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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did.

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Speaker 2: My name is Millie to Jericho.

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Speaker 3: I'm Danielle Henderson.

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Speaker 2: And uh we're two women of the movies.

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Speaker 4: I like it. Yeah, I could be the next tattoo

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Speaker 4: fem deal cinema.

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Speaker 2: Oh what, Yeah, bitch, why did you say that? Like

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Speaker 2: many years ago when we started our podcast off.

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Speaker 4: The dome, sometimes you gotta you gotta get a head start.

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Speaker 4: You gotta get a running, a running start up to genius.

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Speaker 1: Okay, listen, we I think that we definitely need to

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Speaker 1: make that a tattoo. We need somebody to come and

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Speaker 1: make a really beautiful design.

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Speaker 2: Like a crest.

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Speaker 1: Why don't we do I Saw What You Did pod crest,

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Speaker 1: fem de list cinema.

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Speaker 3: Yes, or cinema whatever is right, but yeah.

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Speaker 1: And then we'll whatever the actual French uh syntax or.

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Speaker 2: We'll confirm confirm, We'll confirm with a French person.

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Speaker 1: But then we will then get the tattoos ourselves, yes,

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Speaker 1: and then force everybody else to get them too.

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Speaker 4: Listen, we're hanging out soon, and we're gonna be hanging

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Speaker 4: out in another country, and that is the best way

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Speaker 4: to commemorate such an occasion.

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Speaker 1: Yeah, I don't have a tattoo. As everybody knows, I

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Speaker 1: don't have any tattoos. This is definitely something I could

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Speaker 1: get as a first.

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Speaker 4: I feel like a first, but not the only because

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Speaker 4: you got to get Sophie protecting that biscuit.

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Speaker 2: Yeah.

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Speaker 1: Look, I got a French dog and a French themed

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Speaker 1: Crest podcast Crest.

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Speaker 2: I mean this is perfect. Two guns, Yes to bear mins.

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Speaker 4: We can do a t shirt if you don't want

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Speaker 4: to get a tattoo, but get a tattoo. Look at

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Speaker 4: the world, Get a fucking tattoo. What are we waiting

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Speaker 4: for anymore? And everything's gone straight to hell? Get a

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Speaker 4: fucking tattoo.

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Speaker 2: Oh, absolutely correct.

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Speaker 1: Okay, So I want to throw a potential new idea

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Speaker 1: out at you. So our producer Casey O'Brien, Casi O'Brien,

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Speaker 1: if he's heard our.

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Speaker 2: Last vote, he's quitting right now.

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Speaker 4: He's writing his resignation letter.

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Speaker 1: He has this podcast with his co host Patrick, who

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Speaker 1: they're both like really fun, interesting film dudes.

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Speaker 2: But it's called Farthouse. We've talked about it before. So

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Speaker 2: they have a section of their.

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Speaker 1: Podcast where they kind of talk about the movies that

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Speaker 1: they've seen over the past month that I guess between

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Speaker 1: episodes and if they log in a letterbox, which, by

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Speaker 1: the way, if you didn't know, we have a letterbox

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Speaker 1: to count we post the titles that we talk about

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Speaker 1: on the podcast, so if you are a letterbox user,

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Speaker 1: you can actually find this. I think it's I saw it,

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Speaker 1: she did pod. But that's basicly a list of everything

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Speaker 1: that we've ever talked about. Yes, but I use it,

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Speaker 1: you know, personally to log films and if you're looking

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Speaker 1: for something like that in your life, Like if you're like, hey,

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Speaker 1: I'm listening to this podcast with these two cool ladies,

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Speaker 1: and I've been watching a lot of movies, how do

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Speaker 1: I remember what I watched? Letterboxes for me is a

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Speaker 1: good option. They have an app. I mean, it's kind

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Speaker 1: of like all at your side if.

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Speaker 4: You need to log films.

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Speaker 2: So they have a section where they talk about it.

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Speaker 1: And then I was like, okay, well let me go

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Speaker 1: through my letter box, and then I realized something.

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Speaker 2: So last month, I've watched twenty nine movies.

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Speaker 3: Damn it tracks, it tracks right.

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Speaker 4: But here's the thing.

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Speaker 2: It's like a movie at night kind of like.

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Speaker 1: I'm like, how did I have the time to watch

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Speaker 1: all those movies because as you know, you and I

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Speaker 1: watch two movies a week, so you know, roughly you know,

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Speaker 1: eight movies a month. But then if there's sometimes I

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Speaker 1: don't know about you, Sometimes I am like, oh, I

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Speaker 1: want to watch this other movie that's related to the

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Speaker 1: movie or something, and then I ended up going down

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Speaker 1: a rabbit hole. So sometimes it could be I would

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Speaker 1: say in between ten and twelve movies a month maybe

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Speaker 1: max for the pod, but twenty nine movies in one

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Speaker 1: month is a lot for me, Like yeah, well, and

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Speaker 1: then I started looking back on my list and I

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Speaker 1: was like, maybe I could mention a couple of these

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Speaker 1: movies that I watched. So I will say this, I

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Speaker 1: think the reason for the uptick in movie watching was

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Speaker 1: because I was on a jury for a film festival.

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Speaker 1: So I don't know if you've ever been on a jury, Danielle.

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Speaker 1: You should actually be.

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Speaker 4: On a jury for a film festival. They're really I'd love.

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Speaker 1: It, absolutely, one hundred percent. I've done them a few times.

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Speaker 1: It's super fun. You're just the type of person that

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Speaker 1: they need to be on juries. So Hollywood, whomever.

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Speaker 2: Worldwide, if you have a film festival and you need

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Speaker 2: somebody for a jury.

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Speaker 1: Daniel Henderson is your woman. I'm available, man, I'm available.

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Speaker 1: I got I got the time. Yes, it's just fun

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Speaker 1: because then they usually give you a badge to the

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Speaker 1: film festival and you can watch other stuff and uh

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Speaker 1: and then you get to watch stuff usually that hasn't

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Speaker 1: come out yet, so it's kind of cool. So, yeah,

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Speaker 1: I was on a I was on a film festival jury,

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Speaker 1: the Atlanta Film Festival, and so I was part of

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Speaker 1: the narrative Features category.

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Speaker 2: So I got to watch all.

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Speaker 1: These cool new movies that are being made by like

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Speaker 1: cool people, cool young people.

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Speaker 2: It was really neat. So I ended up watching a

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Speaker 2: lot of this.

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Speaker 4: I love this.

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Speaker 2: I was.

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Speaker 4: I don't know if I've probably told you this. I

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Speaker 4: don't think I told our listeners this, but I was.

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Speaker 4: I was on a jury. The only jury thing I've

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Speaker 4: ever done, like the only jury I've ever been part of,

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Speaker 4: besides jury duty, which I actually loved because I'm like, yeah,

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Speaker 4: I'll fucking show up and do my civic duty.

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Speaker 3: Don't talk to me for seven years.

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Speaker 2: Wait, what was your case? By the way, I was

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Speaker 2: on jury duty once.

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Speaker 4: Too, I I got I always get called for jury duty,

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Speaker 4: but I never get on the actual jury. I've never

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Speaker 4: been on an actual jury yet, but the last one

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Speaker 4: that I was called for was like this in hence

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Speaker 4: domestic violent situation, and I was like, you know how

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Speaker 4: they ask you all the questions like have you ever

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Speaker 4: experienced this, this, this, and I was like yes, yes, yes,

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Speaker 4: my childhood was a mess. So no, I can't be

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Speaker 4: on this jury, I guess, but I'd love to. And

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Speaker 4: they're like, no, too biased. But I was a jurist

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Speaker 4: for the Pulitzer Prize for a couple of years. Oh

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Speaker 4: wow to New York. Wow, the Pulitzer Prize for journalism.

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Speaker 2: That's so impressive.

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Speaker 4: Actually it was fun. It was really and I don't

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Speaker 4: even I'm like, how'd you get my number? Like, I

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Speaker 4: don't know why I'm here, but it was. It was

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Speaker 4: one of the years was when Hilton Awl's won. Wow.

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Speaker 4: It was cool and you get to read like all

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Speaker 4: this great journalist. So I love the idea of a

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Speaker 4: being on a film jury because yeah, that to me

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Speaker 4: is like the fun part where you're like ooh, I

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Speaker 4: get to watch or read everything and you're a completist.

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Speaker 4: So I know how that hits you right in the

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Speaker 4: heart room well and honestly to.

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Speaker 2: Both points.

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Speaker 1: Like either if you're on a film book jury, if

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Speaker 1: you're on a criminal trial or a trial, they need

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Speaker 1: people like you.

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Speaker 2: They need people who are.

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Speaker 1: Rational thinkers, who are you know, can basically listen to

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Speaker 1: things and.

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Speaker 2: Organize their thoughts.

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Speaker 1: I mean, that's I mean, because that's the shocking part

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Speaker 1: about being on jury duty is that you're like, oh shit,

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Speaker 1: like I'm around people who like, are very emotional and

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Speaker 1: don't know how to make decisions properly.

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Speaker 2: You know what I mean.

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Speaker 1: And like because I was on a jury, I was

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Speaker 1: on a murder trial probably like ten twelve years ago, Yeah,

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Speaker 1: and it was so fucking stressful because of that, Like

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Speaker 1: it's the twelve agreemn scenario where you're like, I'm cool,

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Speaker 1: calm and collected, and then somebody else is like a

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Speaker 1: freak exactly.

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Speaker 4: Also, I feel like, if you're on a murder trial,

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Speaker 4: you should never have to do jury duty again because

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Speaker 4: that is stressful. Uh.

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Speaker 2: Yeah. I for some reason, I've ever been called back

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Speaker 2: and I don't know why.

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Speaker 1: I mean, maybe it's because I've moved a few times

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Speaker 1: since then, but yeah, it was, it was. It was

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Speaker 1: quite an experience, honestly, Like I just really end to end.

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Speaker 1: It was fascinating, but it was rested me the fuck out.

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Speaker 4: And and it's like that on every jury, like you're like,

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Speaker 4: I'm cool, comic collected, I'm reading all these articles, and

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Speaker 4: then you'll have one person who's like I don't get this,

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Speaker 4: and you're like, ah, fuck yeah.

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Speaker 1: Well, and like to the to the point of the

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Speaker 1: Atlanta Film Festival jury, I was on there with this

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Speaker 1: other person and he was lovely.

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Speaker 2: His name is Clint, and I think he works for

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Speaker 2: the New Orleans Film Festival.

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Speaker 1: But he was such a lovely individual. He and I

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Speaker 1: got along very well. There was no fighting.

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Speaker 2: He was not he was Clint was not like the

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Speaker 2: Lee J.

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Speaker 4: Cobb of the Twelve Angry Men jury.

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Speaker 1: He was he was very sweet. And so, yeah, I

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Speaker 1: will say I being on the jury is fun. Daniel,

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Speaker 1: put you gotta go. So I watched I don't know,

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Speaker 1: probably like five or six different movies. But then after

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Speaker 1: it was over, I was like, what am I watching?

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Speaker 1: And then I watched the first three Jackass movies again, just.

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Speaker 3: Just to reset a palette cleanser.

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Speaker 1: Yes, after you've watched like cinema, I was like, what

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Speaker 1: it's on TV? Oh, the first three Jackass movies. So

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Speaker 1: I watched all three Jackass movies again classics.

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Speaker 3: Do you have a favorite of the three?

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Speaker 2: Oh God, I don't know, actually, because I've seen don't

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Speaker 2: have to, I've see it.

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Speaker 4: You don't have to have a favorite.

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Speaker 2: I actually love the one.

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Speaker 1: I think it's number two where they do like the

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Speaker 1: busby Berkeley thing at the end with like like diving

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Speaker 1: into the pool and all that stuff. I think it's two,

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Speaker 1: but it's so good like that. I was like fucking

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Speaker 1: impressed by those dudes. I was like, they really nailed

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Speaker 1: it the musical. Oh, let's see what else I watched?

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Speaker 1: So I watched Man Hunter from nineteen eighty six.

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Speaker 4: Okay, this week got to talk about because I don't

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Speaker 4: know what kind of symbiosis was happening. But last weekend

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Speaker 4: I was on one and I watched every single Hannibal

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Speaker 4: Lecter film that was available. So I watched Man Hunter,

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Speaker 4: Red Dragon, and I watched them in order, so it's

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Speaker 4: like Manhunter, Red Dragon, Sounds of the Lambs. I just

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Speaker 4: watched them all. Yes, Like that's what I did on

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Speaker 4: a Saturday last weekend.

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Speaker 3: And you know, I, because kids are a part I

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Speaker 3: could do whatever the fuck I want.

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Speaker 4: I could spend all day watching Handibal Lecter if I want,

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Speaker 4: and it felt great.

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Speaker 2: One hundred percent with you.

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Speaker 1: I was with my friend Eddie we want rewatched Silence

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Speaker 1: of the Lambs and then, which is incredible. We're gonna

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Speaker 1: probably talk about it today obviously, But then I was

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Speaker 1: like somebody in the room that uh at Eddie's house

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Speaker 1: was like, I've never seen man Hunter, and we were like,

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Speaker 1: we gotta watch man Hunter.

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Speaker 2: It was filmed in Atlanta, by the way, which is

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Speaker 2: really fun.

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Speaker 4: But I was do it. Yeah.

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Speaker 1: Yeah, but I was like, now I'm like, oh shit,

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Speaker 1: I want to watch Red Dragon. And then I was like,

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Speaker 1: should I watch like the TV stuff? Like, y, now

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Speaker 1: I want to go into the TV stuff.

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Speaker 3: That's what I'm doing now.

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Speaker 4: I watched all the movies and then I went back

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Speaker 4: and I'm watching Hannibal the TV series again.

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Speaker 2: Yeah, So Hannibal is the this is Mad's Michaelson.

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Speaker 4: Is that medicosen favorite dude?

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Speaker 3: Oh my god?

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Speaker 4: So is he Hannibal?

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Speaker 3: He is in the TV show?

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Speaker 2: Yeah, but does he play Hannibal Lecters?

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Speaker 3: Yeah?

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Speaker 2: And it's like young like teen Hannibal or something.

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Speaker 4: I don't know. I love teen and like young versions

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Speaker 4: of characters. I mean he is a middle aged man,

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Speaker 4: so no, okay, but he is playing a younger version

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Speaker 4: of Hannibal that we've seen then we've seen in Silence

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Speaker 4: of the Lamb. So he's playing like like Will Graham

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Speaker 4: is also in it, and he's also you know, young,

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Speaker 4: but it's set in present day.

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Speaker 2: Okay, got it, got it, got it, got it.

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Speaker 4: But he's like a middle age just like before he

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Speaker 4: gets caught as being Hannibal the Cannibal.

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Speaker 3: Oh I see, So it's when he's a doctor.

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Speaker 4: Uh oh, I gotta get on that ship.

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Speaker 1: Also, he is one of those guys, he's like a

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Speaker 1: pedro pascal. Everybody is horny for him. Now I gotta

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Speaker 1: see what all the fuss is about.

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Speaker 3: So have you seen Another Round?

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Speaker 4: No?

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Speaker 2: I don't even know the I don't know.

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Speaker 4: Okay, So he's your Adrian Grenier where you just have

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Speaker 4: not kept up with his career at all. You missed

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Speaker 4: his career. Yeah again, if you have to listen to

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Speaker 4: our last bonus episode, please go do that. But yeah,

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Speaker 4: he's he is fin Another Round is such a good movie.

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Speaker 4: It came out recently, like the last couple of years,

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Speaker 4: and also The Hunt if you haven't watched The Hunt

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Speaker 4: for sure, and I'm a watch list right nowox list

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Speaker 4: and also not for nothing. It's a pretty good movie.

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Speaker 4: But in the movie Polar po l a r he fucks.

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Speaker 4: He fox like a lot in Polar Wow, and he

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Speaker 4: plays like a like a hitman. Okay, he's a killer

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Speaker 4: who focks.

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Speaker 2: We love that.

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Speaker 4: Here we love a killer who fox. We love a

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Speaker 4: killer who FOCKX.

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Speaker 2: You got to balance it speaking speaking slightly of a

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Speaker 2: killer who focks. Another movie that I saw last month

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Speaker 2: is this movie called.

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Speaker 4: Thriller A Cruel Picture.

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Speaker 1: Oh yes, this is like a seventies rape revenge film.

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Speaker 1: It's like a classic in that micro genre. So there's

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Speaker 1: like an entire micro genre of films that are rape

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Speaker 1: revenge movies.

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Speaker 2: You know.

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Speaker 1: Obviously I think Kill Bill is part of that tradition,

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Speaker 1: but then like Miss forty five and you know, so,

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Speaker 1: but this one is kind of the one of the

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Speaker 1: originals that came out right wow. And so when I

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Speaker 1: was in high school, I saw basically the US version

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Speaker 1: of it, which was called they call Her One Eye.

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Speaker 3: Oh damn yes, And.

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Speaker 1: It's basically I think it's this is it a Swedish film.

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Speaker 2: But the cover is like a woman with an eyepatch.

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Speaker 1: And she's like shooting up dudes. It's incredible. It's an

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Speaker 1: incredible film.

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Speaker 3: Right, I'm already in.

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Speaker 1: So I got the new Blu ray that has the

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Speaker 1: kind of original cut that wasn't the one I saw,

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Speaker 1: and that's what that is called thriller. Okay, Now, that

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Speaker 1: movie had included these inserts of pure pornography basically like

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Speaker 1: there was there was cuts like shots of penetrative sex,

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Speaker 1: like what parts, like close up parts, and I was

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Speaker 1: shocked because I've never seen that in the original And

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Speaker 1: I mean it was really hard to watch because I

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Speaker 1: was like, oh, wait a minute, now I'm seeing someone's anus,

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Speaker 1: like an anis is on my fifty inch.

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Speaker 2: Television.

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Speaker 4: We call this episode fifty genus was Oh my god,

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Speaker 4: that's child Yeah.

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Speaker 1: So what was crazy because it was that it's that

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Speaker 1: kind of thing where like, here's a movie from my

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Speaker 1: childhood that I'm finally seeing completely uncut.

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Speaker 4: And it is wild. I was like, oh, I uh,

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Speaker 4: I don't know what to do.

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Speaker 2: I have never seen the butthole version of this film.

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Speaker 4: Well that also makes me think of like like in

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Speaker 4: terms of like Last Tango in Paris, and like all

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Speaker 4: these films where it's like what was that set like

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Speaker 4: and what was it like for those actors, Like what

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Speaker 4: is happening here where they haven't thought that'd be cool?

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Speaker 2: Well, I had to.

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Speaker 1: I had to read about it because I was like, certainly,

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Speaker 1: because the woman who stars in the film, Christina Lindberg,

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Speaker 1: she was kind of a famous sexploitation actress, but she

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Speaker 1: I don't think she was a She wasn't a porn star, right,

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Speaker 1: she didn't do hardcore, I think, and so I was like,

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Speaker 1: that's certainly not her. And then I read that they

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Speaker 1: had actually had to you know, poor you know, porn

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Speaker 1: actors do the scenes and that's what's showing on the screen.

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Speaker 1: And I was like, wow, this is wild because that

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Speaker 1: movie is already pretty intense. It's very bleak, as you

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Speaker 1: can imagine. Yeah, and then of course the end of

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Speaker 1: it is so satisfying because she's walking around like a

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Speaker 1: bad ass. She's like learning green Berete trading because she's

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Speaker 1: so like fed up with all of these assholes that

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Speaker 1: forced her into sex work. And then you know, basically

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Speaker 1: at the end of the day, she's like a fucking

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Speaker 1: ninja badass it's amazing, and there's a lot of great

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Speaker 1: like slow motion.

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Speaker 2: It's kind of known for that these like slow motion

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Speaker 2: like baha ba like it's kind of glorious. But anyway,

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Speaker 2: so I watched that, and then what else, I mean,

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Speaker 2: there's just random stuff I watched.

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Speaker 1: I mean, I watched the third Exorcist movie, which is

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Speaker 1: so weird and interesting. Have you ever seen the third

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Speaker 1: Exorcist movie with Georgsey Scott.

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Speaker 4: I haven't even seen the second one. No, that is

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Speaker 4: a choice, man, that's a choice.

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Speaker 1: The Second Exorcist is and I say this knowing that

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Speaker 1: I love terrible things.

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Speaker 4: It's terrible, like not even George Scot can save it.

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Speaker 2: Yeah, no, no, no, no, loo, I'm talking about the second

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Speaker 2: the sex.

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Speaker 4: The second Extorccist is terrible.

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Speaker 1: Now, the third one is kind of amazing in its

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Speaker 1: own weird way. It feels like I said this in

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Speaker 1: my Letterbox review, it feels like you're watching a syndicated

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Speaker 1: television show on like the Ion Network or something.

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Speaker 4: It's really weird. It's like criminal Minds with crosses. Yes.

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Speaker 4: So the George C.

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Speaker 1: Scott character is the detective from the first Exorcist movie,

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Speaker 1: and so the entire thing is about him, except it's not.

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Speaker 1: Was it Lije Cobb that played him in the first Exorcist.

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Speaker 2: But now George C. Scott is that detective and it's

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Speaker 2: and I mean, it's very interesting and weird.

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Speaker 4: It's thought that of all the characters in the Exorcist,

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Speaker 4: the detective was the most important one to focus on

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Speaker 4: for the third movie. Of all the characters. People are

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Speaker 4: being thrown around rooms and fucking possessed, and they're like,

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Speaker 4: you know what we need to do. We need to

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Speaker 4: dig deeper into this fucking detective.

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Speaker 1: Yeah, And that's what's so weird about it. It's like

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Speaker 1: you're watching like Father Dowling Mysteries with that.

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Speaker 4: Tom fucking boss.

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Speaker 1: Yeah, it's like you're watching something like that, except Brad

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Speaker 1: Dorri is like a fucking demon.

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Speaker 4: Or something like. Oh.

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Speaker 1: I would be very curious if anybody returns to Exorcists three.

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Speaker 1: Email us at a saw she did pottet gmail dot

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Speaker 1: com and.

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Speaker 2: Tell me what you think of that movie.

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Speaker 4: It's so weird. I in a line or two about

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Speaker 4: Father Dowling Mysteries. I don't thinking that people have recognized

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Speaker 4: that a show where there there was once a show

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Speaker 4: with a crime fighting priest and his sidekick Nun. Yeah, yeah,

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Speaker 4: yeah exactly. Oh god.

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Speaker 1: So and then I watched this movie called Last Summer,

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Speaker 1: which I might have brought up during the David and

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Speaker 1: Lisa episode that we just did, but.

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Speaker 2: It's very hard to find.

