WEBVTT - 12/23/21 Hour 3 Micheal Buble

0:00:00.680 --> 0:00:03.560
<v Speaker 1>You are listening to the Dan Patrick Show on Fox

0:00:03.560 --> 0:00:07.360
<v Speaker 1>Sports Radio. Final hour, Final hour for the show this year,

0:00:07.440 --> 0:00:11.280
<v Speaker 1>Final hour for mclovin. Come on in, stay a while,

0:00:11.920 --> 0:00:15.680
<v Speaker 1>bring some hankies, tissues. Mclovin is trying to tug on

0:00:15.760 --> 0:00:20.239
<v Speaker 1>my heartstrings here. He's playing scenes from movies that will

0:00:20.320 --> 0:00:24.079
<v Speaker 1>make you cry, including Field of Dreams where Kevin Costner

0:00:24.320 --> 0:00:26.920
<v Speaker 1>and his dad out on the field. Do you want

0:00:26.920 --> 0:00:29.720
<v Speaker 1>to have a catch? McLevin thought that maybe at the

0:00:29.800 --> 0:00:31.880
<v Speaker 1>end of the show, he'll say that to me, since

0:00:31.880 --> 0:00:34.879
<v Speaker 1>he knows my dad's dad. That all cry, but it's

0:00:34.880 --> 0:00:36.839
<v Speaker 1>not going to work today. Is there any movie that

0:00:36.920 --> 0:00:41.800
<v Speaker 1>gets you Ititanic? All of them do, That's true. I

0:00:42.080 --> 0:00:45.680
<v Speaker 1>like sitcoms. I cry during that Chevy commercial where the

0:00:45.760 --> 0:00:48.040
<v Speaker 1>daughter fixes up the car for the dad, and I'm like,

0:00:49.240 --> 0:00:52.159
<v Speaker 1>pretty good right there. Yes, there's a commercial where a

0:00:52.280 --> 0:00:54.920
<v Speaker 1>dad is shooting hoops with his daughter, his young daughter,

0:00:54.960 --> 0:00:59.000
<v Speaker 1>and the daughter ages and eventually she goes off to college. Yeah,

0:00:59.040 --> 0:01:01.400
<v Speaker 1>that one gets me too. They all do. But this

0:01:01.480 --> 0:01:05.400
<v Speaker 1>isn't because there's no reason to cry. I should be

0:01:05.440 --> 0:01:09.600
<v Speaker 1>happy for you right now. You know you could be

0:01:09.680 --> 0:01:13.280
<v Speaker 1>sad too. No, I'm happy for you, but I will

0:01:13.360 --> 0:01:16.200
<v Speaker 1>give you the rest of this hour if you want

0:01:16.200 --> 0:01:22.119
<v Speaker 1>to reconsider, but after that then it's done. No takebacks.

0:01:22.319 --> 0:01:24.840
<v Speaker 1>What about the two minute Peacock Live look at at

0:01:24.840 --> 0:01:29.120
<v Speaker 1>the end. No, this is it. You got you got

0:01:29.560 --> 0:01:33.440
<v Speaker 1>about forty five fifty minutes and then that's it. But

0:01:33.520 --> 0:01:37.120
<v Speaker 1>if you're you know, content with this bad I mean,

0:01:37.240 --> 0:01:39.880
<v Speaker 1>this decision that you're making to leave us and go

0:01:39.920 --> 0:01:42.759
<v Speaker 1>work for somebody else, then I'm going to be happy

0:01:42.800 --> 0:01:46.480
<v Speaker 1>for you. Okay, all right, it's forty five, all right,

0:01:46.480 --> 0:01:49.320
<v Speaker 1>I'll think about it. Sunday night, Taylor Heineke and the

0:01:49.360 --> 0:01:51.880
<v Speaker 1>Washington football team go to Dallas take on Dak Prescott

0:01:51.880 --> 0:01:55.280
<v Speaker 1>and the Cowboys NFC Showdown. It's seven eastern on NBC

0:01:55.400 --> 0:01:57.240
<v Speaker 1>and Peacock. A lot of phone calls. Want to get

0:01:57.280 --> 0:01:59.800
<v Speaker 1>to those. We have to come up with the most

0:02:00.000 --> 0:02:03.880
<v Speaker 1>able caller. I think it's Ryan and Honolulu. I mean,

0:02:03.920 --> 0:02:06.440
<v Speaker 1>he gives it great effort, he gets up really early.

0:02:07.080 --> 0:02:12.280
<v Speaker 1>Ryan and Honolulu is the most valuable Most Valuable Caller

0:02:13.680 --> 0:02:17.720
<v Speaker 1>twenty twenty one. By the way, the most valuable Danette.

0:02:17.760 --> 0:02:20.120
<v Speaker 1>I already gave out the least valuable Danette. Now I'm

0:02:20.120 --> 0:02:24.880
<v Speaker 1>getting right to the awards. Okay, do you guys now

0:02:25.040 --> 0:02:31.720
<v Speaker 1>Todd Todd was named the least valuable Danette. Third place

0:02:36.919 --> 0:02:46.440
<v Speaker 1>goes to mclovin. Yes, I'm not last um second place

0:02:50.480 --> 0:03:05.160
<v Speaker 1>after the break, No Seaton O'Connor. First runner up. Pauly

0:03:05.600 --> 0:03:13.040
<v Speaker 1>Fritzy is the most valuable and the least. That's crazy, yay,

0:03:13.960 --> 0:03:17.400
<v Speaker 1>yes you aren't. It just depends on the day, depends

0:03:17.440 --> 0:03:21.880
<v Speaker 1>on the hour. I'm disappointingly excited. You can be really

0:03:21.960 --> 0:03:27.640
<v Speaker 1>good and really bad. Disappointingly excited. Yes, that's what that means.

0:03:27.639 --> 0:03:33.000
<v Speaker 1>A very consistent Okay, most valuable back room guy. Oh,

0:03:33.000 --> 0:03:37.280
<v Speaker 1>this is where it's very excited. Now, let me just

0:03:37.400 --> 0:03:39.360
<v Speaker 1>run down some of the guys and what they do,

0:03:39.440 --> 0:03:42.760
<v Speaker 1>and they do a wonderful job. Like we have Rob

0:03:42.800 --> 0:03:45.280
<v Speaker 1>who is a Knicks and a Jets fan and he

0:03:45.280 --> 0:03:49.440
<v Speaker 1>should get it just because of that, and he's very optimistic.

0:03:49.480 --> 0:03:52.160
<v Speaker 1>He didn't say anything during the entire day, but if

0:03:52.160 --> 0:03:54.600
<v Speaker 1>you bring up the Knicks backcourt and he'll spend twenty

0:03:54.640 --> 0:03:59.000
<v Speaker 1>minutes with you. Uh. Weeks has been an unbelievable cameraman,

0:03:59.120 --> 0:04:02.560
<v Speaker 1>but he does so many other great things and he's

0:04:02.600 --> 0:04:06.400
<v Speaker 1>a handyman. The big german. Big german makes a lot

0:04:06.440 --> 0:04:10.360
<v Speaker 1>of this possible every single day. Eric Dylan. I don't

0:04:10.400 --> 0:04:13.720
<v Speaker 1>know what Dylan does, but he is entertaining. I walked

0:04:13.760 --> 0:04:17.640
<v Speaker 1>in last week. I walked in Friday afternoon after the show,

0:04:17.960 --> 0:04:20.960
<v Speaker 1>like three thirty four o'clock in the afternoon. Now I

0:04:21.040 --> 0:04:23.560
<v Speaker 1>can hear guys in the back, you know, you know,

0:04:23.600 --> 0:04:25.600
<v Speaker 1>I'm going through the door. I can hear people. I'm

0:04:25.640 --> 0:04:28.040
<v Speaker 1>on the outside coming in. They're playing basketball. I walk

0:04:28.120 --> 0:04:32.479
<v Speaker 1>in first person. I see Dylan has his shirt off. Oh,

0:04:32.560 --> 0:04:35.320
<v Speaker 1>Dylan should not have his shirt off. You know it

0:04:35.400 --> 0:04:38.360
<v Speaker 1>was It was not because yes, you know what I

0:04:38.400 --> 0:04:40.680
<v Speaker 1>love about Dylan is that he'll come in one day

0:04:40.680 --> 0:04:42.800
<v Speaker 1>it's just sort of like out of nowhere and we're like, hey,

0:04:42.880 --> 0:04:44.800
<v Speaker 1>check this out, and it's like a tattoo of a

0:04:44.839 --> 0:04:48.560
<v Speaker 1>flamingo on it, and it's just like, yeah, that's it,

0:04:48.600 --> 0:04:53.040
<v Speaker 1>Like there's no yes, check this out. Ray is an

0:04:53.040 --> 0:04:56.800
<v Speaker 1>intern we just got. He's on a rookie contract. You know,

0:04:56.880 --> 0:05:00.640
<v Speaker 1>you're not quite sure it gives you that surfer vibe,

0:05:01.040 --> 0:05:03.680
<v Speaker 1>but you know he's stepping up, stepping into some of

0:05:03.800 --> 0:05:08.800
<v Speaker 1>mclevin's responsibilities there. Mario. Everybody knows that Mario can't be

0:05:08.920 --> 0:05:11.240
<v Speaker 1>valuable at anything so you can't have him his most

0:05:11.320 --> 0:05:15.560
<v Speaker 1>valuable back room guy. Wow eat day to day. But

0:05:15.560 --> 0:05:19.400
<v Speaker 1>but we do love Mario Marvin. Marvin puts up with

0:05:19.440 --> 0:05:22.240
<v Speaker 1>an awful lot. He's one of the funniest guys in here.

0:05:22.640 --> 0:05:26.400
<v Speaker 1>He's got a bad jump shot. Uh, but you know

0:05:26.440 --> 0:05:28.640
<v Speaker 1>what he fits right in. We have so much fun

0:05:28.680 --> 0:05:33.280
<v Speaker 1>with him. Every single day. Tyler Tyler the moderator, moderates

0:05:33.360 --> 0:05:38.120
<v Speaker 1>chat Row. He does you know, meet Fridays. He watches

0:05:38.160 --> 0:05:41.800
<v Speaker 1>my dog Winnie every single day, not necessarily that he

0:05:41.880 --> 0:05:46.839
<v Speaker 1>loves watching the dog. Got uh. I got Tyler pajamas

0:05:46.880 --> 0:05:51.560
<v Speaker 1>today with Winnie's face all over his pajamas. So here

0:05:51.720 --> 0:05:56.359
<v Speaker 1>is the most Valuable back room Guy twenty twenty one.

