1 00:00:01,160 --> 00:00:06,760 Speaker 1: You feeling. This is our production of I Heart Ladio 2 00:00:07,240 --> 00:00:27,280 Speaker 1: and Overton's Media. 3 00:00:28,240 --> 00:00:32,559 Speaker 2: Hey, hey girl, you have a minute. Yeah, I'm just 4 00:00:32,640 --> 00:00:35,840 Speaker 2: on my way somewhere, but yeah, for sure. Okay, real quick. 5 00:00:36,200 --> 00:00:38,839 Speaker 3: So I met this barista and he's always working when 6 00:00:38,880 --> 00:00:42,280 Speaker 3: I get coffee, and you know, he's kind of flirty 7 00:00:42,880 --> 00:00:45,480 Speaker 3: and I can tell he's interested. But then I see 8 00:00:45,520 --> 00:00:47,440 Speaker 3: him looking at every girl who comes in, and I 9 00:00:47,520 --> 00:00:49,120 Speaker 3: just I don't like the vibe. 10 00:00:49,320 --> 00:00:53,000 Speaker 2: He seems wishy, washy. H Anyway, so we've been talking 11 00:00:53,080 --> 00:00:54,360 Speaker 2: and he's a scorpio. 12 00:00:54,320 --> 00:00:56,640 Speaker 4: Good moon and airy, and you know, I feel that's that. 13 00:00:56,840 --> 00:01:01,040 Speaker 2: Ambo Well, sounds like he likes you. 14 00:01:01,920 --> 00:01:03,560 Speaker 5: You think, I don't know? 15 00:01:05,160 --> 00:01:07,800 Speaker 2: Just ask him. You don't have to fuck, It's just coffee. 16 00:01:08,480 --> 00:01:09,040 Speaker 4: What if I want? 17 00:01:09,200 --> 00:01:13,640 Speaker 2: Fuck, dude, do it. No one's gonna judge you for 18 00:01:13,680 --> 00:01:19,000 Speaker 2: getting laid. Okay, thanks, Okay, So I gotta go, but 19 00:01:19,880 --> 00:01:23,000 Speaker 2: let's talk later. Sure, let me know how it goes. Okay, 20 00:01:23,160 --> 00:01:24,680 Speaker 2: I will okay, Bye? 21 00:01:24,920 --> 00:01:40,160 Speaker 6: Bye. 22 00:01:42,840 --> 00:01:47,520 Speaker 2: Hi, you're late. I know, I'm I'm so sorry. Traffic 23 00:01:47,600 --> 00:01:51,640 Speaker 2: was just awful. I hear. I'm sorry. I heard you 24 00:01:51,680 --> 00:01:56,200 Speaker 2: on the phone just now. I don't need an explanation. 25 00:01:56,640 --> 00:02:08,880 Speaker 2: Let's just get started. Please take your shoes off. Sure, 26 00:02:13,360 --> 00:02:15,000 Speaker 2: you can set up on the island. The kitchen is 27 00:02:15,040 --> 00:02:31,880 Speaker 2: just right there. Perfect. So how did you hear about 28 00:02:31,880 --> 00:02:36,280 Speaker 2: my work social media? Oh? Nice, well not your social media. 29 00:02:37,800 --> 00:02:41,760 Speaker 2: Oh I was looking at this one makeup artist. Oh 30 00:02:41,840 --> 00:02:45,960 Speaker 2: I can't remember her name, Patti Patsy. Oh yeah, Patty, 31 00:02:46,560 --> 00:02:49,400 Speaker 2: you worked at a counter together. Yes, well, I really 32 00:02:49,400 --> 00:02:51,800 Speaker 2: wanted to work with her today, but she was booked, 33 00:02:51,840 --> 00:02:56,920 Speaker 2: so she recommended you got it. Well, I will have 34 00:02:56,960 --> 00:02:59,680 Speaker 2: to thank her. How long have you been doing this? 35 00:03:03,320 --> 00:03:04,440 Speaker 2: About ten years now? 36 00:03:04,600 --> 00:03:04,919 Speaker 7: Really? 