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Speaker 1: So I had to go down to my local video

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Speaker 1: store in Atlanta, Video Drome and rent it. And it

399
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Speaker 1: was I mean, I hadn't seen it in probably I

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Speaker 1: don't know, twenty years, and I was like, wow, this.

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00:19:25,000 --> 00:19:29,240
Speaker 2: Movie is fucked up, Like this is a fucked up movie. Yeah.

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Speaker 1: It's like late sixties kind of like counterculture adjacent, but

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Speaker 1: it stars Barbara Hershey, very young Barbara Hershey, like beautiful

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Speaker 1: j cru model Barbara Hershey, and.

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Speaker 2: It's kind of a mix.

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Speaker 1: I would say, it's kind of like, God, it kind

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Speaker 1: of reminds me of like an Eats to Mama Tambien

408
00:19:51,040 --> 00:19:53,640
Speaker 1: meets The Dreamers. I don't know if you ever saw

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Speaker 1: The Dreamers, Yeah, with like Michael Pitt and that famous

410
00:19:58,800 --> 00:20:02,800
Speaker 1: at Bertolushi movie. Yeah, So it's that kind of thing

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Speaker 1: where it's like a girl and two guys having a summer,

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Speaker 1: having a fucking summer, and they're like these kind of

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Speaker 1: disaffected rich kids. Their parents kind of leave them to

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Speaker 1: their own devices, and they just are fucked up, like

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00:20:15,960 --> 00:20:20,040
Speaker 1: they're fucked up, like they're, you know, kind of tormenting

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Speaker 1: this like other girl that's now on the trip and

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Speaker 1: they're just kind of like weird almost having sex with

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Speaker 1: each other, but not really type of thing.

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Speaker 2: It's very like it's a bummer of a film. Let's

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Speaker 2: just say that. It's it's a fucking bummer, but fascinating.

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Speaker 1: And then I don't know that's it. I mean I

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Speaker 1: pretty much watched like I watched are you there got

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Speaker 1: it to me?

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Speaker 2: Margaret?

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Speaker 1: I don't know if you saw that one yet? Yeah,

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Speaker 1: And then I saw bo Is Afraid.

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Speaker 4: I don't know that one I wanted to watch, and

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Speaker 4: it was only in my local theater for a week

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Speaker 4: and then it was gone, so I'm gonna have to

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Speaker 4: go to like New Jersey to watch it or something.

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Speaker 2: They were like, this movie is too long and too

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Speaker 2: weird for this town.

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Speaker 4: None of these farmers want to watch fucking watching Phoenix

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Speaker 4: Being Born.

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Speaker 1: I want to say this, though not gonna obviously give

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Speaker 1: it away, the I think I understood that movie more

437
00:21:20,200 --> 00:21:23,160
Speaker 1: because you made me watch Hereditary.

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Speaker 4: Go on? Really?

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00:21:25,720 --> 00:21:30,920
Speaker 2: Yeah, because I mean listen, this is This is a

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Speaker 2: stupid thing for me to say. But part of the

441
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Speaker 2: benefit in watching a director writer's like, you know, whole filmography,

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Speaker 2: or at least watching multiple movies from the same director,

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Speaker 2: is that you're like, oh, these are there are tons

444
00:21:47,480 --> 00:21:50,600
Speaker 2: of through lines between all of these films. I'm like,

445
00:21:51,960 --> 00:21:54,959
Speaker 2: if I hadn't seen Hereditary, if I wasn't forced to

446
00:21:55,040 --> 00:22:02,320
Speaker 2: watch that traumatic film, then I wouldn't understood a lot

447
00:22:02,440 --> 00:22:05,480
Speaker 2: of sort of the themes of bo Is Afraid in

448
00:22:05,560 --> 00:22:07,359
Speaker 2: terms of the mother.

449
00:22:07,960 --> 00:22:10,399
Speaker 3: So, yeah, have you watched Midsummer No?

450
00:22:10,520 --> 00:22:14,320
Speaker 4: I have not. Actually, oh fucking shit, Yeah, Ari Astor

451
00:22:14,440 --> 00:22:20,000
Speaker 4: has beef with moms. Oh okay, he's got beef with

452
00:22:20,200 --> 00:22:21,280
Speaker 4: moms for sure.

453
00:22:22,200 --> 00:22:25,080
Speaker 2: Yeah, that's very clear in.

454
00:22:25,040 --> 00:22:27,280
Speaker 4: The two movies that I've seen of his.

455
00:22:28,320 --> 00:22:31,400
Speaker 1: So I am gonna watch Midsummer. That's gonna be that's

456
00:22:31,400 --> 00:22:35,280
Speaker 1: on my list too to watch. But yeah, I there

457
00:22:35,359 --> 00:22:36,960
Speaker 1: was a lot of things. There was also just sort

458
00:22:36,960 --> 00:22:41,199
Speaker 1: of like scenes that reminded me of Hereditary, Like, like

459
00:22:41,240 --> 00:22:43,720
Speaker 1: I said, I don't want to give it away, but

460
00:22:43,720 --> 00:22:46,520
Speaker 1: but yeah, and then I was like in the movie, thinking, Wow,

461
00:22:46,680 --> 00:22:49,040
Speaker 1: I'm really glad that Danielle made me watch Hereditary. I

462
00:22:50,240 --> 00:22:53,960
Speaker 1: probably overall enjoyed it more having watched that.

463
00:22:53,960 --> 00:22:56,719
Speaker 4: That is a high compliment because, as we know, Hereditary

464
00:22:56,760 --> 00:22:57,800
Speaker 4: traumatized you for.

465
00:22:57,920 --> 00:22:59,200
Speaker 3: Life, and.

466
00:23:01,080 --> 00:23:03,080
Speaker 4: You know, I feel a little guilt about it. So

467
00:23:03,080 --> 00:23:05,960
Speaker 4: I'm glad that it had a payoff beyond the trauma,

468
00:23:06,359 --> 00:23:08,600
Speaker 4: because there's I also saw him in the trailer. I

469
00:23:08,600 --> 00:23:12,200
Speaker 4: watched the trailer for it, and I saw him running

470
00:23:12,200 --> 00:23:14,160
Speaker 4: through the woods at one point and I was like, again,

471
00:23:14,240 --> 00:23:17,159
Speaker 4: ari Astor in the woods, ari Astor in the woods,

472
00:23:17,160 --> 00:23:18,679
Speaker 4: and moms, he just can't.

473
00:23:18,760 --> 00:23:22,600
Speaker 1: Yeah, there is So I don't think I'm giving anything away,

474
00:23:22,640 --> 00:23:26,359
Speaker 1: but the film is sort of structured kind of in

475
00:23:26,400 --> 00:23:29,960
Speaker 1: like a four act type of thing, and like there's

476
00:23:30,000 --> 00:23:33,560
Speaker 1: an entire act. I think it's the third one that's

477
00:23:33,600 --> 00:23:37,160
Speaker 1: in the woods pretty much. So yeah, you're absolutely right

478
00:23:37,200 --> 00:23:41,119
Speaker 1: about that. But it is very controversial. I think a

479
00:23:41,160 --> 00:23:45,520
Speaker 1: lot like the people that I went with fucking hated it,

480
00:23:45,680 --> 00:23:47,600
Speaker 1: like to the point where they were walking out of

481
00:23:47,600 --> 00:23:50,840
Speaker 1: the movie theater and being like I wasted my time,

482
00:23:51,160 --> 00:23:53,480
Speaker 1: my life, And then like somebody that we didn't know

483
00:23:53,760 --> 00:23:55,880
Speaker 1: across the parking deck was like, I.

484
00:23:55,960 --> 00:23:59,080
Speaker 2: Know, did you just see that movie? Because I've I

485
00:23:59,119 --> 00:24:02,719
Speaker 2: don't know if I felt that way about it, but

486
00:24:02,800 --> 00:24:03,119
Speaker 2: it is.

487
00:24:03,480 --> 00:24:06,879
Speaker 4: It is challenging to say the least, let's just say that.

488
00:24:06,920 --> 00:24:09,960
Speaker 4: And it's also long, right, it's like almost three hours long.

489
00:24:10,400 --> 00:24:12,920
Speaker 1: Oh yeah, And look, I could go on a whole

490
00:24:12,960 --> 00:24:16,119
Speaker 1: fucking tangent about these three hour movies, Like I'm just like, come.

491
00:24:16,000 --> 00:24:19,720
Speaker 4: On, y'all, like, give me a tight ninety five.

492
00:24:20,520 --> 00:24:24,720
Speaker 1: Yeah, Like it's and it was kind of like the

493
00:24:24,760 --> 00:24:28,480
Speaker 1: movie is kind of paced, I think now that I've

494
00:24:28,520 --> 00:24:34,680
Speaker 1: seen everything everywhere all at once, you know, I I

495
00:24:34,720 --> 00:24:37,600
Speaker 1: was like, oh, this kind of feels that way, pacing wise,

496
00:24:37,640 --> 00:24:40,960
Speaker 1: like it's very kind of like chaotic, and it's a frenzy.

497
00:24:41,440 --> 00:24:46,400
Speaker 1: It's very sensory. Right, But over the course of three hours,

498
00:24:46,440 --> 00:24:49,600
Speaker 1: I was like, can I sustain? Like I just remember

499
00:24:49,680 --> 00:24:53,200
Speaker 1: like dissociating at one point and being like looking at

500
00:24:53,200 --> 00:24:56,160
Speaker 1: my watch, going, oh, there's like another hour left.

501
00:24:56,720 --> 00:24:57,680
Speaker 4: So cool.

502
00:24:58,000 --> 00:25:01,040
Speaker 2: But there's a three hour movie that I watched.

503
00:25:01,320 --> 00:25:04,080
Speaker 4: I'm glad in the midst of all this horror and trauma,

504
00:25:04,280 --> 00:25:06,080
Speaker 4: I'm still gonna be here for another hour.

505
00:25:06,240 --> 00:25:06,720
Speaker 3: This is great.

506
00:25:06,800 --> 00:25:08,520
Speaker 2: I know, I know what.

507
00:25:08,560 --> 00:25:11,439
Speaker 1: I hate to think that, but it is truly what

508
00:25:11,520 --> 00:25:13,960
Speaker 1: I thought, Honest to god, Sure.

509
00:25:13,840 --> 00:25:15,000
Speaker 4: I get to find it.

510
00:25:15,040 --> 00:25:16,639
Speaker 3: I'm even looking right now, like where can.

511
00:25:16,520 --> 00:25:17,000
Speaker 4: I see it?

512
00:25:17,160 --> 00:25:17,800
Speaker 3: Where is it?

513
00:25:18,720 --> 00:25:21,280
Speaker 4: I want to see it because I love I just

514
00:25:21,359 --> 00:25:23,480
Speaker 4: love Ariostra. But you know what, I also want to

515
00:25:23,520 --> 00:25:26,280
Speaker 4: see and I only want to see it because I

516
00:25:26,320 --> 00:25:28,760
Speaker 4: saw it in the trailer for John Jonathan Wick four

517
00:25:29,600 --> 00:25:30,360
Speaker 4: Johnny Wick four?

518
00:25:30,960 --> 00:25:35,200
Speaker 3: Is that movie? See, Sue? I think it's called Yes, Yes,

519
00:25:35,520 --> 00:25:36,400
Speaker 3: I'm seeing that shit.

520
00:25:37,119 --> 00:25:37,600
Speaker 2: Yeah.

521
00:25:38,119 --> 00:25:38,359
Speaker 4: Yeah.

522
00:25:38,400 --> 00:25:41,480
Speaker 2: There was a lot of good trailers attached to Bo's

523
00:25:41,520 --> 00:25:43,840
Speaker 2: Afraid that I'm Nice. I think that was.

524
00:25:43,800 --> 00:25:44,280
Speaker 4: One of them.

525
00:25:44,480 --> 00:25:48,320
Speaker 1: But dude, I can't believe I saw twenty nine movies.

526
00:25:48,560 --> 00:25:52,119
Speaker 1: There's a lot I didn't mention obviously, but yeah, I

527
00:25:52,160 --> 00:25:54,520
Speaker 1: mean I was kind of like, I am shocked and

528
00:25:54,640 --> 00:25:58,600
Speaker 1: awed by it. But also listen, if you I don't know,

529
00:25:58,600 --> 00:26:00,359
Speaker 1: if you have a lot of box you probably don't.

530
00:26:00,400 --> 00:26:03,639
Speaker 1: You probably don't want another app, but if you sign

531
00:26:03,680 --> 00:26:05,840
Speaker 1: up for it or I would love to see what

532
00:26:05,880 --> 00:26:07,959
Speaker 1: you're watching too, because that's one of my favorite part

533
00:26:08,000 --> 00:26:12,280
Speaker 1: about letterboxes, seeing what other people are watching, Like not

534
00:26:12,280 --> 00:26:15,880
Speaker 1: gonna lie, I'm looking at Casey's our producer's letterbox.

535
00:26:15,960 --> 00:26:16,919
Speaker 2: I'm like, oh, what's he?

536
00:26:16,920 --> 00:26:17,280
Speaker 4: He man?

537
00:26:17,359 --> 00:26:20,400
Speaker 2: He watched that? That's really interesting. Now I gotta watch it.

538
00:26:20,520 --> 00:26:25,359
Speaker 4: So I think that I keep meaning to sign up

539
00:26:25,400 --> 00:26:28,199
Speaker 4: for it, and like you said, I always think like

540
00:26:28,240 --> 00:26:30,240
Speaker 4: I don't need another app, but I do like the

541
00:26:30,280 --> 00:26:33,359
Speaker 4: idea of logging films and seeing what other people are watching,

542
00:26:33,440 --> 00:26:35,359
Speaker 4: so I kind of get an idea of what to do.

543
00:26:35,400 --> 00:26:36,879
Speaker 4: So I'm going to sign up for that's on my

544
00:26:36,960 --> 00:26:38,520
Speaker 4: list right now. I'm going to sign up for it

545
00:26:38,560 --> 00:26:39,840
Speaker 4: the minute we stop recording.

546
00:26:40,080 --> 00:26:43,680
Speaker 1: Yeah, and friend our podcast, you have to at least

547
00:26:43,720 --> 00:26:44,680
Speaker 1: frend our podcasts and.

548
00:26:45,400 --> 00:26:49,840
Speaker 4: Think about it, Okay, but I will because then I

549
00:26:49,880 --> 00:26:52,199
Speaker 4: can say, like I can send you a text and

550
00:26:52,240 --> 00:26:54,520
Speaker 4: be like, Yo, you're on movie thirty five this month?

551
00:26:54,520 --> 00:26:55,120
Speaker 3: Are you all right?

552
00:26:56,480 --> 00:26:58,960
Speaker 1: So that's the best part is when you're like looking

553
00:26:59,000 --> 00:27:02,600
Speaker 1: at your friends and you're like, oh, somebody's watching like

554
00:27:03,560 --> 00:27:05,320
Speaker 1: I don't know, like like.

555
00:27:05,600 --> 00:27:08,960
Speaker 2: Solo, and you're like, oh, what happened there?

556
00:27:10,240 --> 00:27:11,600
Speaker 4: What kind of night are you having?

557
00:27:11,720 --> 00:27:15,000
Speaker 2: Or more why did that happen? Well, thanks for indulging

558
00:27:15,040 --> 00:27:16,640
Speaker 2: me in this. I just wanted to.

559
00:27:18,119 --> 00:27:19,680
Speaker 4: Movies and we should do it more often. I think

560
00:27:19,680 --> 00:27:22,119
Speaker 4: it's cool to talk about movies we're watching now that

561
00:27:22,160 --> 00:27:24,240
Speaker 4: are not that we're not going to showcase on the

562
00:27:24,280 --> 00:27:26,560
Speaker 4: pod and Also, you know, we don't cover a lot

563
00:27:26,600 --> 00:27:29,240
Speaker 4: of new films and what's right in the or really

564
00:27:29,280 --> 00:27:30,800
Speaker 4: any new films in the pod, so it's a nice

565
00:27:30,840 --> 00:27:32,800
Speaker 4: way to kind of let you know what we're watching

566
00:27:33,000 --> 00:27:34,280
Speaker 4: on the actual screens.

567
00:27:34,920 --> 00:27:42,879
Speaker 2: Definitely, Well you want to talk about some more.

568
00:27:43,000 --> 00:27:47,720
Speaker 4: Movies, you know, I fucking do, because this week's theme

569
00:27:48,240 --> 00:27:49,840
Speaker 4: it kind of it's one of those themes that just

570
00:27:49,960 --> 00:27:53,280
Speaker 4: jumped out of my brain. Oh my god, and the

571
00:27:53,320 --> 00:27:55,320
Speaker 4: minute it did, I was like, ooh, what's wrong with me?

572
00:27:55,359 --> 00:27:57,320
Speaker 4: But also, yes, yes, this makes sense.

573
00:27:57,920 --> 00:27:59,879
Speaker 2: Well let me just tell you right now.

574
00:28:00,560 --> 00:28:03,040
Speaker 1: Every time, I mean, like, we know at this point

575
00:28:03,080 --> 00:28:04,600
Speaker 1: that you pretty much come up with all of the

576
00:28:04,680 --> 00:28:07,840
Speaker 1: names for all the themes. We come up with the

577
00:28:07,920 --> 00:28:11,280
Speaker 1: concepts together, but Danielle puts like the finishing touch on

578
00:28:11,400 --> 00:28:15,000
Speaker 1: the name because I'm stupid and I can't think of things.

579
00:28:16,119 --> 00:28:19,800
Speaker 1: I appreciate it, but it's true. I often say, this

580
00:28:19,960 --> 00:28:21,800
Speaker 1: is the best thing you've ever said, This is the

581
00:28:21,800 --> 00:28:26,840
Speaker 1: best thing you've ever come up with. This week might

582
00:28:27,760 --> 00:28:32,000
Speaker 1: actually have kicked all of the prior times, all the

583
00:28:32,040 --> 00:28:33,520
Speaker 1: prior accolades out the door.

584
00:28:33,880 --> 00:28:36,200
Speaker 2: This is pretty much the best thing you've ever said.

585
00:28:36,560 --> 00:28:40,320
Speaker 4: I to you, Thank you, Not only do I agree,

586
00:28:40,400 --> 00:28:42,479
Speaker 4: I think it's the best thing I've ever done with

587
00:28:42,640 --> 00:28:48,640
Speaker 4: my entire life. If I look across the spectrum of accomplishments,

588
00:28:48,720 --> 00:28:50,080
Speaker 4: this is at the top for me.

589
00:28:51,720 --> 00:28:54,520
Speaker 2: Well, now you've got to tell everybody what is this

590
00:28:54,560 --> 00:28:55,240
Speaker 2: week's theme.

591
00:28:55,400 --> 00:28:57,719
Speaker 4: I can't wait to tell you because I guarantee nobody

592
00:28:57,760 --> 00:29:05,240
Speaker 4: guessed it. This week's theme is remember when Lenny kravitz

593
00:29:05,280 --> 00:29:06,040
Speaker 4: dick popped out?

594
00:29:10,120 --> 00:29:14,560
Speaker 1: So I actually forgot and then I was like googling it,

595
00:29:14,680 --> 00:29:17,560
Speaker 1: and I was like, Wow, I'm in a section of

596
00:29:17,600 --> 00:29:21,320
Speaker 1: the Internet that I need to scrub from my history.

597
00:29:21,720 --> 00:29:25,320
Speaker 4: And this is meant in no way to shame mister Kravitz.

598
00:29:25,480 --> 00:29:29,040
Speaker 4: It was something that I think a lot of people forget,

599
00:29:29,320 --> 00:29:32,120
Speaker 4: and that's why I chose it for this particular theme,

600
00:29:32,200 --> 00:29:35,280
Speaker 4: because we were exploring and film this notion of forgotten

601
00:29:35,320 --> 00:29:39,160
Speaker 4: classics or movies that are no longer like discussed widely

602
00:29:39,400 --> 00:29:41,200
Speaker 4: as either as widely as they used to be or

603
00:29:41,200 --> 00:29:44,080
Speaker 4: as widely as they should. And I think we should

604
00:29:44,080 --> 00:29:47,160
Speaker 4: never forget that Lenny Kravitz was one at doing a

605
00:29:47,200 --> 00:29:51,680
Speaker 4: concert and he squatted down and his pants split.

606
00:29:51,440 --> 00:29:54,640
Speaker 3: At the crotch and his dick flopped.

607
00:29:54,160 --> 00:29:58,400
Speaker 4: Out that's forgotten classic.

608
00:29:58,480 --> 00:30:00,920
Speaker 3: For me, that is the height pop culture to be.

609
00:30:02,280 --> 00:30:06,360
Speaker 2: I feel like there if there isn't a Wikipedia section

610
00:30:06,680 --> 00:30:09,720
Speaker 2: of these, like stage mishaps, you could definitely put the

611
00:30:09,760 --> 00:30:12,760
Speaker 2: dick pop out. Wasn't there the time that.

612
00:30:12,760 --> 00:30:16,000
Speaker 4: Like Fergie Pete on stage? Yep?

613
00:30:16,240 --> 00:30:20,520
Speaker 1: Yes, who could forget the infamous Millie Vanilli girl. You

614
00:30:20,680 --> 00:30:23,240
Speaker 1: know Wits girl, you know Wits girl. I mean that

615
00:30:23,720 --> 00:30:27,840
Speaker 1: is another stage mishaps. So anyway, this is the Lenny

616
00:30:27,880 --> 00:30:30,000
Speaker 1: Kravitz thing is in a long line of of of

617
00:30:30,040 --> 00:30:33,600
Speaker 1: those type of concert oopsies, but.

618
00:30:33,640 --> 00:30:36,560
Speaker 4: It is when Ashley Simpson was on SNL and she

619
00:30:36,720 --> 00:30:40,960
Speaker 4: was lip syncing and got caught because her did jig.

620
00:30:42,640 --> 00:30:46,120
Speaker 4: She did the jig. We should not forget these moments

621
00:30:46,200 --> 00:30:48,280
Speaker 4: because I feel like it helps us to not put

622
00:30:48,320 --> 00:30:51,120
Speaker 4: everyone on a fucking pedestal like they are human and

623
00:30:51,200 --> 00:30:53,480
Speaker 4: shit happens, like your pants probably split at work at

624
00:30:53,520 --> 00:30:56,840
Speaker 4: some point, and I guarantee all your coworkers remember, even

625
00:30:56,880 --> 00:30:59,520
Speaker 4: if you don't work with them anymore, everyone is telling us, oh,

626
00:30:59,520 --> 00:31:01,680
Speaker 4: oh my god, with this one person and they bent

627
00:31:01,720 --> 00:31:04,840
Speaker 4: over in the fucking storage closet and they're fucking dick

628
00:31:04,880 --> 00:31:05,360
Speaker 4: popped out.