0:05:56.720 --> 0:05:59.360
<v Speaker 1>Do you guys want to guess who it is? Before

0:05:59.400 --> 0:06:01.919
<v Speaker 1>I turn it round? I got a piece of tape

0:06:01.960 --> 0:06:05.520
<v Speaker 1>for the name plate, so it's not really professional. This

0:06:05.680 --> 0:06:07.800
<v Speaker 1>snuck up on me, Paul. I think the way you

0:06:08.120 --> 0:06:12.240
<v Speaker 1>downplayed Mario, you're doing a curveball here possible, So you're

0:06:12.360 --> 0:06:15.040
<v Speaker 1>going area, Yeah, No, I don't think he should be.

0:06:15.120 --> 0:06:18.240
<v Speaker 1>I think, okay, all right, uh Todd, I was gonna

0:06:18.240 --> 0:06:21.520
<v Speaker 1>go Tyler Tyler. Okay. He does a lot of different

0:06:21.560 --> 0:06:24.839
<v Speaker 1>things and always does he do much for the show itself.

0:06:25.520 --> 0:06:27.920
<v Speaker 1>I think the vibe is also a very important thing,

0:06:27.920 --> 0:06:31.440
<v Speaker 1>and the cooking every single week, and it's a lot

0:06:31.440 --> 0:06:34.240
<v Speaker 1>of not going on. Okay, mclovin, Who do you think

0:06:34.400 --> 0:06:36.960
<v Speaker 1>is the most valuable back room guy? I think you're

0:06:36.960 --> 0:06:41.479
<v Speaker 1>going against the grain with Dylan. Dylan, really Dylan I

0:06:41.520 --> 0:06:43.800
<v Speaker 1>want to hang out with. I will say that I

0:06:43.800 --> 0:06:50.280
<v Speaker 1>don't know what's gonna happen. You would go to Vegas seton?

0:06:51.160 --> 0:06:54.320
<v Speaker 1>Who do you think? I feel like we're I feel

0:06:54.320 --> 0:06:57.920
<v Speaker 1>like Weeks is being under represented here. Wow, great cameraman.

0:06:58.320 --> 0:07:01.400
<v Speaker 1>But I think all the people that we're talking about

0:07:01.520 --> 0:07:04.359
<v Speaker 1>right now, there's sort of one elder statesman, the father

0:07:04.480 --> 0:07:06.800
<v Speaker 1>figure of that back room. So I'm gonna go with

0:07:07.000 --> 0:07:12.720
<v Speaker 1>Eric Jones, Eric the big German, the big Yerman. Um,

0:07:14.200 --> 0:07:17.600
<v Speaker 1>what's what's the sun? What's going on? There's another radio show.

0:07:19.400 --> 0:07:23.400
<v Speaker 1>I don't know what that am? I interrupting some Yeah, Okay.

0:07:24.000 --> 0:07:31.880
<v Speaker 1>The most valuable BRG twenty twenty one goes to Tyler

0:07:32.520 --> 0:07:37.280
<v Speaker 1>the Moderate. Is that duct tape on there? Yes it is, Yes,

0:07:37.320 --> 0:07:41.040
<v Speaker 1>it is. Yeah. I asked Mario to see if he

0:07:41.040 --> 0:07:44.000
<v Speaker 1>could get a name plate and uh he he didn't

0:07:44.040 --> 0:07:47.560
<v Speaker 1>do it. Here comes Tyler. Tyler is coming in right now.

0:07:47.800 --> 0:07:52.360
<v Speaker 1>He's got his pajamas on. If you're watching on tacon, Yeah,

0:07:52.360 --> 0:07:53.960
<v Speaker 1>that's funny, is that you were just talking about how

0:07:54.040 --> 0:07:59.240
<v Speaker 1>valuable he is while he was on camera wandering around aimlessly. No, No,

0:07:59.240 --> 0:08:03.960
<v Speaker 1>he's he's actually he's actually cooking. So he's got hot dogs.

0:08:03.960 --> 0:08:06.560
<v Speaker 1>He made chili and we got hamburgers, and he took

0:08:06.560 --> 0:08:12.040
<v Speaker 1>the dog for a walk. Yes he did, Tyler. Congratulations Tyler.

0:08:12.160 --> 0:08:15.760
<v Speaker 1>Those pajamas look great. If that trophy's going to fit

0:08:15.800 --> 0:08:22.920
<v Speaker 1>in his apartment or his orange Camaro. I still love

0:08:22.960 --> 0:08:26.360
<v Speaker 1>that story that he bought basically the same car as

0:08:26.360 --> 0:08:32.080
<v Speaker 1>the big German and like a month later, you know

0:08:32.120 --> 0:08:37.400
<v Speaker 1>that movie Single White Female, That that's that's Tyler. Who

0:08:37.520 --> 0:08:40.840
<v Speaker 1>who gets a Camaro in the winter except for Tyler

0:08:40.920 --> 0:08:46.679
<v Speaker 1>the Moderator. Uh, congratulations Todd. Congratulations as the least valuable

0:08:46.679 --> 0:08:49.079
<v Speaker 1>and most valuable Dinna. Thank you very much. Yes, is

0:08:49.120 --> 0:08:51.200
<v Speaker 1>this the first time that's happened? It is Wow? Yes,

0:08:51.280 --> 0:08:54.319
<v Speaker 1>it is groundbreaking. Uh, Texas A and M taps out

0:08:54.360 --> 0:08:56.760
<v Speaker 1>of the Gator Bowl. I guess Rutgers is gonna play

0:08:57.080 --> 0:09:00.840
<v Speaker 1>the final four four fits are in play college football.

0:09:00.880 --> 0:09:03.920
<v Speaker 1>If you can't field a football team, then you could

0:09:03.960 --> 0:09:07.559
<v Speaker 1>forfeit and you could actually have a national championship with

0:09:07.679 --> 0:09:11.200
<v Speaker 1>no national championship if both teams would have to forfeit.

0:09:12.040 --> 0:09:15.280
<v Speaker 1>College Football Playoff Committee came up with this timing is

0:09:15.320 --> 0:09:18.120
<v Speaker 1>really curious. You got the Titans and the Niners tonight,

0:09:19.080 --> 0:09:24.240
<v Speaker 1>UCF in Florida, North Texas and Miamiable, Ohio. A couple

0:09:24.240 --> 0:09:26.760
<v Speaker 1>of phone calls in here as people get to say

0:09:26.760 --> 0:09:31.400
<v Speaker 1>goodbye to mclove in the final hour here Ryan and Honolulu. Ryan,

0:09:31.480 --> 0:09:37.880
<v Speaker 1>congratulations as the most valuable caller for this year. Oh

0:09:40.480 --> 0:09:45.120
<v Speaker 1>oh wow? Then really yep? First ever? First ever? What

0:09:45.240 --> 0:09:48.560
<v Speaker 1>time is it? What time is it out there? Well,

0:09:48.559 --> 0:09:52.800
<v Speaker 1>it's just off to six a m. And I'd like

0:09:52.880 --> 0:09:56.000
<v Speaker 1>to thank you for accepting my goals against your bit

0:09:56.040 --> 0:10:01.000
<v Speaker 1>of judgment. I'd like to thank Fritzie for allowing me

0:10:01.080 --> 0:10:06.720
<v Speaker 1>to be funnier and wittier and year. Congratulations, no offense,

0:10:07.080 --> 0:10:13.440
<v Speaker 1>No offense, um, and I have some Christmas or holiday

0:10:13.520 --> 0:10:17.160
<v Speaker 1>sports names for you. Okay, sounds good. Now you can

0:10:17.360 --> 0:10:22.840
<v Speaker 1>lose the award just saying Ryan, Oh, I'm well a welcome, Yes,

0:10:22.880 --> 0:10:25.319
<v Speaker 1>I know how you guys operate. Yeah, all right, here's

0:10:25.440 --> 0:10:29.040
<v Speaker 1>Ryan and Honolulu are most valuable collar and maybe least

0:10:29.120 --> 0:10:35.360
<v Speaker 1>valuable color as well. Here we go, NFL Insider, Ian Rapper,

0:10:35.480 --> 0:10:46.959
<v Speaker 1>Present boxing Champ Evander, holy Night Washington, Washington quarterback Joe

0:10:47.559 --> 0:10:57.400
<v Speaker 1>three Wiseman, he got it done, Memphis Star, Jah Dreamer, ornament,

0:10:58.400 --> 0:11:06.319
<v Speaker 1>Wait tree horn, mirand what you said something like that?

0:11:08.720 --> 0:11:17.080
<v Speaker 1>Balmers fired, yes, miss bow And then we'll let's go

0:11:17.280 --> 0:11:21.079
<v Speaker 1>with the one from last year. Lot on even name

0:11:21.160 --> 0:11:26.880
<v Speaker 1>the screwed. If it ain't broke, don't fix it. And

0:11:27.040 --> 0:11:32.400
<v Speaker 1>I just want to say hello mclovin. It also means goodbye,

0:11:32.880 --> 0:11:36.320
<v Speaker 1>thank you, Ryan, thank you, thanks for all your calls

0:11:36.360 --> 0:11:40.079
<v Speaker 1>this year. Any response there, Ton, I thought that was

0:11:40.200 --> 0:11:43.520
<v Speaker 1>very well done. Okay, Uh, Scott in Austin, you're not

0:11:43.520 --> 0:11:45.760
<v Speaker 1>doing holiday names this year. Time. I've got him in

0:11:45.760 --> 0:11:49.800
<v Speaker 1>front of me a lot on pinners, losers, I do

0:11:49.880 --> 0:11:53.840
<v Speaker 1>have some, Okay, sky Scott, what do you have? Hey?

0:11:53.920 --> 0:11:57.200
<v Speaker 1>Good morning Dan, Good morning Dane. Danet's first time long

0:11:57.200 --> 0:12:03.959
<v Speaker 1>time five eleven and three quarters and eight two twenty four. Um,

0:12:04.160 --> 0:12:07.600
<v Speaker 1>Hey Dan, I called him yesterday. UM. And I appreciate

0:12:07.679 --> 0:12:11.959
<v Speaker 1>the win by decision against Todd with the Limerick off UM.

