1 00:00:00,960 --> 00:00:05,480 Speaker 1: Boom. If you thought four hours a day, minutes a 2 00:00:05,480 --> 00:00:09,280 Speaker 1: week was enough, think again. He's the last remnants of 3 00:00:09,280 --> 00:00:12,920 Speaker 1: the old republic, a sole fashion of fairness. He treats 4 00:00:12,960 --> 00:00:15,800 Speaker 1: crackheads in the ghetto cutter the same as the rich 5 00:00:15,880 --> 00:00:20,240 Speaker 1: pill poppers in the penthouse, to clearing house of hot takes, 6 00:00:20,320 --> 00:00:24,080 Speaker 1: break free for something special. The Fifth Hour with Ben 7 00:00:24,120 --> 00:00:31,240 Speaker 1: Maller starts right now, nine nine night. The light is flashing. 8 00:00:31,280 --> 00:00:33,760 Speaker 1: That that on air light is flashing, and that means 9 00:00:34,040 --> 00:00:38,080 Speaker 1: it is time for another addition of the Fifth Hour 10 00:00:38,479 --> 00:00:42,159 Speaker 1: with Ben Maller, because four hours a night are not 11 00:00:42,440 --> 00:00:45,920 Speaker 1: enough eight days a week. And we thank you for 12 00:00:46,000 --> 00:00:48,800 Speaker 1: subscribing to the podcast. We're finding it first of all, 13 00:00:48,880 --> 00:00:51,839 Speaker 1: listening to it, telling friends about it. The only marketing 14 00:00:51,840 --> 00:00:54,640 Speaker 1: budget we have is none. We have no marketing budget. 15 00:00:54,680 --> 00:00:57,200 Speaker 1: But with the way we promote the podcast is to 16 00:00:57,520 --> 00:00:59,560 Speaker 1: make a fuss about it, get you to tell friends, 17 00:00:59,800 --> 00:01:03,000 Speaker 1: and of means we don't care anyone that might be 18 00:01:03,000 --> 00:01:06,080 Speaker 1: able to download the podcast, spread the words, spread the gospel. 19 00:01:06,240 --> 00:01:08,120 Speaker 1: And I like to say, and I believe this is 20 00:01:08,120 --> 00:01:11,960 Speaker 1: true that if everyone listening, if you listening, and the 21 00:01:12,000 --> 00:01:14,760 Speaker 1: other seven people listening, so we have eight people that 22 00:01:14,800 --> 00:01:18,520 Speaker 1: download the podcasts. But if all eight people tell eight 23 00:01:18,560 --> 00:01:21,399 Speaker 1: other people to listen to the podcast, and then those 24 00:01:21,480 --> 00:01:24,760 Speaker 1: eight people do actually download the podcast, we've now doubled 25 00:01:24,800 --> 00:01:27,800 Speaker 1: the audience. We've doubled the market share. It's that simple. 26 00:01:27,959 --> 00:01:30,640 Speaker 1: It's mallar math and that's the way we do things. 27 00:01:30,680 --> 00:01:34,520 Speaker 1: But this week we start the Friday podcast. I am 28 00:01:34,680 --> 00:01:36,840 Speaker 1: very excited to talk to somebody who has known me 29 00:01:36,920 --> 00:01:40,880 Speaker 1: since I was a teenager when I first started in radio, 30 00:01:41,120 --> 00:01:43,760 Speaker 1: and has been very kind me over the years as 31 00:01:43,800 --> 00:01:47,080 Speaker 1: I navigated my way as a radio reporters to hang 32 00:01:47,080 --> 00:01:50,840 Speaker 1: out in press boxes with this gentleman. And he has 33 00:01:50,880 --> 00:01:53,720 Speaker 1: a new book out and I said, you know what, Ted, 34 00:01:53,760 --> 00:01:55,560 Speaker 1: I gotta promote this book, your friend of mine. Not 35 00:01:55,680 --> 00:01:57,840 Speaker 1: normally I don't do these book interviews. I don't normally 36 00:01:57,840 --> 00:02:00,320 Speaker 1: do these book interviews. But it's really just telling story worries. 37 00:02:00,520 --> 00:02:02,520 Speaker 1: That's all it is, telling stories, and that's always a 38 00:02:02,560 --> 00:02:06,480 Speaker 1: good podcast. That's solid podcasting, broadcasting in general, telling stories. 39 00:02:06,520 --> 00:02:09,919 Speaker 1: And so the name Ted Sober, if you're in southern California, 40 00:02:10,240 --> 00:02:13,440 Speaker 1: you likely know who. That is a staple of the 41 00:02:13,639 --> 00:02:16,400 Speaker 1: l A media scene. He worked in news radio at 42 00:02:16,400 --> 00:02:20,720 Speaker 1: the iconic KF WB as the sports director for many 43 00:02:20,760 --> 00:02:25,160 Speaker 1: many years. Currently he is nationally known as the studio 44 00:02:25,240 --> 00:02:28,640 Speaker 1: host for the Sports USA network. I think that's what 45 00:02:28,720 --> 00:02:31,760 Speaker 1: it's called. But he does the NFL and college football, 46 00:02:31,880 --> 00:02:34,680 Speaker 1: and I believe they've got the NHL rights now on radio, 47 00:02:35,520 --> 00:02:38,440 Speaker 1: and he is called minor league hockey. He lived in Wisconsin. 48 00:02:39,240 --> 00:02:43,760 Speaker 1: Uh did some University of Wisconsin hockey broadcast back in 49 00:02:43,840 --> 00:02:46,160 Speaker 1: the day, worked for the Mighty Ducks. He's been all 50 00:02:46,200 --> 00:02:48,280 Speaker 1: over the place. I've known him for a very long time. 51 00:02:48,280 --> 00:02:52,919 Speaker 1: He's got a new book out called Touching Greatness, and 52 00:02:53,120 --> 00:02:56,200 Speaker 1: Ted has had a very interesting life. He has met 53 00:02:56,240 --> 00:02:59,639 Speaker 1: pretty much everybody who's anybody in the sporting world. But 54 00:02:59,680 --> 00:03:03,120 Speaker 1: it's not just about sports, and more importantly for our purposes, Ted, 55 00:03:03,639 --> 00:03:07,760 Speaker 1: you are part of the fs ARE Alumni Association. We 56 00:03:07,760 --> 00:03:11,360 Speaker 1: were briefly teammates. How long it's been a while. How 57 00:03:11,400 --> 00:03:13,480 Speaker 1: long did you work It wasn't long. How long did 58 00:03:13,560 --> 00:03:16,080 Speaker 1: you work at Fox Sports Radio, Ted? I was there 59 00:03:16,200 --> 00:03:22,000 Speaker 1: Ben at least two shifts. Seriously, uh I was there 60 00:03:22,040 --> 00:03:24,800 Speaker 1: for a handful of months. I don't remember exactly, but 61 00:03:25,360 --> 00:03:29,800 Speaker 1: uh I left around Thanksgiving after I did some things 62 00:03:29,800 --> 00:03:32,080 Speaker 1: in the summer, So it was just a handful of 63 00:03:32,120 --> 00:03:34,760 Speaker 1: months there. It was just bad timing, that's all. And 64 00:03:34,760 --> 00:03:38,040 Speaker 1: plus U, I was only working the very very late 65 00:03:38,160 --> 00:03:41,560 Speaker 1: overnight shifts. And when I say overnight, you were long gone, 66 00:03:41,640 --> 00:03:44,120 Speaker 1: so you know, even the sun was a rumor at 67 00:03:44,160 --> 00:03:46,680 Speaker 1: the time, and it just didn't work into my My 68 00:03:46,760 --> 00:03:49,000 Speaker 1: body was saying, what are you doing? You're too old 69 00:03:49,040 --> 00:03:52,520 Speaker 1: for That's what I tried to listen. And you've had 70 00:03:52,640 --> 00:03:56,600 Speaker 1: prime radio jobs, right, I remember you on kf WB 71 00:03:56,880 --> 00:03:59,040 Speaker 1: and you were like the prime time guy and all that. 72 00:03:59,680 --> 00:04:03,720 Speaker 1: But three years but who's counting. But the overnight, though, Ted, 73 00:04:03,880 --> 00:04:07,880 Speaker 1: That's that's where you really get your hands dirty. In 74 00:04:07,920 --> 00:04:12,320 Speaker 1: the overnight you are insane. I would have been I 75 00:04:12,360 --> 00:04:14,800 Speaker 1: would have been laid out in a casket decades ago. 76 00:04:15,720 --> 00:04:17,919 Speaker 1: Well we're all headed that way one way or another. 77 00:04:17,960 --> 00:04:22,080 Speaker 1: But uh, you know what I mean. Yeah, we wanted 78 00:04:22,080 --> 00:04:24,160 Speaker 1: to delay that as long as possible. So we now 79 00:04:24,520 --> 00:04:26,479 Speaker 1: we have known each other. You have known me Ted 80 00:04:26,560 --> 00:04:29,400 Speaker 1: since I was a teenager, since I was a teenager. 81 00:04:29,440 --> 00:04:33,960 Speaker 1: Full disclosure. I would actually like to thank you because, uh, 82 00:04:33,960 --> 00:04:35,440 Speaker 1: you know a lot of you know, there was some guys, 83 00:04:35,480 --> 00:04:36,840 Speaker 1: not a lot, there were some guys that kind of 84 00:04:36,839 --> 00:04:38,600 Speaker 1: gave me the cold shoulder when I started and I 85 00:04:39,080 --> 00:04:42,360 Speaker 1: was out covering some Dodgery games and stuff around the 86 00:04:42,400 --> 00:04:45,640 Speaker 1: town when I was nineteen, and you were not. You 87 00:04:45,680 --> 00:04:49,440 Speaker 1: were pretty cool all along. And uh, I love the 88 00:04:49,440 --> 00:04:51,520 Speaker 1: way you say that. That too cool, just pretty cool. 89 00:04:51,720 --> 00:04:54,640 Speaker 1: He remember, you sort of earned the cold shoulder at 90 00:04:54,640 --> 00:04:56,919 Speaker 1: times too, So let's let's be honest with the folks 91 00:04:56,960 --> 00:04:59,800 Speaker 1: out there. Well, I disagree with that, and I do 92 00:05:00,000 --> 00:05:03,320 Speaker 1: have to agree with that position at all. I was 93 00:05:03,960 --> 00:05:06,400 Speaker 1: just because I got lost one time at Dodger Stadium 94 00:05:06,440 --> 00:05:07,880 Speaker 1: and I didn't know where to go, and I followed 95 00:05:07,920 --> 00:05:09,920 Speaker 1: somebody and they turned out to be the biggest asshole 96 00:05:10,040 --> 00:05:13,360 Speaker 1: that I'd ever done with. But other but other than that, no, no, 97 00:05:13,360 --> 00:05:16,280 Speaker 1: it was not you with somebody else. I don't know. 98 00:05:16,640 --> 00:05:20,279 Speaker 1: I had not been in the bowels of Dodger Stadium before, 99 00:05:20,320 --> 00:05:23,039 Speaker 1: so I had I gotten lost, and I figured, well, 100 00:05:23,040 --> 00:05:25,080 Speaker 1: there's another reporter, so I just kind of follow them 101 00:05:25,080 --> 00:05:26,440 Speaker 1: and they all know where to go and get out 102 00:05:26,440 --> 00:05:29,120 Speaker 1: of here. And then it turned out to be the 103 00:05:29,120 --> 00:05:31,440 Speaker 1: the one, the one guy who hated me the rest 104 00:05:31,520 --> 00:05:34,800 Speaker 1: of my life because of that that activity. But but 105 00:05:34,920 --> 00:05:37,080 Speaker 1: you have covered the l A sports scene. I mean, 106 00:05:37,120 --> 00:05:38,839 Speaker 1: you've seen and done it all. I know you've got 107 00:05:38,880 --> 00:05:41,400 Speaker 1: a book. We're gonna talk about that, but go to 108 00:05:41,440 --> 00:05:44,760 Speaker 1: book again. Oh it's the I think it's called touching greatness? 109 00:05:44,839 --> 00:05:48,040 Speaker 1: Is that right? Look at look at that? I got 110 00:05:48,040 --> 00:05:49,159 Speaker 1: it right, and I got it right in front of 111 00:05:49,160 --> 00:05:52,120 Speaker 1: me here. But that But now, I started in the nineties, 112 00:05:52,480 --> 00:05:54,720 Speaker 1: you were, you were covering the game's way before that, 113 00:05:54,839 --> 00:05:58,680 Speaker 1: and so what kind of paint the picture for those 114 00:05:58,760 --> 00:06:01,480 Speaker 1: that are wondering when the how much did it change 115 00:06:01,720 --> 00:06:05,080 Speaker 1: from the seventies, eighties to the nineties there and obviously 116 00:06:05,080 --> 00:06:08,000 Speaker 1: today it's a totally different situation. But when you when 117 00:06:08,000 --> 00:06:10,400 Speaker 1: you were covering like the Dodgers in the nineteen seventies, 118 00:06:10,440 --> 00:06:13,000 Speaker 1: compared to covering the team's you know, the years for 119 00:06:13,240 --> 00:06:15,680 Speaker 1: what was it like then? Was it obviously was a 120 00:06:15,680 --> 00:06:17,400 Speaker 1: lot different. There wasn't the internet and all that stuff. 121 00:06:17,440 --> 00:06:20,240 Speaker 1: So kind of paint the picture what that was like? Well, 122 00:06:20,279 --> 00:06:23,479 Speaker 1: first of all, not just the Dodgers, any team. They 123 00:06:23,600 --> 00:06:26,520 Speaker 1: wanted us there. Now they don't even want to know 124 00:06:26,640 --> 00:06:29,800 Speaker 1: we exist, So it's a big difference, you know, just 125 00:06:29,880 --> 00:06:32,920 Speaker 1: the fact remember food was free to the media then 126 00:06:33,400 --> 00:06:38,360 Speaker 1: because they absolutely needed us in the house. Remember I 127 00:06:38,680 --> 00:06:41,880 Speaker 1: tell us everybody, and people never think of this, but 128 00:06:41,960 --> 00:06:44,640 Speaker 1: it is the most important thing when it comes to 129 00:06:44,800 --> 00:06:49,360 Speaker 1: promoting sports. From a media standpoint, it is the only business. 130 00:06:49,400 --> 00:06:51,560 Speaker 1: And I mean you talk about movies, you talk about 131 00:06:51,600 --> 00:06:55,960 Speaker 1: anything else that gets free twenty four seven publicity and 132 00:06:55,960 --> 00:06:59,960 Speaker 1: they don't have to spend one penny, not one penny. 133 00:07:00,360 --> 00:07:02,960 Speaker 1: And it's the only business on the planet. It probably 134 00:07:03,000 --> 00:07:06,400 Speaker 1: in the universe, and maybe every universe. So they wanted 135 00:07:06,480 --> 00:07:10,240 Speaker 1: us there because if we're there, we're giving them constant 136 00:07:10,280 --> 00:07:13,560 Speaker 1: free publicity. By the second, Now, if you were a 137 00:07:13,600 --> 00:07:17,160 Speaker 1: shoe store owner and you had somebody from the l 138 00:07:17,240 --> 00:07:19,800 Speaker 1: A Times, for example, say I'm gonna come over to 139 00:07:19,840 --> 00:07:22,880 Speaker 1: your place every day at six o'clock, right around the 140 00:07:22,920 --> 00:07:25,880 Speaker 1: time you close, and just find out how your sales went, 141 00:07:26,000 --> 00:07:28,640 Speaker 1: and and talk to your people and what kind of 142 00:07:28,880 --> 00:07:31,840 Speaker 1: what kind of patrons did you have today? Blah blah blah, 143 00:07:32,040 --> 00:07:34,160 Speaker 1: and we're gonna write a little story about you every 144 00:07:34,200 --> 00:07:37,280 Speaker 1: single night. I would send a limo to that person. 