WEBVTT - Marilu Henner Chooses Joy

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from My Heart Radio. People have different definitions of

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<v Speaker 1>what makes a star. Is it raw talent, beauty or

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<v Speaker 1>is it simply an ex factor, a certain ineffable quality.

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<v Speaker 1>Whatever it is, Mary Lou Henner has it, and she

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<v Speaker 1>has it in spades. Singer, dancer, actor, and wellness expert,

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<v Speaker 1>Hanner is a multitalented performer who is also simply a

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<v Speaker 1>joy to be around. She's like a Christmas tree and

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<v Speaker 1>lights up every room she's in. She's starred in over

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<v Speaker 1>a dozen films, seven Broadway shows, and two smash hits sitcoms.

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<v Speaker 1>She played Ava Evans Newton on Evening Shade alongside Bert Reynolds,

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<v Speaker 1>and perhaps most notably, Elaine Nardo on Taxi, a role

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<v Speaker 1>that earned her five Golden Globe nominations. Mary Lou Hanna

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<v Speaker 1>has also a New York Times bestselling author and recently

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<v Speaker 1>staged a one woman autobiographical show. It covered everything from

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<v Speaker 1>growing up in a large family in Chicago to her

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<v Speaker 1>preternaturalnemonic skills. Henna is one of about sixty people in

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<v Speaker 1>the world who can recall nearly every detail of her

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<v Speaker 1>life down to the exact day and date. It's so

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<v Speaker 1>funny because you know, I worked with Trump twice on

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<v Speaker 1>Celebrity Apprentice, but he used to start the reboard room

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<v Speaker 1>like Mary Lou if I took you to Vegas? Could

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<v Speaker 1>you cheat for me? Could you count the cards? Could

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<v Speaker 1>you let's go to Vegas. People. I'm sure people assume

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<v Speaker 1>that this skill you have, but it's yeah, it's just there.

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<v Speaker 1>It's weird. What do you call it? I call it

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<v Speaker 1>a gift. People sometimes call it a condition. It's not.

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<v Speaker 1>And that's why they changed the name. They used to

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<v Speaker 1>call it hyper tynesia, but then they thought that that

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<v Speaker 1>was like too weird a name, which it really is.

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<v Speaker 1>But it's not that they don't call it that anymore.

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<v Speaker 1>It's h SAM Highly Superior autobiographical Memory h SAM. And

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<v Speaker 1>it's funny you should mention that and my show because

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<v Speaker 1>I do a song about it in my show that

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<v Speaker 1>my brother wrote the lyrics too. So I'm going to wait,

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<v Speaker 1>don't tell me, no, no, you know what it's called.

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<v Speaker 1>It's you know the Peggy Lee song because I'm a woman.

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<v Speaker 1>You know that song? Okay, So I thought, because I

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<v Speaker 1>have h SAM, so this is what we decided. I'll

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<v Speaker 1>just do the first one packing them in and bucks count.

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<v Speaker 1>It was yeah. I was like, because excuse me, mr.

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<v Speaker 1>It was a very successful number and a very successful run,

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<v Speaker 1>a lot of fun. They said it was the best

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<v Speaker 1>show they've done there in seven years. Well, let me

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<v Speaker 1>ask you this. You wrote a biography back in ninety four.

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<v Speaker 1>You've written ten books, I believe, including that book. But

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<v Speaker 1>when you do a one woman show, where do you start? Well,

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<v Speaker 1>you need an opening number that sort of grabs people

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<v Speaker 1>and sort of sets up the tone. And so I

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<v Speaker 1>I wanted everything to start of connect to something in

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<v Speaker 1>my life. And I was watching television and do you

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<v Speaker 1>know the Cold Border movie? Not Night and Day, the

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<v Speaker 1>other one that they that he did anyway, So all

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<v Speaker 1>of a sudden, I'm flicking through channels and there it is,

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<v Speaker 1>and it's Elvis Costello singing Let's Misbehave, And I thought, oh,

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<v Speaker 1>that's the closing credits to Johnny Dangerously. I'm going to

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<v Speaker 1>sing that song as my opener and then tell a

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<v Speaker 1>story about Johnny Dangerously, but then say everything is connected,

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<v Speaker 1>and then I go into the song about my memory

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<v Speaker 1>because I wanted to set that up right away, because

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<v Speaker 1>I throw dates around a lot and then I talked

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<v Speaker 1>about my childhood, which was so unusual, so you know,

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<v Speaker 1>and I do a little whole tribute to growing up

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<v Speaker 1>in a dancing school. Well, yeah, what's funny. When I

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<v Speaker 1>think of you, I think of many things. You know,

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<v Speaker 1>when you do the show Taxi. You're someone who is

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<v Speaker 1>part of that elite group of people that I know

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<v Speaker 1>who were on ahead TV show back when tens of

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<v Speaker 1>millions of people were watching TV. But such a remarkable

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<v Speaker 1>group of people, all of whom went on to have this,

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<v Speaker 1>you know, really heavy duty careers and everything in movies

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<v Speaker 1>and TV and theater and so forth. And how did

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<v Speaker 1>you get that job? Okay, this is a good story.

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<v Speaker 1>I believe that the key to your life is how

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<v Speaker 1>well you deal with Plan B, because so many Plan

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<v Speaker 1>B things you plan for Plan A and you think

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<v Speaker 1>this is how it's going to work out, and then

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<v Speaker 1>all of a sudden forget it. I've been flown out

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<v Speaker 1>to Los Angeles to do a screen test for a

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<v Speaker 1>movie called Blood Brothers. I auditioned for Robert Mulligan. The

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<v Speaker 1>guy was testing opposite. He didn't get the job, but

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<v Speaker 1>they kept me around because they had to find the guy.

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<v Speaker 1>And then they found him and it was Richard Gere,

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<v Speaker 1>whom I knew through the Grease family because when I

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<v Speaker 1>my first day in show business professionally, I was in

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<v Speaker 1>the First National Company of Greece and I walked into

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<v Speaker 1>that first rehearsal and it was Jeff Conaway playing Danny Zuko,

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<v Speaker 1>Jerry Zachs playing Knicki, Michael Lembeck playing Sonny, Judy Kay

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<v Speaker 1>playing Rizzo, Johnny Travolta playing Duty, and Richard gear rehearsing

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<v Speaker 1>for the London Company to play Danny Zuko. Anyway, so

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<v Speaker 1>Richard Knight crossed paths again because we ended up getting

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<v Speaker 1>Austin Blood Brothers. So I came up to Los Angeles

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<v Speaker 1>and then I ended up staying because I had a

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<v Speaker 1>contract with CBS at the time, and they offered me

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<v Speaker 1>money every month to stay away from the other networks

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<v Speaker 1>while they found something for me holding holding deal. I

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<v Speaker 1>had a holding deal for a few years. Now, all

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<v Speaker 1>of a sudden, they're starting to audition for Taxi and

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<v Speaker 1>Joel Thirm he really liked me. They wanted a thirty

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<v Speaker 1>five year old Italian New Yorker because they wanted her

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<v Speaker 1>to have like a sixteen, seventeen, eighteen year old daughter

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<v Speaker 1>and because unmarried woman and Goodbye Girl, those were all

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<v Speaker 1>out then, so they like the mother daughter dynamic. But

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<v Speaker 1>Joel said, I'm telling you this is the girl. I was.

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<v Speaker 1>He said, this is the girl because she can hold

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<v Speaker 1>her own with somebody like a Judd Hirsch. She was

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<v Speaker 1>one of the guys, but you'd believe her having art aspirations,

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<v Speaker 1>and I'm telling you, this is the girl. So he

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<v Speaker 1>kept bringing me back with all these older actresses. But

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<v Speaker 1>in the meantime, my mom was dying in the hospital

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<v Speaker 1>in Chicago, so I would literally fly back and forth

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<v Speaker 1>and back and forth and back and forth. So what

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<v Speaker 1>happened was they really liked me, and at that point,

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<v Speaker 1>paper Chase was picked up for a season because Taxi

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<v Speaker 1>didn't have to do a pilot, so paper Chase was

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<v Speaker 1>picked up for a season, and they said, okay, she

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<v Speaker 1>tested higher than even John Houseman, we have to give

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<v Speaker 1>her a contract. And my agent said, well, there's this

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<v Speaker 1>other show, Taxi that you know, so we have to see.

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<v Speaker 1>So my agents were able to play one against the other.

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<v Speaker 1>And I really wanted to do Taxi because the idea

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<v Speaker 1>of doing a sitcom was more appealing to me because

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<v Speaker 1>it's like a stage play, you know. So Taxi said, well,

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<v Speaker 1>she's too young. We see this teenage girl with her

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<v Speaker 1>daughter boa blah blah blah blah. And they said, look,

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<v Speaker 1>you're gonna lose her the paper Chase if you don't

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<v Speaker 1>do it. And so they said, okay, we'll do it.

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<v Speaker 1>She's a Laine. We'll give her two little kids. So

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<v Speaker 1>that's what they did. So how it was Houseman Paper

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<v Speaker 1>Chase And what was his name, Timothy something, Timothy Bottons. No,

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<v Speaker 1>he didn't do the TV show. Tim Bottoms did the movie. Yeah,

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<v Speaker 1>that was a good movie with Lindsey Wagner and everything.

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<v Speaker 1>John Houseman was a real character. At the rap party

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<v Speaker 1>for the pilot, he tried to French kissed me. I mean,

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<v Speaker 1>he was like one of those guys. Well you can

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<v Speaker 1>be canceled now I know. Oh my god, I've got

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<v Speaker 1>I mean I never had like I'm sure you have

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<v Speaker 1>a few stories who probably deserved to be canceled at

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<v Speaker 1>some point in your life. Actually, I was very protective

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<v Speaker 1>of myself. I've been the kind of girl that I

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<v Speaker 1>think most well whatever, I don't want to say. You know,

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<v Speaker 1>I had brothers, so I knew men are pigs, so

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<v Speaker 1>I was like, on the defense, I was paying attention

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<v Speaker 1>some of them. Are you know it's funny you say,

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<v Speaker 1>because in that casting holding deal, I went out to

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<v Speaker 1>l a I've told the story before, I think, but

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<v Speaker 1>I'm there and Chris Guest's mother, Jane Guest, who I worshiped,

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<v Speaker 1>Gene Guest, was in charge of casting Loveliest Woman in

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<v Speaker 1>show She was one of the loveliest women in show business.

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<v Speaker 1>And if she really believed in you, she like, hung

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<v Speaker 1>in there with you. And she brings me into a

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<v Speaker 1>meeting and they put me on a holding deal because

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<v Speaker 1>I did a pilot for them that fizzled, and they said,

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<v Speaker 1>we're gonna sign this holding deal because we really believe

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<v Speaker 1>in you. We're gonna just keep throwing it against the

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<v Speaker 1>wall until something sticks. And then he says, we want

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<v Speaker 1>you to be the next Bill Bixby. I was like, wow,

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<v Speaker 1>that sounds great. Did you ever honored the deal? Did

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<v Speaker 1>you ever have to or did you get something else?

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<v Speaker 1>And I went to do a pilot and then I

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<v Speaker 1>did a TV movie for them. I did a couple

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<v Speaker 1>of things for them. This is obviously a billion years ago.

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<v Speaker 1>In the eighties and the early eighties, the one with

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<v Speaker 1>Stephanie Zimbolist. You were so good in that that was NBC.

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<v Speaker 1>Remember that, My god. Yeah, I could tell you the

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<v Speaker 1>day we met and how we met. What it was

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<v Speaker 1>May May the twenty two of it was a Wednesday,

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<v Speaker 1>and this is how we met. I knew Tuck, your roommate.

