WEBVTT - Alec Baldwin: Impersonator-in-Chief

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<v Speaker 1>Hi, Brian, Hi Katie. You know, I'm a big admirer

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<v Speaker 1>of Alec Baldwin. He has had some tremendous highs in

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<v Speaker 1>his life and some pretty devastating low points as well.

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<v Speaker 1>He is fascinating because he combines interests in the arts, politics.

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<v Speaker 1>He's got a really interesting backstory, and he's had this

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<v Speaker 1>incredible life that's been full of highs and lows, and

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<v Speaker 1>he understands the media culture probably better than anyone through

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<v Speaker 1>the mistakes he's made in dealing with the media. We

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<v Speaker 1>kind of watched Alec, I think, learn on the job

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<v Speaker 1>and in real time as a public figure and someone

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<v Speaker 1>you know, he's not just an actor, but just someone

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<v Speaker 1>who's the quintessential New Yorker. Yeah. Probably no one except

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<v Speaker 1>Donald Trump has had as many run ins with the

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<v Speaker 1>tabloid media pack in New York besides Alec Baldwin. And

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<v Speaker 1>the interview didn't disappoint at all. I mean, as any

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<v Speaker 1>fan of thirty Rock knows, he's a really funny guy,

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<v Speaker 1>but he's also very smart and articulate. And we had

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<v Speaker 1>a conversation that ranged from Donald Trump, of course, to

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<v Speaker 1>hosting a game show. You asked him some insightful questions

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<v Speaker 1>about his personal life, the best directors he's ever worked with,

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<v Speaker 1>his experiences with Tony Hopkins and made us laugh probably

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<v Speaker 1>more than any guest has. You know, just I just

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<v Speaker 1>realized by the way that you and I we could

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<v Speaker 1>have a show together. We could we could be on

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<v Speaker 1>in the morning, like at seven in the morning, like

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<v Speaker 1>two hours from seven to nine, and I would be

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<v Speaker 1>the stars. We'd like talk to people and you could

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<v Speaker 1>do some news and I could do like some interviews

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<v Speaker 1>and stuff. We could we could be on the internet. Yeah,

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<v Speaker 1>g kitty, what is it like to do a two

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<v Speaker 1>hour morning show from seven to nine every and it's hard?

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<v Speaker 1>All right? Thank you for being here, and are very psyched, cab.

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<v Speaker 1>We had so much to talk about. Where do we begin?

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<v Speaker 1>I guess we have to begin with Donald Trump. I'm

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<v Speaker 1>in the car coming here and he's doing this press conference,

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<v Speaker 1>his first press conference, and I'm thinking, this guy hasn't

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<v Speaker 1>had a press conference and so long. You would have

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<v Speaker 1>thought he would have rehearsed, you know, we would have

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<v Speaker 1>thought he would have had one of the greatest press

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<v Speaker 1>conferences and just efficient and tight and presenting himself the

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<v Speaker 1>right way. And instead he's on TV right now it's

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<v Speaker 1>going very strangely. In fact, you were impersonating some of

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<v Speaker 1>the things he was saying. NBC great organization, yet sure

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<v Speaker 1>great and don't want to talk to you, and uh

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<v Speaker 1>it's just uh feed fake news, fake like the Nazis

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<v Speaker 1>would do that, say that. I, oh, you know, the

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<v Speaker 1>Nazis said that that Hitler, but he liked to be

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<v Speaker 1>on Hooker's in the Baktist gotten it's a fact, it's

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<v Speaker 1>no in fact, everybody knows that. So we're just getting

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<v Speaker 1>right into it here. I like, I don't know. I

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<v Speaker 1>wish that people could see Alec because as he's impersonating

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<v Speaker 1>Donald Trump, he's got that uh sort of perpetual the

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<v Speaker 1>mask of anxiety. Oh with his lips, he's got the

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<v Speaker 1>O phase going on. But I think the big question

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<v Speaker 1>is why should Trump change? Now? You said that, you know,

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<v Speaker 1>you're surprised that he's not rehearsing, that he's lashing out,

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<v Speaker 1>that he's saying offensive stuff. I mean, what lesson would

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<v Speaker 1>he have learned from the campaign that would motivate him

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<v Speaker 1>to change. That's a very good point, and I don't

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<v Speaker 1>expect I have no expectation of him changing, but I

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<v Speaker 1>do believe I truly just you know, being and this

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<v Speaker 1>is the I can't think of any other way to

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<v Speaker 1>phrase it. Being a student of human nature as the

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<v Speaker 1>direct result of what I do for a living and

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<v Speaker 1>watching people and observing people and thinking what's really the

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<v Speaker 1>real thing that's going on with them behind the mask

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<v Speaker 1>they're trying to manage all the time, you know, what

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<v Speaker 1>are they really thinking and feeling? And they present themselves

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<v Speaker 1>in public a different way. I fully expected Trump to

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<v Speaker 1>relax once he won. I fully expected him to say

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<v Speaker 1>that there were insecurities he had, and there was a

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<v Speaker 1>defensiveness and there was a pettiness that would have not

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<v Speaker 1>completely abayed. It would subside to some degree, and he

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<v Speaker 1>would go on to become more presidential, if you will.

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<v Speaker 1>I think a lot of people alec are still having

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<v Speaker 1>a hard time wrapping their heads around these words, President Trump.

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<v Speaker 1>So how are you kind of processing it? And what's

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<v Speaker 1>your attitude with the inauguration just around the corner? I

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<v Speaker 1>think that, you know, I mean, there's nothing I can

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<v Speaker 1>say that you know you haven't read or seen before

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<v Speaker 1>in terms of other people expressing their opinions about this,

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<v Speaker 1>because it's all people talk about all day long. It's

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<v Speaker 1>it's pretty much. It's phenomenal. It's pretty much a phenomenon

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<v Speaker 1>I haven't seen. But I will say briefly that, um uh,

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<v Speaker 1>you know when other men one in my lifetime that

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<v Speaker 1>I was not fond of, when Reagan won and even

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<v Speaker 1>the more kind of uh difficult one in two thousand

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<v Speaker 1>and the Florida thing and Gore and everything, and he won.

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<v Speaker 1>But in each of those cases, a few weeks go by,

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<v Speaker 1>a few months go by, and everybody settles in and

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<v Speaker 1>they realized that that men, because they were both men, obviously,

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<v Speaker 1>is not malicious in any way. Now we have a

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<v Speaker 1>guy who's the president the United States who's a malicious person.

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<v Speaker 1>He's a malicious person, and I don't think people are

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<v Speaker 1>going to settle in. I think that the way he

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<v Speaker 1>behaves and the way people reacting this is going to

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<v Speaker 1>be this way for the next four years. It's not

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<v Speaker 1>going to subside at all. What advice would you give

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<v Speaker 1>members of the media, because I think there is a

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<v Speaker 1>lot of you know, I think ratings, I mean, alec

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<v Speaker 1>you know, all about all this stuff. As much as anyone,

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<v Speaker 1>they can't alienate a huge segment of their audience who

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<v Speaker 1>want to give Donald Trump a chance who believe in

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<v Speaker 1>his sort of his approach to governing, and yet they

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<v Speaker 1>also don't want to normalize what is too many people

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<v Speaker 1>really repugnant reprehensible behavior. So I think they're kind of

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<v Speaker 1>caught between a rock and hard place in a way.

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<v Speaker 1>What what would you say is important in terms of

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<v Speaker 1>media coverage in the next four years. Well, I mean

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<v Speaker 1>that's a that's a big question, but I think that, Um.

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<v Speaker 1>I think that there are two things that are the

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<v Speaker 1>thing I see most vividly around Trump. One is that

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<v Speaker 1>all of these men who and some women who diminished

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<v Speaker 1>him and reduced him during the campaign, and some of

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<v Speaker 1>them ran against him, have all signed on in in

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<v Speaker 1>the way that partisan politics in this country demands right now,

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<v Speaker 1>and because they all know that the only thing worse

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<v Speaker 1>is that he doesn't win the election, they want the ryan.

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<v Speaker 1>Everybody is signed on saying O, Trump's okay, Trump's okay,

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<v Speaker 1>It's all going to be fine. Um. And that worries

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<v Speaker 1>me because of these appointments. His appointments to me are

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<v Speaker 1>very very, very frightening. I mean, I'm on the board

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<v Speaker 1>of directors of People for the American Way, so I'm

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<v Speaker 1>very concerned about the Court and a couple of vacancies

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<v Speaker 1>that may come up, certainly a couple or three that

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<v Speaker 1>will come up over the course of the next eight

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<v Speaker 1>years if he is re elected. But when I think

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<v Speaker 1>about Trump, now, what I think about is the word intervention.

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<v Speaker 1>Is there anyone, I mean, his daughter, even who is

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<v Speaker 1>close enough to him that a group of people can

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<v Speaker 1>sit her down and coach her through something. And is

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<v Speaker 1>she the one that can reach him and say to him,

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<v Speaker 1>here's a list, very basically, here's three things you need

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<v Speaker 1>to stop doing, and here's three things you need to

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<v Speaker 1>start doing. Let's just begin there. I think she tried,

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<v Speaker 1>didn't she like I mean, she was the one that

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<v Speaker 1>brought our more in to talk to him at Trump Tower. Uh,

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<v Speaker 1>there been Robert F. Kennedy, which is interesting. That's a

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<v Speaker 1>whole another area. Now he's going to lead up the vaccine.

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<v Speaker 1>I didn't realize Robert F. Kennedy was so anti vaccine.

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<v Speaker 1>Very lily, that's a good word for vaccine. That's why

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<v Speaker 1>I But you know, I think I think the Al

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<v Speaker 1>Gore meeting sort of proved the point for those who

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<v Speaker 1>are critical of Trump. That is, Ivanka brought Gore in.

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<v Speaker 1>Gore talked to Trump for like over an hour, and

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<v Speaker 1>then the next day he announced to A somebody who

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<v Speaker 1>denies climate change, so I think people who are holding out.

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<v Speaker 1>He wrote everything into focus for me, and I decided

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<v Speaker 1>to bring in an assassin to literally take out the

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<v Speaker 1>e p A. Mr President Elect. I didn't realize you'd

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<v Speaker 1>be joining us today. How did the whole Donald Trump

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<v Speaker 1>impersonation gig come your way? Alec? I mean, obviously they

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<v Speaker 1>knew they had to have somebody once he became the

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<v Speaker 1>nominee as somebody to play that, and they had all

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<v Speaker 1>these people in the bullpen that had done it for them,

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<v Speaker 1>Carrol Hammond, Carol, Taryn Killing left the show, and Tina,

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<v Speaker 1>I guess, was the one I was told that recommended

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<v Speaker 1>to Lauren that I do it, And I said this

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<v Speaker 1>before and it was just such an amazingly weird thing

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<v Speaker 1>for me, which is I had no idea what I

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<v Speaker 1>was gonna do. Literally the moment the stage manager had

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<v Speaker 1>my arm in his hand and leading me to the

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<v Speaker 1>stage to do the dress rehearsal of the first show

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<v Speaker 1>eight o'clock that night, I sat in a room and

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<v Speaker 1>we watched tapes of him and in anything, I mean,

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<v Speaker 1>I'm not a comedian, because comedians, to me are people

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<v Speaker 1>who write their material to be a real comedian to write,

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<v Speaker 1>and Tracy Morgan and Tina and so what. These are

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<v Speaker 1>people who have that gift of right. I'm just an

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<v Speaker 1>actor who says words of other people create. And we'd

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<v Speaker 1>sit there and whether it was Tony Bennet or Broccino

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<v Speaker 1>or de Niro or the little things I've done in

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<v Speaker 1>an ancillary way in my work. That way, there's an

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<v Speaker 1>element of appreciation for them, which is always important. And

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<v Speaker 1>with Trump, I don't have that element of appreciation, which

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<v Speaker 1>makes it difficult. So you wind up saying to yourself

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<v Speaker 1>that it's not so much the voice, because I'm not

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<v Speaker 1>going to sound like him that much. I'm kind of

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<v Speaker 1>you kind of get to a thing that's like a caricature,

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<v Speaker 1>everything swollen and bloated and and exaggerated. It's the look

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<v Speaker 1>where the hair is what it is. But to me,

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<v Speaker 1>the key to doing him was to be a man

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<v Speaker 1>who paused regularly, almost metronomically, paused to dig for a

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<v Speaker 1>word and never came up with the better word or

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<v Speaker 1>a stronger word. So Trump will sit there and go

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<v Speaker 1>I was talking to the president of Mexico who is

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<v Speaker 1>just a fantastic person, a great, great person, And like

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<v Speaker 1>I mean, whenever he pauses, you feel like there's like

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<v Speaker 1>in some Cone Brothers movie. It's like a bunch of

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<v Speaker 1>men in a filing room, like in his brain was

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<v Speaker 1>sweating and breathing heavily trying to find a word. And

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<v Speaker 1>then look at look at the look at the main nerve,

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<v Speaker 1>the guy in the big chair. Then we got nothing

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<v Speaker 1>we got And Trump's like, let me tell you something.

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<v Speaker 1>We're gonna build a wall here in Mexico and that

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<v Speaker 1>wall is going to be just a fantastic wall. And

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<v Speaker 1>you know, it's like he's always pausing to come up

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<v Speaker 1>with something with some rhetorical flourish or some muscular word,

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<v Speaker 1>and he never gets it. Never. So I always try

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<v Speaker 1>to build that into the impersonation where he's like, Melania,

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<v Speaker 1>you know that I want just to be with some great,

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<v Speaker 1>great people, you know for dinner. You know, you know

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<v Speaker 1>what saying we don't want to be to do it

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<v Speaker 1>seems so labored, right, and then you hear it and

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<v Speaker 1>you're like, seriously, that's all you got. I wonder if

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<v Speaker 1>I wonder truly if here is a guy I said

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<v Speaker 1>to somebody that here's a guy who this is This

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<v Speaker 1>is just my opinion, and I don't say this to

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<v Speaker 1>pile up on him or be mean or what have you.

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<v Speaker 1>This is just the reality which I find fascinating. Here's

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<v Speaker 1>a guy who, through I guess the kind of odd

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<v Speaker 1>uh nature of television, convinced a critical massive people, certainly

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<v Speaker 1>not the majority of voters, as we've learned, but a

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<v Speaker 1>critical massive people that he was this kind of whip

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<v Speaker 1>cracking can do executive on this TV show, this reality show.

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<v Speaker 1>Whereas in New York, where he lives and his home

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<v Speaker 1>base of his company, Trump is not admired at all.

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<v Speaker 1>When you see Trump in social circles in New York,

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<v Speaker 1>he was endured, you know, he was always somebody people

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<v Speaker 1>would nod to him and say, hey, how are you.

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<v Speaker 1>Because of New York people at the very least respect

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<v Speaker 1>other people who make a lot of money, and Trump

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<v Speaker 1>has purportedly met a lot of money, so they've tipped

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<v Speaker 1>their hat to him in that guard. But he's not

0:12:01.000 --> 0:12:04.440
<v Speaker 1>an honored guest anywhere. He's not an invited speaker anywhere

0:12:04.720 --> 0:12:06.880
<v Speaker 1>he's had a featured guest at some social event or

0:12:06.880 --> 0:12:09.559
<v Speaker 1>a dinner. He's kind of an outcast in the world

0:12:09.640 --> 0:12:12.440
<v Speaker 1>he lives in. When you when you got this gig

0:12:12.480 --> 0:12:15.280
<v Speaker 1>doing Donald Trump for SNL Alec, did you think it

0:12:15.360 --> 0:12:18.320
<v Speaker 1>was kind of a short term thing. Did you think, well,

0:12:18.320 --> 0:12:20.520
<v Speaker 1>this will be fun during the campaign and now whole

0:12:20.640 --> 0:12:23.480
<v Speaker 1>mother of god, I'm stuck doing this. Well, I didn't

0:12:23.520 --> 0:12:25.520
<v Speaker 1>view it as being stuck in the in the sense

0:12:25.559 --> 0:12:27.560
<v Speaker 1>that you know, when it came on, and I certainly

0:12:27.559 --> 0:12:29.960
<v Speaker 1>thought he was gonna lose, And I definitely thought he

0:12:30.000 --> 0:12:33.160
<v Speaker 1>was gonna lose, but uh, maybe not by much. But

0:12:33.200 --> 0:12:35.600
<v Speaker 1>I just never never dreamed we would be where we

0:12:35.640 --> 0:12:38.679
<v Speaker 1>are now. So when he won, there really was a

0:12:38.679 --> 0:12:40.080
<v Speaker 1>part of me that sat there and thought, you know,

0:12:40.120 --> 0:12:43.880
<v Speaker 1>I I emailed Steve Higgins, the exact producer who runs

0:12:43.880 --> 0:12:45.880
<v Speaker 1>a show with Laurence, and I said, what's the schedule

0:12:45.920 --> 0:12:47.920
<v Speaker 1>for the rest of the season again, I literally have

0:12:47.960 --> 0:12:49.320
<v Speaker 1>it on my phone. I can show it to you.