145 00:07:37,800 --> 00:07:40,760 Speaker 1: And that's who we were for the sports, uh, for 146 00:07:40,800 --> 00:07:44,280 Speaker 1: any club, whether it was college or pro. So again, 147 00:07:44,320 --> 00:07:45,960 Speaker 1: now they don't need us as much. But in the 148 00:07:46,000 --> 00:07:49,720 Speaker 1: seventies of bent, I started in nineteen seventy three, my 149 00:07:49,840 --> 00:07:54,040 Speaker 1: first credential. Uh. It was it was to a point 150 00:07:54,080 --> 00:07:58,120 Speaker 1: where if you had access to the room, they you 151 00:07:58,160 --> 00:08:01,080 Speaker 1: were wanted in there, not by every player, but by 152 00:08:01,120 --> 00:08:05,640 Speaker 1: the organization. And it was so different. It was it 153 00:08:05,720 --> 00:08:08,880 Speaker 1: was accommodating. It was, Hey, what can we do for 154 00:08:08,960 --> 00:08:11,120 Speaker 1: you now? Is say, how can we get you the 155 00:08:11,120 --> 00:08:13,280 Speaker 1: hell out of here? And maybe never give you a 156 00:08:13,360 --> 00:08:17,000 Speaker 1: credential again. It's a whole different ball game. Yeah, and 157 00:08:17,040 --> 00:08:19,280 Speaker 1: you you one of your good friends. And I was 158 00:08:19,320 --> 00:08:22,120 Speaker 1: reading in the book. I knew you had known Paul 159 00:08:22,120 --> 00:08:23,800 Speaker 1: old in a long time. I didn't realize you met 160 00:08:23,840 --> 00:08:27,920 Speaker 1: him in school, which you talking about. Yeah, and l 161 00:08:27,920 --> 00:08:29,880 Speaker 1: A City College. And for those who don't know, Paul 162 00:08:29,920 --> 00:08:32,760 Speaker 1: Olden is the public address announcer for the New York Dickies. 163 00:08:32,800 --> 00:08:36,000 Speaker 1: But I I for for me, for me, he's the 164 00:08:36,120 --> 00:08:39,960 Speaker 1: he's the Kingman rant guy. He's the guy that recorded, 165 00:08:40,000 --> 00:08:43,319 Speaker 1: for posterity's sake, the Tommy sorta rant when he flew 166 00:08:43,320 --> 00:08:47,959 Speaker 1: off the handle over Dave Kingman, Uh getting out. And 167 00:08:47,960 --> 00:08:51,280 Speaker 1: and I've heard stories said that there's other rants that 168 00:08:51,800 --> 00:08:55,640 Speaker 1: in those days that weren't recorded from Losorda. You you 169 00:08:55,679 --> 00:08:58,720 Speaker 1: were there covering the Dodgers with Tommy? Is that true? 170 00:08:58,920 --> 00:09:01,680 Speaker 1: Can you confirm deny that there were other rants that 171 00:09:01,800 --> 00:09:04,680 Speaker 1: did not get saved, that we're actually better than the 172 00:09:04,840 --> 00:09:08,079 Speaker 1: Kingman or the Bibacua. Well, let's put it this way. 173 00:09:08,080 --> 00:09:09,480 Speaker 1: First of all, I love the way you said. Is 174 00:09:09,559 --> 00:09:11,760 Speaker 1: that true? You said a little bit like Healey, But 175 00:09:12,000 --> 00:09:14,640 Speaker 1: that's okay, Jim Healey. For those of you who don't know, 176 00:09:15,240 --> 00:09:18,440 Speaker 1: classic legendary radio voice in l A and My Hero 177 00:09:18,800 --> 00:09:22,920 Speaker 1: and My Hero, you know it? It uh that one 178 00:09:23,120 --> 00:09:25,920 Speaker 1: was a classic because the way it happened, because of 179 00:09:25,920 --> 00:09:28,920 Speaker 1: the timing of it, and because I always loved that. 180 00:09:28,960 --> 00:09:31,280 Speaker 1: Tommy used to say I never used an F word 181 00:09:31,280 --> 00:09:33,280 Speaker 1: in my life, and that was, like you mean, in 182 00:09:33,320 --> 00:09:38,160 Speaker 1: the last five seconds, Tommy was. He was a classic. 183 00:09:38,240 --> 00:09:40,160 Speaker 1: He was unbelieved. You never knew what moods you're going 184 00:09:40,200 --> 00:09:42,200 Speaker 1: to get him in, except for he was always in 185 00:09:42,280 --> 00:09:45,920 Speaker 1: one specific type of mood, and that is I want 186 00:09:46,000 --> 00:09:49,280 Speaker 1: the attention mood, and he got it at that time. 187 00:09:49,360 --> 00:09:51,120 Speaker 1: I am sure he didn't do it intentionally, he just 188 00:09:51,200 --> 00:09:54,200 Speaker 1: lost it. And by the way, in a future volume 189 00:09:54,280 --> 00:09:57,319 Speaker 1: of Touching Greatness, there will be a chapter called what's 190 00:09:57,320 --> 00:09:59,720 Speaker 1: your opinion of Kingman's performance, and I got the whole 191 00:09:59,720 --> 00:10:03,640 Speaker 1: story exactly what happened and why it happened that day, 192 00:10:03,960 --> 00:10:09,040 Speaker 1: But no, I never heard any specific one. I mean 193 00:10:09,080 --> 00:10:11,840 Speaker 1: I've recorded him a thousand times. He you know, he 194 00:10:11,920 --> 00:10:14,320 Speaker 1: drew an F bomb in there, of course, whenever he 195 00:10:14,400 --> 00:10:17,640 Speaker 1: was in the mood, but not like that. I never 196 00:10:18,080 --> 00:10:21,480 Speaker 1: I don't recall anything being would have stood out to 197 00:10:21,559 --> 00:10:24,240 Speaker 1: this point. And remember in those days, there were times 198 00:10:24,280 --> 00:10:27,360 Speaker 1: when maybe radio was not in the room at the time, 199 00:10:27,600 --> 00:10:30,040 Speaker 1: so that would be a good question to ask uh 200 00:10:30,160 --> 00:10:33,120 Speaker 1: newspaper writer who covered them regularly in the early days, 201 00:10:33,160 --> 00:10:36,400 Speaker 1: because they may have gotten had a few really classic rants, 202 00:10:36,720 --> 00:10:38,600 Speaker 1: but nobody was there to record it, so it didn't 203 00:10:38,600 --> 00:10:42,720 Speaker 1: really matter. Yeah, And what I remember from covering the sort, 204 00:10:42,760 --> 00:10:44,559 Speaker 1: I was there at the end his last few years 205 00:10:44,600 --> 00:10:46,520 Speaker 1: when he was managing the team, so he'd already established 206 00:10:46,559 --> 00:10:49,199 Speaker 1: himself and he was this bigger than life personality, and 207 00:10:49,360 --> 00:10:52,000 Speaker 1: which he always was. But having won the World Series 208 00:10:52,679 --> 00:10:54,440 Speaker 1: a couple of times and having success and all that. 209 00:10:54,520 --> 00:10:56,800 Speaker 1: But I remember ted when we would go into the 210 00:10:56,800 --> 00:10:59,680 Speaker 1: locker room to interview him, and if the Dodgers had won, 211 00:11:00,480 --> 00:11:04,800 Speaker 1: we'd get jolly happy Tommy. That would be bouncing off 212 00:11:04,840 --> 00:11:08,200 Speaker 1: the walls. They he was, you know, in his office 213 00:11:08,240 --> 00:11:09,880 Speaker 1: there he'd be standing up in front of his desk 214 00:11:09,920 --> 00:11:11,959 Speaker 1: and want to talk to everybody. And then when they lost, 215 00:11:12,679 --> 00:11:17,760 Speaker 1: he would be downtrodden behind his desk and usually eating 216 00:11:17,880 --> 00:11:19,840 Speaker 1: some kind of food that he had in his office 217 00:11:19,840 --> 00:11:22,200 Speaker 1: and and spitting all over the microphe. I remember having 218 00:11:22,200 --> 00:11:26,199 Speaker 1: to clean my microphone because Tommy spit. Yeah, there was 219 00:11:26,240 --> 00:11:30,720 Speaker 1: a lot of garlic on my microphone. Freak. It was 220 00:11:30,840 --> 00:11:34,160 Speaker 1: like a red sauce. It was. It was wild and 221 00:11:34,200 --> 00:11:36,400 Speaker 1: of course, of course I was sort of selling it 222 00:11:36,480 --> 00:11:38,800 Speaker 1: back in the was the eighties, right, he sold pasta 223 00:11:38,840 --> 00:11:42,680 Speaker 1: sauce at And then also he had a diet program 224 00:11:42,720 --> 00:11:45,400 Speaker 1: that he was well sure, he also had his own 225 00:11:45,400 --> 00:11:48,360 Speaker 1: wines too, you know, which was pretty pretty neat stuff. 226 00:11:48,440 --> 00:11:52,040 Speaker 1: But that was that was much later on. Look, Tommy, 227 00:11:52,600 --> 00:11:55,720 Speaker 1: if you didn't smell garlic, then Tommy was out of town. 228 00:11:56,160 --> 00:11:58,240 Speaker 1: I mean, it was always classic to walk into that 229 00:11:58,320 --> 00:12:00,800 Speaker 1: room into his office after a game. You get the 230 00:12:00,840 --> 00:12:02,600 Speaker 1: closure you got to him, the more you could smell 231 00:12:02,679 --> 00:12:05,440 Speaker 1: his breath and uh, and you're right, there was something 232 00:12:05,440 --> 00:12:09,960 Speaker 1: about him eating slowly in front of us after a loss. 233 00:12:10,040 --> 00:12:12,040 Speaker 1: He seemed to be I'm going to enjoy the food 234 00:12:12,040 --> 00:12:15,040 Speaker 1: more than your damn faces in this room, the way 235 00:12:15,080 --> 00:12:18,080 Speaker 1: it always seemed to be. Yeah, Now, all I do 236 00:12:18,160 --> 00:12:20,120 Speaker 1: want to get to the book touching Greatness. And you've 237 00:12:20,160 --> 00:12:23,280 Speaker 1: got some of the stories about all these you know, 238 00:12:23,320 --> 00:12:25,760 Speaker 1: the sort all the great characters that you've covered over 239 00:12:25,800 --> 00:12:28,559 Speaker 1: the years. Being around beginning. I am jealous, though ted 240 00:12:28,640 --> 00:12:30,400 Speaker 1: I I'd love to write a book someday. But then 241 00:12:30,440 --> 00:12:32,640 Speaker 1: I found out how much time you spent on this. 242 00:12:32,720 --> 00:12:36,320 Speaker 1: You said three this is a three year project. How 243 00:12:36,320 --> 00:12:38,440 Speaker 1: many hours do you think would you estimate that you 244 00:12:38,440 --> 00:12:41,080 Speaker 1: put in? Because you didn't have a ghostwriter, I saw 245 00:12:41,160 --> 00:12:44,760 Speaker 1: this was all you cast for the friendly ghost. Unfortunately, No, 246 00:12:44,920 --> 00:12:46,840 Speaker 1: you know what, I don't want to count the hours 247 00:12:46,840 --> 00:12:50,240 Speaker 1: because if I do, I'll probably shoot myself that time back. 248 00:12:52,040 --> 00:12:54,120 Speaker 1: All I know is that and and I and I 249 00:12:54,240 --> 00:12:57,920 Speaker 1: thoroughly am prideful about doing this because it's not an 250 00:12:57,920 --> 00:13:00,560 Speaker 1: easy thing. But remember, it depends on kind of book 251 00:13:00,559 --> 00:13:05,640 Speaker 1: you're writing. I did something about literally decades of my 252 00:13:05,679 --> 00:13:08,360 Speaker 1: life from the beginning and trying to remember stuff that 253 00:13:08,400 --> 00:13:11,000 Speaker 1: I wanted other people to know of. And I've told 254 00:13:11,000 --> 00:13:13,480 Speaker 1: these stories forever and everything. But I should write a book. 255 00:13:13,480 --> 00:13:16,200 Speaker 1: One day I finally have and I got to the 256 00:13:16,280 --> 00:13:18,960 Speaker 1: point where there were so many things I had to 257 00:13:19,000 --> 00:13:24,720 Speaker 1: look up. It took hundreds of hours, no exaggeration of research, 258 00:13:24,760 --> 00:13:29,080 Speaker 1: because I wanted everything to be one thousand percent accurate, 259 00:13:29,160 --> 00:13:32,360 Speaker 1: the date, the time, what exactly happened, if it had 260 00:13:32,400 --> 00:13:34,560 Speaker 1: anything to do with the story. And that's what took 261 00:13:34,600 --> 00:13:38,119 Speaker 1: as much time as just writing itself. I'm talking hundreds 262 00:13:38,360 --> 00:13:42,960 Speaker 1: of ours. And how often was your memory a little off? 263 00:13:42,960 --> 00:13:45,000 Speaker 1: You have a very good memory, But I they I've 264 00:13:45,000 --> 00:13:48,640 Speaker 1: read STA again exactly, but I read study. I read 265 00:13:48,679 --> 00:13:51,200 Speaker 1: studies like that what we remember and then like the 266 00:13:51,240 --> 00:13:53,680 Speaker 1: timing is usually awf a little bit like version of 267 00:13:53,720 --> 00:13:57,079 Speaker 1: what we remember is not completely right. How accurate was 268 00:13:57,200 --> 00:14:00,360 Speaker 1: the memory the mind of Sobel looking back? Keep your 269 00:14:00,360 --> 00:14:03,440 Speaker 1: life in the damn good question? You know what? It 270 00:14:03,559 --> 00:14:07,280 Speaker 1: was actually very good. I'm a little surprised myself. Um, 271 00:14:07,720 --> 00:14:11,120 Speaker 1: you know, I took some notes about twenty years ago, 272 00:14:11,760 --> 00:14:14,160 Speaker 1: and I thought, Okay, if I'm ever gonna do this, 273 00:14:14,280 --> 00:14:16,760 Speaker 1: let me write down a few things. And I literally 274 00:14:16,800 --> 00:14:21,320 Speaker 1: had several just plain white sheets of paper where I 275 00:14:21,320 --> 00:14:24,040 Speaker 1: would scribble a little note on just to remember something 276 00:14:24,240 --> 00:14:25,760 Speaker 1: and throw it in a file and put it in 277 00:14:25,840 --> 00:14:29,000 Speaker 1: the drawer and totally forget about it. And I literally 278 00:14:29,040 --> 00:14:30,680 Speaker 1: forgot about No. I remember he's good, but I could 279 00:14:30,720 --> 00:14:33,640 Speaker 1: remember where the notes were and and and I finally 280 00:14:33,680 --> 00:14:35,960 Speaker 1: found him. I was like, oh, yeah, here's the book, 281 00:14:36,240 --> 00:14:40,120 Speaker 1: all these scribbles, and that's pretty much how I started. 282 00:14:40,400 --> 00:14:43,640 Speaker 1: It was not some organized, great, perfect outline or anything. 