37 00:03:05,320 --> 00:03:09,400 Speaker 2: You look very young? Yes, well I get that a lot. 38 00:03:12,600 --> 00:03:26,160 Speaker 8: Yeah. 39 00:03:26,200 --> 00:03:28,360 Speaker 2: Well, I'm just about set up here if you'd like 40 00:03:28,360 --> 00:03:36,040 Speaker 2: to have a seat, thanky. So what kind of look 41 00:03:36,080 --> 00:03:38,440 Speaker 2: are we going for tonight? This is Flora date night 42 00:03:38,480 --> 00:03:40,880 Speaker 2: with my husband. Later. He's not here right now. He 43 00:03:40,920 --> 00:03:45,640 Speaker 2: always works late. Sure, I want to look polished, Do 44 00:03:45,760 --> 00:03:48,040 Speaker 2: not make me look like one of those trash reality 45 00:03:48,080 --> 00:03:52,000 Speaker 2: TV stars. Something chic. I'd like my eyes to pop, 46 00:03:52,080 --> 00:03:54,800 Speaker 2: but not too much, and don't be afraid to use 47 00:03:54,880 --> 00:03:58,760 Speaker 2: more eyeliner. I like more of that, of course. Well 48 00:03:58,880 --> 00:04:06,320 Speaker 2: let me just get started here. I'm just pinning back 49 00:04:07,640 --> 00:04:21,000 Speaker 2: your bangs and let's get you all primed. What are 50 00:04:21,040 --> 00:04:21,479 Speaker 2: you doing? 51 00:04:23,160 --> 00:04:23,680 Speaker 9: Oh? 52 00:04:24,080 --> 00:04:26,400 Speaker 2: I was just doing some skincare. Am I using too 53 00:04:26,480 --> 00:04:28,880 Speaker 2: much pressure? I thought you were just gonna do my makeup, 54 00:04:29,000 --> 00:04:35,400 Speaker 2: not give me a massage, right, of course. Then let's 55 00:04:35,520 --> 00:04:38,800 Speaker 2: just do the eyes while that product sinks in for shadow. 56 00:04:38,880 --> 00:04:41,520 Speaker 2: I want something natural, like a mushroom color. 57 00:04:43,480 --> 00:04:45,640 Speaker 9: Mushroom mushroom, like. 58 00:04:47,160 --> 00:04:53,400 Speaker 2: A white button or a portabello or cremony. Are you 59 00:04:53,440 --> 00:04:57,760 Speaker 2: trying to be funny? No, not at all. I just 60 00:04:57,800 --> 00:05:11,039 Speaker 2: wanted to get an idea. Just make it natural. I 61 00:05:11,080 --> 00:05:15,760 Speaker 2: wish I could see what's going on. Of course, here's 62 00:05:15,800 --> 00:05:31,000 Speaker 2: the mirror. That color looks really good on you. It's 63 00:05:31,040 --> 00:05:38,200 Speaker 2: coming together. I think if I add some minor maybe 64 00:05:38,240 --> 00:05:43,800 Speaker 2: a flick on the outer corner, it would be just enough. Fine. 65 00:05:44,560 --> 00:05:48,159 Speaker 2: So what do you do for work? I'm in real estate? 66 00:05:49,360 --> 00:05:49,680 Speaker 8: Oh? 67 00:05:49,800 --> 00:05:54,400 Speaker 2: Nice? I love this area. It's right next to downtown 68 00:05:54,440 --> 00:05:56,440 Speaker 2: Long Beach, but the neighborhood is nice and quiet. So 69 00:05:56,480 --> 00:05:58,320 Speaker 2: do you angle the mirror towards me? I just want 70 00:05:58,320 --> 00:06:08,760 Speaker 2: to be able to see what you're doing? Absolutely down 71 00:06:11,920 --> 00:06:20,400 Speaker 2: a little mess, Scara. Okay, how do we feel about 72 00:06:20,480 --> 00:06:25,200 Speaker 2: the liner? Would you like more? Again? I want it 73 00:06:25,240 --> 00:06:26,040 Speaker 2: to be natural? 