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<v Speaker 1>So Tuck and I went to dinner one time and

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<v Speaker 1>in Venice and right where you guys used to live.

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<v Speaker 1>So I went over to your house. And now we

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<v Speaker 1>are both. I'm in New York doing the junket for Perfect,

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<v Speaker 1>and I'm on a bunch of shows and I'm on

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<v Speaker 1>Live at five with Sue Simmons, remember yeah, and you're

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<v Speaker 1>and so you and I were both in the room,

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<v Speaker 1>but I didn't see you because I didn't really know you.

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<v Speaker 1>And all of a sudden, you, I could feel you

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<v Speaker 1>over my show, this person over my left shoulder, and

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<v Speaker 1>then all of a sudden, Susiman says, and coming up

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<v Speaker 1>next Alec Baldwin and later Mary lou Hanna, and it

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<v Speaker 1>was like we looked at each other and I went,

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<v Speaker 1>oh my gosh. I was like, oh my gosh. And

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<v Speaker 1>you and I actually had lunch the day of the

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<v Speaker 1>big Perfect opening, and you were a hundred days Ober

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<v Speaker 1>that day and you showed me your coin. Yeah, I

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<v Speaker 1>have thirty six years now and fabrary, I'll have thirty

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<v Speaker 1>seven years and then unbelievable. It's incredible. And even last night,

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<v Speaker 1>I want to have a drake. Last night I thought,

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<v Speaker 1>let me just have a gigantic glass slurpea glass of

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<v Speaker 1>red wine. Tell me good, because I have horrible insomnia.

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<v Speaker 1>I've always had hard me with these kids. It's horrible.

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<v Speaker 1>You know. I wrote a book called I Refused to

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<v Speaker 1>Raise a Brat, and I wrote it with a brilliant

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<v Speaker 1>planalist because I had these two kids, and I listened.

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<v Speaker 1>Every time I listened to her, didn't the kids, it

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<v Speaker 1>was all good, and then when I didn't, it was like, okay,

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<v Speaker 1>it's gonna bite me on the us at some point.

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<v Speaker 1>But it's so funny because having so many. I grew

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<v Speaker 1>up with six. You grew up with six. We had

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<v Speaker 1>the opposite of you guys, because it was two boys

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<v Speaker 1>and four girl, which is different, and the third third

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<v Speaker 1>I was third. We came up with this concept, the

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<v Speaker 1>concept of hamper, you know, because our houses were like

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<v Speaker 1>a big hamper. So now to this day, you could

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<v Speaker 1>have a beautiful silk blouse. But it's got a stain,

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<v Speaker 1>so you put a pin over it. That that's hamper.

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<v Speaker 1>You know, your glasses are broken, so you put a

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<v Speaker 1>pin in it. That's hamper. You know, you do you

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<v Speaker 1>put a paper clip, paper clip, your uniform had staples

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<v Speaker 1>in it or tape or something. You know. It's like

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<v Speaker 1>I remember growing up, our phone court was always like

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<v Speaker 1>so you had to like hold it. If you read

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<v Speaker 1>If you read my memoir, it opens up with how

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<v Speaker 1>my mother's bedroom was filled with plastic pails filled with laundry.

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<v Speaker 1>It was laund her bedroom. Her bedroom was a hamper.

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<v Speaker 1>But she had an ironing board at the foot of

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<v Speaker 1>her bed and an iron and she had like these

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<v Speaker 1>plastic hampers, these collapsible plastic things that were just and

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<v Speaker 1>they were like falling off of each other. I said,

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<v Speaker 1>if you, if you came to my house and you

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<v Speaker 1>didn't know better, you thought this was in an illegal

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<v Speaker 1>laundry thing that was running out of their house. My

0:10:57.600 --> 0:10:59.559
<v Speaker 1>mother used to do her lime tree on Tuesdays. It

0:10:59.640 --> 0:11:02.040
<v Speaker 1>was seven teen loads, you know, and she always had

0:11:02.080 --> 0:11:04.080
<v Speaker 1>like seventeen loads from all of us. Because when you

0:11:04.080 --> 0:11:05.959
<v Speaker 1>think about it, a house full of kids like that

0:11:06.280 --> 0:11:08.600
<v Speaker 1>the beginning of the pandemic. I was home. My boys

0:11:08.640 --> 0:11:11.360
<v Speaker 1>were here, my brother, his two children, my husband, we

0:11:11.360 --> 0:11:13.680
<v Speaker 1>were here. I never did more cooking and cleaning and

0:11:13.800 --> 0:11:17.640
<v Speaker 1>laundry and scrubbing grout in my life because I'm very

0:11:17.679 --> 0:11:19.720
<v Speaker 1>you know, I like to be very organized. But we

0:11:19.800 --> 0:11:22.080
<v Speaker 1>had a rule that everybody. My wife hates it. She's

0:11:22.120 --> 0:11:25.120
<v Speaker 1>really angry with me that you're so meticulous that I'm

0:11:25.160 --> 0:11:28.280
<v Speaker 1>so crushed by an o c D at that level

0:11:28.320 --> 0:11:30.400
<v Speaker 1>with my kids, like I'm always cleaning my household, and

0:11:30.480 --> 0:11:32.160
<v Speaker 1>long with my wife was like, this is going to

0:11:32.280 --> 0:11:34.240
<v Speaker 1>kill you. Well, with kids, you gotta let it go.

0:11:34.320 --> 0:11:36.240
<v Speaker 1>I mean because I was always and I was tested

0:11:36.240 --> 0:11:37.480
<v Speaker 1>for o c D because that was part of the

0:11:37.520 --> 0:11:39.480
<v Speaker 1>whole memory thing. They take blood, they do all kinds

0:11:39.520 --> 0:11:41.000
<v Speaker 1>of tests for you. I don't have o c D.

0:11:41.080 --> 0:11:44.720
<v Speaker 1>I call mine o c O obsessive compulsive order because

0:11:44.760 --> 0:11:46.760
<v Speaker 1>one kid in the family had to have it with

0:11:46.840 --> 0:11:49.560
<v Speaker 1>six kids, and my bedroom was off the kitchen and

0:11:49.600 --> 0:11:52.160
<v Speaker 1>had no door, so people could be on the phone

0:11:52.280 --> 0:11:54.080
<v Speaker 1>or at the kitchen table and look in at a

0:11:54.080 --> 0:11:57.320
<v Speaker 1>little girl sleeping and I didn't care. I I was

0:11:57.400 --> 0:11:59.760
<v Speaker 1>My oldest sister shared it with me. Then my younger

0:12:00.000 --> 0:12:03.000
<v Speaker 1>sister than my brother. I mean, but always my room

0:12:03.080 --> 0:12:05.079
<v Speaker 1>had no door. So I think that's how I ended

0:12:05.120 --> 0:12:06.840
<v Speaker 1>up in show business. I think the same. I'll tell

0:12:06.880 --> 0:12:08.760
<v Speaker 1>my wife, I go, don't you want to let's go

0:12:08.800 --> 0:12:10.520
<v Speaker 1>to the opposite here. Don't you want to commend me

0:12:10.559 --> 0:12:12.480
<v Speaker 1>for how neat I am? But would you would you

0:12:12.559 --> 0:12:14.760
<v Speaker 1>rather have a husband who didn't want to clean? No? No,

0:12:15.000 --> 0:12:18.480
<v Speaker 1>you that you have two biological children, to biological children,

0:12:18.480 --> 0:12:21.280
<v Speaker 1>and they're how old now? They're twenty one is twenty seven,

0:12:21.280 --> 0:12:23.480
<v Speaker 1>the other one is five and a half and you

0:12:23.520 --> 0:12:25.559
<v Speaker 1>have them doing what phase of your career? What were

0:12:25.559 --> 0:12:27.400
<v Speaker 1>you working on at the time you decided to put

0:12:27.400 --> 0:12:29.560
<v Speaker 1>the brakes on and have kids? Oh well I had

0:12:29.600 --> 0:12:32.560
<v Speaker 1>I had finished um okay, so I finished evening Shade.

0:12:32.679 --> 0:12:34.360
<v Speaker 1>I do tell this in my club act because I

0:12:34.360 --> 0:12:36.920
<v Speaker 1>always say I couldn't talk about the eighties and nineties

0:12:36.920 --> 0:12:39.760
<v Speaker 1>without talking about Burt Reynolds, because I did five projects

0:12:39.800 --> 0:12:41.760
<v Speaker 1>with him and we never had a thing, which is

0:12:41.760 --> 0:12:44.520
<v Speaker 1>probably why we were able to work together so often.

0:12:44.679 --> 0:12:48.440
<v Speaker 1>But I always adored him and he one morning, you know, Rob,

0:12:48.600 --> 0:12:50.960
<v Speaker 1>my second husband, and I were frisky and then I

0:12:51.000 --> 0:12:54.920
<v Speaker 1>go to work and Burt is directing this episode where

0:12:54.920 --> 0:12:58.080
<v Speaker 1>he has me do a stunt where I am running, running, running,

0:12:58.320 --> 0:13:01.360
<v Speaker 1>leaping over like a fence on a in a like

0:13:01.679 --> 0:13:05.160
<v Speaker 1>football stadium stand and I land and then you know,

0:13:05.360 --> 0:13:07.120
<v Speaker 1>run up to the team and he says, do it again,

0:13:07.200 --> 0:13:09.480
<v Speaker 1>do it again, Do it again, do it again. So

0:13:09.559 --> 0:13:11.920
<v Speaker 1>that night I was sitting in a restaurant, and this

0:13:11.960 --> 0:13:14.520
<v Speaker 1>is after three and a half years, sitting in a restaurant,

0:13:14.520 --> 0:13:16.600
<v Speaker 1>and I looked at Rob and I went, the eagle

0:13:16.679 --> 0:13:19.480
<v Speaker 1>has landed. I just got pregnant. He said. What I said,

0:13:19.520 --> 0:13:22.520
<v Speaker 1>I'm telling you. Contact was made and sure enough I

0:13:22.600 --> 0:13:25.000
<v Speaker 1>was pregnant. So I always tell people Burt Reyll's got

0:13:25.000 --> 0:13:27.440
<v Speaker 1>me pregnant, even though he's not the father of my kids.

0:13:27.760 --> 0:13:31.480
<v Speaker 1>He's the spiritual frother Spa. And when you worked with him,

0:13:31.520 --> 0:13:34.040
<v Speaker 1>he you did Cannibal too with him. Well, I first

0:13:34.040 --> 0:13:36.000
<v Speaker 1>did the man who loved women, and we had such

0:13:36.000 --> 0:13:38.880
<v Speaker 1>a great chemistry the very first day. But he called

0:13:38.920 --> 0:13:41.880
<v Speaker 1>me the night that we we met, the very night,

0:13:41.920 --> 0:13:43.240
<v Speaker 1>and he said, I want you to come down to

0:13:43.800 --> 0:13:46.920
<v Speaker 1>the Dinner theater in Jupiter, Florida. I want you to

0:13:46.960 --> 0:13:49.440
<v Speaker 1>do their playing our song, he said, And I want

0:13:49.480 --> 0:13:52.120
<v Speaker 1>you to do Cannonball Run too, but I want a

0:13:52.200 --> 0:13:55.480
<v Speaker 1>rewrite of the script. Do you know anybody, any of

0:13:55.520 --> 0:13:58.240
<v Speaker 1>the guys from Taxi that might be willing to take

0:13:58.280 --> 0:14:00.880
<v Speaker 1>a crack at it? I was like, okay, So originally

0:14:00.920 --> 0:14:03.880
<v Speaker 1>the Countball I've never told this story before. The Countball

0:14:03.960 --> 0:14:08.240
<v Speaker 1>Run to script was about the Dom and Burt sort

0:14:08.280 --> 0:14:11.040
<v Speaker 1>of rescue this girl who's hiding out in a sanitarium

0:14:11.280 --> 0:14:13.560
<v Speaker 1>and she's an heiress, and then they rescue her, and

0:14:13.559 --> 0:14:15.880
<v Speaker 1>then she and Burt end up in a thing. And

0:14:15.920 --> 0:14:18.360
<v Speaker 1>so then I get Harvey Miller, who was a taxi

0:14:18.400 --> 0:14:20.840
<v Speaker 1>writer the job, and he turns it into two women,

0:14:21.360 --> 0:14:25.120
<v Speaker 1>and then Shirley McLean wanted to do it, so then

0:14:25.160 --> 0:14:27.280
<v Speaker 1>of course they put Shirley with Burt and I was

0:14:27.320 --> 0:14:29.760
<v Speaker 1>with Dom, which was fine, but it's kind of funny.