283 00:14:43,800 --> 00:14:46,000 Speaker 1: It was like, I want to write about Don Drysdale, 284 00:14:46,040 --> 00:14:48,280 Speaker 1: I want to write about Lasorda, I want to write 285 00:14:48,280 --> 00:14:52,080 Speaker 1: about Jerry West And it was whatever that little specific 286 00:14:52,160 --> 00:14:55,320 Speaker 1: note was put on a scribble sheet and put away. 287 00:14:55,400 --> 00:14:59,000 Speaker 1: So um. But no, my memory was actually very good. 288 00:14:59,200 --> 00:15:01,800 Speaker 1: But I want to pacifics where it would really because 289 00:15:01,840 --> 00:15:03,600 Speaker 1: once you look it up you see a box score 290 00:15:03,680 --> 00:15:07,600 Speaker 1: from fifty years ago, it brings back memories that you 291 00:15:07,640 --> 00:15:11,040 Speaker 1: would never ever recall. Yeah, and I've known you for 292 00:15:11,120 --> 00:15:13,640 Speaker 1: many years, but obviously I don't know your entire life 293 00:15:13,640 --> 00:15:17,080 Speaker 1: story and all that. And now you know I now 294 00:15:17,120 --> 00:15:20,520 Speaker 1: I have the the full volume, which is like it 295 00:15:20,600 --> 00:15:23,320 Speaker 1: or not, and it is appropriate me at the very 296 00:15:23,360 --> 00:15:27,040 Speaker 1: beginning here, uh that you go in And I didn't 297 00:15:27,040 --> 00:15:30,200 Speaker 1: know that Jim Tunney, the legendary referee when you were 298 00:15:30,200 --> 00:15:33,520 Speaker 1: in high school in l A. He was your principal 299 00:15:33,600 --> 00:15:37,080 Speaker 1: at Fairfax High School? That is uh, that is crazy. 300 00:15:37,120 --> 00:15:38,800 Speaker 1: Did you know was he in official at the time 301 00:15:38,840 --> 00:15:41,320 Speaker 1: he was the principal was of course yeah, oh he 302 00:15:41,480 --> 00:15:44,680 Speaker 1: was the deed of NFL refs. He was our principal. Absolutely, 303 00:15:44,680 --> 00:15:46,800 Speaker 1: we used to talk. He would stop in the hallway 304 00:15:46,800 --> 00:15:49,080 Speaker 1: in high school and every you know, a sports guys, 305 00:15:49,120 --> 00:15:51,520 Speaker 1: other people who run into sports. I didn't even know 306 00:15:51,520 --> 00:15:54,360 Speaker 1: what the NFL wasn't remember. It was not the NFL 307 00:15:54,440 --> 00:15:57,280 Speaker 1: like it is now. It was it was not the 308 00:15:57,400 --> 00:16:00,920 Speaker 1: national pastime like it is now. Every was baseball then 309 00:16:00,960 --> 00:16:03,880 Speaker 1: and and everything else was okay whatever, if you enjoy it, 310 00:16:03,960 --> 00:16:08,160 Speaker 1: good for you. Um. It was so different. And he 311 00:16:08,160 --> 00:16:11,400 Speaker 1: would stop, and sports guys would like to get him, 312 00:16:11,520 --> 00:16:14,760 Speaker 1: like during a lunch break or whatever nutrition and he 313 00:16:14,800 --> 00:16:16,680 Speaker 1: would stop and we'd just all be talking. He but 314 00:16:16,720 --> 00:16:19,600 Speaker 1: do you covered the Packers Bears game yesterday? You know 315 00:16:19,840 --> 00:16:22,640 Speaker 1: that kind of stuff? So absolutely, and I and I 316 00:16:22,680 --> 00:16:24,840 Speaker 1: hate it up because I was totally into it more 317 00:16:24,920 --> 00:16:28,600 Speaker 1: than most. And he invited us, and I was fortunate 318 00:16:28,640 --> 00:16:31,080 Speaker 1: to be one of them. And I basically wouldn't allow 319 00:16:31,520 --> 00:16:34,520 Speaker 1: no answer to the fact that if you, if you, 320 00:16:34,520 --> 00:16:36,880 Speaker 1: you might even be too young to remember Sports Challenge, 321 00:16:37,240 --> 00:16:40,000 Speaker 1: the old dick Enberg Game Show. Do you remember that 322 00:16:40,040 --> 00:16:42,280 Speaker 1: at all? I've seen clips on the internet, but it 323 00:16:42,400 --> 00:16:44,880 Speaker 1: is before my time. That's what I thought, Well, not 324 00:16:45,000 --> 00:16:48,720 Speaker 1: from a different generation, the classic show. I mean the 325 00:16:48,760 --> 00:16:51,920 Speaker 1: first show. They had Joe DiMaggio and and and UH 326 00:16:52,000 --> 00:16:54,880 Speaker 1: and Jerry West and el Jim Baylor and Duke Snyder 327 00:16:54,960 --> 00:16:58,320 Speaker 1: and it was unbelievable. Uh and those are the guys right. Well. 328 00:16:58,440 --> 00:17:01,400 Speaker 1: I was invited by Mr Tunney as we called him 329 00:17:01,400 --> 00:17:03,760 Speaker 1: of course then and Jim now that he's a friend, 330 00:17:03,760 --> 00:17:06,160 Speaker 1: and he's I think he's ninety two years old now, 331 00:17:06,440 --> 00:17:08,760 Speaker 1: and he's just a phenomenal guy. And he's one of 332 00:17:08,760 --> 00:17:10,600 Speaker 1: the endorsers of the book, by the way, and he 333 00:17:11,080 --> 00:17:13,000 Speaker 1: was the one to open the door to get my publisher. 334 00:17:13,480 --> 00:17:15,800 Speaker 1: So that's a big deal of what he's meant to 335 00:17:15,880 --> 00:17:19,359 Speaker 1: my life. But at the time Jim invited me, as 336 00:17:19,480 --> 00:17:22,240 Speaker 1: I almost insisted on it, to be one of UH 337 00:17:22,560 --> 00:17:26,080 Speaker 1: six guys that from Fairfax High in l A. To 338 00:17:26,840 --> 00:17:30,399 Speaker 1: sit down and be one of the the pretend UH 339 00:17:30,680 --> 00:17:34,240 Speaker 1: superstars on the show. It was before the first airing 340 00:17:34,280 --> 00:17:36,320 Speaker 1: of the show, and they had to do the angles 341 00:17:36,359 --> 00:17:39,479 Speaker 1: and check out the video clips and make sure everything 342 00:17:39,560 --> 00:17:42,480 Speaker 1: was working perfectly. So it was the practice show that 343 00:17:42,560 --> 00:17:46,160 Speaker 1: I was on, and I sat in Tommy Hendrick's uh 344 00:17:46,520 --> 00:17:49,720 Speaker 1: seat at Former Yankee and he was there for the 345 00:17:49,720 --> 00:17:52,800 Speaker 1: first game, and then after that we got invited to 346 00:17:52,840 --> 00:17:55,760 Speaker 1: the actual taping of the first two shows, and it 347 00:17:55,800 --> 00:17:58,560 Speaker 1: was it was just that that show was unbelievable. I 348 00:17:58,600 --> 00:18:01,720 Speaker 1: mean it was because they had you know, almost everybody 349 00:18:01,720 --> 00:18:04,680 Speaker 1: who was anybody was on that show, including Jackie Robinson 350 00:18:04,760 --> 00:18:08,119 Speaker 1: was on that show. Yeah, And I mean I like, 351 00:18:08,200 --> 00:18:10,600 Speaker 1: I you told the story that in the book about 352 00:18:11,160 --> 00:18:14,000 Speaker 1: when you were a kid meeting Ted Williams at a 353 00:18:14,640 --> 00:18:17,400 Speaker 1: uh what a store somewhere he was a Sears Yeah 354 00:18:17,440 --> 00:18:21,680 Speaker 1: he was. Was he signing autographs or something like that? Ted, 355 00:18:22,040 --> 00:18:26,000 Speaker 1: This is like nineteen sixty one or two. Um, he 356 00:18:26,040 --> 00:18:30,080 Speaker 1: had just retired and he was there to promote everything 357 00:18:30,080 --> 00:18:33,119 Speaker 1: in those days. Been for a couple of years, maybe 358 00:18:33,200 --> 00:18:35,000 Speaker 1: five years, I don't know. He signed a contract with 359 00:18:35,080 --> 00:18:38,880 Speaker 1: Sears around the time he retired, and everything said Ted 360 00:18:38,920 --> 00:18:41,639 Speaker 1: Williams on it, and forget baseball. I mean we're talking 361 00:18:41,680 --> 00:18:44,200 Speaker 1: like he was a big hunter and fisherman and stuff 362 00:18:44,240 --> 00:18:47,399 Speaker 1: like that. So the entire sporting goods department at sears. 363 00:18:47,640 --> 00:18:50,359 Speaker 1: It said that Ted Williams name and his signature was 364 00:18:50,440 --> 00:18:54,480 Speaker 1: on everything. It was Ted Williams, barbecues, it was Ted Williams. 365 00:18:54,840 --> 00:18:59,359 Speaker 1: Whatever's anything there. So my father heard he was gonna 366 00:18:59,400 --> 00:19:02,600 Speaker 1: be there. And this was in uh in Hollywood, here 367 00:19:02,640 --> 00:19:04,800 Speaker 1: in l A. And he says, I want to take 368 00:19:04,800 --> 00:19:06,600 Speaker 1: it and go meet Ted Williams. And I said that'd 369 00:19:06,600 --> 00:19:08,719 Speaker 1: be great. And I was in a little league at 370 00:19:08,760 --> 00:19:11,399 Speaker 1: the time. So we went there and as we're going 371 00:19:11,480 --> 00:19:15,040 Speaker 1: through the store, um, my father looks at his watch. 372 00:19:15,080 --> 00:19:16,640 Speaker 1: He goes, you know what, has run a little late. 373 00:19:16,680 --> 00:19:19,040 Speaker 1: And we look over and Ted Williams is standing up 374 00:19:19,200 --> 00:19:21,480 Speaker 1: and he's starting to walk out like he was done. 375 00:19:22,160 --> 00:19:24,920 Speaker 1: And so whatever he was doing was he was finished 376 00:19:25,119 --> 00:19:27,520 Speaker 1: with his shift. And when he was finished, he was finished. 377 00:19:27,840 --> 00:19:30,280 Speaker 1: And my dad hustled over and he was not exactly 378 00:19:30,280 --> 00:19:33,640 Speaker 1: an athlete, and he hustled his ass over there and said, 379 00:19:33,720 --> 00:19:36,560 Speaker 1: Mr Williams, please stop for one second. I want you 380 00:19:36,600 --> 00:19:39,080 Speaker 1: to meet my son Teddy. And I and I hustled 381 00:19:39,080 --> 00:19:41,520 Speaker 1: with him and and he looked down he goes, oh, 382 00:19:41,560 --> 00:19:43,920 Speaker 1: it's very nice to meet you. Another Teddy ball game. 383 00:19:43,960 --> 00:19:46,359 Speaker 1: He shook my hand and walked away. He wasn't rude. 384 00:19:46,359 --> 00:19:49,960 Speaker 1: He was just leaving, you know. And to me that 385 00:19:50,080 --> 00:19:54,320 Speaker 1: was like that was the first touching Greatness moment. Even 386 00:19:54,359 --> 00:19:57,040 Speaker 1: though he didn't sign an autograph for me. I didn't 387 00:19:57,040 --> 00:19:59,240 Speaker 1: ask him. I mean, he was literally walking out the 388 00:19:59,280 --> 00:20:03,040 Speaker 1: door and he was very nice. But but Kurt, you know, 389 00:20:03,119 --> 00:20:06,920 Speaker 1: real quick and and I looked at my father and said, 390 00:20:07,000 --> 00:20:08,600 Speaker 1: this is like the greatest thing of all time. I 391 00:20:08,640 --> 00:20:12,560 Speaker 1: just shook Ted Williams hands and that gave me that 392 00:20:12,640 --> 00:20:15,040 Speaker 1: feeling like, you know what, I don't want to hang 393 00:20:15,040 --> 00:20:17,359 Speaker 1: out with Joe Smith on the on the street corner. 394 00:20:17,359 --> 00:20:20,199 Speaker 1: I'd rather hang out with Ted Williams. And that was 395 00:20:20,359 --> 00:20:23,840 Speaker 1: the start of things, and touching Greatness is evolved decades later. 396 00:20:24,240 --> 00:20:26,320 Speaker 1: Look at that, And that's cool because if we have 397 00:20:26,440 --> 00:20:28,520 Speaker 1: heard stories that Ted's been gone for a while, what 398 00:20:28,600 --> 00:20:33,040 Speaker 1: you've heard stories that he had been very aloof at times. 399 00:20:33,040 --> 00:20:35,280 Speaker 1: So that's cool that he at least stopped to acknowledge 400 00:20:35,280 --> 00:20:39,240 Speaker 1: a kid in the in the series the aloof Athletes, 401 00:20:39,280 --> 00:20:41,879 Speaker 1: so we've all been around them, and you probably can 402 00:20:41,920 --> 00:20:44,280 Speaker 1: write a book just on the aloof Appney, you know, 403 00:20:44,280 --> 00:20:46,000 Speaker 1: that would be a good, good one for you. By 404 00:20:46,040 --> 00:20:49,320 Speaker 1: the way, write that down there you that could be 405 00:20:49,359 --> 00:20:54,399 Speaker 1: thirty five volumes. But you know, one of the most 406 00:20:54,400 --> 00:20:57,200 Speaker 1: aloof guys in the history of sports, maybe the history 407 00:20:57,200 --> 00:20:59,680 Speaker 1: of the universe, is Joe Di Maggio and I have 408 00:20:59,720 --> 00:21:01,600 Speaker 1: a great story in the book. I always stuck into 409 00:21:01,600 --> 00:21:06,240 Speaker 1: Dodger Stadium after Martin Luther King charity game in nineteen 410 00:21:06,320 --> 00:21:10,800 Speaker 1: seventy and I just had a great, uh wonderful interaction 411 00:21:10,840 --> 00:21:14,720 Speaker 1: with Roberto Clementi getting autographs at the team bus as 412 00:21:14,800 --> 00:21:17,800 Speaker 1: they were leaving, and it was it's probably the greatest 413 00:21:17,840 --> 00:21:20,800 Speaker 1: compilation of Hall of Famers on the field at one 414 00:21:20,840 --> 00:21:24,000 Speaker 1: time in this one game that's almost forgotten in the 415 00:21:24,119 --> 00:21:28,640 Speaker 1: history of of baseball. And when the game was over, 416 00:21:29,000 --> 00:21:32,040 Speaker 1: it was late late in the afternoon. Um, I was 417 00:21:32,160 --> 00:21:34,840 Speaker 1: a teenager. I was ready. I wasn't ready to go home, 418 00:21:34,880 --> 00:21:36,480 Speaker 1: and I just want to hang out at the Ravine 419 00:21:36,680 --> 00:21:39,080 Speaker 1: and there's no security guys or anything in those days. 420 00:21:39,440 --> 00:21:42,800 Speaker 1: I just wandered back into the stadium, looked around and thought, 421 00:21:42,840 --> 00:21:44,480 Speaker 1: you know what, it would be sort of fun to 422 00:21:44,720 --> 00:21:48,360 Speaker 1: see if anybody's left. I started wandering downstairs, ended up 423 00:21:48,680 --> 00:21:51,280 Speaker 1: at the Visitors Club, at the old Visitor clubhouse at 424 00:21:51,280 --> 00:21:54,399 Speaker 1: the at the Ravine, and the door was slightly opened, 425 00:21:54,440 --> 00:21:56,280 Speaker 1: and I looked inside and there was an old man 426 00:21:56,400 --> 00:22:01,240 Speaker 1: sitting there in his uh, in his shorts and uh 427 00:22:01,480 --> 00:22:05,119 Speaker 1: a tank top. And I looked a little closer. It 428 00:22:05,200 --> 00:22:08,680 Speaker 1: was Joe f and DiMaggio sitting there all by himself, 429 00:22:09,040 --> 00:22:11,959 Speaker 1: staring at a wall, doing nothing. And I knocked down 430 00:22:12,000 --> 00:22:14,960 Speaker 1: the old that giant if you remember the old visitor's locker, 431 00:22:14,960 --> 00:22:20,800 Speaker 1: I'm sure you do that, that huge metal door when 432 00:22:20,880 --> 00:22:23,239 Speaker 1: we walked in and I knocked on the thing, and 433 00:22:23,320 --> 00:22:26,040 Speaker 1: he looked up and I said, excuse me, Mr DiMaggio, 434 00:22:26,160 --> 00:22:30,080 Speaker 1: can I get your autograph? And instead of him being 435 00:22:30,080 --> 00:22:32,560 Speaker 1: a jerk like I've heard he could be many many 436 00:22:32,760 --> 00:22:36,040 Speaker 1: many times, he wasn't just a you know, really easy 437 00:22:36,240 --> 00:22:39,199 Speaker 1: relaxed attitude. Ah, sure, kid, And then he said what 438 00:22:39,240 --> 00:22:41,840 Speaker 1: the hell are you doing here? How did you get in? 439 00:22:41,920 --> 00:22:44,080 Speaker 1: And all that kind of stuff, And he signed my book, 440 00:22:44,160 --> 00:22:48,160 Speaker 1: my my program and my autograph book, and we had 441 00:22:48,160 --> 00:22:50,800 Speaker 1: a little small talk. He was very house school, all 442 00:22:50,800 --> 00:22:53,399 Speaker 1: that kind of stuff, and then he said, sent me 443 00:22:53,400 --> 00:22:54,720 Speaker 1: on my way. That was the end of it. But 444 00:22:55,080 --> 00:22:57,919 Speaker 1: that was another neat time. Nothing like sneaking into the 445 00:22:58,000 --> 00:23:00,520 Speaker 1: ravine and Joe DiMaggio is there and say, it's the 446 00:23:00,560 --> 00:23:03,080 Speaker 1: only time to as you ever signed his autograph and 447 00:23:03,119 --> 00:23:06,280 Speaker 1: his underwear, including Marilyn Monroe. Be sure to catch live 448 00:23:06,440 --> 00:23:09,000 Speaker 1: editions of The Ben Meller Show weekdays at two a m. 449 00:23:09,040 --> 00:23:12,840 Speaker 1: Eastern eleven pm Pacific on Fox Sports Radio and the 450 00:23:13,000 --> 00:23:15,480 Speaker 1: I Heart Radio app. Well that's great because when I 451 00:23:15,520 --> 00:23:20,720 Speaker 1: was in high school, I tried to get to Maggio's autograph. 