WEBVTT - Short Stuff: Our Shortie Halloween Spooktacular

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<v Speaker 1>Hey, and welcome to the short stuff. I'm Josh, there's Chuck,

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<v Speaker 1>there's Terry. Let's get reading. Yeah, this year we decided

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<v Speaker 1>to do a little shorty Halloween too, because you know,

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<v Speaker 1>we did our short stuff on Ambrose Beers started poking

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<v Speaker 1>around his short stories, and he wrote some super short

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<v Speaker 1>ones that are kind of tailor made for this. I think. Yeah,

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<v Speaker 1>it's almost like he was born in the nineteenth century

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<v Speaker 1>thinking one day, Josh and Chuck are going to have

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<v Speaker 1>short stuff. I want to give them something to work with. Maybe,

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<v Speaker 1>so so to prepare everyone for our Halloween Spooktacular, which

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<v Speaker 1>will be out tomorrow. We wanted to do this, right, Chuck,

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<v Speaker 1>you want to start? Uh? Yeah, what's um? Let's start

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<v Speaker 1>with the story One Summer Night. This is a good one.

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<v Speaker 1>This is a good one. Here we go, One Summer

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<v Speaker 1>Night by Ambrose Beers. The fact that Henry Armstrong was

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<v Speaker 1>buried did not seem to him to prove that he

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<v Speaker 1>was dead. He had always been a hard man to

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<v Speaker 1>convince that he really was buried. The testimony of his

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<v Speaker 1>senses compelled him to admit his posture flat upon his back,

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<v Speaker 1>with his hands crossed upon his stomach and tied was

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<v Speaker 1>something that he easily broke without profitably altering the situation.

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<v Speaker 1>The strict confinement of his entire person, the black darkness

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<v Speaker 1>and profound silence, made a body of evidence impossible to controvert,

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<v Speaker 1>and he had accepted it without Cavill Henry Cavill, but dead. No,

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<v Speaker 1>he was only very very ill. He had withal the

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<v Speaker 1>invalid's apathy, and did not greatly concern himself about the

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<v Speaker 1>uncommon fate that had been allotted to him. No philosopher,

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<v Speaker 1>was he just a plain, commonplace person, gifted for the

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<v Speaker 1>time being with a pathological indifference the organ that he

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<v Speaker 1>feared consequences with his torpid so with no particular apprehension

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<v Speaker 1>for his immediate future, he fell asleep and all was

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<v Speaker 1>peace with Henry Armstrong. Before we go on here, Chuck,

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<v Speaker 1>I just want to point out, so this man has

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<v Speaker 1>come to his senses in a coffin, been like, well,

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<v Speaker 1>I guess I'm dead, and then went to sleep. But

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<v Speaker 1>then then he went to sleep. That's some mellow gold totally.

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<v Speaker 1>You want me to pick up here, please, But something

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<v Speaker 1>was going on overhead. There was a dark summer night

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<v Speaker 1>shot through with in frequent shimmers of lightning silently firing

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<v Speaker 1>a cloud lying low in the west, and pretending a storm.

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<v Speaker 1>These brief, stammering illuminations brought out, with ghastly distinctness the

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<v Speaker 1>monuments and headstones of the cemetery, and seemed to set

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<v Speaker 1>them dancing. It was not a night in which any

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<v Speaker 1>credible witness was likely to be straying about a cemetery,

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<v Speaker 1>so the three men who were there digging into the

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<v Speaker 1>grave of Henry Armstrong felt reasonably secure. Two of them

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<v Speaker 1>were young students from a medical college a few miles away.

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<v Speaker 1>The third was a gigantic man known as Jess. For

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<v Speaker 1>many years, Jess had been employed about the cemetery as

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<v Speaker 1>a man of all work, and it was his favorite

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<v Speaker 1>pleasantry that he knew every soul in the place. From

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<v Speaker 1>the nature of what he was now doing, it was

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<v Speaker 1>inferable that the place was not so populous as this

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<v Speaker 1>register may have shown it to be. Back to you, Charles,

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<v Speaker 1>back to you outside the wall, at the part of

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<v Speaker 1>the grounds farthest from the public road, or a horse

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<v Speaker 1>in a light wagon waiting. The work of excavation was

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<v Speaker 1>not difficult. The earth with which the grave had been

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<v Speaker 1>loosely filled a few hours before, offered little resistance and

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<v Speaker 1>was soon thrown out. So they're Grave Robin here, right.