0:12:12.760 --> 0:12:14.360
<v Speaker 1>I would like to give a write in vote for

0:12:14.440 --> 0:12:16.439
<v Speaker 1>Marvin for having to deal with colors like me who

0:12:16.600 --> 0:12:20.240
<v Speaker 1>get to have their mute button on. Yeah, that's fair, Marvin.

0:12:20.440 --> 0:12:24.280
<v Speaker 1>Marvin's taking a lot of abuse there. Uh. He gets

0:12:24.320 --> 0:12:26.920
<v Speaker 1>roughed up. And that's where I tell people, Look, you

0:12:26.920 --> 0:12:29.480
<v Speaker 1>want to be mad at something I say, then be

0:12:29.559 --> 0:12:31.760
<v Speaker 1>mad at me. But you know, Marvin's just there and

0:12:31.840 --> 0:12:35.600
<v Speaker 1>he just very professional and he's a great guy. Not

0:12:35.679 --> 0:12:38.120
<v Speaker 1>as great as Tyler obviously this year, because Tyler is

0:12:38.160 --> 0:12:41.199
<v Speaker 1>the most valuable back room guy, but he's ahead of Mario.

0:12:42.920 --> 0:12:49.920
<v Speaker 1>James in Virginia. Hi James, good morning, brother, Happy? What

0:12:50.120 --> 0:12:54.240
<v Speaker 1>is it? Thursday? Thursday? Happy Thursday. They're all running together, man,

0:12:54.280 --> 0:12:56.679
<v Speaker 1>you know the big brown truck now stop out here, man.

0:12:57.120 --> 0:13:02.480
<v Speaker 1>Mary Christmas, Dan, that Mary Christmas. Many Christmas the DT nation.

0:13:02.800 --> 0:13:06.640
<v Speaker 1>I hope everybody has a great and safe holiday season. Man.

0:13:07.080 --> 0:13:09.239
<v Speaker 1>I gotta say, Man, I think I need to recount

0:13:09.520 --> 0:13:12.720
<v Speaker 1>for the most valuable caller. I don't know, but in

0:13:12.880 --> 0:13:17.880
<v Speaker 1>honor Ryan a lot, huh, Dan, you know, so, hey,

0:13:17.920 --> 0:13:20.680
<v Speaker 1>guys really appreciate y'all. I hope you guys have a

0:13:20.679 --> 0:13:24.560
<v Speaker 1>happy New Year as well. Man. Most Valuable Guests how

0:13:24.679 --> 0:13:27.679
<v Speaker 1>you guys not put ray Leota this year. Man. That

0:13:27.840 --> 0:13:33.120
<v Speaker 1>guy killed man, he's killed it and then loving man. Uh,

0:13:33.679 --> 0:13:37.320
<v Speaker 1>you know in life you gotta be fluent man. Bruce

0:13:37.440 --> 0:13:40.200
<v Speaker 1>Lee said, you gotta be like water and you take

0:13:40.240 --> 0:13:42.600
<v Speaker 1>your shape in make it, make the best of what

0:13:42.760 --> 0:13:46.679
<v Speaker 1>you have. Like Margaret's grandfather said, you know this is

0:13:46.720 --> 0:13:49.640
<v Speaker 1>there ain't no dress rehearsal man, so enjoy it while

0:13:49.679 --> 0:13:52.760
<v Speaker 1>you can. You guys have a great one. We all Washington,

0:13:52.920 --> 0:13:55.640
<v Speaker 1>Thank you, James, thank you for all your phone calls

0:13:55.679 --> 0:13:58.960
<v Speaker 1>this year. Really the great I mean, the audience is unbelievable.

0:13:59.040 --> 0:14:02.440
<v Speaker 1>We have an audience like nobody else in this business.

0:14:03.040 --> 0:14:06.000
<v Speaker 1>But you know we treat you with respect, hopefully we do.

0:14:06.480 --> 0:14:09.360
<v Speaker 1>And uh you know that that you know that you

0:14:09.559 --> 0:14:13.040
<v Speaker 1>can call, you can email and tweet. Uh, you can

0:14:13.080 --> 0:14:15.360
<v Speaker 1>be part of the program. And even if you're not

0:14:15.600 --> 0:14:19.360
<v Speaker 1>just being there in spirit, uh, you know, with a

0:14:19.400 --> 0:14:22.800
<v Speaker 1>T shirt on, whatever it is. Uh, we've we've never

0:14:23.040 --> 0:14:26.360
<v Speaker 1>put ourselves above you. We're with you and that's every

0:14:26.360 --> 0:14:30.080
<v Speaker 1>single day and that's never going to change. Yes, balling,

0:14:30.120 --> 0:14:31.880
<v Speaker 1>and we should say to our audience, good luck with

0:14:31.880 --> 0:14:35.080
<v Speaker 1>all the surgeries you're recovering. Yes, because they're almost all recovered. Yes,

0:14:35.760 --> 0:14:39.560
<v Speaker 1>that's that's my building audience, And I got a controlled environment.

0:14:39.680 --> 0:14:43.160
<v Speaker 1>You're going through surgery or you know, something happened, broken ankle,

0:14:43.280 --> 0:14:46.080
<v Speaker 1>you can't get up, change your channel, lock it in. Yeah, hey,

0:14:46.120 --> 0:14:49.600
<v Speaker 1>I just stumbled upon your show. I'm I'm laid up

0:14:49.640 --> 0:14:52.280
<v Speaker 1>here for a couple of months and uh, yeah, show's

0:14:52.320 --> 0:14:55.160
<v Speaker 1>not bad. That's all right, come on in. We'll take you. Yes,

0:14:55.240 --> 0:14:57.360
<v Speaker 1>time to get out of prison a little earlier for behavior.

0:14:57.440 --> 0:15:00.400
<v Speaker 1>That's the other group. Yeah, yeah, I watched in prison,

0:15:00.800 --> 0:15:05.360
<v Speaker 1>you know all the time. I love a captive audience. Uh.

0:15:05.400 --> 0:15:09.720
<v Speaker 1>Michael Boublet is going to join us. Todd is very

0:15:09.720 --> 0:15:13.000
<v Speaker 1>excited about this. I am, and I know you are too.

0:15:13.280 --> 0:15:14.760
<v Speaker 1>Just try to give me a hard time a little bit,

0:15:15.000 --> 0:15:16.880
<v Speaker 1>but I could, I could wink at that. I just

0:15:16.920 --> 0:15:19.240
<v Speaker 1>want to make Michael Boublet great. That made him great,

0:15:19.280 --> 0:15:21.000
<v Speaker 1>and you'll make him even that much greater because that's

0:15:21.000 --> 0:15:23.080
<v Speaker 1>what you do. So now you put even more precious

0:15:23.080 --> 0:15:24.920
<v Speaker 1>pressure on you because you've never had to handle a

0:15:24.960 --> 0:15:28.880
<v Speaker 1>prectious situation before you the air, Did I do that again? Yes?

0:15:30.200 --> 0:15:34.240
<v Speaker 1>But you you do everything in one breath. I have

0:15:34.280 --> 0:15:37.400
<v Speaker 1>to do some kind of breathing exercise or something. Yeah,

0:15:37.480 --> 0:15:40.040
<v Speaker 1>because you always stale off. But I did go to

0:15:40.120 --> 0:15:42.640
<v Speaker 1>my general practitioner and he didn't see I need to

0:15:42.640 --> 0:15:44.360
<v Speaker 1>go to see the ear nose and throat doc. Yes,

0:15:44.440 --> 0:15:46.640
<v Speaker 1>slowing down. Yes. I wonder if a guy like Michael

0:15:46.640 --> 0:15:50.080
<v Speaker 1>Boubley enjoys going to holiday parties, Well, I'm gonna ask

0:15:50.160 --> 0:15:52.640
<v Speaker 1>him this, but yeah, yeah, I gotta ask him. You

0:15:52.680 --> 0:15:55.880
<v Speaker 1>get asked, like to break down the Twins bullpen. Yeah.

0:15:55.920 --> 0:15:58.160
<v Speaker 1>But if he goes to a holiday point, he walks in,

0:15:58.200 --> 0:16:02.640
<v Speaker 1>there's a piano, It's like, oh yeah, because I'll bet

0:16:02.680 --> 0:16:04.680
<v Speaker 1>for him. Like everybody else, it's a it's a busy

0:16:04.760 --> 0:16:06.760
<v Speaker 1>time of year, but you're kind of winding down to

0:16:06.840 --> 0:16:08.200
<v Speaker 1>the end of the year, you know what I mean.

0:16:08.280 --> 0:16:09.760
<v Speaker 1>You know you're gonna get some time off. You know

0:16:09.760 --> 0:16:11.920
<v Speaker 1>you're gonna I bet for him. It's the exact opposite.

0:16:11.920 --> 0:16:13.480
<v Speaker 1>This is probably one of the busiest times a year

0:16:13.480 --> 0:16:15.080
<v Speaker 1>for him. Yeah, I don't know if he wants to

0:16:15.120 --> 0:16:18.440
<v Speaker 1>go to a Christmas party. If he walks over, then

0:16:18.480 --> 0:16:21.280
<v Speaker 1>somebody's got the piano or they go, hey, Michael Boublat

0:16:21.360 --> 0:16:24.800
<v Speaker 1>is coming. Are you gonna have him sing? Yeah? And

0:16:24.840 --> 0:16:27.200
<v Speaker 1>then you and then you say it man, like if

0:16:27.320 --> 0:16:31.520
<v Speaker 1>Kevin Bacon goes to a wedding, Because Kevin Bacon has

0:16:31.560 --> 0:16:33.560
<v Speaker 1>told us, you know, he was the star of Footloose,

0:16:33.880 --> 0:16:36.400
<v Speaker 1>that when he goes to a wedding, he's got a

0:16:36.480 --> 0:16:39.600
<v Speaker 1>dance like he did in Footloose. I'm gonna guess, Michael

0:16:39.600 --> 0:16:43.320
<v Speaker 1>Boublet when he goes bill Christmas party, somebody's gonna be

0:16:43.440 --> 0:16:47.000
<v Speaker 1>playing the piano, going Michael playing one of his songs.