452 00:23:20,800 --> 00:23:23,360 Speaker 1: I we found out he was appearing in San Diego 453 00:23:23,680 --> 00:23:27,879 Speaker 1: at a card convention. The National Trading Card Convention was 454 00:23:27,880 --> 00:23:30,160 Speaker 1: in San Diego. So a buddy of mine found out 455 00:23:30,280 --> 00:23:32,280 Speaker 1: what hotel the Maggio was like, a lot of the 456 00:23:32,280 --> 00:23:34,879 Speaker 1: people were staying there. So I went down with some 457 00:23:34,960 --> 00:23:36,959 Speaker 1: friends to try to get to matt. We were we 458 00:23:36,960 --> 00:23:40,840 Speaker 1: were stalking the hotel, sitting in the lobby when when 459 00:23:40,840 --> 00:23:42,920 Speaker 1: we wanted autographs, right, yeah, yeah, So I wanted to 460 00:23:42,920 --> 00:23:46,400 Speaker 1: get to Maggio's autograph, and so I sat for as 461 00:23:46,440 --> 00:23:48,399 Speaker 1: I remember now, it might not have been this long, 462 00:23:48,440 --> 00:23:50,560 Speaker 1: but it felt like hours, as you know, sitting in 463 00:23:50,600 --> 00:23:53,800 Speaker 1: the lobby and and uh and security tried to get 464 00:23:53,840 --> 00:23:57,040 Speaker 1: us out of there, and then we came back and yeah, yeah, 465 00:23:57,160 --> 00:24:00,600 Speaker 1: so finally we to Magic. It was like the White whale, 466 00:24:00,640 --> 00:24:02,040 Speaker 1: you know, I mean, how can we you know, it's 467 00:24:02,320 --> 00:24:05,199 Speaker 1: elusive and all that. So I remember the Maggio. We 468 00:24:05,320 --> 00:24:09,679 Speaker 1: saw him get off an elevator with like two other people. 469 00:24:10,359 --> 00:24:12,240 Speaker 1: But he was supposed to we were We had it 470 00:24:12,280 --> 00:24:13,560 Speaker 1: all planned out in her head. Tad that he was 471 00:24:13,560 --> 00:24:15,679 Speaker 1: gonna walk right through the lobby and out to the 472 00:24:15,720 --> 00:24:18,680 Speaker 1: front where the cars were, except he made a right 473 00:24:18,720 --> 00:24:21,439 Speaker 1: turn and walked to a side door, and he walked 474 00:24:21,480 --> 00:24:23,760 Speaker 1: through the kitchen, and we weren't allowed. Fact, as he 475 00:24:23,840 --> 00:24:26,760 Speaker 1: snug we saw I saw like a side shot of 476 00:24:26,800 --> 00:24:29,000 Speaker 1: the Maggio, like the back of his head as he 477 00:24:29,119 --> 00:24:31,320 Speaker 1: walked through the kitchen to get out of the hotel, 478 00:24:31,359 --> 00:24:34,280 Speaker 1: to a voice like an idiot sitting there waiting for hours, 479 00:24:34,320 --> 00:24:36,560 Speaker 1: of course, as we all did. But you got your 480 00:24:36,760 --> 00:24:39,760 Speaker 1: little brief you of Joe di Maggio, And if it 481 00:24:39,880 --> 00:24:42,800 Speaker 1: was today, you'd have your cell phone taking pictures. He say, 482 00:24:42,880 --> 00:24:45,359 Speaker 1: there he goes, it's also like the Suppruter film. After 483 00:24:45,359 --> 00:24:50,000 Speaker 1: a while, exactly exactly now, I have not I have 484 00:24:50,000 --> 00:24:52,520 Speaker 1: not read the entire book here, but the one. You know, 485 00:24:52,560 --> 00:24:54,840 Speaker 1: certain things that stand out ted and we have we 486 00:24:54,880 --> 00:24:57,240 Speaker 1: actually have a similar background. And the fact that you 487 00:24:57,320 --> 00:24:59,919 Speaker 1: went to l A City College. I went to Saddleback 488 00:25:00,080 --> 00:25:02,879 Speaker 1: for radio and stuff. And you the chapter ten about 489 00:25:03,000 --> 00:25:06,520 Speaker 1: radio one oh one in my d n A that 490 00:25:06,960 --> 00:25:09,880 Speaker 1: if you're a radio kind of kind of nerd radio geek, 491 00:25:09,920 --> 00:25:11,520 Speaker 1: we we have a lot of people that listen that 492 00:25:11,640 --> 00:25:15,920 Speaker 1: love radio, and people do radio well yeah, exactly even 493 00:25:15,920 --> 00:25:19,320 Speaker 1: on a podcast a rip off of radio live radio. 494 00:25:19,440 --> 00:25:22,320 Speaker 1: But you go into great detail there and you're you 495 00:25:22,640 --> 00:25:25,280 Speaker 1: got to go as a like a college kid. You 496 00:25:25,359 --> 00:25:29,680 Speaker 1: got to go watch a broadcast of Dodger postgame program. 497 00:25:29,680 --> 00:25:32,159 Speaker 1: That's pretty cool. Your was it your professor? That was 498 00:25:32,200 --> 00:25:34,760 Speaker 1: the guy that was doing it? Is that is that right? No? 499 00:25:34,880 --> 00:25:37,480 Speaker 1: I mean all that stuff we did it on our own, 500 00:25:37,520 --> 00:25:39,359 Speaker 1: and that was older than me, and we just we 501 00:25:39,400 --> 00:25:42,280 Speaker 1: would go to games and literally sit and practice play 502 00:25:42,359 --> 00:25:44,520 Speaker 1: by play. But I think one of the things you 503 00:25:44,600 --> 00:25:49,720 Speaker 1: might be referring to was the nineteen seventy four World Series. Well, 504 00:25:49,720 --> 00:25:52,200 Speaker 1: I was already out of l A City College by 505 00:25:52,200 --> 00:25:56,919 Speaker 1: then about a year. Uh, and I was actually credential 506 00:25:57,000 --> 00:25:59,920 Speaker 1: to the seventy four World Series. That's how long ago 507 00:26:00,040 --> 00:26:02,800 Speaker 1: that was. Uh. But No, what we would do is 508 00:26:02,840 --> 00:26:06,200 Speaker 1: we would hang out in the press box area and 509 00:26:06,320 --> 00:26:09,639 Speaker 1: wait for them to leave their notes, you know, whatever 510 00:26:09,680 --> 00:26:13,080 Speaker 1: their reads were in their their assignments and all that stuff. 511 00:26:13,119 --> 00:26:14,600 Speaker 1: They would leave it on the desk because it was 512 00:26:14,640 --> 00:26:16,760 Speaker 1: just trash when the game was over, and we would 513 00:26:16,760 --> 00:26:18,879 Speaker 1: pick it up and read it, thinking that we just 514 00:26:18,920 --> 00:26:21,119 Speaker 1: found gold as we were trying to figure out how 515 00:26:21,119 --> 00:26:24,080 Speaker 1: to be broadcasters, and we just got Vince Scully's notes 516 00:26:24,160 --> 00:26:28,200 Speaker 1: from his NBC broadcast with Joe Garagiola, and so that's 517 00:26:28,200 --> 00:26:29,840 Speaker 1: what we would do, and then we would read it 518 00:26:29,880 --> 00:26:32,840 Speaker 1: and pun and use it during our fake broadcast when 519 00:26:32,840 --> 00:26:35,640 Speaker 1: he's sitting in the stands calling a game every damn night. 520 00:26:36,000 --> 00:26:38,800 Speaker 1: So it was it was a blast. But uh, we 521 00:26:38,840 --> 00:26:41,119 Speaker 1: would do everything on our own. I mean literally, we 522 00:26:41,160 --> 00:26:44,720 Speaker 1: went to like maybe fifty Dodger games a year, some 523 00:26:44,840 --> 00:26:46,600 Speaker 1: Angel games too, not as much because it was a 524 00:26:46,680 --> 00:26:48,840 Speaker 1: drive to Anaheim. And then we go to the Forum 525 00:26:48,880 --> 00:26:53,800 Speaker 1: and we do thirty or so Lakers games and King's games, 526 00:26:54,280 --> 00:26:57,600 Speaker 1: and we would have those notes from NBC, from the Dodgers, 527 00:26:57,760 --> 00:26:59,760 Speaker 1: from the Lakers and bug the hell out of the 528 00:26:59,800 --> 00:27:02,000 Speaker 1: p our guys. And they hated our guts after a while. 529 00:27:02,080 --> 00:27:04,400 Speaker 1: So some of them actually got it and they knew 530 00:27:04,440 --> 00:27:06,480 Speaker 1: that what we wanted to do, and we were sincere. 531 00:27:06,640 --> 00:27:09,560 Speaker 1: We weren't just messing around, and others used to be like, 532 00:27:09,680 --> 00:27:11,159 Speaker 1: can you guys get the hell out of here? Your 533 00:27:11,200 --> 00:27:14,919 Speaker 1: college students and you're bothering us, and so uh it was. 534 00:27:15,000 --> 00:27:18,080 Speaker 1: It was fascinating, but again it was whatever it takes, right, 535 00:27:18,760 --> 00:27:21,800 Speaker 1: give me notes. And if you're eighteen, nineteen, twenty years 536 00:27:21,840 --> 00:27:23,480 Speaker 1: old and you're trying to get into the business and 537 00:27:23,480 --> 00:27:26,520 Speaker 1: you've got Vince Scully's read on the air, I mean, please, 538 00:27:26,600 --> 00:27:29,480 Speaker 1: I gotta have this. Did you keep any of that stuff? 539 00:27:29,480 --> 00:27:31,399 Speaker 1: Do you have any of those? You know what? I didn't. 540 00:27:31,440 --> 00:27:35,080 Speaker 1: I have one thing I kept that the nineteen seventy 541 00:27:35,080 --> 00:27:37,320 Speaker 1: four World Series notes. I still have because it was 542 00:27:37,359 --> 00:27:40,960 Speaker 1: in a World Series MLB. He used to have it 543 00:27:41,040 --> 00:27:43,840 Speaker 1: like a little folder and it would just say World 544 00:27:43,840 --> 00:27:46,240 Speaker 1: Series on it or something, and it was the game notes. 545 00:27:46,560 --> 00:27:49,160 Speaker 1: And I stuck some of the whatever I we took 546 00:27:49,200 --> 00:27:52,120 Speaker 1: off the table we would put I put inside there 547 00:27:52,160 --> 00:27:54,399 Speaker 1: and just put it away and totally forgot about. I 548 00:27:54,440 --> 00:27:57,000 Speaker 1: found it about five years ago. It was sitting in 549 00:27:57,119 --> 00:28:01,160 Speaker 1: a folder somebody gave to me and said, Roboski's name, 550 00:28:03,880 --> 00:28:06,800 Speaker 1: how's that for old? And he was the best reliever 551 00:28:06,840 --> 00:28:10,000 Speaker 1: in the busines at that time. Uh so, yeah, there 552 00:28:10,080 --> 00:28:12,600 Speaker 1: was some St. Louis stuff and uh and and then 553 00:28:12,600 --> 00:28:14,919 Speaker 1: the seventy four World Series and we actually had Salve 554 00:28:14,960 --> 00:28:18,880 Speaker 1: Bando if you remember that name. He was an All 555 00:28:18,960 --> 00:28:22,240 Speaker 1: Star for the Oakland A's in nineteen seventy four, third baseman. 556 00:28:22,720 --> 00:28:26,879 Speaker 1: And this is how it was been. How it's totally different. 557 00:28:27,040 --> 00:28:29,879 Speaker 1: I don't think you ever lived this, because I think 558 00:28:29,920 --> 00:28:31,920 Speaker 1: it was gone by the time you showed up. We 559 00:28:31,920 --> 00:28:37,000 Speaker 1: were literally in the A's dugout twenty minutes before the 560 00:28:37,040 --> 00:28:41,440 Speaker 1: start of the World Series game because there's nobody here, 561 00:28:41,480 --> 00:28:46,040 Speaker 1: I mean nobody cared. Yeah, the guys are coming off 562 00:28:46,080 --> 00:28:49,280 Speaker 1: the field. We got sal Bando to come on our 563 00:28:49,600 --> 00:28:55,400 Speaker 1: fake pregame show. He sare the World Series game started. 564 00:28:55,640 --> 00:28:57,520 Speaker 1: He walked over, he was a guest. We got it 565 00:28:57,600 --> 00:29:00,160 Speaker 1: for like two or three questions. He was fantastic. He 566 00:29:00,240 --> 00:29:02,920 Speaker 1: was a really nice guy. And then we said, well, okay, 567 00:29:02,920 --> 00:29:06,440 Speaker 1: and we'll be back with the startup game one after this, 568 00:29:06,680 --> 00:29:09,480 Speaker 1: and then we went upstairs and and practice in the stands. 569 00:29:10,520 --> 00:29:16,040 Speaker 1: That's outstanding is that is a great story. So yeah, 570 00:29:16,080 --> 00:29:18,080 Speaker 1: I I was there a little bit in those you know, 571 00:29:18,480 --> 00:29:21,360 Speaker 1: it started to turn over around the time I started, unfortunately, 572 00:29:21,760 --> 00:29:24,200 Speaker 1: so a lot of that stuff went away and I 573 00:29:24,480 --> 00:29:27,080 Speaker 1: got away. A quick little note on the sal Bando thing. 574 00:29:27,440 --> 00:29:31,080 Speaker 1: That game is, that is the famous game when Reggie 575 00:29:31,160 --> 00:29:34,120 Speaker 1: Jackson hit the fly ball to right field where Joe 576 00:29:34,200 --> 00:29:37,040 Speaker 1: Ferguson ran in front of Jimmy Winn and made one 577 00:29:37,080 --> 00:29:38,880 Speaker 1: of the greatest throws in the history of the World 578 00:29:38,880 --> 00:29:40,880 Speaker 1: Series to throw a guy out of at the plate. 