74 00:06:27,640 --> 00:06:27,920 Speaker 9: Got it? 75 00:06:29,279 --> 00:06:34,560 Speaker 2: Then let me. Just clean up under your eyes cut 76 00:06:34,600 --> 00:06:45,599 Speaker 2: for me, take a closer look and let me know 77 00:06:45,600 --> 00:06:49,440 Speaker 2: what you think that works. 78 00:07:05,080 --> 00:07:08,880 Speaker 10: But they're alive, girl. 79 00:07:08,960 --> 00:07:10,640 Speaker 2: I am just so tired of the grind. 80 00:07:11,840 --> 00:07:14,360 Speaker 11: I can't wait to get to Mexico and just decompress. 81 00:07:15,600 --> 00:07:18,840 Speaker 2: Yeah, tell me about it. Hey, speaking of the grind, 82 00:07:19,120 --> 00:07:21,720 Speaker 2: I gotta go. I'm outside this lady's house and I 83 00:07:21,760 --> 00:07:23,840 Speaker 2: do not want to get caught on the phone again. 84 00:07:24,400 --> 00:07:26,920 Speaker 2: She seems like a nightmare. Why do you go back 85 00:07:26,920 --> 00:07:30,320 Speaker 2: to her? I have to eat? Tell me about it. 86 00:07:30,720 --> 00:07:32,280 Speaker 3: But you always seem like your books solid. 87 00:07:32,640 --> 00:07:34,080 Speaker 10: I don't know why you deal with people like that. 88 00:07:34,920 --> 00:07:35,640 Speaker 8: Well, you know. 89 00:07:35,600 --> 00:07:39,840 Speaker 2: How it is when you freelance, feast or famine. Seriously, 90 00:07:40,120 --> 00:07:44,000 Speaker 2: when has it ever been a famine for you? Okay, 91 00:07:44,240 --> 00:07:46,800 Speaker 2: point taken. But you know it's not just me I 92 00:07:46,840 --> 00:07:50,760 Speaker 2: have to worry about. Yeah, yeah, your mom needs help. Well, 93 00:07:50,760 --> 00:07:52,360 Speaker 2: I guess that's a legitimate reason. 94 00:07:52,920 --> 00:07:53,240 Speaker 6: Haha. 95 00:07:53,840 --> 00:07:55,000 Speaker 2: For reals, I have to go. 96 00:07:55,760 --> 00:08:40,400 Speaker 10: Okay, I have to get back to Okay, bye bye. 97 00:08:43,320 --> 00:09:00,720 Speaker 2: You made it on time, I aim to please. Should 98 00:09:00,760 --> 00:09:01,880 Speaker 2: I set up in the same spot? 99 00:09:02,000 --> 00:09:03,679 Speaker 8: Yeah? 100 00:09:04,280 --> 00:09:06,560 Speaker 2: Are we getting you ready for a date night again? 101 00:09:06,800 --> 00:09:07,040 Speaker 9: Yes? 102 00:09:07,320 --> 00:09:10,360 Speaker 2: Actually, I'd like something similar to what we did last time. 103 00:09:10,679 --> 00:09:12,480 Speaker 2: I seem to be the only person who doesn't want 104 00:09:12,480 --> 00:09:19,400 Speaker 2: to look caked in make up. It's natural, no problem, 105 00:09:19,440 --> 00:09:40,839 Speaker 2: all right, and let me just pin back your bangs. 106 00:09:47,679 --> 00:09:58,040 Speaker 2: We'll just start with the eyes again. No jokes today. 