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<v Speaker 1>Oh yeah, it ties him very nice to do our

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<v Speaker 1>episode on Grave Robins. Right. Removal of the casket from

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<v Speaker 1>its box was less easy, but it was taken out

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<v Speaker 1>where it was a prerequisite of Jess, who carefully unscrewed

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<v Speaker 1>the cover and laid it aside, exposing the body in

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<v Speaker 1>black trousers and white shirt. At that instant, the air

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<v Speaker 1>sprang to flame. A cracking shock of thunder shook the

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<v Speaker 1>stunned world, and Henry Armstrong tranquility sat up with inarticulate cries.

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<v Speaker 1>The men fled in terror, each in a different direction,

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<v Speaker 1>for nothing on earth could Two of them had been

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<v Speaker 1>persuaded to return, but Jess was of another breed. In

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<v Speaker 1>the gray of the morning, the two students, pallid and

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<v Speaker 1>haggard from anxiety and with the terror of their adventure

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<v Speaker 1>still beating tumultuously in their blood, met at the medical college.

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<v Speaker 1>You saw it, cried one god, Yes, what are we

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<v Speaker 1>to do? They went around to the rear of the building,

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<v Speaker 1>where they saw a horse attached to a light wagon

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<v Speaker 1>hitched to a gate post near the door of the

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<v Speaker 1>dissecting room. Mechanically. They entered the room. On a bench

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<v Speaker 1>in the obscurity sat Jess. He rose, grinning. I'm waiting

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<v Speaker 1>for my pay, he said. Stretched naked on a long

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<v Speaker 1>table lay the body of Henry Armstrong, the head defiled

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<v Speaker 1>with blood and clay from a blow with a spade. Wow,

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<v Speaker 1>so jest to care business? Huh he did? He said, Oh,

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<v Speaker 1>you're gonna sit up right now while I'm trying to

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<v Speaker 1>make some money. No, we're not going to have that.

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<v Speaker 1>We're going to put you back in the grave. Well

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<v Speaker 1>that was great, but we have more to come. Everyone.

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<v Speaker 1>We have one more short story from the great Ambrose

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<v Speaker 1>Beers that we will read after these commercial messages. All right,

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<v Speaker 1>So Chuck, we're gonna do president a hanging it. Okay,

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<v Speaker 1>I'm gonna start this one, all right. An old man

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<v Speaker 1>named Daniel Baker, living near Lebanon, Iowa, was suspected by

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<v Speaker 1>his neighbors of having murdered a peddler who had obtained

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<v Speaker 1>permission to pass the night at his house. This was

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<v Speaker 1>an eighteen fifty three when peddling was more common in

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<v Speaker 1>the western country than it is now and was attended

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<v Speaker 1>with considerable danger. The peddler with his pack, traversed the

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<v Speaker 1>country by all manner of lonely roads, and was compelled

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<v Speaker 1>to rely upon the country people for hospitality. This brought

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<v Speaker 1>him into relation with queer characters, some of whom were

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<v Speaker 1>not altogether scrupulous in their methods of making a living,

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<v Speaker 1>murder being an acceptable means to that end. It occasionally

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<v Speaker 1>occurred that a peddler with diminished pack and swollen purse

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<v Speaker 1>would be traced to the lonely dwelling of some rough character,

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<v Speaker 1>and never could be traced beyond. This was so in

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<v Speaker 1>the case of old man Baker, as he was always called.

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<v Speaker 1>Such names are given in the western settlements only to

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<v Speaker 1>elderly persons who are not esteemed to the general disrepute

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<v Speaker 1>of social and worth has affixed the special reproach of age.

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<v Speaker 1>A peddler came to his house and none went away,

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<v Speaker 1>and that is all that anybody knew. All right, So

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<v Speaker 1>we're talking about peddler's being murdered on the road. I

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<v Speaker 1>have to say, Ambrose beerst makes me look succinct. Yeah,

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<v Speaker 1>he can write a paragraph about like a lightning bolt

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<v Speaker 1>flashing the sky in parentheses. All right, here we go.

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<v Speaker 1>Seven years later, the Reverend Mr Cummings, a Baptist minister

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<v Speaker 1>well known in that part of the country, was driving

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<v Speaker 1>by Baker's farm one night. It was not very dark.

