45.316
<v Speaker 3>Oh, I want to ask you. So you come from

0:52:45.356 --> 0:52:50.436
<v Speaker 3>a big family, you're youngest of eight kids. What was

0:52:50.436 --> 0:52:52.516
<v Speaker 3>your house like? Was it a loud house?

0:52:52.676 --> 0:52:54.356
<v Speaker 1>Like? I mean, but if you grow up in it,

0:52:54.396 --> 0:52:57.356
<v Speaker 1>you don't realize it is. But fuck it, you know,

0:52:57.636 --> 0:53:00.836
<v Speaker 1>I mean there's always something going on, and there was

0:53:00.956 --> 0:53:04.436
<v Speaker 1>instruments around, so, you know. The way I learned to

0:53:04.476 --> 0:53:07.996
<v Speaker 1>play was like my older brother would say, keep time,

0:53:08.756 --> 0:53:12.076
<v Speaker 1>you know, drums. You'd see somebody else do it, one

0:53:12.076 --> 0:53:13.956
<v Speaker 1>of the older kids. You wanted to be as cool

0:53:13.956 --> 0:53:17.196
<v Speaker 1>as them, so you luckily I had some you know,

0:53:17.636 --> 0:53:22.156
<v Speaker 1>musical ability, innately ready to go, you know, so I

0:53:22.196 --> 0:53:25.036
<v Speaker 1>was able to keep dying. And my brother showed me

0:53:25.076 --> 0:53:28.436
<v Speaker 1>three chords on on on the guitar, played these street

0:53:28.436 --> 0:53:30.276
<v Speaker 1>cordes on your feet, you know, first time you're playing,

0:53:30.276 --> 0:53:33.636
<v Speaker 1>your fingers are like hurting and bleeding and shipping like.

0:53:33.676 --> 0:53:35.996
<v Speaker 1>But you the older kids, you don't want to, you know.

0:53:36.796 --> 0:53:38.556
<v Speaker 1>And then he taught me, today is your birthday on

0:53:38.596 --> 0:53:41.596
<v Speaker 1>the base and we went and played a for some

0:53:41.636 --> 0:53:46.476
<v Speaker 1>school kids or something. But du you know, I learned

0:53:46.516 --> 0:53:49.236
<v Speaker 1>that and I played it and really that that's the

0:53:49.276 --> 0:53:52.756
<v Speaker 1>Blues major scale. So I really learned like the right

0:53:52.796 --> 0:53:56.916
<v Speaker 1>ship four or four time, you know, Blues major scale, G,

0:53:57.196 --> 0:53:59.876
<v Speaker 1>A and D chords on What more do you need

0:53:59.956 --> 0:54:03.836
<v Speaker 1>to know to this day? You know on Lighthouse, I

0:54:03.836 --> 0:54:07.716
<v Speaker 1>mean G, G, A, and D is featured pretty preparently

0:54:07.996 --> 0:54:10.596
<v Speaker 1>on in my songwriter. You know, you can do a

0:54:10.596 --> 0:54:13.236
<v Speaker 1>lot with those cards. But yeah, you know, and then

0:54:13.236 --> 0:54:18.276
<v Speaker 1>playing like I played team sports, played baseball, kids, played football,

0:54:18.636 --> 0:54:22.436
<v Speaker 1>played basketball, and I kind of I had some good

0:54:22.476 --> 0:54:25.316
<v Speaker 1>coaches when I was young, played for the city leagues.

0:54:25.396 --> 0:54:26.196
<v Speaker 3>You know that's cool.

0:54:26.316 --> 0:54:29.596
<v Speaker 1>Yeah, And the like I learned a lot about, like

0:54:31.156 --> 0:54:34.876
<v Speaker 1>have played your part, like on a team, right, you know,

0:54:35.196 --> 0:54:38.436
<v Speaker 1>you're a linebacker, you're lying, You're not the running back,

0:54:38.476 --> 0:54:42.116
<v Speaker 1>you're not the safety. You're this is your domain. Be

0:54:42.236 --> 0:54:43.396
<v Speaker 1>great at it. You know.

0:54:43.796 --> 0:54:46.996
<v Speaker 3>Speaking of playing your part, have you ever been in

0:54:47.036 --> 0:54:49.236
<v Speaker 3>a position or have you ever had the desire to

0:54:49.436 --> 0:54:53.356
<v Speaker 3>want to be the front person when you are playing

0:54:54.076 --> 0:54:57.556
<v Speaker 3>either like guitar or bass, Like, are you always happy

0:54:57.596 --> 0:55:01.156
<v Speaker 3>being in that position or have you ever wanted more attention?