0:14:29.800 --> 0:14:31.960
<v Speaker 1>But I had like one of the best experience. That

0:14:32.000 --> 0:14:34.600
<v Speaker 1>movie was so stupid. But there were a couple of

0:14:34.680 --> 0:14:38.440
<v Speaker 1>days where we had like twenty three wagon trains in

0:14:38.480 --> 0:14:42.720
<v Speaker 1>the desert outside of Tucson, Arizona, because it was a

0:14:42.760 --> 0:14:45.680
<v Speaker 1>hundred and seventeen degrees. So we started hair and makeup

0:14:45.760 --> 0:14:47.480
<v Speaker 1>was at two o'clock in the morning so we could

0:14:47.480 --> 0:14:49.600
<v Speaker 1>be on the road before four, and we pulled the

0:14:49.600 --> 0:14:52.480
<v Speaker 1>plug at one. But then everybody hung out at the

0:14:52.480 --> 0:14:55.320
<v Speaker 1>pool at the Arizona Inn. So it was Sammy Davis Jr.

0:14:55.320 --> 0:14:57.520
<v Speaker 1>And Dean Martin, all these guys and even Frank for

0:14:57.520 --> 0:15:00.200
<v Speaker 1>a day. And to be with Shirley, who My had

0:15:00.280 --> 0:15:03.800
<v Speaker 1>always loved and always idle, to play her friend and

0:15:03.800 --> 0:15:05.800
<v Speaker 1>then to have her hanging out with the rat pack.

0:15:05.920 --> 0:15:07.160
<v Speaker 1>It was like, you know, I was this little girl

0:15:07.160 --> 0:15:09.880
<v Speaker 1>from Chicago who's watching these people at drive ins and stuff.

0:15:10.320 --> 0:15:12.640
<v Speaker 1>So it was like a lot of fun. Yeah, I

0:15:12.720 --> 0:15:15.760
<v Speaker 1>met him. For those people who don't know this, and

0:15:15.800 --> 0:15:17.520
<v Speaker 1>I wasn't on a big devotee of this, but I

0:15:17.560 --> 0:15:21.160
<v Speaker 1>went a few times. Is that Norby Walter's famous record executive,

0:15:21.840 --> 0:15:24.920
<v Speaker 1>Norby Walters had his card game and the legendary card

0:15:24.920 --> 0:15:27.840
<v Speaker 1>game at his apartment Wednesday nights and West Wednesday nights

0:15:27.840 --> 0:15:29.840
<v Speaker 1>in West Hollywood. You go up to the apartment of

0:15:29.920 --> 0:15:34.640
<v Speaker 1>his near Holloway, Yeah, Halloway in last Annaga, Lasiannaga, on

0:15:34.640 --> 0:15:36.360
<v Speaker 1>your way to Barney's Beanery and on your way to

0:15:36.400 --> 0:15:40.160
<v Speaker 1>the Sunset Marquis and you go to his house. And

0:15:40.200 --> 0:15:42.360
<v Speaker 1>I went there. I went a handful of times. You know,

0:15:42.840 --> 0:15:48.880
<v Speaker 1>velvita cheese and no alcohol. That was no alcohol, and

0:15:48.880 --> 0:15:50.600
<v Speaker 1>you bought a hundred dollars where the chips and when

0:15:50.600 --> 0:15:52.760
<v Speaker 1>you were finished, you were done. There was no serious gambling.

0:15:53.200 --> 0:15:55.160
<v Speaker 1>And you went there. And I remember sitting there one time,

0:15:55.200 --> 0:15:58.680
<v Speaker 1>and there was Harvey Korman and Tim Tim Conway Conway,

0:15:59.040 --> 0:16:01.120
<v Speaker 1>the two of them were there one time. Kathy Lee

0:16:01.120 --> 0:16:03.640
<v Speaker 1>Crosby would go every now and then Rod Steiger was

0:16:03.680 --> 0:16:05.480
<v Speaker 1>there with a couple of times. He was when you

0:16:05.520 --> 0:16:08.120
<v Speaker 1>were there, was there when I went. One time he

0:16:08.720 --> 0:16:11.360
<v Speaker 1>seemed like he was in the throes of his kind

0:16:11.400 --> 0:16:15.240
<v Speaker 1>of medicated agony. But but he but then to the

0:16:15.360 --> 0:16:19.240
<v Speaker 1>right of me one time was Don Adams. And Don

0:16:19.280 --> 0:16:23.040
<v Speaker 1>Adams is in a China white jumpsuit and everyone's waiting

0:16:23.080 --> 0:16:24.680
<v Speaker 1>for the moment to arrive when someone's going to just

0:16:24.680 --> 0:16:27.000
<v Speaker 1>do this and do the Don Adams thing. So somebody

0:16:27.000 --> 0:16:30.640
<v Speaker 1>will puts down two pairs, you know. So he puts

0:16:30.680 --> 0:16:32.600
<v Speaker 1>down two pairs, and I put down and I say

0:16:32.720 --> 0:16:37.440
<v Speaker 1>I have three kings. I do, and everybody laughs, and

0:16:37.480 --> 0:16:41.040
<v Speaker 1>he doesn't laugh. And then finally he smiles and nods

0:16:41.080 --> 0:16:43.280
<v Speaker 1>to be like, Okay, good for you. You you saw

0:16:43.320 --> 0:16:45.840
<v Speaker 1>the opportunity and you took it. But he was very

0:16:45.880 --> 0:16:50.120
<v Speaker 1>serious and very really super antiseptic and very He was

0:16:50.120 --> 0:16:52.280
<v Speaker 1>there to play cards. He didn't want to talk about

0:16:52.280 --> 0:16:54.720
<v Speaker 1>his career or chit chatty. Was there to play cards

0:16:54.920 --> 0:16:57.280
<v Speaker 1>with a bunch of schmocks. We weren't hard players, were

0:16:57.280 --> 0:17:02.800
<v Speaker 1>eating Velvida and Hersy's kisses and drinking on punch. It's

0:17:02.800 --> 0:17:05.160
<v Speaker 1>funny you're bringing up Norby Walters because you probably don't

0:17:05.160 --> 0:17:07.320
<v Speaker 1>remember this, but we were both supposed to be there

0:17:07.880 --> 0:17:12.520
<v Speaker 1>on It was. It was June the seventh of two

0:17:12.600 --> 0:17:15.320
<v Speaker 1>thousand one. Okay, it was a Wednesday at June the

0:17:15.359 --> 0:17:19.920
<v Speaker 1>six of two thousand one, seriously, and you called up

0:17:20.000 --> 0:17:21.800
<v Speaker 1>and said you weren't gonna make it. He put me

0:17:21.840 --> 0:17:24.080
<v Speaker 1>on the phone with you, and I said, you said,

0:17:24.080 --> 0:17:25.440
<v Speaker 1>how are you doing? Blah blah blah, And I said

0:17:25.440 --> 0:17:29.560
<v Speaker 1>something about I just I'm filing for divorce. And you said, oh,

0:17:29.600 --> 0:17:32.520
<v Speaker 1>can I talk to you about divorce? I said, you said,

0:17:32.680 --> 0:17:35.080
<v Speaker 1>let's meet tomorrow. So you and I went to Sushi

0:17:35.160 --> 0:17:38.280
<v Speaker 1>Roku on Third Avenue and you were telling me there

0:17:38.320 --> 0:17:41.080
<v Speaker 1>was all the pitfalls. This was two thousand one. It

0:17:41.160 --> 0:17:43.720
<v Speaker 1>was what happened was we got together because I was

0:17:43.760 --> 0:17:47.159
<v Speaker 1>avoiding the process servers because everybody said, oh, you have

0:17:47.240 --> 0:17:49.480
<v Speaker 1>to let the woman serve first, because otherwise it looks

0:17:49.480 --> 0:17:51.280
<v Speaker 1>like she cheated. Blah blah blah blah blah. And we

0:17:51.280 --> 0:17:53.160
<v Speaker 1>were having a friendly divorce, you know, we went away

0:17:53.200 --> 0:17:55.520
<v Speaker 1>that weekend and read about it ourselves in the paper.

0:17:55.840 --> 0:17:57.679
<v Speaker 1>Rob and I were still friends. You know, I do

0:17:57.760 --> 0:18:00.760
<v Speaker 1>things weird, but he were still like really good friends.

0:18:00.800 --> 0:18:03.399
<v Speaker 1>But anyway, we sat at the sushi roku for like

0:18:03.440 --> 0:18:06.280
<v Speaker 1>two and a half hours and you told me everything

0:18:06.359 --> 0:18:08.399
<v Speaker 1>that was going on in what I should watch out for.

0:18:08.760 --> 0:18:11.919
<v Speaker 1>I know you remind me your energy and my feelings

0:18:11.920 --> 0:18:14.440
<v Speaker 1>if you remind me of when I was around streisand

0:18:14.520 --> 0:18:16.719
<v Speaker 1>once and I said to her, you know, you and

0:18:16.720 --> 0:18:18.919
<v Speaker 1>I would be the greatest divorced couple. You know, we

0:18:18.960 --> 0:18:20.960
<v Speaker 1>would be married, we'd be in love, maybe we'd have

0:18:21.000 --> 0:18:23.639
<v Speaker 1>a kid. Of course, we get divorced. It just has

0:18:23.720 --> 0:18:25.640
<v Speaker 1>to be that way to show business. But I come

0:18:25.680 --> 0:18:30.400
<v Speaker 1>over every Sunday. We'd have Chinese food screen on exactly.

0:18:30.440 --> 0:18:31.800
<v Speaker 1>And I feel the same way about you. You and

0:18:31.840 --> 0:18:36.520
<v Speaker 1>I would have made great x. We think very similarly,

0:18:36.560 --> 0:18:39.400
<v Speaker 1>and that we have that big family kind of thing.

0:18:40.240 --> 0:18:43.240
<v Speaker 1>This is a trite word and This is a trite idea,

0:18:43.280 --> 0:18:45.680
<v Speaker 1>but not so trite now in the age of the

0:18:45.720 --> 0:18:49.119
<v Speaker 1>pandemic and beyond. And that is positivity, and you have

0:18:49.160 --> 0:18:55.080
<v Speaker 1>always been this, like staggeringly positive healthy. What's the secret? Well,

0:18:55.119 --> 0:18:57.119
<v Speaker 1>A couple of things come to mind. I had a

0:18:57.160 --> 0:19:00.000
<v Speaker 1>really great family. We're still super close. My parents both

0:19:00.040 --> 0:19:03.000
<v Speaker 1>died tragically, both of them very young, and I think

0:19:03.000 --> 0:19:05.400
<v Speaker 1>it bonded the family. I did a lot of therapy.