629
00:31:06,040 --> 00:31:09,040
Speaker 1: Yeah, for me, it's the inner thigh after the thigh

630
00:31:09,160 --> 00:31:14,040
Speaker 1: rub has rubbed my genes to the point of threads,

631
00:31:14,400 --> 00:31:16,520
Speaker 1: and then I bend, I bend over, I squat, and

632
00:31:16,520 --> 00:31:19,560
Speaker 1: all of a sudden, my entire thigh is showing.

633
00:31:21,160 --> 00:31:24,480
Speaker 2: Ah, so I've been there, Lenny.

634
00:31:24,560 --> 00:31:28,320
Speaker 4: No shame, No shame at all. It was just to me,

635
00:31:28,440 --> 00:31:31,280
Speaker 4: the a pivotal moment in pop culture that people forget,

636
00:31:31,280 --> 00:31:34,680
Speaker 4: And I cannot believe people forget it because it's like foundational.

637
00:31:35,080 --> 00:31:38,520
Speaker 2: Yeah, and I think everybody, to no surprise, was like,

638
00:31:38,560 --> 00:31:39,680
Speaker 2: he's not wearing underwear.

639
00:31:39,880 --> 00:31:42,160
Speaker 3: Oh yeah, he's wearing leather pants and no underwear.

640
00:31:42,520 --> 00:31:45,040
Speaker 2: Free ball in it. Yeah, a classic.

641
00:31:45,200 --> 00:31:48,520
Speaker 1: And so yeah, to the point of the actual theme

642
00:31:48,560 --> 00:31:52,280
Speaker 1: of the movies, you know, we decided to pick two

643
00:31:52,360 --> 00:31:55,440
Speaker 1: films that we thought, yeah, we're sort of like.

644
00:31:55,880 --> 00:32:01,720
Speaker 2: Movies that maybe that are older that are actually made.

645
00:32:01,920 --> 00:32:03,720
Speaker 2: Both of our movies this week are actually made by

646
00:32:04,320 --> 00:32:08,640
Speaker 2: two pretty famous, beloved directors, and I feel like these

647
00:32:08,720 --> 00:32:13,280
Speaker 2: movies are actually like kind of tucked into their filmography.

648
00:32:13,400 --> 00:32:16,760
Speaker 2: There's movies that they've made that are way more popular

649
00:32:16,760 --> 00:32:19,200
Speaker 2: and seem to get way more of the attention, But

650
00:32:19,440 --> 00:32:22,840
Speaker 2: for some reason, these two are just kind of quietly

651
00:32:22,880 --> 00:32:25,920
Speaker 2: in there. But they're great.

652
00:32:24,440 --> 00:32:29,880
Speaker 1: And I actually had another movie previously, just a little

653
00:32:29,920 --> 00:32:35,080
Speaker 1: Inside Baseball for you folks, that was un At one

654
00:32:35,120 --> 00:32:38,720
Speaker 1: point it was available to watch on Criterion Channel and

655
00:32:38,720 --> 00:32:41,640
Speaker 1: then it went away and it is nowhere to be

656
00:32:41,680 --> 00:32:45,040
Speaker 1: found on the internet. Shot Shock, Yeah, not even on

657
00:32:45,080 --> 00:32:50,080
Speaker 1: a YouTube, you know, Spanish subtitles, ten part version. It

658
00:32:50,160 --> 00:32:53,480
Speaker 1: was hard to find. So and because Daniel and I

659
00:32:53,640 --> 00:32:57,600
Speaker 1: want you all to have the ability to watch these movies,

660
00:32:58,440 --> 00:33:01,920
Speaker 1: we decided to pick something else, but just just as good,

661
00:33:02,160 --> 00:33:05,560
Speaker 1: just a selection I wanted to talk about anyway. But

662
00:33:05,600 --> 00:33:07,200
Speaker 1: it was that thing of like it goes back to

663
00:33:07,240 --> 00:33:10,720
Speaker 1: that conversation that we've had so many times about how

664
00:33:11,120 --> 00:33:15,440
Speaker 1: streaming is not the answer for everything, and they can

665
00:33:15,760 --> 00:33:18,000
Speaker 1: as quickly as it shows up and it can go

666
00:33:18,040 --> 00:33:18,840
Speaker 1: away randomly.

667
00:33:19,000 --> 00:33:22,560
Speaker 4: So absolutely, and it's lovely that you have videodrome and

668
00:33:22,600 --> 00:33:25,960
Speaker 4: I wish we had more of those, yeah, but we don't.

669
00:33:26,040 --> 00:33:29,120
Speaker 4: We don't have enough stores that have physical media where

670
00:33:29,160 --> 00:33:31,880
Speaker 4: we can all just kind of pop down and rent

671
00:33:31,920 --> 00:33:34,600
Speaker 4: something that isn't streaming. But yeah, I think at the

672
00:33:34,600 --> 00:33:37,280
Speaker 4: time of this recording, at least my union is in

673
00:33:37,280 --> 00:33:39,240
Speaker 4: the middle of a writer's strike and it's for shit

674
00:33:39,360 --> 00:33:42,840
Speaker 4: exactly like this, Like streaming has fucked us all in

675
00:33:43,280 --> 00:33:47,520
Speaker 4: many ways, writers specifically, but I think it fucks the

676
00:33:47,600 --> 00:33:50,240
Speaker 4: viewers too, because we're at the whim of people who

677
00:33:50,280 --> 00:33:54,520
Speaker 4: can decide, for any number of reasons that are completely arbitrary,

678
00:33:54,600 --> 00:33:56,960
Speaker 4: to not show something anymore. Yeah.

679
00:33:57,000 --> 00:33:59,840
Speaker 1: So yeah, things out of circulation all the time, and

680
00:34:00,320 --> 00:34:03,240
Speaker 1: that's what makes things forgotten classics, by the way, is

681
00:34:03,280 --> 00:34:07,200
Speaker 1: the idea that people don't have access to things and

682
00:34:07,360 --> 00:34:10,560
Speaker 1: can't watch them completely. And we don't believe that on

683
00:34:10,560 --> 00:34:14,080
Speaker 1: this podcast. We want movies to be everywhere, everything, everywhere,

684
00:34:14,120 --> 00:34:14,720
Speaker 1: all at once.

685
00:34:14,960 --> 00:34:18,279
Speaker 4: Right anyway, that's the name of our production company, our

686
00:34:18,320 --> 00:34:19,839
Speaker 4: distribution company that we're going to start.

687
00:34:20,400 --> 00:34:23,760
Speaker 1: Yes, we're all. We're gonna bring all movies. It doesn't

688
00:34:23,760 --> 00:34:26,879
Speaker 1: matter if they're pirated or not. We're just gonna put

689
00:34:26,920 --> 00:34:30,640
Speaker 1: them out there for everybody. But I'm excited. I cannot

690
00:34:30,680 --> 00:34:31,879
Speaker 1: wait to talk about your film.

691
00:34:31,880 --> 00:34:34,080
Speaker 2: I think are going first, right, I am going first.

692
00:34:34,200 --> 00:34:35,960
Speaker 4: And I also want to mention that if you do

693
00:34:36,160 --> 00:34:39,439
Speaker 4: like our theme, our friend Ralph at Pink Pink Bike,

694
00:34:39,520 --> 00:34:42,920
Speaker 4: Ralph who made us a million and I these gorgeous

695
00:34:42,960 --> 00:34:46,600
Speaker 4: T shirts when we did our RoboCop episode also has

696
00:34:47,400 --> 00:34:51,400
Speaker 4: Remember when Lenny Kravitz stick popped out on some koozies

697
00:34:51,520 --> 00:34:54,560
Speaker 4: and stickers and like a bunch of stuff in his shop,

698
00:34:54,600 --> 00:34:57,040
Speaker 4: So please go check that out and maybe we should

699
00:34:57,040 --> 00:34:59,320
Speaker 4: post them on Instagram or something. But they are, oh yeah,

700
00:34:59,360 --> 00:35:00,439
Speaker 4: for sure, for sure.

701
00:35:00,600 --> 00:35:02,920
Speaker 1: It's fun to drink out of a koozie that has

702
00:35:04,160 --> 00:35:06,200
Speaker 1: that has this phrase on it.

703
00:35:06,280 --> 00:35:08,600
Speaker 4: By the way, because people forget and then they read

704
00:35:08,640 --> 00:35:10,839
Speaker 4: your fucking hand and they're like, wait what and then

705
00:35:10,840 --> 00:35:13,080
Speaker 4: you get the beauty and glory of showing them the

706
00:35:13,080 --> 00:35:18,320
Speaker 4: clip and they're like, oh my god, yeah, oh yeah.

707
00:35:18,320 --> 00:35:21,200
Speaker 2: So we're popping out some dicks this week. I cannot wait.

708
00:35:22,160 --> 00:35:23,560
Speaker 3: Stop it on some dicks.

709
00:35:24,760 --> 00:35:27,160
Speaker 4: One of the again, I'm like, so in the strike

710
00:35:27,239 --> 00:35:30,600
Speaker 4: right now, and the head of the Teamsters was giving

711
00:35:30,640 --> 00:35:33,600
Speaker 4: an interview about how, like, you know, Teamsters support the

712
00:35:33,640 --> 00:35:37,399
Speaker 4: the WGA and the union, and she's like.

713
00:35:37,360 --> 00:35:38,520
Speaker 3: Look, this is in my blood.

714
00:35:38,680 --> 00:35:40,880
Speaker 4: I come from Teamsters and I'm out here stepping on

715
00:35:40,920 --> 00:35:43,640
Speaker 4: dicks all day long. It is just the greatest fucking quote.

716
00:35:43,680 --> 00:35:46,640
Speaker 4: And she is so fucking cool. She's a Jimmy Hoffa

717
00:35:46,760 --> 00:35:51,040
Speaker 4: tattoo like yelling like his face, I'll send you to

718
00:35:51,040 --> 00:35:53,040
Speaker 4: the like everybody like she has his face tattoo, and

719
00:35:53,080 --> 00:35:55,560
Speaker 4: she's like, this is in my fucking blood. And she's

720
00:35:55,600 --> 00:35:57,239
Speaker 4: the head of the goddamn teamsters and she's like, we

721
00:35:57,280 --> 00:35:59,680
Speaker 4: don't cross picket lines. I will be out here stepping

722
00:35:59,719 --> 00:36:02,160
Speaker 4: on dick all day long. And I just love that quote.

723
00:36:02,800 --> 00:36:05,560
Speaker 1: That's that is the definition of a bad bitch. Everybody

724
00:36:05,600 --> 00:36:08,239
Speaker 1: needs to cross out what they used to have, and

725
00:36:08,280 --> 00:36:09,399
Speaker 1: that put this woman there.

726
00:36:09,560 --> 00:36:14,080
Speaker 4: But yeah, So my movie for our theme remember when

727
00:36:14,160 --> 00:36:18,839
Speaker 4: Lenny Kravitz Dick Popped Out, was released in nineteen seventy nine.

728
00:36:19,840 --> 00:36:22,520
Speaker 4: The screenplay is by Jersey Kazinski, who also wrote the

729
00:36:22,520 --> 00:36:25,399
Speaker 4: book that the movie is based on. It's directed by

730
00:36:25,440 --> 00:36:28,319
Speaker 4: Hal Ashby. And my movie is being there.

731
00:36:28,680 --> 00:36:33,000
Speaker 2: As long as the roots are not sevened, all is

732
00:36:33,040 --> 00:36:37,560
Speaker 2: well and all will be well, and the.

733
00:36:37,680 --> 00:36:42,440
Speaker 4: God, oh my gosh, Now have you seen this movie recently?

734
00:36:43,400 --> 00:36:46,480
Speaker 4: Oh no, it's been a very long time. YEP. I

735
00:36:46,920 --> 00:36:48,600
Speaker 4: own it, and I watch it every once in a while,

736
00:36:48,640 --> 00:36:51,239
Speaker 4: like every couple of years. I'll watch it and I

737
00:36:51,320 --> 00:36:53,279
Speaker 4: just fucking love it. And I've always loved it since

738
00:36:53,320 --> 00:36:55,640
Speaker 4: I was a kid. And I think there's one particular

739
00:36:55,680 --> 00:36:58,400
Speaker 4: part that I'm going to talk about that really opened

740
00:36:58,440 --> 00:37:01,080
Speaker 4: my eyes to what movie could do when I was

741
00:37:01,120 --> 00:37:03,880
Speaker 4: a kid. Because I saw this movie, I love it

742
00:37:03,920 --> 00:37:07,520
Speaker 4: so A quick one sentence synopsis is after his employer dies,

743
00:37:07,680 --> 00:37:10,319
Speaker 4: a gardener who has been sheltered his entire life and

744
00:37:10,400 --> 00:37:14,000
Speaker 4: learned everything he knows about human behavior from television, goes

745
00:37:14,000 --> 00:37:16,120
Speaker 4: out into the world and has the adventure of a

746
00:37:16,160 --> 00:37:21,480
Speaker 4: lifetime perfect tense. So, as you know, we've already talked

747
00:37:21,480 --> 00:37:24,760
Speaker 4: about hal Ashby and our Harold and Maud episode, please

748
00:37:24,800 --> 00:37:27,000
Speaker 4: read about him if you haven't already. He has had

749
00:37:27,040 --> 00:37:29,840
Speaker 4: a wild life both as a person and a director,

750
00:37:30,440 --> 00:37:34,200
Speaker 4: died way too soon and gave us just an absolute

751
00:37:34,360 --> 00:37:38,960
Speaker 4: treasure trove of films that he left behind, this being.

752
00:37:38,719 --> 00:37:39,200
Speaker 3: One of them.

753
00:37:39,719 --> 00:37:43,080
Speaker 4: And the movie has a really great cast. So the

754
00:37:43,120 --> 00:37:46,080
Speaker 4: star of the film is Peter Sellers, who plays the

755
00:37:46,440 --> 00:37:49,399
Speaker 4: main character Chance, and most of you will know Peter

756
00:37:49,480 --> 00:37:53,520
Speaker 4: Sellers as the Pink Panther. Again, as of the time

757
00:37:53,560 --> 00:37:55,600
Speaker 4: of this recording, he is dead, but I have not

758
00:37:56,000 --> 00:37:58,960
Speaker 4: read or seen of anything pop problematic in his past,

759
00:37:59,239 --> 00:38:01,839
Speaker 4: so he's just Pink Panther and kind of branched down

760
00:38:01,840 --> 00:38:02,319
Speaker 4: to other shit.

761
00:38:03,360 --> 00:38:04,040
Speaker 2: Did you watch?

762
00:38:04,120 --> 00:38:07,640
Speaker 1: Ever, I'm sorry to break In No, did you did

763
00:38:07,680 --> 00:38:11,480
Speaker 1: you see the Wasn't there like a biopic about him

764
00:38:11,560 --> 00:38:14,719
Speaker 1: starring Jeffrey Rush Was it Jeffrey Rush?

765
00:38:14,760 --> 00:38:17,200
Speaker 2: There was played Peter Sellers.

766
00:38:17,600 --> 00:38:22,920
Speaker 1: Yeah, I mean I remember seeing that right when it

767
00:38:22,960 --> 00:38:25,759
Speaker 1: came out, and you know, kind of is in that

768
00:38:25,840 --> 00:38:27,840
Speaker 1: way where it's like, oh, he is the pink panther,

769
00:38:28,000 --> 00:38:31,399
Speaker 1: He's you know, a hundred people in Doctor Strange Love,

770
00:38:31,480 --> 00:38:34,760
Speaker 1: and he was in all these like crazy funny movies,

771
00:38:35,160 --> 00:38:38,640
Speaker 1: and then it was like, you know, just the standard

772
00:38:38,680 --> 00:38:40,920
Speaker 1: biopic deflation of like, oh he was.

773
00:38:40,920 --> 00:38:43,600
Speaker 2: A human being with like human being problems.

774
00:38:43,160 --> 00:38:49,920
Speaker 1: And you're like, uh okay, Like wow, he's not a

775
00:38:49,960 --> 00:38:57,600
Speaker 1: freewheel and fun bad guy all the time, like he's Yeah,

776
00:38:57,680 --> 00:38:59,640
Speaker 1: so anyway, I mean not to say that he that's

777
00:39:00,840 --> 00:39:03,200
Speaker 1: like I said as this recording, we don't know. I

778
00:39:03,200 --> 00:39:05,920
Speaker 1: don't know, but I was just saying I think just generally,

779
00:39:06,120 --> 00:39:08,000
Speaker 1: I was like, oh, there's a biopic that's like.

780
00:39:08,600 --> 00:39:09,960
Speaker 2: He was sad sometimes.

781
00:39:10,040 --> 00:39:15,879
Speaker 4: Actually, yeah, he has trauma just like the rest of us.

782
00:39:16,600 --> 00:39:18,880
Speaker 4: But one thing that's cool about him being in this

783
00:39:18,960 --> 00:39:21,760
Speaker 4: film is that the reason that he's in the film

784
00:39:21,800 --> 00:39:24,760
Speaker 4: is that he actually read the book, like in nineteen

785
00:39:24,800 --> 00:39:26,720
Speaker 4: seventy two and again the film was released in nineteen

786
00:39:26,760 --> 00:39:29,800
Speaker 4: seventy nine, and he brought it to hal Ashby and

787
00:39:29,840 --> 00:39:32,520
Speaker 4: they kind of made a pact that they wouldn't make

788
00:39:32,560 --> 00:39:35,560
Speaker 4: the movie without each other. So it took a long

789
00:39:35,640 --> 00:39:37,799
Speaker 4: time for them to get it made. But they kind

790
00:39:37,840 --> 00:39:40,520
Speaker 4: of decided, like, you know, hal Ashby's like, yeah, you're

791
00:39:40,560 --> 00:39:42,520
Speaker 4: the only one who can star, and Peter Seller's like,

792
00:39:42,560 --> 00:39:44,040
Speaker 4: and you're the only one who can direct. So they

793
00:39:44,040 --> 00:39:48,080
Speaker 4: waited until they could do it. And Peter Sellers has said,

794
00:39:48,120 --> 00:39:50,160
Speaker 4: I watched there's a bunch of interviews and clips and

795
00:39:50,200 --> 00:39:53,040
Speaker 4: things on YouTube, and he said that that Chance is

796
00:39:53,040 --> 00:39:56,440
Speaker 4: the most difficult role he's ever played because he wanted

797
00:39:56,520 --> 00:39:58,960
Speaker 4: him to be credible. So Chance as a character is

798
00:39:59,040 --> 00:40:01,880
Speaker 4: kind of like intellect actually stunted. But you know the

799
00:40:01,880 --> 00:40:03,759
Speaker 4: way that Sellers was describing and he said, you know,

800
00:40:03,800 --> 00:40:06,400
Speaker 4: you can't just have him mimic and repeat everything he

801
00:40:06,440 --> 00:40:09,080
Speaker 4: sees on TV, because then people will instantly think he's

802
00:40:09,360 --> 00:40:12,239
Speaker 4: just you know, incredulous and like a fool. So he

803
00:40:12,280 --> 00:40:14,359
Speaker 4: had a hard time, or he had a tough time.

804
00:40:14,400 --> 00:40:16,320
Speaker 4: It was a challenge for him to kind of nail

805
00:40:16,560 --> 00:40:19,279
Speaker 4: the tone of this character and there's a really cute

806
00:40:19,320 --> 00:40:21,640
Speaker 4: video of hal Ashby and Peter Sellers on the set

807
00:40:21,800 --> 00:40:24,520
Speaker 4: kind of joking around. And one thing I love about

808
00:40:24,520 --> 00:40:27,520
Speaker 4: this film too is there's an article by this on

809
00:40:27,600 --> 00:40:31,200
Speaker 4: the Chicago Reader site where they talk about being there

810
00:40:31,600 --> 00:40:37,640
Speaker 4: and the article title is still funny but newly grim

811
00:40:37,680 --> 00:40:39,480
Speaker 4: and topical from twenty seventies.

812
00:40:41,400 --> 00:40:46,240
Speaker 1: Yeah, it only got more depressing over time, right, Exactly,

813
00:40:46,320 --> 00:40:49,120
Speaker 1: it gets fucking bleak the more we dig into this

814
00:40:49,239 --> 00:40:50,480
Speaker 1: American healscape.

815
00:40:50,719 --> 00:40:52,680
Speaker 4: But I also think that what I love about this

816
00:40:52,719 --> 00:40:55,160
Speaker 4: film is things like that, where it's it's something that's

817
00:40:55,280 --> 00:40:57,279
Speaker 4: you can always find a point of relevance in it

818
00:40:57,719 --> 00:41:00,560
Speaker 4: because it really discusses, you know, you're really looking at,

819
00:41:01,440 --> 00:41:04,759
Speaker 4: like what. There's this essay on the Criterion Collection where

820
00:41:04,760 --> 00:41:07,600
Speaker 4: they say that the movie is a satire of modern

821
00:41:07,719 --> 00:41:10,279
Speaker 4: media consumption and American politics, and I agree with that.

822
00:41:10,320 --> 00:41:12,439
Speaker 4: I think that it's, you know, you can always find

823
00:41:12,440 --> 00:41:15,359
Speaker 4: a point of entry through this character who's kind of

824
00:41:16,000 --> 00:41:17,240
Speaker 4: you know, he's kind of a cipher.

825
00:41:17,360 --> 00:41:19,800
Speaker 3: So that to me is very interesting.

826
00:41:20,000 --> 00:41:22,759
Speaker 4: And I also think it's interesting that without this movie,

827
00:41:22,920 --> 00:41:25,560
Speaker 4: you don't get movies like Forrest Gump, and you don't

828
00:41:25,560 --> 00:41:29,960
Speaker 4: get movies like idiocracy. There's like, no, you don't get

829
00:41:29,960 --> 00:41:33,000
Speaker 4: films where someone is willing to explore the art of

830
00:41:33,040 --> 00:41:37,480
Speaker 4: ignorance without this movie. So point, I love it. I

831
00:41:37,600 --> 00:41:40,759
Speaker 4: fucking love this movie. I think that it's funny, it's

832
00:41:40,800 --> 00:41:46,160
Speaker 4: weirdly funny, and it's also incredibly deft at explaining what

833
00:41:46,560 --> 00:41:50,000
Speaker 4: it means to kind of be in America and be

834
00:41:50,080 --> 00:41:52,319
Speaker 4: out of place in America and just have.

835
00:41:52,320 --> 00:41:53,600
Speaker 3: People project onto you.