579 00:29:40,920 --> 00:29:43,239 Speaker 1: Do you remember seeing the video on that thing, the 580 00:29:43,280 --> 00:29:46,040 Speaker 1: toy cannon? Uh so not. Now we should point out 581 00:29:46,120 --> 00:29:50,480 Speaker 1: here touching greatness that you both you and we mentioned Paul, 582 00:29:50,600 --> 00:29:52,600 Speaker 1: you know, the Yankee guy, and he did play by. 583 00:29:52,640 --> 00:29:54,480 Speaker 1: Both of you guys, you did play by play. You've 584 00:29:54,520 --> 00:29:57,600 Speaker 1: done play by playing for college and and minor league 585 00:29:57,600 --> 00:29:59,840 Speaker 1: hockey and a bunch of stuff over the years. And 586 00:30:00,080 --> 00:30:03,040 Speaker 1: you're a network. So both you guys made it and 587 00:30:03,240 --> 00:30:05,959 Speaker 1: and you would hang out in what the upper decade 588 00:30:05,960 --> 00:30:10,040 Speaker 1: Dodger Stadium doing mock broadcast the very time at Dodger Stadium, 589 00:30:10,040 --> 00:30:12,760 Speaker 1: we were at the field level. We sat in the 590 00:30:12,880 --> 00:30:15,640 Speaker 1: same seats almost every night. We got to know the 591 00:30:15,720 --> 00:30:18,720 Speaker 1: ushers at the Forum and Dodger Stadium, and if nobody 592 00:30:18,760 --> 00:30:21,440 Speaker 1: showed up with a season seat or a regular seat. 593 00:30:21,560 --> 00:30:24,560 Speaker 1: They let us sit on the last role behind home 594 00:30:24,600 --> 00:30:28,560 Speaker 1: plate in section five O five and we would sit 595 00:30:28,640 --> 00:30:31,920 Speaker 1: there and it would be um, it would be next 596 00:30:31,960 --> 00:30:35,320 Speaker 1: to because we needed this next to an electric plug 597 00:30:35,600 --> 00:30:37,360 Speaker 1: so we didn't have to use our batteries because we 598 00:30:37,360 --> 00:30:41,440 Speaker 1: couldn't afford them for our set player. So we could 599 00:30:41,480 --> 00:30:44,240 Speaker 1: plug into the wall, you know, which they use basically 600 00:30:44,280 --> 00:30:47,320 Speaker 1: for the clean up crew. Afterwards we used it. We said, hey, 601 00:30:47,400 --> 00:30:49,720 Speaker 1: this is great. We get to use Dodger Stadium electricity 602 00:30:49,760 --> 00:30:52,640 Speaker 1: for our cassette recorders. And that's we sat the same 603 00:30:52,640 --> 00:30:54,880 Speaker 1: seat almost every night, and the same seats at the 604 00:30:54,880 --> 00:30:57,160 Speaker 1: Forum as well, because in those days the games weren't 605 00:30:57,160 --> 00:30:59,240 Speaker 1: sold out, so we sat up high at the Forum, 606 00:30:59,480 --> 00:31:01,680 Speaker 1: but again right by the place where we could plug in, 607 00:31:01,760 --> 00:31:04,239 Speaker 1: and we it was on office and people knew us 608 00:31:04,280 --> 00:31:06,400 Speaker 1: up there. The regulars up there used to turn off 609 00:31:06,480 --> 00:31:08,560 Speaker 1: Chickern and Bob Miller and listened to us to the 610 00:31:08,560 --> 00:31:10,920 Speaker 1: play by play, and we we ate it up. It 611 00:31:10,960 --> 00:31:12,800 Speaker 1: was a blast. Well, I was gonna ask you that 612 00:31:12,880 --> 00:31:15,080 Speaker 1: because I've heard stories back in the old days it 613 00:31:15,240 --> 00:31:18,520 Speaker 1: like a Dodger stadium in particular, like Vince Scully, everyone 614 00:31:18,640 --> 00:31:20,520 Speaker 1: was listening to Vin call the game. It was like 615 00:31:20,600 --> 00:31:22,960 Speaker 1: you didn't have to have headphones on. So when you 616 00:31:23,000 --> 00:31:25,720 Speaker 1: were doing the play by play in the back, there 617 00:31:25,760 --> 00:31:28,200 Speaker 1: were people receptive and we're like, hey, it's shut up. 618 00:31:28,240 --> 00:31:29,680 Speaker 1: I want to hear what Vin has to say. What 619 00:31:29,720 --> 00:31:32,280 Speaker 1: do you do a great question? And there was always 620 00:31:32,440 --> 00:31:34,440 Speaker 1: every once in a while you get somebody like, hey, 621 00:31:34,480 --> 00:31:36,920 Speaker 1: I I paid my four dollars or whatever the hell 622 00:31:36,960 --> 00:31:39,880 Speaker 1: it was in those days to to come to this game. 623 00:31:40,080 --> 00:31:43,360 Speaker 1: But almost everybody, I guess we sounded good enough. They 624 00:31:43,480 --> 00:31:45,800 Speaker 1: enjoyed it and they could see that we were we 625 00:31:45,800 --> 00:31:48,160 Speaker 1: were just screwing around. I mean, we were trying to 626 00:31:48,240 --> 00:31:53,520 Speaker 1: be as as keen a broadcaster as possible and just 627 00:31:53,680 --> 00:31:57,120 Speaker 1: learned after game after game after game, and almost everybody 628 00:31:57,200 --> 00:31:59,040 Speaker 1: was nice to listen. A lot of them say yes, 629 00:31:59,160 --> 00:32:00,800 Speaker 1: soon as we come, we in the radio off. We 630 00:32:00,920 --> 00:32:02,720 Speaker 1: just listen to you guys, and they were having a 631 00:32:02,760 --> 00:32:05,560 Speaker 1: blastom By the way, nobody was wearing headphones in those days. 632 00:32:05,640 --> 00:32:11,640 Speaker 1: Headphones didn't exist. All right, well, fine, you called me on. 633 00:32:12,040 --> 00:32:15,920 Speaker 1: So now another thing that I had like a lightbulb 634 00:32:16,000 --> 00:32:19,200 Speaker 1: moment here because you you and a chapter of hanging 635 00:32:19,200 --> 00:32:22,120 Speaker 1: out with Elgin Baylor and we both have a mutual 636 00:32:22,360 --> 00:32:24,760 Speaker 1: friend who passed away a few years ago, Dave Stone, 637 00:32:24,800 --> 00:32:28,000 Speaker 1: who worked at Fox Sports Radio, who I always I 638 00:32:28,480 --> 00:32:30,640 Speaker 1: remember we were in his service. Like to me, he 639 00:32:30,680 --> 00:32:34,400 Speaker 1: was the biggest Elgin Baylor fanatic I had ever. He 640 00:32:34,480 --> 00:32:37,080 Speaker 1: knew everything about el He he used to tell me 641 00:32:37,360 --> 00:32:40,520 Speaker 1: Elgin was better than Michael Jordan's or Kobe Bryant or 642 00:32:40,520 --> 00:32:44,560 Speaker 1: any of these guys. And and but I didn't see 643 00:32:44,560 --> 00:32:47,160 Speaker 1: I didn't see el I only knew Elgin as the 644 00:32:47,240 --> 00:32:52,040 Speaker 1: Clipper GM. So that the problem. Yeahn't see him. So 645 00:32:52,200 --> 00:32:54,960 Speaker 1: they're all dead. Now what can I tell you? But 646 00:32:55,080 --> 00:32:57,440 Speaker 1: you saw him, and you you became friends with him, 647 00:32:57,480 --> 00:33:01,880 Speaker 1: right you you knew him them you stopped Joan Masual. 648 00:33:01,960 --> 00:33:04,240 Speaker 1: But I got to hang out with Elgin for fifty years. 649 00:33:04,400 --> 00:33:06,320 Speaker 1: And Joe, you're still waiting for Joe to sign your 650 00:33:06,400 --> 00:33:11,320 Speaker 1: damn book. Difference. Uh. When I went to Fairfax High 651 00:33:11,360 --> 00:33:14,880 Speaker 1: I moved into a neighborhood that I had had no idea. Uh. 652 00:33:14,960 --> 00:33:18,200 Speaker 1: When I was playing B and C basketball in school, 653 00:33:18,560 --> 00:33:20,360 Speaker 1: and one of the guys my first year says, hey, 654 00:33:20,440 --> 00:33:23,479 Speaker 1: you moved into a neighbor where Elgin Baylor lives. Remember 655 00:33:23,480 --> 00:33:27,520 Speaker 1: he was playing at that time. This is nineteen sixty eight. 656 00:33:27,840 --> 00:33:32,360 Speaker 1: I'm losing track of this year. So he was still 657 00:33:32,760 --> 00:33:36,160 Speaker 1: the superstar. I mean, he was Michael Jordan before Michael 658 00:33:36,240 --> 00:33:38,200 Speaker 1: Jordan was a sperm. I always say, you know, I mean, 659 00:33:38,200 --> 00:33:41,000 Speaker 1: it was, it was that simple. And uh so when 660 00:33:41,000 --> 00:33:44,080 Speaker 1: he got to the point where I realized, g I, 661 00:33:44,080 --> 00:33:46,360 Speaker 1: if Elgin really lives here, I gotta find this guy. 662 00:33:46,880 --> 00:33:49,640 Speaker 1: And uh, I used to hitchhike up the hill. It was. 663 00:33:49,720 --> 00:33:53,800 Speaker 1: It was a very steep hill about Sunset Boulevard, and uh, 664 00:33:53,840 --> 00:33:56,040 Speaker 1: I didn't drive yet, so I had to hitchhike to 665 00:33:56,040 --> 00:33:58,040 Speaker 1: get home, and it was too long to walk. And 666 00:33:58,160 --> 00:34:02,840 Speaker 1: one day, uh, in this story, in the chapter Dela Reese, 667 00:34:02,960 --> 00:34:07,000 Speaker 1: the the late great Dela Reese, the actress, singer. She 668 00:34:07,080 --> 00:34:09,319 Speaker 1: used to pick me up regularly and drive me half 669 00:34:09,320 --> 00:34:12,200 Speaker 1: the way home. She lived up that hill and she 670 00:34:12,320 --> 00:34:14,280 Speaker 1: was really nice to me. And one day she dropped 671 00:34:14,280 --> 00:34:16,080 Speaker 1: me off and I'm walking the rest of the way 672 00:34:16,080 --> 00:34:17,960 Speaker 1: home and I look, I look over as cars are 673 00:34:18,000 --> 00:34:20,439 Speaker 1: coming by, and I could have sworn that's that's gotta 674 00:34:20,480 --> 00:34:22,920 Speaker 1: be Elgian Baylor. I couldn't believe it. He was driving 675 00:34:22,960 --> 00:34:25,719 Speaker 1: an old giant Buick, a brown one and and I'm 676 00:34:25,760 --> 00:34:28,080 Speaker 1: staring at the car, thinking, I gotta find this car 677 00:34:28,160 --> 00:34:30,680 Speaker 1: I have And that was my whole life the next 678 00:34:30,719 --> 00:34:33,200 Speaker 1: several weeks, Where the hell is this car? And I 679 00:34:33,280 --> 00:34:36,640 Speaker 1: walked up the hill, uh, and sideways and every which 680 00:34:36,640 --> 00:34:39,480 Speaker 1: way I was running into rattlesnakes. I was past houses, 681 00:34:39,719 --> 00:34:41,840 Speaker 1: just trying to find and one day I finally it 682 00:34:41,880 --> 00:34:44,080 Speaker 1: was only two blocks away from me, but it was 683 00:34:44,160 --> 00:34:46,799 Speaker 1: a hidden could de sac that he lived at the 684 00:34:46,920 --> 00:34:49,400 Speaker 1: end of the cul de sac and uh, and he 685 00:34:49,440 --> 00:34:53,080 Speaker 1: had to continually walk up this this grueling hill and 686 00:34:53,120 --> 00:34:56,000 Speaker 1: there was a house with that car sitting right there 687 00:34:56,040 --> 00:34:59,359 Speaker 1: in the driveway. And I said, I just found gold. 688 00:34:59,400 --> 00:35:01,680 Speaker 1: This is the greatest thing. Okay, now, what the hell 689 00:35:01,719 --> 00:35:03,600 Speaker 1: do I do? What am I gonna do? Knock on 690 00:35:03,640 --> 00:35:06,680 Speaker 1: the door and say, hey, I'm here. I'm your new 691 00:35:06,719 --> 00:35:09,480 Speaker 1: best friend. You know, it's great. I found his far 692 00:35:09,600 --> 00:35:12,520 Speaker 1: who cared right anyway, I did knock on the door, 693 00:35:12,600 --> 00:35:16,239 Speaker 1: and Mrs Baylor Ruby, his first wife, answered the door. 694 00:35:16,320 --> 00:35:19,319 Speaker 1: She was so nice and she says, Teddy's um, he's 695 00:35:19,360 --> 00:35:21,800 Speaker 1: taking a nap right now. And Reverence during the season 696 00:35:21,800 --> 00:35:24,640 Speaker 1: while he was playing, So I said, uh, is there 697 00:35:24,640 --> 00:35:26,840 Speaker 1: any chance he goes? You know what, come back tomorrow 698 00:35:26,880 --> 00:35:30,120 Speaker 1: about the same time. He should be Uh, everything should 699 00:35:30,160 --> 00:35:33,320 Speaker 1: be great. You can be just They were very neighboring. 700 00:35:33,360 --> 00:35:35,560 Speaker 1: All right, it was great. So I came back the 701 00:35:35,560 --> 00:35:37,400 Speaker 1: next day. I was so excited. And I write in 702 00:35:37,400 --> 00:35:39,719 Speaker 1: the book how nervous I was that if I was 703 00:35:40,120 --> 00:35:42,759 Speaker 1: if I was my age, then I would have keeled over. 704 00:35:42,800 --> 00:35:44,520 Speaker 1: It would have been all over. I would add cardiac 705 00:35:44,600 --> 00:35:46,640 Speaker 1: arrest with him saying I can feel my heart pounding 706 00:35:46,640 --> 00:35:49,920 Speaker 1: out of my chest. I was so nervous. And then finally, Uh, 707 00:35:50,040 --> 00:35:52,360 Speaker 1: I got up enough nerve to hit the door again, 708 00:35:52,400 --> 00:35:55,120 Speaker 1: and she answered to hold on one second. Elgin came 709 00:35:55,160 --> 00:35:57,040 Speaker 1: over and he looked down at me, and you know, 710 00:35:57,080 --> 00:35:59,040 Speaker 1: I'm about three ft tall at the time, and I'm 711 00:35:59,080 --> 00:36:01,759 Speaker 1: not that much taller now. And he looked down him 712 00:36:01,760 --> 00:36:04,120 Speaker 1: and he goes, hi, I'm Elgin, and I'm looking at 713 00:36:04,160 --> 00:36:10,359 Speaker 1: him like no ship, I guess anyway, So it was fantastic, 714 00:36:10,400 --> 00:36:13,200 Speaker 1: and he invited me into his his He had this 715 00:36:13,280 --> 00:36:17,040 Speaker 1: trophy room where he had the m v P and 716 00:36:17,080 --> 00:36:22,000 Speaker 1: all these Seattle University and unbelievable trophies everywhere. And this 717 00:36:22,040 --> 00:36:23,480 Speaker 1: was towards the end of his career, but he was 718 00:36:23,480 --> 00:36:26,600 Speaker 1: still playing, and it I was. I was about to 719 00:36:26,640 --> 00:36:28,960 Speaker 1: leave the house, so I spent about fifteen minutes with him. 720 00:36:29,000 --> 00:36:31,960 Speaker 1: He was really nice, and Tommy Hawkins once told me 721 00:36:32,040 --> 00:36:35,640 Speaker 1: the former Laker in his his his one time roommate 722 00:36:35,680 --> 00:36:38,400 Speaker 1: for a long time, said to me, I'm surprised Elgin 723 00:36:38,520 --> 00:36:41,680 Speaker 1: is not usually like that, but I think maybe his 724 00:36:41,800 --> 00:36:45,960 Speaker 1: wife was a good influence on him in that department. 