0:19:05.600 --> 0:19:08.439
<v Speaker 1>I got my whole family involved in therapy. My my

0:19:08.600 --> 0:19:11.800
<v Speaker 1>therapist would put six speaker boxes up in her office

0:19:11.800 --> 0:19:16.200
<v Speaker 1>in Princeton, New Jersey, and every other Sunday for ten years,

0:19:16.600 --> 0:19:19.000
<v Speaker 1>the siblings would do a group therapy. So we've worked

0:19:19.000 --> 0:19:21.520
<v Speaker 1>out a lot of our stuff. That's number one. But

0:19:21.600 --> 0:19:25.119
<v Speaker 1>I had an extraordinary childhood which was totally unusual, with

0:19:25.160 --> 0:19:27.639
<v Speaker 1>the dancing school in the backyard, beauty shop in the kitchen,

0:19:28.359 --> 0:19:32.040
<v Speaker 1>an uncle who taught art at the Catholic grammar school

0:19:32.080 --> 0:19:36.040
<v Speaker 1>and lived upstairs with his boyfriend Charles, and menagerie of animals,

0:19:36.160 --> 0:19:38.600
<v Speaker 1>and I just had such an unusual way of growing up.

0:19:38.640 --> 0:19:41.760
<v Speaker 1>And I always had this mission to make something of

0:19:41.800 --> 0:19:44.240
<v Speaker 1>myself and to share. I think it's a middle child

0:19:44.280 --> 0:19:45.840
<v Speaker 1>and me always wanted to, like, if I have a

0:19:45.840 --> 0:19:47.880
<v Speaker 1>good idea, I want to share it with everybody. I've

0:19:47.920 --> 0:19:51.120
<v Speaker 1>never been very proprietary over anything. I just always want

0:19:51.560 --> 0:19:54.320
<v Speaker 1>to share with people. I think it comes from being

0:19:54.440 --> 0:19:56.919
<v Speaker 1>the middle maybe, But I also think having my memory

0:19:56.920 --> 0:20:00.560
<v Speaker 1>has helped, because the memory makes you get over things

0:20:00.640 --> 0:20:03.880
<v Speaker 1>very quickly, because you start to see the waves. And

0:20:03.960 --> 0:20:07.640
<v Speaker 1>also being an actress, you know, every bad experience was like, Okay,

0:20:07.680 --> 0:20:09.879
<v Speaker 1>I'm going to take note of this. What can I

0:20:09.920 --> 0:20:12.120
<v Speaker 1>do better next time? How can I figure this out?

0:20:12.560 --> 0:20:14.439
<v Speaker 1>You know? I say to people all the time, they go,

0:20:14.480 --> 0:20:16.119
<v Speaker 1>how do you do it? And it's like this, I go,

0:20:16.440 --> 0:20:19.520
<v Speaker 1>think of flaps up and it's like you just close

0:20:19.600 --> 0:20:22.119
<v Speaker 1>your ears to it, flaps up. I say that to

0:20:22.160 --> 0:20:24.320
<v Speaker 1>my kids all the time. You know, smile not and

0:20:24.359 --> 0:20:26.520
<v Speaker 1>move on. So you were married three times, you were

0:20:26.520 --> 0:20:30.879
<v Speaker 1>married twice, and you're married again now final, final, And

0:20:30.880 --> 0:20:33.000
<v Speaker 1>so each of these men things that you're willing to say,

0:20:33.160 --> 0:20:35.600
<v Speaker 1>what do they represent for you? You seem to be

0:20:35.640 --> 0:20:39.960
<v Speaker 1>such a thoughtful, deliberate aware. You seem like somebody that

0:20:40.040 --> 0:20:43.760
<v Speaker 1>all the lights are on your your brain, your mind,

0:20:43.800 --> 0:20:45.560
<v Speaker 1>your soul is like a house you pull up to.

0:20:46.080 --> 0:20:49.320
<v Speaker 1>It's like some kind of a Richard Neutra all glass

0:20:49.359 --> 0:20:52.040
<v Speaker 1>structure and all the lights are on. You're always on,

0:20:52.119 --> 0:20:54.760
<v Speaker 1>you know what I mean? And alert and aware. So

0:20:54.800 --> 0:20:56.640
<v Speaker 1>when you're married one, and you're married too, and you're

0:20:56.640 --> 0:21:00.119
<v Speaker 1>married three, what were you marrying them four? Well? First all,

0:21:00.119 --> 0:21:03.479
<v Speaker 1>Freddie and I met at a screen test and I

0:21:03.480 --> 0:21:05.679
<v Speaker 1>didn't know that they had added a kiss. And I

0:21:05.760 --> 0:21:08.399
<v Speaker 1>was the six girl screen testing opposite him for a

0:21:08.400 --> 0:21:12.360
<v Speaker 1>film called Hammett and we just different. People who don't

0:21:12.359 --> 0:21:15.760
<v Speaker 1>know this is Forest. Yeah, sorry, Frederick Forrest the Academy

0:21:15.800 --> 0:21:20.280
<v Speaker 1>Award nominate. And so he was so different from anybody

0:21:20.320 --> 0:21:21.760
<v Speaker 1>I knew. He was a lot older than I was,

0:21:21.920 --> 0:21:24.960
<v Speaker 1>but he was so different from anybody I ever knew.

0:21:25.080 --> 0:21:27.639
<v Speaker 1>And I was so fascinated by him because his brain

0:21:27.720 --> 0:21:30.920
<v Speaker 1>was so different and he was just I've just never

0:21:30.960 --> 0:21:36.560
<v Speaker 1>seen anything like a totally instinctive, brilliant actor. Brilliant actor

0:21:37.000 --> 0:21:40.520
<v Speaker 1>and would transform himself every part that he's played. He

0:21:40.560 --> 0:21:43.560
<v Speaker 1>looks completely different. And he wanted to marry me a

0:21:43.560 --> 0:21:45.600
<v Speaker 1>few months after we started dating, and I said no,

0:21:46.160 --> 0:21:49.359
<v Speaker 1>let's live together. He said, no marriage or nothing. I said, okay,

0:21:49.359 --> 0:21:52.120
<v Speaker 1>well then nothing. And then I went to my tenth

0:21:52.240 --> 0:21:54.879
<v Speaker 1>year high school reunion in Chicago, and he went to

0:21:54.960 --> 0:21:57.040
<v Speaker 1>a wedding and he called me and we were both

0:21:57.040 --> 0:22:00.080
<v Speaker 1>feeling very sentimental, and we said, okay, let's get married.

0:22:00.200 --> 0:22:02.560
<v Speaker 1>I said okay, and then we ended up getting married

0:22:02.600 --> 0:22:04.879
<v Speaker 1>three weeks later in New Orleans and that was it.

0:22:05.160 --> 0:22:07.919
<v Speaker 1>And then coming home from the honeymoon because the actors

0:22:07.920 --> 0:22:09.920
<v Speaker 1>were on strike, I was going back to taxing, and

0:22:09.920 --> 0:22:11.760
<v Speaker 1>I thought, what have I just done. I'm married a

0:22:11.800 --> 0:22:14.399
<v Speaker 1>total stranger to me. You know, it was like crazy.

0:22:14.440 --> 0:22:17.600
<v Speaker 1>But he was so fascinating and so loving and so

0:22:18.560 --> 0:22:22.159
<v Speaker 1>full of demons that if you're not somebody who is

0:22:22.200 --> 0:22:25.600
<v Speaker 1>exposed to demons a lot, you think like, I'll fix it.

0:22:25.800 --> 0:22:31.199
<v Speaker 1>I'm going to take care of that. Yeah, everything you

0:22:31.240 --> 0:22:36.000
<v Speaker 1>do in your twenties. No. I have three theories of marriage.

0:22:36.080 --> 0:22:39.080
<v Speaker 1>The first one is marriage is like making waffles. You

0:22:39.200 --> 0:22:41.959
<v Speaker 1>throw the first one out, okay. The second one is

0:22:42.200 --> 0:22:45.520
<v Speaker 1>marriage is finding that special certain someone you just know

0:22:45.600 --> 0:22:48.080
<v Speaker 1>you'd love to aggravate the rest of your life, because

0:22:48.119 --> 0:22:50.720
<v Speaker 1>marriage is like, you know, all these little like diggy

0:22:50.800 --> 0:22:52.760
<v Speaker 1>kind of things. And I said, but no, the real

0:22:52.800 --> 0:22:56.400
<v Speaker 1>theory sting XUBERI wrote something and I added something to it,

0:22:56.760 --> 0:22:59.560
<v Speaker 1>and that is you'll have a happy marriage when you

0:22:59.640 --> 0:23:04.840
<v Speaker 1>real marriage isn't two people gazing longingly into each other's eyes,

0:23:05.359 --> 0:23:08.359
<v Speaker 1>but rather looking out over the mountain in the same

0:23:08.359 --> 0:23:12.560
<v Speaker 1>direction with their hands on each other's genitals. That's the

0:23:12.600 --> 0:23:17.960
<v Speaker 1>part I added. That's the part I added, because you've

0:23:18.000 --> 0:23:23.000
<v Speaker 1>got to no, that wasn't sayting zuberin now sorry that

0:23:23.200 --> 0:23:24.679
<v Speaker 1>So you got to have vision and meat. So my

0:23:24.720 --> 0:23:28.399
<v Speaker 1>first marriage was all heat, my second marriage was all vision,

0:23:28.600 --> 0:23:33.280
<v Speaker 1>and finally I have vision and heat in my third marriage.

0:23:35.800 --> 0:23:39.399
<v Speaker 1>Actress Mary Lou Henner. If you like hearing about the

0:23:39.480 --> 0:23:43.400
<v Speaker 1>lives of groundbreaking women in comedy, check out my interview

0:23:43.400 --> 0:23:46.960
<v Speaker 1>with Carol Burnett. Her hit variety show ran for more

0:23:47.000 --> 0:23:50.439
<v Speaker 1>than a decade in the late sixties and seventies, and

0:23:50.680 --> 0:23:54.280
<v Speaker 1>at the height of her success, she had to tread carefully.

0:23:55.240 --> 0:23:58.359
<v Speaker 1>In that era there the only one who really would

0:23:58.359 --> 0:24:02.080
<v Speaker 1>speak up was Lucy. It was very strong. But it's

0:24:02.119 --> 0:24:06.960
<v Speaker 1>not in my nature to take over confront or anything.

0:24:07.000 --> 0:24:09.800
<v Speaker 1>You know, like if if a sketch wasn't working or something.

0:24:10.320 --> 0:24:14.000
<v Speaker 1>Instead of like Glee coner Sid would say, let's look, guys,

0:24:14.040 --> 0:24:16.320
<v Speaker 1>the stinks. Now, come on, you gotta fix it. But

0:24:16.440 --> 0:24:19.160
<v Speaker 1>but you know, they would do that, I would say,

0:24:20.320 --> 0:24:22.760
<v Speaker 1>I'd call the writers down into the rehearsal hall and

0:24:22.800 --> 0:24:26.159
<v Speaker 1>I'd say, you know, guys, um, I'm not doing this

0:24:26.280 --> 0:24:28.000
<v Speaker 1>too well. Do you think maybe you could help me

0:24:28.040 --> 0:24:32.040
<v Speaker 1>out with a different line here or there, because you know,

0:24:32.200 --> 0:24:36.000
<v Speaker 1>otherwise I would have been a bit here more of

0:24:36.040 --> 0:24:40.200
<v Speaker 1>my conversation with Carol Burnett in our archives that Here's

0:24:40.240 --> 0:24:43.840
<v Speaker 1>the Thing dot org. After the Break, Mary lou Henner

0:24:43.920 --> 0:24:46.360
<v Speaker 1>talks about how a change she made in her approach

0:24:46.440 --> 0:25:00.879
<v Speaker 1>to auditioning completely opened up her career. I mean, I

0:25:01.000 --> 0:25:03.600
<v Speaker 1>like Baldwin and you were listening to Here's the Thing.