836
00:41:54,120 --> 00:41:59,160
Speaker 4: So again, Chance is this guy who again very intellectually stunted,

837
00:41:59,360 --> 00:42:02,680
Speaker 4: and he works in this like grand house, and so

838
00:42:02,719 --> 00:42:06,719
Speaker 4: when we first meet him, he's pretty silent, like he's

839
00:42:06,760 --> 00:42:08,480
Speaker 4: kind of puts it around the house and he's cleaning,

840
00:42:08,680 --> 00:42:11,360
Speaker 4: he's dusting an old car, which I think is hilarious.

841
00:42:11,680 --> 00:42:14,279
Speaker 4: And most importantly, he's watching TV. There's a television in

842
00:42:14,360 --> 00:42:16,640
Speaker 4: every single room, there's a television in the attic, there's

843
00:42:16,640 --> 00:42:19,759
Speaker 4: a television on the dining room table. He watches TV

844
00:42:20,280 --> 00:42:22,360
Speaker 4: all day long, even though his main role.

845
00:42:22,400 --> 00:42:23,640
Speaker 3: Is to be a gardener.

846
00:42:23,880 --> 00:42:27,040
Speaker 4: So he is the gardener for this estate, and he's

847
00:42:27,120 --> 00:42:31,280
Speaker 4: very quiet. He kind of mimics not just the voices

848
00:42:31,280 --> 00:42:34,040
Speaker 4: but the motions of what he sees on TV. And

849
00:42:34,120 --> 00:42:36,600
Speaker 4: so throughout the film he kind of maintains that where

850
00:42:36,600 --> 00:42:41,160
Speaker 4: he says almost nothing, but his conversational partners and the

851
00:42:41,200 --> 00:42:44,960
Speaker 4: people around him just project onto him in that silence,

852
00:42:45,120 --> 00:42:49,040
Speaker 4: like they fill the silence with their own thoughts and feelings.

853
00:42:49,120 --> 00:42:52,640
Speaker 4: And it's very interesting to watch that happen, because I

854
00:42:52,640 --> 00:42:54,480
Speaker 4: do think that happens in real life on a small

855
00:42:54,480 --> 00:42:59,120
Speaker 4: scale every day and in a large scale insane ways.

856
00:42:59,480 --> 00:43:00,880
Speaker 4: But by the end of the movie, we're kind of

857
00:43:00,920 --> 00:43:05,640
Speaker 4: left with this like philosophical question about Chance, which is like,

858
00:43:05,960 --> 00:43:07,719
Speaker 4: you know, is he really who people think he is?

859
00:43:07,760 --> 00:43:10,080
Speaker 4: Like what's going on with this guy? Is he actually magical?

860
00:43:10,160 --> 00:43:13,440
Speaker 4: Is he actually you know? Like it's just it leaves us,

861
00:43:13,440 --> 00:43:16,080
Speaker 4: and it leaves me in an interesting philosophical place whenever

862
00:43:16,120 --> 00:43:19,720
Speaker 4: I see this film. So he works at this state

863
00:43:19,960 --> 00:43:22,839
Speaker 4: essentially with this woman named Louise, this black woman who

864
00:43:22,920 --> 00:43:25,080
Speaker 4: kind of helps take care of the two of them

865
00:43:25,120 --> 00:43:26,920
Speaker 4: are kind of helping take care of everything in the house.

866
00:43:27,400 --> 00:43:30,120
Speaker 4: And one morning she comes downstairs and she's like, so,

867
00:43:30,160 --> 00:43:35,160
Speaker 4: our employer is dead and I just put a blanket

868
00:43:35,200 --> 00:43:38,839
Speaker 4: over his face. They're gonna come get him. And then

869
00:43:38,840 --> 00:43:41,480
Speaker 4: she just fucking leaves and we come back to Louise

870
00:43:41,560 --> 00:43:44,359
Speaker 4: later in the film, But I love the fact that

871
00:43:44,400 --> 00:43:46,920
Speaker 4: she has worked with and you do find out that

872
00:43:47,000 --> 00:43:49,879
Speaker 4: she basically raised Chance from the time he was a kid.

873
00:43:49,920 --> 00:43:51,960
Speaker 3: We never find out about his parentage or.

874
00:43:51,880 --> 00:43:55,319
Speaker 4: His origin, yeah, which is also very interesting to me

875
00:43:55,360 --> 00:43:57,400
Speaker 4: because he's the main character of this film and we

876
00:43:57,440 --> 00:43:59,200
Speaker 4: don't know much about him at all.

877
00:43:59,320 --> 00:44:02,399
Speaker 1: Yeah yeah, yeah, my bit that was always my big

878
00:44:02,480 --> 00:44:07,400
Speaker 1: question was I was like, who where did he come from?

879
00:44:08,080 --> 00:44:11,160
Speaker 1: He claims that he's never been in a car, he's

880
00:44:11,200 --> 00:44:15,239
Speaker 1: never left the house, he doesn't know what doctors are, like,

881
00:44:15,280 --> 00:44:16,960
Speaker 1: has never been to the doctor, And I'm like, like,

882
00:44:17,000 --> 00:44:18,960
Speaker 1: I was like expecting it to be a kind of

883
00:44:18,960 --> 00:44:21,479
Speaker 1: thing where I was like, is he actually the son

884
00:44:21,600 --> 00:44:24,479
Speaker 1: of this older guy? But then they don't talk about

885
00:44:24,480 --> 00:44:27,320
Speaker 1: that at all. So yeah, very very.

886
00:44:27,719 --> 00:44:31,600
Speaker 4: Mysterious Murkey's background, murky origins, and it to me, I

887
00:44:31,680 --> 00:44:33,480
Speaker 4: can't I keep thinking every time I watch it. I

888
00:44:33,480 --> 00:44:37,279
Speaker 4: think like he was probably the product of two other

889
00:44:37,360 --> 00:44:40,360
Speaker 4: people working in the house having a child. But the

890
00:44:40,400 --> 00:44:43,799
Speaker 4: decision to like never let him outside is never explained

891
00:44:43,880 --> 00:44:46,279
Speaker 4: or explored, and it doesn't need to be weirdly for

892
00:44:46,360 --> 00:44:49,200
Speaker 4: the movie to make sense. But again, like this other

893
00:44:49,280 --> 00:44:51,600
Speaker 4: interesting layer and like who has a kid and decides

894
00:44:51,680 --> 00:44:54,400
Speaker 4: they're never allowed outside unless they're like some kind of

895
00:44:54,520 --> 00:44:57,120
Speaker 4: weird secret. So that's he could be the you know,

896
00:44:57,160 --> 00:44:59,560
Speaker 4: mister Jennings kid, or he could be you know, some

897
00:45:00,080 --> 00:45:03,160
Speaker 4: child born out of a very strange situation where they

898
00:45:03,160 --> 00:45:05,360
Speaker 4: were just like nobody can know you're alive, to the

899
00:45:05,360 --> 00:45:07,520
Speaker 4: point where like he does not have a social Security number.

900
00:45:07,520 --> 00:45:11,200
Speaker 4: He doesn't, He does not have a background at all.

901
00:45:11,360 --> 00:45:13,040
Speaker 4: He's never been to the doctor, he's never learned to

902
00:45:13,080 --> 00:45:16,279
Speaker 4: read and write, he doesn't. He doesn't have anything that

903
00:45:16,280 --> 00:45:19,719
Speaker 4: shows his address. Like it's intense. But I kind of

904
00:45:19,840 --> 00:45:21,920
Speaker 4: like that in any other film, I feel like that

905
00:45:21,920 --> 00:45:23,680
Speaker 4: would be the point of the film is to figure

906
00:45:23,680 --> 00:45:25,880
Speaker 4: out who he is. But in this film, it's like, no,

907
00:45:25,960 --> 00:45:28,239
Speaker 4: he's just here's this guy. We've dropped him into your

908
00:45:28,280 --> 00:45:31,440
Speaker 4: life and good luck. Yeah.

909
00:45:31,600 --> 00:45:34,760
Speaker 1: Well no, no, absolutely, because in order for the movie to work,

910
00:45:35,640 --> 00:45:41,719
Speaker 1: he truly has to be a nothing character, right, like exactly,

911
00:45:41,960 --> 00:45:44,640
Speaker 1: he has to be like an avatar for everybody else

912
00:45:44,640 --> 00:45:46,880
Speaker 1: around him. So you're right, I mean, I think my

913
00:45:47,160 --> 00:45:51,000
Speaker 1: just genuine want to know about that like made me

914
00:45:51,160 --> 00:45:52,120
Speaker 1: be like, what how.

915
00:45:52,000 --> 00:45:55,040
Speaker 2: Did this happen? How is he this? But then it

916
00:45:55,080 --> 00:45:57,720
Speaker 2: would have I think it wouldn't have made the movie

917
00:45:57,760 --> 00:46:00,160
Speaker 2: as good if they had explained it right.

918
00:46:00,000 --> 00:46:02,200
Speaker 4: Comply completely, Oh yeah, because it would have been an

919
00:46:02,239 --> 00:46:04,719
Speaker 4: overload of information, and then you wouldn't have been able

920
00:46:04,719 --> 00:46:07,879
Speaker 4: to focus on everyone around him reacting to chance.

921
00:46:07,960 --> 00:46:09,200
Speaker 3: It would have been all about chance.

922
00:46:09,239 --> 00:46:12,440
Speaker 1: So right, you just spend the entire movie sort of like,

923
00:46:14,000 --> 00:46:17,839
Speaker 1: you know, pathologizing him and not pay attention to anything else.

924
00:46:18,000 --> 00:46:21,440
Speaker 4: Come completely completely. So it's kind of funny when Louise

925
00:46:21,520 --> 00:46:26,040
Speaker 4: is like goodbye, because then there's these and she's like constantly,

926
00:46:26,080 --> 00:46:28,160
Speaker 4: she's like, I'll feed you breakfast, like she takes care

927
00:46:28,239 --> 00:46:31,640
Speaker 4: of this adult man, and that she just leaves, and

928
00:46:31,680 --> 00:46:33,640
Speaker 4: I have a theory about that that we'll explore later.

929
00:46:33,920 --> 00:46:37,160
Speaker 4: But after she leaves, these state attorneys show up, essentially,

930
00:46:37,320 --> 00:46:39,799
Speaker 4: and they're really surprised to find him there, and they

931
00:46:39,880 --> 00:46:41,680
Speaker 4: have no idea who he is, and he can't tell

932
00:46:41,719 --> 00:46:45,480
Speaker 4: them really much about himself. So they're like, cool, you

933
00:46:45,520 --> 00:46:47,040
Speaker 4: have no claim to the house, we don't know who

934
00:46:47,040 --> 00:46:48,279
Speaker 4: you are. You have twenty four hours to get the

935
00:46:48,280 --> 00:46:52,160
Speaker 4: fuck out of here, right, And this is the point

936
00:46:52,480 --> 00:46:55,800
Speaker 4: in the film where I had mentioned earlier, where something

937
00:46:55,880 --> 00:46:58,480
Speaker 4: happens that made me think, Holy shit, this is what

938
00:46:58,560 --> 00:47:02,280
Speaker 4: movies can do. Because he packs and leaves, and he's

939
00:47:02,320 --> 00:47:04,759
Speaker 4: he's I think he's kind of instantly you watch it

940
00:47:05,160 --> 00:47:07,080
Speaker 4: as you as he walks through the movie, you realize

941
00:47:07,080 --> 00:47:10,279
Speaker 4: that people treat him with a certain deference because even

942
00:47:10,320 --> 00:47:12,960
Speaker 4: though he doesn't say much and he's not overly intelligent,

943
00:47:13,560 --> 00:47:17,000
Speaker 4: he wears all of his employer's old clothes. So he

944
00:47:17,040 --> 00:47:20,320
Speaker 4: has these like finely tailored suits and like nice hats,

945
00:47:20,320 --> 00:47:24,319
Speaker 4: and like he a nice like crocodile skin suitcase or

946
00:47:24,360 --> 00:47:26,640
Speaker 4: like shit like that. So he looks the part of

947
00:47:26,680 --> 00:47:30,200
Speaker 4: someone who should be treated with respect and deference. So

948
00:47:30,200 --> 00:47:32,440
Speaker 4: that's how people treat him, which is fascinating to me.

949
00:47:33,080 --> 00:47:35,279
Speaker 4: So he leaves this fucking what you think is like

950
00:47:35,280 --> 00:47:38,840
Speaker 4: a country estate, and as he walks out the front door,

951
00:47:39,120 --> 00:47:42,040
Speaker 4: you realize he's in the middle of a city. He's

952
00:47:42,080 --> 00:47:46,479
Speaker 4: in Washington, DC, and it's like a bombed out part

953
00:47:46,520 --> 00:47:48,840
Speaker 4: of the city. Like he's not in It might have

954
00:47:48,920 --> 00:47:50,960
Speaker 4: been a nice neighborhood at one point, but at this

955
00:47:51,040 --> 00:47:55,680
Speaker 4: point in the seventies it was bombed out. Yeah, and

956
00:47:55,719 --> 00:47:58,640
Speaker 4: there's my favorite graffiti that I've ever seen. I wish

957
00:47:58,719 --> 00:48:00,640
Speaker 4: to fucking god I could put this on a T shirt.

958
00:48:01,520 --> 00:48:03,640
Speaker 4: There's this graffiti on a wall as he's walking through

959
00:48:03,680 --> 00:48:06,680
Speaker 4: the neighborhood that says, America ain't shit because the white

960
00:48:06,680 --> 00:48:10,520
Speaker 4: man's got a God complex. Mmmm. And you realize also

961
00:48:10,600 --> 00:48:13,200
Speaker 4: that as he's walking through this neighborhood, not only is

962
00:48:13,239 --> 00:48:15,040
Speaker 4: he not in a country estate, not only is he

963
00:48:15,080 --> 00:48:16,560
Speaker 4: in the middle of a city. Not only is the

964
00:48:16,600 --> 00:48:21,080
Speaker 4: neighborhood bombed out, this is a predominantly black neighborhood. Yep.

965
00:48:22,280 --> 00:48:24,959
Speaker 4: So because he's used to Louise taking care of him,

966
00:48:25,200 --> 00:48:27,520
Speaker 4: he asked the first black woman he sees to make

967
00:48:27,600 --> 00:48:28,080
Speaker 4: him lunch.

968
00:48:28,200 --> 00:48:29,640
Speaker 3: He's like, I'm hungry, could you make me?

969
00:48:30,080 --> 00:48:32,360
Speaker 4: And she could not run away fastest up. It is

970
00:48:32,400 --> 00:48:37,120
Speaker 4: so fucking funny. Yeah, oh shit. But again, to me,

971
00:48:37,239 --> 00:48:40,040
Speaker 4: that's an interesting To me, that's an interesting scene. And

972
00:48:40,080 --> 00:48:42,160
Speaker 4: this whole scene of him walking out into the world

973
00:48:42,239 --> 00:48:44,240
Speaker 4: is interesting because not only does that flip the script

974
00:48:44,280 --> 00:48:46,279
Speaker 4: on you, the viewer, like, oh, I thought he was

975
00:48:46,320 --> 00:48:48,960
Speaker 4: living this quiet, sheltered life somewhere that was also quiet

976
00:48:48,960 --> 00:48:50,359
Speaker 4: and sheltered, but he's.

977
00:48:50,280 --> 00:48:51,080
Speaker 3: In the middle of the city.

978
00:48:51,520 --> 00:48:54,719
Speaker 4: But it makes commentaries on race without hitting it over

979
00:48:54,760 --> 00:48:58,280
Speaker 4: the head. So he doesn't fear black people he doesn't

980
00:48:58,280 --> 00:49:01,160
Speaker 4: fear people that to him look like Louise, and he

981
00:49:01,200 --> 00:49:05,040
Speaker 4: doesn't fear being in a neighborhood that it's like nothing

982
00:49:05,080 --> 00:49:08,719
Speaker 4: he's ever seen before except on television, because this, to

983
00:49:08,800 --> 00:49:11,760
Speaker 4: him feels like a natural extension of his life.

984
00:49:11,800 --> 00:49:12,960
Speaker 3: So it's fascinating.

985
00:49:13,400 --> 00:49:15,439
Speaker 4: And he also we realized at this point when he's

986
00:49:15,440 --> 00:49:17,759
Speaker 4: like kind of talking to this gang of kids, that

987
00:49:17,840 --> 00:49:20,000
Speaker 4: he's taken the TV remote with him and put it

988
00:49:20,040 --> 00:49:22,520
Speaker 4: in his pocket. And it's such a sweet and tender move.

989
00:49:22,640 --> 00:49:25,239
Speaker 4: But it's also you know, you're kind of realizing that

990
00:49:25,239 --> 00:49:28,080
Speaker 4: this is like how he understands the world. It might

991
00:49:28,120 --> 00:49:30,719
Speaker 4: not be like how he communicates with the world, because

992
00:49:30,719 --> 00:49:33,400
Speaker 4: he's never done that, but he understands the world through television,

993
00:49:33,520 --> 00:49:36,120
Speaker 4: so when he encounter situations that are threatening to him,

994
00:49:36,120 --> 00:49:38,920
Speaker 4: he just wants to turn it off. Such an interesting

995
00:49:39,000 --> 00:49:44,399
Speaker 4: and tender move. And then he meets he meets our

996
00:49:44,440 --> 00:49:49,120
Speaker 4: Shirley McLean character. Shirley McLean plays Eve Rand because her

997
00:49:49,239 --> 00:49:52,279
Speaker 4: driver backs into him basically while he's watching TV in

998
00:49:52,320 --> 00:49:55,400
Speaker 4: some store windows and she just says, like, ah, I

999
00:49:55,400 --> 00:49:56,839
Speaker 4: get in the car. She takes him home to kind

1000
00:49:56,880 --> 00:49:59,080
Speaker 4: of like avoid any problems, like there's a point where

1001
00:49:59,120 --> 00:50:00,719
Speaker 4: she's sitting in the car and she's like, yeah, this

1002
00:50:00,800 --> 00:50:02,799
Speaker 4: was really nobody's fault. And I'm like, that is such

1003
00:50:02,960 --> 00:50:06,120
Speaker 4: rich lady shit, where she's like, yeah, I definitely backed

1004
00:50:06,120 --> 00:50:06,480
Speaker 4: into you.

1005
00:50:06,440 --> 00:50:09,440
Speaker 3: You're leg hurts. No one's at fault, it's fine.

1006
00:50:09,440 --> 00:50:12,080
Speaker 2: And then also it's that kind of thing too where

1007
00:50:12,080 --> 00:50:15,160
Speaker 2: she's like, oh, let's take you to the hospital. Actually,

1008
00:50:15,200 --> 00:50:17,880
Speaker 2: let's just take you to our house because we have

1009
00:50:18,200 --> 00:50:19,480
Speaker 2: doctors there.

1010
00:50:20,280 --> 00:50:24,080
Speaker 1: Yeah, And you're like, what, like, who's rich enough to

1011
00:50:24,120 --> 00:50:26,200
Speaker 1: have like their own hospital at their house?

1012
00:50:26,360 --> 00:50:28,880
Speaker 4: Oh? Essentially, yeah, essentially because they're in the car, and

1013
00:50:28,920 --> 00:50:31,080
Speaker 4: the car scene is hilarious to me also because it's

1014
00:50:31,080 --> 00:50:34,719
Speaker 4: his first time drinking alcohol and he starts choking, and

1015
00:50:34,800 --> 00:50:36,920
Speaker 4: as he's choking, she asks his name, and then she

1016
00:50:37,000 --> 00:50:40,319
Speaker 4: misinterprets his name as Chauncey Gardner when he says, I'm

1017
00:50:40,400 --> 00:50:43,320
Speaker 4: Chance the Gardener. So throughout the movie he's known as Chauncey.

1018
00:50:44,239 --> 00:50:47,000
Speaker 4: And also she has a television in her car, of

1019
00:50:47,280 --> 00:50:49,799
Speaker 4: course she does, because she's rich, and the car on

1020
00:50:49,840 --> 00:50:52,799
Speaker 4: the TV, they're playing that song Basketball Jones by Cheech

1021
00:50:52,840 --> 00:50:56,480
Speaker 4: and Chong and it's like this animated Cheech and choans,

1022
00:50:56,920 --> 00:50:59,240
Speaker 4: which if you have not heard the song, it's fucking incredible.

1023
00:50:59,280 --> 00:51:01,839
Speaker 4: I know it's on the Space Jam soundtrack. Go find

1024
00:51:01,880 --> 00:51:04,319
Speaker 4: the original and my favorite line from that song maybe

1025
00:51:04,360 --> 00:51:07,120
Speaker 4: we can drop it in is at some point he goes,

1026
00:51:07,440 --> 00:51:11,440
Speaker 4: watch me hookshot with my eyebrows.

1027
00:51:17,200 --> 00:51:20,200
Speaker 1: I wanted to ask you, Okay, I don't know this,

1028
00:51:20,400 --> 00:51:22,319
Speaker 1: but I don't know. Maybe this is common knowledge. Is

1029
00:51:22,360 --> 00:51:24,840
Speaker 1: that where Chance the Rapper got his name from? That

1030
00:51:24,920 --> 00:51:26,439
Speaker 1: can't be I don't think so.

1031
00:51:27,160 --> 00:51:29,800
Speaker 2: Really, Chance the Gardener, Chance the Rapper.

1032
00:51:30,160 --> 00:51:33,160
Speaker 4: I would If that is the case, I will be

1033
00:51:33,200 --> 00:51:33,719
Speaker 4: a new fan.

1034
00:51:34,320 --> 00:51:37,360
Speaker 1: I was gonna say, do we need to start listening

1035
00:51:37,400 --> 00:51:39,239
Speaker 1: to all of his music now?

1036
00:51:40,360 --> 00:51:45,320
Speaker 4: Is I think you have that reference? Okay? But I mistaken.

1037
00:51:45,360 --> 00:51:48,120
Speaker 1: Before I know, I was like, is he the coolest

1038
00:51:48,160 --> 00:51:51,040
Speaker 1: dude ever to have taken his rapper name from being there?

1039
00:51:51,480 --> 00:51:55,040
Speaker 4: Are we that cool? If he didn't, we will.

1040
00:51:57,120 --> 00:51:58,759
Speaker 2: Change the Wikipedia casey.