107 00:10:00,160 --> 00:10:08,600 Speaker 2: Well I'm only funny before five pm. I forgot to 108 00:10:08,600 --> 00:10:12,080 Speaker 2: mention this last time. But you have a beautiful home. Thanks, 109 00:10:12,080 --> 00:10:15,120 Speaker 2: it's the craftsman look. It's very long beach, but we 110 00:10:15,160 --> 00:10:17,880 Speaker 2: tried to put our own style into it, my husband 111 00:10:17,880 --> 00:10:22,920 Speaker 2: and me. It shows. Are you both from around here? No, 112 00:10:23,400 --> 00:10:26,520 Speaker 2: we're from Indiana, but you got a job in aerospace, 113 00:10:26,640 --> 00:10:32,560 Speaker 2: so here we are. Moves are tough. Are you from 114 00:10:32,559 --> 00:10:37,559 Speaker 2: around here? Yes, but I've heard so many people talk 115 00:10:37,600 --> 00:10:39,800 Speaker 2: about how hard it is. You don't really get it 116 00:10:39,840 --> 00:10:47,400 Speaker 2: till it happens to you. Of course, you know the 117 00:10:47,440 --> 00:10:51,160 Speaker 2: city isn't perfect. I've always wanted to see what it 118 00:10:51,200 --> 00:10:54,760 Speaker 2: was like to live somewhere else, maybe get away for 119 00:10:54,800 --> 00:10:59,920 Speaker 2: a while. You've never left, Nope, not even for schools 120 00:11:00,040 --> 00:11:04,559 Speaker 2: aud abroad, anything, Nope? Did you? 121 00:11:05,480 --> 00:11:05,720 Speaker 9: Well? 122 00:11:05,840 --> 00:11:07,880 Speaker 2: I was an o parent in Spain for a summer 123 00:11:07,960 --> 00:11:11,520 Speaker 2: right after high school. Oh that sounds cool. Well, I 124 00:11:11,640 --> 00:11:16,040 Speaker 2: was young and it was an experience. You know, Barcelona 125 00:11:16,200 --> 00:11:20,800 Speaker 2: is incredible. The architecture alone is worth the visit. Being 126 00:11:20,840 --> 00:11:24,839 Speaker 2: in real estate, I notice these things. And what about 127 00:11:24,840 --> 00:11:28,439 Speaker 2: the people. Oh, it was hard because my Spanish is terrible, 128 00:11:28,920 --> 00:11:31,480 Speaker 2: but I actually really liked being an o pair. You 129 00:11:31,559 --> 00:11:36,440 Speaker 2: know how kids are. What do you mean, Well, they're curious. 130 00:11:37,000 --> 00:11:38,920 Speaker 2: They tend to look up to you if you show 131 00:11:38,960 --> 00:11:41,760 Speaker 2: an interest in what they're doing, you know, like books, 132 00:11:41,880 --> 00:11:49,960 Speaker 2: TV shows. It's nice taking care of someone sometimes. Do 133 00:11:50,040 --> 00:11:53,400 Speaker 2: you have any plans to travel soon? Yes, well, I'd 134 00:11:53,480 --> 00:11:55,880 Speaker 2: like to get back to Indianapolis as soon as I 135 00:11:55,920 --> 00:11:59,600 Speaker 2: have the chance. I can see that. Look this way, 136 00:12:01,120 --> 00:12:07,280 Speaker 2: it can get really lonely here. What do you mean, Well, 137 00:12:08,120 --> 00:12:11,680 Speaker 2: you know, people can be clique, and there's so much 138 00:12:11,679 --> 00:12:14,679 Speaker 2: pride in the city. You might not always feel welcome 139 00:12:14,679 --> 00:12:18,600 Speaker 2: if you're a transplant. Yes, people here are die hard. 140 00:12:19,760 --> 00:12:22,079 Speaker 2: They are. It's like if I have to hear La 141 00:12:22,240 --> 00:12:25,920 Speaker 2: compared to Long Beach one more time. All