0:12:49.440 --> 0:12:51.120
<v Speaker 1>I'm like, how many more shows are you doing this year?

0:12:51.520 --> 0:12:53.200
<v Speaker 1>I'm like, Wow, I just to go to Paris to

0:12:53.240 --> 0:12:56.080
<v Speaker 1>do Mission Impossible and may I'm just to go to

0:12:56.160 --> 0:12:59.280
<v Speaker 1>this place in this place in March. Are you making

0:12:59.360 --> 0:13:01.439
<v Speaker 1>plans so you can be part of the show from here?

0:13:01.440 --> 0:13:02.959
<v Speaker 1>I'm do it again. I don't think I'm gonna do

0:13:03.000 --> 0:13:04.520
<v Speaker 1>it this week. I'm what I'm doing it definitely next week,

0:13:04.520 --> 0:13:06.880
<v Speaker 1>and we're going to do the one for the inauguration.

0:13:07.080 --> 0:13:10.080
<v Speaker 1>I mean, I have to say, you're so funny and

0:13:10.120 --> 0:13:13.600
<v Speaker 1>it's so great watching you. And let's listen. We have

0:13:13.640 --> 0:13:16.080
<v Speaker 1>a montage of some of your greatest hits as Donald

0:13:16.120 --> 0:13:19.000
<v Speaker 1>Trump on SNL. Let's take a listen. What gives you

0:13:19.040 --> 0:13:22.600
<v Speaker 1>the energy for all that? My deep love for America

0:13:22.720 --> 0:13:25.400
<v Speaker 1>and a really really big handful of uppers that are

0:13:25.440 --> 0:13:30.800
<v Speaker 1>meant for racehorces. I use a very private, very secure

0:13:31.240 --> 0:13:34.160
<v Speaker 1>site what one can write whatever they want to. I

0:13:34.160 --> 0:13:38.760
<v Speaker 1>know one will read it. It's called Twitter. You know,

0:13:38.800 --> 0:13:42.920
<v Speaker 1>I can't quite say it on live television. Um, but basically, uh,

0:13:43.120 --> 0:13:49.520
<v Speaker 1>you said you wanted to to grab them by the pussy.

0:13:50.720 --> 0:13:55.920
<v Speaker 1>I deeply apologize. Are you trying to say apologize? No,

0:13:56.040 --> 0:13:57.920
<v Speaker 1>I would never do that. What I am doing is

0:13:58.880 --> 0:14:05.560
<v Speaker 1>Jina huge v China face is completely orange except around

0:14:05.600 --> 0:14:11.760
<v Speaker 1>the eyes. Words wide sirie. How about kill lisis theory?

0:14:12.760 --> 0:14:16.760
<v Speaker 1>What's your relationship with Donald Trump personally? Do you have one? No? No,

0:14:18.000 --> 0:14:20.520
<v Speaker 1>I mean I would meet him in town. And and again,

0:14:20.520 --> 0:14:24.000
<v Speaker 1>I mean you never want to be uh mean or

0:14:24.040 --> 0:14:25.960
<v Speaker 1>impolite people like that. I mean, if you don't if

0:14:25.960 --> 0:14:27.680
<v Speaker 1>you're not a fan of theirs or you're not some

0:14:27.760 --> 0:14:30.040
<v Speaker 1>supporter of theirs. I never watched The Apprentice. I watched

0:14:30.040 --> 0:14:32.600
<v Speaker 1>it like once when my brother Stephen was on. But

0:14:33.160 --> 0:14:35.000
<v Speaker 1>I would never, you know, want to be rude to

0:14:35.040 --> 0:14:37.080
<v Speaker 1>somebody like that to their face, even if they weren't,

0:14:37.080 --> 0:14:39.120
<v Speaker 1>you know, somebody wanted to hang out with. So I

0:14:39.120 --> 0:14:40.920
<v Speaker 1>would bump into him at events from here and there.

0:14:40.920 --> 0:14:44.560
<v Speaker 1>And but also he also provided the location manager of

0:14:44.560 --> 0:14:47.520
<v Speaker 1>a movie. I did uh an apartment in his building,

0:14:48.000 --> 0:14:50.920
<v Speaker 1>the top floor of the International on the old Gulf

0:14:50.920 --> 0:14:54.720
<v Speaker 1>and Western Building, and he allowed us to shoot a

0:14:54.760 --> 0:14:56.640
<v Speaker 1>film there, and he stopped by more for shooting. And

0:14:56.680 --> 0:14:59.200
<v Speaker 1>he's very gregarious and very fun. But I think what

0:14:59.280 --> 0:15:04.640
<v Speaker 1>he's somebody is who he's uh uh. He wants to

0:15:04.640 --> 0:15:07.400
<v Speaker 1>be appreciated. Yeah, when we're shooting the movie, he would

0:15:07.400 --> 0:15:09.480
<v Speaker 1>welcome to go. Isn't this apartment great? Isn't this the

0:15:09.480 --> 0:15:15.320
<v Speaker 1>most fantastic condominium you leather shot in in your entire

0:15:15.360 --> 0:15:17.680
<v Speaker 1>Life's go ahead say it. And what I'm gonna say

0:15:17.680 --> 0:15:19.040
<v Speaker 1>to you is before you speak of me, to say

0:15:19.120 --> 0:15:23.800
<v Speaker 1>You're welcome. You're welcome. He wants gratitude and he wants

0:15:23.840 --> 0:15:26.480
<v Speaker 1>recognition for what he does. So you haven't heard from him.

0:15:26.560 --> 0:15:29.640
<v Speaker 1>He hasn't reached out. I know he's tweeted that SNL

0:15:29.880 --> 0:15:33.960
<v Speaker 1>you know, has jumped the shark, etcetera appreciated Meryl Streep

0:15:34.000 --> 0:15:36.400
<v Speaker 1>is overrated, and I thought that was great. Meryl Streep

0:15:36.480 --> 0:15:38.840
<v Speaker 1>is overrated. I thought you really want to sit down

0:15:39.640 --> 0:15:42.280
<v Speaker 1>with some advisors, like some acting coaches or something, or

0:15:42.320 --> 0:15:44.840
<v Speaker 1>some PR people and the goat. Now, Donald, that would

0:15:44.840 --> 0:15:47.800
<v Speaker 1>be a vivid example of what you shouldn't do. I

0:15:47.840 --> 0:15:49.520
<v Speaker 1>have to ask you, since you brought it up, what

0:15:49.560 --> 0:15:52.760
<v Speaker 1>did you think of Meryl streep speech at the Golden Globes. Well,

0:15:52.760 --> 0:15:54.600
<v Speaker 1>I think that, um, you know, we were at a

0:15:54.640 --> 0:15:59.320
<v Speaker 1>point now where that kind of thing where somebody in

0:15:59.360 --> 0:16:02.240
<v Speaker 1>the arts, performers, you know, whether they're actors or musicians

0:16:02.320 --> 0:16:05.400
<v Speaker 1>or what have you, that piggyback that kind of statement

0:16:05.920 --> 0:16:07.760
<v Speaker 1>onto an event. We've seen a lot of that, and

0:16:07.800 --> 0:16:10.120
<v Speaker 1>I think maybe people are kind of bored with that,

0:16:10.240 --> 0:16:14.480
<v Speaker 1>and they don't they it's kind of predictable to them. However,

0:16:14.520 --> 0:16:17.720
<v Speaker 1>I do give her my understanding of her. I mean,

0:16:17.960 --> 0:16:20.240
<v Speaker 1>I'm a huge I'm completely in love with her, and

0:16:20.280 --> 0:16:22.600
<v Speaker 1>I worked with her and at a great time and

0:16:22.640 --> 0:16:24.600
<v Speaker 1>with her. I kind of give her a pass because

0:16:24.840 --> 0:16:26.520
<v Speaker 1>she I think she was speaking as a woman. I

0:16:26.520 --> 0:16:28.680
<v Speaker 1>think women are deeply hurt by what's happened and what

0:16:28.760 --> 0:16:32.520
<v Speaker 1>he said and how he uh sounds like he treats

0:16:32.560 --> 0:16:35.760
<v Speaker 1>women and views women or the less powerful. I think

0:16:35.760 --> 0:16:38.960
<v Speaker 1>because she gave the example of the reporter right who

0:16:39.080 --> 0:16:41.600
<v Speaker 1>had the disability. No, no, no, I I agree that

0:16:41.600 --> 0:16:45.040
<v Speaker 1>that in her content, she's covering a broader spectrum. But

0:16:45.080 --> 0:16:47.200
<v Speaker 1>I think what what what drives her as her being

0:16:47.240 --> 0:16:49.800
<v Speaker 1>a woman where you know, I mean, Trump is someone

0:16:49.840 --> 0:16:52.200
<v Speaker 1>who has abused power everywhere he's been in his life.

0:16:52.200 --> 0:16:54.880
<v Speaker 1>I mean everywhere he's gone, he's abused power and people

0:16:54.880 --> 0:16:57.600
<v Speaker 1>who were less powerful than him. But I do think

0:16:57.680 --> 0:17:00.360
<v Speaker 1>that what she said was very smart, was very active.

0:17:01.360 --> 0:17:03.240
<v Speaker 1>But I can see now where you know, there's people

0:17:03.280 --> 0:17:06.720
<v Speaker 1>in this country they just want to they want to

0:17:06.760 --> 0:17:08.520
<v Speaker 1>take a deep breath, and they want to right after

0:17:08.560 --> 0:17:11.399
<v Speaker 1>the inauguration, we have to accept where we are and

0:17:11.440 --> 0:17:15.040
<v Speaker 1>the task at hand. For people who are political opponents

0:17:15.040 --> 0:17:19.720
<v Speaker 1>of Trump's, you know, whining about Trump and lampooning Trump

0:17:20.520 --> 0:17:24.000
<v Speaker 1>and our mouth, our hand over our mouth, aghast, Oh

0:17:24.040 --> 0:17:26.000
<v Speaker 1>my god, Trump's the president. We've got to get over

0:17:26.040 --> 0:17:28.760
<v Speaker 1>that now. But you were just to get earlier in

0:17:28.800 --> 0:17:31.399
<v Speaker 1>the conversation, though, Alec, you were saying, you know, you

0:17:31.400 --> 0:17:34.280
<v Speaker 1>you went through sort of the stages of grief with

0:17:34.320 --> 0:17:37.760
<v Speaker 1>other presidential candidates who you didn't agree with, but it

0:17:37.840 --> 0:17:40.639
<v Speaker 1>was hard to get to that level of acceptance, if

0:17:40.640 --> 0:17:43.320
<v Speaker 1>you will, the final stage and the Elizabeth Coogler Ross,

0:17:43.720 --> 0:17:47.119
<v Speaker 1>you know, stages, agree with somebody like Donald Trump because

0:17:47.160 --> 0:17:50.320
<v Speaker 1>he is a malicious person. So I hear you saying

0:17:50.320 --> 0:17:52.479
<v Speaker 1>both things exactly. I think it is both things at

0:17:52.480 --> 0:17:54.280
<v Speaker 1>the same time. I think, well, I think it's people will.

0:17:54.480 --> 0:17:57.600
<v Speaker 1>The task is to move on and to use this

0:17:57.680 --> 0:18:02.720
<v Speaker 1>to energize the the the entification, and if you will,

0:18:02.800 --> 0:18:05.200
<v Speaker 1>the selection of someone to run against him. We need

0:18:05.240 --> 0:18:08.120
<v Speaker 1>to find that person who's gonna win, and that needs

0:18:08.119 --> 0:18:10.480
<v Speaker 1>to be job one. Number two. I think while he's

0:18:10.520 --> 0:18:12.720
<v Speaker 1>in office, he's just not going to enjoy what other

0:18:12.760 --> 0:18:15.000
<v Speaker 1>people have enjoyed. I mean, I think I think people

0:18:15.000 --> 0:18:18.119
<v Speaker 1>are going to be the press, and he's invited this

0:18:18.200 --> 0:18:20.240
<v Speaker 1>quite frankly, the press and the public that are not

0:18:20.359 --> 0:18:22.240
<v Speaker 1>supportive of him. They're going to keep giving it to

0:18:22.320 --> 0:18:25.359
<v Speaker 1>him right to the end. Speaking of the end, we

0:18:25.480 --> 0:18:29.080
<v Speaker 1>gotta take a quick break, um to hear some messages

0:18:29.080 --> 0:18:31.960
<v Speaker 1>from our sponsor, and we'll be right back. God, you're good.

0:18:36.000 --> 0:18:40.000
<v Speaker 1>Everybody has been talking about Russia. It's in so many

0:18:40.040 --> 0:18:43.359
<v Speaker 1>headlines these days, Briant and so. On our next episode,

0:18:43.760 --> 0:18:46.160
<v Speaker 1>we're going to be speaking with a man named Bill

0:18:46.200 --> 0:18:49.600
<v Speaker 1>crowd Or. He was once Russia's large as foreign investor.

0:18:49.720 --> 0:18:54.199
<v Speaker 1>He is now a very strong and vocal anti Putin voice,

0:18:55.080 --> 0:18:57.600
<v Speaker 1>and we really want to talk to him about the

0:18:57.640 --> 0:19:00.679
<v Speaker 1>pros and cons of a closer relationship with Russia and

0:19:00.720 --> 0:19:05.840
<v Speaker 1>get some better understanding about the risk reward ratio of

0:19:05.920 --> 0:19:09.520
<v Speaker 1>a reset. Very illiterative, aren't I? So what questions do

0:19:09.560 --> 0:19:12.840
<v Speaker 1>you have about Russia for Mr Browder? Leave us a

0:19:12.880 --> 0:19:20.560
<v Speaker 1>message by calling nine to nine to four, six three seven. Oh, brother,

0:19:27.160 --> 0:19:31.520
<v Speaker 1>Bryan is really really smart. No, don't set expectations too

0:19:31.560 --> 0:19:35.080
<v Speaker 1>high now, he's gonna be crying. Worked with me at

0:19:35.119 --> 0:19:38.920
<v Speaker 1>CBS UM and he went to Harvard and then Stanford

0:19:39.000 --> 0:19:42.000
<v Speaker 1>Law School, and for some reason I was interested in media.

0:19:42.160 --> 0:19:44.719
<v Speaker 1>But he's also like a political chunkie here. Always tell

0:19:44.800 --> 0:19:47.840
<v Speaker 1>me he was sort of a producer helped me with

0:19:47.880 --> 0:19:50.560
<v Speaker 1>the Sarah Palin interview. We spent like four days together

0:19:50.600 --> 0:19:53.679
<v Speaker 1>in my den together coming up with all the questions

0:19:53.680 --> 0:19:57.760
<v Speaker 1>for Sarah Palin has a photographic memory about all things political.

0:19:57.800 --> 0:19:59.560
<v Speaker 1>I always tell the story that he got kicked at,

0:19:59.600 --> 0:20:02.520
<v Speaker 1>that he got grounded in high school for sneaking out

0:20:02.560 --> 0:20:04.960
<v Speaker 1>of his room to watch c SPAN. That's how big

0:20:05.000 --> 0:20:08.200
<v Speaker 1>a nerd this guy is. Sad. What I love is

0:20:08.240 --> 0:20:12.160
<v Speaker 1>the image of you um getting this job where you're

0:20:12.200 --> 0:20:14.280
<v Speaker 1>on on the mic so to speak with her, where

0:20:14.320 --> 0:20:15.760
<v Speaker 1>she says to me, where she says to you, I'm

0:20:15.760 --> 0:20:19.040
<v Speaker 1>gonna go and do this podcast, would you like to

0:20:19.040 --> 0:20:21.399
<v Speaker 1>come with me? And there's this Eve Harrington moment for

0:20:21.440 --> 0:20:23.920
<v Speaker 1>you where you're like, yeah, I'll come with you. But

0:20:23.920 --> 0:20:26.520
<v Speaker 1>I don't want to be on the air with you. Yeah,

0:20:26.520 --> 0:20:28.320
<v Speaker 1>I don't want to be a producer. See, I want

0:20:28.320 --> 0:20:32.080
<v Speaker 1>to be on the air. Well, that's why I want

0:20:32.119 --> 0:20:34.520
<v Speaker 1>Brian to to be on the air. I want him

0:20:34.560 --> 0:20:38.320
<v Speaker 1>to have that voice. Me to a plastic surgeon and

0:20:38.359 --> 0:20:42.159
<v Speaker 1>in a few months I'll be Yeah, I'm gonna have

0:20:42.160 --> 0:20:44.000
<v Speaker 1>a face cliff. I said to my wife, said I'm

0:20:44.000 --> 0:20:45.600
<v Speaker 1>gonna have a face stiff when I'm sixty, which is

0:20:45.680 --> 0:20:50.840
<v Speaker 1>almost Hey, I just turned sixty. They're timeless. Very well,

0:20:50.880 --> 0:20:54.919
<v Speaker 1>you're a time but you're a timeless beauty. You're the

0:20:54.960 --> 0:20:57.679
<v Speaker 1>prompt queen of all of media, and we know that.