1041
00:51:58,920 --> 00:52:01,800
Speaker 4: Absolutely, I will. I will become Chance the Gardener the Rapper,

1042
00:52:02,200 --> 00:52:05,960
Speaker 4: just to use that. But yeah, this is where we

1043
00:52:06,040 --> 00:52:08,880
Speaker 4: learned that like Eve is fucking rich and her husband

1044
00:52:09,040 --> 00:52:11,239
Speaker 4: is really sick, to the point where, like Millie said,

1045
00:52:11,239 --> 00:52:13,960
Speaker 4: they have doctors on the premises and like this sterile

1046
00:52:14,000 --> 00:52:18,920
Speaker 4: hospital room built into the mansion, and Eve's husband is

1047
00:52:18,960 --> 00:52:21,640
Speaker 4: played by Melvin Douglass. He plays Benjamin Rand and he

1048
00:52:21,719 --> 00:52:24,920
Speaker 4: not only won an Oscar, he won a Supporting Actor

1049
00:52:25,120 --> 00:52:27,280
Speaker 4: Oscar for this film and a bunch of other awards

1050
00:52:27,280 --> 00:52:30,120
Speaker 4: for this film for acting like Golden Globes, and he

1051
00:52:30,200 --> 00:52:32,160
Speaker 4: just won Best Supporting Actor for a bunch of bunch

1052
00:52:32,160 --> 00:52:35,440
Speaker 4: of stuff. I think my favorite fact about Melvin Douglas,

1053
00:52:35,480 --> 00:52:37,759
Speaker 4: who's like an old time actor, like he was kind

1054
00:52:37,760 --> 00:52:39,640
Speaker 4: of like this suave dude and like kind of the

1055
00:52:39,680 --> 00:52:42,600
Speaker 4: cool guy and movies with like Greta Garbo and stuff.

1056
00:52:43,120 --> 00:52:44,480
Speaker 2: He was the grandpon Hud.

1057
00:52:44,680 --> 00:52:46,760
Speaker 3: He was a grandpon Hud, which we've talked about.

1058
00:52:46,520 --> 00:52:50,919
Speaker 4: On the show. And he is also Ileana Douglas's grandfather.

1059
00:52:51,960 --> 00:52:53,880
Speaker 3: Yep, I love that factoid.

1060
00:52:54,200 --> 00:52:54,640
Speaker 4: I just love.

1061
00:52:54,760 --> 00:52:57,800
Speaker 3: I love a dynasty. I love a dynasty of rat actors.

1062
00:52:58,200 --> 00:52:59,239
Speaker 2: We love a dynasty.

1063
00:52:59,360 --> 00:53:02,759
Speaker 4: Well, but I love to about again these turns in

1064
00:53:02,800 --> 00:53:04,839
Speaker 4: this film. So he goes home with Eve and like

1065
00:53:04,880 --> 00:53:07,160
Speaker 4: meets her doctor, and the doctor thinks he should stay

1066
00:53:07,160 --> 00:53:09,759
Speaker 4: there for a few few days, you know, to kind

1067
00:53:09,760 --> 00:53:10,360
Speaker 4: of heal.

1068
00:53:10,200 --> 00:53:11,960
Speaker 3: And make sure that there's nothing really wrong with him.

1069
00:53:11,960 --> 00:53:13,360
Speaker 3: The doctor is also hilarious.

1070
00:53:13,360 --> 00:53:15,399
Speaker 4: He's like, there could be some internal hemorrhaging, but it's

1071
00:53:15,400 --> 00:53:16,120
Speaker 4: not that big a deal.

1072
00:53:16,239 --> 00:53:19,640
Speaker 3: I'm like, this is wild. I love this shit, just

1073
00:53:19,680 --> 00:53:20,240
Speaker 3: so funny.

1074
00:53:20,320 --> 00:53:22,440
Speaker 4: But so he stays there and it's kind of again

1075
00:53:22,520 --> 00:53:24,800
Speaker 4: funny to me that he spends one day out in

1076
00:53:24,840 --> 00:53:27,400
Speaker 4: the world, is kind of wandering around, and then he

1077
00:53:27,480 --> 00:53:30,239
Speaker 4: lucks into this situation where yet again he's staying in

1078
00:53:30,280 --> 00:53:33,399
Speaker 4: the home of another rich person. And from this point

1079
00:53:33,400 --> 00:53:35,080
Speaker 4: out in the film you realize that because of his

1080
00:53:35,200 --> 00:53:38,719
Speaker 4: proximity to the Rams and how quickly they kind of

1081
00:53:39,040 --> 00:53:43,960
Speaker 4: take to him, especially Benjamin, he gets to meet a

1082
00:53:43,960 --> 00:53:47,640
Speaker 4: lot of incredibly powerful people, including the President, who he's

1083
00:53:47,640 --> 00:53:50,279
Speaker 4: only seen on television of course, and the President is

1084
00:53:50,280 --> 00:53:54,120
Speaker 4: played by Jack Warden again, fantastic actor.

1085
00:53:54,160 --> 00:53:55,600
Speaker 3: You'll know if you see him look him up.

1086
00:53:55,840 --> 00:53:58,160
Speaker 2: Speaking of twelve angrim Men, yep.

1087
00:53:58,520 --> 00:54:00,799
Speaker 3: I mean this could have in the theme.

1088
00:54:03,640 --> 00:54:06,680
Speaker 4: Draw a line from twelve Angry Men, but with Lenny crap,

1089
00:54:06,719 --> 00:54:07,919
Speaker 4: it's dick popping out.

1090
00:54:09,680 --> 00:54:11,440
Speaker 3: That's who you have choice, that's who we are.

1091
00:54:12,040 --> 00:54:14,960
Speaker 4: And what's also fascinating about this, you know, again the

1092
00:54:14,960 --> 00:54:17,280
Speaker 4: movie from this point forward is that everyone is falling

1093
00:54:17,280 --> 00:54:21,920
Speaker 4: in love with Chance and I mean, like politically romantically,

1094
00:54:22,080 --> 00:54:24,920
Speaker 4: including Eve. She's like, my husband's on his deathbed, but

1095
00:54:24,960 --> 00:54:28,440
Speaker 4: he's like kind of sanctioning our relationship because he likes

1096
00:54:28,440 --> 00:54:31,000
Speaker 4: you so much. Everyone is falling in love with this

1097
00:54:31,120 --> 00:54:33,719
Speaker 4: dude because when he sits down at a table, for example,

1098
00:54:34,440 --> 00:54:39,319
Speaker 4: with the you know, Russian emigray or whatever he's he

1099
00:54:39,360 --> 00:54:41,400
Speaker 4: doesn't say a thing. He doesn't speak Russian. But this

1100
00:54:41,480 --> 00:54:44,120
Speaker 4: guy is like, oh, you speak Russian. Great, because he laughs,

1101
00:54:44,680 --> 00:54:46,719
Speaker 4: it kind of mimics laughing at the same time that

1102
00:54:46,760 --> 00:54:50,000
Speaker 4: this guy laughs, and it's just again fascinating. All these

1103
00:54:50,040 --> 00:54:52,640
Speaker 4: rumors start swirling, like I hear he speaks eight languages,

1104
00:54:52,680 --> 00:54:55,200
Speaker 4: and I hear he's a lawyer and a doctor. Like

1105
00:54:55,200 --> 00:54:58,520
Speaker 4: all these rumors swirl about him, and he has said nothing.

1106
00:54:59,200 --> 00:54:59,520
Speaker 3: Nothing.

1107
00:55:00,200 --> 00:55:02,560
Speaker 4: His kind of claim to fame at this point is

1108
00:55:02,560 --> 00:55:06,319
Speaker 4: that once he meets the president because of Benjamin, because

1109
00:55:06,320 --> 00:55:10,680
Speaker 4: Benjamin's like an advisor. He only speaks in gardening metaphors,

1110
00:55:11,040 --> 00:55:13,960
Speaker 4: and they take that to mean that he's very smart

1111
00:55:14,000 --> 00:55:18,040
Speaker 4: about economic issues. It's just so cool to watch like

1112
00:55:18,080 --> 00:55:20,239
Speaker 4: he's just speaking what he knows, which is like, you

1113
00:55:20,239 --> 00:55:22,000
Speaker 4: have to tend to the tree, and sometimes there are

1114
00:55:22,040 --> 00:55:24,600
Speaker 4: good seasons and sometimes there are bad seasons, and they

1115
00:55:24,640 --> 00:55:26,839
Speaker 4: project that onto him and run with it. And it's

1116
00:55:27,719 --> 00:55:29,520
Speaker 4: I mean, you can see why that article in the

1117
00:55:29,600 --> 00:55:33,360
Speaker 4: Chicago Reader about how prophetic and grim this movie is,

1118
00:55:34,760 --> 00:55:36,719
Speaker 4: you know, in modern in a modern sense, could be.

1119
00:55:37,320 --> 00:55:38,000
Speaker 3: So I love it.

1120
00:55:38,040 --> 00:55:40,960
Speaker 4: And he's on television and he's just getting more and

1121
00:55:41,000 --> 00:55:44,960
Speaker 4: more fame as the days go on. And Louise does

1122
00:55:45,000 --> 00:55:49,399
Speaker 4: see him on TV and she is sitting it looks

1123
00:55:49,400 --> 00:55:51,360
Speaker 4: like she's in like the lobby of her apartment building

1124
00:55:51,719 --> 00:55:55,040
Speaker 4: with a whole bunch of people, and she is fucking shocked.

1125
00:55:55,280 --> 00:56:01,480
Speaker 4: So she Louise says, she's like, he never learned to

1126
00:56:01,520 --> 00:56:06,440
Speaker 4: read or write, and she quote says he was shortchanged

1127
00:56:06,440 --> 00:56:12,080
Speaker 4: by the Lord and dumb as a jackass. She is

1128
00:56:12,160 --> 00:56:15,240
Speaker 4: like apoplectic, and she's like and then she also says,

1129
00:56:15,320 --> 00:56:17,080
Speaker 4: it is for sure a white man's world.

1130
00:56:17,600 --> 00:56:20,040
Speaker 3: All you gotta be is white in America to get

1131
00:56:20,040 --> 00:56:20,879
Speaker 3: whatever you want.

1132
00:56:21,680 --> 00:56:24,239
Speaker 4: M h. And she's looking at this guy that she's

1133
00:56:24,320 --> 00:56:25,920
Speaker 4: raised from the time he was a kid who doesn't

1134
00:56:25,960 --> 00:56:30,600
Speaker 4: know shit from shinola and he is now on TV

1135
00:56:30,760 --> 00:56:32,960
Speaker 4: talking to the President within a matter of days of

1136
00:56:33,000 --> 00:56:35,200
Speaker 4: being kicked out into the world, a world that he's

1137
00:56:35,239 --> 00:56:39,120
Speaker 4: never engaged with. So Luise to me is a pivotal

1138
00:56:39,440 --> 00:56:41,560
Speaker 4: character because she knows all of this, but she doesn't

1139
00:56:41,600 --> 00:56:43,960
Speaker 4: say shit to anybody. She's just like, Yep, that's how

1140
00:56:44,000 --> 00:56:46,400
Speaker 4: the world works, and there's nothing we can fucking do

1141
00:56:46,480 --> 00:56:50,120
Speaker 4: about it. These idiots will get in there and not

1142
00:56:50,320 --> 00:56:52,600
Speaker 4: know what the fuck they're talking about, and everyone will

1143
00:56:52,680 --> 00:56:54,640
Speaker 4: venerate them, and that is the world we live in.

1144
00:56:55,280 --> 00:56:58,959
Speaker 1: Yeah, now that's the then I feel like, is such

1145
00:56:59,000 --> 00:57:04,759
Speaker 1: a hal Ashby kind of thing where he's able to

1146
00:57:04,840 --> 00:57:10,600
Speaker 1: make like these very you know, deep political statements about

1147
00:57:10,640 --> 00:57:13,759
Speaker 1: the world but wrap it up into this kind of

1148
00:57:14,680 --> 00:57:17,720
Speaker 1: it's almost kind of like a fairy tale, you know,

1149
00:57:18,040 --> 00:57:21,320
Speaker 1: kind of scenario, right, which I love that. I love

1150
00:57:21,360 --> 00:57:26,800
Speaker 1: that there's that like undercurrent of like actual topics going

1151
00:57:26,800 --> 00:57:28,120
Speaker 1: on in this film.

1152
00:57:27,960 --> 00:57:30,480
Speaker 4: Right, absolutely. Yeah, it carries the whole film forward, and

1153
00:57:30,520 --> 00:57:31,960
Speaker 4: it has to because of where he is. You know,

1154
00:57:31,960 --> 00:57:34,439
Speaker 4: he's in Washington, d C. He's engaging with politics, whether

1155
00:57:34,480 --> 00:57:36,920
Speaker 4: he likes it or not. Yeah, So I love that,

1156
00:57:36,960 --> 00:57:38,680
Speaker 4: and then you know the movie. I'm not going to

1157
00:57:38,680 --> 00:57:40,840
Speaker 4: spoil the ending because I never do, but like the

1158
00:57:40,880 --> 00:57:45,080
Speaker 4: movie carries on in that the estate lawyer also sees

1159
00:57:45,160 --> 00:57:49,440
Speaker 4: him on TV, and now everyone in Chances Orbit is

1160
00:57:49,480 --> 00:57:52,000
Speaker 4: trying to figure out, like including the president and the press.

1161
00:57:52,160 --> 00:57:54,040
Speaker 4: They're trying to figure out who he is and why

1162
00:57:54,080 --> 00:57:56,480
Speaker 4: he has no background. So I love I just I

1163
00:57:56,520 --> 00:57:59,320
Speaker 4: love this movie. I think it is again weirdly prophetic

1164
00:57:59,520 --> 00:58:05,240
Speaker 4: and just has such moments of such delicate hilarity, and

1165
00:58:05,320 --> 00:58:07,600
Speaker 4: I notice new things that are funny every time I

1166
00:58:07,640 --> 00:58:08,000
Speaker 4: watch it.

1167
00:58:09,200 --> 00:58:14,440
Speaker 2: Yeah, so that is something the There was this scene

1168
00:58:14,600 --> 00:58:18,240
Speaker 2: in the film that I must have completely forgot about,

1169
00:58:18,320 --> 00:58:20,400
Speaker 2: like I probably haven't seen this movie since the early

1170
00:58:20,480 --> 00:58:29,400
Speaker 2: two thousands where Shirley maclain essentially masturbates in front of

1171
00:58:30,640 --> 00:58:34,160
Speaker 2: Chance the Gardner because that's like this whole thing that

1172
00:58:34,280 --> 00:58:39,120
Speaker 2: happens in the film is that he also doesn't know romance,

1173
00:58:39,160 --> 00:58:43,000
Speaker 2: he doesn't know kind of sexual feelings, and the only

1174
00:58:43,600 --> 00:58:48,000
Speaker 2: way he even can reciprocate in moments is when he's

1175
00:58:48,040 --> 00:58:52,480
Speaker 2: watching television. Right, He's truly only informed by TV.

1176
00:58:53,200 --> 00:58:55,520
Speaker 1: And I think there was this running joke in the

1177
00:58:55,560 --> 00:58:57,760
Speaker 1: film that he likes to watch right, because he likes

1178
00:58:57,760 --> 00:58:59,640
Speaker 1: to watch TV. And then everybody takes that to be

1179
00:58:59,720 --> 00:59:02,680
Speaker 1: this like, oh, he's like this like weird, pervy guy

1180
00:59:02,720 --> 00:59:06,160
Speaker 1: that likes to watch people and then that gets taken

1181
00:59:06,280 --> 00:59:10,160
Speaker 1: to that level in one scene and I was fucking.

1182
00:59:09,960 --> 00:59:13,960
Speaker 2: Shocked, Like I was like Queen Shirley.

1183
00:59:14,120 --> 00:59:17,720
Speaker 1: Down here on the bearskin rug, and I was like,

1184
00:59:18,040 --> 00:59:19,680
Speaker 1: what the fuck is going on?

1185
00:59:19,840 --> 00:59:21,080
Speaker 3: Not just a bear skin rug.

1186
00:59:21,160 --> 00:59:23,439
Speaker 4: There are two bearskin rugs in that room that still

1187
00:59:23,440 --> 00:59:26,080
Speaker 4: have the heads attached, like that rich people's shit where

1188
00:59:26,080 --> 00:59:27,600
Speaker 4: they're like, we still out the skull and the teeth

1189
00:59:27,600 --> 00:59:28,080
Speaker 4: on this shit.

1190
00:59:28,760 --> 00:59:33,840
Speaker 1: Yeah, we need those heads to prove the rich. And

1191
00:59:33,880 --> 00:59:37,960
Speaker 1: then there's the teeth, the press, the teeth. We might

1192
00:59:38,000 --> 00:59:39,360
Speaker 1: need to put him in our own head one day,

1193
00:59:39,360 --> 00:59:40,440
Speaker 1: George Washington style.

1194
00:59:40,840 --> 00:59:44,040
Speaker 2: Yeah, But I was like, I mean they don't show

1195
00:59:44,080 --> 00:59:47,360
Speaker 2: it obviously, it's not like a porn obviously, but I

1196
00:59:47,480 --> 00:59:50,160
Speaker 2: was like wow. And then it's like Chance just kind

1197
00:59:50,160 --> 00:59:52,000
Speaker 2: of sit on the bed being like I'm watching TV.

1198
00:59:52,080 --> 00:59:53,520
Speaker 2: I don't even know what the fuck is going on

1199
00:59:53,560 --> 00:59:55,160
Speaker 2: down there, and right before.

1200
00:59:54,960 --> 00:59:58,000
Speaker 4: It happens, the reason she even engages with it is

1201
00:59:58,040 --> 01:00:00,919
Speaker 4: that he is watching us a love scene on TV

1202
01:00:01,000 --> 01:00:03,920
Speaker 4: where people are kissing, and he copies that and just

1203
01:00:03,960 --> 01:00:06,600
Speaker 4: starts kissing her and then is like I like to

1204
01:00:06,640 --> 01:00:09,520
Speaker 4: watch and she's like, Okay, I guess that's what we're doing.

1205
01:00:10,240 --> 01:00:14,080
Speaker 1: Yeah, let me get to get to work down here.

1206
01:00:14,480 --> 01:00:16,360
Speaker 4: And then he just goes back to watching TV and

1207
01:00:16,400 --> 01:00:19,040
Speaker 4: then he slitches over to like someone doing calisthenics, and

1208
01:00:19,080 --> 01:00:21,919
Speaker 4: he's like, while she's down there doing her thing, he's

1209
01:00:21,960 --> 01:00:23,640
Speaker 4: on the bed trying to do like handstands.

1210
01:00:23,680 --> 01:00:25,560
Speaker 3: It's so fucking funny and weird.

1211
01:00:26,520 --> 01:00:28,640
Speaker 1: Yeah, I forgot about the fact that then he switches

1212
01:00:28,680 --> 01:00:31,160
Speaker 1: to like a yoga channel and then he's doing yoga

1213
01:00:31,200 --> 01:00:35,440
Speaker 1: on the bed and I was like, how how soon

1214
01:00:35,480 --> 01:00:37,840
Speaker 1: after did she do terms of endearment? I'm like, what

1215
01:00:37,880 --> 01:00:44,400
Speaker 1: the fuck is going on here? It's like, damn dude, Like.

1216
01:00:45,440 --> 01:00:48,480
Speaker 4: Sharlie McCAT, Sharlie McLain is a g She's like, I will,

1217
01:00:48,880 --> 01:00:53,040
Speaker 4: I will commit to this. I don't know why that

1218
01:00:53,160 --> 01:00:56,000
Speaker 4: shocked the fuck out of me though, but anyway, because

1219
01:00:56,000 --> 01:00:58,440
Speaker 4: it's Shirley McLean and you're not used to seeing that's

1220
01:00:58,440 --> 01:00:59,000
Speaker 4: side of her.

1221
01:00:59,680 --> 01:01:02,600
Speaker 2: Yeah, I definitely wasn't prepared.

1222
01:01:03,080 --> 01:01:05,320
Speaker 4: But this movie is great. I just love it. I

1223
01:01:05,360 --> 01:01:07,400
Speaker 4: think more people should see it. I don't want it

1224
01:01:07,440 --> 01:01:09,480
Speaker 4: to be forgotten. I know it's you know, it's not

1225
01:01:09,560 --> 01:01:12,360
Speaker 4: like it's purely it's not like an underground film like

1226
01:01:12,360 --> 01:01:15,280
Speaker 4: It's on AFI lists and lists all the time, but

1227
01:01:15,360 --> 01:01:17,560
Speaker 4: I just think it is not enough people have seen it,

1228
01:01:17,560 --> 01:01:18,720
Speaker 4: and I want more people to see it.

1229
01:01:19,320 --> 01:01:22,840
Speaker 1: I agree, And I feel like maybe part of that

1230
01:01:23,000 --> 01:01:25,680
Speaker 1: is because it's like a late period Peter Seller's movie,

1231
01:01:26,360 --> 01:01:30,040
Speaker 1: so it feels like kind of I don't know, maybe

1232
01:01:30,120 --> 01:01:32,360
Speaker 1: less talked about in that regard. But also I think

1233
01:01:32,400 --> 01:01:36,960
Speaker 1: within the hal Ashby filmography, I mean, everybody loves Harold

1234
01:01:37,000 --> 01:01:39,720
Speaker 1: and Maud so much that it's like when you and

1235
01:01:39,960 --> 01:01:41,960
Speaker 1: maybe that's the problem I think with both of our

1236
01:01:42,000 --> 01:01:44,400
Speaker 1: directors this week is like when you have like a

1237
01:01:44,480 --> 01:01:51,680
Speaker 1: smash cult, huge game changer film, you know, maybe that

1238
01:01:51,880 --> 01:01:53,800
Speaker 1: kind of puts some of the other work that you've

1239
01:01:53,800 --> 01:01:56,800
Speaker 1: done kind of on a back burner, which is unfair

1240
01:01:56,880 --> 01:01:59,080
Speaker 1: because you know, like there are so many good movies

1241
01:01:59,120 --> 01:02:01,960
Speaker 1: that directors can make that aren't the big one they.

1242
01:02:01,840 --> 01:02:04,200
Speaker 4: Did right well. And it's like you were saying about,

1243
01:02:04,240 --> 01:02:06,080
Speaker 4: you know earlier at the top of the episode, where

1244
01:02:06,240 --> 01:02:09,840
Speaker 4: you know with ari Astor, it's like, you know, directors

1245
01:02:10,040 --> 01:02:12,160
Speaker 4: come up with their own language, and if you watch

1246
01:02:12,200 --> 01:02:13,960
Speaker 4: all of their films, you get to see how that

1247
01:02:14,000 --> 01:02:16,320
Speaker 4: plays out, and you get to develop your own language

1248
01:02:16,320 --> 01:02:18,680
Speaker 4: for how to you know, engage with the film itself.