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<v Speaker 1>There was a bit of moon somewhere above the light

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<v Speaker 1>veil of mists that lay along the earth. Mr Cummings,

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<v Speaker 1>who was at all times a cheerful person, was whistling

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<v Speaker 1>a tune which he would occasionally enter up to speak

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<v Speaker 1>a word, a friendly encouragement to his horse. Get on, boy,

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<v Speaker 1>like that, that's friendly. As he came to a little

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<v Speaker 1>bridge across the dry ravine, he saw the figure of

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<v Speaker 1>a man standing upon it, clearly outlined against the gray

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<v Speaker 1>background of a misty forest. The man had something strapped

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<v Speaker 1>on his back and carried a heavy stick, obviously an

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<v Speaker 1>itinerant peddler. His attitude had in it a suggestion of abstraction,

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<v Speaker 1>like that of a sleepwalker. Mr Cummings reined in his

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<v Speaker 1>horse when he arrived in front of him, gave him

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<v Speaker 1>a pleasant salutation and invited him to a seat in

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<v Speaker 1>his vehicle. If you're going my way, he added. The

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<v Speaker 1>man raised his head, looked him full in the face,

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<v Speaker 1>but neither answered nor made any further movement. The minister,

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<v Speaker 1>with good natured persistence, repeated his invitation. At this the

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<v Speaker 1>man threw his right hand forward from his side and

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<v Speaker 1>pointed word. As he stood on the extreme edge of

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<v Speaker 1>the bridge. Mr Cummings looked past him over into the ravine,

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<v Speaker 1>saw nothing unusual, and withdrew his eyes to address the

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<v Speaker 1>man again. He had disappeared. Wow, I think you can

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<v Speaker 1>take his home. Okay. The horse, which all this time

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<v Speaker 1>had been uncommonly restless, gave at the same moment a

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<v Speaker 1>snort of terror and started to run away. Before he

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<v Speaker 1>had regained control of the animal, the minister was at

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<v Speaker 1>the crest of the hill, a hundred yards along it's

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<v Speaker 1>like a football field. He looked back and saw the

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<v Speaker 1>figure again, at the same place and in the same

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<v Speaker 1>attitude as when he had first observed it on the

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<v Speaker 1>twenty yard line. Then, for the first time, he was

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<v Speaker 1>conscious of a sense of the supernatural, and drove home

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<v Speaker 1>as rapidly as his willing horse would go on. Arriving

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<v Speaker 1>at home, he related his adventure to his family, and

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<v Speaker 1>early the next morning, accompanied by two neighbors, John White

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<v Speaker 1>Corwell and Abner Ray, Sir, surprised they didn't talk about

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<v Speaker 1>those guys here, returned to the spot, they found the

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<v Speaker 1>body of old man Baker hanging by the neck from

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<v Speaker 1>one of the beams of the bridge. Immediately beneath the

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<v Speaker 1>spot where the apparition had stood. A thick coating of dust,

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<v Speaker 1>slightly dampened by the mist, covered the floor of the bridge,

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<v Speaker 1>but the only footprints were those of Mr Cunning's horse.

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<v Speaker 1>In taking down the body, the men disturbed the loose,

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<v Speaker 1>freeable earth of the slope below it, disclosing human bones

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<v Speaker 1>already nearly uncovered by the action of water and frost.

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<v Speaker 1>They were identified as those of the lost peddler at

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<v Speaker 1>the double inquest. The coroner's jury found that Daniel Baker

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<v Speaker 1>died by his own hand while suffering from temporary insanity,

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<v Speaker 1>and that Samuel Morritts was murdered by some person or

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<v Speaker 1>persons to the jury unknown. The end one of the

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<v Speaker 1>least satisfying endings of any short story, Samuel Moritz. They

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<v Speaker 1>didn't even name the guy until that point. Oh yeah,

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<v Speaker 1>I thought that was great. I mean, I love Ambrose

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<v Speaker 1>Beers for some reasons, but not for that reason, you

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<v Speaker 1>know what I mean, to get the feeling that like

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<v Speaker 1>at the end of that book, he's just like, face

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<v Speaker 1>down in a like a methodone torpor right, and a

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<v Speaker 1>trough of whiskey. Well, Chuck, I think that was short stuff. Huh,

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<v Speaker 1>that's right, Special Super Short Halloween Edition. The point of

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<v Speaker 1>this is to get your prime for tomorrow's spectacular. So

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<v Speaker 1>don't miss it, everybody. And because I said don't miss

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<v Speaker 1>it everybody, that means short Stuff is Stuff you should know.

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<v Speaker 1>Is a production of iHeart Radio's How Stuff Works. For

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<v Speaker 1>more podcasts for my heart Radio, visit the iHeart Radio app,

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