0:20:57.800 --> 0:21:00.199
<v Speaker 1>But my point is, I'm going to be sixty. I'm

0:21:00.240 --> 0:21:02.359
<v Speaker 1>gonna be fifty nine in April. So a year after that,

0:21:02.400 --> 0:21:03.879
<v Speaker 1>I'm sixty and I said to my I want to

0:21:03.920 --> 0:21:06.400
<v Speaker 1>have a facelift. She said, no, Alec, don't have a facelift,

0:21:06.400 --> 0:21:08.440
<v Speaker 1>because men, it looks so funny. I said, that's the point.

0:21:08.480 --> 0:21:12.719
<v Speaker 1>I want people to gasp when they say, what a thing?

0:21:12.800 --> 0:21:15.639
<v Speaker 1>What has he done? Because that's my favorite do anything

0:21:15.680 --> 0:21:19.159
<v Speaker 1>for attention? What's my favorite New Yorker cartoon with a

0:21:19.160 --> 0:21:20.879
<v Speaker 1>guy looks at the woman and the doctors in the

0:21:20.920 --> 0:21:22.760
<v Speaker 1>office with the woman and he says, he says, I

0:21:22.800 --> 0:21:24.840
<v Speaker 1>can't make you look younger, but I can make you

0:21:24.880 --> 0:21:26.959
<v Speaker 1>look like you've had a lot of expensive plastic serion,

0:21:28.800 --> 0:21:32.359
<v Speaker 1>just like Yes, okay, let's talk a little bit about well,

0:21:32.920 --> 0:21:35.199
<v Speaker 1>there is one thing you and Donald Trump have in common,

0:21:35.359 --> 0:21:40.400
<v Speaker 1>which is your proximity or you're the way that you've interacted,

0:21:40.440 --> 0:21:44.600
<v Speaker 1>if you will, with the New York media, tabloid culture. Um,

0:21:44.640 --> 0:21:49.960
<v Speaker 1>he to me seems to have utilized it with the

0:21:50.000 --> 0:21:54.280
<v Speaker 1>notion that all press is good press, and you, to me,

0:21:54.480 --> 0:21:57.760
<v Speaker 1>has what what expression did you use for Alex relationship

0:21:57.880 --> 0:22:01.119
<v Speaker 1>with the New York tabloid media? Kind of careful now?

0:22:01.880 --> 0:22:04.639
<v Speaker 1>Whipsawed by Yeah, a little bit whipsawd by it. Well,

0:22:04.680 --> 0:22:06.639
<v Speaker 1>I think the only thing I can say to that

0:22:06.800 --> 0:22:11.360
<v Speaker 1>is when you're provoked by certain people in the media, Um,

0:22:11.400 --> 0:22:14.840
<v Speaker 1>I definitely did the wrong thing a handful of times,

0:22:15.240 --> 0:22:18.840
<v Speaker 1>and it seemed like it happened. Uh, you know, Um,

0:22:18.880 --> 0:22:20.880
<v Speaker 1>a lot of it has been very close succession. When

0:22:20.880 --> 0:22:24.320
<v Speaker 1>you become that person that is a click bait or

0:22:24.440 --> 0:22:27.000
<v Speaker 1>cover bait subject for like the New York Post and

0:22:27.040 --> 0:22:31.399
<v Speaker 1>so forth, that's uh, that's a tough current to paddle

0:22:31.480 --> 0:22:33.880
<v Speaker 1>your way out of, and there are ways to do that.

0:22:34.000 --> 0:22:36.240
<v Speaker 1>But I think that I mean, you know, I write

0:22:36.240 --> 0:22:38.520
<v Speaker 1>this in my book, My Memoirs, coming out in in April,

0:22:39.400 --> 0:22:42.240
<v Speaker 1>And in my book I talked about how I walked

0:22:42.280 --> 0:22:43.760
<v Speaker 1>down the streets of New York and there was a

0:22:43.760 --> 0:22:45.760
<v Speaker 1>guy coming toward me, an elderly couple, and the guy

0:22:45.840 --> 0:22:47.840
<v Speaker 1>was this very distinguished looking guy in a suit and

0:22:47.840 --> 0:22:51.240
<v Speaker 1>a tie and a camel hair coat, this African American guy,

0:22:51.240 --> 0:22:52.600
<v Speaker 1>and he took one look at me, saw that it

0:22:52.680 --> 0:22:56.639
<v Speaker 1>was me, and it's like there's that unmistakable glint of recognition,

0:22:56.640 --> 0:22:58.080
<v Speaker 1>and he kind of like shook his head and looked

0:22:58.080 --> 0:23:00.359
<v Speaker 1>down to the ground. Because it wasn't like a week prior,

0:23:00.720 --> 0:23:02.520
<v Speaker 1>the New York posted that I called this guy this

0:23:02.720 --> 0:23:06.280
<v Speaker 1>racial epithet. It was a photographer from the post. Now,

0:23:06.720 --> 0:23:09.719
<v Speaker 1>as I said repeatedly, if I was going to use

0:23:09.760 --> 0:23:11.560
<v Speaker 1>a word that was a racial epithet, it wouldn't be

0:23:11.640 --> 0:23:15.600
<v Speaker 1>something from a Rod Steiger movie from nineteen sixty nine

0:23:16.440 --> 0:23:18.680
<v Speaker 1>and we're down and like so that you make them

0:23:18.720 --> 0:23:21.320
<v Speaker 1>Georgia or something, but from the in the heat of

0:23:21.359 --> 0:23:23.760
<v Speaker 1>the night or something. And I and I said, you know,

0:23:23.840 --> 0:23:25.560
<v Speaker 1>there are other words. And when I grew up in

0:23:25.560 --> 0:23:28.680
<v Speaker 1>my neighborhood, people might have used. But I went to

0:23:28.760 --> 0:23:31.160
<v Speaker 1>have an interview with the d a's office. They called

0:23:31.200 --> 0:23:34.760
<v Speaker 1>me in to have a hate crimes investigation, a preliminary investigation,

0:23:35.680 --> 0:23:38.160
<v Speaker 1>and they were contemplating charging me with a hate crime

0:23:38.240 --> 0:23:41.200
<v Speaker 1>for saying this to this guy. When we were done,

0:23:41.240 --> 0:23:43.000
<v Speaker 1>I said, well, would be very beginning. I said, well,

0:23:43.040 --> 0:23:46.840
<v Speaker 1>the guy's a photographer. Of paparazzi and a videographer. Is

0:23:46.880 --> 0:23:50.320
<v Speaker 1>there a video tape? And there was this odd moment.

0:23:50.400 --> 0:23:52.399
<v Speaker 1>It was this pause that the d A had this

0:23:52.440 --> 0:23:55.160
<v Speaker 1>woman because what she was hoping that I would implicate

0:23:55.200 --> 0:23:57.399
<v Speaker 1>myself in spite of the presence of the tape, that

0:23:57.440 --> 0:23:59.920
<v Speaker 1>I'd say that I did something, because they're obviously they're

0:24:00.000 --> 0:24:02.960
<v Speaker 1>wawyers who know that that's a possibility. As a pause,

0:24:03.000 --> 0:24:04.439
<v Speaker 1>and she said, yes, there's a tape. I said, well,

0:24:04.480 --> 0:24:07.119
<v Speaker 1>let's play the tape. And we play the tape and no,

0:24:07.440 --> 0:24:09.000
<v Speaker 1>at no point in the day do you hear me

0:24:09.080 --> 0:24:11.760
<v Speaker 1>say any of what he accused me of saying. But

0:24:11.880 --> 0:24:15.160
<v Speaker 1>you do hear him say he walks back to the

0:24:15.280 --> 0:24:17.640
<v Speaker 1>to the journalist that he's working with in Tandeman says,

0:24:18.040 --> 0:24:20.760
<v Speaker 1>she was what happened? What happened? He goes, I think

0:24:20.800 --> 0:24:23.240
<v Speaker 1>he called me, and there's a pause, he goes a

0:24:23.440 --> 0:24:26.399
<v Speaker 1>coon or something. And you never hear them on the

0:24:26.440 --> 0:24:28.960
<v Speaker 1>tape at all, and you hear everything recorded on the tape.

0:24:29.119 --> 0:24:30.880
<v Speaker 1>So I said to the woman from the d a's office,

0:24:30.880 --> 0:24:32.760
<v Speaker 1>I said, are you going to hold a press conference

0:24:32.760 --> 0:24:35.600
<v Speaker 1>and announced that you did not discover And of course

0:24:35.640 --> 0:24:38.720
<v Speaker 1>the answer was no. So the tabloids spatter you with

0:24:38.760 --> 0:24:41.520
<v Speaker 1>all this mud, and you get covered with all of

0:24:41.520 --> 0:24:45.080
<v Speaker 1>this mud, and in my profession, it damages your reputation,

0:24:45.080 --> 0:24:48.640
<v Speaker 1>which is really all you have. Significantly. It takes you

0:24:49.400 --> 0:24:51.639
<v Speaker 1>a lot of time to wipe all that off of you.

0:24:52.359 --> 0:24:53.960
<v Speaker 1>And I turned to the woman, thinking, you know, one

0:24:53.960 --> 0:24:55.880
<v Speaker 1>statement from you to the press would say, we conducted

0:24:55.880 --> 0:24:58.080
<v Speaker 1>this investigation, and so what's the point of this investigation.

0:24:58.680 --> 0:25:01.680
<v Speaker 1>Is it just to we view of a burden or

0:25:01.720 --> 0:25:04.679
<v Speaker 1>are you willing to exonerate me in the process. And

0:25:04.720 --> 0:25:06.760
<v Speaker 1>they did nothing. The d a's office didn't They would

0:25:06.760 --> 0:25:09.240
<v Speaker 1>not make a statement. They did nothing. So you are left,

0:25:10.240 --> 0:25:13.080
<v Speaker 1>for the most part, to perform this function for yourself,

0:25:13.119 --> 0:25:15.800
<v Speaker 1>which is very time consuming and very very painful. Now

0:25:16.800 --> 0:25:20.600
<v Speaker 1>I learned some profound lessons from getting fired from MSNBC

0:25:21.320 --> 0:25:24.640
<v Speaker 1>above the flurry of things right around two thousand thirteen

0:25:25.280 --> 0:25:28.760
<v Speaker 1>and two thousand fourteen, which is that the less you

0:25:28.800 --> 0:25:30.760
<v Speaker 1>have the press in your life, the better you want

0:25:30.760 --> 0:25:32.320
<v Speaker 1>to cherry picket and just do every now and then

0:25:32.359 --> 0:25:34.560
<v Speaker 1>you in my business, which is one thing, and I'll

0:25:34.600 --> 0:25:38.000
<v Speaker 1>finish with this. One thing people don't understand is the

0:25:38.040 --> 0:25:43.240
<v Speaker 1>fulcrum for the the reison debt for my relationship with

0:25:43.280 --> 0:25:47.679
<v Speaker 1>the press is nearly always contractually obligated the people I

0:25:47.720 --> 0:25:49.640
<v Speaker 1>work for him me a contract and say you must

0:25:49.760 --> 0:25:52.840
<v Speaker 1>talk to some percentage of these people to promote this project,

0:25:52.880 --> 0:25:55.520
<v Speaker 1>and if you don't, you're in breach of your contract. Otherwise,

0:25:55.720 --> 0:25:59.680
<v Speaker 1>I sincerely doubt I would do you know any percent

0:25:59.720 --> 0:26:01.159
<v Speaker 1>of what they asked me to do? Why do you

0:26:01.200 --> 0:26:03.840
<v Speaker 1>think it was so relentless over that period of time, Alec?

0:26:03.920 --> 0:26:09.600
<v Speaker 1>And because I feel like, you know, it became a

0:26:09.720 --> 0:26:12.680
<v Speaker 1>weird kind of sport and that do you think they

0:26:12.760 --> 0:26:19.320
<v Speaker 1>somehow smelled weakness or vulnerability or your reaction to it

0:26:20.040 --> 0:26:23.760
<v Speaker 1>made it more enticing to cover you. I think it

0:26:23.920 --> 0:26:27.280
<v Speaker 1>was one of bury people who they have some who

0:26:27.280 --> 0:26:29.359
<v Speaker 1>they think has some other potential. Meaning that was a

0:26:29.400 --> 0:26:31.040
<v Speaker 1>time when people were coming to me. I mean I

0:26:31.080 --> 0:26:33.639
<v Speaker 1>had some pretty prominent people come to me. And aspect

0:26:33.640 --> 0:26:38.280
<v Speaker 1>a run from mayor in two thousand, UH went to

0:26:38.320 --> 0:26:40.239
<v Speaker 1>Blasio one. I mean I had people. I mean I

0:26:40.240 --> 0:26:42.720
<v Speaker 1>was on the cover of New York magazine. They said

0:26:42.720 --> 0:26:44.200
<v Speaker 1>I was going to run for the Senate twenty years

0:26:44.200 --> 0:26:48.520
<v Speaker 1>ago in advance of the campaign. Um, the do you

0:26:48.560 --> 0:26:50.520
<v Speaker 1>think it was to cut you off at the knees. Politically,

0:26:50.760 --> 0:26:52.359
<v Speaker 1>I think it was I think that they want to

0:26:52.720 --> 0:26:57.000
<v Speaker 1>damage people who all hope they have a dream, a

0:26:57.080 --> 0:27:00.960
<v Speaker 1>desire to reduce and to null of by all people

0:27:00.960 --> 0:27:03.399
<v Speaker 1>that are their political opposites, whether they're there in the arts,

0:27:04.240 --> 0:27:07.159
<v Speaker 1>whether actually bona fide political figures. I don't think that

0:27:07.200 --> 0:27:10.359
<v Speaker 1>they look at me as somebody who's some virile political candidate,

0:27:11.080 --> 0:27:17.240
<v Speaker 1>But I'm somebody who is a loud and persistent, opinionated,

0:27:17.280 --> 0:27:19.639
<v Speaker 1>opinionated yet rock in their shoe in terms of their

0:27:19.640 --> 0:27:21.919
<v Speaker 1>I mean, I'm constantly pissing on the Post, and I mean,

0:27:22.160 --> 0:27:24.879
<v Speaker 1>let's let's put it this way. The Post is nothing

0:27:25.400 --> 0:27:30.439
<v Speaker 1>but a mouthpiece for Murdoch. It hemorrhages money. It loses tens,

0:27:30.440 --> 0:27:33.520
<v Speaker 1>if not hundreds of millions of dollars a year the Post,

0:27:34.200 --> 0:27:36.680
<v Speaker 1>and Murdoch and his family maintained that as a as

0:27:36.720 --> 0:27:40.879
<v Speaker 1>a as a a forum for them to launch their

0:27:40.920 --> 0:27:43.880
<v Speaker 1>political pi they've kind of backed off. I'm wondering why

0:27:43.920 --> 0:27:47.439
<v Speaker 1>you're kind of poking them in the with a sharp

0:27:47.520 --> 0:27:50.119
<v Speaker 1>stick right now, because I feel like, you know, I

0:27:50.119 --> 0:27:52.440
<v Speaker 1>I read the stuff when you went through this sort

0:27:52.440 --> 0:27:56.600
<v Speaker 1>of phase where you were in there in their target

0:27:57.200 --> 0:28:00.639
<v Speaker 1>or and and I was always thinking, it's nice that

0:28:01.920 --> 0:28:04.359
<v Speaker 1>Alec has made his peace with them, or they've made

0:28:04.400 --> 0:28:07.040
<v Speaker 1>his their piece with him, and they're not kind of

0:28:07.080 --> 0:28:09.120
<v Speaker 1>I don't think make peace with them. Yeah, I don't

0:28:09.160 --> 0:28:11.200
<v Speaker 1>think you ever do, know, just a question of it.