right, all right, 142 00:12:27,160 --> 00:12:30,280 Speaker 2: it's not all bad. You know, it's the suburbs. But 143 00:12:30,400 --> 00:12:35,160 Speaker 2: we have stuff the suburbs or the suburbs no matter 144 00:12:35,200 --> 00:12:39,960 Speaker 2: how you dress them up. True, but we have a 145 00:12:40,040 --> 00:12:45,200 Speaker 2: poor university, tons of local small businesses and nightlife and 146 00:12:45,400 --> 00:12:51,520 Speaker 2: arts scene. Okay, okay, I get it. I looked that 147 00:12:51,559 --> 00:12:57,520 Speaker 2: way and looked down. What was your favorite thing about Indiana? 148 00:12:58,840 --> 00:13:02,320 Speaker 2: Well it wasn't organic everything you could eat without judgment. 149 00:13:03,280 --> 00:13:04,959 Speaker 2: Oh you mean you didn't hang out with people who 150 00:13:05,000 --> 00:13:09,560 Speaker 2: need a million substitutions and the people we had our 151 00:13:09,600 --> 00:13:18,040 Speaker 2: people here. It's hard to find people. Yeah, you know, 152 00:13:18,120 --> 00:13:20,560 Speaker 2: I'm really lucky because I've had my friends for years. 153 00:13:21,600 --> 00:13:25,240 Speaker 2: That's the thing about moving away. I can't imagine leaving them. Well, 154 00:13:25,880 --> 00:13:37,520 Speaker 2: it is hard to make friends as an adult, I'll bet. Okay, Well, 155 00:13:37,559 --> 00:13:40,600 Speaker 2: we can always tweak a few things. But take a 156 00:13:40,640 --> 00:13:44,200 Speaker 2: look and let me know what you think that works. 157 00:13:46,320 --> 00:13:51,800 Speaker 2: You know, I've been thinking about growing out my bangs. Ah, 158 00:13:51,840 --> 00:13:55,120 Speaker 2: the perpetual bang dilemma. Yeah, I've had them for years. 159 00:13:55,120 --> 00:13:58,680 Speaker 2: But you know my stylist is back home. You don't 160 00:13:58,679 --> 00:14:02,560 Speaker 2: do hair to do Actually I do a lot of 161 00:14:02,640 --> 00:14:06,280 Speaker 2: us do hair and makeup. You want a quick bang 162 00:14:06,320 --> 00:14:11,520 Speaker 2: from yeah, yeah, but very minimal. I don't want to 163 00:14:11,640 --> 00:14:15,560 Speaker 2: change the shape, no problem. Let me get my tools 164 00:14:32,400 --> 00:14:42,000 Speaker 2: a right and look down for me. And I'm just 165 00:14:42,240 --> 00:14:48,000 Speaker 2: making sure we get all your bangs. We don't want 166 00:14:48,360 --> 00:14:58,840 Speaker 2: any stragglers and I'm just cutting very little, very conservative. 167 00:15:08,120 --> 00:15:13,160 Speaker 2: That's it, and I can always go shorter if you like. 168 00:15:14,360 --> 00:15:18,120 Speaker 2: But take a look and let me know what you think. Oh, 169 00:15:18,440 --> 00:15:27,080 Speaker 2: it's it's my husband. Hi, I'm just getting ready. What 170 00:15:29,840 --> 00:15:31,760 Speaker 2: m are you sure? 171 00:15:33,200 --> 00:15:45,080 Speaker 5: But I'm fine? 172 00:15:47,800 --> 00:15:48,520 Speaker 2: What happened? 