0:16:47.000 --> 0:16:52.000
<v Speaker 1>Then he's got a sing Todd's gonna sing from Michael Boublay.

0:16:52.280 --> 0:16:54.720
<v Speaker 1>We'll take a break and the final hour we'll get

0:16:54.720 --> 0:16:58.040
<v Speaker 1>some more phone calls just connected on the zoom. I

0:16:58.120 --> 0:17:02.200
<v Speaker 1>guess come on, and Michael wants to talk fantasy football.

0:17:02.560 --> 0:17:04.600
<v Speaker 1>We'll take a break back after this from The Dan

0:17:04.680 --> 0:17:08.040
<v Speaker 1>Patrick Show. Be sure to catch the live edition of

0:17:08.080 --> 0:17:11.240
<v Speaker 1>The Dan Patrick Show weekdays at nine am Eastern six

0:17:11.320 --> 0:17:18.040
<v Speaker 1>am Pacific on Fox Sports Radio and the iHeartRadio app. Hey,

0:17:18.080 --> 0:17:21.439
<v Speaker 1>I'm Doug Gottlie. The podcast is called All Ball. We

0:17:21.560 --> 0:17:23.760
<v Speaker 1>usually talk all basketball all the time, but it's more

0:17:23.880 --> 0:17:27.560
<v Speaker 1>about the stories about what made these people love their

0:17:27.600 --> 0:17:31.159
<v Speaker 1>sport and all the interesting interactions along the way. We

0:17:31.280 --> 0:17:34.280
<v Speaker 1>talked to coaches, we talked to players, we tell you stories,

0:17:34.840 --> 0:17:37.639
<v Speaker 1>you download it, you listen to it. I think you'll

0:17:37.680 --> 0:17:40.480
<v Speaker 1>like it. Listen to All Ball with Doug Gottlieb on

0:17:40.520 --> 0:17:45.320
<v Speaker 1>the iHeartRadio app, Apple Podcasts, or ever you get your podcast.

0:17:46.600 --> 0:17:50.440
<v Speaker 1>Paulie said, we got a celebrity email. Now are they

0:17:51.400 --> 0:17:54.359
<v Speaker 1>questioning something? No, No, they're a fan of the show

0:17:54.400 --> 0:17:57.440
<v Speaker 1>and they're gonna miss Andrew. But it's a celebrity. I

0:17:57.480 --> 0:17:59.439
<v Speaker 1>don't think you'd expect. That's all I can say. You

0:17:59.440 --> 0:18:01.800
<v Speaker 1>guys never call him mclove and mcloven. You always call

0:18:01.880 --> 0:18:05.119
<v Speaker 1>him by his first name. Why is that? Is it

0:18:05.240 --> 0:18:07.320
<v Speaker 1>just because I said he looks like mclovin or a

0:18:07.359 --> 0:18:10.040
<v Speaker 1>relative of McLevin from Superband. I don't know. I didn't

0:18:10.040 --> 0:18:13.680
<v Speaker 1>even notice. Yeah, you guys always call him me Andy. Yeah.

0:18:13.920 --> 0:18:16.199
<v Speaker 1>Behind the scenes people call me Andy. The back room

0:18:16.280 --> 0:18:19.359
<v Speaker 1>guys call me mclovin. Okay, But you want to be

0:18:19.359 --> 0:18:22.359
<v Speaker 1>called Pearl. Yeah, I'm trying to. Yeah, well try to

0:18:22.400 --> 0:18:25.639
<v Speaker 1>make pearl of things too late, because this is your

0:18:25.680 --> 0:18:28.919
<v Speaker 1>last show. You got about a half hour to make

0:18:29.440 --> 0:18:33.840
<v Speaker 1>Parla thing. He's Michael Boubleat, singer, songwriter, record producer. A

0:18:34.040 --> 0:18:38.240
<v Speaker 1>tenth anniversary deluxe edition of Michael Boublat's classic album Christmas

0:18:38.680 --> 0:18:42.680
<v Speaker 1>is available now. Great to have you back on the program, Michael.

0:18:42.680 --> 0:18:45.240
<v Speaker 1>I'm curious what it's like when you go, you and

0:18:45.280 --> 0:18:47.960
<v Speaker 1>your wife go to a Christmas party and somebody's got

0:18:47.960 --> 0:18:54.080
<v Speaker 1>a piano there. What happens? It's it's just it's forget

0:18:54.080 --> 0:18:57.080
<v Speaker 1>about the Christmas party. What about the shopping mall for

0:18:57.240 --> 0:19:03.840
<v Speaker 1>the elevator? Oh the roll home? When wait, when you

0:19:03.880 --> 0:19:07.159
<v Speaker 1>hear your music, well, yeah, that's a scary place. You

0:19:07.160 --> 0:19:10.959
<v Speaker 1>don't want to hear the elevator, that's for sure. But definitely,

0:19:10.960 --> 0:19:12.680
<v Speaker 1>I mean everybody, I just went and bought stuff for

0:19:12.760 --> 0:19:15.000
<v Speaker 1>my wife for Christmas, you know, of course, the last

0:19:15.000 --> 0:19:18.280
<v Speaker 1>minute shop or just panicking, you know what do I get?

0:19:18.680 --> 0:19:20.639
<v Speaker 1>And of course you don't. People see me and say, like,

0:19:20.680 --> 0:19:26.440
<v Speaker 1>can you sing that one? Like jingle bell with my personality?

0:19:26.440 --> 0:19:28.280
<v Speaker 1>Though you know I'm in the middle of that bathroom

0:19:28.280 --> 0:19:34.520
<v Speaker 1>beyond going jingle bells, jingle jingle all the way. Kevin

0:19:34.600 --> 0:19:37.639
<v Speaker 1>Bacon said that he hates going to a reception, a

0:19:37.680 --> 0:19:40.359
<v Speaker 1>wedding reception, because everybody thinks he's gonna dance like he

0:19:40.440 --> 0:19:44.960
<v Speaker 1>did in Footloose, Like come on, hey, come on, Kevin,

0:19:45.040 --> 0:19:47.720
<v Speaker 1>dance like you did in foot Loose there. Yeah. If

0:19:47.720 --> 0:19:50.160
<v Speaker 1>I could dance like Kevin, I probably would. I probably

0:19:50.200 --> 0:19:52.280
<v Speaker 1>would be dancing. Yeah. But if he could sing like you,

0:19:52.359 --> 0:19:57.760
<v Speaker 1>then he would be singing. Yeah probably. Yeah. Where's the

0:19:57.840 --> 0:20:01.360
<v Speaker 1>strangest place though? You've been asked, like, you know, to

0:20:01.400 --> 0:20:05.000
<v Speaker 1>sing a song? You know? Weirdly? I think it was

0:20:05.040 --> 0:20:08.879
<v Speaker 1>my Grammar's funeral and I was really emotional. I was devastating,

0:20:08.960 --> 0:20:11.000
<v Speaker 1>you know. I was just a big day for all

0:20:11.040 --> 0:20:14.400
<v Speaker 1>of us. And this sweet woman that we had hired

0:20:14.400 --> 0:20:17.159
<v Speaker 1>in catering, this nice Italian lady, came up to me

0:20:17.160 --> 0:20:20.840
<v Speaker 1>as I exited the bathroom, you know, and she said,

0:20:20.880 --> 0:20:24.760
<v Speaker 1>you sing a song? Yeah, you're doing it? Sing home

0:20:25.800 --> 0:20:28.720
<v Speaker 1>And you know, again, in my personality, I'd say, like,

0:20:28.920 --> 0:20:34.320
<v Speaker 1>I don't know what this is. What is the What

0:20:34.520 --> 0:20:38.320
<v Speaker 1>is the one song that somebody else sings that you

0:20:38.400 --> 0:20:43.000
<v Speaker 1>wish was yours? Oh God, it's a great question, man.

0:20:43.119 --> 0:20:46.600
<v Speaker 1>There's so many, I think, I mean, I think God

0:20:46.640 --> 0:20:51.800
<v Speaker 1>only knows. Uh. The is one of the I mean,

0:20:51.840 --> 0:20:53.919
<v Speaker 1>it's one of those beautiful songs ever written. So the

0:20:53.920 --> 0:20:55.920
<v Speaker 1>beach Boy, I wish it was mine. I wish half

0:20:55.920 --> 0:20:57.840
<v Speaker 1>the edge here and songs that he wrote were mine

0:20:59.359 --> 0:21:02.000
<v Speaker 1>sometimes like anasize about just you know, going back in

0:21:02.040 --> 0:21:05.159
<v Speaker 1>time and just stealing them. You know, But do you

0:21:05.480 --> 0:21:09.000
<v Speaker 1>do you do covers? You have? I mean you're a

0:21:09.080 --> 0:21:11.359
<v Speaker 1>very humble guy, like you know, a lot of artists

0:21:11.400 --> 0:21:14.439
<v Speaker 1>don't want to do covers of somebody else, but you

0:21:14.440 --> 0:21:16.280
<v Speaker 1>have no problem with no. I do you know, it's weird.

0:21:16.320 --> 0:21:18.560
<v Speaker 1>I live in a very weird you know what, And

0:21:18.640 --> 0:21:20.919
<v Speaker 1>it's weird. I lived in a very strange place as

0:21:20.920 --> 0:21:25.960
<v Speaker 1>an artist because I I am. I cover songs. I

0:21:25.960 --> 0:21:28.440
<v Speaker 1>mean I do what say Sinatra did or Presley, you know.

0:21:28.520 --> 0:21:31.480
<v Speaker 1>I take these songs and I reinterpret them the Great

0:21:31.480 --> 0:21:35.800
<v Speaker 1>American Songbook. But my biggest successes have been songs that

0:21:35.840 --> 0:21:38.960
<v Speaker 1>I've written. I've been the pop songs, which is very

0:21:39.000 --> 0:21:40.879
<v Speaker 1>weird for people to try to put me in a

0:21:40.960 --> 0:21:44.200
<v Speaker 1>box because what am I? Because those guys Dean or

0:21:44.480 --> 0:21:48.239
<v Speaker 1>there Frank or Tony Bennett, they didn't write songs, they

0:21:48.240 --> 0:21:50.080
<v Speaker 1>didn't have pop songs on the radio, So why do

0:21:50.119 --> 0:21:52.159
<v Speaker 1>you you know what I mean? It's very strange to

0:21:52.200 --> 0:21:54.960
<v Speaker 1>have to explain, especially if people don't know, they don't

0:21:55.040 --> 0:21:57.280
<v Speaker 1>understand the same guy who wrote haven't met you yet?