725 00:36:46,040 --> 00:36:50,000 Speaker 1: So uh. He spent some quality time with me and 726 00:36:50,000 --> 00:36:52,560 Speaker 1: then basically said, hey, it was nice to meet you, 727 00:36:52,600 --> 00:36:54,200 Speaker 1: and now good luck to the rest of your life. 728 00:36:54,600 --> 00:36:57,080 Speaker 1: And as Mrs Baylor was about to close the door 729 00:36:57,160 --> 00:37:01,120 Speaker 1: and I mean literally it was almost closed, and saying 730 00:37:01,120 --> 00:37:02,920 Speaker 1: thank you, it's nice to meet you, and you know, 731 00:37:02,960 --> 00:37:05,879 Speaker 1: good luck, I turned around. A light bulb went off 732 00:37:06,000 --> 00:37:09,319 Speaker 1: my head Ben and I said to myself, this can't 733 00:37:09,320 --> 00:37:10,920 Speaker 1: be it. There's got to be more to this than that. 734 00:37:11,120 --> 00:37:13,719 Speaker 1: And I quickly turned around. Excuse me, Mrs Baylor. Would 735 00:37:13,760 --> 00:37:15,440 Speaker 1: it be possible for you guys to take me to 736 00:37:15,480 --> 00:37:18,640 Speaker 1: a game sometime? I don't drive you. He looked at 737 00:37:18,640 --> 00:37:21,000 Speaker 1: me like I was insane, and I didn't know what 738 00:37:21,080 --> 00:37:23,160 Speaker 1: to say, and she says, well, I don't know. I 739 00:37:23,200 --> 00:37:25,319 Speaker 1: have to ask Elsie watch you come back another time 740 00:37:25,320 --> 00:37:27,880 Speaker 1: and we'll bring it up. And that's all. Oh, thank you, 741 00:37:27,920 --> 00:37:30,120 Speaker 1: And I walked away and I'm laughing running back down 742 00:37:30,200 --> 00:37:32,680 Speaker 1: the hill to my place. They can they just invited 743 00:37:32,680 --> 00:37:35,279 Speaker 1: me back. I'm on my way back, and I did, 744 00:37:35,520 --> 00:37:37,399 Speaker 1: and they did, and they took me. They started taking 745 00:37:37,440 --> 00:37:39,080 Speaker 1: me to games. And I used to hang out with 746 00:37:39,080 --> 00:37:42,279 Speaker 1: their kids, uh at their house and shoot baskets in 747 00:37:42,320 --> 00:37:45,759 Speaker 1: his backyard. And the one time that Al and his 748 00:37:45,840 --> 00:37:48,600 Speaker 1: son invited me over and said, let's shoot some baskets. 749 00:37:49,160 --> 00:37:51,560 Speaker 1: Um Elgin was there practicing his free throws and I 750 00:37:51,600 --> 00:37:54,839 Speaker 1: thought I was gonna die. So anyway, it was just 751 00:37:54,880 --> 00:37:57,720 Speaker 1: an incredible time. And you can't do that anymore. You 752 00:37:57,719 --> 00:38:00,560 Speaker 1: you have to get through the sixteen security guys with 753 00:38:00,600 --> 00:38:04,080 Speaker 1: the machetes and the machine guns and you know, all 754 00:38:04,120 --> 00:38:07,000 Speaker 1: that stuff, get over the moat and good luck. So 755 00:38:07,360 --> 00:38:10,600 Speaker 1: I imagine imagine a kid today going up to Lebron, 756 00:38:10,640 --> 00:38:13,279 Speaker 1: because elm was like the Lebron of his days. Hey, 757 00:38:13,600 --> 00:38:15,920 Speaker 1: you go up to Lebron's house in bel Air. Hey, Lebron, 758 00:38:16,000 --> 00:38:18,680 Speaker 1: I want to hang out and see your trophies. Good luck? 759 00:38:18,880 --> 00:38:20,520 Speaker 1: Can you come up? Can you take me the games? 760 00:38:20,560 --> 00:38:23,239 Speaker 1: From now on? It's like now those days are over. 761 00:38:23,320 --> 00:38:27,360 Speaker 1: But that's it wasn't only amazing to me, but because 762 00:38:27,360 --> 00:38:29,759 Speaker 1: it's decades later and the world has changed so much, 763 00:38:30,120 --> 00:38:32,080 Speaker 1: I think it's a it's sort of a time piece 764 00:38:32,120 --> 00:38:33,719 Speaker 1: there where I can say, this is the way it 765 00:38:33,840 --> 00:38:36,200 Speaker 1: used to be, at least potentially. Not everybody went over 766 00:38:36,200 --> 00:38:38,239 Speaker 1: to Aldam Baker's house, I hope, But you know what 767 00:38:38,280 --> 00:38:41,080 Speaker 1: I'm saying. You know, you had that beach balls to 768 00:38:41,120 --> 00:38:43,520 Speaker 1: do it in the first place, and then it just 769 00:38:43,560 --> 00:38:47,760 Speaker 1: worked out so great well. And I remember ted Tommy, 770 00:38:47,880 --> 00:38:50,319 Speaker 1: you bought Tommy Hawkins name up and he told I 771 00:38:50,400 --> 00:38:52,359 Speaker 1: love Tommy. He told me a story one time when 772 00:38:52,360 --> 00:38:54,560 Speaker 1: he was on the Minneapolis Lakers when they came to 773 00:38:54,719 --> 00:38:57,400 Speaker 1: l a and he said, in the early days the Lakers, 774 00:38:57,440 --> 00:38:59,960 Speaker 1: it's amazing to think about this because I I'm surrounded 775 00:39:00,040 --> 00:39:02,560 Speaker 1: by Laker area historians that love to brag about the 776 00:39:02,600 --> 00:39:05,399 Speaker 1: Lakers and us. But when the Lakers moved from Minneapolis, 777 00:39:05,800 --> 00:39:09,120 Speaker 1: basketball was not very popular like pro basketball, and the 778 00:39:09,239 --> 00:39:12,600 Speaker 1: Laker players, Tommy said, would have to go out, you know, 779 00:39:12,719 --> 00:39:14,959 Speaker 1: the day of games. They'd ride around in the back 780 00:39:15,000 --> 00:39:17,960 Speaker 1: of trucks or flatbed trucks and try to get people 781 00:39:18,000 --> 00:39:20,080 Speaker 1: to come to the game that night. Uh, I mean, 782 00:39:20,160 --> 00:39:24,120 Speaker 1: that's that's insane to think about now, considering how popular 783 00:39:24,200 --> 00:39:26,640 Speaker 1: the Lakers were and and imagine if you had players 784 00:39:26,640 --> 00:39:29,720 Speaker 1: today to if you told again Lebron or these guys, 785 00:39:29,840 --> 00:39:31,840 Speaker 1: can you go out and promote the game that night, 786 00:39:31,840 --> 00:39:33,719 Speaker 1: said we can sell some tickets before. I mean, it's 787 00:39:33,719 --> 00:39:36,760 Speaker 1: it's it's insane to think about, but then it's totally 788 00:39:36,840 --> 00:39:38,200 Speaker 1: a sane I mean, as a matter of fact, they 789 00:39:38,200 --> 00:39:40,120 Speaker 1: would say, talk to the union, get I'll get back 790 00:39:40,120 --> 00:39:42,520 Speaker 1: to you about twenty years when I'm retired. You know 791 00:39:43,120 --> 00:39:45,759 Speaker 1: that not one person would do it. And uh, but 792 00:39:45,840 --> 00:39:47,880 Speaker 1: you had to do it that I mean, remember these guys, 793 00:39:48,040 --> 00:39:49,960 Speaker 1: a lot of them had jobs on the side. This 794 00:39:50,040 --> 00:39:52,680 Speaker 1: was not big money in those days, so this was 795 00:39:52,760 --> 00:39:55,480 Speaker 1: their seasonal job and then they go back being a 796 00:39:55,520 --> 00:39:57,880 Speaker 1: lifeguard in a car wash or something after that, you know, 797 00:39:57,920 --> 00:40:00,600 Speaker 1: until the next season. So it was really a lot 798 00:40:00,719 --> 00:40:03,279 Speaker 1: of amazing stuff in those days. And I used to 799 00:40:03,280 --> 00:40:06,400 Speaker 1: go to the sports Arena, not your Clippers sports arena, 800 00:40:06,440 --> 00:40:09,080 Speaker 1: but when the Lakers played there, and it was a 801 00:40:09,160 --> 00:40:11,160 Speaker 1: dump when it was new. I never how we thought 802 00:40:11,160 --> 00:40:13,680 Speaker 1: in places it died that I was there and was 803 00:40:13,960 --> 00:40:17,160 Speaker 1: half full for a Lakers game, and so yeah, it 804 00:40:17,239 --> 00:40:21,279 Speaker 1: was just a different world. Uh people, remember it wasn't. 805 00:40:21,320 --> 00:40:24,560 Speaker 1: The media wasn't what it is now, or forget now, 806 00:40:24,600 --> 00:40:28,160 Speaker 1: even thirty years ago. Uh, you couldn't. There was no 807 00:40:28,800 --> 00:40:31,960 Speaker 1: important game of the week that was on all the time. 808 00:40:32,400 --> 00:40:35,719 Speaker 1: It was just so different. So of course, early on 809 00:40:35,760 --> 00:40:38,480 Speaker 1: when they moved to l A, you had to establish 810 00:40:38,520 --> 00:40:41,279 Speaker 1: the fact that hey, we got a professional basketball team here. 811 00:40:41,520 --> 00:40:43,760 Speaker 1: And you guys, if you don't read the sports page, 812 00:40:43,760 --> 00:40:47,759 Speaker 1: you're not gonna know it exists. So yeah, hawkey to 813 00:40:47,840 --> 00:40:50,320 Speaker 1: talk about that where they drive up and down, and 814 00:40:50,360 --> 00:40:53,160 Speaker 1: it was also sometimes I think it was a convertible 815 00:40:53,560 --> 00:40:55,879 Speaker 1: and they'd have their little megaphones out and say, hey, 816 00:40:55,880 --> 00:40:58,800 Speaker 1: well it's a seven thirty start tonight at the sports Arena. 817 00:40:58,960 --> 00:41:01,239 Speaker 1: The New York knickerby hers are in town. And I 818 00:41:01,320 --> 00:41:03,480 Speaker 1: love those stories. I think it's great because it's it's 819 00:41:03,520 --> 00:41:07,520 Speaker 1: it's impossible to imagine today, but it's the way it was. Yeah, 820 00:41:07,520 --> 00:41:10,799 Speaker 1: that's wild. So now you you're a great storyteller, Ted, 821 00:41:10,880 --> 00:41:13,920 Speaker 1: which is wonderful radio guy. No, but we if somebody's 822 00:41:13,920 --> 00:41:16,640 Speaker 1: still undecided Ted right now listening to this and and 823 00:41:16,719 --> 00:41:21,200 Speaker 1: this far into this podcast. Well, I know, but you've 824 00:41:21,200 --> 00:41:24,560 Speaker 1: covered You've covered l A obviously mostly l A sports, 825 00:41:24,560 --> 00:41:26,480 Speaker 1: but you worked in with you were in Wisconsin for 826 00:41:26,520 --> 00:41:29,720 Speaker 1: a while at one point. You've traveled all over the place. 827 00:41:29,760 --> 00:41:33,120 Speaker 1: But why tell the guy sell the book ted? Because 828 00:41:33,120 --> 00:41:34,279 Speaker 1: I want to see this do well, I'll tell you 829 00:41:34,320 --> 00:41:37,560 Speaker 1: why in a second. But touching greatness here, Uh, somebody 830 00:41:37,560 --> 00:41:42,520 Speaker 1: in Sheboygan or Punksitani or Springfield, like, why why would 831 00:41:42,560 --> 00:41:45,319 Speaker 1: they want to read a book that's mostly about you know, 832 00:41:45,520 --> 00:41:48,080 Speaker 1: you know, el Jin Baylor in l A type sports. 833 00:41:48,080 --> 00:41:50,319 Speaker 1: Why why would they want to buy this book? Well, 834 00:41:50,440 --> 00:41:53,080 Speaker 1: first of all, it's not just l A. It happens 835 00:41:53,080 --> 00:41:56,400 Speaker 1: to be my memoir plus a lot of other stuff. 836 00:41:56,719 --> 00:41:59,440 Speaker 1: But there is a lot of people in Sheboygan, and 837 00:41:59,480 --> 00:42:01,080 Speaker 1: not that I hang out there, so I don't know 838 00:42:01,160 --> 00:42:03,640 Speaker 1: for sure. But if you're listening to this in Sheboygan, 839 00:42:03,920 --> 00:42:07,640 Speaker 1: you're probably fascinated by stuff that goes on in Los Angeles. 840 00:42:07,640 --> 00:42:09,640 Speaker 1: That's why we have too many damn people, because the 841 00:42:09,680 --> 00:42:12,080 Speaker 1: second you come here and visit, ten minutes later you're 842 00:42:12,080 --> 00:42:14,200 Speaker 1: living here and we've got four billion people in one 843 00:42:14,280 --> 00:42:16,520 Speaker 1: lane on the freeway. This is part of the problem. 844 00:42:17,200 --> 00:42:21,040 Speaker 1: So remever, I used to live in Wisconsin, and there's uh, 845 00:42:21,080 --> 00:42:24,440 Speaker 1: there'll be a future volume of Touching Greatness with some 846 00:42:24,480 --> 00:42:27,760 Speaker 1: stuff about my Wisconsin days. But there's also a football 847 00:42:27,840 --> 00:42:30,400 Speaker 1: chapter right now with a lot of Aaron Rodgers and 848 00:42:30,440 --> 00:42:32,800 Speaker 1: Bart Star because I grew up a Green Bay Packers 849 00:42:32,880 --> 00:42:35,000 Speaker 1: fan as a little kid when they were great during 850 00:42:35,040 --> 00:42:37,360 Speaker 1: the Vince Lombardi era. So I talked about getting a 851 00:42:37,440 --> 00:42:40,040 Speaker 1: chance to meet my idols, and that's a lot of 852 00:42:40,080 --> 00:42:42,640 Speaker 1: what this book is about. It doesn't matter you're from 853 00:42:42,800 --> 00:42:45,759 Speaker 1: l A or from Mars. There's a lot of um. 854 00:42:45,840 --> 00:42:49,200 Speaker 1: I hopefully it'll be inspirational stuff, but at the same time, 855 00:42:49,520 --> 00:42:51,960 Speaker 1: just make you smile stuff, because it's the kind of 856 00:42:52,000 --> 00:42:54,680 Speaker 1: thing that the average person who might be a sports 857 00:42:54,719 --> 00:42:56,880 Speaker 1: fan walks down the street and if they got a 858 00:42:56,960 --> 00:43:00,319 Speaker 1: chance to meet Ted Williams or or Joe them as 859 00:43:00,440 --> 00:43:04,640 Speaker 1: you or anybody in between, Colfax Drysdale from the other era, 860 00:43:04,920 --> 00:43:07,839 Speaker 1: or Kobe and Tiger Woods from this era, Um, you're 861 00:43:07,840 --> 00:43:10,520 Speaker 1: gonna you're gonna love it. I mean this, you're it's 862 00:43:10,520 --> 00:43:14,480 Speaker 1: a moment you'll never forget. Well. I write about many, many, 863 00:43:14,600 --> 00:43:18,440 Speaker 1: many moments I never forgot in that vein, and it's 864 00:43:18,520 --> 00:43:20,880 Speaker 1: There's there's also music in here too. I talked about 865 00:43:21,200 --> 00:43:25,040 Speaker 1: being around. There's a chapter called Laurel Canyon Days, and 866 00:43:25,120 --> 00:43:26,799 Speaker 1: I was there in the late sixties when I went 867 00:43:26,840 --> 00:43:29,400 Speaker 1: to Fairfax High School. I lived not far away from 868 00:43:29,480 --> 00:43:32,080 Speaker 1: Loyal Canyon. When it was the place it is, it 869 00:43:32,160 --> 00:43:36,080 Speaker 1: was the capital of music, Uh in the world. Everything 870 00:43:36,160 --> 00:43:38,880 Speaker 1: was based on a Laurel Canyon. You know, the Birds 871 00:43:38,920 --> 00:43:41,760 Speaker 1: and the Beach Boys and everybody was living there, and 872 00:43:41,760 --> 00:43:46,320 Speaker 1: and the and the bands like um, like the Eagles 873 00:43:46,360 --> 00:43:48,840 Speaker 1: and all those guys were formed there. And I have 874 00:43:48,920 --> 00:43:51,680 Speaker 1: stories about I break a couple of stories on how 875 00:43:51,800 --> 00:43:54,319 Speaker 1: two of the songs from the Eagles, Uh, New Kid 876 00:43:54,360 --> 00:43:58,759 Speaker 1: in Town and Tequila Sunrise were written by around the 877 00:43:58,800 --> 00:44:02,280 Speaker 1: guy that is former l A King's player Geane Carr, 878 00:44:02,440 --> 00:44:05,279 Speaker 1: and Jean gave me an exclusive story that's something he's 879 00:44:05,280 --> 00:44:08,480 Speaker 1: never told anybody else before. And he just thought he 880 00:44:08,800 --> 00:44:11,080 Speaker 1: felt comfortable with me, and it was great. He's a 881 00:44:11,120 --> 00:44:14,359 Speaker 1: super guy and uh he told me the history New 882 00:44:14,440 --> 00:44:16,480 Speaker 1: Kid in Town was written about him when he got 883 00:44:16,520 --> 00:44:20,040 Speaker 1: traded to l A from the New York Rangers. Uh. 884 00:44:20,080 --> 00:44:23,600 Speaker 1: And he did, and Glenn Friday became extremely close friends. 