0:25:04.400 --> 0:25:08.160
<v Speaker 1>Mary lou Henner is passionate about encouraging people to take

0:25:08.280 --> 0:25:12.359
<v Speaker 1>charge of their happiness and well being. She's written several

0:25:12.400 --> 0:25:16.159
<v Speaker 1>best selling books on living a healthy lifestyle, often sharing

0:25:16.240 --> 0:25:20.280
<v Speaker 1>lessons that changed her own life. What happened was I

0:25:20.320 --> 0:25:23.359
<v Speaker 1>went with Jerry Katzman, who's the head of William Morris

0:25:23.400 --> 0:25:25.200
<v Speaker 1>at the time. He said, you have to write a book.

0:25:25.240 --> 0:25:28.440
<v Speaker 1>I'm hooking you up with Judith Reagan. So Judith and

0:25:28.520 --> 0:25:30.399
<v Speaker 1>I met at lunch and we like hung out together

0:25:30.440 --> 0:25:32.359
<v Speaker 1>all day and everything. I had a book deal, so

0:25:32.400 --> 0:25:35.280
<v Speaker 1>I started working on my autobiography. She is a character,

0:25:35.440 --> 0:25:37.639
<v Speaker 1>and when she started her own imprint, she said to me,

0:25:37.760 --> 0:25:40.040
<v Speaker 1>you have to write a health book because you're in

0:25:40.040 --> 0:25:41.960
<v Speaker 1>such good shape. You this, you changed so much since

0:25:41.960 --> 0:25:44.240
<v Speaker 1>blah blah blah. You. Every time I have anything wrong

0:25:44.280 --> 0:25:46.080
<v Speaker 1>with me and my kids, I call you, and you

0:25:46.080 --> 0:25:49.200
<v Speaker 1>always seem to know the answer. So I was doing

0:25:49.359 --> 0:25:52.880
<v Speaker 1>the show Chicago on Broadway and one of the guys said, oh,

0:25:52.920 --> 0:25:55.399
<v Speaker 1>why don't you give us like some lectures. I was like, okay,

0:25:55.400 --> 0:25:58.280
<v Speaker 1>So in between shows, I would do these seminars and

0:25:58.320 --> 0:26:01.280
<v Speaker 1>I'd have a little, you know, like recorder, and I'd be,

0:26:01.359 --> 0:26:03.520
<v Speaker 1>you know, talking to them, and then I'd be putting

0:26:03.520 --> 0:26:06.479
<v Speaker 1>on my eyelashes like the evils of dairy products, you know,

0:26:06.520 --> 0:26:09.160
<v Speaker 1>as I'm putting on my eyelashes to go do roxy.

0:26:09.200 --> 0:26:11.280
<v Speaker 1>And so then I worked with somebody who was like

0:26:11.400 --> 0:26:14.480
<v Speaker 1>a real crafts person in terms of like books, and

0:26:14.800 --> 0:26:16.800
<v Speaker 1>I was so rebbed up from all the fosse and

0:26:16.840 --> 0:26:19.160
<v Speaker 1>my boys were very little, so I could like give

0:26:19.240 --> 0:26:21.560
<v Speaker 1>him a bath, go to the theater, be revved up,

0:26:21.640 --> 0:26:23.879
<v Speaker 1>go to an office and work on the book. And

0:26:23.920 --> 0:26:26.200
<v Speaker 1>a few weeks after the show ended, the book came

0:26:26.200 --> 0:26:29.240
<v Speaker 1>out and it went on the New York Times bestseller list,

0:26:29.400 --> 0:26:32.040
<v Speaker 1>and I've sold over a million copies of that first

0:26:32.119 --> 0:26:34.800
<v Speaker 1>health book, but then got a contract to keep going

0:26:34.840 --> 0:26:38.600
<v Speaker 1>and going and going, so then I've done ton. What's

0:26:38.600 --> 0:26:42.040
<v Speaker 1>your biggest health concern? You know, growing up in my lifetime,

0:26:42.040 --> 0:26:45.400
<v Speaker 1>everybody was always saying, you know, don't smoke. And then

0:26:45.720 --> 0:26:48.080
<v Speaker 1>when I went through my drug phase, people said, You've

0:26:48.080 --> 0:26:50.280
<v Speaker 1>got to get sober and stop taking all these drugs

0:26:50.960 --> 0:26:55.520
<v Speaker 1>and drinking, which I had a very relatively brief but

0:26:55.720 --> 0:26:57.760
<v Speaker 1>white hot period of that for a couple of years

0:26:57.800 --> 0:27:00.119
<v Speaker 1>in the eighties when I was very young, and then

0:27:00.160 --> 0:27:03.080
<v Speaker 1>as I've gotten older. You know, the thing that shocks

0:27:03.160 --> 0:27:06.240
<v Speaker 1>me that is the utter poison in my life is sugar,

0:27:06.280 --> 0:27:09.080
<v Speaker 1>because I was pre diabetic and now I'm full diabetic

0:27:09.640 --> 0:27:13.920
<v Speaker 1>and I'm which has been so for me and for me. Yeah,

0:27:14.240 --> 0:27:16.840
<v Speaker 1>what's your health concerns? Now? Like, what do you say

0:27:16.880 --> 0:27:20.919
<v Speaker 1>to yourself? I never eat. I sometimes eat every now

0:27:20.960 --> 0:27:22.920
<v Speaker 1>and then I cheat and I allow myself to eat.

0:27:23.320 --> 0:27:25.480
<v Speaker 1>When you want to treat yourself to something that you

0:27:25.480 --> 0:27:27.200
<v Speaker 1>know isn't the best possible thing for you, is it

0:27:27.320 --> 0:27:30.960
<v Speaker 1>something sweet? Is a savory person, No, I would say

0:27:31.560 --> 0:27:34.000
<v Speaker 1>probably sushi, is like my own, my last not so

0:27:34.119 --> 0:27:38.440
<v Speaker 1>guilty pleasure. Yeah, but I haven't had dairy since Augustine.

0:27:38.600 --> 0:27:40.800
<v Speaker 1>It was a Wednesday. I gave up dairy and never

0:27:40.880 --> 0:27:43.399
<v Speaker 1>never had dairy since. And it changed my life. So

0:27:43.440 --> 0:27:45.760
<v Speaker 1>I'm always trying to get people off of what was

0:27:45.800 --> 0:27:49.560
<v Speaker 1>the impact sinuses and congestion you here about that's a lot,

0:27:49.600 --> 0:27:52.560
<v Speaker 1>but you know, sore throats and stomach aches all the time.

0:27:52.920 --> 0:27:54.639
<v Speaker 1>When I lived in New York, I'd lived near Z

0:27:54.840 --> 0:27:56.960
<v Speaker 1>Bars and I would go pick up cheese ends. You know,

0:27:57.000 --> 0:27:59.000
<v Speaker 1>it's a bars where they cut the cheese a certain

0:27:59.040 --> 0:28:01.560
<v Speaker 1>way and then up a little a little rind and stuff.

0:28:01.720 --> 0:28:04.720
<v Speaker 1>And I'd buy these little cheese bags, cheese ends bags

0:28:04.720 --> 0:28:06.879
<v Speaker 1>on my way to unemployment and wondered why am I

0:28:06.920 --> 0:28:09.679
<v Speaker 1>not working when I'm fat, constipated and half impulse, you know,

0:28:10.000 --> 0:28:13.000
<v Speaker 1>I mean, my whole stomach changed after I gave up dairy.

0:28:13.080 --> 0:28:14.560
<v Speaker 1>I used to be an ice cream addict. I was

0:28:14.600 --> 0:28:16.960
<v Speaker 1>like brand Oh they say the Brandon would sit with

0:28:17.000 --> 0:28:18.480
<v Speaker 1>like a half a gallon of ice cream and watch

0:28:18.560 --> 0:28:20.800
<v Speaker 1>TV and you have like a big jug of ice

0:28:20.800 --> 0:28:22.119
<v Speaker 1>cream and lay in his bed and just with a

0:28:22.160 --> 0:28:23.720
<v Speaker 1>spoon and eat like a half a gallon of ice

0:28:23.720 --> 0:28:27.359
<v Speaker 1>cream that wasn't that bad. But dairy is always the

0:28:27.359 --> 0:28:29.840
<v Speaker 1>first thing I talked to people about always. That's that's

0:28:29.840 --> 0:28:33.920
<v Speaker 1>been on my that's my soapbox speech. Immediately with people especially,

0:28:34.320 --> 0:28:36.240
<v Speaker 1>I can read people's faces and tell that they're like

0:28:36.280 --> 0:28:38.479
<v Speaker 1>allergic to it or something like that, or they've had trouble.

0:28:38.880 --> 0:28:41.000
<v Speaker 1>But the big killer right now, I think for everybody

0:28:41.040 --> 0:28:43.400
<v Speaker 1>is the whole stress management people. Really, you know, I

0:28:43.720 --> 0:28:46.720
<v Speaker 1>say three things. Learn to love the food that loves you,

0:28:46.920 --> 0:28:49.120
<v Speaker 1>and we know what doesn't love us. Learned to love

0:28:49.120 --> 0:28:51.280
<v Speaker 1>the food that loves you. It's very obviously what does

0:28:51.640 --> 0:28:53.920
<v Speaker 1>Dairy did not love me, Meat did not love me.

0:28:53.960 --> 0:28:56.920
<v Speaker 1>Sugar that does not love me, nor does it love you. Obviously,

0:28:57.920 --> 0:29:00.160
<v Speaker 1>So I say, learned to love the food that loves you.

0:29:00.320 --> 0:29:03.000
<v Speaker 1>I say motion is the lotion, because we've got to move.

0:29:03.160 --> 0:29:06.080
<v Speaker 1>You know, your cat stretches, your dogs, you walk your dogs,

0:29:06.080 --> 0:29:08.840
<v Speaker 1>your hamster's got a wheel with this beautiful human animal.

0:29:08.840 --> 0:29:11.560
<v Speaker 1>You've gotta walk, you gotta do, you gotta move, move, move.

0:29:11.680 --> 0:29:14.600
<v Speaker 1>Motion is the lotion. And then I also say you

0:29:14.680 --> 0:29:16.720
<v Speaker 1>better fall in love with your stress or it's going

0:29:16.800 --> 0:29:19.360
<v Speaker 1>to kill you. Because if I when I give I

0:29:19.440 --> 0:29:23.080
<v Speaker 1>go all over the country. You better I can't fall

0:29:23.080 --> 0:29:25.840
<v Speaker 1>in love with my stress. Well yeah, I mean it's

0:29:25.960 --> 0:29:27.800
<v Speaker 1>but no, you have to, I always say, because I

0:29:27.840 --> 0:29:29.840
<v Speaker 1>give give speeches all over the country. I'm always like

0:29:29.880 --> 0:29:32.480
<v Speaker 1>asked to give you know, could go to different things,

0:29:32.520 --> 0:29:35.600
<v Speaker 1>seminars and stuff. And I always say, every one of

0:29:35.600 --> 0:29:37.880
<v Speaker 1>you in this audience wrote down your problems on a

0:29:37.880 --> 0:29:40.400
<v Speaker 1>piece of paper, and I collected them and I started

0:29:40.400 --> 0:29:42.560
<v Speaker 1>reading them out, and you had to pick some problems

0:29:42.600 --> 0:29:44.960
<v Speaker 1>that are on a list. You'd all take back your

0:29:44.960 --> 0:29:48.280
<v Speaker 1>own because you know the beast, you know how to

0:29:48.320 --> 0:29:50.840
<v Speaker 1>handle it. You just might not be doing it well.