0:55:01.436 --> 0:55:03.196
<v Speaker 1>I think it's because of the way I grew up,

0:55:03.836 --> 0:55:06.716
<v Speaker 1>never got into music, like to get chicks to get

0:55:06.716 --> 0:55:08.796
<v Speaker 1>the drug, you know, all the stuff they say. It

0:55:08.836 --> 0:55:11.436
<v Speaker 1>was all about like I really wanted like that team.

0:55:11.516 --> 0:55:14.876
<v Speaker 1>I wanted to find that great band where everybody played

0:55:14.876 --> 0:55:18.876
<v Speaker 1>their part in it and like kind of was great

0:55:18.916 --> 0:55:24.036
<v Speaker 1>at their place in the band. And that's always ever

0:55:24.116 --> 0:55:27.516
<v Speaker 1>looking for it. Like doing my my own records, I

0:55:27.556 --> 0:55:29.636
<v Speaker 1>love doing it. It's fun. It's fun being in the singer.

0:55:29.676 --> 0:55:32.636
<v Speaker 1>It's more like my gigs are more like book readings,

0:55:32.876 --> 0:55:36.196
<v Speaker 1>you know, kind of more like it's I'm telling the

0:55:36.276 --> 0:55:38.956
<v Speaker 1>stories in my songs. I'm telling stories. I talk between

0:55:38.956 --> 0:55:41.596
<v Speaker 1>a little bit, you know. It's just more of like

0:55:41.636 --> 0:55:44.956
<v Speaker 1>this other thing. And I'm not being I'm not trying

0:55:44.956 --> 0:55:46.636
<v Speaker 1>to be anything. I'm not.

0:55:47.116 --> 0:55:47.476
<v Speaker 3>Yeah.

0:55:48.036 --> 0:55:51.836
<v Speaker 1>So no, I never I played with people in bands

0:55:52.436 --> 0:55:56.716
<v Speaker 1>that wanted to be the singer and that that's a cancer.

0:55:56.876 --> 0:56:00.916
<v Speaker 1>Like this's just like just percolating the whole time. It's

0:56:00.956 --> 0:56:05.676
<v Speaker 1>like I never, you know, never had that. I love

0:56:05.836 --> 0:56:08.276
<v Speaker 1>when I'm when I'm a bass player, I mean that's

0:56:08.356 --> 0:56:10.876
<v Speaker 1>what I do. I play, and I want to see

0:56:10.916 --> 0:56:13.636
<v Speaker 1>the best backing vocals. I'm going to be the best

0:56:13.676 --> 0:56:18.436
<v Speaker 1>background vocalist there is in my range, you know, So

0:56:18.516 --> 0:56:20.476
<v Speaker 1>that's what I strive to do it. I love it,

0:56:20.756 --> 0:56:22.556
<v Speaker 1>and I when I have a good gig, it's like

0:56:23.636 --> 0:56:24.236
<v Speaker 1>fuck yeah.

0:56:24.396 --> 0:56:27.916
<v Speaker 3>You know, since you've been in so many different bands,

0:56:27.916 --> 0:56:31.876
<v Speaker 3>you've seen so many bands play, who, in your opinion,

0:56:31.956 --> 0:56:34.596
<v Speaker 3>is the best lead singer of all time? Like checks

0:56:34.636 --> 0:56:35.276
<v Speaker 3>every box.

0:56:37.316 --> 0:56:40.596
<v Speaker 1>I mean, you have to put Axel just from what

0:56:40.676 --> 0:56:44.396
<v Speaker 1>I've seen him do over all these years, what he

0:56:44.636 --> 0:56:47.796
<v Speaker 1>does and how hard he works at it, his hour

0:56:47.796 --> 0:56:50.036
<v Speaker 1>and a half warm ups, an hour and a half

0:56:50.116 --> 0:56:54.116
<v Speaker 1>warm downs, and where he has to push and we

0:56:54.236 --> 0:56:58.436
<v Speaker 1>play a lot of shows. You know, Yeah, he's a master.

0:56:59.556 --> 0:57:03.156
<v Speaker 1>I've learned so much from him, seeing so much.