0:28:11.600 --> 0:28:14.239
<v Speaker 1>They move on to somebody else, and they move on,

0:28:14.440 --> 0:28:17.680
<v Speaker 1>and I'm not as as interesting for that those purposes anymore.

0:28:18.280 --> 0:28:19.840
<v Speaker 1>You know, they'll give it to they'll give it to

0:28:19.880 --> 0:28:22.399
<v Speaker 1>Merrill for the next couple of months over what she said,

0:28:22.440 --> 0:28:26.560
<v Speaker 1>and they'll they'll identify somebody else who their staff. It's

0:28:26.600 --> 0:28:29.119
<v Speaker 1>like that bullpen you see on TMZ, and they all

0:28:29.160 --> 0:28:32.640
<v Speaker 1>sit around shooting the breeze about what stories that they

0:28:32.640 --> 0:28:36.680
<v Speaker 1>think are the most tabloid worthy, and and that energy

0:28:36.840 --> 0:28:39.960
<v Speaker 1>moves on and meanders to other other people. So I mean,

0:28:40.120 --> 0:28:45.400
<v Speaker 1>right now, you know, for me, um, if you could

0:28:45.440 --> 0:28:47.640
<v Speaker 1>write a check to some organization and pay them to

0:28:47.720 --> 0:28:49.640
<v Speaker 1>never see your name in the paper again, I would

0:28:49.640 --> 0:28:51.000
<v Speaker 1>be the first in line to write that check. And

0:28:51.000 --> 0:28:52.880
<v Speaker 1>that includes The New York Times. By the way, Well,

0:28:52.920 --> 0:28:55.479
<v Speaker 1>it's interesting a couple of years ago media, really, you've

0:28:55.520 --> 0:28:58.480
<v Speaker 1>got a lot of attention for writing a piece about

0:28:58.520 --> 0:29:01.440
<v Speaker 1>how you were retiring from public life. What did you

0:29:01.520 --> 0:29:03.720
<v Speaker 1>mean by that? And have you have you done that

0:29:03.800 --> 0:29:06.400
<v Speaker 1>since then? I think that that that number one again,

0:29:06.720 --> 0:29:09.920
<v Speaker 1>that that idea was to ever think that I could

0:29:09.920 --> 0:29:12.800
<v Speaker 1>have a successful relationship with the media, to talk about

0:29:12.840 --> 0:29:18.680
<v Speaker 1>my work and with any joy or any um uh

0:29:18.960 --> 0:29:23.200
<v Speaker 1>kind of collegiality, deal with the media as a necess

0:29:23.280 --> 0:29:26.840
<v Speaker 1>as a necessary element of my work, like I go

0:29:26.920 --> 0:29:29.280
<v Speaker 1>into rooms periodically. I just came from the press conference

0:29:29.280 --> 0:29:31.960
<v Speaker 1>in Los Angeles at the t c A. And to

0:29:32.080 --> 0:29:34.200
<v Speaker 1>always be going into these rooms with these people and

0:29:34.400 --> 0:29:37.960
<v Speaker 1>dealing with them and hoping that they would have some

0:29:38.440 --> 0:29:43.600
<v Speaker 1>desire to and s and and and subsequently ability to

0:29:43.920 --> 0:29:49.280
<v Speaker 1>interpret even remotely who you really are. I'm that way. No, No,

0:29:48.880 --> 0:29:52.520
<v Speaker 1>you're to get people. You're not malicious. And but my

0:29:52.560 --> 0:29:54.959
<v Speaker 1>point just to finished that The point is that so

0:29:55.000 --> 0:29:58.520
<v Speaker 1>the answer is that was a bit premature for me

0:29:58.600 --> 0:30:00.880
<v Speaker 1>to put it in. I probably should to put it differently,

0:30:00.920 --> 0:30:03.840
<v Speaker 1>which is that is I've tried to minimize that as

0:30:03.920 --> 0:30:06.400
<v Speaker 1>much as possible. I mean, I have been through this

0:30:06.440 --> 0:30:08.680
<v Speaker 1>Trump thing, for example, offered the cover of every magazine

0:30:08.680 --> 0:30:12.040
<v Speaker 1>you could possibly imagine. I've been offered untold hundreds of

0:30:12.040 --> 0:30:13.880
<v Speaker 1>thousands of dollars to put the wig on and walk

0:30:13.880 --> 0:30:15.880
<v Speaker 1>in and do you know what speaking fees are in

0:30:15.880 --> 0:30:18.320
<v Speaker 1>this business. I've been offered a ton of money, and

0:30:18.360 --> 0:30:20.160
<v Speaker 1>I agreed with Lauren when we started that I wouldn't

0:30:20.160 --> 0:30:22.440
<v Speaker 1>do that. I wouldn't monetize this gig at all. Really,

0:30:23.120 --> 0:30:24.840
<v Speaker 1>I just says, that's why we announced on the show,

0:30:24.880 --> 0:30:27.080
<v Speaker 1>on the on the on the in the media that

0:30:27.120 --> 0:30:28.640
<v Speaker 1>they pay me the S and L guest fee of

0:30:28.640 --> 0:30:30.760
<v Speaker 1>fourteen dollars a show to do the show. This isn't

0:30:30.760 --> 0:30:33.400
<v Speaker 1>about money but a proposed what you're saying, and I

0:30:33.400 --> 0:30:36.800
<v Speaker 1>don't want to dwell on this, which is that, uh

0:30:36.840 --> 0:30:38.960
<v Speaker 1>that the idea that I could make it fun and

0:30:39.000 --> 0:30:40.920
<v Speaker 1>I could make it relaxed, to make it easy, and

0:30:40.960 --> 0:30:43.920
<v Speaker 1>I'd have my relationship with reporters and things like that

0:30:43.960 --> 0:30:46.400
<v Speaker 1>and try to handle it a certain way. That's over.

0:30:46.520 --> 0:30:49.160
<v Speaker 1>That's what died, and that is that I can never

0:30:49.280 --> 0:30:52.400
<v Speaker 1>trust because the media is so desperate for funds. Now,

0:30:52.920 --> 0:30:56.040
<v Speaker 1>all media sources are so desperate for clickbait and ratings

0:30:56.080 --> 0:30:58.960
<v Speaker 1>that they will go to any lengths. I mean, I

0:30:59.000 --> 0:31:01.880
<v Speaker 1>say this to you of old people, and I remember,

0:31:01.880 --> 0:31:04.040
<v Speaker 1>I don't I really don't enjoy saying this. It kind

0:31:04.040 --> 0:31:06.320
<v Speaker 1>of makes me sad. But like when I had this

0:31:06.320 --> 0:31:08.040
<v Speaker 1>thing where I left this message from my daughter on

0:31:08.080 --> 0:31:11.600
<v Speaker 1>this tape, NBC and their producers in the Today Show

0:31:11.600 --> 0:31:14.080
<v Speaker 1>producers went and got Harvey Levin and put him on

0:31:14.120 --> 0:31:18.000
<v Speaker 1>the air before me, and I was doing thirty Rock,

0:31:18.040 --> 0:31:19.640
<v Speaker 1>and everyone in my life was saying to me that

0:31:19.720 --> 0:31:21.479
<v Speaker 1>I would get a gift basket that said from your

0:31:21.600 --> 0:31:25.160
<v Speaker 1>NBC family. I thought, oh, my god, I think I

0:31:25.200 --> 0:31:29.160
<v Speaker 1>might be in the wrong family if h Mattlauer is

0:31:29.160 --> 0:31:33.400
<v Speaker 1>going to interview Harvey Levin before me, and nobody even

0:31:33.440 --> 0:31:36.360
<v Speaker 1>contacted me. They put Levin on, and I mean, everybody

0:31:36.440 --> 0:31:39.320
<v Speaker 1>knew how to reach me, and I was working for them.

0:31:39.400 --> 0:31:41.560
<v Speaker 1>And when they did that, I never did the Today

0:31:41.600 --> 0:31:43.880
<v Speaker 1>Show ever since then ever, And that was in two

0:31:43.880 --> 0:31:47.160
<v Speaker 1>thousand seven, And I said to my that's ten years ago.

0:31:47.640 --> 0:31:50.280
<v Speaker 1>And I said to myself, not with any anger or

0:31:50.320 --> 0:31:52.200
<v Speaker 1>any hatred. I just said to myself, I need to

0:31:52.200 --> 0:31:53.760
<v Speaker 1>have less of this in my life. Did you ever

0:31:53.760 --> 0:31:57.200
<v Speaker 1>talk to him out about it? Not? Really. There was

0:31:57.240 --> 0:31:59.880
<v Speaker 1>a quick mention of it because he guessed it on

0:32:00.000 --> 0:32:02.360
<v Speaker 1>thirty Rock, but there really wasn't anything to say because

0:32:02.360 --> 0:32:04.960
<v Speaker 1>certainly Matt didn't make that decision as producers did. It

0:32:05.040 --> 0:32:07.760
<v Speaker 1>wasn't really up to Matt So. But but when you

0:32:07.800 --> 0:32:10.120
<v Speaker 1>make that thing, I mean out of anger and frustration.

0:32:10.600 --> 0:32:12.480
<v Speaker 1>I hoped that I would never have to speak to

0:32:12.520 --> 0:32:15.920
<v Speaker 1>the media again. But believe it or not, I certainly

0:32:15.920 --> 0:32:18.480
<v Speaker 1>have reduced it a great deal. And I made exceptions

0:32:18.480 --> 0:32:22.080
<v Speaker 1>for people who have law degrees from Stanford University. But

0:32:22.240 --> 0:32:26.760
<v Speaker 1>we appreciate it. But I called the Stanford rule. So

0:32:26.800 --> 0:32:30.000
<v Speaker 1>can we talk about your upbringing and kind of how

0:32:30.080 --> 0:32:31.800
<v Speaker 1>you got into all of this, because I think a

0:32:31.800 --> 0:32:34.760
<v Speaker 1>lot of people don't know. You grew up on Long

0:32:34.800 --> 0:32:38.240
<v Speaker 1>Island in the nineteen sixties. Your dad was a school teacher,

0:32:38.400 --> 0:32:41.440
<v Speaker 1>your mom was a housewife, you were one of six kids,

0:32:41.960 --> 0:32:48.520
<v Speaker 1>money was tight. How did that upbringing affect your choice

0:32:48.520 --> 0:32:50.960
<v Speaker 1>of career and kind of how you've pursued your life.

0:32:50.960 --> 0:32:53.360
<v Speaker 1>So that's really a very important theme in the book

0:32:53.360 --> 0:32:55.160
<v Speaker 1>I wrote, which is that that there were other things

0:32:55.240 --> 0:32:57.160
<v Speaker 1>I dreamed of doing. There were other things I wanted

0:32:57.200 --> 0:33:00.920
<v Speaker 1>to do, and people kind of enticed me into trying this.

0:33:01.000 --> 0:33:03.800
<v Speaker 1>In every month or whatever period you want to use

0:33:03.880 --> 0:33:06.640
<v Speaker 1>to calibrate it, that I remained in this business, things

0:33:06.640 --> 0:33:08.480
<v Speaker 1>got better. I got a job right out of school,

0:33:08.480 --> 0:33:12.640
<v Speaker 1>out of acting school, I went to Los Angeles, I

0:33:12.640 --> 0:33:14.640
<v Speaker 1>got work. I just kept working. I just kept lightening

0:33:14.640 --> 0:33:17.640
<v Speaker 1>one off the other. I was changed shooting, and I

0:33:17.760 --> 0:33:19.960
<v Speaker 1>was like just working, working, working. Then I got into

0:33:20.320 --> 0:33:22.680
<v Speaker 1>you know, primetime TV. Then I got into supporting roles

0:33:22.680 --> 0:33:25.200
<v Speaker 1>of movies and bigger roles in movies, and they all

0:33:25.280 --> 0:33:28.479
<v Speaker 1>just had this momentum but the entire time, and I

0:33:28.480 --> 0:33:33.280
<v Speaker 1>will say this pertains to inside the body of the

0:33:33.320 --> 0:33:35.000
<v Speaker 1>work I've done. And this is a big part of

0:33:35.000 --> 0:33:37.080
<v Speaker 1>what the book is about, is I never really often

0:33:37.120 --> 0:33:39.080
<v Speaker 1>got to do what I wanted to do because my

0:33:39.160 --> 0:33:41.600
<v Speaker 1>background left me obsessed with I had to make money

0:33:41.680 --> 0:33:44.360
<v Speaker 1>and not be like my dad. So when I worked,

0:33:44.360 --> 0:33:46.000
<v Speaker 1>it was always like I gotta I gotta work, I

0:33:46.000 --> 0:33:48.040
<v Speaker 1>gotta keep working. I gotta make as much money as

0:33:48.080 --> 0:33:50.920
<v Speaker 1>I can. I don't want to, you know. My dad

0:33:50.960 --> 0:33:53.920
<v Speaker 1>didn't uh you know. He was a school teacher, and

0:33:54.480 --> 0:33:57.080
<v Speaker 1>there were things in his colleagues and other school teachers

0:33:57.120 --> 0:34:00.480
<v Speaker 1>did that they didn't want to do to supplement their income.

0:34:00.520 --> 0:34:02.760
<v Speaker 1>I mean the father My father had friends of his

0:34:02.840 --> 0:34:06.360
<v Speaker 1>that were younger men who painted houses in the summer. Well,

0:34:06.400 --> 0:34:08.919
<v Speaker 1>they had floor polishing companies where they sent out men

0:34:08.960 --> 0:34:11.800
<v Speaker 1>to banks and clean the floors of hospitals and banks.

0:34:11.840 --> 0:34:15.440
<v Speaker 1>My father had friends talking about teachers, teachers who when

0:34:15.440 --> 0:34:17.920
<v Speaker 1>the summer would come, they ran travel agencies and they

0:34:17.920 --> 0:34:20.960
<v Speaker 1>went and did they went on cruise ships. So they

0:34:21.320 --> 0:34:24.880
<v Speaker 1>had some crazy supplemental work that they did, and my

0:34:24.960 --> 0:34:27.239
<v Speaker 1>dad didn't do that. He Everything my dad did was

0:34:27.280 --> 0:34:29.520
<v Speaker 1>a paycheck from the school. He coached football, he coached

0:34:29.640 --> 0:34:31.640
<v Speaker 1>rifle ry, he did a lot of different things. Wasn't

0:34:31.719 --> 0:34:34.200
<v Speaker 1>the money or was it the gravy train that was

0:34:34.280 --> 0:34:37.960
<v Speaker 1>so enticing? Or was it the work? Wasn't that enticing?

0:34:37.960 --> 0:34:40.200
<v Speaker 1>It was necessary? Well? That was that was the problem.

0:34:40.280 --> 0:34:43.040
<v Speaker 1>Was What was enticing was the work. And what got

0:34:43.040 --> 0:34:45.160
<v Speaker 1>in the way was my need to make a living.

0:34:45.480 --> 0:34:49.239
<v Speaker 1>So there were many many opportunities to work and do

0:34:49.360 --> 0:34:53.280
<v Speaker 1>things I wanted to do, and you know, different than acting.