0:29:50.840 --> 0:29:53.240
<v Speaker 1>I always tell people whenever i'm especially when I'm speaking

0:29:53.240 --> 0:29:56.160
<v Speaker 1>to people in this profession. Number one, you find out

0:29:56.160 --> 0:29:58.800
<v Speaker 1>how much you love acting. It's itself because you're gonna

0:29:58.840 --> 0:30:01.440
<v Speaker 1>get to do so little of it. The life of

0:30:01.480 --> 0:30:03.920
<v Speaker 1>the actor is all this other bullshit. You know, the

0:30:03.960 --> 0:30:06.120
<v Speaker 1>rest of the year and you're in front of a camera,

0:30:06.240 --> 0:30:08.080
<v Speaker 1>what forty five minutes a day, an hour or a day.

0:30:08.080 --> 0:30:09.680
<v Speaker 1>The rest is sitting in the room you do the show.

0:30:09.720 --> 0:30:12.440
<v Speaker 1>It's two hours at night. If you're inclined to do theater,

0:30:12.920 --> 0:30:14.560
<v Speaker 1>And I said, you need to find out how much

0:30:14.600 --> 0:30:17.040
<v Speaker 1>you love it. At number two, if you're in, get

0:30:17.080 --> 0:30:18.960
<v Speaker 1>into it. Don't do what I did, which is to

0:30:19.040 --> 0:30:22.000
<v Speaker 1>be like fuck l A and fuck you and I

0:30:22.040 --> 0:30:23.720
<v Speaker 1>think you're all full of ship, and you know this

0:30:23.720 --> 0:30:25.440
<v Speaker 1>whole thing is just this business is full of ship.

0:30:25.880 --> 0:30:28.080
<v Speaker 1>Be a part of it. Joined the academy, go to

0:30:28.120 --> 0:30:31.200
<v Speaker 1>the screening, be a part of the business, and don't

0:30:31.200 --> 0:30:33.160
<v Speaker 1>be cynical about it. And if not, then get out.

0:30:33.240 --> 0:30:35.280
<v Speaker 1>Get out. I always say, if something, do it or

0:30:35.320 --> 0:30:37.320
<v Speaker 1>don't do it. If someone can talk to you out

0:30:37.360 --> 0:30:40.920
<v Speaker 1>of it, let it, because otherwise you have to really

0:30:40.960 --> 0:30:43.240
<v Speaker 1>really want to do it. And also I always say

0:30:43.240 --> 0:30:46.040
<v Speaker 1>to people, look fall in love with auditioning because it

0:30:46.160 --> 0:30:48.560
<v Speaker 1>might be the only ten minutes you have that job.

0:30:49.120 --> 0:30:51.040
<v Speaker 1>So if you do it, you know what I mean,

0:30:51.080 --> 0:30:53.520
<v Speaker 1>then then it's like your job for ten minutes. And

0:30:53.520 --> 0:30:56.040
<v Speaker 1>maybe you remember all these people from the TV Star

0:30:56.400 --> 0:30:59.720
<v Speaker 1>Shelf that we always talk about, Gregory Harrison, who didn't

0:30:59.760 --> 0:31:02.120
<v Speaker 1>inter you wants to Change My Life, Gregory Harris And

0:31:03.600 --> 0:31:07.800
<v Speaker 1>we did Jack Nicholson h and Margaret parts in in

0:31:08.120 --> 0:31:11.560
<v Speaker 1>Kernal Knowledge at the Pasadena Playhouse. We played those parts,

0:31:11.560 --> 0:31:14.040
<v Speaker 1>so we saw each other naked in a shower. Yeah, Oh,

0:31:14.080 --> 0:31:16.880
<v Speaker 1>my god, I'm sure you both look pretty good. We did,

0:31:18.120 --> 0:31:22.520
<v Speaker 1>We still do, he did. He did an interview once

0:31:22.640 --> 0:31:24.360
<v Speaker 1>years ago, it was a million years ago, like TV

0:31:24.480 --> 0:31:27.040
<v Speaker 1>Guide or something stupid thing, and he did an interview

0:31:27.040 --> 0:31:29.160
<v Speaker 1>where he said, basically I'm paraphrasing, he was like, you know,

0:31:29.240 --> 0:31:32.360
<v Speaker 1>his whole energy changed, his whole career changed when he

0:31:32.400 --> 0:31:34.640
<v Speaker 1>walked into auditions and his attitude was like, how can

0:31:34.680 --> 0:31:37.800
<v Speaker 1>I help you? Like you called me here, I didn't

0:31:37.800 --> 0:31:40.080
<v Speaker 1>put a gun to your head and make you audition

0:31:40.160 --> 0:31:43.240
<v Speaker 1>me for this part. I have something you want. You're

0:31:43.240 --> 0:31:45.840
<v Speaker 1>looking for something and whether and once he stopped giving

0:31:45.840 --> 0:31:49.160
<v Speaker 1>the energy of like oh and being fawning and obsequious

0:31:49.160 --> 0:31:51.640
<v Speaker 1>with them, everything changed. It's so funny you're saying this

0:31:51.680 --> 0:31:55.000
<v Speaker 1>because I tell a story in my show again about

0:31:55.240 --> 0:31:58.640
<v Speaker 1>how I auditioned for forty commercials before I got one

0:31:59.120 --> 0:32:00.560
<v Speaker 1>and the reason I find he got and then I

0:32:00.560 --> 0:32:02.320
<v Speaker 1>booked seventy two and two and a half years. I

0:32:02.440 --> 0:32:05.440
<v Speaker 1>was quite crazy. I was doing commercials constantly, but it

0:32:05.480 --> 0:32:08.240
<v Speaker 1>took me forty auditions to get my first one because

0:32:08.360 --> 0:32:10.720
<v Speaker 1>on the thirty nine a friend of mine called me

0:32:10.760 --> 0:32:12.640
<v Speaker 1>and it was for Mr. Coffee. I still remember the

0:32:12.720 --> 0:32:14.800
<v Speaker 1>jingle and I had to sing it. I was so

0:32:14.840 --> 0:32:16.960
<v Speaker 1>wrong for the part, but he called me in and

0:32:16.960 --> 0:32:19.760
<v Speaker 1>he called me that night and he said he knew

0:32:19.760 --> 0:32:21.760
<v Speaker 1>I was having trouble with auditions, and he said, are

0:32:21.800 --> 0:32:23.720
<v Speaker 1>you this way the way you were today with me

0:32:24.120 --> 0:32:26.080
<v Speaker 1>in your auditions? And I went, oh, my gosh, no,

0:32:26.280 --> 0:32:28.680
<v Speaker 1>are you kidding. I was just so myself because you

0:32:28.720 --> 0:32:31.360
<v Speaker 1>were there. He said, we almost changed the whole concept

0:32:31.360 --> 0:32:34.120
<v Speaker 1>of the commercial because you were so original. He said,

0:32:34.160 --> 0:32:36.000
<v Speaker 1>that's what you have to do every time you go

0:32:36.040 --> 0:32:39.200
<v Speaker 1>into an audition. Stop giving people what you think they want.

0:32:39.480 --> 0:32:41.440
<v Speaker 1>Just go in there and it's gonna hit. It's gonna hit.

0:32:41.480 --> 0:32:43.280
<v Speaker 1>And he was right. And then I booked one right

0:32:43.320 --> 0:32:46.040
<v Speaker 1>after the other and I became this body parts model

0:32:46.440 --> 0:32:48.360
<v Speaker 1>and it was just like crazy that I did a

0:32:48.360 --> 0:32:51.040
<v Speaker 1>lot of different parts of the body. I was which

0:32:51.080 --> 0:32:54.280
<v Speaker 1>parts of the body did which part? This is in

0:32:54.320 --> 0:32:57.360
<v Speaker 1>my show? I said. I did four plate text Brock commercials.

0:32:57.480 --> 0:33:00.520
<v Speaker 1>You know, it's got sash here and seeing was to

0:33:00.640 --> 0:33:03.000
<v Speaker 1>play text panties. You were wearing a bra, You were

0:33:03.000 --> 0:33:05.720
<v Speaker 1>a bra model. I was a bra model, but sometimes

0:33:05.760 --> 0:33:07.640
<v Speaker 1>I had like a shirt on, you know, and you

0:33:07.640 --> 0:33:09.640
<v Speaker 1>could see certain things. But it was just like I'm

0:33:09.640 --> 0:33:13.280
<v Speaker 1>looking exactly, And then I did to play text panties

0:33:13.280 --> 0:33:16.880
<v Speaker 1>commercials or all you saw was my button. These were

0:33:16.880 --> 0:33:22.480
<v Speaker 1>separate commercials, separate. The bra and the panties were separate shoots, separate,

0:33:22.560 --> 0:33:24.080
<v Speaker 1>because if I was the producer, that's what I want

0:33:24.080 --> 0:33:26.040
<v Speaker 1>to said. I said, and we need to shoot these separately,

0:33:26.600 --> 0:33:28.640
<v Speaker 1>and we need to shoot them over five days. And

0:33:28.760 --> 0:33:31.680
<v Speaker 1>I did do yes, And then I said, but all

0:33:31.720 --> 0:33:33.920
<v Speaker 1>you see is my button, my crotch, walking my dog,

0:33:34.280 --> 0:33:37.480
<v Speaker 1>walking around Lincoln Center getting on a bus. But the

0:33:37.520 --> 0:33:41.280
<v Speaker 1>polaroids when you walk into the audition for a panties commercial,

0:33:41.520 --> 0:33:43.560
<v Speaker 1>it's amazing because you see all these polaroids of just

0:33:43.640 --> 0:33:46.240
<v Speaker 1>people's crotches and butts and side views and everything else.

0:33:46.560 --> 0:33:47.920
<v Speaker 1>And then I was even the Fruit of the Loom

0:33:47.960 --> 0:33:50.520
<v Speaker 1>panty host girl inside of a giant apple with my

0:33:50.600 --> 0:33:54.040
<v Speaker 1>legs sticking out. And so I did like different cuts.

0:33:54.080 --> 0:33:56.000
<v Speaker 1>But then I also did like I did an ex

0:33:56.080 --> 0:33:59.240
<v Speaker 1>on by Centennial minute where I played Annie Sullivan. I

0:33:59.280 --> 0:34:01.840
<v Speaker 1>got a Cleon domination for that, and I did everything

0:34:01.880 --> 0:34:05.040
<v Speaker 1>from Reese's peanut butter to gleam toothpaste. So many different

0:34:05.040 --> 0:34:08.120
<v Speaker 1>times I was the ponderosa Steakhouse Girl, the samson I

0:34:08.239 --> 0:34:10.719
<v Speaker 1>Luggage Girl on. So I just kept doing it and

0:34:10.719 --> 0:34:12.759
<v Speaker 1>doing it and doing it because every time and I

0:34:12.840 --> 0:34:14.520
<v Speaker 1>learned this the heart, I mean, I learned the hard way.