0:57:03.956 --> 0:57:05.316
<v Speaker 3>What are some things that you've learned.

0:57:06.876 --> 0:57:12.196
<v Speaker 1>She's really kind of dynamically, how hard to push, where

0:57:12.236 --> 0:57:16.356
<v Speaker 1>to push from in your body? You know how to

0:57:16.476 --> 0:57:20.516
<v Speaker 1>tilt when you need an extra vowel and really like

0:57:20.636 --> 0:57:24.476
<v Speaker 1>particular shit next you need some more a in your vowel,

0:57:24.716 --> 0:57:29.876
<v Speaker 1>you know how to tilt, you know, and just minutia

0:57:30.596 --> 0:57:33.236
<v Speaker 1>of how to do it, because it's all minutia, you know,

0:57:33.276 --> 0:57:36.236
<v Speaker 1>it's from note to note to note to note. So

0:57:37.516 --> 0:57:40.476
<v Speaker 1>people I played with he's you know, I'm in a

0:57:40.516 --> 0:57:43.516
<v Speaker 1>bad so of course I'm gonna like he's my guy.

0:57:43.676 --> 0:57:47.236
<v Speaker 1>You know, I think he's just a master and just

0:57:47.276 --> 0:57:51.956
<v Speaker 1>a fucking hard worker. I mean I've seen Robins Andrews amazing,

0:57:52.356 --> 0:57:55.836
<v Speaker 1>you know, you see guys like that or Anne Wilson,

0:57:56.076 --> 0:57:59.316
<v Speaker 1>come on, I don't know if you've seen her, Jesus

0:57:59.516 --> 0:58:01.836
<v Speaker 1>Lord like, she has to hold the mic this far

0:58:01.916 --> 0:58:05.916
<v Speaker 1>away from her, you know, just like okay, just pure,

0:58:06.196 --> 0:58:11.116
<v Speaker 1>pure singer William and now and change like Jesus Christ like.

0:58:11.916 --> 0:58:15.356
<v Speaker 1>But I also like, you know, Henry a black Flag,

0:58:15.476 --> 0:58:19.716
<v Speaker 1>you know. Yeah, I like the real people, you know, yeah,

0:58:19.836 --> 0:58:20.556
<v Speaker 1>the real thing.

0:58:21.156 --> 0:58:23.236
<v Speaker 3>Do you find yourself now that you're getting older, that

0:58:23.276 --> 0:58:26.876
<v Speaker 3>you're listening to slower music? Could you listen to punk rock?

0:58:26.956 --> 0:58:30.516
<v Speaker 1>So we don't listen to a lot of punk like

0:58:30.596 --> 0:58:32.156
<v Speaker 1>we listen New Way Time.

0:58:32.796 --> 0:58:33.276
<v Speaker 3>Yeah.

0:58:33.676 --> 0:58:36.316
<v Speaker 1>We have a couple of stations that we we have

0:58:36.516 --> 0:58:39.156
<v Speaker 1>like this, it's called tune In, and they play like

0:58:39.796 --> 0:58:43.156
<v Speaker 1>a lot of you know, Gang four and Stranglers and

0:58:43.156 --> 0:58:45.876
<v Speaker 1>and Uranduran and all this stuff, so that I like

0:58:45.956 --> 0:58:48.876
<v Speaker 1>all the instrumentation and a lot of that stuff really

0:58:48.996 --> 0:58:53.876
<v Speaker 1>a unique instrumentation, and I'll listen to punk rock. I

0:58:53.916 --> 0:58:57.636
<v Speaker 1>mean it depends. I like, you know, some new band

0:58:57.756 --> 0:59:00.236
<v Speaker 1>I really like The Garden. They're not that new anymore.

0:59:00.276 --> 0:59:02.916
<v Speaker 1>But do you know that band The Garden. No?

0:59:02.996 --> 0:59:03.396
<v Speaker 3>I don't.

0:59:03.476 --> 0:59:07.316
<v Speaker 1>Oh oh yeah really they Twin Boys and uh, your

0:59:07.396 --> 0:59:10.436
<v Speaker 1>dad was ready for X for Everything really really unique

0:59:10.436 --> 0:59:12.676
<v Speaker 1>and super cool and great live.

0:59:13.116 --> 0:59:13.676
<v Speaker 3>Oh cool?

0:59:13.996 --> 0:59:14.156
<v Speaker 1>Yeah?