173 00:15:49,840 --> 00:15:50,440 Speaker 11: What do you mean? 174 00:15:51,200 --> 00:15:54,720 Speaker 2: I thought the plan was to keep the shape. Oh, 175 00:15:54,720 --> 00:16:01,360 Speaker 2: well I went very conservative. It's chopped. I'm sorry. Right here, 176 00:16:01,560 --> 00:16:05,440 Speaker 2: it's chopped. Don't tell me you can't see that. Well, 177 00:16:05,480 --> 00:16:09,680 Speaker 2: I can just blend. No, don't touch it. It's over. 178 00:16:13,120 --> 00:16:18,440 Speaker 2: I'm so sorry. Here's your payment. I'm not giving you 179 00:16:18,480 --> 00:16:25,320 Speaker 2: extra for this botched cut. I'm okay, I mean, of 180 00:16:25,320 --> 00:17:05,240 Speaker 2: course again, I'm so sorry. 181 00:17:06,520 --> 00:17:06,920 Speaker 5: Whatever. 182 00:17:12,400 --> 00:17:40,920 Speaker 9: What the fuck? Hi? 183 00:17:43,000 --> 00:17:44,760 Speaker 2: I know it's been a while, so thank you so 184 00:17:44,880 --> 00:17:47,120 Speaker 2: much for giving me another chance. Well you're the only 185 00:17:47,160 --> 00:17:52,080 Speaker 2: one I know, right, Please just get set up. I 186 00:17:52,080 --> 00:18:08,960 Speaker 2: impressed for time, of course. So what kind of look 187 00:18:09,000 --> 00:18:12,400 Speaker 2: were you thinking? Just do what you did last time? 188 00:18:15,160 --> 00:18:36,959 Speaker 7: No problem? 189 00:18:37,000 --> 00:18:40,840 Speaker 2: What are you doing? Oh? I was just pinning your 190 00:18:40,880 --> 00:18:42,720 Speaker 2: hair back. But I can work around it if you'd like. 191 00:18:43,040 --> 00:18:48,120 Speaker 2: This is a mistake. I don't understand. I don't want 192 00:18:48,119 --> 00:18:51,320 Speaker 2: my hair touched. That's fine. I can work around it. No, 193 00:18:51,440 --> 00:19:00,920 Speaker 2: I need you to leave, you need me to leave? Yes, 194 00:19:42,760 --> 00:19:47,600 Speaker 2: you owe me one hundred and fifty bucks one hundred 195 00:19:48,160 --> 00:19:51,639 Speaker 2: and fifty dollars, and I'm not leaving here without it. 196 00:19:53,840 --> 00:19:56,000 Speaker 2: You think you can just treat people like shit and 197 00:19:56,080 --> 00:19:59,200 Speaker 2: expect them to take it. Oh, people like me. You 198 00:19:59,280 --> 00:20:01,480 Speaker 2: think you're so much better with your big ass house. 199 00:20:02,720 --> 00:20:21,800 Speaker 2: Just give me my money. Don't ever text me again. 200 00:20:24,240 --> 00:20:31,119 Speaker 2: I'm sorry what I just wanted to say. I'm sorry. 201 00:20:32,480 --> 00:20:36,320 Speaker 2: It's not you. I know, it's not me. I know, 202 00:20:36,520 --> 00:20:40,480 Speaker 2: I know. It's just I haven't been myself for a 203 00:20:40,520 --> 00:20:43,920 Speaker 2: while now, and I don't want you to think you're 204 00:20:43,920 --> 00:20:46,240 Speaker 2: the first real person I've had a conversation with since 205 00:20:46,280 --> 00:20:56,960 Speaker 2: I got here. M hm m m. 206 00:21:00,240 --> 00:21:00,480 Speaker 9: Cat. 207 00:21:01,640 --> 00:21:07,520 Speaker 2: Hey, you can make friends here. You just have to 208 00:21:07,600 --> 00:21:11,600 Speaker 2: be more open. Would it kill you to crack a smile? 