0:34:14.760 --> 0:34:16.799
<v Speaker 1>You walk in and you bring something to it, like

0:34:16.840 --> 0:34:19.040
<v Speaker 1>Gregory says, how can I help you? Let me show

0:34:19.080 --> 0:34:21.319
<v Speaker 1>you something like I would do with it. But what

0:34:21.440 --> 0:34:24.840
<v Speaker 1>did you study at Chicago? You studied theater. No, they

0:34:24.840 --> 0:34:27.880
<v Speaker 1>had a theater department, but they had no theater degree.

0:34:28.239 --> 0:34:30.719
<v Speaker 1>So even though it was so, I know, I was

0:34:30.760 --> 0:34:33.120
<v Speaker 1>a political science major and so and the first two

0:34:33.160 --> 0:34:35.279
<v Speaker 1>years is mostly the core curriculum. So where did you

0:34:35.360 --> 0:34:37.480
<v Speaker 1>learn to sing a dance? Well? I grew up in

0:34:37.480 --> 0:34:40.200
<v Speaker 1>the dancing studio and I always sang because my two

0:34:40.200 --> 0:34:42.239
<v Speaker 1>older sisters were in choir and stuff like that. So

0:34:42.320 --> 0:34:44.520
<v Speaker 1>I'd go to their practices and stuff, and it was

0:34:44.600 --> 0:34:46.960
<v Speaker 1>just something I always wanted, you know. I was on

0:34:47.040 --> 0:34:49.759
<v Speaker 1>stage at two and a half at a father like

0:34:49.800 --> 0:34:51.759
<v Speaker 1>a pinnacle for you, was at a big Dream Country Was.

0:34:53.880 --> 0:34:58.040
<v Speaker 1>They called me on March the fourth scene Walter, whom

0:34:58.040 --> 0:35:00.360
<v Speaker 1>I knew from the Greece family, and they called me

0:35:00.360 --> 0:35:03.239
<v Speaker 1>and they said, uh, Annie Ranking is leaving Chicago. And

0:35:03.239 --> 0:35:05.840
<v Speaker 1>she thinks she'd be a good replacement. What kind of

0:35:06.320 --> 0:35:09.520
<v Speaker 1>dance shape are you in? And I said, oh, I

0:35:09.560 --> 0:35:11.680
<v Speaker 1>haven't had my legs up over my head except for

0:35:11.760 --> 0:35:15.759
<v Speaker 1>childbirtha a good weekend for about five years. So I

0:35:15.840 --> 0:35:18.080
<v Speaker 1>better get my ass back into class. So I went

0:35:18.120 --> 0:35:19.840
<v Speaker 1>to class for ten days and then I went to

0:35:19.880 --> 0:35:22.680
<v Speaker 1>audition and then he said go home, work on the fosse,

0:35:23.200 --> 0:35:24.759
<v Speaker 1>and I did. And I went back and there were

0:35:24.800 --> 0:35:27.960
<v Speaker 1>like twenty seven potential actors in the room and they

0:35:28.040 --> 0:35:31.359
<v Speaker 1>kept eliminating, eliminating until they told me I had the job.

0:35:31.719 --> 0:35:34.560
<v Speaker 1>So I did four hundred and eight performance four hundred

0:35:34.640 --> 0:35:38.479
<v Speaker 1>eight performances Broadway, but also did Vegas because they asked

0:35:38.480 --> 0:35:39.759
<v Speaker 1>me to come to Vegas and I was like, no,

0:35:39.800 --> 0:35:41.239
<v Speaker 1>I don't want to go to Vegas. And then my

0:35:41.280 --> 0:35:43.280
<v Speaker 1>agent said, well, let's have some fun with your quote.

0:35:43.480 --> 0:35:44.920
<v Speaker 1>And then he called me back. He said, they made

0:35:44.960 --> 0:35:46.960
<v Speaker 1>you an offer you can't refuse. You're going to Vegas.

0:35:46.960 --> 0:35:49.000
<v Speaker 1>I was like, okay, So I went to Vegas. But

0:35:49.120 --> 0:35:51.719
<v Speaker 1>my favorite Vegas story because people always said, what's the

0:35:51.719 --> 0:35:55.160
<v Speaker 1>difference between Broadway and Vegas? Although it's not this anymore,

0:35:55.160 --> 0:35:58.000
<v Speaker 1>I'd say, oh yeah, cup holders, because back then you could.

0:35:58.040 --> 0:36:02.040
<v Speaker 1>This was in two thousand. You couldn't. You could drink

0:36:02.080 --> 0:36:05.200
<v Speaker 1>in Vegas, but you couldn't do it on Broadway. So, um,

0:36:05.239 --> 0:36:08.359
<v Speaker 1>I've been there two weeks and they said we love

0:36:08.440 --> 0:36:11.200
<v Speaker 1>you here. I said, really, you've seen the show and

0:36:11.239 --> 0:36:13.200
<v Speaker 1>I was like all excited. He said, no, I haven't

0:36:13.200 --> 0:36:15.439
<v Speaker 1>seen the show yet, but your crowd drinks a lot

0:36:15.480 --> 0:36:24.200
<v Speaker 1>more belvedere than most people. Okay, yeah, I'll never forget.

0:36:24.600 --> 0:36:28.120
<v Speaker 1>Someone wasn't connected to like one of these big fizzy musicals,

0:36:28.520 --> 0:36:30.560
<v Speaker 1>and they were doing like some kind of a cast replacement,

0:36:30.560 --> 0:36:33.120
<v Speaker 1>and they wanted all this stunt casting with somebody famous.

0:36:33.800 --> 0:36:36.759
<v Speaker 1>And this actress walks into audition for the lead role.

0:36:36.920 --> 0:36:39.360
<v Speaker 1>She's this famous actress, and she comes in and she

0:36:39.400 --> 0:36:41.799
<v Speaker 1>does her audition and she leaves and everyone's just kind

0:36:41.840 --> 0:36:44.400
<v Speaker 1>of standing there slack joe. After she leaves, and the

0:36:44.440 --> 0:36:47.360
<v Speaker 1>director turns every and goes, she can't sing, she can't dance,

0:36:47.400 --> 0:36:51.359
<v Speaker 1>she can't act. She's a star, you know, like we're

0:36:51.400 --> 0:36:53.880
<v Speaker 1>gonna hire her even though she has She gets a

0:36:53.960 --> 0:36:56.840
<v Speaker 1>D or inn F in all three categories based on

0:36:56.840 --> 0:36:58.680
<v Speaker 1>what they saw there in that room that day. It's

0:36:58.719 --> 0:37:00.960
<v Speaker 1>so funny because there's all these stories that you know

0:37:01.120 --> 0:37:03.600
<v Speaker 1>that sort of shape your life, like that one you

0:37:03.640 --> 0:37:05.440
<v Speaker 1>know you and you just right you hear it and

0:37:05.440 --> 0:37:07.919
<v Speaker 1>you understand and you you know it right away. When

0:37:07.960 --> 0:37:10.719
<v Speaker 1>I was first on taxi, somebody at ABC came and

0:37:10.760 --> 0:37:12.920
<v Speaker 1>he goes, I've got a movie for you, Mary Lou.

0:37:13.080 --> 0:37:15.240
<v Speaker 1>I said, really, what is it? And he said sizzle?

0:37:16.040 --> 0:37:19.080
<v Speaker 1>I said, what's it about? He said, who cares sizzle?

0:37:20.440 --> 0:37:23.239
<v Speaker 1>So Johnny and I always used to say we would

0:37:23.239 --> 0:37:25.720
<v Speaker 1>like joking, like people were like, you know, who cares sizzle?

0:37:26.080 --> 0:37:30.040
<v Speaker 1>You know, it's just that thing that you do. New

0:37:30.120 --> 0:37:34.680
<v Speaker 1>York Times bestselling author Mary Lou Henner. If you're enjoying

0:37:34.719 --> 0:37:38.080
<v Speaker 1>this conversation, be sure to subscribe to Here's the Thing

0:37:38.440 --> 0:37:42.360
<v Speaker 1>on the I Heart Radio app, Apple Podcasts, or wherever

0:37:42.560 --> 0:37:46.080
<v Speaker 1>you get your podcasts. When we returned, Mary Lou Henner

0:37:46.200 --> 0:38:02.680
<v Speaker 1>talks about finding lasting love the third time around. I'm

0:38:02.719 --> 0:38:06.040
<v Speaker 1>Alec Baldwin and this is Here's the Thing. Mary Lou

0:38:06.120 --> 0:38:10.760
<v Speaker 1>Hanna recently developed and performed a one woman autobiographical show.

0:38:11.320 --> 0:38:15.080
<v Speaker 1>It's filled with songs and stories from her remarkable life.

0:38:16.080 --> 0:38:18.160
<v Speaker 1>I sing a song about my son's and show a

0:38:18.239 --> 0:38:21.000
<v Speaker 1>video of like pictures of them and little videos. Oh

0:38:21.000 --> 0:38:22.960
<v Speaker 1>it kills me every time if I watch it. I'm

0:38:23.000 --> 0:38:25.239
<v Speaker 1>crying just thinking about it. I cried. And it's a

0:38:25.239 --> 0:38:28.480
<v Speaker 1>mash up between Nick of Time because you know, it's

0:38:28.520 --> 0:38:30.160
<v Speaker 1>funny NICKI took me three and a half years to

0:38:30.200 --> 0:38:32.800
<v Speaker 1>get pregnant Joey like immediately I didn't even get my period.

0:38:32.800 --> 0:38:35.360
<v Speaker 1>It was like, Bam, I'm pregnant again. So and he

0:38:35.520 --> 0:38:38.040
<v Speaker 1>and so I do Nick of Time and happiness is

0:38:38.080 --> 0:38:40.560
<v Speaker 1>just a thing called joe and that's it. And also

0:38:40.840 --> 0:38:43.520
<v Speaker 1>I sing a song about Freddie, my first husband. I

0:38:43.600 --> 0:38:46.680
<v Speaker 1>do Desperado because that's kind of who he was in

0:38:46.719 --> 0:38:48.840
<v Speaker 1>my life. And that song always gets to me too.

0:38:49.080 --> 0:38:51.320
<v Speaker 1>So it's like telling some of those type stories and

0:38:51.440 --> 0:38:54.240
<v Speaker 1>talking about Bird was very emotional to a couple of times.

0:38:54.440 --> 0:38:56.520
<v Speaker 1>So it depends, you know, it depends on the crowd.

0:38:56.840 --> 0:38:58.640
<v Speaker 1>When you come and you're gonna camp an, it's your

0:38:58.680 --> 0:39:01.600
<v Speaker 1>husband gonna come with you? He comes. Yeah, he's great.

0:39:01.760 --> 0:39:03.919
<v Speaker 1>Oh that's he's another whole story. You know, we wrote

0:39:03.920 --> 0:39:06.840
<v Speaker 1>a book. We got together. He was my roommate's boyfriend.

0:39:06.880 --> 0:39:09.200
<v Speaker 1>I didn't dare twinkle in his direction. But then when

0:39:09.360 --> 0:39:11.880
<v Speaker 1>he called me out of nowhere six months after my

0:39:11.920 --> 0:39:14.520
<v Speaker 1>divorce from Rob was final. We got together within a week.