0:21:57.400 --> 0:22:00.840
<v Speaker 1>Or everything, or home is the same guy who's doing

0:22:00.880 --> 0:22:07.040
<v Speaker 1>feeling good? Or come Fly with Me? Who's tougher to cover? Though,

0:22:07.200 --> 0:22:09.600
<v Speaker 1>if you look at those guys that you met, like

0:22:09.880 --> 0:22:14.240
<v Speaker 1>is Sinatra tough to cover? It's never the artist. It's

0:22:14.240 --> 0:22:16.200
<v Speaker 1>more about the song and the history of the song

0:22:16.280 --> 0:22:19.400
<v Speaker 1>and who's had a part in the history of the song.

0:22:19.480 --> 0:22:21.400
<v Speaker 1>You know. That's it's funny. I find it. I don't

0:22:21.440 --> 0:22:23.960
<v Speaker 1>find it easy to write songs. It's challenging to write

0:22:23.960 --> 0:22:26.600
<v Speaker 1>a good so obviously everybody could do it if they could.

0:22:26.920 --> 0:22:29.359
<v Speaker 1>But when I write a song, it's original and no

0:22:29.359 --> 0:22:32.880
<v Speaker 1>one can compare it to anything. When I cover Come

0:22:32.920 --> 0:22:36.040
<v Speaker 1>Fly with Me, you're now dealing with the song that's

0:22:36.040 --> 0:22:40.159
<v Speaker 1>been tackled by Ella Fitzgerald, Frank Sinatra, you know, chronic,

0:22:40.280 --> 0:22:43.679
<v Speaker 1>there's there's all these, all of these so it's you know,

0:22:43.720 --> 0:22:46.560
<v Speaker 1>it's weird. I think that's what I'm best at. I think,

0:22:46.960 --> 0:22:51.720
<v Speaker 1>if anything, forget about singing or that part of reinterpreting

0:22:51.720 --> 0:22:55.880
<v Speaker 1>it as a as a vocalist. I think what I'm

0:22:55.920 --> 0:23:01.840
<v Speaker 1>best at is conceptualizing and coming up with ideas to

0:23:02.000 --> 0:23:05.120
<v Speaker 1>make a song fresh and sort of almost very cinematic

0:23:05.520 --> 0:23:08.360
<v Speaker 1>ideas within the arrangement like say something like Primer River.

0:23:08.359 --> 0:23:10.000
<v Speaker 1>I don't have if you've ever heard my version of

0:23:10.000 --> 0:23:13.960
<v Speaker 1>Pymie River, but Primer River is a great song. But

0:23:14.080 --> 0:23:15.840
<v Speaker 1>it took I was, you know, I think I was

0:23:15.880 --> 0:23:18.120
<v Speaker 1>in a having a bath or something, and I had

0:23:18.119 --> 0:23:22.040
<v Speaker 1>come up with this line um bum bumpum fum bum

0:23:22.160 --> 0:23:28.040
<v Speaker 1>sum sumumuumuumuumum fumumum um um singing and this big dramatic

0:23:28.480 --> 0:23:31.080
<v Speaker 1>build and when I took it to the producer, I

0:23:31.119 --> 0:23:33.000
<v Speaker 1>sang it to him. He right away he understood the

0:23:33.000 --> 0:23:35.359
<v Speaker 1>constant and like I said, it was very cinematic. It

0:23:35.400 --> 0:23:38.399
<v Speaker 1>was almost like a James Bond esque build and you

0:23:38.400 --> 0:23:40.240
<v Speaker 1>could feel the drum and I knew for my show

0:23:40.320 --> 0:23:42.159
<v Speaker 1>would be a great way to open the show. And

0:23:43.000 --> 0:23:46.239
<v Speaker 1>so that is the challenge, is taking something that's been

0:23:46.280 --> 0:23:48.520
<v Speaker 1>done so many times and making it sound brand new.

0:23:48.800 --> 0:23:51.280
<v Speaker 1>And you know you've done it when you take a

0:23:51.280 --> 0:23:53.719
<v Speaker 1>song and it's a standard that's been there for sixty

0:23:53.760 --> 0:23:57.560
<v Speaker 1>years or eighty years and people say, I love you know,

0:23:58.119 --> 0:23:59.959
<v Speaker 1>I love that you wrote this song or whatever they

0:24:00.080 --> 0:24:01.639
<v Speaker 1>that you know, they'll tell me they'll say like I

0:24:01.680 --> 0:24:04.600
<v Speaker 1>loved so I think like feeling good. You know, they'll

0:24:04.600 --> 0:24:06.600
<v Speaker 1>say like, wow, I love the way you know you

0:24:06.640 --> 0:24:09.040
<v Speaker 1>wrote feeling good. It's amazing, and of course I'll say

0:24:09.040 --> 0:24:13.520
<v Speaker 1>thank you, but as opposed to I didn't write that.

0:24:14.280 --> 0:24:19.320
<v Speaker 1>Do you have to ask for permission to cover of song? No,

0:24:19.560 --> 0:24:21.680
<v Speaker 1>you don't. You don't have to ask. And what's weird

0:24:21.760 --> 0:24:24.280
<v Speaker 1>or is like so it's happened to me? So years

0:24:24.280 --> 0:24:26.960
<v Speaker 1>ago I wrote a song called Home and it was

0:24:27.000 --> 0:24:29.240
<v Speaker 1>good for me. It went number one on this format

0:24:29.240 --> 0:24:32.400
<v Speaker 1>of radio and eighty or whatever. And then Blake Shelton,

0:24:32.560 --> 0:24:36.000
<v Speaker 1>the country singer, he covered it and he had a

0:24:36.080 --> 0:24:37.920
<v Speaker 1>number one that was bigger than my number one, and

0:24:38.320 --> 0:24:41.520
<v Speaker 1>he had his number one was in country radio. Across

0:24:41.600 --> 0:24:44.840
<v Speaker 1>the pond, a band called Westlife had a number one

0:24:45.119 --> 0:24:47.960
<v Speaker 1>with it. They called the record Home, And so people

0:24:48.040 --> 0:24:50.280
<v Speaker 1>kept coming up to me and saying, I love that

0:24:50.320 --> 0:24:54.560
<v Speaker 1>cover oftt Home or I love that place, and the

0:24:54.600 --> 0:24:57.440
<v Speaker 1>same thing was happening. I was like, no, I wrote that,

0:24:57.440 --> 0:25:00.240
<v Speaker 1>that's mine. But what do you get paid off for that?

0:25:01.080 --> 0:25:08.399
<v Speaker 1>A ton? Oh? Good? Good? Keep listening to Blake Shelton

0:25:08.440 --> 0:25:11.840
<v Speaker 1>told them what are those checks like though? When they

0:25:11.880 --> 0:25:15.800
<v Speaker 1>come in that is there a reference to where the

0:25:15.840 --> 0:25:19.720
<v Speaker 1>money's coming from? Yes, there definitely is there, it's all

0:25:19.720 --> 0:25:22.240
<v Speaker 1>broken out. It's weird now because of the way that

0:25:22.400 --> 0:25:26.159
<v Speaker 1>streaming is. I mean, isn't your Is your world changed

0:25:26.160 --> 0:25:31.520
<v Speaker 1>with streaming? How much is your world change? Communerated podcast

0:25:32.400 --> 0:25:36.960
<v Speaker 1>the digital Like, we had eleven point nine million downloads

0:25:37.160 --> 0:25:41.880
<v Speaker 1>last month. Wow, that's a lot. That's a lot. Yeah,

0:25:41.920 --> 0:25:43.440
<v Speaker 1>And do you know and do you know what you're

0:25:43.720 --> 0:25:46.080
<v Speaker 1>you're cut of that? This is a terrible conversation to have.

0:25:46.280 --> 0:25:48.560
<v Speaker 1>But do you know what the cut is? Like? I

0:25:48.600 --> 0:25:51.560
<v Speaker 1>have no idea. I think I know my manager deal.

0:25:51.960 --> 0:25:54.600
<v Speaker 1>He's a great guys. Name is Bruce aund I know,

0:25:54.680 --> 0:25:57.240
<v Speaker 1>he's very any generous I get, I get twenty percent,

0:25:57.280 --> 0:26:01.240
<v Speaker 1>he gets eighty percent. Uh, I think that's a good deal.

0:26:01.680 --> 0:26:04.040
<v Speaker 1>I've been told. He told me it's a very good deal.

0:26:07.000 --> 0:26:08.720
<v Speaker 1>You know what you then you know what you like?

0:26:08.840 --> 0:26:10.760
<v Speaker 1>Do you know what you get out of it? It's

0:26:10.920 --> 0:26:14.400
<v Speaker 1>so the pie is cut up in so many slices

0:26:15.160 --> 0:26:18.399
<v Speaker 1>that that you you know where things go and what

0:26:18.520 --> 0:26:23.080
<v Speaker 1>they go for. And I bought my own man cave

0:26:23.280 --> 0:26:26.439
<v Speaker 1>and then I have to rent out the equipment, so

0:26:26.920 --> 0:26:30.679
<v Speaker 1>you know, I'm I'm I'm still paying people for things

0:26:30.760 --> 0:26:33.800
<v Speaker 1>that they're not involved with the show. Anymore, if that

0:26:33.840 --> 0:26:38.000
<v Speaker 1>makes sense. Okay, well, I hope and I know mcloven's leaving.