209 00:21:11,920 --> 00:21:16,879 Speaker 2: I know, but it's not just that. Then what the 210 00:21:16,920 --> 00:21:21,960 Speaker 2: reason I don't what my hair touched is because it's 211 00:21:22,000 --> 00:21:29,080 Speaker 2: falling out? Really, I don't see anything. I've started chemo. 212 00:21:32,359 --> 00:21:46,440 Speaker 9: Oh, I'm so sorry. That is just awful. 213 00:21:52,240 --> 00:21:56,320 Speaker 2: You really shouldn't be alone right now. Maybe call your husband. 214 00:21:56,560 --> 00:22:06,320 Speaker 2: You're not my husband, not anymore. I'm so sorry. Is 215 00:22:06,320 --> 00:22:08,080 Speaker 2: it the sadest thing in the world that you're the 216 00:22:08,080 --> 00:22:14,400 Speaker 2: only one who knows. Sometimes it's easier to share these 217 00:22:14,400 --> 00:22:19,399 Speaker 2: things with a stranger. I guess I don't even know 218 00:22:19,480 --> 00:22:30,880 Speaker 2: your name. It's Anne. Call me Annie, Annie. Okay, can 219 00:22:30,880 --> 00:22:35,840 Speaker 2: I give you another hug? Come on, come on? 220 00:22:37,000 --> 00:22:47,480 Speaker 11: Okay. 221 00:22:51,240 --> 00:22:55,200 Speaker 2: You know I've heard that some women claim their power 222 00:22:55,240 --> 00:22:59,120 Speaker 2: back by shaving their head before it all falls out. Yes, 223 00:22:59,200 --> 00:23:04,520 Speaker 2: I've heard that. D Do you have your clippers? Maybe? 224 00:23:05,880 --> 00:23:09,800 Speaker 2: Are you going to yell at me afterwards? I can't 225 00:23:09,800 --> 00:23:16,280 Speaker 2: make any promises. I guess I will have to take 226 00:23:16,320 --> 00:23:48,959 Speaker 2: my chances. One, have a seat. Are you sure you 227 00:23:48,960 --> 00:23:52,880 Speaker 2: wanna do this? Yes? You don't have to decide now, 228 00:23:53,880 --> 00:24:07,040 Speaker 2: I'm sure. Hey, you're in good hands. Thank you, Annie, 229 00:24:07,680 --> 00:24:08,240 Speaker 2: You're welcome. 230 00:24:31,080 --> 00:24:34,399 Speaker 4: The Makeup Artist was written and directed by me Audre 231 00:24:34,560 --> 00:24:38,639 Speaker 4: no I played Annie, The character of Kat was played 232 00:24:38,640 --> 00:24:42,720 Speaker 4: by Catherine Bourne Taylor, and Zoe was played by Ray Rodriguez. 233 00:24:43,600 --> 00:24:44,360 Speaker 2: Our editor and. 234 00:24:44,359 --> 00:24:49,480 Speaker 4: Producer is Camerin Kell. Our onset sound mixer is Daniel Martinez. 235 00:24:50,240 --> 00:24:53,520 Speaker 4: Sound designer and head of post production is Diego Perez. 236 00:24:54,320 --> 00:24:58,760 Speaker 4: Our onset photographer is Julian Park. Score is by Robert 237 00:24:58,800 --> 00:25:04,160 Speaker 4: Garova and Ryan ohbam and our creator, showrunner, and all 238 00:25:04,320 --> 00:25:09,600 Speaker 4: around fearless leader is James Kim You feeling. This is 239 00:25:09,640 --> 00:25:12,280 Speaker 4: a production of iHeartRadio. 240 00:25:11,680 --> 00:25:12,760 Speaker 2: And Overtones Media. 241 00:25:13,480 --> 00:25:17,720 Speaker 4: For more podcasts from iHeartRadio, check out the iHeartRadio app, 242 00:25:18,080 --> 00:25:36,560 Speaker 4: Apple Podcasts, or wherever you get your podcasts.