0:34:54.000 --> 0:34:57.880
<v Speaker 1>No no jobs within the business. Some some you know,

0:34:58.200 --> 0:35:01.319
<v Speaker 1>monster directors saying come with me to Australia for six

0:35:01.360 --> 0:35:03.320
<v Speaker 1>months and we're gonna make a movie and the sequel

0:35:03.360 --> 0:35:06.080
<v Speaker 1>while we're down there, and you're gonna play the lead

0:35:06.160 --> 0:35:10.080
<v Speaker 1>role in this gigantic blockbuster movie and me turning and going, oh,

0:35:10.120 --> 0:35:12.319
<v Speaker 1>I can't do that. I'm married I just had a baby,

0:35:12.480 --> 0:35:14.440
<v Speaker 1>my wife I was married to Kim. My wife's not

0:35:14.440 --> 0:35:17.200
<v Speaker 1>coming to Australia for six months with my daughter. So

0:35:17.640 --> 0:35:20.680
<v Speaker 1>my life getting in the way of that, or or

0:35:21.040 --> 0:35:23.480
<v Speaker 1>somebody saying, here's a movie you're gonna do, that's the

0:35:23.640 --> 0:35:25.200
<v Speaker 1>movie you need to be doing it. We don't have

0:35:25.239 --> 0:35:27.440
<v Speaker 1>any money. We don't have any money to bring your

0:35:27.480 --> 0:35:30.520
<v Speaker 1>family come to the Caribbean and we're gonna be shooting

0:35:30.520 --> 0:35:33.880
<v Speaker 1>it on a boat. And it's an extraordinarily interesting project,

0:35:33.920 --> 0:35:35.640
<v Speaker 1>but we can't bring your family down. We're gonna pay

0:35:35.640 --> 0:35:38.359
<v Speaker 1>you fifty cents to do the movie. And I go, oh,

0:35:38.400 --> 0:35:40.360
<v Speaker 1>I can't do that. I can't leave my wife. And

0:35:40.600 --> 0:35:43.719
<v Speaker 1>I'm remarried and have have three kids. So everything has been

0:35:44.360 --> 0:35:47.120
<v Speaker 1>family and I'm not complaining. I'm not asking for like

0:35:47.160 --> 0:35:49.200
<v Speaker 1>a medal here. I'm no different than anybody else in

0:35:49.239 --> 0:35:51.000
<v Speaker 1>that way. And then I would turn around and I

0:35:51.040 --> 0:35:52.759
<v Speaker 1>have to do a job to make money, and and

0:35:52.840 --> 0:35:56.840
<v Speaker 1>I would I'd have to supplement that. And so without

0:35:56.920 --> 0:35:59.920
<v Speaker 1>beating at the death in a patchwork of decisions, I

0:36:00.040 --> 0:36:03.400
<v Speaker 1>had to make countless scores of decisions over the years.

0:36:04.200 --> 0:36:06.640
<v Speaker 1>There's things I might have done that would have made

0:36:06.680 --> 0:36:11.480
<v Speaker 1>me um more uh what's the word, you know, kind

0:36:11.480 --> 0:36:13.600
<v Speaker 1>of cemented in my career and everything would be a

0:36:13.640 --> 0:36:17.160
<v Speaker 1>lot more of Tom Hanks whatever. Yeah. I don't like

0:36:17.239 --> 0:36:19.160
<v Speaker 1>to compare to other people because they are who they are,

0:36:19.200 --> 0:36:21.319
<v Speaker 1>but I would have had a much more easy time

0:36:21.360 --> 0:36:23.319
<v Speaker 1>of things. Now. Having said that, I mean, I think

0:36:23.360 --> 0:36:28.040
<v Speaker 1>your career choices have been so that's interesting and smart

0:36:28.320 --> 0:36:32.239
<v Speaker 1>and had you've done such a variety of things ale

0:36:32.560 --> 0:36:34.760
<v Speaker 1>that I have done everything, you know, and I think,

0:36:34.920 --> 0:36:38.759
<v Speaker 1>I mean, I think your life and career have been

0:36:38.800 --> 0:36:41.920
<v Speaker 1>far more interesting because of that. But let me ask

0:36:41.960 --> 0:36:43.360
<v Speaker 1>you this, and I don't want to just turn it

0:36:43.400 --> 0:36:46.359
<v Speaker 1>on you, but you know, you're probably you know, you're

0:36:46.400 --> 0:36:48.560
<v Speaker 1>one of the four or five most famous women in

0:36:48.600 --> 0:36:51.560
<v Speaker 1>the history of the news business. And you did a

0:36:51.600 --> 0:36:54.280
<v Speaker 1>show which was the number one show in the morning,

0:36:54.840 --> 0:36:57.399
<v Speaker 1>and you were like, like people wake up and brush

0:36:57.520 --> 0:36:59.600
<v Speaker 1>their teeth. You know, they might as well just had

0:36:59.640 --> 0:37:03.000
<v Speaker 1>a tooth rush with you on it, you know, because

0:37:03.000 --> 0:37:05.799
<v Speaker 1>you were so a part of their lives on the

0:37:05.800 --> 0:37:08.560
<v Speaker 1>morning show. And when the time came for that to end,

0:37:08.640 --> 0:37:10.400
<v Speaker 1>that was your decision for it to end. Im, assuming

0:37:10.440 --> 0:37:13.000
<v Speaker 1>you couldn't kept doing it forever, I could have, right,

0:37:13.200 --> 0:37:15.160
<v Speaker 1>and when when you didn't want to do it anymore.

0:37:15.160 --> 0:37:18.359
<v Speaker 1>If you don't mind my asking why, I think for me,

0:37:18.719 --> 0:37:24.279
<v Speaker 1>I the show itself had become a little repetitive. Um,

0:37:25.000 --> 0:37:29.000
<v Speaker 1>I wanted a new challenge. Uh. I wanted to leave

0:37:29.160 --> 0:37:32.279
<v Speaker 1>before people wanted me to leave in a way, I mean,

0:37:32.320 --> 0:37:36.280
<v Speaker 1>I think, and I had an opportunity to do something.

0:37:38.719 --> 0:37:43.759
<v Speaker 1>I had an opportunity to try something new and be challenged.

0:37:44.000 --> 0:37:47.439
<v Speaker 1>And you know, I think, you know, sometimes I wonder

0:37:47.480 --> 0:37:49.560
<v Speaker 1>about that. I could have stayed. I could have been

0:37:49.600 --> 0:37:55.000
<v Speaker 1>celebrating twenty five years while Matt was celebrating twenty and UM,

0:37:55.040 --> 0:37:58.520
<v Speaker 1>I think for me, it's just I didn't want my

0:37:58.600 --> 0:38:01.120
<v Speaker 1>life to be that one thing and that one thing alone.

0:38:01.320 --> 0:38:04.160
<v Speaker 1>And I think probably motivated by some of the things

0:38:04.160 --> 0:38:06.279
<v Speaker 1>that you've been motivated by. I think that people don't

0:38:06.280 --> 0:38:09.360
<v Speaker 1>realize it no matter how lucrative the job is, no

0:38:09.400 --> 0:38:12.520
<v Speaker 1>matter how famous you are, and there are a few

0:38:12.520 --> 0:38:16.840
<v Speaker 1>people who were as famous as successful as you've been. Uh,

0:38:17.080 --> 0:38:19.719
<v Speaker 1>you do you know, twenty years goes by and go

0:38:19.920 --> 0:38:21.600
<v Speaker 1>wait a second, you know, I would like to just

0:38:21.640 --> 0:38:26.920
<v Speaker 1>do something different. And for me, I mean, the biggest

0:38:26.920 --> 0:38:29.120
<v Speaker 1>thing in my life now that dictates what I do

0:38:29.760 --> 0:38:31.400
<v Speaker 1>is that I met someone and I fell in love

0:38:31.440 --> 0:38:34.000
<v Speaker 1>and I got married, and I'm fifty nine years old.

0:38:34.000 --> 0:38:36.400
<v Speaker 1>Pretty soon I have three children three and under. We

0:38:36.480 --> 0:38:40.000
<v Speaker 1>have three children in three years. And so when someone

0:38:40.040 --> 0:38:42.759
<v Speaker 1>says to me, come to a movie. There were two

0:38:42.760 --> 0:38:44.880
<v Speaker 1>examples that I don't want to mention the details and

0:38:44.920 --> 0:38:47.640
<v Speaker 1>offend anybody, but there are two examples of movies like

0:38:47.800 --> 0:38:51.839
<v Speaker 1>La La Land. They were like, we we don't really

0:38:51.840 --> 0:38:54.200
<v Speaker 1>want this Ryan Gosling guy. They're gonna have to go

0:38:54.239 --> 0:38:57.520
<v Speaker 1>to him. They said, is there anybody you recommend me

0:38:57.640 --> 0:38:59.440
<v Speaker 1>hired now that you're not going to do it? As

0:38:59.680 --> 0:39:05.280
<v Speaker 1>I really like Ryan Goslin. He reminds me he's a younger.

0:39:05.680 --> 0:39:06.880
<v Speaker 1>I said, you really what you really want to be

0:39:07.000 --> 0:39:10.120
<v Speaker 1>younger me? And that's what whether be Ryan Goslin. Um.

0:39:10.160 --> 0:39:13.480
<v Speaker 1>But um, well, these two films. Somebody came to me

0:39:13.520 --> 0:39:15.600
<v Speaker 1>and said do you want to do this film? And

0:39:15.920 --> 0:39:17.799
<v Speaker 1>there were both people who I had on a list

0:39:17.800 --> 0:39:19.839
<v Speaker 1>of people who if they called me, I wouldn't even

0:39:20.040 --> 0:39:22.840
<v Speaker 1>think about it. I would just do it. Two directors,

0:39:22.920 --> 0:39:27.239
<v Speaker 1>both men who I really admired so deeply, and in

0:39:27.320 --> 0:39:29.120
<v Speaker 1>both cases I said I can't do it because of

0:39:29.200 --> 0:39:31.120
<v Speaker 1>my wife and my kids. One was like, let's go

0:39:31.160 --> 0:39:32.919
<v Speaker 1>to the city for five weeks and we can't bring

0:39:32.920 --> 0:39:35.200
<v Speaker 1>your family have no money, And I thought, I don't

0:39:35.239 --> 0:39:36.839
<v Speaker 1>want to. I don't want my son to wake up

0:39:36.840 --> 0:39:40.759
<v Speaker 1>and go because my wife will do that with on FaceTime.

0:39:41.080 --> 0:39:42.719
<v Speaker 1>If I do go away for a day or so,

0:39:43.280 --> 0:39:47.080
<v Speaker 1>my wife will we will FaceTime. And my son's looking

0:39:47.080 --> 0:39:49.120
<v Speaker 1>at me like, you know, you're not around the corner

0:39:49.120 --> 0:39:51.360
<v Speaker 1>in the bedroom or you know, in the bathroom brushing

0:39:51.400 --> 0:39:53.840
<v Speaker 1>your teeth, and I just don't want to miss that.

0:39:54.120 --> 0:39:58.320
<v Speaker 1>So I've so I say no to a variety of things,

0:39:58.360 --> 0:40:01.080
<v Speaker 1>whether it's a money gig or creative gig, and then

0:40:01.080 --> 0:40:06.680
<v Speaker 1>I go do match game. What was that match game was?

0:40:06.719 --> 0:40:08.680
<v Speaker 1>They came to me and said, would you do ten episodes?

0:40:10.200 --> 0:40:13.360
<v Speaker 1>Because I love you, but I saw you on television

0:40:13.400 --> 0:40:16.040
<v Speaker 1>doing that and I was like, why on earth is

0:40:16.040 --> 0:40:18.080
<v Speaker 1>Alec doing. I'm gonna tell you real quickly, which is

0:40:18.120 --> 0:40:19.600
<v Speaker 1>that they said, let's do a ten We're gonna do

0:40:19.640 --> 0:40:21.960
<v Speaker 1>ten episodes in the summer block and I can put

0:40:21.960 --> 0:40:23.680
<v Speaker 1>the money on my charity because I'm always looking for

0:40:23.680 --> 0:40:27.319
<v Speaker 1>these cookie ways to fund my charity. Capital one commercials

0:40:28.200 --> 0:40:31.200
<v Speaker 1>Amazon Echo commercial for the Super Bowl all the funds

0:40:31.280 --> 0:40:34.360
<v Speaker 1>go to my charity. Then we did match game and

0:40:34.360 --> 0:40:36.120
<v Speaker 1>it was very successful and they said would you do more?

0:40:36.600 --> 0:40:38.640
<v Speaker 1>And my wife said to me, go ahead and do

0:40:38.719 --> 0:40:41.839
<v Speaker 1>more and and don't give the money to charity. This

0:40:41.920 --> 0:40:46.800
<v Speaker 1>is the charity. Uh. And it's something that is it

0:40:47.080 --> 0:40:48.759
<v Speaker 1>something that was in my bucket list of things I

0:40:48.800 --> 0:40:50.799
<v Speaker 1>wanted to do as an actor. No, but at the

0:40:50.800 --> 0:40:54.000
<v Speaker 1>same time it meets full on the criteria of what

0:40:54.040 --> 0:40:56.080
<v Speaker 1>I need. Is that it's in New York. I don't

0:40:56.080 --> 0:40:58.240
<v Speaker 1>have to travel. I can stay home with my family.

0:40:59.320 --> 0:41:02.120
<v Speaker 1>And that's a tough, tough part in this career. Is

0:41:02.239 --> 0:41:05.080
<v Speaker 1>because I have young kids. Is that I just I

0:41:05.120 --> 0:41:06.880
<v Speaker 1>don't want to travel anymore. I just don't. And what

0:41:07.000 --> 0:41:09.440
<v Speaker 1>is your charity? Focus on the arts? Mostly? I mean

0:41:09.480 --> 0:41:13.160
<v Speaker 1>when we we did Capital One and we've made big gifts,

0:41:13.200 --> 0:41:15.080
<v Speaker 1>you a million dollar gifts to n y U, my

0:41:15.200 --> 0:41:19.239
<v Speaker 1>Ama Monitor round About Theater too. I think you're a

0:41:19.239 --> 0:41:23.640
<v Speaker 1>big guil and you very graciously came into the show

0:41:23.640 --> 0:41:27.640
<v Speaker 1>with us Guild Hall in East Hampton, Hampton Film Festival,

0:41:27.640 --> 0:41:31.720
<v Speaker 1>a lot of smaller people for the American Way, Peter,

0:41:32.520 --> 0:41:36.040
<v Speaker 1>some political things, but mostly the arts. Mostly the arts.

0:41:36.040 --> 0:41:39.960
<v Speaker 1>But I bet people were equally skeptical about Alec Baldwin

0:41:40.200 --> 0:41:43.160
<v Speaker 1>playing this character on thirty Rock. I mean when I

0:41:43.200 --> 0:41:46.600
<v Speaker 1>first saw that show, I didn't know that you could

0:41:46.640 --> 0:41:49.719
<v Speaker 1>be funny like that. So amazed you say that, No, No,

0:41:49.760 --> 0:41:53.600
<v Speaker 1>I mean truly, it was like a revelation, and you

0:41:53.640 --> 0:41:56.719
<v Speaker 1>were for that whole period. I mean, in my mind,

0:41:56.719 --> 0:41:59.480
<v Speaker 1>at least, by far, the funniest person on television. And

0:41:59.520 --> 0:42:03.640
<v Speaker 1>I still clothes well, no, because most people couldn't execute

0:42:03.640 --> 0:42:05.040
<v Speaker 1>it the way you did. I mean I think I

0:42:05.080 --> 0:42:07.920
<v Speaker 1>think that role was really all about how you played

0:42:07.920 --> 0:42:10.719
<v Speaker 1>the part and how dead pan you were. And I

0:42:10.760 --> 0:42:13.000
<v Speaker 1>mean I still think about every time I put on

0:42:13.040 --> 0:42:16.120
<v Speaker 1>a tuxedo, which is not very often. It's after six?

0:42:16.160 --> 0:42:18.719
<v Speaker 1>What am I a farmer? Damn? I wish this event

0:42:18.719 --> 0:42:24.239
<v Speaker 1>were tonight. It's not tonight. When is it February? Why

0:42:24.239 --> 0:42:28.879
<v Speaker 1>are you wearing a tux It's after six? What am

0:42:28.920 --> 0:42:31.920
<v Speaker 1>I a farmer? You know that's turned into a very

0:42:31.920 --> 0:42:34.040
<v Speaker 1>popular Jeff? Is that how the kids say a Jeff

0:42:34.120 --> 0:42:39.000
<v Speaker 1>or Giff? I think it's either way right now, I

0:42:39.040 --> 0:42:41.359
<v Speaker 1>don't know. In fact, we have a question for you,

0:42:41.400 --> 0:42:45.160
<v Speaker 1>Alec from one of our listeners in Phoenix, Arizona, Jack

0:42:46.480 --> 0:42:52.680
<v Speaker 1>these are prerecorded questions. Hi. My question for Alec Baldwin

0:42:52.880 --> 0:42:56.240
<v Speaker 1>is his character that he played on thirty Rock Jack Donneghie.