1249
01:02:18,840 --> 01:02:21,280
Speaker 4: So I think it's important even if you don't love

1250
01:02:21,320 --> 01:02:23,440
Speaker 4: every movie that they make, Like, if you like a director,

1251
01:02:23,440 --> 01:02:25,560
Speaker 4: you should see all of their films, see as much

1252
01:02:25,600 --> 01:02:28,160
Speaker 4: as possible. Well, and to be honest with you, there

1253
01:02:28,200 --> 01:02:30,800
Speaker 4: are through lines between Harold and Maud and being there

1254
01:02:30,880 --> 01:02:32,840
Speaker 4: to me, like, I mean, there's a lot of like

1255
01:02:33,720 --> 01:02:39,720
Speaker 4: you know, sort of similar character affects between Harold and Chance.

1256
01:02:39,880 --> 01:02:42,800
Speaker 4: So it's that thing where yeah, I mean, obviously it's

1257
01:02:43,080 --> 01:02:45,080
Speaker 4: same director has made most films, But yeah, I agree

1258
01:02:45,120 --> 01:02:47,480
Speaker 4: with you. I feel like this is it doesn't seem

1259
01:02:47,480 --> 01:02:50,960
Speaker 4: as talked about, despite the fact that maybe Chance the

1260
01:02:51,040 --> 01:02:53,760
Speaker 4: Rapper had took his name from the film we don't know.

1261
01:02:55,840 --> 01:02:56,600
Speaker 2: You starting it.

1262
01:02:57,120 --> 01:02:59,320
Speaker 1: But also like yeah, I just feel like it's really

1263
01:02:59,400 --> 01:03:05,400
Speaker 1: charming and poignant, like it's definitely aged. Well yes, you know,

1264
01:03:06,080 --> 01:03:08,880
Speaker 1: and yeah, I'm glad that I got to see it again.

1265
01:03:09,280 --> 01:03:12,040
Speaker 4: Yay. Well, I'm glad that I got to see your

1266
01:03:12,120 --> 01:03:14,200
Speaker 4: film for like the second time this.

1267
01:03:14,240 --> 01:03:16,520
Speaker 2: Year, exactly exactly.

1268
01:03:16,880 --> 01:03:17,080
Speaker 4: You know.

1269
01:03:17,160 --> 01:03:20,280
Speaker 1: What else I love about our two movies and other

1270
01:03:20,360 --> 01:03:25,840
Speaker 1: connection point maybe is that they both have like coda's

1271
01:03:25,960 --> 01:03:26,800
Speaker 1: during the credits.

1272
01:03:27,160 --> 01:03:32,040
Speaker 4: Yeah, yeah, which is great and in minds like very bloopery. Yeah,

1273
01:03:32,240 --> 01:03:33,840
Speaker 4: but I like that you get to kind of see

1274
01:03:34,440 --> 01:03:37,360
Speaker 4: the spirit of the actors come out in those those codas.

1275
01:03:37,600 --> 01:03:40,680
Speaker 2: Yeah, yeah, No, it's actually I think Mine's has a blooper.

1276
01:03:41,360 --> 01:03:45,720
Speaker 1: Yeah, technically a blooper, even though apparently it was harrowing

1277
01:03:45,920 --> 01:03:48,960
Speaker 1: for Michelle Pfeiffer. She almost like cracked her neck or

1278
01:03:49,000 --> 01:03:52,080
Speaker 1: something and she had to be saved by Matthew Mojin,

1279
01:03:52,360 --> 01:03:57,800
Speaker 1: which we'll talk about for sure. But anyway, so my

1280
01:03:58,040 --> 01:04:04,520
Speaker 1: movie for the theme, remember Lenny Kravitz's Deck Popped Out.

1281
01:04:06,640 --> 01:04:09,720
Speaker 2: He's a movie from nineteen eighty eight. It was written

1282
01:04:09,800 --> 01:04:16,440
Speaker 2: by Barry Struget's and Mark R. Burns, directed by Jonathan Demi,

1283
01:04:16,640 --> 01:04:20,240
Speaker 2: and it's called Married to the mod And.

1284
01:04:20,280 --> 01:04:21,920
Speaker 3: How I'm supposed to get ahead of the family.

1285
01:04:22,240 --> 01:04:24,800
Speaker 4: Jam, I always have fly cheat.

1286
01:04:25,440 --> 01:04:27,200
Speaker 1: I know some of you right off the bat are

1287
01:04:27,200 --> 01:04:30,400
Speaker 1: gonna be like this is not a forgotten.

1288
01:04:29,880 --> 01:04:34,880
Speaker 2: Classic since it's now on a beautifully restored Blu ray

1289
01:04:34,960 --> 01:04:39,240
Speaker 2: disc with commentary featuring Daniel Henderson and Milita Cherco from

1290
01:04:39,280 --> 01:04:39,800
Speaker 2: the I Saw What.

1291
01:04:39,840 --> 01:04:41,800
Speaker 3: You Did Podcast? Very true, very true.

1292
01:04:42,240 --> 01:04:42,560
Speaker 4: Yeah.

1293
01:04:42,920 --> 01:04:46,640
Speaker 2: First of all, have we ever done a Jonathan Demi movies?

1294
01:04:46,680 --> 01:04:47,320
Speaker 2: This is our first one.

1295
01:04:47,400 --> 01:04:50,440
Speaker 4: No, I think this is our first one. Although according

1296
01:04:50,440 --> 01:04:53,640
Speaker 4: to your calculations, you went you dropped into the slack

1297
01:04:53,720 --> 01:04:58,640
Speaker 4: some super nerd calculations. This week, we have mentioned or

1298
01:04:58,680 --> 01:05:01,240
Speaker 4: covered a Matthew Modine film five times. He is our

1299
01:05:01,280 --> 01:05:03,400
Speaker 4: most mentioned actor. He is.

1300
01:05:04,880 --> 01:05:06,360
Speaker 2: I love how you shamed me.

1301
01:05:06,440 --> 01:05:10,400
Speaker 1: Immediately, I was like, yo, I pulled up some like

1302
01:05:10,520 --> 01:05:13,600
Speaker 1: Nate Silver five thirty eight statistics about the podcast and

1303
01:05:13,640 --> 01:05:15,560
Speaker 1: guess what we've talked about Matthew Modin five times, and

1304
01:05:15,560 --> 01:05:17,760
Speaker 1: you're like, way to go, arkles.

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01:05:20,200 --> 01:05:22,840
Speaker 2: A, oh good.

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01:05:23,440 --> 01:05:26,000
Speaker 4: It just made me laugh so hard, and you're like,

1307
01:05:26,120 --> 01:05:30,280
Speaker 4: I've got the stats on us. I had to know.

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01:05:30,800 --> 01:05:32,400
Speaker 2: I had to know. I didn't want to be throwing

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01:05:32,480 --> 01:05:34,440
Speaker 2: out fake stats.

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01:05:35,560 --> 01:05:39,720
Speaker 4: A willy nilly, it's shot. It's wild, but not surprising

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01:05:39,720 --> 01:05:41,160
Speaker 4: to me that he's our most mentioned actor.

1312
01:05:41,680 --> 01:05:44,840
Speaker 1: Well, yeah, considering that we've talked about like Tom Cruise

1313
01:05:44,920 --> 01:05:48,080
Speaker 1: and Tom Hanks. Like the idea that you and I

1314
01:05:48,120 --> 01:05:51,600
Speaker 1: would bring up Matthew Modine the most, I think says

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01:05:51,600 --> 01:05:52,480
Speaker 1: a lot about.

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01:05:53,840 --> 01:05:58,880
Speaker 4: Us above Rock Redford, bubb Elizabeth Taylor. Will mentioned Elizabeth

1317
01:05:58,880 --> 01:06:01,400
Speaker 4: Taylor covered her movies three yeah, yeah.

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01:06:01,280 --> 01:06:02,000
Speaker 2: Yeah exactly.

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01:06:02,160 --> 01:06:07,920
Speaker 1: So I I love that for us not gonna lie.

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01:06:08,360 --> 01:06:10,680
Speaker 1: So I remember when this movie came out as a kid,

1321
01:06:10,680 --> 01:06:14,640
Speaker 1: did you for sure? I actually didn't know at that time.

1322
01:06:14,720 --> 01:06:18,120
Speaker 1: Obviously I didn't know anything about Jonathan Demi, but you know,

1323
01:06:18,240 --> 01:06:20,440
Speaker 1: I thought it was being sold at the time to

1324
01:06:20,600 --> 01:06:24,840
Speaker 1: me as like a goofy kind of studio comedy, right exactly.

1325
01:06:25,640 --> 01:06:30,720
Speaker 1: But I actually think listen, like when people start talking

1326
01:06:30,760 --> 01:06:35,160
Speaker 1: about famous directors filmographies and everybody gets real crazy. So

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01:06:35,240 --> 01:06:40,160
Speaker 1: I want to say, this is my opinion. Okay, it

1328
01:06:40,240 --> 01:06:42,440
Speaker 1: is my opinion that Married to the Mob is not

1329
01:06:42,640 --> 01:06:50,280
Speaker 1: only an underrated eighties comedy, but I also think.

1330
01:06:51,640 --> 01:06:54,440
Speaker 2: That it's more charming than Something Wild.

1331
01:06:55,200 --> 01:06:56,480
Speaker 4: Ooh, I like it.

1332
01:06:56,560 --> 01:06:57,520
Speaker 3: I can get there with you.

1333
01:06:57,680 --> 01:07:02,520
Speaker 2: Yeah, because here's the thing I like. I went speaking

1334
01:07:02,520 --> 01:07:03,240
Speaker 2: of a letterbox.

1335
01:07:03,280 --> 01:07:07,680
Speaker 1: I went on record last year when we were talking

1336
01:07:07,680 --> 01:07:10,160
Speaker 1: about Married to the Mob for the commentary, and I

1337
01:07:10,200 --> 01:07:11,760
Speaker 1: hadn't seen it in a while, and I was like,

1338
01:07:12,280 --> 01:07:15,160
Speaker 1: I gotta say, this might be more charming than Something Wild,

1339
01:07:15,280 --> 01:07:18,360
Speaker 1: which you know, as you know, is a beloved Jonathan

1340
01:07:18,440 --> 01:07:21,320
Speaker 1: Demi movie. It's part of the Criterion collection. It's like

1341
01:07:22,080 --> 01:07:25,120
Speaker 1: the title that everybody loves to talk about. Besides Silence

1342
01:07:25,160 --> 01:07:26,400
Speaker 1: of the lambs, but you know what I mean in

1343
01:07:26,440 --> 01:07:28,800
Speaker 1: that way and that like kind of eighties Jonathan Demi

1344
01:07:29,720 --> 01:07:33,320
Speaker 1: romance comedy kindaway. Right. So I was like, guess what, folks,

1345
01:07:33,400 --> 01:07:36,080
Speaker 1: I think Married to the Mob is better. And I

1346
01:07:36,160 --> 01:07:39,120
Speaker 1: got like two texts from people that I knew, texts

1347
01:07:39,200 --> 01:07:42,120
Speaker 1: like not comments on letterbox, but people who reached me

1348
01:07:42,200 --> 01:07:45,480
Speaker 1: directly and was like, did I just read that you

1349
01:07:45,760 --> 01:07:46,600
Speaker 1: think married to Mom?

1350
01:07:46,600 --> 01:07:51,840
Speaker 2: I was like yes, and they were like, this is

1351
01:07:51,880 --> 01:07:54,320
Speaker 2: holy shit, that's a take.

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01:07:54,760 --> 01:07:57,680
Speaker 4: That's a take. But I can understand that because I

1353
01:07:57,720 --> 01:08:00,840
Speaker 4: think something something Wild is charming. Yes, but in some

1354
01:08:00,880 --> 01:08:05,120
Speaker 4: ways it's like the kind of already inaccessible version of

1355
01:08:05,160 --> 01:08:06,080
Speaker 4: this film.

1356
01:08:06,520 --> 01:08:09,640
Speaker 1: Right, because it's the same concept. These two movies have

1357
01:08:09,640 --> 01:08:13,960
Speaker 1: the same concept. It's basically a straight laced guy falls

1358
01:08:14,000 --> 01:08:14,360
Speaker 1: for like.

1359
01:08:14,320 --> 01:08:18,200
Speaker 2: A much more interesting woman, and that woman is in

1360
01:08:18,240 --> 01:08:22,080
Speaker 2: turn being chased by like a scary, murderous criminal type guy.

1361
01:08:22,479 --> 01:08:23,000
Speaker 4: Right right.

1362
01:08:23,439 --> 01:08:26,479
Speaker 1: That's both these movies to a t. And that's my

1363
01:08:26,520 --> 01:08:31,599
Speaker 1: one sentence synopsis. Honestly love this movie, but I.

1364
01:08:31,479 --> 01:08:34,800
Speaker 2: Think you're right. I feel like Something Wild is a

1365
01:08:34,840 --> 01:08:35,559
Speaker 2: little darker.

1366
01:08:36,479 --> 01:08:38,680
Speaker 1: There's obviously that kind of like road trip aspect of

1367
01:08:38,720 --> 01:08:41,799
Speaker 1: it that that is different from Merried to the Mob. However,

1368
01:08:42,000 --> 01:08:46,760
Speaker 1: I feel like Married to the Mob is the It's goofier,

1369
01:08:47,160 --> 01:08:47,920
Speaker 1: but it's not.

1370
01:08:47,920 --> 01:08:50,080
Speaker 2: Like too goofy, you know what I mean, It's just

1371
01:08:50,160 --> 01:08:51,320
Speaker 2: perfectly goofy.

1372
01:08:52,320 --> 01:08:56,479
Speaker 1: I think because something wild gets a lot of attention,

1373
01:08:57,360 --> 01:08:59,400
Speaker 1: I feel like people forget that Married to the Mob

1374
01:08:59,439 --> 01:09:01,360
Speaker 1: was the Jonathan movie, and then I just feel like, well,

1375
01:09:01,479 --> 01:09:03,439
Speaker 1: you know, but I also feel like it's for me.

1376
01:09:03,600 --> 01:09:07,080
Speaker 1: It's better at it's more screwball comedy farce.

1377
01:09:08,040 --> 01:09:08,840
Speaker 4: I feel like.

1378
01:09:10,320 --> 01:09:13,360
Speaker 2: It what it does that I think is perfect, and

1379
01:09:13,439 --> 01:09:14,240
Speaker 2: like I have.

1380
01:09:14,240 --> 01:09:18,360
Speaker 1: To say, this movie is focused on like late eighties

1381
01:09:18,720 --> 01:09:23,720
Speaker 1: mafia Italians from the Northeast. Okay, but I want to

1382
01:09:23,720 --> 01:09:25,960
Speaker 1: think about this in terms of it being in like

1383
01:09:26,000 --> 01:09:27,759
Speaker 1: a pre Sopranos, pre.

1384
01:09:27,800 --> 01:09:29,120
Speaker 4: Jersey Shore world.

1385
01:09:29,760 --> 01:09:35,120
Speaker 1: Right at this time, we knew about the Godfather movies, right,

1386
01:09:35,640 --> 01:09:40,600
Speaker 1: but we weren't kind of like super tuned in to

1387
01:09:40,960 --> 01:09:44,479
Speaker 1: like the Real Housewives of New Jersey ish kind of

1388
01:09:44,560 --> 01:09:46,599
Speaker 1: style and musings of like this.

1389
01:09:46,560 --> 01:09:47,760
Speaker 4: World, do you know what I mean? Right?

1390
01:09:48,200 --> 01:09:48,400
Speaker 3: Yeah?

1391
01:09:48,439 --> 01:09:51,080
Speaker 4: And pop culturally, for sure, we were not willing to

1392
01:09:51,120 --> 01:09:55,360
Speaker 4: make fun of that genre or that sub sect.

1393
01:09:55,680 --> 01:09:55,800
Speaker 3: Right.

1394
01:09:55,960 --> 01:09:58,680
Speaker 4: It was also presented very seriously as if like you

1395
01:09:58,720 --> 01:10:01,640
Speaker 4: do not fuck with Yeah, this sector.

1396
01:10:01,960 --> 01:10:04,400
Speaker 1: Right, but it's like so I think in the time

1397
01:10:04,560 --> 01:10:06,800
Speaker 1: it's fresh, like it's fresh to be like kind of

1398
01:10:06,880 --> 01:10:11,680
Speaker 1: like ripping off like style cues from like these mafia Italians,

1399
01:10:11,840 --> 01:10:14,639
Speaker 1: right and make it a comedy. It's very very cute

1400
01:10:14,680 --> 01:10:16,920
Speaker 1: to me, and and I think that's kind of what

1401
01:10:17,040 --> 01:10:19,080
Speaker 1: I love about it because it's super.

1402
01:10:20,240 --> 01:10:21,439
Speaker 2: Stylish.

1403
01:10:21,600 --> 01:10:25,479
Speaker 1: It really like hams up that aspect of like the

1404
01:10:25,600 --> 01:10:30,200
Speaker 1: tackiness of people and the tackiness of like mafia folks,

1405
01:10:30,240 --> 01:10:33,320
Speaker 1: which I feel like, as a half Italian person I

1406
01:10:33,360 --> 01:10:36,960
Speaker 1: can speak to without getting killed. I don't want to

1407
01:10:37,000 --> 01:10:41,280
Speaker 1: get murked, Okay, but I'm just saying I really love

1408
01:10:42,160 --> 01:10:46,160
Speaker 1: this film, and I feel like the double team of

1409
01:10:46,240 --> 01:10:48,439
Speaker 1: Michelle Pfeiffer and Matthew Odean, who, by the way, I

1410
01:10:48,439 --> 01:10:53,439
Speaker 1: feel like Michelle Pfeiffer is criminally underrated as a comic actor.

1411
01:10:53,960 --> 01:10:54,600
Speaker 3: Absolutely.

1412
01:10:55,439 --> 01:10:58,200
Speaker 1: I think obviously we know we know this from Greece too,

1413
01:10:58,840 --> 01:11:03,680
Speaker 1: and and this she's so funny and charming and at

1414
01:11:03,720 --> 01:11:08,200
Speaker 1: the same time, I think her character grounds the film

1415
01:11:08,400 --> 01:11:12,400
Speaker 1: because it could be a runaway train of like style

1416
01:11:12,960 --> 01:11:16,280
Speaker 1: and you know, kind of like sight gags and whatnot.

1417
01:11:16,320 --> 01:11:17,439
Speaker 2: But she kind of.

1418
01:11:17,680 --> 01:11:21,920
Speaker 1: Gives it a little bit of a center, because effectively

1419
01:11:22,000 --> 01:11:26,240
Speaker 1: the movie is about her character being married into this

1420
01:11:26,400 --> 01:11:30,599
Speaker 1: like mafia group and then she wants out. She wants

1421
01:11:30,640 --> 01:11:33,400
Speaker 1: to be her own woman. She wants to, like, you know,

1422
01:11:33,640 --> 01:11:36,200
Speaker 1: get out of this life and be your own person.

1423
01:11:36,280 --> 01:11:40,639
Speaker 1: And that is like an interesting concept and I feel

1424
01:11:40,680 --> 01:11:44,479
Speaker 1: like that might have been completely thrown out if she

1425
01:11:44,600 --> 01:11:45,519
Speaker 1: wasn't as good as.

1426
01:11:45,479 --> 01:11:46,840
Speaker 2: An actress, do you know what I mean?

1427
01:11:46,960 --> 01:11:50,880
Speaker 4: Completely agree, completely agree. I think that she and she

1428
01:11:50,960 --> 01:11:53,840
Speaker 4: plays it so like, she doesn't play it over the

1429
01:11:53,840 --> 01:11:57,160
Speaker 4: top with this character, so it's even funnier to watch

1430
01:11:57,200 --> 01:11:59,320
Speaker 4: her try to be serious it's in this kind of

1431
01:11:59,320 --> 01:12:02,120
Speaker 4: insane world. Yeah, but she just she gets it and

1432
01:12:02,160 --> 01:12:04,840
Speaker 4: she nails the character. It's the character, it's herself, Like

1433
01:12:04,880 --> 01:12:09,920
Speaker 4: she nails that character's personality so well that it just

1434
01:12:10,479 --> 01:12:12,920
Speaker 4: it all fits. Like her as Angela just fits because

1435
01:12:12,920 --> 01:12:15,800
Speaker 4: she's not doing like the heightened comedy version of like

1436
01:12:15,840 --> 01:12:18,920
Speaker 4: you said, the Jersey Shore kind of like she's just

1437
01:12:19,000 --> 01:12:24,040
Speaker 4: doing this very subdued sort of approach to this this

1438
01:12:24,120 --> 01:12:24,679
Speaker 4: wild world.

1439
01:12:24,720 --> 01:12:25,920
Speaker 3: And I think it works out great.

1440
01:12:26,920 --> 01:12:32,240
Speaker 1: And I would argue that nobody in the film, like

1441
01:12:32,320 --> 01:12:34,840
Speaker 1: everybody in the film is so good and such a

1442
01:12:34,880 --> 01:12:39,360
Speaker 1: good actor that they're not doing the really over the

1443
01:12:39,400 --> 01:12:41,120
Speaker 1: top I mean as much as you think, oh they

1444
01:12:41,200 --> 01:12:44,800
Speaker 1: might be, because they're wearing like shoulder pads and they've

1445
01:12:44,840 --> 01:12:48,960
Speaker 1: got like gold jewelry dripping off them. Like they're still

1446
01:12:49,040 --> 01:12:52,960
Speaker 1: actually not buffoons, right of you know what I mean,

1447
01:12:53,080 --> 01:12:56,800
Speaker 1: It's still kind of centered in like real emotions. Even

1448
01:12:56,880 --> 01:13:00,639
Speaker 1: Mercedes Rule, which who we will get to, of course

1449
01:13:00,840 --> 01:13:04,400
Speaker 1: in just a second. So we obviously did the commentary

1450
01:13:04,439 --> 01:13:07,880
Speaker 1: track for this Blu Ray the Fun City Editions Blu Ray,

1451
01:13:08,439 --> 01:13:10,879
Speaker 1: So I don't want to try to like duplicate that necessarily.

1452
01:13:10,880 --> 01:13:12,719
Speaker 1: I just figured we could just kind of chat about

1453
01:13:12,760 --> 01:13:16,799
Speaker 1: the film if you haven't seen it. Basically, Michelle Fiffer

1454
01:13:16,840 --> 01:13:20,719
Speaker 1: plays this woman named Angela. She's married to this guy

1455
01:13:21,120 --> 01:13:24,080
Speaker 1: named Frank, who is played by Alec Baldwin.