0:26:38.040 --> 0:26:40.320
<v Speaker 1>I hope you get to still pay him, um even

0:26:40.320 --> 0:26:43.679
<v Speaker 1>when he's gone. Can you I know this is you know,

0:26:44.040 --> 0:26:46.960
<v Speaker 1>I'm asking you to do something for me. You know,

0:26:47.040 --> 0:26:50.360
<v Speaker 1>you're in the elevator, you're at a funeral. You got

0:26:50.400 --> 0:26:53.840
<v Speaker 1>something to sing to mclovin that like, you know, this

0:26:53.920 --> 0:26:58.119
<v Speaker 1>is the we got twenty more minutes. You got you

0:26:58.200 --> 0:27:00.479
<v Speaker 1>got something that we can just kind of give him

0:27:00.520 --> 0:27:03.040
<v Speaker 1>because we didn't get him anything good today. I mean,

0:27:03.080 --> 0:27:06.800
<v Speaker 1>we're not that sorry he's going, but we'd like, we'd

0:27:06.800 --> 0:27:10.359
<v Speaker 1>like to convey that if we could. You got something

0:27:10.560 --> 0:27:14.520
<v Speaker 1>lightly emotional that you could sing to mclovin. Okay, let

0:27:14.560 --> 0:27:16.679
<v Speaker 1>me just try, like, okay, hold on, let me get

0:27:16.880 --> 0:27:19.600
<v Speaker 1>what about this Nile? Okay, wait, hold on, Michael, Now

0:27:19.640 --> 0:27:22.919
<v Speaker 1>I gotta give the official introduction here the tenth anniversary

0:27:22.960 --> 0:27:25.280
<v Speaker 1>Deluxe Edition. And Michael's not telling me to say this.

0:27:25.400 --> 0:27:29.119
<v Speaker 1>I'm doing this. His classic album Christmas available now, a

0:27:29.160 --> 0:27:32.639
<v Speaker 1>new studio album coming out next spring by Invitation. He

0:27:32.760 --> 0:27:37.480
<v Speaker 1>also has a fragrance for women on set. What I

0:27:37.560 --> 0:27:40.719
<v Speaker 1>don't know anymore, it's not even me good the manager.

0:27:42.040 --> 0:27:44.399
<v Speaker 1>It smells like the manager. Do you get twenty percent

0:27:44.440 --> 0:27:48.959
<v Speaker 1>of that as well? Wait, yes, of course I do. Okay,

0:27:49.040 --> 0:27:56.119
<v Speaker 1>here we go. Michael Bublet sings to mclovin. Mc lovin,

0:27:56.320 --> 0:28:04.399
<v Speaker 1>fa fa the memory. You weren't good, but you were okay.

0:28:04.600 --> 0:28:10.200
<v Speaker 1>We thought you were fine. Maybe you were adequate. I

0:28:10.240 --> 0:28:17.120
<v Speaker 1>think it is time to say thanks far the memories,

0:28:18.320 --> 0:28:22.440
<v Speaker 1>Thank you. I was trying to think of what rhymes

0:28:22.440 --> 0:28:27.919
<v Speaker 1>are adequate. By the way, I didn't prep Michael to

0:28:28.000 --> 0:28:31.680
<v Speaker 1>do that. He but but he does know your limitations. Mclovin,

0:28:31.960 --> 0:28:34.399
<v Speaker 1>Was that like Bette Midler singing to Johnny Carson? Was

0:28:34.440 --> 0:28:37.120
<v Speaker 1>that the same thing? Kind? I kind of was that accepted.

0:28:37.160 --> 0:28:39.120
<v Speaker 1>I don't think Bett was as hungover as I am

0:28:39.160 --> 0:28:45.840
<v Speaker 1>right now. Have you ever played a show drunk? Never?

0:28:46.160 --> 0:28:49.480
<v Speaker 1>That's weird. People think often there's a big thing when

0:28:49.520 --> 0:28:51.920
<v Speaker 1>I started because I was, I was so I was

0:28:52.000 --> 0:28:54.240
<v Speaker 1>so loose, you know, I was. Here's the thing I

0:28:54.240 --> 0:28:58.000
<v Speaker 1>did this. I started when I was sixteen and my

0:28:58.080 --> 0:29:01.320
<v Speaker 1>Grandpi's to sneaky into nightclubs, and he was a plumber,

0:29:01.600 --> 0:29:03.200
<v Speaker 1>and so the only way that we knew how to

0:29:03.240 --> 0:29:06.640
<v Speaker 1>get me out there was he would trade. So he'd

0:29:06.640 --> 0:29:08.360
<v Speaker 1>get musicians or a club guy, and he'd say to

0:29:08.400 --> 0:29:11.280
<v Speaker 1>the club guy, let my grandson into thing, and they'd say, no,

0:29:11.600 --> 0:29:14.040
<v Speaker 1>like your grant your kid, he's six, sixteen years old.

0:29:14.080 --> 0:29:16.400
<v Speaker 1>They were drinking ages nineteen. He'd trade Listen, I'll go

0:29:16.440 --> 0:29:18.520
<v Speaker 1>and I'll fix the toilet and I'll put in a

0:29:18.560 --> 0:29:20.520
<v Speaker 1>hall water heater in the kids, you're here, and he

0:29:20.560 --> 0:29:23.960
<v Speaker 1>would go in and trade contra and they'd let me

0:29:24.040 --> 0:29:26.120
<v Speaker 1>up on stage. So I did this from I was like,

0:29:26.200 --> 0:29:29.360
<v Speaker 1>it's been a long you're even weirder. I think this

0:29:29.520 --> 0:29:33.080
<v Speaker 1>is true. But I was sixteen in Vancouver, playing on

0:29:33.160 --> 0:29:35.000
<v Speaker 1>like U Street, on these little clubs and bars and

0:29:35.040 --> 0:29:37.520
<v Speaker 1>restaurants and stuff, and across the street was a kid

0:29:37.560 --> 0:29:40.280
<v Speaker 1>even younger than me that was doing stand up at

0:29:40.280 --> 0:29:43.080
<v Speaker 1>like fourteen and fifteen, and that was Seth Rogan, and

0:29:43.120 --> 0:29:45.280
<v Speaker 1>I used to hear about him. I used to hear

0:29:45.320 --> 0:29:47.040
<v Speaker 1>about like, oh, you know, there's this kid, there's this

0:29:47.160 --> 0:29:49.400
<v Speaker 1>young kid like you, and he's doing this. You know,

0:29:49.640 --> 0:29:52.240
<v Speaker 1>he's in the clubs, the adult clubs and stuff. Anyway,

0:29:52.320 --> 0:29:54.840
<v Speaker 1>So by the time I got to doing this at

0:29:54.880 --> 0:29:56.680
<v Speaker 1>twenty six and finally got signed, it had been ten

0:29:56.760 --> 0:29:59.240
<v Speaker 1>years of me working. So I was very loose up there,

0:29:59.400 --> 0:30:02.320
<v Speaker 1>very you know, confident, and it was very easy but

0:30:02.480 --> 0:30:05.040
<v Speaker 1>fun for me. But people say, oh, he's wasted, that

0:30:05.040 --> 0:30:08.160
<v Speaker 1>guy's wasted, But but I'm Steve Martin. Always gave you

0:30:08.240 --> 0:30:11.560
<v Speaker 1>the impression that he was wasted, but what he wasn't.

0:30:11.920 --> 0:30:14.360
<v Speaker 1>But I think that's the impression I gave. But the

0:30:14.360 --> 0:30:18.880
<v Speaker 1>truth is I'm such a control freak that I would

0:30:19.000 --> 0:30:21.840
<v Speaker 1>never ever do anything that could I would ever lose

0:30:22.120 --> 0:30:26.480
<v Speaker 1>that kind of control. I like, I think that it's funny.

0:30:26.520 --> 0:30:29.320
<v Speaker 1>I just did this Christmas special and Lauren Michaels was

0:30:29.400 --> 0:30:31.640
<v Speaker 1>the producer. We were talking about a lot of the

0:30:31.720 --> 0:30:34.200
<v Speaker 1>artists because I did the thing with Jimmy Found. We

0:30:34.200 --> 0:30:35.440
<v Speaker 1>were talking about it and you know a lot of

0:30:35.440 --> 0:30:38.680
<v Speaker 1>those guys, and we were actually talking about how loose

0:30:38.760 --> 0:30:42.640
<v Speaker 1>they all seem and how great they arn't improvisation, but

0:30:42.920 --> 0:30:45.960
<v Speaker 1>they're most of the ninety five percent of them are

0:30:46.040 --> 0:30:50.720
<v Speaker 1>so structured and they're so uh you know what I mean.

0:30:51.200 --> 0:30:54.800
<v Speaker 1>You're that it all seems like it's just off the

0:30:54.840 --> 0:30:57.800
<v Speaker 1>cuffee easy, But that's because that's that's what I was

0:30:57.840 --> 0:31:01.320
<v Speaker 1>going to swear, that they have prepared so well, like

0:31:01.400 --> 0:31:03.760
<v Speaker 1>Jimmy Found, it's funny, you know, sweet and funny and

0:31:04.040 --> 0:31:06.000
<v Speaker 1>you know real silly and goofy and stuff when you're

0:31:06.440 --> 0:31:08.600
<v Speaker 1>a man. Backstage, when we were working out this this

0:31:08.760 --> 0:31:12.120
<v Speaker 1>gag that we were doing, it wasn't it was real serious,

0:31:12.160 --> 0:31:15.920
<v Speaker 1>real structured. And so I've never been drunk, never been high,

0:31:16.440 --> 0:31:19.840
<v Speaker 1>um but that. But when we switched over to to

0:31:20.160 --> 0:31:26.560
<v Speaker 1>my normal life, I've never been sober. It's off stage

0:31:26.640 --> 0:31:30.680
<v Speaker 1>where the peb done. Well done. H your football your

0:31:30.720 --> 0:31:36.800
<v Speaker 1>fantasy football team in shambles? Yep, yeah yeah, Tom Brady

0:31:36.840 --> 0:31:40.400
<v Speaker 1>and Alma were my I'd look at like that. I actually,

0:31:40.480 --> 0:31:42.440
<v Speaker 1>this isn't a joke. I just put my head down.

0:31:42.600 --> 0:31:49.840
<v Speaker 1>He's shames. Um, you feel pretty good. Tom Brady and

0:31:50.080 --> 0:31:52.120
<v Speaker 1>I had Aaron Rodgers and Tom Brady and I put

0:31:52.200 --> 0:31:55.120
<v Speaker 1>him Tom and I really like Brady and obviously is

0:31:55.120 --> 0:31:58.320
<v Speaker 1>a great player. That just four points and Kamara just

0:31:58.600 --> 0:32:02.080
<v Speaker 1>was invisible. Are you a Seahawks fan? I am a

0:32:02.120 --> 0:32:07.120
<v Speaker 1>Seahawks fan. Oh? Sorry about that? Sorry about that? Michael?