885 00:44:23,800 --> 00:44:25,920 Speaker 1: Glenn fry the Eagles, who passed away a couple of 886 00:44:26,000 --> 00:44:28,799 Speaker 1: years ago. And Glenn Fried. You probably ever seen him. 887 00:44:28,800 --> 00:44:31,160 Speaker 1: He was always a Laker games and King's games and 888 00:44:31,200 --> 00:44:33,879 Speaker 1: stuff like that. Um, he was a season ticket older. 889 00:44:33,880 --> 00:44:36,239 Speaker 1: He's a big sports fan and and I love to 890 00:44:36,239 --> 00:44:38,960 Speaker 1: play golf regularly. So a lot of that stuff is 891 00:44:39,000 --> 00:44:42,440 Speaker 1: in the book. And it's unusual stuff. I mean, you 892 00:44:42,520 --> 00:44:44,719 Speaker 1: just don't see this anywhere. And I just happened to 893 00:44:44,719 --> 00:44:47,960 Speaker 1: live through. And again I've told people's stories forever about 894 00:44:48,000 --> 00:44:51,640 Speaker 1: this and that, but I go into uh, literally, there's 895 00:44:51,680 --> 00:44:55,239 Speaker 1: a where were you when JFK was shot? Well, I 896 00:44:55,280 --> 00:44:59,520 Speaker 1: know where you were. You didn't exist yet, right, A 897 00:44:59,560 --> 00:45:01,560 Speaker 1: lot of people will still ask that question. We're still 898 00:45:01,600 --> 00:45:03,960 Speaker 1: were around today. Where were you? It's one of these 899 00:45:04,000 --> 00:45:06,440 Speaker 1: It's one of the events of all time, of course, 900 00:45:06,719 --> 00:45:09,719 Speaker 1: negative or positive. And it got to the point where, 901 00:45:09,840 --> 00:45:12,640 Speaker 1: you know what, I remember that moment like it was yesterday, 902 00:45:12,880 --> 00:45:15,000 Speaker 1: and I thought it was an interesting thing to recall. 903 00:45:15,239 --> 00:45:18,360 Speaker 1: And I tied it in around my favorite baseball player, 904 00:45:18,400 --> 00:45:23,320 Speaker 1: Don Drysdale, who was just a phenomenal guy and became 905 00:45:23,440 --> 00:45:26,680 Speaker 1: just an icon around here, and the Drysdale Cofax hold 906 00:45:26,719 --> 00:45:29,360 Speaker 1: out of the sixties and how how much that meant. 907 00:45:29,560 --> 00:45:32,239 Speaker 1: So there's a lot more than just because it's l A. 908 00:45:32,520 --> 00:45:35,239 Speaker 1: But I talked about Tiger Woods and UH covering him 909 00:45:35,239 --> 00:45:38,200 Speaker 1: at the at the British Open at St. Andrews, and 910 00:45:38,200 --> 00:45:41,360 Speaker 1: and UH and Kobe this first game that he played, 911 00:45:41,760 --> 00:45:44,520 Speaker 1: his first I should say, his first season that he played, 912 00:45:44,719 --> 00:45:46,840 Speaker 1: and his last game of his first season was his 913 00:45:46,920 --> 00:45:49,440 Speaker 1: air ball game when he shot four air balls in 914 00:45:49,480 --> 00:45:51,520 Speaker 1: the last few minutes and he looked like the worst 915 00:45:51,520 --> 00:45:53,719 Speaker 1: player who ever lived. I just happened to be in 916 00:45:53,840 --> 00:45:56,319 Speaker 1: Utah that night because I was announcing a minor league 917 00:45:56,360 --> 00:45:58,840 Speaker 1: hockey game the night before and the night after, so 918 00:45:58,880 --> 00:46:00,840 Speaker 1: I got a credential to come for that game, and 919 00:46:00,880 --> 00:46:02,520 Speaker 1: I was there and I I ended up winning a Golden 920 00:46:02,560 --> 00:46:05,120 Speaker 1: Mite for the damn thing, and I talked about that story. 921 00:46:05,160 --> 00:46:07,480 Speaker 1: So look, there's just tons of stuff. It's not just 922 00:46:07,800 --> 00:46:11,479 Speaker 1: l A. It's mostly icons that I discussed, and even 923 00:46:11,600 --> 00:46:14,640 Speaker 1: Vegas the rat pack era. I mean, even Ben Mallard 924 00:46:14,680 --> 00:46:17,400 Speaker 1: knows that the rat back. Yeah, they were all ninety 925 00:46:17,440 --> 00:46:19,759 Speaker 1: years old by the time you showed up. That is true. 926 00:46:19,800 --> 00:46:23,839 Speaker 1: I remember Sinatra occasionally going to a Dodger game when 927 00:46:23,880 --> 00:46:27,879 Speaker 1: I first started. Yeah, yeah, exactly. But even have seen 928 00:46:27,960 --> 00:46:31,360 Speaker 1: him a few times over there. I did, right, I did. Yeah, 929 00:46:31,400 --> 00:46:33,960 Speaker 1: it was why I remember the last time I remember 930 00:46:34,040 --> 00:46:36,120 Speaker 1: him showing up. There was a rumor in the press 931 00:46:36,160 --> 00:46:37,719 Speaker 1: box that he was going to be there, and then 932 00:46:37,800 --> 00:46:40,000 Speaker 1: like the it was at that time he was bigger 933 00:46:40,000 --> 00:46:42,280 Speaker 1: than life by the end of his career and stuff. 934 00:46:42,280 --> 00:46:48,160 Speaker 1: But exactly you exactly, exactly exactly thing like you used 935 00:46:48,200 --> 00:46:50,880 Speaker 1: to it all. But he's Frank Sinatra, so that nobody 936 00:46:50,920 --> 00:46:54,600 Speaker 1: cared exactly. Uh. And you I also love and this 937 00:46:54,640 --> 00:46:56,640 Speaker 1: is how I consume books dead. You know, I don't 938 00:46:56,640 --> 00:47:00,000 Speaker 1: read too many books, but I love the fun facts. 939 00:47:00,200 --> 00:47:03,520 Speaker 1: Did you know? Because you know I those are right 940 00:47:03,520 --> 00:47:05,759 Speaker 1: in my wheelhouse, little nuggets that you can, you know, 941 00:47:05,840 --> 00:47:08,400 Speaker 1: kind of wrap your mind around. One of them that 942 00:47:08,440 --> 00:47:10,719 Speaker 1: stood out to me in touching great because I did 943 00:47:10,800 --> 00:47:13,040 Speaker 1: not know. My mom was a huge Sandy Kofax fan 944 00:47:13,160 --> 00:47:15,279 Speaker 1: used to regale me with stories about Sandy Kofax and 945 00:47:15,280 --> 00:47:18,000 Speaker 1: all that. But he he actually owned He owned a 946 00:47:18,080 --> 00:47:22,440 Speaker 1: hotel in that Laurel Canyon, uh chapter of Santa Monica Boulevard, 947 00:47:22,480 --> 00:47:25,200 Speaker 1: right down the street from the Troubadour. He owned a 948 00:47:25,239 --> 00:47:28,680 Speaker 1: little kind of roads like roots sixties six hotel type 949 00:47:28,719 --> 00:47:31,799 Speaker 1: thing is that it was just it was literally like 950 00:47:31,840 --> 00:47:35,080 Speaker 1: a motel motor in kind of a place. It was 951 00:47:35,520 --> 00:47:38,440 Speaker 1: sort of a cheap, old place. But uh, for a while, 952 00:47:38,520 --> 00:47:40,440 Speaker 1: his name was not on it, and then it became 953 00:47:40,840 --> 00:47:43,760 Speaker 1: the Sandy co Fax whatever it was, I can't remember anymore. 954 00:47:43,880 --> 00:47:47,120 Speaker 1: Something in it was only for a few years, maybe 955 00:47:47,120 --> 00:47:50,680 Speaker 1: five years or something like that. But that's where the 956 00:47:50,719 --> 00:47:53,640 Speaker 1: bands used to stay and party and do whatever the 957 00:47:53,680 --> 00:47:56,440 Speaker 1: hell they did back in the sixties. Who played at 958 00:47:56,480 --> 00:47:59,239 Speaker 1: the Troubadour and the Whiskey a Go Go Someone were there, 959 00:47:59,239 --> 00:48:02,080 Speaker 1: including Jim Warrison was a regular. He used to stay 960 00:48:02,080 --> 00:48:04,040 Speaker 1: at that hotel all the time. And I have a 961 00:48:04,080 --> 00:48:07,040 Speaker 1: fun interview and they're a little quick Q and A 962 00:48:07,320 --> 00:48:10,280 Speaker 1: with Robbie Kreeger, who was the guitar player for the Doors, 963 00:48:10,320 --> 00:48:12,719 Speaker 1: who was also a golfer, and I've known him for 964 00:48:13,120 --> 00:48:15,799 Speaker 1: a little bit for a several years. He's a really 965 00:48:15,840 --> 00:48:18,040 Speaker 1: good guy and he loves talking about the old days. 966 00:48:18,520 --> 00:48:21,360 Speaker 1: And he gave me the answer. I said, did you 967 00:48:21,400 --> 00:48:23,799 Speaker 1: guys know the Sandy Kofax on this? And what would 968 00:48:23,880 --> 00:48:26,120 Speaker 1: Jim Morrison have said? And it's in the book. I mean, 969 00:48:26,760 --> 00:48:28,840 Speaker 1: when's the last time you read anything with Jim Morrison 970 00:48:28,840 --> 00:48:32,000 Speaker 1: and Sandy Kofax's name in the same damn sentence. It 971 00:48:32,040 --> 00:48:35,759 Speaker 1: ain't never gonna exist again. No, it's it's a tremendous 972 00:48:35,880 --> 00:48:38,680 Speaker 1: I I really stuck with me as a fun factory. 973 00:48:38,760 --> 00:48:41,200 Speaker 1: Sure to catch live editions of The Ben Maller Show 974 00:48:41,200 --> 00:48:46,279 Speaker 1: weekdays at two am Eastern eleven pm Pacific, Ha and 975 00:48:46,440 --> 00:48:49,640 Speaker 1: Dou got the The podcast is called All Ball. We 976 00:48:49,719 --> 00:48:51,919 Speaker 1: usually talk all basketball all the time, but it's more 977 00:48:52,040 --> 00:48:55,759 Speaker 1: about the stories about what made these people love their 978 00:48:55,800 --> 00:48:59,319 Speaker 1: sport and all the interesting interactions along the way. We 979 00:48:59,400 --> 00:49:02,440 Speaker 1: talked to kill we talked to players, We tell you stories. 980 00:49:03,040 --> 00:49:05,719 Speaker 1: You download it, you listen to it. I think you 981 00:49:05,840 --> 00:49:08,600 Speaker 1: like it. Listen to All Ball with Doug Gotlieb on 982 00:49:08,680 --> 00:49:12,560 Speaker 1: the I Heart Radio app, Apple Podcast, or ever you 983 00:49:12,640 --> 00:49:17,000 Speaker 1: get your podcast. So now full disclosure. We need this 984 00:49:17,040 --> 00:49:20,759 Speaker 1: book to do well because I need the second I 985 00:49:20,840 --> 00:49:24,319 Speaker 1: need the second edition of Touching Greatness because Ted, one 986 00:49:24,360 --> 00:49:26,520 Speaker 1: of the cool things about knowing you, you worked with 987 00:49:26,560 --> 00:49:29,080 Speaker 1: one of my idols, one of my inspirations to get 988 00:49:29,120 --> 00:49:32,799 Speaker 1: into radio, Jim Healy, and you knew him and you 989 00:49:32,880 --> 00:49:36,280 Speaker 1: were around him, and uh, it's not in this book, 990 00:49:36,280 --> 00:49:39,759 Speaker 1: but you've told me that if there is a second book, 991 00:49:39,800 --> 00:49:41,600 Speaker 1: that if this does want, I believe it will do well. Ted, 992 00:49:41,719 --> 00:49:46,239 Speaker 1: You're gonna write an entire chapter about Jim Healey, my 993 00:49:46,239 --> 00:49:51,040 Speaker 1: my radio hero. So I can't written, Oh good, Okay, 994 00:49:51,200 --> 00:49:52,319 Speaker 1: I don't know if you got a chance to even 995 00:49:53,480 --> 00:49:55,480 Speaker 1: it yet. I'm trying to get people to buy the book, Ted, 996 00:49:55,560 --> 00:49:57,640 Speaker 1: so I I want you to get the second book 997 00:49:58,080 --> 00:50:02,799 Speaker 1: so that yes, but I did write it already, and 998 00:50:02,840 --> 00:50:06,400 Speaker 1: maybe it's I sent you the unedited version. If you 999 00:50:06,520 --> 00:50:10,160 Speaker 1: haven't listened to Jim Healy and you're too young, or 1000 00:50:10,200 --> 00:50:12,680 Speaker 1: you just didn't know of him, or you certainly if 1001 00:50:12,680 --> 00:50:14,799 Speaker 1: you're not from l A. There's a good chance you've 1002 00:50:14,800 --> 00:50:18,120 Speaker 1: never heard of him. There's stuff online and I'm sure 1003 00:50:18,200 --> 00:50:22,120 Speaker 1: that you could pass people send him to links and whatever. 1004 00:50:23,040 --> 00:50:25,319 Speaker 1: Listen to these shows. There's a million stuff out there. 