0:42:56.360 --> 0:42:59.120
<v Speaker 1>Does he have a favorite memorable line that sticks out

0:42:59.160 --> 0:43:04.160
<v Speaker 1>to him? Thank you? Right? Um, well you mentioned that

0:43:04.239 --> 0:43:06.080
<v Speaker 1>after six and one of my Farmer. That was one

0:43:06.120 --> 0:43:09.319
<v Speaker 1>of them. When the when Carrie Fisher was on the

0:43:09.440 --> 0:43:12.480
<v Speaker 1>Late Carrie Fisher, who we loved, came on and I

0:43:12.560 --> 0:43:15.480
<v Speaker 1>was thanking her. She was a veteran writer there in

0:43:15.480 --> 0:43:18.759
<v Speaker 1>the comedy constellation. And when she left my office, I

0:43:18.800 --> 0:43:21.719
<v Speaker 1>turned to Tina. I said, don't ever introduced me to

0:43:21.760 --> 0:43:24.319
<v Speaker 1>a woman that age again. I don't ever ask me

0:43:24.360 --> 0:43:26.239
<v Speaker 1>to talk to a woman that age again. That was

0:43:26.239 --> 0:43:33.759
<v Speaker 1>a good one, Um, but you're laughing. Uh right, I

0:43:33.880 --> 0:43:36.879
<v Speaker 1>was Tina's Uh. There was this wonderful actor who played

0:43:36.880 --> 0:43:41.279
<v Speaker 1>Tina's agent who was like this preternatural man child. He

0:43:41.360 --> 0:43:43.759
<v Speaker 1>was like a little boy in a suit. And I said,

0:43:43.800 --> 0:43:45.160
<v Speaker 1>did I said that you and I know a few

0:43:45.160 --> 0:43:47.960
<v Speaker 1>things about women, don't we. John whatever his name was,

0:43:48.000 --> 0:43:51.200
<v Speaker 1>He goes, I've seen a few bras, but I think

0:43:51.280 --> 0:43:54.200
<v Speaker 1>my old time. Um, I mean, I guess the two

0:43:54.239 --> 0:43:56.160
<v Speaker 1>scenes that stand out for me most when they came

0:43:56.200 --> 0:43:59.120
<v Speaker 1>to me, this is emblematic of that show. They came

0:43:59.160 --> 0:44:00.680
<v Speaker 1>to me and said, you're going to play. We're gonna

0:44:00.680 --> 0:44:02.520
<v Speaker 1>do the Patty Duke thing, and you're gonna act opposite

0:44:02.560 --> 0:44:05.919
<v Speaker 1>yourself and you're gonna play a gay Mexican soap opera star.

0:44:06.920 --> 0:44:08.719
<v Speaker 1>And I said them, I go, come on, come on,

0:44:08.840 --> 0:44:11.040
<v Speaker 1>you guys, come on. And they said no, no, no,

0:44:11.080 --> 0:44:14.120
<v Speaker 1>You're gonna play they hand a relishimo and be the

0:44:14.200 --> 0:44:16.719
<v Speaker 1>gay Mexican soap opera star. And we did it. I

0:44:16.800 --> 0:44:19.120
<v Speaker 1>shot against myself and at the end, I look at

0:44:19.120 --> 0:44:20.880
<v Speaker 1>the guy. I go, I look at the general, the general,

0:44:20.880 --> 0:44:23.840
<v Speaker 1>and I go, you really are super gay. And the

0:44:23.960 --> 0:44:28.160
<v Speaker 1>General goes, okay so, and I just love that he

0:44:28.200 --> 0:44:33.480
<v Speaker 1>goes he's like this mustache. She goes okay so. And

0:44:33.680 --> 0:44:35.400
<v Speaker 1>I love when we did hand to release him and

0:44:35.480 --> 0:44:38.440
<v Speaker 1>that was like just so absurd. And I guess the

0:44:38.560 --> 0:44:41.160
<v Speaker 1>end when we had to finish the show and I

0:44:41.239 --> 0:44:45.120
<v Speaker 1>had this long, weird monologue to tell Tina that I

0:44:45.160 --> 0:44:49.760
<v Speaker 1>loved her, and uh the speech that I say, lemon,

0:44:49.760 --> 0:44:51.880
<v Speaker 1>there is a word which comes from the old German,

0:44:51.920 --> 0:44:55.920
<v Speaker 1>and I go into this long which comes from the

0:44:55.960 --> 0:44:59.400
<v Speaker 1>German luba, which means to be pleased, which is from

0:44:59.440 --> 0:45:02.319
<v Speaker 1>the lube, was from the verb blue bell, which means

0:45:02.360 --> 0:45:06.640
<v Speaker 1>to be pleasing. And I go into this rambling nonsense thing.

0:45:07.360 --> 0:45:09.600
<v Speaker 1>Before I even finished tea, he goes, I love you too, Jack.

0:45:10.360 --> 0:45:12.680
<v Speaker 1>And when we shot that scene at the end, it

0:45:12.760 --> 0:45:15.040
<v Speaker 1>just was like a knife in me. I couldn't believe

0:45:15.560 --> 0:45:17.719
<v Speaker 1>because it was like the best. And even though I

0:45:17.760 --> 0:45:20.840
<v Speaker 1>whined and complained, but I was there about certain things.

0:45:21.000 --> 0:45:22.799
<v Speaker 1>It was the best job I'll ever had. It was

0:45:22.840 --> 0:45:24.880
<v Speaker 1>the best. Were you sorry? I mean, why did it

0:45:24.960 --> 0:45:28.600
<v Speaker 1>have to end? Well? I think Tina very Tina smart,

0:45:28.840 --> 0:45:31.640
<v Speaker 1>and she's smart and always and not just in writing jokes.

0:45:32.120 --> 0:45:34.959
<v Speaker 1>Tina was the you know, the principal producer of the show,

0:45:35.000 --> 0:45:38.560
<v Speaker 1>and she knew that she wanted to go out before

0:45:38.600 --> 0:45:40.799
<v Speaker 1>we had gotten down. There was no juice on the

0:45:40.880 --> 0:45:43.120
<v Speaker 1>rind anymore. She didn't want to jump the show. And

0:45:43.160 --> 0:45:45.560
<v Speaker 1>she had two kids, said two kids, and she wanted to.

0:45:45.640 --> 0:45:48.960
<v Speaker 1>I think I think that to to write and produce

0:45:49.080 --> 0:45:52.160
<v Speaker 1>and star in that show. I mean I always say

0:45:52.200 --> 0:45:54.799
<v Speaker 1>the same thing, which is not at all, uh a

0:45:54.840 --> 0:45:56.880
<v Speaker 1>critique at all, But I knew we were going to

0:45:56.920 --> 0:45:58.960
<v Speaker 1>go off the air when Tina came into rehearsal one

0:45:58.960 --> 0:46:02.160
<v Speaker 1>morning and laid down on the couch, which he had

0:46:02.239 --> 0:46:05.359
<v Speaker 1>never done in the six years prior. And the second

0:46:05.400 --> 0:46:08.120
<v Speaker 1>season was a short order, was thirteen episodes, and we

0:46:08.160 --> 0:46:10.759
<v Speaker 1>came into the seventh season, the final thirteen episodes, and

0:46:10.800 --> 0:46:13.000
<v Speaker 1>Tina came in one day and she just lay on

0:46:13.040 --> 0:46:15.560
<v Speaker 1>the couch and kind of like moaned softly. She was

0:46:15.600 --> 0:46:17.520
<v Speaker 1>so tired. And I looked at some people, I was like,

0:46:17.640 --> 0:46:21.880
<v Speaker 1>this is over, We're done. So what's on your what

0:46:22.080 --> 0:46:24.839
<v Speaker 1>is a part of your current poo poo platter of

0:46:25.040 --> 0:46:29.000
<v Speaker 1>professional responsibilities right now? Well, I'd like to use the

0:46:29.040 --> 0:46:33.280
<v Speaker 1>phrase topas myself more Kati, if you don't mind. Seems

0:46:33.680 --> 0:46:35.960
<v Speaker 1>upper East side thing, you'd say, very kind of dated

0:46:36.360 --> 0:46:41.800
<v Speaker 1>side of Kawa. Yeah, the side of what's your Manila?

0:46:43.360 --> 0:46:46.719
<v Speaker 1>The Well, I'm gonna go to Emilio esteve as his

0:46:46.800 --> 0:46:50.560
<v Speaker 1>new movie called The Public and uh, that's a name

0:46:50.600 --> 0:46:52.640
<v Speaker 1>I haven't heard for a long time. I love Amelio.

0:46:52.800 --> 0:46:55.040
<v Speaker 1>He's a great, you, very serious filmmaker. He did this

0:46:55.080 --> 0:46:58.080
<v Speaker 1>wonderful film with his father called The Way which Martin

0:46:58.160 --> 0:47:05.160
<v Speaker 1>Sheen crosses the the Great Hike in Spain, and Amelia

0:47:05.239 --> 0:47:07.440
<v Speaker 1>did a movie about the staff of the CINCIDENTI Public

0:47:07.480 --> 0:47:11.440
<v Speaker 1>Library takes over the library, and I play the hostage negotiator,

0:47:11.480 --> 0:47:13.600
<v Speaker 1>which tries to talk about of it because they're threatening

0:47:13.600 --> 0:47:15.120
<v Speaker 1>all these budget cuts and they want to broom out

0:47:15.120 --> 0:47:16.880
<v Speaker 1>all the homeless people and they want to kind of

0:47:16.880 --> 0:47:21.000
<v Speaker 1>fluff up the library all the rich trustees. And I

0:47:21.040 --> 0:47:24.000
<v Speaker 1>love Amelia. He's just such a sweet guy and so

0:47:24.800 --> 0:47:26.839
<v Speaker 1>into it, because when you make a movie, you want

0:47:26.840 --> 0:47:29.520
<v Speaker 1>to be with somebody who's clear. He's very clear. So

0:47:29.520 --> 0:47:31.680
<v Speaker 1>I have that my book is coming out. I'm gonna

0:47:31.719 --> 0:47:34.000
<v Speaker 1>do a lot of press for that. Was writing a

0:47:34.000 --> 0:47:37.520
<v Speaker 1>book fun for you? Was it? Well? I mean I

0:47:37.560 --> 0:47:38.880
<v Speaker 1>don't need to tell you. I mean you've done a

0:47:38.920 --> 0:47:41.520
<v Speaker 1>lot of writing. It's like what you put in and

0:47:41.520 --> 0:47:43.120
<v Speaker 1>what you don't put in and what you leave out

0:47:43.120 --> 0:47:47.680
<v Speaker 1>and should people would go crazy. I don't know, you know,

0:47:47.880 --> 0:47:51.200
<v Speaker 1>just because of all these life experiences I have had,

0:47:51.360 --> 0:47:55.239
<v Speaker 1>whether it's you know, my husband dying of cancer or

0:47:55.760 --> 0:47:59.880
<v Speaker 1>these really interesting experiences I've had working at different network.

0:48:00.400 --> 0:48:03.280
<v Speaker 1>Um you you, I'm gonna say something that's gonna sound funny,

0:48:03.320 --> 0:48:05.160
<v Speaker 1>but and some of it they might be funny, But

0:48:05.239 --> 0:48:08.280
<v Speaker 1>it's like there's people who just owe the public a memoir.

0:48:09.000 --> 0:48:10.279
<v Speaker 1>I'm not one of those people. I don't think I

0:48:10.280 --> 0:48:12.600
<v Speaker 1>owe the public and memoir, but you are certainly one

0:48:12.640 --> 0:48:14.439
<v Speaker 1>of the people who owe the public and memoir because

0:48:14.440 --> 0:48:16.279
<v Speaker 1>people love you so much. I kind of get that.

0:48:16.400 --> 0:48:18.200
<v Speaker 1>I mean, I kind of get how much people love you.

0:48:18.440 --> 0:48:22.360
<v Speaker 1>I'm kidding, but people love you like boundlessly and you

0:48:22.400 --> 0:48:24.400
<v Speaker 1>should come. I can't believe you haven't written a book

0:48:24.760 --> 0:48:32.440
<v Speaker 1>to invite Alec tell me about Mission Impossible. Well, we're

0:48:32.480 --> 0:48:34.520
<v Speaker 1>gonna go off and do the movie. And uh, it's

0:48:34.560 --> 0:48:36.279
<v Speaker 1>always the way it is with those guys were with

0:48:36.480 --> 0:48:39.720
<v Speaker 1>some slight exceptions. It's like Tom flies around the world

0:48:39.760 --> 0:48:41.440
<v Speaker 1>and saves the world and jumps out of this and

0:48:41.520 --> 0:48:43.640
<v Speaker 1>jumps off of this and then I'm in an office.

0:48:43.840 --> 0:48:46.720
<v Speaker 1>I go to a set in London. They shoot in London,

0:48:46.800 --> 0:48:48.799
<v Speaker 1>the sets, the stages, and I'm honest set with Tom,

0:48:48.800 --> 0:48:51.160
<v Speaker 1>and I'm like, I thought, I told you to stop

0:48:51.200 --> 0:48:52.760
<v Speaker 1>doing that thing. I don't want you doing that jumping

0:48:52.800 --> 0:48:55.960
<v Speaker 1>off that thing again. Tom goes and jumps off another

0:48:56.000 --> 0:48:59.080
<v Speaker 1>thing and blows up another thing that I'm saying, what's

0:48:59.080 --> 0:49:01.799
<v Speaker 1>wrong with you that you remember our last conversation where

0:49:01.800 --> 0:49:04.120
<v Speaker 1>I told you don't do that again? You know, look,

0:49:04.160 --> 0:49:07.120
<v Speaker 1>whatever the thing is, I'm the head of the CIA

0:49:07.239 --> 0:49:09.720
<v Speaker 1>and I work with him now. And what was appealing

0:49:09.760 --> 0:49:13.200
<v Speaker 1>about doing this movie for you? You know, I've made

0:49:13.239 --> 0:49:15.080
<v Speaker 1>so many movies and I haven't made a lot of

0:49:15.080 --> 0:49:17.520
<v Speaker 1>movies like that in a while. I spent a lot

0:49:17.520 --> 0:49:19.400
<v Speaker 1>of time doing Dirty Rock. I would be in Indie

0:49:19.480 --> 0:49:25.040
<v Speaker 1>Land doing movies where budgets are tight and tough compromises,

0:49:25.080 --> 0:49:27.759
<v Speaker 1>I mean really painful compromises are made in order to

0:49:27.760 --> 0:49:31.000
<v Speaker 1>try to make the film. And uh, you know, I

0:49:31.000 --> 0:49:33.360
<v Speaker 1>went and did It's Complicated with Merrill, which was you know,

0:49:33.400 --> 0:49:34.920
<v Speaker 1>they spent a lot of money on that movie. Was

0:49:35.000 --> 0:49:38.719
<v Speaker 1>Nancy Meyers who gets a lot of dough to make

0:49:38.760 --> 0:49:42.120
<v Speaker 1>her films, and it's very comfortable. But I haven't made

0:49:42.160 --> 0:49:43.399
<v Speaker 1>I hadn't made a lot of those. And when you're

0:49:43.400 --> 0:49:47.080
<v Speaker 1>on the set, it's just remarkable, like what money and

0:49:47.160 --> 0:49:49.880
<v Speaker 1>they wanted on screen. They're all very responsible people, and

0:49:49.880 --> 0:49:52.080
<v Speaker 1>there's no one who was more of a thrill to

0:49:52.120 --> 0:49:55.400
<v Speaker 1>work with than Tom Oh. He's just unbelievable. He's unbelive.

0:49:55.440 --> 0:49:59.480
<v Speaker 1>He is unbelievable. He just is like, let's the days

0:49:59.520 --> 0:50:02.040
<v Speaker 1>he wasn't shoting he was on the set because he's

0:50:02.040 --> 0:50:03.879
<v Speaker 1>a producer. He'd come up to me and say us yeah,

0:50:04.360 --> 0:50:06.799
<v Speaker 1>and he'd even to give me an idea. He'd say

0:50:06.800 --> 0:50:08.880
<v Speaker 1>to me, what do you think about this? He's like

0:50:08.880 --> 0:50:10.480
<v Speaker 1>a machine, you know. I said to Michael, what do

0:50:10.560 --> 0:50:14.160
<v Speaker 1>you do to unwind when this is over? I said,

0:50:14.160 --> 0:50:17.080
<v Speaker 1>what do you go? Like? What's your guilty pleasure? What's

0:50:17.200 --> 0:50:20.640
<v Speaker 1>the thing you do in between? He said, what's my

0:50:20.640 --> 0:50:23.920
<v Speaker 1>guilty pleasure? Because when we're done, he said, I find

0:50:23.960 --> 0:50:27.160
<v Speaker 1>another script? And I started all over again. He's I

0:50:27.239 --> 0:50:30.160
<v Speaker 1>just love to shoot. I love to shoot. And I thought,

0:50:30.640 --> 0:50:32.840
<v Speaker 1>if I was you, i'd love to shoot too, because

0:50:32.840 --> 0:50:35.479
<v Speaker 1>it's pretty good life he has, you know, and he's

0:50:35.520 --> 0:50:38.080
<v Speaker 1>just he's I'm dying to go over there and do

0:50:38.120 --> 0:50:40.719
<v Speaker 1>that with him again. I just don't know what I'm

0:50:40.760 --> 0:50:45.120
<v Speaker 1>doing yet. Did you like working with Scorsese and The Departed?