1456
01:13:24,400 --> 01:13:28,960
Speaker 4: Black haired and black brief. Alec Baldwin, by the way,

1457
01:13:29,560 --> 01:13:35,439
Speaker 4: Harry Chess whose nickname is Cucumber in this film, it's like,

1458
01:13:35,560 --> 01:13:37,560
Speaker 4: what how did that come about?

1459
01:13:38,200 --> 01:13:41,880
Speaker 1: I don't want to ask, But he's kind of like

1460
01:13:41,920 --> 01:13:46,800
Speaker 1: a hitman, henchman for the small boss name Tony the

1461
01:13:46,880 --> 01:13:51,920
Speaker 1: Tiger Russo, and he is played by Dean Stockwell Rip

1462
01:13:52,160 --> 01:13:57,000
Speaker 1: King Love Dean Stockwell. They also have a young son

1463
01:13:57,760 --> 01:14:00,479
Speaker 1: who is already following in his father's foots. And I

1464
01:14:00,560 --> 01:14:04,240
Speaker 1: have to mention this, it's a very very it's it's

1465
01:14:04,280 --> 01:14:06,280
Speaker 1: at the beginning of the film. You might it's kind

1466
01:14:06,280 --> 01:14:08,599
Speaker 1: of like a throwaway scene maybe, but for me, it's

1467
01:14:08,680 --> 01:14:13,040
Speaker 1: hilarious because basically his son is hosting these like three

1468
01:14:13,040 --> 01:14:16,320
Speaker 1: card monte games in the backyard with like the neighborhood kids.

1469
01:14:17,040 --> 01:14:18,240
Speaker 4: Yeah, he's a little kid.

1470
01:14:18,240 --> 01:14:19,400
Speaker 3: It's not like an adult son.

1471
01:14:20,160 --> 01:14:23,519
Speaker 1: Yeah, it's like an elementary school kid. And and this

1472
01:14:23,680 --> 01:14:27,040
Speaker 1: part I what I saw at this time, this made

1473
01:14:27,080 --> 01:14:30,439
Speaker 1: me scream because for some reason, I've never noticed this

1474
01:14:30,479 --> 01:14:33,440
Speaker 1: in the multiple times I watched this movie. At one point,

1475
01:14:33,800 --> 01:14:35,840
Speaker 1: one of the kids in the neighborhood pulls out like

1476
01:14:35,840 --> 01:14:39,080
Speaker 1: a ten dollar bill and puts it on the table,

1477
01:14:39,120 --> 01:14:43,439
Speaker 1: and I'm like, ten dollars in the late eighties to

1478
01:14:43,560 --> 01:14:46,519
Speaker 1: like an elementary school kid was like unheard of.

1479
01:14:46,760 --> 01:14:48,800
Speaker 3: There's like one hundred bucks. One hundred bucks.

1480
01:14:48,800 --> 01:14:49,519
Speaker 4: Oh god god.

1481
01:14:49,840 --> 01:14:53,040
Speaker 2: I was like, these kids got ten dollars to gamble?

1482
01:14:54,040 --> 01:14:56,400
Speaker 4: Shit, oh god. But that also lets you know, like

1483
01:14:56,439 --> 01:14:58,639
Speaker 4: these are people with money, and they'll give that money

1484
01:14:58,680 --> 01:15:01,240
Speaker 4: to their fucking kids because they have so much of

1485
01:15:01,280 --> 01:15:02,559
Speaker 4: it that they don't care.

1486
01:15:03,960 --> 01:15:08,639
Speaker 1: Yeah, I have to say, like, my my nephew, Henry

1487
01:15:08,880 --> 01:15:11,840
Speaker 1: just lost he's getting he's losing his baby teeth, you know,

1488
01:15:11,880 --> 01:15:15,479
Speaker 1: and the tooth Fairy is coming around a lot. He

1489
01:15:15,520 --> 01:15:17,479
Speaker 1: told me the other day that the tooth Fairy gave

1490
01:15:17,600 --> 01:15:18,520
Speaker 1: him ten.

1491
01:15:18,680 --> 01:15:21,800
Speaker 2: Dollars for out of his teeth, and I was like,

1492
01:15:22,880 --> 01:15:24,679
Speaker 2: who the fuck is this tooth Fairy.

1493
01:15:24,760 --> 01:15:26,240
Speaker 4: I was like, you know, I got like a quarter

1494
01:15:26,840 --> 01:15:32,120
Speaker 4: per tooth. Oh change change specifically if it was a

1495
01:15:32,160 --> 01:15:34,320
Speaker 4: big tooth or it was hard to get out a dollar.

1496
01:15:35,280 --> 01:15:35,479
Speaker 4: I know.

1497
01:15:35,520 --> 01:15:37,640
Speaker 1: I pulled aside my sister and I was like, the

1498
01:15:37,680 --> 01:15:39,599
Speaker 1: tooth fair is given out ten dollar bills.

1499
01:15:40,040 --> 01:15:41,479
Speaker 2: He got a tenor that.

1500
01:15:41,400 --> 01:15:43,120
Speaker 4: Doesn't even adjust for inflation.

1501
01:15:46,760 --> 01:15:51,320
Speaker 1: I was fucking shocked. Okay, So here's the thing. So

1502
01:15:51,920 --> 01:15:55,120
Speaker 1: Angela's got this family. You know, obviously she's feeling like

1503
01:15:55,600 --> 01:15:57,720
Speaker 1: this is too much, Like she doesn't want to be

1504
01:15:57,760 --> 01:16:01,160
Speaker 1: part of this life anymore. They've got like electronics all

1505
01:16:01,200 --> 01:16:04,719
Speaker 1: over the house. You know, it's just real, real bad.

1506
01:16:04,880 --> 01:16:07,840
Speaker 1: And then you know, Frank pretty much kills somebody within

1507
01:16:07,840 --> 01:16:09,800
Speaker 1: the first like five minutes of the movie. So she's

1508
01:16:09,880 --> 01:16:12,880
Speaker 1: kind of like, Okay, my son's playing three card Monty,

1509
01:16:13,040 --> 01:16:15,800
Speaker 1: he's like finding revolvers around the house like it's time

1510
01:16:15,840 --> 01:16:16,559
Speaker 1: to leave.

1511
01:16:17,000 --> 01:16:17,200
Speaker 2: Right.

1512
01:16:18,080 --> 01:16:19,920
Speaker 1: So the thing about it, though, is that she's so

1513
01:16:20,000 --> 01:16:23,599
Speaker 1: embedded in this world and so she's she's got this

1514
01:16:23,760 --> 01:16:28,320
Speaker 1: friend group of the other mafia guy's wives, right, and

1515
01:16:28,360 --> 01:16:32,320
Speaker 1: it's this collection of ladies who again are are dripping,

1516
01:16:32,920 --> 01:16:37,120
Speaker 1: who just have gold all over shoulder pads like high,

1517
01:16:37,360 --> 01:16:39,920
Speaker 1: hair is high the heavens and it's all kind of like.

1518
01:16:41,280 --> 01:16:44,799
Speaker 1: The leader of this like gang of wives is Connie,

1519
01:16:44,840 --> 01:16:47,920
Speaker 1: who is Tony's wife, and she's played by Mercedes Rule.

1520
01:16:48,960 --> 01:16:52,240
Speaker 1: She absolutely steals the show period. Like I mean, as

1521
01:16:52,280 --> 01:16:54,320
Speaker 1: much as everybody is really great in this movie, it's

1522
01:16:54,360 --> 01:16:55,439
Speaker 1: all about Mercedes Rule.

1523
01:16:55,640 --> 01:17:01,360
Speaker 4: In this movie, she is not taking any scene light. Yeah,

1524
01:17:02,160 --> 01:17:06,240
Speaker 4: there are intense looks, there are intense hand motions. She

1525
01:17:06,360 --> 01:17:09,360
Speaker 4: is saying she's unhinged in this film and in the

1526
01:17:09,400 --> 01:17:10,599
Speaker 4: best possible way.

1527
01:17:10,960 --> 01:17:16,439
Speaker 1: In the best possible way ever, absolute gem and you know,

1528
01:17:16,520 --> 01:17:20,960
Speaker 1: like she really like again, her character is supposed to

1529
01:17:21,000 --> 01:17:25,400
Speaker 1: be like super over the top, right, like even in

1530
01:17:25,439 --> 01:17:28,599
Speaker 1: this world she's over the top, But I actually think

1531
01:17:29,560 --> 01:17:34,800
Speaker 1: she is still believable, right, She's not an absolute cartoon character.

1532
01:17:34,880 --> 01:17:37,920
Speaker 1: She's still a believable woman who is married to this

1533
01:17:38,000 --> 01:17:40,160
Speaker 1: mob boss who might be cheating on her, and she

1534
01:17:40,200 --> 01:17:44,160
Speaker 1: wants to keep her man at all costs. And Tony,

1535
01:17:45,000 --> 01:17:48,480
Speaker 1: she's the only person that Tony is actually.

1536
01:17:48,160 --> 01:17:52,840
Speaker 2: Terrified of, Like he doesn't care about any murderous bad

1537
01:17:52,880 --> 01:17:55,360
Speaker 2: guy that he has to do with, any cop, any agent.

1538
01:17:55,560 --> 01:17:59,960
Speaker 2: He's like, my wife is the scariest person of all time,

1539
01:18:01,120 --> 01:18:02,920
Speaker 2: and I cannot cross her at all.

1540
01:18:03,640 --> 01:18:06,960
Speaker 4: Oh god, it's so great. She is just like and

1541
01:18:07,000 --> 01:18:09,280
Speaker 4: again she's over the top and she's like, I'll protect

1542
01:18:09,280 --> 01:18:13,960
Speaker 4: my lifestyle, my family at all costs. But she's also

1543
01:18:14,040 --> 01:18:16,040
Speaker 4: like this woman who's losing it. And it's just so

1544
01:18:16,200 --> 01:18:18,519
Speaker 4: funny to see how her friends the people around her

1545
01:18:18,560 --> 01:18:23,000
Speaker 4: have to treat her like she's completely sane and legit. Yeah,

1546
01:18:23,040 --> 01:18:25,680
Speaker 4: when they're like, oh my god, she's but she's the

1547
01:18:25,760 --> 01:18:28,840
Speaker 4: boss's wife, is the person who's the boss of the wives.

1548
01:18:28,600 --> 01:18:32,400
Speaker 1: So exactly, And you know, Angela is feeling I mean,

1549
01:18:32,760 --> 01:18:35,479
Speaker 1: she's feeling like the thumbscrews are band turned because of this.

1550
01:18:35,560 --> 01:18:37,080
Speaker 1: Like she's like, I'm never gonna be able to get

1551
01:18:37,080 --> 01:18:38,680
Speaker 1: out of this life because all these people.

1552
01:18:38,439 --> 01:18:41,680
Speaker 2: Care too much and it's too you know, there's too

1553
01:18:41,720 --> 01:18:43,599
Speaker 2: much of a like a loyalty pact going on.

1554
01:18:43,880 --> 01:18:47,040
Speaker 1: There's a moment too, where like because Connie's convinced that

1555
01:18:47,120 --> 01:18:49,880
Speaker 1: she basically tells Angela, like everybody wants to sleep with Tony,

1556
01:18:49,920 --> 01:18:51,960
Speaker 1: who doesn't want to sleep with the boss? You know,

1557
01:18:52,080 --> 01:18:55,719
Speaker 1: even though it's like everyone's got husbands who are younger

1558
01:18:55,800 --> 01:18:58,799
Speaker 1: or more attractive, but everybody wants to fuck Tony still.

1559
01:18:59,080 --> 01:19:02,080
Speaker 1: But there's a moment where she actually confronts Angela at

1560
01:19:02,080 --> 01:19:04,360
Speaker 1: the grocery store with all of her wives, and then

1561
01:19:04,400 --> 01:19:13,040
Speaker 1: she rips a carton of eggs in half, and I'm like, A,

1562
01:19:13,240 --> 01:19:21,360
Speaker 1: that's impressive. B it seems so satisfying. Would you want

1563
01:19:21,360 --> 01:19:23,000
Speaker 1: to rip a carton of eggs and half?

1564
01:19:23,200 --> 01:19:26,080
Speaker 4: Oh? For sure, especially as an intimidation move, because it's

1565
01:19:26,080 --> 01:19:28,759
Speaker 4: so unhinged. You're like, what the fuck is coming next?

1566
01:19:28,800 --> 01:19:31,639
Speaker 4: I don't know, I don't know. She has ripped carton

1567
01:19:31,680 --> 01:19:33,880
Speaker 4: and eggs and half. It seems very satisfying.

1568
01:19:34,680 --> 01:19:37,800
Speaker 2: Okay, here's the plan. Do you have a birthday coming up?

1569
01:19:37,880 --> 01:19:37,960
Speaker 4: Right?

1570
01:19:38,080 --> 01:19:38,920
Speaker 2: You have a birthday coming up?

1571
01:19:38,960 --> 01:19:40,240
Speaker 3: Or something I do next week?

1572
01:19:40,880 --> 01:19:41,240
Speaker 4: Okay?

1573
01:19:42,040 --> 01:19:44,800
Speaker 1: I think as a birthday present alongside the other stuff

1574
01:19:44,800 --> 01:19:47,280
Speaker 1: that I got you, but I want to I want

1575
01:19:47,320 --> 01:19:48,720
Speaker 1: us to get on a zoom and then.

1576
01:19:48,720 --> 01:19:49,960
Speaker 4: Rip a carton of eggs in half.

1577
01:19:50,840 --> 01:19:52,760
Speaker 1: And I know they're expensive right now, but maybe we

1578
01:19:52,760 --> 01:19:55,479
Speaker 1: can find like the shitty ones, like the shitty eggs

1579
01:19:55,520 --> 01:19:57,760
Speaker 1: that nobody cares about, and then we can both rip

1580
01:19:57,800 --> 01:20:00,280
Speaker 1: them in half. Somebody would feel like, I want to

1581
01:20:00,320 --> 01:20:01,280
Speaker 1: see what it feels like.

1582
01:20:01,640 --> 01:20:02,719
Speaker 3: Yeah, I'm down.

1583
01:20:02,840 --> 01:20:05,559
Speaker 4: I will. That will be the greatest gift of all Okay,

1584
01:20:05,760 --> 01:20:07,000
Speaker 4: just see if I can even do it.

1585
01:20:07,080 --> 01:20:08,280
Speaker 3: Do I have enough strength for it?

1586
01:20:08,880 --> 01:20:10,799
Speaker 1: See that's what I was thinking too. I was like, Okay,

1587
01:20:10,880 --> 01:20:14,840
Speaker 1: so they seem to have been I was like, what

1588
01:20:14,920 --> 01:20:17,519
Speaker 1: packaging is it in? Like she it seemed very easy,

1589
01:20:17,720 --> 01:20:20,760
Speaker 1: and I was probably like movie magic. But I also thought,

1590
01:20:20,800 --> 01:20:21,799
Speaker 1: maybe we should try.

1591
01:20:21,600 --> 01:20:23,400
Speaker 3: To do it. Oh, that'd be a great challenge.

1592
01:20:23,560 --> 01:20:23,920
Speaker 4: I'm down.

1593
01:20:24,040 --> 01:20:26,000
Speaker 1: Okay, let's just see what it feels like. Okay, put

1594
01:20:26,000 --> 01:20:28,479
Speaker 1: a pin in that. So here's the thing about Tony.

1595
01:20:28,520 --> 01:20:33,040
Speaker 1: Though Tony is cheating on comedy obviously, and so and

1596
01:20:33,120 --> 01:20:36,080
Speaker 1: he's been like sleeping with this woman who works at

1597
01:20:36,120 --> 01:20:40,440
Speaker 1: this nightclub that he frequents, which is the greatest nightclub

1598
01:20:40,560 --> 01:20:46,240
Speaker 1: of all time. It's like medieval Times meets like the

1599
01:20:46,400 --> 01:20:50,800
Speaker 1: Dresden in La or something. It's like very very and

1600
01:20:50,840 --> 01:20:52,320
Speaker 1: this is like the thing I love about the movie

1601
01:20:52,439 --> 01:20:53,600
Speaker 1: is just like these locations.

1602
01:20:53,640 --> 01:20:58,960
Speaker 2: I'm like, motherfuck are all these like themed hotels and nightclubs.

1603
01:20:59,560 --> 01:21:03,559
Speaker 2: So he's banging this waitress who is played by Nancy Travis,

1604
01:21:04,080 --> 01:21:07,639
Speaker 2: and essentially they have a wandezvous with a Fantasia hotel,

1605
01:21:07,640 --> 01:21:10,920
Speaker 2: which is literally like the Madonna in It's a fucking masterpiece.

1606
01:21:13,240 --> 01:21:18,439
Speaker 2: And as it turns out, Frank, Angela's husband is also

1607
01:21:18,560 --> 01:21:23,679
Speaker 2: sleeping with the Nancy Travis character. Okay, this gets found

1608
01:21:23,720 --> 01:21:28,280
Speaker 2: out by Tony pretty much immediately same night, and then

1609
01:21:28,360 --> 01:21:31,639
Speaker 2: he shoots Frank and kills him and kills Nancy Travis

1610
01:21:31,640 --> 01:21:37,720
Speaker 2: because he's completely distraught that his mistress is also seeing another.

1611
01:21:37,520 --> 01:21:39,880
Speaker 4: Person and somebody in his crew.

1612
01:21:39,760 --> 01:21:41,800
Speaker 2: And somebody in his crew, so he kills Frank. So

1613
01:21:41,840 --> 01:21:44,840
Speaker 2: now that makes Angela a widow. So here's the thing.

1614
01:21:45,040 --> 01:21:48,840
Speaker 1: This is happening all the same time as these two

1615
01:21:49,320 --> 01:21:54,200
Speaker 1: FBI agents are trying to bust this whole criminal operation

1616
01:21:54,439 --> 01:21:58,559
Speaker 1: that Tony the Tiger runs. Okay, and these two Asians

1617
01:21:58,600 --> 01:22:03,840
Speaker 1: are played by Oliver Platt and Matthew Modine five time

1618
01:22:03,960 --> 01:22:07,519
Speaker 1: King Matthew Modine. And here's the thing about these two.

1619
01:22:07,800 --> 01:22:11,720
Speaker 1: They're obviously the fuzz, but they're also like wacky and

1620
01:22:11,800 --> 01:22:12,479
Speaker 1: weird in.

1621
01:22:12,439 --> 01:22:13,919
Speaker 3: Their own way, such weirdos.

1622
01:22:13,920 --> 01:22:17,280
Speaker 4: They're such weirdos just the whole. Like you get to

1623
01:22:17,320 --> 01:22:19,960
Speaker 4: see where Mike Downey and the Matthew Odean character, like

1624
01:22:20,000 --> 01:22:23,000
Speaker 4: where he lives and how he lives at one point

1625
01:22:23,080 --> 01:22:23,639
Speaker 4: and you're like, what.

1626
01:22:24,479 --> 01:22:29,360
Speaker 1: Yeah, okay, much like his character in Birdie, which we

1627
01:22:29,520 --> 01:22:32,479
Speaker 1: just talked about, he wakes up in his weird bed

1628
01:22:32,680 --> 01:22:39,439
Speaker 1: that is customized for his pets. So Matthew Modin in

1629
01:22:39,479 --> 01:22:41,720
Speaker 1: two movies where he has this weird bed that is

1630
01:22:41,800 --> 01:22:46,080
Speaker 1: cut like bespoke bed that's made for the animals in

1631
01:22:46,120 --> 01:22:46,840
Speaker 1: his house.

1632
01:22:46,880 --> 01:22:49,880
Speaker 4: And is it made for his whole apartment is geared

1633
01:22:49,920 --> 01:22:51,639
Speaker 4: around him being able to get dressed and get out

1634
01:22:51,640 --> 01:22:52,559
Speaker 4: as quick as possible.

1635
01:22:53,280 --> 01:22:56,400
Speaker 1: Yes, because he slides himself into his own pants via

1636
01:22:57,000 --> 01:22:59,840
Speaker 1: via some contraption, Like it's like a Looney Tunes character

1637
01:23:00,040 --> 01:23:01,320
Speaker 1: like Peewee's Big Adventure.

1638
01:23:01,800 --> 01:23:05,840
Speaker 4: You know, he's just such a weirdo. I fucking love it.

1639
01:23:06,200 --> 01:23:08,040
Speaker 2: Dude, Like they're so okay.

1640
01:23:08,560 --> 01:23:10,760
Speaker 1: There's so many sight gags in this movie that I

1641
01:23:10,800 --> 01:23:11,840
Speaker 1: absolutely fucking love.

1642
01:23:12,320 --> 01:23:13,120
Speaker 2: That's one of them.

1643
01:23:13,360 --> 01:23:18,479
Speaker 1: Also, anytime Matthew Modine and Oliver Platte are like Taylor

1644
01:23:18,600 --> 01:23:21,559
Speaker 1: Angela and then they're like embedded in the place where

1645
01:23:21,600 --> 01:23:26,320
Speaker 1: she's at, like in the scene where Connie rips the

1646
01:23:26,400 --> 01:23:29,680
Speaker 1: eggs in half, like so they're confronting her at the

1647
01:23:29,680 --> 01:23:30,320
Speaker 1: grocery store.

1648
01:23:30,360 --> 01:23:32,800
Speaker 2: Then it cuts to Matthew Modine and all of her

1649
01:23:32,800 --> 01:23:34,240
Speaker 2: platt like they're working the.

1650
01:23:34,200 --> 01:23:35,000
Speaker 4: Meat counter.

1651
01:23:36,479 --> 01:23:40,519
Speaker 1: And like taking pictures while like slicing hams for people.

1652
01:23:46,560 --> 01:23:50,600
Speaker 4: Why that's so anything where it's just like the absurdity

1653
01:23:50,600 --> 01:23:52,679
Speaker 4: of the lengths they're willing to go to to get

1654
01:23:52,720 --> 01:23:56,840
Speaker 4: the get their guy is hilarious to me. The best one, though,

1655
01:23:56,920 --> 01:23:57,720
Speaker 4: to me, is like.

1656
01:23:59,400 --> 01:24:02,439
Speaker 1: When Matthew Modine is telling her on the street and

1657
01:24:02,479 --> 01:24:04,439
Speaker 1: then it cuts to him like singing with the a

1658
01:24:04,479 --> 01:24:05,680
Speaker 1: cappella group.

1659
01:24:09,240 --> 01:24:13,840
Speaker 4: That is one of my favorite.

1660
01:24:15,479 --> 01:24:18,360
Speaker 2: Holy shit, I laughed.