0:39:14.520 --> 0:39:15.840
<v Speaker 1>We're saying I love you. We're going to spend the

0:39:15.880 --> 0:39:18.200
<v Speaker 1>rest of our lives together. And two months later he's

0:39:18.200 --> 0:39:21.960
<v Speaker 1>diagnosed with two cancers, bladder cancer and lung cancer. And

0:39:22.360 --> 0:39:24.480
<v Speaker 1>we ended up doing a whole protocol for him that

0:39:24.520 --> 0:39:27.560
<v Speaker 1>didn't involve chemo or radiation. They wanted to remove his bladder,

0:39:27.600 --> 0:39:30.040
<v Speaker 1>his prostate, run a hose up his penis, and we

0:39:30.040 --> 0:39:31.840
<v Speaker 1>could pump it up six times if we wanted to

0:39:31.880 --> 0:39:34.000
<v Speaker 1>have sex. They were they were pushing all of this.

0:39:34.080 --> 0:39:37.640
<v Speaker 1>I was like, no, and we always say that the pump,

0:39:37.680 --> 0:39:40.000
<v Speaker 1>by the way, don't do it for fun. No, he

0:39:40.040 --> 0:39:43.680
<v Speaker 1>doesn't need the pump at all. No, my husband, No, No,

0:39:43.760 --> 0:39:48.480
<v Speaker 1>not at all. He saved all of his organs. He

0:39:48.520 --> 0:39:50.680
<v Speaker 1>saved his organs and he's been in remission. It will

0:39:50.680 --> 0:39:54.000
<v Speaker 1>be eighteen years November twenty four. It's pretty remarkable. And

0:39:54.040 --> 0:39:57.680
<v Speaker 1>he didn't he did immunotherapy, but he went completely vegan,

0:39:57.719 --> 0:39:59.719
<v Speaker 1>and he went got rid of I mean he did

0:39:59.760 --> 0:40:02.200
<v Speaker 1>every thing. He shot himself with iscadoor, which is extract

0:40:02.239 --> 0:40:04.680
<v Speaker 1>of mistletoe. He got rid of all of the mercury

0:40:04.680 --> 0:40:08.920
<v Speaker 1>fillings in his mouth, kulation therapy, high colonics, lymphatic massages,

0:40:08.960 --> 0:40:12.040
<v Speaker 1>infrared saunas and he stays on this protocol and he

0:40:12.200 --> 0:40:15.120
<v Speaker 1>has been in remission almost eighteen years. It's pretty remarkable,

0:40:15.640 --> 0:40:17.880
<v Speaker 1>you know, pretty cool. When I went to the doctor

0:40:17.920 --> 0:40:21.080
<v Speaker 1>and he was going to do the anterior hip replacement

0:40:21.120 --> 0:40:22.880
<v Speaker 1>process and he says to me, now, I want to

0:40:22.880 --> 0:40:24.600
<v Speaker 1>just review with you that you know that that when

0:40:24.600 --> 0:40:26.400
<v Speaker 1>you do the anterior procedure, when we go in the

0:40:26.400 --> 0:40:29.480
<v Speaker 1>front as supposed to the side is the quickest to heal.

0:40:29.520 --> 0:40:31.719
<v Speaker 1>But there are some complications. Is like point zero two

0:40:31.719 --> 0:40:34.080
<v Speaker 1>percent that we're gonna nick some nerves in there. There's

0:40:34.080 --> 0:40:36.239
<v Speaker 1>some maarterial to heverage. I said, what nerve? He took

0:40:36.239 --> 0:40:40.439
<v Speaker 1>his finger and he went like this, and I turned

0:40:40.440 --> 0:40:42.120
<v Speaker 1>my mind and said, oh, you can just tear that out,

0:40:42.160 --> 0:40:45.120
<v Speaker 1>just that nerve. Right, I'm done. You can just yank

0:40:45.360 --> 0:40:48.880
<v Speaker 1>get apparel of pliers and zax come on you. And

0:40:49.120 --> 0:40:52.239
<v Speaker 1>we have an expression in my family PF. Okay, we

0:40:52.320 --> 0:40:54.239
<v Speaker 1>have this expression. My brothers and I made it up

0:40:54.400 --> 0:40:56.800
<v Speaker 1>and it's like measures the sexual quotient of things like

0:40:56.840 --> 0:40:58.720
<v Speaker 1>oh man, there was so much PF at that party,

0:40:58.800 --> 0:41:01.080
<v Speaker 1>or man I saw that move No PF between the

0:41:01.080 --> 0:41:03.799
<v Speaker 1>two of them. And PF stands for pussy factor or

0:41:03.800 --> 0:41:07.279
<v Speaker 1>penis factor, right, because things have PF, you know. And

0:41:07.400 --> 0:41:09.640
<v Speaker 1>I don't like b D for big dick energy because

0:41:09.640 --> 0:41:11.879
<v Speaker 1>that is sexist and sizest, do you know what I mean?

0:41:12.080 --> 0:41:15.080
<v Speaker 1>But you and Hillaria obviously have tons of PF. Obviously

0:41:15.520 --> 0:41:18.359
<v Speaker 1>six kids, but but you you still want to have

0:41:18.480 --> 0:41:21.200
<v Speaker 1>You're still gonna have PF even I don't want you.

0:41:21.280 --> 0:41:24.239
<v Speaker 1>I don't want to retire from that. But but six kids,

0:41:24.239 --> 0:41:26.359
<v Speaker 1>it's really been. Its been like a six and eight

0:41:26.440 --> 0:41:29.359
<v Speaker 1>years is six kids in seven years and seven years

0:41:29.360 --> 0:41:31.719
<v Speaker 1>and seven years? Oh that's right, seven years. You know.

0:41:32.239 --> 0:41:33.880
<v Speaker 1>I don't know if you remember this day, but we

0:41:33.880 --> 0:41:37.040
<v Speaker 1>were all all the kids because Ireland is close to

0:41:37.120 --> 0:41:42.000
<v Speaker 1>my Joey's age. He's born November twelve, so she's like

0:41:42.000 --> 0:41:46.320
<v Speaker 1>the So we were all at a meat because Joey

0:41:46.400 --> 0:41:48.360
<v Speaker 1>was like the real athlete in the family. But Joey

0:41:48.400 --> 0:41:52.040
<v Speaker 1>was at this meet, and Caitlyn Jenner was there and

0:41:53.040 --> 0:41:56.400
<v Speaker 1>her kids and you know, Ireland and my Joey and

0:41:56.440 --> 0:41:58.839
<v Speaker 1>they were all doing their sports thing. And you walked

0:41:58.880 --> 0:42:01.520
<v Speaker 1>up to my son Nick, who is about thirteen at

0:42:01.560 --> 0:42:03.640
<v Speaker 1>the time, fourteen at the time, and you said, and

0:42:03.719 --> 0:42:05.960
<v Speaker 1>what are you going to be besides a Ralph Lauren model?

0:42:06.719 --> 0:42:09.279
<v Speaker 1>Because he's very cute. What is he doing now? He's

0:42:09.280 --> 0:42:11.640
<v Speaker 1>a director. He's a director. He's he went to Columbia

0:42:12.000 --> 0:42:14.520
<v Speaker 1>and he directs all these videos. And he directed this

0:42:14.560 --> 0:42:17.720
<v Speaker 1>short that has now been bought by Will Ferrell's company

0:42:17.760 --> 0:42:20.040
<v Speaker 1>and he's turned it into a two hour movie and

0:42:20.200 --> 0:42:22.479
<v Speaker 1>he might be directing it. We'll see. But it looks good.

0:42:23.239 --> 0:42:25.200
<v Speaker 1>Can I just say what my son Joey's doing too?

0:42:25.239 --> 0:42:28.520
<v Speaker 1>Because he's because I said about Nick. So Joey lives

0:42:28.520 --> 0:42:31.560
<v Speaker 1>in Brooklyn. He does his improv troupe that they do whatever.

0:42:31.800 --> 0:42:33.920
<v Speaker 1>But he's an international bridge player. He's one of the

0:42:33.920 --> 0:42:36.759
<v Speaker 1>top bridge players in the world under twenty five, and

0:42:36.800 --> 0:42:39.160
<v Speaker 1>he became a life master at twenty four. And he

0:42:39.200 --> 0:42:41.759
<v Speaker 1>has all these women that he plays bridge with and

0:42:41.800 --> 0:42:43.520
<v Speaker 1>they pay a lot money to play with him because

0:42:43.560 --> 0:42:46.600
<v Speaker 1>he's so cute. And he's writing a script called Bridge Giggalow.

0:42:47.120 --> 0:42:55.160
<v Speaker 1>Because I have a comedy writer and I'm a director. Yeah, yeah,

0:42:54.440 --> 0:42:58.440
<v Speaker 1>I'm telling me he should bead. Jonathan Ames book The

0:42:58.600 --> 0:43:02.080
<v Speaker 1>Extra Man that was made into a film with Kevin

0:43:02.160 --> 0:43:05.840
<v Speaker 1>Klein and Paul Dano and that's your son, Paul. He

0:43:06.000 --> 0:43:07.960
<v Speaker 1>is a character because because because it's about a boy

0:43:08.000 --> 0:43:09.840
<v Speaker 1>that meets like a guy who's like a who's like

0:43:09.880 --> 0:43:12.560
<v Speaker 1>a walker. He's like a male prostitute, and he doesn't

0:43:12.560 --> 0:43:14.680
<v Speaker 1>necessarily sleep with the women, but he's like he takes

0:43:14.719 --> 0:43:17.560
<v Speaker 1>all of these old biddies to like Palm Beach, Cotillions

0:43:17.560 --> 0:43:20.680
<v Speaker 1>and all the shops. I don't think I'm thinking that

0:43:20.800 --> 0:43:23.120
<v Speaker 1>my son is talking about them as old biddies, because

0:43:23.120 --> 0:43:26.400
<v Speaker 1>you know, someone who know not not his not his

0:43:26.440 --> 0:43:29.640
<v Speaker 1>bridge park. Anyway, My love to you, and I look

0:43:29.640 --> 0:43:31.440
<v Speaker 1>forward to seeing him in New York. Okay, love to

0:43:31.480 --> 0:43:36.000
<v Speaker 1>after and you're one. Sometimes it's called Mary lou I know,

0:43:36.160 --> 0:43:39.239
<v Speaker 1>so we actually said that. I forgot that. I know

0:43:39.440 --> 0:43:42.239
<v Speaker 1>we literally they My wife calls her Mary lou. I

0:43:42.280 --> 0:43:45.160
<v Speaker 1>know she doesn't Maria Luthia, but my wife calls her

0:43:45.160 --> 0:43:48.120
<v Speaker 1>Mary Louke. My wife calls my daughter Mary. It's on

0:43:48.160 --> 0:43:51.040
<v Speaker 1>the back of her little high chair chair chair. I know,

0:43:51.160 --> 0:43:55.440
<v Speaker 1>see I pay attention. My name is Mary, Lucy, Denise, Cecilia, Hannah, Forrest,

0:43:55.520 --> 0:44:00.200
<v Speaker 1>Lieberman Brown, good luck, vision and heat because up on

0:44:00.239 --> 0:44:02.520
<v Speaker 1>that chair. I love to you, sweet. We'll talk to

0:44:02.560 --> 0:44:09.640
<v Speaker 1>you down the road. Okay actress and author Mary Lou Henner.

0:44:10.760 --> 0:44:15.960
<v Speaker 1>This episode was produced by Kathleen Russo, Carrie Donohue, Maureen Hoban,

0:44:16.080 --> 0:44:21.000
<v Speaker 1>and Zack McNeice. Our engineer is Frank Imperial. I'm Alec Baldwin.

0:44:21.120 --> 0:44:24.160
<v Speaker 1>Here's the thing is brought to you by iHeart Radio