0:50:45.160 --> 0:50:47.240
<v Speaker 1>Because I thought that was one of your best roles,

0:50:47.600 --> 0:50:49.879
<v Speaker 1>those kinds of films. I mean, you were a guest. Really,

0:50:49.880 --> 0:50:52.480
<v Speaker 1>you're not playing a big part, so it's what you

0:50:52.560 --> 0:50:54.680
<v Speaker 1>get to watch. I mean, you do your scenes. When

0:50:54.680 --> 0:50:56.319
<v Speaker 1>I did The Aviator, it was really a thrill to

0:50:56.320 --> 0:51:00.640
<v Speaker 1>watch Leo. I have this bottomless admiration or and then

0:51:00.840 --> 0:51:03.719
<v Speaker 1>to do The Departed with that crowd, and you know,

0:51:04.160 --> 0:51:07.959
<v Speaker 1>Marty is obviously one of the top examples of people

0:51:07.960 --> 0:51:09.920
<v Speaker 1>who they see the movie, they know what they want,

0:51:09.960 --> 0:51:11.359
<v Speaker 1>what they don't want. You know. One of the first

0:51:11.360 --> 0:51:13.600
<v Speaker 1>films I ever made was Working Girl with Mike Nichols,

0:51:14.360 --> 0:51:16.319
<v Speaker 1>and he was just a dream in that sense, which

0:51:16.360 --> 0:51:17.879
<v Speaker 1>was you know, he'd say, what do you think of this?

0:51:18.320 --> 0:51:20.319
<v Speaker 1>And you'd have an idea in the rehearsal and he'd say, no,

0:51:20.520 --> 0:51:23.000
<v Speaker 1>I don't think it's that, and he like right away

0:51:23.160 --> 0:51:25.440
<v Speaker 1>it was it was like he knew rather than us

0:51:25.520 --> 0:51:28.480
<v Speaker 1>kind of masturbating for a day after day of like

0:51:28.480 --> 0:51:30.160
<v Speaker 1>trying to figure out what the movie is, he knew

0:51:30.200 --> 0:51:31.680
<v Speaker 1>what the movie was and he knew what he wanted

0:51:31.680 --> 0:51:35.280
<v Speaker 1>you to do, which is a great uh pleasure. You

0:51:35.280 --> 0:51:38.080
<v Speaker 1>You've worked with so many extraordinary people. Is there someone

0:51:38.160 --> 0:51:43.120
<v Speaker 1>you admire the most? I wouldn't say the most, but

0:51:43.160 --> 0:51:45.280
<v Speaker 1>the person that comes to mind about is Tony Hopkins.

0:51:45.880 --> 0:51:47.400
<v Speaker 1>When I want to go to the Edge with Tony

0:51:47.480 --> 0:51:49.839
<v Speaker 1>and he had just come from doing Nixon before that,

0:51:49.960 --> 0:51:52.200
<v Speaker 1>and I wrote this in the book, I tell this

0:51:52.239 --> 0:51:54.200
<v Speaker 1>story like when we were in the Canadian Rockies, which

0:51:54.239 --> 0:51:57.320
<v Speaker 1>was the most beautiful place I've ever been. My sister

0:51:57.400 --> 0:51:59.279
<v Speaker 1>Beth came to see me, and she comes into the

0:51:59.280 --> 0:52:02.480
<v Speaker 1>woods uh to see me and greet me. At the

0:52:02.560 --> 0:52:04.319
<v Speaker 1>end of the day, and Tony was lying on the

0:52:04.360 --> 0:52:07.120
<v Speaker 1>ground on an air mattress. They made like a little

0:52:07.239 --> 0:52:09.759
<v Speaker 1>bed for him because he'd hurt his back. And he's

0:52:09.800 --> 0:52:12.840
<v Speaker 1>reading the newspaper. And I said, Tony, I'm sorry to

0:52:12.800 --> 0:52:14.520
<v Speaker 1>interrupted you. Would like to introduce you to my sister,

0:52:15.239 --> 0:52:18.239
<v Speaker 1>my sister Beth, And Tony puts down the newspaper and

0:52:18.280 --> 0:52:20.840
<v Speaker 1>he gathers himself up and he stands up very slowly,

0:52:21.120 --> 0:52:23.960
<v Speaker 1>and he raises himself up and he takes my sister's hand.

0:52:24.040 --> 0:52:28.160
<v Speaker 1>He says, Elizabeth, with a great pleasure to meet you,

0:52:29.040 --> 0:52:31.640
<v Speaker 1>and kisses her hand. And my sister, who was married

0:52:31.960 --> 0:52:34.399
<v Speaker 1>had six children. I literally saw her like kind of

0:52:34.440 --> 0:52:39.080
<v Speaker 1>like swoon. She developed it all behind my great pleasure

0:52:39.640 --> 0:52:42.360
<v Speaker 1>to meet you. You are such a good mimic. He

0:52:42.440 --> 0:52:45.640
<v Speaker 1>was killing me. And my sister was like, oh my god.

0:52:46.160 --> 0:52:49.320
<v Speaker 1>She was like completely gonna wet her pants because Tony

0:52:49.360 --> 0:52:51.839
<v Speaker 1>Hopkins kissed her hand. And you admire him so much

0:52:51.840 --> 0:52:56.560
<v Speaker 1>because he's so elegant, talented, gracious, so varied. Can you

0:52:56.600 --> 0:52:58.759
<v Speaker 1>do a kat impression? Much more important? Why can you

0:52:58.760 --> 0:53:01.680
<v Speaker 1>do a Katie impression? No? No, but but he doesn't mean,

0:53:01.960 --> 0:53:04.399
<v Speaker 1>he doesn't mean Tony Bennett. Do me a good quick

0:53:04.440 --> 0:53:07.719
<v Speaker 1>Tony Bennett thing. Come on. When we did the show,

0:53:07.719 --> 0:53:10.279
<v Speaker 1>we had begged Danny Bennett to have Tony come on,

0:53:10.320 --> 0:53:13.000
<v Speaker 1>and he finally did come on and uh, and he

0:53:13.120 --> 0:53:16.120
<v Speaker 1>played I played Tony and so funny to say this

0:53:16.160 --> 0:53:19.120
<v Speaker 1>to me. I played Tony Bennett and he played Uh

0:53:19.160 --> 0:53:22.839
<v Speaker 1>Anthony di Benedetto, who was a Tony Bennett impersonator who

0:53:22.920 --> 0:53:25.879
<v Speaker 1>I sued, I read, I sued the big Jesus out

0:53:25.920 --> 0:53:29.399
<v Speaker 1>of it, and I said, tell him the name you're

0:53:29.440 --> 0:53:31.680
<v Speaker 1>using your act now. He says, I go by the

0:53:31.760 --> 0:53:34.800
<v Speaker 1>name Phony Bennett. So we said to Danny would he

0:53:34.840 --> 0:53:36.600
<v Speaker 1>come on with us? And Danny said, yeah, but my

0:53:36.719 --> 0:53:39.600
<v Speaker 1>dad really doesn't quite get it, like what are you

0:53:39.600 --> 0:53:41.799
<v Speaker 1>guys up to? Like he just wants you to say

0:53:41.960 --> 0:53:43.799
<v Speaker 1>to me, what is it you guys are doing? And

0:53:43.840 --> 0:53:46.200
<v Speaker 1>I said, well, we obviously make it silly and stupid.

0:53:46.200 --> 0:53:47.799
<v Speaker 1>And there's a lot of stupid thing about him, you know,

0:53:48.200 --> 0:53:50.719
<v Speaker 1>have having having had his life as a womanizer. You know,

0:53:51.320 --> 0:53:53.680
<v Speaker 1>I met a gal once it had toenails that were

0:53:53.719 --> 0:53:56.640
<v Speaker 1>like a stack of bob a cute Frido's. He said,

0:53:58.000 --> 0:54:02.200
<v Speaker 1>Lamas silk and tough phone cream for nails was the commercial.

0:54:02.840 --> 0:54:06.359
<v Speaker 1>And uh and and Danny said, what is the thing?

0:54:06.400 --> 0:54:08.160
<v Speaker 1>And I go, well, underneath it all, there has to

0:54:08.200 --> 0:54:11.960
<v Speaker 1>be something joyful. Im positive, I said, in the positive

0:54:12.000 --> 0:54:15.200
<v Speaker 1>is that Tony reminds us that the business is supposed

0:54:15.239 --> 0:54:17.000
<v Speaker 1>to be fun. We're supposed to be having fun and

0:54:17.040 --> 0:54:19.719
<v Speaker 1>not complaining and and and stressing out all the time

0:54:20.200 --> 0:54:23.640
<v Speaker 1>we do the show. The show's over, it's one o'clock.

0:54:23.680 --> 0:54:25.840
<v Speaker 1>He packs up his bags. He's ketting to the elevator.

0:54:25.840 --> 0:54:27.800
<v Speaker 1>Now it's probably closer to one thirty in the morning.

0:54:28.280 --> 0:54:32.600
<v Speaker 1>Back then he was like eighty years old. And uh.

0:54:32.760 --> 0:54:34.799
<v Speaker 1>He and the cast came out, some of them to

0:54:34.880 --> 0:54:38.560
<v Speaker 1>have their picture taken with him on their phones. And

0:54:38.640 --> 0:54:42.760
<v Speaker 1>Tony turns to them and says, your kids are terrific.

0:54:43.280 --> 0:54:46.239
<v Speaker 1>This has been a million dollar night. And he said

0:54:46.280 --> 0:54:49.040
<v Speaker 1>the phrase, this has been a million dollar night. And

0:54:49.120 --> 0:54:52.440
<v Speaker 1>we always are like, oh my god, he's such I

0:54:52.680 --> 0:54:55.359
<v Speaker 1>love him and I love Danny. I mean, the two

0:54:55.360 --> 0:54:57.719
<v Speaker 1>of them together. Did you see zenn of Bennett? Oh,

0:54:57.760 --> 0:55:00.560
<v Speaker 1>my people who are listening to this, get that documentaries

0:55:00.640 --> 0:55:03.160
<v Speaker 1>Zen of Bennett. It's such a great one. And you

0:55:03.280 --> 0:55:05.360
<v Speaker 1>had a big role in his recent n idea of

0:55:05.400 --> 0:55:09.320
<v Speaker 1>Birthday at Radio City. Right out, I played Tony Bennett

0:55:09.360 --> 0:55:13.239
<v Speaker 1>and we brought on Phony Bennett again, so so funny.

0:55:13.360 --> 0:55:15.839
<v Speaker 1>Before we leave this podcast, we just got to ask

0:55:15.880 --> 0:55:18.279
<v Speaker 1>about your podcast, which is a huge hit. So we're

0:55:18.280 --> 0:55:21.319
<v Speaker 1>trying to learn from you. How long have you been

0:55:22.239 --> 0:55:24.520
<v Speaker 1>doing it, how long do you want to keep doing it,

0:55:24.640 --> 0:55:26.960
<v Speaker 1>and what do you think makes it so special. Well,

0:55:27.000 --> 0:55:29.080
<v Speaker 1>in the way that we talked about work that I

0:55:29.120 --> 0:55:31.280
<v Speaker 1>did that was dictated by my life and my kids

0:55:31.280 --> 0:55:32.799
<v Speaker 1>and so forth. That I came up with the idea

0:55:32.800 --> 0:55:35.880
<v Speaker 1>of doing a radio show. Lisa Burnbach was going to

0:55:35.960 --> 0:55:38.000
<v Speaker 1>be my co host. Is very witty and funny, great

0:55:38.000 --> 0:55:41.960
<v Speaker 1>writer Lisa Brenbach and preppy handbook, and we were gonna

0:55:41.960 --> 0:55:44.960
<v Speaker 1>have a news person and a culture person. That idea,

0:55:45.200 --> 0:55:47.719
<v Speaker 1>which is a lot of work and a lot of

0:55:47.719 --> 0:55:50.719
<v Speaker 1>writing and a lot of producing and staffing. These people

0:55:50.760 --> 0:55:52.719
<v Speaker 1>came to from w n y C and said, don't

0:55:52.760 --> 0:55:56.160
<v Speaker 1>do that. Do this you and Mike and you interview

0:55:56.200 --> 0:55:58.759
<v Speaker 1>people into a podcast and you try to access people

0:55:58.760 --> 0:56:00.160
<v Speaker 1>you know in the business who you might have some

0:56:00.239 --> 0:56:02.640
<v Speaker 1>context with it, are famous or successful, I would have

0:56:02.680 --> 0:56:05.560
<v Speaker 1>you or admired. And the only thing that I do

0:56:05.640 --> 0:56:09.279
<v Speaker 1>in my show that is the is it? You know?

0:56:09.480 --> 0:56:11.400
<v Speaker 1>It is a decision I don't want to say technique,

0:56:11.440 --> 0:56:14.479
<v Speaker 1>but is to have a longer format like this where

0:56:14.480 --> 0:56:19.640
<v Speaker 1>people can relax. Rob Mills, who's the head of ABC,

0:56:19.760 --> 0:56:21.799
<v Speaker 1>who was the guy that's my executive at ABC for

0:56:21.840 --> 0:56:24.520
<v Speaker 1>the match game work that we do. I love him

0:56:24.560 --> 0:56:26.200
<v Speaker 1>and he's one of the biggest reasons that I do

0:56:26.280 --> 0:56:28.920
<v Speaker 1>match game because I love Rob so much. I'm when

0:56:28.920 --> 0:56:30.759
<v Speaker 1>I go do match game. We do have fun. It's

0:56:30.800 --> 0:56:33.239
<v Speaker 1>it's silly and dope, I know, And I'm sorry I've

0:56:33.280 --> 0:56:36.880
<v Speaker 1>disappointed you in doing that. I understand. I'm gonna go

0:56:36.920 --> 0:56:38.480
<v Speaker 1>home right away. I'm gonna start looking up the things

0:56:38.520 --> 0:56:40.680
<v Speaker 1>you've done that you've disappointed me, and I'm gonna email you.

0:56:41.000 --> 0:56:43.279
<v Speaker 1>See by the way I came across this, what was

0:56:43.320 --> 0:56:46.359
<v Speaker 1>that about Katie? Hello? You know we've all disappointed her

0:56:46.400 --> 0:56:48.600
<v Speaker 1>at various moments in our lives. It's okay, it's a

0:56:48.640 --> 0:56:50.400
<v Speaker 1>sort of growing up. I feel like I feel like

0:56:50.440 --> 0:56:53.920
<v Speaker 1>I'm her brother, and she's like you that's what you're

0:56:53.920 --> 0:56:56.640
<v Speaker 1>wearing for Halloween. And that's the lamest constume I've ever

0:56:56.640 --> 0:56:59.840
<v Speaker 1>seen in my life. What do you zoro? What is that?

0:57:00.080 --> 0:57:04.040
<v Speaker 1>Like a little weird mask on? But um, the uh,

0:57:04.560 --> 0:57:07.919
<v Speaker 1>the podcast. The thing is that Rob said, he said,

0:57:07.960 --> 0:57:09.680
<v Speaker 1>what I love about your techniquecause he says, I call

0:57:09.719 --> 0:57:13.040
<v Speaker 1>it the warm bath interview technique. He said, you just

0:57:13.120 --> 0:57:15.720
<v Speaker 1>get your your subjects to come into that warm bath

0:57:15.840 --> 0:57:18.800
<v Speaker 1>with you and they relax. Actually twenty minutes go by

0:57:18.800 --> 0:57:22.360
<v Speaker 1>and they start telling you who they really are. It's true.