1661
01:24:18,080 --> 01:24:20,400
Speaker 4: So hard when that happens. Oh my god, it's so

1662
01:24:20,520 --> 01:24:25,120
Speaker 4: fucking funny. The seamless transition to that is fucking beautiful.

1663
01:24:25,240 --> 01:24:26,200
Speaker 3: It's so old.

1664
01:24:26,840 --> 01:24:29,360
Speaker 2: I mean, that is this movie in a nutshell, just

1665
01:24:29,400 --> 01:24:30,559
Speaker 2: like that weird shit.

1666
01:24:31,200 --> 01:24:33,759
Speaker 1: There's also just kind of like you know, visual site

1667
01:24:33,800 --> 01:24:36,360
Speaker 1: gags in the background where it's like, you know, all

1668
01:24:36,400 --> 01:24:39,000
Speaker 1: of the like hot boxes of electronics that are in

1669
01:24:39,040 --> 01:24:42,080
Speaker 1: the living room. And then there's also this like scene

1670
01:24:42,120 --> 01:24:45,640
Speaker 1: where Tony because now that Angela is single, you know,

1671
01:24:45,720 --> 01:24:48,280
Speaker 1: Tony's like making his move on her, and then he

1672
01:24:48,439 --> 01:24:50,960
Speaker 1: buys her like a brand new kitchen and there's like

1673
01:24:51,000 --> 01:24:56,680
Speaker 1: this huge gold lemey bow on this refrigerator just they

1674
01:24:56,760 --> 01:24:58,920
Speaker 1: just took out the refrigerator and then put this like

1675
01:24:59,200 --> 01:25:02,599
Speaker 1: refrigerator up at a present and then just like installed it.

1676
01:25:03,160 --> 01:25:05,080
Speaker 2: Oh god, it fucking funny.

1677
01:25:05,320 --> 01:25:07,400
Speaker 4: But also and I also loved it, Like this is

1678
01:25:07,439 --> 01:25:11,040
Speaker 4: a film about like she's willing to give up and

1679
01:25:11,080 --> 01:25:13,800
Speaker 4: wanting to give up this lifestyle and moves into like

1680
01:25:13,920 --> 01:25:15,000
Speaker 4: the like the village.

1681
01:25:15,040 --> 01:25:16,719
Speaker 3: Like she moves into like this kind.

1682
01:25:16,600 --> 01:25:19,240
Speaker 4: Of run down apartment and not a great neighborhood in

1683
01:25:19,240 --> 01:25:22,439
Speaker 4: the city. Like she gives up all the suburban creature

1684
01:25:22,479 --> 01:25:25,559
Speaker 4: comforts that she could have still had right in order

1685
01:25:25,640 --> 01:25:27,920
Speaker 4: to be free and teach her kid, like a different

1686
01:25:27,960 --> 01:25:30,960
Speaker 4: way to live. So you see her like her struggle

1687
01:25:31,000 --> 01:25:34,320
Speaker 4: feels realistic in that way where she's like, I am

1688
01:25:34,320 --> 01:25:38,519
Speaker 4: not moving from this big suburban house into a luxury

1689
01:25:38,560 --> 01:25:40,880
Speaker 4: apartment on Park Avenue. She's like, I'm out, like I'm

1690
01:25:40,880 --> 01:25:44,479
Speaker 4: gonna teach myself how to do something so that I

1691
01:25:44,479 --> 01:25:46,000
Speaker 4: don't have to go back to this life. And she

1692
01:25:46,080 --> 01:25:48,240
Speaker 4: ends up working for this hair dresser. The hairdresser is

1693
01:25:48,280 --> 01:25:51,880
Speaker 4: fucking hilarious, but she just kind of throws herself into

1694
01:25:51,920 --> 01:25:56,120
Speaker 4: something so completely new and it baffles everyone. No one

1695
01:25:56,120 --> 01:25:59,760
Speaker 4: can understand, like you know, for for Connie, for them,

1696
01:26:00,000 --> 01:26:03,960
Speaker 4: Ady's real character. For her, it just confirms even more

1697
01:26:03,960 --> 01:26:06,479
Speaker 4: that she's having an affair with Tony. She's like, why

1698
01:26:06,479 --> 01:26:08,439
Speaker 4: would you have this apartment? Like why would you be

1699
01:26:08,520 --> 01:26:10,160
Speaker 4: so far away? Like you need a love nest to

1700
01:26:10,200 --> 01:26:12,639
Speaker 4: go to? It's just ya. It's really great to see

1701
01:26:12,640 --> 01:26:15,920
Speaker 4: her trying to get to extricate herself from this lifestyle, right.

1702
01:26:15,840 --> 01:26:20,040
Speaker 1: And that's I think the thing that maybe a movie

1703
01:26:20,320 --> 01:26:24,280
Speaker 1: that had that wasn't as I mean, I'm just gonna

1704
01:26:24,320 --> 01:26:26,759
Speaker 1: say it's the credit to like Jonathan Demi to be honest,

1705
01:26:26,800 --> 01:26:31,000
Speaker 1: because it's like he's always been interested in like dynamic

1706
01:26:31,040 --> 01:26:36,680
Speaker 1: women in his films, right, and he's able to balance

1707
01:26:36,840 --> 01:26:41,040
Speaker 1: the farce screwball aspects of this movie with also this

1708
01:26:41,200 --> 01:26:43,080
Speaker 1: story about a woman who, like you said, is just

1709
01:26:43,120 --> 01:26:45,439
Speaker 1: trying to gain her independance, and it like, you know,

1710
01:26:45,520 --> 01:26:48,240
Speaker 1: she basically donates all of that stuff that she's getting

1711
01:26:48,240 --> 01:26:51,439
Speaker 1: from Tony, the refrigerator and all that stuff to Goodwill,

1712
01:26:51,479 --> 01:26:54,080
Speaker 1: and she's like, I'm just gonna start completely over. I

1713
01:26:54,120 --> 01:26:57,759
Speaker 1: don't want any of any of this, you know, ties

1714
01:26:57,800 --> 01:26:59,800
Speaker 1: to this group. But I also don't want men to

1715
01:26:59,800 --> 01:27:02,720
Speaker 1: take care of me. I don't want their money, you know,

1716
01:27:03,400 --> 01:27:05,640
Speaker 1: which I think is fascinating. You know, she gets a

1717
01:27:05,720 --> 01:27:08,479
Speaker 1: job like she wants a job. She's basically applying it

1718
01:27:08,600 --> 01:27:12,120
Speaker 1: like chicken restaurants, and like, you know, she wants to

1719
01:27:12,120 --> 01:27:12,880
Speaker 1: be her own woman.

1720
01:27:12,920 --> 01:27:16,479
Speaker 2: And I feel like that is a Jonathan Demi thing

1721
01:27:16,560 --> 01:27:21,160
Speaker 2: and is completely what I love about him so much, right, agree, And.

1722
01:27:22,120 --> 01:27:24,479
Speaker 1: So I think what invariably happens, I think we all

1723
01:27:24,520 --> 01:27:27,839
Speaker 1: know how this shakes loose is that you know, Downey,

1724
01:27:28,120 --> 01:27:32,000
Speaker 1: the agent Downey, who's the Mathew Moting character, is tailing

1725
01:27:32,040 --> 01:27:35,840
Speaker 1: this woman and he's fascinated by her and starts kind

1726
01:27:35,840 --> 01:27:37,760
Speaker 1: of fallen for her, which I think is also a

1727
01:27:37,840 --> 01:27:42,320
Speaker 1: Jonathan Demi thing again alongside something wild. It's like these

1728
01:27:42,320 --> 01:27:44,600
Speaker 1: two stories of these like really straight laced, kind of

1729
01:27:44,640 --> 01:27:49,120
Speaker 1: boring suit guys. You know, being charmed by a woman

1730
01:27:49,160 --> 01:27:53,680
Speaker 1: who's much more interesting, got a lot of style, you know,

1731
01:27:53,920 --> 01:27:58,519
Speaker 1: like they're like fascinated by this this free, willing, independent woman,

1732
01:27:58,760 --> 01:28:00,360
Speaker 1: which I love.

1733
01:28:00,560 --> 01:28:03,080
Speaker 2: I think we know why why would we love that?

1734
01:28:03,520 --> 01:28:05,679
Speaker 4: Take a guess, right, I mean her her own son

1735
01:28:05,800 --> 01:28:09,479
Speaker 4: is like what the fuck's going on? Like why did

1736
01:28:09,520 --> 01:28:11,439
Speaker 4: you move me to this dumpy life? But you know,

1737
01:28:11,479 --> 01:28:14,240
Speaker 4: every other everyone else in her orbit is like enchanted.

1738
01:28:15,000 --> 01:28:18,120
Speaker 1: Yeah, And then from that point on it's basically like

1739
01:28:18,680 --> 01:28:22,120
Speaker 1: Downy kind of trying to balance the investigation with the

1740
01:28:22,120 --> 01:28:24,160
Speaker 1: fact that he's falling for this subject.

1741
01:28:24,320 --> 01:28:24,719
Speaker 4: Okay.

1742
01:28:25,360 --> 01:28:29,280
Speaker 1: Then of course you've got Tony who's like taking no

1743
01:28:29,400 --> 01:28:33,679
Speaker 1: for an answer, wanting to basically boo up Angela, and

1744
01:28:33,760 --> 01:28:36,960
Speaker 1: she's just like not responding, and he gets pissed.

1745
01:28:36,960 --> 01:28:39,120
Speaker 2: And then there's there's like a.

1746
01:28:39,120 --> 01:28:43,200
Speaker 1: Whole sequence towards end where they actually go to Miami.

1747
01:28:43,640 --> 01:28:46,120
Speaker 1: That whole Oh my god, that hotel that they're in

1748
01:28:46,240 --> 01:28:49,120
Speaker 1: Miami is fucking incredible.

1749
01:28:49,320 --> 01:28:51,080
Speaker 2: Style wise, this.

1750
01:28:51,000 --> 01:28:55,040
Speaker 1: Movie is so great again, so many good outfits, so

1751
01:28:55,080 --> 01:29:00,160
Speaker 1: many good locations, you know, the site gags, the world

1752
01:29:00,160 --> 01:29:03,040
Speaker 1: that takes place in, there's so many good cameos in

1753
01:29:03,040 --> 01:29:05,320
Speaker 1: this movie. I don't know if I mentioned this, but

1754
01:29:05,439 --> 01:29:09,519
Speaker 1: Joan Cusack is one of Connie's wives, you know, part

1755
01:29:09,520 --> 01:29:12,600
Speaker 1: of that whole crew. You've got David Johansson from The

1756
01:29:12,600 --> 01:29:17,720
Speaker 1: New York Dolls slash Buster Poindexter. He's like a priest

1757
01:29:18,080 --> 01:29:21,840
Speaker 1: at Frank's funeral, the Grandpa from The Monsters at one

1758
01:29:21,880 --> 01:29:25,519
Speaker 1: point shows up as one of Tony's uncles or something.

1759
01:29:26,400 --> 01:29:29,959
Speaker 1: You've got Jonathan Demi Staple Charles Napier.

1760
01:29:30,479 --> 01:29:32,240
Speaker 2: He plays a stylist at a hair salon.

1761
01:29:32,400 --> 01:29:35,919
Speaker 1: Always love when Charles Napier shows up in a Jonathan

1762
01:29:35,960 --> 01:29:36,679
Speaker 1: Demi movie.

1763
01:29:36,840 --> 01:29:40,720
Speaker 4: Same with Olan Jones, who's the great character actress that

1764
01:29:40,720 --> 01:29:42,600
Speaker 4: you would absolutely recognize if you saw her if you

1765
01:29:42,640 --> 01:29:44,840
Speaker 4: don't know her name by name. Yeah.

1766
01:29:44,880 --> 01:29:47,800
Speaker 1: And then Danielle mentioned sister Carol East. She's plays the

1767
01:29:47,840 --> 01:29:51,760
Speaker 1: stylist at the salon where Angela gets a job in.

1768
01:29:52,760 --> 01:29:55,799
Speaker 1: She was in Something Wild as well. You've got Chris Isaac.

1769
01:29:55,840 --> 01:29:57,400
Speaker 1: Chris Isaac shows up randomly.

1770
01:29:57,479 --> 01:29:59,479
Speaker 2: He's like a dress as a clown and he's a

1771
01:29:59,520 --> 01:30:01,960
Speaker 2: hit man and a drive through. I mean, it's fucking great.

1772
01:30:02,040 --> 01:30:03,879
Speaker 3: And this is pre Wicked Games, right.

1773
01:30:04,280 --> 01:30:07,120
Speaker 2: Oh yeah, yeah, I believe so. Wait in eighty eight,

1774
01:30:07,240 --> 01:30:10,400
Speaker 2: Won did Wicked Game come out like ninety I.

1775
01:30:10,360 --> 01:30:11,879
Speaker 3: Feel like it came out in the nineties.

1776
01:30:13,080 --> 01:30:14,839
Speaker 2: Yeah, I want to say this, he was trying.

1777
01:30:14,640 --> 01:30:20,360
Speaker 4: To be an actor eighty nine, babe, eighty one year before.

1778
01:30:20,840 --> 01:30:22,360
Speaker 2: Yeah, uh huh.

1779
01:30:22,800 --> 01:30:25,839
Speaker 3: So it's seen at the drive through restaurant. Is so funny.

1780
01:30:26,200 --> 01:30:30,000
Speaker 1: You know who else is incredible is Paul Lazar, who

1781
01:30:30,360 --> 01:30:32,920
Speaker 1: plays one of yeah, I guess maybe like one of

1782
01:30:33,120 --> 01:30:36,400
Speaker 1: Tony's right head men. He's so good, like just like

1783
01:30:36,479 --> 01:30:39,679
Speaker 1: seeing him in a movie makes me happy, and I honestly,

1784
01:30:39,760 --> 01:30:44,240
Speaker 1: I just I absolutely adore this fucking movie.

1785
01:30:44,560 --> 01:30:47,240
Speaker 2: I just adore it. It puts me in such a

1786
01:30:47,240 --> 01:30:51,960
Speaker 2: good mood. I feel like, why aren't people doing screen

1787
01:30:52,000 --> 01:30:54,439
Speaker 2: grabs of this movie? Why aren't they dressing like these

1788
01:30:54,520 --> 01:30:59,400
Speaker 2: characters for Halloween? How come like people are always putting

1789
01:30:59,479 --> 01:31:03,040
Speaker 2: pictures for something like, why are we doing that when

1790
01:31:03,080 --> 01:31:05,280
Speaker 2: we have Marriage to the Mob in front of our faces?

1791
01:31:05,320 --> 01:31:08,320
Speaker 4: It's so good, It's so good, and it's so comfortable.

1792
01:31:08,360 --> 01:31:10,360
Speaker 4: It's like it's a movie that knows what it is,

1793
01:31:10,479 --> 01:31:11,599
Speaker 4: it knows its own identity.

1794
01:31:11,640 --> 01:31:12,640
Speaker 3: It's very comfortable.

1795
01:31:13,200 --> 01:31:15,519
Speaker 4: You're not trying to, you know, follow along in a

1796
01:31:15,520 --> 01:31:17,479
Speaker 4: way that's confusing or doing a lot of guesswork.

1797
01:31:17,520 --> 01:31:19,719
Speaker 3: It's just it's good from jump and it just knows

1798
01:31:19,760 --> 01:31:20,240
Speaker 3: what it is.

1799
01:31:20,920 --> 01:31:23,559
Speaker 4: Yeah, and I appreciate that as a viewer, like it

1800
01:31:23,560 --> 01:31:26,439
Speaker 4: gives us everything. It gives us so much comedy, so

1801
01:31:26,520 --> 01:31:28,600
Speaker 4: many heightened movements, but it doesn't do it in a

1802
01:31:28,640 --> 01:31:30,280
Speaker 4: way that you're like, what's happening now? What's going on?

1803
01:31:30,320 --> 01:31:31,040
Speaker 3: I just I love it.

1804
01:31:31,080 --> 01:31:35,679
Speaker 4: I love it. It's very comfortable and fun movie. Yep. Agreed.

1805
01:31:35,720 --> 01:31:41,960
Speaker 1: And I would ask every hardcore centophile who stands something

1806
01:31:42,040 --> 01:31:47,360
Speaker 1: wild to look themselves in the mirror and ask is

1807
01:31:47,479 --> 01:31:49,280
Speaker 1: married to the mob more charming?

1808
01:31:50,120 --> 01:31:54,600
Speaker 2: Perhaps, maybe maybe we need to be focusing all of

1809
01:31:54,600 --> 01:31:57,919
Speaker 2: our attention on this film, on this rom com instead.

1810
01:31:58,560 --> 01:32:00,639
Speaker 2: You know, both are great, but you know, just don't

1811
01:32:00,640 --> 01:32:05,439
Speaker 2: forget this one. Yeah, Jonathan Denny's awesome. I'm not saying

1812
01:32:05,479 --> 01:32:08,000
Speaker 2: I don't like something. Well, come on, how how could I?

1813
01:32:08,120 --> 01:32:11,680
Speaker 1: But I'm just saying, let's balance the scales a little bit,

1814
01:32:11,760 --> 01:32:12,479
Speaker 1: you know what I'm saying?

1815
01:32:13,000 --> 01:32:14,759
Speaker 4: Okay, And I don't know about you, but I couldn't.

1816
01:32:14,800 --> 01:32:17,320
Speaker 4: I watched it with the DVD that we have, but

1817
01:32:17,360 --> 01:32:19,280
Speaker 4: I could not watch it with our commentary. I just

1818
01:32:19,320 --> 01:32:20,559
Speaker 4: can't hear my own voice that way.

1819
01:32:21,320 --> 01:32:24,880
Speaker 2: Absolutely not. I've never listened to our commentary, but you

1820
01:32:24,920 --> 01:32:25,599
Speaker 2: should do that.

1821
01:32:25,840 --> 01:32:28,760
Speaker 4: Go by and you guys should listen to it.

1822
01:32:29,439 --> 01:32:31,840
Speaker 2: Yes, you you should for sure. But I will not

1823
01:32:31,880 --> 01:32:36,560
Speaker 2: be listening to us because, like you, it's weird, just weird.

1824
01:32:37,520 --> 01:32:41,120
Speaker 4: Although it was enjoyable, Yeah, it was enjoyable to watch again,

1825
01:32:41,160 --> 01:32:43,240
Speaker 4: and I think this is a perfect pick for the theme,

1826
01:32:43,360 --> 01:32:43,919
Speaker 4: just perfect.

1827
01:32:44,439 --> 01:32:47,200
Speaker 2: Yeah, this is a fun one, and not just because

1828
01:32:47,200 --> 01:32:53,200
Speaker 2: we got to talk about Lenny Crowns's duck, but forgotten

1829
01:32:53,200 --> 01:32:54,200
Speaker 2: classics is fun.

1830
01:32:54,360 --> 01:32:54,920
Speaker 3: I love it.

1831
01:32:55,000 --> 01:32:55,519
Speaker 4: I love it.

1832
01:32:56,120 --> 01:32:58,160
Speaker 1: Well, if you want to email us, we are at

1833
01:32:58,200 --> 01:33:00,440
Speaker 1: I Saw what you Did pot at gmail dot com

1834
01:33:00,840 --> 01:33:01,360
Speaker 1: and you can.

1835
01:33:01,280 --> 01:33:03,280
Speaker 4: Find us on our social media at I Saw Pod

1836
01:33:03,320 --> 01:33:04,479
Speaker 4: on Instagram and Twitter.

1837
01:33:05,160 --> 01:33:07,120
Speaker 2: Also we have merch Go to the I Saw what

1838
01:33:07,200 --> 01:33:09,599
Speaker 2: she Did section of the exactly Right shop to find

1839
01:33:09,640 --> 01:33:10,599
Speaker 2: it and look.

1840
01:33:10,640 --> 01:33:13,320
Speaker 4: Bonus episodes are all the time now, every third Thursday

1841
01:33:13,600 --> 01:33:15,400
Speaker 4: of the month for the new ones, and then all

1842
01:33:15,439 --> 01:33:17,080
Speaker 4: the time for the other ones. They're popping up in

1843
01:33:17,120 --> 01:33:18,760
Speaker 4: your main feed now you don't have to pay for them.

1844
01:33:19,400 --> 01:33:21,280
Speaker 4: Go and enjoy what we said two years ago.

1845
01:33:21,640 --> 01:33:23,840
Speaker 2: Oh my god, so many bonus.

1846
01:33:23,920 --> 01:33:27,200
Speaker 1: Well, Danielle, you want to talk about the movies for

1847
01:33:27,479 --> 01:33:30,320
Speaker 1: next week's episode, I sure do.

1848
01:33:31,320 --> 01:33:35,280
Speaker 4: Our films are Fatal Attraction from nineteen eighty seven and

1849
01:33:35,439 --> 01:33:38,400
Speaker 4: The Great Santini from nineteen seventy nine.

1850
01:33:38,840 --> 01:33:41,880
Speaker 1: If you guessed the theme perfectly, I would take you

1851
01:33:41,920 --> 01:33:44,519
Speaker 1: out to dinner because there's another Danielle creation.

1852
01:33:44,840 --> 01:33:48,880
Speaker 2: So listen.

1853
01:33:48,960 --> 01:33:52,000
Speaker 1: As always a fucking pleasure doing this podcast with you, Danielle,

1854
01:33:52,040 --> 01:33:52,679
Speaker 1: You are the best.

1855
01:33:52,880 --> 01:33:53,320
Speaker 3: I love it.

1856
01:33:53,360 --> 01:33:54,120
Speaker 4: I had so much fun.

1857
01:33:55,000 --> 01:34:00,320
Speaker 2: Bye.

1858
01:34:02,560 --> 01:34:04,120
Speaker 3: This has been an exactly right production.

1859
01:34:04,320 --> 01:34:07,599
Speaker 4: Produced by Ksey O'Brien, mixed by Edson Choi. Our theme

1860
01:34:07,680 --> 01:34:10,639
Speaker 4: song is by Tom bry Fogel, artwork by Garrett Ross.

1861
01:34:10,920 --> 01:34:13,640
Speaker 4: Our executive producers are Georgia Hartstart.

1862
01:34:13,120 --> 01:34:14,679
Speaker 3: Caring, til Gareff, and Daniel Kramer.

1863
01:34:15,040 --> 01:34:17,360
Speaker 4: You can follow us on Instagram and Twitter at I

1864
01:34:17,479 --> 01:34:20,240
Speaker 4: Saw Pod, and you can email us at I Saw

1865
01:34:20,240 --> 01:34:21,679
Speaker 4: What You Did Pod at gmail