1005 00:50:25,400 --> 00:50:29,440 Speaker 1: He was unbelievable, he was. But I started when he started, 1006 00:50:29,680 --> 00:50:33,719 Speaker 1: when I was in college in nineteen seventy three is 1007 00:50:33,760 --> 00:50:37,480 Speaker 1: when he started doing his stick on the air. That way, 1008 00:50:37,800 --> 00:50:42,800 Speaker 1: and Paul Olden the following several months after that worked 1009 00:50:42,840 --> 00:50:45,279 Speaker 1: at k l a C in l a UH in 1010 00:50:45,360 --> 00:50:48,360 Speaker 1: the news department there while he was still going to college, 1011 00:50:48,680 --> 00:50:52,120 Speaker 1: it was like, hey, they found an opening there. And 1012 00:50:52,160 --> 00:50:55,040 Speaker 1: it wasn't just an internship, it was actual job in 1013 00:50:55,120 --> 00:50:58,960 Speaker 1: the in the news department. And he started getting this 1014 00:50:59,160 --> 00:51:03,560 Speaker 1: sound off the newsreels for Healey to use, and he 1015 00:51:03,840 --> 00:51:06,560 Speaker 1: started using them. And one of the early things was 1016 00:51:06,880 --> 00:51:10,279 Speaker 1: there was a there was a sound effect album, one 1017 00:51:10,320 --> 00:51:13,680 Speaker 1: of many, many, many volumes where there was a sound 1018 00:51:13,719 --> 00:51:16,920 Speaker 1: effect of a man falling down the stairs. You can 1019 00:51:17,000 --> 00:51:19,919 Speaker 1: hear them hitting the stairs, each stair and every time 1020 00:51:19,920 --> 00:51:22,560 Speaker 1: he hit him. All right, uh, do you remember that 1021 00:51:22,600 --> 00:51:26,920 Speaker 1: at all? So yeah, he would use that when like 1022 00:51:27,160 --> 00:51:30,319 Speaker 1: let's say, for example, Uh, in those days, let's say 1023 00:51:30,400 --> 00:51:33,759 Speaker 1: Ali punched out Joe Frazier and he went down, and 1024 00:51:33,840 --> 00:51:36,600 Speaker 1: he would play that sound effect as a guy falling 1025 00:51:36,680 --> 00:51:38,879 Speaker 1: down and getting the crap beat out of him. Well, 1026 00:51:38,880 --> 00:51:41,600 Speaker 1: that sound effect came from me because I heard that 1027 00:51:41,600 --> 00:51:44,279 Speaker 1: when I was a kid on the Dave Hole Show. 1028 00:51:44,480 --> 00:51:48,000 Speaker 1: Was my radio idal as a non sports radio aonal 1029 00:51:48,200 --> 00:51:50,200 Speaker 1: one of the great DJs in the history of l A. 1030 00:51:50,239 --> 00:51:54,560 Speaker 1: The hullabalooor and Dave used to play that all the time. 1031 00:51:54,960 --> 00:51:58,799 Speaker 1: So when I got into radio, and I forget professionally, 1032 00:51:58,920 --> 00:52:01,400 Speaker 1: when I got into the radio department at l A. 1033 00:52:01,480 --> 00:52:04,640 Speaker 1: City College. I looked everywhere for that sound effect. I 1034 00:52:04,640 --> 00:52:07,319 Speaker 1: couldn't find it, and we finally went to a library 1035 00:52:07,320 --> 00:52:10,280 Speaker 1: one where where they had old albums of sound effects, 1036 00:52:10,360 --> 00:52:13,360 Speaker 1: and I went through dozens of them and I finally 1037 00:52:13,480 --> 00:52:15,760 Speaker 1: found it. And I didn't know that it was labeled 1038 00:52:15,800 --> 00:52:19,600 Speaker 1: as man Falling down stairs. That was the title of it. 1039 00:52:20,000 --> 00:52:22,560 Speaker 1: And it last like four seconds and we're not talking about, 1040 00:52:23,200 --> 00:52:26,040 Speaker 1: you know, a whole album here. And so I found 1041 00:52:26,080 --> 00:52:29,040 Speaker 1: it and I said, Paul, I said, you gotta give 1042 00:52:29,080 --> 00:52:30,840 Speaker 1: this to Heally. I know he could use it a 1043 00:52:30,880 --> 00:52:33,359 Speaker 1: million times. The next night it was on the air 1044 00:52:33,440 --> 00:52:35,400 Speaker 1: and he used it for the next twenty years. So 1045 00:52:35,520 --> 00:52:38,440 Speaker 1: that was my first contribution to his show. And then 1046 00:52:38,480 --> 00:52:41,880 Speaker 1: I did a thing where um, when wald Alston was 1047 00:52:41,920 --> 00:52:44,319 Speaker 1: the manager of the Dodgers, Uh, we used to be 1048 00:52:44,320 --> 00:52:46,759 Speaker 1: sitting in the stands doing our practice play by play 1049 00:52:46,840 --> 00:52:49,640 Speaker 1: and there was one game where I was just fed up. 1050 00:52:49,640 --> 00:52:53,520 Speaker 1: Alston was almost literally falling asleep in the dugout. I 1051 00:52:53,520 --> 00:52:55,120 Speaker 1: mean it was just you could see his head like 1052 00:52:55,239 --> 00:52:57,959 Speaker 1: nodding off. It was embarrassing. And we had good seat, 1053 00:52:58,000 --> 00:53:01,120 Speaker 1: so I was close enough to tell and uh, and 1054 00:53:01,160 --> 00:53:03,400 Speaker 1: I think he was half asleep when he left whoever 1055 00:53:03,520 --> 00:53:06,120 Speaker 1: was in the game at the time, these guys getting bombed, 1056 00:53:06,120 --> 00:53:08,279 Speaker 1: and we're saying what they we're doing our practice play 1057 00:53:08,280 --> 00:53:10,560 Speaker 1: if I played, what is he doing? How do you 1058 00:53:10,600 --> 00:53:13,359 Speaker 1: not have any believer? Bring him in off the bus? 1059 00:53:13,400 --> 00:53:17,080 Speaker 1: Stop anybody right now getting his ass kick? And finally 1060 00:53:17,160 --> 00:53:19,960 Speaker 1: that he brought somebody in and Allston's walking out to 1061 00:53:20,000 --> 00:53:23,160 Speaker 1: the mound after way too many runs were scored and 1062 00:53:23,239 --> 00:53:26,800 Speaker 1: I stood up and I yelled, your stupid Allston. And 1063 00:53:27,000 --> 00:53:30,279 Speaker 1: it because where we were, the whole the hall was 1064 00:53:30,360 --> 00:53:34,040 Speaker 1: right behind us at the stadium. It was this incredible 1065 00:53:34,160 --> 00:53:37,000 Speaker 1: like an echoing sound. And we would listen to our 1066 00:53:37,040 --> 00:53:40,800 Speaker 1: broadcast every night on the cassette tape, and Paul listened 1067 00:53:40,840 --> 00:53:43,240 Speaker 1: back and he goes, wow, I shut up. Just happened 1068 00:53:43,239 --> 00:53:45,719 Speaker 1: to be you yelled your stupid Alston. That came out 1069 00:53:45,760 --> 00:53:48,439 Speaker 1: so good. I'm giving that to Healey and Jim used 1070 00:53:48,480 --> 00:53:51,560 Speaker 1: that for years seven every time a Dodgers screwed up, 1071 00:53:51,719 --> 00:53:54,400 Speaker 1: You're stupid Alston, and he would and that would be me, 1072 00:53:54,920 --> 00:53:56,840 Speaker 1: although my name wasn't on it. He called it. He 1073 00:53:56,920 --> 00:54:00,719 Speaker 1: called the voice of that man, the I rate fan, 1074 00:54:01,600 --> 00:54:04,399 Speaker 1: And now the irate fan is all over Austin again 1075 00:54:04,440 --> 00:54:06,759 Speaker 1: that I Boom, You're stupid all and that was the 1076 00:54:06,760 --> 00:54:10,400 Speaker 1: start of a lot of other stuff. We were totally 1077 00:54:10,440 --> 00:54:13,600 Speaker 1: involved in that show. That's awesome. And yeah, Jimmy, there's 1078 00:54:13,600 --> 00:54:16,360 Speaker 1: a bunch of Jim Healy clips on YouTube. There's actually 1079 00:54:16,360 --> 00:54:20,040 Speaker 1: if you google the right words, there's a Jim Jim Healy. 1080 00:54:21,000 --> 00:54:23,520 Speaker 1: There's a web page that still exists, has a lot 1081 00:54:23,560 --> 00:54:28,480 Speaker 1: of his old sounds. Right. You know when Kirk Ipson 1082 00:54:28,520 --> 00:54:32,200 Speaker 1: at the big home run, uh, and then the following year, 1083 00:54:32,280 --> 00:54:34,400 Speaker 1: I remember that was the last at bat that he 1084 00:54:34,480 --> 00:54:37,399 Speaker 1: had for many many months because he went and had 1085 00:54:37,400 --> 00:54:39,319 Speaker 1: surgery on his I think it was his knee at 1086 00:54:39,360 --> 00:54:43,200 Speaker 1: the time, and uh, when he came back the following season. 1087 00:54:43,280 --> 00:54:46,360 Speaker 1: I was there that night working for the Dodgers audio wire. 1088 00:54:46,400 --> 00:54:50,320 Speaker 1: You might remember the name Jimmy Pell's. You knew him, right, Yeah, yeah, yeah, 1089 00:54:50,320 --> 00:54:52,960 Speaker 1: absolutely so. Jimmy ran the Dodger audio wire and I 1090 00:54:53,040 --> 00:54:55,280 Speaker 1: used to fill in for him a lot whenever he 1091 00:54:55,600 --> 00:54:57,760 Speaker 1: just needed an extra body or he was on vacation. 1092 00:54:58,080 --> 00:55:00,319 Speaker 1: And that night happened to be the night that Kurt 1093 00:55:00,960 --> 00:55:05,040 Speaker 1: Gibson made his comeback first game since the home run. 1094 00:55:05,560 --> 00:55:08,719 Speaker 1: It of course, it's like around I don't know, mid 1095 00:55:08,760 --> 00:55:10,600 Speaker 1: season or something. He missed a lot of the early 1096 00:55:10,640 --> 00:55:12,799 Speaker 1: part of the season in eighty nine, so he came 1097 00:55:12,840 --> 00:55:16,200 Speaker 1: back and and uh he didn't do that much and 1098 00:55:16,239 --> 00:55:18,520 Speaker 1: the Dodgers lost, so it wasn't a big deal, but 1099 00:55:18,560 --> 00:55:22,359 Speaker 1: the story was he's back. So I besides the fact 1100 00:55:22,400 --> 00:55:24,600 Speaker 1: I'm working for whoever, I was working for maybe a 1101 00:55:24,760 --> 00:55:27,760 Speaker 1: P or U P. I getting my twelve second sound bites. 1102 00:55:28,120 --> 00:55:30,880 Speaker 1: I needed something for the Dodger audio wire. So we 1103 00:55:31,000 --> 00:55:33,359 Speaker 1: waited and waited for him. He finally showed up. Never 1104 00:55:33,400 --> 00:55:36,279 Speaker 1: forget he had the big, giant white towel wrapped around him. 1105 00:55:36,480 --> 00:55:39,319 Speaker 1: And he's just the typical piste off Kirk Gibson. He 1106 00:55:39,360 --> 00:55:42,359 Speaker 1: was possible to deal with. He was a total jerk 1107 00:55:42,440 --> 00:55:44,759 Speaker 1: to most of us on a regular basis. I know 1108 00:55:44,840 --> 00:55:48,040 Speaker 1: he's a lot of people's idols and hero but uh, 1109 00:55:48,200 --> 00:55:49,640 Speaker 1: if you had to deal with him, he would be 1110 00:55:49,680 --> 00:55:53,040 Speaker 1: off that list pretty quick. Anyway. Uh So I got 1111 00:55:53,080 --> 00:55:56,400 Speaker 1: to the point where we were waiting for him to 1112 00:55:56,440 --> 00:55:58,320 Speaker 1: give us a five seconds, so we just get a 1113 00:55:58,360 --> 00:56:00,719 Speaker 1: couple of questions. So one of my questions was, Hey, 1114 00:56:00,719 --> 00:56:03,040 Speaker 1: I just spoke to Kenny Howell, who was a former 1115 00:56:03,040 --> 00:56:07,000 Speaker 1: Dodger pitcher who's pitching for the Phillies that night. And uh, 1116 00:56:07,040 --> 00:56:09,680 Speaker 1: and I said, because I ran in there first, got 1117 00:56:09,680 --> 00:56:11,680 Speaker 1: howl sound, and he said that I didn't have my 1118 00:56:11,719 --> 00:56:13,719 Speaker 1: best stuff. Blah blah blah blah. You know, figured out 1119 00:56:13,719 --> 00:56:15,759 Speaker 1: a way to win that kind of junk. So I 1120 00:56:15,800 --> 00:56:17,359 Speaker 1: came back in there and I said, I just spoke 1121 00:56:17,440 --> 00:56:19,360 Speaker 1: to Kenny Allen. He said he didn't have his best stuff, 1122 00:56:19,840 --> 00:56:22,239 Speaker 1: and he went all over He starts cussing me out. 1123 00:56:22,320 --> 00:56:25,520 Speaker 1: It's a ramp that ended up on Jim Healy Show. 1124 00:56:26,440 --> 00:56:29,759 Speaker 1: And uh, it was. There weren't a lot of f 1125 00:56:29,920 --> 00:56:32,120 Speaker 1: bombs or anything, but there are a couple of little ones. 1126 00:56:32,160 --> 00:56:34,200 Speaker 1: But it was this attitude. It was like, gee, what 1127 00:56:34,280 --> 00:56:36,280 Speaker 1: it's great to have you back. You haven't played since 1128 00:56:36,440 --> 00:56:39,400 Speaker 1: the big old running. The total jerked everybody and Healy 1129 00:56:39,520 --> 00:56:42,920 Speaker 1: was all over him. And and that thing is posted 1130 00:56:42,920 --> 00:56:45,640 Speaker 1: online somewhere. You can find that, and you can hear 1131 00:56:45,640 --> 00:56:48,000 Speaker 1: me answer the question. It's not again, not as famous 1132 00:56:48,040 --> 00:56:50,520 Speaker 1: as what's your opinion the King's performance, And it's not 1133 00:56:50,560 --> 00:56:54,719 Speaker 1: about being famous. Basically, Healy said, the guy's working for 1134 00:56:54,760 --> 00:56:59,440 Speaker 1: the Dodger audio wire and he's still ripping it. That's outstanding. 1135 00:57:00,320 --> 00:57:02,560 Speaker 1: We got we gotta have this up there. But the 1136 00:57:02,600 --> 00:57:06,440 Speaker 1: book Touching Great is where can people find is everywhere? 1137 00:57:06,480 --> 00:57:08,200 Speaker 1: Is this available all over the place? Do you want 1138 00:57:08,200 --> 00:57:11,320 Speaker 1: to direct people to a certain website or just direct 1139 00:57:11,360 --> 00:57:13,799 Speaker 1: people to Amazon. That's the easiest place. It's also on 1140 00:57:13,880 --> 00:57:19,280 Speaker 1: Coaches Choice and that's plural Coaches CEO, A, C. H. E. S. Choice. 1141 00:57:19,360 --> 00:57:21,800 Speaker 1: That's the publisher and you get it directly from them. 1142 00:57:21,800 --> 00:57:23,840 Speaker 1: But it's on Amazon right now. It is not in 1143 00:57:23,880 --> 00:57:26,720 Speaker 1: bookstores yet. It's very new. Not sure when it will 1144 00:57:26,760 --> 00:57:29,240 Speaker 1: be because that's the whole political thing on how to 1145 00:57:29,280 --> 00:57:32,480 Speaker 1: get your book and from a smaller publisher into the bookstore. 1146 00:57:32,520 --> 00:57:35,000 Speaker 1: So it may or may not ever get into any 1147 00:57:35,040 --> 00:57:38,240 Speaker 1: of the big bookstores. Will that's all to be determined. 1148 00:57:38,240 --> 00:57:41,000 Speaker 1: But just go to Amazon Touching Great instead. Sobel it's 1149 00:57:41,120 --> 00:57:43,360 Speaker 1: right there, and uh, I hope you and check it 1150 00:57:43,360 --> 00:57:46,000 Speaker 1: out for whatever reason, if you're into sports, if you're 1151 00:57:46,000 --> 00:57:49,040 Speaker 1: into music, if you're just into the history of southern 1152 00:57:49,040 --> 00:57:51,440 Speaker 1: California the way it was in the sixties. I go 1153 00:57:51,560 --> 00:57:53,840 Speaker 1: back and talk about growing up in Culver City with 1154 00:57:54,000 --> 00:57:57,200 Speaker 1: restaurants the way it was my favorite food then MGM 1155 00:57:57,240 --> 00:57:59,360 Speaker 1: Studios and how it used to be and I used 1156 00:57:59,400 --> 00:58:02,160 Speaker 1: to sneak in there and my favorite shows like Superman 1157 00:58:02,360 --> 00:58:05,360 Speaker 1: and UH and the Andy Griffith showing all that stuff. 1158 00:58:05,360 --> 00:58:07,320 Speaker 1: We're all recorded down the street from where I lived, 1159 00:58:07,680 --> 00:58:10,160 Speaker 1: and we tried to sneak into the studios and it 1160 00:58:10,280 --> 00:58:12,640 Speaker 1: was just a lot of fun stories like that. No, 1161 00:58:12,720 --> 00:58:14,960 Speaker 1: that's a great book, Ted, Thank you so much. We'll 1162 00:58:15,000 --> 00:58:17,160 Speaker 1: hang on at some point again, I appreciate I'll see 1163 00:58:17,160 --> 00:58:19,520 Speaker 1: it a game or something. Thank you, you got it, 1164 00:58:19,520 --> 00:58:20,640 Speaker 1: Thanks be. I appreciate it.