0:32:07.280 --> 0:32:09.959
<v Speaker 1>Did you really getting it? Getting much worse? More more

0:32:10.040 --> 0:32:14.920
<v Speaker 1>drinking before I let you go? Yeah? I play judge

0:32:14.960 --> 0:32:18.000
<v Speaker 1>here and I want you to be honest. Okay, this

0:32:18.080 --> 0:32:24.760
<v Speaker 1>is American idol. I want you to can this person sing? Okay, okay,

0:32:24.840 --> 0:32:28.520
<v Speaker 1>here we go in the matter, we can build a

0:32:28.640 --> 0:32:33.960
<v Speaker 1>snow man. Will pretend that he is Parson Brown. He'll

0:32:34.000 --> 0:32:37.760
<v Speaker 1>say I am married. We'll say no, man, but you

0:32:37.800 --> 0:32:44.480
<v Speaker 1>can do the job when you're in town. Yeah, yeah,

0:32:44.560 --> 0:32:47.480
<v Speaker 1>actually yeah. Would you send him onto Hollywood? If you're

0:32:47.520 --> 0:32:50.640
<v Speaker 1>Simon Cow I would go. You know the first thing

0:32:50.680 --> 0:32:53.479
<v Speaker 1>I would do, I'd say, Hey, Randy Newman, Hey, we're

0:32:53.520 --> 0:32:55.320
<v Speaker 1>gonna do a new Disney track. You don't even have

0:32:55.360 --> 0:32:57.240
<v Speaker 1>to sing it. We have a guy who can sound

0:32:57.240 --> 0:33:00.600
<v Speaker 1>like you. Really, I think so he's kind of got

0:33:00.640 --> 0:33:03.920
<v Speaker 1>that thing. Who was that? That's Fritzie. That's really good.

0:33:03.960 --> 0:33:06.040
<v Speaker 1>That was really nice. You've got that kind of that

0:33:06.200 --> 0:33:09.840
<v Speaker 1>Randy Newman, that cool, that kind of character to his voice.

0:33:10.280 --> 0:33:13.560
<v Speaker 1>Do you know Randy Newman? Tod now I do? Wait,

0:33:13.600 --> 0:33:17.840
<v Speaker 1>we'll come on. He's done all these great soundtracks. Is

0:33:17.880 --> 0:33:19.480
<v Speaker 1>he any one that sound like short people and stuff

0:33:19.520 --> 0:33:26.840
<v Speaker 1>like that? Yeah? God, friends, yeah, god, yeah. Hey do

0:33:26.880 --> 0:33:31.440
<v Speaker 1>you want to hear Fritzie do? Rick Ashley? Here we go.

0:33:31.720 --> 0:33:35.960
<v Speaker 1>We're new strangers to love. You know the rules. I'm

0:33:36.120 --> 0:33:39.560
<v Speaker 1>so do h never gonna kif, never gonna kif never

0:33:39.600 --> 0:33:48.040
<v Speaker 1>gonna give jump and Michael, never gonna around and you're

0:33:48.080 --> 0:33:54.719
<v Speaker 1>never gonna say wow, I'm never gonna tell the lie

0:33:54.760 --> 0:33:58.920
<v Speaker 1>and dessert. You do you think that's good? Man? I

0:33:58.920 --> 0:34:00.560
<v Speaker 1>would love to get your shot. I would love to

0:34:00.560 --> 0:34:04.840
<v Speaker 1>get in a shower with me. You would sound so

0:34:05.040 --> 0:34:10.560
<v Speaker 1>good together. That can be arranged, Michael. It'll have to

0:34:10.600 --> 0:34:12.440
<v Speaker 1>be a big shower though, to get taught in there

0:34:12.480 --> 0:34:17.919
<v Speaker 1>with you. Yeah, all right, really, uh, great to talk

0:34:17.960 --> 0:34:21.520
<v Speaker 1>to you again. And likewise, man, and I'm so excited

0:34:21.560 --> 0:34:23.200
<v Speaker 1>to be here on this day, like the last day

0:34:23.239 --> 0:34:25.560
<v Speaker 1>of Christmas. It's like school, you know. Yeah, I remember

0:34:25.560 --> 0:34:27.200
<v Speaker 1>the last day of school when you're going out for

0:34:27.280 --> 0:34:29.640
<v Speaker 1>Christmas break and it was so exciting. Yeah. Now my

0:34:29.680 --> 0:34:32.160
<v Speaker 1>football is dead. I got my Vancouver Giant fucking team

0:34:32.160 --> 0:34:34.720
<v Speaker 1>that I'll be watching. Thank you. That's how I'm spending

0:34:34.719 --> 0:34:37.160
<v Speaker 1>a break. Thank you, Michael. Great to talk to you.

0:34:37.360 --> 0:34:40.000
<v Speaker 1>Marry Christmas, you and your family. Thank you, buddy. God

0:34:40.040 --> 0:34:43.120
<v Speaker 1>bless guys, take care of It's Michael Boublet, singer, songwriter,

0:34:43.280 --> 0:34:46.880
<v Speaker 1>record producer. I'men a cool guy. Dude is awesome. He plays,

0:34:47.000 --> 0:34:49.839
<v Speaker 1>he wants to entertain and it makes my job so

0:34:49.920 --> 0:34:52.479
<v Speaker 1>much easier when you have somebody who's willing to play

0:34:52.520 --> 0:34:56.520
<v Speaker 1>like that. All right, Todd, he got the official designation

0:34:56.960 --> 0:34:59.760
<v Speaker 1>congratulation and that was awesome, by the way, once again

0:35:00.080 --> 0:35:04.239
<v Speaker 1>making dreams come true? Or two right with Michael Buble there, Yes, yes,

0:35:04.680 --> 0:35:06.600
<v Speaker 1>Todd should just leave the building and get in this car,

0:35:06.640 --> 0:35:09.400
<v Speaker 1>because why didn't you go with mcloves You can make

0:35:09.440 --> 0:35:11.919
<v Speaker 1>a lot of people happy if you just say I'm

0:35:12.000 --> 0:35:16.040
<v Speaker 1>leaving my bad all right, this is it tomorrow, this

0:35:16.120 --> 0:35:20.000
<v Speaker 1>is it. We're cutting into mclovin's farewell tour. We'll come

0:35:20.000 --> 0:35:24.399
<v Speaker 1>back and last callfer phone calls, anything else that needs

0:35:24.400 --> 0:35:28.320
<v Speaker 1>to be mentioned. The big email, celebrity email, Oh, celebrity email.

0:35:28.400 --> 0:35:30.840
<v Speaker 1>All right, well, close up shop as we say goodbye

0:35:30.880 --> 0:35:33.759
<v Speaker 1>to mclovin right after this. Fox Sports Radio has the

0:35:33.840 --> 0:35:36.759
<v Speaker 1>best sports talk lineup in the nation. Catch all of

0:35:36.760 --> 0:35:40.440
<v Speaker 1>our shows at Foxsports Radio dot com and within the

0:35:40.440 --> 0:35:44.080
<v Speaker 1>iHeartRadio app search f SR to listen live. We got

0:35:44.080 --> 0:35:47.040
<v Speaker 1>a celebrity email. Somebody want to do give their thoughts

0:35:47.080 --> 0:35:51.120
<v Speaker 1>on mcloven leaving, what we learned about mclovin, and will

0:35:51.160 --> 0:35:53.920
<v Speaker 1>I cry Before the end of the show. Todd and

0:35:53.960 --> 0:35:56.040
<v Speaker 1>I have a bet the loser gets a pie to

0:35:56.080 --> 0:35:58.759
<v Speaker 1>the face. Yes, eton got admit. I thought our kade

0:35:58.760 --> 0:36:00.839
<v Speaker 1>fire was going to get you there. Boy, you just

0:36:01.239 --> 0:36:04.640
<v Speaker 1>breeze right by. You know what I keep saying, be

0:36:04.800 --> 0:36:08.160
<v Speaker 1>happy for mclovin. Don't be sad. You know we're gonna

0:36:08.160 --> 0:36:10.920
<v Speaker 1>lose him and we're not going to replace him. But

0:36:11.200 --> 0:36:14.239
<v Speaker 1>be be happy, be proud. And that's what I'm trying

0:36:14.239 --> 0:36:16.080
<v Speaker 1>to get through, because Todd's gonna take a pie to

0:36:16.120 --> 0:36:19.640
<v Speaker 1>the face. Yes, you are to so competitive. I know

0:36:19.760 --> 0:36:22.319
<v Speaker 1>how you've convinced yourself. You stopped yourself from crying. I know,

0:36:22.520 --> 0:36:26.560
<v Speaker 1>I know. Celebrity email is from who Paulie Dan? This

0:36:26.719 --> 0:36:29.760
<v Speaker 1>was into our inbox and I'm gonna read a verbatim mclovin,

0:36:29.880 --> 0:36:32.520
<v Speaker 1>congratulations on your new radio show. You will be missed,

0:36:32.920 --> 0:36:37.040
<v Speaker 1>a renhal And it's from a web an email and

0:36:37.080 --> 0:36:40.480
<v Speaker 1>it's OJ. And we're trying to confirm whether it actually

0:36:40.560 --> 0:36:44.280
<v Speaker 1>is OJ Simpson or not. And I've done some digging

0:36:44.400 --> 0:36:48.040
<v Speaker 1>and I cannot rule out that it is OJ Simpson email.

0:36:48.040 --> 0:36:50.600
<v Speaker 1>Hello Dan Patrick show. I love that mclovin. It's me,

0:36:50.840 --> 0:36:54.560
<v Speaker 1>your old friend OJ. I just wanted to say that

0:36:54.600 --> 0:36:57.600
<v Speaker 1>while I was in prison, I used to watch every

0:36:57.680 --> 0:37:02.160
<v Speaker 1>single day and I used to laugh big loving best

0:37:02.200 --> 0:37:05.120
<v Speaker 1>wishes to you on your new adventure. It's actually signed

0:37:05.120 --> 0:37:09.160
<v Speaker 1>A renhal So, not OJ no his actual name, but

0:37:09.200 --> 0:37:11.319
<v Speaker 1>we're checking. As of right now, I think it might

0:37:11.360 --> 0:37:14.080
<v Speaker 1>be legit. Do you have any knowledge if OJ watches

0:37:14.120 --> 0:37:16.719
<v Speaker 1>to show or not. I do not know. I do

0:37:16.800 --> 0:37:20.160
<v Speaker 1>not know. M You know, it was supposed to be

0:37:20.200 --> 0:37:22.520
<v Speaker 1>your show, mclovin, but Fritzie's the one who's the big

0:37:22.520 --> 0:37:25.240
<v Speaker 1>winner here. Got to do a duet with Michael Boubley.