0:59:14.196 --> 0:59:16.276
<v Speaker 3>Who else? I always like to ask people what they're

0:59:16.316 --> 0:59:18.676
<v Speaker 3>listening to? Who else are you listening to? Or what

0:59:18.716 --> 0:59:20.316
<v Speaker 3>else are you loving? Doesn't have to be new?

0:59:21.036 --> 0:59:24.356
<v Speaker 1>Yeah, I mean I can nepotism. I guess it's real.

0:59:24.436 --> 0:59:27.676
<v Speaker 1>But my daughter, Grace is fucking amazing, Like she keeps

0:59:27.676 --> 0:59:30.036
<v Speaker 1>coming up with another new song. Are we just talking to?

0:59:30.396 --> 0:59:33.356
<v Speaker 1>We had Dentity and I was Shooter Jennings, who did

0:59:33.396 --> 0:59:36.116
<v Speaker 1>my last record. He's like, man, we have to get

0:59:36.156 --> 0:59:37.876
<v Speaker 1>Grace out there somehow.

0:59:38.556 --> 0:59:38.996
<v Speaker 3>Wow.

0:59:39.236 --> 0:59:41.116
<v Speaker 1>I agree, But I'm your dad, you know I can't

0:59:41.116 --> 0:59:42.916
<v Speaker 1>really and I'm in guns and Roses, you know, like

0:59:42.956 --> 0:59:45.396
<v Speaker 1>I can't. She never asked me for my house, and

0:59:45.436 --> 0:59:47.836
<v Speaker 1>I don't want to be like, come check out my

0:59:48.116 --> 0:59:50.796
<v Speaker 1>But she's rad. She's rad but young. She's turned us

0:59:50.836 --> 0:59:56.316
<v Speaker 1>on to like The Garden and Turnstiles, great young punk.

0:59:56.356 --> 0:59:57.156
<v Speaker 1>Have you heard of them?

0:59:57.356 --> 0:59:58.156
<v Speaker 3>Yeah, I've heard of them.

0:59:58.436 --> 1:00:02.156
<v Speaker 1>They're from New Jersey or Baltimore, and they're they're really

1:00:02.236 --> 1:00:02.916
<v Speaker 1>they do it right?

1:00:03.516 --> 1:00:07.156
<v Speaker 3>Are you working on new music now? What's next after

1:00:07.516 --> 1:00:08.676
<v Speaker 3>you said you're going to go on tour?

1:00:09.596 --> 1:00:11.716
<v Speaker 1>Yeah, I have another eighty two songs.

1:00:12.036 --> 1:00:13.756
<v Speaker 3>Good. So the well is still flowing.

1:00:13.916 --> 1:00:17.716
<v Speaker 1>It's flowing, man, and I don't want to question it

1:00:17.796 --> 1:00:20.316
<v Speaker 1>whether you think the means is good or bad. I

1:00:20.356 --> 1:00:25.836
<v Speaker 1>have like songs, they're they're coming. I'm really proud of Lighthouse.

1:00:25.876 --> 1:00:29.636
<v Speaker 1>I'm really proud of those songs we chose for that record.

1:00:30.356 --> 1:00:32.636
<v Speaker 1>There was a lot more to choose from. We decided

1:00:32.676 --> 1:00:34.956
<v Speaker 1>to do this to tell me a little story of

1:00:34.996 --> 1:00:37.716
<v Speaker 1>like a beginning to end and the hope in the

1:00:37.756 --> 1:00:40.276
<v Speaker 1>middle and the you know, I just don't know it.

1:00:40.356 --> 1:00:43.556
<v Speaker 3>D En like, yeah, yeah, yeah, that song's very very powerful.

1:00:43.916 --> 1:00:46.396
<v Speaker 1>Yeah yeah, thanks for other questions.

1:00:46.516 --> 1:00:49.036
<v Speaker 3>Thank you so much for doing this. Yeah it was great,

1:00:49.356 --> 1:00:50.036
<v Speaker 3>Okay cool.

1:00:52.916 --> 1:00:54.996
<v Speaker 2>Thanks to Duff mccagan for talking to us that Broken

1:00:55.036 --> 1:00:58.196
<v Speaker 2>Record about his new album, Lighthouse and about Guns N' Roses.

1:00:58.836 --> 1:01:00.516
<v Speaker 2>You can hear a playlist of all of our favorite

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<v Speaker 2>Anna Beats. I'm justin Richmond.