0:57:22.640 --> 0:57:25.880
<v Speaker 1>But don't you think it's true that there's something more

0:57:26.080 --> 0:57:31.280
<v Speaker 1>intimate about this. There's something more relaxed and revealing as

0:57:31.280 --> 0:57:35.440
<v Speaker 1>a result. But I think, listen, you've interviewed, infinitely, I

0:57:35.440 --> 0:57:37.760
<v Speaker 1>mean to the innth degree, more people than I have

0:57:37.800 --> 0:57:40.080
<v Speaker 1>as a result of all of these different things you've done,

0:57:40.800 --> 0:57:43.400
<v Speaker 1>whether it was with NBC and beyond, and you've interviewed

0:57:43.440 --> 0:57:46.840
<v Speaker 1>countless more people than I have, mostly in those tighter

0:57:46.880 --> 0:57:49.720
<v Speaker 1>TV segments of six or seven minutes or so. And

0:57:49.960 --> 0:57:52.480
<v Speaker 1>what I find is that when you interview people, is

0:57:52.520 --> 0:57:54.600
<v Speaker 1>that the length of the podcast and the length of

0:57:54.640 --> 0:57:57.200
<v Speaker 1>time we have, which of course we cut down, provides

0:57:57.280 --> 0:57:59.320
<v Speaker 1>us with a chance to let them give it to us.

0:57:59.360 --> 0:58:01.440
<v Speaker 1>We don't have to try to take it. If they

0:58:01.520 --> 0:58:05.600
<v Speaker 1>feel you're not predatory, If they feel you're not trying

0:58:05.680 --> 0:58:08.520
<v Speaker 1>to facilitate something with them, and you let them make

0:58:08.800 --> 0:58:11.880
<v Speaker 1>let it be their decision, they will very often tell

0:58:11.880 --> 0:58:14.160
<v Speaker 1>you the things that they might not have otherwise. Before

0:58:14.200 --> 0:58:16.680
<v Speaker 1>we go, I have to ask you two quick family questions.

0:58:16.760 --> 0:58:21.040
<v Speaker 1>One from your early childhood. You know you're one of six.

0:58:21.320 --> 0:58:25.080
<v Speaker 1>It's you obviously have a close relationship with Beth, who

0:58:25.120 --> 0:58:27.840
<v Speaker 1>came to visit you on that set. But your brothers,

0:58:28.000 --> 0:58:31.680
<v Speaker 1>you know, particularly Stephen, your politics could not be more

0:58:31.720 --> 0:58:35.600
<v Speaker 1>different than his. It must be a strange dynamic and

0:58:35.640 --> 0:58:38.720
<v Speaker 1>a family with more than one person in show biz.

0:58:38.760 --> 0:58:42.000
<v Speaker 1>As they say, how has that affected your relationship with

0:58:42.040 --> 0:58:45.439
<v Speaker 1>your siblings? Alec, I always wondered that about you. Well,

0:58:45.480 --> 0:58:49.040
<v Speaker 1>I think that that by and large, over time, these

0:58:49.680 --> 0:58:52.600
<v Speaker 1>spasms that happen where people act out a certain way

0:58:52.600 --> 0:58:55.760
<v Speaker 1>that one side is an approving of they have like

0:58:55.800 --> 0:58:58.560
<v Speaker 1>any family, were no different than anybody else. There's some ramification,

0:58:58.640 --> 0:59:03.320
<v Speaker 1>there's some period we were seeking some detant there. You know,

0:59:04.080 --> 0:59:07.120
<v Speaker 1>with my brother Stephen, he is uh and we've had

0:59:07.120 --> 0:59:09.800
<v Speaker 1>this conversation. And I'm not saying this to be you know,

0:59:09.920 --> 0:59:12.960
<v Speaker 1>mean spirited or whatever. He falls right into that Trump

0:59:13.480 --> 0:59:16.440
<v Speaker 1>dynamic of a percentage of Trump's support, it's not all

0:59:16.480 --> 0:59:18.600
<v Speaker 1>of them certainly, which is uneducated. My brother didn't go

0:59:18.640 --> 0:59:22.360
<v Speaker 1>to college. He went right into the business. Uh, he's

0:59:23.200 --> 0:59:25.280
<v Speaker 1>got a lot of anti government sentiments. You know, he

0:59:25.320 --> 0:59:27.840
<v Speaker 1>doesn't like paying his taxes. I mean it was in

0:59:27.880 --> 0:59:30.040
<v Speaker 1>the paper that he almost got arrested for not paying

0:59:30.080 --> 0:59:34.400
<v Speaker 1>his state income taxes and so forth. And uh, there's uh,

0:59:35.320 --> 0:59:39.080
<v Speaker 1>you know, there's a Fox News component to this, a

0:59:39.160 --> 0:59:42.320
<v Speaker 1>DNA to this about people who need their politics predigested

0:59:42.360 --> 0:59:45.320
<v Speaker 1>for them, you know, like most people. I know, I

0:59:45.400 --> 0:59:47.439
<v Speaker 1>don't need people to give me. I want to read

0:59:47.480 --> 0:59:49.960
<v Speaker 1>things and get information from the New York Review of

0:59:49.960 --> 0:59:52.000
<v Speaker 1>Books in the New Yorker and the New York Times,

0:59:52.040 --> 0:59:57.120
<v Speaker 1>but other sources as well. Um, and I don't need

0:59:57.200 --> 1:00:01.840
<v Speaker 1>that stuff pre chew for me. And the other side

1:00:01.880 --> 1:00:03.640
<v Speaker 1>seemed to need a lot of that. These people need

1:00:03.720 --> 1:00:06.760
<v Speaker 1>people to articulate their opinions and tell them and kind

1:00:06.760 --> 1:00:10.200
<v Speaker 1>of shape what they're thinking. Hannity's telling you what you

1:00:10.280 --> 1:00:13.080
<v Speaker 1>really mean is this, and what you really need is this,

1:00:13.360 --> 1:00:15.160
<v Speaker 1>and my brother was kind of fallen victim to that.

1:00:15.200 --> 1:00:18.800
<v Speaker 1>I think has that created some tension between you or yeah? Yeah, yeah,

1:00:18.800 --> 1:00:21.160
<v Speaker 1>oh yeah, oh sure. I mean I decided he would

1:00:21.200 --> 1:00:23.360
<v Speaker 1>email me and say, you're gonna do that Trump thing?

1:00:23.480 --> 1:00:26.200
<v Speaker 1>He said, I said, yeah, he goes. He said, you're

1:00:26.240 --> 1:00:29.480
<v Speaker 1>just playing right into Donald's hands. He said. Now, when

1:00:29.480 --> 1:00:32.640
<v Speaker 1>Trump won, there was a kind of a stinging effect

1:00:32.680 --> 1:00:34.200
<v Speaker 1>that had to me, which was, I mean, you know,

1:00:34.240 --> 1:00:37.240
<v Speaker 1>I don't believe that Trump won as a result of

1:00:37.280 --> 1:00:39.640
<v Speaker 1>you know, five or six critical things, and some of

1:00:39.680 --> 1:00:41.440
<v Speaker 1>it was, you know, we didn't get the best Hillery

1:00:41.440 --> 1:00:44.600
<v Speaker 1>on the campaign trail either, by the way, but the

1:00:46.320 --> 1:00:48.600
<v Speaker 1>and I'm a great admirer. First I just thought that

1:00:48.640 --> 1:00:51.400
<v Speaker 1>could have gone better. But yeah, there's been some tensions

1:00:51.440 --> 1:00:54.000
<v Speaker 1>about it because I I don't think he understands what

1:00:54.080 --> 1:00:57.160
<v Speaker 1>he's doing. You know, when I listened to Trump today

1:00:57.320 --> 1:00:59.360
<v Speaker 1>in the car on the way here, and again I

1:00:59.440 --> 1:01:02.160
<v Speaker 1>don't say this with any malice. I don't enjoy saying this.

1:01:02.520 --> 1:01:04.800
<v Speaker 1>I think that he has some kind of neurological disorder.

1:01:04.880 --> 1:01:08.080
<v Speaker 1>I think he has something wrong with him physically, because

1:01:08.160 --> 1:01:13.840
<v Speaker 1>he just is stuck in this kind of flailing rhetorically

1:01:14.000 --> 1:01:17.760
<v Speaker 1>flailing He's like a guy who's drowning. In lifeguards school,

1:01:17.800 --> 1:01:19.320
<v Speaker 1>they tell you you've got to slap the guy across

1:01:19.360 --> 1:01:23.240
<v Speaker 1>the face was drowning. I'll still drown you too. Trump

1:01:23.360 --> 1:01:27.640
<v Speaker 1>is borderline hysterical sometimes, and that's not going to work

1:01:27.760 --> 1:01:29.680
<v Speaker 1>for us, for someone to be in that in that job.

1:01:29.960 --> 1:01:33.800
<v Speaker 1>I love that Alec uses words like paripatetic and metronomically.

1:01:34.040 --> 1:01:37.320
<v Speaker 1>He's an amazing vocabulary. You do. It's awesome and it's

1:01:37.360 --> 1:01:39.760
<v Speaker 1>such a it's such a pleasure to listen to someone

1:01:40.160 --> 1:01:42.720
<v Speaker 1>who is so fascile with the English language. I just

1:01:42.720 --> 1:01:45.560
<v Speaker 1>wanted to say that as it very hard to craft

1:01:45.680 --> 1:01:48.520
<v Speaker 1>the words I say in such a way that they

1:01:48.640 --> 1:01:53.320
<v Speaker 1>sound just so fantastic to the American people. I try

1:01:53.400 --> 1:01:55.920
<v Speaker 1>so hard, I really do. Cut that schmaltz with a

1:01:56.040 --> 1:01:58.680
<v Speaker 1>big orange knife right there. Yeah, all right, we've got

1:01:58.680 --> 1:02:00.880
<v Speaker 1>to go, but before we you I just have to

1:02:00.920 --> 1:02:04.880
<v Speaker 1>ask you one final question. Not to sound like cheesy,

1:02:04.880 --> 1:02:07.400
<v Speaker 1>but I'm so happy that you're in such a great place.

1:02:07.480 --> 1:02:10.960
<v Speaker 1>I feel like professionally things are going so well for you,

1:02:11.040 --> 1:02:13.440
<v Speaker 1>with the exception of the match game, that you're doing

1:02:13.560 --> 1:02:17.880
<v Speaker 1>so many greats highly you know, I don't know, you

1:02:18.000 --> 1:02:20.200
<v Speaker 1>just I feel like you're just in a in a

1:02:20.280 --> 1:02:23.080
<v Speaker 1>great place, but also in terms of your personal life,

1:02:23.160 --> 1:02:26.160
<v Speaker 1>and you know, it's so nice to see you have

1:02:26.440 --> 1:02:30.320
<v Speaker 1>this really second chapter with Hilaria, and I'm curious, what

1:02:30.600 --> 1:02:35.000
<v Speaker 1>is it about your relationship with Hilaria, about your children,

1:02:35.080 --> 1:02:38.840
<v Speaker 1>about where you are in life personally that that's working

1:02:38.880 --> 1:02:41.120
<v Speaker 1>so well for you. Well, before I answer that, let

1:02:41.120 --> 1:02:43.560
<v Speaker 1>me say that I have uncovered the match game analogy

1:02:43.640 --> 1:02:47.040
<v Speaker 1>for your career, and then, as as a devoted Today's

1:02:47.040 --> 1:02:50.760
<v Speaker 1>Show watcher and a worshiper of you personally, when you

1:02:50.840 --> 1:02:53.000
<v Speaker 1>came down a staircase, I think it was a Halloween

1:02:53.040 --> 1:02:55.000
<v Speaker 1>show when you were dressed as Marilyn Monroe, when you

1:02:55.040 --> 1:02:57.120
<v Speaker 1>did Diamonds or a Girl's best Friends at a low

1:02:57.200 --> 1:02:59.400
<v Speaker 1>point and you were busting out of some like lamb

1:02:59.440 --> 1:03:02.959
<v Speaker 1>a cost to with some chiffon costume, I said, my god,

1:03:03.200 --> 1:03:05.760
<v Speaker 1>where has my Katie gone? What happened to her? She's gone?

1:03:08.600 --> 1:03:12.400
<v Speaker 1>Than thank you for reminding that diamonds are girls, but

1:03:12.440 --> 1:03:16.120
<v Speaker 1>you can google that, by the way, trying to Oh,

1:03:16.160 --> 1:03:18.520
<v Speaker 1>it's it's, it's it's It was amazing. And so having

1:03:18.560 --> 1:03:21.280
<v Speaker 1>said that, um, the answer to your question is, you know,

1:03:21.360 --> 1:03:25.360
<v Speaker 1>my wife is a very self actualized person. She knows

1:03:25.440 --> 1:03:27.920
<v Speaker 1>who she is and where she is and what she wants.

1:03:28.440 --> 1:03:31.680
<v Speaker 1>And there's not a lot of self sabotage there. That's

1:03:31.680 --> 1:03:37.400
<v Speaker 1>not a lot of unnecessary, uh you know, psychological. The

1:03:37.480 --> 1:03:40.440
<v Speaker 1>treat is surround with her. She's a very very very

1:03:40.480 --> 1:03:44.600
<v Speaker 1>smart and wise young woman. So I'm lucky, and my

1:03:44.680 --> 1:03:46.760
<v Speaker 1>kids are very lucky. She's a great mom. You know,

1:03:46.800 --> 1:03:50.360
<v Speaker 1>we're on this journey together and I'm just really lucky.

1:03:50.560 --> 1:03:52.840
<v Speaker 1>I'm so lucky to have met her. She's such a

1:03:53.640 --> 1:03:59.480
<v Speaker 1>she's such a decent and she does not complicate things unnecessarily.

1:03:59.760 --> 1:04:02.480
<v Speaker 1>No drama, she's not yeah, she's like yeah, you just

1:04:02.560 --> 1:04:05.600
<v Speaker 1>without even commenting on it. She just her nature is

1:04:05.640 --> 1:04:10.880
<v Speaker 1>to sidestep the drama very effectively, you know. And she's changed.

1:04:10.880 --> 1:04:16.960
<v Speaker 1>Her life can be quite cant and mental. But diamonds

1:04:17.040 --> 1:04:24.600
<v Speaker 1>a girl's best friend. On that, on those notes, on

1:04:24.640 --> 1:04:28.200
<v Speaker 1>those many notes, Ale, it's so fun having you. Thank

1:04:28.240 --> 1:04:32.160
<v Speaker 1>you really so much for coming by. Um really happy,

1:04:32.200 --> 1:04:37.600
<v Speaker 1>really happy for everything, Catherine Anne. And let the record

1:04:37.640 --> 1:04:44.360
<v Speaker 1>reflect he was kissing her hand as Tony Hopkins. Yes, yes,

1:04:44.840 --> 1:04:47.720
<v Speaker 1>close friends call him Tony, Tony, I call him Tone.

1:04:47.760 --> 1:04:51.760
<v Speaker 1>You know, if you're close to him, you call him tone. Yeah,

1:04:52.440 --> 1:04:54.800
<v Speaker 1>you hurt me, you cut me into the that's only

1:04:54.840 --> 1:04:57.520
<v Speaker 1>a Stanford wallgrad could. It's nice to meet you. It's

1:04:57.600 --> 1:05:00.440
<v Speaker 1>very nice to meet you too. Pleasuring this of pleasure.

1:05:00.480 --> 1:05:05.960
<v Speaker 1>Thank you, Alec. As always, we want to thank Gianna

1:05:06.080 --> 1:05:09.480
<v Speaker 1>Palmer for producing the show and Jared O'Connell for engineering

1:05:09.520 --> 1:05:12.520
<v Speaker 1>and mixing it. Thanks as well to Mark Phillips for

1:05:12.600 --> 1:05:14.840
<v Speaker 1>our theme music, which I've been listening to in the

1:05:14.880 --> 1:05:19.040
<v Speaker 1>shower not really. Also, remember you can email us at

1:05:19.120 --> 1:05:21.800
<v Speaker 1>comments at correct podcast dot com. You can find me

1:05:21.800 --> 1:05:24.920
<v Speaker 1>on social media. I'm Katie Couric on Twitter and Instagram

1:05:24.920 --> 1:05:29.920
<v Speaker 1>and Katie dot correct on Snapchat. I religiously follow Brian Goldsmith,

1:05:30.200 --> 1:05:32.760
<v Speaker 1>so Brian tell us your handles so everyone else can

1:05:32.840 --> 1:05:36.080
<v Speaker 1>to add Goldsmith be on Twitter. Best of all, you

1:05:36.120 --> 1:05:39.160
<v Speaker 1>can rate and review us on iTunes. Don't forget to

1:05:39.240 --> 1:05:42.919
<v Speaker 1>subscribe as well. Thanks so much for listening. We've had

1:05:42.960 --> 1:05:46.040
<v Speaker 1>fun talking. We hope you've had fun listening to us

1:05:46.160 --> 1:05:52.920
<v Speaker 1>and asking great questions, and we'll talk to you next time. Bye,