0:37:25.680 --> 0:37:27.960
<v Speaker 1>That was awesome. Do you know that Michael Boublet at

0:37:28.000 --> 0:37:31.880
<v Speaker 1>his house has a full hockey rink. He was showing

0:37:32.200 --> 0:37:35.000
<v Speaker 1>the big German and Marvin during the commercial break. They're like,

0:37:35.040 --> 0:37:36.759
<v Speaker 1>what do you have behind you? And he goes, that's

0:37:36.800 --> 0:37:41.040
<v Speaker 1>a hockey rink. He's got one in his house. Let's

0:37:41.080 --> 0:37:45.000
<v Speaker 1>go around the room. What we learned about mclovin is

0:37:45.000 --> 0:37:48.880
<v Speaker 1>that what we're doing, Paul, Yeah, all right, I'll go first. Okay,

0:37:49.000 --> 0:37:53.120
<v Speaker 1>I've never met anyone who, uh is gets more upset

0:37:53.160 --> 0:37:56.280
<v Speaker 1>when they're hungry than Andrew mclovin. Pearl. That is true.

0:37:56.280 --> 0:37:58.799
<v Speaker 1>When he does not get food, all bets are off.

0:37:59.440 --> 0:38:02.360
<v Speaker 1>He's also a very good cook at making chili okay.

0:38:02.560 --> 0:38:05.279
<v Speaker 1>He is a natural on air and that's what the

0:38:05.320 --> 0:38:07.640
<v Speaker 1>great thing when he joined our staff. He needed no

0:38:07.760 --> 0:38:10.280
<v Speaker 1>introduction to being an on air guy. He was good

0:38:10.320 --> 0:38:12.840
<v Speaker 1>with sports and good with comedy and knows when to

0:38:12.880 --> 0:38:14.239
<v Speaker 1>get in and when to get out. He's been a

0:38:14.239 --> 0:38:19.360
<v Speaker 1>great friend, all the best. Thank Yeah, it's gonna make

0:38:19.440 --> 0:38:22.279
<v Speaker 1>the other two dad at job a lot harder. I

0:38:22.360 --> 0:38:26.799
<v Speaker 1>took out the greeting card, Seaton. Can you go to Todd, Todd,

0:38:26.840 --> 0:38:28.759
<v Speaker 1>what did you learn about Nick Lovin going with the

0:38:28.760 --> 0:38:30.799
<v Speaker 1>food one to play off of a Paulie. Do not

0:38:31.200 --> 0:38:33.720
<v Speaker 1>stare or look in the direction at all or ask

0:38:34.080 --> 0:38:36.640
<v Speaker 1>what Andrew is eating at any given moment when he's

0:38:36.640 --> 0:38:38.279
<v Speaker 1>taking out his peet of bread and his chicken sad

0:38:38.360 --> 0:38:41.120
<v Speaker 1>or his tuni down, he's focused and leave him alone.

0:38:41.280 --> 0:38:43.719
<v Speaker 1>But I do want to say once again, great guy,

0:38:43.880 --> 0:38:46.560
<v Speaker 1>always in great spirits, willing to do anything and everything

0:38:46.560 --> 0:38:49.359
<v Speaker 1>for the show. And it's gonna be very, very very

0:38:49.400 --> 0:38:52.080
<v Speaker 1>weird not having him sitting there come Monday, January third,

0:38:52.120 --> 0:38:53.640
<v Speaker 1>and he will be greatly missed, and he's gonna do

0:38:53.680 --> 0:38:58.960
<v Speaker 1>great and everything he doesn't let go. I ramble, I

0:38:59.080 --> 0:39:00.719
<v Speaker 1>do that, I know, but I love the guy, and

0:39:00.760 --> 0:39:02.279
<v Speaker 1>he's gonna do great things and I'm gonna miss him

0:39:02.280 --> 0:39:05.680
<v Speaker 1>a lot, thank you. See conn, You know, I'm sitting

0:39:05.719 --> 0:39:08.839
<v Speaker 1>here and I don't know that it feels real yet. No,

0:39:08.960 --> 0:39:11.080
<v Speaker 1>it doesn't. It feels like, Okay, we're just going to

0:39:11.160 --> 0:39:14.080
<v Speaker 1>Christmas break, so I think that, you know, January third

0:39:14.520 --> 0:39:17.799
<v Speaker 1>will be much more interesting. M Yeah, check in with

0:39:17.840 --> 0:39:21.080
<v Speaker 1>me on January third, because then I'll be like, oh, yeah,

0:39:21.200 --> 0:39:23.359
<v Speaker 1>mclovin's gone. What should I say nice about him? Yeah,

0:39:23.440 --> 0:39:25.960
<v Speaker 1>mclo I have the same feeling. I'm like, this doesn't

0:39:26.040 --> 0:39:28.120
<v Speaker 1>feel because you know, we do so many bits on

0:39:28.160 --> 0:39:30.200
<v Speaker 1>the show too. It kind of feels like like I'll

0:39:30.200 --> 0:39:33.279
<v Speaker 1>just see you later. Yeah. Yeah, you make content out

0:39:33.320 --> 0:39:37.120
<v Speaker 1>of everything, so sometimes it's hard to turn that mode off. Yes,

0:39:37.280 --> 0:39:39.200
<v Speaker 1>this could be a great bit if it was a bit,

0:39:39.280 --> 0:39:41.600
<v Speaker 1>and that we're acting like we're saying goodbye to mclovin,

0:39:41.680 --> 0:39:44.239
<v Speaker 1>but he's going to be here on January third. But

0:39:44.360 --> 0:39:46.880
<v Speaker 1>that's not the case. Yes see, I will say that

0:39:47.000 --> 0:39:49.840
<v Speaker 1>it's kind of nice that Andrew is leaving in a

0:39:49.920 --> 0:39:52.839
<v Speaker 1>way because then we could just be friends instead of

0:39:52.920 --> 0:39:55.319
<v Speaker 1>like co workers. You know, co workers gets a little

0:39:55.360 --> 0:39:58.640
<v Speaker 1>more tricky, whereas just being friends is like, all right, cool,

0:39:58.719 --> 0:40:00.799
<v Speaker 1>let's just go hang out or something, or let's talk

0:40:00.800 --> 0:40:03.440
<v Speaker 1>about you know, just bs on things. And I'm in

0:40:03.480 --> 0:40:05.880
<v Speaker 1>a weird way, I'm really looking forward to that part

0:40:05.920 --> 0:40:10.640
<v Speaker 1>of our relationship. Okay, happening. Okay. I have noticed that

0:40:10.680 --> 0:40:13.279
<v Speaker 1>you guys are friends with everybody used to work with,

0:40:13.600 --> 0:40:15.759
<v Speaker 1>like a lot of at tuberowl time, a lot of

0:40:15.800 --> 0:40:19.040
<v Speaker 1>former espn ors and stuff. Everybody, including you, Dan, are

0:40:19.040 --> 0:40:22.480
<v Speaker 1>really tight with a lot of people. Not all people. Well, no,

0:40:22.680 --> 0:40:26.080
<v Speaker 1>because if you work on this show, then you become

0:40:26.320 --> 0:40:29.000
<v Speaker 1>part of the show that made it successful. And I

0:40:29.120 --> 0:40:31.560
<v Speaker 1>never lose sight of that. Even guys who were cameraman

0:40:31.800 --> 0:40:34.839
<v Speaker 1>like we were still good friends with people who did

0:40:34.840 --> 0:40:37.920
<v Speaker 1>this from you know, the the early days. You know,

0:40:38.719 --> 0:40:41.760
<v Speaker 1>Nick and Casey, those guys that you know, but they

0:40:41.800 --> 0:40:44.239
<v Speaker 1>we had so much fun. You can't help but have

0:40:44.320 --> 0:40:47.960
<v Speaker 1>fun on this show with everything that goes on, Uh

0:40:48.360 --> 0:40:51.000
<v Speaker 1>this Dane sports history, Paulie, do you want to do something?

0:40:51.000 --> 0:40:54.799
<v Speaker 1>It's trivial, Babe, Ruth did something. Frank o' harris had

0:40:54.800 --> 0:40:59.440
<v Speaker 1>the immaculate reception in This Day nineteen seventy two. How

0:40:59.480 --> 0:41:03.239
<v Speaker 1>much is that NFT worth? I was wondering is that

0:41:03.320 --> 0:41:06.359
<v Speaker 1>the greatest catch? Even though they didn't win the Super Bowl.

0:41:06.400 --> 0:41:09.600
<v Speaker 1>I don't think that year. But Franco's catch, I don't know.

0:41:09.800 --> 0:41:12.920
<v Speaker 1>Nobody cares where you know, Let's say goodbye to me, Clevin.

0:41:13.200 --> 0:41:15.480
<v Speaker 1>I'm getting messages on social media for people that are like,

0:41:15.480 --> 0:41:20.480
<v Speaker 1>why am I crying? It's the end of an era,

0:41:20.760 --> 0:41:24.600
<v Speaker 1>end of a great run. Mclovin. I'll let you have

0:41:24.719 --> 0:41:27.239
<v Speaker 1>the podium for the final words. Here brought to you

0:41:27.320 --> 0:41:34.240
<v Speaker 1>by Mercedes spends the best or not? Oh on Earth?

0:41:34.560 --> 0:41:38.560
<v Speaker 1>I have twenty seconds to sum up the last twelve years.

0:41:38.600 --> 0:41:42.040
<v Speaker 1>Not even that well. It all started warning young man

0:41:42.120 --> 0:41:46.200
<v Speaker 1>in suburban Philadelphia stole Charles Barkley's hat and wore Barbra

0:41:46.280 --> 0:41:50.520
<v Speaker 1>Streisand's brawn his head. And now I'm on TV. Thank you, buddy.

0:41:51.080 --> 0:41:51.839
<v Speaker 1>We wish you well.